20 21
For all the drama, the humor, and the beauty you see on stage, there are thousands of hours of rehearsal, hundreds of pointe shoes, along with some injuries and heartbreak. And to what end? To dazzle, to intrigue, to present something that makes your eyes well and your throat choke up. To leave you in wonder and delight. To allow you to feel emotions that linger long after the curtain has closed. For a dancer, all the pain and triumph is then worth it.
COME, EXPLORE YOUR EMOTIONS.
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FIRST SOLOIST KATLYN ADDISON & PRINCIPAL ARTIST ADRIAN FRY | PHOTO BY BEAU PEARSON, STYLIZED BY ALEX MOYA
20 21 DRACULA
NINE SINATRA SONGS THE NUTCRACKER ROMEO + JULIET RODEO CHOREOGRAPHIC FESTIVAL THE LITTLE MERMAID
DRACULA SEDUCTION AT FIRST BITE
SOLOIST EMILY NEALE & PRINCIPAL REX TITLON | PHOTO BY BEAU PEARSON
OCT 23 24 28 29 30 31
DRACULA
OCT 23 24 28 29 30 31
Enter a world of gothic grandeur in this lavish neoRomantic production. Ben Stevenson’s Dracula is an immersive melodrama that unfolds with awe-inspiring theatrics, vampire brides, stunning sets, and exploding chandeliers. The iconic tale is told with drama and sweeping choreography that adds layers of artistry and entertainment to every element of the production.
ABOVE: ARTISTS OF BALLET WEST. NEXT PAGE, LEFT: FIRST SOLOIST CHRISTOPHER SELLARS. RIGHT: ARTISTS OF BALLET WEST. PHOTOGRAPHY BY LUKE ISLEY.
“ Dracula is spectacle of an order ballet audiences seldom see today... exquisitely beautiful and atmospheric.” —The New York Times Choreography Ben Stevenson Music Franz Liszt, in an arrangement by John Lanchbery Scenic design Thomas Boyd Dracula is a killer introduction for new patrons to ballet— it has enormous sets, exciting special effects, and doesn’t stray far from the Bram Stoker novel. But, it also has intricate and beautiful choreography any ballet lover will appreciate. Ben Stevenson first choreographed Dracula in 1997, while serving as Houston Ballet’s Artistic Director. Since then it has been performed around the world to critical acclaim.
Costume design Judanna Lynn Lighting Timothy Hunter World Premiere March 13, 1997 .Wortham Center Houston, Texas Utah Premiere October 21, 2011. Jannet Quinney Lawson Capitol Theatre
A true extravaganza, Dracula is a three-act ballet that is recommended for ages nine and up.
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20 21
NINE SINATRA SONGS MODERN MASTERWORKS
NINE SINATRA SONGSTM © TWYLA THARP PERFORMED BY DEMI-SOLOIST GABRIELLE SALVATTO & ARTIST DOMINIC BALLARD PHOTO BY BEAU PEARSON
NOV 6
7
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NINE SINATRA SONGS
NOV 6
12 14 PRINCIPAL ARTISTS EMILY ADAMS & CHASE O'CONNELL | PHOTO BY BEAU PEARSON
FIRST SOLOIST ALEXANDER MACFARLAN & SOLOIST JORDAN VEIT PHOTO BY LUKE ISLEY
NINE SINATRA SONGS
One of Twyla Tharp’s most popular works, Nine Sinatra Songs presents glamorous portraits of seven couples that trace the arc of romantic relationships. The dancers swing, swirl, tango, and cha-cha through a glittering ballroom, all while being serenaded by the "Chairman of the Board." Choreography Twyla Tharp Music Frank Sinatra Scenic Design Name Costume Design Oscar de la Renta Lighting Jennifer Tipton World Premiere October 15, 1982 Twyla Tharp Dance Queen Elizabeth Theatre Vancouver, Canada Utah Premiere April 18, 2008. Jannet Quinney Lawson Capitol Theatre
