Lyon & Turnbull Sale No 358 - Scottish Contemporary & Post-War Art by Mike Bascombe

Scottish Contemporary and Post-War Art Wednesday 15th August 2012 33 Broughton Place Edinburgh EH1 3RR

Contemporary Scottish and Post-War Art Wednesday 15th August 2012 at 11am Sale Number LT358

Viewing Sunday 12th August 2pm - 5pm Monday 13th August 10am - 5pm Tuesday 14th August 10am - 5pm Morning of sale strictly by appointment only

Specialists Nick Curnow nick.curnow@lyonandturnbull.com Charlotte Riordan charlotte.riordan@lyonandturnbull.com

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter. VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

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LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

1§ FC844/2 JACK KNOX R.S.A. (SCOTTISH b. 1936) BATHING HUTS Signed, pastel 19cm x 27cm (7.5in x 10.75in)

£300-500

2§ FD65/124 JACK FIRTH R.S.W. (SCOTTISH 1912-2010) PLAQUE FOR MERLIN Signed, gouache 34cm x 32cm (13.5in x 12.5in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

3§ FD65/94 GEORGE MCGAVIN (BRITISH 20TH CENTURY) CULROSS Signed with monogram, pastel 29.5cm x 44.5cm (11.5in x 17.5in)

£200-300

4§ FC835/1 PERPETUA POPE (SCOTTISH b. 1916) TURKISH FARM, ORTA KOY Signed, oil on canvas 56cm x 76cm (22in x 30in)

£700-900

5§ FD65/28A GORDON BRYCE R.S.A., R.S.W. (SCOTTISH b. 1943) BEN STACK, SUTHERLAND Signed and dated ‘74, watercolour 51cm x 71cm (20in x 28in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

6§ FD139/1 DONALD MANSON D.A. (SCOTTISH b. 1948) STILL LIFE WITH VIOLIN BOW AND BOUQUET Signed, oil on panel 45cm x 89cm (17.75in x 35in)

£500-700

7§ FD131/3 VICTORIA CROWE O.B.E., D.H.C., F.R.S.E., M.A.(R.C.A.) R.S.A., R.S.W. (SCOTTISH b. 1946) THE HEALING HERB, VIOLA Signed, inscribed and numbered 31/75, screen print 76cm x 56cm (30in x 22in)

£200-300

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

8§ FD261/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) NIGHT SKY OVER THE BASS ROCK Signed and inscribed and numbered 85/100, screenprint 23cm x 35.5cm (9.25in x 14in)

£200-300

9§ FD251/1 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1930-2008) MOON OVER SEA Signed, oil on board 28.5cm x 28.5cm (11.5in x 11.5in)

£1,000-1,500

10§ FD65/122 IAN FLEMING R.S.A., R.S.W. (SCOTTISH 1906-1994) REQUIEM FOR CLEARANCES Signed, watercolour 47cm x 67cm (18.5in x 26.5in) Exhibited: Royal Society of Watercolourists, 1986, no.3

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

11§ FD89/1 NAEL HANNA (SCOTTISH/IRAQI b. 1959) INTO THE BLUE Signed, oil on canvasboard 61cm x 91cm (24in x 36in)

£1,000-1,500

29.5cm x 44cm (11.5in x 7.25in)

13§ FC903/3 BRUCE MCLEAN (SCOTTISH b. 1944) FEMALE NUDE ON A GREEN GROUND Signed and dated 1986, numbered 5/25, screen print

£200-300

107cm x 78cm (42in x 30.75in)

12§ FC903/5 ALEXANDER DOBKIN (ITALIAN 1908-1975) LEMONADE THROUGH A STRAW Signed in plate, lithograph

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

14§ FD130/1 IAN HAMILTON FINLAY (SCOTTISH 1925-2006) AND JIM NICHOLSON HOMAGE TO MODERN ART Inscribed in plate, screenprint 75cm x 53cm (29.5in x 20.75in)

£800-1,000

15§ FD65/126 SYLVIA VON HARTMANN (SCOTTISH CONTEMPORARY) MUTATO NOMINE Signed and dated 1984, mixed media on paper 76cm x 55cm (30in x 21.5in)

£400-600

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

16§ FD156/2 JAMES D. ROBERTSON M.B.E., R.S.A., R.S.W., R.G.I. (SCOTTISH 1931-2010) LANDSCAPE Signed, oil on canvas 96cm x 102cm (38in x 40in) (unframed)

£2,000-3,000

17§ FD192/1 PAT DOUTHWAITE (SCOTTISH 1939-2002) THE PATTERNED CLOAK Signed and numbered 11/20 in pencil, lithograph

18§ FD336/7 CHRISTINE MCARTHUR (SCOTTISH b. 1953) OUTSIDE FLORENCE Signed, watercolour and acrylic

102cm x 61cm (40in x 24in)

76cm x 56cm (30in x 22in)

19cm x 19cm (7.5in x 7.5in)

£200-300

£150-250

£200-300

19§ FD313/1 NEIL DALLAS BROWN R.S.A. (SCOTTISH 1938-2003) PLUMMET Signed, oil on canvas

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

20§ FD376/2 SIR ROBIN PHILIPSON R.A., R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) WOMEN OBSERVED Inscribed and dated 1980 on label verso, pastel and watercolour 42cm x 61cm (16.5in x 24in)

£3,000-5,000

21§ FD65/3 DRUMMOND MAYO R.S.W. (SCOTTISH b. 1929) PEASANT DANCE signed, oil on board 20.5cm x 20.5cm (8in x 8in)

£200-300

22§ FD65/55 TOM HUTCHESON R.G.I. (SCOTTISH 1922-1999) RUST, RED AND GREY, LANARKSHIRE Signed and dated ‘83, mixed media 26cm x 28cm (10.25in x 11in)

£200-300

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

24§ FD65/101 ETHEL WALKER (SCOTTISH b. 1941) CHRISTENING JUG Signed, acrylic

25§ FC978/3 JOAN RENTON R.S.W. (SCOTTISH b. 1935) THROUGH THE GAP Signed, watercolour

14.5cm x 19cm (5.75in x 7.5in)

35.5cm x 51cm (14in x 20in)

£150-250

£200-300

23§ FD381/1 ELIZABETH BLACKADDER D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.LITT. (SCOTTISH b. 1931) CHINESE CIRCUS ACROBATS 1 Signed and dated 2002, oil on canvas 25.5cm x 31cm (10in x 12in) Provenance: Browse and Darby, London

£1,800-2,400

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

26§ FD141/1 WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) GREEN AND BLACK Signed, ink and watercolour 76cm x 57cm (30in x 22.5in)

£400-600

27§ FD141/7 WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) BLACK, PINK AND GREY Signed, pen and ink and watercolour, unframed 76cm x 57cm (30in x 22.5in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

28§ LT2012/1 ALEXANDER GOUDIE R.P. (SCOTTISH 1933-2004) STILL LIFE WITH GLASS DECANTERS signed, oil on canvas 29§ FD122/1 RICHARD DEMARCO C.B.E., H.R.S.A., R.S.W., S.S.A. (SCOTTISH b. 1930) CANONGATE KIRK Signed and dated ‘59, oil on board

30§ FD171/1 PHILIP REEVES R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1931) IMPASSE Signed, mixed media and collage

