BRADLEY BERG 2017 ARCHITECTURE PORTFOLIO
DESIGN PHILOSOPHY My interest in architecture is based in my desire to solve dynamic problems, human scale problems, which require an understanding of space its contributions to the development of an individual, a community or even a generation. Simple spaces that are made up of even the most basic structural components, when combined and planned in the right ways, are transformed to be impactful and memorable places for people. Each project begins with a question, and through each of my undergraduate and graduate projects I have attempted to define this question and develop a comprehensive design to answer it. Creating both a new technology and a sense of community has been a cornerstone of each of my developed projects. It is about creating and cultivating value in each project so that clients understand their investment is worthwhile. I look forward to developing my projects as well as always remaining a “student� of the profession - learning from the world I encounter every day
ABOUT ME
6-7
[A SHORT CV]
CREATIVE COMMONS
[A CAMPUS COMMUNITY CENTER]
SANDERO DEL JARDIN
[A BARCELONA BOUTIQUE HOTEL]
INNOVATION HUB
[A NEXT GENERATION LIBRARY]
DANCE PAVILION
[A NATUREE DRIVEN PERFORMANCE SPACE]
INHABITABLE WALL [A SPATIAL STUDY]
BRIDGE WORKSHOP
[A STRUCTURAL SPAN PROJECT]
PARAMETRIC DESIGN
[A COURSE IN PARAMETRIC DESIGN]
REUNION
[A FUTURISTIC STUDY]
PROFESSIONAL WORK [INTERNSHIP WORK]
SKETCHES & PHOTOGRAPHY [A COLLECTION OF WORK]
8-17 18-25 26-33 34-35 36-37 38-39 40-41 42-49 50-51 52-55
BRADLEY BERG 847 - 373 - 8667
bradleyberg4@gmail.com
EDUCATION UNIVERSITY OF ILLINOIS Masters of Architecture: May 2018 Bachelor of Science in Architectural Studies: 2016
JOB EXPERIENCE DLA ARCHITECTS
ITASCA, IL
- SUMMER INTERN, 2015-2016
BAILEY EDWARD ARCHITECTS - ARCHITECTURAL INTERN, 2017
UPC ESCOLA TECHNICA SUPERIOR D’ARQUITEXTURA DE BARCELONA Year Long Intensive Study Abroad Sant Cugat, Spain 2015-2016
COURSEWORK CONSTRUCTION PLANNING HVAC, LIGHTING, ACOUSTICS DESIGN FOUNDATIONS OF BUSINESS STRUCTURAL DESIGN ARCHITECTURE THEORY CITY PLANNING PARAMETRICS DESIGN
HONORS AND AWARDS
MAKAJAWAN SCOUT RESERVATION PEARSON, WI - AREA DIRECTOR, 2012-2014 - DIRECTOR OF SERVICE EVENTS, 2013-2014
LEADERSHIP AND SERVICE VICE PRESIDENT OF BUSINESS AND OPERATIONS - Student Alumni Ambassadors, 2014-2015
LEADERSHAPE INSTITUTE - January 2014
BOY SCOUTS OF AMERICA - Eagle Scout, 2010
SKILLS
DEAN’S LIST, 2014
AUTOCAD
JAMES SCHOLAR, 2012-2013
REVIT
EARL PRIZE, 2015 DAVID ASHBY AWARD, 2015 GRADUATION SPEAKER, 2016
CHAMPAIGN, IL
RHINO GRASSHOPPER MODEL CONSTRUCTION ADOBE CREATIVE CLOUD
CREATIVE COMMONS @ the UNIVERSITY OF ILLINOIS
PRODUCTION
PERFORMANCE
PRESENTATION
LOCATION : CHAMPAIGN, IL
Questions: How can a museum create an community dialogue?
