From Ensor to Emin, Modern

Modern

Lots with ‘*’ are illustrated in the catalogue.

1. Live Sale

Tuesday April 23 at 2 pm (lots 1-195) at 7 pm (lots 200-349)

2. Viewing days

April 18 - 22

from 10 am - 6 pm

Verlatstraat 18, 2000 Antwerp

3. Collecting dates

By appointment

on weekdays from April 29 to May 10 9 am - 12 am & 1 pm - 5 pm

Saturday May 4 10 am - 1 pm

Verlatstraat 18, 2000 Antwerp

4. Buyer’s Premium

In the room 25%

Absentee bid 25%

Telephone bid 25%

Online platform (live.bernaerts.eu, Drouot or Invaluable) 28%

Aftersale 30%

Administrative costs €2 / lot

5. Telephone bids

From € 500

BERNAERTS AUCTIONEERS BV

Verlatstraat 20, 2000 Antwerp

T +32 (0)3 248 19 21

www.bernaerts.be - info@bernaerts.be

Live Sale: MODERN

Tuesday April 23 at 2 pm (lots 1-195) at 7 pm (lots 200-349)

Viewing days: April 18 - 22 from 10 am - 6 pm

Expertise: Christophe Bernaerts & Elise Boutsen

Bailiff: Jan Weyns-Birgit De Troij (WDT bv)

© SABAM / Digital photo, layout & prepress: © Studio Bernaerts 2024

ILL cover: lots 105, 106, 107, 108, 109

SESSION 1

Lots 1-195

1

EMILE GALLE (1846-1904)

A five-piece parcel-gilt Gallé drinking set. Comprising a water glass, red wine glass, white wine glass, port glass and a decanter. Decanter signed underneath 'Emile Gallé/ à Nancy'.

Traces of use.

(€ 500-700)

2

EMILE GALLE (1846-1904)

An Art Nouveau-period acid-etched, enameled and parcel-gilt Gallé vase.

Decorated with leaves and verbena flowers.

Signed underneath 'E. Gallé/ Nancy/ Modèle et decor déposés'.

H.: 21 cm

(€ 400-500)

3*

An Art Nouveau-style gold and cloisonné dragonfly brooch. Period 2000. Yellow gold (750/1000, 41 gr.) and parcel silver for oxide coating.

Cloisonné of very high quality, minor damage (not disturbing for the eye). Apocryphal marks.

Set with 22 diamonds in cushion cut (2.12ct, GVS1), 54 diamonds in rose cut (0.66ct, GVS1), 16 rubies in calibré cut (1.85ct) and 2 rubies in oval cut (0.3ct).

7 x 11 cm

(€ 3800-4600)

4*

An Art Nouveau-style gold and cloisonné brooch in the shape of an elf. Yellow gold (750/1000, 45 gr.) and parcel silver for oxide coating.

Cloisonné, minor damage (not disturbing for the eye).

Apocryphal marks.

Set with 80 diamonds in rose cut (1.36ct, G SI1), 2 diamonds in cushion cut (0.38ct, I SI1) and 2 blue imitation stones in pear cut incorporated into the wings.

8 x 9 cm

(€ 2500-3500)

5

An Art Nouveau-period floor lamp.

Orange-yellow doubled colourless and slightly iridescent glass. Base and frame in golden yellow patinated bronze and copper. Ochre-coloured and slightly iridescent glass.

Lampshade missing.

One rod to be restored.

Four light points below in the base.

H.: 151 cm

(€ 1500-2000)

10

11

6*

An Art Nouveau-period gilt-bronze and acid-etched cameo glass table lamp.

Shade decorated with floral motives. Stamp 'SL' (Cristalleries Saint-Louis).

Functioning.

H.: 50.5 cm (€ 400-500)

7*

ADOLF K. J. BRÜTT (1855-1939)

Sword dancer.

Bronze, golden-yellow patina. Signed 'Brutt. Fec.' Foundry stamp 'Art. Ges. Gladenbeck Berlin'.

Minor wear on patina.

47 x 25 cm (€ 2000-3000)

8*

H. POIRIER

Standing female nude.

Bronze, golden yellow patina. Signed 'H. Poirier'. Onyx base.

Tot. h.: 26 cm (€ 100-150)

9*

CLAIRE COLINET (1880-1950)

'La jongleuse', c. 1925.

Bronze, golden yellow patina.

Signed 'C. Colinet'.

Tot. h.: 18.5 cm (€ 150-200)

10*

CHARLES GEORGES FERVILLE-SUAN (1847-1925)

'Au clair de la lune', c. 1890.

Bronze, golden brown patina.

Signed 'Ferville Suan'.

Three strings of harp missing.

H.: 21.5 cm (€ 300-400)

11*

PIERRE LE FAGUAYS (1892-1962)

‘Messager d’amour’.

Bronze, golden yellow patina. Onyx base.

Tot. h.: 41 cm (€ 600-800)

12* AFFORTUNATO GORY (1895-1925)

Salome, c. 1910.

White marble, gilt bronze. Signed 'A.Gory'.

On green-brown patinated bronze base. H.: 84 cm (€ 15000-20000)

The artist was inspired by the famous dancer Maud Allan (1873-1956), who caused a lot of suspense when she played the main character in Oscar Wilde's play 'Salomé' topless at the Vienna Opera in 1904.

13*

GASTON LEROUX (1854-1942)

'Rebecca'.

Gilt bronze. Signed 'Leroux'.

H.: 73 cm (€ 1200-1600)

Lit.:

P. Kjellberg, Les bronzes du 19ème siècle, Paris, 1987, p. 436, ill.

14

14*

LOUIS VAN ENGELEN (1856-1940)

'Kipdorpbrug, Antwerpen', 1929

Oil on canvas (relined).

Signed and dated 'L. Van Engelen/ Antw II-IXXX'.

61.5 x 81 cm (87 x 104 cm) (€ 4000-6000)

Provenance & certificate: Berko Fine Paintings, Knokke-Heist, 22.3.1997

15

EMILE GASTEMANS (1883-1956)

View on the Verbindingsdok in between the Kattendijkdok and Willemdok in Antwerp, 1909.

Oil on canvas. Signed and dated 'E. Gastemans 09'. 80 x 100 cm (110 x 130 cm) (€ 2000-3000)

16*

JAN VAN BEERS (1852-1927)

'Elsie de Wolfe about 1910'.

Oil on panel (mahogany).

Signed 'Jan Van Beers'.

Title on label of the frame. 24 x 19 cm (39 x 34 cm) (€ 1500-2000)

Provenance:

Private collection, Aartselaar

17*

GEORGE MINNE (1866-1941)

'Le grand porteur de reliques', 1929. Later plaster cast (1980s) goldleaf gilding.

Bearing an apocryphal signature 'G. Minne'.

H.: 97.5 cm (€ 3000-4000)

Provenance:

Jeanne Minne, daughter of the artist

18*

AXEL SALTO (1889-1961)

A rare stoneware, blue glazed 'three deer and cornfield'-vase. Copenhagen 1930.

Production Kobenhavn Stentojsbraenderi.

Stamp, signature and date underneath.

27 x 18 cm (€ 15000-20000)

Provenance:

Private collection, Brussels

Axel Salto is a multi-talented artist who became a master ceramist. Yet, his artistic career started as a painter when he graduated in 1911 from the Royal Danish Academy of Fine Arts. But his creativity also expressed itself in book illustrations, graphic designs, jewellery, textiles, works on paper and not least ceramics with which he made an artistic breakthrough in 1925 at the International Exposition in Paris.

As an editor of the critical art journal 'Klingen' and as a member of the artists’ group ‘The 4’, Salto was a pivotal figure in early Danish Modernism. During the 1950s he was one of an exclusive group of furniture designers and craftsmen who promoted Danish design with great success under the banner of ‘Danish Modern’. Based on his observation of nature’s forms, structures and their inherent dynamisms, Salto designed the ‘fluting’, ‘budding’ and ‘sprouting’ styles which are characteristic of his ceramic work.

Today Salto’s ceramics have attained an almost cult-like status and he is admired internationally for his original form of expression.

Source: https://claymuseum.dk/en/exhibition/playing-with-fire-edmund-de-waal-and-axel-salto

19

JOSEPH POSENAER (1876-1935)

'Adam, waar zijt gij?', 1913.

Oil on cardboard.

Signed and dated 'J Posenaer 1913'.

Annotations on the reverse.

30 x 30 cm (33 x 33 cm) (€ 100-150)

20*

PIETRO LINGERI (1894-1968)

A rare set of four brass and milk glass wall lights, 1947. H.: 34 cm (€ 5000-6000)

Provenance:

Private collection, Viale Régina Giovanni, Milan

Galleria Rosella Colombari, Milan, 10.2018

Private collection, Belgium

*(only two of the four pieces illustrated)

21*

ANONYMOUS ART DECO-PERIOD

A fine 1930's blackened rosewood and satinized glass console table.

83 x 138 x 38 cm (€ 800-1000)

22

GUSTAVE DE SMET (1877-1943)

Wheat sheaves on the field, 1914. Oil on canvas.

Monogrammed 'GDS'.

70 x 90 cm (77 x 96 cm) (€ 7000-9000)

Provenance:

Paul Brandt, Amsterdam, 1964, no. 71

Lit.:

Paul Boyens, 'Gust. De Smet', 1989, no. 233

23*

GUSTAVE DE SMET (1877-1943)

Nocturnal forest view, 1911. Oil on canvas.

Signed 'Gustave De Smet'.

70 x 90 cm (79.8 x 98 cm) (€ 30000-40000)

Provenance:

Paul Brandt, Amsterdam, s. d.

Lit.:

Paul Boyens, 'Gust. De Smet', 1989, no. 168

24

LEON DE SMET (1881-1966)

Hedge, trees and farmstead, 1930.

Oil on canvas.

Signed with monogram 'LDS'.

Signature and date by another hand the reverse.

60 x 70 cm (83 x 95 cm) (€ 3000-4000)

Provenance:

Former collection Emile Langui

25*

An early 20th century Ashanti doll. Côte d'Ivoire. Beads around waist and neck. With earrings. H.: 30 cm (€ 150-200)

26*

JAN MULDER (1895-1988)

'Meisjes', 1932.

Oil on canvas.

Signed and dated 'J. Mulder/ 1932'.

Handwritten label on the reverse.

45 x 38 cm (58 x 50 cm) (€ 600-800)

Expo:

Gallery Van Langenhove, Ghent, Retrospective Jan Mulder, 3.4-2.5.1993

27

JAN MULDER (1895-1988)

Girl in greek chiton, 1932.

Oil on canvas.

Signed and dated 'J Mulder 1932'.

84 x 69 cm (92 x 77 cm) (€ 800-1000)

Expo:

Gallery Van Langenhove, Ghent, Retrospective Jan Mulder, 3.4-2.5-1993.

28*

FLORIS JESPERS (1889-1965)

Clown with guitar and birdcage. Early 1930s. Églomisé.

Scratched signature 'Jespers'. 44 x 36 cm (55 x 48 cm) (€ 5000-6000)

29

FLORIS JESPERS (1889-1965)

'Teedere clown', 1932.

Oil on board.

Signed 'Jespers'.

Label with technical data on the reverse.

59.5 x 50 cm (68 x 58 cm) (€ 1500-1800)

30*

REIMOND KIMPE (1885-1970)

Middelburg, 1932.

Oil on canvas.

Signed and dated 'R. Kimpe/ 32'.

79 x 64 cm (89 x 74 cm) (€ 3000-5000)

31

PAUL JOOSTENS (1889-1960) ‘Ursula’, 1956. Oil on plywood.

Signed and dated on the reverse. With label.

78 x 46 cm (82 x 50 cm) (€ 500-600)

32

PAUL JOOSTENS (1889-1960) 'Alleluia', 1953. Oil on plywood.

Signed and dated 'P. Joostens/ 53'. 180 x 120 cm (€ 3500-4000)

Provenance:

Raoul Tyriard - Lohaus Collection

33*

An elegant Art Deco-period burr-walnut veneered and ebonized wood daybed.

Mattress and matching cushions, upholstered in high quality patterned cotton.

74 x 200 x 95 cm (€ 800-1000)

34

An Art Deco-period walnut, rosewood, mother-of-pearl and metal mountings dining room set.

Comprising:

1. Table (78 x 143 x 92 cm)

2. Six chairs. Seat upholstered in velvet.

3. Three door sideboard with marble tops and mirror glass upper part (150 x 208 x 56 cm) (€ 1000-1200)

35*

MAX INGRAND (1908-1969) / FONTANA ARTE

A rare 1960s maquillage mirror stand, model 2248. Pivotal round mirror.

Shelf in gray mirrored crystal. Frame in brass.

