Project 1 Experiencing Space Spatial Translation
Exploration of different spatial qualities are important in design as it informs human occupation, behaviour, and experience within architectural spaces.
BRADLEY TAN EE JIN 0340086 Ms. Sue May | Group C
Koshino House
LIGHT & SHADOW
BY Tadao Ando
“The house, by Tadao Ando for the designer Koshin, is a veritable maze of lights and shadows. Like Barragan, the architect seeks to reconcile the tenets of international modernism with tradition and landscape, in this case, Japanese. So, The House Koshin is an example of contemporary architecture built in two parallel wings that barely interrupt the landscape.
STRATEGIES
Plan - Section
Rotated 45° degrees
Opening
CONCEPT : The Dance of Light Tadao Ando uses the understanding and manipulation of natural light , physical manifestation of the passage of time. Natural light signals the times of the day, providing different qualities of light as the sun penetrates the atmosphere at different angles. Natural light has a profound ability to convey built environment, a remarkable immediacy of 'place' and 'time'. Tadao Ando have conveyed this phenomenon so successfully have drawn from antiquity, designing simple forms with calculated approaches to capturing, manipulating, and displaying natural light.
DESIGN : Endure
Placement
Light and shadow Volume of concrete cast on interior and buried into the ground exterior of space.
Creating enclose exterior space
ANALYSIS Movement of sun change position of light and shadow within a space. Signaling the passage of time and place.
Subtraction of Form [Light tunnel]
Tadao Ando’s design for the Koshino House features two parallel concrete rectangular confines. The forms are partially buried into the sloping ground of a national park and become a compositional addition to the landscape. Placed carefully as to not disrupt the pre-existing trees on the site, the structure responds to the adjacent ecosystem while the concrete forms address a more general nature through a playful manipulation of light.
CIRCULATION
Scale
Central articulation
Maximum exposure to Drawing light, shade the sun and shadow into the building's interior.
Shadow
When light falls on rough textures it reflects on the uneven surface creating cast shadows underneath.
Direct
Diffused
In - Out Relationship
Diffuse light is scattered, causing it to fall on the crop from all sides. The light is evenly distributed, leaving no sharp shadows. Mimic soft natural light, eliminate harsh shadows, offer larger expanses of continuous illumination.
D
Material is used to acts as a ornamentation with the play of light.
natural
Light
B
A
Core Shadow
Centre Light
C
E In > Out : User focus on exterior of structure Out > In : User focus on the interior lighting
First FloorPlan
Ground FloorPlan
SENSORIAL JOURNEY Belonging
Stairs- Simple interior can be seen through a glass panel as the light reflects on the material, creating a warm feeling that welcomes individual to explore deeper into the structure.
PROJECT TITLE TUTORIAL GROUP
In > Out : User focus on the courtyard from enclosed exterior
Transpose
B
A
Harmonious
D
PROJECT TITLE TUTORIAL GROUP
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
E
Gallery- Contrasting the sheet of light along the curvilinear wall and rectilinear of the gallery allows a stream of a sunlight into a dark and cast shadow to form cave-like interior provides dramatic temporal experiences.
Living Room- Thin horizontal slit cut through at the ceiling allowing sunlight to penetrate causing a timeeffect to express fear of losing by creating the effect of light and shadow varies with the sun movement.
: Project 1 - Experiencing Space - Space Translation : Group S/C
CULTY OF INNOVATION &TECHNOLOGY
Divergence
Time
C
Living Room– Concrete slab with corrugated surfaces, illustrate dynamic and everchanging by creating wave-like structure that turns the material into a three-dimensional and change with the light's varying angles and intensities.
Natural faint light can be seen from far, conversely light loses its intensity as it moves further from light source creating visual depth and uncertain distance.
Contrasting of light and shadow express the total opposite of both enhance the experience of transformation over time by the dynamic and variable characteristics of sunlight.