EXISTING SITE
The Creative Commons is a center for art preservation and presentation but most importantly a location for students, faculty and community members to engage in a dialogue of art. The scope of the project includes a new building for the School of Art and Design, multiple ponds, “outdoor classrooms” and the corner stone building; the Krannert Art Museum. At the center of the Museum is a multi-use space we refer to as the “Black Box”. This space not only creates indoor square footage for large installations but can be opened onto the quad for various performances. My partner and I wanted an engaged and flexible space that fought the normality of our current campus art center; enclosed, introverted, tight. The building has also been designed with a flowing canopy that continues onto an open courtyard and creates a gateway into the quad from the heavily trafficked West
MAIN PATH AT A 25 ANGLE
EXISTING SITE
MAIN PATH AT A 25 ANGLE
ORIENTATION OF BUILDING 1 ALONG THE MAIN PATH AT 48’
EXISTING SITE
ORIENTATION OF BUILDING 1 ALONG THE MAIN PATH AT 48’
ORIENTATION OF BUILDING 2 ALONG THE MAIN PATH AT 14’
MAIN PATH AT A 25 ANGLE
EXISTING SITE
ORIENTATION OF BUILDING 2 ALONG THE MAIN PATH AT 14’
MAIN PATH AT A 25 ANGLE
BLACK BOX IS PRESSED INTO THE SITE
ORIENTATION OF BUILDING 1 ALONG THE MAIN PATH AT 48’
EXISTING SITE
EXISTING SITE
MAIN PATH AT A 25 ANGLE
ORIENTATION OF BUILDING 1 ALONG THE MAIN PATH AT 48’
ORIENTATION OF BUILDING 2 ALONG THE MAIN PATH AT 14’
BLACK BOX IS PRESSED INTO THE SITE
ATRIUM CONNECTS BUILDING 1 & 2
team member work MAIN PATH AT A 25 ANGLE
GALLERY
GALLERY
A
OFFICE
B
GALLERY
C
GALLERY
BLACK BOX
E
D
F
SECOND FLOOR PLAN
N
AUDITORIUM
DUMPSTER
SECURITY
SCALE: 1” = 25’-0’
A
LIBRARY
OFFICE
LOADING DOCK
B
COURTYARD
GREEN ROOM
CRATE STORAGE
MAT ROOM
OFFICES
C
BLACK BOX
BAR
E F
FIRST FLOOR PLAN SCALE: 1” = 25’-0’
LOCKERS
CAFE
WOODSHOP
N
D
CANOPY TO STRUCTURE
WELDED PIN-TYPE CONNECTION
COLUMN TO COLUMN CONNECTION HOLLOW CAST CONNECTOR
COLUMN TO FOUNDATION
STRUCTURAL CANOPY CONNECTIONS
GREEN ROOF LAYER DIAGRAM PLANTINGS GROWING MEDIA IRRIGATION
FILTER SHEET
DRAINAGE LAYER
WATER COLLECTS WITHIN THE LOWEST POINTS OF THE CANOPY
PROTECTIVE ROOT BARRIER RIGID INSULATION
WATER PROOFING
DRAIN GRAVEL EDGING
WATER FLOWS DOWN CETER POINTS OF CANOPY
WATER DRAINS THROUGH A RAIN CHAIN
WATER IS STORED IN IRRIGATION SYSTEM AND REUSED
CANOPY ITERATIONS
CANOPY WATER DRAINAGE DIAGRAM
team member work
team member work
RO
ROOF ACCESS
BLACK BOX VIEWING CANOPY STRUCTURE
GALLERY
BLACK BOX STORAGE
GALLERY GALLERY
THIRD ELEVATOR
GALLERY COURTYARD WALKWAY
CANOPY VERTICAL SUPPORT SYSTEM
GALLERY
GALLERY
GALLERY
COURTYARD WALKWAY
MAIN BEAMS AND COLUMNS
GARBAGE DOCK
SECURITY
ELEVATOR
BOH CORE
TWISTED METAL ROOF STRUCTURE
LOADING DOCK
GREEN ROOM
ELEVATOR
WOODSHOP
CLIMATE ROOM
OFFICES
GALLERY
SECOND
COURTYARD LIBRARY RECEPTION PLAZA ENTRY
ATRIUM
OFFICES MATTING ROOM
INTERIOR BLACK BOX STRUCTURE
OFFICES
GALLERY
PLAZA ELEVATOR
BLACK BOX VIEWING
MAIN CIRCULATION
OFFICES
STAFF CIRCULATION
STRUCTURAL WALLS
GALLERY
BLACK BOX
GROUN
MAIN CIRCULATION
SERVICE CIRCULATION
ELEVATOR
CLASSROOMS WORKS ON PAPER
LOCKERS
BASE
GALLERY
MECHANICAL BLACK BOX STRUCTURAL WALLS
STORAGE VAULT
PRIVATE DOOR FRAME
CHILDRENS READING
PUBLIC
SANDERO del
JARDIN
LOCATION : EIXAMPLE, BARCELONA SPAIN
Question: How can community space continue through an intimate space? Designed as a boutique hotel, Sandero del Jardin aims to cultivate a natural connection between two bordering community parks while creating an intimate space for relaxation. Translated, Sandero del Jardin means “Garden Path” and the void between the two building masses creates a place for natural vegetation to grow and continue the park landscape through the building. To continue the naturality of the parks wood was used as a porch sun shading device as well as becoming the majority building façade. In addition to the hotel a redesign was also undertaken of both parks creating spaces for sports, children and community wide events. A net zero approach was also in mind during design and resulted in naturally ventilated rooms, roof gardens, solar panels and grey water collection AT
R
RE
R CA
COMMUNITY
DE
M DO
LA
VI
BUILDING
COMMUNITY
AIR FLOW
HORIZONAL CONNECTION
ROAD
PARK
JARDINS DE PAULA MONTAL
SOLAR CHILL LUX. LONG TERM
LONG TERM WEEKEND OFFICE STAY
JARDINS DE D’EMMA DE BARCELONA
CONNECT THE PARKS
SHORT TERM
ATTACH ROOF
FIRE
EXTRUDED SITE
SOLAR
RESTAURANT
BAR WORKOUT LUX. LONG TERM
WEEKEND WEEKEND OFFICE STAY SHORT TERM PASSAGE
BOH
FIRE
AIR FLOW
OPEN CIRCULATION
PARK
CARRER DE VILADOMAT
NATURAL IN-TAKE (NO HEATING OR COOLING)
NATURAL VENTILATION BATHROOM EXHAUST (MECHANICAL)
HEAT OR COOLING
NATURAL AIR IN-TAKE
COLD WATER IN/OUT HOT WATER IN/OUT 4 PIPE IN-TAKE / OUT-TAKE SYSTEM
IN ROOM HEATING AND COOLING SYSTEM (NATURAL AIR FLOW, REUSABLE WATER CIRCULATION)
CONCRETE ROOFING
ROOF -- 24.8m
BAMBOO FLOORING MOISTURE STRIP BASE FLOORING
SIXTH FLOOR -- 21.42m THIRD FLOOR -- 14.62m
METAL CLADDING
INSULATION BLOCKING VAPOR BARRIER MOISTURE BARRIER
SECOND FLOOR -- 7.82m
EXTERIOR WOOD FACADE GYPSUM BOARD INSULATION W8X36 BEAM
FIRST FLOOR -- 4.42m
HEATING UNITS DROP CEILING
STONE PAVERS ROCK LAYER
GROUND -- 0.0m CONCRETE CORE
ROCK LAYER
BASEMENT -- 3.19m STER GROUND
PATH TO NET ZERO MAIN CIRCULATION
OPEN “ATRIUM” NATURAL VENTILATION PROTEXTED FROM ELEMENTS
ROOF GREENERY
NATURAL CONNECTION SPACE PRESERVATION
SOLAR PANELS
Total Surface Area: 320sqm Water Heating, Lights, etc.