H.: 164 cm; ø 34 cm (mirror) (€ 5000-6000)

36

TOMASO BUZZI (1900-1981)

An exclusive Italian wall light, model '416'. C. 1933. Glass (incamiciato lattimo and pagliesco glass), cordonato glass and coloured ballotton glass with applied gold leaf, brass. Produced by Venini & C., Murano, Italy.

H.: 31 cm; ø 20.5 cm (€ 3000-4000)

37*

OSCAR JESPERS (1887-1970)

'Landkaart van België', 1935.

Design in plaster for monumental relief sculpture (basswood, polychromed, 400 x 1200 cm) commissioned by SNCB Brussels.

100 x 300 x 17 cm (126 x 310 x 19 cm (met houten frame/ avec châssis en bois)) (€ 3000-5000)

Provenance:

Oscar Jespers, late 1960s

J van den Eede, Deputy administrator 'Sociale Dienst Vlaams Economisch verbond' Antwerp as a gift from the artist SD Worx, Brouwersvliet Antwerp

J. Boyens writes that this artwork was commissioned by the Belgian government. Oscar Jespers cut a four-by-twelvemeter 'map of Belgium' in basswood for the 1935 World's Fair in Brussels. The giant bas-relief, which he polychromed, was placed in architect Victor Bourgeois' model station. Probably geographical maps with relief drawing provided direct inspiration for the present work. Jespers concisely depicted the cultural and economic history of his country. The composition is defined by two diagonals that separate High, Central and Low Belgium. To characterize a city or region, the sculptor chose a symbol. Thus, the region between Spa and Namur is represented by a hunter and St. Hubertus, Ostend by sunbathers, Antwerp by the Boerentoren, among others.

Expo:

Brussels, 1935, World's Fair, designed for Victor Bourgeois' model station commissioned by the Ministry of Economic Affairs

Antwerp, 1935, World's Fair, exhibition no. 303

Brussels, 1952, De monumentale kunst, 44

Lit.: J. Milo, Les Beaux-Arts 1934, nr.142, p. 15 ill; Y. Mareska, Revue du Touring Club de Belgique 1935, nr. 10, p. 147, (ill) p. 146; J. Boyens 1982, p. 194-195 (ill.), J. Boyens 2013, p. 392-393, 162 (ill)

38

GEORGE TRINQUE (1844-1930)

Vide-poche with a female nude near the water.

Bronze, dark brown patina.

Signed 'G. Trinque'.

Foundry stamp 'Maison Nonhoff Bruxelles'. 17 x 33 x 30 cm (€ 200-300)

39

ISIDOOR DE RUDDER (1855-1943)

Bust of Cleopatra.

Bronze, brown patina. Signed 'De Rudder'. Foundry stamp 'H. Lippens & Cie / Editeurs'.

Red marble base (restored crack).

Tot. h.: 36 cm (€ 600-800)

40

JEF LAMBEAUX (1852-1908) circle

Reclining nymph with Bacchus child.

Bronze, green patina. Illegible signature. Two casting cracks.

51 x 55 x 28 cm (€ 300-400)

41

ALPHONSE I VAN BEURDEN (1854-1938)

Nymph seated on a rock.

Bronze, dark green patina. Signed 'Alph Van Beurden'.

Foundry stamp 'Fonderie Batardy / Bruxelles'.

H.: 55 cm (€ 1200-1500)

42

ANONYMOUS XX

Cast of a woman's head after ancient Egyptian example. Green patinated bronze. Marble base.

H.: 27.5 cm (€ 200-300)

43

ANONYMOUS 1/2 XX

Kneeling woman.

Bronze, dark green patina.

H.: 10.5 cm (€ 200-300)

44

VICTOR DEMANET (1895-1964)

Reclining bacchante.

Bronze, green patina. Signed 'V. Demanet'. 15 x 69 x 14 cm (€ 1000-1500)

45

SIMON GOOSSENS (1893-1964)

Standing nude. Bronze, dark green patina.

Signed 'Simon Goossens'.

H.: 80 cm (Tot. h.: 86 cm) (€ 1200-1500)

46

FÉLIX METDEPENNINGHEN (1867-1937)

‘Sappho’.

Bronze, brown patina. Signed 'Metdepenninghen'.

Foundry stamp 'G. Vindevogel / Ghent'.

H.: 24 cm (€ 100-150)

47

JEAN-BAPTISTE GAUVENET (1885-1967)

Nude bacchante with a goat.

Bronze, dark brown patina. Signed 'G. Gauvenet'. Foundry stamp 'Fonderie Nationale des Bronzes'.

H.: 28 cm (€ 300-400)

48

DOMINIQUE ALONZO (act. 1910-1930)

Snake dancer.

Bronze, olive green patina.

Signed on marble base 'D. Alonzo'. Tot. h.: 52.5 cm (€ 600-800)

49

MARCEL BOURAINE (1886-1948)

Dancer. Art Deco-period.

Bronze, gray patina. Signed 'Matto'. Minor wear on the patina. Marble base. H.: 57.5 cm (€ 600-800)

50

DAUM NANCY (1900-1914)

An Art Deco-period vase. Transparent mold-blown and satin-finished glass, with geometric pattern.

Signature "Daum Nancy France" with cross of Lorraine. 51 x 20 cm (€ 1500-2000)

51

GEORG JENSEN (1866-1935)

An exquisite 146-piece silver cutlery set. Model 'Acorn'. With box, certificates and brochure. (€ 5000-6000)

Provenance:

Georg Jensen Barcelona, 25.11.1960

52

PAUL HAGEMANS (1884-1959)

Interior, 1918.

Oil on canvas.

Signed and dated 'Paul Hagemans 18'.

Gilt frame.

100 x 120 cm (120 x 136 cm) (€ 1500-2000)

53*

EMILE BAES (1885-1954)

Standing female nude, dressed in a kimono holding a fan and mirror.

Oil on canvas.

Signed 'Emile Baes'.

In period gilt plaster frame decorated with floral motives.

80 x 60 cm (105 x 85 cm) (€ 1000-1500)

54*

FERDINAND TOUSSAINT (1873-1956)

Portrait of a reading woman, c. 1925.

Oil on canvas.

Signed 'FToussaint'.

82 x 65 cm (88 x 71 cm) (€ 5000-6000)

Provenance and certificate: Boon Gallery, Knokke, 16.12.2015

55*

FERDINAND TOUSSAINT (1873-1956)

Daydreaming.

Oil on canvas on panel.

Signed 'F. Toussaint'.

53 x 45 cm (75 x 64 cm) (€ 2500-3500)

Provenance:

Private collection, Hasselt

56*

HENRI THOMAS (1878-1972)

The returned gaze.

Oil on canvas.

Signed 'Henri Thomas'.

70 x 47 cm (92 x 71 cm) (€ 2000-3000)

Provenance:

Private collection, Hasselt

57

J. DORMONT

Nude, seen from behind. 1933.

Oil on board. Signed and dated 'J. Darmont / 1933'.

60 x 51 cm (72 x 63 cm) (€ 60-80)

58

CONSTANT PERMEKE (1886-1952)

Vase with flowers.

Oil on cardboard.

Signed 'Permeke'.

37 x 44 cm (54 x 61 cm) (€ 1000-1500)

Provenance:

Former collection August Taevernier G. Campo, Antwerp, s.d.

59*

WALTER VAES (1882-1958)

Mussels on a plate.

Oil on panel.

Signed 'Walter Vaes'. Gilt frame.

38 x 46 cm (57.5 x 65 cm) (€ 1200-1500)

60*

WALTER VAES (1882-1958)

Still life with pork, pastry and mushrooms. Oil on canvas.

Signed 'Walter Vaes'.

40.5 x 66 cm (58 x 83 cm) (€ 2000-3000)

Provenance:

P. Rykens, Surrey

G. Campo, Antwerp, s.d.

Anemone flowers, 1947.

Oil on panel.

Signed and dated 'Walter Vaes/ 47'.

22 x 27 cm (35.5 x 40.5 cm) (€ 800-1200)

Provenance: G. Campo, Antwerp, s.d.

62*

WALTER VAES

Oil on canvas.

Signed 'Walter Vaes'. 38 x 46.5 cm (57 x 65 cm) (€ 3000-4000)

Provenance: Descheemaecker family, since 1944

61

WALTER VAES (1882-1958)

(1882-1958) 'Ribbestuk'.

Pork roast (?) with lettuce, 1944.

Oil on canvas.

Signed and dated 'Walter Vaes/ 44'. 54.5 x 69 cm (73 x 86 cm) (€ 3000-4000)

Provenance:

Descheemaecker family, since 1944

Still life with poultry. Oil on panel.

Signed 'Jespers'. Exhibition label on the reverse. 49 x 59 cm (66 x 77 cm) (€ 800-1200)

63*

WALTER VAES (1882-1958)

64

FLORIS JESPERS (1889-1965)

65

WILLEM DOLPHYN (1935-2016)

Still life with asparagus, Westerwald pitcher and eggs. Oil on board.

Signed 'W Dolphyn fecit'.

Blackened wooden frame with ripple cut mouldings.

49 x 59 cm (61 x 71 cm) (€ 800-1200)

66

JEF DIELS (°1952)

Still life, 2001.

Oil on fibreboard.

Signed and dated 'J. H. Diels/ 2001'.

49 x 28 cm (67 x 47 cm) (€ 600-800)

67

JEF DIELS (°1952)

'Afternoon light', 2001.

Oil on fiberboard.

Signed and dated 'J.H. Diels 01'.

40 x 50 cm (58 x 68 cm) (€ 600-800)

68

FRANCISCO BORES (1898-1972)

Untitled, 1930.

Oil on canvas.

Signed and dated 'Bores 30'.

33 x 40.5 cm (51 x 59 cm) (€ 2000-3000)

69

ANNE PIERRE DE KAT (1881-1968)

'Kampveerse Toren', 1932.

Oil on canvas.

Titled, signed and dated 'The Cat/ June 1932'.

51 x 60.5 cm (74 x 83 cm) (€ 1500-1800)

70

FLORIS JESPERS (1889-1965)

Painter's easel with folding chair in the dunes.

Oil on panel. Signed 'Jespers'.

49 x 59 cm (70 x 77 cm) (€ 800-1000)

71

FLORIS JESPERS (1889-1965)

African women.

Oil on canvas mounted on panel. Original frame (damaged).

32 x 42 cm (50 x 64 cm) (€ 800-1200)

79

BOCH / KERAMIS

A 1929 three-coloured (orange-black-white) glazed vase. Painted with geometrical patterns. D1291. F1076. 25 x 17 cm (€ 500-600)

Lit.: M. Pairon #331

80*

BOCH / KERAMIS

A 1929 two-coloured (orange and black) glazed geometrical-shaped vase. D1284. F1069. 22 x 14 cm (€ 600-800)

Lit.: M. Pairon #349 (ill. in different colours)

81

BOCH / KERAMIS

A 1929 three-coloured (green-dark blue) glazed geometrical-shaped vase. D1284. F1069. Slight discolouration due to nicotine. 22 x 14 cm (€ 300-400)

Lit.: M. Pairon #371

82*

BOCH / KERAMIS

A stoneware three-colour glazed vase with stylized leaves and twigs. D776. F903. 15 x 14 cm (€ 300-400)

83*

CHARLES CATTEAU (1880-1966) / BOCH KERAMIS

A 1930 two-colour glazed vase with stylized floral motifs. D1433. F481. Signature 'Ch. Catteau'. 15.5 x 13 cm (€ 150-200)

Lit.: M. Pairon #680 (ill. same decor, yet different form)

84*

BOCH / KERAMIS

A 1929 three-coloured (yellow-black-white) glazed vase painted vase with geometrical patterns. D1300. F1085. 33 x 18 cm (€ 500-600)

Lit.: M. Pairon #322

85*

BOCH / KERAMIS

A 1928 three-colour (dark blue and green) glazed vase with geometric patterns. D1184. F1026. Lid missing. 15 x 16 cm (€ 100-150)

Lit.: M. Pairon #378

86*

AUGUSTE MOUZIN & CIE / NIMY

An Art Deco-period light-grey glazed vase with craquelé. 23 x 15 x 11.5 cm (€ 150-200)

87

BOCH / KERAMIS

Four geometrical shaped vases. Comprising:

1. F1026. Orange glaze with craquelé. Lid missing. (14.5 x 15 cm)

2. F1067bis. Cyan blue glaze with craquelé. With lid. (16 x 11.5 x 11.5 cm)

3. AMC (Faïencerie Auguste Mouzin & Cie). With stamp and form number F-23 underneath. Beige glaze with craquelé. (H.: 24 cm)

4. D1088. Yellow glaze with craquelé. (H.: 23 cm) (€ 250-350)

88*

BOCH / KERAMIS

A 1928 multicoloured glazed vase with geometric patterns. D1209. F1000. 19 x 13 cm (€ 150-200)

89

EDUARD VAN STEENBERGEN (1889-1952) genre

A pair of 1920s black and red lacquered wooden chairs and a wall console. To be restored. 86 x 40 x 40 cm (chairs); 73 x 55 x 55 cm (console) (€ 2500-3500)

90

RACHEL BAES (1912-1983)

Untitled.

