VOLUME 17, ISSUE 5 | JANUARY 30, 2020
2 • THE PULSE • JANUARY 30, 2020 • CHATTANOOGAPULSE.COM
BREWER MEDIA GROUP President & Publisher James Brewer, Sr. THE PULSE Managing Editor Gary Poole gary@chattanoogapulse.com Assistant Editor Jessie Gantt-Temple
Contents
VOLUME 17, ISSUE 5 • JANUARY 30, 2020
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Music Editor Marc T. Michael
Poetry is meant to be read aloud, and Chattanooga poets and writers have rediscovered the importance of performing their work before an audience. Over the past two decades, opportunities to do so have multiplied dramatically, to the surprise and delight of our writing community.
Film Editor John DeVore Art Director Kelly Lockhart Editorial Interns Halley Andrews Lindsey Clute
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CHALKING IT UP FOR ART
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LOCAL RAPPER YM HEADS FOR THE BIG TIME
Senior VP of Sales Lisa Yockey-Rice lisay@brewermediagroup.com Office 1305 Carter St. Chattanooga, TN 37402 Phone 423.265.9494 Email info@chattanoogapulse.com Website chattanoogapulse.com Facebook @chattanoogapulse Founded 2003 by Zachary Cooper & Michael Kull THE FINE PRINT: The Pulse is published weekly by Brewer Media and is distributed throughout the city of Chattanooga and surrounding communities. The Pulse covers a broad range of topics concentrating on music, the arts, entertainment, culture and local news. The Pulse is available free of charge, limited to one copy per reader. No person without written permission from the publisher may take more than one copy per weekly issue. The Pulse may be distributed only by authorized distributors. Contents Copyright © 2020 by Brewer Media. All rights reserved.
AREA OPEN MICS BENEFIT THE ARTIST AND THE AUDIENCE
“Art is the expression of what you see around you, what you experience, and how you choose to share that with the world. Similarly, science seeks to understand the phenomena that we witness or experience. To me, science and art go hand-in-hand and truly complement one another to lead to a greater understanding of our incredible world and this crazy life we live.”
There is a recurring theme in the local music scene that I address from time to time. I’ve written whole features about it and as I sit here outlining today’s entry it occurs to me that I may do so again, soon. Bold declarations are made about the need to go “somewhere else”.
4 CONSIDER THIS
12 ARTS CALENDAR
19 JONESIN' CROSSWORD
4 CITY LIFE
16 MUSIC CALENDAR
20 FILM & TELEVISION
5 EDITOONS
18 MUSIC REVIEWS
21 NEW IN THEATERS
9 DAY TRIPPIN'
19 FREE WILL ASTROLOGY
22 SUSHI & BISCUITS
CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 3
CITY LIFE · BETWEEN THE BRIDGES
No Noise Or Silence
Cons ider This w ith Dr. Rick
NYC ensemble A Golden Wire brings Restoration music to St. Paul’s
“Hard times are often blessings in disguise. Let life strengthen you. No matter how much it hurts, hold your head up and keep going.” — Manisha Shrestha Bundela Kobe Bryant is regarded as one of the greatest NBA players in history, as well as one of the most influential. And while off the court he had his share of controversy, we cannot deny that his drive for success and desire to be his best self has been inspirational to many. Perhaps one of the best ways we can insure anyone’s legacy is to remember the best of who they were: “As I sit here now, when I take off my shoe and I look down at my scar, I see beauty in it. I see all the hard work, all the sacrifices. I see the journey that it took to get back to this point of being healthy. And I see beauty in that struggle.” Rest in peace, Kobe. — Rick Pimental-Habib, Ph.D.
T
HE ENGLISH RENAISSANCE IS FAMILIAR to many Americans: Elizabeth I, Shakespeare, Sir Francis Drake likely ring a bell. Not nearly as many have encountered the period known as the Restoration, named for King Charles II’s restoration to the throne in 1660.
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Charles spent his exile in France, and when he returned, brought with him French customs, fashions—and musical tastes. As the founders of period instrument ensemble A Golden Wire put it, “new life was breathed into music of the British Isles.” A Golden Wire will give Chattanoogans a chance to experience the beauty and vitality of that era’s music on Friday when the group brings its program “No Noise or Silence: Music
EDITOONS
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Audience members will be surprised and, they hope, enchanted, at how expressive music can be ‘below a certain volume level,’ said Ramsey.”
of the English Restoration” to St. Paul’s Episcopal Church in downtown. Arnie Tanimoto and Parker Ramsey founded A Golden Wire in 2019 after meeting at a gig a few years earlier. “The early music world is a small one,” Ramsey said. Yet despite both attending Oberlin Conservatory and Julliard, their paths hadn’t crossed until then. They bonded immediately over their love of this music and the unique instruments used to make it. Tanimoto plays the viol da gamba, which despite its physical resemblance to a cello, is more closely related to the lute and guitar, he explained. Ramsey’s instrument is the baroque harp, which, with its light weight and 93 strings, is not an ancestor of the modern harp but designed to be “the glue in an ensemble,” he said. Yet another little-seen instrument that will be part of the program is the theorbo, played by Kevin Payne, and described by Tanimoto as “a flute on steroids.” Soprano Sara MacKimmie will complete the quartet. Tanimoto and Parker are especially drawn to the compositions of England’s Henry Purcell (1659-1695). “His music is wonderful and bizarre,” said Ramsey. “He is almost the Bach of England,” said Tanimoto. Purcell’s works like “If Music be the Food of Love” and “Strike the Viol” will be represented along with several others. Other composers on the night’s program include Thomas Campion, Matthew Locke, Marin Marais and several others, both French and English. “There is almost too much to choose from,” said Tanimoto. “We
never have to do the same program over and over.” Each performance is unique in another way. “You don’t just play what is written on the page. There is lots of improvisation,” said Ramsey. Instead of being “rule-driven”, playing this music is more like using a “sourdough starter that you then build on,” he explained. Rehearsals create guidelines, but these are flexible in performance. “That’s why we love this music,” said Tanimoto. “There is a lot you have to infer, rather than defer to.” Audience members will be surprised and, they hope, enchanted, at how expressive music can be “below a certain volume level,” said Ramsey. Tanimoto described it as an emotional experience for listeners, one that is not a museum piece but instead a living, relevant musical journey. “The music comes from a time when people were feeling alienated,” he said. “It can be both very mournful and extremely exuberant.” The classic, comely beauty of St. Paul’s 1886 nave, which is on the National Register of Historic Buildings, combined with its outstanding acoustics, make it an ideal site for looking and listening back into the past and at the same time, hearing its resonances for the present. — Janis Hashe A Golden Wire Friday, 7:30 p.m. St. Paul’s Episcopal Church 305 W. 7th St. (423) 266-8195 stpaulschatt.org CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 5
COVER STORY
Chatty On The Mic Area open mics continue to benefit the artist and the audience
Erika Dionne Roberts and Marcus Patrick Ellsworth
By Ray Zimmerman Pulse contributor
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There is a joy that comes from watching a performer become better at their craft with each return to an open mic.”
