Blank Gold Coast issue #72 - October 2019

GOLD COAST

Event

Cabaret www.blankgc.com.au

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Managing Editor: Natalie O’Driscoll Creative Director: Chloe Popa Advertising & Partnerships Manager: Amanda Gorman

LLOYD SPIEGEL TOURS NEW ALBUM AT HOTA

Partnerships, Social Media & Live Team Coordinator: Simone Gorman-Clark

Acoustic Blues master Lloyd Spiegel has just announced the release of his 10th album ‘Cut and Run’ and is headed out on a mammoth Australian tour to get people acquainted with the new tracks. ‘Cut and Run’ is the final part of an unexpected trilogy about personal redemption Lloyd didn’t even realise he was writing until it was finished. Where previous albums ‘Backroads’ and ‘This Time Tomorrow’ had Lloyd asking questions and begging forgiveness for the sins of his past, on ‘Cut and Run’ he has found the tenacity to face the next chapter of his life. Catch him on Thursday 28 November in the Basement at HOTA. Tickets are $30 and are available at hota.com.au.

TeamWriters: Anthony Gebhardt, Zac Fahey & Kris Peters Intern: Amaya Coburn

Contributors (print and online): Natalie O’Driscoll, Anthony Gebhardt, Kris Peters, Marj Osborne, Zac Fahey, Marlena Katene, Aaron Chapman, Simone GormanClark, Kylie Cobb, Gio Siregar, Nadia Achilles, Alicia Kent-Rooney, Jodie Bellchambers.

LAKESIDE SESSIONS WELCOME BUSBY MAROU AND BOBBY ALU Following the sell out inaugural concert headlined by Baker Boy, HOTA’s Lakeside Sessions continue with Busby Marou supported by special guest Bobby Alu. Busby Marou are currently touring in celebration of the fourth studio album, ‘The Great Divide’.

This upcoming tour follows the momentum of a huge past year of summer performances and new songwriting material from Tom Busby (hailing from Queensland, Australia) and Jeremy Marou (from the beautiful Torres Strait Islands). Lakeside Sessions featuring Busby Marou will take place in the Lakeside Room on Sunday 27 October. Tix are $49.90 and available at hota.com.au.

BB FACTORY LET THE GOOD TIMES ROLL Local blues masters BB Factory have released a live album ‘Let The Good Times Roll (A right royal tribute to the King of the Blues)’.

Recorded LIVE at the Doo-Bop Jazz Bar in August of this year, the album celebrates blues legend B.B King, with CDs even being shipped out on 16 September, the great man’s birthday. Pre-orders are now available at JB Hi-Fi, Sanity and all good independent record stores via ONLY BLUES MUSIC distribution, and also direct from the band's website bbfactorybluesband.com.

Editorial: news@blankgc.com.au Advertising: advertising@blankgc.com.au Gigs: gigs@blankgc.com.au

Front Cover: Colin Freils as Scaramouche Jones at HOTA this month.

Acknowledgement of Country We genuinely respect and acknowledge the Traditional Owners of the land on which we work and play. We honour their elders past, present and emerging as well as the rich contribution that continues to be made to society through art, story and music.

About us: Blank GC is independently owned and published by Samantha Morris and Chloe Popa. Founded in 2013 we are the Gold Coast’s independent cultural voice and we rely on advertising as well as our generous contributors to keep us in the fray. Opinions expressed herein are not necessarily those of the editor, publishers or the writing team.

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REGURGITATOR: 25 YEARS OF BEING CONSUMED STORIES IN THE KEY OF GC On October 18, local wordsmiths will weave their tales in amongst a soundscape of live sound designed by songwriter and musician, Fletcher Babb, in Stories in the Key of GC at HOTA, Home of the Arts. In the style of Yarn Storytelling in Brisbane or Moth in New York, Stories in the Key of GC is a celebration of local culture, and the joy of stories. ABC Gold Coast’s Breakfast Show host – who also happens to be Fletcher’s partner – Bern Young, will MC Stories in the Key of GC and use her intellect and warmth to connect and engage audiences attending this unique event. Storytellers include Amy Mac, acclaimed author Tim Baker, Flanno from Hot Tomato, and award-winning writer Lystra Bisshop. Don’t miss Stories in the key of GC when it hits HOTA on Friday 18 October. Tix are just $15 and are available through hota.com.au.

TCMF DROPS SECOND LINEUP ANNOUNCEMENT The Toyota Country Music Festival, Tamworth has bolstered its line-up adding some of the biggest and the best Australian country music acts to the bill with tickets set to go on sale next week. Multi-awardwinning artist Kasey Chambers leads the second announcement, with her one and only The Captain 20th Anniversary show at Wests Leagues Club on Thursday 23, January 2020. The Master Storyteller himself, John Williamson is set to take his audience on a musical journey through the country, combining humour, romance, environmental issues, travelling songs and campfire stories at the original home of country music, the Tamworth Town Hall on Friday, 24 January 2020. Beccy Cole, Adam Harvey, Bennett, Bowtell & Urquhart and more all feature on the exciting lineup drop. Full full info, visit tcmf.com.au.

The ‘Gurge have announced a howler of a tour celebrating their 25th anniversary, and lucky locals will get their chance to catch the beloved Brissie weirdos when they hit up the stage at Kingscliff beach Hotel on 25 October.

Warner Music has also announced a 25th compilation ‘Quarter Pounder – 25 years of being consumed: The Warner takeaway.’

Available in CD, silver vinyl and digital format, it’s a perfect meal deal for those who like their old stuff better than their new stuff.

Joining the lads will be Japan’s sugar punk power popsters Shonen Knife and their erstwhile compadres The Fauves. So it’ll definitely be a night to catch. Tix available at kingscliffbeachhotel.oztix.com.au.

KATCH KATCHAFIRE AT RSL CLUB SOUTHPROT

Photo by Shirley Lam

FIRST BEIGE AT MO’S Hailing from Brisbane, First Beige draws upon driving disco grooves, sweeping synths and irresistible vocal hooks to craft a fullbodied sonic spectacular guaranteed to get any crowd grooving. An infectious live act taking inspiration from the likes of Flying Lotus, Parcels and Kaytranada; the six-piece have continued to solidify themselves as one of the rawest, most energetic and vibrant live acts to come out of Brisbane in recent years.

Catch them at Mo’s Desert Clubhouse on 4 October, alongside King Coyote, Cactus and Electric Zebra.

MUSIC INDUSTRY MINGLE FOR OCTOBER Of course, it’s all about the music. Except when it’s about the money. How do Gold Coast musicians create full-time careers out of music and what are the strategies you can apply to your own music practice? We talk to slashies cobbling together a full-time wage from their music and music-related income.

We welcome Gold Coast musicians Benny D Williams, Ella Fence and Matt Aitchison (Favourite Son) to share their wisdom and experience with us on Tuesday 1 October, 6pm - 8:15pm at Southern Cross University.

Before we hear from our panel, join us for an informal networking session with Gold Coast musicians and music businesses.

Thanks to the hospitality of Southern Cross University, you'll receive a welcome drink on arrival as well as finger food and live entertainment from a SCU student Sophie Ozard. Attendance is free, however you must RSVP to simone@blankgc.com.au.

Spotify’s No.3 most streamed New Zealand artist Katchafire are bringing their pacific roots reggae deliciousness back to Australia for their latest tour, bringing Jamaican reggae royalty Jemere Morgan along for the ride at all club shows, plus local acts. They’ll be stopping on the Gold Coast too, hitting up RSL Clun Southport on Friday 18 October.

Tix via rslclubsouthport.com.au. This is an 18+ Event.

Local punk bar Vinnies Dive has an epic month of tunes lined up this October, with headline sets by The Decline, Necrot, Amyl and the Sniffers, Get Dead, Wavevom, The Kids, Jacob The Rock Band, Pist Idiots, BLUSSH, Tori Forsyth, Pacific Avenue, and Sleep Talk all ready to tear up the main stage, alongside a bucketload of awesome supports, of course. Check out their Facebook page for upcoming events.

ELLA FENCE EARNS A NOD AT AWMAS Ngaiire, Mojo Juju, Christine Anu, Claire Edwardes and Alice Skye are among the stellar list of finalists in the 2019 Australian Women in Music Awards (AWMA), to be presented at a star-studded ceremony, concert and party in Brisbane on Wednesday 9 October. And standing right alongside them is Gold Coast chanteuse Ella Fence, who is up for the coveted Emerging Artist award. We wish her all the best!

MUSIC ON THE MOUNTAIN The Springbrook Gastronomic and Arts Society is delighted to host the Adiamus String Quartet performing 'Music On The Mountain' at one of the most breathtaking lookouts at Springbrook, the Gold Coast hinterland. Experience a near full moon whilst gazing out over views of the rainforest, mountain and distant lights of the Gold Coast city. If that sounds like your kind of night, you’d best jump over to Eventfinda quick smart to grab your tickets, which are very reasonably priced at just $45. Music on the Mountain is a one night only event, taking place on 11 October 2019.

THE ’GOOD COAST’ FILM FESTIVAL CALLS FOR SUBMISSIONS FROM BUDDING FILMMAKERS

ISLAND VIBE FESTIVAL FULL LINEUP IS OUT Rounding out the third and final announcement for Island Vibe comes an all-star lineup of performers, artists and producers including US producer and MUTI Music label boss DOV1, the lords of live Jungle and DnB The Bird, FNQ rainforest reggae stars Zennith, Brazilian percussion experience Batukanum, the Afro beatnik sounds of Kooii, Operatives label kingpin JPS, the sultry gypsy jazz of Amy Jane & her Vipers, Melbourne chanteuse Phoebe Jacobs and multi world record extreme circus performer The Space Cowboy, just to name a few. They will be joining a massive international line up including The Mad Professor, Havana Meets Kingston SoundSystem, Gardna, Monkey Marc ft Rider Shafique and Fyah Roiall, Opiuo, JStar, Alysha Brilla and Soom from 24 to 27 Oct on North Stradbroke. islandvibe.com.au has all the info.

VINNIE’S DIVE RAMPS IT UP IN OCTOBER

1927 AT PARKWOOD TAVERN Known for enduring hits such as 'That's When I Think of You', 'Compulsory Hero', 'To Love Me', 'Scars', 'Don't Forget Me', and of course, 'If I Could', 1927 are one of the most iconic Australian acts of all time with the five time Platinum selling album '…ish' in 1988, earning the band a number of ARIA awards, a dedicated fanbase along the way and one of the most successful Australian albums of all time. To celebrate the release of their forthcoming ‘Paper Aeroplane EP’ the band will tour Australia for a limited run of shows, popping into the Parkwood Tavern on 16 November. Tickets at Oztix.

The ‘good coast’ film festival hosted by SOMOS is a collaborative community film festival taking place on 9 November. It is an open-air outdoor cinema experience powered by humans on bicycles and solar energy in Justins Park, Burleigh Heads.

Organisers are looking for local short 1 to 3 min film submissions from Coomera to Cabarita that relate to Gold Coast culture, environment and community. Do you know people that are active participants in their community? Preserving the natural areas on the Coast? Providing clean water, food or other necessities locally? Trying to solve a problem? What do you see that inspires or shapes change? Selection Criteria is listed on thegoodcoast.com.au. Winners will be screened at the ‘good coast’ film festival night, and First Prize is $1000. Check out the website or email somosgoldcoast@gmail.com for more info. Submissions close 20 October.

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SCARAMOUCHE JONES A clown story that’ll hit you in the Friels C

olin Friels has never strayed far from Australian televisions. A beloved veteran of the stage and screen, Friels has a list of credits to his name that includes prominent titles such as Water Rats, Mystery Road and even long running children’s show PlaySchool. Most recently, he has signed on as the titular character in one-man play Scaramouche Jones, in a heartfelt, tragi-comic turn which is garnering rave reviews. Ahead of the play’s upcoming run at HOTA, Home of the Arts, we sat down with the award-winning actor to discuss all things thespian.

Famously honest and self-deprecating, (he cheerfully describes some of his own past performances as “terrible”, and “bloody awful”) Colin is nonetheless proud of Scaramouche Jones, a brilliant one-man show penned by British playwright Justin Butcher.

“It’s a beautiful little piece,” he sighs. “The audience really listens to it, they seem to like it, it’s a lovely thing to do.”

Scaramouche Jones is an ancient clown who has just given his final performance and retires to his dressing room alone, to wait for the stroke of midnight, and his 100th birthday.

He reflects on an exceptional life, taking the audience on a journey through extraordinary adventures that span the furthest reaches of crumbling empires and the darkest episodes of the 20th century.

By turns bizarre, comic, epic, tragic – laced with the consummate wit of the circus clown – Scaramouche’s tale unfolds as an enchanting fable of poignancy and laughter.

“He’s courageous, he’s mischievous, he’s a clown, in the true sense of the word,” says Colin. “A tragic performer.”

Although touching on subjects such as the early loss of parents, slavery, and even the holocaust, the piece itself is “not a downer”, he insists.

“It’s actually quite uplifting. I hope the audience is engaged in the story as much as I am. Ultimately you just want people to walk out feeling better about their fellow human beings than before they came in. That’s probably the basis of it all.

I’m not trying to say everything’s Pollyanna and sweet, but if you can come out of the theatre feeling maybe a bit more positive about the human condition, that’s great.”

This production of Scaramouche Jones benefits from the light touch of lauded contemporary Director Alkinos Tsilimidos, who has collaborated with Friels previously.

“He’s courageous, he’s mischievous, he’s a clown, in the true sense of the word”

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“He’s a great guy to work with,” says Colin. “He’s got a great objectivity and good aesthetic taste. He doesn’t clutter it. He stays in the play, and isn’t trying to draw attention to himself.

Most directors are all like it’s THEIR production thinking about ‘will I be noticed, and will people think I’m clever?’

But Al is just interested in what it’s about.”

It was actually Tsilimidos who strong-armed Friels into taking on the project.

“I didn’t want to do it!” Colin exclaims. “A one-man show is a terrifying idea, but once you get into it, it’s the story that I love about it. I think it’s innate in us, the idea of story, so just being able to tell an audience a good story is a pleasure.”

Of course, the pleasure of live theatre comes at the price of long hours and a tonne of hard slog, something Colin isn’t as keen on these days.

“Theatre is hard work, it’s dog’s work really, but you’ve got to be a good dog to do it well,” he laughs. “Had I the funds, I probably wouldn’t be going near any kind of work.”

He pauses and thinks for a second.

“Oh, yeah I would. If it’s something you like doing, why not keep doing it?”

This pragmatic approach to life has served Colin well over the years, keeping his feet well and truly on the ground when stardom has beckoned.

“I’m just a local actor,” he demurs. “I’m no big deal, I just like to talk to an audience, basically.”

Being married to fellow actor and long time love Judy Davis, who has won a significant amount of acclaim both here and abroad, may also contribute to Colin’s propensity to downplay his long career. In the past he has indicated that he wouldn’t even bother to compare the talents of the two of them, and doesn’t like to inflict himself upon her as a co-star.

I ask if that’s really true.

“Yes, I’m a bit slow,” he says. “It drives her mad!” He relents a little. “Sometimes it’s alright, we haven’t done it much but we’ve had a couple of beautiful shows. You get a bit self-conscious working with someone who knows you so intimately. I’d much rather act with strangers.”

