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INTERNATIONAL THEATER FESTIVAL MESS 2012 VISUAL IDENTITY
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INTERNATIONAL THEATER FESTIVAL MESS 2012 VISUAL IDENTITY 5
TABLE OF CONTENTS RESEARCH.......................................................................................................................... 8 OPENING CEREMONY....................................................................................................... 10 OFFICIAL TRAILER........................................................................................................... 12 OFFICIAL LOGOTYPE / MESS........................................................................................... 14 OFFICIAL LOGOTYPE / FUTURE MESS............................................................................ 16 OFFICIAL LOGOTYPE / MESS 2012.................................................................................. 18 SIZE RATIO / MESS........................................................................................................... 20 POSTERS........................................................................................................................... 24 APPLICATION POSTERS................................................................................................... 26 APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE...................................................... 28 APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE...................................................... 30 APPLICATION / KARTOLINA............................................................................................. 32 THEATER TICKETS............................................................................................................ 36 ACCREDITATIONS............................................................................................................. 40 CATALOG........................................................................................................................... 42 GENERAL INDEX.......................................................................................................................................48 CREDITS....................................................................................................................................................51 CONTACT...................................................................................................................................................52
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RESEARCH
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OPENING CEREMONY
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OFFICIAL TRAILER
Official Trailer
Click to activate video
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Black Logotype
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OFFICIAL LOGOTYPE / MESS
White Logotype
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Black Logotype
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OFFICIAL LOGOTYPE / FUTURE MESS
White Logotype
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Black Logotype
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OFFICIAL LOGOTYPE / MESS 2012
White Logotype
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Black Logotype
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SIZE RATIO / MESS
White Logotype
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POSTERS Official Poster
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FUTURE MESS / Poster
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APPLICATION POSTERS
Bilboard
Announcement for Newspaper / Oslobođenje
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City Light
FUTURE MESS / Bilboard
City Banner
Announcement for Magazine / Dani
FUTURE MESS / City Light
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APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE
O pojmu lica, po pitanju Sina Božijeg Utorak 02.10.2012. Narodno pozorište Sarajevo 19:30 Italija: Societas Raffaello Sanzio
Režija: Romeo CASTELLUCCI “Pogledajte predstavu koja se Papi Benediktu XVI nije dopala.”
Fragmenti ljubavnog diskursa Utorak 02.10.2012. Sarajevski ratni teatar 22:00 Francuska: Cie In-quarto
Režija: Julie DUCLOS “Sve ljubavne izjave liče jedna na drugu. Prepoznajte svoje.”
Application for Newspapers / 02.10.2012
We-where-in Srijeda 03.10.2012. Sarajevski ratni teatar 20:00 Albanija: Albanian Dance Theater Company and Art University of Tirana
Režija: Gjergj PREVAZI “Plesna predstava o posljedicama demokratije u Albaniji.”
Mrzim istinu Srijeda 03.10.2012. Kamerni teatar 55 20:00 i 22:00 Hrvatska: ITD Teatar
Režija: Oliver FRLJIĆ “Koliko duboko ste spremni kopati po prošlosti svoje porodice?”
Application for Newspapers / 03.10.2012 28
Gledajte me kako padam Četvrtak 04.10.2012. Međunarodni centar za djecu i omladinu Novo Sarajevo 18:00 Velika Britanija: Action Hero Režija: Action Hero
“Za avanturiste lišene straha – napetost kakvu dugo niste vidjeli u teatru.”
Krvna košulja Četvrtak 04.10.2012. Svrzina kuća 22:00 *Kosovo: Loja Laboratory Theater
Režija: Bekim LUMI “Hamlet, Richard III i Macbeth tumačeni jezikom albanskog običajnog prava.” *Ovaj naziv ne dovodi u pitanje status Kosova i u skladu je s Rezolucijom 1244 i odlukom ICC-a o kosovskoj Deklaraciji o neovisnosti
Application for Newspapers / 04.10.2012
Akvarijum Petak 05.10.2012. Međunarodni centar za djecu i omladinu Novo Sarajevo 18:00 Makedonija: Naroden teatar Tetovo
Režija: Luca CORTINA “Koliko je težak vaš kofer prošlosti? Koliko određuje našu budućnost?”
Urbi et Orbi Petak 05.10.2012. Pozorište mladih Sarajevo 20:00 Srbija: “Kosztolányi Dezső” Subotica
Režija: András URBÁN “Šta je grijeh danas u od ljudskosti ogoljenoj eri reality emisija i interneta?”
Application for Newspapers / 05.10.2012 29
APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE
Kamenje Subota 06.10.2012. Pozorište mladih Sarajevo 18:00 Hrvatska: Kazalište Mala scena
Režija: Ivica ŠIMIĆ “Ako imate 10 godina i više – ne propustite ovu sjajnu predstavu!”
Kost Subota 06.10.2012. Dom oružanih snaga BiH 20:00 Italija: Compagnia Virgilio Sieni
Režija: Virgilio SIENI “Gestikulirani dijalog oca i sina o identitetu i sličnosti.”
Application for Newspapers / 06.10.2012
Zlatni mostovi i sekvoja Nedjelja 07.10.2012. Pozorište mladih Sarajevo 18:00 Bugarska: MGT Zad Kanala
Režija: Bina HARALAMPIEVA “Tranzicija, duhovni padovi i prešutane uvrede.”
