Lyon & Turnbull Sale No 312 - Scottish Contemporary & Post-War Art by Mike Bascombe

EDINBURGH Scottish Contemporary and Post-War Art

Wednesday 20th April 2011 33 Broughton Place Edinburgh EH1 3RR

Scottish Contemporary and Post-War Art including works from The Delfina Foundation The Lehman Brothers Art Collection Wednesday 20th April 2011 11am Sale Number LT312

Viewing Sunday 17th April 2pm - 5pm Monday 18th April 10am - 5pm Tuesday 19th April 10am - 5pm Morning of the sale strictly by appointment only Specialists Elena Ratcheva elena.ratcheva@lyonandturnbull.com Nick Curnow nick.curnow@lyonandturnbull.com Rebecca Wall rebecca.wall@lyonandturnbull.com

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter. VAT will be charged on the premium at the rate imposed by law. *20% VAT chargeable on the lot itself †5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

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LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

1 EAA549/4 DAVID DONALDSON R.S.A., R.P., L.L.D. (SCOTTISH 1916-1996) SUZE, VALLÉE DE LA DRÔME, FRANCE Signed, watercolour and pastel 18.5 cm x 23 cm (7.25in x 9in) Provenance: Ewan Mundy Fine Art, Glasgow

£400-600

2 EAA416/63 WILLIAM HUNTER LITTLEJOHN R.S.A., R.S.W., R.G.I. (SCOTTISH 1929-2006) MOON, MIRROR, FISH III Signed with initials and dated ‘78, watercolour and mixed media collage

30cm x 40cm (12in x 15.75in)

4§ FA453/6 JAMES BOYD (SCOTTISH b. 1929) NORTHERN SKY Etching, signed, inscribed, dated 1989 and numbered 2/9 in pencil, margin

£250-400

Plate size: 22.5cm x 15cm

3§ EAA420/20 PHILIP SUTTON R.A. (BRITISH b. 1928) IKEN MARSH, SUFFOLK Signed, inscribed and dated 1980, oil on canvas, unframed

40cm x 66cm (15.75in x 26in)

(8.9in x 5.9in)

£300-500

Provenance: Open Eye Gallery, Edinburgh

£150-250

5 EAC243/9 JOHN BAXTER FLEMING R.S.W. (SCOTTISH 1912-1986) FALLING TIDE Signed, watercolour 49cm x 65cm (19in x 26in)

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

6§ EAA420/21 PIERRE BITTAR (FRENCH b. 1934) POND Signed, oil on canvas 80cm x 99cm (31.5in x 39in)

£1,000-1,500

7§ EAA420/22 PIERRE BITTAR (FRENCH b. 1934) GARDEN Signed, oil on canvas 73cm x 92cm (28.75in x 36.25in)

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

8§ FA665/1 HOWARD BUTTERWORTH (SCOTTISH CONTEMPORARY) VIEW OF EDINBURGH CASTLE, SPRING Signed, acrylic on canvas 28cm x 38cm (11in x 15in) Note: Sold to benefit the Sick Kids Friends Foundation.

£300-500

9 EZ361/3 MARDIE BARRIE R.S.W. (SCOTTISH 1931-2004) INLET, EVENING WAVE Signed, oil on board 50cm x 62.5cm (19.75in x 24.75in)

£300-500

10§ FA480/1 ELIZABETH VIOLET BLACKADDER D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.LITT. (SCOTTISH b. 1931) STILL LIFE WITH A FAN Screenprint, signed and numbered 62/75 63cm x 86cm (24.75in x 34in)

£300-500

11§ EAA416/68 ALFONS B. JASINSKI R.S.W. (SCOTTISH b. 1945) PUZZLES & SPINNING TOP Signed and dated ‘83, watercolour and gouache

12§ EAA416/62B LEONARD ROSOMAN R.A., O.B.E (BRITISH b. 1913) THE KING AND THE HERO Signed, watercolour

25cm x 50cm (9.75in x 19.75in)

Provenance: Fine Art Society, Edinburgh

£250-400

28cm x 40cm (11in x 15in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

13§ EAA416/13 HUGH BUCHANAN (SCOTTISH b. 1958) ST STEPHEN’S CHURCH I Signed, watercolour 65cm x 50cm (25.5in x 19.75in)

£1,000-1,500

14§ EAA416/13A HUGH BUCHANAN (SCOTTISH b. 1958) ST STEPHEN’S CHURCH II Signed, watercolour 65cm x 50cm (25.5in x 19.75in)

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

15§ EZ794/26 GEORGE DEVLIN R.S.W. (SCOTTISH b. 1937) POOL EDGE Signed, watercolour Sheet size: 81cm x 82cm (32in x 32.25in)

£300-500

16§ FA439/2 PETER BOURNE (SCOTTISH b. 1931) COMMON OR GARDEN Signed, acrylic on board

17 LB425/3 JACK MILLER (BRITISH 1945-2004) THE DRINKERS Signed, pastel

27cm x 25.5cm (10.5in x 10in)

102cm x 77cm (40in x 30.25in)

£300-500

£400-600

18 FA535/1 IAN FLEMING R.S.A., R.S.W., R.G.I., L.L.D. (SCOTTISH 1906 -1990) CLEMENTINES WITH WHITE JUG Signed, watercolour 46.5cm x 59cm (18.25in x 23in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

19 EZ349/3 DAVID MCLEOD MARTIN R.S.W., R.G.I., S.S.A., O.B.E. (SCOTTISH b. 1922) ORIENTAL POPPIES Signed, and inscribed artist label verso, oil on canvas 74cm x 74cm (29.1in x 29.1in)

£2,000-3,000

20§ EAA416/62 LEONARD ROSOMAN R.A., O.B.E. (BRITISH, b. 1913) BABOON STEALING, TREETOPS, KENYA Signed and dated 1983, watercolour 43cm x 59cm (17in x 23.25in) Provenance: Fine Art Society, Edinburgh

£500-700

21§ EAA870/15A BRUCE MCLEAN (SCOTTISH b. 1944) TWO FIGURES Signed, mixed media

22§ EAA870/15 BRUCE MCLEAN (SCOTTISH b. 1944) FACES Mixed media

34cm x 42cm (13.25in x 16.5in)

29.5cm x 30cm (11.5in x 12in)

and another three works, altogether mounted on 2 sheets of paper (2)

and another six works, mounted on four sheets of paper (4)

Note: These works are from Bruce McLean’s student years at Glasgow School of Art

£400-600

£600-800

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

23§ FA439/6 GRAHAM MCKEAN (SCOTTISH b. 1962) THE FISHERMAN Signed, oil on canvas 19cm x 14cm (7.5in x 5.5in)

£200-300

24§ FA439/7 GRAHAM MCKEAN (SCOTTISH b. 1962) TOURIST Signed, oil on canvas 19cm x 14cm (7.5in x 5.5in)

£200-300

25§ FA439/5 GRAHAM MCKEAN (SCOTTISH b. 1962) THE BUSINESS MAN’S PROFILE Signed, oil on canvas 44cm x 33.5cm (17.25in x 13.25in)

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

26§ FA439/3 ALAN KING (SCOTTISH b. 1946) SOME PEOPLE WHISPER BUT NO DOUBT THEY LIE Signed, oil on canvas 59cm x 23cm (23in x 9in)

£800-1,200

27 LB425/4 JACK MILLER (BRITISH 1945-2004) CURTAINS Signed, pastel

28§ FA645/2 PETER GRAHAM R.O.I. (SCOTTISH b. 1959) HONFLEUR HARBOUR Signed, oil on canvas

62cm x 45.5cm (24.4in x 17.9in)

24cm x 34cm (9.4in x 13.4in)

£300-400

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

29§ FA147/1 DAVID MICHIE R.S.A., R.G.I., F.R.S.A. (SCOTTISH b. 1928) DECORATED HOUSES, AMSTERDAM Signed, oil on board 56cm x 45cm (22in x 17.7in)

£800-1,200

30§ EAA467/2 JOYCE CAIRNS R.S.A., R.S.W. (SCOTTISH b. 1947) GHOSTS ARE ALL AROUND FOOTDEE Mixed media

31§ FA453/13 NANCY HENDERSON (BRITISH CONTEMPORARY) STANDARD BEARER Signed and dated ‘90, gouache

32§ EAA420/9 SIMON LEWIS (BRITISH CONTEMPORARY) DESKTOP PAINTING Gesso and oil on board

82cm x 61.5cm (32.25in x 24.25in)

51cm x 55cm (20in x 21.5in)

£600-800

£250-400

Provenance: Todd Gallery, London

10cm x 18cm (4in x 7in)

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

33 FA435/1 MAX ERNST (GERMAN 1891-1976) ABERWITZ UND FÜNF UHR TEE (FOLLY AND FIVE O’CLOCK TEA) Colour lithograph on Japan paper, signed and numbered 69/69 in pencil, with the blindstamp of the publisher, Manus Presse Sheet size: 33cm x 25cm (13in x 10.5in) Note: An illustration from Lewis Carroll’s ‘Wunderhorn’.

£300-400

34 FA660/2 PAT DOUTHWAITE (SCOTTISH 1939-2004) SELF-PORTRAIT, BREAKFAST AT TIFFANY’S Signed and dated ‘82, mixed media on paper 83cm x 59cm (32.7in x 23.2in)

£500-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

35§ EAC291/1 ALEXANDER CALDER (AMERICAN 1898-1976) MOBILE MODEL SKETCH AND LETTER Ink and pastel, signed in the letter ‘Sandy’ and dated ‘18th Dec ‘52’ Two sheets framed together: Drawing: 13cm x 21cm (5.25in x 8.25in) Letter: 26cm x 21cm (10.25in x 8.25in)

£1,000-1,500

Front

Back 14

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

36ยง LB417/1 ELIZABETH VIOLET BLACKADDER D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.LITT. (SCOTTISH b. 1931) STILL LIFE WITH FLUTE Signed and dated 2006, oil on canvas 28.5cm x 44cm (11.25in x 17.5in)

ยฃ4,000-6,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

37 FA469/2 SALVADOR DALÍ (SPANISH 1904-1989) MY COUSIN CAROLINETA Colour lithograph, signed in pencil and numbered 67/300 61.5cm x 44cm (24.2in x 17.3in) plate size Provenance: With original Certificate of Authenticity from Robert Sills Gallery

£400-600

38§ FA663/9 WILLIAM CROZIER (SCOTTISH b. 1930) COMPOSITION Signed and dated 1963, watercolour 64cm x 49cm (25.2in x 19.3in) Note: This work dates from the time when Crozier used Fiona Green as his model and it is possible she is the subject of this work.

