sing
A ronda da morte de Hélio Oiticica
Draft for the Parangolé-área: A Ronda da Morte project, May, 1979 Facsimile
Letter from Hélio Oiticica to Martine Barrat, May, 1979 Facsimile
Reading by Martine Barrat of the letter written by Hélio Oiticica Video 5’30’’
The Portraits of Frederick Douglass, 1841-1895
120 portraits of the approximately 160 carried out in Frederick Douglass’ lifetime were made available digitally.
Collections: Greg French; Onondaga Historical Association; Albert Cook Myers Collection / Chester County Historical Society; Moorland-Spingarn Research Center / Howard University; National Portrait Gallery / Smithsonian Institution; The Art Institute of Chicago; John Chester Buttre; NelsonAtkins Museum of Art; Clements Library / University of Michigan; New York Historical Society; University of New Mexico Art Museum; National Park Service; Swann Auction Galleries; Massachusetts Historical Society; Hillsdale College; Special Collections / Lavery Library / St. John Fisher College; Lynn Museum and Historical Society / Hutchinson Family Singers Album; Virginia Historical Society; Connecticut Historical Society; R. R. Auction; Division of Rare and Manuscript Collections / Cornell University; Boston Athenaeum; Kansas State Historical Society; American Antiquarian Society; Gilder Lehrman Institute of American History; Cincinnati History Library and Archives; Beinecke Rare Book and Manuscript Library; Kansas State Historical Society; Anacostia Community Museum Archives / Smithsonian Institution; Monroe County
Public Library / State Archives of Florida; Frank Leslie’s Illustrated Newspaper; Smithsonian National Museum of African American History and Culture; John White Hurn; Rochester Public Library; Chicago History Museum; The Metropolitan Museum of Art; Mississippi Department of Archives and History and Manuscript Library; Augustus Robin; Anna Roelofs; Tuskegee University; Schlesinger Library on the History of Women in America, Radcliffe Institute and New Bedford Whaling Museum
Tikmũ’ũn Songs
Installation with audios of the Tikmũ’ũn ritual songs, 9 books and transcriptions and translations of the songs
The songs Piabinha, Cabeça branca, Você aguenta, Cabeça vermelha and Tié-preto envergonhado were recorded with the community of women, men and Yãmĩyxop from Pradinho in the Maxakali Indigenous Land (Bertópolis-MG), in October 2003.
The songs Sobrinho, Papa-mel and Beija-flor were recorded with the community of women, men and Yãmĩyxop from Água Boa in the Maxakali Indigenous Land (Santa Helena de Minas-MG), in October 2003. Song Recording, Editing and Mastering: Leonardo Pires Rosse Editing Assistant: Eduardo Pires Rosse. Research Coordinator: Rosângela Pereira de Tugny The approach to the tikmũ‘ũn songs was only possible due to multiple conversations with: Charles Bicalho, Isael Maxacali, Paula Berbert, Roberto Romero and Sueli Maxacali, whom the curators of the 34th Bienal de São Paulo are thankful to
The Bell from Ouro Preto
Documentation in video of the bell of the Capela da Nossa Senhora do Rosário dos Homens Brancos (also called Capela do Padre Faria), shot on 2nd November 2020, All Souls’ Day. It was the first time that the bell returned to play since the suspension of religious rites in Minas General due to the covid-19 pandemic. Recording and Editing: Lucas Gontijo de Godoy Duration: 12h
Alice Shintani
Mata (series), 2019-2022
Forest / Kill
Gouache on paper
16 pieces, 75 × 55 cm (each)
Commissioned by Fundação Bienal de São Paulo for the 34th Bienal
Amie Siegel
Asterisms, 2020