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ABOVE: NINE SINATRA SONGSTM © TWYLA THARP PERFORMED BY NORTHWEST BALLET: LESLIE RAUSCH & JOSHUA GRANT PHOTO BY ANGELA STERLING. NEXT PAGE, LEFT: BALLET WEST FIRST SOLOIST ALEXANDER MACFARLAN & SOLOIST JORDAN VEIT | PHOTO BY LUKE ISLEY. RIGHT:BALLET WEST PRINCIPAL ARTISTS EMILY ADAMS & CHASE O'CONNELL | PHOTO BY BEAU PEARSON
ALMOST TANGO
Set in a crowded dance hall, Almost Tango presents the rich cultural roots and passionate style of the Argentinian dance. Fonte is a master of creating relationships on stage that tell deeply emotional stories: “He is a storyteller first, and a brilliant choreographer second,” said the Deseret News. As with his Carmina Burana, Rite of Spring, or Fox on the Doorstep, Almost Tango speaks to the soul with both joy and heartache. Choreography Nicolo Fonte Music Laurie Anderson, Karl Jenkins, and Thomas Oboe Lee
RETURN TO A STRANGE LAND
After the great choreographer John Cranko’s premature death during a U.S. tour, Jiří Kylián and the Stuttgart Ballet described their arrival home without their mentor as a “return to a strange land.” The rumination became the title of Kylián’s tribute to his mentor featuring six dancers and a stage strewn with fallen, auttumn leaves. The heart-rending work is set to a solo piano written by Czech composer Leoš Janáček. Choreography Jiří Kylián Music Leoš Janáček
Scenic Design Michael Andrew Currey
Scenic Design Jiří Kylián
Costume Design David Heuvel after Nicolo Fonte and Mark Zappone
Costume Design Jiří Kylián
Lighting Design Ron Vodicka World Premiere April 11, 2002. Originally commissioned by Pacific Northwest Ballet. Re-choreographed and produced for Ballet West in 2008 Utah Premiere April 10, 2015. Jannet Quinney Lawson Capitol Theatre
Lighting Design Jiří Kylián Utah Premiere April 13, 2018. Jannet Quinney Lawson Capitol Theatre
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20 21
THE GEORGE S. AND DOLORES DORÉ ECCLES FOUNDATION PRESENTS WILLAM CHRISTENSEN’S
THE NUTCRACKER AMERICA'S FIRST NUTCRACKER
FIRST SOLOIST SAYAKA OHTAKI | PHOTO BY BEAU PEARSON
DEC 11 12 13 16 17 18 19 20 21 22 23 24 26
THE GEORGE S. AND DOLORES DORÉ ECCLES FOUNDATION PRESENTS WILLAM CHRISTENSEN’S
THE NUTCRACKER Whether you’ve experienced it once or a hundred times, the magic of The Nutcracker never fades. Bask in the glow of a holiday tradition that has brought joy to millions. Amplify your family’s festive cheer with Clara’s timeless story, Tchaikovsky’s unforgettable score, and Willam Christensen’s iconic choreography.
SPREAD: ARTISTS OF BALLET WEST | PHOTOGRAPHY BY BEAU PEARSON.
DEC 11 12 13 16 17 18 19 20 21 22 23 24 26
Utah Premiere 1955, Kingsbury Hall Choreography Willam Christensen Costumes David Heuvel Scenic Design John Wayne Cook Additional Scenic Design Dick and Belinda Bird Music Peter Ilyich Tchaikovsky More than three quarters of a century old, The Nutcracker still looks as fresh and relevant as it did the day it opened. Today, it is as emblematic of the holidays as Christmas trees or fruitcake. Year after year, dancers perform The Nutcracker for up to 30 performances or more. They relish the opportunity to be in front of large audiences filled with both fresh eyes and eyes filled with nostalgia. “I love being part of The Nutcracker, it never gets old to me,” said First Soloist Jenna Rae Herrera. “I always imagine that this might be someone’s first performance. So, every time I’m on stage, I give 100 percent.”
