Barnard Bulletin October 2015

Page 1

October 2015

Your Guide to Easing College Anxiety

&

Bold Beautiful Female CEOs Graveyards of NYC Barre: What Is the Hype?


Rebecca Deczynski '16

&

Sarah Schreiber '16

Editors-in-Chief Jordana Roat '16 Creative Director Rachel dunphy '16 Managing Editor

SOCIAL MEDIA Erica Harreveld '18 Tanya Lalwani '18 COPY EDITORS Danielle Owen '17 Jessica Tschida '18 Lauren Zhang '18 Izzy Kramer '19 Lauren Whittaker '19

FEATURES Anna Weill '16 POLITICS & OPINION Sheli Frank '16 ARTS & ENTERTAINMENT aiko suyemoto '16

ART EDITOR Noa Herman '18 PHOTOGRAPHY EDITOR SHARON WU '18 CENTERPIECE EDITOR CARINA HARDY '18

NEW YORK CITY LIVING Ariana Busby '18 HEALTH & STYLE Amanda Breen '17

BARNARD BULLETIN 3009 Broadway New York, NY 10027 TheBarnardBulletin..Com LIKE US ON FACEBOOK: facebook.com!barnardbulletin FOLLOW US ON TWITTER: twitter.com!barnardbulletin Follow us on instagram: instagram.com!barnard"bulletin

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A Letter from the Editors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!3!"!October 2015


Contents Letter from the Editors

3

Behind the Scenes

5

Trending & Playlist

6

Health & Style Raising the Barre Keep Beauty Balm and Carry On Mix and Match: Do or Don’t? Scents in the City Smart Fitness: Tech It Out Features Dear Freshman Me Centerpiece

8 9 10 11 12 13 14

The Bulletin Guide to Handling Stress

Love, Actually: Married College Life In Her Words: Religion in College Halloween Horror Politics and Opinion

18 20 21

She Said/She Said: Is Supergirl sexist? Backwards/Forwards Bold. Beautiful, Business as Usual Arts & Entertainment Diversifying Broadway Up & Coming Mistress America Gallery Gallivanting Fall TV Roundup

22 23 24 26 27 28 29 30

New York City Living Bites Beyond the Bubble Home School A Guide to NYTVF Graves of New York Frida and Flowers Do’s and Dont’s for Navigating NYC A Brief History of the UWS Bonus Photo Essay

31 32 34 35 36 37 38 40

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!#!"!October 2015


!"#$%&'(#"')*"%"+

!"#$#%&'(")*+)*,#&-'.'*/#'$


Vapur Element Water Bottle Durable water bottle that collapses when empty for easy carrying.

Mongolian Faux Fur Pouf A polished alternative to your rickety wooden desk chair

Jo Malone Cardamom & Clove

Baublebar Moto Collar Necklace The perfect statement accesory: simple, edgy, and bold

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The most smoldering fall fragrance of all.


DailyPUR New IP65 Mini Wireless bluetooth speaker for your ultimate shower concert experience!

Tatcha Skin Mist A travelsize spray on moisturizer for dewy, radiant skin.

1.

4.

Mad Hatter

Big Green tractor Jason Aldean

Melanie Martinez

2. Happy

5.

Cigarette Daydreams Cage the elephant

Marina and the Diamonds

3.

6.

Eventually

Terrence Loves You Lana Del ray

Tame Impala

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!7!"!october 2015


Raising the barre I

f you’ve recently seen a slender-looking, Lululemon-clad woman with her hair in a sleek bun, guzzling green juice from Organic Avenue, you may have assumed she was coming from her weekly yoga or SoulCycle class. But her ballet grip socks would disclose that she was actually coming from a barre class. The first barre class originated in London when an injured former-dancer opened The Lotte Berk Method studio in 1959. After attending this workout for over a year, American Lydia Bach was inspired to open the Lotte Berk Method on 67th and Madison in 1971. Since then, barre classes have sprung up all over the country. Names include Pure Barre, The Bar Method, Xtend Barre, Cardio Barre, Physique 57, and Fly Barre, many of which are frequented by celebrities like Zooey Deschanel, Natalie Portman, and Madonna. A barre class is a 50 to 60 minute workout that uses ballet and Pilates moves to strengthen and tone muscles while burning fat. Classes typically cost from $30 to $40 a session and incorporate high-repetitions, isometric movements, and fitness tools, such as arm weights and resistance bands. The hour is divided into sections that target specific parts of the body with intermittent stretching to give your shak-

