The Pequod for Violin, Viola, and Electronics
Brian Petuch
The Pequod Brian Petuch, 2015
“Ah! how they still strove through that infinite blueness to seek out that thing that might destroy them!� - Herman Melville (Moby Dick)
Scored for Violin, Viola, and Electronics Commissioned by andPlay
Duration: 11:16
Special Notations
Slow circular bowing that should pass from Molto Sul Tasto to over the bridge and back again.
Indicates Slow and Heavy Bow Pressure
Indicates very slow and light bowing. This symbol is used to denote a soft airy sound with very little pitch.
Indicates a slow bow drag. The sound should be creaky and dry.
Indicates a non-specified pitch
Crossed note heads indicate a scratch tone. The sound should be distorted, aggressive, and the pitch should be unclear. Deaden strings with left hand.
Subharmonic – Drag bow with very heavy bow pressure to produce audible and “dirty” subharmonics. Pitch should be somewhat clear.
Seagull Effect - Glissando down the length of the fingerboard, without adjusting the space between the fingers (which thereby diminishes the interval). The fixed finger spacing causes higher partials of lower fundamentals to be activated as the left-hand motion continues towards the scroll, which repeatedly restarts the glissando.
Trill between the fundamental and harmonic
Indicates an aggressive and rapid improvisation. The pitches and rhythms should not be accurate, but instead the performer should ad lib as quickly as possible. The gesture should last as long as notated.
Indicates a gradual change from one bow technique to another ST – sul tasto SP – sul ponticello MST – molto sul tasto MSP – molto sul ponticello N – normal (used with SP and ST, otherwise ord.) Diminuendo to nothing
Crescendo from nothing Indicates quarter sharp Indicates quarter flat About the electronics
*Players use a click track to coordinate with electronics (click track provided) *Instruments should be amplified so that their volume matches and fits in with the overall volume of the electronic track. The electronic track should be heard as equal to the live string players so it should be set at a reasonably loud volume. *Add reverb to the amplified instruments.
A note from the composer The Pequod is the whaling ship in Moby Dick. I read Moby Dick last summer for the first time while on the coast of Oregon. The immensity of the dark Pacific coast only made the book more real to me. While reading I contemplated the scope of the Pequod’s journey on the vast sea and the scope of Captain Ahab's futile quest to conquer the white whale, which led to the Pequod's inevitable demise. It was both beautiful and terrifying and this piece tries to capture the spirit of the novel. I use the electronics and strings in a way that at times are abrasive and grating in order to feel the immense weight of an unforgiving and impartial world, and other times the music emerges with moments of light simplicity out of the darker more sonically oppressive moments. -
Brian Petuch 2015
The Pequod for Violin, Viola, and Electronics Brian Petuch q = 60 Fluid, Dreamlike Violin
° 4 & 4 œ œ Bœ o
nw
˙
˙ #œ ˙
œ
ppp cresc. poco a poco stay inside the electronics Fluid, Dreamlike Viola
4w ¢B 4 o
˙
µ˙
œ™ œ
œ œ œœ œœ
ppp cresc. poco a poco stay inside the electronics
q = 60
/
4 4
∑
∑
∑
∑
Electronics
{
& 44 ~ o
≈ j ‚™ O™
‚
‚ ‚ ‚
‚ ‚
ppp cresc.
= 5
° Vln. &
œ ™ Bœ
œœ
œ Vla. B œ œ œ™ Bœ ¢
/
∑
n˙ œ #œ ˙™
æ œæ æ œ ˙™ æ
n˙ ™
∑
µœ nœ œ ™ #œj
œ œ œœ
œ™ œ œ ™ œ œ œ œ œ œ J J
∑
∑
∑
E.
{
∑ & ~
≈ j ‚™ O™
O
O
‚
‚ ‚ O
Bœ
3
10
° Vln. & <#>˙
j œ B˙
™ œ µœ
œœ ˙˙
n˙ ™
˙˙ ric.
¢B
Vla.
ææ œ œ œ œ œ œ œJ ˙
nœ œ œ œ
™œ œ œ
ord.
œ™ æœ œ œ œ œ œ æJ
3
/
∑
∑
∑
∑
E.