Or, in the case of Scaramouche Jones, with no one. Colin is keen for Gold Coast audiences to come along and see what all the fuss is about when the tiny production arrives at the end of October.

“We tell it in a simple, small way,” he says. “I’d like audiences to come and see it, and be surprised.”

Natalie O’Driscoll

Come and be surprised by Scaramouche Jones when it arrives at HOTA, Home of the Arts on Wednesday 30 October for four consecutive performances. Tickets start from just $40 and are available at hota.com.au.

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AMERICA B est known for their classic hits of the ‘70s and ‘80s including ‘Ventura Highway’, ‘Horse with No Name’, ‘I Need You’, ‘Don’t Cross the River’, ‘Tin Man’, ‘Sister Golden Hair’, and ‘You Can Do Magic”, AMERICA return to Australia and New Zealand to kick start summer later this year.

Celebrating their 50th Anniversary, the iconic classic rock duo of Gerry Beckley and Dewey Bunnell will perform a 10-date tour, and we managed to nab a chat with Gerry ahead of their visit.

You started out with just acoustic guitars with three part harmonies. What was the process like developing your music in the 1970s when AMERICA was establishing itself as a band?

Well we were students of the music we all grew up with, and if you talk sixties, at least in our case, it was music like the Beatles, Beach Boys and such. Both of these groups were very well known for all their vocal harmonies. So you know as you learn to start playing these songs, that you love, you learn to play it in the same way that the Beatles learnt and used to strum along to when they learnt listening to the Everly Brothers songs. We started to learn structure, what chords made up these songs, what the harmonies were, what that meant. That is how we did it back then.

How did the process or opportunities come to perform and open on stage with some of the biggest acts of the 70s? You guys were only starting out and teenagers.

I think being in the right place at the right time is a huge part of it. We were in London at the time and London is one of the few international centres of the music business, alongside the United States, Los Angeles and Nashville. Most of the music in England gravitated down to London so in one sense or another. We lived there right in the centre so we signed with Warner Brothers in the UK, which was the English affiliate of Warner Brothers company in Burbank California. So we were in good company from early on in our careers. This certainly helped with a lot of things for us and placed us in the right place at the right time.

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bring 50th anniversary tour down under

You have toured a lot with the Beach Boys. Can you share with me a little about this and how your relationship developed with them?

Well of course we started just being fans of them in the very early sixties and they were one of the very first groups we met in 1971. While we were in London they came over to tour and their label Brother Records had been acquired by our label Warner Brothers so we were all basically on the same label as each other. We followed them around on tour and within a few months we got with them when they were recording their next album in Holland and got to know them. Then when we relocated to the states in the 70s we ended up playing with the Beach Boys and supporting them more any other band in most of the 70s and 80s. We would go on tours together and travel all over the country and it was just fantastic. We are still very close.

You started out calling yourself AMERICA to separate yourselves from other British Bands in the London pub scenes. Where there any other names that you considered calling yourselves?

No not really… it is a good question. I don't think we had another name we really went by but were called the Days with a Z. D- A- Y- Z -E. That is what we were named in high school when we were basically a cover band. But that broke up when school finished for us and there was no name change event as such. When we got back together within the next year we knew part of that equation was that we were all pre-writing original new material. We thought what is it about this new band that is writing new material and what are we going to call it. So we just picked AMERICA as a way to tell something about us.

You are a songwriter first and foremost. If you were to have dinner with three songwriters, dead or alive, who would they be?

I am dear friends with one of my idols, the great composer (who is godfather of my first son) Jimmy Webb. He composed songs such as ‘Macarthur Park’, ‘Up Up and Away’ among many of course. By the time I was in my teenage years these were some of my favourite songs of all time. Brian Wilson is a dear friend and have become quite close with him. However I would put into that mix Burt Bacharach probably. I have meet Burt on a couple of occasions but by no means consider him a friend but I am a huge fan so I think that I would enjoy that.

Your upcoming tour is the 50th Anniversary Tour. Many artists when they get to this stage of their careers will promote such a tour as a farewell or final tour but keep coming back time and time again. How many more years will the fans get to see AMERICA Tour?

That is an interesting distinction as there is absolutely nothing about this 50th year or 50th celebration that has the word final or farewell in it. We haven’t been thinking about or focusing on that at all. Obviously there is a ticking clock so to speak. Whatever happens we are both quite honest in saying there is no retirement plans. We are both very happy to take the work down to keep it at a level we feel we could excel and do well with it. You do not ever want to think you are ever shortchanging the audience. I have to say I think 100 shows is a lot per year, when you stop and consider the tour days and travel. However I can imagine us both cutting this back as the years go by.

Marlena Katene

Bluesfest Touring presents AMERICA at The Star Casino on Saturday 30 November. Tickets are available through Ticketek. To read the full interview, visit blankgc.com.au.

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SPRINGING INTO STRIDE WITH BLACK RABBIT GEORGE

BEING JANE LANE I DROP DEBUT ALBUM

F

erociously fun female five-piece Being Jane Lane are about to detonate big-time on the Australian musical landscape off the back of their much-anticipated debut album, 'Savage Sunday', a knowing wink to the aftermath of a hard-partying Saturday night.

The band deliver a power-packed punch in the live realm, gaining new converts every time they tear up stages, which won't be too long away again now, as they prepare to go on a national run of gigs to launch the record, including a November show at that new bastion of punk rock on the Gold Coast, Vinnies Dive Bar. We recently fired off some questions to the hard rockin’ lasses themselves. For a more in-depth version of our chat, head over to the Blank GC website.

Congratulations on the upcoming new album! Can you tell us a bit about its genesis and the recording process with Guy at Serotonin?

Thank you! We are so happy to finally release it into the world. We have spent a long time on this album, starting about this time last year. Good things come to those who wait and we are so stoked with it, so the patience has paid off. Working with Guy is great, he’s so encouraging and positive and has helped us really capture the live energy of the band 18

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on the recording. We work at the pace we all set to serve the songs and the music, so there’s no pressure and it’s super comfortable.

We are stoked with the sound and feel of the new album and Guy, Serotonin and Human Records have been a big part of producing this album.

So who exactly is Jane Lane?

Haha well we all grew up in the peak of the animated series Daria. It was something weird I heard in an episode once and I always wanted to name a band after it. There was a scene between Daria and her best friend Jane Lane and she basically stated that Jane was going off doing her thing, “Being Jane Lane” and when I proposed it to the girls back in the day everyone was on board straight away and it just always had a nice ring to it.

What does 2020 have in store in the world of Being Jane Lane?

We are keen to release a follow up EP next year, the new ‘Savage Sunday’ album is the first of five that Guy has planned with us. We are in the writing process right now as we release the new album, in amongst a million gigs. It’s the hard thing about being in a band, plus we all work full time. It’s balancing our lives and perfecting time management.

So that’s our top priority, along with more touring as always and securing a booking agent and some bigger festivals through our label.

t's been a fruitful year on the music front for Paul George, the front man of much-loved Gold Coast music institution Tijuana Cartel, a band whose high octane, celebratory live shows and eclectic musical output have made them firm favourites across the local musical landscape over many years.

In addition to his main band, George also moonlights under the musical alter-ego of Black Rabbit George, a project that strips things back and portrays his more introspective side with a decidedly delicate, roots/folk based musical approach, melded with synth flourishes and samples.

Having released the exemplary album, 'Charles', earlier this this year (which we reviewed in the pages of Blank GC), George is continuing to ride the momentum, with Black Rabbit George, in trio format, resurfacing for a special performance at the Currumbin Soundlounge on 1 November.

In the lead up, we went down the rabbit hole and had a natter to the man behind the moniker.

So what's been happening in the world of Black Rabbit George since the release of your album, 'Charles', earlier this year?

Ah, life has been busy! I’ve been reworking the live set as well as touring heavily with my other band Tijuana Cartel. We've just got back from Europe and I have a few weeks to work on my Black Rabbit George stuff again.

Image by Claire Dalton

You're playing an upcoming show at the Currumbin Soundlounge on 1 November.

What can we expect from you on the night?

Have you got any new material you'll be unveiling?

I’ve got a heap of new material together with lots of the old stuff too. I have a killer three piece now with one of the members from Tijuana Cartel playing keyboard. Felicity Lawless and her band will also be joining us on the night.

How do you balance your time and musical energy between your two musical outlets?

And is your song writing process clearly delineated between the two, or does the song emerge and you then work out which project it matches with best?

I write whatever comes, and then think where it will fit. It's handy having the two projects, as it gives me a wider birth to be more creative and think in different paths of musical outcomes. Time wise it's a challenge – there’s not much time for life outside of music at the moment.

Do you have any other creative outlets that you indulge in?

In what spare time I can get I enjoy making videos. I've been involved in making a couple for Tijuana Cartel and Black Rabbit George.

I'm also in the process of making a mini documentary on the band Kallidad. Oh, also, there's a short story based on Black Rabbit George called 'Canggu Vintage' you can find on Amazon.com Anthony Gebhardt

Anthony Gebhardt

Being Jane Lane are set to rock the roof off Vinnies Dive Bar in Southport on Saturday, 9 November, so make sure you’re there to witness the girls deliver!

Be sure to catch the Black Rabbit George, in trio format, when they dazzle and delight at the Currumbin Soundlounge on 1 November, together with Felicity Lawless and her band.

GOLD COAST

OCTOBER 5 DOGTOBER 2019 HINTERLAND REGIONAL PARK, HARDYS ROAD, MUDGEERABA Golden Retriever Meetup Gold Coast.

From 9am - gold coin donation

goldcoast.qld.gov.au/ dogtober-2019-47973.html OCTOBER 6 MOVIES UNDER THE STARS ‘WONDER PARK’ THE BBQ BAZAAR, BURLEIGH Support the Mudgeeraba based Tallebudgera Netball Club fundraiser, hosted by Juice 107.3 4pm - movie at dusk - food, prizes and live music - gold coin donation

facebook.com/ events/443027156291125 OCTOBER 11 MUSIC ON THE MOUNTAIN CANYON PARADE LOOKOUT, SPRINGBROOK Strings under an October Full Moon with Adiamus String Quartet 7pm - bookings required bookings: eventfinda.com.au

somerset.qld.edu.au/somerset-gift OCTOBER 15 - 19 ACCOR – RACE TO SURVIVE PINE CREEK ROAD RESERVE & NUMINBAH RESERVE, NUMINBAH VALLEY Kokoda Youth Foundation run this team building and hiking challenge to raise funds for ‘On The Right Track’ program for disadvantaged youth.

7am start from Polly’s Kitchen, 1024 GC Springbrook Road.

accorracetosurvive2019. gofundraise.com.au OCTOBER 19 GOLD COAST OPEN HOUSE, MUDGEERABA WALK Join a guided tour and learn more about the history and heritage of Mudgeeraba.

11am and 2pm – Meet at The Village Green, Railway Street.

Wear walking shoes, hat and sunscreen .

No booking required.

goldcoastopenhouse.com.au/ building/mudgeeraba-heritage-walk-2

OCTOBER 19 VALLEY BLUES STOMP – LIVE MUSIC / ALLSTAR JAM FINALE NUMINBAH VALLEY HALL Marshall & The Fro, Devils Kiosk, Mojo Webb, Blind Willie Wagtail, Blueskillet Rovers, Broken Levee Brass Band, Blue Stomp Holding Co, Craig Madden, Kiss My Boots, The Lost Chords, Declin Kenrick.

11am gates open - camping (by donation) - food - BYO

facebook.com/NuminbahValley OCTOBER 19 GILSTON STATE SCHOOL MOVIES UNDER THE STARS, FRANK CHASTON OVAL, GILSTON 6.30pm - free family event with kids activities, food and beverage available for purchase

cityofgoldcoast.com.au/ moviesunderthestars NOVEMBER 1 SUMMERTIME SESSION SERIES - COMMENCES FRIDAY NIGHTS CUDDIHY PARK, MUDGEERABA Artists to be announced

FREE COMMUNITY EVENT ALL WELCOME!

INTERACTIVE KIDS ACTIVITIES WIT H SPARKY DO DAH FROM 4.30PM

facebook.com/ SummertimeSessions/

Frank Chasto Worongary Roa

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OCTOBER 12 SOMERSET GIFT SOMERSET COLLEGE, SOMERSET DRIVE, MUDGEERABA Held in conjunction with the Queensland Athletics League.

An opportunity to compete for large prize pool.

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SEPTEMBER 30 - OCTOBER 3 UNISPORT NATIONALS DIV1 CYCLE RACE HINZE DAM, ADVANCETOWN

THE ITALIAN KITCHEN CO.

SALTWATER AT CURRUMBIN

T

I

here’s nothing like Italian hospitality to make you feel at home. It’s like a big warm embrace, straight from the heart.

That’s just how we feel when we dine at The Italian Kitchen Co. To owners Natalie and Robert, food is the language of love – the love Robert knew growing up in his Sicilian parents’ kitchen in Sydney, the love he used to woo Natalie by cooking for her and her mother every Saturday, that same dish that he shares with us in their restaurant today.

After winning Natalie’s heart, the pair started their first restaurant, a backstreet pizzeria; a foundation for their move to the Gold Coast five years ago where the pair were stallholders in Miami Marketta, building a catering business and establishing clientele as they saved for their own permanent restaurant.

“It was not just about finding any place. We wanted a community similar to the Marketta but with a solid home,” Natalie tells us.

That’s the ‘home’ they found in the former Ristorante Pinocchio, Mermaid Beach, set in a little enclave of other niche eateries: The Glenelg Public House, Bonita Bonita and Lupo.

Robert heads up the kitchen, his menu “telling the story of his Sicilian heritage with enough entry points for the diner to appreciate the food,” Natalie says.

She points out that his recipes are not only traditional, but many are of his own creation, as is the way in Italian families, each person adding their own creative tweak to recipes handed down through generations.

Since opening mid-2018, life has not been easy for the couple. The recent loss of their unborn child took its toll, rocking them to their foundations. Overcome by grief, they hired extra staff to cover their commitments

in the restaurant, Natalie continuing her job as a child psychologist.

But as we move into spring, the couple has regrouped to focus on their passion, a restaurant which truly embraces the Italian spirit, Robert back in the kitchen and Natalie covering front-of-house.

The menu, too, has been revamped to concentrate on pasta, seafood and other local specialties, divided into Antipasti, Secondi and House-made pasta.

We begin our meal with an array of antipasti: delicious thinly sliced coppa and salami, creamy house-made ricotta, the sensational burrata caprese oozing creamy stracciatella as it’s cut. It’s the sort of spread we could sit down to on a Friday afternoon for aperitivo; nothing too fancy or overworked, just the very best quality laid out simply.

For Secondi, huge prawns straight from the trawlers are cooked in local garlic and olive oil ($19), the dish complemented by BBQ Fremantle octopus served with rocket, lemon and oregano ($19) and a rosé from a wellchosen selection of Italian and Australian wines.

For mains, there’s decadent handmade gnocchi with mushrooms, bacon and cream, and spinach, spaghetti marinara with its medley of the freshest seafood in napolitana sauce, and ricotta ravioli – our favourite! It’s an absolute feast to share.

“We have this old black and white photo of the family sitting around the kitchen,” Natalie responds. “It’s about people being together. We want the experience here to be approachable and memorable, as though we are sitting around the table in a large Italian kitchen.”

That’s how we love to dine.

