BMA Magazine #538 - Nov/Dec 2023

ISSUE #538 NOV/DEC 2023

BANDS / MUSIC / ARTS

FEATURING: JOSH PYKE FRED SMITH XYLOURIS WHITE CELL BLOCK 69 NEEL KOLHATKAR

BMAMAG.COM

FREE

A LIFE IN RECORDS SHANE STARK BOOK SAM FLOYD GAY DINOSAUR CLIMATE PLAY TRICERATOP!

Celebrating

ofCANBERRA’S Raio COMMUNITY de Sol with

PACHANGA!

SAMBA BAND

URBAN LATIN ROOTS

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FROM THE BOSSMAN

BY ALLAN SKO [ALLAN@BMAMAG.COM]

Limey Bastard In the O’Connor IGA of a Saturday afternoon, I spied a sale item that summoned an instant rush of memory.

It was a little lime green Canberra Milk sporting a worryingly low price tag that screamed: Please take me... No one else will!

I plucked it from the shelf, synapses ablaze, and eagerly stuffed it into the hand basket.

As I unloaded perfectly normal items onto the checkout counter—Meta mucil, tissues, apples, soda water, chocolate, Meta mucil— my hand closed on the green ooze.

I hesitated. My hand trembled. I couldn’t look the checkout clerk in the eye.

The reality hit me; here was a grown man, on his own, about to publicly hand over money for citrus-flavoured milk.

But it was too late. The Eagle of Nostalgia had already dug its talons into my quivering liver. This was a slice of Canberra.

My Canberra.

I hadn’t had a lime milk in over 20 years. My mind shot back to simpler times, when gleaming glass bottles were hand-delivered by impossibly short-shorted fluro-sporting men who sprang from the side of a dirty, cantankerous truck; locomoting breathy condensation of a winter’s morn, the crunch of size 14s on Mum’s precious azaleas echoing across the neighbourhood.

It brought to mind the halcyon days of the late ‘80s Raiders, the green jerseys and Canberra Milk sponsor sparking this curious cross-promotional concoction. I recalled that childish excitement mixed with panic sparked by hearing the rumble of the milk truck, a veritable starting pistol for all neighbourhood kids to race out, keen to part with your New England Ha’penny for a special edition carton of lurid green milk.

I remember Laurie Dailey and Bradley Clyde visiting our school, impossibly big to us three-foot nothingers, and keenly asking burning questions: if I became an NRL player, would I still be allowed to eat McDonald’s?

Lime milk is inherently Canberran, a concept so ridiculous it simply has to be ours. And, like many Canberra wonders, at the same time we feel uneasy about it. See: Skywhale. Or Penis Owl. I love the goofy, the weird, the bizarre and the frankly bonkers things Canberra seems to tend toward. And I love the fact we get awkward and embarrassed about it. That is our identity, and I think that’s charming.

Bursting with Canberra pride, I felt the need for a loud toast.

“May all our public art be phallic, and all our milks a healthy green!” I proudly declared before taking a hearty sip of lime green milk and spraying it in an impressive arc all over the wife.

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Sunny Side Up Summer’s nearly here; a time of celebration for most. For me, though, it is scarier than the All Hallow’s Eve we just passed.

For you see, I am the whitest person I know.

By that, I do not mean I like to bust out ill-advised raps whilst grabbing an alarming amount of crotch real estate. No, I am referring to my skin colour.

Many have tried to best me. Many have failed. “That’s not white,” they sneer. “I’m as pale as you are.”

One lift of my t-shirt later: “Holy CRAP... it gets whiter!?!” This is usually followed by a magnificently witty quip such as: “You should call Dulux, I don’t think they’ve discovered that shade yet.” (actually, I lie. I made that one up. The comments are usually more along the dizzying intellectual heights of puffing out their chin with their tongue and grunting “Urgh! White twat!” I really should stop hanging out with my Mum so much).

At the beach, or municipal swimming hole, I am very much out of place. Among the sea of tanned and seared flesh crackling away like morning bacon, I stand out like a lighthouse.

In some areas, I am banned from removing my t-shirt lest the sun rays jack-knife violently from my porcelain frame into the soft vulnerable eyes of unsuspecting beach-goers (“Ahhhhh! El Blanco Diablo!” they shout in Spain).

Tanning is an impossible notion. The normal human cycle of sunsearing goes: pale… pink/red… brown… lighter brown… pale.

Mine is more along the lines of: pale… ARGH! My F*&$ING skin!

It’s like a cat’s pissed ACID on it! Sweet merciful Jesus, what’s happening?!?... ... ... peeling… pale.

Not great, I can assure you. There’s a point in the highly enviable “peeling” stage that, should you place me in one of those containment bubbles and shook me up, you’d have a very macabre snowglobe on your hands.

I had an ill-advised attempt at a tan once. 18 I was, and about to go to Gran Canaria with my closest mates as part of England’s version of Schoolies.

Keen to show off my newly sculpted bod that my virginal self has feverishly worked away on in a vain attempt at helping women overlook my many other glaring failures, I thought a seven-hour session in the sun, with my skin type, would beat down the path to the bronzed Adonis look I had envisioned.

A little burn, and I’d be sweet. No pain, no gain.

For a week, I couldn’t walk properly. Lying down was torture. Showers an impossibility; instead I bathed in after-sun lotion. Huge blisters emerged, camped for a few days, and promptly burst in hot, shameful agony.

In another bout of youthful genius, I tried to rub after-sun lotion on the exposed skin. My subsequent screams could be heard three towns over.

So, next time you see that super pale guy at the beach, don’t mock them. They’ve had it tough enough already. Simply go over and lovingly pat them on the shoulder.

But not too hard! It stings, man. facebook.com/bmamagazine

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[HOT TIX]

UPCOMING LIVE MUSIC EVENTS

CBR Symphony Orchestra / Down South chamber concert / Thu, 2 Nov / Tuggeranong Arts Centre

Mike McClelland / Beloved Oz singer-songwriter Saturday, 5 November / Smith’s Alternative

Enjoy the sounds of the Canberra Symphony Orchestra (CSO) performing a beautiful night of classical music including Beethoven Trio in B-flat major for clarinet, bassoon, and piano, and an original composition by CSO Principal Bassoon Ben Hoadley – Four Preludes, for clarinet, bassoon, and piano. The program also includes a solo work from pianist Edward Neeman. The bar opens from 5pm, with the concert from 6pm – 7 pm. Tickets are $35 full and $25 students.

Info & tix: tuggeranongarts.com/events/cso-goes-south/

You begin to understand something of the extraordinary history of Aussie legend Mike McClelland when you realise he’s been on stage, guitar in hand, since 1965. Universally known as The Song And Dance Man after his acclaimed 1974 hit, he’s hosted TV shows, seen many of his songs covered around the world, recorded ten albums (two of which went Gold) and played concerts to audiences who have remained enthralled by the magic of his singing and playing ever since he first stepped into the spotlight. And he’s Bob Dylan approved, no less! From 3pm, $35/$30 via venue

Darren & Olivia Coggan / Heart-warming fatherdaughter show / Sat, 18 Nov / The Q, Queanbeyan

The Annual Brand Alliance Festival / Big Reef’s bigtime music mélange / Sat, 25 Nov / Live at the Polo

Olivia and her father, Golden Guitar winning artist, Darren Coggan, took home learning of 2021 lockdown a step further, recording a joint EP, Dear August. The seven-tracker features uplifting affirmations of the values they hold true. And so it is with this that multi award winner Darren returns to Queanbeyan with his talented daughter, Olivia, for a very special heart-warming show. Performing all of the tracks from newly released EP along with a selection of favourites from Darren’s oeuvre, this will also be an exciting opportunity to hear Olivia’s original songs, and Darren’s impressive repertoire. 8pm, $55 + bf via venue

Local roustabouts Big Reef, in conjunction with Brands for Honest Australians, present the 49th inaugural Annual Brand Alliance Festival, a celebration of the brands who have been there for us through the good and bad times. As well as a SHED-load of awesome music. Featuring harsh lofi hip-hop, demented hallucinatory club music, progressive guitar music, new wave romanticism, techno and more, TABAF is the ticket of the year in Canberra and maybe even the Goulburn, Yass, and Queanbeyan regions. From 2pm til late, tickets are $5 - $25.99 + bf via Humanitix

MAMA Music Awards / Canberra Music’s Best & Brightest / Fri, 5 December / High Ball, Civic

You Am I / The You’s Pull Up Their Troos Tour / Thu, 7 Dec / Canberra Southern Cross Club

Following the success of the 2022 event, the MusicACT Music Awards (the MAMAs) return in 2023 to celebrate the ACT music scene. The MAMAs peer nomination and award voting process sets out to elevate music industry recognition. The MAMAs acknowledge the ACT’s uniquely independent and highly collaborative music scene, stressing the importance of encouraging emerging new music, and celebrating the incredible contributions of individual artists and music industry workers who drive the ACT’s contemporary music industry. For info & tickets, head to: musicact.com.au/mamas

You Am I, the beloved Australian rock four-piece brimming with enough awards, stats and shows under their belt to enter legend status, are finally returning to Canberra. After a quiet year, and with some cities having not seen a You Am I headline show for over three years, these shows are well overdue and much anticipated. Especially when you learn they are joined by Aussie treasure Glenn Richards (Yes, THE Glenn Richards of Augie March), Bananagun, and Step Mother!

From 7pm, $61.20 via Oztix

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In a party kind of mood? It’s My Party is happening on Sunday, 26 November at Smith’s Alternative.

LOCALITY

[THE LATEST ON LOCAL MUSIC] WITH JANNAH FAHIZ. SEND GIGS AND INFO TO: [JANNAH.FAHIZ@GMAIL.COM]

Hello! Jannah here, welcoming you to another Locality column filled with the hottest gigs around town that I implore you to check out over the next few weeks. Whether you’re into folk, metal, pop or something a little more experimental, there’s a gig for you.

Now grab your cup of tea and enjoy!.

First up, we have The Dalmations performing on Friday, 10 November at Pot Belly Bar. No, I don’t mean there will be dancing dogs, you big silly! I’m talking about our local indie pop rock folk band (though maybe they still like a good head scratch). The band has put together this event called The Melting Pot, which “brings together a diverse blend of music to suit all comers”.

Joining them on the night will be locals Dana Hassell and Hex Ray. The show starts at 7pm, and tickets are $15 on the door.

Local doom metal band Witchskull are celebrating the release of their 4th album, The Serpent Tide, on Saturday, 18 November from 7pm at The Basement.

And it’s not just any old gig... This event celebrates dear Sam Floyd’s birthday!

And the best present you can bring is you and your dancing shoes.

From Sam’s act, you can expect singing, poems, juggling and maybe even some clowning around - It’s the whole party package deal! Dad rock band Jason Recliner will also perform their songs that tell comedic tales from their lives.

The show starts at 4pm, and tickets are $20 ($10 concession) via Smith’s website.

He’s the talk of the town, our pride and joy, and now you can see the hometown hero live!

Yes, THE Genesis Owusu is performing at the University of Canberra on Saturday, 9 December. Joining him will be Atlanta’s EARTHGANG [a hip hop duo so fierce they have to be capitalised BOSSMAN SKO].

Owusu’s lofty career soars ever higher.

He’s opened for Paramore, toured America, and is now touring Australia.

He is currently nominated for 7 ARIA Awards (he took home 4 ARIAs in 2021) not to mention blitzing the recent NLMAs with another 4 gongs!

Owusu will be performing songs from his new album Struggler— an exploration of the chaos and absurdity of life and our ability to endure—alongside his biggest hits. The all-ages show starts at 7pm, and tickets are $89.90 via via Moshtix.

Smith’s continues their classic Bang!! Beng!! Bing!! Bong!! Bung!! event on Tuesday, 12 December at 6pm. The community night sees ten people perform five songs each, with December’s event featuring Jackie Crimson, Cher Albrecht, Larissa, Trevor Love, Danny V, Bruce Head, moss girl and Ray Buckley. Only $5 via the venue.

They’ve been around for nearly a decade, toured the world, picked up a swag of awards, and have produced an impressive output. This 10-track album is their finest work to date.

And you can catch it live on stage this month! Joining them on stage, we have an array of local heavy artists in Immorium, Undermines, and Loose Cannon. Tickets are $29.60 and are for sale via Oztix.

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And if you’d like to play at this or future BBBBBs, simply email smithsalternative@gmail.com Our music scene is pumping again! After a few quiet years, it’s a beautiful thing to see. Make up for lost time, head on out, and enjoy the warming weather. Until next time!

It’s Sam Floyd’s party, and he’ll fly if he wants to. Ahead of the folkpop fella’s 26 November Smith’s Alternative celebration, we caught up with Mr Floyd to learn what pulls his party popper...

How did you start on this magical musical journey?

My first loves were my Dad’s vinyls of The Beach Boys and Madness. I played flute in year 5/6 band, then spent a couple years learning piano before taking up guitar when I was 14. I was obsessed with complicated pop songs from the ‘60s. I’ve constantly returned to song-writing as a way of processing, and there’s nothing quite so cathartic as singing.

Describe your sound:

BMA ARTIST PROFILE

Sa

m Floyd

the universe. These days my favourite creations come from somewhere mysterious...

