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From the editor
On the day we went to press on this magazine, our Olympic squad for Paris was named. It’s a defining moment in any sporting career and we are lucky enough to have four stars performing at their peak this year.
The nominated entries list, issued a few short weeks ago, was a mix of emerging talent and seasoned competitors, all riding at the absolute top of their game. It’s acknowledged that Team GB’s dressage squad is one of the hardest in the world to get on at the Olympic Games, yet there is no shortage of passion to join this highest echelon.
It seems scarcely believable it was 12 years ago in London that a historic first Olympic gold for dressage was won by Great Britain. Anyone who was there could feel the changing tide, the swell of enthusiasm for our sport which has persisted to this day.
And yet there’s no denying that it takes supportive backers, sheer talent and – most of all – masses of hard work to be successful in dressage. Having that ongoing drive to train horses, spot new prospects and nurture them is what separates the best from the rest.
It will go to the wire in Paris, with so many other nations fielding exceptional combinations, but there’s no doubt we have a line-up in which we can take great pride.
Coming up behind the established stars is a young generation of riders who are showing flair and skill for producing young horses – we profile Sadie Smith, winner of the two Inter I titles at the NAF Five Star Winter Championships in this issue, and it’s interesting that her ‘friendship group’ are similarly gifted trainers.
The tremendous contribution made to our teams’ success by the equine science resources that we have access to via the World Class Programme should not be overlooked, and we’ve got some great advice from Dr Rachel Murray on the science behind effective warming up on p48.
With such expertise behind them, plus the dedication and talent they have shown to be selected, our team will have all the tools needed to ensure that they are ready to head down that centre line with medals in mind.
Jane Carley Editor, British
Dressage
Paris bound.
IN THIS ISSUE
Keep up-to-date with the latest notices, news and views from British Dressage at britishdressage.co.uk
GOING FOR GOLD
Our squad for the Paris Olympic Games was announced on 26 June. The combinations for Great Britain are Charlotte Dujardin with Carl Hester and Coral Ingham’s Imhotep, Lottie Fry with Van Olst Horses and her own Glamourdale, Carl Hester with Fiona Bigwood, Mette Dahl’s and his own Fame and Becky Moody with Jo Cooper’s and her own Jagerbomb.
The highly experienced trio of Carl, Charlotte and Lottie took team bronze at the 2021 Tokyo Olympics, with Charlotte Dujardin also claiming individual bronze on Gio, while Becky Moody’s call up with Jagerbomb comes on the back of some outstanding results in international competition this year.
Details about the venue, timetable, and how to watch all the action are in our preview feature on p17. Check out the Path to Paris on our website for all the latest information heading up to the Games.
JOIN US AT THE NATIONALS
Tickets are now available for the LeMieux National Championships, held at Somerford Park from 12-15 September. Join us for four days of top-class sport, as we crown 31 champions from
Prelim to Grand Prix, including the ultimate showdown for the title of National Champion.
It’s a great chance to see some of the equine stars of tomorrow too, including the prestigious KBIS Young Horse Championships, which are a highlight for any spectator.
Away from the arena, the event is the perfect opportunity to mix sport with socialising. Enjoy the stunning Somerford Park setting with friends and family, bag a bargain in the shopping village, relax in the sunshine with a glass of wine, enjoy the wide range of food on offer, and hear first-
hand insight from our top riders, coaches and equine experts in the BD Fan Zone.
The general admission ticket includes:
• Free car parking
• Choice of grandstand seating
• Full access to the three championships arenas
• Masterclasses with world class professionals (Sat & Sun)
• Access to the BD Fan Zone, shopping village and food court
• Live coverage from Radio Nationals
• Free entry for children under 16
You can also upgrade your experience with the Nationals’
Pavilion, where you can enjoy a prime central location offering a premium view over the two main arenas, offering an enhanced food and drink menu, with table service so you don’t have to miss a minute of the action.
Or why not make a week of it – bring along your caravan or horsebox for the week and stay for the duration of the Championships. Camping tickets will be available from June onwards.
Ticket application details and the full timetable are now available on the BD website.
PICTURED 2023 LeMieux National Champion Carl Hester and En Vogue.
PICTURED
Paris bound: (clockwise from left:) Carl Hester and Fame, Lottie Fry and Glamourdale, Charlotte Dujardin and Imhotep and Becky Moody and Jagerbomb.
