


NEW ZEALAND & INTERNATIONAL
FINE & APPLIED ART
LIVE & ONLINE
W ednesday 26 March 2025 - 6pm start
Part One L ot 1 - 52
TIMED ONLINE AUCTIONS ONLY
Thursday 27 March 2025 - closing from 12noon
Part Two L ot 60 - 145
Thursday 27 March 2025 - closing from 4pm
Studio Ceramics & Applied Arts Lot 150 - 209
Wellington Viewing Schedule
Friday 21 March 9am - 4pm
Monday 24 March 9am - 4pm
Tuesday 25 March 9am - 4pm
Wednesday 26 March 9am - 4pm
LOCATION
94 Featherston Street
Wellington CBD ENQUIRIES
Rebecca Dagarin / Joe Keate
+64 4 472 1367 art@dunbarsloane.co.nz

Wednesday 26 March 2025 6pm start Lot 1 - 52

1
Peter Siddell (1935 - 2011)
Window screenprint on paper edition 60/150 signed & dated 1982 (lower right)
52 x 41.5cm
$1,000 - $2,000
2
Robin White (b 1946)
Postcard From Pleasant Island II screenprint edition 1/30 signed & dated 1989 (lower right)
38 x 56.5cm
$1,800 - $3,600


3
Robin White (b 1946)
White Oystercatcher And Harbour Cone screenprint edition 36/50 signed, inscribed with title & dated June ‘77
62.5 x 38cm
$14,000 - $20,000
PROVENANCE
Private Collection, Wellington



4
James Patrick (Pat) Hanly (1932 - 2004)
Model & Artist II lithograph edition 13/15
signed & dated “87 (lower right)
23 x 33.5cm
$1,000 - $2,000
5
Ralph Hotere (1931 - 2013)
A Black Union Jack? lithograph edition 18/50
signed & dated’95
39 x 32cm
$3,000 - $6,000
6
Tony de Lautour (b 1965)
Heads Bodies Mountains oil on canvas
signed & dated 1999
120 x 80cm
$3,600 - $7,000

7
Robert Ellis (1929 - 2021)
City Outskirts #3
oil on canvas
signed & dated ‘65 (lower left)
92 x 71.5cm
$16,000 - $24,000
PROVENANCE
Ex Ferner Galleries, Wellington

8
John Shotton Parker (1944 - 2017)
Visual Prayers mixed media on paper signed, inscribed with title & dated ‘80 (lower right)
82.5 x 58cm
$3,000 - $6,000
9
John Shotton Parker (1944 - 2017)
Plain Song, April oil on paper signed & dated ‘93 (lower right)
80.5 x 120cm
$4,000 - $8,000
PROVENANCE
Private Collection, Auckland



