BMA Magazine #528 - Oct/Nov 2022

THE DREAMERS ARE WAITING NO LONGER

FROM THE BOSSMAN

BY ALLAN SKO [ALLAN@BMAMAG.COM]

At a towering 5’ 8’’, I have never been what you would call a tall person. If you’re a smug git, you might even go as far as to classify me as short.

At my first school (the now defunct Mount Neighbour Primary… big up the Kambah Massive) I was given the charming and incredibly inventive nickname of Shrimp. And with good cause.

Trips to the seaside at that time saw me steering well clear of any boat decks in case I was ‘thrown back’.

“Not to worry,” the young version of me thought at the time. “I still have that growth spurt Mum keeps telling me about,” and happily went back to playing with my balls*.

Upon moving to England at the age of ten, I was eventually helped along by the prophesised, very welcome, but largely short lived growth spurt; a marginal boost in height that was enough to steer me away from past echoes of Shrimp but quite some distance away from the moniker of Beanpole.

At around the age of 19, I watched in slow, grinding, year-byyear stupefaction as my younger brother Torben – three years my junior and up till then ever my shorter – surpassed my chin, had the audacity to equal eye level a few short months later, before continuing on to be so much taller than me that people mistook me for his son.

The fact I often wear a bib as a hipster fashion statement probably doesn’t help matters.

Throughout my life I have gone through cycles of caring about height, from the giddying highs of ‘Short? You BET I am, and proud of it, baby!’, past general apathy, and down to kneetrembling despair, usually brought on from being unable to reach something… like a foot stool.

The ‘90s viewing experience of Fresh Prince of Belair was normally a good gauge at where I was on the cycle. Will Smith’s relentless battology of short jokes aimed at cousin Carlton could set me whooping and slapping my tiny thigh one week, then driving a quivering dagger of self-knowledge right into the heart the next.

So why give so much of a toss? Is it because 20% of supermarket produce is off limits? Or the fact every time I wish to buy a suit or jacket they never have my size, inducing scenes where I fall to my knees in the middle of a Hugo Boss, thumping my chest, and screaming “I am not an animal! I AM NOT AN ANIMAL!”? Or is it simply because I can’t see shit at rock concerts?

Hell, even former French president Nicolas Sarkozy worries himself about it. The size-challenged surrender monkey is often photographed standing on a box at lecterns, or poised on tiptoes for photo opportunities.

I can’t speak for Sarkozy (I don’t know French, for starters) but what weighed heaviest on my mind growing up, particularly in

those crucial mind-bending formative teen years, was a simple conviction that height = attraction.

All the tall chaps in my school years seemed to be doing alright. Myself? Not so good, dear readers. Not so good. Of course this probably had more to do with my appalling dress sense and a set of teeth that could eat an apple through a tennis racquet, but that’s another story for another column.

This left me with only one option; grow a personality.

Like most short-statured folk, I had a choice; be like a feisty pitbull, or be funny. With the inability to punch my way out of a wet paper bag with scissors in each hand, I chose the latter. And you know what? It’s worked out OK.

A towering personality becomes a more valuable commodity as you move out of the fickle awkwardness of the teens and into the 20s and beyond. It’s like shares, gleefully paying richer dividends to those lovely enough to stick around.

With a face like this, I’ve managed to enjoy intimacy literally an amount of times. And I have a beautiful partner. Result!

So chin up, my ugly, short statured chums; personality becomes a winning trait as age increases. Unless you’re dull as well, in which case you’re screwed.

For now, I’m off to send Sarkozy a forward of one of those de-motivational posters doing the rounds that sees the man himself, wife Carla Bruni and the Obamas in a photo op, with Sarkozy on tip-toes to match his taller snapped chums. The caption? “Dude, you’re the president of France and your wife is smoking hot… Really, it’s OK.”

*no, not those kinds of balls, you weirdo. I was referring to my testicles

Urban Guerillas travel through space and time to converge on Smith’s Alternative to present a selection of songs born out of the passions and exploits of urban Australia. The show will launch the Equation of Life EP released just before Covid sent us all doolally. The band will also showcase current digital releases MRI, So Hard, and Hurricane, as well as an array of highlights from their 40 year, 15-album career. The band’s commitment to fairness, justice, equality, welfare, and the environment stand out as much as their urge to have fun. 3pm - 5pm, $20/$25 via smithsalternative.com/events/urban-guerillas

Celebrate Gungahlin toasts the culture, community, and resilience of Gungahlin’s people, groups, artists, and businesses. Find new friends and hidden gems, deepen your connection to the region, and learn to see the place in a whole new light. Join in for a series of themed events that highlight the skills, diversity, and strengths of the community. Featuring the best local artists and performers, kids activities, delicious food, and opportunities to connect and have a go with local sporting clubs, community groups, and activity providers; there’s something for everyone! celebrategungahlin.com.au

Fresh off shows in Europe/UK including Maverick Festival (“the find of the festival” - Three Chords), Catherall has dropped self-produced new single Bark At The Moon, spinning a tale of two lovers’ fleeting passion. Compared to US icon Jason Isbell, the Geelong-via-Canberra Riley cut his teeth playing East Coast jazz and blues bars. 2019 saw debut EP Venture In Vain (ft Kasey Chambers on Robin), and last year saw debut LP When I Go gain rave reviews. Signing to Compass Bros Records, he’s an artist who balances gritty realism and heart-warming charm through thoughtful lyrics. 6pm, $20 + bf via Humanitix

What a talented twosome Canberra brothers Quinn are. Morgan and Hayden are musical forces in their own right; the former under the guise of NISSON: UNSTOPPABLE, the latter under Null (see also Rachel Haircut, and Paqman). Together they are Big Reef, creating nouveau new wave pop trips that absorb an amalgam of influences, transforming them into playful musical experiences. Strap in for an exploration of pop, dance, funk, and electronica, following their Hot Chip/Client Liaison Do It Again with Tricka Da Light, and a tasty launch show w/ The Burley Griffin and Suli. 8pm, $10 via Trybooking

Tom Bailey—of ‘80s hit pop group Thompson Twins—returns to perform the band’s great songs, including all the tracks from their global hit album, Into The Gap (to whit, Doctor, Doctor, Hold Me Now and You Take Me Up). Following the Thompsons, Bailey worked on various collabs and projects, exploring his creativity. As International Observer, he’s released almost ten albums, the core works being 2001’s Seen, 2009’s Felt, 2014’s Touched and the Dungeons of Dub series. In 2018 he released his first solo album and first pop album in 22 years, Science Fiction 8pm, $69.90–$229.90 + bf via venue

It’s a one-day outdoor event in Glebe Park filled with life and joy. Enjoy non-stop entertainment from some of our finest LGBTIQA+ performing artists, a showcase on Canberra’s finest food and wines produced within the region, and over 60 market stalls from our LGBTIQA+ community and local businesses. Hosted by Bambi Valentine & Roland Bull, the day includes Tiptoe Giants, Dog Parade, Qwire, Kickball.com.au, Yokelust (DJ set), Jye Gray, Contentious Character, Drag-O-rama, ETHAN, and many more. 11am - 5pm, and it’s a free event!

Riley Catherall / Former local singer-singwriter with heartwarming charm / Fri, 14 Oct / The Front

Urban Guerillas / Tales of Urban Australia and fairness for all / Sat, 8 Oct / Smith’s Alternative

Celebrate Gungahlin / Music, arts, markets, picnics, community /

Oct / Various locations

Big Reef / Nouveau new wave pop trips / Fri, 21 Oct / Transit Bar

Tom Bailey / Playing the Thompson Twins hits + more / Wed, 26 Oct

Canberra Theatre Centre

Fresh Out / Fair Day, Canberra’s largest LGBTIQA+ community event / Sat, 29 Oct / Glebe Park

LOCALITY

[ THE WORD ON LOCAL MUSIC ]

WITH RUTH O’BRIEN. SEND GIGS AND INFO TO: [RUTH@BMAMAG.COM]

Hey fabulous people! How’s it going out there in the big wide world? I feel like I’ve finally accepted that things are BACK!

Dunno about you, but this year’s been a weird one for me. Mental health-wise, I’ve struggled, and I know I’m not the only one. The last few years were an absolute shit show for the arts and music industries and, now that things have returned, it’s great and all, but also feels slightly surreal?

Just thought I’d share that with you in case you have felt the same :)

The sector is still in recovery mode and it will probably take a while to regain confidence, which segues nicely into me saying “support live music and the arts!”.

However, if you’re reading this mag, there’s a good chance you’re doing that already. Regardless, here’s a few gigs to mark in your calendar for Oct-early Nov.

On the Saturday, 8 October, there’ll be a fun night of music out at the Braidwood National Theatre from 6pm. Come — Together will be hosted by local musician, Michael Simic, and will feature an eclectic range of musicians including Gordon Pritchard, Kelly Sturgiss, Johnny Huckle, James Luke, Rachel Johnston, Keith Potger (Seekers, anyone?) and many more.

The concert is part of the 2-day cultural event of the same name, celebrating and exploring Braidwood’s local history. This is a free event, is BYO drinks, and will have food available to buy from Chez Mey. For more info email cometogetherbraidwood@gmail.com

Throughout October, Rebus Theatre will be performing their Playback Theatre show, At The End Of Our Street Playback Theatre is a form of improvisational theatre in which audience members tell stories from their own lives, then watch as actors and musicians enact them on the spot using movement, music, and words, but without script or rehearsal. It can be moving or funny according to the stories shared. This show is a cross disciplinary arts project to build resilience across south-east Australia. Rebus has recently taken this show on the road, heading out to the Bega Valley, Eurobodalla, and East Gippsland, before wrapping up the last shows over the next week.

The show will be happening at three different locationsFriday, 7 October from 7pm - 8:30pm will be at The Hive,

Crawford St, Queanbeyan; Sunday, 9 October from 2-4pm it will be at the Braidwood National Theatre (popular venue this month!); and on Saturday, 15 October from 2-4pm, the show will finish at The Street Theatre

To book and to find out more, head to rebustheatre.com/ performances/project-alchemy-tour/

Over at Transit Bar on Friday, 14 October from 6:30pm, there’ll be a whole lot of exciting music to have a boogie to. Yup, Friday Fiesta will feature Bobby James, Black Cypress, Moondog, DJ Dede da Cruz and DJ Rafa Chango. It brings a whole range of genres to your Friday evening, including reggae, ska, Latin, folk, and roots music. Tickets are just $20 and can be purchased via Humanitix.

Also that night, Flowermarket will be performing over at Smith’s Alternative. The indie-rock band will be supported by Wagga’s indie-pop outfit Frostbite, and dreamy rock five-piece Never Speak Her Name, with things kicking off at 9:30pm. Flowermarket are a four-piece that navigate psychedelica, summery riffs, and catchy vibes. Tickets are only $15 and can be bought directly from Smith’s.

On Sunday, 16 October at 6:30pm, the Luminescence Chamber Singers will be performing their most recent work, Drawing Breath, at the National Museum of Australia. In this show the singers will explore first breaths, last breaths, and music as diverse as the vast compass of human life and feeling in between: from Machaut and Gesualdo, to Pink Floyd and Florence and the Machine. Add to this newly commissioned works by Brenda Gifford, Connor D’Netto, and Dan Walker

Tickets can be purchased for $32.74 from the Luminescence website at luminescence.org.au/drawing-breath

If you feel like heading out to Tumut on Saturday, 29 October, Lucy Ridge and the Derby Widows will be performing at Tumut River Brewing Co. for Oktoberfest. The band are an energetic ninepiece “horn-powered supergroup” of Canberra musicians. Influenced by Aretha Franklin, James

Brown, and Tower of Power, Lucy has an amazing, soulful voice and a fantastic onstage presence.

Oktoberfest tickets are $29, the day kicks off from 2pm, and the band will be on from 8pm - 11pm. You can getcha tickets from trbc.com.au

If you’re looking to hear and see some of Canberra’s best female singer-songwriters, make sure you head along to Queenies in Kingston on Sunday afternoons from 2-5pm for The Queen Bee Sessions

to know many of the skilled and talented musicians who call the ACT home. To find out more, head to facebook.com/ queeniesatkingston

And finally, a reminder about Mid-Week Mingle at Belco Arts on Wednesday, 19 October from 5:30pm - 7pm. If you’re a performing artist or arts worker in the Canberra region, this is an excellent opportunity to meet with others, talk about projects you’re working on, find collaborators, and learn about new opportunities.

This event is totally FREE but registrations are essential via belcoarts.com.au/performing-arts-networking/

Mid-week Mingle!

Hope you have a fantastic October and manage to get to some of these great events!

These free, all-ages gigs are a fabulous way to wrap up your weekend and get to know more of our local artists, hear their work and some covers, and support live music. The line-up changes every week so, if you head along regularly, you’ll get

Remember that purchasing tickets early is SOOO helpful to event organisers, so if there’s something you see in the mag that sparks your interest, buy a ticket STAT!

Hopefully see you out at something soon.

MirrorMirror

Canberra classical duo Tabitha Hart and Ally Howe have contributed their ample talent to enhance many a muso’s musical offerings, and now have only recently joined forces under the guise of Mirror Mirror; delighting and enchanting bodies and mind ever since. BMA caught up with the toothsome twosome.