P
OETRY IS MEANT TO BE READ ALOUD, AND CHATTANOOga poets and writers have rediscovered the importance of performing their work before an audience. Over the past two decades, opportunities to do so have multiplied dramatically, to the surprise and delight of our writing community. On the importance of open mics, Chattanooga poet Marcus Patrick Ellsworth said, “Any creative work cannot be fully realized until it is presented to an audience. Open mics are one way to meet that need. A performer can discover their own strengths and weaknesses, get feedback on how a piece may be improved, make connections with other artists, and build their first audience. At the very least, an open mic can be therapeutic for the soul which simply wants to create and
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have their creations presented to others.” Ellsworth continued, “For me at least, there is a joy that comes from watching a performer become better at their craft with each return to an open mic. Sometimes, they go on to become incredible artists. Sometimes they merely reveal that they are incredible people. Either way, being on the periphery of their journey is wonderful. I used to attend every open mic I could including The Speakeasy, Rhyme N Chatt events, and Tremont Tav-
ern’s open mic. I would even seek out open mics while visiting other cities. I miss the camaraderie that comes with being a regular at an open mic.” The Tremont Tavern open mic which Marcus mentioned takes place on Tuesday nights and is a music event. Marcus got creative and performed his poetry there, backed up by two musicians. Visitors to a few of the open mic venues soon learn that no two opportunities are alike. The open mic at Barnes and Noble is one opportunity for writers to craft their work. KB Ballentine was already a participant when she took the helm as producer and MC in 2002. This group meets on the final Friday of every month, except November and Decem-
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Too many people have great poems but are hesitant to share them because they don’t like talking in front of people. This is a no-frill opportunity with an easy-going audience.” ber, from 7:30 to 9:00 p.m. During the first hour, each writer is allowed five minutes to present their work. For the final half-hour, participants read poems written from a word list prompt. KB Ballentine is an established poet with six published books. When asked about the event, she said, “The primary objective for open mic is to get people writing (the listpoems) and to get them more comfortable with sharing their work. Too many people have great poems but are hesitant to share them because they don’t like talking in front of people. This is a no-frill opportunity with an easy-going audience. Participants learn, practice and hone those public speaking skills.” John C. Mannone, program chair and former President of the Chattanooga Writers’ Guild, regularly participates in the Barnes and Noble event and also coordinates open mic events through the Guild. He said open mics, in a supportive environment, can be an important part of a poet’s and writer’s process and craft. “They help develop one’s voice as well as instill confidence while overcoming a natural fear that many have of getting in front of a microphone. They often ferret out weaknesses (in phrasing, rhythm, and even line breaks) since the eye will lie to the brain but the ear cannot.” The Chattanooga Writers’ Guild (CWG) usually features an open mic for its members – typically at the June program (Main Library down-
town). Mannone described opportunities available through the Guild, which has been meeting since 2001. “An open mic is usually part of the annual meeting (September) and Christmas party (December), which are held at another location. All programs are on the second Tuesday of the month from 6 to 8 p.m. Outside this literary space, there has been an open mic at the Readers and Writers Fair in recent years.” Vincent Phipps founded Rhyme N Chatt in 1999. He stepped down from his leadership role in 2004 and Marsha Mills has led the organization since then. In 2009, the Rhyme N Chatt group collaborated with the Chattanooga Writers’ Guild and the Chattanooga Public Library by presenting the open mic program at the Chattanooga Readers and Writers Fair. Rhyme N Chatt has a strong focus on performances but offers open mics as part of their many events. According to their publicity, one such event is “Love Groove: What’s LOVE got to do with it?” a poetic prelude to the Valentine’s Day season, Friday, February 7. This show has an interactive format for which Rhyme N Chatt is known and, at a Love Groove show, LOVE has EVERYTHING to do with it! The event includes poetry presentations, an open mic, a live band, a large dance floor and food and drink will be available for purchase. Reservations are recommended for this event and further information
is available on the Rhyme N Chatt Facebook page. Yet another open mic opportunity is The Open Mic at The Well. This group meets every Monday from 7:30 to 10:30 p.m. at 1800 Rossville Avenue. Presenters may take up to 15 minutes to deliver poetry, music, performance art, an occasional rant or stand-up comedy routine. Shawnessey Keith Cargile will celebrate five years of facilitating this group which he says is devoted to providing a safe space for performing artists to present work before a sympathetic audience. He also emphasizes forming a community of supportive artists and encourages collaborations beyond the format of the weekly event. Outgrowths of the event include a band, a book launch by one performer, and a booklet of writings by the participants. Many participants have joined the ranks of performance poets. Thursday nights bring an opportunity to perform in Poetry and More at the Stone Cup Café. Poets and musicians perform their work in front of a mural, an artistic rendering of the night sky constellations. Carl Pemberton has hosted this open mic for three years and usually opens the evening with his keyboard work. He welcomes poets and musicians alike. Carl emphasized the consistency of his event, every Thursday night, and the talented performers that show up. He also stated people feel comfortable stepping up to the microphone at this event.
KB Ballentine
Shawnessey Keith Cargile
CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 7
COVER STORY
Christian Collier
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Open mics are a great way to meet similar-minded people and to see what is possible, not just in terms of poetry but in general.”
Erika Dionne Roberts (Velvet Poetry) has hosted open mics at The Edney Innovation Center in the past but will offer them at the Palace Theater this year. Watch for forthcoming information about Sunday Scribez. Fifth Tuesday events take place at Star Line Books at 6:00 p.m. on the fifth Tuesday of any month, four months each year have a fifth Tuesday. Full Disclosure: the author of this article is the host and MC of Fifth Tuesdays. The focus of these events is on the participants. It’s not about the organizer though they grow through the process as well. Christian Collier who ran The Speakeasy open mic for years spoke about his current involvement, “I’m not currently organizing any open mics. Largely, I moved away from them in 2013 and for the past few years, I have shifted my focus into doing more 8 • THE PULSE • JANUARY 30, 2020 • CHATTANOOGAPULSE.COM
workshops and other projects. I started The Plug Poetry Project last year, and that’s an arts initiative that strives to help honor and cultivate the city’s poetry community by providing resources, classes, etc. The primary components of it right now are the reading series. I bring a poet to town to lead a free workshop for the community and do a featured reading. We’re bringing our third writer, Jose Olivarez, to town on February 22nd. I also have a docuseries.” Collier stated open mics are a great way to meet similar-minded people and to see what is possible, not just in terms of poetry but in general. “I remember seeing Noah Collins perform at an open mic once and being astounded with how he used volume and played with time to subtly force the people in the room to lean in a little bit closer and pay attention to what he
was doing. That was something that I immediately wanted to be able to do in some of my work, both on the stage and on the page.” He continues, “I’ll go to an open-mic to tune things up or to see how well I know the material I’ve been rehearsing in a live setting. You can practice something a million times at home or alone but as soon as you step out of the house and in front of strangers, the dynamics are a bit different so I like using open mics as a gauge to see where I stand in the process. I wouldn’t say open mics are essential for a poet’s development, but they can be. I think it’s a matter of what kind of poet one is or strives to be and what open mic environment they’re comfortable in.” Collier’s words emphasize the learning aspect of open mics. Open mics are vibrant, dynamic experiences. The process continues for poets as they venture into performance, formal readings and publication. So if you've got a story to tell, write it down, practice in front of a mirror or close friends, then venture out and share your thoughts and visions with the world right here in town.
COLUMN · DAY TRIPPIN'
Finding The Old West In Cartersville Our itinerant traveler lives out his cowboy ways on the road
S Jason Tinney
Pulse columnist
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The Booth Western Art Museum resides next to railroad tracks that cut through the center of Cartersville, a small town 70 miles south of the Tennessee line.”
Jason Tinney co-authored the play Girl With Diamonds In Her Eyes: A Cowgirl Western with Holly Morse-Ellington and has been known to play cowboy harmonica with singer/songwriter Eric Shelton. He is typically attired in jeans, Western snap-shirts, and cowboys boots.
ILENCE SAVED FOR A GENTLE boot tap in time with the humming whisper of Mary Sharon Vaughn’s words made popular by highwaymen named Waylon and Willie. Strung upon tall Georgia pines are memories of my six cousins settled in for The Wizard Of Oz in a living room after Thanksgiving while I, cap guns holstered by my hips, sneak upstairs alone to watch Butch Cassidy And The Sundance Kid on a small black and white TV. Maybe it’s my imagination scattered across tranquil farmland shouldering Route 411, but at the age of eight I felt like an outlaw. The Booth Western Art Museum resides next to railroad tracks that cut through the center of Cartersville, a small town 70 miles south of the Tennessee line. At 120,000 square feet, constructed of Bulgarian limestone and resembling a modern-day pueblo, the Booth is the largest permanent exhibition space for Western art in the world. Over 2,000 pieces—paintings, sculptures, vintage movie posters, manuscripts and artifacts blending historical works with contemporary—are housed within the museum’s fifteen galleries. A Smithsonian Institution affiliate, the Booth, which opened in 2003, is listed among “The South’s Best Museums” by Southern Living and was named the 2016 Reader’s Choice “Best Western Museum” in America by True West magazine. “The number one question we get is: why would you build a Western art museum in the Southeastern part of the United States?” says Jim Dunham, Booth’s historian and Director of Special Projects. “It has less to do with where we are— everything to do with how old you are. If you were raised like me, in the 1950s, the motion picture and television industry was dominated by Westerns. It didn’t matter where you lived. The founders that collected this art fell in love with the American frontier because of the TV and
movies. Even though they lived in Cartersville, their house was filled with paintings of cowboys and Indians.” James Friedewald, 76, is a retired Atlanta trial lawyer-turneddocent. Decked in crisp jeans, bolo-tie and handsome chocolate cowboy boots, he guides our group highlighting artists such as Charles M. Russell, Harry Jackson, and Frederic Remington. Before moving into the Millar Presidential Gallery, where letters from every American president are on display, Friedewald pauses at “A Day’s Work Done” by Duane Bryers. “Doesn’t that just bring your blood pressure down?” he says. An old cowboy and horse sip water from a trough as the dust settles. “When I got through trying cases—and trying cases is open warfare—and all of a sudden the day’s over and that just feels really good,” Friedewald tells me. “Yeah, it’s a really relaxing piece of art.” The Booth’s myriad galleries include: Modern West, a wing dedicated to contemporary art; War is Hell which chronicles the Civil War; Sagebrush Ranch, an interactive children’s gallery; and Native Hands, a collection of American Indian artifacts. “If there is a single overriding comment that you can make about Western art—it’s storytelling art,” Dunham says. “We divided the galleries on how the stories are told. We have one gallery called Colliding Cultures that deals with the treatment of African Americans, American Indians, Hispanics, Chinese. It’s an interesting gallery because it has so many paintings and sculptures that deal with this subject of Western movement to
Western expansion which could be very violent and produce conflict.” Last year, the Booth debuted WARHOL and the WEST, the first exhibition to fully explore Andy Warhol’s love of the wild frontier. Before his death, Warhol completed Cowboys and Indians which included fourteen iconic Western subjects, among them, Custer, Geronimo and John Wayne. The exhibition marked the first time the collection had been presented in full context and featured more than one hundred works of art and objects—including Warhol’s cowboy boots. “Andy was a mirror to America,” says Seth Hopkins, Executive Director of the Booth. “If you were truly going to reflect America, the West was going to have to be in there. It’s not unnatural that he should have investigated the West. He kept a scrapbook of movie stars. The largest photograph in that portfolio was of Roy Rogers.” Through February, the Picturing America Gallery showcases the photographs of Bill Wittliff who chronicled (and wrote the screenplay for) the Lonesome Dove miniseries based on the novel by Larry McMurtry. I’m staring at a photo of Robert Duvall in weathered boots, wry smile. In my memories and imagination, I can hear Augustus McCrae say, “If I’d have wanted civilization I’d have stayed in Tennessee and wrote poetry for a living.”
CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 9
ARTS & ENTERTAINMENT
Chalking It Up For Art Lytle artist has some very big skills
Glamour And Death At Star Line If there’s two things that make a good story, it’s timeless Hollywood suspense and the captivating thrill of a whodunit. Erica Wright, author of “Famous in Cedarville”, will be at Star Line Books this Tuesday at 6 p.m. to indulge with fellow readers and lovers of crime and mystery. Wright wraps together the allure of Hollywood glitz and glamour with memories of her hometown in her first ever standalone mystery that has hooked crime-fiction fans of all ages. Famous in Cedarville follows Samson, who is thought by many to be losing his mind, as he investigates the mysterious circumstances surrounding the death of Hollywood actress Barbara Lace. When a second connecting murder follows, the town begins to question things. With combined characteristics of classic Fitzgerald and everyone’s favorite sleuth, Nancy Drew, the intriguing aspect of the jazz age era makes the secrecy and the enigma that much better. “The Hollywood angle definitely adds some glamour,” Wright said. “The scenes in Los Angeles explore the underbelly of that glitz, though. We learn pretty quickly that Lace had to be tough to survive for decades in an unforgiving business.” If you’re ready for your next good read, go soak up the one-of-a-kind atmosphere at Chattanooga’s only independent bookstore on Tuesday and enjoy a wide-ranging chat with Erica. She promises not to talk too much about her dog. — Lindsey Clute
By Jessie Gantt-Temple Pulse Assistant Editor
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For many people, science and art are two very separate things but for me, they have always been connected and flowed in and out of each other in so many amazing ways.”
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“A
RT IS THE EXPRESSION OF WHAT YOU SEE around you, what you experience, and how you choose to share that with the world. Similarly, science seeks to understand the phenomena that we witness or experience. To me, science and art go hand-in-hand and truly complement one another to lead to a greater understanding of our incredible world and this crazy life we live.”
A graduate from the Tennessee Governor’s Academy for Math and Science as well as the University of Tennessee, Lauren Lytle didn’t know that she was going to be successful with Chattanooga Chalk when she completed her bachelor’s degree in biology and anthropology. “I’ve always loved the way nature inspires art and how creating art can connect us to nature. For many people, science and art are two very separate things but for me, they have always been connected and flowed in and out of each other in so many
amazing ways,” Lauren said as she explained how her worlds collided. Just launching Chattanooga Chalk in 2018, she is currently a project manager at Chattanooga Web Design, works at the aquarium and is an acro instructor at Peace.Strength. Yoga. One would think all those endeavors would not leave any time to pursue her passion of art but Lauren says balance and diversity are essential. “I love being a part of so many different devoted communities here. People and organizations in this city
are truly striving to affect change and grow socially, culturally, professionally and in so many other ways,” she said after completing a Society of Work mural that quoted Margaret Mead. “This piece was not only fun but is really meaningful to the work they do and the community they are striving to create and build. It’s always my hope that my doodles can in some way help bring people together and build a stronger, more connected society and this one might have done just a little of that.” Due to her love of the outdoors and connection with environmental education, she’d really like to work with places like the Chattanooga Zoo, Reflection Riding, Outdoor Chattanooga, the Creative Discovery Museum or other organizations focused on connecting people with nature. You may also have seen her handy work on Cashew’s windows, in The Moxy, within the Moonlight Roller Lounge Mobile, or on the vibrant red wall at Cycle Bar Chatt. From hemp and hairdos to restaurants and rehearsal dinners, she can design any style signature to help you communicate any message. “Creating custom work is so rewarding. I love being able to bring something unique especially if I get to learn something new in the process— like how to home brew beer,” she said when showing me the extremely
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I love being able to bring something unique especially if I get to learn something new in the process—like how to home brew beer.”
detailed, expansive four-panel-andmore piece on the wall at The Brew Market and Beer Garden. Lauren can tackle any size project and is not limited to the one medium of chalk or just chalkboards either. She can utilize pen, acrylic paint or colored pencil and has created more permanent designs on wood, paper, glass, plastic, mirrors, pallets and doors. One of her services, “Daily Specials for Chalkboards” can apply to businesses or individuals and range up to $60 which is more than reasonable for a custom art piece. When it comes to larger signs or murals, each job is as different as each customer so prices vary. She also offers chalkboard rentals if you request it along with your custom lettering which makes organizing your special event so much easier. She frequently refers to her designs as “doodles” which does portray an imagery of ebb and flow however, the finished piece has such a structured look, the term “doodle” does not do them justice. Masterful in hand lettering and calligraphy and an avid reader, Lauren loves putting words to
art like in her invites and envelopes for weddings, graduations, parties or just to make the everyday extraordinary. However, from aardvarks to landscapes, her skills expand beyond simple words. “Portrait drawing with plain old pencils will forever be my first love but I don’t do them very often as lettering typically take precedence. I really enjoy drawing people’s hair, oddly enough,” she said as she discussed her goals for 2020. “Along with growing Chattanooga Chalk, I am hoping to teach a lettering workshop and finish an art print series I’ve been working on for a few years.” She also hopes to travel, climb in some beautiful places, sign up for a triathlon and learn new acrobatic tricks. The eclectic energy Lauren’s art puts out is perfect for Chattanooga as it provides her ventures for both business and pleasure. Email Lauren at lytle.writer@gmail.com to have her create for you and definitely follow Chattanooga Chalk on social media to be inspired by her conceptual textuals.
THU1.30
FRI1.31
SAT2.1
Southbound Opening
Tig Notaro
CATS
More than fifty-six fine art photographers, each one exploring and documenting the New South in a unique way. 6 p.m. The Hunter Museum of Art 10 Bluff View Ave. huntermuseum.org
You've seen her on many TV shows, but now's your chance to experience her comedy like never before on the stage. 8 p.m. Walker Theatre 399 McCallie Ave. tivolichattanooga.com
Sure, the movie is terrible, but the play is the thing (to quote The Bard). And there's nothing like seeing CATS in person. 7:30 p.m. Tivoli Theatre 709 Broad St. tivolichattanooga.com
CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 11
ARTS & ENTERTAINMENT CALENDAR THURSDAY1.30 Re-vamp Your Lamp Workshop 10 a.m. Rustic Trading Co. 199B River St. (423) 888-1405 rustictradingco.com Miller Park Farmers Market 11 a.m. Miller Park 910 Market St. millerparkmarket.com Indirect Oil Painting with Susan Budash 1 p.m. Reflections Gallery 1635 Rossville Ave (423) 892-3072 reflectionsgallerytn.com Intro to Pyrography 5 p.m. Woodcraft of Chattanooga 5824 Brainerd Rd. (423) 710-8001 woodcraft.com Extract Brewing Class: Stout 5:30 p.m. Brew Market and Beer Garden 1510 Riverside Dr. (423) 648-2739 brewmarketchatt.com River Runners 6 p.m. Basecamp Bar and Restaurant 346 Frazier Ave. (423) 803-5251 basecampcha.com Pop-Up Project Dance Classes 6 p.m. D. Williams Dance Academy 1106 McCallie Ave. (423) 838-5907 dwilliamsdanceacademy.com Southbound Opening 6 p.m. The Hunter Museum of Art 10 Bluff View Ave. (423) 267-0968 huntermuseum.org iPhoneography: Editing Photos 6 p.m. The Chattery 1800 Rossville Ave. (423) 521-2643 thechattery.org Journaling 101: Venting & Gratitude 6 p.m.
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The Chattery 1800 Rossville Ave. (423) 521-2643 thechattery.org Life Drawing Open Studio 6 p.m. Townsend Atelier 301 E. 11th St. (423) 266-2712 townsendatelier.com Open Mic Poetry & More 6:30 p.m. Stone Cup Café 208 Frazier Ave. (423) 521-3977 stonecupcafe.com August Wilson’s “Gem of the Ocean” 7 p.m. Chattanooga Theatre Centre 400 River St. (423) 267-8534 theatrecentre.com Shaun Jones 7:30 p.m. The Comedy Catch 1400 Market St. (423) 629-2233 thecomedycatch.com Sideshow Slideshow 7:30 p.m. The Bicycle Bar 45 E. Main St. (423) 475-6569 facebook.com/thebicyclebar Alcoholics Not Anonymous Comedy Open Mic 8 p.m. Barley Taproom 235 E. MLK Blvd. (423) 682-8200 chattanoogabarley.com
FRIDAY1.31 Paint Night 6 p.m. The Edney Innovation Center 1100 Market St. (423) 643-6770 theedney.com Shaun Jones 7:30, 9:45 p.m. The Comedy Catch 1400 Market St. (423) 629-2233 thecomedycatch.com CATS 7:30 p.m. Tivoli Theatre 709 Broad St.