Oil on canvas. Signed 'Rachel Baes'.

80 x 70 cm (93 x 82 cm) (€ 2000-3000)

91*

E. R. NELE / TEMDE

A chromed metal adjustable 1960s Swiss table lamp.

In working condition.

H.: 28 cm (€ 300-400)

92*

RACHEL BAES (1912-1983)

‘L’écho du silence’, 1964.

Oil on canvas.

Signed 'Rachel Baes'.

Signature, date and title on the reverse. Unframed.

100 x 81 cm (€ 3000-4000)

Provenance and expo: 'Imagination au pouvoir', Gallery R. Finck, Bruxelles, 25.9.2008-9.1.2009

93*

RACHEL BAES (1912-1983)

‘L’évidence secrète’, 1974.

Oil on canvas.

Signed 'Rachel Baes'.

Title and date on the reverse. Unframed.

116 x 89 cm (€ 3000-4000)

Provenance and expo: Gallery Brachot, Bruxelles, 14.10-6.11.1976

94*

RACHEL BAES (1912-1983)

‘L’aube testamentaire’, 1962.

Oil on canvas. Signed 'Rachel Baes'.

Signature, date and title on the reverse. Traces of an old label. Unframed. 100 x 81 cm (€ 3000-4000)

Rachel Baes made an earlier painting on the same subject in 1958, titled 'Une lettre du verbe aimer'.

We are grateful to Dr. Marie Godet - who is currently prepraring a catalogue raisonné - for providing additional information regarding Rachel Baes' paintings.

95* RACHEL BAES (1912-1983)

'Vierge à l'enfant', 1950. Oil on canvas.

Signed 'Rachel Baes'. 93 x 73 cm (122 x 101 cm) (€ 3000-4000)

Provenance: Collection Legrand

96*

ILLEGIBLE

'Harlem Town', 1965.

Oil on canvas.

Signed illegibly and dated in the lower right.

Title on the reverse.

40 x 245 cm (42 x 247 cm) (€ 300-500)

97

ROGER VAN AKELYEN (°1948)

Untitled, 1999.

Mixed media (assemblage in viewing box).

Signed and dated 'Van Akelyen '99'.

48 x 33 x 17 cm (€ 400-500)

98*

JOSE DE GUIMARAES (°1939)

'Serpent', 1986.

A papier-mâché, metal, mirror glass sculpture. Plexi base.

Signed and dated 'José de/ Guimaraes/ 1986'.

206 x 37 x 2 cm (€ 6000-8000)

99*

PHILIPPE VANDENBERG (1952-2009)

'Schaamte en de tochten', 1997-98.

Oil on canvas.

Signature, date and title on the reverse.

Keywork in the artists career.

100 x 190 cm (€ 36000-40000)

Provenance:

Private collection Antwerp, acquired at the artist's studio

Expo:

Richard Foncke Gallery, Ghent, Philippe Vandenberg: Shame and the tours, 9.5.-7.6.1998

M HKA - Museum of Contemporary Art Antwerp, Antwerp, Philippe Vandenberg: Œuvre 1995-1999, 11.12.19996.2.2000 p. 127, ill., als 'De brug (Jeroen Bosch in Disneyland)'

100*

YVAN THEYS (1936-2005)

'Histoire d'amour/ 3e versie', 1981.

Oil on canvas.

Signed 'Theys'.

Signature, title and date on the reverse.

40 x 50 cm (€ 500-600)

Provenance:

Karel Geirlandt

101*

TRACEY EMIN (°1963) 'June'.

Oil on canvas.

Title on the reverse.

53 x 67.5 cm (54 x 69 cm) (€ 12000-15000)

Provenance:

Former collection A. Krabbendam

More artwork from the same collection by Traci Emin is included in the Works on Paper sales 'From Ensor to Emin' on the 25th of April 2024.

102*

PETER ROGIERS (°1967)

'The Funny Paper on a Calder base', 2007. Epoxy, polyester, iron, polyurethane varnish, paint. One crack to be restored. 211 x 120 x 157 cm (€ 6000-8000)

Provenance and certificate:

Tim Van Laere Gallery, Antwerp

103*

*A Greenland walrus jaw figure.

Thule (present-day Qaanaaq). 1930s-40s or earlier. Lower jaw of walrus. Signature underneath. Was placed on prow of kayak to ward off evil spirits and enemies.

22 x 20.5 x 11 cm (€ 1500-2000)

Provenance:

Bjorn Wandall, Vestervig (Denmark), March 2000

According to lore (neither signed nor dated annotation on paper) from the estate of Prince Knud of Denmark (1900-1976), second son of King Christian X of Denmark (1870-1947), who himself had been privileged to receive it as a gift from the village of Thule in the 1930-40s.

Lit.: B. Kaalund, Gronlands Kunst. Skulptur, Brugskunst, Maleri, 1990, p. 40, ill. 53, for a similar example.

104*

PIERRE ALECHINSKY (°1927)

Untitled. 1990-2000.

Acryl on canvas.

Signed 'Alechinsky', repeated on stretcher. 65 x 52 cm (80 x 67 cm) (€ 20000-30000)

Certificate of authenticity:

Boon Gallery, Knokke, 17.10.2016

Provenance:

Private collection, Belgium

Ariel Gallery, France

Boon Gallery, Knokke, 2016

Private collection, Brasschaat

105*

A 1950s German Kaiser Leuchten floorlamp. H.: 155 cm (€ 350-450)

106*

DENMARK (°1950)

Shredded newspaper pressed between winewood, 1995. Signed with stamp.

148 x 25 x 12 cm (€ 4000-5000)

107*

WILLY DE SAUTER (°1938) 'ZT', 2001. Chalk pigment.

Signature, title and date in black marker on the reverse.

140 x 120 cm (€ 4000-6000)

108*

ANONYMOUS XX

A minimalist Danish 1950s wood and iron bench.

36 x 153 x 39 cm (€ 300-400)

109*

DENMARK (°1950)

'P.12.10.2011', 2011. Assemblage. Shredded books embedded in shelf. 16 parts. Numbered 1/16 to 16/16.

On the reverse the technical data.

66 x 12 cm (x16) (€ 10000-15000)

110

DENMARK (°1950)

'Dead letters/ Two books cut up', 1975-1980. Assemblage.

Label with title, annotation A.17.75 A.23.80, signature and date on the reverse. Plexi box.

28 x 19 cm (x2) (40.5 x 52.5 cm) (€ 3000-4000)

Provenance:

Van Laere Contemporary Art

In 1974 Denmark explains his 'Dead letters': "Books, newspapers, magazines, files, paperbacks. Printed paper. Viewed from a different angle, I bring them back into the circuit, yet approached in the opposite direction: I do not write a book, but rework it into an image unloading the words. Parallel to the action of writing, I develop the action of cutting, cutting the paper into strips that are glued together and pressed into a tablet that restores the original format of the book taken in hand. Free of meaning and text connection, the word is merely put on the surface as a trace. I call this reworking 'dead letters'. The book trimmer is used to sand the obtained surface flat. This causes words to decay to dust. This operation can be continued so that paper and letters are completely reduced to dust. The entire surface can be covered with black printing ink. The surface can be reworked with fire."

111*

DENMARK (°1950)

'Dead letters', 2000.

Assemblage.

Newspapers (open) cut up/ burnt/ newspapers (a triptych) cut up/ burnt/ four parts. Annotation B.7.8.2000, title and signature on the reverse.

49 x 73 cm; 50 x 36.5 cm (x3) (€ 5000-6000)

112

HERMAN MAES (°1959)

Untitled, 1991.

Oil on canvas. Signature and date on the reverse.

120 x 100 cm (128 x 107 cm) (€ 600-800)

113

VERNER PANTON (1926-1998) / FRITZ HANSEN

A pair of 'Bachelor' chairs. Design from 1953. Later production. Chromed tubular steel frame and brown leather seat and back. Traces of use. (€ 600-800)

114*

LUDWIG MIES VAN DER ROHE (1886-1969)/ KNOLL

A pair of cognac brown 'Barcelona' chairs, one with ottoman. Design from 1929. Production during the 1960s.

Chromed steel frame, leather.

Traces of wear. Some cushion support straps repaired, one loose. (€ 3000-4000)

115*

GEORGES FLIPS (°1933)

'Cel', 1976-77.

Gold-polished bronze. Signed 'Flips'. Black marble base.

29 x 18.5 x 15 cm (9 x 16 x 8 cm (base)) (€ 1500-2000)

116

A blackened hardwood and galuchat coffee table. 36.5 x 151 x 111 cm (€ 5000-6000)

Provenance: Zeberg Gallery, Antwerp

117*

JEF VERHEYEN (1932-1984)

'Arc en soleil - AB equals CD', 1963.

Mat lacquer on canvas. Four canvasses mounted as one large one. Signed on the reverse.

182 x 182 cm (190 x 190 cm) (€ 75000-100000)

Certificate:

Axel Vervoordt, 's-Gravenwezel, 4.9.1995, ref. 123

Provenance:

Ferdinand C. Graindorge Gallery Carrefour, Marcel Stal, Brussels

Axel Vervoordt, 's-Gravenwezel, 1995

Private collection, Leuven

Expo:

Museum of Art Carnegie Institute, Pittsburgh, P.A., USA, 1964; Museum Louisiana, Denmark, 1965, collection Graindorge; PMMK Ostend, Retrospective Jef Verheyen, 1994; Joseph Albers Museum, Quadrat, Bottrop, Germany, Retrospective Jef Verheyen, 1994

In 1962, Verheyen's series Zonnebogen (Sunbows) explores the colour effect that results from the confluence of raindrops and light rays ('iridescence').

Lit.:

Tent.cat. PMMK Oostende, Retrospectieve Jef Verheyen 1932-1984, 1994, p. 76, nr. 38, ill.

135

133

123 122

121

120

137

118*

An exquisite Ethiopian patinated wooden jar. Cracks repaired with metal mountings in various shapes. H.: 21 cm (€ 150-250)

119*

Two male Yoruba ibeji figures. Nigeria. Early 20th century. H. 24 cm (€ 150-200)

120*

Two male Yoruba ibeji figures. Nigeria. Early 20th century. Beaded around waist and neck. Large feet.

H.: 26.5 cm; 27.5 cm (€ 500-600)

121*

Two male Yoruba ibeji figures. Nigeria. Early 20th century. H.: 26 cm (x2) (€ 250-300)

122*

A fine pair of Yoruba ibeji figures. Nigeria, early 20th century. H.: 30 cm (€ 200-250)

123*

An exquisite Ethiopian patinated wooden jar. Cracks repaired with metal mountings in various shapes. H.: 21 cm (€ 150-250)

124

A fine pair of Yoruba ibeji figures. Nigeria, early 20th century. H.: 27.5 cm (x2) (€ 200-250)

125

Two Yoruba ibeji figures. Nigeria. Early 20th century. One with cowrie mantle. H.: 29 cm (x2) (€ 200-300)

126

Two male Yoruba ibeji figures. Nigeria. Early 20th century. H.: 31.5 cm; 27 cm (€ 100-150)

127

Three Yoruba ibeji figures, two male and one female. Nigeria. Early 20th century. H.: 23.5 cm; 25 cm (€ 150-200)

128

Two male Yoruba ibeji figures. Nigeria. Early 20th century. H.: 29 cm (x2) (€ 150-200)

129

Two male Yoruba ibeji figures. Nigeria. Early 20th century. H.: 29 cm (x2) (€ 200-300)

130

Three Yoruba ibeji figures of which two female and one male. Nigeria. Early 20th century. H.: 26.5 - 28.5 cm (€ 300-400)

131

Two Yoruba ibeji figures. Nigeria. Early 20th century. H.: 28 cm (€ 250-300)

132

Two female Yoruba ibeji figures. Nigeria. Early 20th century. H.: 29.5 cm; 30 cm (€ 350-400)

133*

VITTORIO INTROINI (°1935) / SAPORITI

A 'P700' modular library shelving unit. Design from 1969. Chrome-plated and polished steel, with four adjustable shelves. 226 x 65 x 32 cm (€ 1500-2000)

Lit.: Saporiti Catalog, Proposals Collezione, p. 57, 58, 59, 60

134*

CINI BOERI (1924-2020) / KNOLL

A 'Lunario' coffee table. Chromed steel and glass. 42 x 150 x 107 cm (€ 600-800)

135*

A collection of four Himalayan mushroom masks. On stand. (€ 400-600)

136*

FLORENCE KNOLL (1917-2019)/ KNOLL

An iconic 'Credenza'. Design from 1961. Production 1961-1963.

Four doors and body in wood with white marble top. Base is welded square steel tube in polished chrome with six feet. Two cutlery drawers inside.

Traces of use. Without shelves.

