May 2014
Maitland Quitmeyer '14
Gillian Osswald '14
Editors-in-Chief Mora Grehl '15 Layout Director
Rhea Schmid '15 Art Director FEATURES Sarah Schreiber '16 Rachel Taratuta Titus '17 PUBLIC RELATIONS Amanda Brown '15
POLITICS & OPINION Gloria Noel '14
DESIGN COORDINATORS Lily Kaplan '16 Jordana Roat '16
SOCIAL MEDIA Natalia Quintero Ochoa '15
ARTS & ENTERTAINMENT Rebecca Deczynski '16
SENIOR DESIGNER Divya Sundaram '17
COPY EDITORS Melanie Shapiro '15 Laura Garrison '15 Isabella Alimonti '15
NEW YORK CITY LIVING Rachel Dunphy '16
LAYOUT ASSISTANTS Rachel Dunphy '16 Lizzie Rogers '16 Sofia Geck '17 REmy Park '17
HEALTH & STYLE Adrienne Nel '16 HEAD COPY EDITOR Eloise Giegerich '16
BARNARD BULLETIN 3009 Broadway New York, NY 10027 bulletinedboard"gmail.com
LIKE US ON FACEBOOK: facebook.com!barnardbulletin FOLLOW US ON TWITTER: twitter.com!barnardbulletin
THE BULLETIN!"
!#!"!MaY 2014
A Letter from the Editors The end is nigh. In this issue, we’re looking to the future and (as soon-to-be-alumnae ourselves) catching up with Barnard alum Greta Gerwig in an attempt to ward off thoughts of our impending graduation. Plus, we’re getting our pop culture fix with a dose of Kimye, a dash of good ol’ public access television, and a behind-the-scenes look at the goings-on of TV writers’ rooms in the city.
We know, we know, without hordes of schoolwork, you just won’t know what to do with yourselves this summer. Don’t worry, we’ve packed our issue with awesome ideas, from going to a museum that’s-gasp!--not the Met, having a girls’ night in, or getting involved with a volunteer project in the city. You’ll also have plenty of time to take a page from our centerpiece and have that awkward define-therelationship conversation with your beloved New York City.
Well, we’ve come to that point: our last issue as HBIC at the Bulletin. We’ve loved every second of acting important, hunching over the computer, and changing other people’s words. Thank you to all of our staff for your hard work, dedication, and creativity. Thanks readers, for sticking with us and reading through the year with us. It’s been a privilege, etc. But really, with all of our Bulletin Love, Gillian and Maitland
THE BULLETIN!"
!3!"!MAY 2014
Contents Behind the Scenes
3 5
Trending
6
Health & Style Spring in Your Step
8
Letter from the Editors
It Just Doesn’t Gel
10
L’wren Scott Calling Out the Catwalk
11
Features Housing Horrors
12 14
Kimye en Vogue
15
Centerpiece
16
The Cost of Living in New York
Barnard Medals of Distinction
20
Politics and Opinion Politics in the Age of Information
22
Lean in or Sleep in
23
Local Impact Politics
24
NYC Writing Rooms
25
The Accountability Project
26
Arts & Entertainment From Viewers Like You
28
Making Art History Present
30
Greta Versus
32
Not The Met
33
New York City Living Girls’ Night In Volunteering 101 Bites Beyond the Bubble
36 37
Goodbye to the Seniors
39
34
THE BULLETIN!"
!#!"!May 2014
#"$%& ! "# '#%#(
Fossil Sydney Satchel 456'1"7.'$#-&3."'87$-'9*2'
Rubber Duck Tea Infuser
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THE BULLETIN!"
!6!"!May 2014
Disclaimer: The Bulletin does not own any images on this page
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Chanel Le Vernis Nail Colour in 167 Ballerina ,%-./00&-%1/..23&*/%4&*5%*/&.%-(.(#3% $(%0$/3$%043&*6+
1.
5.
The Walker
Hey Lover Keri Noble
Fitz and the Tantrums
2.
6.
April Come she Will
Australia The Shins
Simon & Garfunkel
3.
7. Cold Pop
Up All nIght Best Coast
Born Ruffians
8.