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

39 FA669/2 WILLIAM GEAR (SCOTTISH 1915-1997) AUTUMN STUDY Signed and dated ‘87, acrylic on card 64cm x 44cm (25.2in x 17.3in)

£1,500-2,000

40§ LB420/2 REBECCA PRICE (BRITISH CONTEMPORARY) SPRING Signed, inscribed and dated February ‘91 on canvas verso, acrylic on canvas

41§ LB420/3 REBECCA PRICE (BRITISH CONTEMPORARY) SUMMER Signed, inscribed and dated Feb ‘91 on canvas verso, acrylic on canvas

42§ FA520/1 VICTORIA CROWE R.S.A., R.S.W. (SCOTTISH b. 1945) UNTITLED Signed and dated ‘67, mixed media on board

127cm x 122cm (50in x 48in)

£300-500

Provenance: Jill George Gallery, London

£400-600

41cm x 28cm (16.25in x 11in)

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

43 EZ396/1 EDUARDO PAOLOZZI (SCOTTISH 1924-2005) LES MERVEILLES Signed, plaster relief 42cm x 54cm x 2cm (16.5in x 21.25in x 1in)

£800-1,200

44 FA663/5 LAURENCE STEPHEN LOWRY R.A. (BRITISH 1887-1976) THE FOOTBALL MATCH Artist’s proof, signed in pencil and numbered 456/850, and stamped by the Fine Art Guild 25cm x 36cm (9.8in x 14.2in)

£700-900

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

45 FA669/1 WILLIAM GEAR (SCOTTISH 1915-1997) LANDSCAPE Signed and dated ‘59, and signed, inscribed and dated Dec ‘59 verso, oil on canvas 100cm x 70cm (39.4in x 27.6in)

£4,000-6,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

46 FA663/3 DUNCAN GRANT (SCOTTISH 1885-1978) WASHERWOMAN Lithograph, signed and numbered 63/350 72.9cm x 52.1cm (28.7in x 20.5in)

£500-700

47§ LB418/2 ALEXANDRA GARDNER (SCOTTISH b. 1946) CONTEMPLATION Signed, pastel 27cm x 17cm (10.5in x 6.75in) Provenance: Duncan Miller Fine Art, London

£500-700

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

48 EAC290/2 ALEXANDER GOUDIE (SCOTTISH 1933-2004) THE YOUNG SAXOPHONE PLAYER Signed, oil on canvas 95cm x 90cm (37.5in x 35.5in)

£3,000-5,000

49 FA663/6 LAURENCE STEPHEN LOWRY R.A. (BRITISH 1887-1976) PEEL PARK Artist’s proof, signed in pencil, margin

50 FA661/6 DAVID DONALDSON R.S.A., R.P., L.L.D. (SCOTTISH 1916-1996) CHURCH IN STIRLINGSHIRE Signed, pencil

37.5cm x 75.5cm (14.8in x 29.7in)

28cm x 31cm (11in x 12in)

£400-600

£150-250

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

51 LB399/1 JOHN HOUSTON R.S.A., R.S.W., S.S.A. (SCOTTISH 1930-2008) VENICE, GRAND CANAL SERIES NO. 1 Signed, oil on canvas 181cm x 120cm (71.25in x 47.25in) Provenance: Mercury Gallery, London, 1999

£8,000-12,000

John Houston can and should be considered as the rightful heir to the Colourist mantle in 20th century Scottish Art. Unlike some of his contemporaries, he often acknowledged that his intense fascination with bold and effervescent colour can also be ascribed to an almost subconscious reaction to the stern and monochromatic grey sandstone of Edinburgh’s New Town. Born in Buckhaven in Fife, the sea and sky continued to provide inspiration and subject matter throughout his career. Houston enrolled at the Edinburgh College of Art and counted William Gillies, Robin Philipson and Robert Henderson Blyth as influential for his work, whilst David Michie, Alan Davie and Jeffrey Camp were fellow students. He met his future wife Elizabeth Blackadder at ECA and they travelled on a study scholarship to Italy before marrying in 1956. They both taught at the college whilst also working as exhibiting artists and Houston only retired in 1989. They

frequently travelled for work, to Japan, France but most often Italy and Venice in particular. Houston’s oeuvre includes still life and the human figure but mostly centres on the landscape, allowing the artist to truly experiment with colour, pitch and composition leading to near abstraction, as dramatically demonstrated in the present work. Houston’s spiritual predecessors, apart from the Scottish Colourists are clearly the Fauves and Expressionists, Henri Matisse and Emil Nolde in particular. This is conveyed through the exuberance and sensitivity with which pigment is judiciously used and paint definitively applied to the surface. It is rare for a work on this scale and of Houston and Blackadder’s beloved Venice to appear on the auction market. The scale in particular can be seen as a tool for the artist in the task of near-abstraction, demonstrating Houston’s

interest in the work of the American Abstract Expressionists. Houston never fully abandoned figuration and the spirit of Venice filters through the layers of colour on the canvas. What has always attracted artists to the Serenissima century after century is the abundance of light reflected in the surrounding canals, the wealth of colour and materials in the city, inherited from its rich history as a trading port with the Near and Far East. The sensory experience of being in Venice is brilliantly conveyed in the present work, whilst the importance of the city for the artist is clearly palpable.

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

52 LB419/1 JOCK MCFADYEN (SCOTTISH b. 1950) RAINBOW AT CRAMOND Signed, inscribed and dated ‘97, gouache 57cm x 75cm (22.5in x 29.5in)

£3,000-5,000

53 LB419/4 JOCK MCFADYEN (SCOTTISH b. 1950) DOUBLE NUDE Oil on panel

54§ FA557/1 TOMMY PERMAN (SCOTTISH b. 1980) COCKBURN STREET Felt tip

37cm x 47cm (14.5in x 18.5in)

49cm x 69cm (19.3in x 27.2in)

£1,500-2,500

£200-300 See detail on front cover

55 FA661/5 JOHN HOUSTON R.S.A., R.S.W., S.S.A. (SCOTTISH 1930-2008) SUNSET, ST. MONANCE Signed and dated 1960, watercolour with bodycolour 23cm x 23cm (9.1in x 9.1in)

£150-250

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

56§ EZ361/1 JAMES MORRISON R.S.A., R.S.W., L.L.D. (SCOTTISH b. 1932) MONTROSE Signed, oil on board 100cm x 151cm (39.4in x 59.4in)

£3,500-4,500

57§ FA661/1 SARAH MCLAREN (SCOTTISH 20TH CENTURY) A STILL LIFE OF POPPIES Signed, watercolour

58 FA661/2 GEORGE WRIGHT HALL (SCOTTISH 1895-1974) BIRDS IN THE STUDIO Signed, oil on canvasboard

61cm x 55cm (24in x 21.75in)

50cm x 55cm (19.7in x 21.7in)

£250-400

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

67§ FA648/1 ANN ORAM R.S.W. (SCOTTISH b. 1956) PALM TREES AND BUBBLING OCEAN, CROATIA Signed, and inscribed artist label verso, oil on paper

71 FA660/1 PAT DOUTHWAITE (SCOTTISH 1939-2004) A DAY IN THE COUNTRY Signed and dated ‘82, mixed media on paper

29cm x 41cm (11.4in x 16.1in)

£300-500

59§ FA632/1 JOHN HALLIDAY (SCOTTISH b. 1933) SELF-PORTRAIT Signed and dated 1957, and inscribed ‘To Ram’. Pencil and charcoal on paper laid down on paper, unframed

63§ FA667/3 JOHN BYRNE (SCOTTISH b. 1940) PORTRAIT OF A DANCER Signed, gouache

34cm x 25cm (13.4in x 9.8in)

£300-500

Note: The drawing is dedicated to Ram Gopal, an Indian classical dancer who introduced the west to the ethos and tradition of this artform. John Halliday met and was encouraged by Ram Gopal to pursue his own artistic ambitions.

64§ FA648/6 JOHN BYRNE (SCOTTISH b. 1940) BRIDESMAID Ink on card

68§ EAC297/4 JANE O’MALLEY (BRITISH b. 1944) STILL LIFE AND EVENING SEA, ST. IVES Signed and inscribed verso, oil on card

£200-300 60§ FA618/1 JOEL KIRK (BRITISH b. 1948) RESTING TIGER Signed, pastel

23cm x 23.5cm (9.1in x 9.3in) Provenance: The artist Mary Armour

25.4cm x 19.1cm (10in x 7.5in) Provenance: The Scottish Gallery, Summer Exhbition 5th July-2nd August 1997, cat. no. 25

£200-300

£300-500 69 EAA420/5 WILLIAM COLLIE MILNE CADENHEAD (SCOTTISH 1934-2009) HEAD OF THE BUACHAILLE Signed and dated ‘82, oil on board

61§ FA618/2 JOEL KIRK (BRITISH b. 1948) TIGER IN THE GRASS Signed, pastel 29cm x 39cm (11.4in x 15.4in)

6.2cm x 6.2cm (2.4in x 2.4in)

£300-400

and another by the same hand OHYAH! (2)

Provenance: The Scottish Gallery, Edinburgh, Christmas Exhibition 1983, cat. no. 86

62§ FA439/8 DAVID MCLEOD MARTIN R.S.W., R.G.I., S.S.A. (SCOTTISH b. 1922) NEAR DUNNING Signed, watercolour

£200-300

Provenance: Roger Billcliffe Gallery, Glasgow

66§ FA662/2 NAEL HANNA (IRAQI/SCOTTISH b. 1959) STORMY WATERS Signed and dated ‘98, oil on canvasboard

70§ EAA416/66 ALFONS B. JASINSKI R.S.W. (SCOTTISH, b. 1945) THE SENTINELS Signed and dated ‘82, watercolour and gouache

24cm x 34cm (9.4in x 13.4in)

35.5cm x 30cm (14in x 12in)

£200-300

£300-500

£200-300

£300-400

15cm x 21cm (6in x 8.25in)

72§ EZ659/1 DOUGLAS THOMSON (SCOTTISH b. 1955) HEAD Signed, acrylic on paper, unframed 100cm x 68cm (39.5in x 26.75in)

£200-400

15.5cm x 42.5cm (6.1in x 16.7in)

65§ FA648/7 JOHN BYRNE (SCOTTISH b. 1940) SWEET DREAMS Colour etching, artist’s proof. Signed in pencil and inscribed A/P

29cm x 39cm (11.4in x 15.4in)

39cm x 55.5cm (15.4in x 21.7in)

18cm x 22.5cm (7.1in x 8.9in)

73 EAC148/5 HAMISH LAWRIE (SCOTTISH 1919-1987) THE BLUE POOL Signed, oil on board 71cm x 91cm (28in x 35.8in)

£400-600 74§ FA185/1 JOHNNY MCGUINNESS (SCOTTISH CONTEMPORARY) RED DREAMS Signed, inscribed and dated 1985, oil on canvas 141cm x 141cm (55.5in x 55.5in)

£500-700 75§ EAC243/8 DAVID SINCLAIR R.S.W. (SCOTTISH b. 1937) SEASCAPE Signed, coloured ink on paper 7cm x 9cm (2.8in x 3.5in)

£100-150

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

76§ EAC283/1 JOHN CUNNINGHAM (SCOTTISH 1927-2000) STILL LIFE WITH ROSES AND A FRUIT BOWL Signed, oil on canvas 85cm x 75cm (33.5in x 29.5in)

£2,000-3,000

77 FA550/3 JOHN MCNAIRN (SCOTTISH 1910-2009) ST ABBS, STORMY EVENING Signed, and inscribed verso, oil on board

78§ EAA420/8 BONNIE THOMPSON (SCOTTISH b. 1972) STILL LIFE WITH ASPARAGUS AND GOLDEN EGG Oil on board

58cm x 76cm (22.8in x 29.9in)