Marj Osborne

Read more of Marj’s reviews on foodgoldcoast.com.au NOTE: Marj dined as a guest of The Italian Kitchen Co.

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t was a dream come true for Lauren Hogg, a dream she had carried since her teenage years. Growing up in Palm Beach, every day Lauren walked home from school past the Boatshed Restaurant.

“One day I’ll have that restaurant,” she said to herself. And in August 2018 it was hers.

The venue has gone through many transformations since the 1950s when it traded as former Thrower’s Petrol Station ‘Purr-Pull’, but none are more beautiful, both visually and soul-wise, than its present persona.

With local regulars the restaurant’s main clientele, favourite dishes fit in with an active Image by Claire Dalton Currumbin lifestyle, including the healthy start breakfast, brekkie tacos and salads.

“Our Queensland scallops with prosciutto are really popular, and families keep coming back for our traditional fish and chips; especially on weekends,” says Lauren.

“We try to source local ingredients as much as we can – local fruit and veg, Norco milk, Australasian fish and Vittoria coffee’s smooth Nero blend,” she tells me.

There’s capacity to hold group functions in separate areas, too.

Buying into the business with a silent partner, Lauren has put her own mark on the place, maintaining the beachy feel but adding little touches such as fresh flowers to the tables.

“For me, it’s all about our community and our people,” says Lauren, describing how she is open to supporting local groups and fundraisers, such as the Christmas in July event held this year.

“I dreamed of having a place where locals could come, feel welcome and relaxed; a place to meet,” she tells me as we sit looking out across sparkling water.

“People love coming to our Sunday live music sessions too. It’s pretty special to see people enjoying themselves here,” she says, adding that in the joy of sharing great food and good times in this beautiful space, she hopes that people will build a lifetime of memories.

Today a quiet backwater, it’s hard to believe that until the 1970s the Gold Coast Highway passed just in front of the venue and across the bridge in Thrower Drive.

Beside SaltWater, in the lower reaches of the estuary, dolphins visit, frolicking in the water.

Paddle boarders glide past as cyclists and walkers hurry along the riverside walk.

There’s something calming about the water here, away from the restless tide.

It’s refreshing, sweeping away the old and ushering in new life.

For Lauren, too, the venue is a new start, beginning life as a first-time restaurant owner. With Alex Sneesby as Head Chef (ex-Avvia and Burleigh Social), the meals are generous in size, light, accomplished and well-suited to the clientele, spread across different menus covering breakfast, lunch, dinner and tapas.

In this ‘place of tall trees’ (one of the meanings of ‘Currumbin’ in the Yugambeh language) and quiet water, Saltwater at Currumbin is a unique local haven.

Marj Osborne

Read more of Marj’s reviews on foodgoldcoast.com.au NOTE: Marj dined as a guest of SaltWater at Currumbin.

Where could you go?

Take your next step towards a career in music with one of Australia’s leading young universities.

You will learn in state-of-the-art music studios, guided by lecturers who are practicing musicians with strong industry links.

Our students benefit from practical experience, performing at local venues and having access to artists and producers at music events such as Splendour in the Grass, Byron Bay Bluesfest and Falls Festival.

Studying contemporary music at Southern Cross University opens the way to a career as a performer, songwriter, producer, sound engineer, educator, session musician, musical director, promoter or venue manager.

scu.edu.au/

1800 626 481

SEPTEMBER THURSDAY 26 SEPTEMBER

Benny D Williams | Chinderah Tavern

Kristie Roberts | House of Brews

Syrup Go On | Psych Night Festival, Brisbane (Ticketed)

The Gastons + Gutterfire + MOF and The Screaming Platypuses | Vinnies Dive

SUNDAY 29 SEPTEMBER

Memphis Cowboys | Southport Sharks Free the Genie | The Cambus Wallace James Street Preachers | The Scottish Prince

FRIDAY 27 SEPTEMBER

Benny D Williams | Caracara, Tugun San Mei | Vinnies Dive (Ticketed) BAKERS daughter aka Alyce Platt | Spaghetti & Jazz (Ticketed) Sunday Sessions: Jock Barnes (12noon) | Seagulls Club

Atticus Chimps + Just Mondays + Ben Tension + Thefatbastards | The Rompa Room, Nerang

Phil & Tilley | Cafe Catalina

Benny D Williams (4.00pm) | Balter Brewery Co.

Mel Scarlett | The Scottish Prince

Fridays on the Lawn: ELSKA (4.30pm) | HOTA

R.S Henry (3.00pm) | North Kirra SLSC

Deck Acoustics: Josh Lovegrove (1.00pm) + Bonnie Kellet (4.00pm) | Currumbin RSL

Post Modern Jukebox | The STAR (Ticketed) Phill Howel Duo | The Railway Friendly Pub, Byron Bay

THURSDAY 3 OCTOBER Oaklands Necrot + Shackles + Unbound + Descent + Cnt Evn | Vinnies Dive Kristie Roberts | House of Brews Free The Genie | The Cambus Wallace James Street Preachers | The Scottish Prince Swamp Cats | The Railway Friendly Pub, Byron Bay

FRIDAY 4 OCTOBER Jacob Murray (4.00pm) | Balter HQ Taproom

BRCKS | The Cambus Wallace

ROCKKS (12.30pm) | The Bearded Dragon, Mt Tamborine

The How Dare You’s | The Scottish Prince

First Beige + Hot Coffee + King Coyote + Electric Zebra | Mo’s Desert Clubhouse

Colt Seavers Band | Advancetown Hotel

Nathan Kaye | North Kirra SLSC

Open Mic Night (12.00 – 4.00pm) | Ground N Sound

The Bredda Brothers + Happy Rayz + Wootton Major + Haylee Coulter | The Rompa Room, Nerang

Deck Acoustics: Elliot Hahn (5.00pm) | Currumbin RSL The Black Catapult | Vinnies Dive (Ticketed) Marshall Okell | Eddie’s Grub House Band of Frequencies + Ondre Davis + Burger Joint | Miami Marketta Those Guys | First Avenue Tavern Sounds from the deep | HOTA (Ticketed) Sensational 70’s (Covers) | Southport Sharks Sneaky Sound System | Kingscliff Beach Hotel, Kingscliff (Ticketed) TORA | The Northern, Byron Bay (Ticketed)

SATURDAY 28 SEPTEMBER Bones Rivers | Ground N Sound Jez Mead (2.00pm) + Andy Jans-Brown (7.00pm) | Sheoak Shack The Magnificence + Liv Heyer | Miami Marketta

Rock Salt (1.00pm) | Fishermans Wharf Tavern Country to Country: Casey Barnes + Adam Eckersley Band + Tim McGraw + Kelsea Ballerini + Midland + more | Brisbane Entertainment Centre (Ticketed) Band of Frequencies| Hotel Brunswick, Brunswick Heads

TUESDAY 1 OCTOBER Jammin with Who: Katie Who + Guests | The Avenue Jack O’Leary | The Cambus Wallace Amber Mic Productions | The Scottish Prince Music Industry Mingle (6.00pm – 8.15pm): Live music by Sophie Ozard, Networking and a panel discussion with Benny D Williams + Ella Fence + Matt Aitchison | Southern Cross University Big Country | The Northern, Byron Bay (Ticketed) Ooz | The Railway Friendly Pub, Byron Bay

James D’Khan Trio | Last Night on Earth

OCTOBER

Deck Acoustics: Jerome Williams (4.00pm) | Currumbin RSL

WEDNESDAY 2 OCTOBER

Made In The 80’s (Covers) | Southport Sharks Kenny Slide + Greer Sullivan Duo | Tadici Cucina e Ba, Coomera

Fridays on the Lawn: Lily Budiasa (4.30pm) | HOTA Killing Heidi | Parkwood Tavern (Ticketed) Amyl & The Sniffers | Vinnies Dive (Ticketed) The Australian Burlesque Festival | Miami Marketta (Ticketed) Z-STAR Trinity | Eddie’s Grub House

Get Dead | Vinnies Dive (Ticketed)

Grant Carruthers | The Scottish Prince

Tones and I + Adrian Eagle | Miami Marketta (Ticketed)

Leigh James | The Railway Friendly Pub, Byron Bay

KRUSH (Covers) | Southport Sharks

THURSDAY 10 OCTOBER

Syrup Go On | The Bearded Lady, Brisbane (Ticketed)

Wavevom + Lennox Groove | Vinnies Dive (Ticketed)

Grinspoon + Sweater Curse | Kingscliff Beach Hotel, Kingscliff (Ticketed)

Angie McMahon + Haley Heynderickx | Miami Marketta (Ticketed)

Saturday Sessions: Naomi Connell (3.00pm) + Open Mic (4.00pm) | Rowan Robinson Park, Kingscliff

Free The Genie | The Cambus Wallace

Goodrich | The Railway Friendly Pub, Byron Bay

SUNDAY 6 OCTOBER Eleea Navarro (2.00pm) | Aviary Rooftop Bar Skyeater (3.00pm) | Balter HQ Taproom

James Street Preachers | The Scottish Prince Stunned Mullets | The Railway Friendly Pub, Byron Bay

FRIDAY 11 OCTOBER Benny Whiskey | Eddie’s Grub House (Ticketed)

Larry Mitchell | Basement at HOTA

Jack Casey (4.00pm) | Balter HQ Taproom

The Dirty Dukes (12.30pm) | The Bearded Dragon Hotel, Mt Tambobrine

Raw Deep + Hot Coffee + Cactus | Elsewhere (Ticketed)

Jake Meywes | Cafe Catalina

Atlamer’s Muse | Ground N Sound

Angelo Pash | The Cambus Wallace

BRCKS & Lishi Lou | The Cambus Wallace

Jack O’leary | The Scottish Prince Deck Acoustics: Benny Hanna (1.00pm) + Mark Divola (4.00pm) | Currumbin RSL

The How Dare You’s | The Scottish Prince

Livin in 70’s Rock Tribute (2.00pm) | Fishermans Wharf Tavern

The Kids + Cactus Dil-Dos + Chavez Cartel + Drive-Thru | The Rompa Room, Nerang

Open Mic Night (12.00 – 4.00pm) | Ground N Sound

HAIR | HOTA (Ticketed)

Ruben Reeves (4.30pm) | Hotel Brunswick, Brunswick Heads

Music on the Mountain: Strings under an October Full Moon | Canyon Parade Lookout, Springbrook (Ticketed)

Rollerball | Soundlounge (Ticketed)

Blind Willie Wagtail | The Railway Friendly Pub, Byron Bay

The Shambolics (5.00pm) + Guests | Mo’s Desert Clubhouse (Ticketed)

INEXCESS (Tribute) | Southport Sharks

MONDAY 7 OCTOBER

Livin’ in the 70’s (2.00pm) (Tribute) | Fishermans Wharf Tavern

Colt Seavers and the Rockabilly Road Band | The Bearded Dragon, Mt Tamborine

Deck Acoustics: Fergo (5.00pm) | Currumbin RSL

Deck Acoustics: Scott Dalton (5.00pm) | Currumbin RSL

Dan Hannaford | Hotel Brunswick, Brunswick Heads Jamie Ashforth Band | The Railway Friendly Pub, Byron Bay

SATURDAY 5 OCTOBER Cadence | Eddie’s Grub House (Ticketed) Steve Tyson (2.00pm) + The Atmospherics (7.00pm) | Sheoak Shack Cope Street Parade | Basement, HOTA

The Decline | Vinnies Dive (Ticketed)

Deck Acoustics: Luke Pauley (4.00pm) | Currumbin RSL

James Street Preachers | The Cambus Wallace

Kate Miller-Heidke + Ainslie Wills | HOTA (Ticketed) Daryl James | Tipsy Pig, Surfers Paradise

Chris & Jamie | The Railway Friendly Pub, Byron Bay

Dan Hanaford | First Avenue Tavern Late For Woodstock (Covers) | Southport Sharks

TUESDAY 8 OCTOBER

Marshell Okell Duo | Hotel Brunswick, Brunswick Heads

Jammin with Who: Katie Who + Guests | The Avenue

Hombres | The Railway Friendly Pub, Byron Bay

Matthew Armitage | The Cambus Wallace

Tones and I | The Northern, Byron Bay (Ticketed)

Amber Mic Productions | The Scottish Prince

SATURDAY 12 OCTOBER

Jason Delphin | The Railway Friendly Pub, Byron Bay

Christian Patey (4.00pm) | Balter HQ Taproom

WEDNESDAY 9 OCTOBER

The Kids (2.00pm) + Jacob | Vinnies Dive (Ticketed)

James Street Preachers | The Cambus Wallace

Bunny Racket (2.00pm) | Mo’s Desert Clubhouse (Ticketed)

Bethanie Jolly & Peter Hunt (2.00pm) + Nathan Kaye (7.00pm) | Sheoak Shack

Amber Mic Productions | The Scottish Prince

Jackson Dunn | Eddie’s Grub House (Ticketed)

HAIR | HOTA (Ticketed)

Guy Kachel | The Railway Friendly Pub, Byron Bay

Benny D Williams | BBQ Bazaar

Deck Acoustics: Bonnie Kellet (1.00pm) + Yacc (4.00pm) | Currumbin RSL

FRIDAY 25 OCTOBER

The Brothers Calling (7.30am) | Palm Beach Currumbin Markets

Roxbury (12.30pm) | The Bearded Dragon, Mt Tamborine

Fridays on the Lawn: (4.30pm) Katie Who | HOTA

Bill Jacobi (12.00pm) + Felicity Lawless (2.00pm) + Skyeater (4.00pm) Rosie Misschief Band (6.00pm) + Jesse Morris Band (8.00pm) | Sheoak Shack (Ticketed)

Buskers By The Creek | Winders Park, Currumbin

Benny D Williams (4.00pm) | Balter HQ Taproom

Night Garden with Jamie Porteous + Guests | Elsewhere Bar

Pacific Avenue | Vinnies Dive (Ticketed)

The How Dare You’s | Miami Marketta Cassian | Elsewhere Bar (Ticketed) Deck Acoustics: Chris Palmer (4.00pm) | Currumbin RSL SODF | NXT LVL, Surfers Paradise (Ticketed) Seagulls Birthday Bash: JJ & The Radio Souls | Seagulls Club, Tweed Heads Miss T & The Anchormen (Covers) | Southport Sharks Slime | The Railway Friendly Pub, Byron Bay Mescalito Blues | Kingscliff Bowls Club

SUNDAY 13 OCTOBER Taleena Peck (2.00pm) | Aviary Rooftop Bar

WEDNESDAY 16 OCTOBER James Street Preachers | The Cambus Wallace Grant Carruthers | The Scottish Prince Craig Atkins | The Railway Friendly Pub, Byron Bay

THURSDAY 17 OCTOBER Pist Idiots | Vinnies Dive (Ticketed) Benny D Williams | CaraCara, Tugun Free The Genie | The Cambus Wallace James Street Preachers | The Scottish Prince

AbbaLive (Tribute) | RSL Club Southport (Ticketed)

Mental As Anything | Southport Yacht Club (Ticketed)

Katchafire | Coolangatta Hotel (Ticketed)

Matty Armitage | The Railway Friendly Pub, Byron Bay

Stephen Lovelight (1.00pm) | Fishermans Wharf Tavern

FRIDAY 18 OCTOBER

HAIR | HOTA (Ticketed) Phil & Tilley | Cafe Catalina

BLUSSH | Vinnies Dive (Ticketed) Raku One O’Gaia (4.00pm) | Balter HQ Taproom Stories in the Key of GC, Curated by Cold Ghost | Basement at HOTA

