it’sThoughdark, still I sing 34th Bienal de São Paulo Traveling exhibitions program FortalezaFortalezaFortalezaEspaço Cultural Unifor September 6 – December 4, 2022 List of works
Hiroshima mon amour
Song Recording, Editing and Mastering: Leonardo Pires Rosse Editing Assistant: Eduardo Pires Rosse. Research Coordinator: Rosângela Pereira de Tugny.
Song Recording, Editing and Mastering: Leonardo Pires Rosse Editing Assistant: Eduardo Pires Rosse. Research Coordinator: Rosângela Pereira de Tugny.
The songs Piabinha, Cabeça branca, Você aguenta, Cabeça vermelha e Tié-preto envergonhado were recorded with the community of women, men and Yãmĩyxop from Pradinho in the Maxakali Indigenous Land (Bertópolis-MG), in October 2003.
Alain Resnais Hiroshima mon amour, 1959 Film excerpt ©4’ Argos Support:FilmsConsulado Geral da França em São Paulo
The Engraved Image of AlexanderCoatlicuevonHumboldt
Aztec basaltic porphyry idol found under the sidewalk of the great square of Mexico City. In: Vues des cordillères, et monuments des peuples indigènes de l’Amérique. Première partie, Relation Historique, Voyage de Humboldt et Bonplant, Atlas Pittoresque [Views of the Cordilleras, and monuments of the indigenous peoples of America. Part 1, Historical Relation, Voyage of Humboldt and Bonplant, Atlas Pittoresque]. Paris, 1810. Collection: The George Peabody Library, The Sheridan Library, The John Hopkins University. Facsimile
Antonio León y Gama
Descripción histórica y cronológica de las dos piedras: Que con ocasión del nuevo empedrado que se está formando en la plaza principal de México, 1792 [Historical and chronological description of the two stones: That on the occasion of the new paving that is being formed in the main square of Mexico]. Mexico City: Imprenta del ciudadano Alejandro Valdés, 1832 [1st edition: 1792]. Collection: Dumbarton Oaks, Washington, D.C. Trustees for Harvard University. Facsimile.
Tikmũ’ũn Songs
The approach to the tikmũ‘ũn songs was only possible due to multiple conversations with: Charles Bicalho, Isael Maxacali, Paula Berbert, Roberto Romero and Sueli Maxacali, whom the curators of the 34th Bienal de São Paulo are thankful to. de
Installation with audios of the Tikmũ’ũn ritual songs, 5 books and transcriptions and translations of the songs.
Statements
The songs Sobrinho, Papa-mel and Beija-flor were recorded with the community of women, men and Yãmĩyxop from Água Boa in the Maxakali Indigenous Land (Santa Helena de Minas-MG), in October 2003.
Bo’éda Hori – Arco-íris, 2021
Acrylic on canvas 7 paintings, 100 × 100 cm (each) Commissioned by Fundação Bienal de São Paulo for the 34th Bienal
Untitled, 2021
Participation in the 34th Bienal supported by: Nordic Culture Fund and Office for Contemporary Art Norway (OCA)
Gouache on paper 17 pieces, 75 × 55 cm (each) and 1 diptych, 150 × 110 Commissionedcm by Fundação Bienal de São Paulo for the 34th Bienal
E.B. Itso
Jaider Esbell
Kanau’ kyba, 2020-2021
Installation and animation film dimensions variable Artist’s Commissionedcollectionby Fundação Bienal de São Paulo for the 34th Bienal
Untitled, undated
Private Courtesycollectionoftheartist Frida Orupabo
Color pencil and Flashe on paper 153 × 123 Commissionedcm by Fundação Bienal de São Paulo for the 34th Bienal
Courtesy of the artist and Kalle Connery Lundgren, Sweden
Precipitation for an arid landscape, 2021 Copal (resin), dust from the Field Museum storage, institutional structure for rain water, rainwater dimensions CommissionedvariablebyFundação Bienal de São Paulo for the 34th Bienal Gustavo Caboco
Daiara Tukano
We resist, therefore we exist, 2015
The Kanaimés War
Participation in the 34th Bienal supported by: Nordic Culture Fund, Danish Arts Foundation and Iaspis – the Swedish Arts Grants Committee’s International Programme for Visual and Applied Artists
Courtesy3’10’’video of the artist and Galerie Nordenhake Stockholm AB
Alice Shintani
Rainbow
Photograph series, inkjet print, frames built from window panels of a squatted house 5 pieces, 175 × 125 cm (each)
Acrylic and Posca pen on canvas 11 pieces, 145 × 110 cm (each)
4:3
Mata (series), 2020-2021
Untitled, 2021 146Collage×128,5 cm
Forest / Kill
27 offerings for the rain at the Field Museum, 2021
A guerra dos Kanaimés series, 2019 2020
Galerie Nordenhake Stockholm AB Gala Porras-Kim
158Collage×110 cm
Photo emulsion on mulberry paper
Photo emulsion on mulberry paper
Participation in the 34th Bienal supported by: Ministerio de Relaciones Exteriores y Ministerio de las Culturas, las Artes y el Patrimonio – Gobierno de Chile
Buddha 02-05, 2002
17’Videoperformance
Horse biscuit
Photo emulsion on mulberry paper
Horse biscuit
Bonbon chouval, 2010
Artist’s collection
Artist’s collection
Artist’s collection
Participation in the 34th Bienal supported by: Mondriaan Fund
Buddha 02-01, 2002
Interwoven, 2020
15Ceramic×15cm
Artist’s collection
Buddha 02-03, 2002
Jungjin Lee
Artist’s collection
Artist’s collection
Acrylic on canvas 168 × 129 cm
Buddha 02-02, 2002
The Kanaimé Attack
Photo emulsion on mulberry paper 198 × 147 cm
15Ceramic×15cm
Private Commissionedcollectionby Fundação Bienal de São Paulo for the 34th Bienal
Buddha 02-04, 2002
Victor Anicet
O ataque do Kanaimé, 2011
Photo emulsion on mulberry paper
99 × 122 cm
Photo emulsion on mulberry paper 99 × 122 cm
Artist’s collection
Buddha 02-06, 2002
99 × 122 cm
Buddha 0216, 2002
Seba Calfuqueo
Alka Domo, 2017
Participation in the 34th Bienal supported by: Institut français à Paris and Ministère de la Culture et de la Communication – DAC Martinique
99 × 122 cm
Photo emulsion on mulberry paper, 99 × 122 cm
99 × 122 cm
Artist’s collection
Melvin Moti
32’Video
Bonbon chouval, 2010
Vision du vaincu, 2018
View of the Defeated
35Ceramic×50× 10 cm
Le Midi quotidien, 1970
View of the Defeated
Enamelled lava plate 58 × 58 × 2 cm
Carcan, 2002
The Flute Player
Painted wood 122 × 53 × 2 cm
35Ceramic×50× 10 cm
Horse biscuit
Enamelled lava plate 58 × 58 × 2 cm
Horse biscuit
Le flûtiste, 1970
40Ceramic×40cm
Bonbon chouval, 2010
The Quotidien Noon
Mixed media 50 × 42 × 2 cm
Bonbon chouval, 2010
35Ceramic×50× 10 cm
Vision du vaincu,2019
Vision du vaincu, 2019
15Ceramic×15cm
Carcan, 2002
Carcan, 2002
Painted wood 122 × 80 × 2 cm
View of the Defeated