4. Let it Go Idina Menzel
Rip Tide Vance Joy
THE BULLETIN!"
!7!"!May 2014
Spring in Your Step By Ava Tuncliffe
!
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"#$%&'%$%&($#('%&()$*+$,(%%*-,$#').()/$%&($%*.($&'+$0".($%"$+%"#$'#'1$%&($2,,+$'-3$0".4'%$4""%+5$6)(-3+$&'7($*-(7*8 %'491$0&'-,(3$+*-0($9'+%$+:)*-,/$+"$#&'%$*+$'$,*)9$%"$3";$<=1$.")($+&"(+/$">$0"=)+(5$?)".$@'))*($<)'3+&'#A+$B'-"9"+$ %"$C'31$D','A+$#'0E1$:9'%>").+/$+&"(+$0'-$.'E($'$+()*"=+$+%'%(.(-%5$F>$1"=A)($#"-3()*-,$#&'%$1"=$+&"=93$4($E*0E*-,$ *%$*-$%&*+$+:)*-,/$&()(A+$1"=)$>""9:)"">$,=*3(5$
"#$%&'()*+,)-#./),&0)//1#/)*/*&1#/()&2)(3+4/1)5&,()+'6)$"+(4#7)78&3/1)'/73"+7/(9):04) ("#$%&'()+1/)5+73)48#()($1#'-;)+'6)48/,<1/)7&&"/1)48+')/./19)=(+1#'+)>/11#';):?)<@A;) (+,()48+4)(8/<()+)5#-)2+')&2)48/)("#$%&'()60/)4&)48/)2+74)48+4)48/,<1/)B7&*2&14+5"/)C#48&04) "&&3#'-)4&&)+48"/4#79D)E"48&0-8)F+'(;)48/)&1#-#'+")("#$%&'(;)7+')+66)+)2+(8#&'+5"/)+'6) "+#65+73).#5/)4&)+')&042#4;)*/4+""#7)!4/./)>+66/'(;)*/4+"%4&/6)>#0)>#0()+'6)48/)"0G/) "/+48/1)H8#""#$)I#*)("#$%&'()(4/+")48/)(8&C)48#()($1#'-9
THE BULLETIN!"
!8!"!MAY 2014
Birkenstocks
!
!
Illustrations by Sofia Davis
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
!"#$"#%&'()*%#&+((,-./&0(%&1&2$%133'&21.41+&0(%&2)..'&41'25&1&2.#1,#%&$(&%).&#%%1.42&-.5&1&6").,'& SODWIRUP WR WDNH \RXU RXWÃ&#x20AC;W XS D QRWFK RU D PXOH VKRH WR URFN WR WKH RIÃ&#x20AC;FH WKLV VSULQJ KDV VKRH RS7 $-(.2&13+#.$'8&9"#%#&-2&.(&%#12(.&.($&$(&:#&,-6,-./&-$&-.&2$'+#&$"-2&23%-./; THE BULLETIN!"
!9!"!may 2014
It Just Doesn't Gel by Adrienne Nel
!
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
{
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}
Though, eventually, the first crack appeared. And then the first chip. And then the walls came tumbling down and picking at my gel manicure became my new favorite pastime. THE BULLETIN!"
!10!"!MAY 2014
Lâ&#x20AC;&#x2122;Wren Scott
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THE BULLETIN!"
!11!"!May 2014
Digital Illustration by Art Board
By Aiko Suyemoto
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THE BULLETIN!"
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Digital Illustration by Art Board THE BULLETIN!"
!13!"!may 2014
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Illustrations by Emunah Garfield
By Sheli Paige Frank
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Medal of Distinction Recipients
By Rachel Taratuta Titus
!
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THE BULLETIN!"
!20!"!MAY 2014
Digital Illustration by Art Board
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THE BULLETIN!"
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!21!"!MAY 2014
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THE BULLETIN!"
!22!"!MAY 2014
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Digital Illustration by Art Board
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
By Anna D Weill
Climbing the Corporate Ladder: Lean In or Sleep In? By Danielle Owen
!
Illustration by Judy Gong
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THE BULLETIN!"