45.5cm x 66.5cm (18in x 26in)

21cm x 38cm (8in x 15in)

(unframed)

£250-350

64cm x 77cm (25in x 30.25in)

£2,000-3,000

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

31§ FD85/1 PETER HOWSON O.B.E. (SCOTTISH b. 1958) APPREHENSION Signed, pastel 31cm x 22.5cm (12in x 9in)

£500-700

32§ FD85/2 PETER HOWSON O.B.E. (SCOTTISH b. 1958) BLUE EYES Signed, pastel 28cm x 21cm (11in x 8.25in)

£500-700

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

33§ FD85/3 PETER HOWSON O.B.E. (SCOTTISH b. 1958) THE MINERS Signed, pastel 45.5cm x 60cm (17.75in x 23.75in)

£1,500-2,000

34 FD65/117 GWYNETH LEECH (AMERICAN CONTEMPORARY) REQUIEM FOR A DEAD CITY Signed and dated 1987, charcoal

24cm x 24cm (9.5in x 9.5in)

98cm x 69cm (38.5in x 27.25in)

£200-300

35§ FD65/102 KEITH DUNKLEY (BRITISH b. 1942) THE BARROW Signed and dated ‘82, oil on board

£200-300

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

36§ FD361/2 PETER MCLAREN (SCOTTISH b. 1964) STILL LIFE WITH POPPIES Signed, inscribed and dated 2007, oil on board 91cm x 91cm (36in x 36in)

£2,500-3,500

Since his well-received Edinburgh College of Art degree show in the 1980s, McLaren has attracted the attention of dealers and collectors alike. As well as finding ready representation, most notably from The Scottish Gallery in Edinburgh and Portland Gallery in London, he has shown regularly in the Royal Scottish Academy and Royal Glasgow Institute.

Though McLaren’s still lifes are redolent of the Scottish Colourists’ legacy, his style is perhaps best described as Expressionist and his work has been exhibited alongside Marcus Lupertz and Georg Baselitz in the past. His approach to composition and handling has been described as akin to performance; the vitality of the brushwork and vibrancy of the palette attesting to this. Though his

work encompasses both still life and landscape, McLaren’s ‘action’ paintings are perhaps the most representative of this energetic approach. His depictions of drivers and cyclists in abstracted motion are particularly popular amongst collectors, containing a great sense of immediacy and fun, sweeping the viewer along for the ride. McLaren has always maintained that he does not

draw inspiration from negative emotion and rather paints to express euphoria, explaining his widespread appeal. Some of the works here have never been seen before on the market and demonstrate his current preoccupations with the Orkney landscape.

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

37ยง FD361/1 PETER MCLAREN (SCOTTISH b. 1964) STILL LIFE WITH CLARICE CLIFF BOWL Signed, inscribed and dated 2009, oil on board 113cm x 82.5cm (44.5in x 32.5in)

ยฃ4,000-6,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

38 FC155/1 SUE WILLIAMSON (SOUTH AFRICAN b. 1941) SCRUBLAND LANDSCAPE Inscribed ‘Artist’s Proof’, signed and dated ‘76 in pencil to margin, screenprint 33cm x 50cm (13in x 19.75in) (plate size)

£400-600

39§ FA113/1 BARBARA RAE C.B.E., R.A., R.S.A., S.S.A. (SCOTTISH b. 1943) BELMULLET, COUNTY MAYO Signed, gouache on paper 15cm x 21cm (6in x 8.25in)

£300-500

40§ FC978/4 MARDI BARRIE R.S.W. (SCOTTISH 1931-2004) HOUSES ON A HILLSIDE Signed, oil on canvas 35.5cm x 51cm (14in x 20in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

41§ FA594/1 JAMES HAWKINS (SCOTTISH CONTEMPORARY) TWISTED TREES ABOVE LOCH LURGAINN Signed, and inscribed and dated 1998 stretcher verso, acrylic on canvas 42§ FC781/5 GEORGE MCGAVIN (BRITISH 20TH CENTURY) PRIESTESS Signed with monogram, watercolour and gold leaf

43§ FD131/1 ADAM BRUCE THOMSON P.P.R.S.W., R.S.A. (SCOTTISH 1885-1976) THE ISLAND OF LISMORE Signed, pencil and wash

72cm x 53cm (28.5in x 21in)

36cm x 51cm (14in x 20in)

£250-350

£300-500

110cm x 152cm (60in x 43in)

£2,000-3,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

44 FC920/83 JYOTI M. BHATT (INDIAN b. 1934) LADY AND A BIRD Signed, inscribed and dated 1961 verso, oil on canvas 35.5cm x 56cm (14in x 22in)

£300-500

Jyoti Bhatt is one of India’s foremost contemporary artists, with a career that spans several decades and a number of disciplines. He underwent extensive academic training; studying in Baroda, Rajasthan, Naples and New York. It was in the latter city that he learned the practise of intaglio printmaking in the 1960s. On his return to India, Bhatt took up a teaching position at the Faculty of Art at M.S.U. Baroda.

Famously experimental, Bhatt has mastered numerous mediums over the course of his career. Painting was his initial love and characterises his first phase between the mid-1950s and 60s. An intensive focus on printmaking followed which remains the best known and most influential area of his output. Fellow artists Jeram Patel, Bhupen Khakhar and Gulammohammed Sheikh also took up the practise and collectively the group became

known as The Baroda School. Latterly, Bhatt embraced photography. Feeling passionately about the gradual disappearance of India’s folkloric culture in the face of consumerism, Bhatt extensively documented the artistic traditions of the Gujarat area. This body of work is valued highly among social historians and is an achievement that will doubtless gain increasing significance in the face of time and continuing progress.

In spite of his experimentation, a cohesive aesthetic underpins Bhatt’s practise. Best described as a playful assimilation of Pop and Folk art, he explores and celebrates his culture in a colourful and stylized fashion. His work is featured in numerous international collections including The Museum of Modern Art in New York, The Smithsonian Institute in Washington D.C. and The British Museum in London.

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

45 FC920/75 JYOTI M. BHATT (INDIAN b. 1934) FACES IN SILVER Signed and dated ‘68, oil and wood relief 114cm x 114cm (45in x 45in) Exhibited: Biennale of Sao Paulo, 1969

£400-600

46 FC920/78 JYOTI M. BHATT (INDIAN b. 1934) A FACE WITH X Signed and dated ‘69, oil and wood relief 76cm x 6cm (30in x 24in) Exhibited: Biennale Sao Paulo, 1969

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

47 FC920/81 JYOTI M. BHATT (INDIAN b. 1934) A FACE Signed and dated ‘68, oil on canvas 60cm x 44cm (19.75in x 17.5in) Exhibited: Biennale Sao Paulo, 1969

£300-500

48 FC920/79 JYOTI M. BHATT (INDIAN b. 1934) WAITING WOMAN Signed and dated ‘60, oil on board 74cm x 49cm (29in x 19.5in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

49 FC920/84 JYOTI M. BHATT (INDIAN b. 1934) SELF PORTRAIT IN NEW YORK Signed, inscribed and numbered 2/15, intaglio print 41cm x 27cm (16in x 10.5in)

and two further prints by the same hand (3) £100-200

50 FC920/80 JYOTI M. BHATT (INDIAN b. 1934) KASHMIRI GIRL Signed and dated ‘59, oil on board 58.5cm x 44.5cm (23in x 17.5in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

