Fine & Applied Arts

Page 1


NEW ZEALAND & INTERNATIONAL

FINE & APPLIED ART

LIVE & ONLINE

W ednesday 26 March 2025 - 6pm start

Part One L ot 1 - 52

TIMED ONLINE AUCTIONS ONLY

Thursday 27 March 2025 - closing from 12noon

Part Two L ot 60 - 145

Thursday 27 March 2025 - closing from 4pm

Studio Ceramics & Applied Arts Lot 150 - 209

Wellington Viewing Schedule

Friday 21 March 9am - 4pm

Monday 24 March 9am - 4pm

Tuesday 25 March 9am - 4pm

Wednesday 26 March 9am - 4pm

LOCATION

94 Featherston Street

Wellington CBD ENQUIRIES

Rebecca Dagarin / Joe Keate

+64 4 472 1367 art@dunbarsloane.co.nz

Wednesday 26 March 2025 6pm start Lot 1 - 52

1

Peter Siddell (1935 - 2011)

Window screenprint on paper edition 60/150 signed & dated 1982 (lower right)

52 x 41.5cm

$1,000 - $2,000

2

Robin White (b 1946)

Postcard From Pleasant Island II screenprint edition 1/30 signed & dated 1989 (lower right)

38 x 56.5cm

$1,800 - $3,600

3

Robin White (b 1946)

White Oystercatcher And Harbour Cone screenprint edition 36/50 signed, inscribed with title & dated June ‘77

62.5 x 38cm

$14,000 - $20,000

PROVENANCE

Private Collection, Wellington

4

James Patrick (Pat) Hanly (1932 - 2004)

Model & Artist II lithograph edition 13/15

signed & dated “87 (lower right)

23 x 33.5cm

$1,000 - $2,000

5

Ralph Hotere (1931 - 2013)

A Black Union Jack? lithograph edition 18/50

signed & dated’95

39 x 32cm

$3,000 - $6,000

6

Tony de Lautour (b 1965)

Heads Bodies Mountains oil on canvas

signed & dated 1999

120 x 80cm

$3,600 - $7,000

7

Robert Ellis (1929 - 2021)

City Outskirts #3

oil on canvas

signed & dated ‘65 (lower left)

92 x 71.5cm

$16,000 - $24,000

PROVENANCE

Ex Ferner Galleries, Wellington

8

John Shotton Parker (1944 - 2017)

Visual Prayers mixed media on paper signed, inscribed with title & dated ‘80 (lower right)

82.5 x 58cm

$3,000 - $6,000

9

John Shotton Parker (1944 - 2017)

Plain Song, April oil on paper signed & dated ‘93 (lower right)

80.5 x 120cm

$4,000 - $8,000

PROVENANCE

Private Collection, Auckland

10

Trevor Moffitt (1936 - 2006)

Wash Day

from the Artist As A Solo Father Series oil on board

signed & dated ‘84 (lower right)

59 x 59cm

$9,000 - $18,000

11

Trevor Moffitt (1936 - 2006)

Making The Bed from the Artist As A Solo Father Series oil on board

signed & dated ‘84 (lower right)

58.5 x 58.5cm

$9,000 - $18,000

Gwen Knight (1888 -

1974)

After spending the first four years of her life in Wellington, Gwen Knight (1888 – 1974) moved with her family to Sydney, where her talent as a pianist was encouraged, leading to her being educated at the Sydney Conservatorium. She returned to New Zealand to pursue a career as a physiotherapist in Dunedin. Having completed her tertiary education, Knight came back to Wellington, where she worked as a physiotherapist and accompanist. In 1931, while on holiday in France, Knight happened to meet Frances Hodgkins (1869 – 1947) in Saint-Tropez. Hodgkins encouraged Knight to paint, and with injuries hindering Knight’s ability to play the piano, she started to spend most of her time painting. Knight and Hodgkins then became close friends and travelled Europe together for the next six years, primarily staying in the Mediterranean.

Knight then studied under the German artist Hans Hoffman (1880 – 1966) and later the French artist André Lhote (1885 – 1962), from whom Knight learnt about Cubism and developed as a painter. In the wake of World War II, Knight returned to Wellington, where she continued to live and paint for the rest of her life. Both of the works in this auction were painted after her return to Wellington, and display a blend of the Modernism of Early 20 th Century European art with the quiet solitude typical of New Zealand landscapes.

The Wanganui Chronicle, in reference to her exhibition at the Sargeant Gallery in 1950, commented:

“ Miss Knight was one of those artists who appreciated the value of atmosphere. She had been tried in the fires of modernism in European art and had come through that ordeal with her own perception no doubt heightened, but certainly her own. She may have been influenced by the moderns, but she still held to her own vision.”

Along with her solo exhibitions, Knight’s work was also exhibited alongside the work of Douglas MacDiarmid (1922 – 2020), Dorothy Kate Richmond (1861 – 1935), and John Lysaght Moore (1897 – 1965).

Joe Keate

12

Gwen Knight (1888 - 1974)

Puriri at Eastbourne, Autumn oil on board signed verso

43 x 58cm

$1,000 - $2,000

PROVENANCE

Pan Pacific Arts Festival, Christchurch, 1965

13

Gwen Knight (1888 - 1974)

Coastal Landscape With Boats oil & charcoal on board signed (lower left)

39 x 49.5cm

$1,000 - $2,000

14

Charles Tole (1903 - 1991)

Landscape oil on board

signed & dated ‘82 (lower left)

46.5 x 59cm

$18,000 - $30,000

PROVENANCE

Private collection, Wellington

15

Gretchen Albrecht (b 1943)

signed & dated ‘73 (lower right)

127 x 104.5cm

$50,000 - $80,000

PROVENANCE

Private collection, Wellington

Sienna Cloud
acrylic on canvas

16

Raymond McIntyre (1879 - 1933)

Untitled oil on canvas

signed & dated 1906 (upper left)

29.5 x 23.5cm

$10,000 - $16,000

PROVENANCE

Private collection, Wellington

18

Edward Fristrom (1864 - 1950)

New Zealand Landscape oil on canvas

signed (lower right)

29.5 x 45cm

$1,200 - $2,000

PROVENANCE

Private collection, Wellington

17

Maude Burge (1865 - 1957)

European Market Scene

watercolour

unsigned

34 x 40cm

$2,000 - $4,000

19

John Weeks (1888 - 1965)

Morocco oil on board

unsigned

49.5 x 52.5cm

$9,000 - $18,000

PROVENANCE

Ex John Weeks estate with Certificate of Authenticity from John Leech Gallery

20

Geoff Williams (b 1966)

Standing Nude oil on board

signed (lower right)

40 x 28.5cm

$3,000 - $5,000

21

Grahame Sydney (b.1948)

At Hooper’s Inlet etching edition 18/25 signed & dated 1985 (lower)

14.5 x 31.5cm

$1,000 - $2,000

22

Mountford Tosswill (Toss) Woollaston (1910 - 1998)

Taramakau West Coast oil on board signed (lower right)

88.5 x 119.5cm

$75,000 - $100,000

PROVENANCE

Private collection, Wellington

23

Charles

(1856 - 1945)

signed & dated 1906 (lower left)

49 x 75cm

$12,000 - $16,000

NOTE

This work has been restored by Studio Carolina Izzo in 2010. The report is available upon request.