Max Black Nedjelja 07.10.2012. Narodno pozorište Sarajevo 19:30 Švicarska: Théâtre Vidy-Lausanne
Režija: Heiner GOEBBELS “U ovoj predstavi sve što glumac radi pretvara se u vatru, akciju i zvuk!”
Application for Newspapers / 07.10.2012 30
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APPLICATION / KARTOLINA
Side A
28.09.2012 19.30 Narodno pozorište Sarajevo EVROPLJANI Režija: Jirí ADÁMEK ^EŠKA: Boca Loca Lab
30.09.2012 12.00 Gradsko kino Visoko KOFER PRI^A Režija: Sergio SERRANO i Cris MIGUEL BRAZIL: Companhia Ópera na Mala
22.00 Me|unarodni centar za djecu i omladinu Novo Sarajevo VILA+GOVOR Režija: Guillermo CALDERON ^ILE: FITAM
21.00 Narodno pozorište Sarajevo Koncert: David GAZAROV NJEMA^KA SVEM/MESS
18.00 Pozorište mladih Sarajevo DRES Režija: Primož BEBLER BOSNA I HERCEGOVINA: Pozorište mladih Sarajevo/ MESS
22.00 Sarajevski ratni teatar ROLAND BARTHES: FRAGMENTI LJUBAVNOG DISKURSA Režija: Julie DUCLOS FRANCUSKA: Cie In-quarto
19.30 Narodno pozorište Sarajevo IVOR MARTINI]: MOJ SIN SAMO MALO SPORIJE HODA Režija: Janusz KICA HRVATSKA: ZeKaeM
03.10.2012 20.00 Sarajevski ratni teatar WE-WHERE-IN Režija: Gjergji PREVAZI ALBANIJA: Albanian Dance Theater Company and Art University of Tirana
19.30 Bosansko narodno pozorište Zenica IVOR MARTINI]: MOJ SIN SAMO MALO SPORIJE HODA Režija: Janusz KICA HRVATSKA: ZeKaeM 22.00 Sarajevski ratni teatar DEDA NE VOLI SVING Režija: Julie DOSSAVI BENIN/FRANCUSKA: Compagnie Julie Dossavi 29.09.2012 12.00 Me|unarodni centar za djecu i omladinu Novo Sarajevo KOFER PRI^A Režija: Sergio SERRANO i Cris MIGUEL BRAZIL: Companhia Ópera na Mala 17.00 Galerija JAVA Izložba: Zoran LEŠI] BOSNA I HERCEGOVINA 18.00 Sarajevski ratni teatar BIO JE LIJEP I SUN^AN DAN Režija: Tanja Mileti} ORU^EVI] BOSNA I HERCEGOVINA: Sarajevski ratni teatar/MESS 20.00 Olimpijska dvorana ZETRA TEŠKO JE BITI BOG Režija: Kornél MONDRUCZÓ MA\ARSKA: Proton Cinema+Theater 19.30 Bosansko narodno pozorište Zenica EVROPLJANI Režija: Jirí ADÁMEK ^EŠKA: Boca Loca Lab 22.00 Pozorište mladih Sarajevo OKUS AUSTRALSKOG ORAHA Režija: Stefano RICCI ITALIJA: Ricci/Forte 24.00 Sarajevski ratni teatar ODETTE & ODILE Režija: Amila TERZIMEHI] i Ena KURTALI] BOSNA I HERCEGOVINA: Sarajevski ratni teatar/ Akademija scenskih umjetnosti Sarajevo *Ovaj naziv ne dovodi u pitanje status Kosova i u skladu je s Rezolucijom 1244 i odlukom ICC-a o kosovskoj Deklaraciji o neovisnosti.
20.00 i 22.00 Sarajevski ratni teatar MAGNIFICAT Režija: Marta GÓRNICKA POLJSKA: Zbigniew Raszewski Theatre Institute 01.10.2012 18.00 Sarajevski ratni teatar RADNICI UMIRU PJEVAJU]I Režija: An|elka NIKOLI] SRBIJA: HARTEFAKT Fond i BITEF Teatar 20.00 Kamerni teatar 55 SUMNJA Režija: Selma SPAHI] BOSNA I HERCEGOVINA: Kamerni teatar 55/KONTAKT 20.00 Gradsko kino Visoko OKUS AUSTRALSKOG ORAHA Režija: Stefano RICCI ITALIJA: Ricci/Forte 22.00 Me|unarodni centar za djecu i omladinu Novo Sarajevo VILA+GOVOR Režija: Guillermo CALDERON ^ILE: FITAM 02.10.2012 18.00 Kamerni teatar 55 DOK SE VATRA RASPLAMSAVALA, PLESALI SMO UZ SIRENE, SIRENE Režija: Sleepwalk Collective ŠPANIJA/VELIKA BRITANIJA: Sleepwalk Colective 19.30 Narodno pozorište Sarajevo O POJMU LICA, PO PITANJU SINA BOŽIJEG Režija: Romeo CASTELLUCCI ITALIJA: Societas Raffaello Sanzio
20.00 i 22.00 Kamerni teatar 55 MRZIM ISTINU Režija: Oliver FRLJI] HRVATSKA: ITD Teatar 04.10.2012 12.00 i 14.00 Sarajevski ratni teatar VJEŠTICE Autorica: Almina DRINO BOSNA I HERCEGOVINA: Sarajevski ratni teatar/ Francuski kulturni centar André Malraux/Agencija Diwan 18.00 Me|unarodni centar za djecu i omladinu Novo Sarajevo GLEDAJTE ME KAKO PADAM Režija: Action Hero VELIKA BRITANIJA: Action Hero