30cm x 50cm (12in x 19.5in)

Provenance: Aitken Dott & Son, Edinburgh

£600-900

£300-500

80§ FA663/7 GRAHAM CLARKE (BRITISH b. 1941) PROSPECT COTTAGE Lithograph, artist’s proof. Signed and inscribed in pencil

79 FA661/7 DAVID DONALDSON R.S.A., R.P., L.L.D. (SCOTTISH 1936-1996) FRONT GARDEN Signed and dated ‘87, and signed and inscribed artist label verso, oil on board

arched top

29cm x 29cm (11.4in x 11.4in)

£150-250

35cm x 54.5cm (13.8in x 21.5in),

£500-700

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

81§ EAC287/2 PETER HOWSON (SCOTTISH b. 1958) UNDER THE LAMPLIGHT Signed and dated ‘06, pastel 19cm x 17.5cm (7.5in x 6.9in)

£1,200-1,800

82§ FA545/1 JOHN BELLANY R.A., C.B.E. (SCOTTISH b. 1942) WINDMILL SOIREE (1985) Signed, watercolour

83 EZ360/25 ALEXANDER GOUDIE (SCOTTISH 1935-2004) CORNFIELD, BRITTANY Signed, pastel

37cm x 56cm (14.6in x 22in)

29cm x 42cm (9.75in x 16.5in)

£600-900

Provenance: Aitken Dott & Son, Edinburgh

£500-700

84§ EAA420/24 LOUISE MCNALLY (SCOTTISH b. 1963) HIGH AND DRY Signed and dated ‘06, oil on canvas

85§ EZ794/28 ANDA PATERSON R.S.W., R.G.I. (SCOTTISH b. 1935) HORSE WITH FIGURE Signed and dated 68, mixed media on board

25cm x 30cm (9.8in x 11.8in)

135cm x 77cm (53in x 30.25in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

86 EZ349/5 DAVID MCLEOD MARTIN R.S.W., R.G.I., S.S.A. (SCOTTISH b. 1922) BOAT AND MARKERS, HASTINGS Signed, and inscribed artist label verso, oil on canvas 61cm x 75cm (24in x 29.5in)

£2,000-3,000

89§ EZ845/21 GEOFFREY ROPER (SCOTTISH b. 1942) WALLED GARDEN, NEWHALL HOUSE Signed verso, oil on board

90§ EZ794/30 BRENDA LENAGHAN (SCOTTISH b. 1941) CLOWNS Signed and dated ‘81, oil on board

101cm x 68cm (39.75in x 26.75in)

88§ EAA420/23 HARRY MORE GORDON (SCOTTISH b. 1928) STILL LIFE WITH VASES, FLOWERS, AND SPECTACLES Signed in pencil and dated 1995, watercolour

14cm x 20cm (5.5in x 7.9in)

91cm x 91cm (35.8in x 35.8in)

£400-600

53cm x 75.5cm (20.9in x 29.7in)

Provenance: Open Eye Gallery, Edinburgh

£400-600

87§ EZ794/27 ANDA PATERSON R.S.W., R.G.I. (SCOTTISH b. 1935) VICTIM OF WAR Signed and dated ‘67, mixed media

Provenance: Francis Kyle Gallery, London

£200-300

£500-700

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

91§ EAA486/2 JOHN BELLANY R.A., C.B.E. (SCOTTISH b. 1942) STILL LIFE WITH YELLOW BACKGROUND Signed, oil on canvas, unframed 152cm x 122cm (59.8in x 48in)

£4,000-6,000

92 EAA470/22 ALASTAIR MICHIE R.W.A., F.R.B.S. (BRITISH 1921-2008) G53 Signed and dated 1963, gouache

93 EAA416/139 COLIN THOMS (SCOTTISH 1912-1997) UNTITLED Signed and dated ‘75, gouache

94§ EAA536/8 JOHN HALLIDAY (SCOTTISH b. 1933) FIGURES IN AN AUTUMNAL LANDSCAPE Signed, oil on board

95 EAA549/1 HUGH ADAM CRAWFORD R.S.A. (SCOTTISH 1898-1982) BATHERS IN ORANGE Signed, oil on board

32.5cm x 35cm (12.75in x 13.75in)

30cm x 55cm (11.75in x 21.5in)

62cm x 74cm (24.25in x 29in)

£200-300

Provenance: Traverse Art Gallery, Lawnmarket, Edinburgh

£250-400

£200-400

£150-250

37cm x 38.5cm (14.25in x 15.25in)

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

96§ EAA486/4 JOHN BELLANY R.A., C.B.E. (SCOTTISH b. 1942) GIRL WITH A GOAT’S HEAD Signed, and inscribed with numeral ‘5’ on stretcher, oil on canvas, unframed 152cm x 152cm (59.8in x 59.8in)

£4,000-6,000

97§ EAA536/7 GRAHAM MCKEAN (SCOTTISH b. 1962) THE BRASS NECK Signed, oil on canvas

98§ EZ361/4 DANNY FERGUSON R.S.W. (SCOTTISH b. 1925-?) COASTAL ROAD Signed, oil on canvas

60cm x 48.5cm (23.5in x 19in)

£600-800

51.5cm x 89.5cm (20.25in x 35.75in)

99§ EAA420/14 GAY GROSSART (SCOTTISH CONTEMPORARY) EAST LOTHIAN, SUMMER Signed, signed, dated ‘93 and inscribed verso, oil on canvas

100§ EAC243/4 IAN COOK R.S.W., R.I. (SCOTTISH b. 1952) RITUAL Signed and inscribed artist label verso, gouache

£500-700

127cm x 152cm (50in x 60in)

34cm x 26.5cm (13.4in x 10.4in)

£600-800

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

101§ FA663/8 GUNTER GRASS (GERMAN b. 1927) BOOT AND FOOTMARK Etching, signed in pencil, dated ‘74, and numbered 30/250

105§ FA662/3 GORDON K. MITCHELL (SCOTTISH b. 1952) NIGHT FLIGHT Signed, oil on card 15cm x 21cm (5.9in x 8.3in)

£300-500

33cm x 39cm (13in x 39in) plate size Exhibited: ‘Gunter Grass First London Exhibition’, Patrick Seale Prints Ltd, London, 22nd May- 11 June 1974. Includes signed exhibition catalogue.

£150-250

106 EZ823/14 DANNY FERGUSON R.S.W., R.G.I. (SCOTTISH 1925-1993) STILL LIFE WITH MIRROR Signed, oil on board 69cm x 69cm (27.2in x 27.2in)

102§ EAC297/1 DERRICK GUILD (SCOTTISH b. 1963) ADAM Mixed media on paper 56cm x 36cm (22in x 14.2in)

£200-300 103§ EAC297/2 DERRICK GUILD (SCOTTISH b. 1963) SEEING BUTTERFLIES Mixed media on paper 56cm x 36cm (22in x 14.2in)

£200-300 104§ FA647/1 PETER DE FRANCIA (FRENCH b. 1921) WEEPING HEAD Signed, charcoal 25.5cm x 35.7 cm (10in x 14in) Exhibited: James Hyman Gallery, London, Peter de Francia, After the Bombing, 11 March-15 April 2005

£600-800

£300-500 107§ FA670/1 DOUGLAS THOMSON (SCOTTISH b. 1955) DEMAGOGUE Signed, inscribed on the backboard, oil on board 74cm x 58.5cm (29in x 23in)

£400-600 108 FA673/1 DAVID HOSIE (SCOTTISH b. 1962) THE BAILLIE BAR Signed, inscribed and dated 2006 verso, oil and gesso on panel 27cm x 38cm (10.6in x 15in)

£400-600 109 FA673/2 DAVID HOSIE (SCOTTISH b. 1962) DANCE TROUPE, SPIEGELTENT Signed, and inscribed and dated 2007 verso, oil on board 43.5cm x 40cm (17.1in x 15.7in)

£400-600

110§ FA577/1 ELIZABETH VIOLET BLACKADDER D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.LITT. (SCOTTISH b. 1931) LILIES AND POPPIES, 2003 Screenprint, signed, printer’s proof aside from an edition of 45, unframed

114§ EAA420/25 PHILIP SUTTON R.A. (BRITISH b. 1928) ‘RADMILLARS FLOWERS’ Signed, inscribed and dated 1981, oil on canvas, unframed

Sheet size: 93cm x 64cm

115§ EZ845/22 GEORGE DONALD R.S.A., R.S.W. (SCOTTISH b. 1943) AROERIS Mixed media

(36.75in x 25in)

£500-700 111 EAA947/4 JOHN CUNNINGHAM (SCOTTISH 1927-2000) IN ANDALUCIA Signed, oil on board

46cm x 46cm (18in x 18in)

£800-1,200

25.5cm x 25.5cm (10in x 10in) Provenance: Open Eye Gallery, Edinburgh

£300-500

34cm x 39.5xcm (13.4in x 15.5in)

£250-350 112§ EAC243/6 DAWSON MURRAY R.S.W., R.G.I. (SCOTTISH CONTEMPORARY) DYING TULIPS Signed and inscribed verso, oil on canvas

116§ EZ845/23 GEORGE DONALD R.S.A., R.S.W. (SCOTTISH b. 1943) SYMATHUS Signed, mixed media 25.5cm x 25.5cm (10in x 10in) Provenance: Open Eye Gallery, Edinburgh

£300-500

29cm x 27.5cm (11.4in x 10.8in)

£200-300 113§ EAC244/2 CHRISTINE MCARTHUR R.G.I., R.S.W. (SCOTTISH b. 1953) BLACK GRAPES, GREEN GRAPES Signed, pastel 43cm x 46cm (17in x 18in)

£400-600

117§ EAC243/5 GEORGE BIRRELL (SCOTTISH CONTEMPORARY) THE DUTCH GABLE Signed and inscribed verso, gouache 24cm x 24cm (9.4in x 9.4in)

£300-400 118§ EAC31/79 BILL WRIGHT R.S.W. (SCOTTISH b. 1931) WINTER SEA Signed, watercolour with bodycolour 40.5cm x 38/5cm (15.9in x 15.2in)

£250-400

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

119§ EZ236/5 JOHN BELLANY R.A., C.B.E. (SCOTTISH b. 1942) EYEMOUTH Signed, oil on canvas, unframed 91cm x 122cm (36in x 48in)

£2,000-3,000

120§ EZ236/6 JOHN BELLANY R.A., C.B.E. (SCOTTISH b. 1942) THE BOAT REGALIUS Signed, oil on canvas, unframed 91cm x 122cm (36in x 48in)

£2,000-3,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

121§ LB418/1 ARCHIE FORREST R.G.I. (SCOTTISH b. 1950) ITALIAN REVERIE Signed, watercolour 20cm x 20cm (8in x 8in)

£800-1,200

122§ EAC152/1 DAVID MICHIE R.S.A., R.G.I., F.R.S.A., O.B.E. (SCOTTISH b. 1928) TWO BOUQUETS Signed, oil on canvas 49cm x 59cm (19.25in x 23.25in)

£800-1,200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

123 EAC287/1 JOHN CUNNINGHAM (SCOTTISH 1927-2000) MIRRIEST OF NICHTIS Signed, oil on canvasboard 29cm x 34cm (11.4in x 13.4in)