Joshy Dredz & Friends | The Cambus Wallace

Fridays on the Lawn (4.30pm): LOVEGROVE | HOTA

Gavin Doniger + Guests (3.00pm) | North Kirra SLSC

Battle of the Buskers | Currumbin Pub (Ticketed)

Luke Bennet (1.00pm) + Michael Eotvos (4.00pm) | Currumbin RSL

Matthew Armitage Duo | The Cambus Wallace

Open Mic Night (12.00 – 4.00pm) | Ground N Sound

Coastal Lights + Girl & Girl + Oxfords Collar + Sleeper Hit | The Rompa Room, Nerang

Devil’s Kiosk (12.30pm) | The Bearded Dragon, Mt Tamborine Daryl Braithwaite | Kingscliff Beach Hotel, Kingscliff (Ticketed) Jackson Carroll (4.00pm) | Hotel Brunswick, Brunswick Heads Sunstone | The Railway Friendly Pub, Byron Bay

MONDAY 14 OCTOBER Lloyd Saniel (Covers) | Southport Sharks Walker | The Railway Friendly Pub, Byron Bay

TUESDAY 15 OCTOBER Jammin with Who: Katie Who + Guests | The Avenue Jack O’leary | The Cambus Wallace

The Grass Is Greener: Tyga + The Veronicas + Hermitude + Peking Duk + The Kite String Tangle + Amy Shark + The Aston Shuffle + Mallrat | Broadwater Parklands (Ticketed) You Am I & Jebediah | Parkwood Tavern (Ticketed)

Benny D Williams (2.00pm) | The Avenue

Bunny Racket AA Event (1.00pm) | Mo’s Desert Clubhouse

Nitin Sawhney | HOTA (Ticketed)

Katchafire | RSL Club Southport (Ticketed)

Jack O’leary | The Scottish Prince

Open Mic Night (12.00 – 4.00pm) | Ground N Sound Kooli (4.00pm) | Hotel Brunswick, Brunswick Heads Jamie Ashforth Trio | The Railway Friendly Pub, Byron Bay

Deck Acoustics: Raku (5.00pm) | Currumbin RSL

Daryl James | Treetops Tavern ( Ticketed)

Lloyd Saniel (Covers) | Southport Sharks

Airwolf | NXT LVL, Surfers Paradise (Ticketed)

Jon J Bradley | The Railway Friendly Pub, Byron Bay

Vodafone Gold Coast 600: Carl Cox + Eric Powell | Club 600 Stage, Vodafone 600 (Ticketed)

Deck Acoustics: Jerome Williams (4.00pm) | Currumbin RSL

TUESDAY 22 OCTOBER

Buskers By The Creek | Winders Park, Currumbin Creedence Clearwater Revived (Tribute) | Seagulls Club, Tweed Heads Caught In The Act (Covers) | Southport Sharks Mufassa Duo | Hotel Brunswick, Brunswick Heads Silk n Oak | The Railway Friendly Pub, Byron Bay

SUNDAY 20 OCTOBER Bones Rivers (1.00pm) | Fishermans Wharf Tavern

Lily Budiasa | The Cambus Wallace Amber Mic Productions | The Scottish Prince Fintan | The Railway Friendly Pub, Byron Bay

Honey Stone | The Railway Friendly Pub, Byron Bay

Amber Mic Productions | The Scottish Prince

Mescalito Blues | Potsville Sports Club, Pottsville

Ooz | The Railway Friendly Pub, Byron Bay

Devils Kiosk (Covers) | Southport Sharks

Mick Lindsay | Parkwood Tavern (Ticketed)

Free The Genie | The Cambus Wallace

SATURDAY 19 OCTOBER The Oogars + Greatest Hits | Mo’s Desert Clubhouse (Ticketed)

Tahlia Matheson | Cafe Catalina Rene Le Feuvre| The Cambus Wallace

Rogue Elements | Hotel Brunswick, Brunswick Heads

James Street Preachers | The Cambus Wallace

Tori Forsyth | Vinnies Dive (Ticketed)

Jimmy Barnes + Jet + Thirsty Merc | HOTA (Ticketed)

Regurgitator + Shonen Knife + The Fauves | Kingscliff Beach Hotel, Kingscliff (Ticketed)

WEDNESDAY 23 OCTOBER

Deck Acoustics: Elliot Hahn (5.00pm) | Currumbin RSL

Buskers by the Creek After Party: Tristan O’Meara | Balter Brewing Company (Ticketed)

Rolling Stones Experience (Tribute) | Southport Sharks

Island Vibe Festival: Opiuo + Alysha Brilla + Havana Meets Kingston + Soundsystem ft Solis + Mad Professor + MORE | North Stradbroke Island (Ticketed)

Kristie Roberts | House of Brews

Kim Churchill | Byron Bay Brewery, Byron Bay

BRCKS & Lishi Lou | The Cambus Wallace

Jammin with Who: Katie Who + Guests | The Avenue

Benny D Williams (2.00pm) | Saltwater, Currumbin

Pink Zinc | The Railway Friendly Pub, Byron Bay

Hands Like Houses + Young Lions | Coolangatta Hotel (Ticketed)

The How Dare You’s | The Scottish Prince

THURSDAY 24 OCTOBER

Burger Joint | Hotel Brunswick, Brunswick Heads

We All Drive + Verum + Lost Goat Found + Deja Vudu | The Rompa Room, Nerang

MONDAY 21 OCTOBER

Natasha Bitancurt (2.00pm) | Aviary Rooftop Bar

Shannon Noll | Parkwood Tavern (Ticketed)

Brett Hammond | First Avenue Tavern

James Street Preachers | The Scottish Prince Island Vibe Festival: Opiuo + Alysha Brilla + Havana Meets Kingston + Soundsystem ft Solis + Mad Professor + MORE | North Stradbroke Island (Ticketed)

Vanessa Baker | The Railway Friendly Pub, Byron Bay

SATURDAY 26 OCTOBER Sleep Talk + Colourblind + Flowermouth | Vinnies Dive (Ticketed) Herbie Walker | Eddie’s Grub House (Ticketed) Deck Acoustics: Josh Lovegrove (4.00pm) | Currumbin RSL Gavin Doniger (2.00pm) + Timbuktu | The Sheoak Shack Vodafone Gold Coast 600: Hot Dub Time Machine + Example | Club 600 Stage, Vodafone Gold Coast 600 Precinct, Surfers Paradise (Ticketed)

UNDER THE SPELL OF JEENIE

SHOWING NO SIGNS OF COLLAPSE

Image by Claire Dalton

I

f frenetic, fist pumping rock/rap/hip hop amalgamations are your idea of a good time, musically speaking, then look no further than up and coming local four-piece, Jeenie.

Having started out in 2014, the band transitioned into their current in-your-face proposition with the addition of Brazilian vocalist and rhyme machine Antonio Ferlini, which sharpened their sound and morphed them into the power-packed groove merchants of present day.

On their debut EP, 'Hypnotized', they deliver a stunning sonic salvo with frenetic shoutouts such as ‘Rat Race’ and the hyper-charged ‘Spit It’ bringing to mind such genre greats as Rage Against The Machine and the early punk-funk forays of the Red Hot Chilli Peppers. The band also know how to mix things up and bring some light and shade to proceedings, with numbers such as ‘Black Pudding’ delivering a more chilled but no less groove-laden listening experience.

Recently we let the Jeenie out of the bottle and chatted with the bands Christian Kafritsas.

Can you fill us in on the evolution of the band and its sound between your inception and the arrival of your Brazilian vocalist Antonio Ferlini?

Antonio really brought something special to the band, we were a trio for a long time before he joined. He was exactly what we were looking for as a vocalist and continues to impress us with his lyrics and overall energy. He plays a big part in our sound.

Can you describe a typical Jeenie gig energetic and frenetic I'd imagine!?

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It’s full on from the get go. We get pretty into it and Antonio leads from the front to get the crowd involved as well. We’ve got our heavier songs such as ‘Rat Race’ and ‘Worms’ but mix it in with ‘Black Pudding’ and ‘Go Insane’ which a slightly more chilled. We usually end with ‘Spit It’ which is a very tiring finisher.

We love playing live.

What are a few of your favourite local live music venues?

We’ve played our fair share of shows up in Brisbane and really enjoy playing at The Zoo and The Bearded Lady. We recently played our EP release at a new venue in Burleigh called HAUL which was mad.

If you could share a bill with three bands/ performers across any era, who would they be?

Heck, I think each band member would answer differently but I think we’d all agree on Red Hot Chili Peppers, Tool and Parliament. That’s a stacked line-up!

Do you have any plans/goals as to where you'd like to take things with Jeenie for the rest of the year and on into 2020?

We have a new EP currently in the recording process. Drums, bass and vocals are done so guitars are next. ‘Rotten Society’ was the first track written for the new EP, which we’ve included in our live set this year. Once that’s done, our goal is to organise a tour of New Zealand and Brazil. Funnily enough we’ve got some fans in Brazil so we’d love to take Jeenie over there which will be a lot of fun!

Anthony Gebhardt

‘Hypnotized’ is out now on Bandcamp. Keep up with the band on their socials.

B

yron Bay's From Crisis To Collapse have had a stellar year thus far, releasing their debut album 'The Seventh Tree' and traversing the country in support of Superheist and 36 Crazyfists on the Heistfest Tour.

It has been a testing yet rewarding period for the extreme metal boys, but one which guitarist Chad Ellis stresses is far from over yet.

"We're holding up well," he nodded. "We've had a bit of time off between gigs and from recording to just catch our breath and do family stuff after an intensive start to the year. The whole band is super-energised at the moment and everyone is producing some articulate and impressive music so there's a bit left in the tank to finish off the year."

Released back in February, 'The Seventh Tree' has provided a solid base from which to launch the band's assault, with music lovers far and wide gravitating towards the album.

"It's been great," Chad enthused of the response.

"We have got a lot of feedback and comments from people across the globe which is unreal, but also locally as well. We still listen to that music personally and are very proud of that record.

It's a great way to kick off our recording career."

The single 'Slow Burn' from the album is not only a brutally heavy slab of music but also features a revolutionary film clip in terms

of technology and visual effects that are rarely seen from a band without a massive budget behind them. While From Crisis To Collapse certainly don't have the budget, they are fortunate enough to have friends in important places that are prepared to lend their talents.

"We've just been told that Ali Vann, our local buddy who directed and produced that video for us, entered it into the Byron Bay International Film Festival and it has been shortlisted and made the final stages of judging which is incredible. So we may have some red carpet duties coming up very soon (laughs)! As a band were stoked to see Ali's hard work and contribution to his artform be recognised like that on that level."

Despite already achieving more this year than in any of their previous years since forming in 2015, From Crisis To Collapse aren't prepared to rest on their laurels just yet.

"We're going to be supporting Soilwork at the Triffid on October 31," Chad said proudly.

"They are a very influential band for us with that whole Swedish death metal type of vibe so we're super excited about that. We're also going to be doing a short run of shows with Superheist in November. We're going to stop in Byron and Brisbane and the third date is to be confirmed. Then in December, we're hosting an invite-only party at a friend’s property that's going to be a whole experience. We're gonna invite a couple of friends bands to play so it's about celebrating the year and ending on our terms with a heap of mates and having a good time."

Kris Peters

‘The Seventh Tree’ is out now via the usual channels. Visit the band’s socials for updates on where you can catch them live.

WHAT TO CHECK OUT AT THIS YEAR’S GOLD COAST OPEN HOUSE

G

old Coast Open House unlocks buildings, places and spaces right across the city, from heritage gems to sports venues and inspiring buildings, homes, workplaces and interesting places and spaces which rarely open to the public. But with a program of 56 spots to visit, you might be feeling a little overwhelmed with choice.

If you’re keen to check out some of the city’s most fascinating spots but don’t know where to start, we’ve listed three of our “must-dos” below.

COHORT is a colourful building that has much to say about the future of work. The former Commonwealth Games athletes village hair salon, corner shop, police station, media store and rooftop bar has been transformed into a contemporary co-work office space. It is a launch pad for health and tech startups, creatives, innovators, new businesses, budding entrepreneurs and their mentors.

There are co-working desks, private offices, meeting rooms, boardrooms, event space, podcast room and webinar studio, outdoor gym, bike racks, and even showers and lockers.

Find it at 16 Nexus Way, Southport, on your way to explore the Gold Coast’s newest residential community Smith Collective. The Parklands village was masterplanned, designed and delivered in time to house 6500 athletes and team officials. The multiple award-winning urban centre reimagines the idea of renters’ community. One-hour guided tours leave from 1 Village Boulevard - near the fountain - at 10am, 11.30am and 1pm to explore the parklands, an apartment and a townhouse.

From modern to vintage, The Village BNB is a heritage home constructed circa 1907 at Mudgeeraba. A sympathetic renovation celebrates the history of the old Queenslander formerly known as Somerset House. It retains original features including a fireplace and wrap around verandahs while incorporating modern conveniences. The Starkey Room, named after Mudgeeraba pioneer John Starkey, has polished timber floorboards and double stained glass doors.

Natalie O’Driscoll

Gold Coast Open House takes place on 19 October 2019.

Check out the full program and register for your spots at goldcoastopenhouse.com.au.

KIX

THE HOTTEST COUNTRY

www.blankgc.com.au

25

A Bite To Eat with

BURGER JOINT

T

-Bone and G from local funk-rock duo Burger Joint have recently arrived home on the Gold Coast after a tour of Darwin, armed with an assortment of goodies for their legion of fans.

rocking up on our motorbikes and we get off and walk into this pub like we are rock stars - totally taking the piss - and we look like we're about to play the gig of our lives. The film clip is us playing to an empty room except for one guy in the corner by himself and at the end of the clip we do the big rockstar 'thank you, thank you' and we get the slow clap from old mate. It's a really funny film clip and we're pretty stoked with how it turned out."

Which all sounds well and good, but where is the mention of the star of the title?

"We did have one stunt parmigiana," T-Bone laughed, "that got cooked up and we also had a cameo from Benny D Williams who plays the chef in the film clip, so he cooks up this parmigiana and then eventually old mate takes one bite of it for the whole film clip (laughs)."

The first of which is their brand new film clip to an existing fan favourite, further enhancing and showcasing their extreme love of humour and featuring a guest cameo by another local identity.

"We are releasing a song called 'Chicken Parmigiana," T-Bone revealed, "which is about the dish and we've done a film clip in the Condong Bowling Club. The clip is us

were doing and we thought it was heaps better. It always got the crowd going so we thought we really should re-record it with the way we play it live because it wasn't representative of what we sounded like any more so we went back and we re-recorded it. It also makes the video funnier because we are fully busting out this disco music to no-one. It's like doing a best of two years after (laughs)."

Burger Joint are one of those rare bands that centres on fun as a primary component and lets the laughter dictate the music, not the other way around. It is fresh and vibrant and a method which T-Bone says is indicative of the way they approach their craft.

When pressed if the almost impossible spelling of parmigiana had anything to do with Burger Joint wanting to write a song about it, T-Bone gave a wry smile.