Group members:

Ally Hocking Howe (violin) & Tab Hart (cello).

Where did the band name come from?

Nick who is in BURNISH with Ally thought it up.

How did you form?

We met at a gig last year and Tab reached out to Ally to get some jazz lessons. We worked together over lockdown and then in March/April this year we started gigging together.

Describe your sound:

We do a lot of contemporary/pop covers using a loop station, and then improvise over the changes. We often trade solos back and forth!

What key tracks should people immediately check out?

We are still in the process of recording our first single but if you head over to @mirror.mirror.band you can stay up to date on the release progress.

Who/What are your influences, musical or otherwise?

We both have quite an eclectic music taste, between the two of us we’d have most genres covered! Except maybe metal…

What are some of the most memorable experiences you’ve had?

This year we’ve been playing a bunch of gigs at Floriade which has been really fun. We love sharing our music with people. It was also

pretty special to be able to connect weekly via zoom over the whole lockdown, it really kept us sane!

What is it that you love about the scene? Your genre’s scene?

In all honesty there isn’t much of a scene for our genre - we often get feedback that audience members haven’t heard live strings played the way that we do! But the Canberra music scene as a whole is a really welcoming and collaborative place. Tell us about one of your proudest moments?

Our first gig as an officially formed duo. It’s been really special for us to work together.

What are your plans for the future?

We hope to keep making cool music and doing our own composed loops as well! We’re working on a bunch of different projects so stay tuned.

What makes you laugh?

That we both can’t make it to things on time.

What pisses you off?

Some of the difficulties we face as a women-only group in the Canberra music scene.

Anything else you’d like to add?

It’s been a super busy year for us but we’re really grateful for all the support we’ve received so far! Thank you!

Where can people check you out?

Please give us a follow on our Instagram page @mirrormirror. band. We also do weddings and corporate events so hit us up if you need us!

THE DREAMERS ARE WAITING FOR CROWDED HOUSE

The long wait is finally over as Crowded House head to Canberra as part of their highly anticipated Dreamers Are Waiting Australian tour. We took advantage of the opportunity and spoke with founding member, Nick Seymour, to find out what’s been happening in the Crowded House universe lately.

By Joshua Eckersley

It’s 6pm here in Australia as I wait for a phone call from Crowded House bassist, and (as I soon learn) all-round nice guy, Nick Seymour.

He is calling me from the small town of Sligo, which is located on the west coast of Ireland, where Nick has resided for many years now.

Having never been to that part of the world myself, I’ve no idea of the time difference, but he seems chipper enough and not at all put out or inconvenienced by the obligatory press interview, so we are off to the races, so to speak.

As mentioned, I’ve not been to that part of the world so I’m willing to take it at face value when Nick informs me that the glorious Sligo is both a town and a county, much like Cork, only better. At the risk of offending the good people of Cork, I hastily agree. After all, how many world-famous Aussie expat musicians can Cork boast of? I hazard to guess… Nick asks if I am somehow linked to the famed Eckersley’s art supplies stores across Australia, which unfortunately I am not. Given he is a well-known visual artist, having created all the Crowded House album covers, he tells me they do great work, despite having to deal with awkward artists as they explain about needing “rabbit-skin glue or weird print-making devices”.

I assume this all to be true, but given I am a life-long fanatical Crowded House fan, I’d believe anything at this point. Probably best

if I get straight into question-time before I expose my fan-boy status and do something stupid like start singing Better Be Home Soon. OK, let’s get down to business.

Crowded House have released seven studio albums over the span of their 35-year career (give or take), traversing many peaks and valleys along the way. Back in 1996, at the height of their popularity, the band famously said farewell to the world, on the steps of the Sydney Opera House, in one of the most memorable concerts in Australian history.

I was there, and odds are you were too, or perhaps you watched it on VHS, if you’re old enough to know what VHS is.

After the first hiatus, which also saw the tragic loss of drummer and fellow-founding member, Paul Hester, the band re-formed to release two further albums, Time On Earth (2007), and Intriguer (2010), before again, biding us farewell. Now, the band is back yet again with their latest album, Dreamers Are Waiting, and a new band line-up that features not one, not two, but three Finns.

Front man and main songwriter, Neil Finn, has engaged the services of his two sons, Liam and Elroy, to fill the guitar and drum slots which, says Nick, was always on the cards.

“I always knew at some point that the next generation would come on board,” he says. “In our history, and in my experience of working with the Finns, I was very aware of the legacy

of Split Enz, where Tim (Finn) called up Neil and said, join us. Neil, who was 19 years old at the time, steps up to the plate and starts writing their hits and suddenly it was open season,” Nick chuckles.

He continues down the Finn-timeline: “Neil formed Crowded House with Paul and I, and then remembers how fantastic the relationship with his brother was, in terms of writing, so he asked Tim to join us.

“Then, after we split up, Neil tries to reinvent that muse and he realised he writes perfectly with Liam, his eldest son. And in the void of having lost Paul, and needing a drummer that has that sensitivity, Elroy stepped in perfectly. So, it makes sense to me that there are always Finns coming and going.”

Listening to the latest album, Dreamers Are Waiting, it is evident that the young Finns have injected a new level of energy and excitement to the band, along with longtime producer Mitchell Froom who has also become a full-time member. With recent singles, Playing With Fire and To The Island,

the classic Crowded House magic is everpresent, but is now accompanied by nuanced groove and quirkiness, signifying rejuvenation and an element of good old-fashioned fun. Nick affirms his endorsement of the new lineup as he tells us: “They step up to the plate,

energy wise. Liam is known for his incredible, belligerent energy that he really delivers.

And with Elroy, as a drummer, it is imperative to be touch-sensitive when playing a ballad, then absolutely jumping out of your skin when playing a rock tune. He is great at that.”

The upcoming tour is coming to us a little later than expected, due to an unforeseen rescheduling. Nick recalls:

“We had started our Australian tour of this album earlier this year, but Neil contracted Covid and we had to postpone some of those dates whilst he went into isolation.

“So, this is a catch-up tour to honour our obligations, and we have added a few more dates as well. It’s been a funny situation to navigate, particularly as a touring musician. We’re all dying to play shows but there are realities to how we manage it all.”

Having just finished a hectic European tour, the band will be in top gear and ready to rock when they hit our shores. They have recently played some huge festivals, such as Glastonbury, and the Pinkpop festival in

Netherlands, but according to Nick, he will feel more at home in front of Australian crowds, where it all first began for them.

“I think the best part of touring Australia is that we’re going to regional areas that I haven’t been to since the band first started touring, with just me, Neil, and Paul,” he says.

“We’re playing Albury-Wodonga, and I’m from Benalla, which is not too far away. I haven’t been to that part of Victoria for 30 years or so. It’s at that time of year when it’s not too hot, it’s not yet summer, so I’m really looking forward to breathing the air and looking at the diamond light.”

Crowded House are bringing their exciting new line-up, and their swag of new songs to Stage 88 in November. Be sure to grab your tickets before they run out.

WHAT: Crowded House, Dreamers Are Waiting Tour

WHERE: Stage 88 (Commonwealth Park, Parkes ACT)

WHEN: Friday 11 November 2022, 5pm

TIX: $122.20 - $162.98 via Ticketmaster

Photo: Kelly Brown

“ They step up to the plate, energy wise. Liam is known for his incredible, belligerent energy that he really delivers. And with Elroy, as a drummer, it is imperative to be touch-sensitive when playing a ballad, then absolutely jumping out of your skin when playing a rock tune. He is great at that.”

“CANBERRA IS THE PLACE THAT MADE ME BRAVE”

By Joshua Eckersley

R&B sensation Thndo has made it big on the national stage, and is coming back home where it all began.

From humble beginnings at Lake Ginninderra College to an extraordinary turn on TV show

The Voice, R&B sensation Thndo has come a long way since her formative years in Canberra.

Having grown up in Canberra, the Zimbabweborn Thndo made waves as a musician in Melbourne before placing second on the TV music competition.

“Canberra is the place that made me brave enough to step out into the world in a bigger way than what I had ever thought,” she says.

“It’s really great to know that I can always come back home to where it all started for me.”

Thndo will perform twice in Canberra in the coming months. Once at Floriade Night Fest and again at The Street Theatre as part of her much-awaited Reintroduction Tour. Both concerts show a different side of Thndo and are the perfect package for fans, and those who want to get to know her artistry more.

“I think sometimes, with all the pageantry of loud music and lights and bands and everything that you see on telly, you can lose the essence of who the artist is,” she muses. “I really just wanted to strip it back and let people know who I actually am and how much I’ve grown since I first left Canberra.”

The Reintroduction tour features Thndo’s repertoire in a beautiful orchestral arrangement, placing an emphasis on the lyrics and stories.

“I want [the audience] to get to know who I am as an artist and as a person,” she says. “It’s so important to me as an artist to be completely authentic in everything that I do, because I don’t know, with someone listening to me, what their lived experience might be, and how they might be able to relate to what it is they’re hearing while I’m performing.

“So, while I might be singing a song about falling in love or having my heart broken for the first time, whoever is listening to that finds

Photo: Laura Du Vè

themselves in that story and it offers them a moment of introspection. They can take that opportunity to go through those emotions and figure something out about themselves.

“Entertainment is an act of service because you’re making it about the person who’s consuming it.”

Thndo describes her music as conscientious R&B: “Hip hop and R&B have been a great vessel for me to articulate things that I’ve always felt, but never really known how to say.

“I’ve always grown up in environments where I was the only person of colour. Because of that, I always felt really nervous, to speak on some of my experiences, like discrimination or any other kind of racism.

“I always feel like when I’m performing, it’s not about me, and it’s about serving something bigger than me.”

As well as her experiences growing up black in Australia, Thndo’s growth as an artist is informed by her relationship with her daughter. Indeed, young Charlie was a key part of her journey on The Voice. No-one can forget her incredible audition and Charlie’s cameo role before and after the performance. Her experiences being a mother gave her the strength and fearlessness to embrace conscientious R&B.

“Being a parent empowers you in that way because that becomes the be-all and end-all of everything that you do. I’m no longer sorry for taking up space, and I’m no longer worrying about how I’m perceived. The only person that I’m doing anything in my life for now is my daughter. That’s allowed me to be able to take

more risks artistically. It’s allowed me to be able to speak on things that I’ve never felt the courage to speak on before.”

Dubbed the First Lady of Soul and R&B, Thndo has performed to huge crowds at festivals including Bluesfest, WOMAdelaide, Adelaide Cabaret Festival, Groovin the Moo, Big Sound, Jungle Love, and Woodford Folk Festival. Her solo shows have always attracted sold out audiences and encouraged her fans to reflect on themselves while enjoying the sounds. What can Canberra reflect on while she’s here?

“On the relationships in their lives,” she says. “I just want for anyone that might be feeling stuck to be able to find the courage to advocate for themselves and to be able to put themselves first. There’s nothing wrong with being selfish, because ultimately, your happiness will make everything else around you be as right for you as it needs to be.”

The seamless way Thndo explores the interplay between the deeply personal and bigger social issues, makes for a rich and nuanced musical experience. As Thndo reintroduces herself to the place that inspired her, we can be certain that her audience will be inspired in return.

“I literally came up with all the biggest ideas of what kind of artist I wanted to be in my bedroom in Evatt. I’ll never forget those moments. Now that I’m living a life I worked really hard for, it’s always really important to go back to where it all started for me.”

Thndo will perform at The Street Theatre on Friday, 28 October at 8pm. Tix are $39 via the venue. This concert is supported by the ACT Government Amp It Up ! Initiative

Up close andpersonal, with Vera Blue

By Joshua Eckersley

The vivacious Vera Blue is performing at Stonefest, so we caught up with the sultry singer to talk about her upcoming album, and her battles with depression and anxiety.

Born in the small town of Forbes, Vera Blue, also known as Celia Pavey, cut her teeth as a folksinger before breaking into the world of pop music with her appearance on season two of The Voice. A self-professed “hippie” at the time, Pavey took a leap of faith when auditioning for the TV show, and ended up snagging third place, along with the hearts and minds of her newly acquired fanbase.

Pavey has come a long way since then, evolving into a true artistic force of innovative, creative music. As Vera Blue, she has released an EP, Fingertips (2015), and her debut album, Perennial (2017), to swelling critical acclaim. The latter was recorded between Sydney and Los Angeles, and delved into the personal subjects of break-ups and heartbreak, cut to banging beats and synthpop gold.

Pavey has also notably collaborated with Flume, on his huge single Rushing Back, which has further catapulted her into the limelight, and into mainstream success.

If Perennial documented Pavey’s personal journey through heartbreak, then her upcoming sophomore album, Mercurial, is about everything that has happened since. She tells us:

“It’s about finding new love, being diagnosed with depression and anxiety, and going through all kinds of ups and downs, and learning from it.”

Pavey further explains how there were things she needed to talk about, which she put into her music, to create something people can relate to.

“This album is about learning to cope with big emotions and being able to harness and use them as a superpower, and not just see it as a negative thing. I am really proud of it, and it’s something I feel really strongly about. There are moments of empowerment on the album, and learning about yourself, finding your voice, and realising you are stronger than you thought you were.”