ing muscles quick breaks. Peppy instructors wear microphones and switch between demonstrating moves, operating the music, and walking around the room to make personal corrections. I remember my first barre class distinctly. My health-obsessed aunt from L.A. took me to Cardio Barre, a class with fastpaced EDM music, real ballet moves, and a plethora of blonde actresses – Dakota Fanning was actually in the front row. After ten minutes, my face was red. After twenty, my muscles were shaking like crazy. Halfway through the class, I decided to take a ten-minute bathroom break to avoid the weights section. Although I woke up incredibly sore the next day, I also felt I had achieved something and the class spoke to my inner child ballerina. Although Cardio Barre has yet to come to New York, there are plenty of other options to choose from. Pure Barre,

which boasts about 300 studios across the country, is less cardio and more about deep muscle burn and – in my experience – snobby regulars who are competitive about their form. The music here is slightly too reminiscent of bland elevator tones mixed with 80s beats. Then there’s Physique 57, the SoulCycle of barre classes. Sleek, modern white walls house racks of Lulu-designed tanks and framed health magazine articles, while the bathrooms offer spa-like showers and free lockers with customizable locks. The class itself felt intimate with only ten other people and there was a real focus on personal attention. The instructor quickly learned my name and repeatedly encouraged me over the microphone. Although larger classes like The Bar Method might be a better option for those that prefer to remain anonymous. Another downside to Physique 57 is that it lacks graceful dance moves. For this, I would suggest visiting Xtend Barre in Brooklyn Heights. The music is similar to that of Cardio Barre, but the crowd is more laid back, and the teachers are genuinely happy to chat with you before or after class. My last piece of advice for anyone interested in trying a barre class is to always BYOS – bring your own socks. Don’t get stuck having to buy a $15 dollar pair with a studio’s fancy logo on it.

Although I woke up incredibly sore the next day, I also felt I had achieved something and the class spoke to my inner child ballerina. THE BULLETIN -­

8 -­ October 2015

Illustration by Noa Herman

by Arianne Siegel


Keep Calm & Beauty Balm On

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by Danielle Owen

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Scents in the City by Demme Durrett

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Photography by Demme Durrett THE BULLETIN!"

!11!"!October 2015

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Smart Fitness: !"#$%&!%'(! by Caitlyn Morris

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!12!"!October 2015


Dear Freshman Me, ! by Reina Sekiguchi

Illustration by Sofia Davis

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!13!"!October 2015

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!14!"!October 2015


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THE BULLETIN!"

!16!"!October 2015

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THE BULLETIN!"

!17!"!October 2015


Love, Actually:

Married College Life by Anna Weill

!

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!18!"!October 2015

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“

There is so much more to our lives than can be found in textbooks.

Photo Illustration by Art Board

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!19!"!October 2015

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


In Her Words:

Religion in College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wanted to know why C?#::#(8"!(">&&$&,"(?#("&9&*2A people value Jewish .+&"&1>&"=&1("0.$=.*(#:1&"'4(?" #11"(?#(8"!",&=4+4(&12",4,"+.(8" communities so much. " D?#(" &/<&*4&+0&" $#,&" I explored more $&" =&&1" (?#(" !" +&9&*" =3112" :&A 1.+;&,"(."#"%&'4>?"0.$$3+4(2" synagogues and I :&0#3>&" !" '#>" 3+#003>(.$&," found services that (." $#+2" %&'4>?" (*#,4(4.+>8" !" '#>" #14&+#(&," :2" 4(6" :3(" 1307A were engaging and 4126"+.("&+.3;?"(."<*&9&+("$&" =*.$" 0.+(4+34+;" (." &/<1.*&" made me want to $2"*&14;4.+8"!"'#+(&,"(."7+.'" participate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

!"

THE BULLETIN!"

!20!"!October 2015

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

Photography by Noa Herman

by Sylvie Rosen


Halloween Horror by Mary Rankin

!

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I felt like I was in a horror movie, and I wasn’t sure if I’d be the character to make it to the end or if I’d be the first casualty. THE BULLETIN!"

!21!"!October 2015


!"#$!%&'(!"#$!%&' Is Supergirl sexist?

