PB 5432 – Lachenmann, Marche Fatale

Page 1

Helmut Lachenmann

Marche fatale Fassung fĂźr groĂ&#x;es Orchester Version for Large Orchestra

Partitur | Score

Partitur-Bibliothek 5432



Helmut Lachenmann

Marche fatale Fassung fĂźr groĂ&#x;es Orchester Version for Large Orchestra

Partitur | Score

Partitur-Bibliothek 5432 Printed in Germany



Marche fatale Auftragswerk der Oper Stuttgart

Besetzung | Orchestration

Piccolo 3 Flöten | 3 Flutes 3 Oboen | 3 Oboes 3 Klarinetten in B | 3 Clarinets in B flat 3 Fagotte | 3 Bassoons Kontrafagott | Double Bassoon 4 Hörner in F | 4 Horns in F 3 Trompeten in B | 3 Trumpets in B flat 3 Posaunen | 3 Trumpets Tuba Pauken | Timpani Schlagzeug I | Percussion I „Beckenklavier“ (= 5 Becken in verschiedenen Helligkeiten von hoch bis tief), Beckenpaar | “Beckenklavier” (= 5 Cymbals with different brightness levels from high to low), Pair of cymbals Schlagzeug II | Percussion II Kleine Trommel, Tamtam (mittel) | Side-drum, Tam-tam (medium) Schlagzeug III | Percussion III Röhrenglocken, Tamtam (tief), Große Trommel (tief) | Tubular bells, Tam-tam (low), Bass drum (low) Schlagzeug IV | Percussion IV Große Trommel mit Becken, Große Trommel (tief) | Bass drum with cymbal, Bass drum (low) Harfe | Harp Celesta | Celeste Violine I | Violin I Violine II | Violin II Viola Violoncello Kontrabass | Double Bass

Aufführungsdauer | Performing Time etwa 8 Minuten | approx. 8 minutes

Uraufführung | World Premiere

Württembergisches Staatsorchester Stuttgart / Sylvain Cambreling (Dirigent | Conductor) Stuttgart / 01/01/2018

Breitkopf PB 5432

III


IV

Helmut Lachenmann

Marche fatale ist eine unvorsichtig gewagte Eskapade, sie dürfte den Kenner meiner Kompositionen mehr irritieren als meine früheren Werke, von denen nicht wenige sich erst nach Skandalen bei ihrer Uraufführung durchgesetzt haben. Meine Marche fatale hat allerdings stilistisch mit meinem bisherigen kompositorischen Weg wenig zu tun, sie präsentiert sich hemmungslos wenn nicht als Rückfall, so doch als Rückgriff auf jene Floskeln, an welche die moderne Zivilisation in ihrer täglichen „Gebrauchsmusik“ nach wie vor sich klammert, während doch die Musik im 20. und 21. Jahrhundert längst zu neuen, ungewohnten Klanglandschaften und Ausdrucksmöglichkeiten vorgedrungen ist. Das Schlüsselwort heißt „Banalität“. Als Kunstschaffende ver­achten wir sie, versuchen wir, sie zu meiden – obwohl wir auch innerhalb neuer ästhetischer Errungenschaften vor dem Billig-Banalen nicht sicher sind. Viele Komponisten haben sich gelegentlich des Banalen angenommen. Mozart schrieb Ein musikalischer Spaß, ein bewußt „dilettantisch mißglücktes“ Sextett. Beethovens Bagatellen op. 119 wurden vom Verleger abgelehnt, mit der Begründung: „Daß dieses Werkchen von dem berühmten Beethoven sey, werden wenige glauben.“ Mauricio Kagel schrieb, gleichsam augenzwinkernd, Märsche, um den Sieg zu verfehlen, Ligeti schrieb Hungarian Rock, Strawinsky zitierte und verzerrte in seiner Circus Polka den berühmten, seinerzeit vierhändig komponierten, allzu beliebten Schubertschen Militärmarsch. Ich selber weiß allerdings nicht, ob ich meine Marche fatale neben diese Beispiele einreihen soll: ich akzeptiere den Humor im Alltag, zumal dieser für manchen unter uns wohl anders nicht zu ertragen ist. In der Musik mißtraue ich ihm, halte mich dafür umso enger an die tiefere Idee des Heiteren, die mit Humor wenig zu tun hat. Indes: Ist ein Marsch mit seinem kollektiv in kriegerische oder festliche Stimmung zwingenden Anspruch nicht a priori lächerlich? Ist er überhaupt „Musik“? Kann man marschieren und zugleich hören? Ich habe mir irgendwann vorgenommen, das „Lächerliche“ als entlarvendes Wahrzeichen unserer am Abgrund stehenden Zivilisation ernst – vielleicht bitter ernst – zu nehmen. Der – wie es scheint unaufhaltsame – Weg ins schwarze Loch alles lähmenden Ungeistes: „das kann ja heiter werden“. Meine alte Forderung an mich und meine musikschaffende Umgebung, eine „Nicht-Musik“ zu schreiben, von wo aus der vertraute Musikbegriff sich neu und immer wieder anders bestimmt, so daß der Konzertsaal statt zur Zuflucht in trügerische Geborgenheiten zum Ort von geist-öffnenden Abenteuern wird, ist hier – vielleicht? – auf verräterische Weise „entgleist“. Wie konnte das passieren? Der Rest ist – Denken.

Marche fatale is a incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily “utility” music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is “banality.” As creators we despise it, we try to avoid it – though we are not safe from the cheap banal even within new aesthetic achievements. Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spaß [A Musical Jape], a deliberately “amateurishly miscarried” sextet. Beethoven’s Bagatellen op. 119 were rejected by the publisher on the grounds that “few will believe that this minor work is by the famous Beethoven.” Mauricio Kagel wrote, tongue in cheek, so to speak, Märsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn’t a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even “music” at all? Can one march and at the same time listen? Eventually, I resolved to take the “absurd” seriously – perhaps bitterly seriously – as a debunking emblem of our civilization that is standing on the brink. The way – seemingly unstoppable – into the black hole of all debilitating demons: “that can become serene.” My old request of myself and my music-creating surroundings is to write a “non-music,” whence the familiar concept of music is repeatedly redefined anew and differently, so that “derailed” here – perhaps? – in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is – thinking.

Breitkopf PB 5432

(Helmut Lachenmann, 2017)


Marche fatale

Marche fatale

Fassung für großes Orchester | Version for Large Orchestra Helmut Lachenmann, 2016–18 Helmut Lachenmann, 2016/17/18

Fassung für großes Orchester

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Unverkäufliches Mietmaterial Partitur-Bibliothek 5432 Weitervermietung und Vervielfältigung jeglicher Art sind verboten! Einzeichnungen sind nur mit weichem Bleistift gestattet. Wir sind in anderen Fällen genötigt, Schadenersatz zu verlangen. Alterations, cuts or markings only with pencil. Otherwise we will claim damage compensation in addition to the rental fee.

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2018 by Breitkopf & Härtel, Wiesbaden © 2018 by ©Breitkopf & Härtel, Wiesbaden Printed in Germany


Helmut Lachenmann Helmut Lachenmann

2 2 8 Picc.

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3

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 

ff

ª

            ª    ñ         

   



¡  Vl. I     Vl. II

   

8

Cel.

   

 

Beckenklavier



mf

     

34 5

a2

  ªª  ñ ñ ñ       

¡  Pk. ¢ 

Schl. II

(Kl. Tr.)

ff

         

Leseprobe 

Schl. I

  

ff

¢

 ff  ñ     ñ ñ     

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Tuba

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 

f

 

Pos.

f

 ¡   

Hn.

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3.

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1.2.

    

                        ff f



3.

mf

  

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  

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 

 

 

 

 

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cantabile

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ff

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Wb. 2818 Breitkopf PB 5432

ñ ñ   

 

ff

 

 

ff

   

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3


Helmut Lachenmann

44

Helmut Lachenmann 22 Picc.

¡

   8

  

Fl.

ª ª

   

(a 3)

Ob.

Klar.

   

1.2. Fag.

  

3.

Kfg.

 



3.

  ¢ 

1.3. Hn.

Trp.

Pos.

Tuba

¢



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Schl. I

¡  ¢ 

¡

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Schl. II

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1.2. 3.

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2.3.

mp

mp

1.

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leggiero

ñ ª   2.3. 

sfp

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Vl. II

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Leseprobe 

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            

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    ñ        ª             

ff

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2.4.

         

8

¡

              



1.2.

 

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f

ª

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f

f

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ñ 

appassionato

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appassionato

   

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pizz.


Marche fatale Marche fatale 29

¡  Picc.    8

        

Fl.

         

Ob.



Klar.

  ñ             

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f

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Fag.

Kfg.

     

3.

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8

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ñ              

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Trp.

 

Pos.

Tuba

¢

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Schl. I

 

                                        ñ

ff

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            ñ            

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

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f

 

 

marcato ma legato

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 

 

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a3

ff

f

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 cresc.

 ª   ñ

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ff

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        3.   ñ  ª     ª      

 

ñ   

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1. solo ff

ñ   ª

f

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ff

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¡

f

¡  Pk. ¢ 

  

Leseprobe

 

 

 

ff

f

  

ff

ñ             

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ff

f marcato ma legato

¡  1.3.   2.4.





  ¢  

Hn.

a3

f

1.2.

  ª       ª    

55

1.2.



 ª   ñ

ff a2

       

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ff

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ª

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             2.

1.

    

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3.

ff

ff

Sample page

  { 

 {   8

¡  Vl. I     

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

       ñ

Schl. II

 Schl. IV ¢ 

 

Schl. III

Hfe.

Cel.

Vl. II

Va.

 

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   

   

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   

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Breitkopf PB 5432 Wb. 2818

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66

Helmut Lachenmann Lachenmann Helmut 36

¡8  Picc.       

(a 3)

Fl.

 

       

     

ff

                    ñ    

           

Ob.

Klar.

Fag.

Kfg.

       



     

  ª

   ¢ 

 

   ñ



8

¡  (a 2)   1.3.   Hn.



2.4.

 

Pos.

Pk.

Schl. I

Schl. II

Schl. III

¢

      

   

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ff

 

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¡

  

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

¾ ¾

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 





3 3 3              ñ   ñ          

  ª  ª 

 ñ



    

   

   

f

f

    p

  

ª 



p

  

       

a3

ff

 

   

  

    

  

    

          f    

fff

fff

¢

  Hfe. {  

 {   8

Cel.

¡  Vl. I    Vl. II

Va.

 

       

            

        

   



   Kb. ¢ 



Vc.