(423) 757-5580 tivolichattanooga.com Tig Notaro 8 p.m. Walker Theatre 399 McCallie Ave. (423) 757-5580 tivolichattanooga.com Ruby Falls Lantern Tours 8:30 p.m. Ruby Falls 1720 S. Scenic Hwy. (423) 821-2544 rubyfalls.com
SATURDAY2.1 Explore the Yoga Energy System 9 a.m. The Chattery 1800 Rossville Ave. (423) 521-2643 thechattery.org Bottling and Kegging Workshop 9 a.m. Brew Market and Beer 1510 Riverside Dr. (423) 648-2739 brewmarketchatt.com Practicing Empowerment: Self-Therapies for 2020 9 a.m. The Chattery 1800 Rossville Ave. (423) 521-2643 thechattery.org Beginning Beading with Ashley 10 a.m. Bead-Therapy 1420 McCallie Ave. (423) 509-1907 bead-therapy.com Brainerd Farmers Market 10 a.m. Grace Episcopal Church 20 Belvoir Ave. (423) 243-3250 saygrace.net Author Signing with Rita Hubbard 11 a.m. Barnes and Noble 2100 Hamilton Place Blvd. (423) 893-0186 barnesandnoble.com Breaking Barriers for Your 2020 Success Noon
The Chattery 1800 Rossville Ave. (423) 521-2643 thechattery.org The Gershwins’ Porgy and Bess 12:55 p.m. AMC Chattanooga 18 5080 South Terrace (423) 855-9652 fathomevents.com Healthy Desserts with Alms + Fare 1 p.m. Crabtree Farms 1000 E. 30th St. (423) 493-9155 crabtreefarms.org CATS 2, 7:30 p.m. Tivoli Theatre 709 Broad St. (423) 757-5580 tivolichattanooga.com Winton and Rosa Eugene Opening Reception 2 p.m. River Gallery 400 E. 2nd St (423) 265-5033 river-gallery.com Fireside Chat Storytelling Series 6:30 p.m. Collegedale Commons 4950 Swinyar Dr. (423) 468-1971 Abdul Ahmad, Lin Buckner Art Exhibition 7 p.m. WanderLinger Brewing Co. 1208 King St. wanderlinger.com Shaun Jones 7:30, 9:45 p.m. The Comedy Catch 1400 Market St. (423) 629-2233 thecomedycatch.com August Wilson’s “Gem of the Ocean” 8 p.m. Chattanooga Theatre Centre 400 River St. (423) 267-8534 theatrecentre.com
SUNDAY2.2 CATS 2 p.m.
August Wilson’s “Gem of the Ocean” Tivoli Theatre 709 Broad St. (423) 757-5580 tivolichattanooga.com August Wilson’s “Gem of the Ocean” 2:30 p.m. Chattanooga Theatre Centre 400 River St. (423) 267-8534 theatrecentre.com
MONDAY2.3 Black Professionals 5:30 p.m. The Hunter Museum of Art 10 Bluff View Ave. (423) 267-0968 whuntermuseum.org Winter Belly Dance Session 6 p.m. Movement Arts Collective 3813 Dayton Blvd. (423) 401-8115 movementartscollective.com Joggers & Lagers 6 p.m. Chattanooga Brewing Co. 1804 Chestnut St. (423) 702-9958 chattabrew.com Beginner Macrame: Garland 6 p.m. The Chattery 1800 Rossville Ave. (423) 521-2643 thechattery.org
Intermediate Tarot 6 p.m. The Chattery 1800 Rossville Ave. (423) 521-2643 thechattery.org First Monday Improv Comedy 7:30 p.m. Barking Legs Theater 1307 Dodds Ave. (423) 624-5347 barkinglegs.org
TUESDAY2.4 Chattanooga Self Improvement Meetup 8 a.m. The Edney Innovation Center 1100 Market St. (423) 643-6770 theedney.com Sew What 4 p.m. Chattanooga Public Library 1001 Broad St. (423) 643-7700 chattlibrary.org An Evening with Erica Wright 6 p.m. Star Line Books 1467 Market St. (423) 777-5629 starlinebooks.com Silverpoint Drawing 6 p.m. Townsend Atelier 301 E. 11th St.
(423) 266-2712 townsendatelier.com Paths to Pints 6:30 p.m. The Tap House 3800 St. Elmo Ave. taphousechatt.com Chess K-night 7 p.m. Mad Priest Coffee Roasters 1900 Broad St. (423) 393-3834 madpriestcoffee.com
WEDNESDAY2.5 RISE 2020 11:30 a.m. Westin Chattanooga 801 Pine St. (423) 490-5626 westinchattanooga.com Free Indoor Archery Session 3:30 p.m. Outdoor Chattanooga 200 River St. (423) 643-6888 outdoorchattanooga.com Main Street Farmers Market 4 p.m. 522 W. Main St. mainstfarmersmarket.com Beginners Stained Glass with Summer Harrison 5:30 p.m. Reflections Gallery 1635 Rossville Ave. (423) 892-3072
reflectionsgallerytn.com Gargoyle Sculpting 6 p.m. Townsend Atelier 301 E. 11th St. (423) 266-2712 townsendatelier.com Introduction to Calligraphy 6 p.m. The Chattery 1800 Rossville Ave. (423) 521-2643 thechattery.org Introduction to the Lightroom App 6 p.m. The Chattery 1800 Rossville Ave. (423) 521-2643 thechattery.org Jeffrey Blout: “The Emancipation of Evan Walls” 6 p.m. Bessie Smith Cultural Center 200 E. MLK Blvd. (423) 266-8658 bessiesmithcc.org Mike Paramore 7:30 p.m. The Comedy Catch 1400 Market St. (423) 629-2233 thecomedycatch.com Map these locations on chattanoogapulse.com. Send event listings at least 10 days in advance to: calendar@chattanoogapulse.com CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 13
THE MUSIC SCENE
Local Rapper YM Heads For The Big Time A thirteen-year-old with a lifetime of skill The Phoenix Of Rock ‘N Roll If you like bluesy rock, feminism, and vocals that demand your attention, then Emily Wolfe is the perfect storm. Wolfe effectively mixes rapier wit and self-reflection to create provocative lyrics accompanied by guitar riffs that make you sway. And while you’re listening to her shred, make sure to get a look at Wolfe’s signature Epiphone guitar prototype—that she helped design herself—in case you want to get one of your own when it’s released next year. So it’s only appropriate her performance be at Songbirds Guitar Museum on February first, which comes the day after she releases her new single “Ghost Limb Gambler”. Concertgoers will even get a sneak peek at some previously unreleased songs that just might appear on her next LP. The songs on Wolfe’s latest, self-titled album demonstrate her range of musicality and emotion, and you can hear a sampling of each at emilywolfemusic.com. With songs from the spirited “Holy Roller”, to the deliciously seductive “Bad Behavior”, to the heart-melting “Steady”, everyone will have a different favorite. After overcoming her struggle with addiction that resulted in a terrifying brush with death, Emily Wolfe has become more powerful and more creative than ever. You don’t want to miss her hair-raising live performance! — Halley Andrews
By Marc T. Michael Pulse Music Editor
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As long as I’ve been in the business, I can’t remember the last time I met anyone of any age who was as on the ball as he.”
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HERE IS A RECURRING THEME IN THE LOCAL MUSIC scene that I address from time to time. I’ve written whole features about it and as I’ve sat here outlining today’s entry it occurs to me that I may do so again, soon.