What are some of your most memorable experiences?

Writing and directing Every Base Covered, a collection of my short plays, in 2009; later that year a sold out season of Not Axel Harrison, a collaboration with The Street Theatre; taking shows to Adelaide Fringe; busking on the streets of Melbourne.

What is it that you love about the scene?

Acoustic yet raucous. One-Man Folk-Pop Rollercoaster.

Key tracks should people check out?

Shitty $5 Guitar - live recording --------------> Warm Up Act - a recording I made in my garage accompanied by an experimental animation film created by my Mum, visual artist Frankie Sparke --------------> Influences?

Lindsey Buckingham’s guitar style! Percussive.

He delivers songs with such

I’m always busy seeing live theatre and music in Canberra.

We’re thriving. My favourite is the atmosphere and community created at Smith’s Alternative. Designed with artists and audiences alike, it’s a space to take risks. I’ve bought work from the last three exhibitions.

Tell us about one of your proudest moments.

Making the finals of the Gasworks Circus Showdown in 2016 with co-conspirator, Tom Davis, as The Fumbling Bumblers. We did a 15-minute danger-juggling act featuring such items as weapons-grade plutonium, eight bags of cocaine, and an egg.

What are your plans for the future?

Create my show Rezza; songs, stories and imagery from my years living as a mad sci-artist on the outskirts of innernorth Melbourne.

Another body of work, Lovelife & Lackthereof.

Make my poetry zines, All of my Friends are Imaginary: Psychotic Soap Opera, into an animation series.

blunt force whilst doing intricate things with his fingers. And his synergy with Stevie Nicks! Fleetwood’s live recordings are the benchmark.

The Magnetic Fields album 69 Love Songs revolutionised my creativity.

So much joy.

Songs started just falling out of me after.

A preponderance of my songs are inspired by romances (or absence of them!), but just as many are offbeat takes and observations on my life and

I’m in the process of becoming a qualified baker. Doing a manual labour job stimulates my creativity. One day I want to start my own bakery-cafe-gallery-venue.

What makes you laugh?

The outrageous and nonsensical.

What pisses you off?

I have a very long fuse. Anger feels awful.

Where can people check you out?

Next gig is It’s My Party”at Smith’s, 4pm on Sunsay, 26 November, celebrating my birthday.

I’m playing first for an hour or so, followed by band Jason Recliner. Stay tuned for more performances at Smith’s, and my poetry is published in small zines available there.

A recent gig is on Youtube (QR code) Reach me at stiklas. newhart@gmail.com

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Speaking of Sonic Reducer, massive congratulations on the launch of your single One Of The Lads! It’s an absolute cracker of a track, perfect for listeners like myself who love The Horrors, Idles, and Viagra Boys.

If you haven’t been to a Sonic Reducer show, I highly recommend them to young and old punk fans. Bands like this keep that old-school, ‘70s punk aesthetic going. I’m very excited to see where this band goes.

PUNK & DISORDERLY [THE WORD ON PUNK] WITH ALICE WORLEY

Hey, punk fam! And hey to Ngunnawal spring! Is it hot? Is it cold? Do I have hay fever or the flu? No one knows what to wear or how their immunity is coping. But what is known is what shows to get to!

Gadigal land favourites FANGZ are coming back to town! Most recently supporting Fidlar, the boys are back with their own tour, playing this leg with locals Box Dye and Rental Snake.

These guys know how to put on a show. Every member leaves everything on whatever stage they play, giving as much energy to a crowd of 10 as they do to a crowd of 100. It’s just an absolute passion for them, and they are so fun to watch, so please do get yourself along for this (Warning: first three rows will get sprayed with beer).

This is the only band I’ve ever had the pleasure of crowd surfing to.

Being able to live out my Jack Black School of Rock fantasy that day will live rent-free in my mind forever. Head to The Basement on Friday, 10 November and make your own memories!

Any fans of synth-punk about? Well, good news! Screensaver is on an Australian tour and stopping by sideway on Thursday, 2 November.

They’ll be celebrating the release of their sophomore album, Decent Shapes, alongside Glass Eater and local favourites Kilroy. If you’re looking for a danceable yet dark and moody set that satisfies those new-wave cravings, look no further!

Ngunnawal-born, Naarm-residing icons Moaning Lisa are returning to their old stomping ground for their Here’s To Us tour on Saturday, 18 November. They’ll be looking back to the days of The Sweetest and Do You Know Enough, their much beloved EPs from 2017 and 2018, but we’ll get a sneak peek at some new stuff, too!

Joined by Shoeb Ahmed and Sonic Reducer at sideway, this is sure to be a wholesome celebration of the work that made us fall in love with Moaning Lisa and a celebration of their career.

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And while I’m on the topic of old-school punks, Aussie legends Hard-Ons are headed to Canberra for their last tour of 2023. Come see this 40-year-old band still hit hard at Pot Belly Bar on 14 December with locals Hydranaut. I’m keen for this to be a sweaty, intimate, fully packed-out show. Come get down and dirty with Tim Rogers and see why Ray Ann is everyone’s spirit animal.

And last but not least, 28 November is seeing an acoustic punk session going down at Smith’s Alternative!

Showcasing Pat Todd of The Lazy Cowgirls and Mad Macka of Cosmic Psychos, this strippedback punk finery is a must-see for any punk rock aficionado. Plus, stick around after Pat and Macka for a set from Undermines!

PUNK GIG GUID E

es’ saver’ Decent Shap 2 November - Screen @ roy Kil d an er Eat ss album launch w/ Gla Sid eway d ns 88 w/ Red Hell an 4 November - Assassi ay ew Sid Optic Nerve @ tal w/ Box Dye and Ren 10 November - FANGZ ent Snake @ The Basem t You’ s’ Life’s Moving Pas 11 November - Stump Tour @ Sid eway te e Animals’ Modern Sta 16 November - Live Lik The @ ar Lun Bad a and of Mind’ Tour w/ Nor Basement Tour ing Lisa ‘Here’s to Us’ 18 November - Moan Sid eway @ r uce Red ic Son w/ Shoeb Ahmed and w/ ckNRollExtravaganza 28 November - PunkRo mith’s @S s ine erm Und d d, an Mad Macka, Pat Tod Alternative @Pot -Ons w/ Hydranaut 14 December - Hard Belly Bar

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g n i m m u r D f O e d a A Dec Up Sunshine

By Allan Sko

“Raio de Sol was born on a balmy spring night in October 2013 with eight drummers at the Downer Community Hall playing on a drum kit repurposed from the tip, two djembes, and a bunch of pots and pans.”

And so goes the humble origin story of Raio de Sol, according to founding director Niraj Lal. As we prepare to bid 2023 a fond farewell, the Canberra-based community samba band is gearing up to celebrate their 10-year milestone. And in fine style. We’ll get onto how in plenty of detail soon enough, but first, Niraj has more to give us on the group’s beginnings.

“The original musos wanted to join together to play samba rhythms and gig and be radically inclusive to anyone who wanted to join,” Niraj explains. “With a handful of rhythms borrowed from Olodum and Arco Iris (a Cambridge-based Community Samba Band in the UK) it was the start of something magical.”

Throughout the ten years, the band has been dedicated to their come one, come all mantra.

“Radical inclusivity has remained a touchstone for the group,” Niraj says. “The band brings together Canberrans from every walk of life, with new members accepted at every rehearsal.

One rehearsal qualifies you to play at a gig.”

And they were serious about this noble endeavour, being quick to capitalise on the band’s auspicious start.

“In 2014, Raio de Sol incorporated as a not-for-profit organisation, and received seed funding from the National Multicultural Festival to buy some drums. The rhythms haven’t stopped since,” Niraj explains.

is now a regular at the Sydney Mardi Gras parade, the National Multicultural Festival, and the National Folk Festival.”

The list of achievements doesn’t stop there, with last year marking one of the band’s greatest feats. As committee and band member Rafael Florez explains: “Since 2018 the band started connecting with samba groups from other cities, even representing Canberra at the amazing interstate Samba Encontro events,” he says.

“In 2022 we actually HOSTED the first edition here in Canberra and it was the largest gathering of samba drummers and dancers in Australian history. It was so much work but we played one of our best sets ever and solidified Raio de Sol’s place in the national samba community.

“This was a huge milestone for our not-for-profit, community-driven, humble beginnings band!”

People and community are the lifeblood of Raio de Sol, with many figures working tirelessly to keep this beautiful group from strength to strength. As one of the group’s early adopters, band and committee member James Hetherington, explains: “This magical venture started for me a bit over nine years ago when I went to watch one of Raio’s performances,” he says. “I was offered a go at drumming while they played at a samba show. I was instantly hooked! I joined soon after and have never looked back.”

“The band has grown to play everything from local gigs on the Canberra music scene to TEDx performances to weddings, and

James’ enthusiasm positively radiates. It’s a feeling that emboldens any group member you care to converse with. He goes on to explain what summons this ebullient spirit.

Raio de Sol (band photo 2015)

Raio de Sol @ Canberra Zombie Walk (2017)

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“The infectious music, the diverse, amazing people, the challenge and satisfaction of learning an instrument and playing it in harmony with others, the warm and welcoming social scene, the FUN,” James tirelessly lists. “It’s been a wild ride and such a good time.

“The connection to community and culture is what I love the most,” he continues. “When we play, the appreciation and joy we receive is addictive. What we give, we receive back tenfold.

Raio has been a welcoming home to so many people over the years. And they each, in turn, have brought something different and wonderful to the band.

“I have learned so much about Brazilian culture and many other cultures, reflecting the incredibly diverse range of people who come to play. It has also provided me with many unique and fun experiences, none the least putting on a float and parading in Mardi Gras for many years now!”

Oh, he’s not done yet. I told you the gent was passionate.

“Raio has connected me with a wealth of great friends over the years, many of whom I’m not sure how else I would have met,” he says. “I’m forever grateful to Raio for this. After seven years in a lead role running the band, I’m now supporting a new generation of devotees to take the Raio to new places.”

Regarding the band’s merits, fellow band + committee member Rebekah Day enthusiastically joins in.

“For me, it’s definitely the community,” she chimes. “I got to know band members as a samba dancer, and Raio de Sol members were always so nice and welcoming.

“After joining, I got to see a different side to our band and witness how much work and dedication went into performances and bringing music to the public.

“Now, as a committee member, I get to continue that legacy of fun performances in a welcoming environment.”

There is a clear pattern here: people are drawn in by the fun, music, and camaraderie on display; they join and get swept up in it for years, find something deeper, and join the committee to help grow

the group further. Community, and the friendships formed therein, resonate strongly with each member.

“This band has so much heart, and over the years, a huge number of members have found lasting friendships,” enthuses band member Nicola Wardrop. “I learnt to play an instrument from scratch and found joy in the culture behind the music.

“The chaos and absurd fun of a ragtag community outfit making its way in the Canberra scene is a total hoot, too.

“It can be shambolic. But when we nail a new rhythm together?

It feels so good.”

And so, we have the past and the present of Raio de Sol. What of the future, and marking this remarkable 10 years of existence? This, my friends, is where you join in the fun.

“We plan on taking what we do and love best and showcase it to our Canberra community!” Rafael enthuses. “We’re hosting a free street party focusing on Urban Latin, and Roots music and culture - with all local bands including a performance by us in the middle.

“We also have a free public workshop and jam for new and old members. All happening smack bang in the middle of Kambri @ ANU. You’ll also be able to see a photo exhibit showcasing the band and it’s history at Badger & Co (the ANU bar).

“There will be high-energy drumming with friends old and new, bringing the people of Canberra along for the ride with our best gig ever,” Nicola joins in.

“They’ll be plenty of laughter about some of our more memorable gigs over a few beers, and feeling proud of our 10-year stats: over 150 gigs, over 200 members, growing our instruments from those pots and pans to more than 40 drums, agogos, tamborims, shakers, many of which have been imported from Brazil.”

For some, such as Rebekah Day, the day will be about the quiet, personal moments as much as the grand scale party.

“I’ll be spending the day catching up with old and current members, along with beloved friends and family of the band,” she says. “It’s going to be such a big day of partying.”

As well as celebrating 10 years, the Saturday, 18 November party also serves as a statement of intent for the following decade and beyond.

Raio de Sol @ Folk Festival (2022)

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“We’ll keep doing what we do best,” says James. “Entertaining Canberra and beyond with fun Latin tunes, making new friends, teaching all those who want to learn how to play and providing connection to a wonderful social scene.”

“While band members come and go,” Rafael adds, “you’ll continue to see Raio de Sol’s presence at local events like the Multicultural Festival, National Folk Festival, Mardi Gras, Floriade and other Samba Encontro events around the country!”

“Raio rolls with the mores of its members at any one time and embodies their passion and energy, concludes Nicola “This band will always be doing new things and continuing with beloved gig and community commitments around the ACT and NSW.” And there you go. Raio de Sol; the Canberra community group with ten happy years to their name with, you feel, the best yet to come. It’s the very definition of A Good News Story, and it’s a narrative that you can very much be part of, whether as a party-goer or player.