{
& O O
~
‚
O™
‚
O™
=
A 14
° Vln. &
µµœœ
œ Vla.
nn˙˙
œ #œ
¢B
œœ
µµœœ œœ ™™ nn˙˙
œ nœ œ œ™ œ œ™ Bœ œ
j3 œœ œœ µµœœ nnœœ œœ œ
nœ
˙™
A /
∑
∑
∑
E.
{
& ~
‚™ ‚ O™
~
4 N
Ÿ^~~~~~~~~~~ Ÿ~~~ord. >œ œ œ œ œ^ nOœ Oœ œ^ Oœ œ ™ œ œ œ œ œææ ææ SP
17
° Vln. &
SP
N
^ > 3 >j > > œ˙ œ œ œ œœ œœ œ
^ œ œœ œœ œœ œœ œœ J ææ
mp mf
mf
3
(ord) SP
>œ œ >œ œ
œ œ^ æ
¢B
Vla.
ŸO~~~~~~~ œ ææ Œ
mf p
mf
/
œ^ ææJ
Ÿ~~~~~~~~~~~~~~~~~~ ric. ^ œ. œ. œ. œ. >œ œ >œ œ Oœ™™ O˙ ææ ‰ ææJ ææ ææ
∑
mf
∑
mf
f
œ >œ ææ
f
∑
f
∑
o ~ #~ ~~~~~ ~~~
&
E.
~ O o
?
{
Ó
+
+
+
+~ o ~
pp
= > > > 3> ° œ œ œ œææ™ œ œj Bœ œ nœ Bœj œ™ œ w Vln. & œ œ œ˙ ææ ™ 21
æ b œ œæ œ
3
#œj œ
œ œ™ ¿¿ nœJ ˙™ -
heavy, slow creaky bow
> > œ œ œ œ œ™
> œ œ œ ˙™
SP 3
B Vla.
¢ f
mf
/
∑
∑
∑
Gradually becomes distorted
+ E.
+
+
+
+
& cresc.
?
{
ŸO ~~~~~~~~~~~ œ Oœ >œ fp o f
j >œ œ™ #œ œ œ
+ p
cresc.
~~ nŸOœ
>æ ^ - ^ - ^ - ^ - ^ - ^ SP æ™ œ œ œ œ 24 œ œ œ œ œœ œ œ œ ° œ œ œ #œ Vln. & w ææ˙
5
ææj œ
5
^ >¿ 3 #œord œ ≈¿ ææ ¿ ¿ ¿¿ R¿¿ Ric
fff
ord. N
ŸO ~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ œ>
¢B >œ
Vla.
N
SP
Oœ
œ Oœ ≈ œ R œœ
MSP 3
¿¿ ¿¿ œ œ œ Oœ > > fff
/
∑
∑
+
+
&
E.
fff
?
{
+
+
=
B . > œ >œ œ >œ œ >œœ ™™ #>œœ ¿ w w ææ ¿
26
Vln.
° <#>œœ r n˙™ & ææ ¿¿ œ
3 5
Vla. B ¢
O˙Ÿ~~~~~~~~~ 6 6 6 6 6 66 6 ^ 6 6 66 6 66 6 ¿¿ -
(keep interval of a fourth in left hand)
bat
ord.
> > > Oœ æ ææ ææ ææ ææ ææ æ ææ
Oœ œæ ¿™ ¿ ¿ R ≈ > œ ‰ ¿ ¿ ¿™ ¿ ¿
3
B
/
E.
&
∑
∑
∑
+ #‚J O ™ ‰
+
+
+
+
+
?
{
6 29
° &
Vln.
>œ œ
N
SP N ¿¿ œ>œ >œœ >œœ >œœ œœ œœ œœ w
œœ >œ œ >œœ #œ œ
-˙
˙
3
mf
nw w
¿ ¿ ™ ¢B ¿ ¿ ##˙˙ ™
Vla.
/
∑
##œœ >œœ
#n>œœ #˙˙ ™™ > mp
∑
∑
∑
+
+
+
+
&
E.
pp Gentle synth
?
{
+
+
+ ~~ o
= Delicate ord.
C Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ IV Oœ ~w Oœ Œ ˙ æ æ æ o æo æ mp æ o p
ST 33
Vln.
-œ
-˙
° &
Very slowly, ad lib up and down a quarter step from the written pitch
w
w
œœ œœ #œœ ˙˙
œœ ˙˙ ™™
Delicate Vla.
œ œ o
¢B <#>˙˙ ™™
w w
œ Œ ˙˙ œ o p mp
C /
∑
∑
+ E.
+
∑
∑
∑
∑
∑
∑
& o ?
{
‚‚ ‚ ‚ pp
O
~
‚
OO ™™
OO
OO
OO
‚‚ ‚ ‚
7
D ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ ° Œ #œO œO œO œO œO #œO œO ˙O ™™ <O> O ~ ~ Vln. & œ™ œ ˙ w w ææJ ææ ææ ææ p mp o o mp 38
œ œ œ ˙ ¢B œœ œœ œ œ œ œ œœ œœ ˙
Vla.
Œ #˙˙ ™™ o p
˙™ ˙™
pp
œ ˙ ™™ œ œœ #˙
œœ ™™ œœ
mp
mp
pp mp
D /
∑
∑
∑
∑
?
∑
∑
~
&
E.
&
∑
b ~~~~~ o
~~~~~
?
{
OO ™™
~~
‚‚
O™
‚
O
~~
O >O
= (Subharmonics, 43 very slow and heavy bow)
Vln.
° & ) o
$
˙
f
op
w
w
w (very subtle, not too heavy)
Vla.
w ¢B w
˙˙
Ó o
Œ ≈ œj™ œ œ ™ #œœ œœ ™#œœ ˙˙ ™™ œ™ œ œ™ ™
œœ ™™#œœ ˙˙ ™™
p
/
∑ <b>~~~~~
E.
∑ ~~~~~
∑ OOOOO
&
Ó o
∑
∑
∑
∑
mf
?
{
‚‚
O™ OO ™™
~ ~~
~ ~~
~ ~
~ ~
MSP
8 48
° Vln. & œ
MST Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O˙™™ O˙ ææ ææ œ o mp
œO
œ œ œO œO
œO œO
œO
p
N MSP
˙™ Vla. B ¢ ˙™
œ œ
œ œ œ
j œ œ ™™ œ œ
N
œ œ œ œ œ œ œ œ
œ™ œ œ™
œ œ
mp
/
∑
∑
∑
∑
∑
∑
&
E.
?
~ ~~
{
~ ~
OOO
O O
=
E 51
ord.
° Vln. & O œ
3
œO œ œj œO œ œO
™ œ ˙O ™ o
#$ o
MSP Vla.
SP
ææ œ œ œ
B œ œ ˙ ¢ œ œ ˙
ææ œ™ œ™
‰ Ó o
œœœœœœ≈ Œ o mf
Ó
E /
∑
∑
∑
Heavily distorted synth
Ó E.
& ? ~~~
{
+ o
+
+
~~~
‚‚‚
Πo
Ó
9 54
MSP
° Vln. & $
ord.
#œ œ#œ 4 4
mf
$
n$
$
ff crec. (escalate into violence)
mf
f
MSP N MSP
N
Bœ Bœ Bœ Bœ ™ œ œ ¿ ¿
œ œ œ
^æ œæ
nY ¿™ ¿ Y
¢B
Vla.
5
crec. (escalate into violence)
mp
/
∑
∑
∑
∑
E.
+
{
+
+
mf
mp
+
& fff
=
F 58
Vln.
° 6 6 & 4 6 66 66 6 66 66 6 ææ ææ $ 6 >¿ ¿ ¿ fff >
^ ææ ææ Vla. B ¿ œ œ ¢
$
$
mf
f
$
ST
N 5 ^ ¿ ¿ ¿ ¿ ¿ ^^ œ ¿ æ ¿¿¿ ¿ ¿ ¿ æ $ 3 >
$
$
$
˙
f pp
F /
∑
∑
+ E.
∑
& ?