!23!"!MAY 2014
0((%&52>%A&200&='&5#..,/6&=#/62%,/&B,+,& =2-,&B",$&:&B2/&5)+$,-&()6AL&@)11#$.3 6($&/2#-&#$&",+&!DEF&620%9&H:&0((%&52>%& 2$-&+,20#P,&6"26&='&0#1,&B()0-&"24,&5,,$& #$>+,-#50'& ,2/#,+& #1& :*-& /0,;6& =(+,L9& :6*/& #=;(+62$6& A"(B,4,+A& 6(& $(6,& 6"26& ?+#3 2$$2*/& 2-4#>,& >(=,/& 1+(=& 2& ;(/#6#($& (1& .+,26&;+#4#0,.,9&?/&/2#-&5'&!"#/&C(+$#$.& "(/6& U2'0,& \#$.A&H]()*+,&?+#2$$2& @)113 #$.6($&(1&6",&+XIÃ&#x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
Local Impact Politics
By Gloria Noel
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
!24!"!MAY 2014
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
Disclaimer: The Bulletin does not own any images on this page
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“We can do better.”
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Digital Illustration by Art Board
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!25!"!MAY 2014
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BY DIVYA SUNDARAM
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THE BULLETIN!"
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!26!"!MAY 2014
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#/"-.+$"!-*0-.+&&%&'0*.-*00%)".! &*1%2%-2*&!#" "#" " "0*+&3". Digital Illustration by Divya Sundaram
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THE BULLETIN!"
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!27!"!MAy 2014
by Rebecca Deczynski
!
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!28!"!MAY 2014
Digital Illustration by Art Board
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
Rekindled under the name Cosmos: A Spacetime Odyssey, the series follows in the footsteps of Saganâ&#x20AC;&#x2122;s PBS original and follows the same journey to enlighten and interest the public in science, particularly astronomy, yet it aims to do so in a way that brings big ideas closer to home and on a more approachable platform.
THE BULLETIN!"
!29!"!MAY 2014
MAKING ART HISTORY PRESENT A REFLECTION ON THE ANNA HYATT HUNTINGTON PROJECT
BY ELLEN DULSKY WATKINS
THE BULLETIN!"
!30!"!MAY 2014
!
Digital Illustration by Divya Sundaram