"Basically our ethos with the band is we're just two mates making each other laugh," he said, "so we sit around and talk shit and have a joke about stuff and then - as you do after a few beers - go 'wow that's a great idea, we should do that'.

Most of our ideas for the band are formed around us having a laugh and then hoping that other people find it funny as well."

"I'm pretty sure we got the spelling wrong on our first print of cd wallets," he laughed, "so we got ourselves too if that was the case."

Because of this personal approach to music, T-Bone admits that at times he and G are surprised by the level of success with which Burger Joint enjoy.

Whereas most bands follow the conventional route of releasing singles from their latest musical output, Burger Joint are far from the type of band to follow such patterns.

'Chicken Parmigiana' is actually from the band's debut EP, with another being released since.

"People tell us that it's refreshing," he measured, "because there are so many bands out there who are so serious and have all this dark, emotional stuff. I think at the end of the day sometimes people just want to go to a gig and be entertained and have a bit of fun and not hear about someone's latest break. We're pretty happy that people like it because we're just doing what we like to do."

"This is 'Chicken Parmigiana Disco Version', he shrugged flippantly. "We did the first EP and rushed it out but the more we were playing gigs, the more we were finding our sound. We were playing these more funk versions of our songs and we had this disco version of parmigiana that we

Kris Peters

Grab a bite with the guys at Miami Marketta on 27 September.

SKELETONS IN THE CLOSET

A

fter recently notching up their 100th gig at Mo's Desert Clubhouse, local punk/ metallers Monster Fodder are setting their sights on interstate notoriety in the lead up to their upcoming second EP.

Since forming four years ago, Monster Fodder has undergone several lineup changes, but sole original member and bass player/vocalist Stuart Lee believes the current trio of himself, Adam Mangion on drums, and Drew Craker on guitars is the best and hopefully final incarnation of the band.

"We're a three-piece out of the Gold Coast bringing it hard, heavy and as loud as we can," he surmised, "and we want to shake everyone's brain cells! With Adam's ferocious drumming and Drew's Slash-like abilities, we have found the speed and technique we've been looking for."

Monster Fodder are one of those bands that seem to be playing somewhere every week. Their name is plastered over posters from Byron Bay to the Sunshine Coast and their social media accounts are constantly alight with details of upcoming shows. Not only do they promote themselves to the masses, but they also support other local bands, bringing a renewed sense of vigour and support to a scene that for too long became overly competitive and selective.

"It's important to get out there and help each other out so we've put on a lot of shows," Stuart shrugged. "Music is very much a community thing, and everyone's gotta get involved and pitch in.

26

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“The music industry is very fast-paced these days and has changed when it comes to music and releasing music but it's still a community thing.

I think also social media has brought everyone together."

After the success of last year’s debut release 'Skeletons', Stuart says Monster Fodder are almost ready to unleash the follow-up.

"The process is well and truly underway," he smiled. "The EP will be called 'Resurrection', mainly because we have found the bones and the blood and guts of where we are and what we stand for, now we've gotta resurrect it and take it even further with our second release!

“Our aim is every 12 months to have a new release. The last one was in August/September last year so... The music is there we just have to get in the studio now."

In keeping with their commitment to the Gold Coast music industry, Monster Fodder will again record at Love Street Studios with Scott French.

"The set up they have is exactly what we want," Stuart said.

"They have different rooms for each of us so we can record live and stare at each other through the glass and get lost in each other's eyes (laughs).

“We want to capture that live sound and intensity that we have on stage. I'm a massive fan of buying band’s live releases rather than studio ones because you get that rawness and attitude. As Dave Grohl said, 'you've gotta be good live, not just in the studio'. We will be sticking to the basics and

keeping that rawness but we also want to keep it fast-paced and loud."

Rather than bide their time until recording ‘Resurrection’, Monster Fodder are determined to maintain their profile both locally and interstate, planning to make their first aural assault on Newcastle and Sydney in the coming months.

"We're very busy at the back end of this year," Stuart enthused. "We've got the 'It's Alive' festival coming up downstairs at the Crowbar in November, but before that, we're heading to Sydney and hooking up with I Hate People, Pure Envy and a couple of local bands in Newcastle and playing a big punk festival at the Valve Bar in Sydney the following night. We are looking forward to the Sydney show in particular because they have bigger crowds and a bigger scene down there. It will be an eye-opener, ha!"

Kris Peters

Catch the guys at Crowbar Brisbane on 16 November.

GOLD COAST’S BIGGEST PARTY JUST GOT BIGGER, WITH TWO HUGE NIGHTS ACROSS TWO NEW STAGES! FRIDAY CLUB 600 STAGE

SATURDAY CLUB 600 STAGE

PRESENTED BY

SATURDAY HILL STAGE

MULLUM MUSIC FESTIVAL OPENING NIGHT GALA

N

ow is the time to grab the hottest ticket in town when Mullum Music Festival throws open its doors for its Gala Opening Night Party.

Featuring short performances by top festival acts the Opening Night Gala offers a thrilling taste of the wonders of the festival weekend to come.

The inimitable Mojo Juju will headline this year’s Gala line-up with audiences also being treated to performances

by South African guitar sensation Sibusile Xaba, Chilean musical maestro and social activist Nano Stern and UK power trio Z Star Trinity. The winner of the of the Youth Mentorship Under 15 years category will also debut at the Gala. The entire evening is irreverently MC’d by the Mutha of Mullum, comedian Mandy Nolan.

“There’s something about the Opening Night Gala that sets the tone beautifully for the whole festival,” says Festival Director Glenn Wright “It’s that special moment where artists and the Mullum audience first meet.

“It’s a celebration and an opportunity to showcase some of the amazing musical talent on the line-up.”

This is a separately ticketed event that sells out every year, with already limited tickets left so best get organised now, and kick your Mullum Music Festival off in style.

Mullum Music Festival Opening Night Gala is on Thursday 14 November, with tickets ranging from $20 - $60 over at mullummusicfestival.com.

The Mullum Music Festival acknowledge Arakwal People and the wider Bundjalung Nation as traditional custodians of the land upon which the event is held.

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L

egendary busker Tristan O’Meara will break new ground at the Gold Coast’s award-winning Buskers by the Creek in 2019 when he brings his amazing didgeridoo-making skills to the public stage.

Having performed for hundreds of thousands of people on the streets of cities across the world, the singer-songwriter and multi-instrumentalist has crafted a reputation in recent years as a master didgeridoo craftsman working out of his forest workshop near Byron Bay. Now, for the first time, he will showcase his incredible skills in the street by channelling his inner busker and setting up a makeshift worksite at Buskers by the Creek from 18 to 20 October.

The roots and folk music magician will also officially close the festival when he takes to the Balter Brewery stage for ‘An Intimate Night with Tristan O’Meara’ on Sunday, 20 October. We were so curious we just HAD to shoot him some questions ahead of the event.

How many didgeridoos do you think you’ve made over the years?

It’s hard to put an exact number on how many I’ve made but I would estimate around 1500 high end instruments and maybe 3000 or more cheaper budget beginner didjis. I don’t really make those budget beginner didjis myself anymore though and just focus on making the high end, quality instruments that is my main market today.

How did you get involved with Buskers by The Creek?

I first heard of Buskers by the Creek in its first year from a friend who lived near Currumbin at the time. He suggested I get in touch with Cindy the organiser. I messaged her and got in at the last minute. We had a chat about my experience busking around the world for the last decade and she was really welcoming to me to come and play at the festival. I just loved her vision of what she wanted to create and her

attitude to why she wanted to create it! A non-alcohol event with good food, good music, art, and sharing love amongst the community. I’m so stoked to see how far she has taken her dream. She's had struggles and setbacks on the way but she never gave up and always had the attitude of give give give. She's done a remarkable job with soooo much work and she really deserves a huge hug from everyone who enjoys the festival (even though their smiles are enough).

What are you looking forward to the most at this year’s event?

I’m really looking forward to the festival this year when I’ll be doing some didge making demonstrations working alongside an Aboriginal mate (Anthony Walker) who helped me in my early days of didge making with his support through his commercial Art Space in Byron Bay. He will be painting onsite during the festival. I’m also really looking forward to perform with my band at the closing ceremony / party at Balter Brewery! It’s going to be a really warming night for me as a performer and hopefully for those who attend too!

Is there anything else you’d like people to know?

I would just love people to have a great weekend and please remember.... all us musicians get paid by.... YOU! We do what we do out of love and joy, and we do what we do to try and live from what we love. So if you love what we do... then please help support us musicians on the day and if you like what you hear drop us a coin or two (or three or four). If not, then a smile will do and if you enjoy what you hear then I’m sure people will have CDs available for purchase so bring lots of money and smiles to share!

Natalie O’Driscoll

Buskers By The Creek runs from 18 to 20 October at Winders Park, Currumbin. For updates, visit buskersbythecreek.com.au.

elbourne Cup A T S U R F ER S P A RA D IS E M A RR I O T T R E S O R T & S P A T U E S DA Y 5 N O VE M B E R 2 0 1 9

GRAND BAL LROOM LUNC HEO N Enjoy Live entertainment by 'Musique', fashion show presented by Lisa Brown, sweepstakes by Variety the Children's Charity, prizes for best dressed, live coverage from Flemington, raffle tickets and giveaways, 3 course lunch, 3 hours of premium wine, beer and soft drink. $149 PER PERSON I $1,490 FOR A TABLE OF TEN 12NOON - 3:30PM

HIGH SEAS / HIG H TEA Enjoy HIGH SEAS, a twist on the traditional high tea with a variety of fresh Australian seafood, or Enjoy TRADITIONAL HIGH TEA including a variety of both sweet and savory dishes.

Includes a beverage on arrival, live coverage from Flemington, sweepstakes by Variety the Children's Charity and prizes for best dressed.

HIGH SEAS - $89PP I TRADITIONAL HIGH TEA - $79PP 12NOON - 3.30PM

SKY TEA - ELAN DRA Watch the race that stops the Nation in the SKY at the exclusive Elandra Lounge.

Located on the 27th floor at Surfers Paradise Marriott Resort & Spa. Enjoy award-winning High Tea including two hours of flowing champagne. $99 PER PERSON I 12:30PM - 2:30PM

SPRING AFTER PARTY ACCESS FROM 3:30PM AT CHAPTER & VERSE BAR AND LOUNGE

TICKETS VIA GOLDCOASTTICKETS.COM.AU 07 5592 9800 - surfersparadisemarriott.com 158 Ferny Avenue, Surfers Paradise QLD 4217

www.blankgc.com.au

29

PURE MILK Hey Self Improver

I

f you're a fan of angular, melodically charged indie rock and you're not yet familiar with the name Pure Milk, to steal a line, 'do yourself a favour'. Over the course of the past few years, the Palm Beach five piece have been ploughing their own distinctly catchy take on the genre, driven by the idiosyncratic world view of the band’s front man and songwriter, Lewis Nitschinsk.

Image by Brad Wagner Photography

IT’S BACK TO WOODSTOCK FOR LECIA LOUISE

W

oodstock is the one music festival that is still revered to this day, 50 years after the original concert event in 1969.

drugs...It was a breakaway from war and heading in a direction of love and also the development of electric guitar playing and rock / blues music just happened to be in a really cool place at that time."

It was as much a movement as a musical showpiece, with generations of music lovers still reflecting on the sounds and general lifestyle advances associated with the festival.

Although far too young to have been at Woodstock herself, Lecia has always felt the strong pull of that era in her own music and has decided to pay homage to that with the release of 'Woodstock'.

In celebration of what was a period of life as well, local musician Lecia Louise has recently released single ‘Woodstock’ to a rousing reception, hoping to once again recreate the special feelings and excitement associated with the name.

"Woodstock was a landmark in the history of music. It hosted so many of the greatest bands in the world - for example, Jimi Hendrix, Janice Joplin, The Who, Credence and so many more.

“Hundreds of thousands of people came to this festival all with the same purpose: peace and love. A lot of the music resonated this desire for freedom. Many of those songs written were timeless and so many people still love them today. Maybe now, when we listen to the music from back then, it transports us back in time to this loving, free period in history.

"I would say it had something to do with the riffs, grooves, melodies, raw / luscious sounds," she continued.

“Free love, the feel and vibes between band members. Song topics of freedom, love, sex, 30

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"This song started from a guitar riff I wrote while I was bed-bound," she explained, "1300km above sea level in Austria, while my leg was in a cast. I could not move around so I brought the guitar to bed with me. I brought this riff to 8Ball Aitken to see if we could co-write something. Before we had settled on the Woodstock topic, I had been toying around with lyrics about 70's music.

8Ball thought this could be a stronger topic so he asked me, 'what is something you are very passionate about and love?' After some thinking I had a simple reply, 'I wish I was at Woodstock.'"

While remaining as a standalone single for now, Lecia reveals that she is in the process of writing an album on which the song will be featured.

"The album will be out next year," she enthused. "It is a blues, rock, soul album, guitar and lyric-driven. I am unsure of the title yet so let's see what springs to mind (laughs)."

Kris Peters

Catch Lecia celebrating ‘Woodstock’ at Mt Tamborine Bowls Club on 1 November.

You can follow her socials for updates, and to check out the awesome official video for Woodstock.

The band recently dropped a cracking new single, ‘Expectations’, (reviewed last month in our New Music column) and mid October sees the arrival of a new EP, ‘SelfImprovement’, which, explains Nitschinsk, consist of a range of tracks recorded across the bands lifespan; “Self-Improvement is an amalgamation of all our favourite songs we’ve written in the past two years.

For ages we didn’t even want to call it an EP, it’s more of a time capsule for the band from when we started to where we are now.

Some of the songs, like ‘Don’t Drive West’, are super old - pretty much the first songs we ever wrote. The title comes not only from the improvement of the band but also improvement within myself. It’s about trying not to be so critical of everything I do and opening up more, being excited and proud of what I write. Everything on the EP was written and recorded in my garage at home.

We’re about to go into a proper studio for our next release so it’s kind of the end of an era in a way.”

Pure Milk are a band clearly in thrall of their immediate surroundings and unafraid to portray a distinctive local identity, with top notch tunes such as ‘Elephant Rock’, ‘M1 Southbound’ and recent single, ‘Palm Beach’ very specific in referencing THEIR town.

Says Nitschinsk of his oft Gold Coast centric lyrical propensity:

“I love the Gold Coast, like genuinely. It’s so distinct and is an important aspect of becoming the band we are, I could never talk poorly about it! I find myself more and more creating these characters in my songs who come from completely different facets of life, but nearly always have some basis on the Gold Coast.”

The songs of Pure Milk also typically display a strong sense of personal reflection and a questioning of the world and one's ability to navigate it. With Nitschinsk clearly holding the lyrical aspect of the song writing process dearly (he mentions Kevin Morby, David Berman, Andrew Savage, Father John Misty and Courtney Barnett as a few of his favourite lyricists), I put it to him as to how he approaches his craft, and which comes first, the music or the words.

“I’ve always been lyrics first, I write a lot of stuff into my phone, my notes section is just like a jumbled mess of one liners and little ideas that pop into my head. From there I can usually start forming ideas and creating a distinct story for the song. I’ve never really started with a topic and gone ‘yeah, lets write a song about this’. Sometimes I’ll immediately know what the song should sound like and I just chuck chords on and we’re good to go.

Recently though, Dylan’s been sending me a lot of instrumentals and I try and write a song from that, which is good, I think it makes us write stronger, catchier songs.”

