Fitxa club lectura anglès marc 2017

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6. The Uncommon Reader (2007) by Alan Bennett About the book A deliciously funny novella that celebrates the pleasure of reading. When the Queen in pursuit of her wandering corgis stumbles upon a mobile library, she feels duty bound to borrow a book. Aided by Norman, a young man from the palace kitchen who frequents the library, Bennett describes the Queen's transformation as she discovers the liberating pleasures of the written word. With the poignant and mischievous wit of The History Boys, England's best loved author revels in the power of literature to change even the most uncommon reader's life.

About the author Alan Bennett English author and Tony Award-winning playwright. Bennett was born in Armley in Leeds, Yorkshire. The son of a Co-op butcher, Bennett attended Leeds Modern School (when it was a state grammar school), learned Russian at the Joint Services School for Linguists during his National Service, and gained a place at Sidney Sussex College, Cambridge. Many of Bennett's characters are unfortunate and downtrodden, or meek and overlooked. Life has brought them to an impasse, or else passed them by altogether. In many cases they have met with disappointment in the realm of sex and intimate relationships, largely through tentativeness and a failure to connect with others. Bennett is both unsparing and compassionate in laying bare his characters' frailties. In his 2005 prose collection Untold Stories Bennett has written candidly and movingly of the mental illness that afflicted his mother and other family members. The Lady in the Van was based on his experiences with a tramp called Miss Shepherd who lived on Bennett's driveway in a dilapidated van for fifteen years.


In 1994 Bennett adapted his popular and much-praised 1991 play The Madness of George III for the cinema as The Madness of King George. The film received four Academy Award nominations, including nominations for Bennett's writing and the performances of Nigel Hawthorne and Helen Mirren. It won the award for best art direction. Bennett's critically-acclaimed The History Boys won three Olivier Awards in February 2005, for Best New Play, Best Actor (Richard Griffiths), and Best Direction (Nicholas Hytner), having previously won Critics' Circle Theatre Awards and Evening Standard Awards for Best Actor and Best Play. Bennett himself received an Olivier Award for Outstanding Contribution to British Theatre. A film version of The History Boys was released in the UK in 2006.

In September 2005, Bennett revealed that, in 1997, he had undergone treatment for cancer, and described the illness as a "bore". His chances of survival were given as being "much less" than 50%. He began Untold Stories (published 2005) thinking it would be published posthumously. In the event his cancer went into remission. In the autobiographical sketches which form a large part of the book Bennett writes openly for the first time about his homosexuality (Bennett has had relationships with women as well, although this is only touched upon in Untold Stories). Previously Bennett had referred to questions about his sexuality as being like asking a man dying of thirst to choose between Perrier or Malvern mineral water. Bennett has lived in Camden Town in London for thirty years, and shares his home with Rupert Thomas, his partner for the last fourteen years. (From Wikipedia.) Other interesting information: https://www.theguardian.com/books/2016/oct/15/alan-bennett-keeping-onkeeping-on-diaries-extract http://www.hamhigh.co.uk/etcetera/books/alan_bennett_i_blame_brexit_on_mrs_ thatcher_the_tories_were_not_to_be_trusted_1_4751308


http://www.nytimes.com/2007/10/30/books/30kaku.html

Topics for Discussion 1. What play on words did you detect in the novella’s title? 2. Early on, the Queen tells Norman that she reads because “one has a duty to find out what people are like.” The Queen later says to Sir Kevin, “One reads for pleasure. It is not a public duty.” What accounts for this transformation? Do you read because of a sense of duty, or purely for pleasure (as Norman does)? 3. The Queen’s literary obsession causes her to shirk her royal duties and pay less attention to her family. When have you preferred to lose yourself in fiction rather than confront reality? 4. How does the Queen seem to interpret what she reads? What determines whether she likes a book? 5. What does one’s reading list say about oneself? 6. Would this tale have been as effective if the public leader at its centre were not a monarch? Could a democratically elected ruler have generated as much humour? What makes the English Queen ideal for this scenario? 7. How might the fictional Queen respond to The Uncommon Reader?


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