World Premiere 1944, War Memorial Opera House San Francisco, California Utah Premiere December 27, 1955 Kingsbury Hall
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20 21
ROMEO + JULIET THE WORLD’S MOST FAMOUS LOVE STORY
PRINCIPAL ARTISTS BECKANNE SISK & CHASE O'CONNELL | PHOTO BY BEAU PEARSON
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ROMEO + JULIET A sweeping and dynamic version of one of the most famous stories in history, Michael Smuin’s Romeo and Juliet captures William Shakespeare’s humor, drama, and heartache. His Romeo and Juliet is carried by Sergei Prokofiev's dramatic score that tells the Bard’s story about two star-crossed lovers, caught in their families’ feuds.
ARTISTS OF BALLET WEST. PHOTOGRAPHY BY ROLF KAY.
FEB 12 13 14 18 19 20
“ Parting is such sweet sorrow that I shall say goodnight till it be morrow.” Though now lost to history, Willam Christensen choreographed the first full-length Romeo and Juliet in America in 1938 for his struggling ensemble at the time, the San Francisco Ballet.
Choreography Michael Smuin Music Sergei Prokofiev Scenic design William Pitkin Costume design David Heuvel Lighting M. Kay Barrell JANE WOOD & ROBERT ARBOGAST | PHOTOGRAPHY BY ROLF KAY.
Returning to the Ballet West stage for the first time since 1996 Michael Smuin’s Romeo and Juliet is a national treasure that premiered at the San Francisco Ballet in 1976 and at Ballet West in 1988. Smuin was an early student of Ballet West founder, Willam Christensen. He became a principal dancer with American Ballet Theatre and eventually founded his own company, Smuin Ballet. Smuin starred in many films, winning both a Tony and a Emmy. He died suddenly in his studio in 2007, surrounded by his dancers.
World Premiere 1976, San Francisco Ballet Utah Premiere 1988, Ballet West Jannet Quinney Lawson Capitol Theatre
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20 21
RODEO
BALLET WEST & UTAH PREMIERES BY AMERICAN ICONS
FIRST SOLOIST JENNA RAE HERRERA | PHOTO BY BEAU PEARSON
APR 9 10 15 17
APR
RODEO
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RODEO
(THE COURTING AT BURNT RANCH)
With its world famous score by Aaron Copland, Rodeo (pronounced Ro-day-oh) is Agnes de Mille’s most beloved ballet. A touching story of a misfit tomboy who doesn’t fit in, but is still in search of love. The ballet is both joyous and tender, and received 22 curtain calls after de Mille herself danced the leading role on opening night in 1942. Rodeo is an optimistic celebration of the American spirit. Choreography
Agnes de Mille Music
Aaron Copland Scenic Design
Oliver Smith
Costume Design
Santo Loquasto Lighting design
Thomas R. Skelton World Premiere
October 16, 1942 Ballet Russe de Monte Carlo Metropolitan Opera House, New York City, New York
THE SARASOTA BALLET IN AGNES DEMILLE'S RODEO | PHOTO BY FRANK ATURA
PENNSYLVANIA BALLET'S OSAKA MASLOVA & JERMEL JOHNSON IN JEROME ROBBINS' GLASS PIECES | PHOTO BY ALEXANDER IZILIAEV
GLASS PIECES
Created near the end of his career, Glass Pieces showcases Jerome Robbins' expansive scope and streamlined approach to neoclassical ballet. The ballet captures the pulsating heartbeat of metropolitan life with its charged choreography, concluding in a finale that propels the dancers across the stage at an electrifying pace.
BELLES-LETTRES
Choreography
Justin Peck has become a worldwide phenomenon, choreographing around the world for stage and film. He is now New York City Ballet’s Resident Choreographer, a Tony Award-winner for his choreography in the Broadway revival of Carousel, and was tapped by Steven Spielberg to choreograph the film adaptation of West Side Story. An amorous ballet with nine dancers, Belles-Lettres was choreographed for NYCB's 2014 Fall Gala.
