Lyon & Turnbull Sale No 311 - Decorative Arts by Mike Bascombe

EDINBURGH Decorative Arts

Wednesday 9th March 2011 33 Broughton Place Edinburgh

Decorative Arts Design from 1860 Wednesday 9th March 2011 11am Sale Number LT311

Viewing Sunday 6th March 2011 2pm - 5pm Monday 7th March 2011 10am - 5pm Tuesday 8th March 2011 10am - 5pm Morning of Sale from 9am Specialist John Mackie john.mackie@lyonandturnbull.com +44 (0)131 557 8844

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter. VAT will be charged on the premium at the rate imposed by law. *20% VAT chargeable on the lot itself †5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

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LY O N & T U R N B U L L Order of Sale

Lot Numbers

WEDNESDAY 9TH MARCH at 11am 1-112

COLLECTION OF THE LATE DAVID LLOYD-JONES

115-129

ART GLASS

132-207

CERAMICS

210-230

JEWELERY, SILVER & METALWARES

233-240

LIGHTING

243-252

BRONZES & SCULPTURE

255-273

PICTURES, BOOKS & POSTERS

276-281

HANDBAGS & FABRICS

283-314

FURNITURE

283-314

FURNITURE FROM LIBERTY & CO.

CERAMICS AND GLASS: Please note that damage and/or restoration is indicated in the catalogue at our discretion. We are pleased to provide condition reports on all lots for those who cannot view in person

INTERNET SERVICE: For colour illustrations of all lots in this sale please consult our website at www.lyonandturnbull.com

Dr. David Lloyd-Jones and His Collection

David Lloyd-Jones spent his early childhood in India. His father was an officer in the pre-independence Indian Army. At thirteen he was sent to Blundell's School, Tiverton, Devon, where he became Head of School and subsequently won a scholarship to St. John's College, Cambridge, where he read History. His subsequent doctorate was 'Charles Fourier's conception of social science'. He became an assistant at Glasgow University and then lecturer in politics and senior lecturer in 1968. Amongst his many students over his long teaching career was Charles Kennedy, later to become the leader of the Liberal Democrats. His former students speak very fondly of him, one saying '...his lectures on Rousseau were an inspiration'. This solicitous role made him an ideal adviser of studies. Glasgow was to be his home until his death last year.

lights and the walls lined with book laden cabinets surmounted by massed arrangements of art glass and pottery, passing the Edwardian portrait of a young girl (to will be offered in our Fine Paintings Sale in June) we are led into the large drawing room with its bowed window embellished with stained and leaded glass. This room is predominantly Art Nouveau in character with the stylish cabinet, retailed by a local Glasgow firm and the inlaid Shapland & Petter desk at the side window. Comfortable sofas and armchairs sit amidst tables laden with pots, glass and metal wares. The crowning feature of this room is the south west wall, entirely given over to books of the Art Nouveau period, with their covers facing out rather than the spines. This most imaginative wall paper is testament to the inventiveness of this period of book design.

Wherever he lived David created an extraordinary and unique series of interiors, first in his flat in Glasgow's west end and latterly in the Edwardian red sandstone house in Whittingehame Drive. This capacious space with its high ceilings and parquet floors, acts as a back drop for his amazing mise-en-scĂ¨nes which have featured in so many books and magazines over the past few decades. 'Celtic Living' an early book of interiors, published by Thames and Hudson, was the first to feature the house anonymously. David was always a welcoming and charming host for many visitors over the years. Many generations of decorative art students at the University of Glasgow were welcomed through the door of 3 Whittingehame Drive. Art Fund members, Glasgow Art Club members and only quite recently members of the Decorative Art Society were all welcomed by David.

The dining room on the right of the hall is furnished in the Aesthetic manner with its large ebonised desk and associated furniture, strongly influenced by Japan. The room is dominated by an oil painting by Sir D.Y. Cameron (also included in the June sale) which hangs above the fireplace. Books of a slightly earlier date predominate here and a solid Edwardian extending dining table sits in the centre of the room, much of its top decorated with Aesthetic tiles.

A glimpse through the door of the porch gives a clue to the many visual treats in store. The sheer number of items, one placed carefully on top of another, in tottering piles, is overwhelming. For David the chase of the object was exciting and his regular visits to the famous Glasgow Barras yielded many of the early treasures. From the hall with its three Arts & Crafts

The kitchen beyond moves forward to the 1920s and 1930s, and contains ceramic works by some of the well known potters. Prints from the 1950s line the walls here. Finally the narrow and steep stairwell, lined with etchings and Japanese prints, leads to the bedrooms, furnished appropriately with Arts & Crafts bedroom furniture. Now the house is to be sold and the contents dispersed, let us hope that the objects that gave David so much pleasure will fall into equally enthusiastic hands and that these in turn will remind us of a much loved friend.

Entrance Hall

1 FA500/5 GLASGOW STYLE STAINED WOOD DOOR, CIRCA 1900 the overpainted panel door with associated brass fittings, inset with three Glasgow Style stained and leaded glass panels, each representing stylised linear plant forms 212cm x 87cm

£400-600

2 FA500/2 AESTHETIC MOVEMENT STAINED BEECH JARDINIERE STAND, CIRCA 1880 the square top above leafy capital on spirally incised column and corresponding base with bracket feet 29cm wide, 90cm high

£100-200

3 FA500/4 ARTS AND CRAFTS OAK STICK STAND, CIRCA 1910 with heart-pierced slatted sides

4 FA500/6 AESTHETIC MOVEMENT SMALL OPEN BOOKCASE, CIRCA 1890 with pegged shelves and pierced back ledge

30cm wide, 72cm high, 23cm deep

64cm wide, 99cm high, 19cm deep

£150-250

£100-200

LY O N & T U R N B U L L Decorative Arts

5 FA500/1 AESTHETIC MOVEMENT ASH WASHSTAND, CIRCA 1880 the splashback inset with Aesop’s Fables tiles designed by John Moyr Smith, the marble top raised on ring turned legs with spindle brackets 107cm wide, 98cm high, 51cm deep

£250-350

6 FA500/8 ARTS & CRAFTS OAK AND MARQUETRY INLAID HALL SETTLE/STICK STAND, CIRCA 1900 with pierced serpentine top rail and slatted back, the concave seat enclosed by marquetry inlaid compatments for sticks 110cm wide, 92cm high, 39cm deep

£300-500

LY O N & T U R N B U L L Decorative Arts

7 FA500/7 ART NOUVEAU SATINWOOD AND MARQUETRY INLAID DISPLAY CABINET, CIRCA 1900 the overhanging cornice above open shelf and single leaded and glazed door, flanked by marquetry panels and raised on twinned supports 125cm wide, 167cm high, 40cm deep

£300-500 8 FA500/11 GLASGOW STYLE RECTANGULAR BRASS TRAY CIRCA 1910 repoussé decorated with stylised seed heads, 65.5cm long; WMF COPPER SERVING TRAY embossed with foliate designs, stamped factory mark, 45cm long; a COPPER CIGARETTE BOX, with serrated strap decoration, 20cm across; a GLASGOW STYLE BRASS PHOTO FRAME, repoussé decorated with roses, 17cm high; and another PHOTO FRAME (5) £100-200

9 FA500/12 GIEN TWIN-HANDLED FAIENCE VASE, CIRCA 1900 decorated in the neoRenaissance style with Arabesque friezes, printed marks 38cm high

10 FA500/14 WEDGWOOD LARGE FRAMED TILE, EARLY 20TH CENTURY printed with a group of partridges, 29cm square; and another FRAMED TILE, tubelined with a pair of pheasants, 37cm x 28cm (2)

£200-300

£150-250

LY O N & T U R N B U L L Decorative Arts

11 FA500/10 ARTS AND CRAFTS THREE WROUGHT IRON AND COPPER HANGING LIGHT FITTINGS, CIRCA 1900 each with four hanging chains supporting two rings with Celtic cross spacers and suspending five light fittings. (3) each 149cm tall

£500-700

12 FA500/24 WILLIAM STRANG SALVATION ARMY etching, signed, 33cm x 47cm and another etching by the same hand THE JUDGEMENT OF DUNGARA, 15cm x 17cm (2)

13 FA500/26 JULIAN TREVELYAN SAN GIMIGNANO Coloured print, Artist’s Proof 50cm x 38cm

£100-200

14 FA500/27 MANNER OF JOHN MCLAUCHLAN MILNE THE QUARRY Oil on board 38cm x 49cm

£150-250

£100-200

Drawing Room

15 FA500/33 ART NOUVEAU MARQUETRY INLAID MAHOGANY DISPLAY CABINET, CIRCA 1900 with single stained, leaded and glazed door, flanked by inlaid cupboards above three drawers on tapered supports with platform stretcher, bears retailer’s label “James Simpson & Sons, Glasgow’ 118cm wide, 186cm high, 47cm deep

£700-900

16 FA500/34 GOTHIC REVIVAL ASH BEDSIDE TABLE, CIRCA 1870 with single panelled door and foliate inlays 39cm wide, 86cm high, 37cm deep

£200-300

17 FA500/35 ART NOUVEAU MAHOGANY OCCASIONAL TABLE, CIRCA 1910 the shaped circular top above fretwork panels and lower tier raised above three twinned supports

18 FA500/37 ARTS & CRAFTS WROUGHT IRON AND COPPER STANDARD LAMP with adjustable extending column on scrolling triform base

57cm wide, 66cm high, 52cm deep

£100-200

£150-250

172cm high

19 FA500/38 ART NOUVEAU MAHOGANY PARLOUR SETTEE, CIRCA 1910 the open back with slats representing elongated plant forms, above open arms and panelled seat raised on square legs and linked by stretchers 121cm wide, 95cm high, 53cm deep

£150-250

LY O N & T U R N B U L L Decorative Arts

20 FA500/36 SHAPLAND & PETTER MAHOGANY AND INLAID WRITING DESK, CIRCA 1900 inlaid with stylised honesty in specimen woods, mother of pearl, brass and copper, the inset writing surface enclosed by three quarter gallery with leaded glass panel above a single drawer on twinned supports linked by stretchers, stamped to drawer lock 109cm wide, 106cm high, 56cm deep

£1,500-2,500

21 FA500/39 AESTHETIC MOVEMENT EBONISED OCTAGONAL OCCASIONAL TABLE, CIRCA 1880 the hexagonal top on central turned column surrounded by four square uprights and raised on curved supports above a turned pendant 51cm wide, 68cm high

£80-120

22 FA500/41 L. & J.G. STICKLEY (MANNER OF) STAINED BEECH ARMCHAIR with button-upholstered back and upholstered seat enclosed by slatted sided

24 FA500/40 CHROME TABLE LAMP, 1970s with half moon shade and brass and chrome supports, enclosing the porcelain figure of a fantastical bird, the whole raised on a plinth

65cm wide, 99cm high, 72cm deep

23 FA500/42 ARTS & CRAFTS MOORISH STYLE OAK JARDINIERE STAND, CIRCA 1910 87cm high; and a SMALL ARTS & CRAFTS OAK OCCASIONAL TABLE (2)

78cm high

£80-120

£100-200

LY O N & T U R N B U L L Decorative Arts

25 FA500/45 CHARLES COLLIS AND LIZZIE WILKINS FOR DELLA ROBBIA LARGE TWIN-HANDLED FAIENCE VASE, CIRCA 1900 scraffito-decorated with flowering blue poppies, incised factory marks, incised mark ‘C’ and ‘JF’ painted initials ‘L.W.’ 29cm high

£800-1,200

26 FA500/48 JULES VIEILLARD & CIE, BORDEAUX ‘CLOISONNE’ BOWL, CIRCA 1870 of ovoid form with inverted rim, decorated in the Chinese taste with gilded borders enclosing a floral field with calligraphic medallions, impressed factory mark, painted mark D. 877, 12cm high; also a small LONGWY VESTA, adapted by A. Duval, Paris, impressed and stamped factory marks, 10cm diameter (2) £300-500

27 FA500/46 BURMANTOFTS FAIENCE VASE, CIRCA 1900 decorated in tube line with mythical fish swimming through reeds, (cut to neck), impressed mark to base ‘Burmantofts/ Faience/ 2123/ England’

28 FA500/60 CONSTANCE WALTON OCTAGONAL PLATE, CIRCA 1890 painted on a Copeland blank with a panel of fruiting and flowering branches within a border painted with putti and birds, painted signature verso

30cm high

21cm diameter

£150-250

29 FA500/47 VASART GLASS HANGING SHADE, CIRCA 1950 of bell form with pink and jade green inclusions, etched script mark ‘Vasart’ 18cm high

£100-200

30 FA500/71 COLLECTION OF ART GLASS, 20TH CENTURY to include a bottle vase, 19.5cm high; a circular bowl, with spiral opalescent decoration, 26.5cm diameter; a snake figure, 20cm high; and 9 further pieces (12) £200-300 31 No lot

LY O N & T U R N B U L L Decorative Arts

32 FA500/78 ART NOUVEAU GLASS GROUP OF TABLEWARES, CIRCA 1910 to include a silver mounted decanter and stopper, 26cm high; a salt and silvermounted mustard pot; a beaker, 10cm high; and a flower vase, 18cm high, each with applied coloured prunts (5) £150-250 33 FA500/79 PAIR OF SILVER DESK CANDLESTICKS, 1904 each of square section waisted form, hallmarked Sheffield 1904 (2) 13.5cm high

£100-200 34 FA500/80 SCOTTISH GUILD OF HANDICRAFTS BRASS AND ENAMEL WALL SCONCE, CIRCA 1905 the square backplate with faux rivet decoration, inset with ceramic panels and supporting a single candle branch, the plaque with impressed mark ‘Allander’ 23cm high

£100-200

35 FA500/59 ART DECO CARVED AND GILDED OAK MASK, 1930s carved as the head of a girl, polychrome and gilt decoration 14cm high

£80-120 36 FA500/84 ARTS & CRAFTS COLLECTION OF EMBROIDERED TEXTILES, EARLY 20TH CENTURY including: a silk tablecloth, with embroidered border of stylised flowers, 108cm square; a silk hanging, with embroidered trim, 110cm x 70cm; three other embroidered pieces and an Aesthetic movement velvet panel, painted with sunflowers (6) £150-250 37 FA500/194 GRESHAM PUBLISHING SHAKESPEARE, WILLIAM The works of Shakespeare. London: Gresham, 1906. 8vo, 12 volumes, original decorative Art Nouveau gilt, some slight rubbing to edges (12) £100-150