10
Trevor Moffitt (1936 - 2006)
Wash Day
from the Artist As A Solo Father Series oil on board
signed & dated ‘84 (lower right)
59 x 59cm
$9,000 - $18,000
11
Trevor Moffitt (1936 - 2006)
Making The Bed from the Artist As A Solo Father Series oil on board
signed & dated ‘84 (lower right)
58.5 x 58.5cm
$9,000 - $18,000
Gwen Knight (1888 -
1974)
After spending the first four years of her life in Wellington, Gwen Knight (1888 – 1974) moved with her family to Sydney, where her talent as a pianist was encouraged, leading to her being educated at the Sydney Conservatorium. She returned to New Zealand to pursue a career as a physiotherapist in Dunedin. Having completed her tertiary education, Knight came back to Wellington, where she worked as a physiotherapist and accompanist. In 1931, while on holiday in France, Knight happened to meet Frances Hodgkins (1869 – 1947) in Saint-Tropez. Hodgkins encouraged Knight to paint, and with injuries hindering Knight’s ability to play the piano, she started to spend most of her time painting. Knight and Hodgkins then became close friends and travelled Europe together for the next six years, primarily staying in the Mediterranean.
Knight then studied under the German artist Hans Hoffman (1880 – 1966) and later the French artist André Lhote (1885 – 1962), from whom Knight learnt about Cubism and developed as a painter. In the wake of World War II, Knight returned to Wellington, where she continued to live and paint for the rest of her life. Both of the works in this auction were painted after her return to Wellington, and display a blend of the Modernism of Early 20 th Century European art with the quiet solitude typical of New Zealand landscapes.
The Wanganui Chronicle, in reference to her exhibition at the Sargeant Gallery in 1950, commented:
“ Miss Knight was one of those artists who appreciated the value of atmosphere. She had been tried in the fires of modernism in European art and had come through that ordeal with her own perception no doubt heightened, but certainly her own. She may have been influenced by the moderns, but she still held to her own vision.”
Along with her solo exhibitions, Knight’s work was also exhibited alongside the work of Douglas MacDiarmid (1922 – 2020), Dorothy Kate Richmond (1861 – 1935), and John Lysaght Moore (1897 – 1965).
Joe Keate
12
Gwen Knight (1888 - 1974)
Puriri at Eastbourne, Autumn oil on board signed verso
43 x 58cm
$1,000 - $2,000
PROVENANCE
Pan Pacific Arts Festival, Christchurch, 1965
13
Gwen Knight (1888 - 1974)
Coastal Landscape With Boats oil & charcoal on board signed (lower left)
39 x 49.5cm
$1,000 - $2,000



14
Charles Tole (1903 - 1991)
Landscape oil on board
signed & dated ‘82 (lower left)
46.5 x 59cm
$18,000 - $30,000
PROVENANCE
Private collection, Wellington

15
Gretchen Albrecht (b 1943)
signed & dated ‘73 (lower right)
127 x 104.5cm
$50,000 - $80,000
PROVENANCE
Private collection, Wellington


16
Raymond McIntyre (1879 - 1933)
Untitled oil on canvas
signed & dated 1906 (upper left)
29.5 x 23.5cm
$10,000 - $16,000
PROVENANCE
Private collection, Wellington
18
Edward Fristrom (1864 - 1950)
New Zealand Landscape oil on canvas
signed (lower right)
29.5 x 45cm
$1,200 - $2,000
PROVENANCE
Private collection, Wellington
17
Maude Burge (1865 - 1957)
European Market Scene
watercolour
unsigned
34 x 40cm
$2,000 - $4,000
19
John Weeks (1888 - 1965)
Morocco oil on board
unsigned
49.5 x 52.5cm
$9,000 - $18,000
PROVENANCE
Ex John Weeks estate with Certificate of Authenticity from John Leech Gallery



20
Geoff Williams (b 1966)
Standing Nude oil on board
signed (lower right)
40 x 28.5cm
$3,000 - $5,000
21
Grahame Sydney (b.1948)
At Hooper’s Inlet etching edition 18/25 signed & dated 1985 (lower)
14.5 x 31.5cm
$1,000 - $2,000
22
Mountford Tosswill (Toss) Woollaston (1910 - 1998)
Taramakau West Coast oil on board signed (lower right)
88.5 x 119.5cm
$75,000 - $100,000
PROVENANCE
Private collection, Wellington



23
Charles
(1856 - 1945)
signed & dated 1906 (lower left)
49 x 75cm
$12,000 - $16,000
NOTE
This work has been restored by Studio Carolina Izzo in 2010. The report is available upon request.