STRUCTURE
Main: .3 meter beams Super Structure in Front Rooms
SUN SHADING
SOLAR RADIATION PROTECTION MOVIE PROJECTION
HVAC SYSTEM PUBLIC SEATING MOVIES SPEECHES EVENTS CONVERSATION
GREY WATER SYSTEM COMMUNITY PARK CONNECTION NATURAL GREENERY BRINGS PARK “INTO” HOTEL VISUAL QUE
USED FOR PLANTS BATHROOM FLUSHING GROUNDS KEEPING
UNIT PER ROOM 4 COIL SYSTEM NATURAL VENTILATION
INNOVATION HUB LOCATION : OLD TOWN, CHICAGO, IL
Question: What is the future of libraries as part of urban development? I envision future libraries being an environment for hands on exploration rather than the outdated coffee-shop reading room. Located in the Old Town neighborhood of Chicago with a majority of young innovators I wanted to design a space for both research and exploration, an environment to cultivate wild ideas. Housed within this new library would be workrooms, lecture halls, woodshops, 3D printing labs and kitchens. Books would remain - stored and retrieved only by a robotic system. The Hub’s form was a result of user access research, I was able to look at different transportation used and locations patrons would be coming from. This translated into a central atrium linked by open windows to each of the entrances, which would allow natural light to feed through the cracks directing users to the central staircase. The long-term goal of the innovation hub is to be a space where intangible ideas become tangible for any age group
NIT
IT
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UN
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UN
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CU
CIR
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INNOVATION S
IT
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CO
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UN
Building Line
Building Line
Buildable Lot Size: 11,012 sf.
Buildable Lot Size: 11,012 sf.
SCALE:
SCALE:
160’
10’ 60’
160’
10’ 60’
360’
bus traffic divy bike traffic main road traffic -
- DIVY BIKE - BUS STOP
- TRAIN STOP
string and pin pattern
string and pins on map
10’
150’ 50’
350’
simply string pattern
360’
CONCEPT DIAGRAMMING at the
INNOVATION HUB
MAIN ENTRY FROM W. NORTH AVE.
ASRS FOR BOOKS
(AUTOMATED STORAGE AND RETRIEVAL SYSTEM)
REAR ENTRY GEOMETRY IDEA
FRACTURE, LOOKING AT THE ENTRYPATH OF NATURAL LIGHT
LIGHT STUDY ON A FRACTURE
ENVISIONED SIDEWALK FACADE
TAKEN FROM THE IDEA OF CITY BUILDING HEIGHTS
DANCE PAVILION LOCATION : KICKAPOO STATE PARK, IL Question: How can interior spaces become immersive outdoor environments?
This Dance pavilion was my first exploration into environmental architecture. Embedded into the complex topography and heavily forested land of Kickapoo State park, I wanted to create an intimate space for performances while not forgetting the natural landscape. The user experience began at the parking lot walkway. Users would be led on a woodchip path winding through the thicket and showing hits of the building under heavy foliage - finally opening to a suspended bridge that led to the entrance of the building. This location would allow for a full view of the building and show its thoughtful connection to the sloping landscape. The main theater is backed by a high curtain wall that can allow for the natural wooded landscape to be the background of a show. The flexibility of the design also allows for the pavilion to be rented for other gathers, increasing profitability and user experience
INHABITABLE WALL LOCATION : UNDISCLOSED FORESTED LOCATION Question: How can spaces be linked in a connective, transformative way?
The Inhabitable Wall was a look at space and the relationships that can be cultivated between them. Completed at the beginning of my architecture education it was an exploration of multiple evolutions and connections. Spaces could be related not just by a simple doorway but how one sits over another, how a void in the wall can create a relationship, how materiality can draw a user from one to the next. It was these questions that I continually asked myself through the 20 different variations I tried. The selected configuration provides ample spaces that are both public and private. There is also always a unique view of the surrounding landscape from each of the spaces. As a pavilion placed in a natural landscape it was crucial that users never lose this connection and understand they are just a visitor
LIGHT-WEIGHT BRIDGE LOCATION : GRANOLLERS, SPAIN Question: How can a bridge frame an environment and a community?
