Fine Art Auction

NEW ZEALAND & INTERNATIONAL FINE ART

W ednesday 19 October 2022 - 6pm start

Part One - Evening Sale

L ot 1 - 64

Thursday 20 O ctober 2022 - 12noon start

Part Two - Day Sale

L ot 100 - 256

APPLIED ART

Tuesday 25 O ctober 2022 - 4pm start

Studio Ceramics & Applied Arts

Lot 300 - 479

Kiwi Wealth House, Ground Floor

94 Featherston Street, Wellington CBD PO Box 224, Wellington 6140 +64 4 472 1367 / info@dunbarsloane.co.nz

Over the last two years Dunbar Sloane have completed the valuation of the Te Papa Art and Applied art collection, the Te Papa Maori and Oceanic collection, the Government House collections in Auckland and Wellington, the Nelson museum collection, the National Library Photographic collection.

Our valuers cover all areas and have completed valuations for:

• Te Papa Tongarewa

• National Library

• Sarjeant Gallery

• The Canterbury Museum

• The Auckland War Memorial Museum

• The Rotorua Museum: Te Whare Taonga o te Arawa

• The Waikato Museum: The Whare Taonga o Waikato

• Napier Museum and Library

• Heritage New Zealand Pouhere Taonga

• Kingitangi Taonga: Collections of the Maori King

• Whakatane Museum

• Archives New Zealand

• Parliamentary Services

• Te Puni Kokiri: Ministry of Maori Development

• Auckland City Council

• Wellington City Council

• Government House Wellington

• Government House Auckland

• Nelson Provincial Museum

• Massey University

New Zealand’s Leading Valuers

From the Treaty of Waitangi to the nation’s treasures held at Te Papa, our five senior valuers are some of the most trusted and experienced chattel valuers in the country. We have valued approximately $2 billion worth of chattels in the last 12 months.

James Parkinson 022 028 8541 james@dunbarsloane.co.nz

Anthony Gallagher 0274 713 667 antiques@dunbarsloane.co.nz

NEW ZEALAND & INTERNATIONAL FINE & APPLIED ART

WELLINGTON VIEWING SCHEDULE

Friday 14 October 9am - 4pm

Sunday 16 October 12noon - 3pm

Monday 17 October 9am - 4pm

Tuesday 18 October 9am - 4pm

Wednesday 19 October 9am - 4pm

Sunday 23 October 12noon - 3pm (additional applied art viewing)

LOCATION

Kiwi Wealth House, 94 Featherston Street Wellington CBD PO Box 224, Wellington 6140

ENQUIRIES - FINE ART

Francesca Shaw

Director Fine Arts

+64 4 472 1367 / art@dunbarsloane.co.nz

ENQUIRIES - APPLIED ART

James Parkinson

+64 4 472 1367 / james@dunbarsloane.co.nz

Please note we

Online registrations and absentee bids must

LIVE BIDDING

see our website: www.dunbarsloane.com

before the auction commences, or 24 hours if you are an International client

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ABSENTEE & TELEPHONE BIDDING

If you are unable to attend the auction, you can elect to register an absentee or telephone bid. Telephone bidding must be arranged with Dunbar Sloane Ltd prior to the sale and is subject to availability.

BUYERS PREMIUM

Each lot is subject to 18% + GST buyers premium

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1

Ralph Hotere (1931 - 2013)

Woman RM lithograph 14/18 signed and dated ‘90 (lower right) 68 x 53 cm $3,000 - $6,000

2

1

E. Mervyn Taylor (1906 - 1964)

Tāne & Hineahuone (Tāne the Creator) Wood engraving edition of 40 title inscribed and signed 15.5 x 11.5cm $3,000 - $6,000

3 Bill Hammond (1947-2021)

Canopy I

lithograph edition 14/24 signed, title inscribed and dated 2009 (lower right)

48.5 x 29.5cm

$5,000 - $6,000

4 Gretchen Albrecht (b.1943)

Black Piha lithograph 24/30 signed and dated ‘99 (lower right) 43 x 58cm $3,000 - $5,000

5

Pat Hanly (1932 - 2004)

Panama Woman Lithograph (ed. 15/38) signed and dated ‘87 (lower left) 69 x 54 cm $4,000 - $6,000

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6

Pat Hanly (1932 - 2004)

Woman & Bouquet Screenprint 34/50 signed ‘Hanly’ and dated ‘95 43 x 32.5 cm $1,500 - $3,000

Flower Miracle

and dated ‘70

$10,000

8

8 Gordon Walters (1919-1995)

Genealogy III, 1971, (2020)

screenprint indented with Walters Estate blindstamp 110 x 79 cm $12,000 - $17,000

9

Donald Binney (1940-2012)

Swoop of the Kotare, Wainamu,1980 Screenprint, limited edition 171/175 signed and dated ‘Don Binney 1980’ (lower right), inscribed with title (lower left) 62.5 x 45 cm $16,000 - $22,000

10 Dorothy Kate Richmond (1861-1935)

Outside the Pā oil on canvas

initialled and dated 1905 37 x 37 cm

$30,000 - $40,000

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11

Michael Smither (b 1939)

Queen Street 1959 oil on canvas initialled ‘MDS’ and dated ‘59 (lower left)

76 x 108 cm

$26,000 - $32,000

PROVENANCE: Purchased from John Leech Gallery 1994

12

Michael Smither (b 1939)

14 Stations of the Cross, in Memory of Rita Angus oil on hardboard pen mark “W.11.” 75 x 76cm $40,000 - $80,000

EXHIBITED: ‘Michael Smither: Paintings (14 Stations of the Cross, in Memory of Rita Angus)’, 29 September - 16 October 1970, Peter McLeavey Gallery, Wellington.

LITERATURE: Jill Trevelyan, Peter McLeavey: the life and times of a New Zealand art dealer, Te Papa Press. Paintings pictured with Peter McLeavey page 135.

13 Michael Smither (b 1939)

14 Stations of the Cross, in Memory of Rita Angus oil on hardboard

pen mark “W.1.” 75 x 76cm

$40,000 - $80,000

EXHIBITED: ‘Michael Smither: Paintings (14 Stations of the Cross, in memory of Rita Angus)’, 29 September - 16 October 1970, Peter McLeavey Gallery, Wellington.

LITERATURE: Jill Trevelyan, Peter McLeavey: the life and times of a New Zealand art dealer, Te Papa Press. Paintings pictured with Peter McLeavey page 135 (above), September-October 1970, photographed by John B Turner.

“Rita Angus was a painter I could relate to. I felt very close to her and when she died I was very sad. I felt that I had lost something. And I painted this personal memorial to her in the shape of a cross. It had a landscape inside it, a part of Central Otago, a part of New Zealand that she used to love painting.” – Michael Smither page 136. Jill Trevelyan Peter McLeavey, the life and times of a New Zealand art dealer, Te Papa Press. 2013.

As one of New Zealand’s most renowned artists, Michael Smither’s works can be seen in all major collections including Te Papa, the Christchurch and Auckland Art Galleries, and Govett-Brewster. Known for his bold regionalist style, with heavy tonal undulations and strong colour choices, Smither’s subjects range from religious iconography, domestic scenes, mountainous landscapes to rocky shores.

Here Smither cuts into his recognisably rich and contrasting landscapes, dissecting their fluid rolling forms and suspending them within the Latin cross. Smither painted 14 of these memorial tributes to Rita Angus, representing the 14 stations of the cross. Here Smither signifies the New Zealand landscape as a holy land upon which to reinterpret religious symbols and practices separated from us by thousands of kilometres and two millennia. The Otago landscape takes on a religious relevance of life and purity, while the cross symbolises the death and loss of an artist who represented this region like no other.

Fiona Pardington (b 1961)

Nga Kau Whakapuke / Zeal. Kaka, Nestor Meridionalis, Av 2024, Canterbury Museum gold tone silver gelatin print, limited edition 3/5 signed, inscribed with title and dated 2004 (on reverse)

50.5 x 60.5cm

$30,000 - $40,000

Fiona Pardington (Ngāi Tahu, Kāti Māmoe, Ngāti Kahungunu, and Clan Cameron of Erracht) is one of Aotearoa’s most important photographic artists. She draws upon historical artistic traditions such as memento mori, zoological illustration, still life and portraiture to explore contemporarily salient themes of colonialism, heritage, ecological conservation and feminism. The result is artworks that are both nuanced commentary pieces and beautiful objects in and of themselves.

Ngā Kau Whakapuke/Zeal, Kākā, Nestor Meridionalis, AV2024 is a limited edition (3/5) gold tone silver gelatine print of a kākā specimen held by the Canterbury Museum – a 150-year-old institution with an extensive collection of natural history specimens. For this series, Pardington dives deep into the museum’s achieves, exploring taonga from New Zealand’s past and breathing new life into these objects through the medium of photography. These photographs explore themes of memory, representation, nostalgia and loss.

In this image, the taxidermied Kākā specimen confronts us with its sacrifice, yet through Pardington’s artful approach the bird appears reawakened. Captured in this beautiful portrait-sized image, the bird is no longer a specimen owned by the museum – it is momentarily resurrected, precariously poised between life and death. The soft focus on the downy feathers, along with the ethereal glow of light hitting its brow against the deep black surrounds, are at odds with its museological documentary setting. The eyes of the Kākā are inquisitive and watchful, yet see nothing. The damage to the bird’s lower beak reminds us of the Kākā’s vulnerability, provoking recognition of how the past and present collide in this image.

16

Robin White (b. 1946)

White Oyster Catcher and Harbour Cone screenprint, ltd ed. 39/50

signed & dated ‘77 (lower right)

57.5 x 32.5cm

$12,000 - $18,000

LITERATURE: Robin White New Zealand

Painter, Published by Alister Taylor (Waiura, Martinborough 1981) page 56.

“If any image is central, natural, to the New Zealand iconography, it is the high hill sweeping into the bay” said Patrick Hutchings of Robin White’s landscape paintings back in 1977. It has been 35 years and this motif, along with the sumptuous panes of colour and schematic arrangement of space White executes so well, remain hallmarks of the New Zealand modernist style.

In a 1981 interview, Robin White said “I’m not into speculative fiction.” She paints the places she is familiar with as they appear to her, ordering the world according to her own vision of it. The Harbour Cone—an iconic fixture of the Dunedin skyline formed by an elegantly conical basalt hill left over from an ancient Dunedin volcano—frames the scene, with its curve mirrored below by the belly of the native oystercatcher, or tōrea. In the centre of the scene sits a simple family home, presumably one of the thousands of airy colonial weatherboard bungalows found on farms around the nation.

The composition is deceptively simple: look closer and you’ll see the sense of movement evoked by the undulating texture of the shrub bery at the foot of the hills and the subtle discrepancies caused by the inherently imperfect method of screenprinting. Or stand back and observe the solidifying, grounding effects of the black outlines that delineate each pane of colour from the next, and the subtle tonal variation in the hills that communicate volume and depth.

Lily McElhone

15

Robin Morrison (1944 - 1993)

Robin White and Harbour Cone

Cibachrome photograph

41 x 27.5 cm

$3,000 - $5,000

Richard Killeen (b 1946)

Bells Below

pigment ink, turps based acrylic resin varnish on canvas

signed and dated 2005 (lower right) 137 x 101.5 cm

$60,000 - $70,000

It was 2005 and cyberspace was growing larger and more complex every year. From a simple means of communication and access to information it became a world of its own, distinct from the tangible “real” world that created it. Social media was on the rise. Facebook celebrated its first birthday that year, while Second Life, an online multimedia platform that allowed users to create avatars and interact with others in a virtual reality, was two years old. The Sims, a computer game in which users could create their own households and guide the characters through their complex, colourful lives, had just released its second iteration. This artificial world, accessible through a screen in our home offices or in the corner of our living rooms, was still considered a novelty.

