BASIC BOSS VIKTORIJA PASHUTA BASIC SAGA What comes to mind when you hear the word, “saga”? You are probably imagining Nordic fairy tales, Viking voyages, epic movies like Star Wars and Lord of the Rings, but as the year 2018 concludes let’s look back and think of our own lives as beautiful sagas— our unique long stories of heroic achievements. Metaphorically speaking, many of us dream of being able to make a living by building magical sand castles and selling air to abiding citizens. In other words, it’s becoming easier than ever to reach success in today’s society. We have all the available resources to achieve the appearance we could have only dreamt of centuries ago. We have access to any imaginable tool you can think of to create just about anything intelligence and even the creation of the virtual super models like Shudu Gram and Lil Miquela. With the help of innovative technological devices, apps and global digital platforms, anyone can now create and promote anything they wish with the ease of one click.
Pant Suite by Jesse J
we desire—music, art, software, technology, artificial
With such an abundance of products being pushed out daily, one problem arises for me: HOW do we find the depth in the content that we create and strive to perfect our craft? How do we maintain authenticity and push ourselves to become better individuals, more experienced professionals, more compassionate human beings or more creative artists? It all comes
wait for anyone to give me an opportunity; I create opportunities for
down to the common phrases, “Believe in yourself.”
myself. It might be a good idea to go to the original source first, instead
“Follow your dreams.” “Don’t listen to what people
of copying from what has been done before. Try to get inspired from
say.” But what does it all really mean? To make this
places that are unexpected and come from fields other than yours. If you
simple, all you have to do is keep these two things in
are doing photography—turn to books, movies, experiences, travel, music
mind: reason and purpose. The reason and the pur-
and theater, for example. Your unexpected discovery is what adds depth
pose are the driving forces for art. They validate cre-
to your work.
ativity whether it’s painting, new sounds, fashion or a new business venture. The majority of artists are stuck
The word “saga” to me, is reminiscent of Drake’s lyrics “Started from
in between—either digging for pennies and dreaming
the bottom, now we’re here.” Most prominent athletes (like Pele and
of success, or gaining popularity and losing them-
Ronaldo), musicians (like Celine Dion and Madonna), fashion designers
selves in the loneliness of rapid fame. Remember to
(like Alexander McQueen and Coco Chanel) and celebrities (like Jim
define your purpose and uncover the reasoning behind
Carrey and Oprah Winfrey) are self-made personas, who, despite their
your work. Are you in it for a quick profit or do you
hardships in the beginning of their careers, have managed to create
aspire to leave something meaningful behind? Are you
empires of their own. Each of us have a story to tell. Let it be an astonish-
living in the moment or driven by the past or future?
ing saga that someone can tell about you one day.
I have always been attracted to stories—either in fiction, or those told via still images or film. Only
Basically Yours,
until recently, I started to spend more of my time
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working on film scripts, researching video shooting
CEO & Editor-in-Chief
techniques and innovative ways of telling stories via
Viktorija Pashuta
video format. Eventually, additional film projects and
viktorija@basic-magazine.com
opportunities started presenting themselves. I don’t
@viktorija_pashuta
B A S I C – MAG A ZI NE .C OM
CEO & EDITOR–IN–CHIEF V I KT O R I JA PA S H U TA viktorija@basic-magazine.com @viktorija_pashuta CHIEF FINANCIAL OFFICER SENIOR ART DIRECTOR ART DIRECTOR MANAGING EDITOR CONTRIBUTING EDITOR & PRODUCER CONTRIBUTING ART DIRECTOR LINE PRODUCER JUNIOR GRAPHIC DESIGNER
JACKSON CHONG NIGEL ZEFF seniorad@basic–magazine.com DAVID RUELAS artdirector@basic–magazine.com KIMBERLY HADDAD editor@basic–magazine.com JAMES ARNETT james@basic–magazine.com ROBERTA HALL TANYA QUENKO CANDICE LEE
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COVER CREDITS
Sponsored by: PALLADIUM F&B INDUSTRIES Photographer: IAN MORRISON Producer: JACKSON CHONG Creative Director: VIKTORIJA PASHUTA Contributing Fashion Editor & Stylist: DAVE THOMAS Stylist: JESSE J GUILLEN Videographer: CAMERON DUNBAR Grooming: TRE MAJOR Models: LAURA DENNIS & RHETT WELLINGTON Location: POPPY Suit: PRADA Shirt: DOLCE & GABBANA Tie: CIFONELLI Pocket Square: CIFONELLI
ILLUSTRATORS & ARTISTS
Adrianna Kinal, Natalya Nova
VIDEO PRODUCTION
Artur Gubin, Cameron Dunbar, Joe Teixeira, Roemon Pollard
EDITORIAL INTERNS, PHOTO & STYLIST ASSISTANTS
Alex Brown, Cameron Dunbar, Candice Lee, Chynna Teixeira, Gwen Dael, Julia Vadee, Lindsey Harr, Mahnoor Ghatala, Micah Sarai, Monica Samuel, Morgan Mantilla, Morgan Meunitz, Layall Dagher, Olga Yakimenko, Philip Amaro, Polina Valnere, Pooja Kavi, Richard Lopez, Rita Sounthonephom, Sasha Dawn, Shatora Adrell Irby
SPECIAL THANKS
Ahmad Barber, Amber Beverly Hills, Apex Photo Studios, Dawn Miller, Elite Performance, EPX Woodland Hills, Fitzgerald Conservatory, Cherry and Sergey, Elite Performance, FDP Studios, Jackson Chong, Heroes Motors, Industry Models, Maison Privée PR, Marble Büro, Marcella Bonfante, Maureen Kragt, Mina Energy Drink, Monaco Influencer Awards, Norman Silverman, Now What Model Management, POPPY, Salon Designers LA, The Archives & Showroom, The Trend Haus, Treehouse Studios, YOR Health
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Sponsored by FITZGERALD CONSERVATORY Photographer & Set Design: VIKTORIJA PASHUTA Produced by: JACKSON CHONG Producer: JAMES ARNETT Stylist: AMBIKA “B” SANJANA Model: KYLA Makeup: LIJHA STEWART Hairstylist: VICTOR MENDOZA Photography Assistant: CAMERON DUNBAR Production Assistants: MORGAN MEUNITZ & MORGAN MANTILLA Styling Assistants: RICHARD LOPEZ, POOJA KAVI, MAHNOOR GHATALA & MICAH SARAI Location: APEX PHOTO STUDIOS
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8 SPACETIME ODYSSEY Basic Accessories 10 STATE OF DIFFRACTION by Daryna Barykina 16 ZODIAC AS MASTERWORKS by Viktorija Pashuta Basic Viral 30 TALE OF TALES by Emmanuel Boum Basic Project 38 TYGA by Ian Morrison Basic Cover Story 48 MASQUERADE GANG by Ramses Radi 60 HEROINE by Emanuele Savoia 64 DIAMOND HEART by Viktorija Pashuta 70 SUPER GREEN by Viktorija Pashuta 74 EMPRESS OF LOS ANGELES by Bekor & Blaine 80 HOLLYWOOD ELEGIES by Viktorija Pashuta 86 DREAMLAND by Viktorija Pashuta 96 MARBLE SCULPTURES by Irina Litvinenko 102 DIAMOND QUEEN Basic VIP 104 PHOSPHOR by Tareck Raffoul 112 METROPOLIS by Bekor & Blaine 122 COFFEE LANDS by Natasha Kertes 130 KHANIJO by Kateryna Shevchenko Basic Lookbook 136 DYTTO by Eduardo Figueroa 142 SUBIN HAHN 144 H.E.R. by Ahmad Barber Basic Music 152 DARK SIDE OF FASHION by Kareem Quow Basic Article 160 ADRIANNA KINAL Basic Artist 162 MONACO INFLUENCER AWARDS Basic Events 166 KALEIDOSCOPE Basic Curiosities 168 NATALYA NOVA 170 TREASURES OF NATURE by Alexander Khokhlov
Suit PAUL SMITH Shirt PRADA Tie CHARVETÂ Pocket Square CHARVET
SCAN TO WATCH FASHION FILMS
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ACCESSORIES
ROGER V IV IER V IV' MICRO STA RS CLUTCH
Words by KIMBERLY HADDAD
ROGER V IV IER STA R MULE Timeless and elegant, this stunning shoe is embellished with a dazzling crystal star emblem, side straps with metallic buckles and leather stripes for a new version of modern chic.
ROGER VIVIER FLOWER STR ASS BOOTIE The Flower Strass ankle bootie is exquisitely crafted in satin silk with a trompe-l’oeil insert, side zip closing, jewel buckle and retro-inspired crystal flowers.
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FR EYA ROSE H A LO CH A MPAGNE The Halo Champagne highheel sandal is an edgy, yet feminine shoe bejeweled with a crystal ball beneath the arch, reminiscent of the glittering stars and planets of our solar system. Part of the limitededition Supernova Collection, these designer shoes will give you the sparkle you so very deserve.
This chic clutch is truly one-ofa-kind and will add the perfect touch of starry elegance to your ensemble. Crafted in a royal blue velvet, this clutch features a crystal buckle and metal chain strap.
ROGER V IV IER A STR E STUDDED KNEEHIGH BOOT Inspired by mid-century modern architecture, this over-the-knee boot is the epitome of sophistication and luxury. Crafted in a sleek black suede, this romantic boot includes a drawstring closure and is embellished with metal studs and stars.
CHI A R A FER R AGNI These Stardust sabot flats are beautifully made with cognac lamb fur, black satin and flirtatious crystal constellations for a playful, yet sophisticated aesthetic.
GUCCI FELINE HEA D EA R R INGS Inspired by the carved heads from the Le Marché des Merveilles collection, these gorgeous earrings are made with green jade and feature a brilliant-cut diamond at the center. A diamond-eyed tiger at the back give these beauties a lavish finish.
GUCCI DIV E WATCH The diver's inspired design of the Gucci Dive watch is combined with symbolic motifs of the House, the Gucci bee—a historical code from the '70s archives. The nylon Web strap is further enriched with the now iconic phrase "L'Aveugle Par Amour."
ROGER V IV IER EV ENING BOX POMPTON Crafted in a stunning metallic snakeskin, this hard-shell evening box captures the creative spirit of Roger Vivier. Both chic and versatile, it features the signature logo buckle, magnetic closure and hanging tassel.
ROLEX CELLINI MOONPH A SE WATCH Featuring an astronomical function, this watch is an exclusive design inspired by the lunar cycle. The 39 mm Cellini Moonphase is offered in 18 carat Everose gold with a white lacquer dial and blue enameled disc at 6 o’clock, showing the full moon and the new moon. The brown alligator leather strap gives the design a sleek finish.
KL A SSE14 WATCH A modern yet sophisticated design, this watch conveys effortless style and attitude to complete your daily get-up. Featuring a monochromatic color palette and a geometrically patterned wristband, this watch can truly elevate your outfit for a night out on the town.
MONTBLANC SPIDER PEN Weaving a web of fascinating beauty, this pen is a symbolic representation of author Ovidius Naso and his spiderinspired literature. Created with utmost excellence, the pen dazzles in nearly 13 carats of diamonds, features a solid white gold cap and threedimensional spider web motif. The spider jewel secured with a unique triple closure mechanism can be removed to be worn separately as a bracelet or a brooch.
MCL A R EN SPEEDTA IL The Speedtail can achieve the highest maximum speed of any McLaren to date, reaching 250mph while delivering an unprecedented blend of contemporary craftsmanship, materials innovation and bespoke personalization. A car like no other, the Speedtail features a central driving position and two seats on either side.
NEW Y E A R , NEW ZODI AC: THE PIG LIMITED EDITION 512 Montblanc celebrates the year of the pig with this spectacular hand-engraved pen. The design on the silver cap is a detailed representation of the animal associated with good fortune, success, wealth and resilience. The zodiac symbol is elegantly stamped on the Au750 solid gold nib, while the cone is set with a sparkling ruby, the birthstone of the pig.