8

  

  f

ª 

ñ  

 ª

ñ 

f

f maestoso















p

    

p, ma distinto

ff





     

3

3

       

3

3

           



3

3



 

 

      5   A  fff

3 3        3                                

ff

 

    

3

     

ff

ff



Gr. Tr. m. Bck.

Schl. IV

 

f

ff

       

      

       

fff ff

3

3

3

                    

 



 



ff

3



fff



fff

Breitkopf PB 5432 Wb. 2818



f non troppo

       

       

fff ff

f

     

 

       

   



f

 

Sample page 

ñ     fff

 

f maestoso

p

 ff

f

¾ ¾

f maestoso

f

 

ff

 

 

ª

 

 

ff

¡  ¢ 

Kl. Tr.

a3

 

ñ 1.2.    ª       3.           

  a 3   

  

  

Leseprobe 

      ª   ñ

         

ff

 

 ª 

ñ        



             

        3. ff 

1.2.

   

        

Trp.

Tuba

  

       fff

ff

   

quasi maestoso

  

       

  

  

       

  

  

       

  

















f

f

ª

ñ 

ª

ñ 

f maestoso

f maestoso

f


Marche fatale Marche fatale 43

¡  Picc.    8

   

1.2. Fl.

  

       

3.

   

Ob.

  



  



Fag.



     

 





f

 

Pos.

Tuba

Pk.

Schl. I

¢

            

  

   ª 



 



¡  ¢  ¡

Schl. II

Schl. III

Schl. IV

 ª

¢

   

     

  





          

   

       

     

  

  

     

1.





  

 



    

  

ff

 



2.3.

f

ª

3

3

3

 

   

     

        

    

     





  

  

 ñ

ª 

  

    

       

  

 

ff

ff

f







ª



sf

ª

 ñ

ª

ñ 

 

    

 

 

   

3

 

p

   

    

 







 







p

ª

ffp

sf

ª

sf

Breitkopf PB 5432 Wb. 2818

3

3

3

3

       

¾¾   ªª

ª  ¾ ª ¾

ff

   ª 

     

       

ff

ff

p

          





 

p

 

ff

f

¾ ¾ 



fff

¾ ¾ 

¾ ¾ 



fff

 

fff



ª

 ñ

f

  ff

ª

 ñ

ª

 ñ

 

  

    

 

 

Sample page  

     

   

sf



ff

ff

ff



      a2      

 

ff 3

   

     

 

   

 

ff

ff

        

       

8

 

ff

f

      



3

 

    

ñ   

       

                           

f

           

   ª Kb. ¢ 

3

 

ª

     

Vc.

3

ff



   

       

        



       





a3

       

Va.

3

   

    ¡      Vl. I     Vl. II

3

 

 

  

  

(Gr. Tr. m. Bck.)



 

(Kl. Tr.)



ff

3

3

       ª    

Leseprobe

ff

          

a2

  

  

     

Trp.



  

 



    

       

2.4.

ff



¡   

Hn.

ff

     

8

1.3.





  

f

  ª Kfg. ¢ 

ff



  

     

  



  

ff

Klar.



77



ff



ff

       

   ÒÓ fff

fff

  


88

Helmut Lachenmann Lachenmann Helmut 50

¡8  Picc.   

            

Ob.

Klar.

Fag.



         

 

         

   ¢ 

1.3. Hn.

 ª

Schl. IV

¡

 ª

    

     

  ñ



    ñ

   

 

a2

  

  

 



 ª



        

  ñ





¢

     

(Gr. Tr. m. Bck.)

¡  Vl. I      

   



        

 

  

  

 

 

 

  

 

  

   

    

  

             





 







   



 

 

 

  

  

  



  

          

a3

 





 

   

  

 

         3.            ¾¾  ¾¾ ¾

12 34 5

ff

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… 

Sample page   

  

 

(tiefe) Gr. Tr.

  

f

  ff

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f

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( ff )

( ff )

   ¢ 

( ff )

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Wb. 2818

ff

       

        f ff    

       

f

       

f

Breitkopf PB 5432



         ff

ff

ff



   ¾

Tamtam (mittel)

ff

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¾ ¾

p

… 

 ¾¾ª

 …  

ff

ff

3

1.2.

  

8

a3

Leseprobe ñ          ñ

Kb.



8

Vc.

   

 {  

Va.

 

Vl. II

  

  

        

Beckenklavier

  Hfe. {   Cel.

 

   

       

f

Schl. III

   

  

     ñ        ñ    

¡  ¢ 

Schl. II

 

 

   

     



Schl. I

        

  

       

   Tuba ¢ 

Pk.

        

 

  ñ  

   

Pos.

        

   

 

      

          

Trp.

    



        

2.4.

  

  ñ

 ª

8

¡

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            

Fl.

Kfg.

  

ff

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Marche fatale Marche fatale 57

¡  Picc.    8

       

Fl.

ff

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Ob.

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a3

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Klar.

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1.2.

  

3.

¢

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ff

    8

¡  1.3.   

2.4.

Pos.

Tuba



¢

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  

a3

ff

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Schl. I

¡ 12

34 5

( ff )

Schl. II

ª 

   

Röhrenglocken

Schl. III

Schl. IV

Hfe.

Vl. I

 { 

     ¾¾ ª

    

Va.

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 ª   ñ ñ              1.2.       3. ff

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unis.

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Breitkopf PB 5432

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6

                

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Vl. II

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ff

 ª …  …  – –  —  — – —  ñ

  { 

       

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f non troppo, ma distinto

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hart geschlagen

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8

Cel.

ñ 

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f

(Beckenklavier)

        

ff

f

¡  Pk. ¢    

ff

            

ñ                   

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ñ     

a3

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ñ              ff   

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Hn.

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Fag.

Kfg.

   

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

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99

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        

détaché

ff

     

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

3

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3

 


10 10

Helmut Lachenmann Lachenmann Helmut 64

Picc.

¡    8

    

(2.3.)

Fl.



  

Ob.



Klar.

 

       

 

f

ª

f

        Kfg. ¢  ¡    1.3.  

     

   

          

  

2.3.

8

Hn.



2.4.

Trp.

3.



 

Pos.

¢

 

  

 

¡   Pk. ¢  Schl. I

¡ 12

Schl. II

      …

(Beckenklavier)

34 5

f

¢

 Hfe. {  

 { 

8

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 ñ

    

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

f a3

 





… ñ 



f

f non troppo

Vc.

Kb.

¢

  8

 



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 

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        

   ñ    ª     ª ñ    ª     ª 

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      ff 2.3. ff

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ñ  

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 ª  ª

   ñ    ñ

Breitkopf PB 5432 Wb. 2818

  

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Tamtam: Metallstab auf scharfer Kante

ñ  

         ¾¾  ¾¾ ñ ñ   

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          ñ                         ñ     ff ñ                ff               ñ ñ    ñ         

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ff

 

1.



ff

   

a2             f                             ª ñ              ª   ñ

  

 

f



   

 

 

          

  ñ  ñ 

Sample page

           

 

 

  

f

détaché

Va.

détaché

 

f

  





¡          Vl. I    Vl. II







fff



Leseprobe 

Gr. Tr. m. Bck.

Schl. IV

   Solo             

a2

 (Röhrenglocken)     

Schl. III



f

      

1.2.

Tuba

       

        ñ    

Fag.

a3

f

           

1.

  ñ 

                         ñ  3

3

3

3

3

3

3

3

3

3

                      ñ  3

3

   

          ñ 

ñ  

ff

ñ  

ff


Marche fatale Marche fatale 71 Picc.

¡

8



    

Fl.

Ob.

  

 







Leseprobe



    

     

fff



f a3

 

mf

1. 2. ¾     ¾

sfpp (1.2.)

¾ ¾

(sf) 1.3.

(sf) 2.3.

2. 3.

Zwerchfell-Akzente, nicht absetzen



 

 



¡   ¢ 



¢

¡

 Kl. Tr.

Schl. II

Schl. III

Schl. IV

¢

Vl. I

1.¾3. ¾

     

Pos.

Cel.

mf

 



Hfe.



Schl. I

¡    

Pk.

Tuba

 

    8

Trp.

  

2.4.



   

Hn.

Fag.

1.3.





¢

Piano, ma non troppo (Mahler: „piano, aber bestimmt“)



      

Klar.

Kfg.

11 11

  

 

3

   

pp

Sample page 

ñ    …



 {  



¡

 

pizz.  

Vl. II



    

Va.

 

pizz.

 

f

Vc.

 

Kb.

   

8

pizz.

    ¢

ñ    … p 

  

3

   

 

8

{

3

   

arco salt.

 

 

pizz.

 mp

p



p

p

p

p

 

ñ    … 

 

  

Breitkopf PB 5432 Wb. 2818

    

 

 

  

    

 

f

 

p

arco

 

p

div. a 3



arco

fp

 

mf espr.



  


12 12

Helmut Lachenmann Lachenmann Helmut 78

¡  Picc.    8

  

     

Fl.

  

Ob.

Klar.

  





 

 ª 

  

 

  

Akzente nur mit Zwerchfell sfp 1.

sfp

p

+3. p

   +2. p

 



 

    f

p cresc. espressivo

  

  Kfg. ¢ 

¡   

 

Fag.



Hn. 2.4.

Schl. I

   

¡  ¢  

¡

 

   

¢

¢

{

     

 

   

arco

Vc.

Kb.

   ¢  8

p

 

 

 

1.

pp Akzente nur mit Zwerchfell

   

fp



 

p

  

p



ñ    ñ

  ªª

+3. pp

ff

Kl. Tr.

¾ ¾

¾ ¾

pp

¾ ¾

mf

 

 f



 

 ª 

   



 













¾ ¾

¾ ¾

¾  ¾

¾ ¾

¾  ¾

¾ ¾

¾  ¾

¾ ¾

¾ ¾

¾  ¾

¾ ¾

¾  ¾

¾ ¾

¾  ¾

ª

p cresc.

p cresc.



p

 ñ

 

 

fp



fp

Breitkopf PB 5432 Wb. 2818

¾ ¾

 

 

 

 

   +2. pp

  

 

 

  



3. Akzente nur mit Zwerchfell

 

p

      

Akzente nur mit Zwerchfell

  

 

 

arco



  

 

Sample page

¡  Vl. I   

 

1.2.

Va.

 {  

Vl. II

  p

Leseprobe

 

8

Cel.

Schl. III

Hfe.

Schl. II

Schl. IV

Pos.

Pk.

  

Trp.

Tuba

 3.

8

1.3.

 


Marche fatale Marche fatale 85

¡  Picc.    8

Fl.

Ob.

  

  

 

Klar.

  

 ª ª

f

     

Fag.