Lead single The Curse, released earlier in the year, tells the tale of falling into new relationships, getting let down, and making mistakes. Like most of the album, the song allowed Pavey to channel those relatable struggles into her music as a way of processing and sharing the journey with others. She reveals:

“There a couple of songs on the album that were inspired by what the people around me were going through, and they were the same things I had been through in the past, so it was easy to write those kinds of songs.”

all that stuff as well.”

All this beautiful, emotionally charged music will be pumping out on the Stonefest stage when Vera Blue headlines the festival later this month. After a three year wait, the festival is finally returning to the University of Canberra with a huge line-up and an expectation that it will be the biggest party of the year. Joining Vera Blue will be Ruby Fields, Luca Brasi, Hope D, and Arno Faraji, not to mention local faves ARCHIE, and Miroji.

Pavey tells us how amazing it is to be back out on tour and making up for lost time.

“Right now, things are really starting to pick up, and shows that were cancelled are now happening, so it’s good to finally have the energy back. It’s good timing to have a new album out, and to be touring, so I’m stoked.”

Regarding the inspiration for the track, she discloses, “It was something that my best friend was going through, so inevitably it rubbed off on me and I had to write about it.

It’s about falling in love with someone, and them not feeling the same way back, or falling in love with a friend and it keeps happening, and you see it as a curse because they don’t feel the same way. I was just being open to what was happening around me with the people I love, which is cool because I relate to

On the topic of Stonefest, Pavey can barely contain the excitement as she exclaims, “I’m pumped! It looks like it’s going to be a really good festival. We haven’t been to Canberra in a little while so it’s good to be coming back and playing some new songs and having a dance. Ruby Fields is playing, and I love Ruby. She’s so beautiful and so talented, so I am looking forward to going there and catching up with everyone. It’s going to be fun!”

WHAT: Stonefest 2022

WHERE: Concourse Lawns, University of Canberra

WHEN: Saturday, 15 October 2022

TIX: For further information, visit www. stonefest.com.au

Photo: Jason Henley

“ There are moments of empowerment on the album, and learning about yourself, finding your voice, and realising you are stronger than you thought you were.”

METALISE

Transitioning from frost to waterlogged isn’t all bad when there’s plenty of heavy metal around to keep one distracted from the trench foot.

The mighty Týr (Faroese Vikings) and tour buddies Arkona (Russian folk metal) are FINALLY slated for a huge night at The Basement on Thursday, 6 October after two long Covid postponed years.

to the Pot Belly Bar on Friday, 7 October. And Remains aren’t the only ones with new material on the bill.

Aided and abetted by Rumahoy and Beast Impalor it’s an absolute treat to get international gigs back at The Basement. Hold the heathen hammer high and get your tickets, including a very tempting VIP package for super fans, through the venue ticket site now.

Melbourne supergrind group Remains recently released their debut full length through Spikerot Records and it so happens to be an absolute banger.

Wretch have been slow-blast burning through a tenure that’s included a spot on the grind festival Shangri-La that is Obscene Extreme in both Australia and in the festival’s spritual home in the Czech Republic as a part of a broader European tour. The lads are currently putting the finishing touches on a new full length and, thanks to vocalist Benny, I got a preview. It’s a certified lift in intensity, production, and song writing.

Blight Worms round out the bill and doubtless will bring their bag-tearing consistency to the show.

The good times keep coming at the Pot Belly Bar on Saturday, 8 October with a super sludgey bill so thic it makes Megan Thee Stallion look like she needs a meal.

Lucifungus, busy as ever, head up a super bill of interstate heavy hitters. Goat Shaman have been my revelation of 2022 as Australia’s best new(ish) heavy band after hooking me at Sunburn and utterly decimating me at Canberra Metal Fest. Sludge and doom mixed with a totally unique recipe all of their own making, with the three guitarists all bringing a vocal that hits different, and a prodigious talent on the drums holding it all together.

Brisbane’s PistonFist drags the gig’s carbon footprint into questionable territory, but they make a welcome addition to round out the Temtris bill for the show with material from a soon-to-be released full length.

If the recently released single Dig In is anything to go by, it’s going to be a sharply produced piece of stoner

Entitled Grind ’til Death the album seamlessly blends death metal and grindcore influences to devastating effect. This should come as no surprise as the Remainiac alumni includes members of Blood Duster, Fuck…I’m Dead, Captain Cleanoff, King, The Kill and The Day Everything Became Nothing. Quite the pedigree!

It’s an album that rewards the listener with successive plays. Get on it at once.

The good news is you, too, will have an opportunity to join the Reaminiac army when the band bring this new material

WORD ON METAL] WITH JOSH NIXON

rockin’ heaviness with great guitars and a couple of complimentary vocals mixing strong melodies as well as more aggressive deliveries. Ripper weekend at the Pot.

If you want something a bit more opulent with your metal on Saturday, 8 October, The Basement and Temtris are hosting an evening of metal with Snakewitch, Terrorential, and Shockwave. Bringing some of Sydney’s best exponents in their respective flavours of metal. Tix via Oztix.

On Monday, 10 October Germany’s Acranius hit Canberra with the Mercy Denied tour with Zeolite and Alter Idem.

The heavy hitting German death metal band bring their 4th album to Australian shores off the back of a full suite of European summer festival touring. The discerning technical and progressive death metal fan will have all they need. If an evening of riffs is your bag, grab them tix asap {Editor Note: Just learned the gig may be cancelled; check venue for details]

Promising an evening of “unrelenting, uncompromising sonic punishment” Scottish extreme band Frontierer are on a national tour of Australia with Brisbane’s Apate. It’s Frontierer’s first Australian foray and it lands at The Basement on the Thursday, 13 October. Tickets via Oztix.

Ex-Kyuss, QOTSA and Fu Manchu members have a new band called Stöner who are brining the desert rock of the Palm Desert to The Basement on Monday, 7 November with good friends Mario Lalli & the Rubber Snake Charmers Hyrdanaut, they of no slouching stoner rock pedigree themselves, will be in support and your tickets are on sale now via Oztix.

Rebus Theatre Playback Ensemble/ The Hive (7 Oct) + Braidwood (9 Oct) + The Street Theatre (15 Oct)

Rebus Theatre’s Playback Ensemble is touring their new show At The End Of Our Street as part of Project Alchemy, a cross disciplinary arts project to build resilience across south-east Australia. Playback Theatre is a form of improvisational theatre in which audience members tell stories from their own lives and watch as actors and musicians enact them on the spot using movement, music and words. Moving and funny, Playback Theatre is a powerful way for people to share stories on common themes, providing a better understanding of the issues that concern them as a community. For more info & tickets - rebustheatre.com

I am the very model of a modern major music hall

I’ve information de-livered through character and musical

I know the songs most parodied and quote characters original

From British Tar to Gentlemen to Modern Major General

I understand that bookings both for singles and for those in groups, Are necessary as demand could see you all thrown for a loop

With many cheerful turns expected from the brilliant ensemble

There is no doubt this merry show is sure to be incredible.

For more info & tix, head to theq.net.au

Always punching way above its weight, the ANU Law Revue is celebrating its 50th anniversary! Join a whole host of new and old performers to relive content from across 50 years of comedy history. From searing topical political satire (Whitlam is still in power, right?) to songs and sketches lampooning Canberra, the law, life, and everything in between. Come see the show that humbly submits to the court that it is number one across revues nationwide. You can help them prove that booking The Playhouse was the right decision. 7:30pm, $45 + bf via canberratheatrecentre.com.au

Evonne Goolagong’s heartwarming story is a celebration of spirit and passion over adversity, and a tribute to a woman whose sporting prowess continues to inspire a nation, giving hope to thousands of young girls across the country. With its distinctively Australian sensibility and humour, Sunshine Super Girl asks us to consider our nation’s future and the part we can play for the next ‘Goolagong’ waiting in the wings. This landmark new Australian work is written and directed by Yorta Yorta/Gunaikurnai theatre maker, Andrea James (Yanagai! Yanagai!). 8pm + matinees, tix $30 - $70 via theq.net.au

Les Divas - An All Male Revue / Sat, 5 Nov / Goulburn Performing Arts Centre

Australia’s six-foot something songstress Prada Clutch plays the Goddess of Pop, Cher, in her new show set on the Las Vegas strip, featuring an all-star line-up of her most famous friends. It’s a 90-minute all-male revue that includes some of the world’s greatest divas, with turns of Barbara Striesand, Shirley Bassey, Tina Turner, Mariah Carey, Beyonce, Whitney Houston, Celine Dion, Dianna Ross and, of course, Cher.

8pm - 10pm, $57 - $65 via goulburnpac.com.au

A secular sermon on matters of the heart. Unrequited romance. Deep friendship. Motherhood. Break-ups. Self-love. Writer Clementine Ford and musician Libby O’Donovan will have you laughing, weeping, and cheering as they take you on a life affirming exploration of love and the powerful ways it makes its home in our hearts. Don’t miss this All About Women Festival fave as Ford reveals how surrender to love can be the greatest act of faith and bravery. It’s an invitation to come together and open ourselves up to everything love has to give. 7pm, $49 + bf via canberratheatrecentre.com.au

ANU Law Revue/ 50th Anniversary! / Thu, 20 Oct / The Playhouse, Canberra Theatre

Gilbert and Sullivan’s H.M.S Pinafore / 14 - 23 Oct / The Queanbeyan Performing Arts Centre

Sunshine Super Girl/ Evonne Goolagong play / 25 Nov / The Queanbeyan Performing Arts Centre

Clementine Ford & Libby O’Donovan / Love Sermon / 6 Nov / Canberra Theatre

The Nation’s Sexiest Politician Is Making His Mark!

Chris Marlton takes the time to find out more about Australia’s Hottest Polly, Stewdon Wharfdale-King; our country’s first reality-star to win a seat in Parliament.

Pretty-Cool Thinking from a Critical Thinker

The founder and sole member of the controversial new Middle Party introduced a Wild Bill into the lower house today. Stewdon Wharfdale-King, more famously known as S-Wing, the nickname he gave himself during his recent stint on the hit reality show Search For a Role Model, declared war on skin cancer with his “Hat or Life for Life” law. He hopes the new Bill will be passed unanimously through both the upper and lower houses of Australian Parliament over the coming weeks.

“We are here to party… political party. But that doesn’t mean we can’t have some fun in the sun!

“The sun has had its day in the sun. I’m not here for excuses, I’m here for solutions. If we don’t do something about this, we’re all gonna get burned. I’ve been burned before,” said S-Wing in his official press release.

The new law, if passed, will make it illegal to go outside without a government approved widebrimmed hat with neck-shield. S-Wing stood in the house of representatives today wearing a beige Sunday Afternoons Ultra Adventure Hat, despite the speaker of the house, Aleashia Yort, repeatedly requesting he remove the hat as he read out the details of his proposed new law amidst snickering and slander coming from both of the major parties.

Happy Speaker, Full Beaker

Today’s reprimand of S-Wing by Ms Aleashia Yort, the youngest speaker of the lower house in Australian Government history, would mislead those who are not fully abreast of current

affairs up on the hill. Yort and S-Wing have been having a public and controversial affair for six months. Yort was previously married to leader of the opposition, Carey Taughrie, for 11 years, and is nine years S-Wing’s senior.

“I don’t care if they call me a cradle-snatcher. Stewdon is an absolute elephant in the bedroom, and aside from my political career that’s the only thing I care about,” said Yort in a press conference outside the Kimberley Kruiser T3 caravan the two share, which has been camped near Cotter Dam for the winter.

“He fills me up… emotionally. Makes me smile, cooks me pancakes. And he’s a real babe.”

Baby On The Way-be

The happy, political power couple of S-Wing and Yort announced their pregnancy earlier this month.

“We travelled to Panama last month to pay for an IVF procedure that is illegal here. Aleashia is currently carrying Nonuplets,” announced S-Wing.

“It’s a huge commitment, yeah,” said Yort, who already has five children with her ex-husband, “but Stewdon seemed keen, so why not?

“I’m planning to have over 100 children, but I don’t have time to do that the way nature intended… so Panama was the only choice.”

Doctoring Doctors

Professor Wilford Izklaimah of the Universidad Católica Santa María La Antigua in Panama, has become infamous recently for his claims that humans should be having many more children, stating that we’ll only conquer the galaxy when we’ve reached 50 billion people on earth.

“It’s not easy, holding these beliefs, but I’m not going to lie about conquering the galaxy, am I?” said the Professor during a private interview

with the United Nations back in February of 2019.

In order to ensure the earth’s population grows quicker, Wilford and his staff have been working tirelessly to invent new medical treatments that will allow for births of up to 30 children at a time from a single pregnancy.

“They won’t be tall, but who cares about height anyway? I’d rather conquer the galaxy and be four-foot-nine than go extinct at six-foot-two.”

Global medical professionals, sociologists, celebrities, and politicians have called for the Panamanian government to stop the experimental nature of Professor Izklaimah’s work, but so far have had little success.The clients are paying big dollars for large litters of humans, which is being used in part to bribe local officials.

