Intuitive Knowledge

Subjective Sculptures & Objects by B h a s k a r H a n d e

Intuitive Knowledge

Knowledge of the Third Kind

2014

Intuitive Knowledge

Equal 1990

Subjective Sculptures & Objects by B h a s k a r H a n d e

Intuitive Knowledge K T K nowledge of the

hird

Foundation Public Art Amsterdam

ind

Subjective Sculpture

A long time ago I had to recollect my senses in order to find out how I had reached the chamber of three dimensions.

A chamber with many a lot of objects divided all over on the wall, off the ground, into the wall, hanging from the ceiling.

Some objects where shining,‌ others rather dusty.

My glimmerings were just like a bunch of butterflies sitting on each object, finding out their warmth. I hesitated touching those surfaces of substance.

Dust might have captured my sense of touch. I have been warned by my other senses not to have contact with those atoms. Its confusing all the way. Why these senses are behaving so weird.

May I even say odd or muzzy?

Currently I don’t know. But I keep touching from time to time.

Those atoms got fused and blurred, and that chamber naturally is built to contain many of objects in third dimension. I got lost inside

I was talking to a sense … to the knowledge of the third kind as an outcome of spiritual strength.

My soul still nestling in the self build castle of the fine art; amus-

and had forgotten to come out.

Since then my senses possessed the third dimension.

Knowledge of the third kind.

It is quite helpfull to guide me onto the path within the chamber itself.

Intuitive knowledge.

Where is this settling down inside me? In my soul or between the senses itself, I ask myself whereas walking on my path.

A stretch that vanishes in an optical root; but when someone walks on it, it never meets the end. Just like a trail of life, as we can touch the heart of a person but never become unified.

Or, let us say: getting entwined in senses itself, and afterwards get lost again.

ing itself in not only owning a chamber but a whole castle!

I myself, being a student of liberal art, finding the fine art section as the so called chambers and sub chambers; some of them really hidden underneath, like Dutch canal houses with their striking gables and dual entrances.

Sometimes, while travelling in space, time and history … grammar tells me the story of languages, as well as science simultaneously is reveiling the perspective of innovations.

In this world of multiple dimensions, my intellect gathers certain points, like picking a lock, and comes face to face with the soul inside that castle. Which sometimes is quite a surprise…

Somewhere ‌ in or around those secret meeting points, in which men, untill now, never succeeded in finding out yet where and why.

By substance, like rubber, wood, diamonds or even dust, I

had been seeing this as part of a unique form.

By mode, like a method or tonality in music, I am embedded in invisible energy.

By attribute, I am a non-existence creation, complementary of God, though I am likewise soul of sense and conscience of mind.

Since I was born I never felt obliged thanking a so called God for showing his Universe. Under the impression of Ego I spend my life untill now, whilst creating my universe of the third dimension.

(The sculptures appearing in following order in the book.)

Senses driven with feel-

ings in a life time with intuition that pumps air in my bubble of Ego, whose place rests inside the body of men. Breath arouse my nods and my flexible flesh gets strength to create stasis position of form.

A universe filled with concepts and ideas of many a

with his ideas: the innovation of another concept.

Going into abstract to think it one more time over again.

The most enlightened chamber of the castle is Samadhi of a yogi.. Samadhi does not reflect on: just after death like mummies in an Egyptian pyramid.

kind, and the artist-sculptor tries to understand himself in reflecting his ideas.

Materials and understanding of physical and psychic world makes the artist more firm.

Understanding and caring for literature and history provides grammar and references. Perspectives of time sends him a signal.

The artist can just go on while trying to understand the universe, planet, atmosphere, environment, surrounding and his own tradition and refinement.

Sometimes he refuses the environment and goes to find anything else. He tries to make another platform, another concept

The Sanjeevan Samadhi: Undifferentiated Cognition‌ the state of a continuing journey of soul. This stage includes a range of the highest spiritual achievements up to Mergence with the Primordial Consciousness and with the Absolute. It is The Ultimate Art of yoga expression and meaning.

My soul tries to understand one’s conscience. The castle is constructed by the subjects of Fine and Liberal Arts. Talent, skills and art are the residence inside.

Mind and sense are the guardians of curator mind for holding exhibition into chambers.