Blomfield
Greenstone River oil on canvas

24

Paul Martinson (b 1956)

Takahe With Fallen Tree

watercolour

signed & dated 2002 (lower right)

39.5 x 48.5cm

$2,500 - $5,000

25

Raymond Ching (b 1939)

White Capped Hummingbirds

watercolour on paper

signed & dated 1966 (lower right)

16 x 15.5cm

$7,000 - $12,000

PROVENANCE Private collection, Wellington

Donald (Don) Binney (1940 - 2012)

Swoop of the Kotare, Waimanu silkscreen print limited edition 26/175 signed & dated 1980 (lower right)

62 x 45.5cm

$15,000 - $20,000

PROVENANCE

Private collection, Northland

Donald (Don) Binney (1940 - 2012)

Kaiarara Kaka, Great Barrier

silkscreen print limited edition 73/150 signed & dated 1982 (lower right)

62.5 x 37cm

$15,000 - $20,000

PROVENANCE

Private collection, Northland

28

Douglas Badcock (1922 - 2009)

Orchards in Bloom oil on board

signed & dated ‘62 (lower right)

54 x 66.5cm

$1,400 - $3,000

29

Douglas Badcock (1922 - 2009)

Miner’s Cottage, Crown Terrace oil on board

signed & dated ‘62 (lower right)

34 x 44cm

$1,000 - $2,000

30

Barry Ross Smith (b 1964)

Beach Scene oil on board

signed & dated ‘98 (lower right)

49 x 60cm

$2,400 - $5,000 PROVENANCE Private collection, Northland 30

32

lithograph on paper edition 18/30

signed & dated 2000 (lower right)

74.5 x 56cm

$4,500 - $8,000

Private collection, Wellington

William (Bill) Hammond (1947 - 2021)
Untitled

31

William (Bill) Hammond (1947 - 2021)

Singer Songwriter II

lithograph on paper

signed, entitled, & dated 2001 (upper right)

69 x 84cm

$16,000 - $22,000

PROVENANCE

Private collection, Wellington

Woman with Huia Feather

watercolour and acrylic on handmade Indian paper

signed & dated 2002 (lower left)

58.5 x 39cm

$1,800 - $3,000

PROVENANCE

Private collection, Wellington 34

Robyn Kahukiwa (b 1940)

Kauwae

watercolour and acrylic on handmade Indian paper

signed & dated ‘02 (lower right)

57 x 37.5cm

$1,800 - $3,000

PROVENANCE Private collection, Wellington

Robyn Kahukiwa (b 1940)

Tane

watercolour and acrylic on handmade Indian paper

signed & dated ‘02 (lower right)

37 x 56.5cm

$1,800 - $3,000

Private collection, Wellington 36

Robyn Kahukiwa (b 1940)

Te Rangi Pango II

watercolour and acrylic on handmade Indian paper

signed & dated ‘02 (lower right)

37.5 x 56.5cm

$1,200 - $1,800

Private collection, Wellington

Robyn Kahukiwa (b 1940)
Mataahi

37

Neil

signed & dated 1998 verso 73cm dia

$6,000 - $12,000

38

Milan Mrkusich (1925 - 2018)

Segmented Arc on Green acrylic, pencil, and wax crayon on board signed & dated ‘82 verso 121 x 150cm

$35,000 - $70,000

PROVENANCE

Private collection, Wellington

Frazer (b1961) Blue Circle oil on board

39

Frank Dean (1917 - 2008)

Visage of Time oil and glue on board signed (lower right) & dated 1965/1966 verso

37.5 x 78.5cm

$2,400 - $5,000

40

Frank Dean (1917 - 2008)

Nuclear Nightmare Mutation oil on board signed & dated ‘58 (lower right)

74 x 54cm

$1,600 - $3,000

41

Frank Dean (1917 - 2008)

Psychic Gestalt Linked with Energy Field acrylic on board

signed (lower right) & dated ‘85 verso

58 x 74cm

$1,600 - $3,000

42

Frank Dean (1917 - 2008)

The Joy of Spring acrylic on board

signed & dated 4/95 (lower right)

33.5 x 51cm

$2,000 - $4,000

43

Frank Dean (1917 - 2008)

The Prophecy for 1985-1986 oil on board

signed & dated ‘79 (lower right)

56.5 x 71.5cm

$2,000 - $4,000

44

Frank Dean (1917 - 2008)

Thermal Lake Waimangu acrylic on board signed & dated ‘94 (lower right)

83 x 99.5cm

$3,500 - $5,000

Melvin Day (1923 - 2016)

Throughout his long career, Melvin Day (1923 – 2016) worked as a draughtsman for the military during World War II, was the director of the National Art Gallery from, 1968 to 1978, then resigned from the position to become the government art historian. Alongside all these jobs, he still found the time to paint, and quite prolifically at that.

His education as an artist began when Day was eleven with Saturday morning classes at the Elam School of Fine Art in Auckland. There, he was taught by John Weeks (1888 – 1965) and others. In 1939, Day started to study full-time at Elam, later getting a preliminary diploma in fine art after two years of study. His studies were interrupted for the next five years by his service in military, first, in the New Zealand Army from 1941 to 1943, and second, in the Royal New Zealand Air Force from 1944 to 1945. With the war over, Day spent a few years teaching painting in Rotorua before moving down to Wellington in 1954 to pursue a Bachelor of Arts at the Victoria University of Wellington, where he eventually graduated with honours. Having been educated in both fine art and art history, Day moved to London, where he lived and taught at various art schools until he moved back to New Zealand in 1968.

Day’s studies in art history are evident in many of his paintings. His early still lives from his time at Elam show strong influence from Early Dutch Masters, and his Cubist works from the 50s and 60s draw on the work of early 20th Century Modernists such as Picasso and Matisse.