This was the year that artist Richard Killeen (b. 1946) departed from his spacious, minimalist compositions of botanical and entomological specimen silhouettes in favour of stuffing the luxuries and novelties of the new millennium into a glass jar

Bells below (2005) captures the bustle of the modern world in a transparent time capsule. The jar is simple, cartoonish and universally recognisable, yet the scene inside is highly convoluted. There are no rules of physics – no logic, no social norms. Human figures captured from above walk over a disproportionate digitally rendered cityscape, while avoiding each other’s gaze. Lines that appear to be road layouts in one area resemble something closer to electrical circuits in another. Gravity and perspective are meaningless. The giant, amorphous forms resembling bacteria float amongst the scene, seemingly without perturbing this micro-ecosystem’s inhabitants. And the bells! The scene is full of bells of varying shapes and styles, some in ordinary silver and others in technicolour patterns. The visual noise of the scene is deafening and we’re all prisoners of the jar’s invisible but impenetrable walls.

The contents of Killeen’s jar seem more salient now than ever. With the recent launch of Facebook’s re-brand to Meta and its avatar-based virtual reality project, there are growing fears about the pervasiveness of online extremist communities, as well as our heavy reliance on online para-social communication in the wake of enforced lockdowns. Killeen’s commentary on the new digital era is a chilling forewarning, while the microbial forms looming around the composition are equally and uncomfortably prophetic in a post-pandemic world.

In a work as complex as this, there are a myriad of objects to discover, abstract lines and forms to interpret, and logic-defying puzzles to solve. This makes Bells below is an intricate, provocative piece of New Zealand’s art history.

18 Frances Hodgkins (1869-1947)

European Countryside Courtyard with Pigeons watercolour signed and dated 1916 (lower right) 25 x 16.5cm

$15,000 - $25,000

PROVENANCE: Sale, Dunbar Sloane, Auckland 30/05/2006, Lot No. 453. Sale Dunbar Sloane, Wellington, 17/11/2010, Lot No. 47.

19

John Bevan Ford (1930 - 2005)

Manawatu coloured pen on paper further information on the artwork written by John Bevan Ford attached to reverse

55 x 76 cm

$8,000 - $10,000

PROVENANCE: Purchased from the artist by current owner

20

John Bevan Ford (1930 - 2005)

Tararua coloured pen on paper further information on the artwork written by John Bevan Ford attached to reverse

55 x 76 cm

$8,000 - $10,000

PROVENANCE: Purchased from the artist by current owner

One of New Zealand’s most celebrated Māori artists, John Bevan Ford’s work spans traditional whakairo (carving), sculpture, taniko (weaving) and kowhaiwhai (painting). With his intricate pen and ink drawings, Ford depicts New Zealand landscapes with kākahu (cloak), symbolising the mana (power, authority and nobility) of the land. Through his meticulous practice, Ford weaves together Māori spiritual and aesthetic practices.

The intricate and interwoven symbolism of these works is described best by John Bevan Ford himself in a statement he wrote about his drawings:

“As in all my work over the last decade a cloak is suspended over land and sea to express the mana (dignity) and power of all below. It also stretches out to warm and link them. Nevertheless specific things are also woven into the symbolism.

In the Tararua drawing the lower portion of a large feather cloak reaches down from the sky above the Tararua ranges and the Manawatu river may be seen emerging from the gorge (Te Āpiti) and to flow out to the sea. The divided fish-like symbol above the land relates to the name Tararua, the two darts. These two “darts” are the two ladies from whom the peoples on both sides of the ranges are descended. The eastern peoples whose chief Tara was the primary coloniser of Wellington (Te Whanganui a Tara) and the Ruahine people who came to the Manawatū in the 16th century.

The Manawatū work has a greatly abstracted cloak in the form of a tropic bird (Amokura) which refers to the ancestor Haunui who in the legend is said to have flown to Aotearoa from the Pacific. Here we have him standing still at the mouth of the Manawatū where, as he first saw its great size and depth, his heart (manawa) stood still (tu), hence “Manawatū”. The other river of the Manawatū, the Rangitikei, which Hau also named is shown further to the right. The land is patterned to indicate the presence of people. The triangle shapes, dragon’s teeth, are symbolic of the energy of Palmerston North. The remaining land patterns have been developed from a patterned belt held in the Manawatū Museum, one of the few early plaited works that have survived from the past.”

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21

Peter McIntyre (1910 - 1995)

Evening Sun Rangitīkei River oil on canvas

signed (lower right)

59.5 x 75 cm

$15,000 - $25,000

22

Peter McIntyre (1910 - 1995)

The City from Mt Tinakori oil on board

signed (lower right) title inscribed (on reverse)

58.5 x 101.5 cm $20,000 - $30,000

PROVENANCE: Private collection Wellington

23

Peter McIntyre (1910 - 1995)

Skippers Road, Shotover River, Queenstown Oil on board singed (lower right)

60.5 x 74.5 cm $25,000 - $45,000

Note: Includes letter from the artist

24 William Alexander (Bill) Sutton (1917-2000) Kenepuru Marlborough watercolour signed and dated ‘46 (lower right) 31 x 47cm

$2,500 - $3,500

25 William Alexander Sutton (1917 - 2000) Arrowtown watercolour signed and dated ‘49 (lower right) 34 x 42.5 cm $8,000 - $10,000

26

Toss Woollaston (1910-1998) Untitled Landscape watercolour signed (lower right)

26.5 x 34.5cm $5,000 - $8,000

27

Toss Woollaston (1910-1998)

White Steven oil on board signed and dated ‘Woollaston ‘91’ (lower right)

121 x 89 cm $25,000 - $40,000

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28

John Reynolds (b 1956)

Untitled, 1988 oil on linen and mixed media on board signed and dated 1988 (on reverse)

79.5 x 160 cm

$7,000 - $10,000

29

Don Peebles (1922 - 2010)

Untitled (abstract) acrylic on distressed board signed and dated 1974 (verso)

44 x 37 cm

$3,000 - $5,000

30

Pablo Picasso (1881–1973)

Avant la Pique I colour linocut on Arches paper 17 x 23 cm $15,000 - $20,000

PROVENANCE: Purchased by the current vendors father at auction in France in the late 1950’s.

31 Salvador Dali

The Persistence of Memory, Bronze bronze sculpture 212/350 signed, dated ‘Dali, 1981, stamped with foundry mark ‘Camblest’

41 x 16 cm

$25,000 - $35,000

32

Terry Stringer (b 1946)

Untitled (two jugs, two bottles, two vases, one bowl on shelf) 1986 cast bronze signed and dated (lower right on bowl) 43 x 98 cm $14,000 - $20,000

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35

33

Peter Stichbury (b. 1969)

Heather Traymont Giclée print

signed and dated 2006 (lower right) with ed (A/P) and title (below) 54 x 44.5 cm $3,000 - $5,000

34

Seraphine Pick (b 1964) Untitled (Colander) 1993 oil on canvas signed and dated ‘93 (on reverse) 30 x 30cm $4,000 - $6,000

35

Seraphine Pick (b 1964)

Untitled (Colander with figure) 1993 oil on canvas signed and dated ‘93 (on reverse) 30 x 30 cm $4,000 - $6,000

36

Seraphine Pick (b 1964)

Untitled (Upside Down Colander) 1993 oil on canvas signed and dated ‘93 (on reverse) 30 x 30cm $4,000 - $6,000

38 Michael Smither (b. 1939)

The Fisherman Guts a Fish oil on board signed and dated 1962 (verso) 42 x 28 cm $10,000 - $20,000

39

Michael Smither (b. 1939)

Still Life with Guitar oil on board signed and dated 1963 (verso) 60 x 85 cm $8,000 - $16,000

PROVENANCE: Private collection, Hamilton

LITERATURE: Michael Smither Painter with Trish Gribben (Ron Sang Publications, 2004) p. 38

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40 Michael Smither (b. 1939)

David Fowler Plays his Guitar oil on board

title and date (1959) attached (verso)

75 x 53.5 cm

$2,000 - $4,000

PROVENANCE: Private collection, Hamilton

41 Olivia Spencer-Bower (1905 - 1982)

Untitled (mountain landscape) watercolour signed and dated 1932 (lower right)

33 x 41 cm

$3,000 - $4,000

40

42 Sydney Lough Thompson (1877-1973)

The Red Sail

on

signed (lower right)

37.5 x 45cm $8,000 - $12,000

43

Linen

44 Hans Heysen (AUSTRALIA 1877-1968)

Ambleside watercolour

signed, title inscribed and dated c.1940 31 x 40cm $40,000 - $45,000

PROVENANCE: This Hans Heysen painting was presented to Dr Garbett by the Diocese of Sydney as a token of appreciation of his visit in 1951. The painting has remained in the care of his family.

Cyril Forster Garbett was educated at Keble College, Oxford and ordained in 1901 as vicar of Portsea. In 1919, he became Bishop of Southwark and in 1932, Bishop of Winchester.

In 1942 he was appointed Archbishop of York, in which office his common sense, careful preparation of speeches, and gift for expressing in simple language the thoughts of laymen on matters of social, political, and religious interest made him a national figure. His books of this period, The Claims of the Church of England (1947), Church and State in England (1950), In an Age of Revolution (1952), and The Church of England Today (1953), provided a balanced account of his church.

Garbett was a popular public figure, especially as a pastoral bishop, famous for trudging the length of his diocese with his shepherd’s crook, visiting both clergy and lay people in the towns he passed through. Although personally warm, he had a reputation as a firm disciplinarian with clergy in his dioceses.

He was a pioneer of the Ecumenical Movement and, during and after the second world war, travelled extensively, including to the US and to Communist Bloc countries to meet with world leaders. In 1951, he travelled through the South Pacific at the invitation of the Diocese of Sydney, crossing the Tasman Sea by flying boat for a brief interlude in New Zealand before continuing on his journey through Polynesia and Melanesia.

During his tenure, Garbett officiated at many occasions of national and international significance including the Coronation of Queen Elizabeth II in 1953.

Garbett remained in office until his death on 31 December 1955; he had been offered and accepted the title of Baron Garbett of Tongham (his birthplace) but died the day before the title had been legally created.

46 Peter Siddell (1935-2011)

House and Hills oil on board signed and dated 1973 (lower left) 55 x 79 cm $20,000 - $30,000

51

49

Joseph Welsh Napier watercolour on paper inscribed and dated ‘Napier 1864’

120 x 60 cm

$5,000 - $8,000

50

Adele Younghusband (1878-1969)

Untitled Landscape oil on canvas

signed and dated 1929 (lower right)

27 x 37cm

$3,000 - $6,000

51

Nigel Brown (b 1949)

Hodges at the Cascade, Dusky Sound oil on canvas signed and dated ‘Nigel Brown 2009’ (lower centre); signed, inscribed with title and dated 2009 with inscription ‘likeness after Richard Westall’ on reverse

74 x 59cm

$9,000 - $12,000

53

Charles Frederick Goldie (1870-1947)

Wiremu Patara Te Tuhi (1823-1910)

Stone Lithograph colour print, 1904 signed in plate

40 x 33 cm

$5,000 - $7,000

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54

Grace Joel (1865-1924)

Portrait of a Young Woman (Niece of Dora Meeson)

Oil on canvas

44 x 34 cm

$4,000 - $7,000

55

John Bevan Ford (1930-2005)

Te Hono Ki Ranana

(set of three numbered 18,15, 14)

felt tip pen on paper signed, numbered and title inscribed (reverse)

36 x 45cm (each) $3,000 - $5,000

56

John Bevan Ford (1930-2005)

Te Hono Ki Ranana (set of three numbered 19, 23, 24)

Felt tip pen on paper signed, numbered and title inscribed (reverse)

36 x 45cm (each)

$3,000 - $5,000

57

John Bevan Ford (1930-2005)

Te Hono Ki Ranana (set of three numbered 8,12,13)

Felt tip pen on paper signed, numbered and title inscribed (reverse)

36 x 45cm (each) $3,000 - $5,000

60 60

William George Baker (1864-1928)

Compositions from the Hell, Purgatory, and Paradise, of Dante Alighieri Assorted artworks and sketch book illustrations after John Flaxman. Compositions by John Flaxman, Sculptor R.A. From the Divine Poem of Dante Alighieri, containing Hell, Purgato ry and Paradise. Published 1807. $4,000 - $6,000

PROVENANCE: In his teenage years

W.G. Baker made one copy a night of John Flaxman’s Dante’s Inferno in these sketch books. The sketchbooks were owned by a childhood friend of W.G. Baker.