24
Paul Martinson (b 1956)
Takahe With Fallen Tree
watercolour
signed & dated 2002 (lower right)
39.5 x 48.5cm
$2,500 - $5,000
25
Raymond Ching (b 1939)
White Capped Hummingbirds
watercolour on paper
signed & dated 1966 (lower right)
16 x 15.5cm
$7,000 - $12,000
PROVENANCE Private collection, Wellington


Donald (Don) Binney (1940 - 2012)
Swoop of the Kotare, Waimanu silkscreen print limited edition 26/175 signed & dated 1980 (lower right)
62 x 45.5cm
$15,000 - $20,000
PROVENANCE
Private collection, Northland

Donald (Don) Binney (1940 - 2012)
Kaiarara Kaka, Great Barrier
silkscreen print limited edition 73/150 signed & dated 1982 (lower right)
62.5 x 37cm
$15,000 - $20,000
PROVENANCE
Private collection, Northland

28
Douglas Badcock (1922 - 2009)
Orchards in Bloom oil on board
signed & dated ‘62 (lower right)
54 x 66.5cm
$1,400 - $3,000
29
Douglas Badcock (1922 - 2009)
Miner’s Cottage, Crown Terrace oil on board
signed & dated ‘62 (lower right)
34 x 44cm
$1,000 - $2,000


30
Barry Ross Smith (b 1964)
Beach Scene oil on board
signed & dated ‘98 (lower right)
49 x 60cm
$2,400 - $5,000 PROVENANCE Private collection, Northland 30

32
lithograph on paper edition 18/30
signed & dated 2000 (lower right)
74.5 x 56cm
$4,500 - $8,000
Private collection, Wellington

31
William (Bill) Hammond (1947 - 2021)
Singer Songwriter II
lithograph on paper
signed, entitled, & dated 2001 (upper right)
69 x 84cm
$16,000 - $22,000
PROVENANCE
Private collection, Wellington


Woman with Huia Feather
watercolour and acrylic on handmade Indian paper
signed & dated 2002 (lower left)
58.5 x 39cm
$1,800 - $3,000
PROVENANCE
Private collection, Wellington 34
Robyn Kahukiwa (b 1940)
Kauwae
watercolour and acrylic on handmade Indian paper
signed & dated ‘02 (lower right)
57 x 37.5cm
$1,800 - $3,000
PROVENANCE Private collection, Wellington


Tane
watercolour and acrylic on handmade Indian paper
signed & dated ‘02 (lower right)
37 x 56.5cm
$1,800 - $3,000
Private collection, Wellington 36
Robyn Kahukiwa (b 1940)
Te Rangi Pango II
watercolour and acrylic on handmade Indian paper
signed & dated ‘02 (lower right)
37.5 x 56.5cm
$1,200 - $1,800
Private collection, Wellington
37
Neil

signed & dated 1998 verso 73cm dia
$6,000 - $12,000
38
Milan Mrkusich (1925 - 2018)
Segmented Arc on Green acrylic, pencil, and wax crayon on board signed & dated ‘82 verso 121 x 150cm
$35,000 - $70,000
PROVENANCE
Private collection, Wellington


39
Frank Dean (1917 - 2008)
Visage of Time oil and glue on board signed (lower right) & dated 1965/1966 verso
37.5 x 78.5cm
$2,400 - $5,000
40
Frank Dean (1917 - 2008)
Nuclear Nightmare Mutation oil on board signed & dated ‘58 (lower right)
74 x 54cm
$1,600 - $3,000



41
Frank Dean (1917 - 2008)
Psychic Gestalt Linked with Energy Field acrylic on board
signed (lower right) & dated ‘85 verso
58 x 74cm
$1,600 - $3,000
42
Frank Dean (1917 - 2008)
The Joy of Spring acrylic on board
signed & dated 4/95 (lower right)
33.5 x 51cm
$2,000 - $4,000

43
Frank Dean (1917 - 2008)
The Prophecy for 1985-1986 oil on board
signed & dated ‘79 (lower right)
56.5 x 71.5cm
$2,000 - $4,000
44
Frank Dean (1917 - 2008)
Thermal Lake Waimangu acrylic on board signed & dated ‘94 (lower right)
83 x 99.5cm
$3,500 - $5,000