{
∑
+
∑ ~~ ~~~ ~~ o +
∑
∑
~~ ~~~ ~~
~ ~~ ~~
+
+ o
N
Delicate MSP
ST
MST MSP MST Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Oœ™™ O ™ ~w ææ 朙 Œ ææ O˙ ~w æ o o ææ ææ mf o o p
10 63
° Vln. &
Ó $
˙ o pp
Delicate MSP MST MST
MST MST MSP Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ ~w O˙ ‰ ~w ææ ææ œ™ ææ o o pp o o o p mp
Vla. B ¢
w
/
&
E.
∑
∑
~ ~~ ~~
~ ~~ ~~
∑
3
ææ j ˙™
∑
~ ~~ ~~
∑
~ ~~ ~~
~ ~~ ~~ mf
{
~~ ~
? ∑
Ó O
Ó O
~
Ó bO
mp
= MSP Ÿ~~~~~~ O˙ ææ
ord. 68
Vln.
° & ˙
˙
mp
œ ™ œj œ bæœ b˙ æ mf
œ -¿ œ œ œ œ ˙
ææ ˙ Ó
3
mf N 5 5
Vla.
¢B w
œ
œœ˙
> > œ >œ œ œ ™ œ ˙ ææ 3
bw ¿ mf
/
E.
&
∑ O OO OO
OO OO OO
∑ ~~ ~~ ~~
∑ ~~ ~~ ~~
œ œœ ˙ ¿> > f
∑ OO OO OO
∑
b OOOOO
~~~~~
Heavily distorted synth
{
?
∑ <b> ~
∑ ~
o + ~
+ ~
+
G Strong, Terrifying, Dangerous N
<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O˙ O˙ ° O O˙ æ æ Vln. & ˙ æ æ ææ ææ
11 no vib.
73
>˙
œ >œ œ >œ ˙ >˙ ˙ J ææ
>œ œ ™ >œ
˙
3 3
ff
fff
Strong, Terrifying, Dangerous
no vib. œ ™ >œ ˙ œ >œ ææJ
w 3 > B œ œ bœ ˙ Vla. ¢
æ œ œ b˙æ > >¿
˙ œ ˙
3
ff
fff
G /
∑
∑
∑
∑
<b> ~~~~~
~~~~~
~~~~~
Ó ~~~~~
+
+
+ ~ o
+ ~
&
E.
{
∑ o O
~
o b ~~~~ ~ ~
?
= 78
° >˙ Vln. &
>œ >œ >œ ææ
>˙
>œ
>œ > bœ œ ˙™ >
œ >œ >œ ™ œ 66 >œ œ >œ œ ™ >œ >˙ J 6 Vla. B 6 ¢
w
˙™
œ >œ œ >œ ˙ ææ
b >˙
>˙
b œ ˙™
3
/
∑
∑
∑
∑
∑
‚ ~ E.
O
‚ b‚
‚
& ~ ? <b>~~~~ ~
{
~~~~~ ~
~~~~~ ~
O™
~
O™ ~~~~~ ~
~~~~~ ~
12 83
° ˙™ Vln. &
>œ
>œ
˙™
>˙ >˙ b >˙
w >œ ™
>˙
˙
>˙
¢B
Vla.
> bœ
˙™
˙
>œ >˙
œ J
3
/
˙
3 4
œ™ b >œ ˙ J
3 4
˙
3
∑
∑
O™
O™
‚
∑
‚
∑
~
OO™™
~~~~~ ~
~~~~~ ~ ~v
b‚‚
OO
&
E.
~ ? <b>~~~~ ~
~~~~~ ~
{
3 4
∑
O O
~~~~~ ~ ~
3 4 3 4
=
H œœ œœ œœ œœ œœ œœ œœ ° 3 ææ J Vln. & 4 88
œœ
œœ b œœ
3
œœ œœ œœ ææ
œœ œœ
4 4
3
ffff
œœ™™ 3 B Vla. ¢ 4 ffff
/
E.