58

Peter McIntyre (1910 - 1995)

Woodward Street, Wellington indian ink and watercolour on paper signed (lower left)

53 x 61 cm $4,000 - $6,000

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59

Peter McIntyre (1910 - 1995)

Grazing Sheep, Wairarapa oil on board signed (lower right)

36.5 x 45.5 cm $18,000 - $32,000

61

Robyn Kahukiwa (b. 1938)

Taniwha mixed media on Indian cotton paper signed (lower right)

38 x 57 cm $3,000 - $6,000

62

Richard Killeen (b 1946)

Stories We Tell Ourselves mixed media title inscribed, signed and dated 16 May 1987 (upper right)

39 x 58 cm $2,000 - $3,000

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63

Nigel Brown (b 1949)

Nuclear Note No. 20 acrylic on paper title inscribed, signed and dated 1984, inscribed “I Wanted To Say Something Before the End So Soft and Loving, but I’ve Forgotten the Words” 79.5 x 120.5 cm, $5,500 - $8,500

64

Doris Lusk (1916-93)

Sketch for Sunset Demolition graphite, charcoal and watercolour on paper signed ‘D. Lusk’ & dated 1980 (lower right)

41 x 59 cm $3,500 - $6,000

100

Maude Burge (1865 - 1957)

100

Maude Burge (1865 - 1957)

Untitled, Church and River Scene watercolour signed ‘M. Burge’ (lower left)

33 x 38cm

$800 - $1,600

101

Maude Burge (1865 - 1957)

Portrait of a Young Girl (Green Dress) watercolour signed (lower right)

46 x 40 cm $800 - $1,200

102

Maude Burge (1865 - 1957)

Portrait of a Young Girl (Patterned Blouse) watercolour signed (lower right)

46 x 40 cm

$800 - $1,200

103

Maude Burge (1865 - 1957)

Portrait of a Young Girl (Striped Blouse) watercolour signed (lower right)

46 x 40 cm

$800 - $1,200

104

Olivia Spencer Bower (1905 - 1982)

Untitled (Ocean Landscape) watercolour signed (lower right) 43 x 57 cm $2,000 - $4,000

104

105

Olivia Spencer Bower (1905 - 1982) Untitled (Ocean Landscape) watercolour signed (lower left) 54 x 74 cm $2,000 - $4,000

107

106

108

106

Cedric D. Savage (1901 - 1969)

Winter Tossa Del Mar oil on canvas signed ‘C. Savage’ (lower right)

43 x 49cm

$1,200 - $2,500

107

Cedric D. Savage (1901 - 1969)

Untitled Landscape oil on canvas signed (lower left)

35 x 45cm $800 - $1,600

109

108

Colin Wheeler (1919-2012)

Tree lined Lane watercolour signed (lower right)

28 x 38cm $2,500 - $3,500

109

Colin V. Wheeler (1919 - 2012)

Spring Turning oil on canvas signed and dated 1944 (lower right)

28.5 x 36.5 cm $1,000 - $1,800

112

110

110

Michael Smither (b 1939)

Coral Head with Fish

screenprint edition 38/50

initialled MDS and dated 2013 (lower right)

37 x 44cm

$1,000 - $2,000

113

111

111

Michael Smither (b. 1939)

Back Beach Series Screenprint screenprint 61 x 42 cm

$500 - $1,000

112

Michael Smither (b 1939)

Bartok Wedding Dance limited edition screenprint 6/45 title inscribed and initialled ‘MDS’ (lower) 45 x 63 cm

$600 - $1,200

113

Michael Smither (b 1939)

Stony River screenprint 50/72

initialled ‘MDS’ and dated 2011 (lower right) 54cm x 78cm $1,500 - $2,500

114

116

114

Michael Smither (b. 1939)

Diana (study for blue chair)

charcoal on paper signed and dated ‘70 (lower left)

45 x 29 cm

$500 - $1,000

115

Michael Smither (b 1939)

Still Life screen print, edition 19/25 (unframed) initialled MDS and dated ‘05 (lower right) 19.5 x 29 cm

$500 - $700

116

Michael Smither (b 1939)

Costal Scene 1957 oil on board initialled M.D.S and dated 1957 (on reverse) 52 x 68 cm

$1,000 - $2,000

117

Pauline Kahurangi Yearbury (b 1926)

Hine-Takurua ‘Winter Girl’ incised Coloured Wood Panel

initialled (lower left)

79 x 45cm

$600 - $1,000

PROVENANCE

Purchased from the artist by the family of current owner

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118 119

117 120

Robyn Kahukiwa (b. 1938)

Four Prints (E kore e ngaro he takēre wakanui x2, He tapu te tinana o te wahine na te mea te whare tāngata x2) linocuts (eds. 25 & 27/45, 2 & 3/4) each signed and dated ‘99 (lower right)

21 x 30 cm $400 - $800

119

Robin Kahukiwa (b.1938) Hongi, 1997 lithograph 10/13 signed ‘Robin F Kahukiwa’ and dated 1997 (lower right)

76 x 95cm $1,000 - $2,000

120

Robyn Kahukiwa (b. 1938)

Ukaipo Paraune monoprint signed and dated 2001 (lower right)

76 x 57cm $800 - $1,500

121

123

121

Ronnie Van Hout (b 1962)

Fly Concorde

toned silver gelatin print

38 x 59cm

$2,000 - $4,000

122

122

Ans Westra (b 1936)

School Students Preforming, Wairoa, 1963 archival pigment inks on Hahnemuhle paper, edition 2/25

signed and title inscribed (on reverse)

38 x 38 cm $2,500 - $4,000

123

Ans Westra (b 1936)

90 Mile Beach, 1983 gelatin silver print inscribed (on reverse)

23 x 24 cm $1,500 - $3,000

124

John Reynolds (b.1956)

McLeavey Sat Here

acrylic and paint marker on canvas edition of 45, inscribed multiple 38/45, signed and dated 2011

10 x 10cm $200 - $300

125

125

Mark Olsen (b1962)

Dutch Boy oil on canvas signed and dated 2008 (lower left)

80 x 40cm

$600 - $1,200

126

128

127

126

Matthew Couper (b.1976)

Omnia mutantur, nos et mutamur in illis graphite on paper signed and dated 2004

42.5 x 59cm $500 - $900

127

David Cauchi

Never Climb Your Stairs acrylic on canvas signed and dated ‘MMIX’ 35 x 27.5cm $2,000 - $3,000

128

John Middleditch (1906-1987)

Untitled Nude, 1972 watercolour signed and dated (lower right)

28 x 21.5cm

$400 - $700

129

130

131

129

Euan MacLeod (b1956)

Untitled pastel on paper

dated 22/02/90 (lower right)

29 x 39cm

$750 - $1,500

132

130

Euan MacLeod (b1956)

Untitled (Figures in the Water) pastel on paper dated 22/02/90

28 x 36cm

$750 - $1,500

131

Graham Sydney (b.1948)

Upstairs Study etching, edition 16/50 signed, title inscribed and dated April 2010

42 x 62 cm

$1,000 - $2,000

132

Graham Sydney (b.1948)

Morning Window etching 17/50 signed title inscribed and dated ‘April 2010’

54 x 39.5cm

$1,000 - $2,000

133 136 134

133

Ria Bancroft (1907-1993)

Crucifix wood and bronze signed ‘Ria’ (reverse) 22 x 14cm $200 - $400

PROVENANCE: Image of the Crucifix was used for the cover of ‘Ria Bancroft, Three Decades of Sculpture’ Catalogue of an exhi bition of the most significant works of sculp ture, that Ria made during the three decades she was active as an artist in New Zealand.

134

Terry Stringer (b. 1946)

Over & Over cast bronze 8/20 signed and dated ‘93 14 x 11.5cm $2,000 - $3,000

135

Michael MacMillian JD bronze signed and numbered edition 4/30 25cm high $400 - $800

136

Michael MacMillian Rose bronze signed H 30cm L 12cm W 11cm $400 - $800 135

137

Roy Cowan (1918 - 2006)

Boat Building at Island Bay lithograph (ed. 4/6)

signed (lower right)

46 x 60cm

$300 - $600

140

138

Roy Cowan (1918 - 2006)

From the Potter’s Terrace linocut, limited edition 1/20 title inscribed and initialled (lower right)

55.5 x 95cm $800 - $1,200

139

Roy Cowan (1918 - 2006)

Crumpled Metal Object acrylic on board initialed and dated ‘76 (lower right) 89 x 115cm $1,000 - $2,000

140

Elizabeth (Liz) Coats

Untitled (Abstract) mixed media on paper signed and dated ‘87 (lower right)

40 x 40 cm

$300 - $600

141

143

141

John Badcock (b 1952)

Nude Study charcoal on paper installed ‘JB’ (lower left)

45 x 66cm

$700 - $1,500

144

142

142

John Badcock (b 1952)

Rosie pastel on paper signed inscribed and dated 1991 (on reverse) 61 x 45.5 cm $400 - $800

143

Douglas Badcock (1922-2009) Lake Wakatipu, Ben Lomond, Summer After noon from Cecil Peak near Unseen Island oil on board signed and dated ‘71 (lower) 34.5 x 44.5 cm

$1,500 - $3,000

144

Douglas Badcock (1922-2009)

Untitled Rural Scene oil on canvas board signed (lower right) 29 x 39cm $1,000 - $2,000

145

147

145

Douglas Badcock (1922-2009)

Long Gully, Skippers Canyon, NZ, Autumn oil on board

signed and dated ‘77 (lower right)

29 x 40cm

$800 - $1,200

146

Peter Beadle (b 1933)

Landscape oil on canvas signed (lower left)

60 x 90 cm $2,500 - $5,000

147

Peter Beadle (b 1933)

Autumn Afternoon Near Lumsden oil on board signed (lower right)

39 x 49cm

$800 - $1,600

148

Peter Beadle (b.1933)

Mount Earnslaw and Scheelite Mine, Glenorchy oil on canvas signed (lower right)

39.5 x 49.5cm $1,000 - $2,000

149

Don R. Neilson (1924-2013)

The Lagoon, Castlepoint oil on board signed R. Neilson (lower right)

40 x 50 cm $500 - $700

150

151

154

152

150

Don R. Neilson (1924 - 2013)

Untitled Landscape oil on board

signed R. Neilson (lower right)

44 x 60 cm

$200 - $400

151

Dee Murray

Looking Toward Lake Tutira oil on canvas signed and dated ‘83 (lower left) with title and dedication (verso)

50.5cm x 60cm

$300 - $600

153

152

Stanley Palmer

Tree North Manukau

bamboo engraving limited edition 7/50 signed and dated 1971 (lower right)

40 x 55cm $500 - $800

153

Stanley Palmer Morning Ponsonby bamboo engraving 4/72 signed and dated ‘67 (lower right)

60 x 56 cm

$400 - $700

154

Stanley Palmer Anawhata

bamboo engraving, limited edition 25/50 signed and dated 1972 (lower right)

40 x 54 cm $400 - $800

156

155

155

Fred Williams (1927-1982)

Untitled Etching

Artists Proof signed (lower right)

30 x 24 cm

$1,000 - $2,000

156

Marilyn Webb (b. 1937)

Evening Cloud 11 September, Lake Ma hunerangi, Otago hand-coloured etching

signed and dated 1989 (lower right)

28 x 37 cm

$400 - $800

157

R. L Stevens

Ngakurapana, Ngāpuhi Chief charcoal

signed and inscribed with title (lower right)

76.5 x 56 cm $400 - $800

158

Charles Frederick Goldie (1870-1947)

The Calm Close of a Life Long Day, Atama Paparangi

offset lithograph published by Alexander Turnbull Library signed and dated 1934 (in plate)

26 x 20 cm $800 - $1,200

LITERATURE: C.F. Goldie, Prints, Drawings, Criticisms. A Taylor, J Glen, Page 200.