Chasing The Don

S-Wing’s own family are furious that he’s gone into politics, and aren’t too happy about how many kids he wants to have, but they’re trying to understand.

“I used to play cricket, but I never got my century,” says S-Wing. “But, thanks to Professor Izklaimah, with maybe four or five partners, I should easily be able to have over 100 children. Eat your heart out Don Bradman… eat your heart out.”

Chris Marlton is a comedian, writer, painter, and film-maker. Tickets to the filming of his hilarious show Muesli Balloon on 29 October at the Canberra Theatre are available via the venue. All other upcoming comedy shows are available at www.linktree/ ChrisMarlton. Follow @chris.marlton & @laserfirecomedy on Instagram and @ ChrisMarltonComedy on Facebook.

Marky Worthington has been promoting and MCing in the ACT comedy scene for five years.

In fact, exactly five years to the day when Marky first set foot on the comedy boards, he is taking to the Smith’s Alternative stage on Saturday, 5 November for his first ever solo stand-up show.

So what better time to catch up with the dear, hardworking soul in order to learn more about him, his craft, and his future.

What got you into comedy?

I’ve always been a fan of comedy for as long as I can remember. From a young age I was watching John Cleese, Robin Williams, Akmal Saleh, and Carl Barron.

When I saw I could do it myself, I couldn’t resist.

How would you describe your style of comedy to the layman?

Observational humor, Non PC, and Storytelling. How would you describe your style of comedy to a TV Exec looking to sign you to your own TV series?

A fresh new look at modern situations influenced by traditional legends.

Who are some of your favorite comedians?

Currently, I really like Bill Burr, Jay Oakerson, Jim Norton, Dave Attell, and Shane Gillis.

What’s one of the funniest/weirdest things that’s happened in your career?

After the initial 2020 lockdowns and we could start to do outdoor gigs again, I did a comedy gig in a car park. Someone didn’t know the gig was on and nearly backed a truck through the crowd.

What’s one of the proudest moments of your career/ life in general?

After my teenage years of watching Akmal Saleh on TV I was able to perform with him recently. It was a very real moment.

Here’s a section where you can write anything you’d like (why wait for the right question when you can riff yourself!)

I have done so many random gigs. Outdoor, MC, doing comedy between bands, charity events, to two people or 500 people. Ether way, I give it my all.

Comedians hate being asked “tell us a joke” when people find out they’re comedians. So... What’s one of your favourite jokes?

When I get asked to tell a joke I say I’m glad I’m not a dentist or they would probably want me to take a look at a bad tooth to prove my profession.

What exactly is the meaning of life?

To make more people so the cycle continues.

Hecklers… A help or a hindrance? Do you have any particular favourite “come backs/put downs” for the lippy segment of the great unwashed?

I encourage people to get involved in most cases but if I don’t invite it, I love crushing their souls.

The Danish word ‘hygge’ encapsulates a general feeling of warmth, happiness and glow. What would create this sensation for you?

Absolutely destroying a crowd with laughter. What is your favourite: a) film b) book c) TV show d) stand up set?

a) Uncle Buck b) Goosebumps series c) The Sopranos d) Patrice O’Neal’s Elephant in the Room

Anything else you’d like to add?

I’m really excited to pour my heart, soul, and five years of comedy in my first solo show. I hope everyone who comes along has as much fun watching as I do performing it.

And you can support the man who has supported the scene for so long by popping along to Marky Worthington’s first ever solo show at Smith’s Alternative on Saturday, 5 November at 6pm. Tix from the venue (or use the QR code to the right!)

LOUIE LOUIE BRINGS JAZZ AND COCKTAILS TO THE SYDNEY BUILDING

By Emma Macdonald - Associate Editor of HerCanberra

Article courtesy of our friends at Her Canberra - hercanberra.com.au

Entire generations of Canberrans have come of age in the space which, over decades, has been home to the Private Bin, ICBM, and Meche.

Now it is time to walk up those stairs once more and take in a vastly more up-market vision in the form of Verity Lane Market’s newest offering, Louie Louie.

But before we go any further, may we helpfully suggest you pronounce that as Louee Lou-way. You know the song: Louie Louie, oh baby Me gotta go Aye-yi-yi-yi, I said…

To this day, the lyrics are still as confusing as they ever were. That stated, the name is surprisingly fitting, according to Verity Lane owner Phillip Keir.

Phillip, an entrepreneur and former publisher of Rolling Stone Magazine Australia, has a deep affinity with music and sees this new bar and venue having a very eclectic flavour, just like the thousands of different recorded versions of its namesake song.

With a large stage taking up one end of the vast 360-person capacity space, Phillip is determined to get the music restarted in the historic building.

And it’s all going to begin with jazz.

From early September, Gin and Jazz has been flowing liberally at Louie Louie every Friday night. The Louie Louie House Band comprises Wayne Kelly, Chris Pound, and Mark Sutton collaborating with an array of Australian artists curated by Canberra jazz musician Alex Raupach.

Concerts will feature original music by the visiting artists alongside music arranged by Alex and the trio.

Rising stars of the Australian jazz scene feature throughout the series, while a special first-time collaboration will see Sydney ensemble Sandcastles, fresh from their debut at MONA FOMA, perform with Melbourne trumpeter Ashley Ballat.

The series also sees jazz talent nurtured in Canberra returning to headline in their hometown.

“This is a line-up to launch Verity Lane Market as a home for amazing music,” said Alex.

“It’s for anyone who could use a bit more jazz in their life, whether they are avid listeners or just looking to finish their week off right with great music. The bar’s got the gin, but these artists have got the tonic for the soul.”

The series is supported by the ACT Government through the Amp It Up! program.

While Louie Louie will also open its stage to comedy, burlesque, and folk, the focus on jazz seems a fitting genre to enliven the Sydney Building given the structure and the jazz era both began in the 1920s.

Louie Louie has kept its rustic walls, exposed brick and original wooden rafters, there are new floorboards and a gloriously handcrafted

spotted gum bar which will be led by a strong gin menu but offer patrons a wide range of other spirits and craft beers.

It’s good news for Canberrans who have been aching for a live music hit, but also for those who have found it hard to get a table at the now thriving Verity Lane Market. Upstairs the space has also seen the addition of a very suave Juliet Bar which is also a dedicated conference space.

Meanwhile, easier access between the downstairs bars has been created by knocking out large doorways between Brew Nation and Dear Prudence.

And spillover crowd can now enjoy new surrounds in the corner spot, named the Edith Bar. As is the case with all spaces in the European-style food hall, you can order what you want and take it anywhere upstairs or downstairs depending on your mood.

At Louie Louie, make sure you look out for the lovingly preserved patches of wallpaper which were laid down in the bar’s previous lifetimes, but we must express relief that the sticky carpet is long gone.

Happily, Louie Louie is presenting a far more elegant late-night option than we experienced in our younger days.

The Essentials

WHAT: Louie Louie Gin and Jazz at Verity Lane Market

WHEN: Each Friday until 28 October, with dinner and drinks from 5pm and music from 8pm. Admission is free

WHERE: Upstairs at Verity Lane Market, 50 Northbourne Avenue, City

“ It’s for anyone who could use a bit more jazz in their life, whether they are avid listeners, or just looking to finish their week off right with great music. The bar’s got the gin, but these artists have got the tonic for the soul.”

Tamikrest Brings the Desert-RockReal

By Joshua Eckersley

The mystical Mali desert-rockers, Tamikrest, are coming to The Street Theatre as part of their first ever Australia tour. We talked to singer/guitarist, Ousmane Ag Mossa, about the magic, the mystery, and the magnetism of their music.

The band, Tamikrest, hail from Kidal, Mali, and for the last 15 years, they have been busy spreading their mix of traditional African music and Western rock all over the world. They cite influences such as Pink Floyd, Mark Knopfler, Jimmy Hendrix, as well as fellow Mali-rockers, Tinariwen, considered to be the pioneers of desert blues.

Tamikrest front man and main songwriter, Ousmane Ag Mossa, sings in Tamashek, a language spoken by nomadic tribes across North Africa, but as he tells us, “Music is a language that is not spoken. It’s a way of living. It’s not about passports, it’s about the feeling. We happen to sing in a language that not a lot of people understand, but we are a rock band, and our music is very rock orientated.”

The band released their widely acclaimed album, Tamotaït, in 2020, which was recorded in rural France, with producer David Odlum (Glen Hansard, Gemma Hayes, Tinariwen), who also worked on the band’s 2016 release, Kidal Along with their enchanting melodies and scorching rhythms, the album possesses, at times, a meditative ambience that works to link the songs together in a dreamscape of sound. Lyrically and thematically, the album deals with some big issues, such as the fighting that has

plagued northern Mali, and wider regions, for several years. The band has been motivated to create a musical reaction to these hardships, calling for change, and for an end to the fighting in their homeland.

On contemplating the themes and meanings behind the overall album, Ousmane affirms:

“The word, Tamotaït, means something new, a new start, a better future. There are too many issues in the world, and too many people still suffer in this era. We hope for change. We hope for a better life for everyone in the world. In our lyrics we sing about hope, and this longing for fairness and justice for all.”

The album features guest-performances by ethereal Moroccan singer, Hindi Zahra, along with traditional Japanese musician, OKI. The collaborations inject an alluring alchemy to the sound that heightens both the intrigue and intensity of tracks such as Timtarin

Ousmane describes these partnerships as “a coincidence, a destiny. It just happened, and it felt right. That connection, if you’re not a musician, is very hard to explain. It’s not something rational, it’s a passion. It is the heart that speaks.

“We are long-time friends with both artists, and now that they have participated on our album, we are extremely grateful and proud.”

Tamikrest have been busy touring the world, having just completed a mammoth musical expedition across Asia. They have developed an impressive reputation as one of the most

exciting live bands in the world-music genre and have been enjoying the opportunity to get back out on stage. Ousmane tells us:

“Touring is our way of living. Sharing our music with the audience, interacting, and feeling the vibe is what we like most. We get to meet different people and cultures all over the world. We are really glad that we can tour again.”

The good news for Australian audiences is that Tamikrest are bringing their amazing live show to us for the first time ever. The band will be performing songs from Tamotaït, along with some choice cuts from their back-catalogue. The guys are very keen to share their music with new listeners, as well as soaking in the atmosphere. As Ousmane exclaims:

“We are very excited about it! We don’t know the country very well, so we are very much looking forward to discovering more about Australian audiences and their habits, their culture.

“We will play our songs, our music, and hopefully we will have the chance to interact.

“We’ll bring it with passion and energy, and we truly hope that the public will feel this as well.”

WHAT: Tamikrest (Mali)

WHERE: The Street Theatre

WHEN: Sunday, 30 October, 7:30pm

TIX: For further information, visit, www. thestreet.org.au

This concert is supported by the ACT Government Amp It Up! Initiative.

Photo: ThyCool

Quentin Angus On The State Of Things

By Joshua Eckersley

This month we spoke with award-winning guitarist and composer, Quentin Angus, about the state of the world, his upcoming Australian tour, and the inspiration behind his new album, The State Of Things.

For a lot of people, jazz is something you either understand or you don’t. It can be a cryptic door, and where some can’t quite work out the lock, others will walk straight through and won’t ever look back. For Quentin Angus, jazz is a way of life that is embedded in his DNA, and he wouldn’t have it any other way.

Born and raised in the small town of Eden Valley, South Australia, Quentin started playing guitar at the age of four, and has not put it down since. His obsession led him on a journey from his small country town to New York City, where as an Associate Professor of Music at the University of New York, Quentin now lives and breathes music. Considered by many to be the jazz capital of the world, Quentin has been soaking up inspiration from his New York City surroundings.

“It’s amazing! he enthuses. “It’s the best place to be in the world for jazz. It’s super competitive, which really makes you question what your contribution to the music is, and what is special and unique about your playing. It is a very inspiring place to be. You also have access to the world’s top players, 24/7.”

This access has proven beneficial for not only seeing the world’s best musicians perform, but also playing with them, which is something

Quentin has taken advantage of on his new album, The State of Things. The key players tasked with bringing the songs to life with Quentin were Nate Smith (drums), and Michael Mayo (vocals), two contemporary musicians well-versed in not only jazz but also soul and R&B. The process of compositional collaboration was somewhat new to Quentin.

“Michael Mayo wrote the lyrics, but I had specific stories I wanted to tell in each song, and I explained each theme to him before he wrote them. [The title track] The State Of Things is a reflection of various social, political, and cultural issues we face, and includes actual news clippings layered over the music, which we use when playing live. The words that Michael wrote for that are particularly powerful.”

Released earlier this year, the album represents both modern day issues, and a return to the life experiences that inspired Quentin to start playing in the first place.

“This record was all about connecting to the roots of why I play music, what inspired me to start playing, and really just trying to express my life experiences in music. I wanted the music to come from a place of pure inspiration and expressing emotion, and not thinking about the time signature, key, or scales I was using.”

He continues to explain how the heightened political climate of the US has influenced his music.

“I am very invested in politics, human rights, equality, and inclusion. I think that as artists, we

need to reflect the world around us. Right now, we have many issues plaguing us, such as global warming, wars, democracy itself crumbling in various parts of the globe. I think if you are not talking about this, or using your voice to bring light to this, then you are not reflecting the current climate adequately.”