38 FA500/195 BLACKIE & SON MACKINTOSH, CHARLES RENNIE - MORRIS, TALWYN A collection of Art Nouveau cloth bindings. Glasgow: Blackie & Son, mainly 8vo, approx. 95 volumes, including four volumes designed by Charles Rennie Mackintosh and several by Talwyn Morris, all in original cloth gilt, rubbing to edges (qty) £250-350 39 FA500/196 ART NOUVEAU BINDINGS A large collection of Art Nouveau cloth bindings, mainly 8vo, approx. 80 volumes, including several illustrated by Arthur Rackham and Hugh Thomson, all in original decorative cloth gilt, rubbing to edges (qty) £150-250

40 FA500/197 ART REFERENCE Morris, William By himself. London, 1989. 4to, edited by Gillian Naylor, original cloth dustwrapper; Chiswick Press The golden ass of Apuleius. London, 1904. 4to, number 81 of 200 copies, original cloth, paper labels, discoloured, foxing to early leaves; Moon, Karen George Walton. Oxford, 1993. 4to, contain typed letter signed from author, dustwrapper; Volpe, Tod Treasures of the American Arts and Crafts Movement 1890-1920. London, 1988. 4to, dustwrapper; Spencer, Isabel Walter Crane. New York, 1975. 4to, dustwrapper; Becker, Vivienne Art Nouveau jewelry. New York, 1985. First edition, 4to, dustwrapper; Grover, Ray & Lee Carved and decorated European art glass. Vermont, 1970. 4to, dustwrapper [torn]; Kemplay, John The paintings of John Duncan. San Francisco, 1994. Oblong 4to, dustwrapper; Byars, Mel The design encyclopedia. London, 1994. 4to, dustwrapper; and 42 others including 8 volumes of the Studio, etc. (approx. 50) £300-500

LY O N & T U R N B U L L Decorative Arts

41 FA500/73 MANNER OF E.A. TAYLOR GLASGOW STYLE STAINED AND LEADED GLASS PANEL, CIRCA 1900 the central panel of a figure in a garden enclosed by meandering Glasgow roses, in two panels (2) 65cm wide, 156cm high

£300-500

43 FA500/77 ART NOUVEAU STAINED GLASS PANEL PLAFONNIER, CIRCA 1900 with shell inlay

44 FA500/75 ART NOUVEAU COLLECTION OF STAINED AND LEADED GLASS PANELS, CIRCA 1900 to include: TWO LEADED VASELINE GLASS PANELS, mounted in a single beech frame; a PAIR OF STAINED AND LEADED GLASS PANELS, each with stylised Glasgow roses; a SMALL STAINED GLASS PANEL depicting a sheep; and FOUR REMAINING STAINED AND LEADED GLASS PANELS (8)

39cm diameter

£300-500

42 FA500/72 ART NOUVEAU FOUR STAINED AND LEADED GLASS PANELS, CIRCA 1910 with butterfly motifs, 34cm wide x 31cm high; and another FOUR STAINED AND LEADED GLASS PANELS, 38cm wide x 31cm high (8) £150-250

£200-300

45-46 No lots

LY O N & T U R N B U L L Decorative Arts

47 FA500/54A JOHN BLACKBURN TWO ABSTRACT STUDIES mixed media on board, one inscribed verso ‘Blackburn J.P. Dec ‘62’, the other ‘Blackburn J.P. Late ‘62’ (2) 45.5 x 60.5cm and 46cm x 53cm

£250-350

48 FA500/54 JOHN BLACKBURN ABSTRACT Oil on board, signed and dated ‘Blackburn ‘62’ 122cm x 91cm Provenance: Woodstock Gallery, Woodstock Street, W1

£300-400

LY O N & T U R N B U L L Decorative Arts

49 FA500/44 WILLY RIZZO (ATTRIB.) COCKTAIL TABLE, 1970s inset lacquered rouge top with chrome trim, the sliding top revealing cocktail well 69cm wide, 38cm high, 120cm long

£250-350

50 FA500/56 WILLIAM DRUMMOND BONE FIGURES ON THE SHORE Oil on canvas (unframed), signed 71cm x 91cm; GATHERING BY THE KIRK, oil sketch, unsigned, 46cm x 49cm; ARCADIA, oil sketch, marked in pencil verso ‘Wm Drummond Bone ‘Arcadia’ ex Studio Sale’, 26cm x 38cm and a print by Muirhead Bone (4) £200-300 51 FA500/83 AGNES RAEBURN RIVERSCAPE watercolour, signed

52 FA500/57 JOHN HENRY LORIMER SING BIRDIE IN A BOWER pencil sketch, inscribed and dated 1935 27cm x 20cm Note: Inscribed ‘To Robert Macleod from J.H. Lorimer with good wishes April 1935’

£80-120 53 FA500/64 AFTER JAMES ABBOTT MCNEILL WHISTLER NOCTURE Oil on board

54 FA500/68 20TH CENTURY BRITISH SCHOOL MOTHER AND CHILD, DATED 1927 pottery figure group, indistinctly signed initialled and dated 1927, 18cm high; and ANOTHER FIGURE GROUP OF A FISHERWOMAN, painted mark ‘McClintock’, 27cm high (2) £80-120 55-58 No lots

25cm x 32cm

£150-250

29cm x 24cm

£100-200

Dining Room

59 FA500/97 AESTHETIC MOVEMENT EBONISED AND OVERPAINTED OVERMANTEL MIRROR, CIRCA 1870 in the manner of Cox & Sons, the central mirror flanked by figural panels with mirrors below and centred by a shelf with painted frieze below 179cm wide, 149cm high

£250-400

60 FA500/96 AESTHETIC MOVEMENT EBONISED AND BURR WALNUT STAGEBACK PEDESTAL DESK, CIRCA 1880 the stageback with open shelves and mirrored panels above an inset writing surface and arrangement of five drawers raised on turned legs, gilt incised decoration 137cm wide, 105cm high, 60cm deep

£500-800

61 FA500/92 AESTHETIC MOVEMENT EBONISED AND GILTINCISED OVERMANTLE MIRROR, CIRCA 1880 with four mirrored panels 117cm wide 127cm high

£100-200

62 FA500/99 AESTHETIC MOVEMENT EBONISED X-FRAMED CHAIR, CIRCA 1880 with upholstered back and seat, with open arms on cross base liked by stretchers, reeded decoration

63 FA500/91 AESTHETIC MOVEMENT EBONISED AND BRASS FOLIO STAND, CIRCA 1880 with four slatted tiers supported by square uprights 44cm wide, 110cm high, 28cm deep

£150-250

59cm wide, 85cm high, 57cm deep

£100-200

LY O N & T U R N B U L L Decorative Arts

64 FA500/95 AESTHETIC MOVEMENT HALL CHAIR AND OCCASIONAL TABLE, LATE 19TH CENTURY the chair with panelled back and solid seat on turned front legs linked by stretchers; the occasional table with square top, painted with a neoclassical figural roundel with flower, lyre and ribbon decorative border, raised on turned legs with pierced undertier (2)

67 FA500/117 WILLIAM MOORCROFT FOR MACINTYRE & CO PEPPER POT, CIRCA 1900 decorated with poppies, printed marks, 6cm high; and a HOT WATER JUG AND COVER BY WILLIAM MOORCROFT FOR MACINTYRE & CO, decorated with a band of flowers (cracked cover), printed marks, 16cm high (2)

£80-120 65 FA500/93 AESTHETIC MOVEMENT EBONISED AND THUYA WOOD SIDE CABINET, CIRCA 1870 the rectangular top above two drawers with two doors below, centred by mirrored panels, raised on turned and blocked supports linked by an undertier

68 FA500/118 MACINTYRE & CO TWO ‘BIRDS EGG’ PEPPER POTS, CIRCA 1900 each bearing gilded letter ‘P’, printed marks, 5.5cm high; and THREE FURTHER MACINTYRE PEPPER POTS and a MUSTARD POT, with hinged lid; also a DOULTON, LAMBETHE STONEWARE MUSTARD POT, with plated lid (7)

100cm wide, 101cm high,

£150-250

£150-200

42cm deep

£100-200 66 FA500/94 AESTHETIC MOVEMENT EBONISED OCCASIONAL TABLE, CIRCA 1880 the square top above turned and tapering supports linked by stretchers with bobbin turnings 40cm wide, 56cm high, 39cm deep

£100-200

69 FA500/100 LARGE COLLECTION OF CONTINENTAL CERAMICS, CIRCA 1900 to include A CLEMENT MASSIER VASE (ATTRIB.) decorated with iris, unmarked (damages), 39cm high; a JEAN TWIN HANDLED JARDINIERE, painted with arabesques, painted mark ‘Jean’, 39cm across; a CANTIGALLI SAUCE BOAT, 16cm across; and eight further pieces of NEORENAISSANCE AND RELATED CERAMICS (11) £200-300

70 FA500/102 COLLECTION OF ART NOUVEAU GLASS, CIRCA 1900 to include a TALL LOETZ TAPERING GREEN GLASS VASE, with broad everted rim and applied prunts, 34.5cm high; another TAPERING GREEN GLASS VASE, with pulled prunt decoration, 31cm high; a PAIR OF PALLME KONIG IRIDESCENT GLASS VASES, 23cm high; a SMALL LOETZ VASE, with lemon iridescence, 10.5cm high; and REMAINING GLASSWARE (15) £300-500 71 FA500/103 COLLECTION OF VICTORIAN AND EDWARDIAN TILES including examples by Maw & Co., Mintons etc (approx 50)

73 FA500/113 ART NOUVEAU SUITE OF FOUR STAINED AND LEADED GLASS PANELS, CIRCA 1900 each with flowering tendril motifs, 100cm x 60cm; and a PAIR OF SMALLER ART NOUVEAU STAINED GLASS PANELS, 35cm x 54cm high (6) £300-400 74 FA500/106 ARTS & CRAFTS WROUGHT IRON ADJUSTABLE READING LIGHT, CIRCA 1910 with central column on tripod base, supporting an adjustable scrolling bracket with light fitting 160cm high

£80-120

£250-350 72 FA500/107 PAIR OF BRASS THREE BRANCH CANDELABRA each with three angular branches with broad drip trays on twin supports and spreading bases (2) 41cm high

£150-250

75 FA500/105 AESTHETIC MOVEMENT PAIR OF COLOURED PRINTS, CIRCA 1880 depicting North African and Japanese dancers, each within oak framed with gilt sunflower decoration, 47cm x 39cm; also A SERIES OF PRINTS OF 15TH CENTURY PAINTINGS, within gilt mounts, framed and glazed (5) £80-120 76 No lot

Kitchen

77 FA500/129 20TH CENTURY NAIVE SCHOOL CLIPPER IN FULL SALE mixed media, indistinctly signed, 32cm x 50cm and TOM LAMB, ‘DIURUNAL TRAP’, collage on board, signed, inscribed and dated ‘’90’ in pencil, 43cm x 62cm (2) £100-150

78 FA500/124 SECESSIONIST STYLE MAHOGANY LIBRARY TABLE, CIRCA 1900 the rectangular top above undertier with slatted panels, the whole raised on square supports linked by a stretcher 79cm wide, 71cm high, 55cm deep

£200-300

79 FA500/126 WALTER HOYLER NOTRE DAME framed print, signed in pencil and dated 1956 and numbered 15/30, 43cm x 57cm ; also WILLIE RODGER, ‘GLASGOW FISH MARKET FROM THE SOUTH’ A/P, signed and inscribed in pencil and dated 1973, 52cm x 74cm; and ROSE HATSBERG, ‘THE FAMILY, signed and inscribed in pencil, 4/10, 30cm x 43cm (3) £100-200

80 FA500/127 PHYLLIS COOPER ‘THERE IS SOMETHING VERY NICE ABOUT THIS PLACE’ watercolour, signed 28cm x 37cm; and another by the same hand; and three other watercolour caricature illustrations (5) £100-200

81 FA500/128 EMILIO COIA ELTON JOHN, CHRISTMAS EVE, 1982 pen and ink with pastel, signed and inscribed, 33cm x 25cm ‘Tippett in Edinburgh’, pencil sketch, signed ‘Alan Bates’, inscribed in pencil Princess Anne, pen and ink, signed ‘Bernadette Greavy as Anna/ Janet Baker as Dido/ “The Trojans”’, pen and ink, inscribed in pencil ‘Roberto Rosselini filming in San Gimignano/ Summer 1972’, pen and ink, signed (6) £250-400

Bedrooms

82 FA500/163 HEAL & SON (ATTRIB.) OAK AND INLAID BEDROOM SUITE, CIRCA 1910 comprising: a WARDROBE, the projecting cornice above central mirrored door flanked by panelled doors with inlaid floret roundels, above a drawer and two cupboards, 143cm wide, 198cm high, 55cm deep; and a MATCHING DRESSING TABLE/ CHEST, 101cm wide, 147cm high, 53cm deep (2) £800-1,200

83 FA500/144 GLASGOW STYLE BUREAU DE DAME, CIRCA 1910 later overpainted in black and painted with entwined flowering rose stems, fitted interior 65cm wide, 96cm high, 37cm deep

£250-400

LY O N & T U R N B U L L Decorative Arts

84 FA500/153 ART NOUVEAU LARGE STAINED AND LEADED GLASS PLAFONNIER, CIRCA 1900 with shell and opalescent glass ‘rock’ settings 47cm across

£300-500

85 FA500/189 ARTS & CRAFTS OAK AND CHEQUER INLAID WARDROBE, CIRCA 1910 the projecting cornice above two panelled doors inlaid with lozenges of stylised trees, the whole raised on block feet 142cm wide, 200cm high, 52cm deep

£300-500

LY O N & T U R N B U L L Decorative Arts

86 FA500/186 ART NOUVEAU MAHOGANY AND MARQUETRY INLAID BEDROOM SUITE, CIRCA 1910 comprising: a SINGLE DOOR WARDROBE, with central mirrored door flanked by marquetry panels, above a sigle drawer, 122cm wide, 200cm high, 58cm deep; and a MATCHING DRESSING TABLE/CHEST (2) £500-700