Wood railing Recessed lighting
Bolts
The Granollers Light-weight bridge workshop was a team project completed by myself and three other colleges. This two-week project was a combination of structural and architectural design. Our team was tasked with spanning the Congost River with multiple restrictions on the amount of piers and cross sectional dimensions. Our team criteria included addressing the mountainscape in the background while not blocking it, creating a community engagement point along the path and seamlessly connecting to the current bicyclist and pedestrian pathways boarding the river way
Steel boxed beam
Wood decking Wood beam support Bolt
Wooden hand rail
Aluminum railing support
Steel cable Wood decking Bolt Wood beam support Bolt Steel flange
team member work
3.6m 2.2m 1.8m
1.8m 1.8m
team member work
PERFORMANCE AND DESIGN LOCATION : CHAMPAIGN, IL The provided work is from an ongoing seminar course in parametric system design and computer program use. Through the course we have learned sustainable practices and design considerations for a net zero complex. We have also been introduced to programs such as Rhino, Grasshopper, WorkBench and worked with Computational Fluid Dynamics software for analyzing air flow. Each week we learn a new software and use a base building that we designed to apply our knowledge and practice upon
REUN ON LOCATION : VILLA GROVE, IL
PROJECT IN PROGRESS
Question: What is the future of grain silos in the United States? Reunion is a futuristic project looking at the use of grain silos across the US. Situated in the year 2045 when land values are at their highest, society can no longer define positives of using land for cemeteries rather than housing or industry. Reunion is an answer. The narrative of Reunion hopes to use death as a way of pulling people out of a technology centered society back to one of social interactions. As the site, Villa Grove Illinois, the exact center between St. Louis and Chicago, was birthed by the train industry it is my hope that this mode of transit will lead to its rebirth. Family and Friends of the deceased will gather on a train in either St. Louis or Chicago to begin their journey to Reunion. This time of reflection and dialogue is exactly what Reunion is hoping to inspire, a distraction from the fast pace city life. Upon arrival at Reunion ceremonies can be help and a mock burial completed (on the silos roof). The reflection path is at the core of the project and uses the heights of four large silos to create environments invoking each of the senses and helping with the grieving process. Examining a project of death through architecture is a way of designing for the emotions of a singular patron. As my current project I hope to continually improve both the narrative and drawings, hopefully evoking strong feelings from readers WATER TOWER 120’ - HIGHROOF
94’ - CRANE STRUCTURE 84’ - ROOF GARDEN
7’6” - DOOR HEIGHT 0’ - ON GRADE -5’ - BELOW GRADE
DEATH
SERVICE
CEREMONY PAVILION
VILLA GROVE
PRESERVATION
TIMELINE
LIVING
CHICAGO
ST.LOUIS
GROUNDS
DEAD CREMEATION PACKING
CIRCULATION ROOF GARDEN TRAIN
RECEPTION
LIFTED LOWERED
CIRCULATION VISITATION:
TRAIN
VILLA GROVE
SERVICE
“AIRLOCK”
BENEATH PASSAGE
EXIT
MEMORY GARDEN
TRAIN
HOME
POND POND
REFLECTION GARDEN
CIRC. VEST.
CIRC.
CTEC
REFLE
T
EXP. 4
EXP. 3
EYE
EXP. 1
VEST. NTR ION E
DISP.
EXP. 2
“CHAPEL”
EXIT
VEST.
VEST.
ANCE
FLOOR PLAN
1/16” = 1’-0”
ceremonial_ original trip reflection _ return trip
5’
15’
45’
60’
1/16” = 1’-0”
EXPERIENCE 1
EXPERIENCE 2
EXPERIENCE 3
EXPERIENCE 4
SELF REFLECTION
HURDLES AND RIDGES
DISTANT CONNECTION
UNDERSTANDING
SIGHT
TOUCH
BLOCKED SIGHT
SIGHT
SOUND
LIGHT
SHADOW
AIR
MATERIALS
MATERIALS
MATERIALS
MATERIALS
EXPERIENCE 1
EXPERIENCE 2
EXPERIEN
SELF REFLECTION
HURDLES AND RIDGES
DISTANT CON
SIGHT
TOUCH
BLOCKED SIG
SOUND
LIGHT
SHADOW
MATERIALS
MATERIALS
MATERIALS
GYP BD- PAINT (PT-X)- TYP
PROFESSIONAL WORK 1'-0"
9
KNEE SPACE
3
1/4" = 1'-0"
2'-6"
KNEE SPACE
1'-6" 1'-6"
3'-0"
1'-6" 1'-6"
KNEE SPACE
2'-6"
5'-6"
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
1/4" = 1'-0"
9
KNEE SPACE
1'-6" 1'-6"
3'-0"
1'-6" 1'-6"
KNEE SPACE
5'-6"
ELEVATION
5
1/4" = 1'-0"
4" 2'-2"
2'-6"
2'-6"
2'-6"
2'-6"
24" DEEP LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2) VINYL BASE - TYP 2'-6"
FILLER 2'-6"
24" DEEP LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
24" DEEP LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
2'-6"
2'-6"
9
1/4" = 1'-0"
VINYL BASE - TYP 2'-6" 2'-4"
FINISHED END PANEL (PLAM-2)
9
3'-0"
1'-0" 3'-0"
3'-0"
16 A7.3
16'-6 1/2"
MAIN OFFICE 001
2'-6"
A7.3 14
13
7
1'-3" 1'-6"
KNEE SPACE
1/4" = 1'-0"
A7.3 14
13 KNEE SPACE
16'-6 1/2"
2'-6"
16
3'-0"
ELEVATION
VINYL BASE- TYP
3'-0" FILLER
1'-7" 2'-6"
ELEVATION
17
7
DEFIBRILLATORKNEE
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3)
5 1/2"
VINYL BASE- TYP
1'-6"
KNEE SPACE
1'-6" 1'-6"
ELEVATION
14 AID FIRST 1/4" = 1'-0"
1/4" = 1'-0"
15" DEEP, 1" THICK PLAM OFFICE COUNTERTOP (PLAM-3) 135A
1'-7" 2'-6"
1'-11"
1'-0"
KNEE SPACE
16
FOOD PANTRY
15
FOYER
17
1/4" = 1'-0"
ELEVATION 1/4" = 1'-0"
STOR 133
STORAGE 127
M.T.