159

Marilyn Webb (b. 1937)

Gold Tailings & Cloud, Lake St. Bathans, Central Otago hand-coloured etching signed and dated 1989 (lower right)

33 x 42 cm

$400 - $800

161

160

163

162

160

Denis Knight Turner (1924 - 2011)

Still Life

oil on board signed (lower left) dated c.1960 (verso)

40 x 55 cm

$1,200 - $2,500

161

Denis Knight Turner (1924 - 2011)

Landscape with Trees watercolour signed ‘Turner’ and dated ‘58 (lower right)

27 x 37cm

$600 - $1,000

162

Ernest Thesiger Wallflowers

watercolour signed (lower left) original label on reverse, dated 1938

35 x 28.5 cm $400 - $700

163

Kathleen (Kitty) Airini Vane (1891-1965)

European Cottage Scene oil on board signed (lower left) 23.5 x 31.5cm $300 - $500

164

John M. Crump (b 1943)

The Birthday Crock and David’s Lamp with Still Life oil on board signed (lower left)

75.5 x 58 cm $500 - $1,000

165

167

165

Charles Nathaniel Worsley (1862 - 1923)

An Auckland Byway watercolour signed C.N. Worsley (lower left)

35 x 75cm

$1,500 - $3,000

166

Stephen Howard

White Light, Maniototo acrylic on board signed (lower right)

89 x 58 cm $2,500 - $5,000

166

168

169

167

Francis Lymburner (1916-1972)

Portrait of Woman with Floral Hat oil on canvas signed (lower right)

43 x 29 cm $1,000 - $2,000

168

Maude Burge (1865 - 1957)

Violets watercolour unsigned 22 x 28.5cm $300 - $500

169 Ian R. Hamlin (b.1960)

Facing the Wind, Waitakeres oil on canvas signed and dated ‘03 (lower right) 30 x 90cm $1,000 - $2,000

170

170

Gaston De Vel (1924 - 2010)

Red and Yellow Roses oil on canvas signed and dated ‘70 (lower left)

50 x 60cm

$1,200 - $2,000

171

Gaston De Vel (1924 - 2010)

Untitled (Street Scene) oil on canvas signed and dated ‘78 (lower left)

50 x 40 $700 - $1,200

172

Gaston De Vel

Stream Near Ophir, Central Otago oil on canvas signed and dated ‘75 (lower right)

30 x 40 cm $400 - $800

173

Tom Esplin (1915 - 2005)

Village in Corsica oil on canvas signed (lower right)

24.4 x 36.5cm $2,000 - $4,000

174

Tom Esplin (1915 - 2005)

Memory of Pittenweem Scotland oil on board signed and dated ‘61 (lower right)

30 x 41cm $2,500 - $3,500

175

Tom Esplin (1915 - 2005)

Old Church in Auvergne oil on board signed (lower right)

31.5 x 48 cm $2,500 - $3,500

176

176

Emily Jackson (1909-1993)

Last Summer, Manawatu II oil on canvas signed and dated 1974 (lower right)

75.5 x 103 cm

$500 - $900

177

R. Browning Watson (1911-2002)

The Young Fishermen, Paremata oil on canvas signed R. B Watson (lower right)

34 x 44 cm

$500 - $800

177

178

R. Browning Watson (1911-2002)

Storm Clouds Paremata oil on canvas signed R.B Watson (lower left)

45 x 60 cm $600 - $1,000

179

R. B Watson Untitled oil on canvas board signed (lower right)

43 x 60 cm $500 - $800

180

Hans Brutsch (1928 - 2014)

Frank Tapp’s Farm, Tangiteroria, Northland oil on board signed and titled (verso)

55 x 70.5 cm

$200 - $400

181

185

182

183

184

186

181

Samantha Mitchell

Oh Captain My Captain acrylic

signed, title inscribed and dated 2016 22.5cm (diameter) 12cm (height)

$1,000 - $2,000

182

Samantha Mitchell

Aryabhata acrylic on perspex signed and dated 2015 (on reverse) 39 x 29 cm $2,000 - $4,000

183

John Reynolds (b 1956)

Stations of the Cross, Cooks Third Voyage lithograph 9/18

signed, title inscribed and dated 1972 (lower right)

56 x 38 cm $600 - $1,200

184

Roger Boyce

Untitled oil on linen 146 x 115cm $1,700 - $2,400

185

Marc Chagall (French/Russian 1887–1985) Vision von Paris colour lithograph published by Revue Verve Teriade no 27/28, 1952

36 x 51.5cm $1,000 - $3,000

Certificate of Provenance (on reverse)

186 Liz Maw (b 1966) The Citizens (1999) giclee print, ltd ed. 10 signed & dated 2011 (lower right) 46.5 x 36.5cm $900 - $1,200

189

187

187

Douglas MacDiarmid (1922-2020)

Landscape with Ruins watercolour signed and dated ‘57

32 x 42.5cm

$900 - $1,800

188

Douglas MacDiarmid (1922 - 2020)

The Fir Tree watercolour and ink signed ‘D K Macdiarmid’ (lower left)

24 x 37cm

$1,000 - $2,000

190

189

William James Reed (1908 - 1996)

Mist at Wanaka watercolour signed (lower right)

55 x 71 cm

$600 - $1,200

190

William James Reed (1908 - 1996)

Model Posed on Chair acrylic on board

44 x 31 cm $600 - $1,000

191

William James Reed (1908 - 1996)

Mount Aspiring oil on board signed (lower left)

38.5 x 51 cm $1,200 - $1,800

192

192

Stanley Palmer (b. 1936)

The Three Boatmen - Piopiotahi bamboo engraving (ed. 42/50)

signed and dated 1994 (lower right)

36 x 60 cm

$800 - $1,200

193

Stanley Palmer (b 1936)

Memories of Newmarket Station monotype, ltd ed 3/6 signed & dated 1987 (lower right)

70 x 106cm $1,250 - $2,500

195

193

194

Juliet Peter (1915 - 2010)

Summer of the White Daisies lithograph, edition 9/20 signed and dated ‘73 (lower right)

33 x 47cm

$600 - $1,200

195

John M. Crump (b 1943)

Ocean Beach Coromandel oil on canvas signed (lower right) titled and dated 1986 (on reverse)

50.5 x 72.5 cm $500 - $1,000

196

John M. Crump (b 1943)

Morning Haze, Wellington oil on canvas signed (lower left) titled and dated September 1983 (on reverse)

66 x 110 cm

$600 - $1,200

197

201

198

200

197

Dick Frizzell (b 1943)

Blue Hawaii screen print, limited edition A/P

signed and dated 2015

42 x 68 cm

$1,250 - $2,000

198

Snake Studios (Paul Hartigan b. 1953 & Philip Peacocke b. 1947) with Dick Frizzell (b. 1947)

Untitled (Shadie Ladie) screenprint (ed. 73/200)

signed by Frizzell & Hartigan and dated ‘77 (lower right)

62 x 46 cm

$800 - $1,600

199

Dick Frizzell (b. 1946)

The Prophet’s Gift etching (ed. 2/50)

Signed and dated ‘99 (lower right)

41 x 50 cm

$1,000 - $2,000

200

Louise Henderson (1902 - 1994)

The Church, Rarotonga lithograph (edition 4/15)

signed (lower right)

56 x 42 cm $1,000 - $2,000

Photographs of original church attached verso

199

202

201

Ted Dutch

Flying Machines Over Hills II screenprint, ltd ed. 24/36 signed & dated ‘72 (lower right)

45 x 63 cm

$400 - $800

202

Scott McFarlane (b.1966)

One More Question Still Remains How Much

More Art Can We Take ceramic signed and dated 2010 (on reverse) 29cm $700 - $1,200

203

204

205

208

207

203

Samantha Mitchell

Untitled ink on paper

13 x 21cm

$350 - $700

204

Samantha Mitchell O’Flaherty V.C. drawing on book paper

13 x 20cm

$350 - $700

205

Robert McDowell

Taupo oil on canvas signed lower right 89 x 120 cm $800 - $1,400

206

Irvine J. Major (1922-2000)

Untitled (Nelson Landscape) oil on board signed and dated ‘65 (lower left) 59.5 x 72.5cm $800 - $1,600

207

Russell Hollings (b.1948)

Turtle oil on board signed (lower left) title inscribed and dated 2012 (on reverse) 25 x 37cm

206

209

208

Gavin Hurley (b.1973) Charles Heaphy in Paper paper collage signed (on reverse) 29.5 x 21 cm $1,500 - $2,500

209

Adele Younghusband (1878-1969) Begonia Still Life pastel and gouache signed and dated ‘63 (lower left) 45 x 33cm $600 - $1,200

213 215 212 214 211210

210

Louise Henderson (1902-94)

Abstract Pattern screenprint A/P dated c1950’s (on reverse) 64.5 x 54.5 cm $500 - $1,000

PROVENANCE: From the personal c ollection of Mr. Thomas Lucke, Dame Louise Henderson’s second husband. Certificate of authenticity on reverse.

211

Louise Henderson (1902-1994)

Ship’s Deck graphite on paper dated c1970’s (on reverse)

43 x 30cm $500 - $1,000

PROVENANCE: From the personal collection of Mr. Thomas Lucke, Dame Louise Henderson’s second husband. Certificate of authenticity on reverse.

212

Maud Sherwood (1880-1956)

Untitled Boat Scene with Sunflowers on Reverse watercolour signed (lower left)

22 x 29 cm $700 - $1,200

213

Frank Gross (1908 - 1963)

Untitled (Abstract) charcoal on paper signed (lower left) 49 x 62 cm $500 - $800

214

Peter McIntyre (1910 - 1995)

Meandering Waters watercolour signed ‘P. McIntyre’ (lower right)

20.5 x 32cm $1,000 - $2,000

215

Douglas MacDiarmid (1922 - 2020)

Two Samoan Girls in my Flat Above Wellington Harbour ink on paper signed ‘D. K. MacDiarmid’ & dated ‘56 (lower centre)

35 x 27cm $600 - $1,000

219

216 217

216

John Barr Clarke Hoyte (1835-1913)

Glimpse of a Lake watercolour signed

30 x 19.5cm

$800 - $1,200

217

Fanny Osborne (1852-1934)

Pohutukawa watercolour signed (lower right)

22 x 18cm

$400 - $800

218

Fanny Osborne (1852-1934)

Rewarewa watercolour signed and dated 1912 (lower right)

23.5 x 31 cm $500 - $1,000

219

Alise Mary Parsons (1836-1939)

The Blue Mountains NSW watercolour signed (lower left)

38 x 54cm $400 - $700

220

Edmund Blampied (BRITISH, 1886–1966) Crossing the Stream drypoint etching, edition 18/100 signed

19.5 x 24.5cm $500 - $1,000

221

Henry Mount Langton Atcherley (1863-1901)

Government Buildings, Christchurch watercolour signed and dated 1930

32 x 23.5cm

$500 - $1,000

222

226

227

225

222

Laurence William Wilson (1850-1912)

Untitled oil on board

signed (lower left)

29.5 x 69 cm $600 - $1,200

223

Charlton Edgar (1903 - 1976)

Kupe’s Crossing, Whitianga, Coromandel oil on canvas

Signed (lower left) with original exhibition label (verso)

40 x 50 cm $500 - $1,000

224

Ion Brown (b. 1942)

Inner Harbour, Napier oil on board

Signed (lower right)

19 x 19cm $400 - $700

225

Sergio Cozzuol (Italian, 1941)

The Lake District Italy oil on canvas

signed ‘S. Cozzuol’ 99 x 150cm $1,500 - $3,000

226

Harry Linley Richardson (1878 - 1947)

Untitled Evening Landscape watercolour signed (lower left)

27 x 37cm $300 - $600

227

Harry Linley Richardson

Untitled oil on board signed (lower right) 31 x 41cm $300 - $600

228

232

231

228

Dagmar Vaikalafi Dyck (b. 1972)

Plate VIII screenprint (ed. 23/25) signed and dated ‘96 (lower right 63 x 53 cm

$300 - $500

229

Dagmar Vaikalafi Dyck (b. 1972)

Plate II screenprint (ed. 21/25) signed and dated ‘96 (lower right)

63 x 53 cm

$300 - $600

230

John Bevan Ford (1930 - 2005)

A Guardian for a Polynesian Sail, Te Aitanga a Kiwa Series,1999 mixed media on handmade paper

38.5 x 28cm

$800 - $1,600

231

Andy Leleisi’uao (b.1969)

