Barnard Bulletin April 2015 by Barnard Bulletin

April 2015

Hannah Miller '15

Rebecca Deczynski '16 Editors-in-Chief Mora Grehl '15 Layout Director

Rhea Schmid '15 Art Director Melanie Shapiro '15 Managing Editor

SOCIAL MEDIA Natalia Quintero Ochoa '15

SOCIAL MEDIA INTERNS Erica HarrevEld '18 Tanya Lalwani '18 Elena Valenzuela!Stookey '18 COPY EDITORS Danielle Owen '17 Briana Bursten '18 ariana busby '18 Jessica tschida '18 Morgan Wu '18

FEATURES Anna Weill '16 POLITICS & OPINION Victoria Papalian '15 ARTS & ENTERTAINMENT Aiko Suyemoto '16

DESIGN COORDINATOR Jordana Roat '16

LAYOUT ASSISTANT Kirsten Cabacungan '18

NEW YORK CITY LIVING Amanda Breen '17 HEALTH & STYLE Sarah Schreiber '16

BARNARD BULLETIN 3009 Broadway New York, NY 10027 bulletinedboard"gmail.com LIKE US ON FACEBOOK: facebook.com!barnardbulletin FOLLOW US ON TWITTER: twitter.com!barnardbulletin Follow us on instagram: instagram.com!barnard"bulletin

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!#!" April 2015

A Letter from the Editors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!3!"!April 2015

Contents Behind the Scenes

3 5

Trending & Playlist

Health & Style Beauty by the Book

Letter from the Editors

The Skinny on Jeans

The Secret to Soul Cycle

10 12

Allure Through the Ages Beauty Disaster Features Changing How We See Disability Centerpiece Study Abroad Survival Guide

13 14 16

Passover Pandemonium The Headache of Technology

Suite Study

Politics and Opinion Music Dropped

Winning Women: The 2015 Israeli Elections

The Senateâ&#x20AC;&#x2122;s Scarlet Letter

Putting the First Lady First

Arts & Entertainment From Page to Screen

30 32

Streaming Cult Classics

Gallery Gallivanting

Disney Do-Over

New York City Living The Butterfly Conservatory

Get the Scoop on Ice Cream

Spring Showdown: The High Line vs. Central Park

39 40 42 43

Tribeca Tips NYC Storage: Battle of the Boxes Cherry Blossoms in Brooklyn

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!#!"!April 2015

Photographed by Maddy Molot Model: Aku Acquaye

Kate Spade Sunglasses 8"#7'"*,$,&1.',$5"#$-&'$ ,*(()$,0#6(7$%'1-&'#3

Emerging Thoughts Door Hanger !"#$%&'($)"*$+*,-$(''.$

Smoking Slippers 4"/5)$,&"',$0'#5'2-$5"#$,0#6(73

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!6!"!April 2015

Disclaimer: The Bulletin does not own any images on this page

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Sweet Dreams Essential Oil Blend Spray for Sleep !"#$%&'($)"*$(''+$,"-'$#',.$/*.$0*,.$ 12(3.$,''-$."$4'.$2()5

Bloodline

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What Kind of Man

Ryn Weaver

FLorence + the Machine

2. Peaches

Ain't No Sunshine Bill Withers

In The Valley Below

Octahate

Tigers Jaw

Angel Eyes Law and Theft

Never Saw It Coming

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!7!"!April 2015

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!9!"!APRIL 2015

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THE BULLETIN!"

!11!"!April 2015

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Photo Illustration by the Art Board

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by Jordana Bickel

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Photo Illustration by the Art Board

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THE BULLETIN!"

!13!"!April 2015

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Changing How We See

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!14!"!April 2015

Photo Illustration by the Art Board

by Riya Thekdi

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Photography by Rhea Schmid

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by Sheli Paige Frank

THE BULLETIN!"

