Barnard Bulletin December 2015

December 2015

Heading Home for the Holidays

&

Birth Control in the Public Eye A Tree Grows in Barnard Debora Spar!s New York City

Rebecca Deczynski '16 & Sarah Schreiber '16 Editors-in-Chief Jordana Roat '16 Creative Director Rachel dunphy '16 Managing Editor

SOCIAL MEDIA Erica Harreveld '18 Tanya Lalwani '18 COPY EDITORS Danielle Owen '17 Jessica Tschida '18 Lauren Zhang '18 Izzy Kramer '19 Lauren Whittaker '19

FEATURES Anna Weill '16 POLITICS & OPINION Sheli Frank '16 ARTS & ENTERTAINMENT aiko suyemoto '16

ART EDITOR Noa Herman '18 PHOTOGRAPHY EDITOR SHARON WU '18 PHOTOSHOOT DIRECTOR CARINA HARDY '18

NEW YORK CITY LIVING Ariana Busby '18 HEALTH & STYLE Amanda Breen '17

BARNARD BULLETIN 3009 Broadway New York, NY 10027 TheBarnardBulletin..Com LIKE US ON FACEBOOK: facebook.com!barnardbulletin FOLLOW US ON TWITTER: twitter.com!barnardbulletin Follow us on instagram: instagram.com!barnard"bulletin

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!#!" December 2015

A Letter from the Editors

!

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

THE BULLETIN!"

!3!"!December 2015

3 // Letter from the Editors 5 // Behind the Scenes 6 & 7 // Trending & Playlist

Health & Style

8 // Put Your Best Winter Boot Forward 9 // Winter is Coming: Defensive Wellness 10 // Dress Well, Do Good 11 // Trends So Nice We'll Wear Them Twice 12 // Beyond the Pill 14 // Clean Eating: A Dirty Myth?

15 // Sustainable Beauty

Features

16 // Dear Senior Me 17 // The Much Needed LinkedIn Tutorial 18 // Centerpiece: There's No Place Like Home for the Holidays 22 // In Her Words: Being an International Student 24 // Love, Actually: Ghosting 26 // The Advice That Carried Me Through College 27 // Around the world in 25 Days 28 // The Bulletin Guide to Must Take Courses

Politics & Opinion

30 // A Tree Grows in Barnard 32 // She Said She Said: TV Show Reboots 33 // Angela Merkel 34 // Divesment investment 37 // Babies for Bernie 38 // Presidential Christmas 40 // Killers in the Classroom

Arts & Entertainment

42 // Top 5 Holiday Specials 43 // The Misty Project 44 // Murray Christmas!

New York City Living

46 // Top 5 Lesser Known Museums Around NYC 47 // The Old Man and the Museum 48 // DSpar's New York City 49 // Bites Beyond the Bubble 50 // TBT: The Bulletin in Barnard's Archives

#"$%& ! "# '#%#(

ModelS: Marta Migo Cortes & Tess Kichuk BTS Photography: Jordana Roat Photography: Sharon Wu Art Direction: Carina Hardy

Shower Squids

No more shampoo spills all over your bathtub rim

Rebecca Minkoff Griffin Boots Unleash your inner badass

Cremorlab Herb Tea Blemish Minus Calming Sheet Mask

The Life-Changing Magic of Tidying Up Winter reading, lifelong lessons

THE BULLETIN!"

!6!"!December 2015

Disclaimer: The Bulletin does not own any images on this page

Hannibal Lecter during, Gigi Hadid after

Master of None Your first Netflix binge of the holiday season

Nars Bette Lipstick The perfect vampy lip for winter

1.

4.

Roses

MarRY YOU Bruno Mars

The Chainsmokers

2. Remedy

5.

Colors Halsey

Adele

3.

6.

Vicious Cycle

Bad Things Cults

Clairy Browne & the Bangin' Rackets

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!7!"!December 2015

H&S

Put Your Best Winter Boot Forward

by Briana Draguca

!

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THE BULLETIN!"

!8!"!December 2015

Photo Illustration by Art Board

Riding Boot!Styled Rain Boots

Winter is Coming:

Defensive Wellness !

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!9!"!December 2015

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!10!"!December 2015

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by Ellie Livingstone

Trends So Nice You’ll Wear Them Twice

by Imani Randolph

F

ashion is often predicated on originality. Shock factor and the ensuing oh-I-need-it feeling is, you’d think, the result of something new. But what about the trends so damn good, we can’t give them up after one season? We’re not talking timeless staples—screw diamonds, a crisp white silk shirt is forever. Unless you spill wine on it. Then it’s not.