PARA MATTERS
MESSAGE FROM TRACY ORMROD, PARA DIRECTOR
Hello all, I hope you have had a great 2024 so far and have succeeded in getting out to compete.
I am just back from watching Wellington CPEDI which was an inspiring few days with
many combinations achieving personal bests. What makes the para community special is the examples of support and camaraderie which were available in abundance at Wellington. Congratulations to everyone that took part and many thanks from me to all the supporters, judges and staff that make the show a success.
I will be at a
then do feel free to come and
number of competitions over the coming months including the Para Home Nations and the Bronze and Silver Championships at Hartpury. If you have any thoughts on how we can improve para dressage then do feel free to come and have a chat.
Tracy Ormrod, Para Director
APPLICATIONS FOR 24-25 PARA ACADEMY
Applications for the next round of the Para Academy are now open!
The Para Academy programme will help develop your training, education and skills within para dressage as well as horse welfare to assist you through the BD National para structure.
It will comprise two 2-day camps, running in October 2024 and April 2025, and is subsidised by British Dressage.
Applications are now open and close 1 August 2024.
To find out more information on the Para Academy and to get your application in, please visit the BD website para dressage pages.
COACHING WITH CONFIDENCE
This para dressage and disability para coach online workshop is a one-day training course that focuses on the specialist nature of working with physically impaired people and the different approaches that may be required to aid their progression and development.
This training day is focused on informing you of the differences you may find when coaching disabled riders, not giving you the direct tools to do so.
The programme will cover areas such as:
• Explore best practice for inclusive coaching to improve confidence.
• Create a safe and positive learning environment through exploring a range of coaching styles.
• Explore opportunities to effectively engage individuals through the use of appropriate
language and terminology.
• Learn about practical tools to support inclusive delivery.
• Learn about the ten Talk to Me Principles developed by Activity Alliance and how these can be used to drive participation and inclusion of disabled people in equestrian.
• Explore creative ideas to support disabled people to access riding opportunities.
• Learn about local groups, activities and further training opportunities.
• Identify best practice when coaching riders with a disability. The next workshop is being held on Monday 21 October, via Zoom, 13:00 – 16:30pm.
If you wish to book onto this, please do so via the QR code.
Due to the popular demand, we are continuing our series of the “Intro to Para Talks’’ with the next talk being hosted on Tuesday 30 July at 12:30pm via Zoom and covering “Intro to Para Dressage”.
Are you new to para dressage? Are you wondering how to get involved?
We would like to introduce you to the world of para dressage competitions, what para classification is, how it opens up the world of para dressage to you and where to go from there.
Topics that we will be covering are:
• Para Equestrian Classification - what it is, eligibility and how to apply.
• Dispensation for BD nondisabled competitionswhat is it?
• BD Para Dressage
• Para dressage rules
• Membership
• Tests used within para dressage.
• National pathway information – the journey to qualifying for para national championships.
We would like to give you the opportunity to join us via Zoom and ask any questions you may have on this topic.
Register your place now via the QR code.
Deadline to register your place is Friday 26 July 2024 at midday.
INTRO TO PARA ZOOM TALK
PHOTO: KEVIN SPARROW PHOTOGRAPHY
PICTURED
From pony party to national titles
Winner of both Inter I titles at the NAF Five Star Winter Championships, Sadie Smith is becoming renowned for her skills as a producer. Helen Triggs meets her at her Hampshire base.
It’s hard for a rider without financial backing or from an equestrian family to make their way in the dressage world. Someone who has bucked the trend is Sadie Smith, who has risen through the ranks based on her talent and perseverance and now has an exciting string of talented young horses and a settled base at River Rise Stud. She has also amassed 18 national titles and 25 regional titles along the way.
Sadie grew up in Southampton. A friend’s ‘pony party’ when she was eight ignited her interest and she and a group of friends started regular lessons at Quob Stables once a week. This expanded into helping out at weekends in return for free rides. Dressage wasn’t really on the agenda then – Sadie, who had Echo, a cob x TB on loan, found an improvised game involving dragging a hay bag round the school while other riders tried to stab it with sticks, more exciting!
Initially she was adamant she didn’t want to work with horses and went to college to study law and psychology but the pull of horses was too strong. “I kept going off in my free periods to ride so gave it up after six months,” she confessed.
Her first job was with Grand Prix rider Kay Waterman before starting to work for Roland Tong and Ben St John-James when
she was 18. “It was enormous fun as I also lived with them for most of the time. Roland gave me a tremendous amount of support and I won my first national titles at Prelim and Novice Freestyle riding his then five-
Left: Sadie with Swanmore Dantina (Dia), winner of the Inter I and Inter I Freestyle titles at the NAF Five Star Winter Championships.