Untitled mixed media on paper 81 x 60cm $600 - $1,200

230

232

Elva Bett (1918 - 1991)

Winter Landscape oil on canvas signed and dated ‘66 (lower left) 90 x 69 cm $250 - $500

233

Adele Younghusband (1878-1969) Pohutukawa Tree, Waiheke watercolour and ink signed (lower right)

21.5 x 28.5 cm $1,000 - $2,000

234

240

237

234

Toby Raine (b. 1983) - Scene from a Movie, Toby Raine (b. 1983)

Scene from a Movie oil on canvas signed and dated 2010 (verso)

141 x 200 cm

$3,000 - $6,000

235

Rob McLeod

Puddle oil on shaped board inscribed “Composite Heros, Mar’12, Finished Oct’12 ‘Puddle’” 65 x 35 cm $600 - $1,200

236

Philip Trusttum (b. 1940)

Untitled (Alphabet Series)

acrylic on unstretched canvas signed and dated ‘01 lower left 41 x 69cm

$1,000 - $2,000

237

John Pule (b 1962)

A Good Lei, On Record Cover from the ‘Atua Cowboys’ collection, Johnathan Smart Gallery found object inscribed with red oil stick, signed and dated Feb, 2014 (on reverse)

31 x 31 cm

$400 - $800

238

John Pule (b 1962)

Yellow Fever, On Record Cover from the ‘Atua Cowboys’ collection, Johnathan Smart Gallery found object inscribed with red oil stick, signed and dated Feb, 2014 (on reverse)

31 x 31 cm

$400 - $800

239

Philip Trusttum (b 1940)

Horses oil on unstretched canvas signed and dated ‘88 49 x 58cm $3,000 - $5,000

240

Philip Trusttum (b.1940)

Untitled Abstract acrylic on unstretched canvas signed and dated 2001 in composition 42 x 37cm $800 - $1,200

243

241

241

W G Baker (1864-1929)

South Coast, Wellington oil on canvas

signed (lower right)

43 x 59cm $1,000 - $2,000

242

John Rundle (1933-2014)

Mount Earnslaw oil on canvas

signed and dated ‘76 (lower right)

50 x 60cm

$300 - $600

245

244

243

Tom Esplin (1915-2005)

Istanbul oil on board

signed ‘Esplin’ (lower right) 27.5 x 54.5cm $4,000 - $8,000

244

Alfred Reginald Thomson (British 18941979)

St Monans, East Newk oil on canvas

49 x 39cm $500 - $1,000

Alfred Reginald Thomson R.A was an official War Artist to the Royal Air Force during World War Two. In 1948 Thomson won a Gold Medal for painting, he was the last to do so as art events were abandoned in subsequent Olympic games.

245

Frank Gross (1908-63)

Untitled watercolour signed ‘F. Gross’ & dated ‘63 (lower right)

50 x 39cm

$600 - $1,000

246

248

249

246

Ion Brown (b. 1942)

Still Life oil on canvas signed and dated ‘72 49.5 x 60 cm

$400 - $700

247

Simon Edwards (b 1975)

Untitled oil on canvas signed ‘S.J.E’ and dated ‘98 (lower right) 60 x 121 cm

$3,000 - $6,000

248

John Drawbridge (1930-2005)

Rain at Sunset drypoint etching (ed. 2/50) signed and dated 1959 (lower right) 55 x 53 cm $800 - $1,500

249 Sheyne Tuffery Bird that fell to Earth woodblock print, edition 1/25 (unframed) signed and dated ‘05 (lower right) 30 x 50 cm $300 - $500

250

Billy Apple (1935 - 2021)

“As Good As Gold” Wellington City Art Gallery Promotional Poster poster print 26 x 19cm $300 - $600

251

251 Gordon Crook (1921-2011)

Difficulty at the Beginning (triptych) pastel on paper signed and dated ‘85 (lower right) 182 x 78 cm $1,000 - $2,500

252

254

255

252

Karyn Taylor (b.1969)

Untitled Diptych

cast acrylic

40 x 64 cm

$2,000 - $4,000

253

Donald Binney (1940-2012)

Mana Island graphite on paper signed (lower right)

56 x 76cm

$1,500 - $2,500

256

253

254

Jenny Dolezel

Figures in a Landscape (or “Hello Darling) etching A/P

signed and title inscribed (lower)

11.5 x 16.5 cm $500 - $800

255

Jenny Dolezel

At the End of the Day etching 1/30 signed and dated 2007 (lower right)

23.5 x 32.5 cm $600 - $1,000

256

Patrick Pound (b.1962)

The Trophy Room oil on canvas $3000 - $5000

300

Three Crown Lynn Slip Cast Vases Matt white glaze, stamped to base 11cm, 10cm, 7cm height

$50 - $80

302a

Two Crown Lynn Trickle Glaze Vases

Compressed ovoid form, brown, magenta, and cream glazes, chip to base on one vase.

10.5 cm height x 2 $100 - $200

305

Ernest Shufflebotham For Crown Lynn

Small Hand Potted Vase Matt cream glaze. Stamped to base, incised number 18. 13cm height $400 - $600

301

Two Crown Lynn Slip Cast Vases Matt white glaze, impressed factory number 507, 11cm, 10cm height $40 - $60

302

Crown Lynn Trickle Glaze Vase Ovoid with flared rim in brown and purple glazes, 15cm height $100 - $200

303

A Small Crown Lynn Swan Matt Cream Glaze with painted eyes and beak, Impressed shape number 154 and stamped to base.

10cm height $300 - $600

306

Ernest Shufflebotham For Crown Lynn Hand Potted Vase Matt cream glaze with concentric bands, impressed shape number 15 and stamped to the base.

12cm height $300 - $600

308

Ernest Shufflebotham Rare Crown Lynn Hand Potted Vase Shape 14 with rare mint glaze.

17cm height

$1,000 - $2,000

309

Crown Lynn Blue Floral Vase Crown Lynn specials department. Crazing to the upper section.

26cm height $400 - $600

304

A Large Crown Lynn Swan Matt cream glaze, stamped to base, 23cm height $500 - $800

307

Ernest Shufflebotham For Crown Lynn Large Hand Potted Vase Ovoid with concentric bands to the lower section. Matt cream glaze. Stamped to base, incised number 34.

23cm height $1,000 - $2,000

310

Arthur Rhodes for Crown Lynn Vase Ovoid with flared rim, green glaze to the upper section, stamped to base.

18cm height $100 - $200

311

Ernst Shufflebotham For Crown Lynn Hand Potted Vase In matt white cream glaze with concentric bands to the exterior, stamped factory mark and incised shape number 23 to the base.

18 cm height $600 - $1,200

313a

Pair of Wine Bottles For Lincoln Wines

Made by Parker Pottery in the 1950s, wheku head figure on one side with manaia on the reverse, ceramic cork stopper. Inscribed Lincoln Wines to the base.

21cm height $300 - $500

316

Milton Ten Cup Teapot Green and brown majolica type glaze. Stamped ‘Fireproof 5’ to base.

22cm height $500 - $600

312

Waretana Lidded Box Decorated in Wheku face form with green glazed interior, number 1002 impressed to base, 6cm height x 13cm length x 8cm width $1,000 - $2,000

313

Pair of Wine Bottles For Lincoln Wines

Made by Parker Pottery in the 1950s, wheku head figure on one side with manaia on the reverse, ceramic cork stopper. Inscribed Lincoln Wines to the base.

21cm height $300 - $500

314

Pair of Wine Bottles For Lincoln Wines

Made by Parker Pottery in the 1950s, wheku head figure on one side with manaia on the reverse, ceramic cork stopper. Inscribed Lincoln Wines to the base.

21cm height $300 - $600

317

Austin Kirk Large Lidded Jar Mustard coloured glaze. Impressed stamp. Small hairline fracture.

28cm height $150 - $250

315

Rare Milton Ten Cup Teapot Brown majolica type glaze. Moulds for these types of wares were often Purchased from the Wedgewood Factory. Stamped ‘Milton of Otago’ to base.

22cm height $1,000 - $2,000

318

Pair Of Luke Adams Lidded Jars Deep caramel glaze and decorated with Greek Key pattern. Stamped to base.

15cm, 12cm height $150 - $200

319 Mirek Smisek Two Green Vessels Used In Lord Of The Rings Stamp to base. 15cm, 10cm height $300 - $500

319a

Mirek Smisek Small Square Dish Blue glaze with wax resist pattern to the interior. 13cm width $100 - $150

320

Mirek Smisek Blue Salt Glazed Pedestal Bowl Impressed mark. 16cm diameter $300 - $500

321

Mirek Smisek Pedestal Bowl Ash glazed with copper red to the upper section. Impressed mark. 21cm diameter $300 - $500

322

Mirek Smisek Salt Glazed Flask Dark brown salt-glazed stoneware, original woven cane cork stopper. Incised signature at base. 29cm height

$400 - $800

323

Mirek Smisek Stoneware Wine Flask Dark green salt glaze with concentric ribbed bands to the exterior. Original cane handle. Signed at base. 30cm height $400 - $800

324

Mirek Smisek Bottle Tenmoku glaze, single handle with original cork stopper. Impressed mark. 29cm height $300 - $500

325

Mirek Smisek Salt Glazed Flagon With single handle and original woven cane and cork stopper. Impressed mark, 33cm height

$600 - $800

326

Mirek Smisek Vase ovoid specimen vase with wax resist pattern. Impressed mark. 22cm height $100 - $200

326a

Mirek Smisek Vase Small ovoid vase, tenmoku and ash glaze. Impressed mark. 16cm height $200 - $300

327

Large Floor Vase (Attributed To Mirek Smisek), Gestural decoration in tenmoku glaze on an ash ground. 54cm height $800 - $1,200

328

Mirek Smisek Jug Salt-glazed stoneware. Signed at base. 18cm height $300 - $400

329

Mirek Smisek Large Wall Charger Blue glaze with wax resist decoration. Impressed mark. 40cm diameter $600 - $1,200

330

Mirek Smisek Large Three-Footed Bowl Shino glaze with incised lines around the rim. Impressed mark. 35cm diameter $300 - $500

331

Andrew Van der Putten Vase Together With A Salt Glazed Vase Ovoid shape in tenmoku glaze with four lugs around the shoulder. Impressed mark. 25cm, 23cm height $200 - $300

332

Andrew Van der Putten Wine Flask Green ash glazed. Impressed mark to handle base. 23cm height $100 - $200

333

Andrew Van der Putten Bottle Earthenware with ash glaze, mark to handle base, 21cm height $100 - $200

334

Peter Stichbury Large Shino Vase Ovoid form in shino glaze, mauve ribbed decoration to the neck. Impressed mark. 31cm height

$500 - $800

335

Peter Stichbury Teapot Ash glaze with bamboo handle. Impressed mark. 26cm height $100 - $200

336

Peter Stichbury Ash Glazed Vase Impressed mark. 16cm height $80 - $120

337

Peter Stichbury Small Ash Glazed Vase Ash and tenmoku glazes. 13cm, 11cm height $80 - $120

338

Rick Rudd Teapot Matt black

terracotta clay, raku fired, quadrangular body pierced with conical form in bronze, gloss black ball stopper, 23cm height $300 - $500

339

Rick Rudd Teapot and Milk

Jug Matt black Terracotta clay, raku fired, abstract sculptural forms, gloss black compressed ball stopper. Teapot, 27cm; jug, 11cm height $350 - $450

340

Rick Rudd Teapot Matt black terracotta clay, raku fired, abstract form with spiral handle and gloss black compressed ball stopper, 43cm height $400 - $600

341

Rick Rudd Sculptural Form

Matt black crackle glaze with recessed well, raku fired terracotta clay, 15cm height $200 - $300

342

Rick Rudd Towering Jug Form

Purple crackle glaze. Damage to spout.