51§ FC920/87 GEORGINA VROUSOU MILLS (SCOTTISH 1916-1993) IMPRESSION Signed and inscribed and dated ‘67 verso, oil on canvas 71cm x 56cm (28in x 22in) Exhibited: First Edinburgh Open, 1967, no.133

£300-500

52 FC920/82 JYOTI M. BHATT (INDIAN b. 1934) LANDSCAPE Signed and dated ‘63, oil on canvas

53 FC920/85 JYOTI M. BHATT (INDIAN b. 1934) ASHRAMA Signed and inscribed ‘Baroda’, metal relief

54§ FC920/74 GEORGINA VROUSOU MILLS (SCOTTISH 1916-1993) STILL LIFE Signed, inscribed and dated 1964 verso, oil on canvas

55§ FC920/86 GEORGINA VROUSOU MILLS (SCOTTISH 1916-1993) THE TABLE Signed, inscribed and dated 1960 verso, oil on canvas

51cm x 71cm (20in x 28in)

33cm x 25.5cm (13in x 10in)

61cm x 86cm (24in x 34in)

71cm x 87cm (28in x 34.25in)

£300-500

£100-200

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

56§ FD152/1 JOHN CUNNINGHAM R.G.I. (SCOTTISH 1926-1998) FRUIT, CARNATIONS AND MUSIC (A TRIBUTE TO SIR MALCOLM SARGENT) Signed, inscribed and dated ‘93 label verso, oil on canvas 76cm x 87cm (30in x 34in)

£3,000-5,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

57§ FD65/70 EARL HAIG O.B.E., R.S.A. (SCOTTISH 1919-2009) STUDY IN MAUVE AND GREEN Signed, watercolour 20cm x 20cm (8in x 8in)

£300-500

58§ FD336/5 CAROLINE BAILEY (BRITISH CONTEMPORARY) THE SQUARE, POROS Signed, watercolour 46cm x 56cm (18in x 22in)

and another by the same hand (2) £400-600

59§ FD336/3 IRENE LESLEY MAIN (SCOTTISH b. 1959) BRITANNIA BAY, MUSTIQUE Signed, signed and inscribed and dated 1996 backboard, mixed media 33cm x 38cm (13in x 15in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

61§ FD141/3 WILLIAM CROZIER A.R.S.A. (SCOTTISH 1897-1930) ELGIN CATHEDRAL Pen and Ink, unframed 23cm x 28cm (9in x 11in)

and another by the same hand in charcoal, unframed (2)

62§ FD141/4 WILLIAM JOHNSTONE O.B.E. (SCOTTISH 1897-1981) RED, GREEN AND YELLOW Signed and dated “71, watercolour

60§ FC978/1 SIR ROBIN PHILIPSON R.A., P.P.R.S.A., R.S.W., R.G.I., L.L.D., D.LITT. (SCOTTISH 1916-1992)) THE ETERNAL Signed, inscribed and dated 1978 on label on the backboard 58cm x 79cm (22.75in x 31in)

£3,000-5,000

33cm x 24cm (13in x 9.5in)

£200-300

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

63ยง FD406/2 JOHN BELLANY C.B.E., R.A. , H.R.S.A. (SCOTTISH b. 1942) SCOTTISH ODYSSEY Signed, oil on canvas 91cm x 91cm (36in x 36in)

ยฃ4,000-6,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

64ยง FD406/5 JOHN BELLANY C.B.E., R.A. , H.R.S.A. (SCOTTISH b. 1942) FISH HOUSE, ST ABBEY Signed, oil on canvas 122cm x 91cm (48in x 36in)

ยฃ4,000-6,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

65§ FD139/2 DONALD MANSON D.A. (SCOTTISH b. 1948) TOPIARY GARDEN BY THE LAKE Signed, oil on panel 76cm x 76cm (30in x 30in)

£400-600

66§ FD139/4 DONALD MANSON D.A. (SCOTTISH b. 1948) STILL LIFE WITH FLOWERS, BIRDS AND PINEAPPLE Signed, oil on panel 98cm x 96cm (38.5in x 37.75in)

£600-800

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

67§ FD112/2 ALBERTO MORROCCO O.B.E., R.S.A., R.S.W. (SCOTTISH 1917-1998) LAURIE READING Signed and dated ‘51, bears Morrocco Estate back label, pencil and chalk on paper 43cm x 57cm (17in x 22.5in)

£1,500-2,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

68ยง FD406/1 GRAEME WILCOX (SCOTTISH 20TH CENTURY) GIRL UNDERWATER Signed, oil on canvas 137cm x 91cm (54in x 36in)

ยฃ3,000-4,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

69§ FC781/13 JOHN BRATBY R.A. (BRITISH 1928-1992) SELF PORTRAIT Signed, oil on canvas 111cm x 121cm (43.75in x 47.5in)

£2,500-3,500

John Bratby is undoubtedly one of the most notable figures in 20th Century British Art, both artistically and in terms of reputation. Taking up the Realist baton from Sickert and the Camden Town Group, Bratby developed an Expressionistic take on the style, painting in a manner that led to the coining of the term ‘Kitchen Sink Realism’. ‘Kitchen Sink’ soon began to be used in reference to literature, theatre and film of the day that also explored the banality of Post-War British life. Bratby had clearly captured something of the 1950s British zeitgeist and his success after leaving the Royal College of Art was swift and remarkable. Born in Wimbledon in 1928, Bratby found solace from his turbulent childhood in painting and gained entry to the Royal College of Art in the early 1950s. The quintessential artistic eccentric, he was known to beg and sleep rough in Hyde Park or the attics of the RCA. Once graduated, Bratby enjoyed a meteoric rise to public and critical renown. He was a clever self-publicist and happy to provide

salacious details of his bohemian lifestyle to a receptive media. In many ways, Bratby was Britain’s first celebrity artist, and played the media game very astutely. The international accolades rolled in and Bratby won the Guggenheim Award for three consecutive years between 1956 and 1958. Perhaps inevitably, a backlash commenced in the 1960s as Pop Art rose to popularity and Britain no longer wanted to examine itself through the grubby mirror of realism. Bratby remained popular with

the buying public, however, and turned his hand to writing semi-autobiographical novels during this decade. The 1970s saw his personal life become increasingly colourful and his palette followed suit accordingly. Most of his portraiture was produced during the late 1970s and early 1980s. This self-portrait shows the artist, his cat and the detritus of a presumably chaotic studio reflected in a large gilt mirror. From Parmigianino to Pierre Bonnard, artists have long used the mirror as a device in

self-portraiture. It solves compositional difficulties and connotes introspection and self-reflection – the artist allowing the viewer to look at him through his own eyes. Expressionistically rendered, the Germanic influence of Oskar Kokoshka and the German School is also highly tangible here. Bratby and the Kitchen Sink School have enjoyed recent critical re-examinations, including a significant retrospective in the National Portrait Gallery in 1991.