ñ       ñ

a3

¢

  

 

 

f

¡   1.3.    

  ª

  

ª

Hn. 2.4.

  

Trp.

dolce

f

  f

   

ñ 

  ª  

   ñ      

 



 

 

 

sfp

       

   Tuba ¢ 

¡  Pk. ¢  

Schl. I

 

Schl. III Schl. IV

¢

Cel.

{

Vl. II

 

ÒÓ 

                  ¢   8

f



  

f poco marcato 1.

2.3.

 

f

f

  f



3.

–



   

   

Gr. Tr.

 

 

ff

 

 

ff

  

 

 

ff

 



a3 pp

pp

p

ff

p

   

ff

 

–  — …

p

p

Wb. 2818

 

ponticello

ponticello

ponticello

pizz.

pizz.

 

 

pp

¾ ¾

¾ ¾

¾ ¾

pp

¾ ¾

¾ ¾

¾  ¾ pp

¾ ¾

¾ ¾

¾ ¾

¾ ¾

¾ ¾

arco ponticello

pp

   

¾ ¾

pp

arco ponticello

 

 

  

f

…

 

Breitkopf PB 5432

p

mf

 

¾ ¾

…

p

 …

1.

p

non troppo

p

 

¾ ¾

¾ ¾

p



mp poco marcato

fff



    



Beckenklavier

 

2.

12 34 5

  

f

 



  

f poco marcato

Sample page 

ff

f

Kb.

 

 {   8

f

Vc.

sfp

 

3.

 

 

f

 

f

Va.

 

   

¡  Vl. I   

  

sfp

   

Hfe.

 

  

1. p



p

¡

Schl. II

 

Pos.

p

          

 



Leseprobe 

 ñ

Akzente ohne abzusetzen, mit Zwerchfell 1.2.3.

f

sfp

8

   

f

Kfg.



sfp



13 13

f

f

f

f

f

8 


14 14

Helmut Lachenmann Lachenmann Helmut 92

8

Fl.

Ob.



     

  



Klar.

pp

    

 



      

Fag.

1.2.

  

¡  1.3.   

Kfg.

¢

Hn.

8

  

2.4.

Pos.

1.

 

Pk.

¢

3. mp espr.

 

    

p

¡   ¢  

¡ 12 (Beckenklavier)  34



5

 Schl. III  Schl. IV ¢  Schl. II

Hfe.

          

{

8   Cel. {    

Vl. I



 

 

¾ ¾ 

1.2.

f

 

 

 

fp

 

Leseprobe 2.

 

 



mp, ma distinto 1.2. 3.

 

 





           

 

 



…   

   ªª

…

… 

  

ff

 

 

 

 

 

 

 ª

     

     ¾¾ 

ñ  

ord.

    ¾¾  

ñ   

   

ord.

 

ª

ff

ª

ff

ª

ff

ord.

ª

  ª  ªª

 

  

ÒÓ  ª   ªª 

 ~



p

 Breitkopf PB 5432 Wb. 2818

f





 





  

  

  

f

 

 

 

 

ff

ff

  

 

f

f

f

f

f

ff

 

  2.

 ord.

ff

ff

f

 

p

…

1.

 

p

ñ   

 

 

  ª  3.      3.  

   ª f 2.     f 2.

 

1.2.

p

ord.

8

¾ ¾¾ ¾¾ ¾            ¾¾ ¾¾ ¾ ¾ ¾ ¾

 

ñ  

¢

Sample page 

     ¾¾

Vc.





  

ñ   

Va.

 ¾¾

… 

¡   ¾   ¾

Vl. II

Kb.

  

pp

 

  1.   

p

Schl. I

  

¾ ¾  ¾

 ¾¾

3. p

Tuba

mp

 

¾ ¾ ¾¾¾

¾ ¾

   

Trp.



a3

¡  Picc.    

 ¾

f

 ¾ 

 ¾¾


Marche fatale Marche fatale 99

¡  Picc.    8

  (3.2.)      1.

Fl.

Klar.

Fag.

¢

  ª   3.      

  

8

¡  1.3.    Hn.



 

2.4.

1.



  3.

  

 ªª

f

   

      Tuba ¢ 



¡   ¢ 

¡

Schl. I

¢

Schl. III Schl. IV

Hfe.

Cel.

Vl. I

8

 

Va.



     

Vc.









f

   

 



 

                       

f

  

¢

     8

 ª



 c.s.

frull.

  ¾ p

f

  

     ¾¾ ¾¾

 



3

                 

    ¾

   ¾

      

       

1.2. 3.

f

    ñ  

 

sf

  ¾ ¾

  

 

 

3.



f

p

 

p.d.l.t.

ff





 

 



        6

6

6

  

   

6

ord.

f

 ¾ ¾

¾  ¾

¾ ¾

¾  ¾

¾  ¾

 

ñ ¾ ¾ ¾    ¾ ¾  ¾

¾  ¾

¾ ¾

¾  ¾

¾ ¾

 

p

ñ ¾   ¾ ¾   ¾ p ¾¾ ¾¾ ¾       p

p

¾  ¾

¾  ¾

¾  ¾

¾ ¾

Breitkopf PB 5432 Wb. 2818

¾  ¾ ¾  ¾ 

¾ ¾ ¾  ¾ 

 f

s.s.

 

f

 

f

  ñ     p



3.



 

1.2.

 

   

Sample page

 

f

ñ  

1.

 

  ¾



ª ª

    

Leseprobe a2

p

ª 

3 3 3 3 3 3 ¡   ¾ ¾                          ñ ¾  ¾  3

   

 

 {  

Vl. II

Kb.

         

{

f

Schl. II

sf

   

Pk.

c.s.

Pos.

ff

3.

ff

  

Trp.

2.3.

c.s.

1.2.

ff

     

ff

 

     

Ob.

Kfg.

15 15

f

     

 

  

 

  

sf

 

  



f

 

f

 

  

sf

  

sf


16 16

Helmut Lachenmann Lachenmann Helmut 106 8

Picc.

¡    

    

     

Fl.

sf



Klar.

     (1.2.)

Fag.

(3.)

  Kfg. ¢  8

¡   

Hn.

  

2.4.

 

  

Pos.

Tuba

Pk.

Schl. I Schl. II Schl. III Schl. IV

Hfe.

¢

Vl. I

Vl. II

Va.

¾ ¾ 

 

     4. 

    

  





¡

 

¢

3.

f



 

     

a3

f

sf

   ff

   2.3.  p

   

  

  



f

f

 

 ¾ ¾   

fp



   

ff

p

f



      sf sf



p

 



1.

 

2.3. p ma marcato

    

   p ma marcato



ff

  ff



ff

ff



f

   



f

  

    



 

 

f

 

 

 

 





Breitkopf PB 5432 Wb. 2818

     ªñ ñ  

fff

  

f

  

  

   

   

f

 

 

   

 

    ff



f

ff

   Kb. ¢ 

         

sf

 1. 

   

fff

¡    

mf



      



mf

        

   

Sample page

    ªñ ñ   

8

 



fff

f

fp



 

   

 

 

2.

fff

     

Leseprobe

2. p

     

{

1.

  fff 3.   1.  

ffp

¡  ¢  

¾ ¾ 

 

fp

  

 {   

 

fp

¾ ¾ ¾ ¾  ¾ ¾ ¾    

 

sf

f

   

Vc.

 1.2.: c.s.¾ ¾  ª 1.¾¾  ¾  ¾  2.  f 

8

Cel.

f

p

Trp.

          

f

 

sf

f

    

     

Ob.

1.3.

pizz.

f

f

f

f


Marche fatale Marche fatale poco rit.

115 8

¡  Picc.   

      

Fl.

p



Klar.

1.

2.3.

    

¡         sff



   

2.4.

sff

  

Trp.

 ñ 

sff

     

   ñ

a2

ff

Tuba

Pk.

Schl. I

¢

fp

f

ff

  

fp

Akzente mit Zwerchfell a3



1.



  

 

 

 

    



3

3

a2





p

 

      

3

 

  

f (Zwerchfell-Akzente)

       3

f

Akzente mit Zwerchfell f

f



f

sf



s.s. 1.2.



 

mf dolce marcato

¡

Schl. IV

¢

 {    8

{

Sample page

 



 (abreißen) ff

        p

   

Vc.

ff

¢

     8

 p

 

 

  

 

pizz.

pizz.

 

f

 

 

div. a 3

fp

fp

f



ff

     

Röhrenglocken

f



arco

arco

f

(abreißen)

        

Va.

¡        

Vl. II

      ff

p

Kb.

    

Vl. I

2.

    

Schl. III

Cel.

¡   ¢ 

Schl. II

Hfe.

          

ñ    

(2.3.)

Pos.

a tempo

Leseprobe

    ñ

a2

sff

ñ   

  

1.2.

    

        

p

1.2.

p 1.

8

Hn.

 

  Kfg. ¢  1.3.

 

sff

     

Fag.

ff

  

Ob.

17 17

¾ ¾ª

pp

¾ ¾

¾ ¾ª

¾ ¾

pp

 

(pizz.)

ff

       

                            

f

Breitkopf PB 5432 Wb. 2818

  

 

  p


18 18

Helmut Lachenmann Lachenmann Helmut 123 8

Picc.

¡    

  

Fl.

    

Ob.

1.2.



 

3.

 

  Kfg. ¢ 

8

¡      

2.4.

1. Trp. 2.

Tuba

Pk. Schl. I

¢

Schl. IV

Hfe.

1. mf

  

3



mp

3

3

  p

   

   

3. fp

 

 

         ñ 6

Sample page 

p



mf



f

 

 ¾ ¾

     ¾

¾ ¾

f non troppo

      

 f

 

3



6                         6

6

6

 



 

 

3

  3

1. Pult

 Breitkopf PB 5432 Wb. 2818

p

3



6                               6 6

6

f

 

(tutti)

6

mp

 



mf espr.

f

f

arco



quasi Solo

6

  

6



     



f

3

6             ñ    6

 

6

p, ma distinto



6

3

1.

 (Röhrenglocken)

3

8

3

   

3



     

3

¡   ¾   ¾

¢

 

   

f non troppo

Kb.

 

p, ma distinto

 {  

Vc.



(c.s.)

   {  

Va.



(c.s.)

¢

Vl. II

 

8

Vl. I

  

f

Cel.

 

   

f

 



 

Leseprobe



a3

f

    

Schl. III

 

3

(a 2)

¡  ¢   ¡

Schl. II

 

 

6

     

Pos.

6

p, ma distinto

p espressivo

6

Hn.

1.3.

ñ 6                  6

a3 6 6 ñ             ñ                         6  6

f

 

1.3.

mf

f

Fag.