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CREATIVE DIRECTOR • PHOTOGRAPHER • MAKEUP ARTIST: DARYNA BARYKINA @DARYNA_BARYKINA MODEL: SHANTE ARMSTRONG @SHANTE.ARMSTRONG WARDROBE STYLIST: JANELLE LAFOND @JMISTYLING 10
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THIS PAGE Jacket BOTTLE BLONDE STUDIO OPPOSITE Tinsel Two Piece NASTYGAL Earrings NASTYGAL Boots SAM EDELMAN
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Tinsel Dress NASTYGAL Earrings FREE PRESS Belt H&M
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Tinsel Two Piece NASTYGAL Earrings NASTYGAL Boots SAM EDELMAN
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Red Graphic Blazer THESEPINKLIPS Fishnets H&M Long Tinsel Jacket BOTTLE BLONDE STUDIO Bodysuit FOREVER21 Skirt KEVIN ARNETT Jacket, Bodysuit, Obi Belt and Beret KEVIN ARNETT Black Graffiti Jacket THESEPINKLIPS Pants BCBGMAXAZRIA Fishnets H&M Shoes OLIVIA FERGUSON
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Long Tinsel Jacket BOTTLE BLONDE STUDIO Bodysuit FOREVER21 Skirt KEVIN ARNETT
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VIRAL
ZODIAC AS MASTER WORKS by VIKTORIJA PASHUTA
SPONSORED BY FITZGERALD CONSERVATORY PRODUCED BY JACKSON CHONG
ASTROLOGY PREDICTIONS BY KRISTA MERIDIAN PHOTOGRAPHER: VIKTORIJA PASHUTA @VIKTORIJA_PASHUTA SET DESIGN & PROPS: VIKTORIJA PASHUTA PRODUCER: JAMES ARNETT @JAMESARNETT1 LEAD STYLIST: AMBIKA “B” SANJANA @STYLEDBYAMBIKA MODELS: LEXIE FELDERMAN @KYRAFELDY HAILEY BETH @HAILEYBETHS STEPHANIE MURONE @STEPHMURONE RITTA KELLY @RITTAKELLY JASMINE SHOGREN @JASMINE_SHOGREN STACI PRATT @STACIPRATT KARIS DAWSON @KARISDAWSON 16
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KYLA @KYLA_NA MALIA Z @MALIAZAHRA GRACE PALMER @GRACEPALMER DEVYNN ESQUIBEL @DEVYNN.NICOLE ANNA PASHUTA MAKEUP: LIJHA STEWART BARBARA YNIGUEZ REDMAN LEIBI CARIAS @ CELESTINE AGENCY COOPER @ STATE MANAGEMENT HAIR: VICTOR MENDOZA TRE MAJOR @ KEN BARBOZA & ASSOCIATES BETHY MIRELES ANTHONY MONTOYA PHOTOGRAPHY ASSISTANT: CAMERON DUNBAR @DUNBADN PRODUCTION ASSISTANT: MORGAN
MEUNITZ @MORGANMEUNITZ PRODUCTION ASSISTANT: MORGAN MANTILLA @MOVEKIIPHOTOGRAPHY STYLING ASSISTANTS: RICHARD LOPEZ @STYLEDBYRICH POOJA KAVI @JAPOOJAKA MAHNOOR GHATALA @NOORNOORNOOOOR MICAH SARAI @IMICAHSARAISPECIAL THANK YOU: APEX PHOTO STUDIOS WWW.APEXPHOTOSTUDIOS.COM MOTORCYCLE: HEROES MOTORS @HEROESMOTORS, HEROES MOTORS LOS ANGELES (“NEMESIS” LIMITED PRODUCTION) BIRGIT C. MULLER FOR BEAUTIFUL CHAIRS: CHRISTOPHER GUY @CHRISTOPHERGUYOFFICIAL
VIRGO MONA LISA by Leonardo Da Vinci 1503 MODEL: LEXIE FELDERMAN @KYRAFELDY, NOMAD MGMT MAKEUP: LIJHA STEWART @LIJHAJADE HAIR: VICTOR MENDOZA @MENDOZAVICF JACKET: PR SOLO EXCLUSIVE COLLECTION @PR_SOLO TOP: KHOLSA JANI @KHOSLAJANI JACKET: CHANEL @CHANELOFFICIAL TROUSERS: HOUSE OF CB @HOUSEOFCB BRACELET: HOUSE OF WASÉE @HOUSEOFWASÉE EARRINGS: IRIS TRENDS @EYEOFIRIS RING: PYRRHA @PYRRHAJEWELRY
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HATHOR EGYPTIAN GODDESS Apx. 2181 BC MODEL: RITTA KELLY @RITTAKELLY, NOMAD MGMT MAKEUP: BARBARA YNIGUEZ REDMAN @BARBARAWHODOESMAKEUP, STATE MANAGEMENT HAIR ART & HEADPIECE: TRE MAJOR @TREMAJOR_BEAUTY, KEN BARBOZA & ASSOCIATES GOWN: SHOWROOM OTT DUBAI @OTT_DUBAI SHOES: CAPE ROBBIN @CAPEROBBIN EARRINGS AND NECKLACES: IRIS TRENDS @EYEOFIRIS RING: HOUSE OF WASÉE @HOUSEOFWASÉE RING: SEVEN SAINTS @SEVENSAINTSLIFE INSECT RING: APM MONACO @APMMONACO
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CAN C E R ADELE BLOCH-BAUER by Gustav Klimt 1907 MODEL: STEPHANIE MURONE @STEPHMURONE MAKEUP: LEIBI CARIAS @LEIBI_CARIAS, CELESTINE AGENCY HAIR: BETHY MIRELES @BETHYMIRELES HATHOR Egyptian Goddess Apx. 2181 BC DRESS: OTT DUBAI @OTTDUBAI BRACELETS AND CHOKER: HOUSE OF WASÉE @HOUSEOFWASÉE EARRINGS: TANZILA RAB @TANZILA_RAB_DESIGNS CHAIR: CHRISTOPHER GUY @CHRISTOPHERGUYOFFICIAL
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L EO VENUS VERTICORDIA by Dante Gabriel Rossetti 1864 MODEL: GRACE PALMER @GRACEPALMER, NOMAD MGMT MAKEUP: LEIBI CARIAS @LEIBI_CARIAS, CELESTINE AGENCY HAIR: BETHY MIRELES @BETHYMIRELES DRESS: LULU HARAZIN @LULUHARAZIN NECKLACE: APM MONACO APMMONACO BANGLES: TANZILA RAB @TANZILA_RAB_DESIGNS HEADPIECE: LECIEL DESIGN @LECIEL.DESIGN
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LIBRA WOMAN WITH A HEAD OF ROSES by Salvador Dali 1935 MODEL: ANNA PASHUTA HEADPIECE HANDMADE BY VIKTORIJA PASHUTA SHOES: CAPE ROBBIN EARRING: WAVE EARRING IN GOLD BY MOUNSER @AUTUMN PR
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PIS C ES SEATED WOMAN WITH FISH HAT by Pablo Picasso 1964 MODEL: KYLA @KYLA_NA, NOMAD MGMT MAKEUP: LIJHA STEWART @LIJHAJADE HAIR: VICTOR MENDOZA @MENDOZAVICF BLAZER: SERGIO HUDSON @SERGIOHUDSON BODYSUIT: BAO TRANCHI @BAOTRANCHI ONE-SHOULDER RUFFLE: @STYLEPR EXCLUSIVE COLLECTION SHIRT: DEATH BY DOLLS @DEATHBYDOLLSOFFICIAL FISH HAT: HANDMADE BY VIKTORIJA PASHUTA EARRINGS: CONSTALLATION EARRING IN GOLD BY MOUNSER AND FOYER EARRING BY KIM MEE HYE @ AUTUMN PR
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G E MI N I THE TWO FRIDAS by Frida Kahlo 1939 MODEL: MALIA Z @MALIAZAHRA, NOMAD MGMT MAKEUP: COOPER @ITSJUSTCOOP, STATE MANAGEMENT HAIR: TRE MAJOR @TREMAJOR_BEAUTY, KEN BARBOZA & ASSOCIATES GOWN: CAYLAN ATELIER OFFICIAL @RCCAYLANATELIEROFFICIAL HEELS: ALEJANDRA G. @ITS_ALEJANDRA_G RING: ROZALIYA JEWELRY @ROZALIAJEWELRY EARRINGS: LECIEL DESIGN @LECIEL.DESIGN BENCH: CHRISTOPHER GUY @CHRISTOPHERGUYOFFICIAL
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AQUAR IUS DROWNING GIRL by Roy Lichtenstein 1963 MODEL: DEVYNN ESQUIBEL @DEVYNN.NICOLE, NOMAD MGMT MAKEUP: LIJHA STEWART @LIJHAJADE HAIR: TRE MAJOR @TREMAJOR_BEAUTY, KEN BARBOZA & ASSOCIATES BODYSUIT: SERGIO HUDSON @SERGIOHUDSON COAT: JIVOMIR DOMOUSTCHIEV @JIVOMIR.DOMOUSTCHIEV BRACELET & NECKLACE: IRIS TRENDS @EYEOFIRIS
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S C ORPIO PORTRAIT OF SIMONETTA VESPUCCI by Sandro Botticelli, 1480–1485 MODEL: JASMINE SHOGREN @JASMINE_SHOGREN, NOMAD MGMT MAKEUP: COOPER @ITSJUSTCOOP, STATE MANAGEMENT HAIR: BETHY MIRELES @BETHYMIRELES BEADED DRESS: MALAN BRETON @MALANBRETON DRESS SHIRT: KHOSLA JANI @KHOSLAJANI EARRINGS: APM MONACO @APMMONACO MEDALLION NECKLACE: PYRRHA @PYRRHAJEWELRY
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Words by Krista Meridian
ARI ES
Possessing intense ambition, those born under the sign of Aries carry the energy of the trailblazer. These fiery people fully embrace dominating uncharted territory, self-proclaiming themselves as undefeated leaders. In the year ahead, Aries will experience situations that are related to their power in the public arena. In January and December, there will be two major eclipses that begin and end the year, ensuing the astral area that rules profession, achievement and social standing for Aries. Life should feel more grounded and stable, with little room for unbalanced individuals or unstable gigs.
TAURUS
From their treasured fashion labels to well-placed antiques, Taurus loves to acquire possessions of great value. The material world makes them feel secure and in turn, they become a presence of security for others. Their laugh is bountiful and their touch feels reassuring, but encourage them to change an aspect of their life and they will personify the angry resistance of the bull. Uranus officially enters the sign of Taurus in 2019, and this planet’s unpredictable quality can shake up the steadiest of people. Expect surprises in career, unexpected lifestyle changes and a new interest in technology.
GEM I N I
Imagine the essence of Gemini as fraternal twins with vastly different personalities and interests, yet they both share a childlike curiosity to relate to the world. The innate duality of this sign allows Gemini to connect with both views of a discussion, as they can also see contradictions within themselves. Geminis can be spotted by their quirkiness, a comic-book backpack, a silly license plate or simply writing notes with scented magic markers. Geminis will attract their own partners in 2019, as Jupiter’s year-long stay in the area of interpersonal relationships will attract friends and lovers who are of an opposite nature.
CA N CER
The adage, “home is where the heart is” couldn’t have more validity for the moon-ruled sign, Cancer. Emotionally attached to their dwelling, Cancer has an instinctual ability to build a home that is safe, protective, warm and filled with subtle hints of beauty. Once the people of this water sign feel that they have an anchor-like connection to their foundation, they will feel secure enough to create structures and spaces that make Earth feel like a better home for everyone. However, find them in one of their crabbier moods, and they will be snug
in a cashmere throw, withdrawing into their shell. This need to withdraw will appear repeatedly in their relationships throughout 2019. For Cancer, the keyword of the new year is structure.
throughout 2019 is imperative, as they may have a tendency to linger and not be forgotten over time.
L EO
Graced with a gift of vison, Sagittarius has a force of foresight that enables them to see possibilities where others see none. They are likely well-read in different religions, spiritual practices and occult theories. Having the freedom to travel when the mood strikes is a priority to them, so their relationships and career must grant them the opportunity to roam. Beyond their Bohemian haircuts and exotic-print blazers, lies a sparkling wisdom that keeps them grounded throughout life’s journeys. The adventure of the upcoming year could bring an extra gleam of optimism and benevolence.
To create, or not to create? That is the question. Action for the fire sign, Leo, must be inspired by love, artistic expression or recognition as the leader, entertainer or hero. They can be quietly dignified or the vibrant life of the party. With Jupiter travelling through Leo’s domain of romance, drama and talent, anything that can be visualized can be achieved. In 2019, Leos may also experience health issues related to work, so being cautious of burning out is a must. Leos who feel constrained in their current career will take leaps of faith that will grant them more freedom.
VIRGO
Symbolized as the virgin, Virgo religiously believes in the purification of any system, including mind, body and soul. Their practical intuition and appreciation for detail make their creative efforts pristine. Despite appearing detached, they fully express themselves when being of service to others, which they do on their own terms. Virgos can expect changes in their daily routine in 2019. The new year will provide Virgo with experiences that solidify their foundation and they have the dexterity to do it carefully, and in good time.
