Barnard Bulletin May Issue by Barnard Bulletin

May 2014

Maitland Quitmeyer '14

Gillian Osswald '14

Editors-in-Chief Mora Grehl '15 Layout Director

Rhea Schmid '15 Art Director FEATURES Sarah Schreiber '16 Rachel Taratuta Titus '17 PUBLIC RELATIONS Amanda Brown '15

POLITICS & OPINION Gloria Noel '14

DESIGN COORDINATORS Lily Kaplan '16 Jordana Roat '16

SOCIAL MEDIA Natalia Quintero Ochoa '15

ARTS & ENTERTAINMENT Rebecca Deczynski '16

SENIOR DESIGNER Divya Sundaram '17

COPY EDITORS Melanie Shapiro '15 Laura Garrison '15 Isabella Alimonti '15

NEW YORK CITY LIVING Rachel Dunphy '16

LAYOUT ASSISTANTS Rachel Dunphy '16 Lizzie Rogers '16 Sofia Geck '17 REmy Park '17

HEALTH & STYLE Adrienne Nel '16 HEAD COPY EDITOR Eloise Giegerich '16

BARNARD BULLETIN 3009 Broadway New York, NY 10027 bulletinedboard"gmail.com

LIKE US ON FACEBOOK: facebook.com!barnardbulletin FOLLOW US ON TWITTER: twitter.com!barnardbulletin

THE BULLETIN!"

!#!"!MaY 2014

A Letter from the Editors The end is nigh. In this issue, we’re looking to the future and (as soon-to-be-alumnae ourselves) catching up with Barnard alum Greta Gerwig in an attempt to ward off thoughts of our impending graduation. Plus, we’re getting our pop culture fix with a dose of Kimye, a dash of good ol’ public access television, and a behind-the-scenes look at the goings-on of TV writers’ rooms in the city.

We know, we know, without hordes of schoolwork, you just won’t know what to do with yourselves this summer. Don’t worry, we’ve packed our issue with awesome ideas, from going to a museum that’s-gasp!--not the Met, having a girls’ night in, or getting involved with a volunteer project in the city. You’ll also have plenty of time to take a page from our centerpiece and have that awkward define-therelationship conversation with your beloved New York City.

Well, we’ve come to that point: our last issue as HBIC at the Bulletin. We’ve loved every second of acting important, hunching over the computer, and changing other people’s words. Thank you to all of our staff for your hard work, dedication, and creativity. Thanks readers, for sticking with us and reading through the year with us. It’s been a privilege, etc. But really, with all of our Bulletin Love, Gillian and Maitland

THE BULLETIN!"

!3!"!MAY 2014

Contents Behind the Scenes

3 5

Trending

Health & Style Spring in Your Step

Letter from the Editors

It Just Doesn’t Gel

L’wren Scott Calling Out the Catwalk

Features Housing Horrors

12 14

Kimye en Vogue

Centerpiece

The Cost of Living in New York

Barnard Medals of Distinction

Politics and Opinion Politics in the Age of Information

Lean in or Sleep in

Local Impact Politics

NYC Writing Rooms

The Accountability Project

Arts & Entertainment From Viewers Like You

Making Art History Present

Greta Versus

Not The Met

New York City Living Girls’ Night In Volunteering 101 Bites Beyond the Bubble

36 37

Goodbye to the Seniors

THE BULLETIN!"

!#!"!May 2014

#"$%& ! "# '#%#(

Fossil Sydney Satchel 456'1"7.'$#-&3."'87$-'9*2'

Rubber Duck Tea Infuser

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Ray Ban ClubMasters !"#$$%&'#()'&**"+',-')*.$(/-'0.-'1.--.2' -3#('-3%$+

THE BULLETIN!"

