Instrumentierung des Schubert’schen Liederzyklus mit sieben neuen Liedern nach Emily Dickinson
Instrumentation of Schubert’s Song Cycle with Seven New Songs after Emily Dickinson
Edition Breitkopf 9512 für Tenor und großes Ensemble for Tenor and Large Ensemble
Klavierauszug | Piano Vocal Score
Instrumentierung des Schubert’schen Liederzyklus mit sieben neuen Liedern nach Emily Dickinson
Instrumentation of Schubert’s Song Cycle with Seven New Songs after Emily Dickinson
für Tenor und großes Ensemble for Tenor and Large Ensemble
Klavierauszug | Piano Vocal Score
Edition Breitkopf 9512
Auftragswerk des ensemble KONTRASTE Nürnberg, der Casa da Música Porto für das Remix Ensemble, des Wiener Konzerthauses für das Klangforum Wien und weiteren Auftraggebern tbc.
Uraufführung
Christoph Prégardien, Tenor | ensemble KONTRASTE | Gregor A. Mayrhofer, Dirigent 6. Oktober 2024 | Tafelhalle Nürnberg
Spieldauer
ca. 85 Minuten
Klavierauszug der Dickinson Lieder I–VII von Piotr Kołodziej.
Co-commissioned by ensemble KONTRASTE Nuremberg, Casa da Música Porto for Remix Ensemble, Vienna Konzerthaus for Klangforum Vienna and other commissioners tbc.
World Premiere
Christoph Prégardien, Tenor | ensemble KONTRASTE | Gregor A. Mayrhofer, Dirigent Oktober 6, 2024 | Tafelhalle Nuremberg
Duration
approx. 85 minutes
Piano Vocal score of the Dickinson songs I–VII by Piotr Kołodziej.
Ausgewählte Gedichte von | Selected Poems by
Emily Dickinson (1830
I. What mystery pervades a well
What mystery pervades a well!
The water lives so far –A neighbor from another world Residing in a jar
Whose limit none have ever seen, But just his lid of glass –Like looking every time you please In an abyss‘s face!
The grass does not appear afraid, I often wonder he Can stand so close and look so bold At what is awe to me.
II. His mind of man, a secret makes
His mind of man, a secret makes I meet him with a start He carries a circumference In which I have no part –
Or even if I deem I do He otherwise may know Impregnable to inquest However neighborly
III. Volcanoes be in Sicily
Volcanoes be in Sicily And South America
I judge from my Geography Volcanos nearer here
A Lava step at any time Am I inclined to climb
A Crater I may contemplate Vesuvius at Home.
IV. These Fevered Days
These Fevered Days — to take them to the Forest Where Waters cool around the mosses crawl — And shade is all that devastates the stillness Seems it sometimes this would be all —
V. Impossibility, like Wine
Impossibility, like Wine
Exhilarates the Man Who tastes it; Possibility Is flavorless — Combine
A Chance‘s faintest Tincture And in the former Dram Enchantment makes ingredient As certainly as Doom —
VI. Art thou the thing I wanted
Art thou the thing I wanted?
Begone – my Tooth has grown –Supply the minor Palate
That has not starved so long –I tell thee while I waited
The mystery of Food Increased till I abjured it And dine without Like God –
VII. The Waters chased him as he fled
The waters chased him as he fled, Not daring look behind; A billow whispered in his Ear, „Come home with me, my friend; My parlor is of shriven glass, My pantry has a fish For every palate in the Year,“ To this revolting bliss
The object floating at his side
Made no distinct reply.
THE POEMS OF EMILY DICKINSON: VARIORUM EDITION, edited by Ralph W. Franklin, Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College.
Copyright © 1951, 1955 by the President and Fellows of Harvard College.
Copyright © renewed 1979, 1983 by the President and Fellows of Harvard College.
Copyright © 1914, 1918, 1919, 1924, 1929, 1930, 1932, 1935, 1937, 1942 by Martha Dickinson Bianchi. Copyright © 1952, 1957, 1958, 1963, 1965 by Mary L. Hampson.
Franz Schubert
Text: Wilhelm Müller
Instrumentation: Johannes Maria Staud
TagundNacht,ist
q ~ 48 Langsam, geheimnisvoll
Johannes Maria Staud
Text: Emily Dickinson
Streicher: Rauschen (Saiten am Saitenanfang mit flach
Akkordeon in Partitur
Weitere Werke bei Breitkopf & Härtel | Further works at Breitkopf & Härtel
Hans Zender (1936–2019)
Schuberts „Winterreise“
Eine komponierte Interpretation für Tenor und kleines Orchester | A Composed Interpretation for Tenor and Small Orchestra 1993
Text von | Words by Wilhelm Müller
Dauer | Duration 85’
Klavierauszug vokal von | Vocal Score by Christophe Barwinek
EB 9394
Hanns Eisler (1898–1962)
Ernste Gesänge
für Bariton und Streichorchester | for Baritone and String Orchestra 1961/62
Texte von | Words by Stephan Hermlin, Friedrich Hölderlin, Giacomo Leopardi, Helmut Richter und Berthold Viertel
Dauer | Duration 15’
Klavierauszug vokal von | Vocal Score by Tobias Faßhauer
DV 6089
Siegfried Matthus (1934–2021)
Die Weise von Liebe und Tod des Cornets
Christoph Rilke
Eine Opernvision nach Rainer Maria Rilke | An Opera
Revision after Rainer Maria Rilke 1983/84
Text von | Words by Siegfried Matthus
Dauer | Duration 100’
Klavierauszug vokal | Vocal Score
DV 6139
Udo Zimmermann (1943–2021)
Weiße Rose (1984/85)
Szenen für 2 Sänger und 15 Instrumentalisten | Scenes for 2 Singers and 15 Instrumentalists 1984/85
Text von | Words by Wolfgang Willaschek
Dauer | Duration 75’
Klavierauszug vokal von | Vocal Score by
Horst Karl Hessel
DV 6140
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