: :
Bradley Tan Ee Jin 0340086
Corridor- eyes become accustomed to the darkness, reflection of light appear out of the gloom from vertical slits providing rhythm of light and dark bands create an enlarged perceptio Koh Woei Zhe Nn ogfWspaiceLdiealmiversa sense ofCsehruenaihtyC.hin Liang
0340996
ARCHITECTURE DESIGN III
0324100
0337734 AUGUST 2021
House N
SCALE & PROPORTION
BY SOU FUJIMOTO
SCALE
A tidy package with a porous wrapping, N House is a set of three nesting boxes that span the scales of city and domicile. The architecture is recognized as one of the symbolic landmark works as it sits at the center of Nishikimachi residential area dominated by two-storey pitched-roof timber detached homes in Oita City.
PLAN - SECTION
EXTERIOR Three progressive sized boxes nested inside one another, each of their proportion differs in accordance to the purpose of spaces.
CONCEPT : Disguise between Inside & Outside environment As Sou Fujimoto describes: “A distinct boundary is nowhere to be found, except for a gradual change in the domain. On e might say that an ideal architecture is an outdoor space that feels like the indoors and an indoor space that feels like the outdoors. In a nested structure, the inside is invariably the outside, and vice versa. My intention was to make an architecture that is not about space nor about form, but simply about expressing the riches of what are `between` houses and streets.”
VARIATING OPENINGS Differently scaled rectangular cuts are featured on the three nested boxes that delineate the space. These openings of varying sizes provide different amount of interaction for the users within the building with the pedestrians.
DESIGN : Box-in-Box-in-Box House N is comprised of three shells of progressive size nested inside one another, much like a hybrid of boxes. The outermost box covers the entire premises, creating a covered, semi-indoor garden. Second box encloses a limited space inside the covered outdoor space. Third box creates a smaller interior space where the users build their life inside this gradation of domain.
PROPORTION
DEPTH TO SCALE
CIRCULATION
The number of openings per envelope varies, yet the ratio of enclosure to exposure looks the same on every roof or wall surface.
WALL THICKNESS Each of the three shells is progressively scaled in thickness, having the outer layer the thickest while the smallest layer the thinnest.
C
D
AMOUNT OF EXPOSURE
IN - OUT RELATIONSHIP
E
DISPROPORTION COLOUR
B
The House N is a disproportionate splash of white in this neighbourhood of Japan. Nestled among dark coloured house, a big piece of white is presented.
A
SENSORIAL JOURNEY CURIOSITY
A
EXPLORATION
INTERACTION
B
ENTRANCE - As pedestrians on the street walk around the area, their attention will immediately be drawn towards these large walls with openings in white.
PROJECT TITLE TUTORIAL GROUP
C
EXTERIOR - The outermost wall of this building has openings in different sizes, which allows the users in the building to interact with those who come around it. Whether they are just passing by or even those carrying out various activities around it.
: Project 1 - Experiencing Space - Space Translation : Group S/C
CULTY OF INNOVATION &TECHNOLOGY
TRANQUILITY
PRIVACY
D
E
PRIVACY - Among the multiple nests, there are two, of which are the smallest and lays in the innermost part of this building. One of it is a bedroom which will provide the most privacy for the user as it is the smallest nest among the three layers.
SPACES - The building has various spaces nestled within it. Upon entering the first space of the building, you will be greeted with multiple nests of different sizes that lay within it, this is when you start your exploration of the interior spaces.
PROJECT TITLE TUTORIAL GROUP
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
: :
Bradley Tan Ee Jin 0340086
PEACE - At the end of your exploration of the building, you will reach a garden that lays of the furthest end of the building. This is where you get to enjoy a moment of silence and some fresh air.