Quentin is bringing songs from The State Of Things to The Street Theatre for a night of inspired and insightful entertainment. He also has a very personal story to tell, in the form of a song written in honour of his daughter, Miia. He reveals:

“It is set to a recording of her heartbeat from when she was in the Neonatal Intensive Care Unit. She was born at 24 weeks, at only 450 grams, and stayed in the hospital for five months before we could take her home.

She is two years-old now, but I realised I was still processing her difficult entry into this world and wanted to express this journey in music.”

Quentin is also very excited to be working with his new touring band, which includes the stellar vocalist, Jo Lawry. Be sure to catch him live before he disappears back to NYC.

WHAT: Quentin Angus

WHERE: The Street Theatre

WHEN: Saturday, 22 October @ 7:30pm

TIX: For further info, visit, www.thestreet.org.au

This concert is supported by the ACT Government Amp It Up! Initiative.

“ I wanted the music to come from a place of pure inspiration and expressing emotion, and not thinking about the time signature, key, or scales I was using.”

Dan Tepfer A Natural Machine

By Joshua Eckersley

This month, French-American pianist Dan Tepfer is bringing his extraordinary live show, Natural Machines, to The Street Theatre. He seems like a man with all the answers, so we hit him with some questions.

For the last couple of years, Dan Tepfer has been engaged in a project called Natural Machines’ which merges free-form improvisation with computer programming and visual projections. His experimentation involves a Yamaha Disklavier piano, which Dan has digitally hijacked and redefined for the purposes of experiential interplay with his specially designed programs. When Dan plays the Disklavier, his algorithms respond, creating a unique interpretation and partnership between man and machine.

For those not already familiar, the Disklavier piano is like a modern-day player piano, with a digital mechanism that controls the musical elements. You may have seen them in airports or hotel lobbies, playing pre-programmed songs, to create ambience. When Dan realised he could feed real-time input from his computer into the instrument (which is not its intended use), it was a breakthrough moment that birthed the concept of Natural Machines. He summarises the idea for the project as a musical exploration into the the intersection between natural and mechanical processes.

“I do free improvisation at the piano, and programs I’ve written on my computer interact with me in real time as I’m playing, both

musically and visually. I love it because it feels like very new territory, and it’s exciting to be exploring it.”

It comes as no surprise that Dan has a background in computer programming, given the pivotal role it plays in the Natural Machines project. Add into the mix that he also holds a degree in astrophysics, to accompany his master’s degree in jazz piano, and you start to understand the level of intricate complexities that Dan is operating on. It seems Dan’s life, much like this project, is a collision of worlds between art and science, which, according to Dan, is exactly how it has always been, and always should be.

“Great art is naturally both [art and science] at once, not one or the other. No one who has really studied Bach would deny the science aspect of his work. But that’s not true only of Bach; it’s also true of a composer like Ligeti, or Bartok, and definitely true of John Coltrane and Steve Coleman, too.”

He continues to explain, “My most important focus in this project is making sure that the music is strong, on its own terms. I’ve spent my life performing Bach and playing jazz standards, so there’s no way that I would be happy presenting only a science project.

“However, if I can find something that is both at once, that is something I can get excited about.” When Dan performs live, every show is a unique journey of discovery and creativity. Not only are the algorithms interacting and responding

to his actions in a musical sense, but they also interpret them into a stunning animated visual art display that is projected on large screens on the stage. The visual effect is other-worldly, and brilliantly compliments the music to create a truly immersive experience.

In Dan’s words: “When I create these algorithms, I think of them as little planets. Each algorithm has different gravitation from other planets, and the atmosphere might be thick or thin, but each time you land on these planets you need to find a way to dance. That moment of pure discovery when I am first entering that new planet is so magical. The piano is creating the composition with me.”

Dan is excited to bring his Natural Machines show to The Street Theatre for the first time, and hopes the audience engages and enjoys the show.

“Most of all I hope it takes them on a journey. I want my music, and my shows, to be transportive, to pick you up, take you on a ride, and gently put you down in a different place, hopefully changed.”

WHAT: Dan Tepfer – Natural Machines

WHERE: The Street Theatre

WHEN: Sunday, 23 October, 4pm

TIX: For further information, visit,www. thestreet.org.au

This concert is supported by the ACT Government Amp It Up! Initiative.

NO PAIN, NO GAIN? REBUS RIDDLES YOU THIS…

By Allan Sko

“Rebus is an inclusive company using theatre and other arts to stimulate healing and provoke social and environmental change. We work with people with lived experience of marginalisation to create innovative, powerful performance in diverse contexts.

“A key part of what we aim to do is creating pathways for theatre artists from marginalised backgrounds to progress from community participation through to professional arts practise in mainstream settings.”

So states Ben Drysdale, Creative Producer of Rebus Theatre.

The everyone-theatre group has been plying their trade and putting on pristine productions for many years, with their latest upcoming piece - Utopiate, of which Drysdale is also Co-Director - being a humorous and heart-warming odyssey following an intergalactic mission to escape the pain and suffering found on Earth.

The play’s plot is as creative as the team putting it together: With seemingly good intentions, a group of aliens introduce humans to a pain-free planet. Is this world without pain as attractive as it sounds? Can we truly experience growth and love without adversity? Through the team Rebus have assembled, we find out.

“The cast of Utopiate is made up of disabled artists and artists with lived experience of mental ill health who are participants in our Flair program,” Drysdale explains. “They have largely all been hand selected from our community programs to progress their artistic development and gain experience in the process of devising and performing a show in a professional mainstream setting.

“The show is supported by professional production values through costume design by Victoria “Fi” Hopkins, sound design by Marlene Radice, and lighting design by Linda Buck of Belco Arts.”

Rebus Theatre’s Flair program invites the diverse cast to take the next step in their professional practice and creatively explore social issues through metaphor. Utopiate explores the experiences, challenges, and voices of the cast

through an audio-visual feast amalgamating dialogue with physical theatre, soundscapes (live and recorded), and audio-visual design. Co-Director Sammy Moynihan is keen to weigh in on the subject.

“This is a particularly ambitious and exciting show for Rebus,” he enthuses. “We like to introduce our cast to new performance vocabularies. This year, we’re exploring more advanced, physical theatre techniques, as well as creating all kinds of soundscapes live on stage.

“The show all began with a discussion around the things that frustrate us, the nature of pain, and the ways we can support each other to overcome the challenges of life. Rebus uses metaphor and theatricality to discuss big social issues and this is no exception. We took these heavy themes and placed it in a sc-ifi context, creating a show that is genuinely funny as well as thought-provoking.”

And it seems, with Utopiate, the team are delving deep into the notion of exploration via metaphor.

“The cast was interested in Eckhart Tolle’s explorations of the ‘pain body’, and the human instinct to suppress or escape pain rather than be present in it, move through it, and deal with it,” Drysdale explains.

“This led to questions about what a world without pain would be like. What measures could be taken to achieve such a thing? Would it solve our problems or create new ones?

“The characters in Utopiate, like all of us, experience a variety of ‘pains’ in their life; from the more obvious such as physical and emotional pain, to the more abstract such as political and environmental pain,” Drysdale continues.

“They take up an intergalactic opportunity to join a new world with no pain with unexpected results.

Through a series of ‘treatments’ administered by a well-intentioned alien race, they are forced to decide if this new world is all it’s cracked up to be.

“Ultimately we want audiences to leave the show with their own answer to the question ‘Would you choose a life without pain?’”

It’s a terrific thought experiment, and one I pose to Ben Drysdale himself.

“You’ll have to come and watch the show to see where we landed on that,” he wryly retorts.

In striving toward such lofty intellectual musings, a superb team of creatives has been assembled to flesh out such a meaty beast. It is typical of Rebus’ inclusive brand of creativity.

“The show has been entirely conceptualised and devised by the cast under the guidance of directors Sammy Moynihan and Ben Drysdale (me), and assistant director Melissa Gryglewksi,” Drysdale explains.

“They came up with the concept, discussed the storyline and plot points, then improvised scenes to develop the story that were merely tweaked and tightened by the directors.”

“We want our work to challenge expectations of disability-led theatre,” Moynihan adds, “and invite the audience to see the world through new eyes, while also immersing themselves in a high-quality performance experience.

“The show is original, unique, hilarious and, at times, quite thrilling. We want our audiences to go on an adventure with us, through the universe and through a new way of looking at the world.”

The last Flair program show The Beauty Thief contributed to Rebus winning a Canberra Critics Circle Award for Theatre at the 35th Annual ACT Arts Awards. Here’s to another for the next Awards season.

“Rebus is going from strength to strength as a company,” Moynihan states. “With recent awards and successful grant applications, there is a real sense of momentum around the company. We really hope we can reach more audiences so they can share this momentum with us.”

Rebus Theatre and Belco Arts Presents Utopiate, showing at Belconnen Arts Centre on 7pm Friday, 4 November (7pm), and Saturday, November 5 (3pm & 7pm).

The Flair program is funded by the Australian Government Department of Social Services. Utopiate is supported by Belco Arts through the Restart Investment to Sustain and Expand (RISE) Fund – an Australian Government initiative.

HOPE WILKINS SLOW

The new track for Hope Wilkins follows a string of steady single releases, a debut EP, and establishing a reputation for memorable live performances, including sharing the stage with Greta Stanley, Hands Like Houses, and Hollie Col.

Slow, produced by keo (Darling Street Studios), veers away from the acoustic guitar driven nuances of Hope’s last single release, My Head (I’m Not Sorry) and into musical terrain that derives its power from an unleashing of energy, rather than an outwardly contemplative stance.

The introduction’s dirt-crested guitar sounds give us a taste of what’s to come—a merging of Hope’s vocal ardour, pliant and soaring as ever, with an expansive approach to what augments this performance and the song’s melodic turns.

There are moments when there is space enough to enable us to tune in more intimately to Hope’s voice, particularly during the verses.

Still, the arrival of the pre-chorus (or chorus, depending on your take), with its tom fills and rolling melodic

structure, readies us for a more spacious sonic palette, with a groove modification that emphasises the shufflelike time feel.

The time signature enhances the track’s percolating energy, keeping the song tethered to a prevailing mood and temper, eventually leading to a liberated and pure rock crescendo.

Dynamics play a crucial role in the track also, not only as they apply to the production but to the performances, the parts, and the melodic lines, with repetition aligning itself with sparser notes to create a rich mixture.

There are streaks of abstraction nestled around the more accessible shades here, leaving us with more of a sensory musical experience than any instant hook blasts on display.

Slow is a valuable addition to Hope’s recording output; its yearning has edges, its pulsing has a fortitude, and it feels more vital despite its focus on a less noticeable style of intimacy.

VINCE LEIGH

SINGLE IN FOCUS

BIG REEF TRICKA THE LIGHT

The sophomore release for Canberrabased duo Big Reef (Morgan and Hayden Quinn) is another nouveau new wave pop trip that absorbs an amalgam of influences and past delights and transforms them into a highly-palatable, playful musical experience.

Tricka The Light is not as immediately memory-forming as the outfit’s 2021 release Do It Again , but it is perhaps a richer and more intriguing work for this. The same sleek and silky production is conjured, and the writing is just as neatly nuanced.

Still, there is a noticeable upscaled finesse in the vocal department and a bolder approach to arrangement.

Amid rhythmically pliant verses and melodically sweet pre-choruses, a second pre-chorus arrives, a mood changer with a light-on industrial tendency that is tantalising, if only for the fact that it never reappears. This part is a gear change, but it only proves

to be a lever for the take-off point into which it segues.

The chorus follows and later repeats—a chorus whose twisty groove is as much of a hook as the counterpointing melodic lines—which is then replaced by a series of modified taglines augmented by myriad textures, funk-fuelled undercurrents, and vocal layers.

As we lose ourselves in this post-chorus interfusion, we soon find that we’re in a slightly different landscape, an altered pop slash new wave universe, where The Fixx and Sparks might be a pertinent reference point.

Tricka The Light is accompanied by an equally luring yet good-humoured video, revealing the siblings’ quirkier inclinations. This trait balances the yearning heat of the track’s busier, more robust moments without detracting from its intensity. And yes, intense pop is no misnomer

here. Tricka The Light seems to straddle these two seemingly conflicting labels with ease. The track contains the fizz and gleam but also features a decidedly broader and compacted substructure.

This is part of Big Reef’s appeal as much as it expresses the vigour of their creative armoury.

VINCE LEIGH

[

GOOD LUCK TO YOU, LEO GRANDE

]

We learn at the outset of this quiet movie that Nancy Stokes (Emma Thompson) has hired a sex worker, Leo Grande (Daryl McCormack), in order to find something missing from her 31 years of marriage: sexual pleasure. She’d also like to experience variations on the missionary position.

Though that may sound like a setup for something graphic and shallow, what in fact develops is far more interesting: a gradual opening of hearts — willingly on Nancy’s part, unwillingly on Leo’s; an eventual coming to terms with the truth of the conflicts inherent in Nancy’s views and attitudes; and an integration between Leo’s internal history and his external professionalism.