MAINT. OFFICE
STORAGE
J.C. 129
STOR 128
G.T. UP
ADMINISTRATOR OFFICE
KITCHEN
T.
OFF 141A
ELEVATION
OFF 141B
T.
1/4" = 1'-0"
CREDIT UNION 141
WORTH TOWNSHIP 136
DATA PROCESS.
STORAGE 142
STOR 143 COMPUTER STORAGE 144
B A
D C
6" 5 1/2"
STORAGE
J.C.
LOCKERS 1321
WORTH TOWNSHIP STORAGE
6'-2 1/2"
BOILER ROOM 1303
MAINT. T. OFFICE 135C
J.C. 21'-6 1/2"
DISHWASHING
OFFICE 135B
STO. 14'-10"
3"
A7.3
FINISHED END PANEL- TYP (PLAM-2)
VINYL BASE- TYP
ELEVATION
7 A7.4
STORAGE
RECIEVING ROOM
KITCHEN
SHEET:
24" DEEP, LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3)
2'-6"
1/4" = 1'-0"
STORAGE
STORAGE
STOR 1325
1355
OFFICE 135A
VINYL BASE- TYP
STOR.
GARAGE
ENLARGED SERVING FLOOR PLANS & INTERIOR LINE ELEVATIONS
GYP BD- PAINT (PT-X)- TYP
FINISHED END PANEL- TYP (PLAM-2)
1/4" = 1'-0"
PASSAGEWAY
SHEET TITLE:
LIGHT FIXTURES - SEE RCP AND ELEC. DWGS FOR ADDITIONAL INFORMATION
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
ENLARGED PLAN
2014.68 JULY 13, 2015
DATE:
CAFETERIA 135
GYP BD- PAINT (PT-X)- TYP
15 A7.3 21'-9 1/2" 22'-4"
12
KNEE SPACE
PROJECT No:
LIGHT FIXTURES - SEE RCP AND ELEC. DWGS FOR ADDITIONAL INFORMATION
A7.4
VINYL BASE -
2'-6"
ELEVATION
11
1/4" = 1'-0"
2'-6"
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM1)
DO NOT USE ELEVATORS IN CASE OF AN EMERGENCY
ELEVATION
2'-6"
ELEVATION
FINISHED END PANEL- TYP TEACHER'S (PLAM-2) CAFETERIA
SPACE
FINISHED END PANEL- TYP (PLAM-2)
VINYL BASE- TYP
1/4" = 1'-0"
1/4" = 1'-0"
VINYL BASE- TYP
6"
21'-6 1/2"
STAIRWELL EXIT
24" DEEP, LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
3'-0"
2'-0"
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
BUILDING EXIT
GYP BD- PAINT (PT-X)- TYP
3'-0"
6'-2 1/2"
FINISHED FRONT PANEL- TYP (PLAM-2)
15 1/4" = 1'-0" SECONDARY EXIT ROUTES
CABINETS W/ ADJUSTABLE FIXTURES - SEE RCP AND SHELVING (PLAM-2)LIGHT ELEC. DWGS FOR ADDITIONAL
VINYL BASE - TYP
2'-0"
CAFETERIA 136 GYP BD- PAINT (PT-X)- TYP
ELEVATION
INFORMATION
FINISHED END PANEL- TYP (PLAM-2)
14'-10"
3"
1'-11"
A7.3
COUNTERTOP (PLAM-3)
A7.4
3'-2"W X 4'-2"L COUNTERTOP LOCKABLE PLA
3'-2"W X 4'-2"L 1" THICK PLAM COUNTERTOP (PLAM-1) OVER LOCKABLE PLAM DRAWERS (PLAM-2)
EMERGENCY EVACUATION PLAN
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3)
7
PRIMARY EXIT ROUTES
LOCKABLE PLAM DRAWERS (PLAM-2)
VINYL BASE- TYP
2'-6"
1/4" = 1'-0"
30" DEEP, 1" THICK3'-0" PLAM 3'-0"
GYP BD- PAINT (PT-X)- TYP
2'-6"
2'-6"
3'-0"
ENLARGED PLAN 13
MAIN OFFICE 001
5'-9"
KNEE 1'-6" 24"1'-6" DEEP, 1" THICK 1'-6" PLAM SPACE COUNTERTOP (PLAM-3)
ELEVATION24" DEEP, LOCKABLE PLAM BASE
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
1'-0"
16 A7.3
12
VINYL BASE- TYP
GYP BD- PAINT (PT-X)- TYP
FILLER
10
7 A7.4
CIRCULATION AREA
LIGHT FIXTURES - SEE RCP AND ELEC. DWGS FOR ADDITIONAL INFORMATION
15 A7.3 21'-9 1/2" 22'-4"
N
14
1/4" = 1'-0"
FINISHED END PANEL- TYP (PLAM-2)
GYP BD- PAINT (PT-X)- TYP KNEE SPACE
FILLER
ELEVATION
A7.4
5 1/2"
5'-9"
A7.3 17
1'-3" 1'-6"
VINYL BASE- TYP
3'-0"
VINYL BASE- TYP