The three works in this auction were all painted late in Day’s life and show a range of influences. The text in Baring Head, 2010, and Near Baring Head, 2010 both draw on what has become a motif of New Zealand painting, the imposition of words onto landscapes. Unlike the words in some of Colin McCahon’s (1919 – 1987) and Day’s own earlier landscapes, where the word ‘sea’ would be painted on the sea, Day instead harks back to his work as a draughtsman for the New Zealand army during World War II. Baring Head is pointed out explicitly to the viewer, and its surroundings are depicted in a way which is stylized but also accurate. Gregory O’Brien (b 1961), writing on Day’s Later landscapes in Melvin Day – Artist, says:

“In Relation to these mature landscape paintings – produced after 1970 – Day’s grounding in surveying and topographical drawing stood as both precedent and point of departure, suggesting different ways of appraising, measuring, and ordering the natural world.”1

1 O’Brien, Gregory and Mark Hutchins-Pond, Melvin Day – Artist (Victoria University Press, 2019), 24.-

Joe Keate

45

Melvin (Pat) Day (1923 - 2016)

Baring Head, 2010

oil on canvas

signed & dated ‘10 (lower right)

110 x 150cm

$20,000 - $30,000

PROVENANCE

The Oroya and Melvin Day Trust

46

Melvin (Pat) Day (1923 - 2016)

Near Baring Head, 2010 oil on gesso on paper signed & dated ‘10 (lower left)

100 x 70cm

$4,500 - $7,000

PROVENANCE

The Oroya and Melvin Day Trust

47

Melvin (Pat) Day (1923 - 2016)

Towards Wellington Harbour- from Ngaranga tempera on paper signed (lower left)

22.5 x 65.5cm

$1,200 - $2,000

48
Alvin Pankhurst (b 1949)
Untitled acrylic on canvas signed & dated 2008
55 x 83cm
$15,000 - $25,000
48

with title & dated 1900

49
Laurence William Wilson (1850-1912) Lake Ada from the Upper Arthur River, Milford oil on canvas, signed, inscribed
(lower left)
75 x 136cm
$5,500 - $8,000
49

50

Sydney Lough Thompson (1877 - 1973)

Wellington Harbour Rainy Day 1936 gouache signed (lower right)

37 x 51cm

$1,000 - $2,000

PROVENANCE

Private collection, Wellington

51

Sydney Lough Thompson (1877 - 1973)

The Horseyard - The Grampians gouache signed (lower left)

36 x 49cm

$1,000 - $2,000

PROVENANCE

Private collection, Wellington

52

Sydney Lough Thompson (1877 - 1973)

The Mustereers Horse Mackenzie Country gouache

original label dated 1945 verso signed (lower right)

36.5 x 49.5cm

$1,000 - $2,000

PROVENANCE

Private collection, Wellington

PART TWO / DAY SALE

TIMED ONLINE AUCTION ONLY

Thursday 27 March - closing from 12noon Lot 60 - 145

60

Douglas MacDiarmid (1922 - 2020)

Untitled Abstract oil on board

signed & dated ‘63 (lower right)

53.5 x 45cm

$800 - $1,600

61

Sam Cairncross (1913 - 1976)

Still Life with Dahlias & Cherries oil on board

signed & dated ‘49 (lower right)

portrait verso

49 x 26cm

$400 - $800

61A

Sam Cairncross (1913 - 1976)

The Kite Paraparaumu oil on board

signed & dated ‘74 (lower right)

44 x 56cm

$1,000 - $2,000

62

Anne Rush (b 1950)

Passages mixed media on paper

signed & dated ‘86 (lower right)

55.5 x 62.5cm

$500 - $800

61a 62
61

63

Wendy Wadworth Matthew oil on board

signed & dated 1987 (lower right)

39 x 39cm

$400 - $800

64

Peter Cleverley Man-Angel mixed media on paper signed & dated 1987 (lower right)

76 x 56cm

$1,000 - $2,000

65

Peter Cleverley Drawing For Man With Cross mixed media on paper signed & dated ‘91 (lower right)

29.5 x 42cm

$600 - $1,000

66

Nigel Brown (b 1949)

Four Ferns oil on paper

signed & dated 79-80

41 x 29cm

$1,200 - $2,000

67

Nigel Brown (b 1949) Opera

hand coloured woodcut edition 2/15

signed & dated 1990 (lower centre)

95 x 56cm

$1,000 - $2,000

PROVENANCE

Brooker Gallery, Wellington

68

Fatu Feu’u (b 1946) Taputapu

lithograph edition 14/24

signed & dated ‘90 (lower right)

63 x 48cm

$800 - $1,600

Robyn Kahukiwa (b 1940)

screenprint on paper edition 4/200

signed & dated ‘02 (lower right)

33 x 23cm

$600 - $1,000

70

Robyn Kahukiwa (b 1940)

Haka II

screenprint on paper edition 330/400

signed & dated ‘06 (lower right)

25.5 x 31.5cm

$500 - $800

71

Dick Frizzell (b 1943)

The Prophet’s Gift lithograph edition 56/150 signed & dated ‘99 (lower right)

35 x 44.5cm

$800 - $1,600

69
Wahine Kauwae
70
71
69

Dick Frizzell (b 1943)

Man and Bull in Landscape gouache on paper

signed, entitled, & dated 14/8/84

34 x 24.5cm

$2,400 - $6,000

PROVENANCE

Private collection, Wellington

73

Philip Trusttum (1940)

Untitled Abstract mixed media on paper signed & dated 28/7/91 (centre right)

19.5 x 14.5cm

$800 - $1,200

74

Philip Trusttum (b 1940)

Untitled acrylic on four sheets of paper each signed & dated 22/9/97 each 20 x 15cm; 40 x 30cm total

$800 - $1,200

75

Lois McIvor (1930 - 2017)

Untitled

acrylic on canvas

signed & dated ‘90 (lower right)

90 x 120cm

$1,000 - $2,000

76

Quentin MacFarlane (b 1935)

Untitled Studio Study mixed media on paper signed (lower left)

53 x 35cm

$600 - $1,200

77

Marcus King (1891 - 1983)

Forest Clearing, Waikanae oil on board

signed (lower right)

29.5 x 39cm

$1,000 - $2,000

78

Stewart McLennan (1903-1973)

Castlepoint

watercolour

signed (lower left)

34 x 48cm

$400 - $800

79

Dorothy Kate Richmond (1861 - 1935)

Wainuiomata

watercolour on paper signed (lower left)

19 x 24cm

$2,000 - $3,000

80

Owen Merton (1887 - 1931)

Untitled Street Scene watercolour on paper

signed & dated 1909 (lower left)

23.5 x 16cm

$1,200 - $2,000

81

John Weeks (1888 - 1965)