Both leads’ performances are superlative, and in facial expressions alone they convey even more than they do in words. Thompson’s deep acting experience, though, shows in her ability to convey with great subtlety a full gamut of the uncertainties, anxieties, and mortification that Nancy faces, having decided, after a virtually lifelong experience of a dutiful, unfulfilled wife and schoolteacher, to risk the potential humiliations of hiring a stranger in order to have these most private of experiences.

The film contains many moments of humour and many of surprising candour; but the overarching experience that we share with Nancy throughout is her journey of courageous reevaluation of her self worth, her morals, her completeness as a woman, and her standing in relation to others.

Good Luck to You, Leo Grande probably won’t radically transform perspectives on sexual relations, sex work, or marriage; but it provides a moving example of how two considerate adults can help heal each other, and for that alone it may be worth your time.

— JOHN P. HARVEY

Screening at Palace, Dendy, Hoyts, and Limelight cinemas.

THE QUIET GIRL

[

]

Nine-year-old Cáit (Catherine Clinch) is a very quiet child who avoids others and rarely speaks. Living in rural Ireland, she is disliked by her siblings, made fun of at school, and neglected by her impoverished parents, Athair (Michael Patric) and Máthair (Kate Nic Chonaonaigh). Máthair does her best, which isn’t very good; but Athair makes no attempt to hide his indifference to his daughter.

Nearing the birth of yet another child, Cáit’s parents decide to send Cáit away to spend the summer with Máthair’s middle-aged cousin Eibhlín (Carrie Crowley) and her husband, Seán (Andrew Bennett).

Upon arrival, Cáit finds herself the object of Eibhlín’s kindness, love, and affection. Her husband, Seán, is less enthusiastic about having Cáit there, a coldness that Cáit is fully aware of. She doesn’t understand why Seán doesn’t like her, but she’s used to rejection, so she says nothing.

Over time, however, things change, with Seán coming to love Cáit as much as Eibhlín does. But when Cáit’s mother finally gives birth and the new school term looms, Cáit is called home.

Catherine Clinch as Cáit is outstanding, managing to reveal the sensitive and tender inner being of Cáit largely through facial expression and body language. Cáit doesn’t speak much, but she communicates perfectly.

Carrie Crowley as Eibhlín is so tender-hearted and understanding that any child would love to have her as his or her mother, and Andrew Bennett brings to life the deeply hurting Seán, whose heart may be embedded in ice but is amenable to thawing through a child’s understanding, revealing a loving, protective, and caring father.

Mostly spoken in Gaeilge, also known as Gaelic, The Quiet Girl is a real achievement in contemplative Irish cinema. In turns harsh and hopeless, and gentle and hopeful, the film takes the viewer into the mostly quiet world of a young girl whose future so starkly hangs on whichever way the dice of fate will fall. The Quiet Girl will stay with you less for its plot than for the subtle ways in which its lead characters find ways, as social beings, to meet one another’s needs, and in that way it makes for rewarding viewing.

— MICHELE E. HAWKINS

Screening at Palace and Dendy cinemas.

[

THREE THOUSAND YEARS OF LONGING

]

What an imaginative visual feast can come of a truly original short story! From A.S. Byatt’s The Djinn In The Nightingale’s Eye comes an utterly beguiling adaptation of a tale of the dramatIc mysteries of the human heart, and of wishes, their fulfilment, and their consequences.

Professor Alithea Binnie (Tilda Swinton), a narratologist, travels to Istanbul for a conference, where she finds a strange bottle in the back room of a shop in a bazaar and insists that’s the item she would like rather than any of the more beautiful pieces on offer.

No sooner is she back in her hotel room than Alithea accidentally releases a djinn (Idris Elba) from the bottle. He offers her the obligatory three wishes, insisting that they must be heartfelt, but Alithea knows better than to make rash wishes or to trust a djinn to not trick her.

She is, after all, a literary scholar who has read all the old tales and takes their cautionary messages to heart. Besides, she’s living a perfectly satisfying life, even if it is a largely solitary one of the mind. Though she may have no one to share her life with, she can’t imagine truly wanting anything. But the djinn cannot be free until she makes three heartfelt wishes. She remains unwilling but curious about his life and how he came to be in the bottle from which she has just released him. And so the djinn recounts the extraordinary tale of his life to her, and of his longing for freedom to return to the land of the Djinn.

Tilda Swinton as Alithea Binnie is exactly right. Being rather ethereal-looking and almost translucently white, she could easily be one of the magical creatures featuring in the djinn’s life, but her delicacy is beautifully balanced by her intellect and deep humanity.

And Idris Elba is a truly wonderful djinn. A marvellous blend of physicality with a deep, sad, compassionate soul.

Nothing about Three Thousand Years of Longing is predictable, yet everything makes sense, and the film will leave you savouring its luscious, gorgeously lit scenes, imagining the impossible, and appreciating the sense of wonder it invokes. See it at least once.

— JOHN P. HARVEY & MICHELE E. HAWKINS

Screening at Palace, Dendy, Hoyts, and Limelight cinemas.

THURS 6 OCTOBER

Warehouse Circus: Elemental

Elemental uses circus and comedy to explore the effects of weather and the seasons on the world around us. Runs 6 - 8 Oct, 7pm + 1pm matinee on Sat, tickets $20$50 via venue

THE STREET THEATRE Týr & Arkona w/ Rumahoy & Beast Impalor

After TWO YEARS of postpone ments, from the north they come, for the very first time in Australia! Faroese Viking lords Týr will bring the bite of winter’s frost, accompanied by their Russian compatriots Arkona for this massive folk metal double bill. With killer supports Rumahoy and Australian goblins Beast Impalor. 7pm, tix $66.05 via Oztix

THE BASEMENT

Boudicca - Roman Rodeo Tour w/ Omens, Spinning Plates, and Pretty in Pvnk Hailing from Awabakal and Worimi Country, Boudicca’s lyrical themes delve into the representations of women in folklore, myth, ancient history, and modern history through a cheeky but staunchly political len. 7pm, $13.30 via Oztix

THE ABYSS, THE BASEMENT Capital PUNishment

Capital Punishment is taking you on a global journey with the ‘Geography’ themed night! 7pm, tix $15 via venue

SMITH’S ALTERNATIVE

FRIDAY 7 OCTOBER

Eurogliders

The Eurogliders story begins in 1981, in Perth… the most isolated city in the world. 7pm, tix $48.32 via Eventbrite

HARMONIE GERMAN CLUB

Hard Life Touring PresentsVenomous Relics

From Sydney comes Venomous’ Whitesnake Tribute, and from the Nation’s Capital, Modern Relics, playing ‘70s Era KISS. With supports Dark Horse 7pm, tix $29.60 via Oztix

THE BASEMENT

San Miguel Fraser (Spain/USA) San Miguel Fraser is Maria and Galen, two virtuoso musicians and community builders who tour internationally performing, teach ing and celebrating traditional folk music. 7pm, tix $30 via venue

SMITH’S ALTERNATIVE

Rebus Theatre Playback

Ensemble Present - At The End Of Our Street

Playback Theatre is a form of improvisational theatre in which audience members tell stories from their own lives and watch as actors and musicians enact them on the spot using movement, music, and words. 7pm - 8:30pm, bookings free, but all donations go to The Braidwood Life Centre. rebustheatre.com for info

THE HIVE, QUEANBEYAN

Corman Grant

Cormac Grant has an obsession with the soul of music - its groove heavy and thought provoking all at once, combining Cormac’s roots with his quest for sincere emotion and feeling. With Gia Ransome and Tupperware Party. Doors 7:30pm, $10 + bf via Trybooking TRANSIT BAR

Remains Album Launch

Latest album Grind ’til Death seamlessly blends death metal and grindcore influences. This should come as no surprise as the Remainiac alumni includes members of Blood Duster, Fuck… I’m Dead, Captain Cleanoff, King, The Kill, and The Day Everything Became Nothing. With special guests Wretch and Blight Worms. 7:30pm, tix $19.18 via Oztix POT BELLY BAR

Live Jazz @ Louie LouieAlex Raupach & Tom Fell From 8pm LOUIE LOUIE UPSTAIRS @ VERITY LANE MARKET

Jack Biilmann & The Black Tide

Set to make their anticipated debut in the ACT, playing songs from Biilmann’s successful solo album Full Circle. With Nina Leo. 8pm, tix $20 via Trybooking LIVE AT THE POLO

Sam Buckley

The innovative, dynamic, and exciting blues artist. 8pm, free DICKSON TAPHOUSE

Johnny Geez

The Blues Electric play exciting original high voltage blues music. Comprising of seasoned musicians from some of Canberra’s best. 8pm, live and free CANBERRA IRISH CLUB

Massive Sherlock w/ B. Coming

Ready for an exciting night of roller-skating, felt craft and tradi tional Irish pipe music? Sadly can’t offer any of the above. Instead, come bring your skates, whistles, and bits of felt to console

yourselves with the upbeat rock ing tunes of Massive Sherlock, supported by Benjamin Cumming. 9:30pm, tix $10/$15 via venue

SMITH’S ALTERNATIVE

SATURDAY 8 OCTOBER

Sam Buckley

The innovative, dynamic and exciting blues artist. 2pm, free OLD CANBERRA INN

Urban Guerillas -

Equation of Life EP Launch

Performing songs from their new EP and favourites from their other 13 albums. 2:30pm, tickets $20/$25 via venue

SMITH’S ALTERNATIVE

Music of Family Legends

Fabulous show of brilliant vocal harmonies by X Factor finalists, Audio Vixen. 7pm, tix from $37.83 via Eventbrite

HARMONIE GERMAN CLUB

The Thin White Ukes

Sold out at time of print. Check venue for spare tix

SMITH’S ALTERNATIVE Metal Night with Temtris Temtris are back to play shows after a break to write and record their next album. Joining them on the stage are thrash legends Terrorential from Sydney; newbies Snakewitch, bringing their wicked ness; and metallers Shockwave energetically closing the night. 7pm, tix $20 via Oztix

THE BASEMENT

Muesil - Won’t You Stay Single Launch Joined by friends Flowermarket and Sam Sly, it will be their last headliner for a few months so make sure you get your healthy serve of Muesli! 7:30pm, tix $15 + bf via Trybooking

TRANSIT BAR

Rocket Man vs Piano Man

Lance Strauss & Jimmy Mann joined forces as Elton John & Billy Joel for the Tour de Force Tribute Show in 2009. Rocket Man vs Piano Man is their latest incarnation of the phenomenon which Elton John & Billy Joel together on stage. 8pm - 10pm, tix $58 - $68 via venue GOULBURN PERFORMING ARTS CENTRE

Metal Night

From 7:30pm POT BELLY BAR

CBR UnpluggedNORA, Bad Lunar, & Spouse

A night of rare acoustic perfor mances, up close and personal. A gig, and LP video recording, like no other. 8pm, $20 via Trybooking LIVE AT THE POLO

Mick Daley’s Corporate Raiders

Mick Daley returns to Smith’s with the Corporate Raiders in tow and his old buddy, Adam Bell’s King Hits in support. 10pm, tix $15/$20 via venue

SMITH’S ALTERNATIVE

SUNDAY 9 OCTOBER

Rebus Theatre Playback

Ensemble Presents - At The End Of Our Street Impro theatre in which audience members tell stories from their own lives and watch as actors and musicians enact them on the spot. 2pm - 4pm, free, but all donations go to The Braidwood Life Centre. rebustheatre.com for more BRAIDWOOD

NATIONAL THEATRE

Sunday Session on the Deck Rock; soul; blues; disco; lounge; cult classics; chart toppers; golden oldies … and some catchy originals. 4pm, free entry CANBERRA IRISH CLUB

Kid of HarithRotten Spring LP Launch

Supported by Reuben Ingall and Josie Dunham. 4pm, tix $10/$15 via venue

SMITH’S ALTERNATIVE

The Queen Bee Sessions

A weekly event, consisting of three quality female artists performing over the day. 2pm QUEENIES AT KINGSTON

Inez Hargaden

The Irish singer-songwriter draws on folk, pop and rock to create soulful and emotional stories. 4pm, free entry

OLD CANBERRA INN

Jen & Jim Band

Combining lounge grooves, rock, blues, and pop, Jen & Jim merge soulful harmony with guitar and keys to form a compelling duo.