!17!"!April 2015

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!18!"!April 2015

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!15!"!April 2015

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!20!"!April 2015

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Photo Illustration by the Art Board

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by Nicky Bernstein

The Headache of Technology

!" Photo Illustration by the Art Board

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By Madeline Pages THE BULLETIN -

22 - April 2015

Illustration by Lauren Espeseth

SUITE STUDY

he concept of boundaries is not something with which my suitemates and I are familiar. We maintain an unwritten open door policy (there is no doorknob on the bathroom door anyways, so we couldn’t close it even if we tried), we have no qualms about sharing, and at least one of us is in the kitchen in our underwear at any given time. I couldn’t imagine feeling uncomfortable in any situation in our all-girls suite, but if we lived with guys? That would be a different story… Victoria Cui, CC ‘15, lives in an East Campus townhouse with five male suitemates. She and some of her suitemates were friends before they moved in together, and they still get along very well now that they live with one another. I got to witness their relationship firsthand at a brunch get-together in the suite—one of many gatherings they host, often in conjunction with another suite next door. There are few nondisposable dishes in the kitchen—and most of them belong to Cui—so pancakes, eggs, and bacon are served up on paper plates “borrowed” from Columbia Dining Services. I struck up a conversation with some of Cui’s girlfriends at the party, who say she is like the mom in the suite and thus may be responsible for the suite’s general cleanliness. The boys’ very noticeable contributions to the common space are two giant TVs and a slew of gaming systems. Gaming is a favorite pastime for the male suitemates. Cui rarely joins in, but says she’ll sit with them and work on other things like homework and origami while they

play. While my suitemates are drinking wine and binge-watching Broad City, Cui’s suite likes to have group dinners in John Jay and play board games (Settlers of Catan, anyone?). Considering my boundaryless suite dynamic, I was curious about how respectful Cui and her suitemates are of each other’s privacy. She mentioned that none of the guys ever close the bathroom door when they’re in the shower, but she does, and they spend most of their time hanging out in their common area rather than in each other’s rooms. What about the sexual tension? If you’re a fan of New Girl, you’re probably thinking that there’s no avoiding those inconvenient attractions. Cui’s response to the possibility of romantic inclinations? “I would never date any of y’all.” Becca Meyer, CC ‘15, is another EC resident who lives with all boys. She has lived with the same guys for a couple of years now, and although “there is nothing particularly ‘male’ about the environment,” she says being the only girl in the room when all the guys are talking about girls can be a little exasperating. Cui’s suitemate, Lucas Oliver, SEAS ’15, says that having even one girl in the suite has changed the dynamic from that of the suite he shared with seven other boys last year. “This year we have been more tame. I

THE BULLETIN -

23 - April 2015

am a very clean person, but the others have gotten a lot cleaner, and the pranks have not been as severe or as common. I think in general we treat boys a little differently than girls—boys have very harsh ways of showing affection to each other,” Oliver says. Maybe boys are physically harsher, but girls certainly have their moments. My suitemate often uses “little hoe” as a term of endearment, and we don’t mince words when it comes to teasing. More importantly, both my suite and Cui’s care for and respect each other. Regardless of gender representation, a common message arises--a suite is a home, and suitemates are family.

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THE BULLETIN!"

!24!"!April 2015

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"#$$%& BY Lauren Zhang

Photo Illustration by the Art Board

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THE BULLETIN!"

!25!"!April 2015

Winning Women

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THE BULLETIN!"

!26!"!April 2015

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by Gabriella Sobol

The Senateâ&#x20AC;&#x2122;s

Scarlet Letter By Jessica Tschida

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Photo Illustration by the Art Board THE BULLETIN!"

!27!"!April 2015

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

By Mary Rankin

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THE BULLETIN!"

!28!"!April 2015

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THE BULLETIN!"

!29!"!April 2015

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

Disney DoOver by Yassaman Moazami

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

!30!"!April 2015

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We all know the phrase “happily ever after,” and maybe that’s exactly what we need. We need happy endings and hope, and fairytales can help inspire us and give a chance to dream and believe in ourselves. THE BULLETIN!"

!31!"!April 2015

From Page To Screen

by Haley George THE BULLETIN!"