Hereford Street, Christchurch watercolour on paper

signed (lower right); dated 1921 verso

16 x 16cm

$2,000 - $4,000

82

Guy Huze (b 1950)

Evening Street Scene watercolour signed (lower left)

35.5 x 51.5cm

$600 - $1,000

83

John Drawbridge (1930 - 2005)

City mezzotint

signed & dated 1960 (lower right)

52 x 51.5cm

$600 - $1,200

84

Douglas Badcock (1922 - 2009)

Untitled oil on board

signed & dated ‘72 (lower right)

34.5 x 47.5cm

$600 - $1,200

85

Douglas Badcock (1922 - 2009)

Summer Afternoon, Lake Wakatipu oil on board

signed & dated ‘78 (lower right)

34 x 47cm

86

Douglas Badcock (1922 - 2009)

Near Arrowtown

watercolour on paper signed (lower right)

27 x 36.5cm

$600 - $1,200

PROVENANCE

Saffron Gallery of Art, Timaru

87

Douglas Badcock (1922 - 2009)

Part of the Dunstan Range oil on canvas signed (lower left); entitled (lower right)

18.5 x 25cm

$700 - $1,500

88

Peter Beadle (b 1933)

Clydesdale Team At Glenorchy oil on canvas

signed (lower left) & dated 1991 verso

74 x 119.5cm

$3,500 - $6,000

89

Peter Beadle (1933 - 2021)

Humboldt with Dart River at ‘Paradise’

Glenorchy, Wakatipu 1999 oil on board signed (lower left)

19 x 49.5cm

90

Peter Beadle (b 1933)

South Island Mountain Landscape oil on canvasboard signed (lower)

39.5 x 49.5cm

$800 - $1,600

91

Grahame Sydney (b 1948)

Sparrow

etching artist’s proof

signed (upper right); dated 1981 (upper left)

$600 - $1,000

92

Grahame Sydney (b.1948)

Study of Caroline Kaunda graphite on paper

signed & dated15 December 1974 (lower right)

33 x 43cm

$1,200 - $2,000

93

William Dunning (b 1959)

Portrait of Peter Fraser graphite on paper

signed & dated Aug 2000 (lower right)

74 x 52.5cm

$2,000 - $4,000

PROVENANCE

Private collection, Wellington

94

Geoff Williams (b 1966)

Evening Nude graphite on paper

signed (lower right)

36 x 71cm

$1,000 - $2,000

95
Layla Rudneva-MacKay (b 1975)
Painted Pines
C-type print edition of 8
115 x 115cm
$2,500 - $5,000

96

John Coley (b 1935)

Townscape V oil on canvas

signed & dated ‘99 (lower right)

71 x 82cm

$1,000 - $2,000

PROVENANCE

Private collection, Wellington

97

Tom Kreisler (1938 - 2002)

Caminito VIII

screenprint on paper edition 7/10

signed & dated ‘89 (lower right)

36.5 x 35cm

$1,000 - $2,000

98

Stuart Porter (b 1955)

Domestic oil, enamel & mixed media on two panels signed, inscribed with title & dated April ‘99 (lower right)

121 x 60 cm each

$1,000 - $2,000

99

Tom Burnett (b 1958)

Mango Tree gouache on paper signed (lower right)

48 x 63cm

$800 - $1,200

99A

Ben Timmins

Heron’s End oil on kadamu

signed (lower right)

62 x 177.5cm

$1,200 - $2,400

100

Max Gimblett (b 1935)

Remembrance #8418 screenprint on brass quatrefoil signed & dated 2015 verso 25 x 25cm

$800 - $1,600

101

Max Gimblett (b 1935) Remembrance #0546 screenprint on brass quatrefoil signed & dated 2015 verso 25 x 25cm

$800 - $1,600

99a

102

Tony Fomison (1939 - 1990)

Beethoven’s Fidelio lithograph edition 5/14

signed & dated ‘86 (lower right)

32.5 x 43cm

$800 - $1,600

103

Tony Fomison (1939 - 1990)

Fartward Bound lithograph ltd ed 2/23 signed & dated ‘86 (lower right)

35 x 44cm

$1,800 - $3,000

104

Tony Fomison (1939 - 1990)

Eating With Uncle lithograph ltd ed 8/10 signed (lower right)

31 x 45cm

$1,000 - $2,000

105

Michael Smither (b 1939)

Mount Taranaki

screenprint on paper edition 359/459

signed & dated ‘81 (lower right)\

16 x 16cm

$500 - $1,000

106

Michael Smither (b 1939)

Back Beach screenprint

71 x 59cm

$500 - $1,000

107

Michael Smither (b 1939)

Untitled oil on board (some flaws to paint surface) signed & dated ‘65 (lower right)

55.5 x 60cm

$1,000 - $2,000

107
106

108

Austen A Deans (1915 - 2011)

Canterbury Ranges

watercolour on paper

signed & dated 2006 (lower left)

34 x 53cm

$700 - $1,500

109

Gaston De Vel (1924 - 2010)

Fisherman’s Wharf Auckland oil on canvas

signed (lower left)

74.5 x 59cm

$700 - $1,400

110

John Badcock (b 1952)

Sercombe’s Road oil on boiard

signed (lower left)

37 x 47.5cm

$600 - $1,200

111

Paul Martinson (b 1956)

Saddleback watercolour

signed & dated 1997 (lower left)

22 x 18.5cm

$1,600 - $3,000

112

Paul Martinson (b 1956)

Bell Bird watercolour

signed & dated 1994 (lower right)

23 x 32cm

$1,600 - $3,000

Paul Martinson (b 1956)

NZ Falcon “Liam” graphite on paper

signed & dated ‘88 (lower right)

38 x 25cm

$1,000 - $2,000

113
111
113
112

114

Thomas Arthur McCormack (1883 - 1973)

At the Phone

watercolour on paper

signed (lower right)

26 x 20cm

$350 - $700

115

Thomas Arthur McCormack (1883 - 1973)

The Yellow Boot watercolour on paper

signed (lower left)

18 x 22.5cm

$200 - $600

PROVENANCE

The Small Gallery, Wellington

116

Thomas Arthur McCormack (1883 - 1973)

Mother & Child ink on paper

signed (lower right)

23 x 18cm

$200 - $400

117

Thomas Arthur McCormack (1883 - 1973)

Central Terrace, Kelburn watercolour on paper signed (lower left)

32.5 x 55cm

$500 - $1,000

118

Thomas Arthur McCormack (1883 - 1973)

Untitled watercolour on paper

49.5 x 64.5cm

$500 - $1,000

119

Thomas Arthur McCormack (1883 - 1973)

Looking towards Mana Island watercolour on paper signed (lower left)