£1,500-2,000

124§ EZ845/24 GEORGE DONALD R.S.A., R.S.W. (SCOTTISH b. 1943) SELYMBRA Mixed media

125§ EZ845/25 GEORGE DONALD R.S.A., R.S.W. (SCOTTISH b. 1943) CHEASPES Mixed media

25.5cm x 25.5cm (10in x 10in)

Provenance: Open Eye Gallery, Edinburgh

11cm x 15.5cm (4.25in x 6.25in)

Provenance: Agnew’s, London

£300-500

£800-1,200

£300-500

126§ FA439/4 MARY FEDDEN R.A. (BRITISH b. 1915) TABLE STILL LIFE WITH GRAPES Signed and indistinctly dated, gouache

127 EAA420/7 SARAH RAPHAEL (BRITISH 1960-2001) PENNY II, 1991 Oil on canvas 15cm x 29cm (5.9in x 11.4in)

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

128 FA657/1 CHARLES CAMERON BAILLIE (SCOTTISH 2OTH CENTURY) MOTHER AND CHILD Signed and dated ‘61, oil on board 35.5cm x 22.5cm (14in x 8.9in)

£1,200-1,500

129§ EAB393A/18 JAMES MORRISON R.S.A., R.S.W., L.L.D. (SCOTTISH b. 1932) NO. 146 BELHAVEN TERRACE Signed and dated 1974, oil on canvas 91cm x 71cm (36in x 28in) Provenance: The Estate of the Late Jean Gordon Welsh

£800-1,200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

130§ FA131/1 DUNCAN SHANKS R.S.A., R.S.W. (SCOTTISH b. 1937) BETWEEN SHOWERS, CROSSFORD Signed, signed and inscribed verso, oil on board 79cm x 88cm (31in x 34.75in) Provenance: The Scottish Gallery, Edinburgh

£1,500-2,000

131§ EAA420/4 ALAN HERRIOT (BRITISH CONTEMPORARY) THE ARGONAUT Signed, watercolour

132§ EAA947/6 GEORGE DEVLIN R.S.W. (SCOTTISH b. 1937) AFTERNOON BY THE MED Signed, pastel

45cm x 65cm (18in x 25.5in)

21cm x 22.5cm (8.25in x 8.77in)

133§ FA445/1 CYNTHIA FRASER (SCOTTISH CONTEMPORARY) NUDE STUDIES IN GREEN Signed, watercolour and bodycolour

£400-600

£200-300

52cm x 74cm (20.5in x 29.1in)

£200-300

134§ FA440/1 HUGH MCINTYRE (BRITISH b. 1943) THE VINE AT JOE’S BEACH HOUSE Signed and dated ‘94, and signed, inscribed and dated ‘94 verso, oil on canvas 54cm x 48.5cm (21.3in x 19.1in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

135§ EAC85/1 PETER MCLAREN (SCOTTISH b. 1964) OUTING Mixed media 68cm x 102.5cm (26.75in x 40.5in)

£1,000-1,500

136§ EZ794/29 WILLIAM JAMES LAIDLAW BAILLIE R.S.A., R.S.W., R.G.I., H.R.A. (SCOTTISH b. 1923) STUNTED PALMS Signed and dated 1964, oil on canvas 61cm x 91cm (24in x 35.8in)

£500-700

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

137§ EAA420/26 ALAN KILPATRICK (BRITISH CONTEMPORARY) SUNSET AND SKY I Acrylic on canvas, unframed 120cm x 120cm (47in x 47in) Provenance: Bourne Fine Art, Edinburgh

£1,000-1,500

138§ EV150/1 DAVID HOSIE (SCOTTISH b. 1962) BEDROOM MIRROR Signed and dated ‘98, signed and inscribed verso, oil on board 152cm x 122cm (61in x 48in)

139 EAA467/3 JAMES CUMMING R.S.A. R.S.W. (SCOTTISH 1922-1991) ABSTRACTION Signed, gouache

140§ EAA420/11 HUW WILLIAMS (WELSH b. 1968) UNTITLED Oil on canvas

28cm x 48cm (11in x 19in)

150cm x 180cm (59in x 71in)

141§ EAA369/1 AVRIL PATON (SCOTTISH b. 1941) CENTRAL PARK Signed, watercolour with bodycolour

£200-300

£800-1,200

110cm x 82cm (43.3in x 32.3in)

£500-800

Provenance: Jill George Gallery, London

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

142§ EAC152/2 ETHEL WALKER (SCOTTISH b. 1941) CRANBERRY GLASS Signed, gouache 54cm x 59cm (21.25in x 23in)

£1,000-1,500

143§ EAA416/15 JONATHAN GIBBS (BRITISH, CONTEMPORARY) JAPAN Signed and dated 1985 verso, acrylic and charcoal on linen, unframed 152cm x 121.5cm (59.75in x 47.5in)

£500-800

144§ FA439/1 GRAHAM MCKEAN (SCOTTISH b. 1962) TO SERVE AND PROTECT Signed, oil on canvas 48.5cm x 39cm (19in x 15.25in)

145§ LB420/1 PETER GRAHAM R.O.I. (SCOTTISH b. 1959) YACHTS IN HARBOUR Signed and dated ‘91, oil on canvas

146§ FA439/10 ALEXANDER ROBB (SCOTTISH b. 1950) BOWL OF GREEN APPLES Signed with monogram, oil on canvas

£600-800

77cm x 57cm (30.3in x 22.4in)

29cm x 29cm (11.5in x 11.5in)

£500-700

£400-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

147ยง LB399/2 ELIZABETH VIOLET BLACKADDER D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.LITT. (SCOTTISH b. 1931) AMARYLLIS, 1987 Signed, watercolour 76cm x 56.5cm (30in x 22.5in)

ยฃ5,000-7,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

147A§ FA439/9 JAMES DOWNIE ROBERTSON R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1931) PENINSULA Signed, gouache 14.5cm x 21cm (5.5in x 8.25in) Provenance: Roger Billcliffe Gallery, Glasgow

£200-300

223§ EAC283/2 DAVID MCLEOD MARTIN R.S.W., R.G.I., S.S.A. (SCOTTISH b. 1922) HARVEST, EAGLESHAM Signed and dated 1962, watercolour

156 FA121/1 EDUARDO PAOLOZZI (SCOTTISH 1924-2005) ELEPHANT Incised with signature and numbered 119/3000, plastic moulded sculptural box

54cm x 75cm (21.25in x 29.5in)

29.5cm (11.5in) high

plate size

£600-800

Provenance: With original Certificate of Authenticity from Robert Sills Gallery

Exhibited: Royal Scottish Society of Painters in Watercolour, Edinburgh

148§ FA661/3 JACK KNOX R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1936) WHEATSHEAF Signed, and signed, inscribed and dated ‘95 verso, acrylic on canvasboard

152 EAC244/1 JOHN CUNNINGHAM (SCOTTISH 1927-2000) JUG OF ANEMONES Signed, oil on canvasboard

30cm x 25cm (11.8in x 9.8in)

28.5cm x 28.5cm (11.25in x 11.25in)

£300-500

£500-800

£400-600

157 FA121/2 EDUARDO PAOLOZZI (SCOTTISH 1924-2005) UNTITLED Etching, signed and inscribed 14.5cm x 10cm (5.75in x 4in) Provenance: Gift to vendor’s mother.

£300-500

149§ EAA416/95 BARBARA RAE R.S.A., R.S.W. (SCOTTISH b. 1943) RAIN, PIER, KINLOCHMOIDART Signed, inscribed and dated ‘81 Aug, mixed media

153§ EAC43/6 GREGOR M. SMITH R.S.W. (SCOTTISH b. 1944) IN SUMMERWIND Signed and dated 1977, signed, inscribed and dated verso

158 FA472/1 GEORGES ROUAULT (FRENCH 1871-1958) JEAN-FRANCOIS NEVER SINGS ALLELUIA (MISERE PLATE 25) Aquatint, signed and dated 1923 in plate

61cm x 89cm (24in x 35in)

168cm x 158cm (66in x 62in)

59cm x 42cm (23.2in x 16.5in) plate

Provenance: The Scottish Gallery, Edinburgh

£500-800

size

£700-900 150§ EAA947/7 IRENE LESLEY MAIN (SCOTTISH b. 1959) SUN AND SEA, MUSTIQUE Signed and dated 1995, oil on board

154§ EAC243/1 GREGOR M. SMITH R.S.W. (SCOTTISH b. 1944) SPIN DRIFT Signed and dated 1975, oil on canvas 112cm x 120cm (44in x 47.5in)

£300-500

30cm x 35cm (11.75in x 13.75in)

£400-600

159 FA121/3 LE CORBUSIER (CHARLES-EDOUARD JEANNERET) (FRENCH 1887-1965) LE CHEVAL Charcoal 28cm x 21.5cm (11in x 8.5in)

155§ FA67/1 JANET PATTERSON (SCOTTISH b. 1941) TETE-A-TETE AT NIGHT Signed and dated 1986, mixed media on paper 80cm x 122cm (31.5in x 48in)

£400-600 42

£200-400

£400-600

160 FA469/1 SALVADOR DALÍ (SPANISH 1904-1989) LA LICORNE Colour lithograph, signed in pencil and numbered 132/300 48cm x 58.5cm (18.9in x 23in)

£400-600 161 FA678/2 GEORGE ELMSLIE OWEN R.B.A. (BRITISH 1899-1964) STILL LIFE WITH PINEAPPLE Signed and dated 1956, gouache 31cm x 41.5cm (12.2in x 16.3in)

£300-500 162 FA678/4 GEORGE ELMSLIE OWEN R.B.A. (BRITISH 1899-1964) STILL LIFE WITH GREEK MOTIFS Signed and dated 1950, gouache 32cm x 47cm (12.6in x 18.5in)

£300-500 163§ EAC243/7 DAVID SINCLAIR R.S.W. (SCOTTISH b. 1937) GREEN LANDSCAPE Signed, gouache 8.7cm x 10.5cm (3.5in x 4in)

£150-200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

164§ EAA459/1 JOHN HOUSTON R.S.A., R.S.W., S.S.A. (1930-2008) HEDGEROW AND WILD FLOWERS, FIFE Signed, oil on canvas 58cm x 86.5cm (23in x 34in)

£1,000-2,000

165 EAA446/3 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH 1926-1998) NUDE - DREAM OF SUMMER Signed and dated ‘63, signed and inscribed verso, oil on board 46cm x 61cm (18in x 24in)

£700-900

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

166§ FA645/1 ALMA WOLFSON (SCOTTISH b. 1942) SEIL SOUND Signed, gouache 40cm x 78cm (15.7in x 30.7in)

£400-600

167 EAA900/101 CAREL WEIGHT R.A. (BRITISH 1908-1997) STORM OVER SHEPHERD’S BUSH Oil on canvas 23cm x 31cm (9in x 12in) Exhibited: Leicester Galleries, London, Carel Weight 1946, no. 170

£1,000-2,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

168 EAC290/1 ALEXANDER GOUDIE (SCOTTISH 1933-2004) STILL LIFE IN WHITE Signed, oil on canvas 169§ FA661/8 JAMES H. FAIRGRIEVE R.S.A., R.S.W. (SCOTTISH b. 1944) AUTUMN STILL LIFE Signed, acrylic on board 79cm x 110cm (31.1in x 43.3in)

170 FA663/1 PATRICK PROCTOR (BRITISH 1936-2003) BLUE BOY WITH CARNATION signed in pencil and numbered 435/500

£500-700

54cm x 39cm (21.3in x 15.4in)

62cm x 74cm (24.5in x 29.25in)

£2,000-4,000

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

171§ FA663/4 DAVID HOCKNEY (BRITISH b. 1937) THE FRENCH SHOP Lithograph, signed in pencil and dated ‘71 and numbered 486/500 53.5cm x 45cm (21.1in x 17.7in)

£2,000-3,000

172 FA453/2 MICHAEL AYRTON R.A. (BRITISH 1921-1975) MINOTAUR ENRAGED, 1963 Charcoal on paper 69cm x 44cm (27in x 17.25) Exhibited: The Roberts - Paintings and Works on Paper by Colquhoun and MacBryde, The Scottish Gallery, Edinburgh March 2010.