Koh Woei Zhe 0340996
ARCHITECTURE DESIGN III
N g Wi Liam 0324100
Chuah Chin Liang 0337734 AUGUST 2021
Temporal A BEAUTIFUL VIEW IS FLEETING 好景不常
Temporal From the day of our birth, we are guided by our parents under good circumstance. Soon after, we are capable to pursuit our own dreams and lives. Without realising, we are being ingulf into a fast-paced world, where we tend to neglect small details or moments that matters. Frankly, we have taken things for granted and not pause for a moment to look back and appreciate. “Temporal” uses interaction between light and architecture where the temporal experience is realized, a remarkable immediacy of 'place' and 'time. The beginning phase of life started off well lit up by a good amount of light, smooth texture and the guidance by light and shadow representing the moment when we assume life goes the way we have always known. Gradually, lights begun to fade into darkness and pathway begun to narrow down into a smaller passage leading us down to a sunken space of isolation filled with doubt and challenges, where footsteps echo. A rather thin stream of light changes direction according to the rotation of sun creating a sense of temporal. Also, reflecting the rough texture stained on the wall and uneven slope emerge from the ground expressing the hardship we are yet to overcome, as we go deeper the absence of light blind our vision, while our senses only rely on rough texture crafted on surfaces to move on another phrase, taught us to embrace the flaws and hardships, this space reflects the process of self-exploration without the guidance of “light”. A dramatic drop of stairs presents a light well that captures the most intensive light when sun is located right above give a feeling of temporal as shadow cast in after, therefore we learn to appreciate the temporal existence of light. A raised platform where we begin to contemplate under the small stream of light that lit up the stairway with horizontal slits beside. Thus, allows viewing of the journey we have gone through. In the last space, transition of light from individual holes merely last for a moment while light penetrate through opening at different angles varying the sun’s movement, creating Dramatic temporal experience that remind us of the eternal intangibles.
PROJECT TITLE TUTORIAL GROUP
: Project 1 - Experiencing Space - Space Translation : Group S/C
CULTY OF INNOVATION &TECHNOLOGY
PROJECT TITLE TUTORIAL GROUP
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
: :
Bradley Tan Ee Jin 0340086
Koh Woei Zhe 0340996
ARCHITECTURE DESIGN III
N g Wi Liam 0324100
Chuah Chin Liang 0337734 AUGUST 2021
Elevation
Intention Journey of "A Beautiful View is Fleeting"
Pure
Appreciate
Remind
Ideation
Ground Level
North Elevation
Simple geometrytriangular
Reflection- Loop effect ( look back)
Rotation- Interest in direction, break the loop effect
Interlocking- shared space, maintain identity as a space Ground Level
Floor Plan
East Elevation B
B
Ground Level
South Elevation A'
A
A'
B'
B'
UNDERGROUND FLOOR PLAN PROJECT TITLE TUTORIAL GROUP
A
Ground Level
GROUND FLOOR PLAN : Project 1 - Experiencing Space - Space Translation : Group S/C
FACULTY OF INNOVATION &TECHNOLOGY
West Elevation PROJECT TITLE TUTORIAL GROUP
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
: :
Bradley Tan Ee Jin 0340086
Koh Woei Zhe 0340996
ARCHITECTURE DESIGN III
N g Wi Liam 0324100
Chuah Chin Liang 0337734 AUGUST 2021
Section A-A'
Section B-B'
Ground Level
Ground Level
Circulation Scale and Proportion PROPORTION OF TRIANGLES The three main triangular forms are interlocked with each other to create different spaces. The volume of interlocking varies with every space too.
Space 1 - A smooth journey for users to enjoy and reminisce their childhood. Space 2 - Stairs leading down to the sunken second space of the building. This is a space of isolation and selfexploration. Space 3 - A floor down to third space. In this space, user will be greeted by intense sunlight coming from light well. Space 4 - Right under the stairs, a raised platform encourage user to contemplate what they have gone through. Going up the stairs, the building orientation allow user to view the passed journey through small opening along the stairs. Space 5- At the end of the user's journey in this building, they will enjoy the light illuminate from different cut outs from the wall. PROJECT TITLE TUTORIAL GROUP
: Project 1 - Experiencing Space - Space Translation : Group S/C
FACULTY OF INNOVATION &TECHNOLOGY
PROJECT TITLE TUTORIAL GROUP
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
WALL OPENINGS Situated in the fourth space of the building, these wall openings come in a variety of sizes and orientation. They allow a certain amount of light to shine in and gives the space a special atmosphere by creating different silhouttes of shadows. : :
Bradley Tan Ee Jin 0340086
Koh Woei Zhe 0340996
ARCHITECTURE DESIGN III
N g Wi Liam 0324100
Chuah Chin Liang 0337734 AUGUST 2021
Materialities CONCRETE Troweled Finishing :
Exposed Aggregiate
It is a kind of fine finishing for concrete which remains the natural textured look of the material while giving the users a smooth sailing journey.