We’re talking about the trendy pieces that you worry won’t work in a few years, but invest in anyway. And then we just so happen to love them so much that we reuse, recycle, and repeat. Read on for four trends so alluring that we just can’t let go.

Adidas Stan Smiths and Superstars

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Starting around last spring Adidas Superstars and Stan Smiths underwent a major revival. Although the traditional white Superstars with the black 3-stripe and the classic green-accented Stan Smiths are by far the most popular, featured collabs ddefinitely gave these sneakers a dynamic edge. The sneaker world nearly imploded with Pharrell’s “Supercolor” Superstar collection, featuring 50 hues that spanned the rainbow’s spectrum, individually monochrome on the classic silhouette. Raf Simons also did a few monochrome renditions of the Stan Smith, swapping the the 3-stripe for a perforated “R”; the collab’s standouts were the beige and the metallic versions. These kicks can be easily adopted into your wardrobe, especially if you choose to cop the traditional versions, just swap them in for those Chuck Taylors you’ve been wearing since middle school.

The A-Line Skirt These adorable minis are a definite nod to the 70s, but please do not feel obligated to pair them with ruffled peasant tops or calf length go-go boots—just don’t do it. The A-line skirt is best paired with toned-down tops, like a black mock-neck or a simple tee, tucked in. What’s nice about the a-line mini is that THE BULLETIN -­

it becomes the centerpiece of your look; many retailers are offering them with a combination of front buttons and oversized pockets, made in denim, cord, or patch-work fabrics. S i n c e these skirts are so popular you can find them for pretty cheap.

The “Dad Hat” The name may catch you off guard, but there is nothing quite as cool these days as a classic cap, like the kind your dad has with his favorite sports team on it. Honestly any old cap will do, go dig through your closet and find the ones you tucked away during the Trucker Hat and Snapback epidemics. Random logos and designs are all game, but feel free to cop a cap from OVO Store or Nike for added dopeness. The Dad hat is perfect for your bummy days, so pair them with leggings/tailored sweats and cool outerwear to achieve the lazy-cool aesthetic.

Bomber Jackets Bombers first made their appearance in the 1940s as functional, warm outerwear for aviators in World War II. Many of them were made in leather, accented with fur collars, however with military revision, bombers began to appear how we commonly imagine them today. The classic sage green color used for this outerwear was originally purposed for effective camouflage during the Vietnam War, and the bright orange lining was so the jackets could be turned inside-out for rescue visibility. With time these jackets were replicated and adopted into everyday wear; bombers are now available in any color, but dark greens, maroons, and navies are ideal for fall/winter dressing. Take a note from Kylie Jenner, (perhaps this should be the only note), and pair your jacket with a simple crop top and ripped jeans to achieve the sporty-styled look.

11 -­ December 2015

Beyond THE PILL BIRTH CONTROL IN THE

PUBLIC EYE

by Claudia Levey THE BULLETIN!"

!30!"!December 2015

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Graphic by Jordana Roat

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!13!"!December 2015

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!14!"!December 2015

Photography by Sharon Wu

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by Sylvie Rosen

Sustainable Beauty !

by Arianne Siegel

Illustration by Maria Garcia

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by Aiko Suyemoto

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!17!"!December 2015

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

Thereâ&#x20AC;&#x2122;s No Place

by Haley George Model / Marta Migo Cortes Photographer / Sharon Wu Art Director / Carina Hardy

Like Home for the Holidays !

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In Her Words:

Being an International Student

by Hadar Tanne When I first saw the Barnard gates with my own eyes, I cried. Those were tears of joy but also of relief. I wasnâ&#x20AC;&#x2122;t the least bit scared, not even slightly wary. I knew that I wanted to come here, knew that I was at peace with my choice of living away from my family. I was excited and prepared for the challenges ahead.

THE BULLETIN!"

!22!"!December 2015

!

Photography by Katherine Hanson

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!23!"!December 2015

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There was one problem: I didn't follow proper ghost protocol. Typically, when ghosting someone, you never see them or speak to them again. You might as well have died as far as they know. As hard as I tried, I couldn't achieve full ghost mode.

Photo Illustration by Art Board

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Illustration by Letty DiLeo

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by Sheli Frank

Around the World in 25 days !