Right: Sadie with her two miniature Pinschers, Priya and Layla.
While there she purchased one of the horses who has had a tremendous influence on her life and career – British-bred Keystone Dynamite (Mambo) who she trained to Grand Prix. Sadie admits she fell off him a ‘ridiculous’ number of times. “He had all the talent but the wrong attitude! I could write a book on that horse. I was having lessons with Carl (Hester) and told him I was going to sell him and he said ‘who’s going to want him?’ so I had to keep going.
“She has a temperament to die for” – Sadie on Swanmore Dantina.
“When I went to Carl’s in 2016, he went with me and just had to fit in. Carl made me ride him in all the demos. I would get nervous in the one-time changes but he made me do it and it made him a better horse.” Despite all the difficulty along the way, the pair were fourth in the Grand Prix at the 2019 National Championships and today Mambo is in the care of Sadie’s friend Jenny Colbourn and is she says, “much better behaved with her than he ever was with me!” Sadie spent five-andhalf years working for
Carl and Charlotte Dujardin. She warmed up their horses for them and rode the young ones. She was also lucky enough to have lessons on Olympians Valegro and Uthopia. “It was lovely to have the chance to feel what horses like that can do.”
After she left, she had a brief spell in Holland which wasn’t for her and returned to Hampshire and has gradually built up a solid business based with Sarah Tyler-Evans at River Rise.
Sadie is well known for riding and training young horses – skills that have been called on by Sarah and Anni MacDonald-Hall who were early supporters, as well as Carl Hester and Peter Belshaw. The horses she has in for training are liveried with Sarah with Sadie focusing on the riding and training. She lives on site in a beautifully renovated cottage
PICTURED Left: Sophie Lee-Amies on Sadie’s four-year-old The Longhouse First of May.
PICTURED Above left: Sadie with River Rise Pizzazz. Above right: With some of the horses belonging to owner Peter Belshaw, (l-r) Times Nemesis (Treacle), Times Oddjob (OJ) and Times Orwell (Tinchy).
with two miniature Pinschers, Priya and Layla, who are tiny but make their presence felt!
She employs Sophie Lee-Amies as rider and groom and helps her with her horse River Rise OOO La La. “She’s so dedicated and I want her to do well.” Apart from trips to Carl for training, Sadie has help from fellow Grand Prix rider Dannie Morgan who is based nearby. “I’ve known Dannie since Quob days and he’s one of my best friends and helps me out if I’m stuck.” In November 2022 a back injury after a freak accident left her unable to ride for two months and it was Dannie, together with another old friend, Jezz Palmer, who helped to keep the horses going.
Sadie’s love for her horses shines through. Her face lights up when she talks about her latest superstar, nineyear-old Swanmore Dantina (Dante Weltino x Charatan W), bred by Ben St JohnJames. Originally bought as a project to sell and fund Mambo’s international career, ‘Dia’ has proved to be a keeper. Two years ago, she placed fourth and fifth in the seven-year-old class at the World Breeding Championships and recently was Inter I and Inter I Freestyle champion at the 2024 Winter Championships. “She’s not the biggest mover but she has a temperament to die for and always lets you ride her in the ring. She’s always relaxed and
Her love for her horses shines through.
Dia will be campaigning at Premier Leagues this summer at Inter II.
Sadie has an enviable array of horsepower on the yard. Looming over the door is 19hh ‘Ronnie’ or River Rise Nikko, a Landtanzer six-year-old who is owned by Carl, Ben Neal, Isobel Barber and Lady Anne Evans. Daisy (Danica), owned by Sue Garrard, is doing well at Medium and Advanced Medium. She has a selection of high quality youngsters owned by Peter Belshaw –Times Nemesis, Orwell, Oddjob, Magni and Nika – all at various stages in their careers. She also has a four-year-old Palomino, The Longhouse First of May who she owns with long-time supporter Steve Readings, who also co-owns Dia. She co-owns River Rise Pizzazz with Sarah Tyler-Evans and she is training River Rise Onassis for Sue Garrard. So not surprisingly her day starts with riding her first horse at 6.45am. Despite all her success, Sadie remains modest and determined to do right by her horses. Her love is apparent in the enthusiasm with which she talks about them. However, her competitiveness shouldn’t be underestimated and she has an ambitious goal. In the future, the pony party Sadie would most like to be invited to is the British team.