LIBRA
Balance is a transcendental concept, shown in the balance of the scales to the universal laws of evolution. True to their nature, Libra finds balance right in the middle, especially in relationships. People of this airy sign always seek a partner to balance them out. Libras without a partner likely compensate with gourmet desserts, tranquil music and muted color schemes. The new year may be the year Libra meets a significant other, likely through work or a joint project. Mars, the astral body of drive and ambition, is in Libra’s zone of marriage and official relationships for a significant amount of time in 2019.
SCORPIO
Scorpios are well acquainted with the philosophy, “change is the only constant in life.” From experiencing highly-transformative experiences that are out of their control to inciting metamorphosis consciously, they know that it takes descending into their depths to ascend to their heights. The new year could bring Scorpio a lover who will bypass their intensity and dismantle their guard. Saturn transiting through Scorpio’s third house of communications indicates that being careful with words
S AG I T TAR I US
CAPR I C OR N
They may appear distant, aloof and cold, but Capricorns value their time above all else. If the matter at hand is frivolous, they are uninterested. Capricorns are highly resourceful, using the tools available to them to reach a goal or solve a problem. Their inclination is to be well-informed, as this shows through their “in the know” conversation, down to their appreciation of timeless clothing brands. In 2019, Uranus will be making a shift from Capricorn’s base of family, roots and foundation into the zone of creativity, passion and romance.
AQUAR I US
Like a strong cold wind, the air of Aquarius can inspire either rigidity or knock things over. The fixed air sign can embody one of the two polarities: one who values tradition and structure or one who challenges the norm with innovative pursuits. When they are not involved in humanitarian work, they are sporting their favorite gray hoodie and laughing at the flubs in current events. The new year will bring Aquarius much more content to laugh at in the news cycle, but Aquarius’ personal life in the upcoming year will involve undergoing a deep spiritual quest within. Saturn, the air sign’s co-ruler, rests in the domain of spirituality, dreams and intuition.
PI S C E S
With a slender physique, dreamy eyes and a stride that can be mistaken for floating, Pisces is the embodiment of divinity. What’s often withheld about Pisces is that they have an inborn desire to transcend from the physical world. They prefer to dwell in emotions, dreams and fantasies. Pisceans will have to keep their eyes wide open in 2019. With Saturn in Pisces’ house of friendships, social circles and group aspirations, there are lucrative opportunities for collaborating with others to reach a common goal. 29
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“Once you're happy, there's no limit to your creativity or your success because everything you're doing is coming from a good place.�
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“You can’t get caught up in what everyone else is doing. Most of this stuff is perception. A lot of it isn’t real. Get caught up in yourself and that’s how you become successful in anything. Be obsessed with what you’re doing, and other people will too.”
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THANK. YOU. GOD. ALWAYS.
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WORDS BY KIMBERLY HADDAD
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MICHAEL RAY STEVENSON, otherwise known as Tyga, is one of the music industry’s younger talents and an award–winning hip–hop recording artist known for his high–energy and charismatic demeanor. His gratitude is sincere and humbling, and his passion for sound is evident when he speaks. His roots are firmly planted in the city of Compton, California, home to a passel of childhood memories and a breeding ground for the musical icons and kindreds who’ve served as inspiration to his prolific career. After releasing his first–ever mixtape Young on Probation in 2007, the project garnered enough attention from Lil Wayne who signed Tyga to Young Money Entertainment at just 18 years old. His wildly popular song “Rack City” eventually hit the mainstream in 2011, gaining much prominence by media outlets and being listed as the “best song on radio” by Spin Magazine for its nostalgic sounds and producer DJ Mustard’s captivating production. At just 28 years old, Tyga has built a flourishing career—and this year has been quite impressive. In February, he released studio album Kyoto, and in May, summer anthem song “Taste,” a trap-influenced track featuring Offset from Migos, reached number eight on the Billboard Hot 100 chart. This past September, the hip-hop heavyweight released two highly-anticipated songs “Dip” and “Swap Meet”—both which have been hailed as club bangers and radio favorites. Tyga has gained considerable momentum and doesn’t plan on slowing down any time soon. You are half Vietnamese, half Jamaican, and grew up in Compton, CA. Can you share a bit of insight into your upbringing and your influences of becoming a rapper? I grew up back and forth between Compton and Gardena, small cities next to each other with my godparents and my mom, and you know, my grandparents used to play like real old-school music in the morning when I was going to school. I grew up listening to a lot of music, a lot of Tupac. I like things with soul and I am super inspired by the Bay Area, which is kind of where I started my career and recording. My sound especially, is heavily influenced by the Bay Area. You released the album Kyoto back in February, an album very different from your previous releases in terms of musical style and creative direction. What inspired you to step out of your comfort zone and create a more sensual, melody-based vibe? It’s just what I wanted to do. I kind of wanted to share with the world, kind of where I was at in my life and the things I wanted to talk about. I just had to get it out to be able to move to the next phase in my career in regard to my sound. Once I released it, I was able to move forward with my new sound and release tracks like “Taste”. The cover art for the project features a provocative woman–tiger hybrid with her pants down, which received quite a bit of backlash. At BASIC, we really appreciate good art, and more–so when it’s erotic. Tell us about the illustration and the vision behind it. I had spent a lot of time in Japan and Asia all last summer, I was out there a lot and one of my boys is a friend of the artist [Hajime Sorayama]. I’m a big fan of his work, his futuristic robots and a lot of the futuristic robot women that he does. I went to his studio and was like, “Man, it would be crazy if you designed my cover.” I didn’t really have an idea, but I knew I wanted to do a Japanese design because of the influence behind it. He showed me the images and when I saw the tiger robot bent over and naked, I just thought it was so crazy and explanatory. It was really powerful, you know what I’m saying? The Japanese style behind it, the rising sun.
This woman who is almost like half–animal, half-robot. She is by herself. I just really liked the art and the image. I really resonate with the lyrics of “Leather in the Rain”. You sing, She can wear leather in the rain, she can find pleasure in pain. Tell us about your creative process when developing your lyrics and music. What do they mean to you? Those lyrics are poetic. It’s about emotions and finding meaning behind them. When I say, She can wear leather in the rain, she can find pleasure in pain, she’s a very strong person and she doesn’t let anything break her, you know? And I admire that about her. I just picture a woman like that, somebody like my mom or somebody that’s real strong, a woman who is independent. That’s something I admire. That’s what “Leather in the Rain” is about. Your new tracks “Dip” and “Swap Meet” released in September, are getting a ton of traction and you are now in the process of working on a music video with the incredible Nicki Minaj. Can you share anything about this? It’s really a secret, but the video is definitely going to be good. Like, I know people drop videos with the song, but this one is going to be real special. I didn’t want to hold the song back, so I put the song out so people can get familiar with it. The video is going to be crazy though and nobody is going to expect it, for sure. It’s different from the past three videos I dropped. Talk to us more about finding your sound and carving a new space for yourself in such a saturated industry. I don’t really talk about it much, but I feel like I’ve always been an innovative artist. I’ve been in the game for 10 years now and have worked with a lot of people, but I am always evolving my sound and finding new sounds and producers, like DJ Mustard and D.A. [Doman] who is doing my new records now. That’s really the one thing that keeps me excited, that keeps me motivated to rap. It’s about trying to find new sounds and trying to be different. What things in the world do you rely on to find inspiration for new sound when you have creative block? Girls, (laughs) and being happy you know? Once you’re happy, there’s no limit to your creativity or your success because everything you’re doing is coming from a good place. Then it’s more about putting your best into it. In 2016, you launched your own clothing line, Last Kings, collaborated with designer Marcelo Burlon to create an Asian–inspired streetwear collection and starred in a major fashion campaign for Alexander Wang. What made you want to dive into the world of fashion? I mean, fashion is something that’s always been in me, you know? Since being in middle school and high school, I’ve always been into the latest trends. It’s just something I’ve always been inspired by, especially when it comes to hip–hop. I was always inspired by F.A.B., 50 Cent, Lil Wayne, everybody that was doing things in fashion, Jay–Z. It’s like a movement. You couldn’t be inspired by rap and hip–hop if you weren’t inspired by fashion because there was almost like a dress code. It’s kind of like a way of life—how you dress, how you talk. Like, if you’re from LA, you talk a certain way, if you’re from NY, you talk a certain way. There’s just different codes and everything, but fashion always brings it all together.
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If you ever had a chance to do a music collaboration with an artist from the past who is no longer around, who would it be and why? Of course, Tupac. Like being in the studio with him and to see his process. Tupac and Michael Jackson are my all-time favorite inspirations. Just to experience and witness their process. I’ve been in the studio with a lot of different people and everybody’s process is different, you know? But definitely, if they were still alive, I’d want to be around them.
It’s so easy to get lost in a superficial lifestyle, especially with always being in the spotlight and how the media portrays you. Is there something you want people or fans to know about you that they don’t already know? I’m very hands–on with everything. I just watch everything. I’m a person that really absorbs information. I don’t know, I feel like you can only get to know somebody as much as you can, and once you get to know all the things about a person, you create an idea about somebody. So, everybody’s idea of me is probably different based on different things they’ve
shouldn’t care about though. I think for the artists, though, because it’s so worldwide now with streaming and everybody is listening at the same time, you know? They kind of separate everything from America and I think it all needs to be one because it is one. Music is one, the way people are discovering it. Honestly, I am excited for where music is right now, especially for rap. And I think it’s only going to continue to get better for sure.
seen or different songs they’ve heard. And I am always evolving as a person. I just think that, especially as an artist, you are always involved, you make mistakes and then you do good things. Life moves so fast when you are dealing with fame and the lifestyle that the average person who listens to your music might not understand you and judge because they don’t really know, or they are coming from a place where they can’t relate sometimes. I think it’s about being more open-minded cause for artists man, we deal with so much.
If you could collaborate with any fashion designer in the near future, who would it be?
What are your top three favorite movies? Of course, Scarface, The Mask and Casino.
Tell us about one of your favorite childhood memories. Definitely has to be playing sports and me as a kid. It was real fun, something I looked forward to every day, having baseball games and football games every Saturday and Sunday. It was a simpler time, you know?
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who are really throwing some dope stuff out like street-wear. There’s really no limit now, especially with Instagram and stuff. Like, people on Instagram are hitting me up to design shoes, pants and sometimes it’s crazy, like kids. But it’s all coming from the street, all coming from a warm place, what people are making. As a man of taste, tell us about your personal style and how it has evolved over the years. Who are some of your favorite designers? Right now, I really like what Alyx and A–Cold–Wall is doing. There’s a lot of people doing crazy stuff. Even J. Lorenzo. There are just so many designers and people from places like Germany and London
If you had complete control in the world of music and its direction, what would you change? I think it’s in a really good space right now, but I think they need to change global certifications. This is stuff that fans and certain people
Definitely Prada. I have always been a fan of Prada. They always keep it simple, but it’s always sporty and comfy, you know? The thing with Prada is always comfort, but it’s still luxury and now everything they’re doing is crazy, especially the latest collection. It’s definitely one of my favorite luxury brands for sure.