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

70§ FD183/2 ALASDAIR GRAY (SCOTTISH b. 1934) TWO VIEWS OF KATY MITCHELL Ink and watercolour 92cm x 72cm (36.5in x 28.25in) Provenance: Sorcha Dallas, Glasgow

£2,000-3,000

71§ FD183/1 ALASDAIR GRAY (SCOTTISH b. 1934) MOTHER AND CHILD Mixed media over silkscreen 2007 50cm x 34.5cm (19.75in x 21.5in)

£1,500-2,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

72§ FD172/2 WILLIAM GEAR (SCOTTISH 1915-1977) DARK INTERIOR Signed and dated ‘58, mixed media 56cm x 76cm (22in x 30in)

73§ FD141/6 RUDOLPH DE SANCTIS (ITALIAN 20TH CENTURY) ADAM AND EVE Signed and dated ‘68, pen and ink sepia

74§ FD355/8 NEIL DALLAS BROWN (SCOTTISH 1938-2003) GIRL LYING ON A BED Signed, pencil

41cm x 17.5cm (16in x 7in)

£100-200

£1,500-2,000

36cm x 31cm

£150-250

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

75ยง FD355/2 PAT DOUTHWAITE (SCOTTISH 1939-2004) BLACK GIRL Oil on canvas 143.5cm x 89cm (56.5in x 35in)

ยฃ1,500-2,500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

76§ FC978/2 DAVID MCCLURE R.S.A., R.S.W., R.G.I. (SCOTTISH 1926-1998) LAMP AND VIOLIN 1 Signed and dated ‘78, oil on board 77§ FC997/2 CYRIL WILSON (SCOTTISH 1912-2003) THE HARBOUR Signed and dated ‘51, pen and ink and watercolour

78§ FD141/2 WILLIAM CROZIER A.R.S.A. (SCOTTISH 1897-1930) ELGIN CATHEDRAL Charcoal, unframed

35.5cm x 48.5cm (14in x 19in)

and another by the same hand (2)

and a companion a pair, another view of the same subject (2)

£200-300

35.5cm x 46cm (14in x 18in)

£2,000-3,000

24.5cm x 29cm (9.75in x 11.5in)

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

79§ FC488/1 JACK FIRTH R.S.W. (SCOTTISH 1917-2010) LOOKING ACROSS THE SOUND Signed and dated ‘54, gouache on paper 37.5cm x 54cm (14.75in x 21.25in)

£300-500

80§ FD616/2 GLEN SCOULLER (SCOTTISH b. 1950) BOATS IN A MEDITERRANEAN HARBOUR Signed, watercolour 52.5cm x 70cm (20.75in x 27.5in)

£400-600

81§ FC990/1 DAVID MACBETH SUTHERLAND R.S.A. (1883-1973) EARLY SPRING, PLOCKTON Signed and dated 1969, oil on canvasboard 57cm x 74cm (22.5in x 29in)

£600-800

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

82§ FD376/1 SIR ROBIN PHILIPSON R.A., P.P.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) ROSE WINDOW AND FALLEN WARRIOR 1 Signed, watercolour

31cm x 38cm (12in x 15in)

84§ FD336/8 CHRISTINE MCARTHUR (SCOTTISH b. 1953) EARLY MORNING NEAR SIENNA Signed, watercolour and gouache

£200-300

24.5cm x 27cm (9.5in x 10.5in)

83§ FD343/1 BARBARA BALMER R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1929) BRIGHT POSIE (sic) Signed, watercolour

56cm x 90cm (22in x 35.5in) Exhibited: Scottish Gallery, Festival Exhibition 1961, no.22

£3,000-5,000

and two further works by the same hand (3) £300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

85 TOBY PATERSON (SCOTTISH b. 1974) THE SEASON’S REVERSE 2 Signed on label verso, acrylic on MDF panel 100.5cm x 184cm (40in x 72in) Note:

This work dates from 2000. £3,000-5,000 The success of a wave of talented young Glasgow School of Art graduates in recent years has cemented the city’s status as one of Europe’s most exciting creative epicentres. Toby Paterson is notable among them, enjoying both public renown and critical appreciation since winning the Becks Future Award in 2002. Producing paintings, reliefs, sculptural assemblages and

murals, Paterson has a passion for Modernist aestheticism and is particularly influenced by the utilitarian stylization of Constructivism, the paired back formal play of the St Ives School and Post War ‘Utopian’ architecture by Le Corbusier and Mies van der Rohe. Though Paterson’s art successfully takes Modernism and reinvents it for a contemporary audience, he

also explores the realities behind the movement’s ideologies. Today, the architecture of this period is largely perceived to have failed in its purpose; the 1960s tower blocks and estates failing to sympathetically assimilate with or enhance the urban landscape, reading as brutalist as opposed to minimalist. Paterson’s work seeks to re-discover the original ideal behind such designs, exploring why they

were perhaps destined to fail in their actualisation. This is why works such as ‘The Season’s Reverse II’ are so successful. When isolated on an entirely blank background, the utopian purity and masterful simplicity of the design is able to be read as originally envisaged.

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

86§ FD143/1 JAKE HARVEY (SCOTTISH b. 1948) POACHER’S DREAM II Signed with initials and dated ‘91 in the cast, bronze 112cm (44in) on wooden plinth

£3,000-5,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

87§ FC486/1 JONATHAN CLARKE (BRITISH 20TH CENTURY) Numbered 8556, sand cast aluminium in three interlocking sections 12cm high

£400-600

88§ FC486/2 JONATHAN CLARKE (BRITISH 20TH CENTURY) Numbered 8556, sand cast aluminium in three interlocking sections 21cm high

£400-600

89§ FC346/4 20TH CENTURY DANISH SCHOOL SCARAB BEETLE Bronze 56cm x 11cm (22in x 4.25in)

£200-300

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

90 FC346/2 20TH CENTURY CANADIAN SCHOOL BRONZE FORM Bronze 48cm high (including base)

£300-500

91§ FD347/1 ARCHIE FORREST (SCOTTISH b. 1950) ANNE Painted terracotta, signed on the wooden base 38cm (15in) overall

£500-700

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

92ยง FD57/3 BENNO SCHOTZ (ESTONIAN 1891-1984) TOWER FORM Signed, bronze with green patina 35cm high (including base)

ยฃ1,000-1,500

93 No lot

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

94§ FC499/1 NATHAN COLEY (SCOTTISH b. 1967) IN LOVING MEMORY Signed, inscribed A/P and dated ‘10, photograph and gold leaf, unframed 27cm x 20cm (10.5in x 8in) Note: Sold with a thank you note for work carried out by the owner at Jupiter ArtLand

£800-1,200

One of Scotland’s leading artistic talents, Nathan Coley lives and works in Glasgow. As with many of today’s biggest names, Coley came to public attention after receiving a Turner Prize nomination in 2007. He has been critically well-received for considerably longer, however, and in the past has won the Artist Award, Scottish Arts Council Award (1996 & 2003), the Henry Moore Fellowship, Creative Scotland Award and the Art for Architecture Award. He works mainly in the disciplines of photography, video, installation and construction. Coley is intrigued by the built environment and his work often investigates the meaning structures are imbued with by those that plan and build them, and how that meaning can be subverted by specific events or the re-interpretations of others. There is often a secular element to his

artworks, with places and signifiers of worship a recurring theme. Edinburgh is the site of several of Coley’s most significant pieces, perhaps the best known being There Will Be No Miracles Here, a large scale ‘light text’ installation which, for a time, found its home on the lawn outside the Dean Gallery in Edinburgh, set against a panoramic view of the city. The photograph in this sale pertains specifically to In Memory, Coley’s commission for Jupiter ArtLand, a sculpture park on the outskirts of Edinburgh. The construction is the artist’s first permanent work and consists of gravestones arranged in a specially made concrete edifice; reminiscent of the family grave plots found on country house estates around Britain. Coley is deliberately ambiguous about the origins of the headstones, insisting that people’s ruminations on the

matter are intrinsic to the experience of the piece. Despite the fact the headstones no longer ‘belong’ to anyone – Coley has deleted the names and dedications – or mark a grave, the site exudes a sense of quiet mournfulness, making us aware of our own projections and taught response. Conversely, In Memory also makes us query the human ritual of erecting such monuments in people’s

memory, ultimately questioning its futility. This lot is a unique photographic print and was gifted to a member of the team that assisted In Memory’s construction. It also features Coley’s characteristic gold leaf, an addition often made to his photographs.