65 x 183 x 45 cm (€ 3000-4000)

Provenance:

Private collection Antwerp, purchased in 1963.

Lit.: Catalogus Knoll, 1963, p. 50, ill., described as 'meubel 118'

137*

LOUIS VAN LINT (1909-1987)

'Composition', 1967. Oil on canvas.

Signed and dated 'van Lint 67'.

88.5 x 116 cm (97 x 123 cm) (€ 20000-25000)

Provenance:

Emile Langui, acquired directly from the artist Christie's, Amsterdam, 26.5.1993, lot 326 Wittamer-De Camps family (with certificate of provenance and authenticity, Brussels, 2004)

Expo:

Rome, Galleria nazionale d'arte moderna e contemporanea, 'CoBrA e l'Italia', February 2010, p. 173, ill.

Registered in the online oeuvre catalogue (https://catalogue.louisvanlint.org/) with no. LVLP0740.

138*

JAN HEYLEN (1931-1967)

Untitled.

Clay.

47 x 30 x 20 cm (€ 1500-2000)

139*

SHIRO KURAMATA (1934-1991) / CAPPELLINI

‘Furniture in irregular forms: Side Two’, 1970. Black and white lacquered ash wood, steel, on steel castors.

Production from 1987. From the 'Progetti Compiuti' series. Traces of use.

170 x 58 x 50 cm (x2) (€ 3000-4000)

140*

SAM DILLEMANS (°1965) 'Lizy', 1999. Oil on canvas.

Signature and date on stretcher.

110 x 45 cm (€ 5000-6000)

141

ANONYMOUS XX

A pair of low white vinyl 1960s-1970s seats. Minor traces of use.

65 x 50 x 76 cm (x2) (€ 300-400)

142

ANONYMOUS XX

A 1960s floor lamp in the shape of a light bulb. Opaline and red lacquered aluminium.

H.: 55 cm (€ 300-400)

143

EERO SAARINEN (1910-1961) / KNOLL

Tulip armchair. Design from 1957. Seat in moulded fiberglass. Base in moulded cast aluminium, powder coated paint. Black cushion. Marked underneath: ‘Knoll international’. (€ 200-300)

144

ANONYMOUS XX

A round 1970s suspension lamp. White plastic. H.: 35 cm; ø 61 cm (€150-200)

145

A pair of funky 1970s steel and orange vinyl sitting barrels. Psychedelic decor depicting the Beatles and Jimmy Hendrix.

H.: 42 cm; ø 34 cm (x2) (€ 100-150)

146

147

146*

JAN DRIES (1925-2014)

'inkering', 1980.

Marble.

Signed, numbered and dated 'Jan Dries - 3/10 - 1980-'. 25 x 25 x 20 cm (€ 4000-5000)

Provenance:

Karel Geirlandt

Initially, this sculpture was to be created in an edition of 10 copies, of which this sculpture is no. 3. Yet only 4 copies of this edition were eventually created, of which one is housed at the Jan Dries collection.

We are grateful to the Jan Dries estate for providing additional information.

147*

JAN DRIES (1925-2014)

'licht-tijd', 1985.

Marble.

Signed, numbered and dated 'Jan Dries - EA - VI/XX - 1985 -'. Minor chips on the edge.

10 x 10 x 10 cm (€ 800-1000)

Provenance:

Karel Geirlandt

On the occasion of the publication of Jan Dries' oeuvre catalogue by Van Spijk Art Book, two editions of this particular sculpture were issued:

- the first edition on 50 copies, signed and numbered 1/50 to 50/50, all of which have been created, and

- a second edition on 20 copies, both signed and numbered I/XX to XX/XX, all of which have also been produced.

We are grateful to the Jan Dries estate for providing additional information.

148*

PABLO ATCHUGARRY (°1954)

Untitled, 1990s. Marble (rose du Portugal).

Signed 'Atchugarry'. 43 x 20 x 16 cm (€ 8000-12000)

The dating of this sculpture is based on similar sculpture (h.: 50 cm) sold at Farsetti, Prato, 2.12.2023, lot 365.

149

OCTAAF LANDUYT (°1922) / MEWAF (?)

An early 1970s document case.

Epoxy, brass mountings.

19.5 x 54 x 34 cm (€ 1000-1500)

150

ARMAND JONCKERS (°1939)

A 1970s acid etched brass coffee table.

Signed 'Atelier d'armand jonckers'.

Star base on wheels not original.

45 x 78.5 x 78.5 cm (€ 2000-3000)

151

PAUL VAN HOEYDONCK (°1925)

Untitled.

Bronze, brown patina. Ready made. Scratched signature 'P V: Hoeydonck'. H.: 25 cm (€ 600-800)

152

HILDE VAN SUMERE (1932-2013)

Sculpture, 1978.

Object in bronze, brown patina.

Monogrammed 'HvS'. 10 x 4 cm (€ 300-400)

153

RENE JULIEN (°1937)

'Les sibylles'.

Half-relief in bronze.

Monogram 'RJ' signed on plexi.

Numbered 74/193 and 1/5.

Mounted on plexi in frame.

29.5 x 33.5 cm (€ 100-200)

154

MIGUEL BERROCAL ORTIZ (1933-2006)

'Richelieu', 1968-73.

Polished brass, composed of sixty articulated and removable elements. Inscribed with signature 'Berrocal' and numbered 1666/2000.

Without box.

20 x 15 x 15 cm (€ 1500-2000)

155

JEF VAN TUERENHOUT (1925-2006)

'Femme imaginaire'.

Terra-cotta, painted dark blue and reddish brown.

Signed 'Jef Van Tuerenhout'.

80 x 33 x 26 cm (€ 1500-2000)

156

JEF VAN TUERENHOUT (1925-2006)

'Femme imaginaire'.

Bronze, green patina, partially polished. Signed 'Jef van Tuerenhout' and numbered 91/96.

H.: 40 cm (base: 10 x 16 x 11 cm) (€ 600-800)

157

NADIE JENATZY (1943-2004)

A rectangular acid etched brass and wood eighties coffee table. Signed 'Jenatzi'. Traces of wear and oxidation. 36.5 x 120 x 80 cm (€ 2000-3000)

158

EMIEL DE BLOCK (°1941)

Standing nude man and woman. Bronze, light brown patina. A pair. Signed with monogram 'E. D. B.' Artist's proof. Marble base.

H.: 73 cm; 68 cm (8 x 21 x 7 cm (base) (x2)) (€ 2000-3000)

159

ODILE KINART (°1945)

'Female dancer'.

Signed 'O. Kinart'. Numbered 16/20 (on a base).

H.: 35 cm (Tot. h.: 161 cm) (€ 2000-2500)

160*

ZORAN MUSIC (1909-2005) 'Homme brisé', 1997.

Oil and charcoal on canvas.

Signed 'Music 97'.

Signature, title and date on the reverse.

Top edge with chipping.

115 x 89 cm (122 x 95.5 cm) (€ 30000-40000)

Provenance:

Galerie Jan Krugier, Driesheim & Cie, Geneva, no. K-D-1961

162

161

161*

ALEXANDER SCHLEBER (°1939)

'Liberty', 1974.

Mixed media (assemblage of glove, brush, ball on painted panel).

Signed and dated on the reverse 'A. Schleber/ March 25, 74'.

Titled by the artist.

70 x 50 x 15 cm (€ 750-1000)

Expo: Assenede, Gallery Margarethe de Boevé, 1979

162*

ROBERT DEVRIENDT (°1955)

'Landschap', 1985-86.

Oil on plywood.

Dated and signed '86 R Devriendt'.

Title and date on the reverse.

31 x 36 cm (42 x 46.5 cm) (€ 2000-2500)

Expo:

Arco, Madrid, 10-15.4.1986

Provenance:

Karel Geirlandt

163*

CHARLES & RAY EAMES (1907-1978) / HERMAN MILLER

Rocking armchair rod base (RAR). 1980s edition.

Fibreglass shell, black lacquered tubular steel base, wooden legs. (€ 1200-1600)

164*

ANONYMOUS XX

A 1950s glass and black lacquered wood coffee table. Minor traces of use. Ø 71 cm; h.: 41 cm (€ 300-400)

165*

JACQUES LENNEP (°1941)

'La jeune fille ferma les yeux', 1976. Oil on canvas.

Signed 'Lennep', repeated on the reverse. 60 x 70 cm (62 x 72 cm) (€ 800-1200)

Provenance:

Karel Geirlandt

166*

JEF GEYS (1939-2018) 'Siermaïs', 1968.

Oil and watercolour on canvas mounted on panel. Signed and dated 'Jef Geys 1968'. 25.5 x 16.5 cm (57 x 47 cm) (€ 8000-10000)

Oil and watercolour on canvas mounted on panel. Signed and dated 'Jef Geys 1968'.

At the beginning of each year, from 1963 until his death in 2018, Jef Geys painted a large reproduction on panel or canvas of a 'Guide Gonthier'-like commercial seed bag that appealed to him. The first was Petunia Hybrida (1963). Each large seed bag (c. 140 x 90 cm) was accompanied by a small version painted on canvas (c. 24 x 18 cm) such as the present piece. In the 1980s, Geys wanted to show all the seed bags he had made up to that point as a chronological and complete series, but because he had already sold some of the originals or they were unavailable for other reasons, the artist made a second, stylistically slightly different version of at least four works.

'At the root of the series of seed bags was my conviction that inflating, screwing up and even forging something that is already 'fake' must serve reality to keep us stupid and unhappy: consumer cattle. The small seed bags from the trade are perfect but depending on the soil, the hand and the weather, a faint decoction of the image on the bag comes out of the ground. My next concern was to demonstrate that a medium - here painting - should never be surpassed.

Source: Wiels, Brussels, 2024, Jef Geys, Guide raisonnable, note to no. 033

167*

ALBERT SZUKALSKI (1945-2000)

Untitled. Assemblage (travel case, windshield wiper, shoes). 80 x 40 x 40 cm (€ 1200-1500)

168

LOUIS LELOUP (°1929) / VAL SAINT-LAMBERT

A multi-layered crystal glass vase with pink, yellow and green. Label 'Val St. Lambert' and monogram 'LL'. 28 x 24 cm (€ 600-800)

169

LOUIS LELOUP (°1929) / VAL SAINT-LAMBERT

Untitled, 1985.

Sculpture in solid colorless crystal, tooled, inlaid inside with a large pink and white colored mass, ground and polished at the end. On pedestal. Engraved signature and date 'L.Leloup 1985'.

H.: 21.5 cm (€ 600-800)

170

Yaka figure Phuungu, D.R.C. First half of 20th century. 23.5 cm (€ 200-300)

171

Yeteke male figure, Yaka, D.R.C. First half of 20th century. 22 cm (€ 150-200)

172

Boa pregnant female figure. DRC. H.: 27 cm (€ 600-800)

173

A Turka female figure. Burkina Faso. First half 20th century. H.: 30 cm (€ 300-400)

174

Zande figure. DRC. H.: 21 cm (€ 400-600)

175

A Luba torso figure. D.R.C. First half of 20th century. Carved in dense hardwood.

H.: 35 cm (€ 200-300)

176

A Shankadi Luba figure of a begging woman carrying a bowl; D.R.C. First half of 20th century. H.: 41 cm (€ 1000-1500)

177

A seated Ashanti figure. Ghana. early 20th century. H.: 46 cm (€ 1000-1500)

178

A Lwena-Chokwe maternity figure. Angola. C. 1940. H.: 41 cm (€ 300-400)

179

A fine Rungu figure. Tanzania. First half of 20th century.

H.: 47 cm (€ 500-750)

180

A Mumuye shoulder mask. Nigeria. C. 1950. H.: 90 cm (€ 750-900)

181 KURT BARUCH

Untitled. Bronze, brownish-green patina. 7.5 x 14 x 11 cm (€ 300-400)

Provenance: Smelik & Stokking Galleries, The Hague, s.d.

182 MONOGRAMMIST LE Untitled, 1996.

Series of four sculptures in bronze, black patina. Edition on nine copies. One sculpture damaged. H.: +/- 25 cm (€ 300-400)

183

ILLEGIBLE XX

Young girl reading. Bronze, brown patina. Signed. Numbered 1/8.

H.: 29 cm (€ 350-450)

184* GERMAINE CHARDON (1910-1999)

Head. Bronze, green patina. Signed 'Chardon'. Unique piece. On black marble base.

27 x 20 x 27 cm (7 x 21.6 x 17 cm (base)) (€ 6000-8000)

185

JAN DESMARETS (°1961)

Dog's head. Bronze. Signed 'J. Desmarets' and with annotation 'H.C.' on base.

H.: 15 cm (€ 200-300)

186

CYRIEL DE BRAUWER (1914-1989)

Schnauzer.

Bronze, dark brown patina.

Signed 'De Brauwer'.

Artist's proof.

H.: 43 cm (€ 500-600)

187

ALBERT SERVAES (1883-1966)

'Aardappelrooiers', 1915.