It goes something like this: A local band or artist, having achieved some small degree of recognition, whines and moans about the lack of opportunity. Crowds, bars, owners, the city, the angle of the sun in the afternoon and every other conceivable target is blamed for why they aren’t making a thousand dollars a gig playing downtown on a Thursday night. Bold declarations are made about the need to go “somewhere else,” a bigger city with greater opportunity
where they will be appreciated for their genius. Away they go, to swiftly develop a newfound respect for how large the food chain is by finding themselves suddenly at the bottom of it. The point of all that is opportunity is anywhere you are, if you’re willing to look for it or, if necessary, to create it. I can think of no better example than this week’s subject. YM (Yung Mann) is a 13-year-old rapper from Chattanooga, and all
the long years I’ve been in the business, I can’t remember the last time I met anyone of any age who was as on the ball as he. In the first place, he is wickedly talented. Thirty seconds into his debut single, “Fortnite”, and there’s no question that his flow is on par with any pro working today. Stylistically he’s like a junior version of Childish Gambino, a bold comparison and one I do not make lightly. Lyrically, he accomplishes something I don’t think I’ve heard before. He writes about his world and peers with an awareness an older person simply could not have, with a level of skill far beyond his years. The result is a much higher caliber of relatable music than the demographic typically gets to enjoy. Frankly, it is exciting to see that level of ability at such a young age and it commands respect and admiration. He is going to be a star. There is no question, it is a given, and I’m not the first person to make that observation, but I’m getting ahead of myself. So he’s talented, remarkably so, but talent alone isn’t enough to make it in the music business as
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He writes about his world and peers with an awareness an older person simply could not have, with a level of skill far beyond his years.” a million guitar gods no one has ever heard of will attest. Without motivation, determination, innovation, intelligence, and a touch of luck, talent is just a fruit left to wither on the vine, but YM is no mere musical prodigy. He has just as keen an instinct for the business side of the music business. The opportunity to open for Curly Head Monty, a YouTube sensation and influencer with a reach of over a million fans, was his first break. That success led to a series of speaking engagements at area middle schools which he was then able to parlay the speaking engagements into a bona fide tour of those same schools, the “Splatt” tour. Consider that carefully, but it is the crucial point to his success. He did not wait to be discovered. He created his own opportunity and it was a stroke of
genius. His social media presence soared, leading to more and more appearances until he caught the eye of the right man in the right place. That man is Nick Cannon, who began his own career as a teenager, racking up a list of credits as an actor, comedian, writer, rapper, producer, and these days it appears, star maker. Nick Cannon has signed YM to his N’Credible label as a member of the up-and-coming boy band, NCK and it is now a matter of when, not if, the band becomes a household name. Odds are it won’t be long. It seems like a fairytale story of success, and perhaps it is, but it never would have happened if a talented young man from Chattanooga hadn’t created his own path to stardom. Opportunity is wherever you are, and if you can’t find it, create it.
The Bob Marley Birthday Bash It's time once again for the annual Bob Marley Birthday Bash, a tradition that started back in 1998 at Rhythm ‘N Brews. It has rightfully earned the reputation of being one of the biggest and best celebrations of its kind as friends, fans, family and musicians make the pilgrimage back to the yard to honor the memory and living legacy of one of the most popular, beloved, and influential musicians of the 20th century. Hosted by Chattanooga’s own beloved Milele Roots at J.J.’s Bohemia, the party will see the return of many Milele alumni as well as last year’s guest of honor, Ras James Shield (the original singer and frontman for Irie Nation) who reportedly had so much fun last year that before the night was done he had already said, “Sign me up for next year!” A celebration of Bob, love, and Milele, it’s the reunion of your chosen family, all happening this Saturday at J.J.’s Bohemia. Doors open at 8 p.m., music starts at 10 p.m., and the good vibes go on forever. — MTM
THU1.30
FRI1.31
SAT2.1
Indigo Girls
Jerre Haskew
From suburban Atlanta to conquering the world, Amy & Emily have blazed many musical trails and show no sign of stopping. 8 p.m. Walker Theatre 399 McCallie Ave. tivolichattanooga.com
Co-founder of the legnedary Cumberland Trio, the Music Man has been entertaining audiences for decades. 8 p.m. Puckett’s Restaurant 2 W. Aquarium Way puckettsgro.com
Chef Neville Forsythe: An Eclectic Celebration Come celebrate the life of a great spirit in the way he would have wanted. 7:30 p.m. Barking Legs Theater 1307 Dodds Ave. barkinglegs.org
CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 15
LIVE MUSIC CALENDAR THURSDAY1.30 Danimal & Friends 6 p.m. WanderLinger Brewing Co. 1208 King St. wanderlinger.com David Anthony & Paul Stone 6 p.m. The Palms at Hamilton 6925 Shallowford Rd. thepalmsathamilton.com Open Mic Poetry & More 6:30 p.m. Stone Cup Cafe 208 Frazier Ave. stonecupcafe.com Randy Steele 6:30 p.m. The Woodshop 5500 St. Elmo Ave. thewoodshop.space Toby Hewitt 7 p.m. Backstage Bar 29 Station St. backstagechattanooga.com Winter Music Series: Catfish & The Bottom 7 p.m. Chattanooga Brewing Co. 1804 Chestnut St. chattabrew.com Songwriter’s Competition 7 p.m. Gate 11 Distillery 1400 Market St. gate11distillery.com Ultrafaux with Jason Anick 7:30 p.m. Barking Legs Theater 1307 Dodds Ave. barkinglegs.org Amber Fults 7:30 p.m. Westin Alchemy Bar 801 Pine St. westinchattanooga.com New Grass Express 7:30 p.m. The FEED Co. Table and Tavern 201 W. Main St. feedtableandtavern.com Indigo Girls 8 p.m. Walker Theatre 399 McCallie Ave. tivolichattanooga.com Sandy Ewen: Solo Guitar Improvisations 8:30 p.m.
16 • THE PULSE • JANUARY 30, 2020 • CHATTANOOGAPULSE.COM
Exile Off Main Street 1634 Rossville Ave. Open Mic Night with Jonathan Wimpee 9 p.m. The Office @ City Cafe 901 Carter St. citycafemenu.com
FRIDAY1.31 Jimmy Dormire 6:30 p.m. Westin Dorato Bar 801 Pine St. westinchattanooga.com B/Chriss EP Release Show 7 p.m. City Church of Chattanooga 7122 Lee Hwy. thecitychurch.cc Stringer’s Ridge 7 p.m. OddStory Brewing Co. 336 E. MLK Blvd. oddstorybrewing.co Forever Bluegrass 7:30 p.m. WanderLinger Brewing Co 1208 King St. wanderlinger.com A Golden Wire 7:30 p.m. St. Paul’s Episcopal Church 305 W. 7th St. stpaulschatt.org The Briars 7:30 p.m. Gate 11 Distillery 1400 Market St. gate11distillery.com Webb Berringer 7:30 p.m. Westin Alchemy Bar 801 Pine St. westinchattanooga.com The Adjective Trio 8 p.m. Pax Breu Ruim 516 East Main St. pax-breu-ruim.business.site Jerre Haskew 8 p.m. Puckett’s Restaurant 2 W. Aquarium Way puckettsgro.com Stacy Wilson & The Band Raven 8 p.m. Fireside Grille 3018 Cummings Highway
firesidechattanooga.com Trey Binkley 9 p.m. Big River Grille 222 Broad St. bigrivergrille.com Eric Turner 9 p.m. The Feed Co. Table & Tavern 201 W. Main St. feedtableandtavern.com Mia Treadwell and Friends 9 p.m. Tremont Tavern 1203 Hixson Pike tremonttavern.com Reflect ft: Moniker Encryption Tour 9 p.m. Music Box Ziggy’s 607 Cherokee Blvd. (423) 265-8711 Jess Goggans Band 9 p.m. HiFi Clyde’s 122 W. Main St. hificlydeschattanooga.com In The Pines, Sleazy Sleazy, Ashley and The X’s 9 p.m. JJ’s Bohemia 231 E. MLK Blvd. jjsbohemia.com Tim Starnes 9 p.m. The Office @ City Cafe 901 Carter St. citycafemenu.com 84 - Van Halen Tribute 9 p.m. Songbirds South 41 Station St. songbirds.rocks Stephen Busie 10 p.m. The Social 1110 Market St. publichousechattanooga.com Aunt Betty 10 p.m. Bud’s Sports Bar 5751 Brainerd Rd. budssportsbar.com
SATURDAY2.1 Danimal 10:30 a.m. Flying Squirrel Bar 55 Johnson St. flyingsquirrelbar.com
Chattanooga Singing Circle 1 p.m. The Chattery 1800 Rossville Ave. thechattery.org Ryan Oyer 6:30 p.m. Westin Dorato Bar 801 Pine St. westinchattanooga.com Emily Wolfe 7 p.m. Songbirds North 35 Station St. songbirds.rocks Glass Caps, Behold The Brave, Lewis and Clark 7 p.m. Palace Theater 818 Georgia Ave. chattpalace.com The 9th Street Stompers 7:30 p.m. Gate 11 Distillery 1400 Market St. gate11distillery.com Chef Neville Forsythe: An Eclectic Celebration 7:30 p.m. Barking Legs Theater 1307 Dodds Ave. barkinglegs.org Courtney Holder 7:30 p.m. Westin Alchemy Bar 801 Pine St. westinchattanooga.com Parker Gispert (of the Whigs) + TJ Greever 8 p.m. The Woodshop 5500 St. Elmo Ave. thewoodshop.space Teni Rane 8 p.m. Charles and Myrtle’s Coffeehouse 105 McBrien Rd. (423) 892-4960 Nikki Michelle and the Cosmic Collective 8 p.m. Flying Squirrel Bar 55 Johnson St. flyingsquirrelbar.com Paul Smith & Sky High Band 8 p.m. Eagles Club 6128 Airways Blvd. foe.com Walk Or Row
Mitch Rossell Band 8 p.m. Puckett’s Restaurant 2 W. Aquarium Way puckettsgro.com Six Shooter 8:30 p.m. Fireside Grille 3018 Cummings Hwy. firesidechattanooga.com The Power Players 9 p.m. HiFi Clyde’s 122 W. Main St. hificlydeschattanooga.com Windhorse, RoguePoet 9 p.m. WanderLinger Brewing Co. 1208 King St. wanderlinger.com Peace Merchants 9 p.m. Hutton & Smith Brewing Co. 431 E. MLK Blvd. huttonandsmithbrewing.com Coathanger Abortion, Basstrount, Taverns 9 p.m. Music Box @ Ziggy’s 607 Cherokee Blvd. (423) 265-8711 Bob Marley Birthday Bash 9 p.m. JJ’s Bohemia 231 E. MLK Blvd. jjsbohemia.com Mitch Rossell Band 9 p.m. Songbirds South 41 Station St. songbirds.rocks Windhorse, RoguePoet 9 p.m. WanderLinger Brewing Co.