Raio de Sol @ TEDx Canberra (2014)

“We welcome anyone!” Rebekah enthuses. “We’re a community band that is open to people who are beginners all the way to professional musicians. We have members who come from all walks of life that come for the excitement of foreign instruments and sounds but stay for the socialising and community.”

“Mark down our anniversary event on the 18 November in your calendar now!” James implores. “We want you to come and party with us. And if you have ever thought about learning to play an instrument and you love Samba, there’s no better time to join us than right now!”

Raio de Sol @ Floriade Nightfest (2022)

“Come for the afternoon workshop!” Nicola implores.

“You’ll be playing a rhythm by the end of the session, and won’t be able to wipe the smile off your face.

“More cowbell!”

It is in closing that Nicola offers one of the strongest arguments for joining in.

“People always say that it looks fun when we’re on stage. And you know what? It is even more fun than it looks,” Nicola says.

“The thrill of playing live with up to 30 people on stage? With a leader bringing the rhythms to life differently every time, keeping you on your toes, building the energy on stage and in the room with every break…?

“It’s like nothing else.”

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Raio de Sol @ Multicultural Festival (2015) PAGE 20

PACHANGA!—Raio de Sol’s 10 Year Fiesta—is a free event at Kambri @ ANU on Saturday, 18 November. The day includes the delights of Los Chavos, This Way Orkestra, Chicharrita Club, Hit-N-Miss, Baila Chile + Momposina, DJ Dede Da Cruz plus a free public workshop + jam. Registration is essential, with a QR code on the opposite page to help you on your way!

Raio de Sol @ Melbourne Samba Encontro (2018)

throwing drumming

‘The Parrot hasn’t landed in Canberra for a while. They’ve just migrated back to Australia for the warmer months, having fluttered around the states on a big flap with Weedeater and a bunch of very high-profile shows with a certain large band, 50% of which’s original members may or may not be touring Australia in 2024...

I’ve said too much. Besides, it’s only a rumour at this point.

But the Parrot is back in town for Xmas, 16 December!

METALISE [THE WORD ON METAL] WITH JOSH NIXON [DOOMTILDEATH@HOTMAIL.COM]

Where the fuck did 2023 go? One barely contemplates a year’s best-of list before another is due.

And yet the ebbs and flows of heavy metal in the territory continue unabated, with a plethora of announcements from afar, smattered with cancellations and recalibrations as we peer over at 2024’s horizon.

Before contemplating what’s in store, what must we do before compiling the best of ‘23? Why yes! Work out all them gigs we’re going to go to is what!

Lucifungus leave these shores for a chilly pre-winter Eurojaunt in November. But they shall return to The Pot Belly on Friday, 1 December, bearing gifts no less.

Did you happen to catch Pungent Stench on The Dirty Rhymes World Tour in ‘93? No? Fear not, as Shirenc Plays Pungent Stench comes to The Pot Belly with Lucifungus for some delightful Austrian death metal lovingly mixed in with questionable lyrical content.

(Actually, I have a hankering for a Psychrist reunion; you guys still in town should come back and play this show for old times’ sake) There’s much more in store with significant announcements for 2024. The Christmas present list includes the following: In Flames on a joint national excursion with the legendary thrashers Kreator and are playing at UC Refectory on Thursday, 15 February.

D.R.I. and Hirax FINALLY get to do their long-promised tour (cancelled by Covid a couple of times, I think) to celebrate Crossover’s greatest 40th anniversary. The Basement, on Wednesday, 21 February.

Gloryhammer will Return to the Kingdom (of Australia tour) on the eventide of the first Chuffingday of Nocturnia (Sunday, 5 November). It’s a night that could conceivably out-epic all other power metal (k)nights in Canberra’s best live venue, The Basement. Showcasing tunes from their new record, Return to the Kingdom of Fife, the band make a welcome return to Aussie shores.

Of course, with a nautical reference, only the pirate metal stylings of Rumahoy will do in support of this glorious event, with Australian speed metallers Livewire rounding out the bill. Avast! There be tickets ahead! To starboard, with haste!

Witchskull has a busy end-of-year schedule with two shows at The Basement. The first is a headlining affair on Saturday, 18 November with Immorium, Undermines, and Loose Cannon, officially wrapping the latter half of The Serpent Tide tour.

The second show will also be at the rootingest, tootingnest live venue in support of the welcome return of Melbourne’s King Parrot. On that bill, too, is our Wacken veterans DepriVation and the blackened thrash riffage of Point 17.

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Midnight play the WLVIC (Winningest Live Venue In Canberra) that is The Basement on Sunday, 3 March, joined by New Zealand’s thrashingest cohorts Stalker. Many of you have expressed keenness for this one, so be sure to get your ticket ASAP. This promoter has been dropping shows lately, including the much anticipated Thou gig, so the best way to ensure a tour goes ahead is to get your tickets early.

A wonderful surprise from the fine folks at Soundworks was the announcement of English stoner giants Orange Goblin coming to town on a salaciously delicious threecourse meal of stoner rock with none other than Melbourne’s Dr. Colossus and Sydney’s Astrodeath. That is an absolute ripper of a show, and it’s happening on Sunday, 10 March at The Basement.

Machine Head and Fear Factory man a mad doubleheader dubbed Slaughter the Martour. You will need to get a hotel for this one, though, as it’s in Sydney, Enmore Theatre to be precise, on Saturday, 16 March.

And finally, Iron Maiden also announced a welcome return with The Future Past which, perhaps unsurprisingly, isn’t coming to either the Canberra Theatre or even WLVIC. The nearest is Qudos Bank Arena in Sydney all the way in September. But I believe tickets have already gone for that.

Right! Better get started on that End-Of, Best-Of list!

6 DECEMBER

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[SPOTLIGHT]

UPCOMING ARTS EVENTS

Small Blessings exhibition / Community multi-arts favours / 27 Oct - 27 Jan / Tuggeranong Arts Centre

The Complete Works of Shakespeare (abridged) [revised] / 16 Nov - 2 Dec / Whipfast ‘n’ witty William / Canberra REP

This exhibition is the result of a multi-art form engagement project that asked the community to consider and then make an action of a small blessing. In the Tuggers Centre and beyond, the project incorporates workshops, a weekly making table, live performance, an exhibition, and a giving table. Public program includes Weekly Making Table on Thursdays, 11am-1pm, where you can contribute to the exhibition and learn felting with Lynn Petersen. And Beyond Small Talk improv theatre show with Lightbulb Improv, Friday, 3 November, 3pm.

Share and read project stories at somethingquirkier.wildapricot.org

“It’s one of the most ridiculous plays I’ve ever directed,” says Ylaria Rogers, director of Canberra REP’s final production for 2023: The Complete Works of William Shakespeare (abridged) [revised]. It’s a two-hour romp through The Bard’s 37 plays (plus sonnets), with three actors condensing his comedies, histories, and tragedies in a crisply comedic style. “This is a silly, ‘caught-up-in-the-action’ play,” says Rogers. “It’s party season and it’s a party play... It’s like watching Shakespeare as a cabaret. It’s relevant, political, and reflects on both our time and his”. 7:30pm + 2pm matinees, $25 - $50 via venue

The Young Soloists / String orchestra gems / Saturday, 25 November / Snow Concert Hall

Canberra International Improv Festival / 24+ theatre shows / 4 - 10 Dec / Smith’s & The Street

The Young Soloists unites highly talented award-winning young virtuosos between the ages of 13 and 23 from over 20 nations to form a world-class ensemble. It is a project unlikeany other in the world, and the results are ours to enjoy. The award winning Young Soloists have established themselves as one of the leading youth orchestras worldwide. This is primarily due to their unique concept: exceptional young musicians perform as soloists with their own orchestra, accompany each other, and share their passion for music. 7pm - 9pm, $40 – $100+ bf via Humanitix

A HUGE week of impro beckons for ths year’s CIIF, as Australia’s original and largest gathering of improvisers from around the globe converge on Canberra this December. With a whopping 24 world-class, spontaneous theatre shows in a single week, the festival expands well beyond the Whose Line Is It Anyway?, Thank God You’re Here or Theatresports that folk usually think about improv (though there IS that, worry not). Across two venues—the intimacy of Smith’s; the grandeur of The Street—once-only theatre shows tapping into every genre await! For a full program & info: facebook.com/Improvention

King Lear / Bold, modern take on Shakespeare classic / 29 Nov – 3 Dec / The Q, Queanbeyan

DISCRIMINATE / Satirical Exhi of Modern AntiDisability Propaganda / From 1 Dec / Belco Arts

A kingdom, ruled by an ageing monarch, is fractured by pride, folly, and avarice in Shakespeare’s epic tragedy, King Lear. In this bold, contemporary adaptation directed by Joel Horwood, Karen Vickery stars as the titular King alongside an extraordinary local cast.

Prepare to see The Q as you’ve never seen it before, as Echo Theatre’s electrifying new production promises a spectacle of otherworldly proportions. A family drama with global resonance, King Lear forces us to confront our own humanity, and dismantle our preconceptions of power. Sessions at 2pm, 5pm & 7.30pm, $30 – $60 via venue

Brought to you by the tireless John Brookes of Dark Snow exhibition fame, prepare to be challenged with this satirical look at how modern-day media depicts people with disabilities, often subtly reinforcing prejudice. DISCRIMINATE explores this idea by using the style and design of early 20th Century propaganda posters used in Nazi Germany, Maoist China, the Cold War etc., and applying them to today’s society. Do YOU Discriminate between right and wrong? Do you Discriminate against others? This exhibition may surprise you…

Opening night: Friday, 1 December, 6pm. Exhi run until 17 February

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everybody do the dinosaur

By Chenoeh Miller

Adam Deusien is one of those sickeningly gorgeous, shiny, multitalented people who bring integrity and humour to everything.

Among a list of achievements too numerous to list in full here, Adam was the brains behind Canberra Theatre Centre’s New Works Program, an initiative that pays actual dollary-dos to artists developing new performances – a rarity in Canberra.

He started Lingua Franca, an interdisciplinary performance company, over a decade ago with our very own dance queen Alison Plevey and has worked across Australia as a producer raising the voices of regional communities.

It was a few years ago that I first heard Adam mention this ridiculous idea of a show about a gay dinosaur. At the time, he did the character’s voices for me, and I cracked up. It was an undeniably great bit, but the concept of a whole show seemed ambitious and wildly silly.

As it turns out, it’s both of these things. And a whole lot more.

What was the best part of your day today?

My dog Raz sneaks into my bed every morn for a little cuddle and a spoon as he wakes up.

This work draws on a solo show I did in Bathurst six years ago called Making It Alone, an entirely solitary creative process I performed that explored loneliness in regional and rural Australia.

Triceratop feels like an extension of that.

So it feels right to jump in the dino costume and be the one to bring it to life.

Triceratop is described as a blend of comedy and tragedy, addressing themes of extinction, loneliness, and apathy.

How do you create a captivating experience for the audience?

I really believe in the power of comedy and entertainment to hold the space for hard conversations.

Queer performance has such a rich history of this - camp can hold comedy and tragedy in the same space to talk about resilience, divergent ways of living, and the power of community, and I’m trying to invoke this extraordinary flavour in the show.

Most inspirational performance that you have seen recently?

Also, I’m trying to make it fun, silly, and the best kind of stupid possible so that it’s a good night out that makes you think.

Taylor Mac’s Bark of Millions at the Sydney Opera House. A 4-hour long queer rock opera that was unapologetically epic and imaginative.

Could you share some insights into the creative process and what audiences can expect as you continue to develop the show?

Seeing queer people proudly taking space to talk to the full gamut of their experience was a spiritual experience. Every artist on that stage was in their power and generously shared it with us. Exquisite!

It has been so fun exploring the possibilities of the show! I’m drawing on all the skills in my toolkit to see what’s possible - dance, lipsync, scripted text.

Now we’re nicely warmed up, onto the play! Triceratop combines elements of the modern queer experience, climate change, and dinosaurs. What inspired you to merge these distinct themes?

I’ve also been revisiting my musical past to learn a new instrument for some sections of the show. The audience can expect a wild ride of forms that takes them in all different directions! I’m working with Becky Russell, an incredible collaborator, technical wizard, and creative genius to help bring this to life.

As a kid, I was so inspired and excited by dinosaurs - they had this epic, mysterious coolness, but also a silliness (they’re giant lizards!!!). Built into their narrative is a story of extinction and an inability to continue to live with their environment, which obviously has parallels with our world today.

Why have you decided to perform in the show?

I consider myself firstly a director, but I started as a performer, actor, and physical theatre maker, and those skills stay with you.

Your work is influenced by the likes of Fleabag and Drag Race. In what ways have these influences shaped Triceratop?

It’s part confessional, part diary entry; it’s a reflective wink-to-theaudience style that slams camp and lipsync and comedy and music into the story.

What does it mean to you to be a part of the Q The Locals Program?

Programs like this are so important, particularly in regional areas.

I have worked as an independent artist and a presenter with venues and festivals, so I understand how these programs—that leverage the resources and skills of both these parties—help sectors develop sustainable, viable, and visible practices for regional artists.

Audiences also deserve to see work made by artists in their community that, even if it’s not explicit, represent the experiences and aspirations of the community they live in.

I’m so grateful to Jordan Best and everyone at The Q for the opportunity.