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Disclaimer: The Bulletin does not own any images on this page

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

by Emily Wong

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

!27!"!December 2015

The Bulletin Guide to: !

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!28!"!December

Must-Take Courses by the Bulletin Editorial Board Women in French Cinema Anne Boyman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

Economics of Gender Homa Zargamee

Photo Illustration by Art Board

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Fiction and Personal Narrative Timea Szell

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!29!"!December 2015

AImplications Tree Grows in Barnard: of Construction on Campus

by Nicole Javorsky // Photography by Sharon Wu

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!32!"!December 2015

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!33!"!December 2015

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Illustration by Mira Dayal

by Sarah Schreiber

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Babies for Bernie

by Rachel Dunphy

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Disclaimer: The Bulletin does not own any images on this page

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!37!"!December 2015

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Presidential

Christmas

by Mary Rankin

THE BULLETIN!"

!38!"!December 2015

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!39!"!December 2015

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Killers in the Classroom

by Caitlin Harrington!Smith

!

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!40!"!December 2015

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The frequency of shootings like these, combined with the predictable partisan media reaction that erupts after each, has bred an unsettling national desensitization to the reality of school shootings.

Disclaimer: The Bulletin does not own any images on this page

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!41!"!December 2015

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A&E

5

Top Holiday Specials 0($?&3-2('$D"##3+

A Charlie Brown Christmas

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Dr. Seuss’ How the Grinch Stole Christmas!$

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

!42!"!December 2015

Santa Claus Is Comin’ to Town

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Frosty the Snowman

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!

"#$%&'($")$*+,$-./$0/+-$1&#-$")$-./$ -./#/F+$ %"#/$ -"$ ?.#3+-%&+$ -.&'$ 1#/+/'-+$ ."234&($+/&+"'$3+$-./$-/2/53+3"'$+1/6 &'4$-3'+/28$ 73&2+8$ 9#&0$ +"%/$ ."-$ 7."7"2&-/$ "#$ -/&,$ +'*::2/$ *1$ *'4/#$ -./$ 02&';/-+,$ &'4$ A Rugrats Chanukah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

The Misty Project

by Sarah Schreiber

!""

Disclaimer: The Bulletin does not own any images on this page

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!43!"!December 2015

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

by Georgina Ustik Graphic Illustration by Alex Rosales

TV Christmas Specials have been around since the 50s, and since then celebrities such as Bob Hope, Perry Como, and Bing Crosby have put on musical extravaganzas of their own.

THE BULLETIN!"

!44!"!December 2015

“”

When we hear about Bill Murray, he is often doing something pretty strange.

!

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

!45!"!December 2015

) _') _$#-3*4) [`#%A) X*#7,&^) 4*9 ,*"0*.) #%*) 7&40#) #4"&,*4;)<%*) -1*'&'() ,&'*A) \<-'&(%#)6&,,)(-).-6')"0)-'*)-7)#%*)(4*"#9 *0#) '&(%#0) &') %&0#-4/A]) 6"0) 7-,,-6*.) 3/) ") $"0#) -7) &'.&8&.+",,/) 34&,,&"'#) 3+#) 4"'.-2) $*,*34&#&*0;) W&,*/) 5/4+0A) I*-4(*) 5,--9 '*/A) W&$%"*,) 5*4"A):2/) a-*%,*4A) #%*) ,&0#) (-*0)-';)X-#)#-)2*'#&-')#%*)01*$&",)&0).&9 4*$#*.)3/)K-7&")5-11-,"A)#%*)&'.&*)S+**') 6%-)("8*)+0)#%*).4*"2/) H-0#)&')<4"'0,"9 #&-'A) W"4&*) :'#-&'*##*A) "'.) <%*)Q&4(&') K+&$&.*0; ) V*/-'.) #%"#) bD90*$-'.) #4"&,*4) "'.) $"0#) &'#4-.+$#&-'A) 6*) "4*'O#) (&8*') 8*4/) 2+$%) &'7-42"#&-') -') "'/#%&'() #%"#) 6&,,)(-)-').+4&'()#%&0)0%-6;)V"$B)&')_$#-9 3*4A)W+44"/)#-,.)!"#$%&'A)\P#O0)'-#)(-&'()#-) 3*),&8*c)!*O4*)(-&'()#-).-)&#),&B*)"),&##,*) 2-8&*;)P#)6-'O#)%"8*)")7-42"#A)3+#)&#O0)(-9 &'()#-)%"8*)2+0&$;)P#)6&,,)%"8*)#*^#+4*;)P#) 6&,,)%"8*)#%4*".0)#%4-+(%)&#)#%"#)"4*)64&#9 &'(;)<%*4*)6&,,)3*)14-0*c)P#)6&,,)%"8*)") 1"#&'")0#/,*)"'.)6&#)#-)&#;)P#)6&,,)3*)'&$*;] ) <%&0)0%-6)6&,,)3*)6*&4.; ) <%&0) &0) "') "##*21#) 3/) X*#7,&^) #-) (&8*) #%*) =-,&."/) 5%4&0#2"0) K1*$&",) ") #-'(+*9&'9$%**B) 2"B*-8*4A) "'.) '-) -'*) &0) 3*##*4) *S+&11*.) #-) %"'.,*) &#) #%"') W4;) W+44"/;)