84cm height $400 - $600

343

Rick Rudd Small Box and Tui

Morse Miniature Bowl Box is matt black with cream wave decoration. Bowl decorated with lustre glaze trees. Box, 8cm height; Bowl, 11cm dia $100 - $200

344

Barry Brickell ‘Villa Maria”

Wine Flask Unglazed body with glazed interior, Stamped ‘Villa Maria’, 17cm height $150 - $250

345

Barry Brickell ‘Villa Maria’

Wine Flask Tenmoku over ash glaze, medallion displaying ‘Wines SYC Thames’, impressed mark, 19cm height $150 - $250

346

Barry Brickell ‘Villa Maria’

Wine Flask Tenmoku over ash glaze with medallion displaying ‘Villa Maria Wines’. Impressed mark, 22cm height

$200 - $300

347

Barry Brickell Vase With Manaia Decoration, Cylindrical shape, from Driving Creek, Coromandel. 17cm height $300 - $500

348

Barry Brickell Bowl Flared rim, Green rock ash, blue, and tan glazes to the interior. Impressed mark, 25cm diameter $250 - $350

349

Barry Brickell Large Salt Glaze

Fatso Jug Rich dark brown & green rock ash coal fired salt glaze, c. 1970. Impressed potter’s mark to base of handle. 28cm height $2,000 - $3,000

350

Tenmoku Glazed Jug (Attributed to Barry Brickell), Unmarked.

14cm height

$300 - $500

351

Barry Brickell Large Bowl, Stoneware bowl with poured dark ash glaze. Impressed mark.

32cm diameter $200 - $300

352

Barry Brickell Three Large Mugs, Ash, tenmoku and green glazes. Impressed mark.

12cm height $200 - $400

353

Barry Brickell Teapot Ash glaze with side handle. Impressed mark, 11cm height $150 - $250

354

Impressed mark.

Provenance: Gary Tricker collection 14cm height, 55cm length. $2,000 - $3,000

355

A Pair Of Rare Philip Luxton Large Sculptural Vases

Tapering quadrangular form with textured umber surface. 114cm height $1,000 - $2,000

357

James Greig ‘Unfolding Form’ Bowl with koru form spiral in high relief to one end. burnished umber pigment to the exterior and rim with ash glazed interior. Unmarked. Authenticated by Rhondda Greig 35cm length $800 - $1,600

358

James Greig Teardrop Shape Dish

Umber exterior and rim with jun glazed well.Artist initials incised to the base.

19cm diameter $400 - $600

356

Provenance: Rhondda Greig family collection

113.5 x 40 x 34 cm

$10,000 - $20,000

Barry Brickell Guardian Dog Sculpture Terracotta with classic railway face plate and curled barbed tail. Damaged and repaired.

James Greig Large and Impressive Transformation Sculpture Textured surfaces with a transparent overglaze. Series c.1985–1986. One of only approximately 20 made. Impressed mark.

359

Juliet Peter Large Salt Glazed Vase Ovoid form with ash and green glazes, incised combed pattern to the body. Artist initials incised to base.

37cm height $300 - $800

360

Juliet Peter Branch Pot Ovoid then squared from the shoulder. Umber and ash glazes, incised pattern to the top section. Unmarked but reputed to be purchased directly from the Artist. 36cm height $600 - $1,200

360a

Two Juliet Peter Horse Candleholders Salt glazed stoneware, each with minor faults 23 x 24cm & 21 x 22cm $1,200 - $1,800

361

Rectangular Planter (Attributed Juliet Peter), Circular foot, ash glazed, incised decoration. 22cm height $200 - $400

362

Graeme Storm Large Ovoid Floor Vase Sgraffito cut decoration through a dark matt manganese slip. Glazed interior.

42cm height $1,500 - $2,500

363

Graeme Storm Three Small Ovoid Vases Turquoise barium type gloss glazes. 13cm, 11cm, 10cm height $400 - $600

363a

Graeme Storm Spherical Box Squat spherical form. Fine sgraffito floral patterns cut through matt manganese oxide. 9.5cm diameter $150 - $250

364

Graeme Storm Pair Of Small Vases Stoneware ovoid vases in indigo barium type glaze, one with a spiral wave pattern. Impressed mark. 2 x 10cm height $150 - $250

365

Len Castle Ovoid Vase

Luminous barium glaze. Impressed mark.

Provenance: Len Castle Family Collection

28cm height $500 - $1,000

366

Len Castle Blue Vase Ovoid form with fine piercings encircling the base of the neck. Impressed mark. 29cm height $800 - $1,200

367

Len Castle Ovoid Vase

Oxidised umbre surface. Impressed mark. 19cm height $500 - $800

368

Len Castle Small Crater Pouring Bowl Red lava glaze, initials incised to base. 21cm diameter $1,000 - $2,000

369

Len Castle Avian Bowl blue/ green ash well textured exterior. Impressed mark ‘LC’.

22cm width $800 - $1,200

370

Len Castle Hanging Form

Combed pattern, oxide wash, small aperture with alkaline blue glaze interior. Impressed mark.

Prov: Len Castle Family Collection

$600 - $1,200

371

Len Castle Small Hanging Form Stoneware discoid hanging form, textured surface, iron wash, small opening at the top, Impressed mark.

11cm diameter $200 - $300

372

Len Castle Vase modelled after fossil shell, ribbed texture to one side, small aperture at top. Umber pigmented. Impressed mark ‘LC’

17cm height $400 - $800

373

Len Castle Volcanic Tube

Umber pigmented exterior, red lava glaze interior, paper sticker label & impressed mark.

42cm length $1,000 - $2,000

374

Len Castle Rare Cruciform Figure Len Castle Potter (pp. 185). Initials to base.

Prov: Len Castle Family Collection

42cm height $1,000 - $2,000

374a

Len Castle Bleeding Heart Hanging Form Umber pigmented, red lava glaze. Impressed mark. 32cm length $800 - $1,200

375

Len Castle ‘Snowbowl’ Heavy feldspar glaze over shino exterior. Len Castle ‘Making the Molecules Dance’ (2008, pp. 27). Small glaze frit. Impressed Mark.

Prov: Len Castle Family Collection, 25cm diameter $1,000 - $2,000

376

Len Castle Bowl Poured gestural tenmoku glaze, mottled charcoal ground, impressed mark to base.

Hairline crack & rim frit. 27cm diameter

$100 - $200

377

Early Len Castle Bowl Green glaze, impressed mark.

19cm diameter $400 - $600

378

Len Castle Large Rectangular Platter Shino glaze with stamped cruciform decoration. Impressed mark.

Prov: estate of John Crichton 39cm x 35cm $1,000 - $2,000

379

Len Castle Large Blue Bowl Impressed mark.

51cm diameter $1,600 - $2,400

380

Len Castle Bowl Shino glazed. Impressed mark. 20cm diameter $200 - $400

381

Len Castle Large Jug Strap handle, shino glazed. Incised stipple pattern to circumference of body. Impressed mark. 29cm height $600 - $1,200

382

Len Castle Squat Ovoid Vase Ribbed pattern,dark ash glaze to upper section, pale ash glaze to base. Impressed mark 7cm height $250 - $300

383

Len Castle Squat Ovoid Vase Ribbed pattern in tenmoku glaze to upper section, paler ash glaze to base. Impressed mark, 8cm height $250 - $300

384

Len Castle Yunomi Feldspar over tenmuko glaze. Impressed mark.

9.5cm height $200 - $300

385

Lawrence Ewing Pair of Bottles Rope handled with orig inal cork stoppers, shino glaze, initials incised to base.

18cm height $150 - $250

386

Lawrence Ewing Bottle Tenmoku glazed rope handled bottle, initials inscribed to base.

17cm height $80 - $150

387

Warren Tippett Rectangular Stamp Decorated Platter

Green glaze leaf pattern on pale grey ground. From early exhibition in Christchurch. Unmarked, 37cm length $100 - $200

387a

Warren Tippett Large Bowl Jun glaze interior, ash glaze to rim & exterior. Repair to rim. Impressed mark, 42cm diameter $300 - $500

388

Warren Tippett Stamp Deco rated Platter Tenmoku glazed, stamped ethnic motifs. Possible collaboration with Theo Schoon. Impressed mark.

28cm diameter $150 - $300

389

Warren Tippett Planter Cylindrical shape with flare to rim. Hand-painted geometric forms on a pale pink ground. Signed by the Artist.

18cm height $200 - $400

390

Warren Tippett Rare Mardi-Gra Goblet Hand painted with abstract patterns & text ‘Gay and Lesbian’ Mar di-Gra’ ‘Sydney’. Given to the ‘Sisters of the Indulgent’ 17cm height $400 - $800

391

Warren Tippitt Pedestal Plate

Hand painted with flowers & grapes. Signed by the Artist. 16cm height, 29cm diameter $400 - $800

392

Warren Tippett Bowl Hand-painted with abstract design, various colours, signed by the artist, 28cm diameter $150 - $250

393

Warren Tippett Three Ceramic Cubes Hand painted abstract shapes in orange, yellow and blue on a green ground. Unmarked but referenced in the NZ Potter magazine.

12cm, 9cm, 7cm height. $400 - $600

394

Warren Tippett Mirror with Ceramic Tile Frame

Decorated with hand-painted Pacific motifs. 42 x 42cm $800 - $1,200

395

Warren Tippett Small with Tiled Frame Hand painted with Pacific motifs.

22cm x 22cm $250 - $400

396

Warren Tippett Polychrome Charger Pattern in umber on blue ground. Unmarked, authenticated by Simon Manchester at Dunbar Sloane at time of purchase, 38cm diameter $300 - $500

397

Warren Tippett Small Platter and Vase Signed to base 10cm height, 13cm diameter $50 - $100

398

Warren Tippett Ceramic Bowl Inset with coloured shells raised on a metal stand (1992). 58cm diameter $500 - $1,000

399

Anneke Borren Five Sculptural Flower Forms Spherical cups with ovoid inserts. Different heights. $800 - $1,200

400

Anneke Borren Large Orb Hand-painted with abstract circles, initials to base, 16cm height $200 - $300

401

Anneke Borren Ovoid Vase Abstract circular patterns, unglazed terracotta. Initials to base. 15cm height $350 - $450

402

Anneke Borren Bottle Form, Squat spherical shape with long bisected neck and spherical stopper. Dark brown abstract circles in black, 23cm height. $200 - $300

403

Robyn Stewart Vase Compressed ovoid shape in brown glaze with an incised koru pattern, incised initial, chips to the rim, 16cm height $100 - $200

404

Robyn Stewart Vase small ovoid vase incised with koru forms, impressed mark to base. 12cm length $200 - $300

405

Aaron Scythe Bottle Vase And Yunomi, Hand-painted in Imari inspired design. Vase 18cm, Yunomi; 7cm height. $200 - $300

406

Aaron Scythe Small Vase Decorated in the Imari style, ovoid body with pedestal and long narrow neck. 18cm height $200 - $300

407

Aaron Scythe Vase Oribe style, irregular cylindrical shape with flared rim. Decorated with bird marine motifs and gestural forms. Incribed to the base, 20cm height $200 - $300

408

Aaron Scythe Tall Vase Oribe style, irregular cylindrical base with tall narrow neck. Green, umber, and blue glazes, In scribed on the base, 37cm height $400 - $600

409

Aaron Scythe Three Small Plates Decorated with bird motifs. 10cm diameter $100 - $200

410

John Parker Bottle Vase Purple barium vase. Impressed mark. 19cm height $100 - $150

411

John Parker Volcanic Bowl textured white bowl, tapering to base. 35cm diameter $600 - $1,200

412

Dennis O’Connor Bowl Pale umber, green and blue glazes. Impressed mark. 16cm diameter $200 - $400

413

Dennis O’Connor Small Lidded Storage Jar Lustre gazed in pale blue, green, and umber. Impressed mark. 17cm height $200 - $400

414

Dennis O’Connor Bowl Green rock ash glaze with relief patterns. Impressed mark. 19cm diameter $300 - $700

415

Doreen Blumhardt Square Platter with poured cobalt, turquoise, green & fuschia glazes on ash ground. Original paper sticker, impressed mark to base. 35 x 35cm $300 - $500

416

Ross Mitchell-Anyon Celadon Jug Stoneware jug with pulled spout and loop handle, textured pattern on the body, initial to base of handle. Rough edge to glaze on spout. 16cm height $100 - $200

417

St Ives Jug Ash glaze with ribbed exterior, impressed mark, 20cm height $100 - $200