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

173§ EAA555/1 QU LEI LEI (CHINESE b. 1951) TREASURE WHAT YOU HAVE Mixed media 77.5cm x 90cm (30.5in x 35.4in)

174 FA622/1 PAT DOUTHWAITE (SCOTTISH 1939-2002) MYSELF AS A BOY WITH A HAIR-LIP Signed, inscribed and dated ‘94, watercolour

175 EAC297/3 WILLIAM HUNTER LITTLEJOHN R.S.A., R.S.W., R.G.I. (SCOTTISH 1929-2006) STILL LIFE WITH TARGETS Inscribed verso, oil on canvas

75cm x 55cm (29.5in x 21.7in)

£400-600

Note: From the artist’s Millenium series.

£3,000-4,000

59cm x 90cm (23.2in x 35.4in)

£500-600

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

176 LB425/1 ROMAN VISHNIAK (RUSSIAN/ AMERICAN 1897-1990) CARPATHO, RUTHENIA Gelatin silver print, signed and dated 1938, unframed 35.2cm x 27.6cm (13.75in x 11in)

£1,000-1,500

177§ LB423/1 HELEN FLOCKHART (SCOTTISH b. 1963) FLY FLY MAGGOT PIE, 1994 Oil on canvas 69.5cm x 54cm (27.5in x 21.25in) Provenance: Rebecca Hossack Gallery, London

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

178 LB419/3 JOCK MCFADYEN (SCOTTISH b. 1950) BEN NEVIS Oil on board 51cm x 75cm (20in x 29.5in)

179§ EAC187/2 JAMES SPENCE R.S.W., R.G.I. (SCOTTISH CONTEMPORARY) COMPOSITION IN SHADES OF VIOLET Signed and dated 1969, mixed media

180§ LB397/1 JOYCE CAIRNS R.S.A., R.S.W. (SCOTTISH b. 1947) BANDAGES DON’T HEAL Signed, and inscribed verso, oil on board

35cm x 21.5cm (13.75in x 8.5in)

£1,000-1,500

£3,000-5,000

122cm x 182cm (48in x 71.7in)

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

181§ FA678/5 ETHEL WALKER (SCOTTISH b. 1941) BURNING BUSH Signed and inscribed artist label verso, oil on board 90cm x 69cm (35.4in x 27.2in)

£1,500-2,000

182§ FA678/6 ETHEL WALKER (SCOTTISH b. 1941) IN THE MOUNTAINS Signed, oil on board, unframed 61cm x 92cm (24in x 36.2in)

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

183 FA648/2 WILLIAM BURNS R.S.A., R.S.W. (SCOTTISH 1921-1972) SEA MINE Signed and dated 1964, oil on board 126cm x 101cm (49.5in x 39.75in) Exhibited: Aberdeen Art Gallery and Museum, William Burns Memorial Exhibition, 1973/4, no. 16 The Scottish Gallery, Edinburgh, Post-War Scottish Masters, 1985, no. 97

£2,000-3,000

184§ EAC243/2 EWAN DOUGLAS R.G.I. (SCOTTISH CONTEMPORARY) CUMBRAE Signed, acrylic and watercolour

185 EAA577/1 IAN HAMILTON FINLAY C.B.E. (SCOTTISH 1925-2006) THE LITTLE SEAMSTRESS Silkscreen, with Richard Demarco

48cm x 70cm (19in x 28in)

47cm x 59.5cm (18.5in x 23.25in)

186 FA30/1 IAN HAMILTON FINLAY C.B.E. (SCOTTISH 1925-2006) A WATERLILY POOLH’ARBOUR Needlework with coloured threads

£300-500

£150-250

28cm x 19.5cm (11in x 7.7in)

£800-1,200

The following lots are offered from the Collection of Delfina Entrecanales to benefit the work of the Delfina Foundation The Delfina Studios Trust, established in London in 1988 was the brainchild of Delfina Entrecanales, consisted of thirty-four studios, exhibition spaces and an artists’ house, thus creating, until its closure in 2006, the UK’s largest international residency space. Having moved out of insufficient premises in Stratford into a former chocolate factory near London Bridge, the Studios housed foreign visitors as well as local talent. Residents included a number of Turner Prize nominees and winners, Anya Galliccio, Mark

Wallinger, Shirazeh Houshiary, Tacita Dean and Keith Tyson, amongst many others. There are some who attribute the artistic buzz of South London and the East End in that era to Delfina’s presence. Seen as an international model, the residency programme provided a sort of student extension for the Royal College, a steppingstone into the real world. In 1996 The Telegraph described the Delfina Studio’s Trust as “one of the most remarkable artistic colonies in Britain.”

The pictures offered here are from Delfina’s personal collection, all by former resident artists of The Delfina Studios Trust during that exciting time. The proceeds from the sale will go towards supporting residencies and bursaries for a new generation of artists benefiting from The Delfina Foundation, founded in 2007, as the successor to the Delfina Studios Trust. Filling a gaping hole in cultural exchange between Britain and the Middle East, the Delfina Foundation is an unparalleled conduit for personal

187§ LB421/12 ROMAN MIRCEA (ROMANIAN b. 1958) PORTRAIT OF DELFINA Carved painted wood 100cm x 50cm x 50cm (39.5in x 19.75in x 19.75in)

£700-900

development for artists from diverse cultural backgrounds Based in a small townhouse near Buckingham Palace, the Foundation is less concerned with providing studio space than with providing a platform for dialogue, exhibitions and facilitating artistic exchange.

LY O N & T U R N B U L L Works from the Delfina Collection

188§§ LB421/9 ALEXANDER GUY (BRITISH b. 1962) ELVIS Signed on stretcher, oil on canvas 120cm x 80cm (47.24in x 31.49in)

£1,000-1,500

189§ LB421/11 JIAN JUN XI (CHINESE/BRITISH b. 1962) DEMON Signed, inscribed and dated 1989 verso, oil on canvas, unframed

190§ LB421/5 MAURICIO ORTIZ (COSTA RICAN b. 1963) SMALL YELLOW HEAD Signed and dated 1993 verso, oil on canvas, unframed

191§ LB421/6 MAURICIO ORTIZ (COSTA RICAN b. 1963) RED BUTTERFLY Oil on canvas, unframed

25cm x 25cm (9.75in x 9.75in)

£500-700

160cm x 120 cm (62.99in x 47.24in)

£300-500

121cm x 121cm (47.5in x 47.5in)

£600-800

LY O N & T U R N B U L L Works from the Delfina Collection

192 LB421/3 TRACEY EMIN ET AL 10 SUPASTORE SUPASTARS Nine individually-framed prints, portfolio published 1998 by Supastore Productions in an edition of 50. Printed by Michael Taylor, Paupers Press, in conjunction with an exhibition at the Tomato Building, London 1998 To include:Tracey Emin ‘It’s what I’d like to be’, Anya Gallacio ‘Untitled’, Gary Hume ‘Untitled’, Sue Noble and Tim Webster, ‘Mom is Wrong’, Simon Bill, Simon Periton, George Hopton, Sarah Staton and Tomato Each signed, inscribed ‘NdC’, aside from edition of 50 and dated 1998 (9) 42cm x 59cm (16.5in x 23.25in) each

£3,000-5,000

LY O N & T U R N B U L L Works from the Delfina Collection

193 LB421/7 EVA DAVIDOVA (BULGARIAN b. 1969) FIGURE STUDY Signed verso, oil on canvas, unframed 200cm x 210 cm (78.75in x 82.75in)

£2,000-3,000

194 LB421/10 STEPHEN FARTHING (BRITISH b. 1950) NOTEPAD LIVERPOOL Signed, inscribed and dated 1993 verso, oil on canvas

195§ LB421/13 MAXINE MASON (BRITISH CONTEMPORARY) ANGEL STREET Signed, inscribed and dated 1996, oil on canvas, unframed

196§ LB421/16 SALLY MOORE (BRITISH b. 1962) NOT PLAYING GAMES Signed, inscribed and dated 1990, verso, oil on canvas

50cm x 70 cm (19.68in x 27.55in)

140cm x 200 cm (55.11in x 78.74in)

80.5cm x 121cm (31.75in x 47.5in)

38cm x 25.5cm (15in x 10in)

£300-500

£800-1,200

£500-700

Provenance: Duncan Campbell, London

197§ LB421/1 TIM SHAW (BRITISH CONTEMPORARY) LIFE FRIEZE Cement fondu on hessian-covered board

£600-800

LY O N & T U R N B U L L Works from the Delfina Collection

198§ LB421/2 TIM SHAW (BRITISH CONTEMPORARY) ALL RUB Bronze, signed and inscribed on base of plinth 35.5cm x 15cm x 9cm (14in x 6in x 3.5in)

£1,500-2,000

199§ LB421/4 MAO WEN BIAO (CHINESE b. 1950) PLATFORM Signed, signed, dated 1993 and inscribed verso, oil on canvas 60cm x 110cm (23.5in x 43.5in)