Finally, how do you hope it will resonate with the local community?

Local audiences are pretty progressive, and these themes will speak to those who want change for the better. My time in the region has shown me they are interested in big ideas and love a good night out.

So that’s what I’ll deliver!

Triceratop is on at The Queanbeyan Performing Arts Centre (The Q) on 24 & 25 November, at 8pm.

Tix are $35/$30 via the venue PAGE 27

Exhibitionist | Comedy in the ACT While most racing games have time or lap limits (I’m looking at you, Mario Kart 8 Deluxe), in CPTR6, you can set any limit you like.

I recently came ninth (of 185 racers - 73 of whom finished) in a 2,000-lap race at the Hemköp Hypermarket Car Park in Stockholm. The race lasted over 78 hours and was only possible due to my sponsorship from Oozy Fusey IV Drips, who had me hooked up the whole time.

I was on a constant diet of vitamins, caffeine, and a unique concoction that the owner/operator of Oozy Fusey, Dwayne Supicks, calls “rainbow water”.

Trolley racing has never been better, so race to get your copy now for hours (and hours and hours) of fun.

Climate God 2 - Antipodean Edition Gameboy Color / SEGA Megadrive

Gamers’ Corner: the Hottest New Titles of 2024 Got time to waste in a virtual fantasy land? These topranked, must-have video games of 2024 will have you wasting that time in style! Chris Marlton—who has wasted more time than most—gives us the inside scoop...

I play video games for fun and to unwind, and these are my favourites. While not all of them have received high scores or critical acclaim (quite the opposite, in some cases) each offers something innovative, challenging, or both.

Unlike the current school system, these games represent the real industry educating our future leaders. Video games have never been more immersive, expensive, or confusing, so check these out post haste!

Coles’ Pro Trolley Rally (CPTR) VI: Switch / XBOX / PS5 / Linux / Mobile

The CPTR series has been my favourite online multiplayer racing game Pro Trolley Rally for years. The ability to climb inside a trolley and race around scale replicas of the world’s most exciting supermarket car parks has gotten even more ludicrous in this sixth edition of the game, with online multiplayer increased to a maximum of 255 trolleys in a single race.

VI

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In a bold move, the southernhemisphere release of Climate God 2 was only available to play on the long discontinued Game Boy Color and SEGA Megadrive consoles. But if you do somehow manage to play, you’ll soon discover that you have a ballsy first-person shooter on—or, more accurately, in—your hands.

As Climate God, Raidon, you traverse the cities of Australia and New Zealand, doling out CLIMATE JUSTICE to owners of big companies and corporations that aren’t climate neutral.

Some reviewers posited that the odd choice of platform was due to the current-gen consoles’ fear of legal action.

And considering that the likeness and names of all CEOs and company directors featured in the game are those of real people, including accurate contact information and addresses, they may be onto something.

I completed the single-player campaign in a shade under 380 hours and was pleasantly surprised by the bold storyline choices and realistic violence.

The relationship dynamic, labelled as controversial by some mainstream websites, allows the character to stop delivering CLIMATE JUSTICE in order to meet a lovely partner, have a family, and raise climate-neutral children.

Unfortunately, in my play-through, the child I reared, raised, and loved as my own eventually became the CEO of a mining company in northern South Australia.

And I could only complete the game by ensuring that CLIMATE JUSTICE... was served.

Climate God 2 is a challenging game to finish, both logistically and emotionally. But if you care about the environment... You don’t have a choice. @bmamag

Game-Game Manager

Switch / XBOX / PS5 / Linux / Mobile / Commodore 64 This throwback 2D platformer is a must-play for any ‘80s kids. As you progress in a simple runand-jump level design, you gather and collect copies of the most popular video games of the past.

Each level moves the player, a frog-shaped businessman named Business-Frog Johnson, ahead one year in time, where they can collect the hit video games from that year. As the years progress, so too do the graphics style, gameplay dynamics, and controls.

It’s a hugely difficult game that I’ve attempted to complete many times. All of my 30-odd play-throughs have ended with my character (the player-customiser is very well done) either in prison or dead.

The combat system is challenging but rewarding, and the upgrade tree makes a lot more sense in this version, with several quality-of-life upgrades that make the game more enjoyable despite the depressing and overwhelming sadness of the scenario.

This is not for all gamers, but if sociology is your bag, or need practice writing resumes, this could be for you.

Broken Wing: Steam / Windows / OSX

Incredibly, the games you collect are playable as bonus Easter Eggs, selectable on the main menu (I am not sure about the copyright implications, especially as the games get more extensive and more recent). This pattern continues until 2024 where.... Ahhhh, I won’t spoil what happens. You’ll have to play it yourself to find out.

Job Hunter XD: Windows / Mac / Java

I’ve always been a fan of simulation/management games like Sim City, Railway Tycoon, Christmas Toy Allocator and, of course, Moonbase 2062.

Broken Wing, the most recent hospital sim from BadNeedle Software, places you as the manager of a humananimal hybrid hospital on the Mexico/Texas border. And by hybrid, I do not mean half vet/half human hospital.

The doctors, nurses, orderlies, cleaners, patients and visitors are animal-human hybrids. And you, the manager of Broken Wing Hospital, are half-alligator.

Remakes and upscaled re-releases of video games have been prevalent in the last couple of years. Whether a lack of ideas or simple recognition that some games are true classics is the cause, some games simply deserve to be played by the latest generation of gamers.

My favourite is a total 3D re-imagining of the 1997 Liberal Party-funded Job Hunter. Developed by a sub-sector of Centrelink towards the end of the last century, Job Hunter is a hyper-realistic role-playing game requiring players to apply for 20 new jobs every fortnight.

The logistical nightmare of managing a hospital across the border of two countries creates a tactical strategy game like never before. With two sets of staff, two sets of patients, and the bizarre financials of running two separate in-hospital pharmacies… it’s an absolute blast.

You can use the less expensive Mexican drugs or the dearer, more-regulated USA drugs. But be warned! The DEA raid your hospital from time to time, resulting in hefty fines if found using dodgy meds.

Fail at this—and you will; the game doesn’t allow the applications to be completed in time—and you won’t be able to pay the weekly bills. Once the rent goes unpaid for the third time you’re kicked out onto the street.

A unique option of this game is the ability to turn the hospital into a military stronghold, arming the staff with weaponry and aligning yourself with the Mexican Drug Cartel. Here, the game introduces elements from XCOMstyle squad-based strategy game; a deadly yet welcome change to the drudgery of running illegal drug trials in the basement or syphoning off stem cells to sell to Panama.

Once on the street, the player is confronted by all the realworld problems of homelessness, including street crime, safe places to sleep, and being victimised by the very system that is purportedly supposed to be helping and protecting them.

Chris Marlton is a comedian, writer, painter, and film. His comedy special Mephisto Waltz is on YouTube. Upcoming shows are available at linktree.com/chrismarlton. Follow @chris.marlton and @laserfirecomedy on Instagram and @ChrisMarltonComedy on Facebook.

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PAGE 29

Exhibitionist | Comedy in the ACT

I have come to the conclusion that the English language is for perverts.

There are three common phrases with which I take particular issue. They are:

1.

“Do you kiss your mother with that mouth?”

2.

“I’ll have to love you and leave you!”

3.

“A good sort.”

The thing is, odds are good that many of us have kissed someone’s mother on the mouth. If you have kids, but you didn’t birth them – there’s a good chance there was some kissing involved.

Probably.

“I’ll have to love you and leave you” Capital shag, Geoffrey!

“Do you kiss your mother with that mouth?”

I’m sure I am not the only person who thinks that this phrase makes it sound like we are all kissing our mothers on the mouth. We most certainly are not. It is a part of our National Covenant that we do not kiss our mothers in this way.

I’m not kissing my mother on the mouth, for what it’s worth. I kiss my mother on the cheek, on the head, and once, awkwardly, on her shoulder when she got up out of her chair faster than I expected.

I witnessed an acquaintance kiss his mother on the mouth recently. However, he is European. Europeans may do such things because they are less frightened of themselves. In Europe, they have public baths with champagne instead of water, and one is encouraged to bring crudites and bathe nude. We cannot repress their mother kissing ways any more than we can stop them from covering themselves in mascarpone cheese instead of sunscreen.

But in this country, we are very afraid. I feel like postbreastfeeding, we have all agreed that any contact between people’s mouths and the mothers that brought said mouths into the world should be cursory at best.

Mums have been through enough.

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So it’s not inconceivable.

What does “love” mean in this context?

It is far from sure, but it certainly sounds like an exchange of fluids is involved before the speaker departs. We are closely related to bonobos, after all, for whom sexual interactions are used to cement social relationships, diffuse tension, and broker deals.

Perhaps there was a point in history where intercourse, or at least light frottage, was commonplace in process of saying goodbye.

I imagine that this would have been difficult in eras with lots of undergarments and elaborate clothing to take off and put back on again, though.

And it is here where I believe the problem lies.

I nelieve this phrase lost its connection to the original ritual when a group of people were undressing to “love” said person before they departed. And then came the many clasps, the burdonsome buckles, not to mention unlacing a corset isn’t exactly easy, and…

Well, they all agreed to shake hands instead.

What’s strange is that I usually hear older people use

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this idiom. Perhaps they heard tales of when it was accompanied by the physical ritual.

There really is so much we can learn from our elders.

“A good sort” Okay, so when did this phrase become about someone being hot? Because I never, ever got that memo.

I had been using it FOR YEARS, thinking that it just referred to someone who was a good person [shit, it doesn’t!? I, errrr... I need to make some calls... - BOSSMAN SKO].

It’s a bit like referring to someone being “fit” not actually being about their physical health.

At least that phrase had a well-known song— Fit But You Know It by The Streets—that clarified its meaning for anyone in doubt. Where’s the song about being “a good sort”? If there was, it might have saved me years of sounding like I was keen on lots of wildly inappropriate people. It’s a public service at this point.

I have literally used that descriptor for all sorts of folk – baristas (SO many baristas), the man down the hall who collects my mail, friend’s partners, to name a few. Nobody pulled me up on it.

So, if you’re reading this, Catherine – I’m so sorry. I do really like your hair that colour, but I wasn’t trying to be a creep. Thank you for not reporting me to HR.

Nobody.

There you have it. Proof if proof be needed that humans and their language is unadulterated filth. I could go on, but I’ve run out of space. So I will have to love you and leave you.

It was only earlier this year when I was talking to my boss about a colleague that an eyebrow was raised and I was informed of its meaning.

Suma Iyer is a Canberra comic who performs across Australia. To keep up to date with Suma, head to @ sumaiyercomedy on Instagram.

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By Joshua Eckersley This may be a controversial statement, but let's put aside the hype of the Taylor Swift Eras Tour for just one minute. For there is a new era of Neel Kolhatkar and his latest stand-up comedy tour to espouse, the wickedly titled Villain Era. Sydney-based Kolhatkar is one of Australia's most prominent young comedians, having spent over a decade peppering audiences with his sharp, provocative humour. Influenced by Chris Rock and Russell Peters, his live shows are described as high energy, sometimes abstract, and replete with many act-outs and accents.

"You want to ease into the darker or more opinionated gear; at least, that's how I try and do it," Neel continues. "You're building that long show over months, and it's all one giant puzzle where each joke should slot nicely into place, maintaining the show's momentum, energy, and through-line."

And, of course, very funny, too.

Neel has also been busy managing various live club shows across the country under the Comedy Untamed moniker, which features improv and banter from some of Australia's wildest comedians. He is also a successful YouTuber and podcaster, amassing a massive fanbase from his online content.

Villain Era is Kolhatkar's first solo Australian tour in almost five years.

Nothing will be off-limits as Neel takes aim at social media, politics, culture, and even himself. Neel explains the title comes from a collection of phrases, popular on social media, that refer to the various eras of one's life.

"Someone may go through their hippie or corporate era, for example," Neel explains. "I went with Villain Era because, as the name suggests, many of the jokes, and overall theme, is caustic, edgy and mischievous."

Neel has already started his national tour with a successful show in Perth, holding nothing back as he continues to unleash his brash brand of comedy on nationwide audiences. He confides that the new material has been receiving great feedback, not only from audiences but from fellow comedians as well.

"A few jokes certainly leave the audience on edge, but with the rhythm of my set, I tend to build up the tension with edgier material, then release it with some big laughs," he tells.

Neel has undoubtedly not eased off the comedy throttle in the years since his last solo tour, keeping busy with a constant schedule of short-form comedy sets. "[With the short form sets] you're in just one gear, trying to cram as many punchlines into your set as possible," he explains. "Then, there are gear shifts you go through with a longer show.

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It is all part of the job of a modern-day comedian, as Neel can attest.

"All artists have morphed into generalised content creators or influencers," he says. "I thoroughly enjoy podcasting, and has been an educational experience. However, producing high-quality stand-up or sketch material is the best way to generate and sustain an audience as a comedian."

The Villain Era tour will bring Neel back to The Street Theatre on Friday, 24 November, for one night only. Having performed here many times, Neel understands the nuance of a Canberra audience and has the comedy chops to bring the audience along for a hilarious ride.