1'-0"
3'-0"
VINYL BASE - TYP
FINISHED END PANEL (PLAM-2)
1/4" = 1'-0"
YOU ARE HERE
2'-6"
5 1/2"
2'-6"
3'-0"
2'-6"
1/4" = 1'-0"
ELEVATION
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM1)
LOCKABLE PLAM DRAWERS (PLAM-2)
3'-0"
2'-6"
ELEVATION
LEGEND
24" DEEP, LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
FILLER
11
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
24" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3)
13 A7.3
2'-6"
2'-4"
GYP BD- PAINT (PT-X)- TYP
GYP BD- PAINT (PT-X)- TYP
5 1/2"
2'-6"
7 A7.4
A7.4
2'-6"
1/4" = 1'-0"
1/4" = 1'-0"
6
2'-0"
ELEVATION
10
1/4" = 1'-0"
A7.4
6
VINYL BASE - TYP
2'-0"
VINYL BASE- TYP
ELEVATION
ELEVATION
8
24" DEEP LOCKABLE PLAM BASE 3'-2"W X 4'-2"L 1" THICK PLAM CABINETS W/(PLAM-1) ADJUSTABLE COUNTERTOP OVER LOCKABLE PLAM DRAWERS (PLAM-2 SHELVING (PLAM-2)
3'-2"W X 4'-2"L 1" THICK PLAM COUNTERTOP (PLAM-1) OVER LOCKABLE PLAM DRAWERS (PLAM-2)
3'-0"
1" THICK PLAM COUNTERTOP
4'-0"
12" DEEP PLAM MAILBOXES40 TOTAL (PLAM-2)
1" THICK PLAM COUNTERTOP
2'-6"
12" DEEP PLAM MAILBOXES40 TOTAL (PLAM-2) GYP BD- PAINT (PT-X)- TYP
FINISHED END PANEL (PLAM-2)
2'-6"
2'-6"
2'-4"
1'-0"
2'-6"
2'-6"
2'-6"
12" DEEP PLAM MAILBOXES220 TOTAL (PLAM-2)
3'-0"
GYP BD- PAINT (PT-X)- TYP
1'-7"
2'-6"
2'-6"
GYP BD- PAINT (PT-X)- TYP
1'-11"
2'-6"
2'-4"
1'-0"
ELEVATION
8
1/4" = 1'-0"
2'-6"
2'-6"
FINISHED END PANEL (PLAM-2)
2'-6"
ENLARGED PLAN
2'-6"
2'-6"
12" DEEP PLAM MAILBOXES220 TOTAL (PLAM-2)
3'-0"
GYP BD- PAINT (PT-X)- TYP
75 S % C ET P O R N -N O ST O G R T RE UC F S TIOOR S N
A7.4
3'-0"
FILLER
2'-6" FILLER
ENLARGED PLAN
5 1/2"
1/4" = 1'-0"
6
1'-7"
3'-0"
FILLER
D
1/4" = 1'-0"
14'-10"
ELEVATION
6
1/4" = 1'-0"
4'-0"
EE
2'-1"
E
21'-6" 22 EQ SPACES
4'-0"
E
A7.3 8
WORK ROOM 001B
2'-1"
A7.4
7
6'-2 1/2"
1'-11"
6
3'-0"
6
N
6"
3'-0"
E
A7.3 9
A7.3 10
WORK ROOM 001B
D
VINYL BASE- TYP
VINYL BASE- TYP
5'-6"
ELEVATION
21'-6" 22 EQ SPACES
A7.4
E
1/4" = 1'-0"
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
4'-0"
8'-0"
A7.3 8
E
ELEVATION
6
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
3'-0"
A7.3 11
A7.3 9
A7.3 10
DESIGN DETAILS CONSTRUCTION DOCUMENTS INTERIOR DESIGN SPECS. CONCEPT DESIGN RENDERINGS LIFE SAFETY DRAWINGS 7'-0"
6
14'-10"
9 E
A7.4
3'-6"
6'-2 1/2"
GYP BD- PAINT (PT-X)- TYP
1'-0"
2'-6"
6"
A7.4
8'-0"
E
9 A7.4
1/4" = 1'-0"
2'-6"
VINYL BASE- TYP
4
A7.3 11
7'-0"
1'-7"
FINISHED END PANEL- TYP (PLAM-2)
2'-6"
VINYL
VINYL BASE- TYP
FINISHED END PANEL- TYP (PLAM-2)
1'-11"
1/4" = 1'-0"
1'-0"
1
ENLARGED PLAN
15" D COUN
5'-6"
ELEVATION
5
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
A7.4
3'-6"
GYP BD- PAINT (PT-X)- TYP
GYP BD- PAINT (PT-X)- TYP
2'-6"
E
1/4" = 1'-0"
2'-6"
DLA ARCHITECTS ARCHITECTURE SUMMER INTERN N
VINYL BASE- TYP ELEVATION
9
A7.4
ELEVATION
4
7
2'-6"
ELEVATION
2
VINYL BASE- TYP
FINISHED END PANEL- TYP 3'-6" 5'-6" (PLAM-2)
5'-6"
2'-6"
1'-7"
1'-6"
1'-11"
1'-0"
KNEE SPACE
30" D COUN LOCK CABI (PLAM
FINISHED END PANEL- TYP (PLAM-2)
2'-9"
COUNSELING OFFICE 001C