£2,000-4,000

LY O N & T U R N B U L L Works from the Delfina Collection

Paisley-born Anya Gallaccio graduated from Goldsmiths College of Art in 1988 and is one of the leading British sculptors of her generation. She was part of the group of artists that graduated from Goldsmiths in the late 1980s and early 1990s that became known as the Young British Artists. The group includes Tracy Emin, Damien Hirst, Sam Taylor-Wood, Sarah Lucas and Gary Hume and they distinguished themselves with a series of artist-led exhibitions, often held in disused warehouses in the London Docklands, one of the earliest of which was Hirst’s 1988 Freeze show, which Gallaccio participated in. She was nominated for the Turner Prize in 2003. Gallaccio’s work centres on the transient and ephemeral. She frequently uses organic materials such as fruit, flowers, ice and wax in her installations. She placed ten thousand rose heads on a bed of their stalks for the 1992 work Red on Green and allowed them to wither during the course of the exhibition. Gallaccio often states that her work is both a performance, because the pieces change in the course of the exhibition, and a collaboration, because the change is not always predictable or indeed controllable. She often uses materials in unexpected ways, creating an illusion which then challenges and

surprises the viewer. In her commission for the Duveen Galleries at Tate Modern in 2002 she used molten sugar poured onto the floor like a carpet, which spread out and hardened, changing appearance with time. Her works Because Nothing has Changed (2000), featuring a bronze tree adorned with porcelain apples and Because I Could Not Stop (2002) showing a similar bronze tree with real apples left to rot emphasise her debt to the traditional genre of Still Life painting and the sub-genre of memento mori: paintings of delightful and luxurious worldly objects juxtaposed with a skull, or a group of overly ripe and rotting fruit, or fish, aiming to remind us of the passing of time and our own mortality. The idea of cycles of transformation and de/regeneration inherent in the organic world lies at the centre of Gallaccio’s work. Because of their conceptual nature, her installations often respond to their proposed location and are site-specific or historically resonant. Her early work in particular was often on an enormous scale, such as the thirty-four tonne cube of ice she installed in an old pumping station in Wapping, East London in 1996, which melted over time, accelerated by a ball of rock salt buried at its core. As such her installations are

often impossible for private collectors to acquire. The present lot however is an opportunity to acquire a domestic-scale work by this acclaimed artist, closely linked to the installation Aspire (1999) for the Ikon Gallery in Birmingham, where candles were suspended from the ceiling on large disks and allowed to burn, producing constantly changing wax sculptures and filling the space with the aroma of wax. Gallaccio is a Professor in the Department of Visual Arts in the University of California, San Diego. She frequently exhibits in Rome, London, Zurich, Brussels, Los Angeles, New York, Basel and Amsterdam and her work is collected by major cultural institutions such as Museum of Contemporary Art, Sydney, The Seattle Art Museum, the Tate Gallery and the South Gallery in London and the Victoria and Albert Museum.

LY O N & T U R N B U L L Works from the Delfina Collection

200ยง LB421/8 ANYA GALLACCIO (SCOTTISH b. 1963) UNTITLED Chair, wax candles, additional candles and bucket 80cm x 45cm x 45cm (31.5in x 17.75in x 17.75in)

ยฃ5,000-7,000

Other Properties

201§ LB425/2 DAVID BAILEY (BRITISH b. 1938) AND RALPH STEDMAN (BRITISH b. 1936) BASTARD BROTHERS, SPORT AID 1986 Signed by each artist and numbered 33/33 76.5cm x 58cm (30.25in x 23in) Note: This work was produced as part of Bob Geldof’s Sport Aid in 1986 continuing on the work that Band Aid (1984) and Live Aid (1985) did in raising funds to support famine relief in Africa.

£700-900

202† LB257/2 BERT STERN (AMERICAN b. 1930) KATE MOSS NUDE Dye pigment print on heavy archival matt paper, signed and editioned 7/50 Image size: 28cm x 36cm (11in x 14in)

£2,000-3,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

203§ FA594/1 JAMES HAWKINS (SCOTTISH CONTEMPORARY) TWISTED TREES ABOVE LOCH LURGAINN Signed, and inscribed and dated 1998 stretcher verso, acrylic on canvas 110cm x 152cm (60in x 43in)

£3,000-5,000

204§ EAC191/9 MAURICE COCKRILL (BRITISH b. 1936) LOOKING EAST 3 Signed with initials, inscribed, and dated ‘06, ink with watercolour on Japanese paper

205§ EAC191/13 MAURICE COCKRILL (BRITISH b. 1936) 2 LITTLE OAK TREE Signed with initials, inscribed, and dated ‘06, ink on Japanese paper

22cm x 34cm (8.7in x 13.4in)

67cm x 49cm (26.4in x 19.3in)

£300-500

67cm x 48cm (26.4in x 18.9in)

Provenance: As stated by the artist, Maurice Cockrill, came originally with a group of unframed works from the artist’s studio

206§ FA678/1 JAMES HAWKINS (SCOTTISH b. 1954) SILVER BIRCH Signed and dated ‘86, acrylic on card

207§ FA678/3 JAMES HAWKINS (SCOTTISH b. 1954) BELOW THE SGURR, WINTER, PM Signed, and iscribed and dated 1990 verso, acrylic on card 29cm x 41cm (11.4in x 16.1in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

208§ FA679/1 NAEL HANNA (IRAQI/SCOTTISH b. 1959) MOONLIGHT AND SALMON NETS, LUNAN BAY Signed, oil on panel 48cm x 118cm (19in x 46.5in)

£1,000-1,500

209§ FA679/2 NAEL HANNA (IRAQI/SCOTTISH b. 1959) ANGUS CREELS Signed, oil on canvas 38.5cm x 98cm (15in x 38.5in)

£1,000-1,500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

210§ FA679/3 NAEL HANNA (IRAQI/SCOTTISH b. 1959) BLUE VASE Signed, oil on board 80cm x 92cm (31.5in x 36.25in)

£1,000-1,500

211§ LB425/5 DAVID TINDLE R.A. (BRITISH b. 1932) THE ARTIST’S WIFE, ASLEEP Oil on board 13.2cm x 12.5cm (5.25in x 5in) Provenance: Redfern Gallery, London

£300-500

212§ LB425/6 DAVID TINDLE R.A. (BRITISH b. 1932) BURNING THE STUBBLE AT NIGHT Gouache, artist’s letter enclosed verso 11.1cm x 21cm (4.25in x 8.25in) Provenance: A gift from the artist to the current owner.

213 FA648/4 HENRY INLANDER (BRITISH 1925-1983) STILL WATERS Signed, oil on canvas 78cm x 97cm (30.7in x 38.2in) Provenance: The Leicester Galleries, London

214§ FA648/3 JOCK MCFADYEN (SCOTTISH b. 1950) CANAL LOVERS Signed and dated ‘91, gouache 75.5cm x 57.5cm (29.7in x 22.6in)

£500-700

£800-1,200

£200-300

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

215§ EAA291/1 BRUCE MCLEAN (SCOTTISH b. 1944) UNTITLED Screenprint, signed and numbered 18/40

219 EAA420/28 BRITISH CONTEMPORARY MOTORWAY & PYLONS Acrylic on card laid on paper 54.5cm x 54.5cm (21.5in x 21.5in)

£200-400

120cm x 150cm (47.25in x 59in)

and another by the same hand, a pair (2) £400-600 216§ FA453/1 KARIN S. KROMMES (LUXEMBOURG b. 1979) LEFT Oil on panel, signed and dated 2004 verso 99cm x 79cm (39.25in x 31in)

£500-700 217 FA453/3 VERONICA HARRIS (BRITISH CONTEMPORARY) TYCHAE AND HER ATTENDANTS Etching, signed, inscribed, dated 4.11.97 in plate and numbered 1/15 in pencil Plate size: 19.5cm x 27.5cm

£250-400

220 LB419/2 JOCK MCFADYEN (SCOTTISH b. 1950) LOCHBOISDALE, SOUTH UIST Oil on board 31cm x 45.5cm (12.25in x 17.5in)

£1,500-2,000 221 FA453/8 ALOIS WACHSMAN (CZECH 1898-1942) HLAVA ZENY, 1997 Pencil, stamped with studio stamp 20.5cm x 13cm (8in x 5.25in)

£250-400 222§ FA453/10 DAVID MACH R.A. (SCOTTISH b. 1956) ‘IT TAKES TWO’ Screenprint, signed and numbered 2/50 41cm x 41cm (16in x 16in)

218§ FA453/7 PHILIP BRAHAM (SCOTTISH b. 1959) STUDY FOR SULPHUR WIND Signed with initials and dated ‘97, and inscribed, watercolour

£250-400

14cm x 20cm (5.5in x 7.9in)

44cm x 32.5cm (17.25in x 12.75in)

£250-400

223§ EAC243/3 IAN COOK R.S.W., R.I. (SCOTTISH b. 1952) INDUSTRIAL LANDSCAPE Gouache

224§ FA453/12 WILLIAM JAMES LAIDLAW BAILLIE R.S.A., R.S.W., R.G.I., H.R.A. (SCOTTISH b. 1923) THE STAGE PVA on board, artist label verso 45cm x 60.5cm (17.75in x 23.75in)

£500-700 225 FA453/14 JAMES MILNE (SCOTTISH CONTEMPORARY) THE DISAPPEARING LANDSCAPE Oil, pastel and gouache 56cm x 74cm (22in x 29in)

£200-400 226 EAC285/1 VICTOR VASARELY (FRENCH/ HUNGARIAN 1908-1997) ZETT (1989) Serigraph print in two halves, signed in pencil and inscribed with edition code VV 309, from an edition of 300, this one 212/300, unframed 88.9cm x 91.4cm (35in x 36in) plate size Provenance: Circle Fine Art Corporation. Includes original documentation.

£200-300 227 LB425/7 JULIAN COTTRELL (BRITISH CONTEMPORARY) CLOWN Unique polaroid, signed, inscribed and dated 1974, unframed 21.2cm x 27.3cm (8.25in x 10.75in)

£100-150

228 EAC295/1 A COLLECTION OF NINE MOMART CHRISTMAS ‘CARDS’ Including 2002: Howard Hodgkin, 2003: Lucien Freud, 2004: Paul McDevitt, 2005: David Hockney, 2006: Ron Mueck, 2007: Sarah Lucas, 2008: Richard Hughes, 2009:Catherine Yass, 2010: Toby Ziegler & Joel Peers (9) Various sizes

£400-600 229 LB424/1 PETER ANDERSON (SCOTTISH CONTEMPORARY) IGGY POP Silver gelatin print, signed and numbered 2/25, bearing photographer’s blind stamp. Framed in the artist’s hand crafted welded steel frame 52cm x 63cm (20.5in x 27.75in)

£300-500 230 LB424/2 PETER ANDERSON (SCOTTISH CONTEMPORARY) DENNIS HOPPER, LONDON 1982 Silver gelatin print, signed and numbered 2/25, bearing photographer’s blind stamp. Framed in the artist’s hand crafted welded steel frame 60cm x 70cm (23.5in x 27.5in)

£300-500

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

231 FA637/1 BERT STERN (AMERICAN b. 1929) MARILYN (THE LAST SITTING) Cibachrome print, signed, numbered 132/250 48cm x 48cm (18.9in x 18.9in) Provenance: Includes Certificate of Authenticity, Johnathan Poole Fine Art

£1,000-1,500

232 FA10/1 ANDY WARHOL (AMERICAN 1928-1987) ELECTRIC CHAIR Colour silkscreen, AP XXXVI/L, unframed 90cm x 121.5cm (35.4in x 47.8in) Provenance: Alan Cristea Note: Editions Bischofberger Zurich, Copyright Factory Editions

£800-1,200

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

233§ EAA420/15 THOMAS FLORSCHUETZ (GERMAN b. 1957) RICOCHET XIII Cibachrome print mounted on aluminum. Signed, inscribed, dated ‘97/’99 and numbered 1/2 verso 146cm x 97cm (57.5in x 38.2in)

and another by the same hand, a pair (2) £2,000-3,000

LY O N & T U R N B U L L Scottish Contemporary and Post-War Art

234§ EAA420/19 PAUL MORRISON (BRITISH b. 1966) UNTITLED Acrylic on canvas, unframed 183cm x 269cm (72in x 106in) Note: Liverpool-born Paul Morrison studied at Sheffield City Polytechnic and Goldsmiths College of Art. An artist firmly aware of the great British landscape painting tradition, one glimpses the influence of both the tradition of herbarium and botanical studies and the visionary landscapes of Samuel Palmer in his work. Morrison foregoes traditional perspectival construction of space and instead produces ‘disorientating optical illusions weaving between representation and abstraction’. The artist favours working on a large scale, both on canvas and directly on environment surfaces to astounding results which play with the viewer’s expectations of size and space. Paul Morrison has exhibited at the Las Vegas Art Museum, the Bloomberg SPACE, London, The Contemporary Museum, Honolulu, South London Gallery, London, Fundació Joan Miró, Barcelona and The Museum of Modern Art, New York among others. He lives and works in Sheffield and London.