Melvin Day (1923 - 2016)
Throughout his long career, Melvin Day (1923 – 2016) worked as a draughtsman for the military during World War II, was the director of the National Art Gallery from, 1968 to 1978, then resigned from the position to become the government art historian. Alongside all these jobs, he still found the time to paint, and quite prolifically at that.
His education as an artist began when Day was eleven with Saturday morning classes at the Elam School of Fine Art in Auckland. There, he was taught by John Weeks (1888 – 1965) and others. In 1939, Day started to study full-time at Elam, later getting a preliminary diploma in fine art after two years of study. His studies were interrupted for the next five years by his service in military, first, in the New Zealand Army from 1941 to 1943, and second, in the Royal New Zealand Air Force from 1944 to 1945. With the war over, Day spent a few years teaching painting in Rotorua before moving down to Wellington in 1954 to pursue a Bachelor of Arts at the Victoria University of Wellington, where he eventually graduated with honours. Having been educated in both fine art and art history, Day moved to London, where he lived and taught at various art schools until he moved back to New Zealand in 1968.
Day’s studies in art history are evident in many of his paintings. His early still lives from his time at Elam show strong influence from Early Dutch Masters, and his Cubist works from the 50s and 60s draw on the work of early 20th Century Modernists such as Picasso and Matisse.
The three works in this auction were all painted late in Day’s life and show a range of influences. The text in Baring Head, 2010, and Near Baring Head, 2010 both draw on what has become a motif of New Zealand painting, the imposition of words onto landscapes. Unlike the words in some of Colin McCahon’s (1919 – 1987) and Day’s own earlier landscapes, where the word ‘sea’ would be painted on the sea, Day instead harks back to his work as a draughtsman for the New Zealand army during World War II. Baring Head is pointed out explicitly to the viewer, and its surroundings are depicted in a way which is stylized but also accurate. Gregory O’Brien (b 1961), writing on Day’s Later landscapes in Melvin Day – Artist, says:
“In Relation to these mature landscape paintings – produced after 1970 – Day’s grounding in surveying and topographical drawing stood as both precedent and point of departure, suggesting different ways of appraising, measuring, and ordering the natural world.”1
1 O’Brien, Gregory and Mark Hutchins-Pond, Melvin Day – Artist (Victoria University Press, 2019), 24.-
Joe Keate

45
Melvin (Pat) Day (1923 - 2016)
Baring Head, 2010
oil on canvas
signed & dated ‘10 (lower right)
110 x 150cm
$20,000 - $30,000
PROVENANCE
The Oroya and Melvin Day Trust

46
Melvin (Pat) Day (1923 - 2016)
Near Baring Head, 2010 oil on gesso on paper signed & dated ‘10 (lower left)
100 x 70cm
$4,500 - $7,000
PROVENANCE
The Oroya and Melvin Day Trust
47
Melvin (Pat) Day (1923 - 2016)
Towards Wellington Harbour- from Ngaranga tempera on paper signed (lower left)
22.5 x 65.5cm
$1,200 - $2,000



with title & dated 1900
50
Sydney Lough Thompson (1877 - 1973)
Wellington Harbour Rainy Day 1936 gouache signed (lower right)
37 x 51cm
$1,000 - $2,000
PROVENANCE
Private collection, Wellington

51
Sydney Lough Thompson (1877 - 1973)
The Horseyard - The Grampians gouache signed (lower left)
36 x 49cm
$1,000 - $2,000
PROVENANCE
Private collection, Wellington

52
Sydney Lough Thompson (1877 - 1973)
The Mustereers Horse Mackenzie Country gouache
original label dated 1945 verso signed (lower right)
36.5 x 49.5cm
$1,000 - $2,000
PROVENANCE
Private collection, Wellington


PART TWO / DAY SALE
TIMED ONLINE AUCTION ONLY
Thursday 27 March - closing from 12noon Lot 60 - 145