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’S 3&#7$ 7-(64=$ .3&$ 9"##$ 5&%&5.&(+$ 2"5$ 90'-5&7$ &48 .6(&#*$ 04$ .3&$ %0-4.64=$ 09$ "4$ &G36,6.604$ 09$ .3&$ SCULPTURE BECAME NOT SIMPLY A 20(<$ 09$B44"$ C*"..$ C-4.64=.04+$ "4$ 6##-5.(60-5$ WORK OF ART TO BE MEMORIZED .-(48098.3&8'&4.-(*$B%&(6'"4$ 5'-#;.0(:$F3&$ (&8 5-#.64=$5302+$&4.6.#&7$H077&55+$C&(064&+$@&"5.I$ AND FORGOTTEN, BUT A SYMBOL B44"$ C*"..$ C-4.64=.04>5$ J&2$K0(<$ L'-#;.-(&+$ OF COURAGE FOR ALL YOUNG MNOP8MNQR+$2"5$%0-4.&7$".$.3&$S6(6"%$"47$/("$ T:$U"##"'3$H"##&(*$04$!0#-%,6">5$'"%;-5$&"(#6&($ WOMEN – WHETHER ARTISTS, .365$5&%&5.&(:$/4$'044&'.64=$.3&$"(.$365.0(6'"#$7658 SOLDIERS, OR ART HISTORIANS. '6;#64&A"47$"$#04=890(=0..&4$9&%"#&$"(.65.A.0$ .3&$ ,(0"7&($ 20(#7+$ .3&$B44"$ C*"..$ C-4.64=.04$ D(0E&'.$2"5$.3&$;&(9&'.$64.&(5&'.604$,&.2&&4$(&"#$#69&$"47$ ;"(.6'-#"(:$C&($&X-&5.(6"4$V0"4$5;&"<5$.0$3&($26##64=4&55$.0$ &7-'".604:$ 7&9*$=&47&(&7$&G;&'.".6045I$6.$&1&4$="(4&(&7$3&($"4$C048 B5$"$5.-7&4.$64$.3&$'#"55+$/$3"7$.3&$0;;0(.-46.*$.0$2".'3$ 0(",#&$S&4.604$64$.3&$D"(65$L"#04$09$MNMO+$"$.6%&$23&4$ &1&(*$5.&;$09$.3&$;(0'&55+$9(0%$.3&$;(&'65&$7&."6#5$09$"(8 20%&4+$%-'3$#&55$B%&(6'"4$20%&4+$767$40.$(&'&61&$"'"8 ("4=64=$"(.$#0"45$.0$'300564=$904.5$90($.3&$'"."#0=:$@-.$"5$ 7&%6'$ 3040(5:$ H")64=$ ".$ .3&$ 7*4"%65%$ 09$ .365$ 3&(064&8 .3&$ ="##&(*$ 700(5$ 0;&4&7$ 64$ V"4-"(*+$ /$ 5"2$ .3&$ 20(<$ .3&$ ,&"5.$5'-#;.-("#$'0%;056.604+$%*$3&"(.$2"5$9#007&7$26.3$ .&"%$;-.$64$.(-#*$5;(64=$.0$#69&:$W(0%$2"##$;#"X-&5$&76.&7$ 9&%6465.$;(67&:$/4$.3".$%0%&4.+$B44">5$5'-#;.-(&$,&'"%&$ 961&$.6%&5$01&($.0$.3&$2"*$.3&$'"(&9-##*$'04.(0##&7$#6=3.8 40.$56%;#*$"$20(<$09$"(.$.0$,&$%&%0(6)&7$"47$90(=0..&4+$ 64=$5'3&%&$36=3#6=3.&7$.3&$5'-#;.-(&5+$0-($&7-'".604$64$"(.$ ,-.$"$5*%,0#$09$'0-("=&$90($"##$*0-4=$20%&4$Z$23&.3&($ 365.0(*$,&'"%&$"$;"(.$09$.3&$'0%%-46.*$".$#"(=&:$/.$2"5$ "(.65.5+$50#76&(5+$0($"(.$365.0(6"45:$ =6(#$ %&&.5$ ="##&(*$ 5;"'&$ %&&.5$ 20(#7+$ "47$ 6.$ 2"5$ #01&$ ".$ C-4.64=.04>5$ T6"4"$ 09$ .3&$ !3"5&+$ 04$ #0"4$ 9(0%$ .3&$ J&2$K0(<$C65.0(6'"#$L0'6&.*+$3"7$"$56%6#"($ &99&'.$04$%&:$ AS THE GALLERY DOORS OPENED L-((0-47&7$,*$"$%&4"=&(6&$09$;#"*9-#$"46%"#$5'-#;.-(&5+$ C-4.64=.04>5$ T6"4"$ 2"5$ 40$ 5."67+$ 7&;&(504"#6)&7$ "##&=08 IN JANUARY, I SAW THE WORK THE (*$Z$"5$50$%"4*$7&;6'.6045$09$'"4046'"#$=077&55&5$.&47$.0$ TEAM PUT IN TRULY SPRING TO LIFE... ,&:$[".3&($.3"4$;0564=$7&%-(&#*$0($5.".6'"##*+$.365$=077&55$ 526(#&7$7*4"%6'"##*$.02"(7$.3&$5<*+$3&($,02$.3(-5.$36=3$ IT WAS GIRL MEETS GALLERY SPACE "47$,"'<$%-5'#&5$9#&G&7:$L3&$2"5$"$(&"#+$;02&(9-#$20%"4I$ MEETS WORLD, AND IT WAS LOVE AT 645.6##&7$ 26.3$ 96&('&$ '04967&4'&$ "47$ 7&.&(%64".604+$ 26.3$ 20(.3$,&*047$%&(&#*$3&($;3*56'"#$,07*A64$"$5&45&+$&18 FIRST SIGHT. &(*.364=$@"(4"(7$&4'0-("=&5$-5+$40$%"..&($23".$96&#7$2&$ ;-(5-&+$.0$,&:$ 96(5.$56=3.: /4$.3&$&47+$.3&$B44"$C*"..$C-4.64=.04$D(0E&'.$="1&$%&$ Y1&4$ .30-=3$ /$ <4&2$ &G"'.