 

3

3

Klar.

1.2.

  

p, ma distinto

 p

p

8 


Marche fatale Marche fatale 128 8 Picc.

¡    

    

Fl.

3



Klar.

3



    

Fag.

3

1.

1.3.

¢



  



3

8

¡   

Tuba

Pk.

Schl. I

 

  

 

p dolce marcato

 

p

  

dolce marcato

 

 

  

 

  

 

 

 

¡   ¢ 

¡

     

(Röhrenglocken)

Db C§ Bb Eb Fb G§ Ab

             6

¡  Vl. I            p

     

Va.

p

    

Vc.

¢

     8

3









6



6

 





6

6

3

f





6



 



6





6

  

 



6

f

f

f

f

 

3



p

3



3

    

3

3

3

3

 

    

p

3

    





p dolce marcato

     

p

Breitkopf PB 5432 Wb. 2818

     3

3



6





 



3

3

   



6

6

p con passione

f

Gb



(A§)

(tutti)

Vl. II

   

8   Cel. {   

Sample page

¢

{

 

 ª

   

Kb.



   

¢

Schl. III

Hfe.

6 6   1.2. ñ              

Schl. II

Schl. IV

 ª

Leseprobe

p

 

Pos.



1. quasi solo



Trp.

Hn. 2.4.



p

3. fp

Kfg.

 

6

f

p

 

mf

 

   ñ             ñ         2. ñ 6 mf 3.

Akzente mit Zwerchfell



 

        

Ob.

19 19



 ª

     3

3

3

3

     

      3

3

 

 





3

3

   


20 20

Helmut Lachenmann Lachenmann Helmut 134 8

Picc.

¡    

   ª  

Fl.

  

Ob.

Klar.

Fag.

Kfg.

1.3. Hn.

¢

 

fp

a3

  

a3

8

  

3.

Pos.



 

sfp

 

 

    ñ  

ff

sfp

ff

  



ff

sfp

ff

Vl. I

{

  

Ab

Va.

    

Vc.

Kb.

¢

     8

   

  



         

ff

fff

  

   

  

   

   

 ff

              

      ff

 … 

Beckenklavier

3

  3

3

   3

   ª ª

 

 

ff

 …

ff

 …

 … 

Kl. Tr.

   





ñ      





 

  



 

f

3

    

6

 ª

3

12 34 5

6

fp

  

 

          

6

6

¡     ª       

 

Sample page

Vl. II

       

¢

 {  

Cel.

fff



8



      

Hfe.

   

 

    ñ   

Schl. IV

fff

  s.s.         ff  

sfp

   

a3

fff

ñ            



a3

a3

Schl. III

ff

sfp

     ñ    

¡   Pk. ¢ 

Schl. II

¡

fff

ff

   Tuba ¢ 

Schl. I

fff

ñ    

ñ    

 

  

Leseprobe

 

 a3

ñ      

sfp

  

 

Trp.

a3

 



1.2.

 

¡       ª

2.4.

ª

ff

f

 



 

ñ        

ñ       

    ñ  

3

3

 

 

f

ff

f

ff

f

ff

Breitkopf PB 5432 Wb. 2818


Marche fatale Marche fatale poco rit.

141 8

¡  Picc.   

   

 



Klar.

   

Fag.

1.3.



Ob.

Kfg.

    

Fl.

¢

  

   ff

 

ff

   

ff

 

Pos.

a3

   

 

Hfe.

Cel.

Vl. I

  

 

      

(Kl. Tr.)

¢

   

 

  

        

    

  

 

 

ff 1.2.

    

1.                              2.3. 3.

ff

 

 

Kesselschläge: auf Kupfer mit Trommelstock

ff

   

  Resultat:

  

ppp

        sf

ñ          

       

     

ff

ñ        ñ     

ñ      

6

 

  

   

 

mf

 

 

 

 

 

 ªª    ª   ñ











¡

  

  

 

  

p





 

ff



         ff

   ff    ff

  ff

   

   

Gr. Tr.

   sf

  

 



¾ ¾



sf

sf

sf

Breitkopf PB 5432 Wb. 2818



 

¾ ¾ª

 

 

  

¾  ¾ª

¾ ¾

¾ ¾

ff

¾ ¾

¾ ¾

ff

ff

 

ff

f

   

mf

 



¾ ¾

¾ ¾

¾ ¾ª



3

  



Röhrenglocken

  

f

3

       

     



1.2

    

p

f

            

sf

3

  

a2



a2

 

 

p



  

   

p

         

p



 

Sample page ff

 

f

mf

[    

      ñ

 

 

p

8

     

 {  

8

6 6 6

¢

    

   

 

ff

p quasi lontano, ma udibile

 

Leseprobe ff

Vc.

 

 

ñ     ff  ñ     

1.

Va.

 ñ  

     

  

{

 ñ  

assai ff

  

Vl. II

Kb.

    ff

ff

Schl. IV

  

¡

Schl. III

  

 

    ¾¾

¡ Pk. ¢ 

Schl. II

 ¾¾

   Tuba ¢ 

Schl. I

 

   

p

  

Þ   

p

Trp.

 

8

  

ff

            

2.4.

 

ff

¡        

Hn.

21 21

a tempo quasi leggiero


2222

Helmut Lachenmann Helmut Lachenmann poco meno mosso subito

148 8

¡  Picc.      

Fl.

Ob. 3.

Fag.

 

3.

Hn.

¢

  8

ñ  ª              

 

mp

  

f

      

 

 

 mp

   

  

    

 

 ª



  ñ

 



f

mf

¡  ¢  ¡

 

p

 

 

 

 

1.

„keck“

f quasi solo

 

 

ÒÓ  

ff

Db C§ B§ Eb Fb Gb Ab

¡   

  

f

 

 

pizz.

 

ÒÓ

f





 

 

D§ A§

ÒÓ

ff

 

 

 

 

ff

 

 

 

pizz.

 ff

 

pizz.

ff

 

f

p

ff

     

 

Bb

 

 

arco

 f

 

 

 

 

  0 

pizz.

  



 0

 ff

Wb. 2818

Breitkopf PB 5432

 

0

 

       

ff

 

  

  

 

 

f

 

   

  





 

 

 



 

 

ff

ff





  

arco

arco

ff

f

arco

G

arco

f

0

   

f

  

  

  ª

 

 

p



   

          ñ  ª          

p

 

ñ    

a2

Sample page

 





 

solistisch

   ñ   ñ 

 ª ñ  ª  

ñ    

f

 

Gr. Tr. m. Bck.

¢

8

p

¢

 

Vc.

[

f

Va.

Vl. II

{

 

 

 

                      f   ñ                 

     



sf



 ñ  

            ff 

Leseprobe f

¢

f

   ñ

ª

 

 

sf

 

ª ª

    

f

  ñ        

 

Schl. III

Kb.

Schl. II

Vl. I

Pos.

Hfe.

3.

Schl. IV

 (1.)       (2.)    

Trp.

Schl. I

f

 

1.2.

Pk.

¡       

2.4.

Tuba

   

  

1.2.

1.3.

1.2.



Klar.

Kfg.

 Solo       mp      

1.2.

animando, poco a poco

f

 f

ff

 


Marche fatale Marche fatale 155 8

a tempo

¡  Picc.   

   

Fl.



Klar.





 1.2.

¡         

2.4.

f

Trp.

    

3.

    

Pos.

   

3.

 ñ



    

  

 

  

 



 

ª ª

  ñ

 

 



         

ñ 

  ª 

Tuba

¢

 ª



¡  Pk. ¢   ¡

 

Schl. I

Schl. II

  

Schl. III

¢   Hfe. {     8   Cel. {

Schl. IV

¡  Vl. I       

Vl. II

cresc.

   

cresc.

  

Va.

cresc.

 

Vc.

 

cresc.

Kb.

¢

  8

 

cresc.

 

   ñ

ª

  ñ

 

 

  

   ª  ª

 





    

  

 





ñ   ª ª

mf

   ñ 

 ª

ñ  

   

ª 

   



fff

  

            

 

 ñ

3

 ñ

   ñ

3 ñ     

 ñ

   ñ

 ñ

  





  

     

ten. ñ            ñ

p



 

 



 

 ñ



 

 ñ



 

ff

fff

ff

 ¾

 ª

        

 ñ

ff

 ª

ff

 ª

ff

¾

 ¾  ¾

 ¾

 ¾

 ¾

 ¾

 ¾

 ¾

fff

ª

  ñ





fff

  ñ





fff

Breitkopf PB 5432 Wb. 2818

  ñ

¾ 

  



  

  ñ  ñ





Sample page 

ñ   ñ 

                               

 

 

2.3.

fff

ñ   

 ª



ff

 



ª



 

ª ª

mf

ñ 

    

                    3.   ñ

mf

f

 

ª

 

3.

 ª

            

    

Leseprobe 

 a2  

 

 ª

 1.2. 

ff furioso

f

  

    

 

1.2.

1.2. ff

ª

 ñ       

1.2.

       

       

8

Hn.

 ñ

ff

  Kfg. ¢  

1.3.

ff

 ª

      

ff

   

f a3

f

 

Fag.

    

    

  

   

Ob.

23 23

 ª  ª

fff



  

 

  ñ

 ñ

 ñ

  

     


24 24

Helmut Lachenmann Lachenmann Helmut 159 8

Picc.

¡    

Klar.



Fag.

  

1.3.

¢

   8



2.4.

Schl. IV

Cel.

   ¾¾

  ¾¾

   ¾

    ¾

 



 ¾ ñ     ¾¾



 

  

a3

 

 

 

   

mf 1.2. 3.

 

1.

    f

   

  ª mf



ñ     

 

 

  

 

 

ñ     











 

 

 

mf

   ñ

p

  

p

ª  

3.

ñ   ª

 

 

p

p

ñ   

p

 

  

       

 {  

Sample page

¢ 

8

      

Gr. Tr. m Bck.

     ff      ff

    Kb. ¢  8

ff

 

p

f

 

 

 

sff

pizz.

 

sff

 

 

    

  

Breitkopf PB 5432 Wb. 2818

mf

pizz.



pizz.

sff

mf

pizz.



mf

 

 

  

 

mf

sff

pizz.

sff

 

 

  



  

 

    

{

ñ  

1.2.

 

 

             

p

      

  

mf

ffp

  

 

ff

Vc.

ª  



Leseprobe 

mf

fff

ff

Va.

mf



 ¡     Vl. I   Vl. II

 ¾¾



Hfe.

ñ ñ     

 

¡

Schl. II

Schl. III

 ¾¾

a3

fff

  ñ  Tuba ¢    ¡  Pk. ¢  Schl. I

 

ª 

 

      ñ

Pos.