20.00 Pozorište mladih Sarajevo URBI ET ORBI Režija: András URBÁN SRBIJA: “Kosztolányi Dezsö” Subotica 22.00 Kamerni teatar 55 BUNAR Režija: Egon Savin SRBIJA: UK Vuk Karadži} 06.10.2012 12.00 i 17.00 Narodno pozorište Sarajevo/Stolarija NEKE VRLO VAŽNE STVARI Režija: Dalija A]IN SRBIJA: Malo pozorište Duško Radovi} 18.00 Pozorište mladih Sarajevo KAMENJE Režija: Ivica ŠIMI] HRVATSKA: Kazalište Mala scena 19.00 Narodno pozorište Sarajevo/Mala scena DAN RANIJE Režija: Sonya LEVIN RUSIJA: Sonya Levin 20.00 Dom Oružanih snaga BiH KOST Režija: Virgilio SIENI ITALIJA: Compagnia Virgilio Sieni 22.00 Sarajevski ratni teatar TVOJ BRAT. SJE]AŠ SE? Režija: Zachary OBERZAN AUSTRIJA/SAD: Brut Wien
19.30 Narodno pozorište Sarajevo KAD BI OVO BIO FILM Režija: Dino MUSTAFI] BOSNA I HERCEGOVINA: Narodno pozorište Sarajevo
07.10.2012 18.00 Pozorište mladih Sarajevo ZLATNI MOSTOVI I SEKVOJA Režija: Bina HARALAMPIEVA BUGARSKA: MGT Zad Kanala
22.00 Svrzina ku}a KRVNA KOŠULJA Režija: Bekim LUMI *KOSOVO: Loja Laboratory Theater
19.30 Narodno pozorište Sarajevo MAX BLACK Režija: Heiner GOEBBELS ŠVICARSKA: Théâtre Vidy-Lausanne
05.10.2012 17.00 KRITERION Film: JOŠ UVIJEK ŽIVIMO OVDJE Režija: Anne MAKEPEACE SAD
20.00 Dom Oružanih snaga BiH KOST Režija: Virgilio SIENI ITALIJA: Compagnia Virgilio Sieni
18.00 Me|unarodni centar za djecu i omladinu Novo Sarajevo AKVARIJUM Režija: Luca CORTINA MAKEDONIJA: Naroden teatar Tetovo
21.00 Sarajevski ratni teatar 99%-STRAH I BIJEDA TRE]EG RAJHA Režija: Nermin HAMZAGI] BOSNA I HERCEGOVINA: Sarajevski ratni teatar
Side B
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THEATER TICKETS
Bosnian National Theatre Zenica
29.09.2012
20:00
Zetra Olympic Hall
DOM ORUŽANIH SNAGA
The House Of Armed Forces of Bosnia and Herzegovina 36
Chamber Theater ‘55
06.10.2012
19:00
National Theater Sarajevo - Small Stage
International Centre for Children and Youth Novo Sarajevo 37
THEATER TICKETS
National Theater Sarajevo / Balcony
National Theater Sarajevo / Gallery
National Theater Sarajevo / Lodge 38
National Theater Sarajevo / Parterre
Sarajevo Youth Theater
Sarajevo War Theater 39
ACCREDITATIONS Accreditations / Academy
Accreditations / Faculty 40
Accreditations / Direction
Accreditations / Guest
Accreditations / Jury
Accreditations / Organiser
Accreditations / Press
Accreditations / Technician 41
CATALOG
Cover
Sarajevski ratni teatar 20.00 i 22.00 Sarajevo War Theatre 20.00 and 22.00 Trajanje / Running time 50 min.
Marta Górnicka je rediteljica i pjevačica, koja je stekla diplomu na Fakultetu dramske režije na Varšavskoj pozorišnoj akademiji. Također je studirala i na Muzičkoj školi Frederic Chopin u Varšavi, te na Univerzitetu u Varšavi i Državnoj školi drame u Krakovu. Ona je autorica filma “Žudim” (Crave), kao i “Skica snimanja prema Sarah Kane” (A Sketch of Recording According to Sarah Kane), koji je premijerno prikazan na Festivalu Odkryte/ Zakryte (Otkriven/Skriven) u Dramskom pozorištu u Varšavi. Sarađivala je sa Robertom Wilsonom na varšavskoj produkciji Simptom/Akropolis po djelu Gabrielle Maione i Stanislava Wyspiańskog, kao i sa Redbadom Klijnstra i Swietłanom Butskajom na projektima pozorišnog glasa. Snimila je i CD za Poljski radio s pjesmama Astora Piazzole, te održala niz samostalnih nastupa. Vodila je dramske radionice u Salzburgu, Rimu, Tokiju, Kijevu i Londonu. Od 2009. godine, stvara novu formu horskog pozorišta, sarađujući sa Pozorišnim institutom Zbigniew Raszewski, režirajući “Hor žena - savremeni tragični hor”. Premijera predstave “Hor progovara: samo 6 do 8 sati” održana je u junu 2010. godine na Pozorišnom institutu u Varšavi. Druga predstava u ovom ciklusu, “MAGNIFICAT”, premijeru je imala godinu dana kasnije. Njene predstave nastupale su na pozorišnim festivalima u Njemačkoj, Francuskoj, Indiji, Japanu, Irskoj, Češkoj i Ukrajini.