60
Douglas MacDiarmid (1922 - 2020)
Untitled Abstract oil on board
signed & dated ‘63 (lower right)
53.5 x 45cm
$800 - $1,600
61
Sam Cairncross (1913 - 1976)
Still Life with Dahlias & Cherries oil on board
signed & dated ‘49 (lower right)
portrait verso
49 x 26cm
$400 - $800
61A
Sam Cairncross (1913 - 1976)
The Kite Paraparaumu oil on board
signed & dated ‘74 (lower right)
44 x 56cm
$1,000 - $2,000
62
Anne Rush (b 1950)
Passages mixed media on paper
signed & dated ‘86 (lower right)
55.5 x 62.5cm
$500 - $800



63
Wendy Wadworth Matthew oil on board
signed & dated 1987 (lower right)
39 x 39cm
$400 - $800
64
Peter Cleverley Man-Angel mixed media on paper signed & dated 1987 (lower right)
76 x 56cm
$1,000 - $2,000
65
Peter Cleverley Drawing For Man With Cross mixed media on paper signed & dated ‘91 (lower right)
29.5 x 42cm
$600 - $1,000
66

Nigel Brown (b 1949)
Four Ferns oil on paper
signed & dated 79-80
41 x 29cm
$1,200 - $2,000


67
Nigel Brown (b 1949) Opera
hand coloured woodcut edition 2/15
signed & dated 1990 (lower centre)
95 x 56cm
$1,000 - $2,000
PROVENANCE
Brooker Gallery, Wellington
68
Fatu Feu’u (b 1946) Taputapu
lithograph edition 14/24
signed & dated ‘90 (lower right)
63 x 48cm
$800 - $1,600



Robyn Kahukiwa (b 1940)
screenprint on paper edition 4/200
signed & dated ‘02 (lower right)
33 x 23cm
$600 - $1,000
70
Robyn Kahukiwa (b 1940)
Haka II
screenprint on paper edition 330/400
signed & dated ‘06 (lower right)
25.5 x 31.5cm
$500 - $800
71
Dick Frizzell (b 1943)
The Prophet’s Gift lithograph edition 56/150 signed & dated ‘99 (lower right)
35 x 44.5cm
$800 - $1,600



Dick Frizzell (b 1943)
Man and Bull in Landscape gouache on paper
signed, entitled, & dated 14/8/84
34 x 24.5cm
$2,400 - $6,000
PROVENANCE
Private collection, Wellington
73
Philip Trusttum (1940)
Untitled Abstract mixed media on paper signed & dated 28/7/91 (centre right)
19.5 x 14.5cm
$800 - $1,200
74
Philip Trusttum (b 1940)
Untitled acrylic on four sheets of paper each signed & dated 22/9/97 each 20 x 15cm; 40 x 30cm total
$800 - $1,200


75
Lois McIvor (1930 - 2017)
Untitled
acrylic on canvas
signed & dated ‘90 (lower right)
90 x 120cm
$1,000 - $2,000
76
Quentin MacFarlane (b 1935)
Untitled Studio Study mixed media on paper signed (lower left)
53 x 35cm
$600 - $1,200



77
Marcus King (1891 - 1983)
Forest Clearing, Waikanae oil on board
signed (lower right)
29.5 x 39cm
$1,000 - $2,000
78
Stewart McLennan (1903-1973)
Castlepoint
watercolour
signed (lower left)
34 x 48cm
$400 - $800
79
Dorothy Kate Richmond (1861 - 1935)
Wainuiomata
watercolour on paper signed (lower left)
19 x 24cm
$2,000 - $3,000




80
Owen Merton (1887 - 1931)
Untitled Street Scene watercolour on paper
signed & dated 1909 (lower left)
23.5 x 16cm
$1,200 - $2,000
81
John Weeks (1888 - 1965)
Hereford Street, Christchurch watercolour on paper
signed (lower right); dated 1921 verso
16 x 16cm
$2,000 - $4,000
82
Guy Huze (b 1950)
Evening Street Scene watercolour signed (lower left)
35.5 x 51.5cm
$600 - $1,000
83
John Drawbridge (1930 - 2005)
City mezzotint
signed & dated 1960 (lower right)
52 x 51.5cm
$600 - $1,200