!6!"!May 2014

Disclaimer: The Bulletin does not own any images on this page

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J Crew FLoral Cuff !"#$%&$%'()*+

Chanel Le Vernis Nail Colour in 167 Ballerina ,%-./00&-%1/..23&*/%4&*5%*/&.%-(.(#3% $(%0$/3$%043&*6+

The Walker

Hey Lover Keri Noble

Fitz and the Tantrums

April Come she Will

Australia The Shins

Simon & Garfunkel

7. Cold Pop

Up All nIght Best Coast

Born Ruffians

4. Let it Go Idina Menzel

Rip Tide Vance Joy

THE BULLETIN!"

!7!"!May 2014

Spring in Your Step By Ava Tuncliffe

"48&0-8) 4,$#7+"",)) 3'&C') +() +) (8&/) 2&1)48/)&"6/1)71&C6;)48#() (/+(&')48/)*0"/)(8&/)8+() 1/% 7/#./6) +) *&6/1') *+3/% &./19) J1&*) 780'3,) 8//"/6) + ' 3 " /) (41+$) K9@) H8#""#$) I#*) *0"/() 4&) L#./'78,) ("#'-%5+73(;) 6/(#-'% /1() +1/) -#.#'-) *0"/() +) '/C) "/+(/) &') "#2/9) M2) 48&(/) (&0'6) &04) &2) ,&01) $1#7/)1+'-/)48&0-8;)N/2% 21/,) ?+*$% 5/"")&22/1()(&*/)78/+$% /1)&$4#&'()48+4) +1/)O0(4)+()704/9)=8/)*0"/)#()(01/)4&)5/)48/)#4%(8&/) 2&1),&01)(0**/1)#'4/1'(8#$P

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Slip on sneakers

"#$%&'%$%&($#('%&()$*+$,(%%*-,$#').()/$%&($%*.($&'+$0".($%"$+%"#$'#'1$%&($2,,+$'-3$0".4'%$4""%+5$6)(-3+$&'7($*-(7*8 %'491$0&'-,(3$+*-0($9'+%$+:)*-,/$+"$#&'%$*+$'$,*)9$%"$3";$<=1$.")($+&"(+/$">$0"=)+(5$?)".$@'))*($<)'3+&'#A+$B'-"9"+$ %"$C'31$D','A+$#'0E1$:9'%>").+/$+&"(+$0'-$.'E($'$+()*"=+$+%'%(.(-%5$F>$1"=A)($#"-3()*-,$#&'%$1"=$+&"=93$4($E*0E*-,$ *%$*-$%&*+$+:)*-,/$&()(A+$1"=)$>""9:)"">$,=*3(5$

"#$%&'()*+,)-#./),&0)//1#/)*/*&1#/()&2)(3+4/1)5&,()+'6)$"+(4#7)78&3/1)'/73"+7/(9):04) ("#$%&'()+1/)5+73)48#()($1#'-;)+'6)48/,<1/)7&&"/1)48+')/./19)=(+1#'+)>/11#';):?)<@A;) (+,()48+4)(8/<()+)5#-)2+')&2)48/)("#$%&'()60/)4&)48/)2+74)48+4)48/,<1/)B7&*2&14+5"/)C#48&04) "&&3#'-)4&&)+48"/4#79D)E"48&0-8)F+'(;)48/)&1#-#'+")("#$%&'(;)7+')+66)+)2+(8#&'+5"/)+'6) "+#65+73).#5/)4&)+')&042#4;)*/4+""#7)!4/./)>+66/'(;)*/4+"%4&/6)>#0)>#0()+'6)48/)"0G/) "/+48/1)H8#""#$)I#*)("#$%&'()(4/+")48/)(8&C)48#()($1#'-9

THE BULLETIN!"

!8!"!MAY 2014

Birkenstocks

Illustrations by Sofia Davis

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

!"#$"#%&'()*%#&+((,-./&0(%&1&2$%133'&21.41+&0(%&2)..'&41'25&1&2.#1,#%&$(&%).&#%%1.42&-.5&1&6").,'& SODWIRUP WR WDNH \RXU RXWÃ&#x20AC;W XS D QRWFK RU D PXOH VKRH WR URFN WR WKH RIÃ&#x20AC;FH WKLV VSULQJ KDV VKRH RS7 $-(.2&13+#.$'8&9"#%#&-2&.(&%#12(.&.($&$(&:#&,-6,-./&-$&-.&2$'+#&$"-2&23%-./; THE BULLETIN!"