As to what’s next on the horizon in the world of Pure Milk, Lewis is upbeat as to where things are heading.

“Well! We’re supporting San Mei at the end of September before we have our own run of shows in October (the 19th at Greaser Bar in Brisbane and the 20th at Kommune in Coolangatta.) We’ve never headlined before so it’s going to be heaps of fun. After that we’re going into the studio and recording a new EP that’s coming out next year. We’re keeping busy - it’s great!”

Be sure to catch local indie rock purveyors par excellence, Pure Milk, on one of their upcoming shows around the traps. Here’s the final word from Lewis as to what’s been their on-stage musical highlight to date; “It has to be playing with DZ Deathrays for the last Shark Bar show, it’s still kind of crazy to think about. I bought their first album when I was 16 and couldn’t even play guitar, it’s wild. Other than that, anytime I see someone singing the words of a song back to me I’m amazed, I’ll never get tired of seeing that happen!”

Anthony Gebhardt

MEETS MOTORSPORTS LUNCHEON, WITH GUEST SPEAKERS DAVID REYNOLDS & LUKE YOULDEN Vodafone Gold Coast 600 Supercars superstars invite you to the Surfers Paradise Marriott Sportsman's lunch with guest speakers David Reynolds & Luke Youldon, hosted by Charli Robinson.

Enjoy a 2 course lunch and 3 hour beverage package, with live entertainment, photo opportunities and great prizes to be WON! Raising money for Surf Life Saving QLD.

24 OCTOBER 2019 I 12PM - 3PM

KINGSWOOD

Revving up for the Vodafone 600

A

cross the weekend of 26 October the Gold Coast will be awash with the smell of burning rubber and the sound of hotted up engines, as the Vodafone 600 Super Car extravaganza transforms the streets of Surfers Paradise into a thrill-a-minute street circuit.

The event is more than just a speed rush for the petrol-head fraternity, with a stack of great entertainment lined up in support of the four wheeled action. The impressive music line-up features a stack of top shelf rock and dance acts, including internationally renowned DJ Carl Cox, Example, Hot Dub Time Machine as well as on-the-rise indie rock band The Vanns and Oz music legends Mental As Anything.

And add to that list Melbourne alt-rock royalty, Kingswood.

The four piece have recently been putting the finishing touches to a brand new album (despite encountering the misfortune of having a bunch of their gear and the albums master tapes stolen from the studio) and as they prepare to head up our way to perform during race weekend, we managed to nab a highly entertaining and rather unique chat with front man Fergus Linacre.

Be sure to check out the full interview at the Blank GC website..

As part of your bumper upcoming national tour you'll be performing here on the Gold Coast at the Vodafone 600 Super Car event. Are there any motor sport enthusiasts in the band?

We genuinely love racing, we all ride motorbikes, often we take them on tour and we go-kart every chance we get. For (guitarist) Al's birthday we got him a race-day experience thing, we've played at the Formula 1 and when we are in Brisbane or Adelaide or anywhere overseas where they have those electric scooters we end up racing through the streets. So are we excited to play the Supercars GC600‌ aheeelllaaayessss!!

What else will you be getting up to across the weekend of the race? Any particular bars, venues or restaurants that you're looking forward to hitting while you're here?

We love a good time on the Goldy, we may dine at Etsu, we may drink at the Scottish Prince, we may dance in a cage at Escape, who knows?? We will of course hit the surf and enjoy the sunshine. Maybe go kart, maybe we can get a hot lap at the actual race or something, anyone who can hook us up let me know!!

You guys are renowned for your love of touring and performing live. Have you got anything extra-special in store for audiences on your upcoming performance?

You know how after a driver has won their race they may do a sweet doughnut burnout and there is smoke and burning rubber and everyone is cheering and going crazy? Well we do that but on stage, we can't reveal all the secrets but what we have planned will surpass any kind of celebration you could expect from a driver.

$139 per person - Tickets available goldcoasttickets.com.au

07 5592 9800 158 Avenue, Surfers Paradise QLD 4217

How is 2020 shaping up in the world of Kingswood?

Jamd packed with touring, heading back to Europe, UK and the USA, and perhaps South America, hey why not tack on a trip through China? Anyone else want us? Anyone know how we can get a gig on some rich people's Island? Or a super yacht? Or maybe we will take a trip on Virgin Galactic and be the first band to play in space.

Anthony Gebhardt

www.blankgc.com.au

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GOLD COAST STOKED TO HOST GLOBAL WAVE CONFERENCE 2020

T

he 6th Biennial Global Wave Conference (GWC2020) is an international gathering to advance the recognition of the value of waves and their protection around the world. It brings together the best international minds from the surfing, conservation and innovation communities to tackle the world’s most challenging ocean issues.

In February 2020, this huge international event will be taking place on our own stunning shores, after Gold Coast World Surfing Reserve Inc. successfully won the rights to host it at the Gold Coast Campus of Southern Cross University.

H

ey Gold Coasters – have you ever wanted to find out more about what’s going on in your local marine environment? Would you like to be able to help protect our oceans and waterways? Do you love getting out on the water? Then it’s time to stop looking and start searching – REEFSearching that is!

REEFSearch is a reef identification and observation program that can be used by anyone snorkelling, SCUBA diving, or even whilst out in a clear kayak or glass bottom boat, with no need for prior training. This program has been introduced by Reef Check Australia to encourage everyone to do more than just look at the reefs they visit!

REEFSearch is designed to offer an introduction to the how's and why's of reef ecology, reef monitoring and reef conservation.

You don't need to have previous science or survey experience to be a REEFSearcher either. It's easy to get started. Just watch the 10 minute introductory video, grab yourself one of the REEFSearch Field Kits and get out there. Once you’ve got home and dried off, you just visit the REEFSearh Hub to share your discoveries and photos.

“REEFSearch was started because we wanted to open-up our programs to a much wider audience and help empower more people to engage in reef health issues and monitoring.

With the pressures our ocean environments face, it’s critical that we have as much information on them as possible” says Reef Check Australia’s Community Engagement and SEQ Project Manager Jodi Salmon.

“You don’t need to spend hours studying the reef – but just ten minutes of REEFSearching on your next outing could provide Reef Check Australia with valuable information on your local marine habitats.”

Ahead of the event, we thought we’d chat with one of the organisers, to get a better idea of what to expect. Enter Larissa Rose, Director of local environmental consultancy business Glowing Green Australia (GGA), and adjunct lecturer on Climate Change & Environmental Management at Bond University. Larissa is an essential member of the volunteer committee at GWC2020, and will also be presenting at the conference.

Larissa explains to us how she got the idea for GGA. “GGA was born out of the middle of my economics class whilst doing my Environmental Management and Sustainable Development Masters Degree in 2010 at Bond University. I was sitting in my class thinking about how I could apply sustainable management practices from coursework, to being a mother of three, as well as carve a role in environmental management and assessment, while working from home. And I thought, ‘yep perfect! Build an environmental consultancy business that supports my ethos on environmental management whilst supporting my children through their life.’”

In addition to her busy role supporting the Environmental & Sustainability Manager for the conference, and working in a team to ensure the STOKE* certification component of the event is being met, Larissa will also be addressing the delegates on her passion subject – renewable energy.

“I will be discussing the role of renewable energy, the opportunities to reduce carbon from our waterways, shipping, boating and embedding sustainable fuels for the future, to keep our oceans clean and reduce our need for fossil fuels in Australia and globally” Of course, the ideas around sustainable fuels are not without challenges.

Reef Check is also looking to introduce local cards with more information specific to the Gold Coast, which will be on display at local events - so check out the Reef Check event calendar and come down to meet the team!

“The biggest barriers to transitioning across our dependency and heavy use of liquid fossil fuels has been driving policy to make it a standard part of the future fuel program, mandated nationally to be in fuels in Australia,” says Larissa.

Inspired? reefchckaustralia.org is a great place to start.

For more information on this Gold Coast program, contact Jaime Kruusmaa at jaime@reefcheckaustralia.org.

“The second hurdle has been the lack of education, knowledge and awareness on the opportunities, necessity and compatibility of low carbon sustainable fuels to be part of Australia’s energy future.”

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As a lecturer at Bond, Larissa is certainly doing her part to assist with the lack of education hurdle. She wants all passionate young environmentalists to understand the power that they have to make a difference.

“Young people need to know they have and can play a strong role to drive change at a policy level. Physically lobbying via policy government submissions, sitting on environmental advisory committees, councils, panels and taking progressive leadership through this avenue can make change, just as complimentary to activism.

“Enabling young environmentalists and students to take ownership with this form of change is in my opinion extremely valuable.”

Hence the GWC2020 Youth Leadership Program, which Larissa is helping to build, with the aim of showcasing and inspiring up and coming oceanic leaders and surfing stewards.

“GWC2020 is important as it highlights the role of collaboration, working as a collective and standing together to think about the future, take ownership of the future and whilst provide a platform to build the leaders of the future,“ she says.

Natalie O’Driscoll

Global Wave Conference 2020 is being held from 10 to 14 February 2020, at the Southern Cross University Campus. For more information and registration, visit globalwaveconference2020.com.au. *STOKE is the Sustainable Tourism and Outdoors Kit for Evaluation.

It’s the world’s first sustainability certification body with standards built specifically for surf and ski tourism operators, destinations, and affiliated events.

GOLD COAST ONLINE ART GALLERY FEATURES ON The Block 2019 T

sold really well. It’s was kind of a crazy, busy period for about three months after it was aired. Even though it was three years ago I still get asked about my The Block experience. It was a really positive one and one that I am extremely grateful for.”

he owners of local online gallery Art Lovers Australia have plenty to be excited about right now.

Successfully chosen as the 2019 key art supplier for hugely popular TV show The Block, Art Lovers Australia has been working hard alongside The Block contestants to ensure their rooms meet the judges’ high standards, with all contestants of the hit show automatically allocated a generous $10,000 from Art Lovers Australia to be spent on their online gallery of artists.

Yet another Gold Coast-based artist who is being featured on this season is Jeska Valk, which we are revealing exclusively here and now. Well known in art circles for her astonishingly realistic, large scale portrait pieces, Jeska is humbled by the contestants’ choice.

“It was very exciting,” she tells us. “I got the phone call from Nancy and screamed at her!

Then I rang my mum and screamed at her!”

She laughs. “It’s been very exciting a lot of a rush around to get everything there.”

“We’ve loved working with The Block and all the contestants, helping them choose art for the huge spaces of The Oslo has been an amazing experience,” says co-director Nancy.

The online gallery allows them to support a huge number of emerging and mid-career artists. One such artist is Gold Coaster Kellie North, who not only had her artwork chosen and got to fly it down and meet the contestants herself, but also experienced the joy of being part of a winning room design.

“Nancy called me on a Thursday night and said the The Block contestants Elise and Matt would like to purchase some of my artwork to feature in their home on this season’s show,” she tells us.

“To be honest, I was silent for a moment, just registering what she said, then I said ‘Really, are you serious, how exciting!’ Then she proceeded to tell me they needed the pieces

down in Melbourne within a few days and could we make this happen? ‘Of course we can make this happen!’ I said, and we did.”

As for when the contestants rang her to tell her their room won, you could say that Kellie was a bit excited.

“I tried really hard to maintain a level of composure as they told me but ended up jumping up and down in the pasta aisle at Woolworths,” she laughs.

Tania Blanchard of Tania Blanchard Creative is another Art Lovers Australia artist who

has been featured on The Block – albeit in an earlier season.

“Keeping it a secret that my art was going to be on The Block was hard as I had to keep tight lipped for about three months. My art was one of the last rooms to be revealed,” she says.

The experience helped her professional practice enormously.

“Once the episode was aired my art went crazy,” she exclaims. “I got about 2,000 Instagram followers extra in one day and selling of my limited edition prints also

The work of all three talented artists can be seen at three upcoming exhibitions entitled the Reveal Series. The first, opening on Saturday 5 October, is an exhibition of three past winners of the Arts Lovers Australia prize, which includes Jeska. The second, opening on Saturday 2 November, is a whole exhibition from the 25 Art Lovers Australia artists who will have, by then, been publicly featured on The Block, with artists coming from all over Australia. The third is a solo exhibition by Tania Blanchard, her first in her own gallery.

Natalie O’Driscoll

To browse the art, read up on more The Block goss or simply find out more about the upcoming exhibitions, visit artloversaustralia.com.au.

www.blankgc.com.au

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BEYOND SKIN with Nitin Sawhney T

his month legendary musician, producer and composer Nitin Sawhney will perform an exclusive Queensland show at Home of the Arts.

The performance will primarily be celebrating the 20th anniversary of 'Beyond Skin', an album that still resonates today as much as it did when first released two decades ago.

"When I make an album, I am purely making it from a cathartic and expressive perspective," he mused when asked why it is still a relevant album today. "I don’t consider what would happen with it later on, or after I have finished it. However, I do have a sense that I may share it with others, but I never let that influence the music itself or how I consider what I have to say with my creative ideas. I do nevertheless feel very honoured and privileged that so many people have responded to the album and continue to do so 20 years later."

As a special treat, Nitin will also be presenting songs from his extensive collection.

"I will be playing a selection of tracks from ‘Beyond Skin’ as well as a lot of music from the back catalogue," he promised.

"I will not be bringing my entire band over from the UK but I have some amazing musicians and singers with me who will be performing on stage and I am confident that anyone who comes to see us will enjoy the show and get a real sense of the music I am very proud to have made."

Before embarking on a solo career as a musician, Nitin appeared in comedy performances The Secret Asians and Goodness Gracious Me. A career in comedy beckoned, but Nitin says he was always confident he had the time and ability to spread his attention to all of his passions.

"When I began working in comedy with Sanjeev Bhaskar as The Secret Asians and appeared in Goodness Gracious Me, I was already making albums and had a career that was building quite successfully," he recalled. "I was lucky in that my work and composition for theatre, television, film, albums and the comedy work I was doing, all happened or evolved at the same rate during the 90s. I have been a musician since I was five years old and that was, and always will be my first passion. That is my training, and that is my heart and soul. However, I have recently been writing a situation comedy that is focusing on the music industry.

Watch this space!"

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Throughout his career, Nitin has also collaborated with a multitude of artists including, but not limited to, Paul McCartney, Sting, Nora Jones, Nelson Mandela and Jeff Beck. Rather than just treat these as a means to further his career, Nitin says he also used this time to expand his musical knowledge and hone his craft.

"I always believe in being present-minded and living in the moment," he said. "Creativity for me is born of spontaneous thinking and being connected to the moment. However, all of us are a product of our history and experiences. I have been very fortunate in mine."

Throughout his career, Nitin has won a multitude of awards, played on stages the world over and touched many hearts through his art, but when pressed on what he considers his greatest achievement he is typically coy and modest.

"In my mind, my greatest achievement is that if I look back on my creative career as an artist, I am still proud of all the work that I have created. I don’t feel that I have ever compromised a creative idea unless it is in collaboration with others."

Kris Peters

Nitin Sawhney’s performance will take place in Theatre 1 at Home of The Arts on Saturday 19 October 2019 at 7:30 pm. Visit hota.com.au for more information.