87 FA500/156 ARTS & CRAFTS OAK WARDROBE, CIRCA 1910 the pierced three quarter upper gallery above twin panelled doors, with copper fittings raised on pierced bracket feet 130cm wide, 203cm high,

88 FA500/164 ARTS & CRAFTS OAK OPEN BOOKCASE, CIRCA 1910 with four open shelves, 96cm wide; a set of OAK HANGING SHELVES; and a STAINED WOOD OCCASIONAL TABLE, 41cm wide, 66cm high (3)

89 FA500/165 ARTS & CRAFTS THREE FOLD SCREEN, CIRCA 1880 each shaped fold with attached embroidered panel worked as a goddess and bearing the inscriptions ‘Juno/ Venus/ Minerva’

43cm deep

£250-400

198cm wide, 162cm high

£300-500

£150-250

LY O N & T U R N B U L L Decorative Arts

90 FA500/147 WILLIAM NICHOLSON COLLECTION OF WOODCUT PRINTS set of 13 woodcut prints, including: James McNeill Whistler (24.5cm x 22cm), Rudyard Kipling (27.5cm x 21.5cm), W E Gladstone (27cm x 23cm), HRH The Prince Of Wales (27cm x 24.7cm), August (17.5cm x 17cm), Lord Roberts (25.5cm x 24cm), Sarah Bernhardt (25 x 24), Cecil Rhodes (25.4cm x 24), Queen Victoria (23.5cm x 22.5cm), The Archbishop of Canterbury (27.2cm x 24.7cm), Prince Bismarck (26cm x 24.5cm), Sir Henry Hawkins (27cm x 24.4cm), Sir Henry Irving (26.5cm x 24cm) (13) £400-600

91 FA500/151 GROUP OF JAPANESE PRINTS 19TH/ 20TH CENTURY depicting Kabuki actors, Samurai and Bijin, assorted sizes (9) £200-300

LY O N & T U R N B U L L Decorative Arts

92 FA500/166 VENETIAN PIER MIRROR, 1920s with arched surmount, the rectangular plate with coloured glass border 37cm wide 115cm high

£80-120

96 FA500/188 ARTS & CRAFTS OAK SLATTED-END BED, CIRCA 1910 the head and foot boards with embossed patinated brass panels depicting stylised plant forms 140cm wide

93 FA500/176 ARTS & CRAFTS OAK PLANT STAND, CIRCA 1920 with hexagonal top, 77cm high; a ‘MOORISH’ PLANT STAND, 77cm high; and an OCCASIONAL TABLE, with hexagonal top and pierced sides, 44cm high (3) £100-200 94 FA500/177 ART NOUVEAU TWO STANDARD LAMPS, CIRCA 1900 comprising: a BRASS LAMP, the extending column with scrolling bracket supports, 158cm high; and a PAINTED IRON AND COPPER LAMP, of similar style, 172cm high (2) £100-200 95 FA500/187 BRITUMA CHROME AND GREEN REXENE EASY CHAIR, 1930s with tubular chromium frame, bears maker’s label £150-250

£200-300 97 FA500/191 ARTS & CRAFTS COPPER RISE AND FALL CIRCULAR CEILING LIGHT, CIRCA 1900 with three scrolling branches, supported by a circular band, repoussé decorated with hearts and with hammered finish 37cm diameter

£150-250 98 FA500/173 ROWLEY GALLERY (ATTRIB.) PAINTED LAMP BASE, 1930s painted with a silhouetted courting couple on a graduated green ground, cm high; also a SECTIONAL WOODEN CONE ORNAMENT, stamped mark ‘ £150-250 99 FA500/145 SIMION SOLOMON THE ANGELIC AMBASSADOR print, 34cm x 45cm and three other prints ‘A Romantic Project’ by Ruth Artmonsky ‘Striped Lily’ by Gerald Cooper and ‘Tower of London’ by Edwin La Dell (3) £100-200

100 FA500/167 ALUMINIA ROYAL COPENHAGEN BOBONNIERE AND COVER with model of a seated faun on base painted with flowers, printed factory marks, printed marks ‘433/907’, 8.5cm diameter; an ALUMINIA ROYAL COPENHAGEN FIGURE, modelled as a boy with a fish, printed factory marks, painted mark ‘JUS’, 14cm high; a CONTINENTAL FIGURE of a fish and remaining figures including COALPORT and POOLE (8)

104 FA500/168 TIM POMEROY CHANGING ROOM mixed media, 13cm x 17cm (Provenance: Roger Billcliffe Fine Art); CHRISTOPHER CORR, ‘SAMOAN CHIEF’, gouache on paper, 18cm x 14cm; and CHRISTOPHER CORR, Riverscape, lithograph, signed and inscribed in pencil 58cm x 44cm (3) £100-200

26cm x 19cm

105 FA500/101 CONTINENTAL CERAMICS COLLECTION OF WARES including: an AMPHORA GOBLET, with three bracket supports, impressed marks 11868, 17cm high; a PAIR OF LASCO ART DECO BOOKENDS, moulded as fish, painted marks ‘Lasco’, 17cm high and remaining ceramics (4)

£80-120

£100-200

102 FA500/152 COLLECTION OF JAPANESE PRINTS 19TH/20TH CENTURY each depicting birds, animals or landscapes, assorted sizes (25)

106 FA500/125 ART DECO AND LATER CERAMICS COLLECTION OF WARES, 1930s ONWARDS to include: FIVE SUSIE COPPER PLATES FOR GRAYS POTTERY, decorated with flowers, printed marks, largest 31cm diameter; a CLARICE CLIFF BIZARRE CRUET STAND, printed marks; a CROWN DEVON LANDSCAPE VASE, 25cm high; a COLLECTION OF MIDWINTER ‘RIVIERA’ PATTERN WARES, designed by Hugh Casson; and a DECORATED PLATE (qty)

£150-250 101 FA500/135 JAMES ABBOTT MCNEILL WHISTLER DRAPED FIGURE, SEATED lithograph, inscribed in pencil to mount ‘Way19’

£150-250 103 FA500/149 ARTHUR GROSS SUMMIT Lithograph, artist’s proof, signed and inscribed in pencil 36cm x 45cm

£80-120

£200-300 26

LY O N & T U R N B U L L Decorative Arts

107 FA500/202 COMPTON POTTERS’ ARTS GUILD TWO PAINTED PLASTER PLAQUES, CIRCA 1910 one depicting a girl; the other with the Virgin and child, impressed marks (2) 19cm x 12cm

£100-200

108 FA500/109 ART NOUVEAU GROUP OF SIX VASELINE GLASS LIGHT SHADES, EARLY 20TH CENTURY (6) £100-200 109 FA500/198 ART NOUVEAU STAINED AND LEADED GLASS PLAFFONNIER, EARLY 20TH CENTURY the bowl shaped shade with fruiting foliate decoration 31cm diameter

£200-300

110 FA500/199 PILKINGTONS ROYAL LANCASTRIAN COLLECTION OF WARES, EARLY 20TH CENTURY including: a SHOULDERED VASE, in mottled turquoise glazes, impressed marks, 14cm high; THREE BOWLS, similarly glazed, each with impressed marks; a SQUAT BOTTLE VASE, with deep blue glaze, indistinctly marked, 12cm high; a RUSKIN CRYSTALLINE VASE, impressed marks, 14.5cm high; THREE PIECES OF MINTONS SECESSIONIST WARES and REMAINING CERAMICS (qty)

111 FA500/200 CHRISTOPHER DRESSER (MANNER OF) BRASS AND ENAMEL INLAID DOOR PLATE, CIRCA 1970 of oblong form inlaid with a stylised plant form and with rosette angles 18cm high

£80-120

112 FA500/201 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ART NOUVEAU ELECTROPLATED TABLE BELL, CIRCA 1900 stamped marks, X?X?cm across; TWO P. HERTZ STERLING SILVER SERVING SPOONS, stamped marks; and a PAIR OF DOULTON, LAMBETH SALAD SERVERS, stoneware and electroplate (5) £80-120 113-114 No lots

£100-200 27

Art Glass

115 FA455/1 W.H.B. & J. RICHARDSON RARE GLASS GOBLET, 1850s decorated with a frieze of flowering water lilies, printed mark to base ‘Richardsons Vitrified Enamel Colors’, registration lozenge for 1848 16.5cm high Literature: Tilbrook, Adrian J. and Fischer Fine Art ‘Truth, Beauty and Design’, Exhibition catalogue, 1986, No. 35, pages 25, 26 and illus. page 19 Note: Richardsons’ Glasshouse was situated in Stourbridge, Worcestershire and was chiefly famous for its production of crystal glass and moulded wares, exhibiting a wide range of cut, engraved and painted enamel pieces.

£500-700 116 FA455/2 W.H.B. & J. RICHARDSON RARE GLASS GOBLET, 1850s decorated with a frieze of flowering water lilies 16.5cm high

£500-700

117 FA108/28 LALIQUE ‘IBIS’ CLEAR AND FROSTED GLASS VASE, CREATED 1934 moulded with a frieze of Ibis among reeds, traces of original sepia staining, stencil etched mark to base, ‘R. Lalique, France’ (several chips)

118 FA108/27 DAUM LARGE GREEN GLASS VASE, 1930s of tapering form with everted rim, acid etched with scrolling fronds, drilled, bears wheel etched mark to base ‘Daum Nancy France’ and Cross of Lorraine symbol

23.5cm high

47cm high

£200-300

£300-500

119 FA525/4 MONART LARGE GLASS VASE, SHAPE D, 1930s of tapering form the blue and green mottled body with mica inclusions 31.5cm high

£200-300

120 EZ356/46 TAPIO WIRKKALA GLASS VASE, 1950s of swollen cylinder form, engraved with two ridged panels in the form of a leaf, etched mark to base ‘Tapio Wirkkala 3122’ 23cm high

£80-120

LY O N & T U R N B U L L Decorative Arts

121 FA28/1 DAUM FRÈRES WHEEL-CARVED, CAMEO AND MARTELÉ GLASS VASE, CIRCA 1900 the opalescent body of oval section overlaid and applied in green and amethyst glass, wheel carved with poppy flowers and seed heads on a martelé ground, etched mark under base ‘Daum/ Nancy’ with Cross of Lorraine symbol, applied paper label ‘43’ 12.5cm high Note: This lot comes with original retailer’s label ‘Vase/ 4/11/01/ £7/II/’

£2,000-3,000

122 EZ497/4 DAUM CAMEO GLASS VASE, CIRCA 1900 decorated with flowers, cameo mark ‘Daum/ Nancy’ with Cross of Lorraine 11cm high

£1,000-1,500

123 FA108/21 EDWARD HALD FOR ORREFORS GRAAL VASE, CIRCA 1950 cased glass internally decorated with green fish, incised mark ‘Orrefors Sweden/ Graal/ no 7349/ Edward Hald’ 13cm high

£250-350

LY O N & T U R N B U L L Decorative Arts

124 FA124/1 LALIQUE ‘SENART’ OPALESCENT GLASS VASE, INTRODUCED 1934 moulded in bas relief with squirrels on berried branches, original blue staining, stencil etched mark ‘R. Lalique/ France’ 21cm high

£1,200-1,800

125 FA115/2 LOETZ SILVER OVERLAID AND IRIDESCENT GLASS VASE, CIRCA 1900 the slightly facetted shouldered body with everted rim overlaid with whiplash flowering foliage 25cm high

£300-500

126 FA496/1 SAM HERMAN FOR VAL ST LAMBERT OPALESCENT GLASS VASE, DATED 1979 of tapering cylindrical form, with freeform inclusions, etched mark to base ‘Val 109/ Samuel Herman 1979’ 34.5cm high

£300-500

LY O N & T U R N B U L L Decorative Arts

127 FA532/5 JEAN DESCOMPS FOR ALMERIC WALTER LARGE PATE DE VERRE PLAQUE, CIRCA 1925 with oblong glass relief panel depicting a female dancer with green tunic amongst foliage, bears signature marks ‘Jean Descomps’ and ‘A Walter/ Nancy’, enclosed within patinated steel base with reeded decoration and stepped plinth (wired for electricity) Panel 41cm x 27cm, Total height 49cm

£3,000-5,000

128 FA596/1 IRENE STEVENS FOR T. WEBB & CORBETT LTD. CLEAR GLASS VASE, 1950s of tapering cylindrical form, with allover cut leaf motifs, etched factory mark 27cm high

£80-120 129 FA449/1 MONART (ATTRIB.) GLASS LAMP, MID 20TH CENTURY with mushroom shade and ovoid footed base, the mottled deep blue glass with amethyst and aventurine inclusions 33cm high

£300-500 130-131 No lots

Ceramics

132 FA462/1 ALFRED AND LOUISE POWELL FOR WEDGWOOD PART TEA SERVICE, CIRCA 1910 each piece painted with bands of flowering foliage and comprising: teapot and cover; sucrier and cover; large and small milk jug; slop bowl; 10 cups and 10 saucers; and 12 plates, printed factory mark, painted artist’s monogram (37) £500-700

133 FA455/3 MILICENT TAPLIN FOR WEDGWOOD RHODIAN WARE VASE, CIRCA 1925 of tapering shouldered form, decorated in lustre and coloured enamels with flowering foliage, painted mark ‘C5516/7’ and impressed factory mark 20.5cm high

134 FA527/1 DUNMORE POTTERY LARGE LOBED JARDINIERE, CIRCA 1890 covered with a mustard glaze, impressed mark ‘Peter Gardner/ Dunmore Pottery’ 20cm high

135 EAC33/31 ROYAL DOULTON PAIR OF ‘SLATER’S PATENT’ STONEWARE VASES, CIRCA 1920 each decorated with leafy branches, impressed and incised marks (2)

£150-200

36cm high

£150-250

136 FA527/5 DOULTON, LAMBETH MARCHED PAIR OF STONEWARE VASES, CIRCA 1920 each decorated with ‘C’ scroll rococo panels enclosing flowering branches, impressed and incised marks (2) 31cm high

£150-250

LY O N & T U R N B U L L Decorative Arts

137 FA115/4 B. TWYNAM FOR T.C. BROWNWESTHEAD, MOORE & CO AESTHETIC MOVEMENT CIRCULAR WALL CHARGER, CIRCA 1890 painted blue on white with the head and shoulders of a young woman with flowering hops in the background, signed, impressed factory marks 38cm diameter