20 x 24.5cm

$300 - $600

PROVENANCE

The Small Gallery, Wellington

120

Peter O’Hagan (1942 - 2013)

Untitled watercolour on paper signed & dated ‘89 (lower left)

75 x 87.5cm

$800 - $1,600

121

Peter O’Hagan (1942 - 2013)

Untitled acrylic, watercolour, and tinted gum on paper signed (lower right)

76 x 76cm

$800 - $1,600

122

W A (Bill) Sutton (1917 - 2000)

Road From Cromwell

woodblock print edition 5/24

signed & dated 1945 (lower right)

13.5 x 15.5cm

$500 - $1,000

123

Juliet Peter (1915 - 2010)

Wilderness

screenprint edition 14/15

signed (lower right)

47 x 56cm

$500 - $1,000

122 123

124

Attrib Charles Blomfield

Pink Terraces oil on canvas

unsigned

40 x 55cm

$1,200 - $3,000

125

Charles Nathaniel Worsley 91862 - 1923)

Briscia (a/f)

watercolour (sun damage)

signed (lower left)

47 x 72cm

$1,000 - $2,000

126

Margaret Olrog Stoddart (1865 - 1934)

Botanical Study

watercolour & gouache (foxing)

initialled & dated Nov 25th 1890

31.5 x 26cm

$500 - $1,000

125
126
124

127

René Genis (French 1922 - 2004)

La Pêche De Vigne oil on canvas

signed (lower centre)

45 x 60cm

$1,000 - $2,000

128

Michael Heindorf (German b 1949)

Lobster

carborundum mezzotint on paper edition 36/50

signed & dated 1982 (lower right)

75 x 106cm

$500 - $1,000

129

Dan Hays (British b 1966)

Hook oil on canvas

signed & dated 2000 verso

120 x 120cm

$1,600 - $3,000

127
129
128

Cedric Savage (1901 - 1969)

Hailing from Christchurch, Cedric Savage (1901 – 1969) began his studies at the Canterbury School of Art where he studied sculpture and modelling. Whilst he was there, he also studied life drawing classes under the direction of Sydney Lough Thompson (1877 – 1973) and Archibald Nicholl (1886 – 1953). After graduating, Savage started his career by working as a modeller and designer on the Parliament Buildings in Wellington. Having done similar work in Sydney, Savage then visited many of the Pacific islands, staying in Fiji for two years as an art teacher, before returning to New Zealand in the early 1930s. An eye injury which he incurred as a consequence of his services in the New Zealand Army in World War II which restricted him to painting outdoors.

Savage spent the next ten years after the war in Nelson, and then travelled Europe intermittently for the next decade, returning to New Zealand to sell his landscapes which depicted various places in the Mediterranean.

The paintings in this collection come from a long-time friend of Savage, Violet Margaret Logan (née Paterson) who met him whilst he was living in Nelson where they formed a close bond. Logan was a keen art collector and would visit Savage while travelling Europe with her husband, Jack Logan. Violet Logan would bring Savage paints while he was out in the fields in Europe, and many of the paintings in this collection were gifted to her by him while she was in Europe.

Despite Savage’s lack of critical appreciation during his lifetime, His work has become valued for the attention it pays to architecture and bold use of colour in both his watercolours and oils.

130

Cedric Savage (1901 - 1969)

Sitges Street Scene oil on board

signed (lower right)

57 x 71cm

$1,000 - $2,000

131

Cedric Savage (1901 - 1969)

Colonnade with Stucco, Knossos Palace, Crete watercolour on paper (foxing) signed (lower right)

50.5 x 63.5cm

$500 - $1,000

132

Cedric Savage (1901 - 1969)

Turkish Shops & Mosque oil on board

signed (lower right)

50.5 x 64

$1,000 - $2,000

133

Cedric Savage (1901 - 1969)

Salamis, Greece watercolour on paper (minor foxing) signed (lower right)

$500 - $1,000

130 131
132
133

134

Cedric Savage (1901 - 1969)

The Propylaea watercolour on paper (foxing)

signed (lower right)

50 x 63cm (fault to top right of frame)

$500 - $1,000

135

Cedric Savage (1901 - 1969)

Frescoes oil on board (some paint chipped off)

signed (lower right)

49.5 x 58cm

$500 - $1,000

136

Cedric Savage (1901 - 1969)

Untitled watercolour on paper (foxing mostly to mount)

signed (lower right)

50.5 x 64cm

$500 - $1,000

137

Cedric Savage (1901 - 1969)

Vilafranca del Penedés watercolour on paper (minor foxing)

signed (lower right)

50.5 x 63.5cm

$500 - $1,000

138

Cedric Savage (1901 - 1969)

Tarragona Hills oil on board

signed (lower right)

51 x 66cm

$1,000 - $2,000

139

Cedric Savage (1901 - 1969)

Autumn in the Mountains, Costa Brava watercolour on paper (minor foxing)

signed (lower right)

44 x 54cm

$500 - $1,000

137
138
139

140

Cedric Savage (1901 - 1969)

Sitges from the Cathedral Steps oil on board

signed (lower right)

44 x 55cm

$1,000 - $2,000

141

Cedric Savage (1901 - 1969)

Torrellas watercolour on paper (foxing) signed (lower right)

49.5 x 63.5cm

$500 - $1,000

142

Cedric Savage (1901 - 1969)

Ponte Sant’Antonio, Venice watercolour on paper signed (lower right)

51 x 67.5cm

$500 - $1,000

143

Cedric Savage (1901 - 1969)

Untitled watercolour on paper (foxing)

signed (lower right)

55 x 45cm

$500 - $1,000

144

Cedric Savage (1901 - 1969)

Santes Creus Monastery watercolour on paper (foxing) signed (lower right)

49.5 x 63.5cm

$500 - $1,000

145

Cedric Savage (1901 - 1969)

Waikanae River oil on board

signed (lower right) & dated 1969 verso

45 x 59cm

$1,000.00 - $2,000.00

STUDIO

CERAMICS & APPLIED ART

PART THREE

TIMED ONLINE AUCTION ONLY

Thursday 27 March 2025 - closing from 4pm

Lot 150 - 209

150

C1960s Hand Crafted Crown Lynn Vase stamped factory mark to base and impressed shape number 58 small chip to base 23cm H x 15.5cm D at rim

$400 - $800

151

Dorothy Thorpe for Crown Lynn Cup & Plate Santabarbara pattern teacup, Brocade pattern bread and butter plate together with Crown Lynn A NZ icon by Valerie Ringer Monk & Crockery of Distinction by Crown Lynn NZ

$40 - $80

152

C1960s Hand Crafted Crown Lynn Vase stamped factory mark to base and hand painted with lines