H 3 4
OO ™™ O™ 3 & 4 O™
{
? 3 O™ 4 O™ OO ™™
œœ œœ œœ œœ œœ œœ œ œ œ œ œ œ œ bœœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ 4 ææ œœœœœœœ 4 ææJ 3 3 5 3 3
∑
b ‚‚‚‚ ™™™ ‚™ O™ bOOO ™™ bO ™
∑
4 4
‚‚‚‚‚ ™™™ ‚™ ‚™
4 4 4 4
œœœ œ ° 4 œœœ œ Vln. & 4
œœ œœ œœ œœ J
90
œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ 3 J 4
3
bœœ 4 Vla. B 4 ¢
13
3
œœ œœ œœ œœ œ ™ œ™ ææ
œœ œœ œœ ææ
œœ
œ œœ œœ œœ œ 43
œœ œœ œ œ ææ
œœœœœ œœœœœ ææ 5
/
4 4
3 4
∑
O ™™ 3 OOO™™ 4
~~ 4 b & 4 ~~~~ ? 4 bb~~~ 4 ~
E.
∑
{
3 4 OO ™™ OO ™™
= œœ œœ œœ œœ œœ œœ œœ œœ b ææ ° Vln. &
b œœ œœ œœ œœ™™ ææ
92
œœ œœ œœ
3
bœœ Vla.
¢B
œœ ææ
3
œœ
3
/
E.
&
{
?
œœ œœ œœ bœœ
O™ bOOO ™™ bO ™
œœ œœ œœ œœ œœ œœ œœ œœ ææ
3
5
∑
b ‚‚‚‚ ™™™ ‚™
œœ ææJ
∑
‚‚‚‚‚ ™™™ ‚‚™™
OO ™™ bOO ™™ OO ™™ bOO ™™ bO ™ O™
14 94 œœ ™™ œœ œœ œœ œœ œ œ œœ œœ œœ b œœ ˙˙ ° 4 Vln. & 4
œœ œœ 4 w 4
bœœ ™™ œœ œœ ¢B
Vla.
Ϫ
˙˙
˙˙
œ œ œ œ
j b˙ œ œ™ b œ ˙ J
3
/
&
E.
{
?
4 4
∑
∑
∑
OO ™™ <b>OO ™™ OO ™™
4 ~ 4
O
<b>OO ™™ <b>O ™ O™
~ 4 b ~~~~ 4 ~ ~v
~~~~~ ~ ~
∑
O
j ‚
‚™
O
~~~~~ ~
= Settle down... SP
98
° <b> œ ™ œ ˙ ™ Vln. &
œœœ œ œ œ b˙
œ œ œ œ™ ˙
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b˙ @ œ? ˙ ™ œ ææ op ff
Settle down... SP
œ ˙ Vla.
˙ ˙
œ œ œ œ œ™
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙@ œ? ˙™ œ ææ 0
œ ˙ J
¢B
op
/
∑
∑
‚
O O E.
{
‚
‚ ‚
O ‚
& ~ ? <b> ~~~~ ~
∑
b ~~~~~ ~ ~ v
~~~~~ ~ ~
‚™
ff
∑
‚ J
‚ O™ b ~~~~~ ~
∑
OO™™ ~~~~~ ~
‚‚ b‚‚
I 15 103
° b<˙Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ œ b˙ ™ œ œ b˙ ˙™ œ w ˙ Ó Vln. & æ æ æ o p f p mf pp mp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ ˙ œ ˙™ œ œ ˙ ˙™ œ w ˙ æ æ æ B Ó Vla. æ æ æ ¢ o p f p mf pp mp
∑
∑
I /
∑
∑
∑
∑
∑
∑
∑
Dream-like synth
& <b>‚‚ b‚‚ OO ‚ O
E.
‚ ‚ ‚‚
~ ~~
‚ O J
‚ ™™ ‚‚ ™
? ppp
## ~~ ##~~~~~ ~ o
Œ ~~ O™ ~~~~~ ~
~~ ~~~~~ ~
~~~ ~~~~~ ~ pp
White Noise synth
{
? + o
+
+
+
pp
+
+
+
dim.
=
J Delicate ord.
110
-O ° ‰ œŒ Œ œ Vln. & J o p
pp
j ‰ Œ ‰ ‰ -Oœ ‰ œ w J o o p
pp
-O œ ‰ Œ œJ ‰ Œ J o p
w
Delicate ord.
Œ bœ o
B Ó Vla.