DIRECTOR
Marta Górnicka is a directress, singer, and graduate of the Faculty of Drama Direction at the Warsaw Theatre Academy. She also studied at the Frederic Chopin School of Music in Warsaw, Warsaw University and the State Drama School in Krakow. She is the authoress of the film Crave, as well as of A Sketch of Recording According to Sarah Kane, which premiered at the Odkryte/Zakryte Festival (Revealed/Hidden) at Warsaws Dramatyczny Theatre. She collaborated with Robert Wilson on the Warsaw production of Symptoms/Akropolis by Gabriella Maione and Stanisław Wyspiański, as well as with Redbad Klijnstra and Swietłana Butskaja on theatre voice work. She has recorded a CD for Polish Radio with songs by Astor Piazzola, and has held a number of solo performances. She has led drama workshops in Salzburg, Rome,Tokyo, Kiev and London. Since 2009, she has been creating a form of chorus theatre, in collaboration with the Zbigniew Raszewski Theatre Institute, and directing The Chorus of Women - a contemporary tragic chorus. The premiere of This is the Chorus Speaking: Only 6 to 8 Hours. took place in June 2010, in the Theatre Institute in Warsaw. The choir’s second show, MAGNIFICAT, premiered a year later. Her shows have been performed at theatre festivals in Germany, France, India, Japan, Ireland, the Czech Republic and Ukraine.
Poljska / Poland
TEATAR
MAGNIFICAT
PREDSTAVA
“Hor žena” je savremena forma horskog teatra. Podjela je sačinjena od 25 žena, različitih godišta i profesija. Prvi projekat Hora bio je “Hor progovara: samo 6 do 8 sati”, premijerno izveden 13. juna 2010. godine. Projekat II: “Hor žena” izražava stav o ženama u crkvenoj hijerarhiji moći, čije titule ne koriste ni sveti, niti svjetovni jezik. To je post-opera koja promovira polifoni MAGNIFICAT, uronjen u pop-kulturu. U Projektu II: “Hor Žena” se suočava najsvetijom slikom ženstvenosti – onom Blažene Djevice Marije. Sa svom svojom ideološkom i estetskom moći. Sa magnetizmom svete ikone ženstvenosti. Citati iz Biblije, kuhinjski recepti, tekstovi Elfride Jelinek, Mickiewicza, i fragmenti Euripidove drame “Bakhe” elementi su kompilacije koju izvodi hor praćen kompjuterizovanom muzikom, potmulim zvukovima blende objektiva i fleševa, citati iz novina. Ritmični govor i slogani pop kulture isprepliću se sa tradicionalnim formama svete muzike. Muzika u predstavi “Magnificat” je semplirana i predstavlja podlogu kulturološkom narativu i reklamama. Stvoren je ideološko-zvučni remiks. Djevica Marija spušta se sa svetih slika.
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PERFORMANCE
The Chorus of Women is a modern form of choral theater. The cast is made up of 25 women of various ages and professional backgrounds. The first project of the Chorus was This is the Chorus Speaking: Only 6 to 8 Hours, which premiered on 13 June 2010. Project II of The Chorus of Women is a statement about the women in the Church’s hierarchy of power, the titles of which use neither sanctified nor secular language. This is a post-opera form, which promotes a polyphonic MAGNIFICAT, submerged in a pop culture. In Project II, The Chorus of Women is confronted with the most sacred image of femininity within the Church – that of the Blessed Virgin Mary - with all its ideological and aesthetic power, with the magnetic force of this sacred icon of femininity. Quotes from the Bible, recipes, excerpts from Jelinek, Mickiewicz, and fragments of Euripides’ Bacchae, are all elements of a compilation performed by the choir, with the accompaniment of computerized music, the thud of lens shutters and flashes, and newspaper quotes. Rhythmic speech and pop culture one-liners intertwine with the traditional forms of sacred music. The music of Magnificat is sampled and serves as the basis of a cultural narrative and advertising. An ideological and sonic remix is born. The Virgin Mary descends from the holy images.