 ¾

 ñ

f            a3                                                           mf ñ  f                     ñ     

      ñ

Trp.

  ¾¾

 ¾

    ñ ª ñ

fff

¡   

Hn.

    ¾

fff

     

Ob.

¾  ¾

fff

   

Fl.

Kfg.

¾  ¾

mf

 

  

  

  

  



 



 

  


Marche fatale Marche fatale

ª

163 8

¡  Picc.      

Ob.

1.2. Klar.



3.

Pos.

Pk.

Schl. I

Schl. IV

  

     

           

¢

   

Vc.

Kb.

  

 

ñ   

 ñ   

 

3.

  

  

    

   ¢ 



a3

  p

  p

ñ  

  p a3   

ñ   

p

ñ  

 

 

 



 

con anima



p quasi dolce

ÒÓ Tutti   arco 

ppp dolcissimo

ppp dolcissimo

< > 

Solo arco

  

 

Solo arco

 

 < > 

con anima



Röhrenglocken

mp, ma distinto

 

p

< > 

  ª   < > 

p dolce marcato

< >     

Solo arco

< >

< > 

< >

  ñ    

 < > < > 

Breitkopf PB 5432 Wb. 2818

ª

  ñ

     

ª ª ª

 

 ñ

f

f

  f

ñ 

ñ     ª

 ª

pizz.

ñ 

   

ñ   ª

 ª

pizz.

ñ    ñ



f

p dolce marcato

   

ñ  

ª

 

f

Tutti arco

 

Solo arco



  

  



p

Sample page  

 

ñ   

 

p

 ª

 

ñ   

 

Leseprobe

    

8

 

    

Vl. I

Va.

 

1.2.

p al niente

   

(Gr. Tr. m Bck.)

   

   

¡    

¡  ¢  ¡

{

   

 

ñ  

¢

  

subito a tempo

    

     8  Cel. {  

Vl. II

poco meno mosso (quasi „religioso“)

ñ     

  



   

Hfe.



     ª

Schl. II Schl. III

  ¢8  ¡  

Trp.

Tuba



3.

  

Fag.

Hn.





  ªª (1.2.)           ñ  (3.)    1.                            2.  p

Fl.

Kfg.

 ª

 ñ ñ 

25 25

 < >  < >

 < > < >  

  

   

f

 

Tutti (pizz.) f

 f

  

  

  

Solo (arco)


Helmut Lachenmann

26

26

170 8 Picc.

¡     

     



      

 

  

 

  

       2.3.

 

 

      8



f

p

Fl.

p

Ob.

p



Klar.

1.

mf

Kfg.

¢

mf

p



2.4.

  ª ª p

    

1.2.

p

Trp.

ff

 

ff

ff

      3.

 

    

p

Tuba

Pk.

Schl. I

¢

¡  ¢  ¡

Schl. II

    

Schl. III Schl. IV Hfe.

p

¢

Vl. I

Vl. II

 

f

Tutti arco

 

Tutti arco

     

mf

 

Vc.

mf

Kb.

¢

  8

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ª

       

ff

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ff

ff

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ff

 ff

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fff

Wb. 2818 Breitkopf PB 5432

ff

a3 ff

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ff

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 

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ff

fff

        ¾ ¾ ¾ ñ

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  ñ     ª 

   

ñ       



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ff

ff

 

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Sample page

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ff



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  

 

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

ñ ñ                     

ª

mf

Va.

Leseprobe       

Tutti arco





mf

   3.  

 {        

  

1.2.

  

¡

 {   8

Cel.

  

(Röhrenglocken) mf f

 

f

p

Pos.

ff

        1.2.

 

f

3

3.

ñ   ª       f   ª    ñ  f ñ       ª     

¡  a2  ª 1.3.   Hn.



f

mf

Fag.

ñ   

ª



Helmut Lachenmann      ñ      ñ ff       ÒÓ      ñ                                                                 ñ                       fff                               ñ a3                                                             ñ fff ff ñ            a3                                                                 ñ                                  ff fff           a3                       ff        

 

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ñ          

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Marche fatale Marche fatale maestosissimo

176 8

¡  Picc.   







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1.2. 3.

¡   1.3.  

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            

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Pos.

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(a 3)

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8

Cel.

Vl. I

Vl. II

Va.

¡              

        Kb. ¢  Vc.

8

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ff

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mf

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ff



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    

   

 

           

    

   

 

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ff

 

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 

 

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 

 

  

     

 

 

 

 

 

 

     

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 

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 

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Sample page

¢

 



Gr. Tr. m. Bck.

Schl. IV

          

 ª

ff

 

 

Leseprobe

   ff

Kl. Tr.

Schl. II

 

 

ñ 

 ª

¡  Pk. ¢  Schl. I

ñ   ñ  

ñ 

ª 

ff

   Tuba ¢ 

ff

 

ff

fff



2.4.

fff

 

             

ff

8





ª  ª

   Kfg. ¢ 

Hn.

   

Fag.

ff

    

Ob.

     

  

Fl.

con tutta la forza

27 27

  

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fff

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

ª



Breitkopf PB 5432 Wb. 2818


28 28

Helmut Lachenmann Lachenmann Helmut

 ¡       Picc.  182 8

   

Fl.

   

Ob.

   

   Kfg. ¢  8

1.3.

¡

Hn.

  

a2

 a2  

2.4.

3.

Pos.

Tuba

Pk.

Schl. I

Schl. II

Schl. III

Schl. IV

¢

ª



3

3

3

  

3

 

 

                              3 3  ñ  ñ ñ                            3

3

3

3

3

3

ª

 

 

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3

3

3

3

3

3

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ff

3

     

3

  ñ

  

 

3 3  3 ñ           (      )            ñ  3 3 3 3

 















 

 

 

3

3

3

3

3

   

  

 

 

 

 

 

 

 

div.

ff



ª





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

ff

ff

 

ff

  



 

 

 

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div.

3

ff

 

div.

3

 ñ

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 

3

      



                       

Sample page 

3

 ª

 

3           ñ              3 3 3 3 ff furioso       ª

ff furioso

3

 ¡  Vl. I     





      

   (Kl. Tr.)          

ff

3

3

3



(Gr. Tr. m. Bck.)

3

3

                                    

     ¡  ¢  ¡

3

3

                  

  

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3

  

  ª  ª

 



3

3

3

 

   

ñ ñ          ñ ñ                3

3

Leseprobe

ff

3



3 3

3

3

3

3

                                  



3

3

ñ3                                        

   

ff

3

        3 3 ñ  ñ ñ                     ñ                 3 3



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ÒÓ

 

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    Kb. ¢ 

ff





1.2. 3.

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 Cel. {  

Vc.

1.



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8

Va.

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                                     ñ ª     ª    

  { 

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1.2. 3

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2.3.

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ff 1.2.

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(1.2.)       (3.)

Fag.

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











8

Breitkopf PB 5432 Wb. 2818

3

3

   

3

3

3

3

3



  ª



 

3

 ñ


Marche fatale Marche fatale 187 8

¡  Picc.   

Ob.

¢ ¡

Hn.

Trp. 3.

Pos.

Schl. II

Schl. III

Schl. IV

Hfe.

 

8

    

Va.



¢

 

 

   

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¡  ¢  ¡   ¢

 

  ª



 

    Kb. ¢  8

3 ñ          ñ

ñ  ñ                        ñ

3

3

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3

3

  

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3

  

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3

   

 

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 





  

 



 

 





ñ   ñ











     

3

ñ  



   

3 3 ñ            ñ        3  3 3 3 3

3

3

3

  ñ             3







 



  ª

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





 ª

ñ 

p

fff

fff

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fff

  

  

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3

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3

3

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3

  ª

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3

3

 

 

 

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 

3                                     3  3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

                                                  

3

  ª

 



 

 

fff

fff

 

3

     

  

 

                                                 

Sample page

(Gr. Tr. m. Bck.)

   

 



   {  

a3

Leseprobe  

fff

(Kl. Tr.)



 

3

Vc.



    

¡  Vl. I     Vl. II

fff

3   3  3                 ñ    fff 3 3  3 3       

1.2.

Schl. I

 

    



2.4.

Pk.

fff

 

    a 3         3 3 3                           3 3 3   ñ     ª       ª  

fff

     

Fag.

Tuba

   ñ



Klar.

1.3.

:Ò; 3 a3   1.2.                        ñ  ñ 3 3 3 3. fff                  

Fl.

Kfg.

              ñ 3 3 fff 3

29 29

 ñ



 ñ



Breitkopf PB 5432 Wb. 2818

 

3 3 3                 3

 

  

    3


30 30

Helmut Lachenmann Helmut Lachenmann

191 8

¡  Picc.   

furioso



 

Fl.

 ñ        ñ

Ob.

 

ñ ñ ñ ñ                    

ff

a3 3

      ( )      

Klar.

(1.2.)    Fag.   (3.)      Kfg. ¢   8

¡  1.3.  

Hn.

 

Pos.

¢

 

 

3

3

  

3



3

 

(Kl. Tr.)

   

¢

Gr. Tr.

{

 

¡  ñ       fff  ñ Vl. II         Vl. I

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ª

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ñ       

   

ñ ñ   1.2.             ñ



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3.

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 2.     1.   3.

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     ñ

ñ      

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ten.

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 ª

ñ  

 ª

ñ  

  

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 

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 

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

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 

p

 

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    

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Breitkopf PB 5432

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ff

ff

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    

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

 

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 

 

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sffz

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

1.

a3

ñ      f

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 Beckenklavier

12 34 5

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(Becken)

Gr. Tr. m. Bck.

 

ff

ff

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 

détaché

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ñ  

détaché

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détaché



  ª



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   

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a3

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 

ff

fff

ª

  

 

                        

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  

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   

unis. détaché

ñ   ª       

ff

fffp

ff

 

ff

ten.

ff

f

¾ ¾

    

a3

         ff 

    

ff

f

¾ ¾ª

p

 

f

f

ff

3

3 3 3                               3           détaché 3 3 3 3          Vc.        3 3 3 3 détaché 3        3     Kb. ¢       8 3

Va.



ñ   

  ñ            ff                ¾¾ ¾ ¾ f 3

3

  ñ 

ff



  

ñ  

f

appassionato (nicht schleppen)

         ñ

  ª

ff



Sample page

 

3

  ªªª

     

    

  

3

3

p

    

   ñ

2.3.

3



 

ff

ª

  

 1.     

         

Röhrenglocken

   ff

f

     

 

 



 

Leseprobe 3



fff

a3

3





fff

  

Hfe.