PICTURED Above: River Rise Nikko, who measures 19hh! Below: A moment to reflect - Sadie has honed her skills in producing talented youngsters.
Cheshire’s Neverland!
OIn a tranquil corner of Cheshire close to the Welsh border is the charming, unspoilt village of Puddington and this lovely rural location is home to Van Egmond Stables.
wner, resident trainer and keen competitor Nicole Richards is passionate about dressage. After a riding career, mainly working with youngsters, in her native Holland, Nicole moved to the UK in 2010. Her vision was to create an equestrian facility in Cheshire with first class facilities. Supported by her husband, and encouraged by their daughter Hailey, the vision slowly became a reality and Van Egmond Stables was born.
“It started as a livery yard, and this is still our primary business” Nicole tells me. “But I have always had a thirst for knowledge and improvement, and I wanted to expose myself and our clients’ to the very best training, and be motivated to achieve our goals. To that end I reached out to the riders and trainers I most admired and asked them to come and teach here.”
“I was thrilled when Spencer
Wilton agreed to come to our corner of the northwest. This was for one day over five years ago, it has all grown from that single day!”
The regular training days now attract riders from a wide area and are often oversubscribed.
“Luckily my husband shares my vision, and being a perfectionist, he is forever improving and expanding our facilities, he never stops!” laughs Nicole. “We are both proud of what we have created, but he always finds another project!”
This is clear to see; the large indoor and outdoor arenas, immaculate paddocks, and
bright airy stables are surrounded by beautiful landscaping, including a lake with resident swans, ducks, and geese.
Spencer Wilton talks about the time he spends at Van Egmond Stables. “A friend told me Nicole would like to contact me about lessons. Little did I know that from that one day I would be visiting twice a month and often for two days at a time. The loveliest people, the most enthusiastic clients and immaculate facilities. They have become good friends and I thoroughly enjoy my time there.”
The list of trainers now includes FEI 5* judge Isobel Wessels, international rider Matt Frost and Rien van der Schaft, an old friend of Nicole’s from Holland.
It’s hard to leave this lovely yard and friendly family, but once you do, a quick drive on quiet roads gives way to motorway access, luckily making it easy to return!
www.vanegmondstables.co.uk
hello@vanegmondstables.co.uk
Paris here we come!
The stage is set, our team has been named and the excitement is building.
The Paris Olympics starts on Friday 26 July, with the first horse down the centre line in the dressage on Tuesday 30 July at the iconic Palace de Versailles. Just over a month later, our Paralympian stars set about continuing their fine record.
Not since London have British fans had such good access to the Games and we are expecting a bumper delegation in France’s capital. Here are some essential facts for watching in person or catching a broadcast, and on the following pages we offer some suggestions for those looking to get more out of their stay, or for a return visit when you fall in love with this magical city.
NEED TO KNOW
• Location: The venue is 20km from the Olympic and Paralympic Village at Versailles (78)
• Getting there: RER line C | Transilien train lines L, N and U
• Capacity: Equestrian – Dressage and Jumping, Para Equestrian: 15,000. Equestrian – Eventing: 40,000 (5,000 seated and 35,000 standing)
COVERAGE
To have full access to watch all the Olympics action on TV you will need a Discovery + subscription, select the ‘standard’ plan which is £6.99 per month at present, with a minimum term of one month. auth.discoveryplus.com/ gb/product?flow=purchase
Discovery+'s sister company Eurosport will carry some coverage – this is part of some Sky/ BT/Virgin packages.
There will also be some BBC coverage, mainly on iPlayer and the BBC website; Bobby Hayler-Wright will be part of the broadcast team offering specialist commentary.
The Paralympics will be covered on Channel 4, with live and website coverage for para dressage. There will be more details on the BD website nearer the time.
Check out the Road To Paris on the BD website for the latest news, exclusive interviews, and all the excitement in the lead up to and during the Games! >
French flair
France is a magnet for horse lovers – Cavago offers some suggestions to get more from the 2024 Olympic host country.