Oil on canvas (relined).

Signed and dated 'A Servaes/ 1905'.

56 x 69 cm (70 x 82 cm) (€ 2000-3000)

Provenance:

Charles Vuylsteke, Lochristi

Expo:

Vlaams Expressionisme (with title 'ramasseurs de pommes de terres')

Deinze, Museum of Deinze en de Leiestreek, Retrospective, 1983, no. 33

188

ALBERT SAVERIJS (1886-1964)

'De Meerschdreef'.

Oil on panel.

Signed 'Saverijs'.

Title on the reverse.

115 x 149 cm (146 x 180 cm) (€ 8000-10000)

189

HUBERT MALFAIT (1898-1971)

Horse with foal on the River Lys.

Oil on canvas.

Signed 'H. Malfait'.

46 x 50.5 cm (55 x 61 cm) (€ 600-800)

Lit.:

S. Malfait & P. Vanrobaeys, Hubert Malfait, 1986, p. 120, cat. no. 275, ill. similar piece

190

FRANS MASEREEL (1889-1972)

'Nageuse', 1955.

Oil on canvas on cardboard.

Monogrammed and dated 'FM 1955'. 21 x 33 cm (37 x 49.5 cm) (€ 1000-1500)

191

PAUL SMOLDERS (1921-1997)

The play hour.

Oil on canvas.

Signed 'P. Smolders'.

68 x 78 cm (84 x 94 cm) (€ 500-600)

192*

GUSTAAF DE BRUYNE (1914-1981)

Self-portrait on the cobbles, 1965. Oil on board.

Signed and dated 'Gustaaf C. De Bruyne 1965'. 120 x 88 cm (151 x 118 cm) (€ 2000-3000)

Expo:

CC Antoon Spinoy, Malines, Retrospective Gustaaf Christian De Bruyne', 28.3-26.4.1987

Lit.:

Liber Amicorum, Gustaaf C De Bruyne, ill. p. 101

193*

MARCEL NOTEBAERT (1924-1986)

Flute playing figure. Oil on board.

Signed 'Noteb'.

128.5 x 97.5 cm (130.5 x 100.5 cm) (€ 500-600)

194

RIK SLABBINCK (1914-1991)

Winter landscape. Oil on canvas.

Signed 'Slabbinck'. 50 x 72 cm (77 x 99 cm) (€ 800-1000)

Provenance: De Vuyst, Lokeren, s.d.

195

RIK SLABBINCK (1914-1991)

Landscape. Oil on board.

Signed 'Slabbinck'. 32 x 49 cm (39 x 57 cm) (€ 600-800)

SESSION 2

Lots 200-349

200

JEAN PROUVE (1901-1984) / VITRA

A 'Cité' armchair. Design from 1930. Vitra production 2002.

Structure in bent sheet steel, red powder-coated finish (smooth), fabric seat and back (mello), brown leather armrests. Label Vitra underneath. (€ 1200-1600)

201

AXEL EINAR HJORT (°1959)

A round 1930s table.

Top in beech. Legs with rootnut veneer (rounded on the inside). With one extension in beech.

H.: 73 cm; Ø 100 cm (+45 cm) (€ 1000-1500)

Provenance:

sale Pierre Bergé & Associés, 20.09.2012, lot 34

202

GERRIT THOMAS RIETVELD (1888-1964) / CASSINA

A 'Schröder' side table. Design from 1923. Edition Cassina, early 1980s, with stamp. Minor flaking on the base.

H.: 60.5 cm (€ 1000-1500)

203*

ARMAND VEREECKE (1912-1990)

Untitled, 1964.

Oil on board.

Signed and dated 'A. Vereecke 64'. 53 x 39 cm (75 x 60 cm) (€ 300-500)

204*

LEO COPERS (°1947)

'Niko. 14CEBEC33 remake N° I'., 1969. Assemblage.

Signature, date and title on the reverse.

71 x 60 x 5 cm (€ 1000-1500)

205

ALAIN DUFO (°1934)

'Cravatte'.

Painted vinyl.

Stamp with signature on the reverse.

46 x 38 x 5 cm (€ 300-400)

Provenance:

De Vuyst, Lokeren, 5.12.2020, lot 344

206*

AGNES MAES (1942-2016)

'Omgeving-16', 1971.

Oil on canvas.

Signed 'a. maes'.

Signature, date and title on the reverse.

60 x 70 cm (€ 1000-1500)

Provenance: Karel Geirlandt

207*

JOSEPH WILLAERT (1936-2014)

'Sint Nikolaas tafel', 1969.

Mixed media (oil and paper on panel).

Signed and dated on the reverse.

85 x 120 cm (89.5 x 124.5 cm) (€ 3000-4000)

Expo:

Ostend, Venetian Galleries, 1.7.2023-5.11.2023

208*

GUY VANDENBRANDEN (1926-2014)

Untitled, 2005.

Oil on canvas.

Signature and date on the reverse.

40 x 30 cm (€ 400-500)

209*

DRAGA K. BASEDOW & AUREL OBRADOVIC / BAXTER ITALY

A pair of 'Anais' swivel stools. 2016. Beech plywood structure. Base in shiny brass-plated metal. Upholstered in olive green synthetic leather. (€ 1000-1500)

210*

GIOVANNI BANCI/ HERMÈS

A 1970s gold patinated metal and glass square coffee table.

42.5 x 82 x 82 cm (€ 800-1200)

211*

PAUL IBOU (1939-2023)

Untitled. Assemblage of wooden plates, disks and wheels. Signed twice with marker 'Pol Ibou'.

67 x 74 x 25 cm (€ 300-500)

Provenance: Workshop Paul Ibou

212*

MAISON CHARLES

An ensemble. Consisting of:

1. A pair of 'Fougère' lamps. Gilt bronze and shade in brushed steel. Stamped 'Charles' on both fern as base. Two lights each. (H.: 50 cm (x2))

2. Mirror. Structure in gilt metal, some chips above. (105 x 72.5 cm) (€ 2000-3000)

213

HERMAN MILLER (1887-1978)

A round 1970s coffee table. After a design by Eames. Round marble Botticino top. On star leg.

Ø 76 cm (€ 1200-1500)

214

FLORENCE KNOLL (1917-2019) / KNOLL

A fine pair of two 1960s sidetables. Chrome-plated steel and marble.

H.: 44 x 61 x 61 cm (€ 800-1000)

215

LUDWIG MIES VAN DER ROHE (1886-1969) / KNOLL

A pair of iconic 'Barcelona' coffee tables. Design from 1929.

Produced in the 1960s.

Crossed base in polished chrome welded steel, clear glass top. (€ 300-400)

216

ANONYMOUS XX

Desk table. Transparent glass top, polished chrome steel trestles.

71 x 150 x 70 cm (€ 600-800)

217*

EERO SAARINEN (1910-1961) / KNOLL

An iconic round Tulip dining table (model 164) with six Tulip chairs (model 151).

Design 1957. 1960s edition.

Table with an original marble top. Heavy moulded cast aluminium base. Numbered '164'. Chairs with polyester shell. Marked underneath 'Knoll International'. Cushions renewed.

H.: 72 cm; ø 137 cm (€ 3000-4000)

218*

WORKSHOP DE COENE

A 1960s sideboard. Three doors, four drawers. Blackened wood. White marble top of later date. 71 x 224.5 x 53 cm (€ 1500-2000)

219

GINO SARFATTI (1912-1985) genre

A pair of fumed glass bulb floor lamps. Polished chrome aluminium adjustable foot. (€ 600-800)

220

'The Transcriptor Transcriber Turntable'. Carlow, Ireland. 1977-1981. Tablemodel, low profile (big size). Number 00010205. Aluminium and stainless steel components housed in a clear toughened glass case, all glass edges ground. Stylus Ortofon VMS20EO/ MkII. With three Quad elements (tuner, pre amp and amp). (€ 3000-3500)

221

ENZO MARI (°1932) / DANESE MILANO

Series of three 1960s 'Citera' boxes. Stainless steel and mahogany. (€ 300-400)

222

JOE COLOMBO (1930-1971)

Poker table. Design from 1968. Tops in white layered plastic laminate. Removable, leather trimmed green baize. Blackened stainless steel legs. 70 x 98 x 98 cm (€ 600-800)

223

TOBIA SCARPA (°1935) / KNOLL

A pair of black leather and walnut 'Bestiano' sofas. Design from 1962. Production 1960-70. Traces of use.

54 x 212 x 75 cm (€ 3000-4000)

224

OSVALDO BORSANI (1911-1985) / TECNO

A 'P40' recliner lounge chair. Design from 1955. Black metal structure. Orange velvet upholstery (colour slightly faded). (€ 600-800)

225

SERGE MOUILLE EDITIONS

Floor lamp with three rotating arms.

Steel and aluminum.

210 x 130 x 90 cm (€ 2000-2500)

226

MARTIN EISLER & CARLO HAUNER / FORMA BRAZIL

A 'Concha' lounge chair. Design from 1953. Iron frame. Black leather upholstery. Traces of use and age. (€ 1000-1500)

227*

POUL KJAERHOLM (1929-1980) / FRITZ HANSEN

A 'PK-O' black lacquered plywood lounge chair. Design from 1952. Edition made in 1997 of 600 numbered chairs, the present chair no. 181. Metal label underneath.

68 x 65 x 60 cm (€ 3000-4000)

Although designed in 1952, the chair did not go into production until 1997 due to the difficult character of the design for industrial production. In 1997 Fritz Hansen made a limited edition on 600 numbered copies.

Lit.: Poul Kjaerholm, Christoffer Harlang, p. 11, 13, 173

228

WARREN PLATNER (1919-2006) / KNOLL

A Platner stool. Design from 1966.

Vertical steel wire rods welded to circular horizontal and edge forming rods.

Moulded fibreglass shell and foam cushion; cushion attaches to seat with Velcro.

H.: 35 cm. Ø 63 cm (€ 500-600)

229

MARCEL VAN MAELE (1931-2009)

Untitled, 1978.

Assemblage of a chair, ropes and books, painted white. Signed with monogram and dated 'm.v.m. '78'.

82 x 43 x 46 cm (€ 700-1000)

230

LIEVA BOSTOEN (°1935)

'Macra III', 1972.

Wall hanging. Textile.

Label with name of the artist, title and date. 250 x 80 cm (€ 1500-2500)

231

ANTONIO SEGUI (1934-2022)

Untitled. Years 2010-20. Wall plate.

Edition.

ø 31 cm (€ 100-150)

232*

ANTONIO SEGUI (1934-2022)

Untitled, 1996.

Wall dish. Earthenware, green engobe. Decor, in sgraffito technique, of the artist (wearing hat and scarf), walking in between the clouds, above a village. Signed and dated on the reverse 'Segui/ 96'.

ø 41 cm (€ 800-1200)

233

HERMÈS

A Limoges porcelain 'Toucans' coffee-and tea service. Comprising: coffee/tea-, milk- and sugar pot, cake dish, eight cake plates, eight coffee cups and saucers, eight tea cups and saucers. (€ 1500-1800)

234

MAISON LOUIS CARTIER

An exceptional 49-piece Limoges porcelain dinner service. 1988. (€ 1500-2000)

235

PETER GHYCZY (°1940)

A 'T66' dining room table.

Top in transparent glass. Legs in wood, finished in brass mountings.

72.5 x 162 x 93 cm (€ 500-800)

236

PETER GHYCZY (°1940) / GHYCZY

A 1970s metal, brass and glass wall coat rack. From the series 'R14 Pioneer'.

With seven matching coat hangers.

9.5 x 101 x 28 cm (€ 300-500)

237*

GILBERT SWIMBERGHE (1927-2015)

Untitled.

Oil on canvas. Signature on the reverse. 60 x 71 cm (61.5 x 72 cm) (€ 800-1200)

238*

GUY VANDENBRANDEN (1926-2014)

Untitled, 1980.

Oil on canvas.

Signature and date on the reverse.

90 x 60 cm (91 x 61 cm) (€ 1200-1500)

239*

GUY VANDENBRANDEN (1926-2014)

Untitled, 1993.

Oil on canvas.

Signature and date on the reverse.

60 x 50 cm (61 x 51 cm) (€ 1000-1500)

240

GUY VANDENBRANDEN (1926-2014)

Untitled, 2005.

Oil on canvas.

Signature and date on the reverse.

40 x 30 cm (€ 400-500)

241*

GUY VANDENBRANDEN (1926-2014)

Untitled, 2005.

Oil on canvas.

Signature and date on the reverse.

40 x 30 cm (€ 400-500)

242

GUY VANDENBRANDEN (1926-2014)

Untitled, 2005.

Oil on canvas.

Signature and date on the reverse.

40 x 30 cm (€ 400-500)

243*

GUY VANDENBRANDEN (1926-2014)

Untitled, 2009.

Oil on canvas.