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

95§ FC338/1 DAVID MCCLURE R.S.A., R.S.W., R.G.I. (SCOTTISH 1926-1999) CHURCH AND STATE Signed and dated 1967, signed,inscribed and dated verso, oil on canvas 101.5icm x 127cm (40in x 50in)

£2,000-3,000

96§ ADRIAN WISZNIEWSKI (SCOTTISH b. 1954) ILLUMINATI pencil and gouache on gesso panel

97§ ADRIAN WISZNIEWSKI (SCOTTISH b. 1954) READING ALLOWED pencil and gouache on gesso panel

98§ ADRIAN WISZNIEWSKI (SCOTTISH b. 1954) MAKING FACES pencil and gouache on gesso panel

26cm x 21cm (10in x 8in)

£150-250

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

99 FD375/1 ANDY WARHOL (AMERICAN 1928-1987) A WHOLE STOCKING FULL OF GOOD WISHES Stamped, color offset lithograph 51cm x 20cm (20in x 8in) Provenance: Halcyon Gallery, London

£3,500-5,500

100§ FD355/7 WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) SEATED NUDE Pencil 34cm x 27cm (13.5in x 10.5in)

£150-250

101§ FD65/90 WILLIAM LITTLEJOHN R.S.A., R.S.W. (SCOTTISH 1929-2006) JAPANESE STONE LANTERN II Signed with initials and dated ‘84, pen and ink and watercolour 17cm x 24cm (6.75in x 9.5in)

£200-300

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

102§ FD406/4 DAVID M. MARTIN R.S.W., R.G.I., S.S.A. (SCOTTISH b. 1922) POPPIES AND LILIES Signed, oil on canvas 101.5cm x 76cm (40in x 30in)

£2,000-3,000

103§ FC781/17 GEORGE MCGAVIN (BRITISH 20TH CENTURY) HOUSES ON A HILLSIDE Signed, watercolour

105§ FD355/6 LEONARD ROSOMAN O.B.E., R.A. (BRITISH b. 1913) NUDE STUDY Signed, pen and ink

52cm x 71cm (20.5in x 28in)

104§ FD65/16 CHARLES MACQUEEN R.S.W., R.G.I. (SCOTTISH b. 1940) VERANDA Signed, mixed media

21.5cm x 16.5cm (8.5in x 6.5in)

£250-350

31cm x 35.5cm (12in x 14in)

£150-250

£200-300

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

106§ FD381/2 JOHN BELLANY C.B.E., R.A., H.R.S.A., L.L.D. (SCOTTISH b. 1942) GIRL WITH MASK Signed, oil on canvas 76cm x 61cm (30in x 24in)

£2,000-3,000

107§ FD65/13 ROBERT LEISHMAN R.S.W. (SCOTTISH 1916-1989) BLUE MOTH Signed and dated ‘87, watercolour

108§ FD355/3 HENRY KONDRACKI (SCOTTISH b. 1953) BATH-TIME Signed, oil on board

23cm x 25cm (9in x 9.75in)

£200-300

£300-500

20cm x 15cm (8in x 6in)

109§ FD65/47 WILLIAM CALDWELL CRAWFORD P.P.S.S.A. (SCOTTISH 1879-1960) BY THE RIVERBANK Signed with studio stamp to backboard, watercolour 44.5cm x 37cm (17.5in x 14.5in)

£200-300

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

110§ FD347/2 JOHN HOUSTON O.B.E., R.S.A., R.S.W., S.S.A., R.G.I. (SCOTTISH 1930-2008) SUN OVER BEACH Signed, oil on canvas 23cm x 45.5cm (9in x 14in)

£1,000-1,500

111§ FC927/3 IAN MCKENZIE-SMITH C.B.E., P.P.R.S.A., P.P.R.S.W. (SCOTTISH b. 1935) DAWN Oil on canvas 76.5cm x 76cm (30in x 30in)

£600-800

112§ FD260/3 PETER COKER R.A. (BRITISH 1930-2008) THE IMPENDING STORM Signed, watercolour 56cm x 76cm (22in x 30in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

113§ FD406/6 GRAEME WILCOX (SCOTTISH 20TH CENTURY) REPOSE Signed, oil on canvas 91cm x 71cm (36in x 28in)

£1,500-2,000

114§ FD336/4 CHRISTINE MCARTHUR (SCOTTISH b. 1953) INTERIOR WITH FISH, LILIES AND BLUE WICKER CHAIR acrylic on board

35.5cm x 31cm (14in x 12in)

116§ FD65/19 ANDA PATERSON R.S.W., R.G.I. (SCOTTISH b. 1935) GRAND’MERE Signed and dated ‘85, pencil and watercolour

36cm x 46cm (14.25in x 18in)

£200-300

25.5cm x 38cm (10in x 15in)

£300-500

115§ FD65/34 TOM MCKENDRICK (SCOTTISH b. 1948) LITTLE ALTAR Mixed media

£150-250

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

117§ FD65/32 JOE MCINTYRE (SCOTTISH b. 1940) STILL LIFE WITH GOURD Signed, oil on canvas

122§ FD114/1 JANET M. MELROSE R.S.W. (SCOTTISH CONTEMPORARY) TRIPTYCH Signed, acrylic on panel

41cm x 66cm (16in x 26in)

24cm x 24cm (9.5in x 9.5in)

£400-600

comprising of three parts in total (3)

118§ FD65/109 BARBARA BALMER R.S.A., R.S.W., R.G.I. (SCOTTISH CONTEMPORARY) STRAWBERRY JUG Signed and dated 1978, watercolour

56cm x 79cm (22in x 31in)

£300-500

£400-600

32cm x 28cm (12.5in x 11in)

123§ FC667/48 COLIN MOSS (BRITISH 1914-2005) DANCING FIGURES Signed, abstract composition verso, mixed media on canvas

127§ FC903/6 STEPHEN BARTLETT (BRITISH b. 1942) ABSTRACT COMPOSITION Signed in pencil and numbered 64/65, coloured silkscreen print

£300-500

75.5cm x 74.5cm (29.75in x 29.25in)

58cm x 49cm (22.75in x 19.25in)

£400-600

and another by the same hand (2)

124§ FC155/2 PIERRE ALECHINSKY (FLEMISH b. 1927) DIGITALE Lithograph, signed and numbered 60/300