Pozorišni institut Zbigniew Raszewski dokumentira, promoviše i oživljava poljsku pozorišnu scenu. Institut pokreće javne rasprave o savremenom poljskom pozorištu, obogaćuje relevantne teorijske rasprave, i podržava istraživanja i obrazovne aktivnosti. Institut posjeduje najveću zbirku pozorišnih artefakata u Poljskoj, koja uključuje saopštenja za medije, fotografije, plakate, glumačke liste itd. Čitaonica Instituta također pruža pristup slijedećim zbirkama: bibliotečkoj (sa 30.000 naslova na poljskom i drugim jezicima, specijalizirane časopise i specijalna izdanja), te zbirci Media Centra (sa preko 1500 digitalnih snimaka: snimci nastupa uživo, pozorišnih proba, te dokumentarne filmove o poljskom i međunarodnom pozorištu). Galerija Instituta postavlja privremene izložbe na teme vezane za pozorište (koja su također dostupne na Virtuelnoj galeriji na web stranici www.eteatr.pl). Institut također sadrži potpuno opremljeno pozorište, gdje se postavljaju predstave, ali i organizuju konferencije, susreti i predavanja. Pozorišni institut organizira festivale koji promovišu zanimljive poljske pozorišne pojave (Klata fest u decembru 2005 - predstavljanje djela Jana Klate; poljsko-njemački festival Expres EZ 47 u aprilu 2006; MK Fest u decembru 2006: predstavljanje radova Maje Kleczewsk, te 2008. godine, nakon osam godina pauze, ponovno pokreće najveći poljski pozorišni festival, Varšavske pozorišne susrete. Tokom posljednja tri izdanja festivala, organizovani su i Mali varšavski pozorišni susreti, namijenjeni mladoj publici). Institut također organizuje projekte koji promovišu poljsko pozorište u Poljskoj (Teatr Polska. Doživi pozorište. Putuj! - program koji omogućuje da se pozorišne produkcije postavljaju na mjestima bez pozorišnih zgrada), kao i edukacije (kao što je TISZ - pozorišta i škole, projekt koji podržava škole i pozorišta; Ljeto u pozorištu – dnevni ljetni kampovi pozorišta za mlade; Stageplay - pozorišne igre koje se održavaju nedjeljom za djecu i njihove roditelje; Dođi u pozorište - nacionalni projekt povezan sa Nacionalnim danom pozorišta), podršku istraživanjima (projekat Other Stages, New Histories), a te ima i međunarodni fokus (npr. razvoj pozorišne arhitekture u centralnoj Evropi). Institut je također organizator predavanja, sastanaka, radionica, natjecanja, izleta, i rasprava o najvažnijim umjetničkim pojavama. Također organizira i program pod nazivom Soba za novo pozorište (Room for New Theatre), koji pruža umjetnicima pozorišni prostor i tehničku infrastrukturu, kao i mali budžet za razvoj projekata koji će kasnije imati svoju premijeru u poljskim pozorištima. Institut objavljuje i bilten Poland on Stage (Poljska na pozornici), na tri jezika: engleskom, ruskom i poljskom. Bilten predstavlja rad poljskih umjetnika i najvažnije pozorišne premijere u Poljskoj. Svako izdanje sadrži novosti iz pozorišnim festivalima, te profile mladih reditelja/ica i pozorišnih skupina.
THEATER The Zbigniew Raszewski Theatre Institute documents, promotes and enlivens the Polish theatre scene. The Institute initiates public debate on contemporary Polish theatre, enriches relevant theoretical reflections, and supports research and educational activities. The Institute owns the largest collection of theatre memorabilia in Poland, a collection that includes press clippings, photographs, posters, playbills and more. The Institute’s Reading Room also provides access to the following collections: a Library (30,000 Polish and foreign-language books, specialized periodicals and speciality publications) and a Media Center (over 1,500 digital recordings: recordings of live performances, theatre rehearsals and documentary films on Polish and international theatre). The Institute’s Gallery presents temporary exhibitions on themes related to theatre (also available at the Virtual Gallery at www.e-teatr.pl). The Institute also houses a fully equiped theatre, where productions can be staged, and conferences, meetings and lectures can be organized. The Theatre Institute organizes festivals that promote interesting Polish theatre phenomena (in December 2005: Klata Fest - a presentation of the works of Jan Klata; April 2006: the Polish-German Expres EC 47; December 2006: MK Fest - a presentation of the works of Maja Kleczewska; and in 2008, following an 8-year hiatus, the Institute reopened Poland’s largest theatre festival, the Warsaw Theatre Meetings. The last three editions of the Festival have included the Little Warsaw Theatre Meetings, intended for young audiences). The Institute organizes projects that promote Polish theatre in Poland (Teatr Polska. Have Theatre. Will Travel! - a program that allows theatre productions to be staged in places without theatre buildings), as well as educate (such as TISZ - Theatre and School, a project that supports schools and theatre; Summer in Theatre - summer theatre day camps for young people; Stageplay - theatre games held on Sundays for children and their parents; Come to the Theatre! - A nationwide project connected with National Theatre Day), support research (Other Stages, New Histories) and have an international focus (e.g. theatre arhitecture in central Europe). The Institute conducts lectures, meetings, workshops, competitions, field trips, and debates on the most important artistic phenomena. It also organizes a program called Room for New Theatre, which provides artists with a theatre space and technical infrastructure, as well as a small budget to develop projects that will later premiere in Polish theatres. The Institute publishes the newsletter Poland On Stage in three languages: English, Russian and Polish. The newsletter covers the work of Polish artists and the most important theatre premiers in Poland. Each issue contains news from theatre festivals and profiles of young directors and theatre groups.
Koncept, libreto, režija / Concept, Libretto, Director MARTA GÓRNICKA Uloge / Cast JUSTYNA CHABEREK EWA CHOMICKA ALINA CZYŻEWSKA PAULINA DRZASTWA ALICJA HEROD ANNA JAGŁOWSKA KATARZYNA JAŹNICKA EWA KONSTANCIAK EWA KOSSAK KATARZYNA LALIK AGNIESZKA MAKOWSKA KAMILA MICHALSKA KATARZYNA MIGDALSKA JOLANTA NAŁĘCZ-JAWECKA NATALIA OBRĘBSKA ANNA RĄCZKOWSKA ANNA RUSIECKA MONIKA SADKOWSKA KAROLINA SZULEJEWSKA KAJA STĘPKOWSKA IWONA TOŁBIŃSKA AGATA WENCEL KAROLINA WIĘCH ANNA WODZYŃSKA ANNA WOJNAROWSKA Muzika / Score IEN Koreografija / Choreography ANNA GODOWSKA Savjetnica dirigentice / Conducting Consultant MARTA SULEWSKA Saradnja na scenografiji / Stage Design Cooperation ANNA MARIA KARCZMARSKA Produkcija / Production ZBIGNIEW RASZEWSKI THEATRE INSTITUTE Fotografija / Photography KRZYSIEK KRZYSZTOFIAK
FUTURE MESS
REDITELJICA
30/09/12
Narodno pozorište Sarajevo 19.30 National Theatre Sarajevo 19.30 Trajanje / Running time 60 min.