BLUESFEST 2020

The Return of Crowded House

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ne of the drop-dead biggest artist announcements of Bluesfest 2020 (or any years Bluesfest, for that matter), was that of much-loved icons, Crowded House. It's been three years since the Aria Hall of Famers last graced Australian stages, performing a rapturously received quartet of shows at the Sydney Opera House, so the news that they were reuniting for a special one-off performance at Bluesfest has certainly got plenty of pulses racing.

Having formed in Melbourne back in 1985, the band quickly rose to prominence off the back of former Split Enz member Neil Finn's timeless and classy song writing, with their self-titled debut spawning the massive world-wide hit 'Don't Dream It's Over'. The band released three subsequent albums to much acclaim and achieved ever-growing success prior to their initial disbandment in 1996, with their final performance at the Sydney Opera House drawing a crowd of 100 000.

incarnation drummer Matt Sherrod, as well as a guest appearance by the band’s producer and respected keyboardist Mitchell Froom.

In addition to this big news, Bluesfest 2020 will also be playing host to acts of the calibre of The Dave Mathews Band, Morcheeba, George Benson, Brandi Carlile, John Prine, Jenny Lewis and John Mayall, as well as erstwhile faves John Butler and Xavier Rudd. It also marks the return (following on from her jaw droppingly reverential performance at Bluesfest 2017) of the original high priestess of literate punk (no that’s not an oxymoron), the incomparable Patti Smith. And there’s plenty more big announcements yet to come!

Anthony Gebhardt

The band have also endured in the face of tragedy, with founding member Paul Hester sadly passing away in 2005. Having reconvened with a new line-up in 2006, they continued until 2016 and since that time they've remained inactive… until now.

With band driving force Neil Finn having just completed duties as part of Fleetwood Mac's recent Australian tour (he became a fully-fledged member of the legendary classic rockers in 2018), this version of Crowded House also features original bass player Nick Seymour and second

PERFORMING A HORSE WITH NO NAME VENTURA HIGHWAY AND ALL OF THEIR HITS!

TICKETEK.COM.AU OR 13 28 49

Bluesfest 2020 is once again happening across the Easter long weekend, from 9 – 13 April in Byron Bay. If you’ve yet to snaffle yourself tickets, you’d best hop to it.

The Gold Coast’s most exciting new music, GARRET KATO REGAINS CONTROL Local wonder-kid Garret Kato lives and breathes music. Not only does he record some of Australia’s best singer-songwriters in his Byron Bay studio, including Ziggy Alberts and Kyle Lionheart, but he’s also an accomplished solo artist in his own right.

His beautiful self-produced 2015 debut album ‘This Low And Lonesome Sound’ was a slow burner, gradually gaining a cult like following on Spotify over a number of years. After a busy few years of recording and touring, 2019 has seen Kato return to form with his latest single ‘Control’. It’s a strangely psychedelic, up beat acoustic track that has Kato’s distinct sound all over it. Let’s hope it’s a sign of things to come for the next record.

then producing a cinematic video, she’s decided to let the song and her talent do the talking. ‘Real Life’ was filmed and recorded in one take, just Sam Buckingham and her acoustic guitar, raw, unedited and absolutely stunning. The world needs more of this, some songs are just meant to be presented as they were written. You feel every piece of emotion that Sam is putting out. ‘Real Life’ captures a rare moment of pure connection between musician and listener. Find the clip and watch it now.

MARDI WILSON REFLECTS ON PARTY CULTURE WITH NEW SINGLE

EDDIE RAY RELEASES DEBUT SOLO SINGLE ‘THE STORY’ Mark Gray is a man of many talents; playing as one half of local band Burger Joint, performing in a circus group called Kerbside Collective and now fronting up his own solo project Eddie Ray. Debut single ‘The Story’ offers a healthy blend of funk, blues and rock while carrying a positive message. The simple yet effective film clip is set completely inside a physical book, utilising stop-motion photography and clever editing tricks to portray the message. It’s surprisingly rare and refreshing to hear a cheerful song like ‘The Story’ these days, so let’s take a leaf out of Eddie Ray’s book, put on a big smile and give it a spin.

JEENIE RELEASE HIGH ENERGY EP If you like Rage Against The Machine, you’ll love Jeenie. The lead single from the band’s debut EP ‘Spit It’ sounds like it could have been an outtake from Rage’s 1992 self titled debut. Complete with soaring technical guitar parts, slapping bass, meaty drums and Zac de la Rocha’s coined vocal delivery style ‘Spit It’ will get you off the couch running towards the nearest anti-establishment protest, molotov cocktail in hand. The whole EP is well worth a listen and sees Jeenie channeling the same style from start to finish. Other track highlights are ‘Faster Disaster’ and ‘Go Insane’ both of which would translate amazingly in a live setting, so keep an eye on Black GC’s gig guide for upcoming shows.

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BEING JANE LANE DELIVER THE GOODS ON DEBUT LP Fresh off the back an impressive BIGSOUND showing, Being Jane Lane have just dropped their heavily anticipated album ‘Savage Sunday’ and it does not disappoint. The all female 5-piece punk-rock outfit hit the ground running with the fast paced, distortion filled opener ‘Next Step’ and don’t really let up until track five’s beautiful acoustic ballad ‘All The Time’. Through themes of love, loss and sex delivered passionately by vocalist Teigan Le Plastrier, there doesn’t seem to be a dull moment within the 12 track LP. With a special mention to the band’s record label owner and unofficial sixth member Guy Cooper, who has worked tirelessly in support of Being Jane Lane for the past few years, this album is a true culmination of hard work and raw talent that is set to be one of the best punk releases of the year. You can catch them launching ‘Savage Sunday’ and witness their raucous live show at Vinnies Dive on 9 November.

HYPNOTIC TRAMADOL Parker Rose is another talented local musician launching a solo project this month. Parker has seen previous success as the singer of Sunset City and enjoyed features on several viral hits over the past few years.

His debut solo offering ‘Tramadol’ is a dark alt-pop track about companionship during hard times. Its simple-yet-effective approach works well amongst the polished production, giving it an almost hypnotic feel. Hopefully this is a sign of more to come from Mr. Rose.

PUNK-METAL AT ITS FINEST

SAM BUCKINGHAM GIVES YOU ‘REAL LIFE’ Byron Bay troubadour Sam Buckingham has thrown out the rulebook with her latest release ‘Real Life’. Instead of spending weeks in the studio fine-tuning every last detail

Blood Of The Lannisters’ new single ‘City Of Shitbags’ won’t be everyone’s cup of tea, but we think it’s an absolute belter. Opening with a hilarious audio grab of on old Aussie bloke telling us we can all get fu*ked, the track kicks in and continues on the same satirical tangent throughout. Thick Australian accents paired with thicker riffs; ‘City Of Shitbags’ showcases punk-metal at its finest. The musicianship is on point, complete with double kicker drumbeats, technical guitar parts and low screaming vocal responses.

Satire aside, ‘City Of Shitbags’ is a really well written song and will have you singing along after the first chorus.

Mardi Wilson has really stepped up on her new single ‘Don’t Stop’, evolving from behind her acoustic guitar into the world of studio production. With help from trusted Gold Image

by Claire Dalton Coast producer Brad Hosking, the pair have well and truly realised the song’s potential.

Although there is a lot going on production wise the track certainly isn’t over produced, leaving just enough space for the essence of the song to shine through. Lyrically ‘Don’t Stop’ address the issues in today’s party/drug culture as Mardi describes - ‘It’s about ‘that one mate’ who always wants to get loose and has a habit of taking things a step too far.’

This is the second offering from Wilsons forthcoming debut album which is shaping up to be pretty special.

50 LGE SET TO RELEASE 12” VINYL Vintage rockers 50 LGE are keeping it oldschool with the release of their 12” Vinyl next month featuring two tracks - ‘Bee Music’ and ‘Black Interceptor’. The three-piece, who have been playing in bands since the 80’s, came together as old mates in 2017 and have been recording music ever since. The band’s experience and attention to detail is evident on their latest offering, recorded by Scotty French at Love Street Studios on the Gold Coast 50 LGE have achieved a world-class sound, which will no doubt come across even better when played on vinyl. To grab yourself a copy, head along to their launch at The Sands Hotel Coolangatta on 23 November.

curated by Zac Fahey

STONE RISING’S RECORD IS AN ANTHEMIC SHREDFEST Stone Rising are yet another Gold Coast act releasing meaty, high-quality rock music.

The Southern Gold Coast four piece have been producing their eclectic mix of modern rock / dirty blues since 2010 and have just released a self-titled 10 track album. ‘Stone Rising’ showcases a highlight reel of sorts, featuring a mix of original crowd favourites and a few more recently written songs. ‘Hell Yeah’ is the album’s highlight, a punchy rock anthem that gets the job done in under three minutes, even leaving time for a shredding guitar solo. For more shredding skip to track nine ‘Already Gone’ and for more anthemic vibes head to the album’s eight minute closer ‘Long Hard Road’.

IVEY FIND THEIR NEW SOUND Ivey are on fire at the moment. Over the past three months the Gold Coast five-piece have released two hugely popular singles, created stunning videos for both, turned heads at their BIGSOUND showcase and headlined a massive local show at Elsewhere. Their latest release ‘Talk Talk’ sees the band delve even deeper into their newly found electronicpop sound, favouring synths and samples over live instruments. There’s a level of comfort shown on ‘Talk Talk’ that hasn’t been evident on the band’s previous releases since changing up their sound last year. Ivey have successfully combined the old with the new here, developing their sound into something more mature and we can’t wait to hear what’s next.

VERUM RELEASE FUZZDRIVEN DEBUT SINGLE Heavy guitars seem to be the flavour of the month this October on the Gold Coast and Verum are well and truly sticking to the theme with their fuzz-driven debut single ‘Placebo’. Taking a lo-fi approach akin to contemporaries such as Polish Club, the single sits firmly between rockabilly blues and modern day rock. Lyrically the track is about optimism and maintaining a positive headspace when the world tries to get you down. This is a sentiment well and truly displayed in the accompanying video clip where the band look like they’re having the time of their lives. You can catch Verum spreading their positive vibes on 25 October at Rompa Room in Nerang.

HUSSY HICKS BREAK OUR HEARTS

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ward-winning Gold Coast blues and roots act, Hussy Hicks, are set to release a heartbreaking soul ballad, ‘Take A Look Over’ on 27 September, supported by a 15-date national tour.

The new single and tour comes off the back of a big year for the Hussies with tours across Europe and the US; standout performances at Bluesfest and Blues On Broadbeach; and multiple national, regional and local music award nominations.

Produced by acclaimed guitarist, Julz Parker, this is the second single from the band’s 2020 album, the first of seven to be fully recorded, engineered and produced by the all-femme force themselves.

A preview to Hussy Hicks’ upcoming 6th studio album, ‘Take A Look Over’ is a soulful Annie Lennox-inspired break-up song to end all break-up songs.

Check out Blank’s Facebook page for one of the first listens.

BABE RAINBOW HAVE YOUR SUMMER SOUNDTRACK SORTED Everybody’s favourite psychedelic surfer dudes Babe Rainbow are set to release their third full-length album this month titled ‘Today’. Ever since their 2014 breakout hit ‘Secret Enchanted Broccoli Forest’ (which could also be the greatest song name of all time) the band have been growing in popularity at a steady rate. Over the past twelve months we’ve been given three tracks from the new album including ‘Morning Song’, ‘Something New’ and ‘Many Moons Of Love’ all of which carry the heavy influence of 60s acoustic psychedelica mixed with a healthy dose of salty sea air. Just in time for summer there’s no doubt ‘Today’ will be the soundtrack for many Gold Coast surf trips and/or late night deep thinking sessions.

RAPID FIRE FROM ATTICUS CHIMPS BECKAH AMANI’S ‘ONE’ IS A STUNNER Beckah Amani lets loose on her new single ‘One’ showcasing an unbelievable vocal range and the talent for writhing a quality song.

Drawing influence from alternative folk, soul and R’N’B, Beckah Amani succeeds in her aim to deliver a unique sound, capturing the key sensibilities from all of her influences.

‘One’ is intimate and honest, delivered with passion and it’s an absolute stunner. Easily one of the best releases to come out of the Gold Coast this month.

Atticus Chimps are back with another massive sounding single this month called ‘Social Anaesthetic’. The extended intro sets the scene for this head-banger reflecting on its incarnation as a purely instrumental track inspired by John Frusciante and Josh Homme riffs. According to the band, the song is about substance abuse and feeling like you can't truly be comfortable unless you're under the influence. Dark subject matter delivered by emotion filled rock vocals similar to that of a young Daniel Johns ‘Anaesthetic’ gets the point across and leaves you wanting more.

See what all the fuss is about at their show on 27 September at Rompa Room in Nerang.

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GETTING A LITTLE BLUE WITH JONI MITCHELL THE ESCAPE ROOM

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n invitation to join a group for an escape room experience is well outside my usual weekday activities. I have no illusions about being Cosentino, nor do I suffer from a fascination with being locked up.

I was not only an ‘Escape Room Virgin’, but I was completely ‘in the dark’ about their purpose! Passing an escape room in Copenhagen, I’d commented to my husband, “I don’t know why people feel the need to escape the world! Why don’t they just go home, chill and read a book?”

Actually, escape rooms are not about escaping the world, they’re about being locked up in a themed room where you work as a team to solve a series of (at times cryptic) puzzles, finding (think treasure hunt) and using the clues provided, ultimately to unlock the door and escape (or solve the mystery) within the hour time limit.

If it sounds like a video game, you’re right.

That’s where some say the first escape room came from, a Japanese video game called ‘Crimson Room’, released in 2004. By 2007, the Japanese company SCRAP Entertainment was using the concept to create a tangible escape room experience.

Now, it’s estimated that there are 2,800 escape rooms worldwide, with over fifty escape rooms in Brisbane alone.

As part of a group, we visited Seraphim Escape Rooms. Begun by Keziah and her husband, a computer programmer, in their home garage as an activity for friends to enjoy, demand encouraged them to expand their unusual escape room-making hobby into a business. Now, you’ll find Seraphim in an old Queenslander near the centre of Ipswich. They have three different escape rooms of different levels of difficulty: 38

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Executioner’s Toolshed, Atonement and Santa’s Cottage (the cheapest, easiest and most family-friendly of the rooms).

Four of us were allocated the Atonement room, based on the theme of the Seven Deadly Sins, and set out to solve the puzzle.

Locks, word and crossword puzzles, cryptic clues and sequencing… the room was a test of lateral thinking, teamwork and memory skills.

We solved the mystery and survived. The rooms were dimly lit, but not too scary. It wasn’t geeky either. The game was absorbing to the extent that, without realising, I carried a 4-fingered mummified hand around for 10 minutes, even after I found out where it fitted!

Most of all, it was lots of fun, and our team were the best! We discovered each other’s strengths, found that we had complementary skills and worked together very well. Escape rooms would be great for team building, as an activity for friends or families with older children, teenage birthdays or to sort out a date (or two)!

Marj Osborne

Check out escape rooms on the Gold Coast, or go to: Seraphim Escape Rooms, 38 Brisbane St, Ipswich Ph: 0433 948 338 Pricing $20 - $45pp depending on group size. Visit seraphimescape.com.au for more.

NOTE: Marj Osborne was a guest of The City of Ipswich.

Image by Claire Dalton

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best combination on how to do it and how to present it."

While not being recognised among many of her contemporaries, Mitchell is an artist whose fans are as passionate and loyal as any other, with her seeming to find more success in the twilight of her career than her established years.