£300-500

119§ FD65/144 ERNEST BURNETT HOOD R.G.I. (SCOTTISH 1932-1988) THE STRAND, RYE Signed, oil on board 30cm x 33cm (12in x 13in)

£200-300

44cm x 31cm (17.5in x 12in)

120§ FD336/6 CHRISTINE MCARTHUR (SCOTTISH b. 1953) TUSCAN LANDSCAPE Signed and inscribed with title in pencil, screenprint 80cm x 63cm (32.5in x 23.75in)

£150-250 121§ FD336/2 IRENE LESLEY MAIN (SCOTTISH CONTEMPORARY) KILDONAN BEACH, ISLE OF ARRAN Signed, mixed media on board 48cm x 50cm (19in x 19.75in)

£400-600

126§ FC903/7 MICHAEL ROTHSTEIN (BRITISH 1908-1993) BIRDS OF PARADISE Signed and numbered 23/50, coloured linocut

£300-500

128§ FD355/1 JANKEL ADLER (POLISH 1895-1949) PORTRAIT OF P.H Signed, inscribed and dated 11/10 1941, Ink on paper 52cm x 40cm (20.5in x 15.75in)

125§ FC903/8 JACQUES VILLON (FRENCH 1875-1963) ABSTRACT FIGURE IN A LANDSCAPE Signed in plate and dated ‘31, signed and numbered 42/150 in pencil to margin, lithograph 49cm x 57cm (19.25in x 22.5in)

£300-500

£300-500 129§ FD182/1 RICHARD DEMARCO C.B.E., H.R.S.A., R.S.W., S.S.A. (SCOTTISH b. 1930) ANN STREET FROM 15 DEAN PARK CRESCENT Signed, inscribed, and dated 1972, watercolour, bodycolour, and pencil on paper 37cm x 54cm (14.4in x 21in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

130§ FD365/1 PETER MCLAREN (SCOTTISH b. 1964) SKIPIGEO, ORKNEY 2012 Signed verso, oil on board 122cm x 165cm (48in x 65in)

£4,000-6,000

131§ FD192/2 BET LOW A.R.S.A., R.S.W (SCOTTISH 1924-2007) STORMY PASSAGE dated 1983, pencil

132§ FD65/24 JOHN GARDINER CRAWFORD (SCOTTISH b. 1941) TRAPPED IN ICE Signed, acrylic on board

22cm x 29cm (8.75in x 11.5in)

48cm x 38cm (19in x 15in)

£300-500

£200-300

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

133§ FD616/3 JAMES D. ROBERTSON R.S.A., R.S.W. (SCOTTISH b. 1931) STILL LIFE WITH LAMP Signed, gouache 78cm x 108cm (30.75in x 42.5in)

£300-500

134§ FD65/71 JOHN HOUSTON O.B.E., R.S.A., R.S.W., R.G.I., S.S.A. (SCOTTISH 1930-2008) FLOWERING DUNES II Signed and dated 1968, watercolour 17cm x 25cm (6.25in x 9.75in)

£400-600

135§ FD65/128 DRUMMOND MAYO R.S.W. (SCOTTISH b. 1929) LATE AUTUMN Signed, mixed media 47cm x 71cm (18.5in x 28in)

41cm x 57cm (16in x 22.5in)

£300-500

60cm x 54cm (23.5in x 21.25in)

£250-350

£400-600

137§ FD65/68 KIRKLAND MAIN (SCOTTISH CONTEMPORARY) PATCHWORK LANDSCAPE Signed, watercolour

136§ FD130/2 ALAN DAVIE C.B.E. (SCOTTISH b. 1920) THE ISLAND Screenprint, signed and dated ‘79, numbered 34/65

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

138§ FD172/1 WILLIAM GEAR (SCOTTISH 1915-1977) STRUCTURE WITH YELLOW Signed, signed, inscribed and dated ‘September 1965’ on the reverse, oil on canvas 122cm x 91cm (48in x 36in) Exhibited: Scottish Arts Council, Edinburgh, William Gear no.48

£6,000-8,000

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

139§ FD354/2 DRUMMOND MAYO R.S.W. (SCOTTISH 20TH CENTURY) WINTER LANDSCAPE Signed, acrylic on board 80cm x 66cm (31.5in x 26in)

£500-800

140§ FD354/1 DRUMMOND MAYO R.S.W. (SCOTTISH 20TH CENTURY) BOIS DE VINCENNES Signed, acrylic on board 80cm x 66cm (31.5in x 26in)

£500-800

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

141§ FD131/2 JAMES MORRISON R.S.A., R.S.W. (SCOTTISH b. 1932) OLD MONTROSE I Signed and dated 1974, watercolour and ink 33cm x 91cm (13in x 36in)

£500-700

75cm x 51cm (30in x 20in)

143§ FD114/2 JANET M. MELROSE R.S.W. (SCOTTISH CONTEMPORARY) CICADA KITE Signed and inscribed verso, acrylic on board

£300-500

30.5cm x 137cm (12in x 54in)

144§ FD624/1 MARCEL MOULY (FRENCH 1918-2008) BURANO Signed, signed and inscribed ‘Paris 1965’ verso, oil on canvas

(unframed)

80cm x 66cm (31.5in x 26in)

£400-600

142§ FD65/86 WILLIAM BIRNIE R.S.W., R.G.I. (SCOTTISH 1929-2006) MAPLE LEAVES Signed, gouache

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

145§ FD112/1 ALBERTO MORROCCO O.B.E., R.S.A., R.S.W. (1917-1998) BEACHED BOATS Signed, bears Morrocco Estate back label, pen, ink and watercolour 51cm x 71cm (20in x 28in)

£1,000-1,500

146§ FD355/4 JOCK MCFADYEN R.A. (SCOTTISH b. 1950) THE MASSAGE PARLOUR Oil on canvas 61cm x 61cm (24in x 24in)

£500-800

147§ FD139/3 DONALD MANSON D.A. (SCOTTISH b. 1948) BOATYARD AND LIGHTHOUSE Signed, oil on panel 51cm x 61cm (20in x 24in)

£300-500

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

148§ FD355/5 PETER MCLAREN (SCOTTISH b. 1964) MAN AND A WOMAN IN A CAR Signed, inscribed and dated 1990 verso, mixed media 62cm x 80cm (24.25in x 31.5in)

£800-1,200 149§ FD192/3 KEN CURRIE (SCOTTISH b. 1960) UNION ORGANISER Signed, dated 1987, inscribed with title and numbered 11/20 in pencil to margin, etching

150§ FD611/1 BRIAN DONNELLY (SCOTTISH CONTEMPORARY) RED BRACES AND BLACK CAT Inscribed ‘Garrity’, acrylic on canvas

70cm x 52cm (27.5in x 20.5in)

£300-500

40cm x 51cm (16in x 20in)

£400-600

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

151§ FD379/2 GORDON MITCHELL R.S.A., R.S.W., R.G.I. (SCOTTISH b. 1952) LIGHT AND AIRY Signed, dated on a label verso ‘98, oil on canvas 41cm x 81cm (16in x 32in)

£2,000-3,000

152§ FD65/46 NEIL DALLAS BROWN (SCOTTISH 1938-2008) INCIDENT, 1978 Signed frame verso, oil on board 87cm x 87cm (34.25in x 34.25in)