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Dress: Four Ply Silk Cinnamon Draped Cube Dress
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Dress: Teal Blue Organza Dress With Asymmetrical Ruffle Dress
Dress: Teal Blue Organza Dress With Asymmetrical Ruffle
Makeup: Christian Louboutin Loubiminette Lipstick
Makeup: Christian Louboutin Loubiminette Lipstick
Nails: Tom Ford Indian Pink
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Dress: Organza Dress With Jewel Neckline Makeup: Prtty Peaushun In Plain Skin Tight Body Lotion
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Pearl White Old Hollywood Dress: @Thetrendhaus Jewelry: Charlie Lapson 80
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by Viktorija Pashuta
Photographer: Viktorija Pashuta @viktorija_pashuta Producer: Jackson Chong Model: Abby Neff @industrymodels @abby.neff
Stylist: Jesse J Guillen @jessejcollections @thetrendhaus at www.sixk.la Makeup: Jerry Avilla @jerryavila_ Hairstylist: Ksenia Kim @hairbyksenia
Sponsored by Amber Beverly Hills
Manicurist: Denise Bourne @denisebourne37 @rexagency Production Assistant: Layall Dagher Video/Fashion Film: Artur Gubin @arturgubin
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Couture Body Suit: Zlatko Jovanovski
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Pearl White Old Hollywood Dress: @thetrendhaus
Old Hollywood Head Piece: @thetrendhaus
Jewelry: Charlie Lapson
Jewelry: Charlie Lapson Body Suit & Cape: @thetrendhaus
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Couture Dress: Zlatko Jovanovski Jewelry: Charlie Lapson
SCAN TO WATCH FASHION FILM:
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Feather Robe CELESTE @OHYESCELESTE Two-Piece Lace Set HONEY BIRDETTE @HONEYBIRDETTE Emerald Set KAMAL BEVERLY HILLS @KAMALBEVERLYHILLS
SPONSORED BY PALLADIUM F&B INDUSTRIES PHOTOGRAPHER: VIKTORIJA PASHUTA PRODUCER: JACKSON CHONG LINE PRODUCER: TANYA QUENKO @QUENKO LOCATION: LEGENDARY SUNSET HOLLYWOOD VILLA PRODUCTION MANAGER: LANA VAVRISCSHCHUK STYLIST: AMBIKA SANJANA @STYLEDBYAMBIKA KEY HAIRSTYLIST: CANTRELL MITCHELL KEY MAKEUP: LUPE MORENO SET DESIGNER: RHETT BARUCH HAIRSTYLIST: ANTHONY MONTOYA HAIRSTYLIST: ANASTASIA TEREDOVA HAIR & MAKEUP: REYNA KHALIL MAKEUP: MICHELLE MAGADA MAKEUP: LILIYA GUMEROVA MANICURIST: JOLENE BRODEUR STYLIST ASSTISTANTS: SHATORA ADRELL IRBY @SHATORA.ADRELL AND RICHARD LOPEZ @SIRRICKKY PRODUCTION ASSISTANTS: CANDICE LEE AND ALEX BROWN MODELS: ALENA NAZAROVA, RHETT WELLINGTON, SANDY LEDDIN, TATIANA NEVA, LAURA ANN DENNIS KELLETH CUTHBERT 86
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Two-Piece Printed Suit NUVULA @NUVULA Yellow Crop BARUNI @BARUNI_FASHION White Tights GUCCI @GUCCI Sunglasses A ROCK ON A LENS @AROCKONALENS Jewelry and Scarf VINTAGE
DALIA MACPHEE @daliamacphee Sunglasses A ROCK ON A LENS @AROCKONALENS Jewels PR SOLO PRIVATE COLLECTION @PR_SOLO Head Scarf and Gloves VINTAGE
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Two-Piece Luxury Robe CECILIA ARAGON
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Satin Halter CHARLES & RON @CHARLESANDRON High–Waist Pant INTERTWINE COLLECTION @INTERTWINECOLLECTION Vintage Earrings Ring LECIEL DESIGN @LECIEL.DESIGN
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Two-Piece Printed Suit NUVULA @NUVULA Yellow Crop BARUNI @BARUNI_FASHION White Tights GUCCI @GUCCI Sunglasses A ROCK ON A LENS @AROCKONALENS Jewelry and Scarf VINTAGE Dress DALIA MACPHEE @DALIAMACPHEE Sunglasses A ROCK ON A LENS @AROCKONALENS Jewels PR SOLO PRIVATE COLLECTION @PR_SOLO Head Scarf and Gloves VINTAGE Shoes SHOEDAZZLE @SHOEDAZZLE
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Feather Robe CELESTE @OHYESCELESTE Two-Piece Lace Set HONEY BIRDETTE @HONEYBIRDETTE Emerald Set KAMAL BEVERLY HILLS @KAMALBEVERLYHILLS
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Printed Shirt RAGA @SHOPRAGA Burgundy Two-Piece Suit CECILIA ARAGON AVAILABLE AT THE TREND HAUS @THETRENDHAUS Sunglasses VINTAGE Watch KHAMAMA
Dress FOUY CHOV @FOUYCHOVCOUTURE Shoes BADGLEY MISCHKA @BADGLEYMISCHKA Accessories VINTAGE Gloves LORO PIANA @LOROPIANAOFFICIAL
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Feather Robe CELESTE @OHYESCELESTE Two-Piece Lace Set HONEY BIRDETTE @HONEYBIRDETTE Emerald Set KAMAL BEVERLY HILLS @KAMALBEVERLYHILLS Black Pumps SHOEDAZZLE @SHOEDAZZLE
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Satin Halter CHARLES & RON @CHARLESANDRON High–Waist Pant INTERTWINE COLLECTION @INTERTWINECOLLECTION Burgundy Wedges SENSO @SENSO Earrings VINTAGE Ring LECIEL DESIGN @LECIEL.DESIGN
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Printed Shirt RAGA @SHOPRAGA Burgundy Two-Piece Suit Pajama Set (Top and@CACOUTURE Bottom) CECILIA ARAGON DOLCE AT & GABBANAÂ AVAILABLE THE TREND HAUS Robe LARUSMIANI @THETRENDHAUS Shoes FERNANDO PENSATO Sunglasses VINTAGE Watch KHAMAMA
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PHOTOGRAPHER: IRINA LITVINENKO @IRINALITVINENKO.PH ART DIRECTOR • FASHION STYLIST: ANGELINA LEPPER @WOMANWHOSTYLE STYLIST ASSISTANT: POLINA VALNERE @POLINAVALNERE MAKEUP: ANNA KALYTYAK @ANNAKALYTYAK MODEL: ANNE BARRETO @NEXT LOCATION: I.G.F SRL.CARRARA • COURTESY OF MARBLE BURO • WWW.MARBLEBURO.COM
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Top SPACE STYLE CONCEPT Pants PATRIZIA PEPE
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Pants and Bag GIORGIO ARMANI Jacket ERMANNO SCERVINO Necklace SHARRA PAGANO Shoes BALDININI
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Jacket and T–Shirt ALBINO TEODORO Skirt GENNY Shoes BALDININI
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THIS PAGE Dress GIORGIO ARMANI Pants PATRIZIA PEPE Shoes DAMIANO MARINI OPPOSITE Dress ANTEPRIMA Plastic Dress ANTEPRIMA Top GABRIELE COLANGELO Shoes PAULA CADEMARTORI
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VIP
DIAMOND QUEEN MARIA ALANEN
Words by KIMBERLY HADDAD
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Maria Alanen, CEO and owner of Darmar 1828, has been named the queen of diamonds and investments, and it's for good reason. Darmar 1828 keeps the highest of standards from mining to cutting to polishing, allowing them to sell only the best quality, natural diamonds. The luxury goods industry has had tremendous growth with customers seeking quality, authenticity and brand relevance; diamonds are no different. The mining and manufacturing process for diamonds is expensive. Skilled labor and advanced technology are required for precise cutting and polishing. Darmar 1828 ensures the best color, sparkle and facets that shine through with exquisite beauty. Over the years, Alanen has successfully built the company Darmar Finance, which now offers more than 30 years of experience in asset management and financial structured products. She has made it her mission to help as many people as she can all over the world, not only with her unparalleled diamond artistry, but also by donating to various charities and penning her own fund. Alanen has a deep passion for art, is a master at making money and is the queen of diamonds. But most of all Alanen is known for her heart of gold. She has an impressive track record of philanthropic work. She has supported countless charity events and galas in Monaco including the Heart Gala for woman with breast cancer, the Peace Jam organization, Prince Albert II of Monte Carlo Gala for the Global Ocean and most recently, the Robert F. Kennedy Human Rights 50th Anniversary gala and awards event where she purchased the stunning Portrait of Princess Grace of Monaco at the charity auction. Maria Alanen was a producer in Betty Williams’ documentary called "Contagious Courage" and is also an executive producer in the up-and-coming documentary called "The Dalai Lama: Scientist." 103
MEN
by Tareck Raffoul
PHOSPHOR Gold With Rubies Choker, Cuff, Ring: Shiroiy Darius Cama Photographer: Tareck Raffoul @Tareckraffoul Model: Ethan @Nichemodelingagency Fashion Stylist: Monaliza Wahba @styledxmonaliza Hair And Makeup: Emma Gambino @egmmakeup Post Production: Olha Breka @olhabreka Studio: W Studio @wstudiodxb
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Blazer: Zara
Gold Embroidered Flower Dress: Ahmad Couture
A pescatarian has fed himself to the gills, indulging in a glut of aquatic creatures and overdosing on phosphorus. Salmon speckles surface the skin as his appearance reeks of sea, shrimp and seines. His love of crustacean creatures is evident in his style, incorporating a vibrant color palette and coral that lies behind the eyes. He is anything but ordinary
Green High-Neck + Namshi Pants: Zara
— a bittersweet beau, a catch to be caught. Words
by Kimberly Haddad
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Top: Namshi Jacket: Zara Pants: Zara
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High-Neck + Top: Bershka
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Pullover: H&M Red High-Neck: Namshi
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Gown ONE TRIEU YEU Shoes JF LONDON
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Coat ANTONI ORTEGA COUTURE Shorts LOTUZ Shoes RANGONI FIRENZE
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Jacket JUSTFAB Top JONTÉ DESIGNS Shorts ANTONI ORTEGA COUTURE Shoes OCANDY
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Dress HOUSE OF CB Corset ONE TRIEU YEU Shoes JF LONDON
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Coat ONE TRIEU YEU
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ANNET Rain Coat Dress WWW.JARELZHANGSTUDIO.COM Court Shoes with Cut-Out Detail Teardrop Earrings All ZARA Stockings FOREVER 21 Mask by SERGEY SLASHCHEV @SLASCHEV_S IRENE Multicoloured Earrings Short Skirt Striped Shirt Clear Raincoat with Trims Leather Slingback Shoes All ZARA Stockings H&M
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Flowing Printed White Shirt Flowing Printed Deep Blue Shirt Relaxed Fit Denim Essentials Jeans White T-Shirt Blue Floral Sandals All ZARA Deep Blue Socks H&M
Coat and Skirt MINA BINEBINE Shoes JUSTFAB
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Coffee Lands by Natasha Kertes
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Photography, Styling & Art Direction: Natasha Kertes at natashakertes.com
Makeup & Hair: Alana Nicole Agustin (Echelon Beauty Kauai), Patty Ornellas
Models: Daneica Muraoka, Madyson Palma Carmickle, Rikki Pitt, Amanda Seymour
Production: The Kauai Economic Development Board Jaclyn Kaina, Marleen Duarte With Support From The Kauai
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Location: "The Kauai Coffee Estate” Special Thanks To General Manager Frederick Cowell Visitors Bureau Sue Kanoho
Forest Green Dress: Ahmad Couture
Leather Embroidered Sequin Dresses: Ahmad Couture
Tattoo Sleeves: M-Theory
Grass Headband, Leg Cuffs: Leinaala Pavao
Grass Skirt, Arm and Leg Cuffs, Headband: Leinaala Pavao Natural Horn Cuff Bracelets: Glen Miller For Ann Turk
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Pantsuit, Dresses: Ahmad Couture Grass Headbands And Cuffs: Leinaala Pavao Vertebrae Coral And Amber Bead Necklaces: Ann Turk
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Flower Embroidered Dress: Ahmad Couture Grass Headband, Arm Cuffs: Leinaala Pavao
Embroidered Yellow Dress: Ahmad Couture White Gold Ring: Tiffany & Co. Silver Big Cuff: Shiroiy Darius Cama Grass Headband, Arm And Leg Cuffs: Leinaala Pavao
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Embroidered Dresses: Ahmad Couture Grass Headbands: Leinaala Pavao
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Gold Embroidered Flower Dress: Ahmad Couture Gold With Rubies Choker, Cuff, Ring: Shiroiy Darius Cama
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LOOKBOOK
PHOTOGRAPHER, STYLIST, MAKEUP: KATERYNA SHEVCHENKO KATERYNASHEVCHENKO.COM @MISKALIN11 HAIRSTYLIST: DENYS NIK @DSTYLENYC MODEL : LUI PAVON @LUIPAVON ASSISTANTS: OLGA YAKIMENKO @JAKIMVIKA SASHA DAWN @SASHADAWN4 KHANIJO.COM @KHANIJO_OFFICIAL 130
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LOOKBOOK
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LOOKBOOK
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ROBOT BARBIE OVERCOMING
THE
SOCIAL
MEDIA
MACHINE
I n t e r v i ew by J a m e s E l i z a b e t h A r n e t t Creative Producer: James Arnett @jamesarnett1 Photographer: Eduardo Figueroa @_efig Hair: Bethy Mireles @bethymireles Makeup: Paloma Alcantar @palomamua Stylist: Leilani Lacson @leilanilacson Stylist Assistant: Rita Sounthonephom @ritadtla Special Thanks: Elite Performance (EPX Woodland Hills, CA) @epx_culture
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Top: Tials @thisisalovesong Bra: Tials @thisisalovesong Shorts: Tials @thisisalovesong Jacket: The People Vs. @thepeoplevs Shoes: JF London @jflondon_walkoffame Waist bag: Von Drenik @vondrenik Earrings: Sydney Evan @sydneyevan
DANCE
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Bra: Bohemian Society @bohemian_society Small Necklace: Sydney Evan @sydneyevan Large Necklace: Mannfolk PR @mannfolkpr Earrings: Sydney Evan @sydneyevan Sunglasses: Bonnie Clyde @bonnieclyde
“People think of Barbie and they think perfect, and I don't think they really ever think of Barbie getting her hands dirty. But I wanted to be the Barbie that did.�
DANCE
Top: Tials @thisisalovesong Bra: Tials @thisisalovesong Jacket: The People Vs. @thepeoplevs Earrings: Sydney Evan @sydneyevan
It takes only a single click to establish the difference between a hobby and a career. A message takes seconds to upload and it lives eternally with screenshots and reposts. In today’s social media landscape, constant communication and technological advances mean it has never been easier to create, but harder to stand out. New faces come and go in numbers difficult to process and with fame no longer reserved for Hollywood or foreign royalty. Communication often refers to tweeting over speaking, and consumers crave a face they can either love or hate. So, the question is: how does one become an overnight sensation? And more importantly, how do they make it look so damn easy? Enter Dytto, a 20-year-old animation dancer (and self-proclaimed robot) with optimism, an iPhone and millions of followers. Her days consist of making calls to talent and labels, coordinating and producing her own videos, 8 a.m. rehearsals and phone meetings that span until one in the morning. Sounds easy enough? Try paying for it all outof-pocket. Her signature finger-tutting performances can be seen on everything from Android commercials to The Ellen DeGeneres Show. We sat down 138
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with Dytto to discuss her rise to modern-day fame and the nonstop world of social influence.