$400 - $800

153

Ernest Shufflebotham for Crown Lynn

Hand Potted Vase matt celadon green glaze, stamped mark, 23cm height

$1,200 - $2,000

154

Crown Lynn Frank Carpay Handwerk Vase hand potted with encircling rose pink bands and stylised leaf decoration on cream ground, stamped tiki mark to base and brushed Handwerk mark, 27cm H

$500 - $1,000

155

Crown Lynn Advertising Ashtray for Beechey & Underwood Ltd, yellow glazed base with raised ‘Beechey & Underwood Ltd’ name; printed mark to base, 11.5cm W x 12.5cm D x 11.5 cm H

$100 - $200

156

Crown Lynn Advertising Ashtray for Beechey & Underwood Ltd, green glazed base with raised ‘Beechey & Underwood Ltd’ name; printed mark to base, 11.5cm W x 12.5cm D x 11.5 cm H

$100 - $200

157

Crown Lynn Advertising Ashtray for Beechey & Underwood Ltd, rose glazed base with gilt rim & raised ‘Beechey & Underwood Ltd’ name; printed mark to base, 11.5cm W x 12.5cm D x 11.5 cm H

$100 - $200

158

Crown Lynn Commemorative Coronation Mug designed by David Jenkin and Peter Cooke, hand thrown by Ernest Shufflebotham, stamped inscription to base, 11.5cm H

$50 - $100

159

Crown Lynn Commemorative Coronation Mug designed by David Jenkin and Peter Cooke, hand thrown by Ernest Shufflebotham, stamped mark to base, 11.5cm H

$50 - $100

160

Dorothy Thorpe for Crown Lynn Monterrey Part Dinner Set comprising six dinner plates, six dessert bowls, five bread and butter plates, seven saucers, six teacups, six ball handled teacups and serving plate

$300 - $600

161

Mirek Smisek for Crown Lynn Bohemia Ware Posy Vase hand potted with sgraffito decoration under matt brown glaze incised mark to base 13cm H

$300 - $500

162

Ernest Shufflebotham for Crown Lynn

Large Hand Potted Vase stamped mark to base and impressed shape number 24 18cm H x 12.5cm D at rim

$400 - $800

163

Nicholas Brandon Large Glazed Floor Vase

unmarked 48cm H x 36cm W at widest point

$400 - $600

164

Nicholas Brandon Large Glazed Floor Vase unmarked 47cm H x 35cm W at widest point

$400 - $600

165

Peter Hutson & Co Ceramics Garden Urn

impressed mark to base 55cm H x 39cm W at widest point unseen chips to pedestal rim

$2,000 - $4,000

166

Richard Parker Black & White Hand Built

Vessel original label affixed to base 15cm H

$200 - $400

167

Len Castle Plate impressed mark to base

27.5cm D

$100 - $200

168

Graeme Storm Baluster Vase polychrome glazed with impressed marks to base 34cm H

$1,000 - $2,000

169

Jack Laird Large Hanging Wall Plaque part glazed terracotta brushed signature and dated 1970 (lower right)

42.5cm H x 38cm W

$200 - $400

170

Juliet Peter Horse Candleholder part glazed stoneware original stick affixed to underside

28cm H x 26cm L

$2,000 - $4,000

171

Mirek Smisek Elongated Ovoid Form Vase impressed mark to base 27cm H

$80 - $160

172

Barry Brickell Bottle Vase impressed mark to base 20.5cm H

$100 - $200

173

Rick Rudd Raku Flattened Sculptural Form

unmarked 9.5cm H x 42cm L x 35cm W

$1,000 - $2,000

174

Linda Forrest Footed Bowl incised decoration, 23.5cm dia x 11cm H

$100 - $200

175

Jim Greig Unfolding Form Bowl

39.5cm L x 31.5cm W

$200 - $300

176

Kenneth Clark Small Table Bowl brushed mark to base 31cm D

$150 - $300

177

Five Kenneth Clark Small Long Necked

Vases all with signed with brushed marks & dated ‘98-’02

one with hairline crack to interior neck and another with small chip to base all 15.5cm H

$200 - $400

178

Mirek Smisek Large Lidded Crock impressed mark, 45cm H

$500 - $1,000

PROVENANCE

Purchased directly from the artist

179

Rick Rudd Jug salmon over green glaze, unmarked, C1990s

$400 - $600

180

NZ Pottery Footed Bowl part glazed terracotta, unmarked, 6cm H x 19cm D

$100 - $200

181

Jin Ling Floor Vase unglazed terracotta impressed mark to base 36cm H x 25.5cm W at widest point

$150 - $300

182

Aaron Scythe Teapot polychrome glaze, impressed mark to base, 21cm H

$150 - $300

183

Aaron Scythe Vase polychrome glaze on earthenware, unmarked, 30cm H

$100 - $200

184

Pamella Annsouth Ovoid Vase graduated jade green glaze, impressed mark, 18cm H

$100 - $200

185

Pamella Annsouth Wall Plaque “Winter Garden” relief decoration with polychrome glaze, incised title & impressed mark verso, 31cm dia

$100 - $200

186

Jack Laird Large Hanging Pod Form semi glazed earthenware, incised signature to reverse

55.5cm H x 29.5cm W

$100 - $200

187

Len Castle - Sea Secret pool of alkaline glaze to interior, impressed mark, dated ’98 to base, 33.5cm L, chip under rim

$350 - $700

188

Takeshi Yasuda Shaped Jug white earthenware, 14cm H

$250 - $500

PROVENANCE

Made in the Van der Putten studio, Grey Lynn, when Yasuda was the judge of the Fletcher Challenge exhibition. Previously collection of Andrew & Jeannie Van der Patten.