£300-500

138 EAC242/1 JOHN MOYR SMITH FOR MINTON GROUP OF TWELVE 8” ‘WAVERLEY’ TILES, CIRCA 1877 based on the Waverley Novels by Sir Walter Scott, including: ‘The Antiquary’; ‘Fair Maid of Perth’; ‘Fortunes of Nigel’; ‘Heart of Midlothian’; ‘Kenilworth’; ‘Bride of Lammermoor’; ‘Ivanhoe’; ‘Quentin Durward’; ‘Rob Roy’ (3) (damages) (12) 20.5cm x 20.5cm

£300-400

139 EAA409/14 GWLADYS RODGERS FOR PILKINGTONS LUSTRE BOWL AND COVER, DATED 1907 decorated with a latticed frieze of flowerheads with central cartouche to the cover, impressed and painted marks to base (2) 13.5cm diameter

£200-300

LY O N & T U R N B U L L Decorative Arts

140 FA501/3 RUSKIN POTTERY LARGE HIGH FIRED VASE, DATED 1925 of flattened onion form, the cream body heavily covered in mottled sang de boeuf with oxidised spotting, graduating to magenta at the footrim, impressed factory marks ‘Ruskin/ England/ 1925’ (small score to body) 34cm high

£600-800

141 FA501/4 RUSKIN POTTERY LARGE HIGH FIRED VASE, 1920 of shouldered ovoid form rising to a tall collar, the cream base glaze graduating to a streaking sang de boeuf, ending in a rich magenta, with black and green oxide spotting, impressed factory marks ‘Ruskin/ England’ 39cm high

£700-900

LY O N & T U R N B U L L Decorative Arts

144

142 143

146 145

16cm high

144 FA501/8 RUSKIN POTTERY HIGH FIRED VASE, DATED 1906 of slim shouldered form, the body mottled in green with oxidised moss green spotting, with slight fissure to reveal lavender, impressed with ‘Ruskin Pottery/ West Smethwick/ 1906’

£250-350

18.5cm high

146 FA501/9 RUSKIN POTTERY HIGH FIRED VASE, DATED 1905 of footed shouldered ovoid form, with sang de boeuf and violet colours over a cream background, with oxidised green spotting overlay, impressed with factory mark, ‘Ruskin Pottery/ West Smethwick/1905/No 108’

£400-600

18cm high

142 FA501/5 RUSKIN POTTERY HIGH FIRED VASE, DATED 1923 of cylindrical vase form, with mottled grey body on cream background with traces of sang de boeuf, impressed with makers mark, ‘Ruskin/ England/ 1923’

143 FA501/7 RUSKIN POTTERY HIGH FIRED VASE, DATED 1906 the body of cylindrical form, the purple and lavender glaze speckled with oxidised moss green, impressed with the factory marks ‘Ruskin Pottery/ West Smethwick/1906’

145 FA501/24 RUSKIN POTTERY HIGH FIRED VASE, DATED 1903 of flattened onion form with flared neck, with blue, green and violet glaze, impressed with factory mark and date ‘Ruskin Pottery/West Smethwick/1903’

19.5cm high

10cm high

147 FA501/16 RUSKIN POTTERY HIGH FIRED BOWL, DATED 1933 of sang de boeuf, violet and lavender glaze and oxidised moss green spotting, impressed with factory mark and date ‘Ruskin/ England/ 1933’

£400-600

£200-300

24.5cm diameter

£300-400

£250-350

148 FA501/20 RUSKIN POTTERY LARGE VASE, DATED 1922 of shouldered ovoid form with collar neck in a deep lilac pear lustre glaze, impressed with factory mark and date, ‘Ruskin/ England/ 1922’ 41cm high

£200-300 149 FA501/17 RUSKIN POTTERY LARGE BOWL, DATED 1926 with a mottled pink soufflé glaze, impressed with factory mark and date, ‘Ruskin/ England/ 1926’, fine hairline to rim 32cm diameter

£200-300

LY O N & T U R N B U L L Decorative Arts

150 FA501/14 RUSKIN POTTERY HIGH FIRED VASE, DATED 1920 of slim cylindrical form with flared foot and tapering roll rim, with mottled beige and sang de boeuf glaze, impressed with factory mark and dated ‘Ruskin/ England/ 1920’

152

21.5cm high

£400-600 151 FA501/15 RUSKIN POTTERY MINIATURE HIGH FIRED BOWL, DATED 1933 with sang de boeuf and violet glaze over a cream background and oxidised moss green spotting, impressed with factory mark and date, ‘Ruskin/ England/ 1933’, 6cm; also a RUSKIN MINIATURE HIGH FIRED VASE, with sang de boeuf and grey glaze, impressed with factory mark ‘Ruskin’, 3.8cm (2) £250-350 152 FA501/13 RUSKIN POTTERY HIGH FIRED VASE, DATED 1933 of small footed tapered ovoid form, with deep violet and sang de boeuf drip glaze over a cream background, impressed with factory mark and date ‘Ruskin/ England/ 1933’

154 150

155

153

151

153 FA501/10 RUSKIN POTTERY HIGH FIRED VASE, DATED 1920 a small footed vase of compressed onion form with flared neck, with heavy sang de boeuf glaze and traces of lilac over a cream ground, impressed with factory mark and date, ‘Ruskin/ England/ 1920’

154 FA501/11 RUSKIN POTTERY HIGH FIRED VASE, DATED 1932 a small footed vase of compressed onion form with straight wide neck, covered in mottled sang de boeuf on a cream background with oxidised spotting, impressed with factory mark and date ‘Ruskin/ England/ 1932’

10cm high

£200-300

155 FA501/12 RUSKIN POTTERY HIGH FIRED VASE, DATED 1933 a small footed vase of compressed globe and shaft form with tapered neck and flared rim, with mottled sang de boeuf and deep lilac glaze over a cream background, with oxidised moss green spotting, impressed with factory marks and date, ‘Ruskin/ England/ 1933’ 11.5cm high

£200-300

14.5cm high

£300-400

LY O N & T U R N B U L L Decorative Arts

156 FA501/18 RUSKIN POTTERY MATCHED COFFEE SET, EARLY 20TH CENTURY comprising: 8 cups and 8 saucers: Mottled moss green high fired glaze cup and matched saucer, with latter impressed with factory mark and date ‘Ruskin Pottery/ West Smethwick/1907’ Apple green lustre glaze cup and matched saucer, both impressed with factory mark ‘Ruskin/ England’ Blue pearl glaze cup and saucer, impressed with factory mark ‘Ruskin/ England’ Two Blue wash cups and matching saucers, impressed with factory mark ‘Ruskin/ England’ Orange pearl glaze cup and matching saucer, impressed with factory mark and date, ‘Ruskin/ England/ 1926’ Periwinkle blue glaze cup with matched saucer, cup impressed with factory mark and date ‘Ruskin/ England/ 1926’ Periwinkle blue pearl cup and matched saucer, cup impressed with factory mark and date ‘Ruskin/ England/ 1926’ saucer impressed with factory mark and date ‘Ruskin/ England/ 1927’ (8) £200-300

157 FA501/19 RUSKIN POTTERY GROUP OF MINIATURE WARES, 1920’S including: a mottled bronze glaze bowl, impressed with factory mark and date ‘Ruskin/ England/ 1924’, 5,7cm wide; a peacock pearl glazed tapering shouldered vase, 4.5cm high; a blue glaze bowl with wide rim, with painted factory mark, 5cm wide; and a crystalline compressed onion form vase, with indistinct mark, 3cm high (4) £200-300 158 FA501/22 RUSKIN POTTERY COLLECTION OF ROUNDELS AND ENAMELS, EARLY 20TH CENTURY including: 29 assorted coloured glaze and differing sized roundels; 2 buttons; 1 diamond-shaped enamel; 1 teardrop-shaped enamel; 2 heart-shaped enamels, of differing colour and size; 1 triangle enamels; 2 square enamels, of differing colour and size, the larger impressed with factory mark of either ‘Ruskin/England’ or ‘W H Taylor/West Smethwick’ (38) Largest, 11cm wide

£400-600

159 FA501/23 RUSKIN POTTERY GROUP OF WARES, CIRCA 1920’S/1930’S including: a flambé vase, with mottled grey glaze, of flattened onion form with flared neck, impressed with factory mark and date, ‘Ruskin/ England/ 1927’, 12cm high; a cylindrical vase with flared neck, pink pearl glaze, impressed with factory mark and date, ‘Ruskin/ England/ 1922’, 10cm high; a blue and beige crystalline glaze ginger jar (lid lacking), impressed with factory mark, ‘Ruskin/ England’ 8.5cm high; a blue and beige crystalline vase of ovoid form with flared neck, impressed with factory mark and date, ‘Ruskin/ England/ 1931’, 18cm high; a periwinkle blue pearl glaze bowl, impressed ‘England/ 1923’ and handpainted mark ‘K26’, 15.3cm wide; a mottled grey bowl, impressed with factory mark and date ‘Ruskin/ England/ 1927’ 18cm wide; a mottled grey and ivory vase of cylindrical form, impressed with factory mark and date ‘Ruskin/ England/ 1922’ 17cm high; and an apple green vase of shouldered slim tapered form, impressed with factory mark and date ‘Ruskin/ England/ 1923’ 20cm high (8) £300-500

160 FA501/21 RUSKIN POTTERY GROUP OF SIX VASES, CIRCA 1910 including: a blue lustre glaze vase of cylindrical, flared form, decorated with vines, impressed with factory mark and date ‘Ruskin/1912’ and handpainted ‘scissors’ mark, 24cm high; a blue peacock glaze vase of cylindrical, flared form, impressed with factory mark ‘Ruskin/ England/ 1918’, 25cm high; a slim black matt glaze vase of slim cylindrical form, with silver foliate decoration, impressed with factory mark and date ‘Ruskin/ England/ 1919’ and handpainted ‘scissors’ and date, 20.5cm high; a Robin’s egg blue pearl glaze vase of flattened onion and flaring shaft form, impressed with factory mark and date ‘Ruskin Pottery/ West Smethwick/ 1908’, 15cm high; a yellow lustre ginger jar and lid, decorated in green vines, impressed with factory mark and date, ‘ Ruskin Pottery/ 1910’, 9.5cm high; and a small yellow pearl glaze vase of cylindrical form, impressed with factory mark ‘Ruskin/ England/ 1915’, 7.5cm high (6) £400-600

LY O N & T U R N B U L L Decorative Arts

161 FA501/6 RUSKIN POTTERY HIGH FIRED VASE, 1920s finished in a moss green soufflé glaze, impressed with factory marks ‘Ruskin/ England’ 24cm high

£250-350

162 FA501/2 RUSKIN POTTERY HIGH FIRED RUSKIN VASE, DATED 1933 of bottle form, the cream body covered in mottled sang de boeuf and magenta glazes with black and green oxide spotting, impressed factory marks ‘Ruskin/ England/ 1933’ 24.3cm high

£400-600

163 FA506/1 MOORCROFT ‘POMEGRANATE’ PATTERN BISCUIT BARREL & COVER, 1930s with silver plated mounts, impressed factory marks, initialled in blue 18.5cm high

£200-300

164 FA525/5 MOORCROFT ‘LEAF AND BERRIES’ FLAMBÉ PLATE, 1930s impressed factory marks, initialled in blue 30cm diameter

165 FA527/6 MOORCROFT ‘HIBISCUS’ PATTERN JARDINIERE, 1970s of cylindrical form, impressed factory marks, initialled in green

£200-300

18cm high

£150-250

166 FA532/3 WILLIAM MOORCROFT FOR MACINTYRE & CO TOAST RACK, CIRCA 1900 decorated with blue poppies, 14cm across; and A CUP AND INTEGRAL SAUCER, decorated with forget-menots, 9cm high, both with printed factory marks (2) £200-300

LY O N & T U R N B U L L Decorative Arts

167 FA77/1 WILLIAM MOORCROFT FOR J. MACINTYRE & CO ‘FLORIAN WARE’ JAR AND COVER, CIRCA 1900 decorated with a frieze of poppies and panels of spring flowers, printed mark, signed in green (re-stuck cover) 5.5cm high

£300-500

168 FA532/1 MOORCROFT ‘POMEGRANATE’ PATTERN BALUSTER VASE, 1930s impressed factory marks, signed in blue 24.5cm high

£300-400 169 EAC28/1 MOORCROFT ‘CLEMATIS’ LAMP BASE, 1930s impressed marks, bears paper label 17cm high

£80-120 170 EZ356/47 MOORCROFT ‘CLEMATIS’ POWDER BOWL AND COVER, 1930s impressed factory marks and facsimile signature, 12cm across; and a ‘ANEMONES’ PATTERN VASE, impressed factory marks (2) £150-250

171 EZ360/5 MOORCROFT COLLECTION OF FIVE ‘ANEMONES’ PATTERN WARES, 1960s to include: a BALUSTER VASE, 26cm high, ANOTHER SMALLER VASE, 20cm high; A CIRCULAR BOWL, 16cm diameter; AN OBLONG COMB TRAY, 20cm across; A PIN DISH, 9.5cm across, each with impressed factory marks; also a ‘MAGNOLIA’ PATTERN POSY VASE, 6cm high (6) £200-300 172 FA496/2 MOORCROFT FOR LIBERTY & CO FLAMMINIAN WARE POTTERY CANDLESTICK, 1930s tubelined and painted with roundels, incised signature and stamped ‘Made For Liberty & Co.’ 18.5cm high

£150-200

173 FA488/1 ELIZABETH MARY WATT COLLECTION OF TEA AND COFFE WARES, 1930s comprising: a SET OF FOUR COFFEE CANS AND SAUCERS; a LARGE TEA CUP AND SAUCER, and a CUP, SAUCER AND PLATE TRIO, each decorated with flowers, and with painted initials (13) £200-300 174 FA466/3 FIONA BANNER CERAMIC JUG freeform, with checked decoration, impressed mark to base ‘Fiona Banner’, 31cm high; also an anonymous LUSTRE BOWL, with geometric decoration, 29cm across; and a CIRCULAR GLASS BOWL, 31cm diameter (3) £200-300