Romeo Castellucci posljednjih nekoliko godina režirao je “Hej djevojko!” (2006), te predstavu “Pakao, Čistlište, Raj” (2008) inspirisanu “Božanstvenom komedijom” Dantea Alighierija, veliko egzistencijalno i pozorišno istraživanje, koje je svoju premijeru imalo na 62. Festivalu d’Avignon. 2002. godine uručena mu je časna titula “Viteza reda umjetnosti i književnosti” od strane Ministarstva kulture Republike Francuske. 2005. godine režirao je predstavu “Pompeji, Roman pepela” (Pompeii, The novel of the ashes) na 37. Bijenalu Teatro di Venezia, festivalu koji ima za cilj dati prostor drugim oblicima scenskih iskustava, kao što su performansi, instalacije i pozorišne forme muzike i arhitekture. 2007. godine imenovan je umjetnikom-saradnikom od strane Festivala d’Avignon za vrijeme izdanja ovog Festivala tokom 2008. godine. 2010. godine, Le Monde je njegovu” Božanstvenu komediju” nazvao najboljom izvedbom desetljeća 2000-2010.
Uloge / Cast GIANNI PLAZZI SERGIO SCARLATELLA DARIO BOLDRINI VITO MATERA SILVANO VOLTOLINA
2010. godine je započeo novi pozorišni projekat, privremenog naziva “J”. Projekat se sastoji od dvije faze: prva, predstava “O pojmu lica, po pitanju Sina Božijeg”, koja je svoju premijeru imala jula 2010. godine u pozorištu Der Welt u Essenu, i druga, “Svećenikov crni veo”, predstava koja je premijerno izvedena u martu 2011. godine u Renu (Francuska), a koja je ponovno postavljena i premijerno prikazana u Rimu u novembru 2011. godine.
Kreacija objekata na sceni / Creation of Stage Objects ISTVAN ZIMMERMANN GIOVANNA AMOROSO
Italija / Italy
In the recent years, Romeo Castellucci directed Hey Girl! (2006), and Inferno, Purgatorio, Paradiso (2008), inspired by the Divina Commedia by Dante Alighieri, an immense existential and theatre research which had its debut at the 62nd Festival d’Avignon. In 2002, he was awarded the honour of “Chevalier dans l’ordre des Arts et des Lettres” by the Ministry of Culture of the Republic of France. In 2005, he directed the play Pompeii, The novel of the ashes at the 37th Biennale Teatro di Venezia, a festival which aims to give space to other forms of stage experiences, such as performance, installation, and the theatre forms of music and architecture. In 2007, he was appointed “Artiste associé” by the Direction of the Festival d’Avignon during the 2008 Festival edition. In 2010, Le Monde named the Divina Commedia the Best Performance of the Decade 2000-2010.
ON THE CONCEPT OF THE FACE, REGARDING THE SON OF GOD
PREDSTAVA
Predstava počinje s ovim: “Želim da sretnem Isusa u njegovoj najekstremnijoj odsutnosti. Ne postoji lice Isusa. Mogu ga gledati na slikama i kipovima. Poznajem hiljadu ili čak više slikara iz prošlosti, koji su proveli pola svojih života pokušavajući reproducirati Isusov neizreciv, gotovo nevidljiv, izraz žaljenja koji bi isplivao na površinu oko Njegovih usana. A sada? Sada nema Njega. Ono što se nekako uvuče u mene, više od svega, jeste volja: da se zajedno postave volja i lice Isusa. Želim biti pred licem Isusa, iako je ono što na mene ima najveći utisak prvi dio ove rečenice: Želim.” Romeo Castellucci Ova predstava, od samog svog naslova, nameće inicijale koji sažimaju ime “Isus” u najvećoj mogućoj mjeri. Isus je ime koje je toliko prisutno za toliko miliona ljudi na zemlji, da može postati gotovo nevidljivo, jer je tako duboko implicitno. Ono je prisutno izvan savjesti i znanosti, izvan osjećaja i historije – ono je bitno i radikalno prisutno, neovisno od volje čovjeka. Ime koje se nekako održava talasom iskustava i referenci starih hiljadu godina.
PERFORMANCE
It starts with this: “I want to meet Jesus in His most extreme absence. There is no face of Jesus. I can look at paintings and statues. I know of a thousand or more painters from the past, who spent half their time trying to reproduce the ineffable, almost invisible, grimace of regret that would surface about His lips. And now? Now there is no He. What makes its way into me, more than anything, is the will: to put together the will and the face of Jesus. I want to be before the face of Jesus, although what strikes me above all is the first part of that phrase: I want.” Romeo Castellucci The performance, from its very title, imposes initials which synthesize the name “Jesus” in the maximum degree; Jesus is a name that is so present for so many millions of people on earth, that it can become almost invisible, because it is so deeply implicit. It is present beyond the conscience and the science; beyond the feeling and history; it is essentially and radically present, separate from one’s will. A name somehow sustained by the groove of an experience of references that are millenary..