Paris is a bustling, thrilling city at any time, and anyone who enjoyed London 2012 will know that the Olympics adds a special atmosphere to the host city. But have you thought of extending your trip or adding some extra activities? Or as a first timer in France you may want to return in future and explore its special relationship with the horse
THE CHÂTEAU DE CHANTILLY GREAT STABLES
The Château de Chantilly Great Stables, located near Paris, makes you feel like you have just stepped into a magical fairytale. This 18th century masterpiece of architecture is a palace to honour horses. This exquisite backdrop of manicured gardens and priceless artwork is home to the largest stable in all of Europe. The Great Stables has many wonderful equestrian shows during the year, showing off their hauteécole training, which has been a factor in their international eminence for over 30 years.
Your Domaine ticket gives access to the castle (excluding the private apartments of the Duke of Aumale), the park, the large stables and temporary exhibitions. This ticket
also allows you to attend the equestrian presentations (duration 30 minutes) given by the riders of the large stables. Prices start from £15.52.
CHANTILLY ON HORSEBACK
Or why not discover Chantilly like French royalty?
Ride through manicured royal gardens, savour a gastronomic lunch, and choose between discovering the Château or indulging in a Spa experience.
After being collected from Paris, upon arrival at Chantilly, you’ll be greeted by your guide and introduced to your horse, carefully selected based on your riding level. Once saddled up, embark on a two-hour ride, trotting through verdant alleys and cantering up to the lake, offering breathtaking views of the Château de Chantilly.
Following your ride, step into a culinary journey with Chef Clément Le Norcy at the
PICTURED:
Above: Equestrian performers at the Château de Chantilly Great Stables. Left: With its chateau and racecourse, a ride through Chantilly is an unforgettable experience.
renowned restaurant Auberge du Jeu de Paume, for a three-course meal expertly paired with fine wines.
In the afternoon you will have the option of a private guided visit to the Château de Chantilly or an afternoon at the Valmont Spa. Relax within its heated interior pool, Hammam, and Sauna, and end with a 60 or 90-minute massage or beauty treatment with prestigious Valmont products.
Your journey ends around 4pm with a comfortable ride back to your hotel.
Price: from £1034
THE IMPERIAL HERITAGE FOREST RIDE
Just an hour away from the busy streets of Paris lies an exquisite treasure waiting to be discovered, Fontainebleau. From François I to Napoléon III, the French Royalty chose it for its expansive forests, abundant wildlife, and its proximity to Paris.
The Imperial Heritage Forest Ride is an
PICTURED:
immersive journey that guides you into the stunning 25-acre Forest of Fontainebleau and 11th century château to experience the Royal Art de Vivre à la française for a day. Ride through the landscapes of the forest, savor a gourmet lunch in Barbizon Painters’ village gastronomic restaurant, and discover the former Royal estate, and its secrets: a unique blend of horseriding, gastronomy and culture.
Escape the tumult of the capital for a weekend by riding through the stunning Forest of Fontainebleau, strolling through the gardens of the former Royal Castle, sleeping in a 17th-century luxurious château, and discovering the painters’ village of Barbizon.
Price £1422.31
CASTLES OF THE LOIRE VALLEY
An exhilarating adventure without compromising on luxury. After being collected from Paris, your journey begins with a stay at the intimate 17th Century Château des Grotteaux, nestled in a verdant setting
along the Cosson River. Here, Vicomte Gaël welcomes you with a historic tour of his sumptuous château.
Embark on horseback journeys through forests and alongside the majestic Loire River, a UNESCO World Heritage Site. Traveling on horseback through stunning scenery, uncover the secrets of the Loire Valley’s iconic chateaux with expert historian guides. Explore Chambord, a Renaissance masterpiece, and Chaumont-sur-Loire, a riverside marvel.
Delectable meals, from gourmet breakfasts to lunches at chateau restaurants and dinners in charming village eateries are all included, along with transport between Paris and the Loire Valley, tickets and guided tours of the chateaux and travel insurance to cover riding. Price: from £2152.76 (based on two sharing).
Cavago has a dedicated landing page for Paris adventures: Scan the QR code to find out more.
Above: Arrive at the castles of the Loire Valley on horseback. Left: Ride through the stunning Forest of Fontainebleau.
Combined talents
There was an amazing display of both dressage and showjumping at the Red Gorilla Combined Training Championships (27-28 April) at Onley Grounds Equestrian Complex in Warwickshire. Combinations who had come through from 18 qualifiers showed their skills in tests from Intro to Elementary with show jumping from 60 to 90cm. We enjoyed great support from Red Gorilla, who are in their first year of supporting this popular championship, over the weekend.