84
Douglas Badcock (1922 - 2009)
Untitled oil on board
signed & dated ‘72 (lower right)
34.5 x 47.5cm
$600 - $1,200
85
Douglas Badcock (1922 - 2009)
Summer Afternoon, Lake Wakatipu oil on board
signed & dated ‘78 (lower right)
34 x 47cm


86
Douglas Badcock (1922 - 2009)
Near Arrowtown
watercolour on paper signed (lower right)
27 x 36.5cm
$600 - $1,200
PROVENANCE
Saffron Gallery of Art, Timaru
87
Douglas Badcock (1922 - 2009)
Part of the Dunstan Range oil on canvas signed (lower left); entitled (lower right)
18.5 x 25cm
$700 - $1,500



88
Peter Beadle (b 1933)
Clydesdale Team At Glenorchy oil on canvas
signed (lower left) & dated 1991 verso
74 x 119.5cm
$3,500 - $6,000
89
Peter Beadle (1933 - 2021)
Humboldt with Dart River at ‘Paradise’
Glenorchy, Wakatipu 1999 oil on board signed (lower left)
19 x 49.5cm
90
Peter Beadle (b 1933)
South Island Mountain Landscape oil on canvasboard signed (lower)
39.5 x 49.5cm
$800 - $1,600



91
Grahame Sydney (b 1948)
Sparrow
etching artist’s proof
signed (upper right); dated 1981 (upper left)
$600 - $1,000
92
Grahame Sydney (b.1948)
Study of Caroline Kaunda graphite on paper
signed & dated15 December 1974 (lower right)
33 x 43cm
$1,200 - $2,000
93
William Dunning (b 1959)
Portrait of Peter Fraser graphite on paper
signed & dated Aug 2000 (lower right)
74 x 52.5cm
$2,000 - $4,000
PROVENANCE
Private collection, Wellington
94
Geoff Williams (b 1966)
Evening Nude graphite on paper
signed (lower right)
36 x 71cm
$1,000 - $2,000




96
John Coley (b 1935)
Townscape V oil on canvas
signed & dated ‘99 (lower right)
71 x 82cm
$1,000 - $2,000
PROVENANCE
Private collection, Wellington
97
Tom Kreisler (1938 - 2002)
Caminito VIII
screenprint on paper edition 7/10
signed & dated ‘89 (lower right)
36.5 x 35cm
$1,000 - $2,000


98
Stuart Porter (b 1955)
Domestic oil, enamel & mixed media on two panels signed, inscribed with title & dated April ‘99 (lower right)
121 x 60 cm each
$1,000 - $2,000
99
Tom Burnett (b 1958)
Mango Tree gouache on paper signed (lower right)
48 x 63cm
$800 - $1,200

99A
Ben Timmins
Heron’s End oil on kadamu
signed (lower right)
62 x 177.5cm
$1,200 - $2,400
100
Max Gimblett (b 1935)
Remembrance #8418 screenprint on brass quatrefoil signed & dated 2015 verso 25 x 25cm
$800 - $1,600
101
Max Gimblett (b 1935) Remembrance #0546 screenprint on brass quatrefoil signed & dated 2015 verso 25 x 25cm
$800 - $1,600





102
Tony Fomison (1939 - 1990)
Beethoven’s Fidelio lithograph edition 5/14
signed & dated ‘86 (lower right)
32.5 x 43cm
$800 - $1,600
103
Tony Fomison (1939 - 1990)
Fartward Bound lithograph ltd ed 2/23 signed & dated ‘86 (lower right)
35 x 44cm
$1,800 - $3,000
104
Tony Fomison (1939 - 1990)
Eating With Uncle lithograph ltd ed 8/10 signed (lower right)
31 x 45cm
$1,000 - $2,000



105
Michael Smither (b 1939)
Mount Taranaki
screenprint on paper edition 359/459
signed & dated ‘81 (lower right)\
16 x 16cm
$500 - $1,000
106
Michael Smither (b 1939)
Back Beach screenprint
71 x 59cm
$500 - $1,000
107
Michael Smither (b 1939)
Untitled oil on board (some flaws to paint surface) signed & dated ‘65 (lower right)
55.5 x 60cm
$1,000 - $2,000