A7.4
1'-6" 1'-6"
LOCATION : ITASCA, IL
16'-6 1/2"
A7.3 4
5'-6"
2'-6"
KNEE SPACE
2'-6"
3 A7.3
2'-9"
9'-6"
1'-3"
3'-6"
A7.3 5
1'-6"
2'-6"
FINISHED END PANEL- TYP (PLAM-2)
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
FINISHED END PANEL- TYP (PLAM-2) VINYL BASE- TYP
3'-0"
2 A7.3 16'-6 1/2"
3'-0"
1/4" = 1'-0"
2'-6"
2'-6"
ENLARGED PLAN 5'-9"
1
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
4" 2'-2"
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1) OVER VERTICAL SUPPORTS (PLAM-2)
1'-0"
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
A7.3 6
GYP B
A7.4
GYP BD- PAINT (PT-X)- TYP
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
GYP BD- PAINT (PT-X)- TYP
21'-9 1/2"
9
GYP BD- PAINT (PT-X)- TYP
2'-6"
2'-6"
9 A7.4
COMMUNITY HIGH SCHOOL DISTRICT 218 HAROLD L. RICHARDS HIGH SCHOOL ADDITION AND REMODELING 10601 SOUTH CENTRAL AVENUE, OAK LAWN, IL 60453
5'-6"
3'-0
OFFICE 001C
9 A7.4
CONCESSIONS STAND
4 SOFTBALL FIELDS
SOCCER FIELD
IN-LINE SKATE RINK
SAND VOLLEYBALL
PLAYGROUND
DISC GOLF
PARK DISTRICT BUILDING GYP BD- PAINT (PT-X)- TYP
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
5'-6"
2 A7.3 16'-6 1/2"
1'-3"
2'-9"
A7.3 4
5'-6"
A7.4
4
3'-0"
1'-6" 1'-6"
KNEE SPACE
ENLARGED PLAN
5'-6"
ELEVATION
5'-6"
ELEVATION 1/4" = 1'-0"
GYP BD- PAINT (PT-X)- TYP
GYP BD- PAINT (PT-X)- TYP GYP BD- PAINT (PT-X)- TYP
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1) FINISHED END PANEL- TYP (PLAM-2)
4" 2'-2" 2'-6" 1'-0" VINYL BASE- TYP
5'-6"
VINYL BASEVINYL BASETYPTYP
6"
ELEVATION
5
1/4" = 1'-0"
3'-6"
3'-6"
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER 30" DEEP, 1" THICK PLAM& BASE LOCKABLE PLAM DRAWERS COUNTERTOP (PLAM-3) OVER CABINETS W/ ADJUSTABLE LOCKABLE PLAM DRAWERS & BASE SHELVING (PLAM-2) CABINETS W/ ADJUSTABLE SHELVING (PLAM-2) 15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
2'-6"
1/4" = 1'-0"
1'-11"
2'-6"
2'-6"
1'-0"
9 9 A7.4 A7.4
1'-0"
1
1'-7"
1'-0" 2'-6"
VINYL BASE- TYP
1'-6" 1'-6"
3
FINISHED END PANEL- TYP (PLAM-2)
N
VINYL BASE- TYP
5'-6"
2'-6"
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
FINISHED END PANEL- TYP (PLAM-2)
KNEE SPACE
KNEE SPACE
1/4" = 1'-0"
2'-6"
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
2'-6"
1'-6"
ELEVATION
GYP BD- PAINT (PT-X)- TYP
GYP BD- PAINT (PT-X)- TYP
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
2
KNEE SPACE
2'-9"
COUNSELING OFFICE 001C
9
9 A7.4
2'-6"
16'-6 1/2"
1'-6" 1'-6"
4
1/4" = 1'-0"
2'-6"
6'-2 1/2" KNEE SPACE
1'-6" 1'-6"
3'-0"
14'-10" 1'-6" 1'-6"
KNEE SPACE
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
FINISHED END PANEL- TYP (PLAM-2) 1'-0"
1/4" = 1'-0"
KNEE SPACE
2'-6"
ELEVATION 1'-6"
2'-6"
FINISHED END PANEL- TYP (PLAM-2)
1'-7"
A7.3 5
3'-6"
3
1/4" = 1'-0"
3'-6"
FINISHED END PANEL- TYP (PLAM-2) VINYL BASE- TYP
1'-11"
ELEVATION
5'-6"
VINYL BASE- TYP
2'-6"
2'-6"
2'-6"
2'-6"
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
FINISHED END PANEL- TYP (PLAM-2)
3'-0"
KNEE SPACE