"Canberra seems to be the most learned crowd, and that comes with a positive and negative side", Neel explains. "The positive is that many of my political jokes don't go over people's heads. The negative side is that they can be a harder audience to please.

"But I like the challenge."

Neel Kolhatkar plays at The Street Theatre on Friday, 24 November, at 8pm. Tickets are $35.90 + bf via the venue @bmamag

New CBR Memoir Serves As Stark Reminder

By Allan Sko

It can be exhausting navigating the choppy waters of Life, forever battered by those fickle winds of change, the metaphorical albatross hanging limp round neck, adding its guilty burden to your own. As such, when you spy something fun and lighthearted in your daily orbit, it’s a good idea to grab onto that rock for dear life.

an hour. With Blackadder-esque sarcasm and wit, he relates observations of, and dealings with, the weird, wonderful, and wacky gamut of homo sapiens who came into his record-dealing purview.

Enter Might As Well Be Me, which acts less like a rock, in this somewhat tortured metaphor, and more a full-blown luxury oasis. It’s a brutally honest, elegantly light, and downright hilarious read and will undoubtedly play a part in lessening the load of what ails ya. For a few hours, at least.

It is a book in which the author continually asks, ‘How the hell did I get here?!’ in an increasingly desperate and/or resigned fashion. The answer, for the most part, alludes him. But it made for a great book title.

Might As Well Be Me is the memoir of a shockingly younglooking 52-year-old Canberra-based vinyl record dealer, Shane Stark, and plays out like an autobiographical rendition of High Fidelity (though, sadly, with somewhat less Zoë Kravitz). But what it lacks in Kravitz, it more than makes up for in crazy.

Adhering to the ‘write what you know’ mantra, Shane recounts moments both significant and salacious, using beguiling vinyl records of his past as time-stamps. In 50 bite-sized chapters, each linked to a particular album, a glimpse is given into the world of a Gen-X guy who, for the most part, fell into his unconventional life, including the last 10 years as a vinyl record dealer and obsessive.

It is, frankly speaking, a brilliant idea for a book that Shane has expertly actualised and, continuing to frankly speak, I hate him for it.

Themes in the book include the fads of youth, Scottish escapades, Costa Rican and Caribbean adventures, encounters with celebs, memorable gigs, life as a semi-professional poker player (he once played with actor James Woods), flatmate horror stories, and some genuinely hilarious attempts at romance, including a particularly noteworthy encounter with a triple-widowed Canadian redhead.

Eighteen of the book’s chapters focus on Shane’s life on the road, buying and selling vinyl. As he says in the book, the characters he met along the way had him laughing, crying, or reeling in horror, sometimes within the space of

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I asked Shane who he thinks Might As Well Be Me will appeal to.

“It will resonate with most people because so much of our lives—events, memorable moments, highs and lows, and so forth— can be traced through the music of the time.

“Music helps embed our memories into our souls, whether we’re aware of it at the time or not,” he says, poignantly.

“Ultimately, I’ve written a, hopefully, hilarious little book; one that can be quickly devoured, even by the most phoneaddicted, focus-challenged millennial (most chapters are less than three pages).”

Fear not, stupid millennial. Old Man Stark is only teasing.

“But seriously, I’m pretty confident it will strike a chord with vinyl record and comedy lovers alike.”

Laughs aplenty though there be, the book also tugs at heart in a very different way.

“My favourite part is the last chapter on my late brother Craig, to whom the book is dedicated,” Shane reveals. “I wasn’t initially going to include a chapter on him, as the book is almost solely comedy. But ultimately, it felt like the right way to sign off.

“Much of Craig’s short life was defined by mayhem and tragedy,” Shane continues. “But there were also so many beautiful, crazy, and happy memories of him. Again, many of them linked to music.

“In the end, it was a no-brainer to include him. Besides, he would have had a go at me if he didn’t get his own chapter.”

There’s that pesky, unpredictable Life thing at it again.

Aye, those seas be choppy, alright; those winds a few knots fiercer than before. But with Shane Stark as our wayward captain... I reckon Everything’s Gonna Be Alright.

And if that last part has made you want to meet the author and give him a big hug (and help soothe his pain a skerrick by grabbing a signed copy of the book while you’re at it), then you, my good friend, are in luck.

There will be book launch events at Paperchain Bookshop at Manuka on Thursday, 30 November, at 5pm and Dirty Jane’s Vintage Emporium on Saturday, 2 December, at 11am.

See you there.

Might As Well Be Me is published by Pegasus Elliot MacKenzie (U.K.) and available online at Pegasus Publishers, Amazon and Booktopia.

To RSVP to the Paperchain Bookshop, Manuka launch: info@paperchainbookstore.com.au To RSVP to the Dirty Jane’s Emporium, Fyshwick launch: johnnythefoxrecords@gmail.com

PAGE 33

By Jessica Conway

Sydney-based singersongwriter Josh Pyke is no stranger to the nation’s capital, having made four trips to the Territory already this year.

Those visits saw him meet with federal politicians about the Voice to Parliament and advocating for fairer royalties for musicians.

But this time, there’ll be no politics on the agenda.

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Departing from the podiums and parliamentary meetings to return to the raw essence of his music, the ARIA-award winner is bringing new collection Revisions.

The album pulls from his immense backcatalogue of indie/folk hits, with Josh delivering new pared-back arrangements of beloved favourites, often shifting a track’s mood entirely.

drunk, indifferent parents to a mutilated, voiceless dog and the unsettling tale of attempted child abduction with the promise of a phone box filled with riches.

“The version of Memories and Dust on the Revisions album is a lot more joyful,” Josh reveals. “The song is about two friends of mine who passed away when I was around 24, both for different reasons.

“I can remember it was a classic white van scenario; they just pulled up beside me and my sister and said ‘Hey, jump in the van. We’ll take you to this phone box full of lollies around the corner.’

“Those are the first two people I was close to that I lost.

“I was all for it—‘Let’s go!’—and my sister was like, ‘Let’s get out of here’. I was really mad at her for having me miss out on this phone box full of lollies.”

“So now, 15 or 20 years on, the sadness is still there, but I wanted to make it more of a celebration of life, rather than a solemn reflection on death.”

Conversely, Middle of the Hill takes a sombre turn. Its poignant lyrics are given more room to paint a darker picture – from

“And it’s all 100% true,” Josh exclaims.

“Well, they actually offered me a phone box full of lollies. But it just doesn’t sing as well as money.

Revisions is an album that beautifully marries the familiar with the different, a testament to Josh’s belief that a song is an ever-evolving entity, always open to exploration and reinterpretation.

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“I don’t really believe in a definitive version of a song,” he says. “I think it’s there to be messed around with and explored. And when I write a song, I never think of it as the final version; I just think of it as a version that I happened to record at that time.

“I love the idea of a song never really being finished,” he continues.

“You can always return to it and refine or change it because as you go through life, you change; you grow, and the meanings behind songs evolve with you.”

“I don’t know if I had anxiety when I was a kid, but I was definitely anxious,” he recalls. “In the ‘80s, you were taught to push it down.

That’s just what you did. And it’s taken me years to learn to be really open and—I know it sounds a bit hippie-dippie—to find the power in expressing your vulnerability.

“It’s something that I say to my kids all the time: ‘It’s okay to be vulnerable. And it’s okay to show that you have an issue that you’re trying to cope with’.

In recent years, Josh has begun talking more openly about his anxiety and resulting panic attacks. Don’t worry, interviews don’t have his pulse skyrocketing while reaching for a paper bag to huff into.

More importantly, performing doesn’t either.

“And as soon as you put it out in the world, it just becomes a lot less scary and intense. It’s diluted amongst all the other people in your life.’

“Performing is my safe space,” Josh regals. “On my recent Beatles tour [performing The White Album with Chris Cheney (The Living End), Phil Jamieson (Grinspoon), and Tim Rogers (You Am I)], I was feeling a bit nervous going into it because I hadn’t played for a while.

Despite his authorial success, Josh’s young critics at home remain unflinching in their feedback. When he proudly announced his status as a professional author, his youngest son responded:

“But I’ve spent so many years of my life on stages and in backstage rooms and around performance. That’s where I feel most comfortable.”

Like so many things in life, Josh has found that talking honestly and openly about his anxiety helps him regain control. He’s been hit with panic attacks a few times publicly, recalling one time during a speech and another during an important meeting.

“I’ve found being open about it meant that it passed quickly.

Whereas the times that I’ve just tried to white knuckle through, it can last for hours and hours.

“There was a time in my life when I didn’t know what it was. I didn’t know what was happening to me, so that was even more confronting.

“But now it’s happened so many times you know exactly what it is.

And you’re just like, ‘Oh, here we go, just gonna roll with it’.”

“It’s just something I wanted to express.”

“You’re not a professional author because it’s not your full-time job.

It’s not the only thing you do!”

Tough crowd.

While politics may have been the tune of his previous visits in 2023, this time Josh is all about his music. Political beliefs may be part of his core, but they don’t take centre stage in his musical performances.

“I’m a political person and I have political beliefs,” Josh asserts. “I know it always sounds wanky, but I believe in service. That’s one of the pillars of what I want to do in life.

“But I don’t want to do that in my music.

“Believe it or not, I’m a very idiotic and funny person; just not in my music. And I’m also quite a political person; just not in my music. So no, you won’t be hearing any protest songs.”

Beyond the realm of music, Josh has ventured into children’s picture books. As a voracious reader to his children, he naturally transitioned into creating stories for them.

“Being a parent, you read thousands of books, right?” he states. “And I just got to the point with me, where if there’s something I enjoy creatively as a consumer, I want to have a go at it as a creator.

“I was always making up stories for the kids anyway. And we always read at the end of the day, and it would always be like, ‘Do you want a book or do you want a story from my mouth?’

And they’d be like, ‘From your mouth! from your mouth!’”

His initial foray into children’s books wasn’t without its challenges, his first three ideas were rejected by publishers. His passion, however, persevered. “[With books] it’s fighting the good fight,” he says.

“At the end of the day, your audience is little kids, and there’s just something very lovely about that. They’re not cynical. If they don’t like the book, they just put it down. They don’t want to hear it again.

“That’s always my litmus test for when trying the new books out on the kids - if they start chatting or ignoring me, I need to change something.”

While my favourite work of Josh’s is The Runaway Snot, he is perhaps most proud of Your Head Is Not The Place To Store Problems, with illustrations from his personal hero, Steven Michael King.

Reflecting on his creative process, Josh recounts: “I was on a bike ride at night, just cruising along, and even the ordinary suburban world felt incredibly beautiful.

“I came up with the line [featured in the book], ‘we’re filled to the brim with unknowable things,’ and I thought about how our heads can be full to the brim too.

“We need to let it overflow and not keep everything bottled up.”

Josh’s personal experiences with anxiety as a child were significant drivers of the book, as he remains passionate about teaching children the power of vulnerability.

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See Josh Pyke at The Street Theatre on Sunday, 26 November at 7pm where he’ll be joined by the album’s Elana Stone on accordion and piano and Freya Schack-Arnott on cello.

Tickets are $65 + bf via The Street website.

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By Jen Seyderhelm For the first time, Cell Block 69 is back again for the last time ever (tautologies are essential with this band). Yes, the Coreys are to coral at Belconnen's The Basement Megadome for two hotly exclusive shows.

Capturing the essence of frontman Duanne Le Corey-Michaels is like witnessing a total eclipse of the heart or capturing a careless whisper (song lyrics stolen from CB69

by George Michael, but we'll get to that).

Donning my most robust UV-protection shades in a feeble attempt to protect from his potent glow, I caught up with Le CoreyMichaels for a pow-wow.

Jen (BMA): How do you respond to the famous local quote, "You know it's Christmas in Canberra when you do Cell Block 69?"

Duanne Le Corey-Michaels (CB 69): Canberra? Oh! You mean Canberry! Then I reply in the affirmative! In fact, the Canberry Legislative Assembly are changing the name Christmas to Corey-mas. I think.

Canberry is a must-have place on the itinerary for any globe-trotting band.

You have one of the world's most wonderful yet hidden underground stadiums at The Basement!

Jen: So, back again for the final show, like last year? And the year before that? And the...

Duanne Le Corey-Michaels: Last year was to be our last, true. But every year, we break up, spend time on our respective Caribbean Islands, and eventually, I'll call up Corey Rok SiXXXxxXXX, and we make up over a bottle of Cointreau. Or two.

George was a wonderful man, a very generous man. A very generous man who generously helped himself to our songs, made mega hits, and UN-generously ignored its creators.

They even had Andrew Ridgely make some ludicrous doco, pretending he wrote them!

Jen: Onto a happier topic, I must say, you look sensational.

Duanne Le Corey-Michaels: Yes, you must.

Jen: What's your favourite piece of clothing?

Duanne Le Corey-Michaels: Whatever I wear at the given moment. Being a rock star is a 24-hour-a-day job.

That said, I do have a special wristband, but it’s in The Louvre. They got it in safekeeping for most of the year, as they should. It’s a work of art.

Jen: And what exactly should us masses wear to the show?