"Max and I have known each other since the 90s," she explained. "We did the original Boy From Oz musical together. Max is also a former member of Icehouse - lots of people don't know that - but he comes from a pop background and even though I have done a lot of music theatre we both love folk music and pop music. He is also a writer of musicals so I thought he would be a fantastic person to write with, especially because we were going to tell this show in more of a theatrical way.

ueenie Van De Zandt will be bringing her production Blue: The Songs of Joni Mitchell to Gold Coast audiences with a special performance at HOTA, Home of the Arts this November. The presentation will honour Joni Mitchell, the renaissance woman, painter and poet who created a soundtrack for the Woodstock generation.

"I think she's a bit of an unsung hero," Queenie surmised. "She's as good as Dylan and others of that generation but she never got the same sort of kudos as those guys.

From what I've read people theorise that's because she's a woman and it was still in a male citric world in the 70s. She's not a commercial star - she's this person people find when they go looking. She has a bit of the underdog about her."

Queenie is quick to point out that Blue: The Songs Of Joni Mitchell is far from a tribute show, but more so a celebration of the music and life of the person and artist.

"We don't do it as a tribute show," she stressed. "What we've done is reinterpreted her music in our way but we tell the story of Joni through her songs and voiceovers. I get to speak as her but I don't look like her and I speak in my voice and comment on what is going on. We found that that was a much better way of connecting with the audience. I am a massive fan and I relate to her stories and life so we found that was the

Queenie, alongside musical director, Max Lambert and a live band, will affectionately reinterpret Joni’s beautiful music, and intimately reveal the stories behind some of her most haunting songs, including 'A Case of You', 'Both Sides Now', and 'Little Green'.

“I've always loved Joni Mitchell and I've always wanted to do a show about her but for some reason, it was never the right time.

I was having a baby and looking at maternity leave so I decided to do this as a project to keep my mind sane. I decided to dive into her music and her life and as it turned out it was a really amazing time to write it because the biggest thing that has influenced Joni Mitchell's music has been the fact that she gave away her child when she was 19 - which was a great pain to her throughout her life and it was an amazing thing to see that and see her music through that prism having just given birth myself and thinking what it would be to give away your child, especially when you didn't want to."

Kris Peters

Blue: The Songs of Joni Mitchell is on in the Lakeside Room at Home of the Arts on Saturday 9 November 2019 at 2pm and 7.30 pm. For more information on visit hota. com.au.

Kerouac) and musical realms; (Joe) Strummer, Iggy (Pop), Patti (Smith) and Hart (I’m going with Grant Hart of Husker Du for this one.)

'Come Back Down' serves as another of the album’s finest numbers, this time delivering a mid-paced, garage punk moment par excellence, with its horn augmented, rousing chorus and snarling vocals bringing to mind prime-period, late 70s Saints.

BALTIMORE GUN CLUB

THE SHAMBOLICS

Baltimore Gun Club

Be Careful What You Wish For

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he second, self-titled album of powerhouse Gold Coast trio Baltimore Gun Club traverses a dazzling array of amped-up goodness at the meatier end of the sonic spectrum, commencing with the heavy-groove goodness of 'Archangel', a mid-tempo pounder augmented with some blazing harmonica accompaniment.

Earlier single, 'My Days', is an impressively catchy ditty which trades on the early 90's quiet/loud dynamic pioneered by trailblazers such as The Pixies and Nirvana.

'Pathetique' gallops along on a distinctly heavy-70's via stoner rock trip, a vibe the band return to on penultimate number, the blazing 'Safe By The Water'. While 'DeNiro' injects a touch of treated industrial-metal to proceedings.

Things then come down a notch in the form of 'Highgate Hill', an acoustic driven rock ballad augmented with piano flourishes and featuring the sweet vocal accompaniment of guest performer, ROO. The latter half of the album finds the Baltimore Gun Club lads, Psymon, Hyrma and Ronnie (top notch rock and roll names right there!) mix things up even more – case in point, the bent, proggish trip that is 'The Teddy Bear Song', demonstrating the band’s versatility and twisted sense of humour, without descending into novelty territory.

Meanwhile back in rock-out town, the adrenalised '1993' proves to be an apt moniker, a riff-tastic barn-stormer that brings to mind prime period Grinspoon in its groove laden, alt-grunge attack.

And 'Life Ain't Long' finds our three protagonists riding off into the sunset, delivering a sweetly strummed farewell…

But stick around a bit, as the band head back out to party in the form of a hidden track, 'Universe City' (listed as a bonus track), delivering, of all things, an electro-dance number, displaying a pleasing willingness to confound and proving to be a perversely satisfying conclusion to what is by and large one almighty wallop of a rock record. Get on board and grab it the way it was meant to be heard, on either vinyl or CD format from your favourite record store, with a digital release to follow later down the track.

Anthony Gebhardt

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ocal four piece The Shambolics are a band with plenty of collective life experience and clearly a quality set of musical influences. With two of their members, Asho and Sam, having long standing roots in the Brisbane punk rock community (and rounded out by relative newcomers Matt and Brad), they traverse a pleasing array of musical touch points on their debut album, 'Be Careful What You Wish For'. Getting a little help along the way from a bunch of guest artists from brethren acts such as Halfway, Suicide Swans, We All Want to, Speedstar and It’s Magnetic, the band land firmly on the seminal and authentic side of the musical equation, from garage rock with a heart of punk through to more roots based, soulful fare.

A distinctive feature of the band's sound is the plaintive, sing/speak ruminations of lead vocalist Graham 'Asho' Ashton, his Aussie accented proclamations recalling something akin to Moodist come-solo chameleon Dave Graney, particularly in his use of specific artistic and pop culture references, that will bring a knowing nod or smirk to plenty a Gen X-er, or anyone with a taste for the origins of so-called 'alternative' culture.

'High and Lonesome' is an acoustic driven strum of a number, featuring another group singalong chorus, while 'Faded' works just fine as a blues-rock burner, with Asho's growled vocals augmented by the band's dirty groove.

And speaking of dirty, somewhat shambolic grooves, penultimate number, '1989', delivers a lurching, stripped back tale of how the year in question (“it was the year that nearly killed me”) played out for our chief protagonist, littered with personal anecdotes, including time spent in the UK, "dancing with our eyes closed, to ‘Just Like Heaven’, by the Cure".

The album's final, title track, winds things down with aplomb, its tasteful keyboard washes and cleanly picked guitar lines hinting at the ghosts of soulful 70s rock.

With 'Be Careful What You Wish For’, The Shambolics have delivered an impressively heartfelt release, displaying enough of their own 'rough around the edges' charm to make it far more than just a nostalgic regurgitating of influences.

Anthony Gebhardt

‘Be Careful What You Wish For’ is out now via the usual channels. Catch The Shambolics at Mo’s Desert Clubhouse on 11 October.

Opening number, 'Keep On Swinging', commences proceedings all mean, moody and magnificent, its reflective, slow-burn vibe (fleshed out vividly with moving keyboard accompaniment) recalling the finer moments of grunge era rock-soul collective The Afghan Whigs. This feel resurfaces on the track 'Vacant Space', which also brings to mind the mid 80s widescreen guitar sounds of Aussie bands such as The Triffids.

'A Life Thing', one of the albums high watermarks, moves things into roughed-up roots rock territory, a harmonica driven, group singalong stitched together via the wizened musings of Asho as he reflects on youthful anecdotes of times past; "We were middle class skate punks from Brisbane, what the fuck did we know?"

With talk of mix tapes and joining the Kiss Army betraying the band’s vintage, melded with the world view of an outsider making sense of life on the inside, the track serves as a knowing reflection on navigating through worldly travesties and life trajectories while remaining true to one’s 'life thing' influences from both the literary (Bukowski,

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GILLIAN GROVES INVITES US TO HER ARTABLE

YOU DON’T NEED EYES TO SEE

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What is your philosophy when it comes to incubating local creative talent?

I believe that anyone can learn to draw and paint with the right teaching and the right tools and that bringing more creativity into your life makes you a happier person. I have a dual role in that I introduce and support thousands of people entering the visual arts community through our art workshops and then I also create work opportunities for all of the artists that we work too. Many practicing artists need to supplement their incomes between sales and Artable works with those artists to create teaching work in their fields of expertise.

It’s a role that I take very seriously - we need to be nurturing and supporting our artists at all levels and building the arts community up. If you are an artist and your friends are artists, they are not competition, they are inspiration.

Support them.

Do you notice any current trends in our Gold Coast arts and culture scene?

The Gold Coast arts and culture scene is growing fast at the moment. When we started in 2009 there was one other art school and a handful of teachers running small home-based art classes. Now, we have the choice of any number of crafts, life drawing and other creative pursuits. It’s fantastic. The more places that open up, the more known the Gold Coast becomes as a creative hub.

Natalie O’Driscoll

Keen to try your hand at painting or drawing? Artable runs a variety of workshops you can check out at artable.com.au.

Check out our full interview at blankgc.com.au.

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efore gough became gough with a lower case g, he was David Gray, the son of a famous Australian comedian of the same name. Now, he’s the only legally blind person to have written, edited, directed and starred in a feature film unassisted. The feature, ‘I Will Not Go Quietly’, is gough’s autobiographical documentary depicting a life of fame, fortune, drugs, alcohol, disability and suicide. This 90-minute feature uses interviews with gough’s friends, family and a range of health professionals to educate and inform viewers of gough’s life, lived as a visually impaired man, and all the discrimination, woes and success experienced.

“Lynch is so brilliant,” gough says. “He considers himself a singer-songwriter, not a comedian. The music comes first, then the funny lyrics come later, almost as an afterthought.”

“I’m actually surprised more writers don’t direct their own work. No one knows the writer’s character better than the writer. The visual takes care of itself to a point, but the language and audio is the most important.”

If

But this remarkable journey began long before the release of gough’s feature film, and it began with words, not moving images. He could never put the pen down as a kid, always writing little plays and stories at school. “It was just a passion for storytelling more than anything else,” gough says. “The best way to tell a story, I think, is in script form. Because I can’t see, I don’t read very often. I listen to audiobooks occasionally but I find novels too slow. Film scripts are such a concentrated narrative form and I found the best way to tell my stories was in this way.”

All gough’s work takes seed in a script, but if the funds to make it into a film aren’t available, he’ll develop them into novella form — again, another concentrated narrative form.

His latest novella, ‘Vincent — Memoire of a Mad Man’ is loosely based on Vincent Van Gogh’s life but reimagined for a 21st century context. For example, instead of missing an ear, Van Gogh is deaf. Here we get to see how all gough’s work is imbued with highly intelligent and satirical interpretations of disability. This dark humour is evident in gough’s entire oeuvre. And it’s no wonder, as he takes great inspiration from the likes of Shaun Micallef, Mick Molloy, Kevin Bloody Wilson, and even Frank Oz of The Muppets.

One of his greatest influences is American musicalcomedian, Stephen Lynch.

Images by Aaron Chapman

ere at Blank, we love to celebrate creatives of all kinds. But we also enjoy talking to people who utilise their creative talents to nurture and inspire the artistic leanings in others, adding to the already abundant profusion of talented arts mavens that sprinkle our golden shores. With that in mind, we thought we’d talk all things creative with Gillian Groves, practicing artist, teacher, and founder of Artable, a dedicated workshop facility that teaches locals who want to learn how to paint and draw.

gough’s story is anything to go by, it’s clear there’s no difference between eyesight and insight. gough’s life and work proclaim that visual mediums are not solely dictated by the capacity to see. As it stands, gough and his Gold Coast-based production company, Beernuts Productions has produced 17 films (one feature and 16 shorts), nine audio downloads and five books (four novellas and one picture book). This kind of output counters any notion of disability.

Aaron Chapman

Check out gough and Beernuts Productions at beernutsproductions.com, where all gough’s work is available for download.

TAKING THE ROAD LESS TRAVELLED WITH THE COUCH OUTLOUD

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he Couch Outloud is a unique local production that offers a live talk show setting based around every day topics that are part of day to day life on the Gold Coast.

After three years and ten shows, The Couch Outloud has offered hope and inspiration to people from all walks of life in an entertaining and insightful production that will leave you thinking long after you leave, as well as offering social connectivity.

"I'm looking at things from the local’s perspective," explained Director, Producer and Writer, Michelle Dunbrell.

"We live in such a great city and the reason the show pretty much started was people would say that the Gold Coast has its own culture, but it also seems like we haven’t been given the platform to express it, because we are the number one party spot in Australia and we are beaches and we are theme parks, but what about the people who live in it? We have so much culture: don't forget about the people who make up the Gold Coast and not just the landscape."

The Couch Outloud is primarily a live talk show with audience participation, but Michelle stresses the importance of the show's structure being based around a set topic that is addressed from differing viewpoints.

four chosen guest speakers have a common thread and I script the show around them.

“Also, because it is a live talk show, questioning can divert and they are made aware of that. We also have audience questions as well so it is scripted, but there is also that element of ad-lib in there as well. The focus is on what we as a community can do to help and how we're going to solve this problem. It's not focusing on the negative, it's an uplifting process even when we do touch on topics that could be edgy. It's about focusing on the positives of that."

The next production on 18 October is titled SelfEmpowerment - The Road Less Travelled and promises to deliver more of the same divisive yet informative subject matter for which The Couch Outloud is known for.

"Self-empowerment is as individual as the person is" Michelle says, "so what would empower me would be very different to what would empower you. The four guest speakers that we have are sharing their stories on the struggles that they had through life and how they overcame it by moving forward in life.”

Popular local musician Felicity Lawless is one of the guest speakers at the next event, but she won’t just be talking about music.

"I am contacted by people that would like to be a guest on the show," she said of the creative process for each performance.

“She is talking about her healing that she does with people and how it empowers her through the healing sessions that she does,” explained Michelle.

"I make sure I meet them in person because I want to make sure they are passionate about what they are talking about and they will be a good fit for the show. Then I generate the questions around what they would like to talk about so the

“We also have Terry Daktyl who is a drag queen and he has been through a lot in his life with depression and struggles with his own identity, and will speak about what he did to bring himself out of that. It's about what people have done

in their lives and their life story and how they have come out the other end feeling more than happy to be who they are and what they did to do that. It's about the road less travelled because they didn't simply pop a pill or go and see a psychiatrist; they took action for themselves and found their groove to be where they are now."

Kris Peters

Self-Empowerment - The Road Less Travelled will be performed at Karma Collab Hub, Miami on 18 October.

Tickets are $25 and can be purchased through Eventbrite.

GOLD COAST MUSIC INDUSTRY MINGLE Tuesday 1 October, 6.00 – 8.15pm Southern Cross University Terminal Dr, Bilinga

MAKING CENTS OF IT ALL

Of course, it’s all about the music. Except when it’s about the money.

How do Gold Coast musicians create full-time careers out of music and what are the strategies you can apply to your own music practice? We talk to slashies cobbling together a full-time wage from their music and music-related income.

Gold Coast The Gold Coast Music Industry Mingle is proudly delivered by Blank GC in collaboration with the City of Gold Coast’s Music Action Plan 2021.

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FRI 29 NOV

Neve Ending 80s $42.50* from OzTix

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SAT 30 NOV 2019 Reunion $49*

SAT 16 NOV

cbdlive.com.au Level 1, RSL Club SOUTHPORT