175 FA108/20 SUSIE COOPER FOR GRAY’S POTTERY THREE HAND PAINTED WARES, 1930s comprising: a ‘CUBIST’ PATTERN BOWL, with twin handles, 28cm across; a ‘MOUNTAINS AND MOON’ PATTERN JUG, 12.5cm high; and a CIRCULAR PLATE, decorated with stylised flowering foliage, 26.5cm diameter, each with printed factory marks (3) £200-300 176 FA108/19 SUSIE COOPER COLLECTION OF STUDIO WARES, 1930s comprising: a TWIN HANDLED VASE, E/550, decorated with stylised floral motifs, signed and dated 1935 to base (restored handle), 16.5cm high; an OVOID VASE, M.63, signed to the base, 15cm high; a BOWL, M60, signed to the base, 18cm diameter; a VASE and a BOWL, each with spiral decoration, printed factory marks (5) £200-300

LY O N & T U R N B U L L Decorative Arts

177 FA108/23 SUSIE COOPER ‘ANGELFISH’ FIGURE, CIRCA 1936 painted in colours, incised mark to plinth ‘Susie Cooper/ England’ 27.5cm high

£250-350

178 FA525/3A POOLE POTTERY YE PATTERN VASE, 1930s decorated by Doris Marshall with geometric flowering plant forms, impressed factory marks and painted decorator’s initials; also a POOLE POTTERY ED PATTERN PLATE, decorated Eileen Prangnell with a frieze of flowers, impressed factory marks and painted decorator’s initials, 27cm diameter (2)

179 FA525/3 CARTER STABLER & ADAMS LARGE POOLE POTTERY VASE, 1920s of shouldered ovoid form, decorated by Anne Hatchard with a frieze of colourful flowers, impressed factory mark, painted decorator’s initials 30.5cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

180 FA108/13 KEITH MURRAY FOR WEDGWOOD TWO OVOID VASES, CIRCA 1940 with horizontal ribbing glazed in matt green and cream, printed facsimile signature and factory marks (2) 19cm high

£200-300

181 FA108/14 KEITH MURRAY FOR WEDGWOOD OVOID VASE, CIRCA 1940 with horizontal ribbing glazed in blue, printed facsimile signature and factory marks 16cm high

£100-200

182 FA108/17 KEITH MURRAY FOR WEDGWOOD TWO RIBBED BOWLS, CIRCA 1940 each with vertical ribbing glazed in matt blue and green, printed facsimile signature and factory marks (2) 22.5 and 23.5cm diameter

£100-200

183 FA108/16 ERIC RAVILIOUS FOR WEDGWOOD ‘THE BOAT RACE BOWL’, DATED 1975 limited edition 14/200, printed and painted factory marks, with original certificate and fitted box 31cm diameter Note: Originally executed for Wedgwood in 1938 ‘The Boat Race Bowl’ was reissued in 1975 in a limited edition of 200

£800-1,200

184 FA524/1 CELTIC POTTERY, NEWLYN PART COFFEE SERVICE, 1960s/70s decorated with stylised birds, comprising: a coffee pot, milk jug, sugar bowl, oblong dish, circular dish, 6 cups, 6 saucers, 8 plates, circular plate, 2 small serving dishes and a circular bowl (29) £100-200

LY O N & T U R N B U L L Decorative Arts

185 FA496/3 CLARICE CLIFF ‘FARMHOUSE’ BONJOUR SUGAR SIFTER, 1930s painted in coloured enamels, printed factory marks 12.5cm high

£200-300

186 FA532/4 CLARICE CLIFF ‘CHINTZ’ PATTERN CONICAL SUGAR SIFTER, 1930s printed factory marks 14cm high

£200-300

191 FA108/26 CLARICE CLIFF ‘FLORA’ AND ‘MARLENE’, TWO WALL MASKS, 1930s each painted in coloured enamels, printed factory marks (2)

18cm high

189 FA108/24 CLARICE CLIFF THREE ‘CROCUS’ CONICAL CONDIMENTS, 1930s including: a SUGAR SIFTER, 14cm high; and a SALT AND PEPPER, 8cm high, each with printed factory marks (3)

16.5cm and 18cm high

193 EAA349/2 CARLTON WARE ‘CHINALAND’ PATTERN BALUSTER VASE, 1920s printed and painted in gilt and coloured enamels with a Chinoiserie scene, painted and printed marks, no. 3623

£150-250

£200-300

£150-250

26cm high

188 FA108/4 CLARICE CLIFF ‘CROCUS’ LOTUS JUG, 1930s decorated with a frieze of crocus within coloured bands, printed factory marks

190 FA108/25 CLARICE CLIFF ‘WINDBELLS’ SPILL VASE, 1930s 12cm high; and a ‘SECRETS’ PIN TRAY, 17cm across, each with printed factory marks (2)

192 FA532/2 CLARICE CLIFF ‘RODANTHE’ PATTERN ISIS VASE, 1930s printed factory marks, moulded mark ‘Isis’, 25cm high; and a CLARICE CLIFF BONJOUR SUGAR SIFTER, decorated with prunus blossom, printed factory marks, 13cm high (2)

187 FA108/5 CLARICE CLIFF ‘SLICED FRUIT’ CONICAL WATER JUG, 1930s decorated with a frieze of fruit and flowers within coloured bands, printed marks

£300-500

30cm high

£250-350

£150-250

£250-350

194 FA525/1 CARLTON WARE ‘EGYPTIAN FAN’ PATTERN CIRCULAR PLATE, 1920s decorated in gilt and coloured enamels, printed factory marks 27cm across

£200-300 195-196 No lots 43

LY O N & T U R N B U L L Decorative Arts

197 FA505/1 AMPHORA ART NOUVEAU FIGURAL DISH, CIRCA 1900 possibly by Eduard Stellmacher, impressed marks ‘Amphora/ 4290’ 25cm high

£400-600

198 FA108/8 AMPHORA SINGLE HANDLED CANDLESTICK, CIRCA 1900 with broad drip tray and applied tapering handle on spreading column, painted with flowering poppies, impressed mark ‘Amphora/ B544’ 38cm high

£200-300

199 FA509/1 BONN ART NOUVEAU EWER & BASIN, CIRCA 1900 moulded with Art Nouveau maidens, printed and moulded factory marks (2) Ewer, 53cm, Basin 36cm

£100-150

200 FA529/6 WALTER BOSSE (AFTER) PAIR OF WALL SCONCES, EARLY 20TH CENTURY modelled as a boy and a girl in colourful clothes seated astride ‘U’ shaped candle holders, impressed mark ‘H. BEI/ WIEN’

201 EAA489/1A ROZENBERG JAR AND COVER, CIRCA 1900 painted with stylised Art Nouveau flowers on a blue ground, painted factory marks and monogram to base ‘Rozenberg/ DenHaag/ 094’

202 FA108/7 GOLDSCHEIDER FIGURE OF PSYCHE, CIRCA 1920 glazed in white on a blue plinth, impressed marks ‘4635/234/65’, printed factory marks

23cm high

36.5cm high

21cm across

£200-300

£250-350

LY O N & T U R N B U L L Decorative Arts

203 FA108/9 ORIVIT OVERLAID EARTHENWARE VASE, CIRCA 1900 the shouldered tapering body with mauve glaze, overlaid with a frieze of peacock feathers in gilt metal, stamped marks ‘“Orivit”/ 2561’ 20cm high

£250-350

204 FA108/30 ALMERIC WALTER PAIR OF EARTHENWARE VASES, CIRCA 1910 each of slender swollen form decorated with panels of stylised floral forms on footed bases, each with painted marks ‘A. Walter/ Nancy’ and bearing painted initials ‘AW’ to the base (crazed) (2) 24cm high

£250-350

205 FA455/5 JENNY MEYER FOR ROYAL COPENHAGEN CIRCULAR PLATE, CIRCA 1910 decorated with flowering lilies, signed, painted marks verso ‘10,691/ 50/ Jen Meyer’, bears printed factory marks 30.5cm diameter

£300-500

LY O N & T U R N B U L L Decorative Arts

206 FA115/1 MICHAEL POWOLNY EARTHENWARE TAZZA, CIRCA 1900 the wide circular bowl stencildecorated with bands of stylised buds and held up by three kneeling putti with floral garlands, incised mark ‘7377’, impressed mark ‘43/11’ 32cm diameter, 22cm high

£500-700

207 EZ569/2 LAJOS MACK (ATTRIBUTED) FOR ZSOLNAY LARGE SCULPTURAL VASE, CIRCA 1900 eosin glazed earthenware, moulded with the figure of a maiden, moulded factory seal and impressed number 3945 43.5cm high

£800-1,200 208 No lot

Jewellery, Silver and Metalwork

209 FA534/1 ASTRID FOG FOR GEORG JENSEN SILVER THREE-TIER ABSTRACT PENDANT, POST 1945 with ten link chain and three convex block pendants linked by chains, stamped marks ‘Georg Jensen/ 925S/ Denmark/ 127’ Chain 60cm long, Pendants total height 13cm

£800-1,200

210 FA595/1 EDITH DAWSON (ATTRIB.) ARTS & CRAFTS SILVER AND ENAMEL MANTEL CLOCK, CIRCA 1900 decorated in the Moorish style, the square dial with turquoise enamel hands and spandrels within a rectangular case, the rear door with enamelled panel depicting a goosegirl and geese in a landscape, the angles embellished by turned ivory columns, the enamelled dome surmount decorated with opposed peacocks, the whole raised on ivory bracket feet, apparently unmarked 20cm high

211 ALEXANDER RITCHIE, IONA CELTIC CROSS PENDANT, CIRCA 1910 with entwined knotwork decoration, stamped 'A.R./ IONA' 8cm high

£200-300 212 PETER WYLIE DAVIDSON (AFTER) SILVER NECKLACE, 2004 cast and pierced with swallows in flight, hallmarked for Edinburgh 2004-2005 Length 51cm

£200-300

£3,000-5,000

LY O N & T U R N B U L L Decorative Arts

213 EAC72/8 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ELECTROPLATED COMPORT, CIRCA 1900 cast as a lily pad with Art Nouveau maiden, cast marks ‘246’ 29cm across

£300-500

214 FA529/5 JEAN E. PUIFORCAT FRENCH SILVER AND SILVER GILT TEAPOT, DESIGNED 1936 of tapering cylindrical form, with three horizontal gilt bands, the hardwood handle in the form of the Greek letter Epsilon, the hardwood finial in the form of a canted loop, stamped maker’s marks ‘Jean E. Puiforcat/ Made in France/ 925’ 10cm high Literature: de Bonneville, Françoise ‘Jean Puiforcat’, 1986, p. 131

£1,200-1,800 215 FA510/1 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) CLARET JUG, CIRCA 1900 with plated mounts, the slender glass body with etched flowering foliate decoration, with cast mounts with corresponding decoration, stamped factory marks 40.5cm high

£400-600

LY O N & T U R N B U L L Decorative Arts

216 FA108/6 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) COPPER AND ENAMEL VASE, 1930s with spirally decorated twin handles, the tapering hammered body with cloisonné enamel frieze of stylised birds and chequer banding, stamped factory marks 32cm high

£250-350

217 FA455/12 CHRISTOPHER DRESSER FOR BENHAM & FROUD (ATTRIB.) TWIN-HANDLED BRASS AND COPPER URN, CIRCA 1880 of ovoid form with faux rivet decoration and scalloped and ribbed banding, unmarked 25cm high

£400-600

218 FA108/1 WOOD & CO. FOR LIBERTY & CO. COPPER AND BRASS WINE COOLER, CIRCA 1900 worked as a Roman bath, the liner with rolled rim above an oval section body with riveted straps and ring handle, stamped maker’s mark 28.5cm across

£300-500

LY O N & T U R N B U L L Decorative Arts

219 EZ339/16 ERNEST GIMSON (MANNER OF) PAIR OF BRASS AND CAST IRON FIRE DOGS, CIRCA 1920 each cast iron frame applied to the front with cut and engraved brass panels and rosettes in floral and foliate designs (2) 63cm high, 37cm deep

£600-800

220 FA108/10 C.F. HEISSE, DENMARK STERLING CHALICE AND COVER, CIRCA 1915 the ovoid bowl and cover with hammered finish and applied stylised foliate handles raised on pierced foliate base, later engraved and dated 1927, stamped makers marks 26.5cm high

£200-300

221 EZ871/17 EDWARD SPENCER SILVERED SANCTUARY LAMP, CIRCA 1900 of lobed tapering cylindrical form, with cast vine rim and applied enamelled roundels also depicting vines, with wrythen ring pendant, enclosing a single candle sconce and inscription ‘In his temple everything saith glory’, supported by four chains suspended from a domed rose 38cm diameter

£300-500

222 FA455/13 BIRMINGHAM GUILD OF HANDICRAFTS COPPER BOWL, CIRCA 1900 of ovoid form, with hammered finish, with applied twin handles, stamped mark to base ‘BGH’ 22.5cm across

223 FA108/22 ARCHIBALD KNOX FOR LIBERTY & CO ‘TUDRIC’ PEWTER BULLET VASE, CIRCA 1920 cast with a frieze of stylised foliage on a hammered ground, stamped marks ‘Tudric/ 0226’

£200-300

19cm high

£100-200

LY O N & T U R N B U L L Decorative Arts

224 FA108/3 LIBERTY & CO ‘TUDRIC’ PEWTER MANTEL CLOCK, CIRCA 1920 the circular dial with turquoise enamel panel enclosed within rectangular case with hammered finish and serpentine cornice, stamped marks ‘Tudric/ 01126A’ 17.5cm high, 31.5cm wide

£200-300

225 FA497/3 DAVID VEAZEY FOR LIBERTY & CO. ‘TUDRIC’ PEWTER BOWL stamped marks ‘Tudric/011’ 32cm diameter

£150-250

226 FA108/2 OLIVER BAKER (ATTRIB.) FOR LIBERTY & CO PAIR OF ‘TUDRIC’ PEWTER VASES, CIRCA 1900 each with twin handles cast as whiplash foliage, the moulded bodies with blind cabochon frieze, stamped marks ‘English Pewter/ 029’ (2) 31.5cm high

£300-500

227 FA533/1 ARCHIBALD KNOX FOR LIBERTY & CO. ARTS & CRAFTS ‘CYMRIC’ SILVER HAND MIRROR, 1904 embossed in low relief with Celtic knotwork motifs and set with a central turquoise matrix cabochon, maker’s mark ‘L&Co’, hallmarked Birmingham, 1904, stamped ‘Cymric’ £250-350

228 FA533/2 ARCHIBALD KNOX FOR LIBERTY & CO. SILVER NAPKIN RING, 1906 with stylised Celtic knot motif highlighted in shades of blue & green enamel, maker’s mark ‘L&Co’, hallmarked Birmingham, 1906 £300-500

230 FA40/59A OMAR RAMSDEN SILVER SPOON, LONDON, 1911 the terminal worked in relief as a flowering thistle, the bowl with hammered decoration, hallmarked London 1911

229 FA98/1 WALKER & HALL ART NOUVEAU SILVER DRESSING SET, 1907 comprising: a mirror, a clothes brush, a hair brush and a comb, each with embossed flowering foliate decoration, boxed, all hallmarked Chester 1907 (4)

14cm long

£150-250

£200-300 231-232 No lots

Lighting

233 FA108/29 TIFFANY STUDIOS PATINATED BRONZE LAMP BASE NO. 182, CIRCA 1900 wired for electricity, with three curved supports and a light bulb fitting above an urn shaped base with four reeded supports resting on a shaped plinth, apparently unmarked Total height 27cm Literature: Duncan, Alastair ‘Tiffany: Lamps and Metalware’, Suffolk 2007, pp 28 (illus. plate 71) and 504 Note: This is the small version of the lamp base marked in the Tiffany workbooks as ‘Greek design, small’.