!

//

by Mia Rolph

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

THE BULLETIN!"

by Sheli Frank

.I

NO

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!22!"!october 2015

Photo Illustration by Art Board

YES


backwards forwards Is the wording of Barnard’s transgender admittance policy a step backwards or forwards?

backwards:

!

by Sarah Suzuki

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forwards:

L

by Izzy Kramer

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

!23!"!October 2015


!

by Emma Yee Yick Graphic Illustration by Alex Rosales

"#$%&$'()%'*+,%+-.&%/0%1$2'.$%345)%+1%678."9%9+26'-"$)%2':$% ;2$("9'-%87)"-$))%2'*'<"-$%!"#$%&'()%=>+)?%@+A$(17.%B+2C $-D%.")?E%F7?%?G")%&$'(,%?G$($H)%'%AG+66"-*%0I%AG+%G'#$%$'(-$:% ?G$"(%6.'9$%')%?G$%9(J2$%:$%.'%9(J2$%+1%?G$%87)"-$))%A+(.:E% THE BULLETIN!"

!24!"!October 2015


!

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THE BULLETIN!"

!25!"!October 2015

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by Brittany Berke

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Photo Illustration by Art Board

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Diversifying Broadway


Up & Coming by Ambria Benesch

!

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New Politics

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ecommended Songs: Tonight You're Perfect, Give Me Hope, and Loyalties Among Thieves

Juce V"%.& $#& *(.& 5.<& :$3+& /05-& *(0*& ,)"& +)4.& *)& +)4.6&S(.$3& /"//+,1& *.%(5)1& 2"5@,& ?)?& #)"5-& (.03@.5#& /0%@& *)& *(.& WG#& 05-& .5; %)9?0##.#&.4.5&#)9.&HG#&#*,+.#1&/"*&-).#& #)& <$*(& "5-.5$0/+.& 9"#$%0+& *0+.5*6& V"%.& 0+#)& 2$.3%.+,& .9/30%.#& *(.$3& 0++;2.90+.& $-.5*$*,1&<$*(&*(.&+.0-&#$5:.3&>(.3$#(&02; 2$39$5:& *(0*1&M7*8#& *(.& ,.03& )2& *(.& 90*3$; 03%(6N

V"%.&$#&X"#*&/.:$55$5:&*)&3$#.&$5&*(.&9)-; .35& 9"#$%0+& <)3+-1& (04$5:& 3.+.0#.-& 0& (05-2"+& )2& #$5:+.#& 05-& X"#*& #$:5.-& <$*(& 0& 3.%)3-&+0/.+6& Recommended songs: Burning Up, 6th Floor, and Call You Out

#)50+& 05-& 3.+0*0/+.&.9)*$)5#6&[0":(*.38#& #)"5-&(0#&90*"3.-&*(3)":()"*&*(.$3&F&\E#& 05-& )5.& 0+/"91& *:" ";68" 5-$<-" TFGKLU& 05-& *(.$3&205&/0#.&$#&%)5*$5")"#+,&.^?05-$5:&0#& %3$*$%#&?30$#.&*(.$3&<)3@6&>"33.5*+,&*)"3; $5:&<$*(&Q.5&C)<03-1&*(.$3&9)#*&?)?"+03& #)5:&MJ)"*(N&+05-.-&[0":(*.3&)5&*(.&`0*.& ]()<&<$*(&[04$-&`.**.39051&05-&*(.,84.& @.?*&3$#$5:&#$5%.6& Tapes N' Tapes Recommended Songs: I3)9&$*#&%)5%.?*$)5&0*&>03+.*)5&>)++.:.& Youth, Landfill, and Smother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ecommended Songs: Badaboom, Just Drums, and The Illiad )?.2"++,& /,& 5)<1& ,)"83.& $*%($5:&