Duanne Le Corey-Michaels: Clothes that make your '80s soul sing. Ones that bring out the inner Pat Benatar that lives within each Canberryan. You'll know it's right when you cry: "A-HA! "THIS is what I was always meant to wear!" This moment may occur when you have nothing on it at all. Just listen to your inner Pat. Oh, and for Rock Gods' sake, remember your sunglasses! You'll be out until the morning.

And bring a towel for after the jacuzzi, of course. And a passport, to be safe. You never know where you might end up.

That's just the emotional turmoil of being a Corey., I s’pose.

Jen: Surely it’s better NOT to bring a passport to prevent one from leaving the country in some fugue state?

Jen: Speaking of emotional turmoil, I hesitate to bring this up, but you're still quite sore about the George Michael thing, right?

Duanne Le Corey-Michaels: Waking up in another country is every pop-rock fan's Godgiven right.

Duanne Le Corey-Michaels: When you sing, "Guilty feet have got no rhythm,"... I mean, as much as George Michael did an excellent job of that, he didn't write it, did he?

Jen: Of course. So, how many Coreys are there this year?

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Duanne Le Corey-Michaels: Nine, plus potential guest Coreys. We usually have

Corey McCorey, who pops in with a bit of bagpipes. Corey O'Seven does some extra vocal work. Then there's Corey Burley-Griffin, Corey-Anne Kennerley, Corey Farnham... Oh, and The Horny Coreys.

Jen: Who are The Horny Coreys? Groupies?

Duanne Le Corey-Michaels: Good gracious, no. They play the horns, of course. All 13 or 14 Coreys of them. It’s a veritable cavalcade of Coreys! (NOT a ‘plethora’. Plethora is actually a pejorative term. Read a book, people) Jen: That's a lot of Human. Makes me think; what does the '80s smell like?

Duanne Le Corey-Michaels: Oh, many things.

There's always a base level of 4711 wherever you are.

It smells like Rexona mixed with a man's chest hair and moisture; moisture that smells like Scandinavia with a hint of Pat Cash. It smells like a headband after a long night out. Like a soupçon of eyeliner powder and foundation mixed with the heady, slightly acrid smell of chlorofluorocarbon hairspray.

I've got cans of this stuff up here. I've been told by the CSIRO that I can use it, but for 25 years and not a day over.

Jen: Sights, sounds, smells... Is this what to expect for this year’s farewell concert?

Duanne Le Corey-Michaels: Ahhhhh, "people" and their expectations. They can expect whatever they like; it won't make a difference.

We'll still deliver the single greatest pop-rock experience of their insignificant little lives.

So don’t hold out for a hero til the end of the night. BE that hero. Be at a Cell Block 69 concert.

Profound? Probably not. But truthful?

Also, probably not.

The most extraordinary experience of the Canberry underground stadium awaits when Cell Block 69 play for two nights only on 22 & 23 December. Tix are $42.35 via Oztix. Pack your headbands.

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PAGE 37

By Ley Shoemark Xylouris White is the coming together of two mighty musical forces. George Xylouris is a proudly Greek singer and master laouto player, dancing his fingers over the long-neck fretted instrument of the lute family with ease. Jim White, the pride of Australia, is the drummer of the Dirty Three alongside Warren Ellis and Mick Turner, and has lent his considerable skins-smashing skill to Ed Kuepper, Springtime, Marisa Anderson, The Double, Venom P. Stinger, and Bill Callahan. He is also a songwriter.

Xylouris White’s forthcoming Australia tour, and Canberra stop at The Street Theatre, will offer fans something new as the band breaks away from tradition as they showcase their brand new album, The Forest In Me.

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“The Canberra show will be part of the first Australian dates touring the new album,” the venerable Jim White says. “We’ve completely changed our whole performance. Our latest release is a different record. It’s much less Greek traditional because not as much of that style developed on the new record, but remnants from previous albums will be included in the tour. We put our music through this new lens with the new album, and it’s pretty exciting for us. It has added a new dynamic to the live shows.”

This change could be attributed to the pandemic, with White gaining more out of recording in lockdown than expected.

“This record, The Forest In Me, was made during the pandemic, and we were separated,” White confirms. “I never knew how to record.

I never really had that much interest in it, but I learned it during the pandemic. This record is basically the work of George, who was in Crete (Greece), and myself in Australia, mostly alone and remotely.

and the album was brought home by this process that worked so well.

What a development. It’s quite the collaboration, which will add that new dynamic to the live shows.

“From in George’s culture, you play until the people are exhausted, until there’s no one left,” White says. “It could be, like, ten hours when we first started playing if there were a lot of Greeks in the audience.

“We would add in a couple of songs and do really long sets. Over the years, we’ve really gone away from that.

“We started this recent tour in Montreal, which was the first show for this record and playing new material; next was LA. We really paired it down and got the essence of what we were doing in a performance sense.

That preparation will emulate the Australian tour. That’s what we’ll deliver in Canberra.”

“I’ve been heavily involved in recording, but I’ve never done the knobs,” White continues.

“I never looked at that side. To be honest, I never thought I would have the patience.

But it was forced on me, and then I enjoyed it.

It was good, it was fun. It wasn’t good fun, but it was productive.”

Hang on… playing to film? Is this a movie soundtrack?

“The title, The Forest In Me, is that of the movie that we played along to, so a couple of tracks are a direct result of that,” White reveals. “We worked with a woman called Rebecca Marshall and did the music for her movie. Our album is not the film’s soundtrack, even though it shares the same name.

After so much time and so much experience, does Xylouris White have a steadfast prestage ritual?

“George plays his instrument all day long!”

White exudes. “Even if he’s not playing it physically, he is playing in his mind.

For me, I can be asleep about five minutes before the show—having a nap on the floor backstage—and then bang, it’s show time.

“At one point, we tried this type of scoring,” White continues. “We both played along to some scenes in the movie individually, without hearing each other, before putting them together. So, the album is crafted rather than just jamming.”

This is starkly different to the recording methodology of previous albums.

And with so much time comes plenty of tour anecdotes to enjoy.

“With the other records, we were all in the same room playing together,” White says.

“We get a direction from what we do, then start something, and we see what’s there.

We explore some ideas about how it might go, and then we know what’s working and continue to take it in that direction.

We’ve got five albums from that.

“We got invited to China and flew in to play this festival in Shenzhen,” White says.

“It’s like the Silicon Valley of China. It’s just unbelievable. You hear all these stories about it. Seeing how bad the pollution has become is awful, but it was incredible. The festival itself was quality: fantastic programming, a fantastic audience, and set in a beautiful environment.

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“And we kept playing.

“The acrobats were on the side of the stage thinking about what was happening. Before long, they forcibly tried to close the curtains on us, but the crowd kept pulling them back open, so we kept going. Now, that was crazy.”

Hearing such tales, it’s hard to imagine how you would wind down from a live performance.

“Touring, you are usually on the move even though you get a day off or a few moments here and there,” White says. “You frequent places, and you have your cities that you’ve travelled to a lot over the years. You just focus on the show or have friends in certain cities and feel like something other than a tourist.

Now, there’s an image that wouldn’t look out of place in an arty black-and-white film, and a fascinating thing to learn about the man. Another quirk of note, I soon learn, is this: White is none too keen on being called a niche.

“You could get good at putting yourself into a particular state before a show. Sometimes, I ask people, what’s my attitude tonight?

What am I taking out there? And then the first note hits, and I instantly know how it will be.

It’s like losing yourself and engaging in a state of hyper-awareness at the same time. You lose yourself and find yourself.”

“The Forest In Me is a result of a very different process, partly due to the pandemic.

But we were heading in that direction anyway,

“We were still going when the acrobats showed up. Our crowd was packed with university students, but the more upper-class crowd slowly started filling the venue to see the acrobats.

I often walk around in the middle of the night, after the show, listening to The Cure.”

The way Xylouris White utilised their time and thought outside of the box when recording in such unusual circumstances led to the album’s different sound.

“This album is different in many ways; we wrote some songs playing to film, we did songs playing to each other’s contributions, we sent out the drums, and the others did their thing,” White explains.

an acrobatic show on the stage after our concert,” White continues. “There were rumours among our audience that we played for hours, so they encouraged us to keep playing. And so keep playing we did!

“There was a time before that, also in China, when we played at a venue that had booked

“You can’t pigeonhole us!” White declares.

“The first three albums were like this trilogy; a statement of our coming together and expanding into this world,” White says.

“The fourth had a very different feel, and now The Forest In Me feels like a new start. It took us ten years to get to this. I really love it.

“We’re coming out of the Cretan music world and Melbourne music scene. George is from both worlds, obviously because he’s from Crete. He is also a traditional and radical musician. We, Xylouris White, have been described as niche because of that.

“Our fans are radical or traditional Greek audiences and indie rock lovers who have grown in number over the years, and niche is not the right word. Once I was young, they were older than me,” White reflects. “Then the crowd became my contemporaries.”

All that remains now is to see exactly what this highly experienced, broadly appealing outfit has in store for us in 2023.

“We played in Canberra many years ago with Violent Femmes at the ANU. We look forward to bringing the new tour to the Capital.”

Xylouris White plays at The Street Theatre on Wednesday, 29 November, at 7:30pm.

They will be supported by Darren “D.C” Cross. Tickets are $45 + bf and are available from the venue.

PAGE 39

There's plenty to reflect on in 2023 and Look touches on each element of these bizarre times with wit, care, and kindness, tinged with a gentle ribbing of those in power and of ourselves as modern Australians. The work has a strong sense of optimism, but that doesn't mean Smith shies away from the most significant talking points of the current era.

"There's a song called Crisis…" Smith says, sounding like a wry grin is escaping - and when you hear the song, you can understand why. "[It's] a bit of my crack at the zeitgeist of the times…"

While most of the material on Lost has been focused on life in the Great Southern Land, Fred Smith wouldn't be Fred Smith if he wasn't scratching his itchy feet at least somewhat.

This perhaps explains his sizable album launch tour covering almost every state and territory. Smith says that while some might see that level of touring as a logistical nightmare, he thinks he's found the suitable model for him.

"I've evolved to a situation where I've got bands stashed in pretty much every city," he explains. "I've got a band in Perth and one in Albany, in fact… one in Adelaide, one in Melbourne, one in Canberra, and a band up in Bundaberg. And one in Hobart, too. That's how I roll these days," he adds dryly.

He adds that developing these half-dozen all-star backing bands wasn't just about cost and scheduling but also about ensuring that those he plays with aren't inconvenienced by life on the road.

"I mean, the flights have become expensive, and people have marriages and kids look after," he says. "That seems to be how it goes these days."

While some artists might find the prospect of Smith's multi-band system daunting, he says that Lost as an album strongly leans itself to that model, given how broad it is in scope.

"There was a degree of challenge involved in bringing it into a tidy set," Fred says. "But we have found ways to make it work.

It's diverse as an album [yet] pulls together as a show, which is gratifying. There's enough light to accompany the weight," he says.

By Noni Doll

One of the biggest challenges of a diverse work like Smith's is finding a banner to bring it all together.

From the first second, there's something incredibly comforting about Look, the new album from Fred Smith. It couldn't come at a better time, too, given the state of the world – something that quickly comes up both in the material and the conversation – and from the opening track, there's a strong sense of humour and heart. It feels like a pleasant Australian family gathering guided by a cheeky and colourful patriarch on a battered heirloom guitar, all tied up in a neat 12-track package.

"I was initially going to call it something inane, like Folk Songs," Smith admits. "I was racking my brains for weeks trying to think about what to call it.

While the Smith sound remains strong and steadfast, the content shifts from what more casual fans might expect. Thoughts of Fred Smith conjure images of a diplomatic troubadour documenting stories of far-flung people and places. Look, however, feels distinctly more familiar to the everyday Australian experience.

There was an unexpected parallel in the choice of title that he would go on to realise later.

"Many of my previous albums have been travelogues, but this is a more down-home album," Fred says. "I think it's just more personal, a bit more fun…"

But fear not, fixed Fred fans. "There's a lot of observations about the world too," he adds.

PAGE 40

"And then we got given the answer by the photo shoot."

A serendipitous moment of public transport-related enlightenment, instigated by CBR photographer Geoffrey Dunn, gave the answer.

"We were on the hunt for an album cover shot, and Jeff suggested we shoot in front of the tram as it passed. We took a shot, and the sign was at my feet. It was the words LOOK: LEFT AND RIGHT…" Smith says it was that photo that stuck out most in the final editing phase, but altering its text felt like the wrong thing to do.

"We had the album shot, it said LOOK... and there was just no getting rid of the word. Then we thought, well, that's the album name!"

"One of my favourite songs on the record is called Hel - a tribute to [renowned Australian author] Helen Garner. I love her Everywhere I Look novel. I like Helen Garner for her ability to look at the way she looks at the world, the way she sees the world. And so… it felt like the right answer once it came to us."

Fred Smith launches his new album Look at The Street Theatre on Saturday, 25 November, at 7:30pm. Tickets are $49 + bf via the venue. To keep up with Fred, head to fredsmith.com.au

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Original and early pressings of

Find us inside Dirty Jane’s vintage emporium (behind Domayne) 80 Collie St, Fyshwick

Open 7 days, 10am to 5pm

OLD SCHOOL ROCK& POP& JAZZ& FUNK& SOUL& METAL& MORE! PLUS carefully curated, limited edition, brand new vinyl that will blow your record loving socks off!