Arriving several minutes early, prepared with snacks in hand, the 5-foot 4-inch Miami-born dancer proves that not every influencer fits the myth of young and entitled. She flashes a toothy smile as she enters the production space to greet the team before eyeing the wardrobe racks of 90s-inspired denim. “I feel like this is already so my style,” she says. “I love it.” In an unexpected move for an iGeneration celeb, she plugs her phone in to charge and flips it to silent. “This is the excuse I can use for getting off of it for a while. My phone is dying, and I’m in a shoot!” She jokingly remarks. She doesn’t have an interest in the outside world. She is here to work. It’s a muggy day when we arrive at a local gym to capture the images for her feature. Politely thanking the owner as she breezes into the space, Dytto eyes the equipment and discusses our concept while a hiphop soundtrack kicks in over the sound system. It becomes exceedingly clear that this girl was born to move. She seems unable to control her body as she slightly, yet effortlessly moves between the click of the camera. She later comments on being turned down by an acting manager that
had no interest in someone with dancing skills. “And as much as I can respect that because if you know what works for you, then fine. I can’t get mad at you, but it’s my prerogative to know that everyone has their own path and to not let you force me into thinking that my dancing is not ever gonna take me anywhere.” We move back to the production space and delve into her unconventional path to success. She jokes of what life would be like before social media made fame a one-click opportunity for so many young and eager artists. “I feel like I would end up on one of those dope dance shows or maybe in the movie Breakin'. Was that the 90s? I think that was maybe a little further back.” She imagines the 90s would have meant head spins and breakdancing instead of today’s uploading frenzy. “I live for that.” For a young artist born in the late 90s, Dytto missed the days of cable sitcoms and R&B dance videos and fell headfirst into the world of tech and social fame. “Yeah, I might of like glided right on into it. It wasn’t even on purpose. It wasn’t even like nowadays how people can plot how they're gonna make a video to get to the top game. I actually came out to LA for acting, and people have no idea about that.”
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Top: Yori Collection @yoricollection Pants: Camp Collection @camp.collection Shoes: Christian Louboutin @louboutinworld Ring: Sydney Evan @sydneyevan Earrings: Bauble Bar @baublebar
“It’s my prerogative to know that everyone has their own path and to not let you force me into thinking that my dancing is not ever gonna take me anywhere.”
Top: Tials @thisisalovesong Jacket: The People Vs. @thepeoplevs Earrings: Sydney Evan @sydneyevan
The world had other plans when a homemade dance video became a viral extreme in a matter of hours. “My mom filmed it, and it was very out of focus. It was really dark and in a parking garage of our apartment. I edited it in iMovies, so there are some pretty good cross dissolves in there,” she laughs. The blurred video in question is a modern-day take on a Cinderella story—a Barbie doll is found on the ground, animates into the artist known as Dytto, and secretly dances before re-entering the body of the doll to avoid discovery. Though dimly lit and of modest quality, the 2014 upload has garnered over 27 million views on her personal YouTube alone. “I was able to build this great fan base. And without social media, I would have never been able to have that, to build up almost my own little family all around the world.” The following years would be a blur of rapid social growth with a fanbase that pushed to get her seen by some of the biggest dance companies in the country. “I caught some eyes from a company that was putting on these huge dance events. They took photos of me and a few months down the line, they posted one of the photos. The small fanbase that I had built up, which was at the time maybe 30 to 40K on Instagram, started commenting [on the post]. “You know about Dytto? You’ve gotta have her on the show! You’ve gotta let her perform.” She describes paying for her own plane ticket and hotel room to ensure she wasn’t considered an expense. “[My mom and 140
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“ LIKE LOOK, YOU CAN EITHER HALFASS THIS AND PLAY IT SAFE OR YOU CAN JUST REALLY COMMIT TO THE CONCEPT.”
DANCE
I] said, ‘Hey we’ll get out there. We’ll get our hotel. You don’t have to worry about anything. Will you let me on stage? Can I perform, please?’ Low and behold, less than four minutes of stage time at World of Dance and a freestyle rendition of her Barbie concept ensured she would avoid the black hole of unknown influencers and artists. She told herself before the performance, “Like look, you can either half-ass this and play it safe or you can just really commit to the concept. And I said screw it and got on stage. And it’s allowed me to start my craft off in such a beautiful way.” But not every day in the life of Dytto is a rose-filtered lens. Joining social media at an early age, she describes the pros and cons of instant accessibility as “a lot all at once.” Many platforms today have an age requirement of only 13-years-old, and she’s clued into the effect that it has on one's self-identity and perception. “I had to teach myself to think through when I’m scrolling,” she says. “It’s great to be happy for people, but it doesn’t mean that you’re not doing anything incredible. Sometimes you get lost in seeing everyone putting out in social media the best part of them. Someone’s beauty and someone’s excellence isn’t the absence of your own. People have to remember that. And when I start to think about that, I always have to remember to just kind of put the phone away sometimes, and think I’ve got my whole own thing going on, and I’m so happy with it! It can get corrupting sometimes because I’ve even gone through moments.”
Top: Yori Collection @yoricollection Pants: Camp Collection @camp.collection Ring: Sydney Evan @sydneyevan Earrings: Bauble Bar @baublebar
With all of the pressure that comes with the territory, it would seem the easier path to take is logging off of the platforms altogether. But Dytto has other ideas. “I loved dance before all of that [social recognition]. I loved taking fun photos with my friends before I was trying to take cool photos for my Instagram. I think that’s where the balance comes in for me and keeps me sane. I loved all this before [ joining] social media.” She smiles as she describes her fans and the positivity that comes from what social media was intended to be: connection. “Everything has its yin and yang. So I’m okay with that, and as long as I can be on the positive side of it, then I’m cool. And for me, it’s kind of given me the start to all of this. I mean, and that’s what it’s doing to a lot of people in this world." Dytto has every intention of changing world viewpoints, particularly regarding femininity, both online and on the dance floor. Using her robot Barbie alter ego, she enjoys dancing with power, but “ten times girlier” than her male counterparts. “People think of Barbie and they think perfect, and I don't think they really ever think of Barbie getting her hands dirty. But I wanted to be the Barbie that did. I wanted to set the example of yeah, I may perceive [sic] as perfect and like a little Barbie doll, but I love to sweat. I love to work. I love to train. I love to be a business woman. I love to be smart. That kind of became my whole mission as Dytto—to create that persona beyond the perception of a Barbie.”
And when it comes down to what it takes to have an effortless-looking dance video? “I think [social media] can become a misconception in a way because you don’t realize how many late nights and early mornings it took and how much thought and creativity went into it. And you’re looking at the video and you’re seeing dance, but there’s lights, and there’s a set and there’s many people behind the camera that had to do this, that and the other to make this happen. Like, there’s just so many layers that get covered up, and I want people to enjoy it for what it really is, but I also want people to know it’s hard work and it’s a beautiful thing to work hard.” The social landscape is constantly changing, giving way to innovation and reinvention. Many artists and influencers don’t have staying power, but with a list of television series and movies in the works, Dytto is determined to stay on our radar. “Ultimately, I’ve just gotta be game-changing all the time. And as long as I am, I’m happy,” she says. “So, my next five years are gonna be happy as ever. I can tell you that much.” She plays coy about revealing too many secrets, but is happy to reflect on where she is at the tender age of 20. “At one moment, I was sitting at home in my room thinking that everything I’m doing right now wasn’t possible. It’s just crazy to think about.”
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DESIGNER SPOTLIGHT
Subin Hahn Wo r d s by K i m b e r l y H a d d a d
New York native and fashion designer Subin Hahn, has challenged traditional men’s and unisex apparel aesthetics, creating a vibrant sphere of unity and a gender-fluid collection that evokes both romance and ambiguity. Embracing his own femininity and artistic imagination, Hahn’s latest series is an elegant compilation of free-flowing fabrics and prismatic silhouettes—emphasizing a changeable spectrum of styles and personal narrative of gender liberation in a utopian-like universe. BASIC: If you could travel back in time and design clothing for a specific fashion era, whether it be the age of counterculture in the 1960s, post-war or the iconic 80s, what would it be?
Subin: My latest collection, “Impression of Tomorrow” is a visualization of a heaven-like place with people freed from all perceptions and struggles of this world. It’s heavily influenced by my personal struggles as a so-called “feminine” boy conflicted with the preconceived image of “masculinity” in society. In relation to that, I feel very intrigued by this ambiguity created from the collision of the male body and feminine beauty. My works emphasize the love, empathy, sensitivity and tenderness I felt from female counterparts as I grew up. Clothing should be fluid without any gender signifiers. We need to break down the barriers and unite to create a better future.
Subin: Definitely the 1980s. I love the New Romanticism and the flamboyant styles of iconic artists such as Boy George, Duran Duran, Adam and the Ants and of course, David Bowie. There is so much fun, experimentations and innovations around this time, especially in regard to challenging the image of what men should look like. I would love to design clothing for them and be part of this movement, if I could go back in time.
BASIC: If given the opportunity, which television series would you love to design the wardrobe for?
BASIC: Your latest pieces evoke romance, ambiguity and unisex fashion aesthetics. Where did you draw inspiration for the collection?
BASIC: The mix of colors and textures in your collection give off a stunning watercolor aesthetic. Are you inspired by art? Do you have any favorite artists?
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Subin: I’m so into Netflix’s GLOW. It’s based in the 1980s, and obviously that’s my favorite time period in context of the fashion history. It would be really exciting to design costumes for this show, as they always have interesting and over-the-top fun costumes for each character.
Subin: A lot of references came from my own drawings in order to tell my personal stories, including colors and silhouettes from my childhood drawings of Disney princesses, as it was my wish to wear beautiful dresses as a young boy. I’m more intrigued in mixing colors and textures than working with solid colors because it creates more striking visuals and emotions. BASIC: If you had to wear the same outfit every day for the rest of your life, what would you wear and why? Subin: If I had to wear the same outfit every day, I would wear a large crewneck sweatshirt, black or washed skinny jeans and a pair of Dr. Martens with a pair of color blocked/stripe socks. I think this look kind of became what I wear most of the time without any specific intention. BASIC: What is your favorite thing about fashion and where the industry is heading? Subin: My favorite thing about fashion is its flexibility and ambiguity. Fashion is considered as mere practical clothing for some, or it could be considered art. This diverse representation coming from its mixture of many different ideas, styles and beliefs expressed between designers and the audiences is what puts the industry at the forefront of social change and innovation.