This concrete finishing is the roughest among many and is used as oart of the sensorial journey to provide guidance as part of the experience.
T IMBER
T roweled Finishing
Exposed Aggregate
Broom Finishing
Timber W o o d
Broom Finishing :
W oo d gives off a warm feeling towards users and is used often used to give off a sense of comfort. It also echoes the footsteps of users well.
This finishing has the effect of fine lines and can be used to give a certain atmosphere under light and shadow effect.
Timber Wood
Anthropometry Uneven Ground A study was also done o n h o w uneven ground level gives you a feeling of uneasiness while you travel through a space. An ordinary smooth surface on the other hand creates no surprise and excitement for the users.
Raised Platform A research on raised platforms was done as well as we have a seating area w ithin the buidling for users to rest on.
Slanting Wall
Narrow Entrance A narrow entrance was studied in our case as w e have a narrow entrance for our building which will then lead to a larger hallway, creating a contrast of scale and proportion between the entrance and the hallway.
PROJECT TITLE TUTORIAL GROUP
As for the slanting walls, as opposed to normal walls in a space, it makes the users feel compressed and stressed .
Ground Level
: Project 1 - Experiencing Space - Space Translation : Group S/C
FACULTY OF INNOVATION &TECHNOLOGY
PROJECT TITLE TUTORIAL GROUP
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
: :
Bradley Tan Ee Jin 0340086
Koh Woei Zhe 0340996
ARCHITECTURE DESIGN III
N g Wi Liam 0324100
Chuah Chin Liang 0337734 AUGUST 2021
Light and Shadow
Sun Path Building orientation is tilt according to the expose of sunlight. Therefore, designated opening will receive adequate sunlight to display light and shadow effect.
Space 4 Cut-outs of different sizes with various angles receive light at different phases varying the movement of sun, causing the light to fade from one and appear vividly from the other. >Emphasizing on temporal experience to reminds user of the eternal tangibles.
Light Well A vertical concrete "Light Well" channel up to the roof capture the most intensifying illumination at the particular moment and disappear. >offering a dramatic temporal experience that reflect appreciation and gratitude from user.
Stairway (to Space 4) A slit at eye level that runs through the walls of stairway provide user a vision to look back and reflect on the journey they have gone through. >Offer user to reminisce and indulge in the past.
Space 1 Opening on the wall arranged from dense; brighter to less dense; dimmer where light and shadow form the effect of rhythmic. > Giving user a guidance.
Space 2 Narrow slit on the roof allowing light to reflect on the texture on the wall, yet creates a slim reflected light that rely on the rotation of sun. >Reflect the temporal experience of particular 'time' and'place' PROJECT TITLE TUTORIAL GROUP
: Project 1 - Experiencing Space - Space Translation : Group S/C
FACULTY OF INNOVATION &TECHNOLOGY
PROJECT TITLE TUTORIAL GROUP
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
: :
Bradley Tan Ee Jin 0340086
Koh Woei Zhe 0340996
ARCHITECTURE DESIGN III
N g Wi Liam 0324100
Chuah Chin Liang 0337734 AUGUST 2021
- Temporal "An architecture must have the religion of light. A sense of light is the giver of all presences, because natural light gives the mood of the day. The season of the year is brought into a room. " Louis Kahn-
___
Natural light has a profound ability to convey, at any point in our built environment, a remarkable immediacy of 'place' and 'time’ (Ando, 471).