4pm, free entry

DICKSON TAPHOUSE

CJ Stranger + Lacey Cole

A double bill of troubadour stylings and a fine time to be had. 7pm, tix $10/$15 via venue

SMITH’S ALTERNATIVE

TUESDAY 11 OCTOBER

Jodi Martin

Joined by groovemaster Jay Bishoff with support from Saije, and locals Kin. 7pm, tix $25/$30 via venue

SMITH’S ALTERNATIVE

WEDNESDAY 12 OCTOBER

NSW Police Band

Formed in 1895, the NSW Police Force proudly boasts the country’s oldest concert band. It is a full-time unit of the NSW Police Force com prising of 32 players. 11am, $20 + bf via venue

GOULBURN PERFORMING ARTS CENTRE

THURSDAY 13 OCTOBER

All The Earth’s a Stage

A collaboration between Geoscience Australia and Lightbulb Improv Theatre Company. 7pm, free SMITH’S ALTERNATIVE

Don McGlashan (NZ): Bright November Morning Tour

Someone once said that if New Zealand music was a house, Don McGlashan would be a load-bearing beam. From Blam Blam Blam, The Front Lawn, through to The Mutton Birds, and his four acclaimed solo albums, that beam remains unvarnished and as strong as ever. 10pm, tix $30 via venue

SMITH’S ALTERNATIVE

FRIDAY 14 OCTOBER

Riley Catherall - Bark At The Moon Single Launch

Oft compared to American icon Jason Isbell, the Geelong-via-Can berra Riley cut his teeth playing East Coast jazz and blues bars. 2019 saw debut EP Venture In Vain (ft Kasey Chambers on Robin), and last year saw debut LP When I Go gain rave reviews. 6pm, $20 + bf via Humanitix

THE FRONT

Punk Goes Pop

A selection of Canberra’s premier punk rockers play a combination of originals and your favourite pop hits. With Box Dye, Parrots with Piercings, The Dirty Sunflowers, and Bad Lunar. 7pm, tix $20 via Oztix

THE BASEMENT

Gilbert and Sullivan’s H.M.S Pinafore

“I am the very model of a modern major music hall / I’ve information delivered through character and musical... “ The classic runs 14 - 23

Oct, info & tix ($30 - $55) via venue website

THE Q, QUEANBEYAN

Chaika

Melding the earthiness of folk, dexterity of jazz, and the craft of classical, Chaika’s vast influences create superb genre-blending music that transcends labels. 7pm, tix $15/$20 via venue

SMITH’S ALTERNATIVE

Little Big Things

Each year, QL2 Dance runs a development and performance project for younger dancers, referred to affectionately as the Chaos project. Experience a full-length contemporary dance work created in collaboration with 40 young people aged between 8 – 18 years and four professional choreographers. Directed by Ruth Osborne. 6pm, $15 + bf via Humanitix

CANBERRA COLLEGE

Friday Night Live Live music from 7:30pm POT BELLY BAR

Adam Harvey & Beccy Cole: Great Country Songbook Vol 3

Enjoy a fantastic night of music, stories, and humour, that will have you singing along and in fits of laughter! 8pm, $30 - $55 via venue

THE STREET THEATRE

Live Jazz @ Louie LouieHilary Geddes From 8pm LOUIE LOUIE UPSTAIRS @ VERITY LANE MARKET

Devine Devilles

Two well-travelled souls, each with a suitcase full of songs and a love of that sweet, swinging, shuffling, grooving place where jazz & blues meet. 8pm, free entry DICKSON TAPHOUSE

Bondi Cigars + James Southwell

James Southwell’s music comes from a deep love of the blues with heavy inspirational rock & roll influences. 8pm $30 + bf via Humanitix

THE ZEPPELIN ROOM

The Filthy Darlings

These are not the darlings you come home to, they are four pioneers on a quest for your love and your favour, an ensemble rich in harmonic content and poor in financial gain. 8pm, live & free CANBERRA IRISH CLUB

Flowermarket

Flowermarket is your mum’s favourite triple j-core summer vibe soundscape. Joined by

Wollongong’s indie-pop collective Frostbite and the dreamy rock 5-piece Never Speak Her Name. 9:30pm, tix $15 via venue

SMITH’S ALTERNATIVE

SATURDAY 15 OCTOBER

Stonefest

Located on the Northern Concourse of UC, get ready to party with nationally renowned acts including Vera Blue, Ruby Fields, Luca Brasi, Hope D, and Arno Faraji. We’re getting some of our local faves in, too, with ARCHIE and Miroji joining the ranks. From 3pm til late, tix via Moshtix

UNIVERSITY OF CANBERRA

Sneaky Jeremiah Blues, R&B, rock ’n’ roll, a little bit of country, and a whole lot of soul! 2pm, free entry

OLD CANBERRA INN

The Magic Rob Universe Magic Rob and his magical assistants shall be materialising once again at one of their favourite venues. Supported by The Blue Angel & Dr Wiedmann. 7pm, tix $10/$15 via venue

SMITH’S ALTERNATIVE

Erth’s Prehistoric World Renowned the world over for their theatrical magic and for pushing the limits of design, content and experience, Erth’s Prehistoric World is a fusion of Dinosaur Zoo and Prehistoric Aquarium. 7pm8:30pm, $15/$20 via venue

GOULBURN PERFORMING ARTS CENTRE

Lost Souls & In Valor Apparel Presents - Newblood Core Night With Betray the Pack, Thantu Thikha, Dyatlov Pass & DJ ELORIA. 7pm, tix $15 via Oztix

THE BASEMENT

Rebus Theatre Playback Ensemble Present - At The End Of Our Street Playback Theatre is a form of improvisational theatre in which audience members tell stories from their own lives and watch as actors and musicians enact them on the spot using movement, music and words. 2pm - 4pm, rebusthe atre.com

THE STREET THEATRE

Saturday Night Live

Live music from 7:30pm

POT BELLY BAR

Zambezi Sounds

Zambezi Sounds hit Smith’s Alternative for another session of

danceable Afro-Caribbean-African Grooves! 9:30pm, $15/$20 via venue

SMITH’S ALTERNATIVE

Little Big Things

Experience a full-length contemporary dance work created in collaboration with 40 young people and four choreographers. Directed by Ruth Osborne. 3pm & 6pm, tix $15 + bf via Humanitix

CANBERRA COLLEGE

SUNDAY 16 OCTOBER

CBS October Blues Jam -

The Johnny Reynolds Band

This 4-piece band has a funky, rockin’ bluesy atmospheric style, mixing original material with their own arrangements of classic covers. 1pm, tix $10 + bf via Humanitix

THE ZEPPELIN ROOM

The Queen Bee Sessions

A weekly event, consisting of three quality female artists performing over the day. 2pm QUEENIES AT KINGSTON

The Crossbenchers

The 4-piece Canberra band belting out rock, classics, blues, disco, R&B and originals. 4pm, free entry DICKSON TAPHOUSE

Tim McNally

Playing from 4pm, free entry OLD CANBERRA INN

Frontierer w/ Apate

The Scottish extreme metal outfit bring their relentless, uncompromis ing brand of sonic punishment to Australian shores for the very first time. Joined by Brisbane’s Apate. 7pm, tix $56.10 via Oztix THE BASEMENT

MONDAY 17 OCTOBER

Recent Work Readings: Penelope Layland, Peter Bakowski & Denise O’Hagan

As part of the That Poetry Thing readings, with readings by three Recent Work Poets, debuting three new collections. 7pm, free SMITH’S ALTERNATIVE

TUESDAY 18 OCTOBER

The Darkness - Motorheart Tour

Brimming with trademark blazing guitar riffs and solos, soaring falsetto, and immeasurable rock ‘n’ roll extravagance, The Darkness will be operating at their loosest and most extroverted frequency. 7:30pm, tix $79.90 via Moshtix KAMBRI @ ANU

Open Mic Comedy

Whether you’re there to watch, a seasoned professional, or your first time, get involved. Doors at 7pm show 7:30pm, free, register via Oztix

THE BASEMENT

WEDNESDAY 19 OCTOBER

Solitary Man - Hugh Sheridan Sings Neil Diamond

World class singer and entertainer Hugh Sheridan will lift you to the rafters with powerful renditions from Hot August Night and other Neil Diamond favourites. 7pm, tix $129 - $139 + bf via venue

CANBERRA THEATRE

Harry Manx (CAN)

His mesmerising sound is an organic fusion of eastern musical traditions with blues. 7:30pm, $60 via venue

THE STREET THEATRE

THURSDAY 20 OCTOBER

Fundamentals - Harry Jun Sydney’s Harry Jun, host of ABC’s The Loot Drop and regular MC and headliner in the Sydney comedy scene. 7pm, tix $15/$20 via venue

SMITH’S ALTERNATIVE

FRIDAY 21 OCTOBER

Triple Tribute Show Riot Act (Melbourne) deliver the ultimate tribute to much loved hard rock act Skid Row; Poizon’Us are Australia’s answer to Poison; Just Say Oz are Canberra’s own tribute to the Iconic Ozzy Osbourne fronted by local legend Matt Davis. 7pm, tix $40.30 via Oztix

THE BASEMENT

Blamey Street Does Bond

Prepare to be shaken, not stirred, with the Blamey Street Big Band concert exclusively featuring James Bond big band arrange ments. 7:30pm, tix from $22.08 via Eventbrite

THE ZEPPELIN ROOM

Chemical Glow Tour

From 7:30pm

POT BELLY BAR

Live Jazz @ Louie Louie

With Waves On Sand: Connections In Creative Music. 8pm

LOUIE LOUIE UPSTAIRS @ VERITY LANE MARKET

Blues in the City

With Midnight Removalists, Minh Ha, and The Wildfires. 8pm, $10 + bf via Trybooking TRANSIT BAR

The Tuesday Weld Experience

The Tuesday Weld Experience will be playing their own up-beat surfy/ poppy numbers; along with plenty of long, lonesome, broken-hearted love songs in the key of country.

8pm, free

CANBERRA IRISH CLUB

Chris Harland Blues Band

Every CHBB set remains a memorable, musical event, revisiting the best of the Blues standards: B.B. King, Buddy Guy, Muddy Waters… the list is long, the excitement sustained. 8pm, free entry

DICKSON TAPHOUSE

SATURDAY 22 OCTOBER

Quentin Angus (USA/AUS): The State of Things Album Launch

Utilising elements of rock, pop, and R&B, and a stellar line up of Australia’s top jazz artists. 7:30pm, tix $30 - $39 via venue

THE STREET THEATRE

Phoenix 5

The in-demand ‘60s to ‘80s covers band, blending multi-generational talents for a dynamic live sound.

2pm, free entry

OLD CANBERRA INN

Big Reef

Having spent the better half of 2022 readying an electrifying live show, Australian neo-wave duo Big Reef are set to launch their second official offering Tricka The Light Supported by The Burley Griffin and Suli. 8pm, $10 + bf via Trybooking

TRANSIT BAR

Indie Nite Vs Brit Pop

Dress Code: Brit Pop inspired, $50 prize for Best Bucket Hat, $100 prize for Best Dressed. 7pm, tix $24.50 - $29.60 via Oztix

THE BASEMENT

Saturday Night Loud Live music from 8pm

POT BELLY BAR

SUNDAY 23 OCTOBER

The Grass Is Greener

Grass Is Greener Festival descends on Patrick White Lawns. Featuring a line-up of Australian and interna tional musical acts, this one-day fes tival is packed with food and drinks and the best music around. From midday - all day, tix from $159.99 via venue website

PATRICK WHITE LAWNS

Dan Tepfer (USA): Human Machines

In an age of unprecedented tech nological advancement, Dan Tepfer is changing the definition of what a musical instrument can be. 4pm, tix $35 - $45 via venue

THE STREET THEATRE

The Queen Bee Sessions

A weekly event, consisting of three quality female artists performing over the day. 2pm

QUEENIES AT KINGSTON

Black Cypress

Black Cypress mesh dynamic acoustic blues, instinctive vocal harmonies, and incisive violin reveries. 4pm, free entry

DICKSON TAPHOUSE

The On and Ons + The Smart Folk Double header of Sydney rockers coming to Canberra for the first time. 3pm, tix $15 via venue

SMITH’S ALTERNATIVE

Sunday Session on the Deck Combining soulful melodies, funky rhythms, and some pleasantly piquant grooves into an assortment of original tracks, this indie pop trio will have you tapping your feet and moving from your seat. 4pm, free

CANBERRA IRISH CLUB

Devine Devilles

Two well-travelled souls, each with a suitcase full of songs, and a love of that sweet, swinging, shuffling, grooving place where jazz & blues meet. 4pm, free entry

OLD CANBERRA INN

Reece Mastin10 Year Anniversary Tour

With two platinum #1 albums, three consecutive chart topping singles and a successful pop career under his belt, Reece has spent the past 5 years proudly earning his place on the Australian rock circuit, proving time and again that raw talent and rock ‘n’ roll are at his core. 7pm, tix $35.20 via Oztix

THE BASEMENT

Austin Mackay

Indie/Rock artist Austin Mackay is back with his brand new single Dancing Through The Fire, with a massive Australian tour to back it up. 7pm, tix $25 via venue

SMITH’S ALTERNATIVE

TUESDAY 25 OCTOBER

Django Jam

A monthly Django Reinhardt jazz jam hosted by The Gypsy Project. 5pm

SMITH’S ALTERNATIVE

WEDNESDAY 26 OCTOBER

Silent Planet

w/ Currents, and Above, Below

Brought to you by Destroy All Lines & UNFD Presents. 7pm, tix $49.90 via Oztix

THE BASEMENT

Tom Bailey

Tom Bailey, original member from the ‘80s hit pop group Thompson Twins, playing all the hits. 8pm, $69.90–$229.90 + bf via venue CANBERRA THEATRE CENTRE

THURSDAY 27 OCTOBER

Chris Ryan and Sarah Gaul –Before Shot

Comedians (and friends) Sarah Gaul and Chris Ryan have new jokes for you to peruse at their brand new, red hot split show. As the title indicates, you’re getting a glimpse at some gear that may make it into their new shows. 7pm, $20 + bf via venue COURTYARD STUDIO, CANBERRA THEATRE