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MUSIC
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MUSIC Couture Piece DI MODA ATELIER Glasses BONNIE CLYDE Shoes LINDSEY HARR COLLECTION Jewelry THE TREND HAUS Rings JS NOOR
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MUSIC Couture Denim Jacket STINSON HAUS Pink Jacket AYA BY DK Sweatpants MORGAN BURTON X MORGASM
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MUSIC Reversible Jacket CHAMPION Glasses BONNIE CLYDE Sheer Sweatsuit JESSE J COLLECTIONS Boots JUSTFAB
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MUSIC Reversible Jacket CHAMPION Glasses BONNIE CLYDE Sheer Sweatsuit JESSE J COLLECTIONS Boots JUSTFAB
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MUSIC Words by Kimberly Haddad
ENIGMATIC R&B SINGER-SONGWRITER H.E.R. (Having Everything Revealed) is the essence of true beauty—a woman of courage, authenticity and pure sparkling magic. Known as Gabi Wilson, the 21-year-old rising star anonymously debuted in 2016 with her seven-song EP H.E.R. Vol. 1 by RCA records, with minimal production and not a trace of information about the woman behind the soulfully-rich vocals. Quickly earning the likes of renowned artists like Alicia Keys, Rihanna, Janet Jackson and Wyclef Jean, Wilson’s 90s-inspired melodies and fragile, yet ethereal lyrics are the epitome of R&B music at its core. Her captivating follow-up H.E.R. Vo1. 2 was released just nine months later, amassing nearly 700 million streams worldwide across all digital platforms, while standout tracks like “Focus” and “Best Part” climbed Billboard charts. The prolific artist has garnered over 10.5 million views on the three music videos and has made spectacular appearances on The View and Jimmy Kimmel Live. With her latest project, I Used to Know Her: The Prelude released in August and a sold-out tour, she has established herself as one of R&B’s most fascinating new voices. We sat with the artist to talk about her creative process, the pressures of social media and what it takes to be unapologetically H.E.R. BASIC: You grew up in the Bay Area and used to perform with your father who is also a musician. What was it like growing up as a teenager and what was your average day like? Did you have any favorite things to indulge in on the weekends? Honestly, I felt like I didn’t live like a super normal teenager because while I was in regular high school, I was just so anxious to get back to New York to create music. I mean, on the weekends I would definitely hang out with my close friends, but I’ve always been a loner and kind of wanted to do my own thing. I wasn’t really the type to go to football games or parties or anything, I was just anxious to get into the music and travel. Like, I would be sitting in class thinking, ‘Man, I cannot wait to get back into the studio.’ I didn’t really want to be in school at that moment and that was kind of my mentality. Being a teenager was definitely different for me, always has been different. You were signed by RCA records at the age of 14, but were given time to evolve, both as an artist and a young woman before releasing your music. Can you tell us about this experience and what it was like being in a studio for the first time?
I mean, I was in the studio at 11 years old for the first time and my dad had set up something small in our house. But, I don’t know, it’s kind of been a long time coming. I was super young when I experienced really being in the studio. I had already been around a lot of older musicians and a lot of different artists. Even though I wasn’t the one recording, I was there, learning and waiting for my turn. I really learned from a lot of the people around me. From Brandy to Alicia Keys and Tyrese Gibson, all these people I got to witness first-hand and eventually, when my time came, it was about evolving and trying to figure out who I was. It was just fun for me, all fun. When you’re young you don’t overthink anything, there’s no pressure. It was just like, okay I am doing exactly what I want to be doing right now and then I have to go back to school and then I’d be anxious to get back in the studio. But it was really a blessing. You released your latest EP: I Used to Know H.E.R: The Prelude, in August, and are currently on tour with Bri Steves. Can you talk to us about how do you plan to expand or explore new territories for future work? Starting with music, my core, me at my core is definitely R&B, but I love so many different styles of music and I love writing just to instrument, and when you write just to instrument, the possibilities are endless. I really want to make music for everybody. At the end of the day, it’s about kind of like being genre-less. Coming from R&B and coming from soul music and being able to perform like Coldplay and Carlos Santana. It’s so much bigger than what it is right now and it’s going to be so much bigger as far as where I want to be musically. But even outside of music, I am starting a foundation called Bring the Noise, and we’re going to be doing a lot of things, but mostly bringing music programs back in schools. I love acting and that is something I’ve explored in the past, but now I am going to take it more seriously when I actually have the time and am not on the road. There’s just so many great things going on. I have to take it one day at a time. We often unconsciously lie to ourselves and try to protect ourselves from knowing truths that may hurt our egos. Your music is both vulnerable and authentic. How has writing your music helped you to accept yourself fully and express emotion that may be otherwise difficult to cope with? It’s interesting because music and writing is just an outlet for me, so unintentionally, I pour my heart out in music because it’s therapeutic for me. It’s kind of been that thing that’s been there for me when nothing else has. I guess becoming a teenager, especially being a loner and keeping to myself, feeling like nobody really understands me and how I feel or where I want to be 10 years from now, it’s like I needed a way to express that. And it was very hard to be all music, as far as what I thought I wanted to release out into the world. There are a lot of songs that I’ve written, that are very personal to me, but at the time, I didn’t want to show the world. But it had to happen in order for me to accept myself even. I have to be completely honest because those are going to be the greatest songs. And it took time for me to realize it. Never sugar coat the truth or try to please people or try to pretty it up. It’s just about the raw, gritty, the real stuff. Songs like “Pigment,” it was like 3:00 a.m. in the studio and this intern was playing me beats. I was just hanging out in the studio in New York all the time because there wasn’t anywhere else I wanted to be. And I wrote to it and showed my big brother, who is also a producer, and I said, ‘Don’t show it to nobody, it’s just something I wrote.’ I tell him everything and we have a good relationship. He said he won’t play it for anybody and ended up playing it for RCA and they were like, this has to be on the project. So, it’s moments like that where a 149
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lot of the people around me encourage me to be honest and I had to ultimately, be honest with myself. I had to go there, fully. Every artist has a story behind a song. Do you have any rituals or habits that get your creative juices going and encourage your music writing process? It really just depends on the day cause sometimes it’s there and sometimes it’s not, and I don’t like to force anything. Depending on who I’m working with or if I’m in the studio with a producer or whoever, I just like to talk about life, and sometimes, it just takes time for me to get comfortable with people because I feel like ultimately, you know, I’m telling my stories to them to help me bring it to life. So yeah, I just really like to talk sometimes. I’ll sit at the piano by myself and just start writing my thoughts down. I really just start writing whatever it is I might be feeling at the moment. Sometimes I will sit there and listen to old-school music or what’s out now. It just depends on the day. In a previous interview you said, “Whether you know who I am or not, you don’t really know who I am.” This is such a powerful quote, especially with how people and influencers present themselves on social media. How do you deal with the pressures of the media while staying true to your music and personal message? People are always going to try to find negative things and try to pick at something. I don’t know why we do it, but social media is kind of the place where we do it because we can hide behind our user names. For me though, it’s about not looking into other people’s windows or looking at what the next person is doing. It doesn’t matter because everybody has their own paths and I just try to remind myself of the fact that I have stayed so true to myself and remained under wraps and anonymous. It’s like, all I can do is spread my message and make the music I want to create. The minute I start trying to be something that I’m not, or something that I think I should be, is the moment where my music is not going to resonate with people and I won’t make as much of a difference. Ultimately, there’s a little girl out there who feels pressured to look a certain way, to act a certain way, to sing certain kinds of songs, or maybe be too provocative or whatever it may be. And she might just want to be comfortable in sweat pants and a sweater on stage writing a song that comes from her heart. I try to represent that and make people comfortable with whoever it is they might want to be. At the end of the day, everything on social media is a fantasy. It’s not the real stuff and you just have to remember, don’t believe the hype of other people, stay true to who you are at all times and just elevate. Elevate within who you are within yourself. How do you feel about the Internet in the music business and where do you see the music industry going? Is there something you would change in terms of its direction? Social media is a good thing and a bad thing, and some people have different opinions on this. Some people say music is in a good place right now and there’s a lot of authentic artists, and there absolutely are, but some people can also say it’s in a bad place because they’re a lot of people famous based on their followers or their looks or whatever it may be. There is always going to be the bad within the good. I think we are in a good place because people now are seeing through a lot of the fantasies and a lot of the illusions that social media has created. We can tell a little more of what’s real and what’s not—a little bit. It’s a great thing though. I keep people updated through my social media, but I don’t know, I guess it’s just good and bad in the way that the world is now, in the way that music is now. What really matters now, is what stays, what’s able to remain when all this stuff, this age of all these challenges and all these trendy things. When that’s over, is your music going to stand? And those are the things that are ultimately, going to tell us and artists, like, where are you? Cause we all have such short attentions spans nowadays, and we want everything right away, you know? And that’s why social media is so easy and the second someone is not putting out music, we are on to the next thing. So, it’s really about consistency and I think people are realizing that. It’s about elevation and some people are going to elevate and some people won’t. It’s about longevity at the end of the day. What are a few of your favorite books and what are you currently reading? Oh man, I don’t even have the time to read to be honest with you. I do love to read though. 150
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There’s this book I really love called, The Power of Your Subconscious Mind and ultimately, it’s about manifesting the things that you want and planting good seeds and positive thoughts. But there’s so many good books out there. I wish I had more time to read, but when I am reading, I’m thinking about practicing. There’s just so many other things that are therapeutic for me and I wouldn’t call reading one of my favorite things to do, not in this moment in time. What do you like to do outside of music that contributes to your musicality? Do you have a hobby that you turn to in order to rejuvenate your creativity? I love to just roam around and explore Brooklyn. I’m not from here, I’m from the Bay Area, but there’s just so much inspiration and authenticity in New York. You walk down the street, and something is happening, whether it’s live music or art or different restaurants or different types of people. It is so diverse and beautiful and extremely inspirational. I just like to wander and ride my bike by the water, under the Brooklyn Bridge. That’s like one of my favorite things to do. I also love to eat. I’m definitely a foodie. Everywhere I go, I am always looking for what’s good to eat. As a fashion-driven magazine, we are curious, how might you describe your personal style? Do you have any favorite designers right now? My biggest thing is comfort. I call my fashion tomboy-chic. I mean, me and my stylist who is ultimately, one of my favorite people, we like to make things. We’ll see things and try to duplicate them in our own way. Like Champion, they are always showing me love and giving me a bunch of colorful hoodies, and what we did was cut some of them up and create our own to make it more unique. But yeah, it’s things like that I like to do. And boots, I am such a boot person and a sneaker person. If you could tell your fans one thing that they don’t already know, what would you tell them? That’s a great question. One thing that they should know that they don’t already know. Hmm, that’s hard. There are so many things people don’t know about me. I guess that I’m a foodie, that I am proud to be Black and Filipino. A lot of people don’t know that I am Black and Filipino, and my favorite foods are literally soul food and Filipino food.
MUSIC Sweat Suit JOY RICH LA Glasses BONNIE CLYDE Jewelry THE TREND HAUS Rings JS NOOR Shoes TALENT’S OWN
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Words by Kimberly Haddad Photographer: Kareem Quow @kqphotography Model: Clare Tompkins (Click ATL) @claremtompkins Model: Caitlin McCormick (Click ATL) @cait_mccormick Model: Jade Patton (Click ATL) @dakota.jade Model: Shalinda Clarke (Salt Models) @shalindaclarke Makeup: Patrice Story @patricestory_makeupartist Makeup: Jackie Lynch @makeupbyjakkin Makeup: Seneca @iamsinderella Hairstylist: Brandy Andrews @brandyandrews_ Hairstylist: Melody Hale @melody_hale Hairstylist: Trina Godfrey @envyurself Fashion Stylist: Sieje Akime @siejeakime012n Cinematographer: Joe Teixeira @joetexx Production Assistant: Chynna Teixeira @heyitschynna
The interweaving of fetish paraphernalia into Long before treasured films like Belle de Jour (1967) and Secretary (2002) made their way to contemporary haute couture has gained prom- the big screen, fetish fashion and BDSM had already entered the mainstream world. From Jean– inence in the fashion world. Once an enig- Paul Gaultier’s 1950s radical bullet bras, later popularized by Madonna, to Gianni Versace’s matic subculture of forbidden lust and sexual “Little Miss S&M” collection showcased in winter of 1992, designers have found inspiration in deviation, the kink community has become an glam–rock, anarcho-punk, dark-wave and kink cultures alike. intrinsic part of fashion—creating unapologetic, bold and striking style statements. From The term BDSM was originated in 1969, a compound initialism for the words: bondage, discifetish staples, including harnesses, bondage pline, sadism and masochism. While the sexual kink revolves around intense power dynamics gear, latex, rubber, corsets, vinyl and PVC, and erotic practices, the fetish community has also leaned on iconic costumes that have materiiconic materials have been seen time and alized throughout history as expressions of rebellious sexuality. The street-walkers and brothel time again in editorials, on the runway and prostitutes of the Victorian era accentuated their cleavage with tightly-strung corsets while the in the closets of some of Hollywood’s leading hobble skirts of the Edwardian era were skintight, forcing women to take “geisha–like” steps, and nearly restricting them from independent movement. These bondage-inspired essentials have luminaries. 153
evolved into street-wear trends and runway sensations, representing female sexual empowerment and an undeniable evolution of fetish fashion. The word fetish was originally defined by the peoples of West Africa as an intimate object worshiped for its magical powers such as a charm or amulet. But during the 19th century, the term adopted a broader meaning, representing “an object of irrational devotion or reverence.” By the early 20th century, the word fetish embraced a new meaning: “a form of sexual desire in which gratification is linked to an abnormal degree to a particular object, item of clothing or part of the body.” Revealing an evident connection between sexual pleasure and seductive garments, the word fetish has made its mark in society and the aesthetic elements of BDSM are being mirrored in fashion more than ever before. Today, we see esteemed makers like Vivienne Westwood, Claude Montana, Alexander McQueen, Betsey Johnson, Christian Dior and Anna Sui—all admirers and picker-uppers of the fetish fashion craze.