Signature and date on the reverse.

50 x 40 cm (€ 800-1000)

244

GUY VANDENBRANDEN (1926-2014)

Untitled, 2011.

Oil on canvas.

Signature and date on the reverse. Stains.

50 x 40 cm (€ 600-800)

245*

ANTON HEYBOER (1924-2005)

Untitled, 1966.

Oil on canvas.

Annotation on the reverse 'Anton / Heyboer / den ... / 66 / echt / door mij'.

100 x 80 cm (104 x 84 cm) (€ 500-800)

246*

PAUL IBOU (1939-2023)

Untitled.

Assemblage (chopping board, aluminium plates, pieces of wood, light bulbs)

Signed with marker 'polibou'.

98 x 68 x 16 cm (€ 300-500)

Provenance:

Workshop Paul Ibou

247

PAUL IBOU (1939-2023)

Untitled.

Assemblage (aluminium, plastic, wood).

Signed in white marker 'polibou'.

75 x 60 x 30 cm (€ 400-600)

Provenance:

Workshop Paul Ibou

248

Small chair. Dan, Côte d'Ivoire. First quarter of 20th century. H.: 30 cm (€ 150-250)

249

A Tanzanian terracotta Kerewe figure. Early 20th century.

H.: 55 cm (€ 500-600)

250

Palm wine cup. Suku Yaka, D.R.C. H.: 18 cm (€ 150-200)

251

Eastern Pende dance mask. Kindombolo, D.R.C. Mid-20th century. H.: 23 cm (€ 200-300)

252

Igala mask. Nigeria. Mid-20th century. (€ 200-300)

253*

Diviner mask, Kumu, D.R.C. First half of 20th century. H.: 38.5 cm (€ 500-600)

254

Eket mask. Nigeria. Ø 30 cm (€ 350-500)

255

Sokomotu mask. Luba, DRC. First half of 20th century. H.: 24 cm (€ 400-500)

256

Grasslands mask. Cameroon. Early 20th century. H.: 35 cm (€ 500-800)

257

Bamileke mask. Cameroon. H.: 32 cm (€ 800-1200)

258

Yoruba body mask. Nigeria. H.: 48 cm (€ 300-500)

259

Bamana zoomorphic headdress, Mali. Second half of 20th century. H.: 37.5 cm (€ 250-300)

260

Two saddles. Philippines. (€ 400-750)

261

Monkey skull. Dayak. Malaysia. 14 x 9 x 7.5 cm (€ 500-600)

262

Throwing knife. Mangbetu. Metal and wood. H.: 42 cm (€ 150-250)

263

Knife. Mangbetu. Metal and wood. H.: 43 cm (€ 50-100)

264

Chief's knife. Mangbetu, DRC. Sheath in leather. A little damaged. H.: 25 cm (€ 200-300)

265

Knife. Ufo, Momvu DRC. 54 x 18 cm (€ 800-1200)

266

Throwing knife. Ngbaka, DRC. 41 x 32 cm (€ 400-600)

267

Throwing knife. Nzakara, DRC. 46 x 34 cm (€ 800-1200)

268

Parade knife. Yoruba, Nigeria. 53 x 11 cm (€ 400-500)

269

Chief's knife. Mondjembo. 41.5 x 13 cm (€ 300-400)

270

Knife. Nkundo, DRC. 51 x 10 cm (scabbard: 41 x 16 cm) (€ 400-500)

271

Mongo canoe seat. DRC. Early 20th century. 61 x 21 x 20 cm (€ 150-200)

272

Mongo canoe seat. DRC. Early 20th century.

68 x 33 x 24 cm (€ 150-200)

273

JEAN MILO (1906-1993)

‘Charnel’, 1960. Oil on canvas.

Signed and dated 'Jean Milo 1960'. 65 x 55 cm (82 x 71 cm) (€ 600-800)

Provenance: Millon Belgium, 4.4.2023, lot 160

274*

JEAN BILQUIN (°1938)

'Exta - monocroom nr. 569', 1991. Oil on canvas. Signed 'Bilquin'. 120 x 100 cm (145 x 124 cm) (€ 500-600)

275

ROGER NELLENS (1937-2021)

Untitled, 1988. Oil on canvas. Dedication, annotations, signature and date on the reverse. Minor wear. 15 x 25 cm (€ 150-200)

Provenance: Karel Geirlandt

276

JOSEPH WILLAERT (1936-2014)

'Bloemetjesbehang met objekt'. Mixed media (acrylic on canvas, print on paper in frame with glass). Signature and title on the reverse. 70 x 50 cm (€ 800-1000)

277

OLDRICH TICHY (°1959)

'Dum pro nebe', 1988. Oil on canvas.

Signed and dated 'O. Tichy/ 1988'. Title, signature and date on the reverse. 66.5 x 55.5 cm (86 x 76 cm) (€ 500-800)

282

278*

ANTOON DE CLERCK (1923-2001)

Untitled. 1970s.

Oil on canvas.

Signed on the reverse 'a. de clerck'. 60 x 83 cm (€ 1500-2000)

Provenance: Karel Geirlandt

279

VILMOS HUSZAR (1884-1960) / TECNOLUMEN

An aluminium, metal and wood 'DS 23' table lamp. Design c. 1920s.

Edition Tecnolumen 1980s.

Limited edition, present piece no. 126. Tecnolumen label underneath. H.: 22 x 10 x 13 cm (€ 400-600)

280

ACHILLE CASTIGLIONI (1918-2002) / FLOS

A 1981 'Gibigiana' aluminium and plastic table lamp. H.: 51.5 cm (€ 200-300)

281

DE SEDE

A 'DS-2011/12' white crème leather sofa. Beech and aluminium frame. 83 x 161 x 83 cm (€ 800-1200)

282*

GIANFRANCO FRATTINI (1926-2004) / ACERBIS

A black lacquered desk with two sets of drawers. C. 1980. Top in black lacquered wood. Minor traces of use. Fronts of drawers mimicking the back of ring binders.

74 x 190 x 85 cm (€ 600-800)

283*

SAWAYA & MORONI 'Vic' cabinet. 1987. Structure in black laquered metal. Drawers and doors in light pearwood. 175 x 120 x 40 cm (€ 1800-2200)

284

SERGIO CAPPELLI & PATRIZIA RANZO / MOROSO

A slim cabinet.

Beech wood and chromed steel legs.

With flower pot on top, one drawer and three shelves.

160 x 40 x 40 cm (€ 300-400)

285*

KAY KORBING (1915-2004) / FIBREX DANMARK

Set of four chairs. Design from 1956.

Fiberglass, chromed metal, fabric.

Marked underneath 'Kørbing design' and 'DKI Plastic'.

Traces of use. (€ 400-600)

286*

WOLFGANG MEZGER / ARTIFORT

An 'Orbit' sofa. Design from 1993. Original black-yellow-red fabric upholstery. With sticker underneath 'Artifort copyright'.

Stain on one of the armrests.

80 x 217 x 81 cm (€ 500-600)

287

PAUL IBOU (1939-2023)

'Oren, zien en zwijgen', 2001. Assemblage (polyester owls and wooden coffin). Headphones, glasses and lock are missing. Signed with marker 'Polibou'.

95 x 60 x 35 cm (€ 500-700)

Provenance: Workshop Paul Ibou

288

HELENE KEIL (°1948)

Untitled, 1971. Sculpture.

Coloured plexi, LED lighting.

131 x 30 x 30 cm (€ 500-600)

Provenance: Karel Geirlandt

289

JAMES PICHETTE (1920-1996)

Untitled, 1976.

Oil on canvas.

Signed and dated 'J. Pichette 76'. 79 x 100 cm (81 x 101 cm) (€ 600-800)

290

PIET HEIN & BRUNO MATHSSON / FRITZ HANSEN

A 'Superellipse' table. Design from 1968.

Tabletop in white laminate, edge in brushed aluminium and legs in chromed steel.

72 x 240 x 120 cm (€ 800-1000)

291*

ARNE JACOBSEN (1902-1971) / FRITZ HANSEN

Four iconic 'Ant' chairs, series 7. With armrests.

Seat in red veneer.

Base in chromed steel. (€ 750-1000)

292

ARNE JACOBSEN (1902-1971) / FRITZ HANSEN

Two iconic 'Ant' chairs, series 7. With armrests. Seat in red veneer. Base in chromed steel. (€ 250-300)

293

JOE COLOMBO (1930-1971) / OLUCE

Four 'Colombo-761' wall-lights. Chromium plated metal /aluminium. Wall lamp with chromium-plated stem, wall fixings lacquered and height adjustable reflector in lacquered aluminium. 40 x 23 cm (x4) (€ 800-1000)

294 USM HALLER

Sideboard. Two fold-down doors at the top, two drawers below. Metal and chrome. White lacquered panels (RAL9010).

75 x 150 x 50 cm (€ 800-1000)

295 USM HALLER

Sideboard. Front with six folding down doors. Metal and chrome. White lacquered panels (RAL9010).

75 x 225 x 50 cm (€ 1000-1200)

296

296*

DENMARK (°1950)

'Artforum n°5-n°9' januari-mei 1996', 1999. Assemblage.

Label with title, annotation z.26.1.99, signature and date on the reverse. Plexi box.

58 x 68 cm (69.5 x 79.5 cm) (€ 3000-4000)

297

USM HALLER

Roll table. Two shelves.

Metal and chrome. Red lacquered panels.

43 x 75 c 50 cm (€ 150-200)

298

USM HALLER

Roll table. Three shelves.

Metal and chrome. White lacquered panels (RAL9010).

78 x 75 x 50 cm (€ 200-300)

299

REGENT LIGHTING

A 'Level office' CLD LED free-standing luminaire. Silver aluminium. Twin head.

With microprismatic optics. Direct and indirect lighting. Die-cast aluminium housing.

Especially suitable for demanding visual tasks.

190 x 40 x 60 cm (€ 600-800)

300

ALEXANDER SCHLEBER (°1939)

'White Triangle', 1974.

Canvas over three-part construction, ball.

51 x 51 x 51 cm (€ 300-500)

Expo:

Assenede, Gallery Margarethe de Boevé, 1979

301*

GASTON BOGAERTS (1921-2008) 'Labyrinthe', 1994.

Oil on canvas.

Signed on the reverse 'Bogaerts'. Title on the reverse.

120 x 120 cm (€ 500-800)

302

PIET HEIN, BRUNO MATHSSON & ARNE JACOBSEN / FRITZ HANSEN

'Rectangular' table. Design from 1968.

Table top covered in white laminate.

Table edge in brushed aluminum.

Legs in bright chromed steel.

72 x 140 x 80 cm (€ 600-800)

303

HARRY BERTOIA (1915-1978) / KNOLL

Set of six 'Diamond' chairs.

Vinyl-coated bent and welded steel rod construction with loose seat cushion. (€ 600-800)

304*

POUL KJAERHOLM (1929-1980) after

A pair of 'PK-3 Flag Halyard' chairs. Frame in brushed steel. Seat and back in cord. (€ 800-1000)

305

JEAN NOUVEL (°1945)

A 'Less' conference table. Design from 1993. Aluminium.

72 x 230 x 110 cm (€ 1000-1200)

306

ARNE JACOBSEN (1902-1971) / FRITZ HANSEN

Eight iconic 'Ant chairs', series 7.

Seat dark gray laminated wood.

Base in bright chromed tubular steel. (€ 800-1000)

307

ARNE JACOBSEN (1902-1971) / FRITZ HANSEN

Two iconic 'Ant armchairs', series 7.

Seat dark gray laminated wood.

Base in bright chromed tubular steel. (€ 250-300)

308

GASTON BOGAERTS (1921-2008)

'Territoires roses'.

Oil on canvas.

Signed on the reverse 'G. Bogaerts'.

Title on the reverse.

113 x 145 cm (114 x 146 cm ) (€ 800-1200)

309

VICO MAGISTRETTI (1920-2006) / OLUCE

A 'Sonora-490' suspension lamp. Design from 1976. Polypropylene in the shape of a hemisphere. White opaline. Ø 90 cm (€ 300-400)

310

REGENT LIGHTING

A 'Level office' CLD LED free-standing luminaire. Silver aluminium. Twin head.

With microprismatic optics. Direct and indirect lighting.

190 X 40 X 60 cm (€ 600-800)

311

USM HALLER

Sideboard. Seven fold-down doors and two drawers. Metal and chrome. Anthracite lacquered panels (RAL7016).

112 x 225 x 35 cm (€ 1200-1500)

312

USM HALLER

Sideboard. Two fold-down doors and two drawers below.

Metal and chrome. Anthracite painted panels (RAL7016).

75 x 150 x 35 cm (€ 800-1000)

313

GASTON BOGAERTS (1921-2008)

'Grey Lines'.

Oil on canvas.

Signed 'G. Bogaerts'.