In 2010, he started a new theatrical project, provisionally called “J”. This project is composed of two phases: the first, On the Concept of the Face, regarding the Son of God, which opened in July 2010 at the Theater Der Welt in Essen, and the second phase, The Minister’s Black Veil, which premiered in March 2011 in Rennes (France), and which will be restaged and will premiere in Rome in November 2011. TEATAR
Romeo Castellucci (rođen 1960. godine), Chiara Guidi (rođena 1960. godine) i Claudia Castellucci (rođena 1958. godine) su zajedno osnovali Societas Raffaello Sanzio 1981. godine. Oni dijele ideju o pozorištu koje je uglavnom usmjereno na vizualnu, plastičnu i auditivnu moć pozornice. Romeo Castellucci je autor i reditelj - on se brine za scene, kostime i svjetla, prema jedinstvenom principu dramatične kompozicije sastava koji također utiče i na grafičke dijelove knjiga i programa. Chiara Guidi, autorica i rediteljica muzičkog pozorišta, osigurava dramatični ritam i vokalne kvalitete gotovo svih nastupa u pozorištu Socìetas. Guidi također zanima to da umjetnost podijeli sa djecom, pa je već 1990. godine osnovala Eksperimentalnu školu dječjeg pozorišta. Claudia Castellucci je profesorica, dizajnerica, autorica dramskih i teoretskih tekstova, te je započela mnoge cikluse besplatnih istraživačkih škola zasnovanih na gimnastici i filozofiji kao temeljnim naukama. Pozorište Socìetas je postavilo predstave igrane u cijelom svijetu, na glavnim međunarodnim pozorištima i festivalima: predstave kao što su “Sveta Sofija” (Santa Sofia) 1986. godine; “Silazak Inanne” (La Discesa di Inanna) 1989. godine; “Gilgameš” 1990. godine; “Hamlet. Žestoka vanjština smrti mekušca” (Hamlet. The vehement exterior of the death of a mollusc) 1992. godine; “Masoch. Trijumf pozorišta kao pasivne, moći, krivice i poraza” (Masoch. The triumphs of the theatre as passive power, guilt and defeat) 1993. godine, a iste godine režiraju i “Ivicu i Maricu”, igrokaz za djecu, kao i “Buchettino” 1994. godine, i “Pelle d’Asino” 1998. godine. Tu su također i “Orestea (organska komedija?)” 1995. godine; “Julije Cezar” 1997.; “Postanak” (Genesis) 1999.; “Putovanje do kraja noći” (Voyage au bout de la nuit) 1999. godine, te “Suzbijanje” (Il Combattimento), na muziku Claudija Monteverdija i Scotta Gibbonsa. “Tragedia Endogonidia”, realizovana između 2002. i 2004. godine, je ciklus predstava nazvanih po gradovima gdje su se prvi put prikazale. Bavi se sažetkom tragičnog života u sadašnjosti pod pritiscima budućnosti.
Saradnja na scenografiji / Collaboration in Stage Design GIACOMO STRADA
Tehničari zvuka / Sound Technicians MATTEO BRAGLIA MARCO CANALI
DIRECTOR
O POJMU LICA, PO PITANJU SINA BOŽIJEG
Muzika / Music SCOTT GIBBONS
WORLD MESS
Koncept i režija / Concept and Stage ROMEO CASTELLUCCI
REDITELJ
02/10/12
THEATRE
Romeo Castellucci (born 1960), Chiara Guidi (born 1960) and Claudia Castellucci (born 1958) established Socìetas Raffaello Sanzio in 1981. They shared an idea of a theatre which was mainly focused on the visual, plastic and sound power of the stage. Romeo Castellucci is an author and director - he attends to scenes, costumes and lights, according to a unitary principle of dramatic composition which also affects the graphics of their books and programmes. Chiara Guidi, an author and director of music theatre, attends to the dramatic rhythm and the vocal quality of almost all performances at the Socìetas. She is also interested in an art that is shared with children and, back to the 1990s, she started an Experimental School of Children’s Theatre. Claudia Castellucci is a teacher, decorator and author of dramatic and theoretic texts; she started many cycles of free research schools that are based on gymnastics and philosophy as basic sciences. Socìetas has produced performances staged all over the world, at the main international theatres and festivals: plays such as Santa Sofia in 1986; La Discesa di Inanna in 1989; Gilgamesh in 1990; Hamlet. The vehement exterior of the death of a mollusc in 1992; Masoch. The triumphs of the theatre as passive power, guilt and defeat in 1993; the same year, Hansel and Gretel, a performance for children, as well as Buchettino in 1994, and Pelle d’Asino in 1998. There were also Orestea (an organic comedy?) in 1995; Julius Caesar in 1997; Genesis in 1999; Voyage au bout de la nuit in 1999; and Il Combattimento, on the music by Claudio Monteverdi and Scott Gibbons. The Tragedia Endogonidia, 2002-2004, is a cycle of performances that take their names after the city where they were first shown. It is a large summary of the tragic, of living in the topicality and under the pressures exerted by the future.