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“Over the last 30 years, fashion designers and trendy dressers have stolen from the fetishist's closet—ultra-high heels, corsets, pointy bras, rubber mackintoshes, frilly underwear, leather gear, latex cat suits, body rings and tattoos,” said Journalist Sarah Boxer, in a book review for the New York Times. “The appropriation has been so masterly that there are people running around in leather corsets who don't even know the fetishistic roots of their fashion. And there are fetishists running around fretting that their magical objects are losing their power." An industry ringleader and one of the most legendary fashion designers of the late 20th century, Vivienne Westwood, is particularly important when it comes to fetish wear. Known for working primarily with black and incorporating materials like leather, rubber, straps, studs and chains into her clothing, Westwood’s hypersexual creations drew from both punk-rock and the risqué subcultures of sex and sadomasochism that provided wearers a sense of freedom. Her bondage collection of 1976 went down in history as a phenomenon, pushing boundaries and giving bondage fashion a new range of meanings.
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“There's few greater feelings than helping a nervous, shy customer into their first latex dress and witnessing the sudden and immediate change that occurs within them.�
“A latex dress says so much about a person and their attitude, it’s a hard thing to ignore and to not want to be part of.” 156
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Chic corsetry and latex creations have also become runway darlings and made an influence on present-day fashion, repetitively appearing throughout the years. In 2008, Lady Gaga greeted Queen Elizabeth II in a red latex gown conceived by leading latex designer Atsuko Kudo. Oscar de la Renta’s spring/summer 2013 collection featured an abundance of leather, lace and latex with edgy garments, including both red and blue-green latex pencil skirts that garnered much attention from the media. And earlier this year, John Galliano, known for his romantic, yet flamboyant designs, draped his emaciated male models in corsets and vibrant vinyl trousers for his spring/summer 2019 collection. Evocative of gender nonconformity, his brilliant looks were created to “discover a new sensuality, a new sexuality.” Alexander McQueen, a risk-taker and designer known for bringing a provocative juxtaposition of dark and light materials to the catwalk, has been another leader in terms of fetish-inspired movement. Embracing nudity and the shameless sex appeal of his clothing, his collections
have displayed models adorned in latex-fused skirts, molded latex armor, metal body corsets, sheer fabrics, tassels and spiked boots. In 2009, McQueen transformed the runway into a deranged merry–go– round with horses sheathed in purple and black latex and models embellished in shiny leather, chains, gaudy headdresses and a plethora of thrashed lace. A style genre once standard for fetish club-goers venturing to renowned joints like London’s Torture Garden continues to be assimilated into conventional fashion, dominating red carpets, runways and our day–to–day wardrobes. Though still an element of controversy, the mainstream adoption of such erotic clothing has become a milestone in modern society, signifying open-mindedness and a form of sexual empowerment that’s hard to ignore. Perhaps, it’s the taboo or enigmatic sexuality deep-rooted in alternative coteries such as BDSM that fascinate and appeal to fashionistas and mainstream consumers, but we cannot forget its subcultural connotations, as it sets the agenda for future trends.
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EXPERT
Nina Kate—Creator of Jane Doe Latex Words by Kimberly Haddad
As a designer who is at the forefront of cutting-edge latex design, what are your views and opinions of the current fetish clothing scene? I think things have changed a lot from even since I entered it back when I was a teenager. Everything is so accessible now. Before, there were only a handful of companies in each country, all who had spent time learning only through apprenticeships and you had to go to a store to buy things. It felt like a closely-guarded secret, something that you had to earn your way into. Nowadays, people can watch a YouTube video and buy a latex-making starter kit online. I think that the running of your own clothing company can sound like a fun and attractive thing to do, but I think sometimes people fail to realize all the other work that goes into it. It's not just making pretty things. You have to deal with people and costs. You have to deal with deadlines and really put the time and effort into creating the most flattering patterns and well put together garments, and a million other things that aren't so glamorous.
fringe cultures. I guess now with more everyday celebrities embracing the looks, it’s more in the general public's eye. It creates a kind of snowball effect. A latex dress says so much about a person and their attitude, it’s a hard thing to ignore and to not want to be part of.
aesthetic of it all and used to dream about the day I would make it to club Torture Garden in London. I've been involved in this for what I would say is most of my life, so in a way, it's all very normal to me. I’d say it’s a very personal thing and I'm a pretty private person, so I tend to let my work speak for itself.
BDSM is a sexual practice, with fetishwear being a part of the act. While other You have collaborated with many celebsubcultures like punk or grunge, for exam- rities, including Beyoncé, Lady Gaga, ple, are associated with political beliefs Marilyn Manson and Katy Perry. Do you and nonconformity, do you find that the have a particular design you are most mainstream adoption of fetish clothing is proud of ? almost killing its kinky roots and making it all about style trends? Some of my very favorite clients have been the amazing drag queens I've gotten to work with I think that's exactly what they are taking from in the last few years. Their creativity and kindit and projecting back. They are using that ness have been a real joy. They totally apprecipower and raw sexuality as the style itself. To ate the work and time that goes into handmakthem, it's like a slap in the face to the “nor- ing pieces and always have incredible, insane mal” consumer. It's impossible to ignore and ideas that I get to work with. Often, they are it evokes a gut response, whether attraction, very difficult and involved pieces, but of course, shock or horror. Perhaps they are trading the harder it was to make, the greater the end more on the shock value than the acts them- payoff when you see them sashaying down that selves, but I think the two are hard to disasso- catwalk. ciate totally! Do you think the consumption of fetish-inLatex, harnesses, PVC, vinyl and similar Being a designer who discovered the fetish spired clothing ties into sexual liberation materials are making their way into haute scene at a younger age, what does the term or female empowerment? couture, appearing on the runway and into “fetish” mean to you personally? That's a very big question! There's few greater the closets of Hollywood’s leading celebrities like Kim Kardashian, Brittney Spears I bought my first latex dress at 15 and by 21, I feelings than helping a nervous, shy customer and Miley Cyrus. Why do you think there was running my own company. I had always into their first latex dress and witnessing the is such a high demand for these fetish-in- been into dressing for myself. I used to wear a sudden and immediate change that occurs giant Victorian hat to school when I was seven within them. You see their eyes light up, their spired looks? (despite the relentless bullying). I'm not sure posture straighten, their walk literally turns to Since the beginning times of rock stars, there's when exactly I first came into contact with the a slink across the room. So, if that's liberation been shiny trousers and looks borrowed from scene, but when I did, I was fascinated by the and empowerment, then hell yes!
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Words by Kimberly Haddad
CANADIAN-BORN AMERICAN FINE ARTIST, Adrianna Kinal has a deep curiosity for fashion and infuses her eccentric creations with a medley of materials, including resin, acrylic, gold foil, neon lighting and Swarovski crystals. Establishing a personal vision of popular fashion and iconic portraiture, Kinal has developed a unique art style that challenges known stereotypes and garnered the likes of Battaglia Engelbert, Christina Ricci, Rihanna and more. Her work has been seen in local art exhibits, festivals and bookstores alike. BASIC: Your paintings reflect cultural diversity and serve as an expression of both popular fashion and iconic portraiture. What things in the world inspire you most when it comes to creating? Adrianna: I’m really inspired by street style, especially people who have a really strong sense of individualism. I admire people who stand out by using fashion as a form of expression. BASIC: Your work is vibrant and incredibly animated. How did you develop your own personal style and what techniques are you currently using? Adrianna: I started my career working in fashion as a graphic designer for clothing companies as well as production in L.A. garment factories. My art style stems from those experiences. I start my portraits by painting on canvas and enhance the pieces with fashion techniques such as screen-printing, embroidery and other processes, giving my artwork life with dimension and texture. I’m continually pushing to evolve my work by incorporating new processes. For example, I recently started working with neon lighting and I like how it adds another layer of vibrancy to my work. BASIC: Where do you see your art career going in the near future? Do you have any special plans or exhibits in the works? Adrianna: In the near future I see myself continuing to create portraits for people around the world as well as more commercial projects. I have an exciting art/fashion project that I’m currently working on that will debut at the beginning of next year. BASIC: Having a background in fashion design and being influenced by runway fashion shows and trends, who are some of your favorite designers and how would you describe your personal style? Adrianna: At the moment, some of my favorite designers include those that have really strong points of view in their collections such as Alessandro Michele at Gucci, John Galliano at Maison Margiela, and Vivienne Westwood. I’m also a huge fan of make up artist Pat McGrath’s runway looks, which end up inspiring a lot of my work. I would describe my personal style as sleek and minimal with a mix of vintage luxe. BASIC: What has been one of your biggest accomplishments this year? Adrianna: There’s been quite a few, however, I always feel honored and I see it as one of my biggest accomplishments when I’m commissioned to do a portrait for a private client.