  ñ    

¡

Schl. II

Schl. IV

3

3

a2

¡  Pk. ¢ 

Schl. III

    3 3   )ñ  a 3 3 ñ             2.3. 3 3

3

3

     ñ  3 ¾ ¾ 3  ¾ ¾                   ¾¾ ñ  f

Trp.

Schl. I

3

ñ ñ      

3

3



a2

 

2.4.

Tuba

3

1. (

  

ff

 

      

ff

ff



 

      

ff

 


Marchefatale fatale Marche 198 8

¡  Picc.   

   

Fl.

   

Ob.



1. Klar.



2.3.

  

 

 

  

ff

  

 

¡  ¢ 

¡ 12 (Beckenklavier)  

…

34 5

Schl. II

Schl. III

  

  …

(Gr. Tr. m. Bck.)

¢

   {   

ff sempre

   

ff



Vl. II

  

Va.

Vc.



                           

1.2.

ñ        ff ñ    

              1.

2.3.

      

ff



ª ª

  ñ

  (a 3)

ª

ñ  ñ

ª

ñ 

                                    2.                      3.

ff



 

 

 





  

 





 



a3

 

… 

 ªª 

  ñ

 

           

ª

 ñ

ª

 ñ

         

 

ñ     ñ  

ª

a2





ª

  



ñ  



 

 

 









 …

 … 

 …

  

… 

 …

(Gr. Tr.)

 

 …

Röhrenglocken hart



 …

G

 





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  

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  

  

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 

 



fff



fff

              



ff

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p

 ¾ pp

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 

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ff

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 

arco

 



 



ff nicht nachlassen

Breitkopf PB 5432 Wb. 2818



        

    ª 

G

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ppp

 

8



… ¾¾

      

 ñ

 

                             

mf

ff sempre

 

 

1.

espr.

 

 … 

2.

hervortreten



ª 

espr.

a2

3.

  



Sample page  …

 

 

 …

fff

      ñ  

          

2.

 

legato molto

ff nicht mehr nachlassen

 

3.

ff

nicht mehr nachlassen

nicht nachlassen

¢

ff



 ¡                 

ff

     Tuba ¢ 

Kb.



 Þñ                                        



ff nicht mehr nachlassen

     



Leseprobe  

f

Pos.

Vl. I

   

Trp.

Hfe.

 





Schl. IV

                    

¡   1.3.   2.4.

Hn.

8

Schl. I

 

ff

      

  Kfg. ¢ 

Pk.

 

  

Fag.

  



31 31


32 32

Helmut Lachenmann Lachenmann Helmut

204 8

¡  Picc.   

„appassionato“, tutti sempre quasi cresc.

            

Fl.

    

ª

 



Klar.

a3

ff

Hn. 2.4.

   

Trp.

 

1.

  

Pos. 2.3.

Tuba

Pk.

¢

 

espr.

 

 

Hfe.

   G

 

¢

{

 

  ñ   ñ

 



ª



ª



ª

 ñ

ª

 ñ

        ª

       ñ

              

 

 ñ 

 

ff

2.3.

 



 

 

 

     Kb. ¢  

3

   ñ

ª

8

3

3

 

a2



 







a2

   

  

 



3

3

   

      3

3

3

3

                               3

3

3

3

3

3

3

                                    3

3

3

  

3

3

   



   



            

       

  

 

 ¾

ª

 

 ñ



ñ   

 ª

 

 

G  ¾

  

 

 







espr.

3

3

 

ppp

espr. 3

3

 

Gr. Tr.

  

 









G

 

 



      



G











        





3

           ff

G

 

G

  

 

3

               

 ñ

ff

ff



ª  

 …

G

   

      

 

 

3

3

ñ 

   

                                                  3 3 3 3

ff

  ª  

sf



ff

G

3

ff



sf

 …





     

G



ff

sf

 …

  ñ

ª

ff

 ñ

 

G

3

Vc.

ff

Va.

 ª

  

a3





ª

 









  



 

ª

Sample page

(hart)

           

 



 ª



( ff )

¡   Vl. I    Vl. II

ff

G

mp aber bestimmt (Röhrenglocken)

Schl. IV



ff



Tamtam

 ff         

 ñ

 

 ñ

Leseprobe 

ff

 



ñ   ª     

sf

5

Schl. III

¡ 12 (Beckenklavier)   34  Schl. I 

 

sf

¡  ¢ 

Schl. II



  ñ   ñ

ª

  

  

ª

(a 3)

   

a2

 

(a 2)   

a3

sff





 ñ

  

ff

sff

  ñ

          ª    1.2. ñ Fag. espr.  3.      Kfg. ¢     8 (a 2) ¡     1.3.   

a3

 

ª



(a 3)

Ob.

3

3

 

3

3

Breitkopf PB 5432 Wb. 2818

3

  





                        3

3

3

3

3

3

espr.

                             3

3

3

3

 

3

3

 

3

3

  

3

3

3

  3


Marche fatale Marche fatale 211 8

¡  Picc.   

 

Fl.

  

Ob.

   

Fag.

   Kfg. ¢ 

   

8

1.3.

¡   

Hn.



2.4.

 

Trp.

Pos.

¢

Vc.

Kb.

                    

  ª



     

¡

   G ¢

{

(Röhrenglocken)

 ¾

 

(Gr. Tr.)



( ppp )

G  ¾

 ñ

       

  

fff

 

 

fff

 



 



 



 

   

     

    

    

       

 sf     

  

sf

 

¾¾    ¾ ¾¾

frull.

        ¾  ¾ ¾ ¾ ¾ ¾ frull.



 

 

     

¾¾ ¾    ¾ ¾¾ ¾

¾¾ ¾ ¾ ¾    ¾  ¾  ¾ ¾ ¾ ¾¾ ¾¾ ¾ ¾ ¾  ¾ ¾  ¾ ¾¾





 

 

Beckenpaar

Sample page G

 ¾

 

cresc.

G

 ¾

 

G

 

 ¾

G

 



 

 ¾

molto cresc.

 

 

fff

 

 





 

 

    



  

     ª     ª  ñ

 

 

   

   

         

 

     

 



    ª  ñ





   6 ª  ¾

 ª ¾

ª ¾

 ª ¾

6 ª ¾

ª ¾

 ª ¾

  6 ª ¢  ¾

 ª ¾

6 ª ¾

 ª ¾

 ª ¾

ª ¾

 

 

  ª

 ñ

   

 

 

6

6

6

ffp

 ª ¾ 6

  





ª ¾

ª ¾

ª ¾

6ª ¾

ª ¾

ª ¾

6ª ¾

ª ¾

ª ¾

ffp

6

ff

ª ¾ 6

ff

Breitkopf PB 5432 Wb. 2818

 ªª





fff

ª

fff

 

fff



fff

 

fff



  



 ÒÓ    

               

       

fff

    

fff

fff



 

 fff   

 

 

 

8





 

fff

  

 

fff

 

fff

 

 



   

 

fff

  

 

1. 2. 3.



    

 

fff

 

    

3.      1.  2.



 

 

fff

 

 

fff 3. 1. 2.



 

a2

non dim., cresc. possibile



3.



       



                          3.

fff

fff

 

Leseprobe



     





                            



¡  Vl. I   

Va.

                

 

Vl. II

fff

ñ       ª         2.3.  fff              1.

   

            

  

 

Schl. II

Hfe.

      

2.3.

                  

  

¡  Pk. ¢ 

Schl. IV

 ñ

fff

fff

   1.  

 

     3.  1.2.

Schl. III

 ñ

ff

   

 

frull.           ª                  ¾¾ ¾¾ ¾¾ ¾¾ ñ fff                  

    

3.

Schl. I

   ª

                  

1.2.

Tuba

  ª



         



Klar.





33 33

fff

fff


34 34

Helmut Lachenmann Lachenmann Helmut

¡  

218 8 Picc.

Ob.



 

 

   

 

 

 

 

 

8

     ¢

 

 

Schl. III

  

{

    

{

Va.

Kb.

¢

8

         

      

   

 

 3. 

1.2.

fff

ñ  ñ  

fff

Leseprobe a2

 

     ñ 

     ñ f p

f

  

 

      

c.s.

 

 

f

f

1.2. 3.

p

a3

ffp

ª

ñ             

ñ  ª      





fff

 

{

  

 

 

Vc.



Sample page

8  

Vl. II

                                      

8

¡  Vl. I 

ffp



¢

¡

Schl. II

¡    Pk. ¢

Cel.

 

¡  

Pos.

Hfe.

 

 

  

Trp.

Schl. IV

 

 

¢

2.4.

Schl. I

 

 

Hn.

Tuba

  

 

  

Fag.

1.3.

 

Klar.

Kfg.



Fl.

 

       

f

ÒÓ 

ª

ñ  



      

p

div. a 4

   

div. a 4 (bzw. a 8)

      

Breitkopf PB 5432 Wb. 2818


Marche fatale Marche fatale

¡  

  

225 8 Picc.

Fl.

Ob.

  

1.



 ª

p, ma distinto

   

1.

 ñ ñ  

  

   

        

pp

dolce marcato

 

    

   ñ

  

a2

         

c.s.

ffp

p

p

p

 

¡   ¢ 

¡

¢



¢

{

    

{

8



8  

¡  Vl. I  

Vl. II

Va.

Vc.

¢

 

 ª  

ñ  ª





:Ò;  

Sample page

 ñ   ª   ñ     

          

 p

ª   

 

ñ   



      

 

 

 Wb. 2818





 

 

  



 

 ª

 ñ

 

 ª

 ñ

 

p

f non troppo

 ª 

 ñ

ñ  

   



Solo

Breitkopf PB 5432

ñ  

 



p



ñ      ñ        

 p

ª

 

8

ñ 

 ª

Leseprobe

  

   2.

 

Schl. III

Kb.

Cel.



Schl. II

Hfe.

ª ª

Pos.

Schl. IV

 

p

8

                     

¡  

Trp.

Schl. I



¢

2.4.

Pk.

       

 

Hn.

Tuba

p 1.

 

Fag.

1.3.

p

    

Klar.

Kfg.

35 35

Solo



f




3636

Helmut HelmutLachenmann Lachenmann

¡  Picc. 



a3

 

 

232 8

Fl.

     

Ob.

Klar.

  

Fag.

Kfg.



¢

 

3.

p cresc.

2.4.

 



Trp.

Tuba

Pk.