#*$ 23&(&$ &"'3$ 5'-#;.-(&$ "4$ 641"#-",#&$ 0;;0(.-46.*I$ .0$ ;#"*$ "$ (0#&$ 64$ #64<64=$ "'"8 20-#7$,&$;#"'&7$"47$23*+$2"#<64=$.3(0-=3$.3&$&G36,6.604$ 7&%6"$.0$.3&$=(&".&($20(#7:$F3&$D(0E&'.$"47$6.5$(&5-#.64=$ (&%647&7$ %&$ E-5.$ 302$ 7&&;#*$ '0-(5&20(<$ '"4$ (&504".&$ &G36,6.604$ .("4590(%&7$ .3&$ 365.0(*$ 09$ "(.$ 64.0$ .3&$ ;(&58 26.3$ #69&$ 0-.567&$ .3&$ '#"55(00%:$B5$ /$ #00<&7$ ".$ C-4.64=8 &4.A"47$,&567&5$"$%"=6'"#$2"47$.0$.("4590(%$3&($.3&565+$ .04>5$%"=4696'&4.$V0"4$09$B('+$;(&5&4.$64$.3&$="##&(*$5;"'&$ 23".$%0(&$'0-#7$"4$"(.$365.0(*$%"E0($2"4.\$
THE BULLETIN!"
!31!"!MAY 2014
Greta Versus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
THE BULLETIN!"
!32!"!MAy 2013
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!
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By Rebecca Deczynski
Not the met !
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by Jackie Xu
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"Though there's not much to see, as the museum is only one floor with three wings, the museum makes up for it in detail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
!33!"!MAY 2014
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
Girls’ Night In by: Zoe Miller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!,&6+*&425;#&.(+-3&#;$&7'0.&0+%($%&+"&#;$&"2%,#&"1++%&+"&:+114'(&A27%'%6&;+*,$,&>'%= ('%)<,&E2($&0+11$0#2+(3&,+&-;6&(+#&5'#;$%&+1)&4'5'E2($,3&/'/$%3&4'%.$%,3&'()&'(6&+#;$%& '%#&,*//12$,&6+*&'()&6+*%&0%$-&;'8$&162(5&'%+*()&G512##$%3&'(6+($HI&'()&/'6&;+4'5$&#+& #;2%)=-'8$&"$42(2,4<,&0%'"#6&0+%($%,#+($H&!,&'(&'))$)&7+(*,3&0%'"#2(5<,&'&5++)&-'6& #+&0+47'#&,#%$,,3&,+&6+*&0'(&"+%5$#&'7+*#&#;'#&/'/$%&+%&/%+71$4&,$#&"+%&'&72#&',&6+*& *(1$',;&6+*%&2(($%&J2+#&K%%%19&L1'6&,+4$&>$6+(0M==+%&-;+$8$%&$1,$&2,&+(&6+*%&5+=#+& /1'612,#&+"&$4/+-$%2(5&C'4,&2(&#;$&7'0.5%+*()3&'()&6+*<%$&'11&,$#9
THE BULLETIN!"
!#$!"!MAY 2014
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+)(#6'"0*78&9 Digital Illustration by Art Board
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THE BULLETIN!"
!35!"!MAY 2014
Volunteering 101 by Rachel Dunphy
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@,>#&,&I)1.>&/(/#6$&$(&=#%)4#&(=$1(64&(6&$"#&BC;&E,%>4& (551.1,7&A#-41$#<&,6+&'()*77&516+&(==(%$)61$1#4&$(&2#$&168(78#+& 16&,6'$"162&5%(/&2,%+#6162&,6+&5(%#4$%'&$(&#+).,$1(6&,6+& 4=#.1,7&#8#6$4?&C()&.,6&8(7)6$##%&16&=,%>4&,77&,%()6+&$"#&518#& -(%()2"4<&,6+&$"#&."%(6(7(21.,77'&714$#+&(55#%1624&$'=1.,77'& %#I)1%#&.(//1$/#6$4&(5&7#44&$",6&,&+,'? THE BULLETIN!"