Music
Choreography
Philip Glass
Justin Peck
Scenic Design
Music
Jerome Robbins
Jerome Robbins and Ronald Bates (Production Design) Costumes
Ben Benson Lighting
Ronald Bates World Premiere
May 12, 1983, New York City Ballet New York City Ballet State Theater, New York City, New York
Three prolific choreographers who deftly mastered Broadway, ballet, and cinema.
Cesar Franck Costumes
Mary Katrantzou Lighting
Mark Stanley Premiere
September 23, 2014 New York City Ballet David H. Koch Theater, New York City, New York
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20 21
CHOREOGRAPHIC FESTIVAL THE FUTURE OF BALLET
ARTIST OLIVIA GUSTI & FIRST SOLOIST HADRIEL DINIZ | PHOTO BY BEAU PEARSON
MAY 6
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CHOREOGRAPHIC FESTIVAL
MAY 6
Artistic Director Adam Sklute has often called the Choreographic Festival a “Sundance for Dance.” In an exciting, first-time collaboration, Ballet West Principal Artist Emily Adams will create a world premiere with a composer from Sundance Institute’s Music Film Program. Once again, audiences will see dancers, musicians, and choreographers exploring their art form in intriguing and cutting-edge new creations.
ABOVE: ARTISTS OF BALLET WEST IN EDWAARD LIANG'S CONSTANT LIGHT. PHOTOGRAPHY BY BEAU PEARSON. NEXT PAGE, TOP: ARTISTS OF BALLET WEST IN ÁFRICA GUZMÁN'S SWEET AND BITTER. NEXT PAGE, BOTTOM: SOLOIST KATIE CRITCHLOW & SOLOIST EMILY NEALE IN TREVOR NAUMANN'S DISQUIET | PHOTOGRAPHY BY BEAU PEARSON
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Throughout Artistic Director Adam Sklute’s tenure at Ballet West, he has created opportunities for dancers to experiment with choreography. From his first iteration, the Innovation series, to the Choreographic Festival, exploring ballet and dance from diverse perspectives has been his enduring initiative. Former Artistic Director Bruce Marks continues to ask dancers, “What is dancing? What is dance?” Sometimes a dancer will have an answer, but usually he gently informs, “Dance is moving through space in time.” With that simple and broad explanation, the Choreographic Festival is the laboratory to see the future of dance. The only boundary in dance is the human form, the limitations of which all athletes endeavor to stretch, expand, and broaden--just as the Choreographic Festival challenges choreographers to do with this limitless art form.
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20 21
FAMILY CLASSICS: PRESENTED BY BALLET WEST II & BALLET WEST ACADEMY STUDENTS
THE LITTLE MERMAID ENCHANTMENT FOR THE WHOLE FAMILY
BALLET WEST II MEMBER ELLA SCHULTZE & BALLET WEST ACADEMY STUDENT DAISY | PHOTO BY BEAU PEARSON
APR 23 24
FAMILY CLASSICS: PRESENTED BY BALLET WEST II & BALLET WEST ACADEMY STUDENTS
THE LITTLE MERMAID
APR 23 24
Join Ballet West II dancers and students from the Frederick Q. Lawson Ballet West Academy for the return of a family adventure under the sea. Dive into Hans Christian Andersen’s watery world, complete with a brave mermaid, a prince in search of true love, and a devious sea witch.
ABOVE & TOP RIGHT: MEMBERS OF BALLET WEST II. BOTTOM RIGHT: BALLET WEST ARTIST/FORMER MEMBER OF BALLET WEST II KAZLYN NIELSEN & FORMER BALLET WEST ARTIST/MEMBER OF BALLET WEST II LOGAN MARTIN | PHOTOGRAPHY BY BEAU PEARSON
¡EN ESPAÑOL!