189

Jack Laird Shallow Table Bowl incised signature to base 9.5cm H x 53cm D

$120 - $200

190

Brian Gartside Large Platter impressed mark to base 35.5cm D

$120 - $240

191

Brian Gartside Platter impressed mark to base 28.5cm D

$100 - $200

192

Barry Brickell Large Spiromorph Vase (a/f) unglazed hand built terracotta two chips to rim and some chips to body

$1,500 - $3,000

193

Steve Fullmer Fish Head Form impressed mark 28cm H x 27cm L x 14cm W

$200 - $500

194

Robyn Stewart Large Earthenware Vase with original rope impressed mark to base 24cm H at highest point x 30cm W at widest point

$300 - $600

195

Paul Mason Mixed Wood Trinket Box

9.5cm H x 10.5cm D Circa 1981

$150 - $300

196

Alison Erickson Bronze cast bronze unsigned circa 2002

34.5cm H x 12cm W at base

$1,200 - $2,000

PROVENANCE

purchased from the Art House Gallery, Christchurch

197

Alison Erickson Bronze

cast bronze unsigned circa 2002

44.5cm H x 24cm W at base

$1,600 - $3,000

PROVENANCE

purchased from the Art House Gallery, Christchurch

198

Jonathan Campbell Bronze Bird Jug patinated body with bird head spout unsigned, 20cm H x 58cm L

$1,600 - $3,000

199

Jonathan Campbell Bronze Figural Sculpture

incised signature & dated ‘09 to base 30cm H

$1,200 - $2,000

200

Terry Stringer (b 1946) Sleeping Girl on Chair cast bronze edition 4/5 incised signature & dated ‘88 on marble plinth (damaged) 15cm H

$4,000 - $8,000

201

Theo Janssen (b 1934)

Torso Sculpture

carved marble on marble base

engraved signature & dated 1989 verso

25cm H (sculpture)

$800 - $1,600

202

Tanya Ashken Small Idol

cast bronze

signed with artist’s initials to base 24cm H (bronze)

$300 - $500

203

Scott MacFarlane Hanging Tile

brushed mark and dated 2021 to reverse

24cm H x 17cm W

$500 - $1,000

204

Jeff Thomson (b 1957) - Spiral Lacework

hand cut corrugated iron

$1,800 - $3,000

205

Steve Woodward - Pagoda Dogs carved limestone unsigned 125cm H

small chips to base

$2,000 - $4,000

206

Mid Century Wrought Metal Lamp with original shade 145cm H

$140 - $300

207 C1950s Uluv (Czechoslovakian)

Wall Mounted Oak Cantilever Lamp with original shade 78cm L

$400 - $800

208

Georges Pelletier (Belgian) Lamp Base (a/f), Lamp Base, minor breakages to decorative motifs, unmarked, 39cm H

$500 - $800

209

Mid C20th Lamp Base unmarked, 31cm H to top of base

$150.00 - $300.00

ALPHABETICAL INDEX

PART ONE

A

Albrecht, Gretchen 15

B

Badcock. Douglas 28, 29

Binney, Donald 26, 27

Blomfield, Charles 23

Burge, Maude 17

C

Ching, Raymond 25

D

Day, Melvin 45, 46, 47

Dean, Frank 39-44

de Latour, Tony 6

E Ellis, Robert 7

F

Frazer, Neil 37

Fristrom, Edward 18

H

Hammond, William 31, 32

Hanly, James Patrick 4

Hotere, Ralph 5

K

Kahukiwa, Robyn 33, 34, 35, 36

Knight, Gwen 12, 13

L

Lough Thompson, Sydney 50, 51, 53

M

Martinson, Paul 24

McIntyre, Raymond 16

Moffitt, Trevor 10, 11

Mrkusich, Milan 38

P

Pankhurt, Alvin 48

S

Shotton Parker, John 9, 10

Siddell, Peter 1

Smith, Barry Ross 30

Sydney, Grahame 21

T

Tole, Charles 14

W

Weeks, John 19

White, Robin 2, 3

William Wilson 49

Williams, Geoff 20

Woollaston, Tosswill 22

PART TWO

B

Badcock, Douglas 84, 85, 86, 87

Badcock, John 110

Beadle, Peter 88, 89, 90

Blomfield, Charles (attributed) 124

Brown, Nigel 66, 67

Burnett, Tom 99

C

Cairncross, Sam 61, 61A

Cleverly, Peter 64, 65 Coley, John 96

D

Deans, Austen A 108

Drawbridge, John 83

Dunning, William 93

F

Feu’u, Fatu 68

Fomison, Tony 102, 103, 104

Frizzell, Dick 71, 72

G

Gimblett, Max 100, 101

Genis, René 127

H

Hays, Dan 129

Heindorf, Michael 128

Huze, Guy 82

K

Kahukiwa, Robyn 69, 70

King, Marcus 77

Kreisler, Tom 97

M

MacDiarmid, Douglas 60

MacFarlane, Quentin 76

Martinson, Paul 111, 112, 113

McCormack, Thomas Arthur 114, 115, 116, 117, 118, 119

McIvor, Lois 75

McLennan, Stewart 78

Merton, Owen 80

O

O’Hagan, Peter 120, 121

P

Peter, Juliet 123

Porter, Stuart 98

R

Richmond, Dorothy Kate 79

Rudneva-MacKay, Layla 95

Rush, Anne 62

S

Savage, Cedric 130-145

Smither, Michael 105, 106, 107

Stoddart, Margaret Olrog 126

Sutton, William A 122

Sydney, Grahame 91, 92

T

Timmins, Ben 99A Trusttum, Philip 73, 74

V de Vel, Gaston 109

W

Wadworth, Wendy 63

Weeks, John 81

Williams, Geoff 94

Worsley, Charles Nathaniel 125

APPLIED ART

A

Annsouth, Pamela 184, 185

Ashken, Tanya 202

B

Brandon, Nicholas 163, 164

Brickell, Barry 172, 192

C

Campbell, Jonathan 198, 199

Castle, Len 167, 187

Clark, Kenneth 176, 177

Crown Lynn 150-162

E

Erickson, Alison 196, 197

F

Forrest, Linda 174 Fullmer, Steve 193

G

Gartside, Brian 190, 191 Greig, Jim 175

J

Janssen, Theo 201

L

Laird, Jack 169, 186, 189 Ling, Jin 181

M

MacFarlane, Scott 203 Mason, Paul 195

P

Parker, Richard 166

Pelletier, Georges 208

Peter Hutson & Co 165

Peter, Juliet 170

R

Rudd, Rick 173, 179

S

Scythe, Aaron 182, 183

Smisek, Mirek 171, 178

Stewart, Robyn 194

Storm, Graeme 168

Stringer, Terry 200

T

Thomson, Jeff 204

U

Uluv 207

W

Woodward, Steve 205

Y Yasuda, Takeshi 188

BUYERS GUIDE

BEFORE AUCTION

The terms and conditions under which the buyer acts at a sale are detailed at the back of this catalogue. We recommend that you read and understand these conditions of business before registering to bid at an auction. This sale is subject to the conditions of business printed in this catalogue and to the reserves.

Viewing

All lots are available for inspection prior to the sale. Although staff will endeavour to answer your enquiries, and give advice, the final decision to bid, is at your discretion and liability.

Pre-Sale Estimates

The estimated prices printed below the catalogue descriptions are in New Zealand dollars and are the approximate prices expected to be realised, excluding buyers premium. They are not definitive, they are prepared well in advance of the sale and they are subject to revision.