PRELIMINARY AND 70CM
1. Sarah Miller and Piper
2. Mandy Keen and Jackpot IV
3. Kate Heap and Nescio PK
4. Tracey Bourne and Bertie Bobcat
5. Zoe Long and Ernie
6. Summer Bellis and Marshbrook Poppy
7. Emma Moore and Oldlands Livaldi
8. Jane Willett and Tia Maria X
9. Philippa Hamilton and Cappa Cavella
10. Shan Cothi and Laugharne
INTRODUCTORY AND 60CM
1. Kate Heap and Nescio PK
2. Kirstie Harris and Quintin Point
3. Charlie Harper and Quantocks Best Kept Secret
4. Chloe Palmer and Grey Princess
5. Archie Evans and Barrpound Braveheart
6. Beth Willis and Costa Maverick
7. Laura Lyons and Lisbane Echo
8. Matilda Clark and FL Aiebony’s Mystique
9. Donna Harris and Kylah Rose
10. Kirstie Harris and Tasty Tony
Left: Kate Heap and Nescio PK (Indian Rock x Don Schufro) took the title in the Introductory B and 60cm class. ‘Nev’, as the six-year-old is known at home, not only produced a winning test and clear round of showjumping to win the Introductory and 60cm but also placed third in the Preliminary and 70cm class at his first championship event. It’s been quite a journey since purchasing Nev in 2022, Kate explained: “I couldn’t even ride him round the edge of our arena at home without him rearing, it has taken me 13 months to get him to go around an arena and be happy and confident. I started jumping with this championship in mind simply because I just thought it is a really good way for him to have to man up and it has made a big difference.
Below: Sarah Miller and her own Piper took the title in the Preliminary and 70cm championship. Sarah purchased the ten-year-old mare during lockdown, “I was looking for a jumping pony but she was really good at dressage. We generally do Area Festivals and went to the championships last year.” Sarah plans to compete at the Summer Area Festivals this year and would also like to give dressage to music a go, having recently just completed their first freestyle test in order to qualify.
Below: Tyler Cassells and Dynamic III (Dancier x De Niro) did the double and delivered an outstanding performance to win not only the Preliminary and 80cm championship but the Novice and 80cm class too. Tyler is an event rider and producer based at Somerford Park, home of the LeMieux National Championships. The six-year-old gelding Dynamic III is owned by Lisa Deaville and Sue Blythe.
PRELIMINARY AND 80CM
1. Tyler Cassells and Dynamic III
2. Victoria Gregg and Cloone Castle Margo
3. Sarah Miller and Piper
4. Daisy Beards and Spinway Colm
5. Amy Small and Crow Donahue
6. Talitha Jordan and Crippsy Bilbo Baggins
7. Sarah Edmunds and I Should Coco IV
8. Charlotte Dorey and Deards Silver Bounce
9. Bethan Stephens and Balnashallog Maestro
10. Isabelle Bloomfield and Creevaghstables Knockdoelodge
NOVICE AND 80CM
1. Tyler Cassells and Dynamic III
2. Bethan May Greaves and Attyrory Road Runner
3. Mandy Keen and Jackpot IV
4. Philippa Hamilton and Cappa Cavella
5. Rachel Ovens and Ardville Arkansas
6. Lydia Holmes and Caramelle
7. Alexandra Moore and Lulu Eile
8. Kirsty Scott and Noel’s Last Indian
9. Victoria Gregg and Cloone Castle Margo
10. Kirsty Hume and Angus, Back in Black
Left: The Novice and 90cm went to Paulina Ciechacka-Shearn riding Secret Britannia (by Britannia’s Mail). The 11-year-old bay was bred and owned by Kate Hort until she came into Paulina’s life just over a year ago when purchased as an all-round fun horse to take the beach, go on fun rides and teach her children to ride. Previously produced and competed by Alex Hua Tian, Paulina also events the mare and has won at BE90. Next on the agenda is the BD Summer Regionals at Novice and Elementary with a hope to qualify for the Nationals, along with BE and the goal to qualify for the Grass Roots Championship.