!9!"!may 2014

It Just Doesn't Gel by Adrienne Nel

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Though, eventually, the first crack appeared. And then the first chip. And then the walls came tumbling down and picking at my gel manicure became my new favorite pastime. THE BULLETIN!"

!10!"!MAY 2014

Lâ&#x20AC;&#x2122;Wren Scott

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THE BULLETIN!"

!11!"!May 2014

Digital Illustration by Art Board

By Aiko Suyemoto

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THE BULLETIN!"

!12!"!MAY 2014

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Digital Illustration by Art Board THE BULLETIN!"

!13!"!may 2014

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Illustrations by Emunah Garfield

By Sheli Paige Frank

imye En Vogue By Sabrina Bremer

Disclaimer: The Bulletin does not own any images on this page

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Medal of Distinction Recipients

By Rachel Taratuta Titus

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

THE BULLETIN!"

!20!"!MAY 2014

Digital Illustration by Art Board

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

THE BULLETIN!"

).+-&+% !"1&#% TUV6% )2'5*?% W1.&#&?% !)&% -$&+.5*#$+)2% -$% 81852).-H-$@%85$F%.1(F%-$%X#!%Y1.F%B-+9:%;"#%!)&%-$35(+0 #3%-$+1%+"#%Z1(F%)$3%Z122%W)22%1,%4)*#%-$%[77V%)$3%.#0 (#-<#3%+"#%R12).%A5&-(%R.-H#%-$%[7TT:%K$%"#.%*#*1-.?%!"#$% &'(#?%;*-+"%3-&(5&&#&%+"#%#>(-+-$@%9#+%'-++#.&!##+%,##2-$@% +")+%)((1*8)$-#&%)%+.)$&-+-1$)2%8#.-13%\&5("%)&%@.)35)+-$@% ,.1*%E).$).3%B122#@#]%-$%1$#O&%2-,#^% % LY15%(1523%,##2%)%<-'.)+-1$%-$%+"#%)-.?%)%&#$&#%1,% ")&+#$-$@:%K+%")3%&+).+#3%!-+"%+"#%*11$?%-$)((#&&-'2#%81#*% +")+%-+%!)&:%X1!%*#$%")3%!)2F#3%581$%-+?%.5''#.%+.)3#&% 1$%)%8#).2%1,%+"#%@13&:%R#.")8&%-+%!)&%)$%)!).#$#&&%1,%+-*#% 8)&&-$@?%+"#%2)&+%&5**#.%1,%+"#%3#()3#:%;1*#+-*#&%K%P5&+% !)$+#3%+1%.)-&#%*9%")$3&%)$3%&+18:%E5+%&+18%!")+_%A)9'#% P5&+%@.1!-$@%58:Q

!21!"!MAY 2014

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THE BULLETIN!"

!22!"!MAY 2014

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

Digital Illustration by Art Board

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

By Anna D Weill

Climbing the Corporate Ladder: Lean In or Sleep In? By Danielle Owen

Illustration by Judy Gong

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:$/6,2-A& 62%,&?+#2$$2*/& 2-4#>,Y2& .((-& $#."6*/& +,/6& B#00& =2F#=#P,& 6",& Z)20#6#,/& '()& $,,-& #$& (+-,+& 6(& -(& B,00& ($& 6,/6/A& /)>"& 2/& 20,+6$,//A& >($>,$6+26#($A& -,>#3 /#($3=2%#$.A& 2$-& =,=(+'& /%#00/9& :$& 2& >(=;,6#6#4,& B(+0-& B",+,& T[& ;,+>,$6& (1& >(00,.,& /6)-,$6/& ;)00& 2$& 2003$#."6,+& 26& 0,2/6& ($>,& 2& =($6"A& %,,;#$.& 2& >($3 /#/6,$6A&",206"'&/0,,;&/>",-)0,&=2'&.#4,& '()&6",&;)/"&'()&$,,-&6(&.,6&2",2-&2$-& =2%,& 6",& =(/6& (1& ,4,+'& -2'9& HK",$& :&

THE BULLETIN!"