Matter

1983

Limpid

1983

1984

Infinite

1983

1984

Core

By Nature

1992

1992

By Nature

2006

By Nature 1992

1992

Infinite

Seed 1997

Incumbrance

1997

Deity 1995

Devotee

1997

Deity

1997

Duality

1995

1991

Reason 1995

Yogi 2011

Philosopher 2013

Philosophy 2013

Samadhi

1996

Infinite 2009

Within Light 1986

Era 1993

Transform 2014

Transform 2012

Communication

1999

Samadhi

2013

2014

Samadhi

BIOGRAPHY: Bhaskar Hande

1957 Born in Umbraj, Dist. Pune, state Maharashtra,India; 1974 Came to Mumbai, worked as banner painter in film industry; 1976-81 Studied at Sir J.J.institute of Applied Art Mumbai, India; obtained G.D.ARTS diploma.in applied art; 1979 Forth prize Maharashtra state Award; 1981 Second prize Maharashtra state Award; 1982 Went to the Netherlands for post graduation; 1982-84 Studied at the Royal Academy of Visual Arts the Hague, NL. Obtained diploma in Monumental Painting and Design; 1985-87 Studied animation and video at the Free Academy of Visual Arts the Hague, NL; 1987 Since than working as independent fine artist in The Nederlands and India.

Exhibitions: 70 One man shows in European countries and India 130 Group Exhibitions around Globe Participation in Interntional Biennale and triennale.

1990 SAGA90 FIAC edition Paris, Grand palace Paris, FRANCE. 1993 Binnalle Z.H.Grafiek Manifestatie The Hague,NL Groote Kerk The Hague.

1995 Binnalle Z.H.Grafiek Manifestatie The Hague,NL Groote Kerk The Hague 1997 Binnalle Z.H.Grafiek Manifestatie The Hague,NL Groote Kerk The Hague 1999 Binnalle Z.H.Grafiek Manifestatie The Hague,NL Groote Kerk The Hague 2010 8ème MONDIAL de l’ESTAMPE et de la Gravure originale. Triennale de Chamalières France 2011 MEDJUNARODNO TRIJENALE GRAFIKE First International Print Triennale ULUS Belgrado, Serbia;

2013 MOHOR, First Pune Binniale Pune, India.

2014 9ème MONDIAL de l’ESTAMPE et de la Gravure originale Triennale de Chamalières France 2014 MEDJUNARODNO TRIJENALE GRAFIKE Second International Print Triennale ULUS Belgrado, Serbia.

Facimille 1 Keleido 1990 presented by Forum Gallery in Grand Palais, Paris; 2 Folio 1992, Artimediar Gallery, The Hague; 3 Dashak 1990 (Decade) Marathi 10 illustrated poems Mumbai; 4 10 years in Holland 1983-93, 4 Lithographs, Text in graphicmap Inkt , The Hague, NL; 5 Wat Bescheidener en stiller is ook goed 1998, 2 silkscreen and short story Mindert Warre (Ritske de koningh) Utrecht, NL. Books 1989 1 Encounter/Ontmoeting Forum/ GTP Amsterdam, NL ; English/Nederlands Catalogue and poetry, Poet Adriaan Morriën 1990 2 DASHAK Bapu Nasik, IND Marathi poetry 1995 3 Your form is my creation, Vaishwik Pune,IND Marathi/English

Artbook/catalogue Text Dilip Chitre / Dr.Sadanand More; 1995 4 Budala Gaon Gaon Budala Bapu Nashik,IND Marathi poetry; 1996 5 Merging Colours Warre fine arts English catalogue Artimediar

The Hague, NL; 1996 6 Your Form is My Creation Century Union, The Hague NL Hindi/English artbook/catalogue; 1997 7 Holland-India Give and take in art 1, Marathi/Nederlands artbook/catalogue;

8 Prints by Bhaskar Hande Century union The Hague, NL English/Nederlands part one;

1999 9 BHASKAR1999 Gallery Blackheath London,UK English artbook/catalogue; 2001 10 Holland-Europe Give and take in art 2 Vaishwik Pune, IND. Marathi / Nederlands artbook/catalogue;

11 Tirast Manera Vaishwik Pune, IND Marathi poetry;

12 Encounter with International artist Stg. IHK The Hague, NL; 2006

13 Colour Saga Exhibition catalogue Fabs Warsaw, Poland; 2008 14 Show Your Hope Vaishwik/Artimediair The Hague Holland

15 Drawings of Palakhisohala Vaishwik Pune, India.

2009 16 325 years Dehu- Alandi to Pandharpure Palkhisohala Vaishwik Pune, India;

17 A Black Substance Artimediair The Hague, Holland; 2011 18 Kale Tatva (Marathi) publisher Akshar Manav Pune, India; 2013 19 Liberal Pursuits in Arts and Philosophy English and Dutch (synopsis) Foundation Public Art Amsterdam, and vaishwik Pune, India.