NOVICE AND 90CM
1. Paulina Ciechacka Shearn and Secret Britannia
2. Laura Bennett and Kanjer 111
3. Beth Harrison and Garfach Whisky Rocks
4. Charlotte Bailey and Brucky Boy
5. Christina Wiederkehr and Kilimanjaro
6. Laura Cackett and Jumbo’s VIP
7. Abigail Lloyd and Clonakilla Blaze
8. Harriet Bagley and Ballyoskill Boy
9. Natalie Woodward and General Custard
10. Megan Buston and Apple Z
ELEMENTARY AND 80CM
1. Julie Middleton Reid and Lady Jessicka
2. Gracie Catling and Dalyhill Rocker
3. Marie Pope and Party Pop
4. Susan Bill and Flamenco Princess
5. Anna Bates and Jolianna
6. Chloe Baglin and Millennium’s Star
7. Heidi Reed and Ilar Vincent
8. Shelby Dowding and Peasedown Agatha
9. Lorraine Simcox and Ozzy VII
10. Phillipa Macinnes and Dunguaire Darwin
Left: Julie Middleton Reid and Lady Jessicka won the Elementary and 80cm championship. “Jessie did a lovely dressage test. She doesn’t have big flashy paces, so we try our best to gain marks for accuracy,” says Julie who has owned Jessie, now 19, since she was five years old. The pair evented for ten seasons up to BE100 level, and train with Ali Dane.
Below: Francesca Leaning riding Jeu Carla-H (Clarino x Wisma) took the win in the Elementary and 90cm class. The combination trains with Sue Colley, and Francesca says: “She has been fantastic and has helped me so much with her. We have gone from having moments where we rear in the dressage test, to this, which is really exciting.” Next on the agenda is a one-star event.
ELEMENTARY AND 90CM
1. Francesca Leaning and Jeu Carla-H
2. Shelley Reeve Smith and Dante Fortuna
3. Ruth Whitmore and Autopilot
4. Laura Bennett and Kanjer III
5. April Joynson and Crosskeys Boy
6. Florence Dyer and Farinko Nieuwmoed
7. Beth Harrison and Garfach Whisky Rocks
8. Samantha Gregory and San Marco II
9. Susan Bill and Flamenco Princess
10. Claire Gregson and Simply Stellar
THE FUN CHAMPIONSHIP
Below left: As well as beautiful glass trophies, rosettes and sashes, winners including Sarah Piper took home their own mini Red Gorilla, presented by Red Gorilla’s Katherine Tuckley. Below centre: Amy Derber and Ynyslyns Orlando, her Welsh section D stallion (graded AES, SPSS and WCPS), make light work of the course in the Prelim and 80cm class. Below right: It was all smiles for Phillipa MacInnes and Dunguaire Darwin after their final salute, despite the rain.
Society of Master Saddlers
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Finesse Bridles
Available accross the UK online through Zebra Products.
FOR MORE INFORMATION from the Society of Master Saddlers please visit: mastersaddlers.co.uk
It doesn’t seem so long ago that buying a bridle was as simple as choosing a standard size, then opting for a flash, cavesson or crank noseband. Today, it’s a very different story, with a plethora of anatomical bridles available, specialist fitters growing in number, and growing awareness about how bridles affect performance.
For equine anatomy specialist Gillian Higgins, founder of Horses Inside Out, there are some key areas to consider. For headpieces and nosebands, she points out that in use, they are not circular in shape, but oval, which means that for headpieces, for instance, most pressure is at the top of the head and the bit – the ‘points’ of the oval.
“For headpieces, the anatomy of the poll is really important –the space at the back of the ear and in front of the wing of the atlas can be very narrow, and some bridles can have too much padding in this area. A wide, curvy headpiece can also tilt in some cases, adding pressure.”
Biomechanics affect headpieces, a fact discovered while SMS Master Saddle Fitter and bridle fit specialist Di Fisher was working on research for the Fairfax Performance bridle.
Fittting the face
Bridle design has moved on hugely in the past few years. Emma Penny talks to the experts about its influence on comfort and performance.
“The headpiece always moves with the horse, and our Pliance pad testing showed that in rising trot, the headpiece goes slightly left or right with stride movement.”
It also found that performance deteriorates the more movement there is around the crown of the head, so opt for a bridle which remains consistently stable against the head and moves with the horse.
The Temporomandibular joint (TMJ) is a crucial area, says Gillian, and is often compromised by tight browbands pulling cheekpieces forwards onto the TMJ area, as well as applying unwanted pressure to the back of the ears.
Di adds: “The TMJ has such a high impact on every part of the horse’s body and how it moves. It is the one thing people really don’t think about, but it is key for balance. Ensuring it is pressure-free rather than clamped by small headpieces or tight browbands makes a massive difference. It’s like us wearing glasses that are too tight – it’s irritating.”