!23!"!MAY 2014

0((%&52>%A&200&='&5#..,/6&=#/62%,/&B,+,& =2-,&B",$&:&B2/&5)+$,-&()6AL&@)11#$.3 6($&/2#-&#$&",+&!DEF&620%9&H:&0((%&52>%& 2$-&+,20#P,&6"26&='&0#1,&B()0-&"24,&5,,$& #$>+,-#50'& ,2/#,+& #1& :*-& /0,;6& =(+,L9& :6*/& #=;(+62$6& A"(B,4,+A& 6(& $(6,& 6"26& ?+#3 2$$2*/& 2-4#>,& >(=,/& 1+(=& 2& ;(/#6#($& (1& .+,26&;+#4#0,.,9&?/&/2#-&5'&!"#/&C(+$#$.& "(/6& U2'0,& \#$.A&H]()*+,&?+#2$$2& @)113 #$.6($&(1&6",&+XIÃ&#x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

Local Impact Politics

By Gloria Noel

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

!24!"!MAY 2014

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

Disclaimer: The Bulletin does not own any images on this page

“We can do better.”

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Digital Illustration by Art Board

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!25!"!MAY 2014

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BY DIVYA SUNDARAM

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THE BULLETIN!"

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!26!"!MAY 2014

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#/"-.+$"!-*0-.+&&%&'0*.-*00%)".! &*1%2%-2*&!#" "#" " "0*+&3". Digital Illustration by Divya Sundaram

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THE BULLETIN!"

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!27!"!MAy 2014

by Rebecca Deczynski

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!28!"!MAY 2014

Digital Illustration by Art Board

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Rekindled under the name Cosmos: A Spacetime Odyssey, the series follows in the footsteps of Saganâ&#x20AC;&#x2122;s PBS original and follows the same journey to enlighten and interest the public in science, particularly astronomy, yet it aims to do so in a way that brings big ideas closer to home and on a more approachable platform.

THE BULLETIN!"

!29!"!MAY 2014

MAKING ART HISTORY PRESENT A REFLECTION ON THE ANNA HYATT HUNTINGTON PROJECT

BY ELLEN DULSKY WATKINS

THE BULLETIN!"

!30!"!MAY 2014

Digital Illustration by Divya Sundaram

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THE BULLETIN!"

!31!"!MAY 2014

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THE BULLETIN!"

!32!"!MAy 2013

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By Rebecca Deczynski

Not the met !

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by Jackie Xu

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"Though there's not much to see, as the museum is only one floor with three wings, the museum makes up for it in detail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

!33!"!MAY 2014

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

Girls’ Night In by: Zoe Miller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THE BULLETIN!"

!#$!"!MAY 2014

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THE BULLETIN!"

!35!"!MAY 2014

Volunteering 101 by Rachel Dunphy

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@,>#&,&I)1.>&/(/#6$&$(&=#%)4#&(=$1(64&(6&$"#&BC;&E,%>4& (551.1,7&A#-41$#<&,6+&'()*77&516+&(==(%$)61$1#4&$(&2#$&168(78#+& 16&,6'$"162&5%(/&2,%+#6162&,6+&5(%#4$%'&$(&#+).,$1(6&,6+& 4=#.1,7&#8#6$4?&C()&.,6&8(7)6$##%&16&=,%>4&,77&,%()6+&$"#&518#& -(%()2"4<&,6+&$"#&."%(6(7(21.,77'&714$#+&(55#%1624&$'=1.,77'& %#I)1%#&.(//1$/#6$4&(5&7#44&$",6&,&+,'? THE BULLETIN!"