£5,000-7,000

235§ FA663/2 PATRICK HUGHES (BRITISH, b. 1939) SUNLIGHT Screenprint, signed in pencil and dated ‘74, and inscribed and numbered 35/75

236§ FA648/5 FELIM EGAN (IRISH b. 1952) TWIN PEAKS, 1990 Signed and inscribed ‘For Terry’ and dated 1990 verso, acrylic and mixed media on canvas

237§ EAA420/17 ROSIE SNELL (BRITISH b. 1971) UNDERTOW Signed, inscribed and dated 2001 verso, oil on board, unframed

238§ EAA420/18 PETER DAVIS (BRITISH b. 1937) UNTITLED, 3MM LILAC Gloss and satinwood on canvas, unframed

81cm x 60cm (31.9in x 23.6in)

40.5cm x 40.5cm (15.9in x 15.9in)

140cm x 213cm (55in x 84in)

£200-300

£400-600

£800-1,200

Provenance: Slewe Gallery, Amsterdam

107cm x 199cm (42in x 78.25in)

£600-800

The following works are from the Collection of Lehman Brothers Holdings Ltd. 239§ EAC140/18 GEORGES ROUSSES (FRENCH b. 1947) LE MANS, 1994/2004 Signed in pencil, inscribed and numbered 15/30, inkjet print on paper 67cm x 98cm (26.4in x 38.6in)

£1,000-1,500

240§ EAC140/19 GEORGES ROUSSES (FRENCH b. 1947) ALEX, 2000/2003 Signed in pencil, inscribed and numbered 13/30, inkjet print on paper 67cm x 85cm (26.4in x 33.5in)

£1,000-1,500

241 EAC140/21 JAY WHOLLEY (AMERICAN b. 1942) UNTITLED, 2000 Iron on paper

242 EAC140/22 JAY WHOLLEY (AMERICAN b. 1942) UNTITLED, 2000 Iron on paper

43.2cm x 32.4cm (17in x 12.8in)

243 EAC140/16 PETER ROSTOVSKY (RUSSIAN b. 1970) BATHERS Oil on panel in two pieces, unframed

£300-500

25.4cm x 20.3cm (10in x 8in)

£300-500

LY O N & T U R N B U L L Works from the Collection of Lehman Brothers Holdings Ltd.

244§ EAC140/5 GÜNTER FÖRG (GERMAN b. 1952) UNTITLED, 2001 Signed and dated 2001, watercolour on paper 74.9cm x 111.5cm (29.5in x 43.9in)

Note: Born in Bavaria in 1952, Förg is one of the most widely recognised contemporary German artists, his work represented in a number of international galleries from the Tate Modern to Munich’s Pinakothek der Moderne via the San Francisco Museum of Modern Art. He is strikingly of his generation both in his questioning of Modernism (tainted for post-war artists by its association with Fascism) and in his fascination with the experience of fragmentation. This painting not only demonstrates the influence of Mondrian’s geometric style on Förg’s work, but is also typical in displaying the artist’s exploration of themes of physical resistance and separation, the strong vertical lines forming a barrier on the picture plane resonant of prison bars, yet leaving our gaze free to penetrate into the softer atmosphere beyond.

£2,000-3,000

LY O N & T U R N B U L L Works from the Collection of Lehman Brothers Holdings Ltd.

British-born artist Walead Beshty is profoundly engaged not only with questions intrinsic to the medium of photography itself, but also to the realities of international politics in a post-9/11 world. Born in London, he chose to pursue his studies across the Atlantic, graduating from Yale University School of Art, before bursting onto the contemporary art radar with his first solo show in New York in 2004, when he ‘quickly captured the attention of the international art world with his probing meditations on political and social conditions.’ [1] Although primarily known for his photographic works, Beshty operates across diverse media, including sculpture. Throughout his oeuvre he displays a consistent fascination with the notion of travel, how we are marked by the places we pass through, and how the experience of travel itself is changing, with increased security measures in response to terrorist attacks. From 2001 to 2006 the artist visited the defunct Iraqi Diplomatic Mission in the former East Berlin, photographing the site a number of times, and finding in it a symbol of shifting notions of place and sovereignty. It was while returning from such a trip

that he discovered a new photographic technique: having been obliged to place the bag containing his undeveloped films through airport security, he later discovered unexpected lines and colours had infiltrated the images, caused by their exposure to X-rays. Thus rather than simply depicting the object of his travel, the images testified to the journey itself, complimenting the artist’s dual focus on the photographic subject and the physical properties of the medium. The discovery of this new photographic technique inspired Beshty to further experimentation. In a series of eleven photograms entitled Picture Made by My Hand with the Assistance of Light, 2006, the artist first bends silver gelatin paper into abstract sculptures, exposing them to light from all angles, before smoothing them back into the finished image, in which irregular polygons in white, gray and black waltz across the surface.’[2] Both this series and his depiction of the Berlin defunct Iraqi embassy were presented together to great critical acclaim in New York’s Wallspace exhibition ‘The Maker and the Model’, in 2006, with ArtForum’s David Velasco drawing comparisons with Man Ray and Laszlo

Moholy-Nagy’s experimental photography.[3] Writing about the two series, Artnews critic Eric Bryant declares ‘in both bodies of work, Beshty is trying to make explicit the essential quality of the artwork as an object rather than an image.’[4] Indeed, the artist has continued to explore this theme in a series of sculptural works; glass, shatter-proof boxes moulded to fit perfectly inside a standard Fedex box, then shipped to whichever gallery or exhibition they are next due to appear in. As the boxes are removed from their packaging, their cracked spider-webbed surfaces attest to the voyage they have made, their physical lives as art objects and exhibits, and pose difficulties for museum curators as their ‘damage’ defines them. Walead Beshty now lives and works in Los Angeles. [1] Moret, A. “Tastemakers 2009: Walead Beshty.” Los Angeles Times Magazine. 2009. [2] Gopnik, B. ‘Brought Into the Fold.’ The Washington Post, May 23rd 2009. [3] Velasco, D. “Walead Beshty.” Artforum International, vol. 45, no. 4 (2006): 310. [4] Bryant, E. ‘The Indecisive Image.’ ARTnews, March 2008.

LY O N & T U R N B U L L Works from the Collection of Lehman Brothers Holdings Ltd.

245ยง EAC140/1 WALEAD BESHTY (BRITISH b. 1976) PICTURE MADE BY MY HAND WITH THE ASSISTANCE OF LIGHT, 2006 Photogram on gelatin silver paper 175cm x 105cm (68.9in x 41.3in)

ยฃ6,000-8,000

LY O N & T U R N B U L L Works from the Collection of Lehman Brothers Holdings Ltd.

246§ EAC140/23 PAUL WINSTANLEY (BRITISH b. 1954) STAIRWELL C Oil pastel on paper

251§ EAC140/4 WILLIE DOHERTY (IRISH b. 1959) BELIEVING, 1988 Colour coupler print

Image size: 59cm x 44cm

100.3cm x 151.1cm (39.5in x 59.5in)

(23.25in x 17.25in)

£1,000-1,500

45.7cm x 55.9cm (18in x 22in)

£700-900 247§ EAC140/2 PIERRE BURAGLIO (FRENCH b. 1939) T Signed with initial and dated 1980, mixed media 70cm x 30cm (27.6in x 11.8in)

252 EAC140/6 NAOYA HATAKEYAMA (JAPANESE b. 1958) SLOW GLASS #108, 2001 Chromogenic print mounted on aluminium

63cm x 48cm (24.8in x 18.9in)

90cm x 120cm (35.4in x 47.2in)

£1,000-1,500

27.3cm x 34.9cm (10.7in x 13.7in)

£300-500 253 EAC140/10 KUNIHIKO KATSUMATA (JAPANESE b. 1967) SKYLINE OSAKA #2, 2002 Signed and inscribed with title and ‘multiple ed. 1/10’ verso, colour photograph 45.7cm x 55.9cm (18in x 22in)

257§ EAC140/17 GEORGES ROUSSES (FRENCH b. 1947) CLICHY, 1999/2004 Signed in pencil, inscribed and numbered 15/30, inkjet print on paper

£200-300

85cm x 67cm (33.5in x 26.4in)

£1,000-1,500 249§ EAC140/7 JOHN HILLIARD (BRITISH b. 1945) MIXED LIGHTING, 2001 Giclée iris print on paper 83cm x 89cm (32.7in x 35in)

£700-900 250§ EAC140/8 JOHN HILLIARD (BRITISH b. 1945) CROSS-CONTAMINATION ENTRANCE HALL, 2001 Giclée iris print on paper 83cm x 86cm (32.7in x 33.9in)

£700-900

£200-300 256 EAC140/14 FARIS MCREYNOLDS (AMERICAN b. 1977) UNTITLED (SHIP) Oil and printing ink on canvas

£1,000-1,500 248§ EAC140/3 PIERRE BURAGLIO (FRENCH b. 1939) LE “16” Signed, inscribed and dated 2004 on frame verso, watercolour on paper

255 EAC140/12 KUNIHIKO KATSUMATA (JAPANESE b. 1967) SKYLINE TOKYO, 2002 Signed and inscribed with title and ‘multiple ed. 2/10’ verso, colour photograph

£1,000-1,500 254 EAC140/11 KUNIHIKO KATSUMATA (JAPANESE b. 1967) SKYLINE OSAKA #5, 2002 Signed and inscribed with title and ‘printed in Jan. 2004, multiple ed. 1/10’ verso, colour photograph

258§ EAC140/20 GEORGES ROUSSES (FRENCH b. 1947) KOBLENTZ, 2000/2003 Signed in pencil, inscribed and numbered 22/30, inkjet print on paper

45.7cm x 55.9cm (18in x 22in)

85cm x 67cm (33.5in x 26.4in)

£200-300

£1,000-1,500 See frontispiece on page 2

LY O N & T U R N B U L L Works from the Collection of Lehman Brothers Holdings Ltd.