£300-500

234 EAA377/3 CONTINENTAL ART NOUVEAU BRONZE MOUNTED CERAMIC TABLE LAMP, CIRCA 1910 with earthenware baluster base, glazed in blue and black, issuing iris flowers and leaves, the flowers fitted for light bulbs, and enclosed by cast foliate straps 76cm high

£200-300

235 ET664/4 DENIS CONTI, ENGLAND, GROUP OF FOUR STANDARD LAMPS, 1979-80 enamelled steel, each of twin column construction of spreading base (4) 204cm high Note: In 1979-80 Denis Conti was commissioned to design the lighting for the Warwick Arts Trust, London for which 16 standard lamps were produced, of which six are offered here. A memorable feature of the Warwick Arts Trust in the 1980’s was its poetry and chamber music recitals by a range of artists from recent graduates to Vanessa Redgrave, Andreas Schiff and Alfred Brendel all of them lit by these Conti lamps, which were made for the first performance in the summer of 1980. The design was inspired by a trip to New York in the late 1970s and possibly pays some homage to Mies van der Rohe’s Seagrams building.

£400-600

236 EZ871/5 JAMES POWELL & SONS ‘EIFFEL TOWER’ WROUGHT IRON STANDARD LAMP, CIRCA 1900 the later tapered Vaseline glass shade with scrolled supports above corresponding glass reservoir, raised on tapered supports with central scroll and openwork column raised on scrolling feet 169cm high

£1,000-1,500

LY O N & T U R N B U L L Decorative Arts

237 FA115/3 EDWARD MILLER & COMPANY CAST IRON AND SLAG GLASS TABLE LAMP, CIRCA 1900 with facetted shade above corresponding column and spreading base, cast mark ‘Miller/969’ 49cm high

£300-500

238 FA531/1 LE COULTRE CO. GLASS MANTEL TIMEPIECE, 1930s the circular blue dial with steel bezel and radiating brass numerals within demilune blue glass mount raised on a stepped brass and chromium plated plinth, stamped marks ‘LeCoultreCo/ Swiss made/ 03499’ 21.5cm wide

£300-400

239 YE2011/12 ART NOUVEAU PATINATED BRASS OIL LAMP BASE, CIRCA 1910 in the manner of W.A.S. BENSON, with pierced stylised plant motifs 37cm high

£150-250

241 FA468/1 FRENCH ART DECO WROUGHT IRON TABLE LAMP, 1930s with twin frosted glass shades, moulded with flowers and supported on scrolling supports with corresponding base 47cm high

240 FA527/9 ARTS & CRAFTS HAMMERED STEEL HALL LANTERN, CIRCA 1900 of hexagonal section, with glazed panels to the sides and pitched surmount

£300-500 242 No lot

36cm tall

£150-250

Bronzes & Sculpture

243 FA99/1 MARK MATVEEVICH ANTOKOLSKY (AFTER) GLAZED TERRACOTTA PLAQUE, EARLY 20TH CENTURY bears indistict maker's marks '****/ Paris/ 178B' 78cm high, 65cm wide

£800-1,200

244 FA455/7 CONSTANTIN EMILE MEUNIER STUDY OF A FARMER bronze plaque, signed in the bronze, cast marks verso ‘Modèle-La Maison Moderne Paris’, with founders mark 18cm x 10cm

£800-1,200

LY O N & T U R N B U L L Decorative Arts

245 EAC108/1 ALEXANDER KELETY ART DECO BRONZE FIGURE OF DAVID raised on a slate plinth, signed on the plinth 61cm wide, 26.5cm high including base

£600-800

246 FA490/1 ART DECO SPELTER FIGURE AND LIGHTER, 1930s raised on a marble plinth

247 EAC228/7 BRITISH SCHOOL FIGURE OF A SEATED NUDE, CIRCA 1930 patinated plaster, unsigned

27cm high

59cm high

£100-200

£150-250

248 FA538/3 RUDOLF MARCUSE GILT BRONZE FIGURE, 1920’S depicting a young girl, raised on a spreading marble plinth, cast foundry marks Gladenbeck, Berlin, signed 20cm high

£200-300

249 FA455/4 ALEC MILLER MOTHER & CHILD patinated plaster figure, impressed signature ‘A. Miller’, raised on an oak plinth 35cm high

250 EAA940/4 BRITISH SCHOOL BUST OF AN ARTIST, CIRCA 1890 bronze, raised on a plinth, unsigned

251 EY792/76 ANNIE COTTRAU-FOKKER BUST OF A GIRL marble, raised on a plinth, signed

45cm high

£150-350

£200-300

27cm high

252 FA108/11 ART DECO BRONZE FIGURE OF A MALE ARCHER raised on a black marble plinth (bow lacking), unsigned 56cm wide, 45cm high

£200-300

£200-400 253-254 No lots

Pictures, Books & Posters

255 FA105/2 HENRY HOLIDAY FOR JAMES POWELL & SONS STAINED GLASS DESIGN FOR MOSSLEY HILL CHURCH, LIVERPOOL pen, ink and watercolour wash, signed and dated 1881 36cm x 26cm Note: Inscribed to mount ‘Mossley Hill Church/ Liverpool/ S. Window of Chancel/ Inch Scale/ Mess Jas Powell & Sons/ Whitefriars E.C.’

£400-600

257 FA455/6 ROBERT ANNING BELL THE ‘MAGNIFICAT’ watercolour sketch, signed, inscribed ‘Sketch for the “Magnificat” East Hagbourne’ and dated 1911 37cm x 26cm Note: This is a sketch for a stained glass window, intended for the parish church of East Hagbourne in Oxfordshire. The window was never executed.

£500-700

256 ART NOUVEAU SUITE OF STAINED AND LEADED GLASS PANELS, CIRCA 1910 each with stylised tulip design (3) 45.5cm x 41.5cm (2), 50.5cm x 34cm

£150-250

LY O N & T U R N B U L L Decorative Arts

258 FA432/1 ATELIER SEM, PARIS POSTER: ‘LA REVUE DU CASINO DE PARIS’, CIRCA 1905 framed 78.5cm x 58cm

£500-700

259 FA502/1 SAVOY HOTEL ART DECO SIGN, 1930s painted in gilt and coloured paints with the stylised figure of a military gentlemen within chequer border, above inscription ‘Savoy Hotel’ 117cm x 57cm

£800-1,200

LY O N & T U R N B U L L Decorative Arts

260 FA598/1 ROWLEY GALLERY (ATTRIB.) FRAMED MARQUETRY PANEL,1930s depicting an eagle hunting a grouse in a mountainous landscape

264 FA525/2 ANDERS ZORN AT PRAYER CIRCA 1911-12, etching, signed in pencil

49cm x 38cm

20cm x 15cm

£200-300

268 FA527/3 ELIZABETH MARY WATT PORTRAIT OF A GIRL Oil on canvas, signed

£300-500

73cm x 119cm

269 FA435/4 ERTÉ ‘ADORATION’ Screenprint, signed in pencil

261 EZ871/2 JOURNAL OF DECORATIVE ART GROUP OF SIX FRAMED PRINTS, DATED JANUARY 1897 each printed in sepia with decorative room schemes

265 FA529/3 CARTON MOORE-PARK THE PAGEANT OF THE BEAST chalk drawing, signed and inscribed in pencil and indistinctly dated ‘03’; along with a copy of ‘Pen, Pencil and Chalk’, The Studio, 1911 (2)

each approx. 93cm x 66cm

31cm x 24cm

£200-300

Literature: Holme, Charles (Edit.) ‘Pen, Pencil and Chalk’, The Studio, 1911, illustrated page 56

270 FA455/8 W. EDEN NESFIELD & ALBERT MOORE SPECIMENS OF MEDIAEVAL ARCHITECTURE published by Day & Son, London 1862, unbound, in later cloth folder

£300-500

£200-300

266 EAC256/1 AGNES RAEBURN JUG OF CHRYSANTHEMUMS Oil on canvas, signed Provenance: The Fine Art Society

271 FA455/9 REMIGIUS GEYLING FOR WILHELM MELZER, VIENNA ‘BALL DER STADT WIEN, 1909’ a leather bound book, inscribed

£400-600

£100-200

£400-600

262 FA455/10 CHARLES HASLEWOOD SHANNON BY THE RIVER lithograph, unsigned 21cm x 16.5cm Provenance: Senefelder Club

£200-300 263 FA1/14 MAURICE MILLIÈRE PLAYING WITH PUPPY Dry point and polychrome etching n° 5, signed and dated in pencil 34cm x 55cm

£200-300

50cm x 39cm

267 FA455/11 TRACY HELPS THREE KINGS OF ORIENT gouache, 25cm x 20cm and another companion by the same hand, signed, 19.5cm x 17cm (2) £150-200

51cm x 40cm

£200-300

LY O N & T U R N B U L L Decorative Arts

272 FA536/1 ANNIE FRENCH LITTLE TOM DACRE Pen, ink and watercolour, signed and inscribed and signed verso and dated March 23rd 1920 26.9cm x 42.4cm Note: Bears inscription verso in the artist’s hand ‘There’s little Tom Dacre, who cried when his head, That curled like a lamb’s back, was shaved: so I said, “Hush, Tom! never mind it, for when your head’s bare, You know that the soot cannot spoil your white hair.” Blake (Songs of Innocence) Annie French March 23rd 1920’

£2,000-3,000

273 FA497/2 BEGGARSTAFF BROTHERS THE BLACK AND WHITE GALLERY, LOUIS MEYER, 1897-1899 Poster 47cm x 64cm

£400-600 274-275 No lots

Handbags & Fabrics

276 FA517/1 HERMÈS BURGUNDY LEATHER KELLY BAG, 1960s gilt-metal hardware, lock and key sheath, labelled: ‘Hermès/Paris’, some scuffing to base corners, with original dustbag 31cm x 26cm x 10cm

£600-800

277 FA517/2 HERMÈS ‘PASSE GUIDE’ TAN LEATHER HORSEBIT BAG, 1970s gilt-metal hardware, labelled: ‘Hermès/Paris’, some light scuffing, pen mark to interior leather, with original dustbag 20cm x 27cm

£300-500

278 FA527/7 ALEXANDER MORTON & CO. (ATTRIB.) ARTS & CRAFTS TEXTILE REMNANT, LATE 19TH CENTURY woven in wool in the manner of Morris & Co. and depicting flower clumps

34cm x 161cm

180cm x 200cm approx

£150-250

£150-200

279 FA527/4 ARTS & CRAFTS EMBROIDERED SILKWORK PANEL, EARLY 20TH CENTURY worked in coloured silks with meandering flowering foliage, framed and glazed

280 FA527/2 GEORGE BAIN FOR QUAYLE & TRANTER THREE CELTIC ‘HUNTING’ RUGS each machine woven wool with Celtic knot centre and borders enclosing a stag hunting scene with figures, in colours on a red field (worn areas) (3)

281 FA497/1 THE LADIES WORK SOCIETY LIMITED LARGE WOOLWORK EMBROIDERY, CIRCA 1880 depicting a repeating strapwork design, maker’s marks to selvedge (small unfinished section) 610cm long, 85cm wide

£200-300

each 188cm x 117cm approx

£200-300

282 No lot

Furniture

LY O N & T U R N B U L L Decorative Arts

283 LB350/22 AESTHETIC MOVEMENT TWO PIECE ASH BEDROOM SUITE, CIRCA 1880 comprising: a WARDROBE with projecting moulded cornice above a central mirrored door flanked by two cupboards, each with moulded panels with incised and inlaid decoration, decorative brass hinges raised on a plinth, 185cm wide, 223cm high, 54.5cm deep; and a DRESSING CHEST, the mirrored back above open shelf and tiled splash back, the tiles by JOHN MOYR SMITH FOR MINTONS, the rectangular marble top above three drawers and three cupboard doors below with corresponding incised decoration, raised on a plinth (2) £1,000-1,500

284 EZ871/12 E. W. GODWIN (MANNER OF) SET OF EBONISED WOOD HANGING SHELVES, 1870 with two panelled doors enclosed by open shelves above a scalloped apron supported by open brackets 105cm wide, 69cm high

285 FA347/11 AESTHETIC MOVEMENT OAK REVOLVING BOOKCASE, CIRCA 1890 the square top with spindlefilled dividers, raised on square tapering supports linked by pierced arched stretchers

286 EAC21/19 AESTHETIC MOVEMENT OAK HANDPAINTED MANTEL MIRROR, DATED 1877 the projecting cornice, above central mirror, surrounded by painted panels of birds and plants, with inscriptions ‘Salve/ Nox/ Dies’

£300-500

39.5cm wide, 85cm high

135cm x 154cm

287 EZ570/4 GEORGE WALTON (MANNER OF) MAHOGANY FRAMED UPHOLSTERED ARMCHAIR, CIRCA 1910 the tall arched back above upholstered arms and seat raised on turned legs with pad feet