Schl. I

 

ª



a2

 

  

 

    ñ

 ª

    

 

 ñ

   ñ

  ªªª 

 





 

ª

 ñ



 



Leseprobe 

 ñ 

 

 ñ 

 ñ 

  

 ñ 

  

  f

f

 



 

p

sfp

sfp

sfp

   



   



   



   

   



   

ff

 

a3

ff

 ff

 

 ñ 

  

         

     

      ñ

  

   f

f



s.s.

a3

 ñ 

a3

ff

                ñ

f



    

ff

ff



a3

ff

f

fff

ff



¡   ¢ 



¡

¢

Sample page ¾ ¾

¾ ¾

Kl. Tr.

Schl. III

Schl. IV

¢

  { 

¡  Vl. I  

Vl. II

Va.

Vc.

Kb.

 

ff

 

Schl. II

Hfe.



   ñ  

   ñ



     

f

(a 2)

f

         



f

 

Pos.

 ªª

p cresc.

¡         1.3. 

  

f

 

a3

8



 ª

   

 



   ñ

fff

p cresc.

p cresc.

1.2.

ª

a3

 

Hn.



fortissimo, ma leggiero

¢





    

Tutti

    

Tutti

  8









 

¾ ¾

  8

 

cresc.



 

p

cresc.

¾ ¾

¾ ¾ª

sff

molto

  ª

(Es-Dur)

   ñ



 

 

 

mf cresc.

  ª

   ñ

mf cresc.



 

 ª  ª ª

mf cresc.

p

pp „lontano“



 

 ñ

 



 ñ

 



 ñ

 

  Breitkopf PB 5432 Wb. 2818

    

ª   



   

fff

  ñ



   





fff

 fff



    

fff

 

fff


Marche fatale Marche fatale 239 8

¡  Picc.    

 

Fl.

  

Ob.



Klar.

Fag.

Kfg.

¢

    



    

    

    

    

    ñ



  

¡   1.3.  Hn.

2.4.

 

Pos.

Pk.

Schl. I Schl. II

Schl. III

Schl. IV

Hfe.

Cel.

Vl. I

   

Trp.

Tuba

a2

fff



¢

 

¡  ¢  ¡    

Va.

Vc.

Kb.

 ñ

 ñ

 ñ

 ñ

         a3        2.                      fff    1.3. 1.2.     )  (                     3.  fff            ff            ñ     ff   ñ          ff  a3              ñ  ñ





1.2.

 

 

3.

ff





 ñ

ff

ff

1.2. 3.

 

 

  ñ

a3

 ñ







ff

fff

  

8  

ff

             

 

 

 

5  

Sample page 

          

   



   ¡           

8

 ñ

 ¢  

 fff



fff

ff

Vl. II

Leseprobe

fff

a2



8

1.2. 3.

 ñ

  

{ {

 

 

Röhrenglocken

¢



fff

fff

a3

 

8

             ñ  ñ fff ÒÓ         ñ    ñ

37 37

ÒÓ  gliss.



A  



 Gr. Tr.

                                                  

                     ff          ñ    ñ         ÒÓ          ñ   ñ              ñ  sf fff    ÒÓ        ñ   ñ              ñ     sf fff             ñ  ñ                 ñ ñ    sf fff    ñ       ñ     ª    ñ       ñ      ñ      8    Breitkopf PB 5432 Wb. 2818

f

     

 


38 38

Helmut Helmut Lachenmann Lachenmann 244 8

Picc.

¡

Fl.

Schl. II

Schl. III

Schl. IV

Hfe.

Vl. I

Vl. II

Va.

(a 3)   ñ

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3.

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Kl. Tr.

   ¢   { 

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(Gr. Tr.)

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ff

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Breitkopf PB 5432

  ñ ff ñ   

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1.

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Alle Streicher (außer Kb.): Einsatz bitte mit aufgelegtem Bogen vorbereiten, und den Bogen nach dem Einsatz aufgelegt lassen und so unbewegt verharren.

  

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ppp

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34 5

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Leseprobe ª

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(quasi solo espr.)

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3.

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¡ 12

8

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(

 

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

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Vc.

sfz

sfz

¡  Pk. ¢  Schl. I

(a 3)   ñ

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(a 3)

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1.2.

Pos.

 

¡  

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8

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 ñ

  

  Kfg. ¢ 

1.3.

  

Fag.



Klar.

 

bewegungslos!

 



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Ob.

  ñ

assai pesante h = ca. 63 gravitätisch

  ñ ñ  ñ  


Marchefatale fatale Marche



ª

 ñ

1.2. Fl. 3.

    

 ªª ª

   ñ

1.2. Ob. 3.

     

 ªª ª

249 8 Picc.

¡   





  

 

  

 

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1. Klar. 2.3.

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1.2. Fag. 3.

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Tuba

8

¢

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    

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 

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   ªªª

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 

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  ªªª     ªª   ª

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Akzente mit Zwerchfell

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 ñ¾ ¾  ¾

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5 4

ª ª

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8

 ª  ªª

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Kb.

 

¡   Vl. I    

Vc.

   ªªª

ff

Va.

 ªªª

ª ª

Vl. II

    ñ

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  {  

ª

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ff

4 4

   ñ   ñ 

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  

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Gr. Tr. m. Bck.

Schl. IV

  

 

Schl. III

¡

Schl. II

5 4 

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Breitkopf PB 5432 Wb. 2818

  ñ   ñ

  ñ

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39 39


4040

Helmut Helmut Lachenmann Lachenmann ripetere ad lib. (nicht weniger als 7 Wiederholungen), dann auf 2. springen*

253 8 Picc.

¡

  ªª

 

 ª

  ª      ª     ª          ªª         ªª   ª

Fl.

Ob.

¢

  8



ª  ª 

ñ ñ ªñ            ñ ñ ñ    ª        

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¡ Schl. II

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¾ ¾

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8

  8

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¾ ¾ª

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

      ñ       ñ

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¾ ¾

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   ª  ª   ñ ñ

Sample page 

ªª

ªª

ñ ñ ñ   ª        ñ ñ ñ   ª       

5 4

ªª

 ª      ª      ª      ª   ªª   ª     ª   ª   ª     ª   ª   ª      ª   ªª    ª      ª   ñ ªª  ª ñ  ª  ñ  ª ñ  ª 

ªª

4 4

ff

ff

  ñ G  

  / 

 



ñ ñ ñ   ª        ñ ñ ñ   ª       

ª ª

Wb. 2818

ff

sff

ff

 

f

p

f

p

ñ  ª ñ    ª  ª ñ  ª ñ 



  f

p

gliss.

3

3

     ff

ff

             3

    

 

 

 

 

 

 

 

   ª   ñ        ª     ff sff ñ   ª     ª    ªª    

*) Die Wiederholungen sollten, streng im Tempo, gleichsam „besessen insistierend“ ausgeführt werden. Sie sollten nicht dirigiert werden. Der Dirigent sollte eventuell bei der ersten Wiederholung seinen Platz verlassen. Erst im Lauf der letzten Wiederholung sollte er das Orchester wieder „in die Hand nehmen“.

Breitkopf PB 5432

  ª      ª      ñ

     ª       ª         ª    ª 



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    ª         ªª     ª 

         ªª        ªª    

0

gliss.

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f

        ª    ñ  ñ  ñ 

 

ñ   

ª ª 

sfp

ñ ñ ñ    ª        



 

   ªª    ª    ª    ªª

ñ      ªª       ªª    ªª          ªªª         ªªª        ª    ª            ñ ñ  ª ñ   

ff

sfp

ñ ñ ñ    ª        

              ªª   

 

 ñ



   ªª    ªª    ª    ª

ñ ñ ªñ           

ªª

 ª      ªª         ª        ªª   

Vc.

   ªª      ª    ªª    ª      ªª  

   ª       ª         ªª       ª        ª

Va.

 

   ÒÓ  ª    ªª       ªª              ªªª        ªª      ª      ª   ªª  

ª     ª    ¡   ª         ª       ª  Vl. I   ª Vl. II

ªª

     ª 

Leseprobe

akzentuiert, aber nicht zu kurz

Schl. IV

2.

     ª  ª        ªª         ªª

Hn.

Trp.

4   4

 ªª          ªªª         ªªª   

¡  1.3.   2.4.

 ª      ª  

    ªª    ªª      ª             ªªª           ª        ª      ª   ªª  ª 

  ªª    

Fag.

5 4 

  ª       ª     ªª          ªª         ªª   

Klar.

Kfg.



       ª 

3

3

   

               

3

3

3

3

3

3

3

3

 



   ñ



   ñ



 ñ

 

3

ff

ff


Marche fatale Marche fatale

3.



1.2. Klar.

1.



3.

fff

 ª  

¢ ¡



8

Hn.



2.4.

 ñ ñ 

 ñ ñ  



ff

¢

 

 

 ª







 

¡  ¢   ÒÓ    Hfe. {  

     ñ

¢

  8

   

3

ñ  ñ  

3

  

3

3

3

3

3

 ¡   ñ Vl. I      ñ  Vl. II 

Vc.

 

ÒÓ  







  

 



 ñ      ñ  ñ   ñ ñ  

 ª



 

  





 

   

  

  

ª

  

sfp

 

sfp

sfp

 





sfp

ª

sfp

 ñ ñ    

 ñ

ª

 

  



    

  ª  ñ         

appassionato

        appassionato ñ          ª   ª ñ ñ ñ 

ñ 

ª

 ªª  

p sub.

 

sfp sfp

sfp

 

 





sfp

 

  

f

p

 ¿

Wb. 2818

 

1.2.

 

 

a2



 

ppp

(2.) ppp

hervortreten

3       2.   3

1.

p espr.

fff

ñ… ¾   fff ñ…     ¿ ¿

As auf A§ umstimmen

  

  

3 3 3  3 3 f    3   3 3     3 3 3 3                                   3 3 3 3 3 3               3 3 3 3                     3 3 ¿ 3 3 3 3 3 3 ¿       appassionato        p espr. 3 ñ     dolce               ñ  p  ñ ñ   appassionato               3 p espr.  abreißen    ñ ñ  ª    ª   ñ  fff   abreißen  ñ   ñ  ª   ª   ñ  fff

Breitkopf PB 5432

fff

ñ   ñ fff    ñ 

 

  p sub.  ñ    abreißen  ª         fff     ñ  

sfp

 ¾ ¾ª

3

3

fff fff

  

fff

ª   ª

sfp

3



   fff  ñ        ñ  fff p sub.    ñ  

ñ    ª   

sfp

3

p sub.

fff

   

  

    

2.

  

sfp

3

p sub.

ñ   

   



  

 p     

fff

  

sfp

3

fff

 ñ ñ 

fff

a tempo, quasi largo („schmachtend“)

    

sfp

 ª

 

  ñ  fff       ªª fff   



 

 

sfp

  ñ



3      8                                    

 

ñ 

 

ª

ff

3

3

Va.