Title and signature on the reverse. 99 x 99 cm (101 x 101 cm ) (€ 500-800)

314*

PETER ROGIERS (°1967)

'Ich hab’ den Kippenberger nie gekannt', 2010. Aluminum, epoxy and wood.

170 x 45 x 30 cm (€ 2000-3000)

314

650 x 340 x 580 cm

On view in front of the 'Melkerij' in the 'Peerdsbos', Brasschaat.

320*

ARNE QUINZE (°1971)

'Metal Black Stilthouse', 2011. Painted steel

(€ 75000-100000)

315

RACHEL AGNEW (°1976)

Untitled. Acryl on canvas. 170 x 195 cm (€ 1000-1500)

316

RACHEL AGNEW (°1976)

Untitled. Acryl on canvas. 150 x 156 cm (€ 1000-1500)

317

INGO MAURER (°1932)

A 'Campari light' suspension lamp, 2002. Steel suspension, Campari bottles. (€ 300-400)

318

INGO MAURER (°1932)

A 'Campari light' suspension lamp, 2002. Steel suspension, Campari bottles. (€ 300-400)

319

USM HALLER

Roll cabinet. One drawer with inner drawer below and two drawers with lock at top. Metal and chrome. White lacquered panels (RAL9010).

78 x 75 x 50 cm (€ 300-400)

321

PIET HEIN, BRUNO MATHSSON & ARNE JACOBSEN/ FRITZ HANSEN

A 'Rectangulare' table. Design from 1968. Tabletop in white laminate, edge in brushed aluminium and legs in chromed steel.

72 x 140 x 80 cm (€ 600-800)

322

Four iconic 'Ant armchairs', series 7.

Seat dark gray laminated wood.

Base in bright chromed tubular steel. (€ 500-600)

323

USM HALLER

Sideboard. Seven fold-down doors and two drawers. Metal and chrome. Anthracite laquered panels (RAL7016).

112 x 225 x 35 cm (€ 1200-1500)

324

MANUEL ÁNGELES ORTIZ (1895-1984) 'Animation'.

Oil paint and felt pen on panel. 7 x 76 cm (€ 600-800)

Provenance:

Folin Gallery

Private collection Antwerp

325

PIET HEIN & BRUNO MATHSSON / FRITZ HANSEN

A 'Superellipse' table. Design from 1968.

Tabletop in white laminate, edge in brushed aluminium and legs in chromed steel.

72 x 150 x 100 cm (€ 600-800)

326

ARNE JACOBSEN (1902-1971) / FRITZ HANSEN

Eight iconic 'Ant armchairs', series 7.

Seat dark gray laminated wood. Base in bright chromed tubular steel. (€ 500-600)

327*

USM HALLER

Low sideboard. Two fold-down doors. Metal and chrome. Red lacquered panels.

43 x 75 x 50 cm (€ 500-600)

328

USM HALLER

Roll cabinet. One fold-down door below and two drawers with lock on top.

Metal and chrome. White lacquered panels (RAL9010).

78 x 75 x 50 cm (€ 300-400)

329

HARRY BERTOIA (1915-1978) / KNOLL

Pair of 'Diamond chairs'. Design from 1952. Production 2000s.

White lacquered steel structure. White leather seat. As new. (€ 500-600)

330*

PIET HEIN, BRUNO MATHSSON & ARNE JACOBSEN / FRITZ HANSEN

A 'Supercircular' table. Design from 1968.

Tabletop in white laminate, edge in brushed aluminium and legs in chromed steel. 72 x 100 x 100 cm (€ 400-600)

331

ARNE JACOBSEN (1902-1971) / FRITZ HANSEN

Two iconic 'Ant chairs', series 7.

Seat dark gray laminated wood.

Base in bright chromed tubular steel. (€ 200-300)

332 USM HALLER

Sideboard. Two fold-down doors above and two open shelves below. Metal and chrome. White lacquered panels (RAL9010). 75 x 150 x 50 cm (€ 600-800)

333

VICO MAGISTRETTI (1920-2006) / OLUCE

A pair of Lyndon plastic and black metal outdoor wall lamps. Ø 40 cm (€ 600-800)

334

VICO MAGISTRETTI (1920-2006) / OLUCE

A pair of Lyndon plastic and black metal outdoor wall lamps. Ø 30 cm (€ 600-800)

335

BEN VAN BERKEL (1957) / COR UNUM

A Cor Unum fruit bowl, model 'Fragile'. Period 1980. Ceramic, black and yellow glaze. Design Van Berkel and Bos Architectuur Bureau, NL.

9 x 74 x 48 cm (€ 1000-1200)

336

BENNO PREMSELA (1920-1997) & GEERT LAP (1951-2017) / COR UNUM

Four Cor Unum vases:

1. Two flower vases, model 'Passe-partout'. Period 1990.

One rectangular and one square with matching passe-partout/ background. Ceramic, brown satin glaze.

2. One vase, model 'Garbo large'. Period 1980. Terracotta satin.

3. One vase. 1982. Ceramic, matte blue glaze. All with sticker 'Cor Unum'.

Total: 4 pieces

39 x 14,5 x 8,5 cm/ 29 x 24,5 x 8,5 cm/ 33 x 29 x 23 cm/ 33 x 18 x 12 cm (€ 700-900)

337

GEERT LAP (1951-2017) & BENNO PREMSELA (1920-1997) / COR UNUM

A Cor Unum bowl and two vases:

1. Bowl. Ceramic, matte brown glaze. H.: 15 cm; ø 34 cm

2 Two vases, model 'Passepartout square'. Design from 1993. Both with matching passe-partout/ background. Ceramic, brown satin glaze. Both with Cor Unum sticker at bottom.

Total: 3 pieces.

H.: 13 cm/ Ø 34 cm/ 39 x 14,5 x 8,5 cm (x2) (€ 600-800)

338

ROSS LOVEGROVE (1958) / COR UNUM

Two pique-fleurs, model Origamic Vase. Period 1990. Earthenware, light green glaze. Marked with Cor Unum at the bottom. 9 x 38 x 23 cm (x2) (€ 300-500)

339

ALBERTO MEDA (1945) & OLAV SLINGERLAND (1969) / COR UNUM

A Cor Unum fruit bowl and a water vaporizer.

1. Fruit bowl, model 'Positive Negative'. Consisting of two parts, bowl and base. Earthenware, white matte glaze.

With stamp Cor Unum on the base underneath.

2 Water evaporator, model 'Amulet'. Period 1980. Ceramic. Glaze on exterior eggshell with satin finish and white on interior.

35 x 54 x 14 cm/ 30 x 7 cm (€ 300-500)

340

GIJS BAKKER (1942) & GEERT LAP (1951-2017) & BENNO PREMSE / COR UNUM

Two Cor Unum vases and a fruit bowl.

1. Fruit Bowl. Model Shot 2002, period 2000.

Ceramics. Matt ochre yellow glaze. With stamp Cor Unum underneath.

2. Vase, period 1980. Ceramic, satin white glaze.

3. Vase, model 'Passepartout Square', design from 1993. With Cor Unum sticker.

Tot: 3 pieces.

11 x 32 x 29 cm/ H.: 11 cm (€ 400-700)

341

STIEF DESMET (°1973)

'Last Deer Standing', 2007. Mixed media (acrylic, charcoal, oil on canvas).

Title, date and signature on the reverse. With certificate.

200 x 100 cm (€ 500-600)

Expo:

Los Angeles, 'Raid project', 2007; Ghent, 'Past Present Future #1',2008; Brussels, 'Rue de la Senne/Zennestraat', 2009

342

JAN BURSSENS (1925-2002)

'Meren Lier'.

Oil on canvas.

Signed 'Jan Burssens', repeated and with title on the reverse.

50 x 100 cm (53.5 x 103.5 cm) (€ 400-500)

343*

RIA BOSMAN (°1956)

'Onderbrekingen II', 2001-2003. Ink on canvas. Mounted on panel. Title, date and signature in black marker on the reverse.

26 x 17 cm (€ 300-400)

Provenance: Gallery De Ziener, Asse

344

VINCENT SPAAS (°1964)

Untitled. Acrylic on canvas.

50 x 60 cm (€ 100-150)

345

ALFRED HENDRICKX (1931-2019) / BELFORM

A 1950s black lacquered ash wood and glass '208' coffee table.

Traces of use. Minor wear on black paint of the feet.

47 x 121 x 59 cm (€ 400-500)

Lit.:

Mil De Kooning, Fredie Floré & Iwan Strauwen, 'Hedendaags design. Alfred Hendrickx en het fifties-meubel in België', 2000, p. 60-61.

346

ALFRED HENDRICKX (1931-2019) / BELFORM

A set of six 'S3' chairs. Design from 1952. Black lacquered wood. Seat and back in light blue velvet upholstery (possibly from a later date).

Traces of use. (€ 800-1000)

Lit.:

Mil De Kooning, Fredie Floré & Iwan Strauwen, 'Hedendaags design. Alfred Hendrickx en het fifties-meubel in België', 2000, p. 51.

347

ALFRED HENDRICKX (1931-2019) / BELFORM

A 'T1' extendable dining room table.

Top in bubinga wood veneer, black lacquered legs.

Traces of use.

75 x 150 (210) x 90cm (€ 300-400)

348

ALFRED HENDRICKX (1931-2019) / BELFORM

A 1950s wooden sideboard.

Three sliding doors. Inside three shelves and one cutlery slide. Solid beech legs, black lacquered. With three matching brass keys.

Traces of use.

100 x 180 x 45 cm (€ 800-1200)

349*

ALFRED HENDRICKX (1931-2019) / BELFORM

A 1958 highboard.

Four sliding doors. Two lined with white vinyl. Inside two shelves, five sliders (two lined with felt, one drawer missing). Below bar compartment with mirrors.

One handle restored.

Traces of use.

158 x 130 x 42 cm (€ 1500-2000)

General conditions buyer

The joint stock company Auction House Bernaerts JSC (hereafter BERNAERTS AUCTIONEERS) announces to the participants of the sale that the sale will be held according to the terms and conditions listed below and any participation in the auctions implies the unconditional acceptance of the present conditions of sale.

1. Auction day

The auction takes place through an oral or written bid. The highest bidder for each item is the successful bidder who will purchase the item against cash payment. At the time of the purchase and to the extent that he did not previously, the potential purchaser must register by presenting proof of identity and indicating his name, address, telephone number, the number of his identity card and his signature on the registration form of BERNAERTS AUCTIONEERS. In return, he will receive a paddle with its personal number to participate in the auction. In other cases, the purchaser presents himself to complete and sign his entry form, after which he will receive a paddle with his personal number. Online sale bidders must register at least 5 hours before the beginning of the auction by filling the form on My Account. For each new online sale, the buyer must register by accepting the Terms and Conditions of sale.

2. Commitment of the bidder

By its offer, the bidder commits himself to purchase the auction items for sale at the price he has proposed. He nevertheless has no say when the sale is suspended for any reason at all.

BERNAERTS AUCTIONEERS may, in case of a negligent buyer, decide to cancel the sale and sell the lot to the underbidder. BERNAERTS AUCTIONEERS may then recover any costs or lost revenue from the buyer.

3. Conduct of sale, order

The judicial officer maintains order during the sale. It is he who ultimately rules all possible disputes born of the sale, including the bidding increments and the designation of the highest bidder. The auctioneer has, among others, the right to set the minimum price of each offer, not to accept the bid of persons that he does not know or whose identity or creditworthiness not seemed proven – in which case, the previous bidder remains bound-, to suspend the sale, without having to explain thereon to the bidders, to split, join or withdraw any item. In case of obstruction or disruption of the auction by violence, threat or a fraudulent way, the provisions of article 314 of the Penal Code will be applied. In case a price limit has been set by the provider/ seller, BERNAERTS AUCTIONEERS has the right to bid on behalf of the provider/seller. BERNAERTS AUCTIONEERS reserves the right to refuse any offer made by unknown buyers. Personal data we process will not be stored for longer than necessary. Our data retention policies and procedures comply with legal obligations regarding the retention and deletion of personal data.

The law of 15 August 2020 under Belgian law implementing European Directives 2018/843 and 2015/849 on the prevention of money laundering operations and/or the financing of terrorist activities, requires all actors in the art and antiques trade, including auction houses, to request and register the identity of all parties involved with an account amounting to €10,000.00 or more; for a corporation, the articles of association or the identity of the beneficial owner(s) should also be requested.

All data is exclusively at the discretion of the auction house and will be handled in strict compliance with the General Data Protection Regulation Act.

4. Buyer by mandate or third-party buyer

The purchaser may designate a proxy, provided that he signals it to the auctioneer at the end of the sale. The purchaser answers for the solvency and the competence of its proxy; each purchaser remains responsible for its purchase, even if another person is stated as (proxy) purchaser.