Felix McCarthy - True Worrier Felix McCarthy tries to see the funny through the chaos and concern of the modern world. Through an hour of stand-up comedy, he explores the angst and questions of everyday life, and how worrying isn’t always a bad thing to do. 7pm, $20 + bf via venue COURTYARD STUDIO, CANBERRA THEATRE

George Thorogood & The Destroyers

For the past 45 years, it’s been very good to be George Thorogood & The Destroyers. And in 2022, their Good To Be Bad Tour: 45 Years Of Rock will prove why like never before. 7:30pm, tix $92.05 – $185.40 + bf via venue CANBERRA THEATRE

FRIDAY 28 OCTOBER

Off Season ComedyLocal Showcase 1

A showcase of Canberra comedy talent, featuring 6 comedians with some of their finest material in a 1 hour show. Featuring Jeffrey Charles, Sarah Stewart, Jeremy Smith, Jacqui Richards, Grant Follett, and Katrin Praseli. 6pm, tix $20 + bf via venue COURTYARD STUDIO, CANBERRA THEATRE

Emoween 2022

Welcome ghouls and ghosts its time to channel your inner demons and Rob Zombies for the most ghastly night of the year!... EMOWEEN! Dress code: HallowScene - Best outfit wins

a $100 voucher. 7pm, tix $29.60$40.30 via Oztix

THE BASEMENT

To Barbra, With Love

This highly successful celebration of the inimitable Barbra Streisand will be remounted with the Canberra Symphony Orchestra, featuring some of Australia’s hottest musical theatre talents. 7:30pm, tix $102.30 – $184.80 + bf via venue

CANBERRA THEATRE

Off Season Comedy -

Local Showcase 2

A showcase of Canberra comedy talent, with 6 comedians presenting some of their finest material in a 1 hour show. Featuring Anneli Cole, Sam Silla, Caitlin Maggs, Roland Bull, Chelsea Heaney, and Jeff Shen. 7:30pm, tix $20 + bf via venue

COURTYARD STUDIO, CANBERRA THEATRE

Black Rheno

The sludge/grind/groove outfit are joined by Flaming Wreckage, Point 17, Choof, and The Ending. 7:30pm, tix $20 via Trybooking

TRANSIT BAR

THNDO

THNDO’s genre-transcendent world of music is sure to delight audiences from all walks of life. 8pm, tickets $39 via venue

THE STREET THEATRE

Friday Night Live

Live music from 7:30pm POT BELLY BAR

Rebetiko Caravan Canberra

The raw and captivating sound of rebetika (Greek blues), is the music of the Greek underground, express ing themes of love, pain, and hashish. Straight from the source, Fotis Vergopoulos will lead Rebetiko Caravan. 8pm, tix $25/$35 via venue

SMITH’S ALTERNATIVE

NeonHoney

A unique and eclectic mix of soaring angelic vocals and dreamy musical compositions. 8pm, free

DICKSON TAPHOUSE

Bjorn Again: Mamma Mia!

Endorsed by ABBA themselvesBjorn Again have rocked over 7000 concerts in over 120 countries. Enjoy the fashion, sparkle and lingo of the ‘70s as the band performs all the ABBA hits. 7:30pm, $62 via venue

GOULBURN PERFORMING ARTS CENTRE

Live Jazz @ Louie Louie

With house band and Wilbur Whitta. From 8pm

LOUIE LOUIE UPSTAIRS @ VERITY LANE MARKET

Woodface

Woodface deliver great “unplugged” renditions of classic covers - new, old, and unusual - and some wellreceived originals. From 8pm, free CANBERRA IRISH CLUB

Off Season ComedyLocal Showcase 3

A showcase of Canberra comedy talent, featuring 7 comedians with some of their finest material in a 1 hour show. Featuring Ethan Kirk, Suma Iyer, Daniel Mehareb, Fateh Singh, Laura Johnston, Cam eron Ribbons, and Scott Hawkins. 9:30pm, tix $20 + bf via venue

COURTYARD STUDIO, CANBERRA THEATRE

SATURDAY 29 OCTOBER

Fresh Out

Fair Day, Canberra’s largest LGBTIQA+ community event. A non-stop entertainment from some of our finest LGBTIQA+ performing artists, a showcase on Canberra’s finest food and wines produced within the region, and over 60 Market Stalls of our LGBTIQA+ community and local businesses. 11am - 5pm, free event!

GLEBE PARK

Oktoberfest 2022

The people’s festival — a wunderbar weekend of authentic German beer, amusement rides, social games, dances, and oompah. From 11am, tix from $0 – $53.56 via Eventbrite QUEANBEYAN SHOWGROUND

Los Romeos Oxidados

Rowdy, raucous rockabilly, roots, and country music. 2pm, free entry OLD CANBERRA INN

Chris Marlton – Muesli Balloon

Chris Marlton is returning to the the Canberra Theatre this with three of his favourite characters. Prepare to journey to the past, the ocean, and the imagined future in this hilarious new show. 7pm, $20 + bf via venue COURTYARD STUDIO, CANBERRA THEATRE

Dark Order30 Year Anniversary Tour

The Sydney thrash metal vets are celebrating 30 years of headbanging madness by hitting the road and per forming some of their classic songs from all three current albums as a lead-up to the new album release for early 2023. With support from Carbon Black, Shockwave, & Reign Of Terror. 7pm, tix $15 via Oztix THE BASEMENT

Shananigans Presents:

Halloween 4-Band Tribute Show

Featuring tributes to Rammstein

performed by Rammlied, Lamb of God performed by Again We Rise, Blink-182 performed by All The Small Things, and My Chemical Romance performed by My Chemical Imbalance. From 7pm, tix $29.60 via Oztix

THE BASEMENT

Seb Szabo

San Francisco-born, Melbourneraised, the 26-year old Australian songwriter bloomed late as a musician, harbouring secret dreams of a life on stage while at law school. Yet since beginning his solo career supporting indie rock darlings San Cisco whilst at uni versity in 2019, the 26-year-old has become a mainstay of Victoria’s hardworking music scene. With Lucy Sugerman and Nina Leo. 8pm, tix $15 via Trybooking

TRANSIT BAR

A Halloween Night Out

Live music from 7:30pm

POT BELLY BAR

Montaigne

Reining in her new era of music, Australian pop maverick Montaigne is bringing her album making it! to life with an exciting and power hitting tour! A natural storyteller and entertainer, the multi-talented Montaigne has never wavered on the delivery of a unique artistry that has seen the Sydney musician ascend to one of Australia’s most individual and dynamic voices. 8pm, tix $45.23 via Moshtix

UC HUB

Luke Bernie - Lukkake Party!

For the final time in Canberra, Luke Bernie is inviting you to come to the Lukkake Party! Be part of history and witness line after line of English language abuse as Luke delivers over 300 heavy hitting gags for his debut album. 9pm, tix $20 + bf via venue

COURTYARD STUDIO, CANBERRA THEATRE

SUNDAY 30 OCTOBER

The Queen Bee Sessions

A weekly event, consisting of three quality female artists performing over the day. 2pm QUEENIES AT KINGSTON

Los Romeos Oxidados

Rowdy, raucous, rockabilly, roots, and country music. 4pm, free entry

DICKSON TAPHOUSE

Kim Yang

Bringing her ethereal voice, evocative lyrics and soothing fingerpicking. 4pm, free entry

OLD CANBERRA INN

Sunday Session on the Deck Gus and Sherri present original songs and tunes with a nod to the tradition music that inspires them. 4pm, free entry

CANBERRA IRISH CLUB

Tamikrest (Mali)

Blistering guitar sounds, tempered with drone-like elements that magically evoke the slowly shifting sands of their homelands. 7:30pm, tix $39 - $49 via venue

THE STREET THEATRE

TUESDAY 1 NOVEMBER

Shane Jenek aka Courtney Act In Conversation

Shane Jenek aka Courtney Act will be In Conversation with Emma Batchelor on their memoire Caught in the Act. 6pm, free but ticketed via venue

THE STREET THEATRE

WED 2 NOVEMBER

Sunshine Super Girl Evonne Goolagong’s heartwarm ing story is a celebration of spirit and passion over adversity. This landmark new Australian work is written and directed by Yorta Yorta/Gunaikurnai theatre maker, Andrea James (Yanagai! Yanagai!). Runs 2 - 5 Nov. 8pm + matinees, tix $30 - $70 via theq.net.au

THE Q, QUEANBEYAN

Dropout Kings w/ Earth Caller & LiveConformDie Milestone Bookings presents. 7pm, $45.40 via Oztix

THE BASEMENT

FRIDAY 4 NOVEMBER

Hell Machine w/ Futility, Black Mountain, & Mytile Vey Lorth Arising from the red metal sands of Central Australia, Hell Machine are equal parts thrash and black metal. The deuce of Dave Hellrazor (bass & vocals) and Mal Machine (drums) are a finely tuned weapon borne of searing desert heat and old-school heavy metal influence. 7pm, tix $15 via Oztix

THE BASEMENT

Friday Night Rock

Live music from 7:30pm

POT BELLY BAR

Owen Campbell & The Cosmic People

Smoldering guitar work running from bluesy riffs and soulful finger-picking to lap steel guitar solos using a shot glass slide, gritty caramel vocals, and a sublime rhythm section. 8pm, free

CANBERRA IRISH CLUB

SATURDAY 5 NOVEMBER

Steve Tyson and The Train Rex

Having released their new album Banjo’s Last Ride earlier this year, they finally get to take the show on the road after cancellations due to Covid and floods. 3pm, tickets $10/$15 via venue

SMITH’S ALTERNATIVE Marky Worthington

After 5 years to the day of performing stand-up comedy, Marky Worthington is recording his first solo show with his solid assortment of observa tional humour, storytelling, and vivid insights. 6pm, tix $15 via venue

SMITH’S ALTERNATIVE

God Is Dead Podcast Live

Think about the most mind-boggling thing you’ve seen online and multiply it by 10. That’s the basis of the podcast. 7pm, tix $49 via venue

THE STREET THEATRE

Saturday Night Loud Live music from 7:30pm

POT BELLY BAR

Les Divas - An All Male Revue

Australia’s six-foot something song stress Prada Clutch plays the God dess of Pop, Cher, in her new show set on the Las Vegas strip feat. an all-star line-up of her most famous friends. 8pm - 10pm, $60/$65 via venue

GOULBURN PERFORMING ARTS CENTRE

SUNDAY 6 NOVEMBER

The Queen Bee Sessions

A weekly event, consisting of three quality female artists performing over the day. 2pm

QUEENIES AT KINGSTON

Coomba All-Stars

An afternoon of Middle Eastern music - drumming workshop with Coomba + Coomba All-Stars show. 2:30pm, tix $20 for show, $20 for workshop, or $30 for both via venue

SMITH’S ALTERNATIVE

Sunday Session On the Deck

Inspired by remote wilderness areas, this three-piece band mesh dynamic acoustic blues, with instinctive vocal harmonies and incisive violin reveries. 4pm, free entry

CANBERRA IRISH CLUB

Bill Bailey – En Route to Normal

With his trademark blend of satire and surrealism, stories, dismantled jokes, crowd sing-alongs, weird instruments, and musical show stoppers, don’t miss this legendary comedian, musician, and actor back on stage. 7:30pm, tix via Oztix

CANBERRA THEATRE CENTRE

Music of the Night

An enthralling music and visual spectacular that showcases memorable performances from the songbooks of Andrew Lloyd Webber, Rodgers and Hammerstein, Sondheim, ABBA, and many more adorded classics from London’s West End and Broadway Musicals. 2pm, $41 - $69 via venue

GOULBURN PERFORMING ARTS CENTRE

MONDAY 7 NOVEMBER

Stöner with Mario Lalli and the Rubber Snake Charmers

The newest project from two found ing members of the most influential Desert Rock band of all time, Kyuss, return to Australia as Stöner. With two studio albums under their belt Brant Bjork, Nick Oliveri, and Ryan Gut are a formidable force of Stoner Rock. With desert rock legends Mario Lalli (Fatso Jetson, Yawn ing Man) and his Rubber Snake Charmers featuring Sean Wheeler (Throwrag). 7pm, tix via Oztix

THE BASEMENT

THURSDAY 10 NOVEMBER

Noiseworks - Take Me Back Tour ‘80s rock legends Noiseworks are back after 30 years with the original members, in honour of their guitarist Stuart “Chet” Fraser who passed away in 2019. 7:30pm, tix $79 - $89 + bf via venue

CANBERRA THEATRE CENTRE

Sly Withers

One of the most exciting new acts in Australian rock music, Perth indie emo outfit Sly Withers have announced a brand-new albumOvergrown - and their largest ever national headline tour. 8pm, tix $56.46 via Moshtix

UC HUB

Queen Forever Queen Forever present a highly en tertaining evening paying tribute to one of the top rock bands of all time – Queen and its legendary frontman, Freddie Mercury. 8pm, $72 via venue

GOULBURN PERFORMING ARTS CENTRE