BASIC: What is your favorite thing to do when no one is looking? Adrianna: Dance! BASIC: What was your favorite cartoon to watch as a child? Adrianna: Inspector Gadget, Duck Tales, Looney Tunes and Babar. BASIC: If you were a new addition to a crayon box, what color would you be and why? Adrianna: A gold glitter crayon. It would definitely be an exciting, fun and happy color, and a reflection of my personality! BASIC: Tell us about one of the first things you ever painted. Adrianna: Some of the first things I started painting were fashion accessories, like shoes and bags that I dreamed of owning. I also loved re-creating iconic fashion brand logos. 161
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THE OSCARS OF THE DIGITAL WORLD Monaco Influencer Awards 2018 Words by Viktorija Pashuta
For centuries, the mere mention of Monaco has inspired images of luxury, glamour, excitement and leisure. Every year, thousands of visitors from around the world are drawn to Monaco's sublime Mediterranean climate to indulge in the opulent lifestyle and experience. It reigns as the most expensive market in the world and is known for its Royal history and lavish tendencies. It is a cornerstone for a glamorous Riviera lifestyle where the rich and famous indulge in the belle époque casinos at the bustling casino square, where women are adorned in diamonds 162
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and gentlemen are living the dream. From its towering cliffs, glorious harbors and luxurious hotels, the city is known for world class entertainment and sporting events like Rolex Tennis Master Series and its annual Formula One Grand Prix. To add to its impressive portfolio of events, Monaco has hosted its very first Influencer Awards of 2018 (IAM for short) dedicated to the top influencers around the world. The event has undeniably set the tone as the ‘Oscars of Digital World,’ welcoming the most influential talents of the web to join
forces for an unforgettable weekend. Upon arrival, VIP guests were helicoptered into Monaco from Nice-Côte d'Azur Airport and treated with utmost royal hospitality at fivestar hotels. Taking place on the 6th and 7th of October, the two-day event was packed with an astonishing agenda, ranging from visits to the Royal Palace, grand dinners and wild after parties. “This event joins the list of world–class events held in Monaco and on a global scale, the first of its kind,” says Maureen Kragt, IAM PR Specialist. “The Monarchy
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“This event is more of a necessity where the generation of our time is getting recognized for the impact they have on the modern society.” – Maureen Kragt
demonstrated their commitment to forward thinking by having Pauline Ducruet as our ambassador and host of the event.” Pauline Ducruet, the granddaughter of legendary Grace Kelly, is a young entrepreneur, President of the Jury and an honoree team member of IAM. Pauline is no stranger to the digital and fashion worlds. She graduated from Parsons School of Design in New York and is creating her own clothing line that is on the verge of making its public debut. “It’s a big year for me as I am developing a new line, with first pieces to come out early 2019,” says Ducruet. “It is going to be a casual unisex brand. I love to go to men stores and wear oversized shirts. We have more freedom to do what we want, and it’s OK to do whatever you want in fashion; it’s self-expression. It’s important to feel comfortable and good with yourself. That way, you can give personality to your clothes and it’s not the other way around.” The beautiful production of the event was backed by an exceptional team, but how did it all start? The original idea of the Influencer Awards was created by Lolita Abraham, a leader of IAM’s business development department who brought her partners on board for this big adventure. The team included Pauline Ducruet (President of the Jury and IAM Ambassador), Thomas Peters (Head of Operations), Maxime Giaccardi (Head of Sales) and Maureen Kragt (Head of Public Relations). “We are a very good team,” says Abraham. “We are very complimentary to each other. This year we did the Influencer Awards in Monaco, but we will be launching more award events in key cities around the world to have a global impact.” Being born into the fashion industry and surrounded by leading entrepreneurs at a young age, it’s no surprise Abraham has taken such great strides to power this next-generation machine. After graduating from Shanghai Jiao Tong University in China, she launched her own children’s clothing line and designed private labels for brands in the United States, Russia and Spain. And thanks to her creative personality and vigor for innovation, she envisioned new shopping experiences for concept stores throughout Asia. “I used to have my own blog and I have always wanted to work with influencers,” says 164
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Abraham. “I tried to imagine what I could do with them. And then I had this idea to create the Influencer Awards, where I could invite all of them from all over the world to Monaco. The goal was to show the world that it is a real job to be an influencer and if you do it right, you can do fantastic things. We want to show to the world that if influencer is used correctly, they can influence and have a huge impact.” A fitness influencer and winner of the IAM Fitness category, Jen Selter, spoke about her experience as an influencer and the importance of distinguishing yourself in such a saturated market. “You have to pick and choose to be different,” she says. “I don’t advertise everything that comes my way, only products that I genuinely love. There are still so many people joining the platform. When I first started, there were only 10 fitness people. Now there are 20 million, which is awesome, but again, how can you follow everyone? It’s important to be true to your fans and followers, keeping it real.” And that is exactly what the influencers did. The star of the event was undeniably funny. Going by the name Sul or @justsu, the influencer has become an instant
PRIZE-WINNERS MONACO INFLUENCER AWARDS 2018 AWARDS HONOR:
TRAVEL:
FOOD:
@carolinereceveur
Winner @Muradosmann
Winner @Foodgod
@makeupbymario
Best-hope @Jacob
Best-hope @Befatbehappy
BEAUTY:
PHOTO:
PARENTING:
Winner @MakeupbyMario
Winner @toniMahfud
Winner @Daddownlod
Best-hope
Best-hope
@watchanish
@Beautybekky
@Benjaminortega
Best-hope @reandradeoficial PHILANTROPIE ET GREEN:
LIFESTYLE:
ENTERTAINMENT / HUMOUR:
Winner @Momimfine
Winner @Carolinereceveur
Winner @JustSul
Winner @Fuett
Best-hope @TaraMilktea
Best-hope
Best-hope
@Nikwestbass
@RK4Dev_Familys SPORT/FITNESS :
ENTREPRENEUR:
FASHION:
Winner @Jenselter
Winner @Jonolsson1
Winner @ariviere
Best-hope
Best-hope @Tomclaeren
Best-hope @rowanrow
viral sensation famous for his grotesque jokes on Instagram. His sense of humor has garnered a devoted army of followers where he addresses them as “motherfuckers.” At the IAM event, Sul was humbly taking pictures with strangers and signing autographs straight upon his arrival to the hotel. The welcome dinner was hosted at COYA and followed by a party at Jimmy’z, Monte-Carlo’s temple of clubbing. “We know everyone from the digital world and online,” says Ducruet. “It was really nice to meet everyone here in Monaco and in person.” To learn more about the power team behind the Influencer Awards, we spoke to Maureen Kragt, the public relations force at IAM. Kragt was raised in Monaco, where she now splits her time between London and Los Angeles as a visual content creator and freelance writer. After finishing her studies in criminology and criminal justice, Kragt started blogging as a hobby. Today, she runs a full-time blog and travels the world, absorbing trends and building her own identity that shines through her social media platforms. Her love affair with fashion started at a very young age where she was driven by many of what are considered Hollywood icons,
like their very own Princess Grace Kelly. She was inspired by Edie Sedgwick, the well-known muse of Andy Warhol, Twiggy and Jackie Onassis, a regular on the beaches of Monte Carlo. “For me, influencers have always been around, but we simply just didn’t label them as such at the time,” says Kragt. “Having witnessed the birth of the online era, we are now seeing the important shift in digital careers. Influencers are the new architects shaping consumer marketing. They are the new voices of influence, the voices of “truth” marketing. A project like the Influencer Awards pays tribute to their hard work. With the internet being a treasure trove of content, it can be quite a challenge to make your mark. This award ceremony singles out the leading influencers in their respective fields.” The awards jury consisted of high-profile judges representing various industries such as Pauline Ducruet, Jonathan Teo, a leading investor in Silicon Valley and lender to companies including Snapchat, Instagram and Twitter, Mickey Boardman, editorial director and advice columnist for PAPER Magazine and cultural commentator, lifestyle expert and fashion guru
@brandonropestylers
for networks like VH-1, A&E, CNN, Style Channel, E! and Fox News, and lastly, Hofit Golan, Israeli supermodel, television presenter, producer and entrepreneur. But how would you even judge an influencer? “We pay more attention to how good they are with their community, what impact they have in our lives, and we also judge from an aesthetical point-of-view,” says Ducruet. “How visual their page is, the consistency of their content.” In addition, the jury checked nominees for fake followers and engagement rates, ensuring fluent and genuine conversations amongst users and influencers. IAM is a made-in Monaco event and trend to become part of the Monaco’s agenda for years to come. Attended by influencers, high-profile guests and press from around the world, the event made a distinct statement. “This is a beginning of a new era,” says Kragt. “This event is more of a necessity where the generation of our time is getting recognized for the impact they have on the modern society. We will be very much looking forward to the next events to come and to motivate those who deserve recognition and acknowledgement.” www.trustinfluencer.com 165
CURIOSITIES
Words by KIMBERLY HADDAD
R ICH A R D BER NSTEIN STA R M A KER , A NDY WA R HOL’S COV ER A RTIST This book features Richard Bernstein’s iconic Interview magazine covers created from the mid 1960s to 1990s of stars including Madonna, Grace Jones, Mick Jagger, Cher, Calvin Klein, Jerry Hall, Bianca Jagger, Michael Jackson and Aretha Franklin. The perfect coffee table accessory or essential addition to a pop culture lover’s library, this book is a must-have—complete with intimate interviews and Bernstein’s rarely seen fine art, album covers and editorial work.
MUSEUM OF INTERNATIONAL FOLK ART This spring, the Museum of International Folk Art opens the exhibition, Beadwork Adorns the World, a nod to the ultimate migrants, small glass beads that travel the world and find their way into objects of art or detailed garments. Whether from the island of Murano in Venice, Italy or the mountains of Czech Republic, this exhibition tells the unique story of what happens to these beads when they arrive at their final destination.
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VA N GOGH DR E A MS Van Gogh Dreams is a narrative installation that allows visitors to enter the mind and heart of legendary artist, Vincent Van Gogh. Conveying his journey of inspiration, beauty, doubt and confusion, this sensory experience will show what the artist saw and felt during one of the most monumental periods of his life. The installation will be featured in the Van Gogh Museum, Amsterdam from July 27, 2018 through January 13, 2019.
“THE DA L A I L A M A: SCIENTIST” WOR LD PR EMIER E Brought to you by the Peacejam Foundation, “The Dalai Lama: Scientist,” will premiere in Monaco on June of 2019 and tells the story of the man you do not know; the Dalai Lama that very few people have captured. This full–length feature film immerses the viewer into a series of profound dialogues with groups of scientists, explores the correlations between science and Buddhism and shares intimate life experiences from The Dalai Lama that have had a deep impact on his development as a truly one-of-a-kind world leader. Illustration of Dalai Lama by Natalya Nova
PING H ATTA New York-based fashion illustrator, lingerie designer and live portrait artist, Piamrak Hattakitkosol, or “Ping Hatta” in short, has translated her life into a visual diary, capturing unique moments and bringing out the best character in people with a sense of humor. Recognized for her bold and quirky graffitiinspired style, Ping Hatta creates playful characters with pointy eyeliners and a touch of the fashion world’s personalities. Her work has been featured in a variety of publications and has garnered international attention from Anna Sui, Del Pozo, Dolce & Gabbana and Marc Jacobs Instagrams.
SPOILS OF WA R As the first world war centenary approaches, the House of Fine Art (HOFA) marks the occasion with an incredibly fitting tribute. Their forthcoming exhibition, encompassing the works of Afghan veteran Bran Symondson is wonderfully poignant, featuring artistic revelations such as his ‘Spoils of War’ piece. Telling the tales of a soldier through a unique art collection, his impressive portfolio includes the ‘Virtue of the Vicious’ piece, in which 130 butterflies were used to decorate a decommissioned AK-47 in the colors of the French tri-color, following the Paris terrorist attack.
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EMOJI ART
Words by Ilia Sdralli
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Natalya Nova is a woman of sheer beauty and boundless curiosity that shines throughout everything she creates. Award-winning photography, filmmaker and artist, her craft is infused with strong personal aesthetics and a magical voice that sets her work apart from the rest of the noise. Interweaving Russian sensitivity with her grounded New York roots, Nova has honed a fearless approach to experimentation that provides an amalgam that is both provocative and new. Her art explores limits of identity, sexuality and selfdefinition, using her inner voice as inspiration and her nude body as a canvas. From electrifying self-portraits to her chaotic use of light and distortion, Nova has garnered many awards and collaborated with notable artists including Grammy-award winner and art director, Ian Cuttler. Her work has been exhibited at Miami Art Basel, film festivals and various galleries throughout New York City. We spoke with Nova about her latest emoji portrait series and her inspiration to create.
Where did your interest in photography develop? My interest in photography started at a very young age. I was born in Russia and the new kind of new technology appeared exciting and almost magical. When I was given a camera as a present, I felt like rediscovering the world through it. I was taking it with me everywhere, captioning everything, and I never stopped since.
When I left Russia, I decided it was about time to study something I really liked. I realized that since I was carrying a camera with me wherever I was going, that this was my passion and what I loved to do. It was my form of expressing and understanding reality. You have been using emojis as a modern-age pointillism technique. Why did you choose to work with emojis as your focus? The inspiration for this series of artwork came from an unexpected source, a book cover that featured a face that looked like Jesus made by miniature portraits of different people. It was an interesting way to state that a bigger, important thing is made by smaller ones and acts as a unification between those. I loved the clarity of the message with this technique and I use it with emojis in my own art, partly because I like them and partly because it’s something we all use every day. You are working in a variety of styles and sometimes formats. How do you decide on a style format for a new series of work? It has to do with the specific project I’m working on each time. I choose what serves my vision best and excites my imagination. I can be inspired by the books I read, the films I watch or something I have seen that has touched me. Then the creative process begins. Do you believe that great art can also be commercially successful? I believe that it should be. I would love to work and live from my art, but in this modern world that is not always the case. For me, it was more difficult when I first started, but now I would say I have achieved a very good balance. In the realm of the #metoo movement, would you define your work as feministic? I am a woman doing art, and in that sense yes, my work is feministic. I am not trying hard to be one, though. When I work, I am mostly interested in presenting the world through my personal inner vision and sensibility. Now, if that comes out carrying an empowering message, the better. Do you follow fashion trends or have any favorite designers? I like fashion. It’s not that I go that often to fashion shows and presentations, but I look at trends and fashion designers that excite me. I recently watched the [Alexander] McQueen documentary and felt very emotional. He created so much beauty and yet he had to face his own demons. Which emoji do you use most often and why? It would have to be the smiley, as I’m smiling all the time. Or if I were to pick, it might also be the one with the tongue out!
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Treasures of Nature Photographer Alexander Khokhlov @alexanderkhokhlov Jewelry Mousson Atelier Jewelry @moussonatelier Image Design, Makeup, Hair, Paper Art Natalia Pavlova, Uliana Makhtyuk @pavlovnata Producer Veronica Ershova @ni4e05
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