Have records to sell?

We pay cash for unwanted collections and will travel far and wide to pick ‘em up!

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PAGE 41

ENTERTAINMENT GUIDE THU 2 NOVEMBER Flashback: A Fresh Funk Retrospective A special look at Tuggeranong Art Centre’s flagship program and Canberra’s leading hip-hop dance school. Hear stories from program alumni and explore imagery and memorabilia from over 20 years of classes, shows, and competitions. 10am, free

TUGGERANONG ART CENTRE

Girls Jazz Open Rehearsal Come along to a rehearsal of Girls Jazz to see what it’s all about! You can watch, ask questions, or even join in if you want to! Girls Jazz encourages applications from young women, trans, and gender diverse youth. 4:30pm, free

BIG BAND ROOM, PETER KARMEL BUILDING, ANU SCHOOL OF MUSIC

CSO Down South: Radiance Enjoy the sounds of the CSO performing a beautiful night of music at Tuggeranong Arts Centre, with the next concert in

the CSO Down South chamber music concert series. 6pm, $20 child / $25 student / $35 full via TryBooking

TUGGERANONG ARTS CENTRE

Colm Broderick & Francis Cunningham House Concert An evening of traditional Irish music presented by two lads who have grown up amongst the masters. Come and listen to the talented Colm Broderick on uilleann pipes and Francis Cunningham on concertina.

7pm, suggested $25 cash donation at door

HOUSE CONCERT

Soulful Melodies with Swoopna Suman & The Asters, Samir Shrestha & Prabesh K. Shrestha proudly presented

by Success Education and Visa Services and Dented Code Academy. 7pm, $58.55 via OzTix

THE BASEMENT

FRI 3 NOVEMBER Explorer Series: Tumut Day Trip Embark on an unforgettable journey with the Capital Region Community Services Explorer Series! The featured destination is Tumut. The trip includes: coach transfers, quick stop in Yass.

Departing from Humpy Hall, Scullin (8am) and Belconnen Community Centre (8:15am). $45pp via Humanitix. Coach transfers included in price

TRAVEL TO TUMUT, NSW

The Vinyl Lounge Vinyl lovers rejoice! Bring your favourite records, share your music stories, and hear what’s spinning on the NFSA’s turntables. Ticket sales support the development of the NFSA sound collection. 5:30pm, $5 via NFSA

NFSA, ACTON (THEATRETTE) CSO Fundraising Gala 2023 Don your best cocktail attire for a glamorous evening of music and connection, featuring performances by CSO ensembles and the Kingsland Strings. 6pm, $300 Individual ticket (includes

$100 tax-deductible donation); $3000 Table of 10 (includes $1000 tax-deductible donation)

GANDEL HALL, NATIONAL GALLERY OF AUSTRALIA

Rock-a-Rokie It’s karaoke with a live band featuring Now And Then. 6:30pm, from $14 via Eventbrite

HARMONIE GERMAN CLUB

Baggy Trousers - The Sound of Madness ft Setting Sons Featuring special guests Setting Sons, Sydney’s own The Jam tribute act, prepare for a journey back in time to the days of your mis-spent youth and the upbeat two-tone ska/pop music sound.

London born, with a merry ‘n’ meticulous mimicry of Madness shows, Baggy Trousers will roll out the hits: Our House, Shut Up, The Prince, House of Fun, Embarrassment, Cardiac Arrest, Madness, Night Boat to Cairo, My Girl, and of course... Baggy Trousers! 7pm, $36 via OzTix

THE BASEMENT

NOVEMBER 3rd The Fuelers + Minnie & the Moonrakers 10th Tundrel + The Filthy Darlings 17th Positive Feedback Loop

DECEMBER

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1st

Urban Drover

8th

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ENTERTAINMENT GUIDE Damien Leith in Concert – Roy Orbison Orchestrated Join award-winning singer Damien Leith and a 28-piece concert orchestra as he takes you on a nostalgic journey through the legendary music of Roy Orbison. 8pm, $110 - $150 +bf via Canberra Ticketing

CANBERRA THEATRE

DJ Paisa’s Salsa Night On the first Friday of every month Old Canberra Inn host a Salsa Night, so get your grooves ready and be prepared to hit the dance floor. 8pm, free entry

OLD CANBERRA INN

The Crossbenchers The Crossbenchers are a fourpiece Canberra band doing lounge, blues, R&B, originals and covers. From Chuck Berry to Frank Sinatra, Ray Charles and The Doors. 8pm, free entry

DICKSON TAPHOUSE

WTF (Welcome To Fridays) The Fuelers & Minnie and The Moonrakers Two mighty musical forces team up for a toe-tappingly tantalising evening of rockin’ rockabilly, roots rhythms, and voodoo blues.

8pm, free

CANBERRA IRISH CLUB

SAT 4 NOVEMBER Dean Edgecombe & The Seventh Sons The Seventh Sons play a great mix of classic and original R&B, blues, and roots. 2pm, free entry

OLD CANBERRA INN

An Afternoon of Baroque Canberra’s premier community string orchestra, Musica da Camera, will be directed by Baroque music specialist, John Ma, in a program of the hits of the 16th and 17th centuries. John always brings joy and enthusiasm to his performances. 2:30pm, $30 via Trybooking, children free

HOLY COVENANT CHURCH, 89 DEXTER ST, COOK

Canberra Roller Derby League Red Bellied Black Hearts vs Surly Griffins It’s the final showdown for the year between the Red Bellied Black Hearts and the Surly Griffins! Doors open at 6pm and first whistle goes at 6:30pm, $17

EVELYN SCOTT SCHOOL, DENMAN PROSPECT

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Community Rock School The Community School Rockers are back, ready to raise the roof after their 10-week intensive at the ANU Open School of Music (supported by artsACT). 6pm, $10 via venue

SMITH’S ALTERNATIVE

Assassins 88 x Red Hell x Optic Nerve The greatest Canberra punk band of all time reunites for one night only at sideway, joined by Sydney and Melbourne’s best bands. 7pm, $20 + bf via Humanitix

SIDEWAY

She - The Extraordinary Journey Of An Ordinary Transgender Woman Presented In association with SpringOUT Festival. 7pm, $30/$25 + bf conc via venue

THE STREET THEATRE

Day of the Dead Fiesta Experience the unique atmosphere and celebration that is the Dia De Muertos tradition! Featuring live bands, traditional altar, video projections, market stall, costume competition + more. 7:30pm, $20$30 via Oztix

Get a copy of Started Out Just Drinking Beer (Puncher & Wattmann) signed by Reg, Pete, Bird and author Stuart Lloyd when Dog Trumpet play Canberra on their Shadowlands Tour!

THE BASEMENT

Run Like Hell do Dark Side of the Moon - 50th Anniversary Tribute Following the success of their shows recreating the entire Wish You Were Here album in 2022 and 2023, Run Like Hell are back to celebrate the 50th anniversary of Pink Floyd’s defining album, Dark Side of the Moon. 8pm, $38.50 show only, $84.40 dinner and show (via Ticketek)

CANBERRA SOUTHERN CROSS CLUB WODEN

The Iconics - The Australian Commitments Tribute Show “I’d like to introduce you to the hardest working band in the world...” All the soul-stealing, heartthumping classics from the cult 1991 movie, The Commitments.

Authentic, passionate, and LIVE with The Iconics incredible 11-piece band! 8pm, $30 or $75 dinner and show via TryBooking

THE CLUBHOUSE KALEEN

SUN 5 NOVEMBER MaxMantis (Downunder Tour) The internationally acclaimed Swiss jazz trio is presenting their newest album BLUE. 4pm, $25/$20 conc. via venue

SMITH’S ALTERNATIVE

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ENTERTAINMENT GUIDE Gia Ransome An experience of suave, bluesy rock. 4pm, free entry

DICKSON TAPHOUSE

Gloryhammer w/ Rumahoy & Livewire Gloryhammer has returned from an epic quest, and they come bearing their new album, Return To The Kingdom Of Fife, beholding 10 tracks of nuclear-fueled high-velocity heroic power metal, the likes of which you’ve never heard before! 7pm, $71.40 via OzTix

THE BASEMENT

Fripps & Fripps Shame Single Launch Fripps & Fripps have been in and out of the studio for the past 18 months, writing and recording their debut album.

Having recently wrapped on the recording process, the lads are keen to jump on stage at some of their favourite venues. 7pm, $13.30 via Oztix

THE BASEMENT

WED 8 NOVEMBER SCIENCE. ART. FILM.: Batman + Robin screening + discussion Dissect the deliciously absurb science villains of Joel Schumacher’s 1997 superhero film: Poison Ivy and Mr Freeze.

6pm, free

NFSA, ACTON (ARC CINEMA)

THU 9 NOVEMBER Yunggabili Open Mic The Yunggabilli Open Mic night for emerging First Nations musicians is an opportunity to perform in a safe and nurturing space, try out new work, and jam with other musos. 5:30pm, free on the door

TUGGERANONG ARTS CENTRE

Canberra Short Film Festival Experience two-and-a-half weeks of indie shorts, hailing from overseas, Australia and our own hometown. Screening at Dendy and Smith’s Alternative, 9-26 Nov - head to csff.com.au for full program details. 6pm, $15-$25 via csff.com.au

DENDY, SMITH’S ALTERNATIVE, KAMBRI & MANUKA ARTS CENTRE

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The Lord of the Rings: 20th Anniversary Trilogy Screening Relive Peter Jackson’s cinematic masterpieces on 35mm, across three nights at the NFSA. 6pm, $25/20 for trilogy pass via NFSA

NFSA, ACTON (ARC CINEMA) Dozer (SWE) w/ Jack Harlon & the Dead Crows The legendary Swedish stoner metal pioneers Dozer have arrived. 7pm, $44.40 via OzTix

THE BASEMENT

Foghorn Stringband in Concert An evening of the finest old time music by the Foghorn Stringband.

7pm, $40/$30 conc via venue

SMITH’S ALTERNATIVE

FRI 10 NOVEMBER Reece Mastin The Kick Up a Fuss Tour You know the name and you’ve heard the voice that never disappoints! Reece Mastin is back with a brand new show full of all your favourite hits from across his ever growing catalogue and career. 7pm, $35.20 via OzTix

THE BASEMENT

FANGZ w/ Box Dye & Rental Snake Semi-professional rock ensemble and competitive eating world record holders, FANGZ, are set to head south for the summer, performing live music at pubs, because they can. Catch the band playing all their best Top 40 hits.

7pm, $18.40 via OzTix

THE BASEMENT

This Rough Magic

By Helen Machalias Ambitious and thrilling, This Rough Magic is a rich theatrical conversation with Shakespeare’s The Tempest, epic in scale and full of mysticism and longing. 7:30pm, $49 - $35 + bf via venue

THE STREET THEATRE

CBS Presents Bek Jensen Band + The Barren Spinsters With a voice that is both moving and heartfelt, Bek Jensen is a force to be reckoned with.

Blending classic soul and contemporary blues to create a dynamic and engaging performance. Supported by local duo The Barren Spinsters. 8pm, $20/$25 + bf via Humanitix or $30 at the door

Chris Harland Blues Band Revisiting the best of the blues standards: B.B. King, Buddy Guy, Muddy Waters… 8pm, free entry

OLD CANBERRA INN

Johnny Reynolds Band Johnny Reynolds has an impressive background as an international performer for the past 40 years, including playing with James Brown at the Point Depot in Dublin! 8pm, free entry

DICKSON TAPHOUSE

Maggie’s Irish Birthday Bash - ft.

Tundrel and The Filthy Darlings Who’s Maggie, you ask? I don’t know. But if she managed to get the might of alt-rocksters Tundrel and rockin’ roustabouts The Filthy Darlings to play, she’s gotta be a special gal indeed. 8pm, free

CANBERRA IRISH CLUB

SAT 11 NOVEMBER The Crossbenchers The Crossbenchers are a fourpiece Canberra band doing lounge, blues, R&B, originals and covers. 2pm, free entry

OLD CANBERRA INN

Metallica - A Tribute for All Canberra! Get ready to Ride the Lightning with Metallica...

A Tribute for All. Heading down from Sydney for one night only, the boys are bringing decades of live music experience and a passion for the heavy tunes. 7pm, $29.60 via OzTix

THE BASEMENT

Smith’s @ Belco: Daniel Champagne Described as “the finest guitar player of this generation”, the Nashville-based, Australian guitarist will be supported by Canberra’s own Alec Randles in this one-night-only gig that is not to be missed! 7pm, $42 Adult / $37 conc via Belco Arts website

THE THEATRE, BELCONNEN ARTS CENTRE

Hashemoto + Love Maps + The Lonely Fates Canberra Indi-folk legends Hashemoto play tunes from their new albumwith The Lonely Fates and Love Maps. 7pm, tickets $20 via Humanitix

Just Us Tango Join us for a night of music and celebration as we mark the end of the year, our new recordings, and our triumphant trip to Buenos Aires. Our talented musicians will take the stage to deliver an unforgettable performance. 7pm, $35 at door

SMITH’S ALTERNATIVE

This Rough Magic

By Helen Machalias It begins, as always, with a storm.