£300-500

£400-600

£300-500

LY O N & T U R N B U L L Decorative Arts

288 EZ871/15 ARTHUR W. SIMPSON FOR MORRIS & CO MAHOGANY INLAID SIDEBOARD, CIRCA 1910 the rectangular reverse breakfront top with satinwood crossbanding, above a carved frieze and three drawers, in turn raised above a central void with shelf flanked by twin doors, each inlaid with stylised plant forms and mounted with octagonal silver handles, the whole standing on square tapering legs decorated with corresponding carved panels 217cm wide, 99cm high, 65cm deep Literature: Jeremy Cooper, ‘ Victorian and Edwardian Furniture and Interiors’ pub. 1987, page 472, plate 470, for a similar example

£2,500-3,500

289 FA465/1 ART NOUVEAU MAHOGANY CORNER ARMCHAIR the inlaid back over a cushioned seat, raised on square tapering legs 43cm wide,32cm high 76cm deep

£200-300

290 FA356/1 WILLIAM BIRCH OAK THREE SEAT SETTEE, CIRCA 1900 the back with tree curved panels and turned uprights above rush seat (unfinished) on turned tapering legs linked by ring turned stretchers 175cm wide, 105cm high, 56cm deep

£150-220

291 EZ869/3 ARTS & CRAFTS STAINED BEECH AND OAK SIDE CHAIR, CIRCA 1900 the arched top rail with pierced woven motif above lattice panel and turned supports, the drop-in rush seat above pierced scrollwork apron on turned and tapering front legs with stylised four feet linked by a stretcher £200-300

292 LB350/15 GUSTAV STICKLEY OAK RECLINING ROCKER, CIRCA 1900 the slatted back with upholstered cushions above stuff-over seat and broad open arms raised on square pegged supports on rocker bases £400-600

LY O N & T U R N B U L L Decorative Arts

293 EAC34/7 AESTHETIC MOVEMENT MAHOGANY BEDROOM SUITE, CIRCA 1890 comprising: a wardrobe, the central section with swan neck pediment above fretwork doors backed by gold fabric panels over two short and two long drawers, the whole flanked by mirrored doors and raised on a plinth, 198cm wide, 232cm high, 67cm deep; and a MATCHING DRESSING TABLE, with central hinged mirror flanked by two side mirrors above an arrangement of drawers and cupboards (2) £500-800

294 FA497/4 ARTHUR W. SIMPSON, KENDAL OAK STOOL, CIRCA 1910 the rectangular seat with woven leather straps on square tapered legs 40.5cm across

£150-200

295 EZ871/4 MORRIS & CO. (ATTRIBUTED TO) MAHOGANY OCCASIONAL TABLE, CIRCA 1880 the hexagonal top with inset tile panels and ripple moulded edge, raised on turned and tapering legs linked by shaped stretchers

296 EZ798/7 ART DECO BIRCH AND WALNUT OCCASIONAL TABLE, CIRCA 1930 the octagonal cross-banded top on square tapered support and corresponding base

297 EAA599/1 CHARLES AND RAY EAMES LOW ARMCHAIR ROD (LAR), DESIGNED 1950 the tomato-red polyester and fibreglass single-shell seat, back and arms supported on black painted bent wire base

56.5cm diameter, 56cm high

£300-500

£150-250

49.5cm diameter, 62cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

298 FA493/1 ARCHIBALD KNOX FOR LIBERTY & CO PAIR OF COMPTON POTTERY TERRACOTTA JARDINIERES, CIRCA 1900 each with twin handles, the flatted ovoid bodies with Celtic inspired decoration, moulded marks to base ‘Designed and Manufactured by Liberty & Co.’ (2) 64cm wide, 30cm high

£800-1,200

299 FA446/1 LIBERTY & CO (ATTRIB.) MAHOGANY ‘THEBES’ STOOL, CIRCA 1900 the dished seat raised on three curved supports, bears retailer’s label ‘George Watson & Co./ Artistic Furnishings &/ Oriental Warehouse/ 14, Shandwick Place/ Edinburgh’ 36.5cm wide, 33cm high

£300-400

300 EAC264/2 LE CORBUSIER ‘LC2’ SOFA, RECENT MANUFACTURE black leather and matt black powder coated steel

301 EAC264/1 LE CORBUSIER PAIR OF ‘LC2’ CHAIRS BY CASSINA, RECENT MANUFACTURE black leather and chrome (2)

130cm wide

72cm wide, 68.5cm high,

£300-500

68.5cm deep

302 FA166/3 ARNE JACOBSEN FOR FRITZ HANSEN PAIR OF 3300 ARMCHAIRS, DESIGNED 1958 upholstered in charcoal gray wool fabric on a tubular steel frame, bears maker’s label (2)

303 FA166/4 ARNE JACOBSEN FOR FRITZ HANSEN PAIR OF 3300 ARMCHAIRS, DESIGNED 1958 upholstered in charcoal gray wool fabric on a tubular steel frame, bears maker’s label (2)

£400-600

£300-500

LY O N & T U R N B U L L Decorative Arts

304 FA166/2 ARNE JACOBSEN FOR FRITZ HANSEN PAIR OF 3300 ARMCHAIRS, DESIGNED 1958 upholstered in charcoal gray wool fabric on a tubular steel frame, bears maker’s label (2) £300-500

305 FA166/1 ARNE JACOBSEN FOR FRITZ HANSEN PAIR OF 3300 TWO SEAT SOFAS, DESIGNED 1958 upholstered in charcoal gray wool fabric on a tubular steel frame, bears maker’s label (2) £500-700

306 FA529/1 ARNE JACOBSEN FOR FRITZ HANSEN TWO TIER TEAK TABLE, 1960s on steel supports 72cm wide, 55cm high

£250-350

LY O N & T U R N B U L L Decorative Arts

307 EZ354/1 CONTEMPORARY ARTS & CRAFTS OAK AND WROUGHT STEEL CONSOLE TABLE AND MIRROR the mirror with rectangular plate enclosed by riveted steel frame with curved brackets, 155cm x 141cm, the table with rectangular plank top supported by scrolling cross frame with integral candle sconces, 175cm wide, 119cm high, 64cm deep (2) £300-500

308 FA529/2 DAVID MELLOR PAIR OF BENTWOOD OCCASIONAL TABLES each bears maker’s label (2) 86cm wide, 29cm high, 50cm deep

£200-300

309 FA529/4 FRITZ HANSEN HARDWOOD FRAMED SOFA, CIRCA 1960 with original green tweed fabric, later covered and with loose cushions 244cm wide, 75cm high, 80cm deep

£300-500

310 FA597/1 ERIC LYONS BENT PLY ‘LINDEN’ ARMCHAIR, DESIGNED 1948 the shaped rectangular back enclosed by slats above arched arms and upholstered seat on rectangular section legs £200-300

311 FA527/8 ARTS & CRAFTS PAIR OF OAK ARMCHAIRS, CIRCA 1900 each with slatted backs and leather panelled seats raised on square tapering legs (2) £200-300

LY O N & T U R N B U L L Decorative Arts

312 ART DECO FRENCH GILDED WROUGHT IRON TABLE, 1930s the rectangular black marble top raised on base with openwork baluster legs, linked by cross stretchers 86cm wide, 85cm high, 61cm deep

£300-500

313 FA366/2 WALNUT SEMAINIER, 1950s with seven graduated drawers raised on angular supports 78cm wide, 124cm high, 45cm deep

£200-300

314 EZ874/1 DANISH SCHOOL MAHOGANY CABINET ON STAND, 1960s of rectangular outline, the front with three doors enclosing a hinged interior above three drawers with turned rosewood handles, the whole raised on a stand with square tapering legs

315 EZ874/2 JASPER MORRISON FOR ARTIFORT PAIR OF VEGA CHAIRS each with upholstered backs and seats on tubular chrome supports (2) £200-300 316 No lot

121.5cm wide, 137cm high, 45.5cm deep

£300-400

Liberty & Co.

Figure 1: Liberty & Co.sâ&#x20AC;&#x2122; Tudor building at its opening in 1924.

Liberty's was founded by Arthur Lasenby Liberty in 1875. Originally employed as a shop assistant at Farmer & Rogers India Shawl Warehouse, he used the ten years of experience he had gained there to open his own store on Regent Street. Utilising his interest and knowledge in Asian and Near and Far Eastern cultures, he sold ornaments, fabrics and curios from Japan and the East. The business was a success from the beginning and quickly expanded. Liberty soon realised the quality of the items he was sourcing from Japan and the East was deteriorating and decided and with demand outstipping supply

for quality fabric he commissioned his own from English dyers and manufacturers and had them import and hand block fabrics. The high quality which were achieved became known as 'Liberty Art Fabrics' and were used in for clothing and furnishings. Liberty's costume department opened in 1884 under the directorship of the architect and designer E.W. Godwin. Godwin's aim was to challenge the creations of Parisian fashion houses and create a home grown style - early clientele included artists of the PreRaphaelite movement and their circle including Ellen Terry and Oscar Wilde.

LY O N & T U R N B U L L Decorative Arts

Liberty & Co also promoted the designs of key members of the Arts & Crafts and Art Nouveau Movements including Archibald Knox. The promotion of these styles by Liberty's and other avant garde outlets helped them to achieve international recognition.

Throughout the 20th century, Liberty has continued to promote the work of many designers including Lucienne Day, Arne Jacobsen and Gio Ponti. Liberty fabrics have been used by designers such as Yves Saint Laurent, Bill Gibb, Jean Muir and Mary Quant and the shop today continues to promote and sell fashion and design of the highest quality.

Furniture from the Tudor Shop

The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty's own workshops in Highgate made the wood panelling and

The following collection of Arts & Crafts furniture was all made in the early 1920s for Liberty & Co's magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of “truth to material” which had played such an important part in the foundation of the company and the goods that it sold.

Figure 2: An interior showing the pierced decoration.

a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of

LY O N & T U R N B U L L

Decorative Arts

Figure 3: Furniture being made at Liberty & Co.â&#x20AC;&#x2122;s workshop in Highgate, circa 1923.

tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complementing the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finish of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panel, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other

furniture still in situ. All the furniture was made in the firm's workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however, a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will present the remaining pieces, designed by Sir Robert Lorimer, as part of their sale of Scottish Design on June 15th. Literature: Calloway, Stephen, The House of Liberty, London 199

LY O N & T U R N B U L L Decorative Arts

THE TUDOR TABLES BY EDWIN T. HALL AND EDWIN S. HALL FOR LIBERTY & CO., LONDON 317 LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer, raised on tapered and chamfered supports with pierced panels in a symmetric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6962’, later label ‘804’ 152.5cm long, 76cm high, 75.5cm wide

£800-1,200

LY O N & T U R N B U L L Decorative Arts

318 FA171/10 LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron, raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends 152.5cm long, 76cm high, 75.5cm wide

ÂŁ800-1,200

LY O N & T U R N B U L L Decorative Arts

319 FA171/37 LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6962’ 152.5cm long, 76cm high, 75.5cm wide

£800-1,200

320 FA171/30 LIBERTY & CO., LONDON SMALL OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a symmetric tear-shaped design, and linked by a spirally fluted stretcher with incised ends

321 FA171/32 LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, above pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6965’

121.5cm long, 76.5cm high,

£600-800

323 FA171/42 LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, later paper label ‘Silks’

68.5cm wide

322 FA171/36 LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule and applied brass bar to the leading edge, above pegged bracket supports and broad apron incorporating aperture with a single drawer, raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6962’

£600-800

152.5cm long, 76cm high,

£800-1,200

122.5cm long, 76cm high, 68.5cm wide

152.5cm long, 76cm high, 75.5cm wide

75.5cm wide

£800-1,200

LY O N & T U R N B U L L Decorative Arts

324 FA171/28 LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6962’, later label ‘607’ and later paper label ‘Scarves/ Regent St.’ 152.5cm long, 76cm high, 75.5cm wide

£800-1,200 325 FA171/9 LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in an asymmetric tear design, and linked by a spirally fluted stretcher with incised ends

328 FA171/18 LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (handle lacking), raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6962’

330 FA171/25 LIBERTY & CO., LONDON SMALL OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture with a single drawer, raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6965’, later paper label ‘Centre 5’

152.5cm long, 76cm high,

122.5cm long, 76cm high,

75.5cm wide

68.5cm wide

£800-1,200

£600-800

75.5cm wide

329 FA171/21 LIBERTY & CO., LONDON SMALL OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, above pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6965’, later paper label ‘Scarves/ Regent St F5’

331 FA171/2 LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with a brass metre rule, and with pegged bracket supports and broad apron incorporating a single drawer, raised on tapered and chamfered supports with pierced decorative panels in an asymmetric tear design, and linked by a spirally fluted stretcher with incised ends, paper label ‘Silks’

£800-1,200

122.5cm long, 76cm high,

152cm long, 74cm high, 76cm wide

68.5cm wide

£800-1,200

326 FA171/11 LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge and pegged bracket supports and broad apron, raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher, stamped mark ‘6851’, later labelled ‘686’ 152.5cm long, 76cm high, 75cm wide

£800-1,200 327 FA171/15 LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with applied brass bracket to the front edge, above pegged bracket supports and broad apron incorporating aperture for a single drawer (handle lacking), raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends 152.5cm long, 76cm high,

75.5cm wide

Provenance: Liberty & Co., London

£800-1,200

£600-800

152.5cm long, 76cm high,

LY O N & T U R N B U L L Decorative Arts

332 FA171/20 LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron incorporating aperture for a single drawer (lacking), raised on tapered and chamfered supports with pierced decorative panels in a geometric tear-shaped design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6962’, later label ‘838’ 152.5cm long, 76cm high, 75.5cm wide

£800-1,200

333 FA171/19 LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular planked top with moulded edge, later inset with brass metre rule, and with pegged bracket supports and broad apron, raised on tapered and chamfered supports with pierced decorative panels in a spiral design, and linked by a spirally fluted stretcher with incised ends, stamped mark ‘6849’, later label ‘840’ 152.5cm long, 76cm high, 75.5cm wide