5. Guarantee

The successful bid does not imply any guarantee on the part of the auctioneer responsible for the sale nor on the part of the acting judicial officer, concerning among others the authenticity. Items and art objects are sold in the state in which they are at the auction exhibition and sale, and without any guarantee. Buyers are expected to have reviewed items and objects of art and to have made their offer being informed. The estimated prices quoted in the catalogue serve for information purposes only. If necessary, the catalogue on paper takes precedence over the electronic version (on paper catalogues can be consulted or downloaded free of charges on www.bernaerts.be). In exceptional cases, the sale of an art object can be cancelled and the hammer price refunded to the purchaser if the object bought is returned within three weeks, with evidence that it is a falsification, and provided that the object remained in the same condition as at the time of the auction.

6. Indivisibility and particularity

All obligations of purchase are by law, jointly and indissolubly, both for legal persons as for physical persons, the responsibility of all those who buy for a joint account, the final purchaser and those who bought for him, on the securities between them and those for whom they act as guarantor, as well as the heirs and successors of each of the people mentioned above.

7. Payment of the purchase price and the additional costs by the purchaser

The purchaser in the room and the purchaser who has bid by purchase order must pay, immediately after the sale or at the time of the removal of the items, the hammer price, plus 25% on the hammer price in the room, on the absentee bid and by telephone bid, including VAT, for costs. The simultaneous sale in live (webcast) bidders must pay the purchase price increased by 28% on the hammer price, VAT included. The silent sales and/or aftersales bidders must pay the purchase price increased by 30% on the hammer price, VAT included.

For each item, an additional administrative costs of € 2 will have to be paid and, if applicable, a droit de suite (right to follow or resale right). The droit de suite is an extension of the copyright law that entitles a compensation to the creator of a work of art in case of a resale of the work.

This right may apply both to sculptures and to graphic works of art. A droit the suite is charged in case of a resale of original works of art of living artists or artists who died less than 70 years ago and from a price of € 2,000.00 on. It amounts to 4% of the price up to € 50,000.00; to 3% of the auction price segment between € 50,000.01 and € 200,000.00; to 1% of the auction price segment between € 200,000.01 and € 350,000.00; to 0.50% of the auction price segment between € 350,000.01 and € 500,000.00; to 0.25% of the

auction price segment above € 500,000.01 price. However, the droit de suite can never exceed € 12,500.00. The rate of the first segment, i.e. 4%, should be applied to the entire amount that lies within this segment. (Law of 4 December 2006 and R.D. of 2 August 2007).

Only banknotes in euros (up to an amount of € 2,999 per object, fees included) will be accepted for payment of the purchase price and costs. In case of payment through a non-certified cheque, delivery of the items may be suspended until the crediting.

8. Compensation – confusion

The buyer cannot claim nor compensation, nor confusion, nor article 1653 of the Belgian Civil Code in case of trouble of the purchaser.

9. Resale – irresponsible bidding

If the purchaser, the highest bidder, the guarantor and/ or the indicated proxy have failed to immediately fulfil the obligations set out in these terms and conditions or to immediately meet one of the conditions of sale, the item may be resold on the basis of an irresponsible bidding, at the expense of the highest bidder. The resale is done by the judicial officer already requested, under the same conditions of sale. The failing purchaser shall pay the difference between the purchase price and the resale price, without being able to claim the balance between the purchase price and the resale price in case the resale price exceeds the purchase price. This balance will be to the benefit of the provider/seller or to the creditors. The irresponsible bidder is required in addition to the payment of expenses caused by its negligence and by the resale, as well as other charges of any kind, without prejudice to damages for any reason whatsoever. Delivery of a cheque which is not paid immediately at the first presentation, is considered failure to pay, without prejudice to the application of the criminal law if necessary, nor of the protest, discount and other grant.

10. Transfer of ownership – provisional measures

As soon as the highest bidder is determined, all risks related to the purchases will be the responsibility of the purchaser. The item is delivered in the state it is at the time of the auction, with all its apparent and hidden defects. At the auction, the item shall be kept with the utmost care. However, the buyer must take all measures for the preservation of the item. As soon as the highest bidder is determined, items only remain on-site at the risk and under the responsibility of the purchaser, which is solely responsible for the item he bought.

11. State of the items – exhibition

Since items and works of art are exhibited before the auction, and the terms and conditions have been communicated, the purchaser is supposed to be informed fully, personally and on his own responsibility of the state of the items and art objects. He has no recourse against BERNAERTS AUCTIONEERS, against the acting judicial officer or against the auctioneer, for error, inaccuracy, or negligence in the description of the items and works of art, nor for inconvenience, discomfort, the state of the items and works of art, their repair or restoration. All data concerning items and the works of art in catalogues, advertisements, brochures or any other written or digital communication from BERNAERTS AUCTIONEERS, and especially their description, are provided only for information purposes and without prejudice. Neither BERNAERTS AUCTIONEERS, nor the acting judicial officer assume any responsibility in this regard. The sale is preceded by an exhibition during which

BERNAERTS AUCTIONEERS will be available – physically or virtually – to the public to provide information to the best of its possibilities; the exhibition is intended to allow the examination of the state of conservation and the quality of the items as well as to provide guidance on possible defects or inaccuracies in the description of the catalogue. The public can also appeal to BERNAERTS AUCTIONEERS or to an expert chosen by the interested person, for a thorough review and that, for the duration of the exhibition. BERNAERTS AUCTIONEERS is not prepared to take the item back if the description of the catalogue is revoked during the sale and that the right description is given orally to the public. Each visitor is responsible for the damage that he causes to the exposed objects and items, even if it happened coincidentally or involuntarily. Similarly, the provisions of article 2280 of the Civil Code apply to this auction.

12. Passing of possession – removal

The buyer who has paid the full purchase price and costs will pass in possession of the item sold. Upon removal, it is required to submit a proof of payment. No item can be removed during the live auction itself. Unless expressly authorized by BERNAERTS AUCTIONEERS, no item will be delivered until full payment of the purchase price and costs. The damage caused during the removal or displacement of items are at the charge and risk of the purchaser. When the time period for the removal is passed, an interest of 1% per month on the hammer price will be charged, with a minimum of € 5 per day and per item. For the removal dates we refer to the terms and conditions printed in the catalogue and on the web site.

13. Refund

In case BERNAERTS AUCTIONEERS, for whatever reason, is required to repay the funds that have already been paid, no interest can be counted on this sum.

14.

Written and telephone bids

Through a written bid, BERNAERTS AUCTIONEERS takes care of its customers purchase bids, free of charge. The purchase of the items is done in the cheapest way possible, provided the price limits or other possible offers allow it. The price limits set by phone are accepted at the risk of the seller. They must be confirmed by letter or fax, undersigned by the bidder. You complete the ‘absentee bidding form’ [link] during your visit at the auction house, or you download [link] it and deliver it no later than 24 h prior to the auction to BERNAERTS AUCTIONEERS, or you send it by email (info(at)bernaerts.be) or by fax (+ 32 3 248 15 93), no later than 5 hours prior to the start of the auction. The auctioneer will try to purchase the item for you at the most beneficial price. These bids are no purchase orders nor commissions, but the orders to buy at the price indicated. In case of equal bid, the oral offer has priority on the written and digital ones. If several written bids of the same amount on the same item reach BERNAERTS AUCTIONEERS and the written bids are the highest bid for the item in question, the item will be awarded to the first written bid having reached BERNAERTS AUCTIONEERS. The auctioneer is not required to inform the public beforehand. The non-execution of a written bid, a telephone bid or an online bid by mistake or for any other cause (technical or otherwise) cannot be the subject of a claim for damages to BERNAERTS AUCTIONEERS. The written, telephone and online bids are a free service offered to customers and cannot result in any kind of responsibility of BERNAERTS AUCTIONEERS.

15. Damage

Each visitor is responsible for the damage caused to the exposed objects and items.

16. Court of jurisdiction

All disputes over the sale fall, as appropriate, under the exclusive competence of the courts of Antwerp, regardless of the domicile of the parties. In case these terms and conditions are a translation, the Dutch text will prevail.

HOE BIEDEN/ HOW TO BID

Live in Antwerpen

Registreer u vanaf 30 minuten voor aanvang van de veiling aan het onthaal met uw identiteitsbewijs Het persoonlijk biednummer blijft geldig tijdens de verschillende zittingen van de veiling.

Online of via de app

Plaats een ‘prebid’ op één van de biedplatformen Bernaerts Live, Invaluable of Drouotonline.

Dit kan vanaf twee weken voor de aanvang van de kijkdagen.

U kan op deze platformen ook meebieden tijdens de Live veiling.

Registreer u ten laatste 5u voor start van de veiling. Vanaf een kwartier voor aanvang van elke veilingsessie kan u inloggen.

U kan hiervoor ook onze app ‘Auctioneers Bernaerts‘ gebruiken, te downloaden via de appstores (Apple Store of Google Play Store).

Live in Antwerp

From 30 minutes before the start or during the auction register at the reception desk with your ID. The personal bid number remains valid during the different sessions of the auction.

Online or via the ‘Bernaerts app’

From 2 weeks before the auction, you can place a ‘prebid’ on one of our platforms Bernaerts Live, Invaluable or Drouotonline.

You can also bid live on these platforms during the Live Auction on live.bernaerts.be Register at least 5h before the start of the auction. You can log in from 15 minutes before the start of each auction session.

You can also use our app for this, downloadable from the app stores (Apple Store or Google Play Store).

Via kooporder

Plaats via uw Bernaerts account een schriftelijk bod op de catalogus online.

Of u kan een kooporder met uw maximum bod mailen naar info@bernaerts.be, ten laatste 12u voorafgaand aan de live veiling. De veilingmeester probeert uw lot aan een zo voordelig mogelijke prijs te verwerven.

By absentee bid

Place a written bid via the online catalogue or mail a completed form with your maximum. bid to info@bernaerts.be at the latest 12h prior to the live auction.

The auctioneer will try to acquire your lot at the most advantageous price possible.

Via telefoon

Vraag een telefoonlijn aan via de online catalogus, dit kan via uw Bernaerts account.

Of mail een ingevuld telefonisch biedformulier naar info@bernaerts.be, ten laatste 12u voorafgaand aan de live veiling.

Eén van onze medewerkers belt u op tijdens de veiling om live mee te bieden. Deze dienst is enkel mogelijk voor loten vanaf € 500.

U bent helemaal zeker van uw bieding als u hierbij een zgn. ‘safety bid’ geeft, een schriftelijk bod waarmee Bernaerts kan werken indien de lijn tijdens de veiling door omstandigheden wordt verbroken.

By telephone

Request a telephone line via the online catalogue or mail a completed telephone bid form to info@bernaerts.be, at the latest 12h prior to the live auction.

One of our team members will call you during the auction to bid live. This service is only available for lots from € 500.

You are completely sure of your bid if you include a so-called ‘safety bid’, a written bid that Bernaerts can work with if the line is broken during the auction due to circumstances.

Kooporders / Telefonische biedingen

Ordres d’achat / Offres téléphoniques

Absentee bids / Telephonic bidding

Verlatstraat 18 - 2000 Antwerpen

T +32 3 248 19 21 - F +32 3 248 15 93

info@bernaerts.be - www.bernaerts.be

Gelieve voor mij te bieden op de veiling van _________________ op de onderstaande loten tot op de opgegeven prijs.

Deze loten zullen aangekocht worden aan de laagst mogelijke prijs, in zoverre dit door andere biedingen of reserves kan worden toegestaan.

Gelieve mij persoonlijk te telefoneren voor de veiling van ___________________ om mee te bieden op onderstaande loten.

Ik ga akkoord met de algemene verkoopsvoorwaarden zoals deze in de catalogus worden vermeld.

De commissie bedraagt 25%.

Dans le cadre de vos Conditions Générales de Vente que je déclare connaître et accepter veuillez enregistrer les ordres d’achat de la vente de ________________ pour les lots ci-dessous mentionnés jusqu’aux montants des enchères indiquées.

Dans le cadre de vos Conditions Générales et spéciales de Vente que je déclare connaître et accepter veuillez enregistrer les lots mentionnés ci-dessous de la vente de ___________________ .

Ces ordres seront exécutés au mieux de mes intérêts en fonction des autres enchères portées lors de la vente. La commission est 25%.

Please bid on my behalf at the sale of _____________________ for the following lots up to the price mentioned below. These bids are to be executed as cheaply as permitted by other bids or reserves if any. Please contact me for the auction of __________________ so I can bid on the following lots.

I agree with the Notices and Conditions of sale as printed in the catalogue.

The auction fee is 25%.

lot omschrijving / description limietprijs / prix. max

Naam - nom - name:

Adres - adresse - address:

Telefoon - téléphone - telephone:

Fax: E-mail:

Bankrelatie - relation bancaire - bank relation:

Handtekening - signature:

NOTES

BERNAERTS

Verlatstraat 18 2000 Antwerp

T +32 (0)3 248 19 21

F +32 (0)3 248 15 93

info@bernaerts.be

www.bernaerts.be