!36!"!may 2014

BITES BEYOND THE BUBBLE

BYmaitland quitmeyer

Luke’s Lobster 426 Amsterdam Ave

Photo Illustration by Art Board

othing says summer like a lobstah roll. No, not lobster. Lobstah. We’re not talking about your average chi-chi crustacean; this New England creation is far more. No longer do poor New Yorkers have to shell out thirty bucks for a white-table-cloth lobster roll or drive several hours to the coast of Maine. For an authentic bite of joy before the year is over, just head thirty-five blocks south to Luke’s Lobster. Tucked into a buttered split-top roll, the lobster chunks (no mince meat here) are piled high and topped with a sprinkle of secret spices. Luke’s Lobster rolls blur the line between Maine and Connecticut style. For the uninitiated, Maine style lobster rolls feature chilled lobster cemented with mayonnaise, while Connecticut style are served warm with melted butter. These are truly the best of both worlds—the perfect combination of fresh lobster meat, a swipe of mayo, and a drizzle of lemon

butter. But don’t let the condiments fool you—the lobster is the true star of this show. If lobster isn’t your thing, try a shrimp or crab roll, or even one of their delicious soups. Better yet, bring a pal and split the “Noah’s Ark,” which includes three rolls (one of each seafood), four crab claws, and all the fixin’s. If you don’t trust me, just look online. Luke’s Lobster ranks sixth place on the Daily Meal’s list of “America’s 20 Best Lobster Rolls Outside of Maine” and even made Refinery 29’s list of “The 19 Best Lobster Rolls.” Why the rave reviews? Fresh lobster at a good price is hard to pass up. The eponymous Luke himself hails from Maine, where 100% of the lobsters are fished and shelled before being shipped to the city. Luke’s Lobster has all the ambiance of a Maine lobster shack, down to the lobster traps outside their door, but with the convenience of a metropolitan New York location. Hop on a THE BULLETIN!"

!37!"!May 2014

stool at one of their rustic wooden plank tables, but be warned, the small space fills up quickly. On a beautiful spring day, take your roll to go—Central Park is only a quick stroll away. Lobster food baby weighing you down? Wash down the sandwich with a whoopie pie on the walk back to Barnard. Trust me, you won’t regret the splurge. At fifteen bucks a pop, the lobster rolls aren’t exactly cheap, but the rich flavor (and, of course, the melted butter) will certainly satisfy. For three dollars more, add potato chips, a pickle, and one of their local Maine sodas for the complete experience. Try their Maine root beer for a particularly refreshing combination. Don’t forget to pick up a punch card on your next visit—when you buy ten lobster rolls, you get the eleventh free. Believe me, I’m already well on my way.

Goodbye to the Seniors

I came to my first Bulletin meeting for the Oreos. Little did I know I would be initiating a lasting relationship with this intelligent and innovative publication. I have to say I’m happy to be leaving the Bulletin--happy because I leave as part of an extraordinary community of Bulletin alumnae; happy because I leave the magazine in the hands of a group of formidable female writers, editors, artists, and designers; happy, because as I leave, I gain the privilege of stepping back and watching these women continue to take the Bulletin to new heights.

Gillian Osswald

My first week at Barnard, I walked alone into the Bulletin office, hoping my swagger masked my apprehension as I asked for a copy editor application. Four years later, this senior is glad the baby freshman did. I am proud to have worked with so many of my bright and talented peers as we continue to move the magazine into the future. I look forward to admiring the work of future classes of Barnard women. Don’t be alarmed if you see an old woman rifling through stacks of the Bulletin in Liz’s place in the coming years. It’s only me.

Maitland Quitmeyer

As a member of the Bulletin staff from my first year to senior year, it has been incredible to see the magazine grow over the years. Under the direction of enthusiastic leadership and with the help of inspired artists, the Bulletin has progressed completely into the age of modern technology and design. The articles are smart and relevant, and the design is perfectly complementary. As a graduating senior, I will miss the experience of being a part of the magazine’s growth and being part of a small cultural enclave on campus. I look forward to seeing more of it’s successes as an alumna!

Gloria Noel

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