Sample page

Röhrenglocken

Schl. III

{

 ñ

f



¡   Pk. ¢ 

8  

  

 

ª

ª

 ñ      

      

Pos.

 ñ ñ  

 ñ

poco rit.

Leseprobe

 



 ª

ff

Kb.

 ª

a2

   

3.

Cel.

ff

Trp.

Tuba

 ñ  ñ  



fff

     ª   

1.2.

ª 

ª   ñ

ª



 ªª

ñ  

 

  ñ

 ñ

3.

 

 ñ ñ   ñ      ñ  ñ 2. 

   

Fag.

1.3.

   

Ob.

Kfg.

êêêêêêê

¡   Picc.    ñ  ªª  1.2.    Fl.  ª   3.     ª 1.2.    260 8

41 41

êêêêêêê

a tempo II „pesante“ h = 63

  



3

3

   3

 

 

  

 

3

      

div. hervortreten 3

p espr.

3


42

Helmut Lachenmann Helmut Lachenmann

42

subito Tempo I (h = 104) 265 8 Picc.

¡   

Fl.

  

Ob.

1.3.

¢

 

 

3

3

3

 

3

p

p

  3

 

  

ª ª

 

J vorige Triolenviertel werden die neuen Viertel: q q q = q q q

                   

ff 3

ff 3

3

ª

 

3

  

ª

3

ñ 



ñ   

3

 

 

 

 

p

3

ff

  

 ñ

3

3

     3

3

ff

 

3

ff

3

fff



 

                  

ff

ff

3

3

   ñ a2

  ñ

                                    

a3

3

3

       

Leseprobe 3

ñ  

        3                                  3 3

3

 

ñ  

3

3

a3

                   ñ 3 3           ñ 

              

  

3

ff

 

f

¡  

3

   ñ  ñ

 3

3

3

 ñ

                             

  ñ

3

3 1.  2.3.    

(1.2.)



Klar.

 

 

  

3.

Fag.

  

1.2.

3

3

 ñ

 ñ

 ñ  ñ

a2

3

3

 ñ 

 ñ 

  ñ

     

3

a2                 ñ ñ ñ 3  3 3                                  ñ   ñ3 ñ3   1.2.      ®  ñ   3.  fff   

34 5

Schl. III

Schl. IV

¢

Hn.



2.4.

Trp.

p

 



 

Pos.



 

 

f

  ¢  ¡  Pk. ¢  ¡ 12

Tuba

Schl. I

3

êêêêêêê

Cel.

Vl. I

{ ¡

  

Vl. II

Va.

Vc.

Kb.

¢



ff

Beckenklavier

   

 ¾ ppp ¾ ¾ ppp 

Tamtam

Gr. Tr.

f

3

3

3

3

  

3

  



G

fff

…

3



 

ff

ñ 

      

détaché

3

3

 

             

3

3

ñ             3 3 3 ñ

 ñ

détaché

 

3

 

ff

fff

 ¾ pp ¾ ¾

gliss.

  

ff

ª

3

 

ñ 3

 



ª 3

 

~

 

   

ff

                       

3

div.

f



3

  

3

3

…

 

3

3

 fff

3

 

 

  

8

  

3

            ff 3 ñ 3          

 

3





ff

  



 8  

 

3

Sample page

   Hfe. {      8

3

ff

           ñ 

ff

détaché

3

 

ff

Wb. 2818

Breitkopf PB 5432

3

  3

 

fff 3

3

 

3

        3  

3

3

3

3

              3

 ñ

3

3

3

ñ  

ñ  

ñ 


Marchefatale fatale Marche

43 Orchester soll bewegungslos verharren (so lange wie möglich)

Bei den Triolenketten der Bläser können (vielleicht müssen) bei Bedarf, d.h. um die Präzision und die Energie durchzuhalten, von jedem dieser Ausführenden „irgendwo“, aber nach Absprache, um Löcher zu vermeiden, bei einer der Triolen�guren die beiden unbetonten „nachschlagenden“ Triolenachtel ausgelassen werden, um Lu zu holen. Diese Option gilt auch bei den Sechzehntel�guren der Klarinetten an früheren Stellen.

269 8

¡  Picc.   

 (a 3)      ñ

Fl.

 ñ     

Ob.

Fag.

 

 

ñ  

ñ  

ñ  

 

 

 

 

 

 

 

 

3



   ¢ 

3

3               3

1.3. Hn. 2.4.

3

3

3

fff

            

   3 3                             3

3

 ñ a3 ñ        

Trp.

a3     ñ  

Pos.

 1.2. ñ

3.

ñ        ñ     Tuba ¢  3

3

ossia Triolen

Pk.

Schl. I

¡   ¢ 

Schl. III

Schl. IV

¢

(Tamtam)

Hfe.

Vl. I

Va.

¢

mf

ñ 

   mf

3

3

3

   

  

  

 

3



a3

       

3

 ñ 

fff



    

        fff

 a 2  ñ  ñ 

 ñ 

  ñ

     



 

 

ñ a2    ñ 

  ñ

  ñ

     



 

 

ñ  

 

 

 

 

 

 

 

 

 

 

3

      

fff

3         3                                  3 3



3

3





a3

        

3

3

  

  

8

  ñ

 

   

       fff

fff



3

                  

fff

3 3             3 3

      



       



fff

¾ ¾

p

fff

G

fff

 Gr. Tr.  

¾ ¾

3

    ñ 

Vc.

Kb.

¾ ¾

3 ¡         

¾ ¾

  {  

Vl. II

3

 

fff



ñ  

Sample page

p

(Gr. Tr.)

ñ 

 

3

…

fff

¾ ¾

3

ñ     ñ 

p

¡ 12 (Beckenklavier)   34  5

ñ  

a3

3                             3                  3

 ñ 

Hornisten können evtl. zwei unbetonte Triolenachtel weglassen

                   

ñ   

Leseprobe  ñ

8

¡

 

ff

Kfg.

 

ñ  

3

ñ  

3

     ñ

lunga *)

ñ  

                                     



Klar.

a3

  ñ

3

3

   

3

3

   3

ñ   ñ  

fff

 









  ñ   ñ  

fff

 ñ   ñ  

 



fff

 

fff

 ñ   ñ  

  ñ    ñ  

Wb. 2818

Breitkopf PB 5432

                                                         

gli

ss.

l.v.

ff

gliss. ord.

   

3

 ñ

43

            

/ 0







 

 

 

 

 

 

 

 

 

 

 

 

*) Der Dirigent soll das Tamtam lange ausklingen lassen und mit erhobener Hand Publikum und Orchester gleichsam „in Schach halten“. Erst ganz kurz vor dem endgültigen Verlöschen soll er den kaum noch wahrnehmbaren Rest des Klangs mit der Hand (durch eine „Schnips-Bewegung“) wie auch immer „ausknipsen“, aber weiterhin unbewegt verharren, um die – erst jetzt tatsächlich eintretende – Stille noch weiter und so lange wie möglich zu halten, bevor er „abwinkt“.




Helmut Lachenmann Werke | Works Soloinstrumente | Solo Instruments Intérieur I (1966) Schl | perc / Pression (1969/70) Vc / Dal niente (Intérieur III) (1970) Klar | clar / Salut für Caudwell (1977) 2Git | 2guit / Toccatina (1986) Vl

Musiktheater | Music Theatre Das Mädchen mit den Schwefelhölzern (1990–96, 2000, 2007) Chor | Choir Consolation I (1967) / Consolation II (1968) / Les Consolations (1967/68, 1977/78)

Singstimme und Klavier | Voice and Piano Got Lost (2007/08) S.Klav | s.pno

Orchester | Orchestra Souvenir (1959) / Kontrakadenz (1970/71) / Klangschatten – mein Saitenspiel (1972) / Fassade (1973), Schwankungen am Rand (1974/75), / Staub (1985/87) / Tableau (1988/89) / SCHREIBEN (2003/04) / Double (Grido II) (2004) / Marche fatale (2016–18)

Klavier | Piano Fünf Variationen über ein Thema von Franz Schubert (1956) / Echo Andante (1962) / Wiegenmusik (1963) / Guero (1969, 1988) / Ein Kinderspiel (1980) / SERYNADE (1997/98) / Marche fatale (2016) / Berliner Kirschblüten (2016/17)

Solokonzerte | Solo Concertos Notturno (1966/68) (+Vc) / Air (1968/69, 1994, 2015) (+Schl | perc) / Accanto (1975/76, 2005) (+Klar | clar) / Tanzsuite mit Deutschlandlied (1979/80) (+StrQuart) / Harmonica (1981/83) (+Tuba) / Ausklang (1984/85) (+Klav | pno) / NUN (1999, 2002) (+Fl.Pos.MCh | fl.tbne.mch) / My Melodies (2016–19) (+8Hn)

Schriften | Writings Musik als existentielle Erfahrung Schriften 1966–1995 (Ed. Josef Häusler) Kunst als vom Geist beherrschte Magie Schriften 1996–2016 (Ed. Ulrich Mosch – i. V. | in prep.)

Ensemble Mouvement (– vor der Erstarrung) (1983/84) / „... zwei Gefühle ...“, Musik mit Leonardo (1992) (+2Spr | 2spk) / Concertini (2005/06)

CD-ROM Matthias Hermann / Maciej Walczak Erweiterte Spieltechniken in der Musik von Helmut Lachenmann | Extended Techniques in the Music of Helmut Lachenmann

Kammermusik | Chamber Music Streichtrio (1965) / Trio fluido (1966) Klar.Va.Schl | clar.va.perc / temA (1968) Fl.Sti.Vc | fl.vce.vc / Dritte Stimme zu J. S. Bachs zweistimmiger Invention d-moll BWV 775 (1985) Trio / Allegro sostenuto (1986–88) Klar.Vc.Klav | clar.vc.pno / Sakura-Variationen (2000) Sti.ASax.Schl.Klav | vce.asax.perc.pno 9 Streichquartette | String Quartets Gran Torso (1971/72, 1978, 1988) / Streichquartett Nr. 2 „Reigen seliger Geister“ (1989) / Streichquartett Nr. 3 „Grido“ (2001/02)

DVDs Wiebke Pöpel (Regie | Direction) Lachenmann-Perspektiven | Lachenmann Perspectives (7 DVDs, Ed. Musik der Jahrhunderte)

790004

über Lachenmann | about Lachenmann Rainer Nonnenmann 212790 Der Gang durch die Klippen Helmut Lachenmanns Begegnungen mit Luigi Nono anhand ihres Briefwechsels und anderer Quellen 1957–1990

ISMN 979-0-004-21279-0

9 790004 212790

A 19

PB 5432 5432

www.breitkopf.com


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