¢
w
p
Oœ -Oœ ‰ ™ ‰ ‰ œ™ R J o p
œ™ ‰ Ó o
bw o p
J
E.
/
∑
<#> OOO ? <#><#> <#>OOOOO O
##OO ##OOOOO o Oo
∑
∑
~~ ~~~~~ ~
Π~~ ~~~~~ ~
+
+
O™
∑
∑
~~~ ~~~~~ ~
OOO OOOOO O
+
+
p
{
? +
##OO ##OOOOO O oo
16 115
° Vln. &
Œ ‰ œj ˙ o
‰##OœJ Œ n˙
j œ ‰ Œ o
˙ mp
p
¢B
Œ ‰ bœJ ˙ o
mp
/
∑
∑ Œ ~~ ~~~~~ ~
<#>~~ ? <#> <#><#>~~~~~ ~
E.
p
ord.
œ ‰ ≈ œR ‰ Ó J o pp
˙
˙ mp
MSP bœbœ Vla.
Oœ n Œ ‰ J
b˙
## Oœ Œ ‰ J
˙ mp
p
∑
O™
∑
~~~ ~~~~~ ~
OOO OOOOO O
+Ó
+ ~
## OOO ##OOOOO O oo
mp
{
? +
+
O
=
K ##Oœ ‰ Œ Ó J
119
~w ° Vln. &
™ ‰##OœJ O˙™
MSP bœbœ Vla.
¢B Ó
ord.
O˙
œ‰ Œ R
≈
Oœ -Oœ ‰ Ó J
∑
-O œ
Ó
Œ
pp
Ó
p
K /
∑
Buzzy synth
E.
<#> OOO ? <#><#> <#>OOOOO O
∑
#O
∑
#O
‚ ‚
&
#O
∑
O # OO
#O
#O
Dream-like synth
o
{
? + ~
+
+ ~
+ ~
+ ~
Seagull Effect
:“”; sul G ad lib., O 123 very sparse -O ° œ # O ™ # œ ¯¯¯¯¯¯¯¯ ‰ R œJ ‰ Ó Vln. & œO p o pp
17
~w
#Oœ # Œ
Ó
MSP ord.
-O # ‰# œJ Œ
Vla. B Ó ¢
/
bœbœ
∑
∑
∑ # OO
& #<#> OO
{
## ‚‚‚
‚ ‚‚‚
‚ ‚‚‚
‚‚‚ ## OO
+ ~
O
## OO Ϊ + ~
? + O
Ó
∑
#O
O E.
Oœ -Oœ Œ
##~w
œ≈‰ Ó R
Œ
+ ~
µ‚j O
= #Oœ ™™
127
-O œ‰Œ J
° <#><#>O˙ Vln. &
Ó
Seagull Effect sul C ad lib., very sparse
j j ‰ Œ ‰##œO ‰ #œO ‰##œOj - -
j O ˙O #œ- ‰ Œ
:“”; nO nœ
#O ‰ ™# œR ¯¯¯¯¯¯¯¯ n œO o
Vla. B ¢
-O œ‰Ó J
Œ ##Oœ ™™ ≈ J
∑
∑
∑
∑
∑
∑
∑
Ó
pp
/
E.
∑
& <#><#> OO
## OO o ‰ Œ
{
?
<µ>‚ ™ + O
Ó pp
‰
µ‚j
O+™
‰ ‚j
Ó +
‰ µ‚j ‚
O +
‚j ‰ Œ
ord. 18 131
° Vln. & Ó
MSP b œ bœ
no vib.
n˙ j Oœ ‰ Ó p
Πo
#w o
w
w
p
ad lib. sul C
:“”; nO nœ
‰##Oœ Œ J
-O B ‰ œŒ Ó Vla. ¢ J
no vib.
˙ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ n œO o o
Ó
p
˙ p
pp
/
∑
∑
∑
∑
∑
Ó
&
E.
∑
∑
Œ
&
? µO+™
‚ µ‚
µ‚j O
‚™ +
{
‰ µ‚
‚+™
‚
O™
‚‚
~~
⠵⠪
O+™
Œ
‰ n‚j O ™ +
=
L Calm ST
136
° Vln. & <#>˙
˙
2 4 #˙
4 4 nw bw o o
w
˙
Ó o
bw o
p Calm ST Vla.