Project 1 Workshops Cultural History as Architecture - Visceral Board Landscape In/To Architecture
Structure as Architecture Environment as Architecture BRADLEY TAN EE JIN 0340086 Ms. Sue May | Group C
Legend : Sun Path
Positive View
Wind Direction
Negative View
Point Source
Optimal View
Linear Source
Contour
2 |
AUGUST 2021 SEMESTER
Roofing
Concrete Roof Tiles {ROOFING} In a warmer climate, referring to Machap Baru, concrete roof tiles help relieving heat and ventilation. Meanwhile, matches the style of architecture in Machap Baru. SHEAR WALL {FOLLY} Due to the curvature of the structure, a shear wall is a structure panel that can resist lateral forces acting on it.
Truss Concrete Beams & Floor Joist
FINK TRUSS Scissor trusses are designed with a slope on the outside and inside. The bottom chords are angled to create vaulted ceilings.
REINFORCED CONCRETE {FOUNDATION COLUMN, BEAMS, FOOTING, FLOOR SLABS} Reinforced concrete will be the main material for this façade as it can absorbs the compressive stresses in a concrete structure.
Columns & Foundation
PROJECT TITLE TUTORIAL GROUP
:
Workshop 3 – structure as Architecture
:
Group Y
FACULTY OF INNOVATION & TECHNOLOGY
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SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
STUDENT NAME STUDENT ID NO. |
: :
Bradley Tan Ee Jin 0340086
ARCHITECTURAL DESIGN III
|
MARCH 2020 SEMESTER
Light Dome Filter and diffuse the daylight to provide even and glare-free daylight
Green Platform Provide shade, remove heat from the air, and reduce temperatures of the roof surface and surrounding air.
Skylight Placed on the edge of wall, capture sunlight and disperse evenly throughout the interior
Slanted Timber Slats Roof Allow certain amount of sunlight to enter, varying on the orientation of the Sun.
Trees designed for passive solar shading reduce the CO2 in the surrounding air and release more oxygen.
Cross-ventilation Wind to force cool exterior air into the building through an inlet (Door) while outlet forces warm interior air outside (Window) PROJECT TITLE TUTORIAL GROUP
Vertical Timber Slats Works as a shading device to control light. Meanwhile, creating light and shadow in the interior.
Trees
:
Workshop 4 – Environment as Architecture
:
Group Y
FACULTY OF INNOVATION & TECHNOLOGY
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SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
STUDENT NAME STUDENT ID NO. |
: :
BradleyTanEeJin 0340086
ARCHITECTURAL DESIGN III
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MARCH 2021 SEMESTER
Project 2B Experiencing Place - The Memory Repository -
An architectural response to design A MEMORY REPOSITORY emphasising a strong engagement and relationship to the site, spatial experiences and programmatic requirements.
BRADLEY TAN EE JIN
0340086 Ms. Yan Yee | Group Y
Project 2a Experiencing Place 'Genius Loci’ Site Analysis & Concept Development
Society, culture, history, memory and the landscape of a particular place echoes the meaning of that ‘place’, or its ‘genius loci’ BRADLEY TAN EE JIN 0340086 Ms. Sue May | Group C
Project 2a Design Concept
Machap Walk – The smell of authentic cuisine, voices of crowd, sight of human activities and architecture, the tangibles evoke user’s sense and experience resonant as the intangible reminds.
Street of Machap – façades facing each other look as if they were greeting one another, give a sense of harmony.
Machap Lama – Hints of historical sunken village emerge when water recede, it reminds viewers of the meaning and experience of the past.
Abandoned House – Abandoned structure covered by wild plants shows the time that it was left untouched, quality and use that it once had.
Coffee Shops – the presence of “place and time” felt when a certain place brought the past to present, an insight into a moving process of life.
Masjid Tok Machap – Elements of fusion in culture difference infuse into an historical architecture facade reflects the state of past that yet for us to acquire in today’s society.
Tan Kung Shin Shrine – The combination of prominent hardscape surrounded by abundance of softscape come together as one, a peace and harmonious feel.
