Uncle Vanya | Boston University CFA School of Theatre Program

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BOSTON UNIVERSITY COLLEGE OF FINE ARTS

SCHOOL OF THEATRE Presents

Written by Anton Chekhov A New Version by Annie Baker Directed by Christine Hamel

CAST Maria.........................................................Madeleine Bedenko Professor Serebryakov..............................Fady Demian Yelena........................................................Serenity S’Rae Vanya........................................................EJ Hanson Telegin......................................................Buff Thiesmeyer Marina......................................................Katie McRae Astrov.......................................................Jack Dillon Sonya........................................................Kate Brugger Yefim/Hired Man…………………………….…….Shai Vaknine OFFSTAGE COVERS Shai Vaknine (Swing) Jennifer Platt (Swing) Madeleine Bedenko (Sonya)
CREATIVE TEAM Director and Faculty Project Advisor…………………Christine Hamel Lighting Designer…………………………………….………..Molly Beall Sound Consultant ……………………………………………..Katie Chen Scenic Consultant………………………………………………Peyton Tavares Stage Manager……………………………………….……….. Katelyn Thompson Production Assistant……………………………………….…Ethan Vettese Assistant Director/Dramaturgy Assistant …..……..Jacob Bergman Musician………………….………………………………………..Buff Thiesmeyer Intimacy Coordinator………………………………..……….Yo-EL Cassell Violence Designer………………………………….…………..Robert Najarian PRODUCTION CREW Run Crew………………………………………………..……….. Zoe Larrimer Light Board Op…………………………………………………. Rowan Benz

DIRECTOR’S NOTE

Uncle Vanya focuses on the sudden upending of normality in life, following “the new normal” of a group of people stranded by change: there is an epidemic, a family stuck together in the same house, systemic inequality and rigid class structures, and impending climate crises knocking on the door. Everyone's been forced to stop; everyone's bored; everyone's anxious about the future. Uncle Vanya was a groundbreaking play in its uneventfulness: people eat, talk, work, sleep, on repeat…and even so, lives are rendered hopeful or hopeless every day. These characters struggle with, push against, and love each other, wrestling constantly with questions both mundane and expansive.

The play is a meditation on enduring life’s challenges and constant change, no matter what. It is a play that asks us to assess and learn about ourselves, our society, and our planet – to admit/accept that decay is certain, and that change is a necessary fact of life. The play asks us to consider the difference between enduring life and living fully, and contemplates what would happen if we accepted the passage of time and honestly confronted ideas who we think we should be or ought to have been? And how can we alleviate our own suffering in the process?

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