NYCL Top 5 Lesser-Known Museums Around NYC !

By Katherine Leak

"#$%&'%&"()%&($$&)#*#+%,&-"%&.%+&(/,&.0.1&203/+4 $%**&+#5%*6&'"(+&(703+&+"%&,08%/*&09&0+"%:&53*%4 35*&*2(++%:%,&(2:0**&;%'&<0:=&>#+?@&A+B*&%(*?&+0&7%& *'(?%,&7?&7#C4/(5%&(:+#*+*&(/,&D0D3$(:#+?6&73+&+"%&53*%35*&099& +"%&7%(+%/&D(+"&2(/&*"0'&?03&(&/%'&*#,%&09&+"%&2#+?&?03&/0'&2($$& "05%E&1/&(,,%,&D%:=&09&7%#/C&(&F(:/(:,&*+3,%/+&#*&,#*203/+%,& 0:&'(#)%,&(,5#**#0/&(+&5(/?&53*%35*6&*0&+"%:%B*&/0&:%(*0/&!"#& +0&+(=%&(,)(/+(C%&09&'"(+&+"%&2#+?&"(*&+0&099%:E

American Folk Art Museum // 2 Lincoln Square, New York, NY

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

Museum of the Moving Image // 36-01 35th Ave, Astoria, NY

Z+#$#8#/C&(&'#,%&:(/C%&09&5%,#35*&(/,&+"%&$(:C%*+&20$$%2+#0/&09& :%$(+%,&(:+#9(2+*&#/&+"%&203/+:?&[0)%:&R\M6MMM]6&+"#*&53*%35&#/4 +:0,32%*&)#*#+0:*&+0&+"%&(:+&(/,&"#*+0:?&09&9#$5&(/,&,#C#+($&5%,#(E& -"%&53*%35B*&20:%&%O"#7#+#0/&TF%"#/,&+"%&I2:%%/Y&D:0)#,%*&(/& %O+%/*#)%&$00=&#/+0&+"%&7(2=C:03/,&09&+"%&50)#/C&#5(C%&'#+"& (:+#9(2+*6&(:+'0:=6&(/,&(3,#04)#*3($&5(+%:#($E&-"%&#/+%:(2+#)%&%O4 D%:#%/2%*&"%:%&(:%&3/$#=%&(/?&0+"%:6&(*&)#*#+0:*&2(/&2:%(+%&+"%#:& 0'/&*+0D450+#0/&(/#5(+#0/*&0:&%OD%:#5%/+&'#+"&(,,#/C&*03/,& (/,&53*#2&+0&9#$5*E&F%?0/,&+"%&D"?*#2($&%O"#7#+#0/*6&+"%&53*%35& "(*& :%C3$(:& *2:%%/#/C*& (/,& $#)%& %)%/+*E&!#+"& (& F(:/(:,& AX6& +"%& (,5#**#0/&20*+&#*&:%,32%,&+0&^_6&(/,&+"%&53*%35&#*&%(*?&+0&:%(2"&