HEART OF MACHAP TIMELINE AND PLACE PAUSES, BUILDING STOOD STILL ; SOCIETY MOVES, NEVERENDINGLY. CONTRAST BETWEEN THE PERSISTENCE EXISTED ; TIMES AND GENERATIONS EVOLVING IN MACHAP BARU, THIS REFLECTS THE LACK OF APPRECIATION THE VALUES AND QUALITIES BY YOUNG GENERATIONS. THUS, THIS DESIGN INTENTION IS RE-CAPTURE THE ESSENCE AND BRING BACK THE FAMILIARITY IN MACHAP BARU, HARMONY, ALLOWING VISITORS TO “PAUSE FOR A MOMENT” TO REFLECT, EMBRACE, CONTEMPLATE AND APPRECIATE THROUGH THE TANGIBLE AND INTANGIBLE ELEMENTS. THEREFORE, THE DESIGN OF THIS BUILDING DERIVED FROM THE VERY ESSENCE EXTRACTED FROM MACHAP, HARMONY. THE CIRCLE IN THE MIDDLE WAS EMPHASISED, STANDING OUT FROM OTHER FORM IN THE ENTIRE BUILDING ILLUSTRATE THE BEATING HEART OF MACHAP BARU. MEANWHILE, OTHER BUILDING REVOLVES AROUND THE CENTRAL POINT, WHICH GIVES A STRONG SENSE OF HARMONIOUS.
PROJECT TITLE TUTORIAL GROUP
:
WEST ELEVATION 1:100 Studio III - Project 2B
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Group Y
FACULTY OF INNOVATION & TECHNOLOGY
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SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
NORTH ELEVAION 1:100
STUDENT NAME STUDENT ID NO. |
: :
Bradley Tan Ee Jin 0340086
ARCHITECTURAL DESIGN III
|
MARCH 2020 SEMESTER
SPATIAL ORGANISATION
SPATIAL LAYOUT
CENTRALISED A CENTRALIZED ORGANISATION IS A CONCENTRATED COMPOSITION THAT CONSIST OF A NUMBER OF ECONDARY SPACES GROUPED AROUND A CENTRAL SPACES
ENTRANCE / EXIT
ADMINISTRATIVEE
OUT-DOOR CAFE
CAFE BOOK ARCHIVE FOLLY
READING SPACE
ENTRANCE
GALLERY
REST ROOM
SITE PLAN 1:250
DESIGN APPROACH VIEW THROUGH SITE
VIEW FROM SITE UNBLOCKED VIEW TO LAKE AND PLANTATION
FILTERED VIEW OF THE MAIN ROAD
AVOID BULKY BUILDING DESIGN TO BLEND WITH SURROUNDING TYPOLOGY OF THE SITE
NEIGHBOURING
CLEAR VIEW TO MACHAP BARU FROM HIGHER PERSPECTIVE
PROJECT TITLE TUTORIAL GROUP
VISITOR FROM PEDESTRIAN WALKWAY WILL HAVE EASY ACCESS FROM MAIN ENTERANCE
:
Studio III - Project 2B
:
Group Y
FACULTY OF INNOVATION & TECHNOLOGY
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FILTERED BY PLANTATIONS TO SITE
BLOCKED VIEW BY FAÇADE TO THE SITE
CLEAR VIEW FROM PLAYBROUN D TO SITE
VISITORS FROM PARKING AREA WILL HAVE EASY ACCESS THROUGH SECOND ENTRANCE
WIND
SUN, NOISE, SMELL
TAKE ADVANTAGE OF THE AREA THAT IS EXPOSED TO ICONIC MACHAP WALK
VEHICULAR CIRCULATION
VIEW TO SITE
PEDESTRIAN CIRCULATION
VISITOR FROM PEDESTRIAN WALKWAY WILL HAVE EASY ACCESS FROM MAIN ENTERANCE
PREVAILING WIND FROM EAST AND WEST CARRIES WATER UPWARDS TO COOL THE SURROUNDING
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
STUDENT NAME STUDENT ID NO. |
: :
Bradley Tan Ee Jin 0340086
ARCHITECTURAL DESIGN III
|
MARCH 2020 SEMESTER
SECTION A-A’ 1:100
A
SECTION B-B’ 1:100
DESIGN COMPONENT PLEASURE
B
ADMINISTRATI VE
CAFE
OUT DOOR SPACE
OPEN CINEMA
B’ BOOK ARCHI VE
CLOSER EXPERIENCE
READING SPACE
CALM
BETTER VIEWING GALLERY
WASHROOM
FLOOR PLAN 1:100
RAMP
WATER FEATURE
A’
EAST ELEVATION 1:100 PROJECT TITLE TUTORIAL GROUP
:
Studio III - Project 2B
:
Group Y
FACULTY OF INNOVATION & TECHNOLOGY
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SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
SOUTH ELEVATION 1:100 STUDENT NAME STUDENT ID NO. |
: :
Bradley Tan Ee Jin 0340086
ARCHITECTURAL DESIGN III
|
MARCH 2020 SEMESTER
POETIC
EXPLODED AXONOMETRY
WARM ENTRANCE – VISITORS ARE GREETED BY A FAMILIAR FEELING, WHERE ON GOING PERFORMANCE AND CAFÉ SERVING AUTHENTIC CUISINE EVOKE THE MEMORIES OR INTEREST OF ONE’S.