418

Chester Nealie Small Bottle Vase Tenmoku and green glazes. Upper section decorated with single row of impressed circular stamps. Impressed mark to base, 17cm height $100 - $200

419

Chester Nealie Chawan White crackle glaze and inlaid shells. Paper label to base. 12cm diameter $250 - $350

420

Cheater Nealie Small Bowl ash crackle glaze with shino feature. Unmarked 13cm diameter $150 - $250

421

John Madden Lidded Jar Salt glazed. Incised mark. 13cm height $200 - $300

422

Paul Melser and Anna Gandy Lidded Ginger Jar Ovoid form with dark features over ash glaze. Impressed marks by both artists, c.1970. 17cm height $200 - $300

423

Peter Stichbury Lidded Jar Tenmoku over green ash glaze. Incised combed pattern. 18cm height $100 - $200

424

Paul Fisher Two Lidded Jars Ash glazed with wax resist pattern. Character mark to base. One minus lid. 15cm height $100 - $200

425

Paul Melser Large Lidded Storage Jar Ash glaze with Incised flower decorations on a blue ground. Cylindrical shape with side handles. Artists stamp. 30cm height $200 - $300

426

Ceramic Goat Sculpture (Attributed Muriel Moody), Mounted on a wooden Base. Damage to the back right leg. 26cm length $200 - $400

427

Carl Vendelbosch Vase Ovoid with flared rim. Green and blue glazes. Impressed mark. 21cm height $100 - $200

428

Carl Vendelbosch Vase Blue barium type glaze. Imprssed mark. 17cm height $80 - $120

429

Duncan Shearer Cylindrical Vase Cream crackle glaze, 17cm height $80 - $120

430

Duncan Shearer Blue Salt Glazed Vase Impressed Mark 15cm height $250 - $400

431

Paul Melser Vase Cylindrical with gestural ash and tenmoku glazes. Impressed mark 23cm height $150 - $250

432

Simon Engelhard Large Teapot Ash glaze with gestural decoration in brown and blue, bamboo handle. Signed at base. 35cm height $150 - $250

433

Chris Weaver Porcelain Teapot abstract form with wooden side handle, impressed mark, 10cm height $200 - $400

434

Lawson Fraser Bottle Pair of Bottles Tenmomku and ash glaze, impressed mark, 14cm height

$80 - $120

438

Richard Parker Small Shino Plate With inlaid shell, wood fired. Paper label to base.

11cm diameter

$100 - $200

435

Marea Tuarau Vase black with patterned bands in blue, red, and cream, artists name in scribed to base, 15cm height $80 - $150

436

Warren Tippett Two Small Blossom Vases 9cm, 7cm height $50 - $100

437

Richard Parker Small Shino Plate With inlaid shell, wood fired. Paper label to base. 11cm diameter $100 - $200

439

Merilyn Wiseman Bowl Mauve glaze with combed pattern to the rim.

10cm diameter $100 - $200

440

Large Ovoid Floor Vase Ribbed exterior, tenmoku, ash and blue glazes. Maker unknown. 57cm height $400 - $600

441

Two Large Vases compressed ovoid form with textured exterior umber pigmented. The second is ovoid with a textured white speckled exterior. 42cm dia, 21cm height $200 - $400

442

Graham Ambrose Cylindrical Bottle Vase Green, red and black glaze on a cream ground, paper sticker to base, 21cm height

$40 - $80

446

Toby Stafford Wall Plaque Rectangular in blue/turquoise glaze, decorated with sculpted faces. Copper rings for suspension.

40cm length $100 - $200

443

Anthea Grob Large Decorative Jug Hand painted with abstract nature motifs in blue, green, and yellow glazes. Signed ‘Anthea Grob, 1993’, 38cm height $100 - $200

444

Robert Rapson ‘Legend of the Seas’ Mixed media diorama, shows sea and Caribbean Island with cruise ship and two yachts. Signed to reverse ‘Robert Rapson, 2007’. Prov: Patricia Perrin Collection. 50cm width $800 - $1,200

445

Zeke Wolf Exotic Fish Wall Charger Artists initials inscribed. 33cm diameter $80 - $120

447

Toby Stafford Blue Teapot and Milk Jug $40 - $80

448

Pamela Annsouth Quadrangular Vase With incised cross-hatching decoration to the body. Impressed mark.

20cm height $100 - $200

449

Ikibana Vase and Japanese Bowl Vase with red/brown glaze. Bowl with Ash glaze with hand-painted decoration.

Provenance: Len Castle Family Collection. Vase: 20cm height, bowl: 12cm diameter $200 - $300

450

Three Barry Brickell Terracotta Garden Planters Graduated size, one cracked to the base. Unmarked

Provenance: Gary Tricker collection

$200 - $600

451

Arnaud Barraud Dinner Service Six place setting; bowls, side plates, dinner plates, small goblets, large goblets (5), mugs with saucers, large serving bowl, large serving platter, casserole x 2, coffee pot, teapot, milk jug, sugar bowl.

$500 - $1,000

452

Paul Maseyk Pair of Large Mugs Male and female figures in black on a cream ground, signed, 13.5cm height $100 - $150

453

Wilf and Janet Wright Vase Waisted vase with flared rim, ribbed unglazed exterior, mark to base, 19.5cm height $100 - $200

454

Wilf and Janet Wright Large Jug Tenmoku glaze on spout and neck, body unglazed with an incised vertical ribbed pattern. Mark to handle base.

27cm height $100 - $200

455

Juliet Peter ‘Miss New Zealand’ Trivet Depicting a cow wearing a Miss New Zealand sash. 15.5cm width $150 - $250

456

Royce McGlashen Four Small Shell Bowls artist’s name inscribed to base, 8cm width $30 - $60

457

Green Wall Vase (attributed to Robyn Stewart), Tapering form in burnished pounamu green glaze. 24cm height $200 - $300

458

Patricia Perrin Small Pinched Bottle Umber glaze, ceramic stopper. 15cm height $100 - $200

459

Large Discoid Wall Vase Iron oxide glaze with concentric circular pattern, unidentified mark, 26cm diameter $100 - $200

460

James Greig Stoneware Flagon Blue and ash glazes. Impressed mark. 21cm height $200 - $400

461

Two Kenneth Clark Dishes Blue lustre glaze with abstract design and incised decoration, impressed marks to the base, chip to rim.

32cm, 35cm length $200 - $300

462

Two Kenneth Clark Dishes Orange and blue lustre glazed with abstract design and incised decorations, impressed marks to the base.

Rectangular 32cm length, square 19 x 19cm $200 - $400

463

Two Kenneth Clark Dishes Green and turquoise lustre glazed with abstract design and incised decoration, impressed marks to the base.

Rectangular 32cm length, square 19 x 19cm $200 - $400

464

Two Kenneth Clark Dishes Green and blue lustre glaze with abstract design and incised decoration, impressed marks to the base, firing flaw to the rim. 32cm, 35cm length $200 - $400

465

Kenneth Clark Dish Green and brown glazes with abstract design.

25cm length $80 - $160

466

Garry Nash Art glass Table Bowl Hand blown in rich red/orange with pale green mottled effects. 20cm height $200 - $400

466A

Garry Nash Art glass Table Bowl Hand blown in green with blue mottled effects & yellow rim. 20cm diameter $200 - $400

467

A Peterviesnuk Dish and a Hoglund Bowl

A glass dish with orange and mauve features, inscribed Viesnik, and a translucent cerise glass bowl, plastic sticker ‘Hoglund Art Glass’. 30cm, 24cm diameter $200 - $400

470 Mike Deavoll - The Passage Carved stone sculpture on a shaped greenstone base 32cm height, 27cm length, 11cm depth (maximum) $1,000 - $3,000

471

Tatsuzo Shimaoka Stoneware Bottle Vase Decorated with a rope impressed design with three roundels to each side with abstract iron oxide overglaze designs.Impressed marked on base. 21cm height $1,000 - $2,000

472

Large Italian Ceramic Wall Dish

Made at Ceramiche Sbarluzzi Pienza, Tuscany

84cm dia

$400 - $800

473

Ettore Sottsass Alzata Piccola Bowl Designed in 1958 manufactured by Bitossi, Italy, white ceramic decorated with black bands. 18cm height $500 - $800

474

St Ives Small Casserole Pot Unglazed earthenware with ash glaze interior, impressed mark, 16cm height $100 - $200

468

A Good Edgar Mansfield Animism

Sculpture Cast Bronze set in a composite base. Unique example, purchased directly from the artist and held in the same collection for over 40 years. Sold together with correspondence from the artist

Edgar Mansfield was a renowned artist and book binder Born in London in 1907, Mansfield emigrated to New Zealand with his parents, settling in Hastings in 1911. He studied at the King Edward Technical College with William Allen and Robert Field. After four years teaching at the Feilding Agricultural School he returned to London in 1934 and undertook further study. After war service from 1941 -1946 he continued bookbinding and design, which he taught at the London College of Printing from 1948 to 1964 On his return to New Zealand Mansfield settled in Napier and started producing superb bronze sculptural works. Mansfield was the first president of the Britain’s Guild of Contemporary Bookbinders (1955- 1968) and became a Fellow of the Royal Society of British Sculptors in 1980.

87cm height $3,500 - $5,000

469

Kingsley Baird Running Figure

Cast Patinated bronze, Signed and dated 1985 edition 1/3

48cm height $2,500 - $3,500

475

Barry Brickell Pencil Sketch Of Karangahake Railway Tunnel 14 x 18cm

$300 - $500

476

Don Ramage, Māori Cave Art Design Wool Rug made in 1972 for the New Zealand wool commission, woven by Feltex carpets. In good original condition 166 x 72cm

$2,000 - $4,000

477

A Large Impressive Scandinavian Wool Rug Decorated with an abstract design in brown, burnt orange, blue, yellow and white 170 x 120cm

$1,500 - $2,500

478

Feltex Carpets Rare Wool Rug Depicting Melbourne Titled at the bottom of the rug

‘Melbourne Skyline’

69 x 140cm

$2,000 - $3,000

479

Feltex Carpets NZ Ltd ‘Queenstown’ Riccarton carpets, New Zealand souvenir rug

69 x 137cm

$1,000 - $2,000

ALPHABETICAL INDEX

PART ONE

A Albrecht, Gretchen 4

B Baker, William George 60 Binney, Don 9 Brown, Nigel 51, 63

D Dali, Salvadore 31

F Ford, John Bevan 19,20, 55–57 Frizzell, Dick 45

G Goldie, Charles Frederick 53

H Hammond, Bill 3 Hanly, Pat 6–7 Henson, Bill 48 Heysen, Hans 44 Hotere, Ralph 2 Hodgkins, Frances 18

J

Joel, Grace 54

K Kahukiwa, Robyn 61 Killeen, Richard 10, 62

L Lusk, Doris 64

M Morrison, Robin 15 McIntyre, Peter 21–23, 58, 59

P Page, Evelyn 52

Pardington, Fiona 14, 47 Peebles, Don 29 Peter, Juliet 37 Picasso, Pablo 30 Pick, Seraphine 34–36

R

Reynolds, John 28 Richmond, Dorothy Kate 17

S

Siddell, Peter 46

Spencer-Bower, Olivia 41

Smither, Michael 11–13, 38–40 Stichbury, Peter 33 Stringer, Terry 32 Sutton, Bill 24, 25

T

Taylor, E. Mervyn 1 Thompson, Sydney Lough 42

W

Walters, Gordon 8 Welsh, Joseph 49 White, Robin 16 Wilson, Tim 43 Woollaston, Mountford Toswill 26, 27

Y Younghusband, Adele 50

PART TWO

A Apple, Billy 250 Atcherley, Henry Mount Langton 221

B

Badcock, John 141, 142 Badcock, Douglas 143–145 Baker, W G 241 Bancroft, Ria 133 Beadle, Peter 146–148 Bett, Elva 232 Binney, Don 253 Blampied, Edmund 220 Bower, Olivia Spencer 104, 105 Boyce, roger 184 Brown, Ion 224, 246 Brutsch, Hans 180 Burge, Maude 100–103, 168

C

Cauchi, David 127 Chagall, Marc 185 Coats, Elizabeth 140 Couper, Matthew 126 Cowan, Roy 137–139 Cozzuol, Sergio 225 Crook, Gordon 251 Crump, John M 164, 195, 196