1208 King St. wanderlinger.com Aunt Betty 10 p.m. Bud’s Sports Bar 5751 Brainerd Rd. budssportsbar.com PBR Band 11 p.m. SkyZoo Chattanooga 5709 Lee Hwy. (423) 521-2966
SUNDAY2.2 The Smoky Nights 11 a.m. Flying Squirrel Bar 55 Johnson St. flyingsquirrelbar.com 9th Street Stompers 11 a.m. STIR 1444 Market St. stirchattanooga.com Carl Pemberton 11 a.m. Westin Chattanooga 801 Pine St. westinchattanooga.com My Name Is Preston Noon Southside Social 1818 Chestnut St. thesouthsidesocial.com Nikki Michelle and the Cosmic Collective 1:30 p.m. Flying Squirrel Bar 55 Johnson St. flyingsquirrelbar.com Free Fiddle School 2 p.m.
Fiddlers Anonymous 2248 Dayton Blvd. (423) 994-7497 Songwriters Week Qualifying Round 6 p.m. Barking Legs Theater 1307 Dodds Ave. barkinglegs.org Even Kennedy 8 p.m. The Office @ City Cafe 901 Carter St. citycafemenu.com
MONDAY2.3 Open Air with Jessica Nunn 6 p.m. Granfalloon 400 E. Main St. granfalloonchattanooga.com Monday Nite Big Band 7 p.m. The Coconut Room 6925 Shallowford Rd. thepalmsathamilton.com Blues Night Open Jam 7 p.m. Songbirds North 35 Station St. songbirds.rocks Percussion Professor Richard Henson Faculty Recital 7:30 p.m. Ackerman Auditorium 4881 Taylor Cir. southern.edu
TUESDAY2.4 Tyler Martelli & Maria Jordania
5 p.m. WanderLinger Brewing Co. 1208 King St. wanderlinger.com Acoustic Bohemian Night 6:30 p.m. Mexi-Wing IX 6925 Shallowford Rd. mexiwingix.business.site Danimal 7 p.m. Backstage Bar 29 Station St. backstagechattanooga.com Open Mic with Mike McDade 8 p.m. Tremont Tavern 1203 Hixson Pike tremonttavern.com Ran Adams 8 p.m. The Office @ City Cafe 901 Carter St. citycafemenu.com Live Jam Session with Freddy Mc & Friends 8 p.m. Granfalloon 400 E. Main St. granfalloonchattanooga.com
WEDNESDAY2.5 Jesse James Jungkurth 7 p.m. Backstage Bar 29 Station St. backstagechattanooga.com Map these locations on chattanoogapulse.com. Send event listings at least 10 days in advance to: calendar@chattanoogapulse.com CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 17
ERNIE PAIK'S RECORD REVIEWS
New Music From JJM3, Old Souls
JJM3 The Expanse (jjm3.bandcamp.com)
Various Artists Old Souls Volume VIII (Musicophilia)
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called the “Invecticon”. However, while intended to repulse and humiliate, instead, these “insults” are intriguing more often than not and sound like they describe the music this writer has an affinity for. This comes to mind when absorbing the sprawling, 80-minute new album The Expanse from JJM3, one of many monikers adopted by Chattanooga musician Joseph J. Micolo III. Micolo, while most visible as the bassist in the heavy shoegaze quartet Lacing, as a solo artist has a diverse catalog under different names, including GTRUK (instrumental hip-hop), SEGAWORMS (noisy “soilcore”), Vaus (sinister beats), JJEMMEIII (organ meditations) and more. With JJM3, Micolo uses field recordings that are processed and edited, often heavily, to make evocative pieces where the mood and atmosphere
his writer’s recent favorite music-related book is “Lexicon of Musical Invective”, a collection of hilariously scathing (and sometimes misguided) contemporaneous reviews of 19th and 20th century classical music. It was compiled by Nicolas Slonimsky, who provides an enlightening preface entitled “Non-Acceptance of the Unfamiliar” discussing such criticism usually born from prejudiced and closed minds. Ironically, these writers show imagination in their entertaining and colorful put-downs, like one review of Tchaikovsky’s 5th Symphony that calls its finale “a horde of demons struggling in a torrent of brandy”. “Catastrophe in a boiler factory”, “crime against music”, and “curiosity shop of tangled harmonies” are just a few descriptions in the “C” section of the book’s index of vitriol,
are crucial, while hummable melodies are not. Sometimes the field recordings feature recognizable sounds, like birdsongs, bringing the listener back to reality after voyages to unknown locales, among engulfing hazes of drones and textures. As one struggles to find apt descriptions, as a disgruntled 19th century classical music reviewer might, one’s mind can wander in creative ways to fill in the blanks. “MMY” offers unnerving ceremonial music, perhaps for some unholy ritual like a cross between an H.P. Lovecraft story and Eyes Wide Shut. At first, “The Structure” is meandering and a bit perplexing, with beats that conjure images of a mob trying to beat down a castle door, and it ends with a cathartic yet disturbing cacophony. On the opposite end of the spectrum, the closing track “Peace” has a peculiar kind of soothing warmth with a cloud of static, cricket chirps and chimes. And “The Expanse”— well, its beginning sounds like a horde of demons struggling in a torrent of brandy, and this writer means that in the best possible way.
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he most concise advice about cultural pursuits this writer has read actually came from a wine expert, Harvey Steiman: “Drink what you like
and keep trying new things.” That one sentence will get you pretty far. However, wine (and music) enthusiasts should realize that the first part isn’t just about relying on habits— it’s about understanding and articulating what you like and dislike. It can be challenging enough for a person to acutely understand their own tastes, so it’s even more special when another person understands your tastes. It’s a little sad when giftgiving is a soul-less, obligatory activity but it has the potential to be profoundly meaningful when it expresses “I know you, and here’s something I think you’ll enjoy”. Years ago, one trusted music enthusiast made a personal recommendation based on his knowledge of this writer’s tastes: a 12-CD boxed set from electro-acoustic artist Bernard Parmegiani. Without hesitation, and without prior familiarity with Parmegiani, this writer purchased it and as expected, it was deeply appreciated and enjoyed. Which brings us to the compilation at hand, Old Souls Volume VIII, an unsanctioned digital download from Musicophilia run as a labor of love by Ian Manire, the aforementioned trusted music enthusiast. His impeccable taste and brilliant graphic design talents have combined on previous, often mammoth collections,
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focusing on various themes: post-punk/new wave (“1981”), library music (“Les Bibliothécaires”), Afrominimalism, funk (“Le Monde du Funk”) and many more. With the Old Souls series, Manire spotlights new, eclectic directions coming from strains of soul, hip-hop and jazz, seemingly with a common thread of honoring musical history by expanding upon it, not mimicking it. The latest installment centers on one spot (London) but covers a lot of ground and runs the emotional gamut with biting passion and fun, slithering grooves. It’s thoughtfully sequenced to provide a flow that makes aesthetic sense, and beyond its utility, as a stepping stone for further musical exploration, it works perfectly as a nourishing standalone experience. Alas, non-dire circumstances have behooved this writer to take a break from writing, after 14+ years of weekly submissions, so this is a good opportunity to say thank you to all past and present esteemed colleagues at The Pulse (a publication that has never said, “Ernie, that’s just too weird/obscure/etc.”), readers (Hi Dad!), trusted sources of musical discoveries, and of course, the talented artists this writer has had the privilege to cover, who have fed his appetite for new things.
JONESIN' CROSSWORD
FREE WILL ASTROLOGY AQUARIUS (Jan. 20-Feb. 18): Please don’t imitate or repeat yourself in the coming weeks. Refrain from relying on formulas that have worked for you before. Resolve to either ignore or rebel against your past as you dream up fresh gambits and adventures. Treat your whole life like an improvisatory game that has just one purpose: to attract and stir up useful novelty. If you do these things, Aquarius, I can practically guarantee that you will win the game.
cordance with the astrological indicators, I invite you to rise and soar and glide during the coming weeks. I encourage you to expand and enlarge and amplify. Don’t wait around hoping to be asked to explore and experiment and improvise—just do those things. It’s high time for you to enjoy stirring quests and research projects and missions dedicated to discovery. Be a fun-loving pioneer. Sample the joys of being a maverick and outlier.