!32!"!April 2015

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

Dark Places Gillian Flynn

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

Paper Towns John Green

Illustration by Letty DiLeo

!"#$!" B8+" ,/$0+.#* '-$" +#280++1*/+%.*'()" K%.2'" )#$%FF+%.$6" (+%9#12" 4+8#1)" %" 0.%#(" ':" &(-+$" :'." &8#()8'')" :.#+1)" L" 0'" :#1)" 8+.;" M%0" N'(::" %1)" @%.%" 5+(+9#121+"$0%.; !",.!"O-(/"PQRS !"/(!,0&,( 12+3$,4!" B8+"

$&.++1F(%/" :'." )#7,&(869.-" 7%$" %)%F0+)" 4/" T&'00" M+-$0%)0+." %1)" K#&8%+("N+4+.6" 08+" $%,+" )-'" 78'" 7.'0+" 08+" $&.++1F(%/" :'." 8",( :#;*$( 3.( <;&( =$#&-;" >66'3.?( @6&( A*#-'#6" J.++1<$":#.$0"1'9+(6"#$"%($'"&-..+10(/"#1")+* 9+('F,+10;

The Martian Andy Weir

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

The Glass Castle Jeannette Walls

!"#$!" 8",( 5*#--( C#-$*," #$" O+%11+00+"N%(($<$" ,+,'#." ':" 8+." - 1 & ' 1 9 + 1 0 # ' 1 % (" %1)" )/$:-1&0#'1%(" &8#()8'');" O+11#:+." 3%7.+1&+6" @(%#.+" 5%1+$6" %1)" K%.?" W-::%('"8%9+"%(.+%)/" 4++1"&%$0; !",.!"T0#(("#1")+9+(* 'F,+10; !"/(!,0&,(12+3$,4!"O+%11+00+"N%(($"#$"%"^%.* 1%.)" %(-,1%6" 8%9#12" 2.%)-%0+)" #1" R_G`;" 8",( 5*#--( C#-$*," 8%$" 4++1" %" 4+$0$+((+." :'." Emma /+%.$"%1)")+$+.9+$"08+"8/F+;"N8#(+"/'-<.+" 7%#0#12":'."08+",'9#+6"08+"4''?"#$")+:#1#0+* Donoghue !"#$!" E" 2#.(" #$" %4)-&0+)" (/"7'.08"08+".+%); %0" %2+" 1#1+0++1" %1)" 8+()" &%F0#9+":'."/+%.$"#1"%"$,%((" .'',"4/"%",%1"&%((+)"[]()"

Room

$"C'((/7'')"&'10#1-+$"0'".+(+%$+"F%2+"0'"$&.++1"%)%F0%0#'1$6"#0"7#(("4+"#10+.+$0#12"0'"$++"78#&8":#(,$")'"08+#.".+$F+&0#9+" 4''?$"=-$0#&+6"%1)"78#&8"'1+$"0%?+"(#4+.0#+$"7#08"08+",%0+.#%(;"W+2%.)(+$$6"08+$+"-F&',#12":#(,$"2#9+"/'-"+9+1",'.+".+%$'1" 0'".+%)"08+"08.#((#12"4''?$"08+/<.+"4%$+)"'1; THE BULLETIN!"

!33!"!April 2015

!"#$%&'()*+,-"*+-%..'/. /%%(4(+#305(23#+(8().17()(+#7&)(+&+$/''/2+-)(2('.*+/2%"2(+BV+#3)(&'"24A+,3>#+37(")+4/:3/+$7/"$(+-/)+)(%&O&3"/2+603+37(")+ 4)(&3(#3+$&0#(+/-+;)/$)&#3"2&3"/2A+B7()(>#+2/+5(2."24+37&3+)(&%"3.+BV=+6066%.+$/'(5"(#=+&25+(24)/##"24+5)&'&#+&)(+7&)5+3/+ )(#"#3W603+#/'(3"'(#+#/'(37"24+5"--()(23+"#+'/)(+)(-)(#7"24A+G()(+&)(+#/'(+;)"'(+(O&';%(#+/-+6"24(:1/)37.+$0%3+$%&##"$#A+ S//9+6(-/)(+./0+%(&;*+./0+'&.+2/3+6(+&6%(+3/+;0%%+./0)#(%-+&1&.+-)/'+./0)+$/';03()+-/)+37(+2(O3+-(1+1((9#A+

Freaks and Geeks

(Netflix)

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

The X-Files

(Netflix/Hulu Plus)

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

Twin Peaks (Netflix/Hulu Plus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

It's Always Sunny in Philidelphia (Netflix/Hulu Plus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

THE BULLETIN!"