Tehničar svjetla / Light Technicians FABIO BERSELLI LUCIANO TREBBI Scenski predmeti / Props VITO MATERA
Fotografija / Photography KLAUS LEFEBVRE Izvršni producent / Executive Producer SOCIETAS RAFFAELLO SANZIO U koprodukciji sa / in Coproduction with: Theater der Welt 2010 Međunarodni umjetnički kampus deSingel, Antverpen / deSingel international arts campus, Antwerp Nacionalno pozorište Bretanje, Ren / Théâtre National de Bretagne, Rennes Narodno pozorište u Oslu, Norveška / The Oslo National Theatre, Norway Pozorište Barbican u Londonu, i SPILL Festival izvedbe / The Barbican, London, and the SPILL Festival of Performance Chekhov Međunarodni teatarski festival, Moskva / Chekhov International Theatre Festival, Moscow Holland Festival, Amsterdam; Festival Atina / Athens Festival GREC 2011 Festival u Barseloni / GREC 2011 Festival de Barcelona Festival d’Avignon Međunarodni teatarski festival DIALOG, Vroclav, Poljska / International Theatre Festival DIALOG, Wroclav, Poland Beogradski internacionalni teatarski festival - BITEF / Belgrade International Theatre Festival - BITEF spielzeit’europa I Berliner Festspiele 2011 Théâtre de la Ville, Pariz / Théâtre de la Ville, Paris Romaeuropa Festival SPIELART Teatarski festival Minhen / Theatre Festival SPIELART München (Spielmotor München e.V.) Pozorište Le-Maillon, Strazbur, Evropska scena / Le-Maillon, Théâtre de Strasbourg / Scène Européenne TAP – Pozorišni auditoriji u Poitiersu, Nacionalna scena / TAP Théâtre Auditorium de PoitiersScène Nationale Pozorište Peak Performances, Univerzitet Montclair State, SAD / Peak Performances @ Montclair State-USA U saradnji sa / In collaboration with: CENTRALE FIES / DRO
Layout
ODETTE & ODILE DOK SE VATRA RASPLAMSAVALA PLESALI SMO UZ SIRENE, SIRENE
AS THE FLAMES ROSE WE DANCED TO THE SIRENS, THE SIRENS
GLEDAJTE ME KAKO PADAM WATCH ME FALL
DAN RANIJE THE DAY BEFORE
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GENERAL INDEX A
OFFICIAL LOGOTYPE / MESS.......................14 Black Logotype............................................................14 White Logotype...........................................................15
ACCREDITATIONS........................................40 Accreditations / Academy...........................................40 Accreditations / Direction...........................................40 Accreditations / Faculty..............................................40 Accreditations / Guest.................................................40 Accreditations / Jury...................................................41 Accreditations / Organiser..........................................41 Accreditations / Press.................................................41 Accreditations / Technician.........................................41
APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE...........................................28 Application for Newspapers / 02.10.2012..................28 Application for Newspapers / 03.10.2012..................28 Application for Newspapers / 04.10.2012..................29 Application for Newspapers / 05.10.2012..................29 Application for Newspapers / 06.10.2012..................30 Application for Newspapers / 07.10.2012..................30
APPLICATION / KARTOLINA.........................32 Side A...........................................................................33 Side B...........................................................................33
APPLICATION POSTERS...............................26 Announcement for Magazine / Dani............................27 Announcement for Newspaper / Oslobođenje............26 Bilboard........................................................................26 City Banner...................................................................27 City Light......................................................................26 FUTURE MESS / Bilboard............................................27 FUTURE MESS / City Light..........................................27
C CATALOG.....................................................42 Cover............................................................................42 Layout....................................................................42, 43 Layout / Section...........................................................43
O OFFICIAL LOGOTYPE / FUTURE MESS..........16 Black Logotype............................................................16 White Logotype...........................................................17
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OFFICIAL LOGOTYPE / MESS 2012...............18 Black Logotype............................................................18 White Logotype...........................................................19
OFFICIAL TRAILER......................................12 Official Trailer...............................................................13
OPENING CEREMONY..................................10
P POSTERS....................................................24 FUTURE MESS / Poster...............................................25 Official Poster...............................................................24
R RESEARCH................................................... 8
S SIZE RATIO / MESS......................................20 Black Logotype............................................................20 White Logotype...........................................................21
T THEATER TICKETS.......................................36 Bosnian National Theatre Zenica................................36 Chamber Theater ‘55...................................................37 International Centre for Children Youth Novo Sarajevo...................................................37 National Theater Sarajevo / Balcony..........................38 National Theater Sarajevo / Gallery...........................38 National Theater Sarajevo / Lodge.............................38 National Theater Sarajevo / Parterre.........................39 National Theater Sarajevo - Small Stage..................37 Sarajevo War Theater..................................................39 Sarajevo Youth Theater...............................................39 The House Of Armed Forces of Bosnia and Herzegovina..............................................36 Zetra Olympic Hall.......................................................36
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CREDITS Visual identity, video and graphic design of International Theater Festival MESS: FABRIKA Graphic design of International Theater Festival MESS 2012: Haris Jusović / for FABRIKA Idea, brochure and video design: Bojan Mustur Photography: Velija Hasanbegović Music of video: Pascal Comelade Sarajevo, 2015
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CONTACT International Theater Festival MESS Maršala Tita 54/I, 71000 Sarajevo, Bosnia and Herzegovina Tel: + 387 33 200 392, Fax: + 387 33 211 972
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