PISCES (Feb. 19-March 20): Poet Robert Bly believes that each of us has a special genius, and the key to understanding and fully activating that genius is in our core wound. In other words, the part of us that got hurt the worst is potentially the generative source of the best gifts we have to give. Do you know where that is in yourself: the wound that could be the source of your blessing? Now is a great time to investigate this tantalizing mystery.
CANCER (June 21-July 22): I love living in the material world. Its crazy-making demands and exhilarating rewards are endlessly entertaining. Despite having been born as a fantasy-prone, overly sensitive Cancerian, I’ve become fairly earthy and well-grounded. I have a good job, a nice house, a smart wife, and an interesting daughter. On the other hand, I also love living in the soul’s realm. I have remembered and recorded an average of three dreams per night for many years. Although I don’t take drugs, I cultivate alternate states of consciousness through meditation, prayer, and ritual. I’ve long been a student of depth psychology, which has trained me to be as focused on my soul as my ego. In accordance with current astrological omens, my fellow Cancerian, I urge you to hang out more than usual in the soul’s realm during the coming weeks.
ARIES (March 21-April 19): My favorite ancient Greek philosopher was the rascal Diogenes. As a joke, he carried around a lantern during the daytime, proclaiming, “I am just looking for an honest man.” When Alexander the Great, the most powerful man in the world, came to meet Diogenes while he was relaxing outside and asked him if he needed any favors done, he replied, “Yeah, stop blocking my sunlight.” As for Plato, Diogenes complained that the famous philosopher talked too damn much and misinterpreted the teachings of Socrates. I encourage you to borrow some of Diogenes’ attitude in the coming weeks. According to my analysis of the astrological omens, it’ll be healing for you to experiment with being brassy, saucy, and sassy. Emphasize what makes you most unique, independent, and self-expressive. TAURUS (April 20-May 20): Taurus author Anthony Trollope (1815– 1882) published his first novel at age 30. During the next 37 years, he completed 48 additional novels and 18 works of nonfiction. Critics liked his work well enough, but were suspicious of his prodigious productivity. When they discovered that one of Trollope’s motivations for writing was to make money, they disapproved. Then they found out that Trollope kept a watch nearby as he worked, determined to generate 250 words every 15 minutes. The critics hated that even worse. Creative artists are supposed to court inspiration, not adhere to a schedule— at least according to the critics. But I approve of and recommend Trollope-like behavior for you in the coming weeks, Taurus. Cosmic forces will be on your side if you do. GEMINI (May 21-June 20): In ac-
LEO (July 23-Aug. 22): Can I talk you into being more tender and open-hearted toward the people who care for you? I don’t mean to imply that you are currently too hard and closed. But all of us can benefit from enhancing our receptivity, and the coming weeks will be prime time for you Leos to do just that. I think you’ll find it easier than usual to deepen your listening skills and intensify your sensitivity. You’ll have an acute intuitive grasp of the fact that you can earn yourself huge blessings by expressing love and compassion in very practical ways. VIRGO (Aug. 23-Sept. 22): All of us are in service to someone or something—to certain people or ideas or situations. We provide them with help or energy or mirroring or love. We are dutiful in attending to their needs and wants. For some of us, our service feels like a burden. It’s grating or humbling or inconvenient, or all of the above. For others of us, being of service is fulfilling, even joyful. We find a rich sense of purpose in our devotion to a higher cause or deeper calling beyond our selfish concerns. Among the 12 signs of the zodiac, you Virgos are more likely than most to carry out the latter kind of service. I bring these thoughts to your attention because the coming weeks will be an excellent time to re-evaluate, reconfigure, and reinvigorate your own service.
LIBRA (Sept. 23-Oct. 22): Author David Markson imagined what it would be like to write a novel that lacked conflicts or confrontations—in other words, a novel unlike any ever created. Libran author Ursula Le Guin also fantasized about stories with plots that weren’t driven by strife and struggle. Since many of us are addicted to entertainment that depends on discord to be interesting, we might find it hard to believe Markson’s and Le Guin’s dream would ever happen. But I’m pleased to inform you, Libra, that your life in the coming weeks may be exactly like that: a fascinating adventure with few hassles and wrangles. SCORPIO (Oct. 23-Nov. 21): According to Scorpio painter Georgia O’Keeffe, success is irrelevant. The most crucial life-long effort that anyone can be devoted to is “making your unknown known.” Did she mean making your unknown known to yourself? Or making your unknown known to other people? Or both? According to my analysis of the astrological omens, the coming weeks will be a favorable time for you to do both. So I hope you will tease out your best and biggest mysteries from their hiding places. Give them expression. SAGITTARIUS (Nov. 22-Dec. 21): You Sagittarians have a talent for burning bridges that really do need to be burned. Your intuition often guides you to assess when the time is ripe to withdraw from connections that no longer benefit you. On the other hand, you sometimes burn bridges prematurely. You decide that they are in such disrepair that they’re of no use to you, even though it might serve your ultimate interests to fix them. I offer these thoughts as a preface for my advice: 1. Refurbish rather than burn a certain bridge you’re a bit disenchanted with. 2. Build at least one new bridge that will be valuable in the future. CAPRICORN (Dec. 22-Jan. 19): The shape of the planets’ orbits around the sun is elliptical, not circular. Capricorn astronomer Johannes Kepler (1571–1630) was the first person to figure this out. He didn’t like it. He really wanted the orbits to be circular. That would have been more satisfying to his aesthetic and spiritual sensibilities. Explaining the arduous labor he did to arrive at his conclusion, he wrote, “Take pity on me, for I have repeated these calculations seventy times.” In the big picture of our understanding of the universe, of course, his discovery was felicitous. It’s not a problem that the orbits are elliptical, merely the truth. In the coming weeks, Capricorn, I foresee you engaging in a process that’s metaphorically comparable to Kepler’s. Hard work will yield useful, if unexpected results.
“Decade in Review, Part 3”—fun stuff from 2014 & 2015. ACROSS 1 Archipelago components 7 NBA or NHL stats 10 [We meant it this way] 13 Prepare to serve, as a pizza or pie 15 French street 16 Sheep’s mother 17 Country that Conchita Wurst represented in the 2014 Eurovision Song Contest 18 Fairway club not often found in a bag 20 ___ Martin (sports car) 21 Her self-titled album was named the best of 2014 by The Guardian and Entertainment Weekly 23 John of 2020’s “The Grudge” 24 Fire pit leftovers 25 Some endoscope users 26 Dorothy of the “Road” pictures 28 Buenos Aires loc. 29 TV show whose
climactic episode “Ozymandias” was turned into a mini-opera premiering in 2014 33 Slippery ___ (herbal remedy source) 36 Teddy ___ (1980s bear that played cassettes) 37 Baby’s slipper 39 Music booster 40 Late night host who filmed in Cuba in 2015, the first to do so since Jack Paar in 1959 44 Biblical preserver 46 Battery terminals 47 Trig curve 49 Beam of happiness? 50 Robin’s “Mork & Mindy” costar 53 Hit indie RPG of 2015 with notable music, jokes about puzzles, and multiple endings 55 Miller who played the younger daughter in “The Descendants” 57 Tarantulas, e.g. 58 Award-winning 2015 movie whose title is
Spanish for “hitman” 60 “Chicken Run” extra 61 Night flyer 62 Soccer forward 63 Amsterdambased financial co. 64 “Wow” feeling 65 Highest North American peak DOWN 1 “I, Robot” author Asimov 2 Semi-wet snow 3 Ready, in Spain 4 ___-1 (“Ghostbusters” car) 5 Migratory seabird 6 Fashion designer Anna 7 “Ignorance is bliss,” e.g. 8 North African capital city 9 No longer hidden 10 National park in Tanzania 11 “___ let you down!” 12 They’re shown after the decimal 14 Hand down 19 Writer on a birthday? 22 Criminal tough guy
24 Acid class 26 Resting cat’s spot 27 “I Get ___ Out of You” 28 Acrobat software company 29 Word after sports or training 30 Zombie spirit 31 Like the universe, cosmologically 32 Domicile 34 Finch’s creator 35 Game pieces 38 Hosp. areas 41 Yoga studio greeting 42 Indigo dye source 43 At a minimum 45 Lou of the Velvet Underground 47 Food on a belt 48 Show-offy way to solve crosswords 49 A metal one is reusable 50 Heavy jacket 51 The Little Mermaid 52 Haka dancer 54 “Fancy” singer McEntire 55 Nice-sized lot 56 Principal 59 “___ be my honor”
Copyright © 2020 Jonesin’ Crosswords. For answers to this puzzle, call: 1-900-226-2800, 99 cents perminute. Must be 18+ to call. Or to bill to your credit card, call: 1-800-655-6548. Reference puzzle No. 973 CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 19
FILM & TELEVISION
A Love Story Of Fantasy And Reality A familiar tale of woe presented like a tall tale
Summertime In The Winter If you know anything about music, you’ve probably heard the song “Summertime” at least 200 times in your life. Summertime, And the livin’ is easy Fish are jumpin’ And the cotton is high But how many are familiar with the opera from which it comes? Ira and George Gershwin’s great American opera classic Porgy and Bess comes to the big screen this Saturday at 12:55 p.m. at AMC Chattanooga 18 theaters as part of the fantastic The Met: Live in HD series. Porgy and Bess tells the story of Porgy, a disabled black street-beggar living in the slums of Charleston, South Carolina. It deals with his attempts to rescue Bess from the clutches of Crown, her violent and possessive lover, and Sportin’ Life, her drug dealer. It’s been nearly three decades since The Met has staged the Gershwins’ modern American masterpiece, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants. And if you can’t make it this Saturday, there will be an encore screening next Saturday, February 8th, again at 12:55 p.m. — Michael Thomas
By John DeVore Pulse Film Editor
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The costs are astronomical, many of the problems are absurd, but the characters are undeniably human.”