£500-800

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

153§ FD406/3 STEPHEN CAMPBELL (SCOTTISH 1953-2006) GOD SAVE HENRY FREDERICK Signed, oil on canvas 61cm x 61cm (24in x 24in)

£1,200-1,500

154§ FD139/5 DONALD MANSON D.A. (SCOTTISH b. 1948) FLOWERS, FRUIT AND MERINGUE Signed, oil on panel 61cm x 51cm (24in x 20in)

155§ FD348/1 IAN FLEMING R.S.A., R.S.W. (SCOTTISH 1906-1994) COLD MOONLIGHT Signed, signed and inscribed and dated 1976 verso, oil on board

156§ FD616/1 MARY NICOL NEILL ARMOUR R.S.A., R.S.W. (SCOTTISH 1902-2000) DERVAIG, MULL Signed and dated ‘72 in pencil, pastel

£300-500

76cm x 61cm (30in x 24in)

31.5cm x 53cm (12.5in x 21in)

£700-900

£500-700

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

157§ FD379/1 LEON MORROCCO R.S.A., R.G.I. (SCOTTISH b. 1942) STILL LIFE Signed and dated ‘98, oil on canvas 82.5cm x 89cm (32.5in x 35in)

£6,000-8,000 END OF SALE

LY O N & T U R N B U L L Contemporary Scottish and Post-War Art

INDEX Adler, J., 128 Alechinsky, P., 124 Armour, M.N.N., 156 Bailey, C., 58 Balmer, B., 83, 118 Barrie, M., 40 Bartlett, S., 127 Bellany, J., 62, 63, 106 Bhatt, J., 44-50, 52, 53 Birnie, W., 142 Blackadder, E., 23 Bratby, J., 69 Brown, N.D., 19, 74, 152 Bryce, G., 5 Caldwell, W., 109 Campbell, S., 153 Canadian School, 90 Clarke, J., 87, 88 Coken, P., 112 Coley, N., 94 Crawford, J.G., 132 Crowe, V., 7 Crozier, W., 61, 78 Cunningham, J., 56 Currie, K., 149 Danish School, 89 Davie, A., 136 de Sanctis, A., 73

Demarco, R., 29, 129 Dobkin, A., 12 Donnelly, B., 150 Douthwaite, P., 17, 7 Dunkley, K., 35

Leishman, R., 107 Littlejohn, W., 101 Low, B., 131

Knox, J., 1 Kondracki, H., 108

Macbeth, D., 81 Mackenzie-Smith, I., 111 MacQueen, C., 104 Main, I.L., 59, 121 Main, K., 137 Manson, D., 6, 65, 66, 147, 154 Martin, D.M., 102 Mayo, D., 21, 135, 139, 140 McArthur, C., 18, 84, 114, 120 McClure, D., 76, 95 McFadyen, J., 146 McGavin, G., 3, 42, 103 McIntyre, J., 117 McKendrick, T., 115 McLaren, P., 36, 37, 130, 148 McLean, B., 13 Melrose, J.M., 122, 143 Mills, 51, 54, 55 Mitchell, G., 151 Morrison, J., 141 Morrocco, A., 67, 145 Morrocco, L., 157 Moss, C., 123 Mouly, M., 144

Leech, G., 34

Nicholson, J., 14

Finlay, I.H., 14 Firth, J., 2, 79 Fleming, I., 10, 155 Forrest, A., 91 Gear, W., 72, 138 Goudie, A., 28 Gray, A., 70, 71 Haig, E., 57 Hanna, N., 11 Harvey, J., 86 Hawkins, J., 41 Hood, E.B., 119 Houston, J., 8, 9, 110, 134 Houwson, P., 31, 32, 33 Hutcheson, T., 22 Johnstone, W., 26, 27, 62

Paterson, A., 116 Paterson, T., 85 Philipson, Sir R., 20, 60, 82 Pope, P., 4 Rae, B., 39 Reeves, P., 30 Renton, J., 25 Robertson, J.D., 16,133 Rosoman, L., 105 Rothstein, M., 126 Scholtz, B., 92 Scouler, G., 80 Thomson, A.B., 43 Villon, J., 125 von Hartmann, S., 15 Walker, E., 24 Warhol, A., 99 Wilcox, G., 68, 113 Williamson, S., 38 Wilson, C., 77 Wilson, W., 100 Wiszniewski, A., 96, 97, 98

GLOSSARY OF CATALOGUING TERMS The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist

Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Studio of ... / Workshop of ... In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Attributed to... In our opinion probably a work by the artist in whole or in part.

Circle of ... In our opinion a work of the period of the artist and showing his influence. Follower of ... In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style but not necessarily by a pupil. Manner of ... In our opinion a work executed in the artistâ&#x20AC;&#x2122;s style but of a later date After ... In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ... / In our opinion the work has been signed/dated/inscribed by the artist. Bears Signature ... / Date ... / Inscription ... / In our opinion the signature/date/inscription appears to be by a hand other than that of the artist. Dimensions are given height before width.

Rare Books, Manuscripts, Maps & Photographs Wednesday, 29th August, 2012 33 Broughton Place, Edinburgh EH1 3RR

Viewing times Sunday, 26th August 2pm - 5pm Monday, 27th August 10am - 5pm Tuesday, 28th August 10am - 5pm Morning of Sale from 9am Enquiries Simon Vickers Tel: +44 (0)131 557 8844 simon.vickers@lyonandturnbull.com

Albin, Eleazar The history of esculent fish. London: printed for Edward Jeffery, 1794. First edition, 4to.,18 hand coloured engraved plates and 7 engraved endpieces by Albin Provenance: Stobhall: The Library.: the property of Viscount Strathallan ÂŁ1,500-2,000 ($2,400-3,200)

Cathy Marsden Tel: +44 (0)131 557 8844 cathymarsden@lyonandturnbull.com

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Scottish Decorative Arts including Wemyss Ware and Fine Silver Wednesday, 14th August, 2012 33 Broughton Place, Edinburgh

Viewing times

Enquiries

Sunday 12th August 2pm - 5pm

John Mackie (Decorative Arts & Wemyss)

Colin Fraser (Silver)

Monday 13th August 10am - 5pm

Tel: +44 (0)131 557 8844

Morning of sale from 9am

john.mackie@lyonandturnbull.com

colin.fraser@lyonandturnbull.com

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Upcoming at Freeman’s

Modern & Contemporary Art 11/04/12

Auction Sunday, November 4th at 2pm Exhibitions Please contact the department or www.freemansauction.com for details

Inquiries: anne henry direct tel: 267.414.1220 ahenry@freemansauction.com

Catalogue $35

aimee pflieger direct tel: 267.414.1221 apflieger@freemansauction.com

RICHARD POUSETTE-DART (american 1916-1992) UNTITLED Oil on canvas, signed verso "R. POUSSETTEDART '77" 50 x 72 in. (127 x 183cm) provenance: The artist. Obelisk Gallery, Boston, Massachusetts. Private Collection, Wellesley, Massachusetts. $200,000-300,000 (£125,000-187,500)

www.freemansauction.com

Friday, 7th September, 2012 33 Broughton Place, Edinburgh EH1 3RR

FRANCIS CAMPBELL BOILEAU CADELL, R.S.A., R.S.W. (SCOTTISH 1883-1937) ‘TULIPS’ signed bottom centre FCB Cadell, and signed and inscribed verso, oil on board 45cm x 37.5cm (17¾in x 14¾in)