2014 20 Intuitive Knowleledge Book

Paintings, Graphic and sculptures in Corporate collection 01 Motorola Bombay, Mumbai, IND; 02 Motorola Banglore, Banglore, IND; 03 Tangerine Computar, Mumbai, IND; 04 Infotec India Haidrabad, IND ; 05 Cotten Corporation of India, Mumbai, IND; 06 Housing Devlopment and finance Corporation, Mumbai, IND; 07 Uday Joshi and associate Architects, Mumbai, IND; 08 Klaus Berning Architect, Iserlohn, GER; 09 Stichting Fonds voor Bouwnijverheid, Amsterdam, NL;

10 Stichting Surinamse Regionaal Steunpunt, The Hague, NL; 11 Artotheek Den Haag, The Hague, NL; 12 Gemeente Den Haag, The Hague, NL; 13 Artotheek Schiedam, Schiedam, NL; 14 Gemeente Groningen, Groningen, NL; 15 Foundation Buitenband, The Hague, NL; 16 Warre Fine Art, Utrecht, NL; 17 Stichting Lalaroekh, Utrecht, NL; 18 Stichting Federatie Eekta, The Hague, NL; 19 Stichting voor Surinamers, The Hague, NL; 20 Stichting Kunstwerk, Utrecht, NL; 21 Kunstuitleen Vianen, Vianen, NL; 22 Galerie Hoogenbosch, Gorredijk, NL; 23 Galerie Het Dijkstoelhuis, Wageningen, NL ; 24 Inventer, B.V. Amsterdam, NL; 25 Stichting 1940-45, Amsterdam, NL; 26 Hotel Motel Surya, Nashik, IND; 27 Sampression Communication, The Hague, NL; 28 Datamatic Limited, Mumbai, IND; 29 Artotheek Breda, Breda, NL; 30 FAXX Kunstuitleen, Tilburg, NL; 31 Artbank, The Hague, NL; 32 Kunstuitleen Regio Helmond, Helmond, NL; 33 Artotheek 18, Bergen op Zoom & Roosendaal, NL; 34 Kunstuitleen Bonnefanten Museum, Maastricht, NL; 35 Stichting Organisatie Hindoe Media, Hilversum, NL; 36 Industrial Training Institute, Aundh Pune, IND; 37 Kanbay Software India Pvt. Ltd. Pune, India; 38 Clover Housing Dev. Pvt. Ltd. Pune, India; 39 Metaphore Architects, Pune, India; 40 Blackheath Gallery 1997, till 2007 London, UK; 41 Y. C. Maharashtra Open University, Nasik, IND; 42 Arquiteto Burea Rio de Janeiro, Brazil; 43 Gallery Hogenbosch Gorredijke NL.

1994

Colophon: Publisher: Conny Bos Foundation Public Art Zwanenbuergwal 178 & 184 1011 JH Amsterdam Holland and Sandhya Bhaskar Hande Vaishwik Art Environment Vaishwik 246/4 D. P. Road, Aundh, Pune 411007 India.

Printer: Swaroop Mudran 678 Narayan Peth, Pune 411003 Design: Abhay Varpe Text: Bhaskar Hande Š 2014 Bhaskar Hande www.bhaskarhande.com bhaskarhande@gmail.com bhaskarhande@yahoo.com

Sculptures and objects have been exhibited and placed in various places in Europe and Inda.

Followed organizations involved to held exhibitions of these sculptures and objects :

2013 International Social Studies

ISS The Hague

2013 Foundation Public Art

Amsterdam

2012 First Santsahitya Sammelan

Nasik India

2012 Nehru Centre Mumbai.

2009 Pune University Pune

2008 Sant Tukaram 400th

birth aniversary Dehu India

2006 Cultureel vrij haven

Ruighoord, Amsterdam

2000 Millienium Salone

Foundation IO Rotterdam

1999 Tour De Art Paris France

1997 Marathwada Mitra Mandal

Pune.

1996 Foundation Quartair,

The Hague

1996 Asylum Centre,

s´Hertogenbosch NL

1996 Nehru Centre Mumbai.

1996 Pimaa Pune. India

1995 Bhakti Abhyaspeeth Pune

1992 Foundation B141,

The Hague

1988 Artimediair The Hague

Time

1983

Foundation Public Art Amsterdam