MEMORIAL GALLERY – WHOLE OF MACHAP CAN BE EXPERIENCED THROUGHOUT GALLERY FILLED WITH HISTORY AND STORY. WHERE INTANGIBLES WILL FOREVER REMAINS IN ONE’S MIND TO REMIND THE TANGIBLES.
REALISATION VIEWING DECK – AN ELEVATED PLATFORM THAT OFFERS THE VIEW OF MACHAP BARU, A PLACE TO REMINENCE AND APPREACIATE THE VALUE WITHIN.
SERENITY PATHWAY – A QUIET PATH LEADING DOWN ALLOWS VISITORS TO COMTEMPLATE, INDULGE IN TO THE ATMOSPHERE WITH SOUND OF LEAVES RUSTLING, SOUND OF FLOWING WATER.
PROJECT TITLE TUTORIAL GROUP
:
Studio III - Project 2B
:
Group Y
FACULTY OF INNOVATION & TECHNOLOGY
|
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
STUDENT NAME STUDENT ID NO. |
: :
Bradley Tan Ee Jin 0340086
ARCHITECTURAL DESIGN III
|
MARCH 2020 SEMESTER
HEART OF MACHAP Machap Baru is a small village filled with rich culture and tradition. A place where harmony is found, no matter in architecture, food, religion or celebration. A village that embrace their own beauty of Harmony, also has retained their culture, beliefs and lifestyle. This somewhat shows a contrast between young and old generations having different visions of cultural values, values that are rarely appreciated in this younger generations. 'Heart of Machap' is a sacred place which resolve the gap between eras by offering experience that changes perspective of ones of Machap Baru, along the use of architecture to create harmony.
Spatial Organisation
Idea Derivation Ideas emerge from the essence found in the past and present of Machap, which I extracted were 'Harmony' that can be felt throughout and the 'Contrast' that grew through my knowing. The intentions is to create a space that encourage younger generations to understand and embrace, while for older generationsto indulge or reminisce the past. Meanwhile, tighten the bondand harmony within the village.
Heart
Harmony The middle of the whole mass is the so called 'beating heart of Machap" where entertainments are held and people gather makes it an evergreen space.
Harmony were represented by as if 'two hands' of the people of Machap embracing the heart of Machap in the middle, reflecting the values that are precious to them
Spatial Organisation Concept Development Decided on using linear form as it is single linear space that organizes along the length a series of space. This will guide user down a straight forward journey to memoryrepository.
Contrast
As heart of Machap represents the most prominent part of the whole facade. Therefore, emphasizingit in themiddle.
Due to the contour of the ground, slanted building will be a better option to blend-in with nature and harmonize with thesurroundingbuildings.
"CENTRALISED" Contrast were represented by the difference in height of facade, showing the vary perspective of generations as the lower represents old generation that stay closer to the 'past' while taller represents young generations living further away.