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*)& :.*& )5*)&J)"S"/.& )3& ]?)*$2,& 05-&+$#*.5&*)&0&#)5:&)3&*<)&*(0*8#& Daughter I)3&2$4.&,.03#&5)<1&[0":(*.3&(0#&/..5&%$3; ?$_".-& ,)"3& $5*.3.#*6& =5-& *(.51& <(.5& %+$5:& $5& *(.& /0%@:3)"5-& <$*(& *(.$3& #)2*1& *(.#.& #)5:#& 2$50++,& 90@.& $*& *)& *(.& 30-$)1& 9))-,&#)"5-6&B$*(&9.9/.3#&23)9&\5:; ,)"&*))&%05&%)9?+0$5&)/5)^$)"#+,&0/)"*& +05-1&]<$*Y.3+05-1&05-&I305%.1&*(.,&%3.0*.& ()<& ,)"& @5.<& *(.& /05-& /.2)3.& $*& <0#& 3.+0^$5:1& +0,.3.-& 9.+)-$.#& <$*(& #9))*(1& ?)?"+036& _"$.*& 4)%0+#& *(0*& 3.4.0+& 0& -.?*(& )2& ?.3; THE BULLETIN!"

!27!"!October 2015


Mistress America: A Review

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“[A]fter a performance like this, Hewitt might be moving on to bigger and brighter things.” <#;0.%1("#*4(#*1%1(3;%=>34(1?%=3>$5%'..%'% 20>,#$0%4"'C31?%1#%1(0%;1#"?: %% F0'C3-4% &02% L#"B5% 1(0% =3>$J;% ,('#;% <0'B;% 3-% '% 20'>1(?% 6#--0,13,*1% ,#*<>0J;% $3-3$'>3;1% >3C3-4% "##$:% )'*$A +',(%;B3>>=*>>?%<',B;%'%+0C?%#=%,('"',10";% 3-%#-0%$0$#"'+>0%="'$0%1('1%'>>#2;%*;%1#% THE BULLETIN!"

!28!"!October 2015

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!

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

by Caitlin Harrington-Smith


Gallery Gallivanting: Picasso Sculpture

!

by Haley Kane

Disclaimer: The Bulletin does not own any images on this page

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“” Despite the exhibit’s chronological design, the visitor notes an occasional jump in years from room to room, and a drastic change in medium and style.

THE BULLETIN!"

!29!"!OCtober 2015


:-""***/;***<(,$%,' by Haley George

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THE BULLETIN!"

!30!"!October 2015

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! Photo Illustration by Art Board

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!31!"!october 2015

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


Home School by Rania Abi Rafeh

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Photo Illustration by Art Board

THE BULLETIN!"

!32!"!October 2015


"Despite staying in the city, I felt like I was studying in another state."

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THE BULLETIN!"

!33!"!October 2015

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A Guide to the

New York Television Festival

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!34!"!October 2015

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!

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by Ali Pontious


Graves of New York by Simi Akinola

!

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The Woodlawn Cemetery

Houdini's Grave

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!35!"!October 2015


by Katherine Leak

!

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THE BULLETIN!"

!36!"!October 2015

1"%%)$ 2"%,;$ )*+$ 1)1%0$ %&)%$ %&'$ 1"-28'$ )+/ 40#'+$ )*+$ 1"88'1%'+M$N&0,$ ,'1%0"*$ "3$ %&'$ '<&090%$"33'#,$)$2')1'3-8$,%#"88$3"#$6-',%,$ %"$18')#$%&'0#$40*+,$)*+$"9,'#K'$%&'$.0+'$ K)#0'%7$"3$28)*%$,2'10',M$D""5$"-%$3"#$%&'$ 4),,0K'$A4)T"*$.)%'#$8080',;$.&",'$8')K',$ 1)*$6#".$U$3''%$)1#",,M$$$ $ A3%'#$ .)850*6$ )4"*6$ %&'$ 28)*%,$ %&)%$0*,20#'+$4-1&$"3$B)&8"V,$."#5;$K0,0/ %"#,$1)*$%&'*$K0'.$LW$"3$&'#$2)0*%0*6,$)*+$ ,5'%1&',;$.0%*',,0*6$&'#$)#%0,%01$2#"1',,$0*$ ,%088$803',$)*+$,'83/2"#%#)0%,M$N&0,$1"490*)/ %0"*$"3$)#%$)*+$*)%-#)8$803'$"33'#,$)$-*0X-'$


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THE BULLETIN!"

!37!"!October 2015

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A Beginner’s Top Do’s and Don’ts For Navigating New York

!

by Rania Abi Rafeh

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Do’s

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!38!"!October 2015

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A Brief History of the Upper West Side by Ella Koscher

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Disclaimer: The Bulletin does not own any images on this page

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