Sit still and hear of my seasorrow. 7:30pm, $49 - $35 + bf via the venue

THE STREET THEATRE

SUN 12 NOVEMBER Tiernan Tiernan is an alt folk artist who draws from traditional Irish and global contemporary influences.

Lyrical themes of reflection and growth are backed by intricate guitar. 4pm, free entry

DICKSON TAPHOUSE

Typical Drew Canberra-based blues artist, playing range of covers with soulful guitar riffs and a groovy rhythm section. 4pm, free entry

OLD CANBERRA INN

WTF (Welcome To Fridays) Merry Muse w/ Charlotte Rose Versatile songbird and storyteller Charlotte Rose is the Sydney music scene’s best kept secret. A lifelong musician and performer, Charlotte has finely honed a rousing folk/roots/blues blend which is all her own, borrowing elements from soul, jazz, and country along the way. 4pm, free

CANBERRA IRISH CLUB

Apeiron x Poetry Apeiron Baroque is joined by the hosts of ArtSoundFM’s Poetry on the Radio (Kimberly Williams/ Peter Searles) and local poets (Penelope Layland/Jacqui Malins) to present Australian poems alongside Baroque Music. 5pm, tix range from $40/$35/$15/$0 via TryBooking or at door

WESLEY UNITING CHURCH, FORREST

LIVE AT THE POLO

HARMONIE GERMAN CLUB

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ENTERTAINMENT GUIDE WED 15 NOVEMBER This Rough Magic

By Helen Machalias Ambitious and thrilling, This Rough Magic is a rich theatrical conversation with Shakespeare’s The Tempest, epic in scale and full of mysticism and longing. 7:30pm, $49 - $35 + bf via venue

THE STREET THEATRE

WINHANGANHA: ACT Gala Premiere Screening + Q&A A bold re-envisioning of archival collections. A new film by Jazz Money, WINHANGANHA (Wiradjuri language: remember, know, think) is a lyrical journey of archival footage and sound, poetry, and original composition. 6:30pm, $25/22

NFSA, ACTON (ARC CINEMA)

THU 16 NOVEMBER Live Like Animals Modern State of Mind Tour w/ NORA, Bad Lunar & Dyatlov Pass Sydney-based alt-rock band Live Like Animals have released their new single, The White Room, delivering an electrifying track full of high-intensity composition, aggressive riffs, vibrant synths, and hooks for days. They are joined by three of CBR’s brightest bands.

7pm, $18.40 via OzTix

THE BASEMENT

This Rough Magic

By Helen Machalias It begins, as always, with a storm.

Sit still and hear of my sea-sorrow.

7:30pm, $49 - $35 + bf via venue

THE STREET THEATRE

FRI 17 NOVEMBER Clapton, Dire Straits & Blondie Tribute Show w/ Slowhand, Hawaiian Noises & Parallel Lines Experience the ultimate musical journey with the Eric Clapton, Dire Straits, and Blondie Tribute Show!

Get ready to be transported back in time as talented performers bring to life the iconic hits of these legendary bands. 7pm, tickets $29.60 via OzTix

THE BASEMENT

Iranian Film Festival Australia Experience a celebration of resilience and creativity in Iranian cinema, with a three-day program of thought-provoking, heartwarming, and award-winning films. 7pm, tix via venue

This Rough Magic

By Helen Machalias It begins, as always, with a storm.

Sit still and hear of my sea-sorrow.

7:30pm, $49 - $35 + bf via venue

THE STREET THEATRE

Blues Piano Night One of the most popular events in the Canberra blues calendar - Blues Piano Night will once again feature four different players playing solo and together, offering the audience different takes on the many genres of blues piano styles. 8pm, $15/$20 pre-sales via CBS website or $25 at the door

HARMONIE GERMAN CLUB

Adventure St Adventure St are a 4-piece rock band that delves into many genres, including flavours of jazz, blues, and psychedelia. 8pm, free entry

DICKSON TAPHOUSE

WTF (Welcome To Fridays) Positive Feedback Loop Canberra’s favourite geeky goofball rock band. 8pm, free

CANBERRA IRISH CLUB

SAT 18 NOVEMBER Australian New Wave: Snapshot The final instalment in the Australian New Wave series, Simon Wincer’s debut feature film is a racy Ozploitation thriller about a model stalked by a man in a Mr Whippy ice cream van.

1pm, $12/10 via NFSA

NFSA, ACTON (ARC CINEMA)

Sneaky Jeremiah Sneaky Jeremiah are a Canberrabased good time band delivering soul, blues, R&B, anthems, Americana, and classic rock. 2pm, free entry

OLD CANBERRA INN

Witchskull The Serpent Tide Album Launch w/ Immorium, Undermines & Loose Cannon Witchskull hit The Basement to launch their 4th album, The Serpent Tide. Since 2014, Australia’s premier purveyors of doom metal have been paving their own unique path, delivering the goods on every release. 7pm, $29.60 via OzTix

THE BASEMENT

The Plague Erosion of Gods Album Launch With Street Trash, Scholar of Sin, Slaughtercult, and Flesh in support.

7pm, $24.50 via OzTix

THE BASEMENT

NFSA, ACTON (ARC CINEMA) facebook.com/bmamagazine

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ENTERTAINMENT GUIDE Blamey Street Swings With The Beatles Canberra’s hippest big band takes on the timeless songs of Lennon/ McCartney in this swingin’ tribute to The Beatles. 7:30pm, from $25 plus bf via Eventbrite

HARMONIE GERMAN CLUB

This Rough Magic

By Helen Machalias It begins, as always, with a storm.

Sit still and hear of my sea-sorrow.

7:30pm, $49 - $35 + bf via venue

THE STREET THEATRE

SUN 19 NOVEMBER CBS November Pro Jam hosted by Blue Tone Specials Come on down to the CBS November Pro Jam for the best afternoon of live blues music. 1pm, CBS members $5, General $10, kids under 12 - free entry

HARMONIE GERMAN CLUB

This Rough Magic

By Helen Machalias It begins, as always, with a storm.

Sit still and hear of my sea-sorrow.

4pm, $49 - $35 + bf via venue

THE STREET THEATRE

PAGE PAGE4646

Tim McNally Tim McNally brings smooth vocals, effortless guitar playing, easy grooves, and rhythmic melodies.

4pm, free entry

troubadour Frank Turner and his band The Sleeping Souls return for The Never Ending Tour Of Everywhere. 7pm, $89.90 via OzTix

Gia Ransome Will make you feel like you’re living a great romance in an old-school dive bar. Described as a marriage between Nick Cave and Lana Del Rey; suave, bluesy rock. 4pm, free

THU 23 NOVEMBER

OLD CANBERRA INN

BELCONNEN COMMUNITY CENTRE

Denis Chang & Superfriends!

Guitar Workshop and Concert Canadian Gypsy Jazz maestro Denis Chang, here in Australia for OzManouche ‘23, makes a little side trip to Smith’s for a show with Festival Director, Cameron Jones on guitar, and locals Sverre Molland on guitar and Anthony Irving on bass. 7pm, $30/$25 conc via venue

Lawrence Mooney Embracing Your Limitations The world is full of self-styled gurus, Svengalis, mind coaches and horrific influencers. Are you sick of the world? Are you tired of your own bullshit? Lawrence is here to help you to quit, embrace your inner loser, and win at life. 7pm, $40 via OzTix

DICKSON TAPHOUSE

THE BASEMENT

Movie Screening: Judy Entry is FREE! Refreshments also available to purchase. 10:15am

SMITH’S ALTERNATIVE

THE BASEMENT

TUE 21 NOVEMBER

FRI 24 NOVEMBER

Frank Turner & The Sleeping Souls w/ Mom Jeans & Emily Barker It’ll be a never-ending run of magic when iconic UK folk-punk

Lakeside at 5: Leisa Keen Trio Relax by Lake Tuggeranong to the sounds of the Leisa Keen Trio in the next installment of this

monthly jazz series. You’ll be surprised, challenged, invigorated, stimulated and all together inspired. 5:30pm, entry by donation on the door

TUGGERANONG ARTS CENTRE

Youth in Blues Talent Spectacular The best and the brightest in the next generation of blues music.

Featuring Negative Space, The Blues Kids, and Lil’ G. 6:30pm, $15 via Eventbrite

HARMONIE GERMAN CLUB

360 - Back To Life Regional Tour Part.1 w/ Drest Back and more potent than ever, beloved Australian rapper 360 is set to bring his electrifying stage presence and extensive touring chops for Part 1 of his 12-date tour. 7pm, $56 via OzTix

THE BASEMENT

Mariedl, Selfies with a Giantess

by Penny Black Maxi Blaha steps into the extraordinary life of one of the tallest women ever seen Tyrolean Maria Fassnauer (Mariedl).

7:30pm, $32 - $38 + bf via venue

THE STREET THEATRE

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ENTERTAINMENT GUIDE Neel Kolhatkar - Villain Era Neel is back with a brand new set of sharp, hard-hitting comedy.

8pm, $35.90 + bf via venue

THE STREET THEATRE

Dean Edgecombe & The Seventh Sons The Seventh Sons play a great mix of classic and original R&B, blues and roots. 8pm, free entry

DICKSON TAPHOUSE

71 Model 71 Model are a 5-piece covers band from Canberra playing the big hits from the ‘70s through to the noughties. 8pm, free entry

OLD CANBERRA INN

Fright Night: Cult Cinema Classics: An American Werewolf in London Drag artist Venus Mantrap hosts a Friday night screening of John Landis’ genre-blurring horrorcomedy about two American backpackers who ignore local lore and stray right into the path of a ravenous werewolf. 8pm, $12/10 via venue

NFSA, ACTON (ARC CINEMA) The Black Souls Rotting Release Party The Black Souls bring you a special release party for their new single, Rotting. This is the fourth single being off the new album, Heartbreak and Redemption.

Supported by Slowbeard and Dead Lazarus. 8pm, $15 through TryBooking

THE POT BELLY BAR

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SAT 25 NOVEMBER Neonhoney The Canberra music producer and songstress extraordinaire. 2pm, free entry

OLD CANBERRA INN

90s n 00s Music Festival Shananigans Entertainment is proud to present 10 acts covering 10 bands from the 90s and the 00s. 7pm, $35.20 via OzTix

THE BASEMENT

Fred Smith - Look Album Launch The Canberra legend gifts us a new album and show, with music about our lives and the world we live in: the speed of modern life, love, isolation. 7:30pm, $49 + bf via venue

THE STREET THEATRE

Mariedl, Selfies with a Giantess

by Penny Black Maxi Blaha steps into the extraordinary life of one of the tallest women ever seen Tyrolean Maria Fassnauer (Mariedl). 7:30pm, $32 - $38 + bf via venue

THE STREET THEATRE

SUN 26 NOVEMBER Mariedl, Selfies with a Giantess

by Penny Black Maxi Blaha steps into the extraordinary life of one of the tallest women ever seen Tyrolean Maria Fassnauer (Mariedl). 4pm, $32 - $38 + bf via venue

THE STREET THEATRE

Sally Davis Sally regularly performs with her pop punk band, Sal & the Mandas, but also enjoys her regular solo shows. With her handmade Cole Clark acoustic guitar, she takes you through a list of her favourite covers. 4pm, free entry

OLD CANBERRA INN

Ben Drysdale Ben Drysdale colours heartfelt lyrics with musical shades of contemporary indie folk, soul, and blues. 4pm, free entry

DICKSON TAPHOUSE

Josh Pyke - Revisions Tour Josh Pyke will showcase his album Revisions, joined on stage by Elana Stone and Freya Schack-Arnott.

7pm, $65 + bf via venue

THE STREET THEATRE

The November Rain - Sawari Tour w/ The Elements Welcome to a musical rain, where we have got none other than the biggest name in Nepalese rock of modern era, The Elements, headlining. 7pm, $56.10 via OzTix

THE BASEMENT

WED 29 NOVEMBER Xylouris White The Forest In Me Album Launch Jim White’s brilliance on drums and George Xylouris, a self-taught master of the lute, expressing themselves as one. 7:30pm, $45 + bf via venue

THU 30 NOVEMBER Mortal Komedy Roast Sporting the sizable comedic talents of Zane Harlem, Laura Johnston, and Marky Worthington, with your guest MC for the night, Jez Margosis. 7pm, $20 via OzTix

THE BASEMENT

FRI 1 DECEMBER Taylor Swift: 1989 Party The time has come Swifties… 1989 (TAYLOR’S VERSION) IS HERE! We are throwing our BIGGEST Taylor’s Version parties EVER to celebrate the rerelease of the pop bible that defined a generation. 7pm, $14.90 via OzTix

THE BASEMENT

Elixir - A Small Shy Truth Tour / feat. Katie Noonan, Zac Hurren & Ben Hauptmann This new album A Small Shy Truth features the compositions of the three band members. 8pm, $59/$55 + bf conc. via venue

THE STREET THEATRE

WTF (Welcome To Fridays) Urban Drover Urban Drover brings the party to you with a sizable collection of country songs, from traditional to the latest bangers. Country rock, pop, soulful duets, old favourites. If it’s country, they’ve got it covered!

8pm, free

CANBERRA IRISH CLUB

THE STREET THEATRE

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