4K Multichannel video installation 54’
Artist’s collection
Courtesy of the artist and Thomas Dane Gallery Co-commissioned by Fundação Bienal de São Paulo for the 34th Bienal
Carmela Gross
Boca do Inferno, 2020
Hell’s Mouth
Monotypes on silk and paper Dimensions variable
Artist’s collection
Courtesy of the artist
The work was held at the Ateliê de Gravura of the Fundação Iberê Camargo Thanks to Fundação Iberê Camargo
Daiara Tukano
Ñamíriwi’í – Casa da noite, 2020
Night House
Acrylic on canvas
Commissioned by Fundação Bienal de São Paulo for the 34th Bienal
Gala Porras-Kim
Whistling and Language Transfiguration (WaLT), 2012
LP album, cyanotype print, sound 30,5 × 30,5 cm (album’s cover dimensions)
Artist’s collection
Courtesy of the artist and Commonwealth and Council, Los Angeles
Jaider Esbell
Carta ao velho mundo, 2021 Letter to the Old World
Digitized printed book 37,5 × 27,7 cm (each) Artist’s collection
Manthia Diawara
Participation in the 34th Bienal supported by: Institut français à Paris
An
Opera Of The World, 2017 Video 71’
Naomi Rincón Gallardo
Resiliencia Tlacuache, 2019
Opossum Resilience HD video 16’01”
Courtesy of the artist Support: Sistema Nacional de Creadores de Arte 2019-2022 del Fondo Nacional para La Cultura y las Artes
Noa Eshkol
Participation in the 34th Bienal supported by: Artis and the Consulado Geral de Israel em São Paulo
Insects in the Sun, 1990
Cotton, synthetic fibers, lurex, rayon 278 × 216 cm
Courtesy: The Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin
Musical Carpet – Fugue, 1978
Cotton and synthetic fibers 225 × 149 cm
Courtesy: The Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin
Symmetric Flora, 1995
Cotton, cotton-linen, cotton twill, cotton crepe, cotton corduroy, polyester 225 × 173 cm
Courtesy: The Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin
Tree With Sparrows, 1982
Wool, cotton, polymers, rayon 224 × 117 cm
Courtesy: The Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin
Vase with White Apples, 1997
Cotton, wool, silk, cotton-linen, twill, percale, tulle 175 × 158 cm
Courtesy: The Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin
Regina Silveira
Dilatáveis (série), 1981/2020
Dilatables (series)
O discurso
The Speech Os grandes
The Giants
O abraço
The Embrace
A continência
The Salut O time
The Team
Sombras
Shadows O jogador
The Player
Para Lizárraga
To Lizárraga
Laminated vinyl adhesive on plywood plate Dimensions variable
Seba Calfuqueo
Participation in the 34th Bienal supported by: Ministerio de Relaciones Exteriores y Ministerio de las Culturas, las Artes y el Patrimonio – Gobierno de Chile
Alka Domo, 2017
Videoperformance 17’
Sueli Maxakali
Participation in the 34th Bienal supported by: Instituto Inclusartiz
Yãmîy/Homem-espírito (series), 2009
Yãmîy/Spirit Man
Andorinha
Swallow Bird Tartaruga Turtle
Digital print on Hahnemüle paper
Artist’s collection 8 pieces, 26,7 × 40 cm each
Victor Anicet
Participation in the 34th Bienal supported by: Institut français à Paris and Ministère de la Culture et de la Communication – DAC Martinique
Appel d’Afrique, 2010
Call from Africa
Ceramic 45 × 40 cm
Caldèras, 2013/2019 Ceramic Ø 25 cm
Artist’s collection
Caldèras, 2013/2020
Ceramic Ø 26 cm
Artist’s collection
Caldèras, 2013/2021
Ceramic Ø 27 cm
Artist’s collection
Le gardien, 2010
The guardian Ceramic 41 × 38 × 10 cm
Vision du vaincu, 2018
View of the defeated Ceramic 35 × 50 × 10 cm Vision du vaincu, 2019 View of the defeated Ceramic 35 × 50 × 10 cm
Zózimo Bulbul
Alma no olho, 1973 Soul in the Eye Film 12’ Courtesy: Centro Afro Carioca de Cinema Zózimo Bulbul