108
Austen A Deans (1915 - 2011)
Canterbury Ranges
watercolour on paper
signed & dated 2006 (lower left)
34 x 53cm
$700 - $1,500
109
Gaston De Vel (1924 - 2010)
Fisherman’s Wharf Auckland oil on canvas
signed (lower left)
74.5 x 59cm
$700 - $1,400
110
John Badcock (b 1952)
Sercombe’s Road oil on boiard
signed (lower left)
37 x 47.5cm
$600 - $1,200



111
Paul Martinson (b 1956)
Saddleback watercolour
signed & dated 1997 (lower left)
22 x 18.5cm
$1,600 - $3,000
112
Paul Martinson (b 1956)
Bell Bird watercolour
signed & dated 1994 (lower right)
23 x 32cm
$1,600 - $3,000
Paul Martinson (b 1956)
NZ Falcon “Liam” graphite on paper
signed & dated ‘88 (lower right)
38 x 25cm
$1,000 - $2,000

114
Thomas Arthur McCormack (1883 - 1973)
At the Phone
watercolour on paper
signed (lower right)
26 x 20cm
$350 - $700


115
Thomas Arthur McCormack (1883 - 1973)
The Yellow Boot watercolour on paper
signed (lower left)
18 x 22.5cm
$200 - $600
PROVENANCE
The Small Gallery, Wellington
116
Thomas Arthur McCormack (1883 - 1973)
Mother & Child ink on paper
signed (lower right)
23 x 18cm
$200 - $400
117
Thomas Arthur McCormack (1883 - 1973)
Central Terrace, Kelburn watercolour on paper signed (lower left)
32.5 x 55cm
$500 - $1,000
118
Thomas Arthur McCormack (1883 - 1973)
Untitled watercolour on paper
49.5 x 64.5cm
$500 - $1,000
119
Thomas Arthur McCormack (1883 - 1973)
Looking towards Mana Island watercolour on paper signed (lower left)
20 x 24.5cm
$300 - $600
PROVENANCE
The Small Gallery, Wellington




120
Peter O’Hagan (1942 - 2013)
Untitled watercolour on paper signed & dated ‘89 (lower left)
75 x 87.5cm
$800 - $1,600

121
Peter O’Hagan (1942 - 2013)
Untitled acrylic, watercolour, and tinted gum on paper signed (lower right)
76 x 76cm
$800 - $1,600
122
W A (Bill) Sutton (1917 - 2000)
Road From Cromwell
woodblock print edition 5/24
signed & dated 1945 (lower right)
13.5 x 15.5cm
$500 - $1,000
123
Juliet Peter (1915 - 2010)
Wilderness
screenprint edition 14/15
signed (lower right)
47 x 56cm
$500 - $1,000





124
Attrib Charles Blomfield
Pink Terraces oil on canvas
unsigned
40 x 55cm
$1,200 - $3,000
125
Charles Nathaniel Worsley 91862 - 1923)
Briscia (a/f)
watercolour (sun damage)
signed (lower left)
47 x 72cm
$1,000 - $2,000
126
Margaret Olrog Stoddart (1865 - 1934)
Botanical Study
watercolour & gouache (foxing)
initialled & dated Nov 25th 1890
31.5 x 26cm
$500 - $1,000



127
René Genis (French 1922 - 2004)
La Pêche De Vigne oil on canvas
signed (lower centre)
45 x 60cm
$1,000 - $2,000
128
Michael Heindorf (German b 1949)
Lobster
carborundum mezzotint on paper edition 36/50
signed & dated 1982 (lower right)
75 x 106cm
$500 - $1,000
129
Dan Hays (British b 1966)
Hook oil on canvas
signed & dated 2000 verso
120 x 120cm
$1,600 - $3,000