7?&+(=#/C&+"%&`&9:05&-#5%*&IJ3(:%&+0&I+%#/'(?&I+:%%+E&&

Nicholas Roerich Museum // 319 W 107th St, New York, NY

K/$?&(&*"0:+&'($=&9:05&F(:/(:,B*&2(5D3*6&+"#*&53*%35&"(*&+"%& 3/#J3%& (/,& *D%2#9#2& 9023*& 09& `3**#(/470:/& (:+#*+& ;#2"0$(*& `04 %:#2"6&'#+"&(:03/,&QMM&09&"#*&D(#/+#/C*&0/&,#*D$(?E&-"#*&C#)%*&)#*#4 +0:*&(/&#/+#5(+%&$00=&#/+0&`0%:#2"B*&'0:=*&(/,&+"%&*D#:#+3($#+?& (/,&2($$&90:&D%(2%&,#*D$(?%,&'#+"#/&+"%5E&1D(:+&9:05&7%#/C&*#54 D$?&(&53*%356&+"%&*D(2%&($*0&"0*+*&9:%J3%/+&D0%+:?&:%(,#/C*&(/,& 53*#2($&20/2%:+*E&-"%&53*%35&'0:=*&+0&D:0)#,%&23$+3:($&%OD04 *3:%&+0&+"%&C%/%:($&D37$#26&(/,&(,5#**#0/&#*&9:%%E

El Museo del Barrio // 1230 5th Ave, New York, NY

1*&+"%&0/$?&G(+#/0&53*%35&#/&;%'&<0:=&>#+?6&a$&.3*%0&*+:#)%*& +0&#/+:0,32%&)#*#+0:*&+0&+"%&:#2"&23$+3:($&(*D%2+*&09&G(+#/06&>(:#74 7%(/6&(/,&G(+#/&15%:#2(/&(:+'0:=E&F?&D:%*%:)#/C&+"%&(:+'0:=& 09&+"%*%&23$+3:%*6&+"%&53*%35&(#5*&+0&$%(,&(&/%'&C%/%:(+#0/&+0& (/&(DD:%2#(+#0/&09&(:+#*+#2&"%:#+(C%E&-"%&D%:5(/%/+&20$$%2+#0/&09& D:%4>0$357#(/&(:+#9(2+*&(/,&50,%:/&(:+&2057#/%*&'#+"&,(/2%& %)%/+*&(/,&9#$5&*2:%%/#/C*&+0&2:%(+%&(&53$+#4$(?%:%,&%OD%:#%/2%E& ZD205#/C&%O"#7#+#0/*&#/2$3,%&T-"%&A$$3*#)%&a?%U&KD&1:+&(/,&+"%& 15%:#2(*&#/&+"%&R_SM*Y&(/,&T1/+0/#0&G0D%8U&1:+&(/,&V(*"#0/EY& -"%&53*%35&#*&$02(+%,&0/&+"%&/0:+"%:/&%/,&09&.3*%35&.#$%6& (/,&(,5#**#0/&#*&9:%%&'#+"&(&F(:/(:,&AXE

Museum of the City of New York // 1220 5th Ave., New York, NY

G02(+%,&H3*+&*03+"&09&a$&.3*%0&,%$&F(::#06&+"#*&53*%35&099%:*& )#*#+0:*&(/&%OD%:#%/2%&+"(+&2(//0+&7%&903/,&(/?'"%:%&%$*%&#/&+"%& '0:$,E&V023*#/C&0/&+"%&2"(:(2+%:&09&;%'&<0:=&>#+?6&+"%&53*%35& D:0)#,%*&+03:#*+*&(/,&$02($*&($#=%&'#+"&(/&3/,%:*+(/,#/C&09&+"%& 2#+?B*&"#*+0:?&(/,&C:(,3($&+:(/*90:5(+#0/E&aO"#7#+#0/*&$#=%&T-"%& ;%'&<0:=&>#+?&.(:(+"0/U&-"%&b:%(+&`(2%Y&0:&TP(207&1E&`##*U&`%4 )%($#/C&;%'&<0:=B*&K+"%:&c($9 Y&:%)%($&+"%&5(/?&9(2%+*&09&;%'& <0:=E&1,5#**#0/&#*&9:%%&'#+"&(&F(:/(:,&AXE

The Old Man & The Museum !"

Disclaimer: The Bulletin does not own any images on this page

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

45$%-3-$(6-'+)0 #4'($35$:%+)*#-5K5-&%59%9.'2$%5$%.59%0#$&% $'-*4''E9%#$3%3)#;-9%-.#-%3'+(0*$-*3%.59% 53*#9=%>*%*K*$%#)*%#4,*%-'%9**%.59%+'$$*+1 -5'$9%-'%'-.*)%;#0'(9%2)5-*)9%,5E*%O=%P+'--%

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

!47!"!December 2015

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Bulletin in the Barnard Archives