!34!"!APRIL 2015

Disclaimer: The Barnard Bulletin does not own any images on

By Haley Wade

Gallery Gallivanting:

Monir Shahroudy Farmanfarmaian:

Infinite Possibility. Mirror Works and Drawings.

by Erika Jaquez

Disclaimer: The Bulletin does not own any images on this page

"#$%&"#'()$*+$+&,$-.)),(&,'/0$ 12*('*($ *2+'%+$ 3"('2$ 4&*&2".56$ 7*2/*(8*2/*'*(9%$ :1(8'('+,$ ;"%< %'='>'+6?$3'22"2$@"2A%$*(5$B2*#'()%C$'%$*($ '(+2').'()$,D&'='+$#"2+&$E'%'+'()?$F&,$,D< &'='+$,DG>"2,%$+&,$56(*/'H%$=,+#,,($*2+0$ ),"/,+260$ *(5$ +&,$ '(8>.,(H,$ "8$ 1%>*/'H$ *,%+&,+'H0$ *2H&'+,H+.2,0$ *(5$ 5,H"2*+'"($'($12*(?$7*2/*(< 8*2/*'*($ %G,(+$ IJ$ 6,*2%$ '($ !,#$ K"2A$ #&,2,$ %&,$ #"2A,5$ '($ +&,$ H"/G*(6$ "8$ %,E,2*>$ '(8>.,(+'*>$ *2+'%+%0$ 82"/$ @'>>'*/$ 5,$ L""(< '()$ +"$M(56$@*2&">?$ NG"($ &,2$2,+.2($+"$12*($'($IOPQ0$ 7*2/*(8*2/*'*($ 52,#$ '(< %G'2*+'"($ 82"/$ +&,$ *,%+&,+< 'H%$ "8$ 12*('*($ H.>+.2,$ .(+'>$ +&,$ 1%>*/'H$ 2,E">.+'"($ "8$ IOQO$,E,(+.*>>6$8"2H,5$&,2$ +"$2,+.2($+"$!,#$K"2A?$ $ F&,$ ,D&'='+$ %G*(%$ +#"$8>""2%$"8$+&,$-.)),(< &,'/0$ ,*H&$ 8>""2$ 8,*+.2< '()$ /'22"2$ 2,>',8%0$ G*G,2$ 52*#'()%0$*(5$>*2),$/'22"2$ %H.>G+.2,%?$R($+&,$%,H"(5$ 8>""20$"(,$'//,5'*+,>6$("< +'H,%$ +&,$ ),"/,+2'H$ 52*#< '()%$ "8$ 7*2/*(8*2/*'*(0$ #&'H&$ *GG,*2$ +"$ =,$ G2,< >'/'(*26$%A,+H&,%$"2$%".2H,%$"8$'(8>.,(H,$ 8"2$+&,$/"2,$H"/G>,D0$+&2,,<5'/,(%'"(*>$ /'22"2$%H.>G+.2,%$*(5$2,>',8%?$M$>'A,>6$2,8< ,2,(H,$+"$+&,$),"/,+2'H$;,2%'*($%+6>,%$"8$ +&,$G*%+0$+&,$52*#'()%$*2,$'(+,(%,>6$H"/< G>,D$ *(5$ H">"28.>?$ B,>E'()$ 8.2+&,2$ '(+"$ +&,$ ,D&'='+'"(0$ "(,$ H"/,%$ *H2"%%$ /.>< +'G>,$ /'22"2$ 2,>',8$ %H.>G+.2,%$ &.()$ .G"($ +&,$ #*>>%?$ 4"/,$ 2,>',8%$ *2,$ H"/='(*+'"(%$

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“”

Every direction in which one moves brings a different perspective to, and relationship between the light and the sculpture, highlighting what Farmanfarmaian describes as the “infinite possibility” of geometry. "8$+&,$)>*%%$"($+&,$%H.>G+.2,%$*(5$*('/*+,%$ +&,/0$ /*A'()$ +&,/$ *GG,*2$ *H+'E,$ *(5$ >')&+$ 5,%G'+,$ +&,'2$ %+.256$ H"/G"%'+'"(?$ TE,26$5'2,H+'"($'($#&'H&$"(,$/"E,%$)'E,%$ *$ 5'88,2,(+$ G,2%G,H+'E,$ "8$ +&,$ >')&+$ *(5$ +&,$%H.>G+.2,0$&')&>')&+'()$#&*+$7*2/*(< 8*2/*'*($ 5,%H2'=,%$ *%$ +&,$:'(8'('+,$ G"%%'< ='>'+6C$"8$),"/,+26?$4&*G,%$*(5$82*)/,(+%$ "8$>')&+$2,=".(5$"88$+&,$#*>>%$*(5$H,'>'()$ THE BULLETIN!"