£800-1,200

LY O N & T U R N B U L L Decorative Arts

334 FA171/61 LIBERTY & CO., LONDON LARGE OAK FREESTANDING CHEST, CIRCA 1924 with moulded angles, the rectangular top with later inset brass metre rule, above two long drawers, each with wrought iron drop handles, the sides and back with fielded panelling, the whole raised on block feet 106cm wide, 86cm high, 76cm deep

£400-600

335 FA171/8 LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark ‘6961’, later label ‘794’

336 FA171/4 LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark ‘6961’

152cm long, 76cm high,

75.5cm wide

£400-600

337 FA171/1 LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, stamped mark ‘6848’ 75.5cm wide

338 FA171/31 LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark ‘6964’, later label ‘705’

£400-600

122cm long, 76cm high, 68cm wide

152cm long, 76cm high,

£300-500

LY O N & T U R N B U L L Decorative Arts

339 FA171/13 LIBERTY & CO., LONDON LIMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass meter rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking 152cm long, 75.5cm high, 75.5cm wide

£400-600

340 FA171/33 LIBERTY & CO., LONDON SMALL OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, bears ivorine label ‘Liberty & Co/ Regent St. London’

341 FA171/34 LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark ‘6961’, later label ‘615’

122cm long, 76cm high, 68cm wide

£300-500

122cm long, 76cm high, 68cm wide

342 FA171/35 LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the planked and pegged rectangular top with moulded edge, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, each stretcher end radially inlaid with specimen woods, the platform base raised on bracket feet and linked by a plank stretcher, bears later label ‘594’

343 FA171/40 LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass meter rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark ‘6964’, later paper label ‘Woollens’

£300-500

137cm long, 76cm high,

122cm long, 76cm high, 68cm wide

71.5cm wide

£300-500

£800-1,200

LY O N & T U R N B U L L Decorative Arts

344 FA171/24 LIBERTY & CO., LONDON OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, stamped mark ‘8198’, later labels ‘Woollens’ and ‘F8 Scarves’ 137cm long, 75cm high, 70.5cm wide

£400-600

345 FA171/43 LIBERTY & CO., LONDON SMALL FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass metre rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark ‘6964’, later label ‘Scarves’

346 FA171/52 LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass meter rule, above cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, drawer lacking, stamped mark ‘6961’, later label ‘715’

347 FA171/70 LIBERTY & CO., LONDON FUMED OAK CENTRE TABLE, CIRCA 1924 the rectangular top with moulded edge, later inset with brass meter rule, above single drawer and cross framed supports, each with spirally reeded elements linked by a spirally fluted central stretcher and with twin planked stretchers above, the platform base raised on bracket feet and linked by a plank stretcher, bears later paper label ‘Silks’

152cm long, 75.5cm high,

122cm long, 76cm high, 68cm wide

75.5cm wide

£300-500

£400-600

LY O N & T U R N B U L L Decorative Arts

The illustration opposite shows the new café at Liberty & Co’s Tudor building in 1924 open for business. The café, which no longer exists, was located in the basement and had as its focal feature a large stone fireplace with distinctive conical canopy. Shown in the picture are a group of small oak tables around which sat shoppers in need of refreshment. These tables were made for the shop and their design reflects the arched buttresses and roof pendants in the main atriums. The chairs, also in oak, were designed by Richard Riemerschmid, who had started to supply designs to Liberty ’s in the 1900s. The tea wares were made by Moorcroft, a regular supplier of wares to the shop, and were glazed in powder blue. Figure 4: Interior of the basement cafe, circa 1924

348 FA171/55 LIBERTY & CO., LONDON PAIR OF OAK OCCASIONAL TABLES, CIRCA 1924 each with octagonal moulded tops above curved crossed supports linked by a facetted pendant and cross stretchers (2) 60.5cm wide, 63cm high

£300-500

LY O N & T U R N B U L L Decorative Arts

349 FA171/57 LIBERTY & CO FUMED OAK REFECTORY TABLE, CIRCA 1924 the panelled rectangular top raised on column supports with platform bases 153cm long, 75cm high, 86cm wide

£300-400 350 FA171/12 LIBERTY & CO FUMED OAK REFECTORY TABLE, CIRCA 1924 the rectangular moulded top above baluster trestle ends, linked by a pierced stretcher and raised on platform bases 168cm long, 76cm high, 68.5cm wide

£400-600

352 FA171/62 LIBERTY & CO., LONDON OAK OCCASIONAL TABLE, CIRCA 1924 the octagonal moulded top above curved crossed supports linked by a facetted pendant and cross stretchers, bears later paper label ‘Scarves/ Regent St’ 60.5cm wide, 63cm high

355 FA171/59 LIBERTY & CO., LONDON LARGE OAK FREESTANDING CHEST, CIRCA 1924 with moulded angles, the rectangular top above two long drawers, each with wrought iron drop handles, the sides and back with fielded panelling, the whole raised on block feet

357 FA171/60 LIBERTY & CO., LONDON LARGE OAK FREESTANDING CHEST, CIRCA 1924 with moulded angles, the rectangular top above two long drawers, each with wrought iron drop handles, the sides and back with fielded panelling, the whole raised on block feet

£200-300

106cm wide, 86cm high, 76cm deep

£400-600

353 FA171/7 LIBERTY & CO GROUP OF THREE WROUGHT IRON PENDANTS, CIRCA 1924 each interlocking quatreform pendant with fleurs de lys and scrollwork decoration (3) each pendant 76cm high,

351 FA171/56 LIBERTY & CO., LONDON PAIR OF OAK OCCASIONAL TABLES, CIRCA 1924 each with octagonal moulded top (one cracked) above curved crossed supports linked by a facetted pendant and cross stretchers, raised on scrolling iron feet (2)

67cm diameter

£200-300

60.5cm wide, 71cm high

354 FA171/69 LIBERTY & CO. LONDON WROUGHT IRON CORONA, CIRCA 1924 of semi-hemispherical form pieced with leafy scrollwork panels and suspending hooks for chains

£300-500

80cm high, 67cm diameter

356 FA171/58 LIBERTY & CO., LONDON LARGE OAK FREESTANDING CHEST, CIRCA 1924 with moulded angles, the rectangular top above two long drawers, each with wrought iron drop handles, the sides and back with fielded panelling, the whole raised on block feet 106cm wide, 86cm high, 76cm deep

£400-600

Literature: Adburgham, Alison, ‘Liberty’s: A biography of a shop’, London 1975, illus p. 152 Note This iron corona once formed a part of the pair of massive lights which hung in the original Antique Carpets Department.

£200-300

Lot 354 81

LY O N & T U R N B U L L Decorative Arts

358 FA171/65 LIBERTY & CO., LONDON OAK FREESTANDING CHEST, CIRCA 1924 with moulded angles and pegged construction, the rectangular top above two short over two long drawers, each with wrought iron drop handles, the sides and back with fielded panelling, the whole raised on block feet 107cm wide, 83.5cm high, 45.5cm deep

£300-500

106cm wide, 86cm high, 76cm deep

360 FA171/67 LIBERTY & CO., LONDON LARGE OAK FREESTANDING CHEST, CIRCA 1924 with moulded angles, the rectangular top above two long drawers, each with wrought iron drop handles, the sides and back with fielded panelling (one panel lacking to rear), the whole raised on block feet

£400-600

106cm wide, 86cm high, 76cm deep

361 FA171/68 LIBERTY & CO., LONDON OAK FREESTANDING CHEST, CIRCA 1924 formerly the base of a cupboard/ chest, with moulded angles and pegged construction, the later rectangular ply top above two short over three long drawers, each with wrought iron drop handles, the sides with fielded panelling

£400-600

130cm wide, 80cm high, 53cm deep

359 FA171/66 LIBERTY & CO., LONDON LARGE OAK FREESTANDING CHEST, CIRCA 1924 with moulded angles, the rectangular top above two long drawers, each with wrought iron drop handles, the sides and back with fielded panelling, the whole raised on block feet

£200-300

362 FA171/64 LIBERTY & CO., LONDON OAK FREESTANDING CHEST, CIRCA 1924 with moulded angles and pegged construction, the rectangular top above two short over two long drawers, each carved with linenfold scrolling decoration and with wrought iron drop handles, the sides and back with fielded panelling, the whole raised on block feet, one handle lacking, one hand a later replacement 107cm wide, 83.5cm high, 45.5cm deep

£300-500

LY O N & T U R N B U L L Decorative Arts

363 LIBERTY & CO LARGE OAK CENTRE TABLE, CIRCA 1924 the hexagonal top with thumb mouldings to the edge, raised above four drawers and two cupboard doors, each with linenfold carved mouldings and wrought iron handles, above Tudor arched apron and square supports 185cm across, 80.5cm high Note: This table was originally the centrepiece of the scarf hall at Liberty's, the main atrium of the shop

ÂŁ2,000-3,000

END OF SALE

Scottish Design from 1860 Wednesday 15th June, 2011 33 Broughton Place, Edinburgh From the Aesthetic and Arts & Crafts Movements, through the Celtic Revival, Art Nouveau and the Glasgow Style to the present, Scotland has a rich heritage of excellence in craft and design. This heritage arguably reached its zenith at the turn of the 19th century when Charles Rennie Mackintosh and his circle became the foremost exponents of Art Nouveau in Britain, going on to influence the course of design history internationally. It is also remarkable however to reflect on the other great names produced by this small country. Gothic

MARGARET MACDONALD AND FRANCES MACDONALD COPPER CANDLESTICK, CIRCA 1897 Sold for £63,650 in November 2010

giants Bruce Talbert and Richard Norman Shaw; the Aesthetic designers Daniel Cottier and Christopher Dresser; and the Glasgow designers George Walton and Jessie M. King are just a handful of the many Scottish designers who went on to achieve international recognition. To celebrate this ongoing legacy Lyon & Turnbull will hold a new auction for summer 2011: Scottish Design from 1860 to the present day. The sale will encompass decorative arts and design from these diverse periods in the country's history and will reflect the skill and variety of manufacture across a wide range of materials, including ceramics, glass, jewellery, textiles, metalwork, drawings, prints, posters, books, manuscripts, furniture and pottery. One of the items consigned for the sale is this oak writing table, designed by Charles Rennie Mackintosh and made for Miss Cranston's Ingram Street tearooms in 1909. Miss Cranston, who owned and ran a number of Glasgow tea rooms, was Mackintosh's most supportive patron. Tea rooms played an important role in Glasgow society at the turn of the 20th century, unique places where people of different classes could meet and relax, and Miss Cranston was particularly successful. Mackintosh's first commission for Miss Cranston was to create a stencil for her Buchanan Street tea rooms in 1896. A few short years later he had been given sole responsibility for the interiors and furniture in her Argyle [1899], Ingram [1900] and Willow tea rooms [1903]. The complicated latticework between the legs is distinctive of Mackintosh's style and creates an elegant spatial construction beneath the working surface of the desk. The top of this desk would have originally held an arrangement of dividers, allowing it to be used by several ladies at a time. The current owner bought the table in the 1960s from Cooper & Co who owned the Ingram Street tea room. It has only recently been identified and included in Roger Billcliffe's catalogue raisonné. It will be offered in the sale in June with an estimate of £10,000-15,000.

To enquire about consigning to this sale please contact John Mackie Tel: +44 (0)131 557 8844 E-mail: john.mackie@lyonandturnbull.com

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CHARLES RENNIE MACKINTOSH OAK WRITING DESK, 1909 £10,000-15,000

Upcoming at Freeman’s

English & Continental Furniture, Silver & Decorative Arts 05/25&26/11

Auctions Wednesday May 25th and Thursday May 26th at 10am both days

Exhibitions Friday 20th May 10am to 4:30pm Saturday 21st May 12 noon to 4pm Sunday May 22nd 12 noon to 4pm Monday May 23rd and Tuesday May 24th 10am to 4:30pm

Inquiries: robert waterhouse direct tel: 267.414.1226 rwaterhouse@freemansauction.com david walker direct tel: 267-414-1216 dwalker@freemansauction.com ben fisher direct tel: 267-414-1215 bfisher@freemansauction.com Catalogue $35

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com

126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com

A fine late 18th century Italian micromosaic set Russian gold snuff box jean-francois bouddé, st. petersberg, 1789, the mosaic rome, circa 1800 provenance: Private collection, Maryland $6,000-8,000

www.freemansauction.com

Fine Paintings Thursday, 2nd June, 2011 33 Broughton Place, Edinburgh EH1 3RR

LAURENCE STEPHEN LOWRY THE HAWKER’S CART Signed and dated 1929, oil on canvas 53.5cm x 39.5cm (21in x 15.5in)

£300,000-500,000

Viewing times Sunday 29th May 2pm - 5pm Monday 30th May 10am - 5pm Tuesday 31st May 10am - 5pm Wednesday 1st June 10am - 5pm (limited viewing) Morning of Sale by appointment only

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 E-mail: nick.curnow@lyonandturnbull.com Elena Ratcheva Tel: +44 (0)207 930 9115 Email: elena.ratcheva@lyonandturnbull.com

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STANDARD TERMS & CONDITIONS OF SALE Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

9. THIRD PARTY LIABILITY

(a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 1.5% (VAT included) when using credit cards). We do not accept American Express.

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

(h) The singular includes the plural and vice versa as appropriate.

(1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon. Antiques, Jewellery & Silver and Pictures (Not Fine Sales) 17.5%. All other sales (Fine/Special/Collections) 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

(1) Immediately a lot is sold you will:

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

6. PAYMENT

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2.

2. BIDDING PROCEDURES AND THE BUYER

5. VALUE ADDED TAX

(a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to

10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

12. AGENCY

GENERAL

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot. (2) If a vendor wishes to withdraw a lot consigned for sale, a withdrawal fee will apply; this will be charged at 15% of the mid estimate with any photography charges incurred and all subject to VAT at the current rate. 15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness,

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 22. Scottish law applies to the interpretation of these Conditions.

Waverley Station

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom. WA ITH LE

ITH

Smaller items Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

QU EE N

Local Deliveries Local deliveries can be arranged by A&S Pert Removals. Telephone 07876 343520.

Lyon & Turnbull saleroom

St Andrew Square

ES ST

P R IN C

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale. Thereafter lots will be removed to store in Edinburgh and a charge incurred. Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2011. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274