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1) OVER VERTICAL SUPPORTS (PLAM-2)
3'-0"
1'-6"
3 A7.3
KNEE SPACE
5'-9"
2'-6"
2
1'-6" 1'-6"
9'-6"
1'-0"
A7.3 6 21'-9 1/2"
FINISHED END PANEL- TYP (PLAM-2) VINYL BASE- TYP KNEE SPACE
BASKETBALL
GYP BD- PAINT (PT-X)- TYP 15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1)
30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
2'-6"
GYP BD- PAINT (PT-X)- TYP
15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1) OVER VERTICAL SUPPORTS (PLAM-2)
GYP BD- PAINT (PT-X)- TYP
2'-6"
5'-6"
ELEVATION 6 ELEVATION 1/4" = 1'-0"
5
1/4" = 1'-0"
3'-6"
VINYL BASE- TYP
5'-6"
ELEVATION 1/4" = 1'-0"
9 A7.4
8
2'-6"
2'-6"
2'-6"
2'-6"
2'-6"
2'-6"
3'-0"
3'-0"
FILLER 2'-6"
E
VINYL BASE - TYP
2'-6"
2'-6"
2'-6"
2'-4"
D
N
ELEVATION 1/4" = 1'-0"
6
9
4'-0" 24" DEEP LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
FINISHED END PANEL (PLAM-2)
E
1/4" = 1'-0"
A7.4 GYP BD- PAINT (PT-X)- TYP 24" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3)
FINISHED END PANEL (PLAM-2)
3'-2"W X 4'-2"L 1" THICK PLAM COUNTERTOP (PLAM-1) OVER LOCKABLE PLAM DRAWERS (PLAM-2 1" THICK PLAM COUNTERTOP
3'-2"W X 4'-2"L 1" THICK PLAM COUNTERTOP (PLAM-1) OVER LOCKABLE PLAM DRAWERS (PLAM-2)
2'-0"
VINYL BASE - TYP
FILLER 2'-6"
2'-6"
2'-6"
ELEVATION ELEVATION 10 1/4" = 1'-0" 8 1/4" = 1'-0"
7
A7.4
12" DEEP PLAM MAILBOXES220 TOTAL (PLAM-2)
FILLER 2'-0"
VINYL BASE- TYP
ELEVATION ENLARGED PLAN 1/4" 7 = 1'-0"
3'-0"
A7.4
24" DEEP LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
FILLER
WORK ROOM 001B
6
1" THICK PLAM COUNTERTOP
3'-0"
4'-0"
A7.3 8
GYP BD- PAINT (PT-X)- TYP
21'-6" 22 EQ SPACES
E
3'-0"
12" DEEP PLAM MAILBOXES40 TOTAL (PLAM-2)
A7.3 9
E
FINISHED END PANEL (PLAM-2)
A7.4
GYP BD- PAINT (PT-X)- TYP
GYP BD- PAINT (PT-X)- TYP 30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE CABINETS W/ ADJUSTABLE
6 A7.4
2'-6"
2'-6"
11
24" DEEP LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2) VINYL BASE - TYP VINYL BASE - TYP
2'-6"
2'-6"
2'-6"2'-6" 2'-6"2'-6" 2'-6"2'-6"
ELEVATION
9
1/4" = 1'-0"
7 A7.4
GYP BD- PAINT (PT-X)- TYP GYP BD- PAINT (PT-X)- TYP 15" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-1) 24" DEEP, 1" THICK PLAM
2'-6"
2'-4"
GYP BD- PAINT (PT-X)- TYP 12" DEEP PLAM MAILBOXES40 TOTAL (PLAM-2)
24" DEEP LOCKABLE PLAM BASE CABINETS W/ ADJUSTABLE SHELVING (PLAM-2)
2'-6"
2'-4"
3'-0"
2'-4"
2'-1"
21'-6" 22 EQ SPACES
2'-6"
A7.3 10
2'-6"
12" DEEP PLAM MAILBOXES220 TOTAL (PLAM-2)
4'-0"
GYP BD- PAINT (PT-X)- TYP
4'-0"
8'-0"
6
A7.4
3'-0"
A7.3 11 7'-0"
6
IGH SCHOOL DISTRICT 218 HARDS HIGH SCHOOL REMODELING ENTRAL AVENUE, OAK LAWN, IL 60453
E
FINISHED END PANEL (PLAM-2)
2'-0"
VINYL BASE- TYP
ELEVATION 1/4" = 1'-0"
10
1/4" = 1'-0"
7 A7.4
2
ELEVATI
GYP BD- PAINT (PT-X)- TYP 30" DEEP, 1" THICK PLAM COUNTERTOP (PLAM-3) OVER LOCKABLE PLAM DRAWERS & BASE
SKETCHES [A COLLECTION OF SKETCHES FROM MY TRAVELS]
PHOTOGRAPHY [A COLLECTION OF PHOTOS FROM MY TRAVELS]
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