!35!"!ApRIL 2015

+,%-./))%&012 !"#$%&'()"&*

by Haley Wade

THE BULLETIN!"

!36!"!April 2015

Photography by Haley Wade

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THE BULLETIN!"

!37!"!April 2015

14==4'#( +,""#-./0( ;#-#( %&( 7)&2"4&"( 6)"%)&E( =-,2*%&'( 4'4%&2"( 6#E( $4,2%&'( )&( $#)$/#A2( #/=);2( )&/0( .)-( 2#7)&<2( =#.)-#( "4>%&'( )..( 4'4%&C( J*#&( "*#-#( ;#-#("*#(3%=-4&"('%4&"2E(/%>#("*#(5.-%74&( K6$#-)-( !;4//);"4%/( ;%"*( 4( ;%&'2$4&( ).( FFBFO( 76C(J*#2#( .)-( "*#( 6)2"( $4-"( /40(2"%//()&(/4-'#(/#43#2(4=2)-=%&'(;4-6( /%'*"( P;*%7*( "*#0( *43#( ")( <)( %&( )-<#-( ")(;4-6(,$(4&<(%&7-#42#(7%-7,/4"%)&(%&( "*#%-(./%'*"(6,27/#2QC(G"(;42(;*#&("*#2#( 6422%3#( %&2#7"2( "))>( ./%'*"( "*4"( "*#0( "-,/0(74,2#<(4&0(4/4-6C(J*#0($,2*#<()..( .-)6( "*#%-( $#-7*#2( ;%"*( '-#4"( *#43#2( 4&<(2)4-#<(4/6)2"(=%-</%>#(")("*#%-(&#H"( -#2"%&'($/47#C ( 80( 4<3%7#( ;),/<( =#( ")( 3%2%"E( =,"( )&/0( )&( 4( ?,%#"#-( <40( ;*#&( "*#-#( %2( 4( 7*4&7#( 0),( 6%'*"( *43#( 4( .#;( 6)6#&"2( 4/)&#( ;%"*( "*#( =,""#-./%#2C( J*#( 1)&2#-34")-0( %2( )$#&( ,&"%/( 840( RS"*E( 4&<( "*#( 2,''#2"#<( $-%7#( ).( 4<6%22%)&( P;*%7*( %&7/,<#2( 4( 6,2#,6( $422Q(%2(TFU(.)-(2",<#&"2(;%"*(GVC(K3#&( %.(0),(4-#(2",7>(;%"*(/),<(>%<2(-,&&%&'( .-)6( =,""#-./0( ")( =,""#-./0E( <%2",-=%&'( "*#( )"*#-;%2#( %&7-#<%=/0( $#47#.,/( '-##&*),2#E("-0(")(2##("*#(64'%7().(%"(4//( .-)6("*#%-(#0#2@%"(W,2"(6%'*"(=-%'*"#&( 0),-(#H$#-%#&7#C

Get The Scoop On

Ice Cream By Imani Randolph

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

Big Gay Ice Cream

Momofuku Milk Bar

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

Coolhaus Gourmet Ice Cream truck

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THE BULLETIN!"

!#8!"!April 2015

Disclaimer: The Barnard Bulletin does not own any images on this page

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

Spring Showdown:

The High Line vs. Central Park

Photography by Letty DiLeo

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Tribeca Tips by Ariana Busby

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!40!"!april 2015

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Whether youâ&#x20AC;&#x2122;re hoping to see the debut of an independent director before she wins an Oscar or simply venture below 110th St., the Tribeca Film Festival will surely suit your needs. Disclaimer: The Bulletin does not own any images on this page THE BULLETIN!"

!11!"!October 2014

NYC Storage:

Battle of the Boxes

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!42!"!April 2015

Disclaimer: The Bulletin does not own any images on this page

Box Butler

!"#$$%&'()**)+*

Brooklyn

by Sarah Schreiber

! Photo Illustration by Rhea Schmid

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