A CENTRALIZEDORGANISATION IS CONCENTRATEDCOMPOSITION THATCONSIST OFANUMBEROFECONDARYSPACES GROUPEDAROUNDACENTRALSPACES
Parallel Block are used in order to create a loop effect surrounding theHeart of Machap
Curve the structure to add more interest and resemble the "Hands of Machap People"
Underground were implemented to give sufficient headspace and synchronize with thejourneytravellingfrom 'Present to Past'
Basement Plan 1:200
Ground Floor Plan 1:200
First Floor Plan 1:200
South Elevation 1:100
North Elevation 1:100
West Elevation 1:100
East Elevation 1:100
Area Schedule
A- A' Section (1: 100)
B - B' Section (1: 100)
Sectional Perspective (1: 100) Reinforced Concrete Travertine
Ground Floor Plan
Timber
Annealed Glass
Aluminum
Basement Plan
Reservoir Site
Reservoir Site
Site Plan 1:500
Site Response 1:500
Entrance
Circulation & Spaces
Basement
Ground Floor
First Floor
Walkway
Gathering space . It's an amphitheater for visitors to enjoy the performance and gather around to meet new people and bond.
Walkway. Leads you to Administrative office, washroom and cafe with the rhythmic design elements to create harmony.
Administrative Office. Visitors are gladly invited into the administrative office for any assistance prior starting their journey Washroom
Contemplation Space. A quiet space echoing the sound of flowing water Viewing Deck. Once visitors exit contemplation space, viewing deck falling from the walls of Gathering Space, as if submerge in the water allows them to appreciate the beautiful view of Machap and lake to reflectsthepast where Machap Lamawas appreciate and embrace.
Outdoor Reading Space.Arelaxing outdoor space design for users to read and enjoy theviewsinside and out.
Resting Space.Benchessurrounding a tree, along with the gushing soothing sound of waterfall provide acalming atmosphere for relaxing.
Exterior Stairs. A set of stairs split into two directions, (left) to Book Archive; (right) to Outdoor reading space.
Indoor Cafe. Cafe serving Authentic Machap cuisine for users to experience.
Gallery. Aplace where offers visitor to watch the process of famous Laicha and Roti Kok in the making. In a dark space photosand story of history of Machap were exhibited , tangibles reminds visitors of the intangibles .
BookArchive. Aplace that allow visitors to read the collections and book .
Rooftop Cafe. Visitor have the options to dine outdoor with the spectacular view of Machap and performance going on below.
ROOF
Structural Concept
Green Roof Vegetation Substrate Filter Layer DrainageLayer Protection Mat Waterproof Membrane Insulation Vapour Control
Railing Material :Annealed Glass - versatility and flexibility - suitablefor curve
Vertical Louvers
Panel
Material : Timber Finish : Oil
Material : Annealed Glass
Plywoood
Wall Material :Travertine Finishes: Broom
Framing Material :Aluminum
Floor
Wall (Underground)
Material :Travertine Finishes: Broom Finish
Material : Reinforced Concrete Finishes:Troweled Finish
Sustainable GS t r a tegies reen Roof Greenroofsprovideshade,remove heat from theair,and reduce temperaturesof theroof surfaceand surrounding air. reduce the need for activecooling
Glass Panel
Water Skylight
Bushes
Allowgoodamount of natural light toenter, reducetheusageof electric consumption.
Alight well that submerge with water reflectsand shimmerslight into theinterior space, without theuseof artificial light
BusheshelpsreduceCo2 and emitsO2, meanwhile reducing heat and filter theair.
Vertical Timber Louvers
Water Feature
Timber louversallowgood ventilationand sufficient light, whilereduceexcessivedaylight and glareinsidebuildings.
Helpscool thesurrounding and throughtheeffectsof evaporativecooling.Also, sustainableby harvesting rainwater and cleaning stormwater runoff.
Underground Ventilation Thin slitsallow air to interchange within theoutside and underground creating a natural ventilation.
Low-E Glass Low-Eglasswereinstalled between stairsof outdoor cafeto allow natural light to penetrate into indoor cafewithout heating up theinterior.
- THE END Workshops