D

De Vel, Gaston 170–172 Dolezel, Jenny 254, 255 Drawbridge, John 248 Dutch, Ted 201 Dyck, Dagmar Vaikalafi 228, 229

E

Edgar, Charlton 223 Edwards, Simon 247 Esplin, Tom 173–176, 243

F

Ford, John Bevan 230 Frizzell, Dick 197, 198, 199

G

Goldie, Charles Frederick 158 Gross, Frank 213, 245

H Hamlin, Ian R 169

Henderson, Louise 200, 210, 211 Hollings, Russell 207

Howard, Stephen 166 Hoyte, John Barr Clarke 216 Hurley, Gavin 208

K Kahukiwa, Robin 118–120

L

Leleisi’uao, Andy 231 Lymburner, Francis 167

M

MacDiarmid, Douglas 187, 188, 215

Macleod, Euan 129, 130 MacMillian, Michael 135, 136 Major, Irvine J 206 Maw, Liz 186

McIntrye, Peter 214 McFarlane, Scott 202 McDowell, Robert 205 McLeod, Rob 235

Middleditch, John 128 Mitchell, Samantha 181, 182, 203, 204

Moore, R P 183 Murray, Dee 151

N

Neilson, Don R 149, 150

O

Olsen, Mark 125

Osborne, Fanny 217, 218

P

Palmer, Stanley 152–154, 192, 193 Parsons, Alise Mary 219 Peter, Juliet 194 Pound, Patrick 256 Pule, John 237, 238

R

Raine, Toby 234

Reed, William James 189–191 Reynolds, John 124, 183 Richardson, Harry Linley 226, 227 Rundle, John 242

S

Savage, Cedric 106, 107 Sherwood, Maud 212 Smither, Michael 110–116 Snake Studios 198 Stevens, R L 157 Stringer, Terry 134 Sydney, Graham 131, 132

T

Taylor, Karyn 252 Thesiger, Ernest 162 Thomson, Alfred Reginald 244 Trusttum, Philip 236, 239, 240 Tuffery, Sheyne 249 Turner, Denis Knight 160, 161

V

Vane, Kathleen Airini 163 Van Hout, Ronnie 121

W

Watson, R B 177–179 Webb, Marilyn 156, 159 Westra, Ans 122, 123 Wheeler, Colin 108, 109 Williams, Fred 155 Wilson, Laurence William 222 Worsley, Charles Nathaniel 165

Y

Yearbury, Pauline Kahurangi 117 Younghusband, Adele 209, 233

APPLIED ART

A Adams, Luke 318 Ambrose, Graham 442 Annsouth, Pamela 448

B

Baird, Kingsley 469 Barraud, Arnaud 451 Blumhardt, Doreen 415 Borren, Anneke 399–402 Brickell, Barry 344–354, 450, 475

C Castle, Len 365–384 Clark, Kenneth 461–465 Crown Lynn 300–312

D

Deavoll, Mike 470

E

Engelhard, Simon 432 Ewing, Lawrence 385, 386

F

Feltex Carpets 478, 479 Fisher, Paul 424 Fraser, Lawson 434

G

Greig, Jim 356–358, 460 Grob, Anthea 443

H Hoglund 467

K Kirk, Austin 317

L

Lincoln Wines 313–314 Luxton, Philip 355

M

Madden, John 421 Mansfield, Edgar 468 Maseyk, Paul 452 McGlashen, Royce 456 Melser 422, 425, 431 Milton 315, 316 Mitchell-Anyon, Ross 416 Moody, Muriel 426 (attrib)

N

Nash, Garry 466, 466a Nealie, Chester 418–420

O

O’Connor, Dennis 412–414

P

Parker, John 410, 411, 437, 438 Perran, Patricia 458 Peter, Juliet 359–361, 455 Peterviesnuk 467

R

Ramage, Don 476 Rapson, Robert 444 Rudd, Rick 338–343

S

Scandanavian rug 477 Scythe, Aaron 405–409 Shearer, Duncan 429, 430 Shimaoka, Tatsuzo 471 Smisek, Mirek 319–330 Sottsass, Ettore 473 St Ives 417, 474

Stafford, Toby 447 Stewart, Robyn 403, 404, 457 Stichbury, Peter 334–337, 423 Storm, Graeme 362–364

T

Tippett, Warren 387–398, 436 Tuarau, Marea 435

V

Vandelbosch, Carl 427, 428 Van der Putten, Andrew 331–333

W Waretana 312 Weaver, Chris 433 Wiseman, Merilyn 439 Wolf, Zeke 445 Wright, Wilf & Janet 453, 454

RECENT ART HIGHLIGHTS

BUYERS GUIDE

BEFORE AUCTION

The terms and conditions under which the buyer acts at a sale are detailed at the back of this catalogue. We recommend that you read and understand these conditions of business before registering to bid at an auction. This sale is subject to the conditions of business printed in this catalogue and to the reserves.

Viewing

All lots are available for inspection prior to the sale. Although staff will endeavour to answer your enquiries, and give advice, the final decision to bid, is at your discretion and liability.

Pre-Sale Estimates

The estimated prices printed below the catalogue descriptions are in New Zealand dollars and are the approximate prices expected to be realised, excluding buyers premium. They are not definitive, they are prepared well in advance of the sale and they are subject to revision.

Condition Reports

Dunbar Sloane Ltd will provide a verbal condition report if you would like an opinion on any particular lot prior to purchasing. These must be requested at least 24 hours before the commencement of auction. All goods are sold “as is” and it is up to the buyer to satisfy themselves as to the condition of an item before the auction.

THE AUCTION

Buying at Auction

You are able to bid using the following four methods:

1. Bidding in the Room

To bid at the auction you will need to register for a bidding number at the front desk either during the viewing or prior to the auction. Please bid clearly and promptly using your bidding number.

2. Absentee Bidding

If you are unable to attend the auction, Dunbar Sloane Ltd can bid on your behalf according to your written instructions. This is a free service for intended buyers. Please complete clearly the form at the back of this catalogue and submit it to Dunbar Sloane Ltd at least 24 hours before the sale to ensure it is safely received. Lots will be purchased for you as reasonably as possible, subject to other bids in the room and to reserves.

3. Telephone Bidding

If you are unable to attend the auction, you can elect to bid by telephone (subject to availability). Telephone bidding must be arranged with Dunbar Sloane Ltd prior to the sale and is subject to a minimum lot estimate of $500 or greater. Please note that the auctioneer determines the increments in bidding, not the telephone bidder. We accept no responsibility if for whatever reason we are unable to contact you and as such recommend leaving a covering bid.

4. Live Online Bidding

We offer live online bidding on our website: www.dunbarsloane.co.nz

Registering online does not automatically register to bid, and further identification maybe required, especially if you are an International client.

Selling Rate

Fine Art auctions are generally conducted at the rate of about 60 lots per hour. However, this can vary.

AFTER THE AUCTION Payment

Payment for purchase is due in New Zealand dollars within 48 hours from the date of sale by cash, cheque, eftpos or electronic transfer. Due to the Anti Money Laundering Act we no longer accept cash or cheques for purchases of $10,000 or over. Bank details as follows:

Dunbar Sloane Ltd 06 0501 0524945 00 Swift Code ANZBNZ22

Please include details of sale date and lot numbers with all payments. International clients will need to add an additional $25NZD to cover bank transfer fees.

Collection of Purchases

Property purchased can be collected as soon as full payment has been received. Any items not collected within seven days of the auction may be subject to a storage fee. Insurance (subject to terms and conditions) applies for up to two working days from the date of the sale whilst items are in our care.

Items must be paid for straight away and a second account for courier/freight charges will follow as soon as possible when we have confirmed courier charges.

Packaging and Transportation

BUYERS PREMIUM

The buyer shall pay to Dunbar Sloane Ltd a premium of 18% of the hammer price plus GST on the premium only–effectively adding 20.70% to the hammer price.

We advise buyers to arrange transport and insurance with their preferred provider/s. We accept no responsibility for loss or damage in transit. For smaller items able to be couriered, Dunbar Sloane Ltd can pack and courier for a fee. This is to be paid before the goods leave our premises. We pack with care, however we take no responsibility for damage once your goods leave our premises. It is up to the buyer to arrange insurance to cover any damage or loss in transit.

If you have not bought from Dunbar Sloane before, please read the following notes. Staff will be pleased to answer any questions you may have.

CONDITIONS OF SALE

1.

The highest Bidder is deemed to be the Buyer, and if during the Auction the Auctioneer considers that a dispute has arisen, the Lot in dispute shall be immediately put up again for sale.

2.

The Auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion.

3.

The Seller shall be entitled to place a reserve on any Lot and the Auctioneer shall have the right to bid on behalf of the Seller for any Lot on which a reserve has been placed.

Dunbar Sloane Ltd have the right to withdraw or divide any Lot or to combine any two or more Lots at their sole discretion.

4.

The Buyer shall forthwith upon the purchase give in his/her name and permanent address.

The Buyer may be required to pay down forthwith the whole or any part of the Purchase Money, and if he/she fails to do so,the Lot may at the Auctioneers absolute discretion be put up again and resold.

5.

Each Lot sold by the Seller thereof with all faults and defects therein and with all errors of description and is to be taken and paid for whether genuine and authentic or not and no compensation shall be paid for the same.

Dunbar Sloane Ltd act as agents only and neither they nor the Seller are responsible for any faults or defects in any Lot or the correctness of any statement as the authorship, origin, date, age, attribution, genuineness, provenance or condition of any Lot.

All statements in the Catalogues, Advertisements or Brochures of forthcoming sales as to any of the matters specified in (b) above are statements of opinion, and are not to be relied upon as statements of representations of fact, and intending purchasers must satisfy themselves by inspection or otherwise as to all of the matters specified in (b) above, as to the physical description of any Lot, and as to whether or not any Lot has been repaired.

The Seller and Dunbar Sloane Ltd do not make or give, nor has any person in the employment of Dunbar Sloane Ltd any authority to make or give, any representation or warranty.

In any event neither the Seller nor Dunbar Sloane Ltd are responsible for any representation or warranty, or for any statement in the Catalogues, Advertisements or Brochures of forthcoming sales.

Ltd had considered in the light of the entry in the Catalogue the Lot is a deliberate forgery then the sale of the Lot will be rescinded and the purchase price of the same refunded.

7.

To prevent inaccuracy in delivery, and inconvenience in settlement of Purchase, no Lot can be taken away during the times of sale, nor can any Lot be taken away unless it has been paid for in full.

All lots are to be paid for and taken away at the Buyer’s expense within two working days from the sale. Purchases, whilst in our care, will be insured for this period (subject to terms and conditions).

8.

On failure of a Buyer to take away and pay for any Lot in accordance with Condition 7, Dunbar Sloane Ltd reserves any other right or remedies.

To resell the Lot or cause it to be resold by public sale, any money paid in part payment being forfeited, any deficiency attending such resale after deducting all costs incurred in connection with the Lot to be made good by the defaulting Buyer, and any surplus to be the Seller's or: To store the Lot or cause it to be stored whether at their own premises or elsewhere at the sole expense of the Buyer, and to release the Lot only after payment in full of the purchase price together with interest there on of 5% above Bank minimum lending rate, the accrued cost of removal, storage and insurance (if any) and all other costs incurred in connection with the Lot.

The Buyer shall pay to Dunbar Sloane Ltd a premium of 18% on the hammer price together with GST at the standard rate on the premium, and agrees that Dunbar Sloane, when acting as agent for the Seller, may also receive commission from the Seller.

6.

Not withstanding any other terms of these conditions, if within 7 days after the sale Dunbar Sloane Ltd have received from the Buyer of any Lot notice in writing that in his view the Lot is deliberate forgery and within 9 days after such notification, the Buyer returns the same to Dunbar Sloane Ltd in the same condition as at the time of sale and satisfies Dunbar Sloane

If the Lot has been in store pursuant to (ii) for more than 6 months, to remove the Lot from store and to exercise the right set out in (i).

Dunbar Sloane Ltd 94 Featherston Street Wellington CBD www.dunbarsloane.com