!36!"!may 2014
BITES BEYOND THE BUBBLE
BYmaitland quitmeyer
Luke’s Lobster 426 Amsterdam Ave
N
Photo Illustration by Art Board
othing says summer like a lobstah roll. No, not lobster. Lobstah. We’re not talking about your average chi-chi crustacean; this New England creation is far more. No longer do poor New Yorkers have to shell out thirty bucks for a white-table-cloth lobster roll or drive several hours to the coast of Maine. For an authentic bite of joy before the year is over, just head thirty-five blocks south to Luke’s Lobster. Tucked into a buttered split-top roll, the lobster chunks (no mince meat here) are piled high and topped with a sprinkle of secret spices. Luke’s Lobster rolls blur the line between Maine and Connecticut style. For the uninitiated, Maine style lobster rolls feature chilled lobster cemented with mayonnaise, while Connecticut style are served warm with melted butter. These are truly the best of both worlds—the perfect combination of fresh lobster meat, a swipe of mayo, and a drizzle of lemon
butter. But don’t let the condiments fool you—the lobster is the true star of this show. If lobster isn’t your thing, try a shrimp or crab roll, or even one of their delicious soups. Better yet, bring a pal and split the “Noah’s Ark,” which includes three rolls (one of each seafood), four crab claws, and all the fixin’s. If you don’t trust me, just look online. Luke’s Lobster ranks sixth place on the Daily Meal’s list of “America’s 20 Best Lobster Rolls Outside of Maine” and even made Refinery 29’s list of “The 19 Best Lobster Rolls.” Why the rave reviews? Fresh lobster at a good price is hard to pass up. The eponymous Luke himself hails from Maine, where 100% of the lobsters are fished and shelled before being shipped to the city. Luke’s Lobster has all the ambiance of a Maine lobster shack, down to the lobster traps outside their door, but with the convenience of a metropolitan New York location. Hop on a THE BULLETIN!"
!37!"!May 2014
stool at one of their rustic wooden plank tables, but be warned, the small space fills up quickly. On a beautiful spring day, take your roll to go—Central Park is only a quick stroll away. Lobster food baby weighing you down? Wash down the sandwich with a whoopie pie on the walk back to Barnard. Trust me, you won’t regret the splurge. At fifteen bucks a pop, the lobster rolls aren’t exactly cheap, but the rich flavor (and, of course, the melted butter) will certainly satisfy. For three dollars more, add potato chips, a pickle, and one of their local Maine sodas for the complete experience. Try their Maine root beer for a particularly refreshing combination. Don’t forget to pick up a punch card on your next visit—when you buy ten lobster rolls, you get the eleventh free. Believe me, I’m already well on my way.
Goodbye to the Seniors
I came to my first Bulletin meeting for the Oreos. Little did I know I would be initiating a lasting relationship with this intelligent and innovative publication. I have to say I’m happy to be leaving the Bulletin--happy because I leave as part of an extraordinary community of Bulletin alumnae; happy because I leave the magazine in the hands of a group of formidable female writers, editors, artists, and designers; happy, because as I leave, I gain the privilege of stepping back and watching these women continue to take the Bulletin to new heights.
Gillian Osswald
My first week at Barnard, I walked alone into the Bulletin office, hoping my swagger masked my apprehension as I asked for a copy editor application. Four years later, this senior is glad the baby freshman did. I am proud to have worked with so many of my bright and talented peers as we continue to move the magazine into the future. I look forward to admiring the work of future classes of Barnard women. Don’t be alarmed if you see an old woman rifling through stacks of the Bulletin in Liz’s place in the coming years. It’s only me.
Maitland Quitmeyer
As a member of the Bulletin staff from my first year to senior year, it has been incredible to see the magazine grow over the years. Under the direction of enthusiastic leadership and with the help of inspired artists, the Bulletin has progressed completely into the age of modern technology and design. The articles are smart and relevant, and the design is perfectly complementary. As a graduating senior, I will miss the experience of being a part of the magazine’s growth and being part of a small cultural enclave on campus. I look forward to seeing more of it’s successes as an alumna!
Gloria Noel
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