2 4˙
¢B w
4 Ó 4 o
˙ o
w
Ó b˙ o o
w
w
p
/
E.
∑
∑
L 4 4
∑
∑
∑
∑
∑
∑
2 4 O O
4 4
~~
+
2 4 +
b~ 4 bb ~~~~ 4 ~ p
&
{
2 4
?
p
∑
ΠO
OOOOO O
bb OO O bbOOO
OO OO OO
OO O bOO
∑
bbbn~~~~~ O™
OO ™™
bOO
b‚
OOO ™™™ OO ™ bO ™
bb ‚‚ ‚ bb‚‚‚
19
˙™
143
w ° & <b>w
Vln.
Ó o
˙
w
Πo
o
p
¢B
Vla.
˙ Ó o
p
<b>w
∑
Ó
b˙
œ œ o
o
œ ˙™
˙
Ó o
p
/
∑
∑
∑
∑
Ó
{
OO OO O
b‚
∑
Ó
bO
~
OOOOO O
bb OO O bbOOO
~~ ~~ ~O
b~~
O <b> ~ ? <b><b>~~~ <b> ~O ™
∑
∑
&
E.
∑
~~~ ~~ ‚ bO ™
nbbbOOOOO O
bb b~~~~~ ~
bO
= 149 œ ˙™ ° Vln. &
b˙
w b˙™ ∑
w
w
Œ
o
o
p
p
b ˙˙ ™™ Vla.
b˙ ™ B ¢ o
˙™ œ
w
w w
w w
˙ Ó o
Πo
p
/
E.
&
∑
∑
<b>‚
∑
b‚ O
<b> ‚ b O ™ ? <b><b>‚‚‚ nbbOOOO ™™™ <b> ‚ O ™
{
p
b‚‚
∑
~
O
OO ™™ OOOOO ™™™™ bO ™
∑
O bb ‚‚ ‚ bb‚‚‚
~~ ~~ ~O ™
b‚
OO OO O
nbbbOOOOO O
∑
∑
∑
∑
b~~ ~~~ ~~ ‚ bO ™
bb ~~ ~ bb~~~
~~ ~ b~~
Slow gliss, LH up and down fingerboard. Dampen Strings. Slow bow
20
n666 o 6
156
° <b> w Vln. &
w
gl ææ ™ iss.
gliss.
‰ #O # œ>
‰ 66 n6 n6
pp
<b> w w
sul C ” “ o œo b œo o o o o o œo o > o b œ o o o o o o œœ œœ œ ##Oœ ‰ Œ œ nœ æ œ œ œ nœ œ J æ œ o p pp
w w
¢B
Vla.
/
∑
∑
∑
∑
∑
∑
∑
Ó
&
E.
<b> ~ ? <b><b>~~~ <b> ~
{
~~ ~~ ~
bb OO
~~
O
‚
bb ~~
OO OO O
bb~~~
bO ™
= sul G 161
œo
o nœo nœo . nœ gliss
° Vln. &
‰ Oj 66 œ- 66 >
o œ o o œo œ œ gliss.
sul G
Slow gliss, LH up and down fingerboard. Dampen Strings. Slow bow
#>-Oœ B # Vla. ¢ J / E.
oœ > o bO 6 œ œJ ‰ 66 6
“” n œo œo œo o o o ‰ nœ œ ææ nœ ∑
∑
ææ
∑
∑
& bb ~~
~~
b~
~
bb ~~
OO
bb OO
O
bbOOO
?
{
O™
b‚
21
œo ææ ° ‰ # O ‰ # O 66 Vln. & # œ- # œ- n 6 > >n 6 165
Ó
ææ ) ppp
o
ad lib.
:“O”; sul C œ 66 B Vla. ¯¯¯¯¯¯¯¯ 6 ¢ œO 6
æ >-O 6æ œ ‰ 66 J 6 ppp
Ó )
) o
/
E.
∑
∑
∑
∑
& <b><b> OO
bb OO
~~
~~
~~ o
{
? <b><b>OOO
bbOO
~~
~~
~~