Acompáñanos el 24 de abril a las 5 pm, donde se narrará La Pequeña Sirenita completamente en español.
Now in its tenth year, the Family Classics Series is a beloved institution at Ballet West. The productions highlight the capabilities of the production staff, who design and build sets and costumes that are just as opulent and detailed as productions created for the main company. Artistic Director Adam Sklute’s vision—to provide an opportunity for pre-professional dancers to be the stars on the Capitol Theatre stage— has been a success. Dancers of Ballet West II and students of the Ballet West Academy are more prepared than ever to move into professional careers: in the last two years, the Academy’s pre-professional division had a 100% placement. And audiences have responded positively as well, with families returning to enjoy these fairy tales year after year.
Choreography Pamela Robinson Harris and Peggy Dolkas Costumes David Heuvel Scenic Design Michael Andrew Currey Music Léo Delibes World Premiere 2012, Jannet Quinney Lawson Capitol Theatre
20 21
THE MUSIC OF THE SEASON In a season of dynamic and diverse composers, Music Director Jared Oaks shares a few works he is most excited to explore.
BALLET WEST ORCHESTRA | PHOTO BY KATE TAYLOR, QUINCE AND MULBERRY STUDIOS
ROMEO + JULIET “This devastatingly beautiful score was written after Sergei Prokofiev’s return to Soviet Russia. Commissioned by the Bolshoi Theatre, it was premiered at the Mahen Theatre in Brno in 1938. This work is our largest and most sweeping orchestral offering of the season, yet there are moments of delicate, crystalline textures. What I find special about this piece is the dramatic emotional arc, the journey—it gets me every time.”
RODEO “The chance to conduct Aaron Copland’s Rodeo (1942) is a dream! This one-act ballet culminates in the thrilling treatment of an early folk tune, which was played by a Kentucky fiddler and recorded by Alan Lomax in 1937. The movement is called ‘Hoe-Down,’ and it is one of those pieces that became a part of pop culture (so you know the piece, even if you do not think you’ve heard it before). I also think it is important that we are reviving the original Agnes de Mille choreography. As Anna Kisselgoff wrote in 1983, 'Rather than resembling a period piece from a more innocent time, it charms and reaches into emotions that have no period.’”
DRACULA “Our musically rich and fulfilling season begins with Franz Liszt (1811-1886). And what better music to tell the story of Dracula than Liszt, one of the original rock stars, whose virtuosic abilities were considered flamboyant, supernatural, and even demonic. The substantial piano solo part, accompanied by orchestra, will be a rich experience for the listeners.”
FIRST SOLOIST KATLYN ADDISON & DEMI-SOLOIST JOSHUA WHITEHEAD WITH NUTCRACKER CAST | PHOTO BY BEAU PEARSON
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BALLET WEST FOR CHILDREN
Ballet West II performs at elementary schools across the state, from Panguitch to Provo.
FIRST LOOK
Students gain a deeper understanding of a production through prepresentation activities and intermission discussions.
FORWARD STEPS
Healthy modes of selfexpression are taught in dance classes offered at correctional facilities and treatment centers across Utah.
BALLET WEST IN YOUR COMMUNITY Stretching with senior citizens, teaching incarcerated women, giving performance opportunities to children with special needs—Ballet West’s education and outreach programs bring magic to communities throughout Utah year round. Funded by generous foundations, corporations, individuals, and government agencies, these programs allow community members to experience live ballet regardless of financial or geographic barriers.
I CAN DO
This six-month residency offered at Wasatch Front schools teaches fifthgrade students both the discipline and joy of dancing.
MOVEMENT MENTOR
Students with special needs receive weekly in-school dance and movement instruction, with student leaders serving as mentors.
SENIOR STEPS
Guided ballet classes held at senior centers stimulate both the mind and body.