259§ EAC140/9 CARLA KLEIN (DUTCH b. 1970) UNTITLED, 2007 Oil on canvas, unframed 149.9cm x 350.5cm (59in x 138in)

Note: This work by Dutch artist Carla Klein, born in 1970 in Zwolle and trained in The Hague and Amsterdam, is an ambiguous piece that subtly questions notions of media and genre, space and scale. The painting emerged from a road trip taken by the artist along the west coast of the United States, grounded in a modern tradition immortalised by Kerouac yet evoking timeless notions of pilgrimage and diaspora, and in it the artist examines a very modern experience of travel whilst also celebrating an age-old device of ekphrasis. Whilst skilfully executed in a traditional painterly style, complete with atmospheric sky redolent of Dutch old master seascapes, Klein also

consciously draws attention to the painting’s photographic origins, black lines at its edge echoing the negatives of the snapshots she took during her journey before reproducing them on canvas. The work hovers too between a photographic realism- this is clearly a landscape- and an abstract evocation of mood, hinting at the traveller’s awe at the seeming infinity of the landscape stretching before them, mirrored in its impressive scale, but also, with its clearly defined picture plane contained within its white edges, reproducing the contained space of the windscreen from which this world is experienced.

£4,000-6,000

LY O N & T U R N B U L L Works from the Collection of Lehman Brothers Holdings Ltd.

The strength of Kurten’s paintings is less their unraveling of the limitations of the built world than their sense of the spacious mysteries surrounding it. – David Franken, ArtForum, September 2002. In Kürten’s work nature is an exuberant, almost sinister force, abundant fronds bursting from lush forest or creeping from suburban gardens, encroaching upon the man-made and threatening to engulf it. In paintings such as The Handsome Family, and Ultramarine II (Saatchi Gallery, London, 2004) we observe his uneasy fascination with bourgeois existence, as he depicts the status symbols of modern living, objets d’art in crisp minimalist interiors that contrast sharply with the

unruly world of nature beyond their walls. In Innocent When You Dream, however, Kürten has moved beyond the urban world, into the forest itself, devoid of all human presence. Now nature quite literally moves into the foreground, in a quiet pastoral scene of water and sky, rocks and trees, with a subtle palette of white, grey and brown enlivened by the yellow green of spring growth, no longer threatening, simply there. Despite its realism, however, this image is a construction in which the guiding hand of the artist is clearly present: look more closely amidst the detailed trees and pebbles of the river bed and one begins to glimpse the obsession with texture and patterns which infuse all of Kürten’s paintings, rococo whirls and

knots of Celtic intricacy forming an alternative artist’s signature. This two-tiered surface, the initial glance followed by a new focus, is typical of the artist’s work. As a child he collected samples of kitsch 1970’s wallpaper, and their patterns repeat like a refrain throughout his paintings, evoking the surreal whorls of Van Gogh’s Starry Night and the curlicues which embrace Klimt’s maidens. Born in Germany in 1969, Stefan Kürten trained under Michael Buthe (1944-94) at the Kunstakademie Düsseldorf before continuing his studies at the Art Institute of San Francisco, where he later taught. His work is held in the Museum of Modern Art, New York, and the Saatchi Gallery, London. He lives and works in Düsseldorf and New York.

LY O N & T U R N B U L L Works from the Collection of Lehman Brothers Holdings Ltd.

260ยง EAC140/13 STEFAN KURTEN (GERMAN b. 1963) INNOCENT WHEN YOU DREAM Signed, inscribed and dated 2004 verso, oil on canvas 120.7cm x 149.9cm (47.5in x 59in)

ยฃ5,000-8,000

LY O N & T U R N B U L L Works from the Collection of Lehman Brothers Holdings Ltd.

261§ EAC140/15 MELIK OHANIAN (FRENCH b. 1969) SELECTED RECORDINGS #084 Lambda print mounted on aluminium 124cm x 200cm (48.8in x 18.7in)

Note: Born in 1969, Melik Ohanian lives and works in Paris and New York. Alongside numerous individual exhibitions dedicated to the artist worldwide he has represented France in a number of biennales including the Sao Paolo Biennale 2004, the Moscow Biennale in 2005 and the 52nd Biennale di Venezia, 2007. Practising in diverse media including installation, film, and photography, a central tenet of the artist’s work is the notion of time and space. In his series ‘Selected

Recordings’ Ohanian confronts the viewer with a palpable and often familiar environment that is nevertheless geographically anonymous and suspended in time, bearing the trace of human activity yet empty of our presence. Apparently arbitrarily chosen, each scene in the series seems to favour the simple act of recording over aesthetic judgement, its title differentiated from its companions only by a number. Melik Ohanian continues to work on the series.

£2,000-4,000

END OF SALE

INDEX TO ARTISTS Anderson, P., 229, 230 Ayrton, M., 172 Bailey, A., 201 Baillie, C.C., 128 Baillie, W.J.L., 136, 224 Barrie, M., 9 Bellany, J., 82, 91, 96, 119, 120 Beshty, W., 245 Biaq, M.W., 199 Birrell, G., 117 Bittar, P., 6, 7 Blackadder, E., 10, 36, 110, 147 Bourne, P., 16 Boyd, J., 4 Braglio, P., 247, 248 Braham, P., 218 British Contemporary, 219 Buchanan, H., 13, 14 Burns, W., 183 Butterworth, H., 8 Byrne, J., 63, 64, 65 Cadenhead, W.C.M., 69 Cairns, J., 30, 180 Calder, A., 35 Clarke, G., 79 Cockrill, M., 204, 205 Cook, I., 100, 223 Cottrell, J., 227 Crawford, H.A., 95 Crowe, V., 42 Crozier, W., 38 Cumming, J., 139, 152 Cunningham, J., 76, 111, 123 Dali, S., 160 Dali, S., 37 Davidova, E., 193 Davis, P., 238 de Francia, P., 104 Devlin, G., 132 Devlin, G., 15 Doherty, W., 251 Donald, G. 115, 116, 124, 125 Donaldson, D., 1, 50, 79 Douglas, E., 184 Douthwaite, P., 34, 71, 174 Egan, F., 236 Emin, T., and others, 192

Ernst, M., 33 Fairgrieve, J.H., 169 Farthing, S. 194 Fedden, M., 126 Ferguson, D., 98, 106 Finlay, I.H., 185, 186 Fleming, I., 18 Fleming, J.B., 5 Flockhart, H., 177 Florschuetz, T., 233 Forrest, A., 121 Fraser, C., 133 Fรถrg, G., 244 Gallacio, A., 200 Gardner, A., 47 Gear, W., 39, 45 Gibbs, J., 143 Gordon, H.M., 88 Goudie, A., 48, 83, 168 Graham, P., 28, 145 Grant, D., 46 Grass, G., 101 Grossart, G., 99 Guild, D., 102, 103 Guy, A., 188 Hall, G.., 58 Halliday, J., 59, 94 Hanna, N., 66, 208, 209, 210 Harris, V., 217 Hatakeyama, N., 252-255 Hawkins, J., 203 Hawkins, J., 206, 207 Henderson, N., 31 Herriot, A., 131 Hilliard, J., 249, 250 Hockney, D., 171 Hosie, D., 108, 109 Hosie, D., 138 Houston, J., 51, 55, 164 Howson, j., 80 Hughes, P., 235 Inlander, H., 213 Jasinski, A.B, 11, 70 Jeanneret, C-E. (Le Corbusier), 159

Kilpatrick, A., 137 King, A., 26 Kirk, J., 60, 61 Klein, C., 259 Knox, J., 148 Krommes, K.S., 216 Kurten, S., 260

Paolozzi, E, 43, 156 Paterson, A., 85, 87 Paterson, J., 155 Paton, A., 141 Perman, T., 54 Price, R., 40, 41 Proctor, P., 170

Lawrie, H., 73 Le Corbusier (C-E. Jeanneret), 159 Lei, G.L., 173 Lenaghan, B., 90 Lewis, S., 32 Littlejohn, W.H., 2, 175 Lowry, L.S., 44, 49

Rae, B., 149 Raphael, S., 127 Robb, A., 146 Robertson, J.D., 147A Roper, G., 89 Rossoman, L., 12, 20 Rostovsky, P., 243 Rouault, G., 148 Rousses, G., 239, 240, 267, 258

Mach, D., 222 Main, I.L., 150 Martin, D.M., 19, 62, 86, 151 Mason, M., 195 McArthur, C., 113 McClure, D., 165 McFadyen, 52, 53 McFadyen, J., 178, 214, 220 McGuinness, J., 74 McIntyre, H., 134 McKean, G., 23, 24, 25, 97, 144 McLaren, P., 135 McLaren, S., 57 McLean, B., 21, 22, 215 McNairn, H., 77 McNally, L., 84 McReynolds, 256 Michie, A., 92 Michie, D., 29, 122 Miller, J., 17, 27 Milne, J., 225 Mircea, R., 187 Mitchell, G.K., 105 Monart Christmas 'cards', 228 Moore, S., 196 Morrison, J., 56, 129 Morrison, P., 234 Murray, D., 112 O'Malley, J., 68 Ohanian, M., 261 Oram, A., 67 Ortiz, M., 190, 191 Owen, G.E., 161, 162

Shanks, D., 130 Shaw, T., 197, 198 Sinclair, D., 75, 163 Smith, G.M., 153, 154 Snell, R., 237 Spence, J., 179 Stedman, R., 201 Stern, B., 202, 231 Sutton, P., 3, 114 Thompson, 78 Thoms, C., 93 Thomson, D., 72, 107 Tindle, D., 211, 212 Vasarely, V., 226 Vishniak, R., 176 Walker, E., 142, 181, 182 Warhol, A., 232 Weight, C., 167 Wholley, J., 241, 242 Williams, H., 140 Winstanley, P., 246 Wolfson, A., 166 Wright, B., 118 Xi, J.J., 189

Upcoming at Freeman’s

Modern & Contemporary Art 05/15/11

Auction Sunday May 15th at 2pm Exhibitions Wednesday May 11th Thursday May 12th Friday May 13th Saturday May 14th Please contact the department or www.freemansauction.com for further details

Inquiries: anne henry direct tel: 267.414.1220 ahenry@freemansauction.com aimee pflieger direct tel: 267-414-1221 apflieger@freemansauction.com Catalogue $35

PABLO PICASSO (Spanish 1881-1973) “TÊTE DE FEMME NO. 5 (PORTRAIT DE DORA MAAR)” 1939, from the edition of 105 Color aquatint and drypoint on Arches image 11 13/16 x 9 3/8 in. (29.7 x 23.8cm) [Bloch 1337] provenance: Collection of Richard Scrushy, Vestavia, Alabama Sold to benefit HealthSouth shareholders, Birmingham, Alabama $30,000-40,000

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com

www.freemansauction.com

Fine Paintings Thursday, 2nd June, 2011 33 Broughton Place, Edinburgh EH1 3RR

WILHELMINA BARNS-GRAHAM (SCOTTISH 1912-2004) UNTITLED – MARGARET SERIES 1958 Oil on canvas 70.8cm x 90.8cm (27.75in x 35.75in)

£12,000-16,000 One of six paintings from the Barns-Graham Charitable Trust to be offered in the June Fine Paintings sale.

Viewing times Sunday 29th May 2pm - 5pm Monday 30th May 10am - 5pm Tuesday 31st May 10am - 5pm Wednesday 1st June 10am - 5pm (limited viewing) Morning of Sale by appointment only

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Elena Ratcheva Tel: +44 (0)207 930 9115 elena.ratcheva@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m 79

STANDARD TERMS & CONDITIONS OF SALE Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

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