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ARRIAGE STORY IS SOMETHING OF AN ANOMaly. It is, at times, infuriatingly slow and unrelatable, and at others, engrossing and heart wrenching and hysterical. The film isn’t about a marriage, so much as the end of one. It’s a common story, one that most people have some experience with, but somehow, the movie pulls away from it, likely due to the extreme privilege of the characters. It’s a celebrity divorce, after all. The costs are astronomical, many of the problems are absurd, but the characters are undeniably human. I suppose there are elements of Marriage Story in the end of every relationship. A friend of mine mentioned to me that the film reminded him of his divorce,
which is strange considering neither of them were wealthy, entertainers, or parents. I’ve been quoting Roger Ebert a lot lately but he once said, “it’s not what movies are about, it’s how they are about them.” The exact elements may not line up for most people but they can remember how they felt in the moment. In his endless fount of wisdom, Ebert also said, “Entertainment is about the way things should be. Art is about the way they are.”
Marriage Story is certainly art. Charlie (Adam Driver) and Nicole (Scarlett Johansson) have fallen out of love at the beginning of the film. Voiceovers tells us how they once felt about each other, as we watch vignettes of their lives and their work. Nicole is an actress who found some success in a Hollywood teen comedy when she was young, and later fell in love with Charlie, an up-and-coming theater director in New York. They spend some of their lives together as Charlie builds his theater company and name, but Nicole longs for the West coast where her family lives and her career was left. She continued to develop her craft in New York as a mainstay of Charlie’s casting. Charlie calls her his “favorite actress.” But they grow apart, as Charlie is focused on his work and Nicole becomes focused on their young son. Eventually, they decide to separate. Of course, they initially agree to be amicable, but after Nicole returns to Los Angeles with their child to work on a television show, she is given the name of a lawyer, who convinces her to serve Charlie with papers. A difficult divorce soon ensues. The biggest strength of the film is the screenwriting. Everything is
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The biggest strength of the film is the screenwriting. Everything is set up and paid off in a satisfying, capable manner.” set up and paid off in a satisfying, capable manner. None of the characters behave out of character, nothing they do is inherently irrational. The film shows two imperfect people making poor choices, sometimes in retaliation for an unintentional slight. Because the script gives us such an intimate look at the characters, we understand how their story could come to each point in the story. But the film also feels long. This might be intentional as watching the characters struggle as they do is difficult, and we want the ordeal to be over because they want the ordeal to be over, and it does help us relate more to the characters. But there is an inherent distance. Most of the country could not afford the lawyers, the plane tickets, the realities of living on two separate coasts. In the hands of a lesser cast and director, this could make the film feel a lot more out of reach.
The fact it doesn’t is a testament to everyone involved in the project. This is also bitterly funny, in ways that are often unexpected. The film could easily have been an opportunity to wallow in misery, but it isn’t thanks to the levity included in the script. Perhaps the biggest takeaway from the film, besides that lawyers are the worst kind of people, is that good intentions don’t amount to much when goals are so disparate. Sometimes there’s nothing to be done, and no amount of flexibility will change reality. Even the best of relationships are trying and if both members aren’t actively working for the other person, eventually the relationship will end. The end isn’t always the end, of course. It’s just the beginning of something new, something different, something harder. As is said throughout the film, divorce is terrible. But it will be over eventually.
✴ NEW IN THEATERS ✴
Gretel & Hansel A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil. Director: Oz Perkins Stars: Sophia Lillis, Alice Krige, Jessica De Gouw, Charles Babalola
The Rhythm Section A woman seeks revenge against those who orchestrated a plane crash that killed her family. Based on the bestselling novel by Mark Burnell. Director: Reed Morano Stars: Blake Lively, Jude Law, Sterling K. Brown
CHATTANOOGAPULSE.COM • JANUARY 30. 2020 • THE PULSE • 21
FOOD & DRINK · SUSHI & BISCUITS
Harnessing The Power Of Flavor A classic Thai palate pleaser that is not much on the eyes
C Mike McJunkin Pulse columnist
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This simple plate of chicken and rice was anything but simple, and the techniques for extracting every bit of flavor out of a handful of ingredients was nothing short of masterful.”
Mike McJunkin is a native Chattanoogan who has traveled abroad extensively, trained chefs, and owned and operated restaurants. Join him on Facebook at facebook.com/SushiAndBiscuits
HICKEN AND RICE. IT SEEMS SO simple, almost too simple to be mentioned in the same breath as complex, in-your-face Thai dishes such as face-meltingly spicy papaya salad or rich, aromatic green curry. But when I first came to Thailand, kâao man gài or Thai chicken and rice was on my list of “must try” Thai foods only by virtue of its position as one of the world’s most delicious foods—certainly not based on the lackluster name. I found a small, four table restaurant in one of Bangkok’s famous food-lined soi’s (streets) that claimed, among a dozen others, to sell the best kâao man gài in the city. Walking into the small shophouse, Bangkok’s inescapable smell of incense, grilled pork, sewage, and tuk-tuk fumes was quickly replaced by a heady aroma of cooked chicken and sweet jasmine rice. “Ao kâao mun gài nùeng nkáp.” (One kâao man gài please.) The shopkeeper nodded almost imperceptibly and lifted one of the whole, cooked chickens hanging by a hook in a glass case onto her cutting board and began removing the breast meat from the carcass with a huge cleaver so quickly and masterfully it bordered on wizardry. Pulling the lid off of a car tire-sized rice cooker, she spooned steaming rice into a small bowl and inverted it onto a pink melamine plate, creating a perfect mound of jasmine scented grains that acted as a pillowy bed for the sliced chicken breast she gently placed on top. To her right was an enormous pot of simmering, not-quite-clear broth dotted with chunks of garlic, cilantro root, and ginger. As she ladled out a bowl of broth, still-cooking chickens breeched the surface like pale beige whales coming up for air. To finish the plate, a small dish of dark brown sauce flecked with chilis,
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garlic, and ginger was perched on the rim and a sprig of cilantro provided a touch of color to the mostly pale, white plate of food. When the plate was placed in front of me, I honestly wasn’t expecting much. It looked like a plain plate of white rice, poached chicken and some sauce. Then I took a bite. Just like when Dorothy got her first glimpse of Oz and everything changed from black and white to color, that first bite of kâao man gài transported me from the pale, colorless image on the plate to a rich, stunningly beautiful world of chicken and rice flavor I would have never thought possible from such a simple set of ingredients. The chicken was juicy, tender, seasoned perfectly, and had the most pure chicken flavor of any dish I’d ever tasted. Likewise, the rice was shockingly flavorful with the slightest fragrance of galangal, garlic, and ginger and had the perfect texture, both a result of the chicken fat and broth it’s cooked in. The accompanying soup was rich and fragrant—like the most comforting chicken soup you’ve ever eaten. And the sauce (nam jim) masterfully balanced sour, spicy, salty and sweet, adding a punch of flavor and spice to everything it touched. This simple plate of chicken and rice was anything but simple, and the techniques for extracting every bit of flavor out of a handful of ingredients was nothing short of masterful. Kâao man gài is the Thai version of Hainanese chicken rice, brought to Thailand by immigrants from Hainan Island, China and quickly became one
of the most popular breakfast and lunch foods across the country but rarely appears on Western Thai restaurant menus because of the time and skill it takes to prepare properly. The right chickens (non-egg-laying female chickens are preferred) must be cooked perfectly in a light broth scented with the right combination of aromatics. Carefully selected rice (many shops prefer Thai Hom Mali rice) is cooked in a perfect ratio of chicken broth to chicken fat, making each individual grain glisten with chickeny deliciousness. There are as many sauces for kâao man gài as there are cooks, but a perfect balance of sweet, sour, spicy, and salty is paramount. This is where I typically include a recipe but this is a case where the simplicity of the dish makes a worthy recipe extremely difficult to find. Imagine trying to share your grandmother’s biscuit recipe—no matter how precise you recorded the recipe, there’s no substitution for grandma’s experienced touch. If you want to make this at home, I’d start with a good kâao man gài recipe from a Thai native and make it until you get it right—100 to 200 times should do it. It’s just chicken and rice, right?
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