BALLET WEST ACADEMY
With four campuses across Utah, the Frederick Quinney Lawson Ballet West Academy attracts more than 1,200 students from every state in the nation and many foreign countries. Alums from the program dance for the most prestigious companies around the globe. Online classes available at balletwestacademy.org.
STUDENT IN-THEATRE PRESENTATION Students attend a free production at the Janet Quinney Lawson Capitol Theatre.
For more information, please contact Peter Christie, Director of Education & Community Outreach, at 801-869-6911 or pchristie@balletwest.org. To make a donation in support of Ballet West’s community education and outreach programs, please call 801-869-6963 or email nlevy@balletwest.org.
GET INVOLVED SUPPORT THE NEXT GENERATION OF ARTISTS
Donate to support the Ballet West Academy Scholarship Fund and ensure access to high-caliber ballet instruction for promising students.
ALIGN YOUR BUSINESS WITH BALLET WEST Business leaders can make a difference through their investment in the arts and community engagement by joining the Corporate Council.
JOIN THE PARTY
Ballet West hosts special events throughout the year—some mainstays (see below), plus more to be added throughout the season. Stay tuned at balletwest.org/events.
MARK YOUR CALENDAR
FALL BEER + BALLET FRI, NOV 13, 2020
NUTCRACKER TEAS TBD, DEC 2020
SPRING BEER + BALLET FRI, APR 2, 2021
SPRING SOIRÉE FRI, APR 16, 2021
To make a donation, call 801-869-6963 or email nlevy@balletwest.org. For information about Corporate Council and upcoming events, call 801-869-6917 or email ncope@balletwest.org.
PLAY A LEADING ROLE AT BALLET WEST JOIN THE HERITAGE CLUB OR BECOME A MEMBER!
PRINCIPAL ARTIST AROLYN WILLIAMS & ARTIST LUCAS HORNS | PHOTO BY BEAU PEARSON
HERITAGE CLUB
MEMBERSHIP
Join the Heritage Club with a donation of $1,000* and above, and receive:
Become a Member with a donation of $75 and above, and receive priority ticket access, special discounts, and more.
• VIP access to Ballet West’s donor lounge and Director’s Pointe pre-performance conversations • Invitations to in-studio rehearsals with the main company and special events with company artists • Invitations to travel with Ballet West on tour • Complimentary performance tickets and parking passes • And much more! For more information, please contact Nicole Levy, Individual Giving Manager, at 801-869-6963 or nlevy@balletwest.org. *Beginning August 1, 2020, the minimum Heritage Club donation will increase to $1,500.
For more information, please contact the Membership Department at 801-869-6964 or membership@balletwest.org.
Monthly payment plans available. Visit balletwest.org/support for a full list of Membership and Heritage Club benefits. Visit balletwest.org/events for exclusive Membership and Heritage Club opportunities.
ENCORE SOCIETY PLANNED GIVING PROGRAM
PRINCIPAL ARTISTS BECKANNE SISK & CHASE O’CONNELL | PHOTO BY KATE TAYLOR QUINCE & MULBERRY STUDIOS
Create a lasting legacy at Ballet West with a planned gift, which can include: • Irrevocable bequests • Retirement plans • Life insurance
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Please contact Sarah West, Chief Development Officer, at 801-869-6936 or swest@balletwest.org. All inquiries are confidential.
“ We believe this Company has given us a better quality of life here in Utah and will do the same for future generations.” — KENT & MARTHA DIFIORE ENCORE SOCIETY MEMBERS
20 21
YOUR SEASON AT A GLANCE ARTIST OLIVIA GUSTI & FIRST SOLOIST HADRIEL DINIZ | PHOTO BY BEAU PEARSON
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EN ESPAÑOL
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racula, Nine Sinatra Songs, The Nutcracker, D Romeo + Juliet, Rodeo, Choreographic Festival
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FRONT: FIRST SOLOIST ALLISON DEBONA. BACK: SOLOIST JORDAN VEIT | PHOTOS BY BEAU PEARSON BOOKLET DESIGN BY ALEX MOYA