Condition Reports

Dunbar Sloane Ltd will provide a verbal condition report if you would like an opinion on any particular lot prior to purchasing. These must be requested at least 24 hours before the commencement of auction. All goods are sold “as is” and it is up to the buyer to satisfy themselves as to the condition of an item before the auction.

THE AUCTION

Buying at Auction

You are able to bid using the following four methods:

1. Bidding in the Room

To bid at the auction you will need to register for a bidding number at the front desk either during the viewing or prior to the auction. Please bid clearly and promptly using your bidding number.

If you have not bought from Dunbar Sloane before, please read the following notes. Staff will be pleased to answer any questions you may have.

2. Absentee Bidding

If you are unable to attend the auction, Dunbar Sloane Ltd can bid on your behalf according to your written instructions. This is a free service for intended buyers. Please complete clearly the form at the back of this catalogue and submit it to Dunbar Sloane Ltd at least 24 hours before the sale to ensure it is safely received. Lots will be purchased for you as reasonably as possible, subject to other bids in the room and to reserves.

3.

Telephone Bidding

If you are unable to attend the auction, you can elect to bid by telephone (subject to availability). Telephone bidding must be arranged with Dunbar Sloane Ltd prior to the sale and is subject to a minimum lot estimate of $500 or greater. Please note that the auctioneer determines the increments in bidding, not the telephone bidder. We accept no responsibility if for whatever reason we are unable to contact you and as such recommend leaving a covering bid.

4.

Live Online Bidding

We offer live online bidding on our website: www.dunbarsloane.co.nz

Registering online does not automatically register to bid, and further identification maybe required, especially if you are an International client.

Selling Rate

Fine Art auctions are generally conducted at the rate of about 60 lots per hour. However, this can vary.

BUYERS PREMIUM

The buyer shall pay to Dunbar Sloane Ltd a premium of 19% of the hammer price plus GST on the premium only –effectively adding 21.85% to the hammer price.

AFTER THE AUCTION Payment

Payment for purchase is due in New Zealand dollars within 48 hours from the date of sale by cash, cheque, eftpos or electronic transfer. Due to the Anti Money Laundering Act we no longer accept cash or cheques for purchases of $10,000 or over. Bank details as follows:

Dunbar Sloane Ltd

06 0501 0524945 00

Swift Code ANZBNZ22

Please include details of sale date and lot numbers with all payments. International clients will need to add an additional $25NZD to cover bank transfer fees.

Collection of Purchases

Property purchased can be collected as soon as full payment has been received. Any items not collected within seven days of the auction may be subject to a storage fee. Insurance (subject to terms and conditions) applies for up to two working days from the date of the sale whilst items are in our care.

Items must be paid for straight away and a second account for courier/freight charges will follow as soon as possible when we have confirmed courier charges.

Packaging and Transportation

We advise buyers to arrange transport and insurance with their preferred provider/s. We accept no responsibility for loss or damage in transit. For smaller items able to be couriered, Dunbar Sloane Ltd can pack and courier for a fee. This is to be paid before the goods leave our premises. We pack with care, however we take no responsibility for damage once your goods leave our premises. It is up to the buyer to arrange insurance to cover any damage or loss in transit.

CONDITIONS OF SALE

1.

The highest Bidder is deemed to be the Buyer, and if during the Auction the Auctioneer considers that a dispute has arisen, the Lot in dispute shall be immediately put up again for sale.

2.

The Auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion.

3.

The Seller shall be entitled to place a reserve on any Lot and the Auctioneer shall have the right to bid on behalf of the Seller for any Lot on which a reserve has been placed.

Dunbar Sloane Ltd have the right to withdraw or divide any Lot or to combine any two or more Lots at their sole discretion.

4.

The Buyer shall forthwith upon the purchase give in his/her name and permanent address.

The Buyer may be required to pay down forthwith the whole or any part of the Purchase Money, and if he/she fails to do so,the Lot may at the Auctioneers absolute discretion be put up again and resold.

5.

Each Lot sold by the Seller thereof with all faults and defects therein and with all errors of description and is to be taken and paid for whether genuine and authentic or not and no compensation shall be paid for the same.

Dunbar Sloane Ltd act as agents only and neither they nor the Seller are responsible for any faults or defects in any Lot or the correctness of any statement as the authorship, origin, date, age, attribution, genuineness, provenance or condition of any Lot.

All statements in the Catalogues, Advertisements or Brochures of forthcoming sales as to any of the matters specified in (b) above are statements of opinion, and are not to be relied upon as statements of representations of fact, and intending purchasers must satisfy themselves by inspection or otherwise as to all of the matters specified in (b) above, as to the physical description of any Lot, and as to whether or not any Lot has been repaired.

The Seller and Dunbar Sloane Ltd do not make or give, nor has any person in the employment of Dunbar Sloane Ltd any authority to make or give, any representation or warranty.

In any event neither the Seller nor Dunbar Sloane Ltd are responsible for any representation or warranty, or for any statement in the Catalogues, Advertisements or Brochures of forthcoming sales.

6.

Not withstanding any other terms of these conditions, if within 7 days after the sale Dunbar Sloane Ltd have received from the Buyer of any Lot notice in writing that in his view the Lot is deliberate forgery and within 9 days after such notification, the Buyer returns the same to Dunbar Sloane Ltd in the same condition as at the time of sale and satisfies Dunbar Sloane

Ltd had considered in the light of the entry in the Catalogue the Lot is a deliberate forgery then the sale of the Lot will be rescinded and the purchase price of the same refunded.

7.

To prevent inaccuracy in delivery, and inconvenience in settlement of Purchase, no Lot can be taken away during the times of sale, nor can any Lot be taken away unless it has been paid for in full.

All lots are to be paid for and taken away at the Buyer’s expense within two working days from the sale. Purchases, whilst in our care, will be insured for this period (subject to terms and conditions).

8.

On failure of a Buyer to take away and pay for any Lot in accordance with Condition 7, Dunbar Sloane Ltd reserves any other right or remedies.

To resell the Lot or cause it to be resold by public sale, any money paid in part payment being forfeited, any deficiency attending such resale after deducting all costs incurred in connection with the Lot to be made good by the defaulting Buyer, and any surplus to be the Seller's or: To store the Lot or cause it to be stored whether at their own premises or elsewhere at the sole expense of the Buyer, and to release the Lot only after payment in full of the purchase price together with interest there on of 5% above Bank minimum lending rate, the accrued cost of removal, storage and insurance (if any) and all other costs incurred in connection with the Lot.

If the Lot has been in store pursuant to (ii) for more than 6 months, to remove the Lot from store and to exercise the right set out in (i).

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