£60,000-80,000

US$96,000-128,000

Enquiries John Mackie Tel: +44 (0)131 557 8844 john.mackie@lyonandturnbull.com

Viewing August 20th to September 6th Monday to Friday 10am to 5pm Saturday & Sunday 12 noon to 4pm

Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com

For more information, on-line catalogue and to view a short film about the collection visit www.lyonandturbull.com/taffner

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Board of Directors

Specialist Departments

Chairman Sir Angus Grossart

Pictures, Watercolours and

Vice Chairman Paul Roberts Managing Director Nick Curnow Directors Campbell Armour Rachel Doerr Trevor Kyle John Mackie Gavin Strang Associate Directors Lee Young Mhairi McFadden

Prints Nick Curnow Charlotte Riordan Furniture, Clocks and Works of Art Douglas Girton Lee Young Asian Works of Art Lee Young Rugs and Carpets Gavin Strang

European and Asian Ceramics Douglas Girton Campbell Armour Rare Books, Maps, Manuscripts and Photographs Simon Vickers Cathy Marsden Arms and Armour John Batty (consultant) Antique Sales Theo Burrell Lydia Stoker

Jewellery, Silver, Coins and Medals Trevor Kyle Colin Fraser Decorative Arts and Design John Mackie

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

email: info@lyonandturnbull.com www.lyonandturnbull.com

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78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274

Administration

Valuation Department Telephone: 0845 882 2794

VALUERS

UK Director Rachel Doerr

Scotland Trevor Kyle Campbell Armour Gavin Strang

Client Services Judith Hardie Linda Robinson Jane Lightfoot Business Development Lady Middleton John Sibbald John Thomson Tessa Thomson Lindsey Michie

Northern England David Hall (consultant) North West England and Ireland Rachel Doerr

Operations Manager Alex Dove Finance Manager Mhairi McFadden Accounts Flo Marshall Eileen Welsh Hazel Tyrie Administration Edinburgh Kim Aitchison Glasgow Linda Robinson James McNaught

Midlands Patrick Bowen Michael Mays London and Home Counties Sean McIlroy South West & Wales Robin Barlow

Saleroom Staff Sydney Drew David Robertson David Fiddes Valerie Kyle Press and Public Relations Philip Gregory Marketing Matt McKenzie Photographer Mike Bascombe

London and Southern England Rachel Doerr Mobile: 07876 653602 rachel.doerr@lyonandturnbull.com

Lee Young Mobile: 07825 426555 lee.young@lyonandturnbull.com

Nicholas Campbell Mobile: 07920 791253 nicholas.campbell@lyonandturnbull.com

Jenny Johnson Tel: (0)20 7930 9115 jenny.johnson@lyonandturnbull.com

STANDARD TERMS & CONDITIONS OF SALE Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

6. PAYMENT (1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express. (2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges. (3) No purchase can be claimed or removed until it has been paid for.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

(f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(h) The singular includes the plural and vice versa as appropriate.

(1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract;

(1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon. Antiques, Jewellery & Silver and Pictures (Not Fine Sales) 20%. All other sales (Fine/Special/Collections) 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

(b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

12. AGENCY

inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

13. TERMS OF SALE

GENERAL

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT)

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. 15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that,

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 22. Scottish law applies to the interpretation of these Conditions.

Absentee bid form Sale/customer details 33 Broughton Place Edinburgh EH1 3RR Telephone 0131 557 8844 Fax 0131 557 8668

Sale Title Sale Date

Sale No.

Title

Initials

Client No.

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 2928 e-mail: info@lyonandturnbull.com www.lyonandturnbull.com

Surname Address Postcode Telephone

I request Lyon and Turnbull, without legal obligation of any kind on its part, to bid on the following lots up to the prices listed.

Fax

E-mail

£ Sterling limit Lot.No

Description

Ex. Premium & VAT

I understand that if any of my bids are successful the total price payable will be the amount of the final bid plus a Buyer’s premium calculated at the following rates: Antiques, Jewellery & Silver and Pictures (Not Fine Sales) 20%. All other sales (Fine/Special/Collections) 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium. The premium and VAT is payable by all purchasers. Lots in the catalogue marked * or † are subject to VAT on the hammer price as well as the premium. Where there are identical bids for a lot, the first bid received will be have precedence.

Client Signature

Date

Please make certain that your bids are submitted at least two hours before the start of the sale.

Lyon and Turnbull office use Date

Time

Bidder No.

Received Entered

International Auction Calendar AUGUST 14

Scottish Silver & Accessories Lyon & Turnbull, Edinburgh

Scottish Design & Wemyss Ware Lyon & Turnbull, Edinburgh

Scottish Contemporary & Post-War Art Lyon & Turnbull, Edinburgh

Rare Books, Maps & Manuscripts Lyon & Turnbull, Edinburgh

Rugs & Carpets Freeman’s, Philadelphia

The International Sale: Old Master Paintings, Drawings & Prints Freeman’s, Philadelphia

The International Sale: Fine Furniture & Decorative Arts Freeman’s, Philadelphia

Jewellery & Silver Lyon & Turnbull, Edinburgh

Paintings, Prints & Watercolours Antiques Lyon & Turnbull, Edinburgh

SEPTEMBER 07

The Donald & Eleanor Taffner Collection Lyon & Turnbull, Edinburgh

Fine Asian Arts Freeman’s, Philadelphia

Modern & Contemporary Art Freeman’s, Philadelphia

Photographs & Photobooks Freeman’s, Philadelphia

Fine Jewelry & Watches Freeman’s, Philadelphia

Rare Books, Maps & Manuscripts Freeman’s, Philadelphia

Decorative Arts & Design Lyon & Turnbull, Edinburgh

Coins & Medals Freeman’s, Philadelphia

American Furniture, Decorative & Folk Art Freeman’s, Philadelphia

The Pennsylvania Sale Freeman’s, Philadelphia

Fine Jewellery & Silver Lyon & Turnbull, Edinburgh

Fine Paintings Lyon & Turnbull, Edinburgh

NOVEMBER

OCTOBER 03

The International Sale: Old Master Paintings, Drawings & Prints Lyon & Turnbull, Edinburgh

The International Sale: Fine Furniture & Decorative Arts Lyon & Turnbull, Edinburgh

Fine Antiques Lyon & Turnbull, Edinburgh

Fine American & European Paintings & Sculpture Freeman’s, Philadelphia

English & Continental Furniture & Decorative Arts Freeman’s, Philadelphia

Fine Asian Works of Art Lyon & Turnbull, Edinburgh

DECEMBER

Sale dates are subject to change - please check before travelling. 72

Waverley Station

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom. WA ITH LE

ITH

Smaller items Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF The direct link to the ordering form is: http://www.mbeedinburgh.com/ art-and-antiques.php Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

QU EE N

Local Deliveries Local deliveries can be arranged by A&S Pert Removals. Telephone 07876 343520.

Lyon & Turnbull saleroom

St Andrew Square

ES ST

P R IN C

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale. Thereafter lots will be removed to store in Edinburgh and a charge incurred. Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2012. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274