Noseband choice also needs careful consideration, as these can often sit too close to the facial crest, while the vertical straps may also add to TMJ pressure if they sit too far forward, says Gillian. Buckles and keepers for flash and grackle straps must avoid the sensitive lip area, adds Di, who says that soft padding helps reduce pressure on nosebands.
PICTURED Left: This head model, created by Gillian Higgins, helps us to understand anatomy and avoid issues that poor bridle fit and design can cause.
PICTURED Right: Equine anatomy specialist Gillian Higgins. Far right: Bridle fit specialist Di Fisher.
“I like to look for shaped nosebands in respect of the facial crest, and a slightly cutaway one which doesn’t impede on the bone. Look at the shape of the horse’s head and how high the bit comes up when you take a contact – a noseband with a cutaway in that area can help avoid interference.”
One of the first anatomical bridles on the market came from Stübben, which launched its radical-looking Freedom bridle in 2012, and has recently produced an updated version developed with equine dentist Alexander Broere. The company’s head of product development and design, Helena Grintzalis, says it set out to revolutionise bridles, taking into account the horse’s anatomy and biomechanics. “There are 16 muscles in the ear, and our headpiece is designed to be set back, avoiding all of them and leaving out the sensitive poll area. Thus the horse’s flight instincts are not triggered. We also set the cheekpieces back so
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the horse has really free vision, and avoiding facial nerves. A recessed area in the noseband’s padding avoids pressure on the molars and creates additional comfort.”
Above inset: The Stübben Freedom bridle has set back cheekpieces avoiding facial nerves. Below: The new Fairfax patent noseband is tapered at the sides to help avoid interference with the bit(s).
While knowledge of anatomy really helps with bridle design, demonstrating the impact of it has been critical for Fairfax in developing its bridle. Vanessa Fairfax spent 18 months investigating traditional bridles, with the intention to identify common areas of performancereducing pressure and eliminate them from her new bridle.
The research involved using Pliance pressure mapping to identify peak pressure zones under every part of the bridle, rein gauges to compare the evenness of rein contact and Centaur Biomechanics gait analysis to measure the difference in the horse’s stride and flexion between ‘conventional’ bridles and the Fairfax.
Among the findings were that asymmetry around the horse’s head – for example, where buckles or competition numbers are on one side only – led to a significant decrease in knee flexion. Almost every ‘conventional’ bridle tested had a pressure hotspot at the TMJ, affecting the entire horse’s movement, while nosebands gave some very surprising results (see panel). The research also showed the importance of stability and consistency, so when the horse’s head moves, the bridle is designed to stabilise that pressure.
...asymmetry around the horse’s head led to a signi cant decrease in knee exion.
WHAT IS BD LEGAL?
A bridle with a bit (worn in the horse’s mouth), browband and noseband is compulsory and must be used in the conventionally accepted manner.
Bridles must be predominantly black, brown, grey or navy and may not be decorated with tassels or any additions to the normal configuration. Discreet padding of the bridle at the poll and/or noseband is permitted. Padding of the cheek pieces is not permitted and nosebands may only have padding on the straps that pass under the chin. Additional padding is not permitted anywhere on the front of the noseband.
Tack and equipment must be used in its manufactured state with no additions or modifications unless otherwise stated. If in doubt, guidance on permitted tack should be sought from the Membership Experience Manager in writing with a photo of the tack in question, the make name and model number (if applicable).
The research – published in a peer reviewed scientific journal – found that designing a bridle that tackled the key pressure areas reduced this by up to 84%, and reduced force by up to 77%. The Centaur gait analysis work showed greater forelimb extension, and significantly increased knee and hock flexion.
“People need to realise what a difference bridle design and fit can make to a horse,” says Di. “I fit bits too, and often I’ll go to do a bit fitting, but most of the time, I will end up adjusting or changing the bridle instead.”
Every horse has individual anatomy and conformation, meaning bridle selection and fit should be very specific to that horse, says Gillian. “There is a lot to take into account conformation-wise. Look at the ears, the back of the head/poll, the position of the TMJ relative to cheekpieces and the distance from the facial crest to the corners of the mouth. Take time to truly look at brands and designs to find what suits your horse.”
NOSEBAND KNOWLEDGE
Fairfax’s research has challenged conventional thinking about nosebands. It found:
• Pressure exerted on either side of the nasal bone by a ‘normal’ cavesson noseband is four times higher than that measured under a saddle. A cavesson should be fitted with clearance for the two main arteries that run below the horse’s facial crest and not too high – which can affect the horse’s movement quality.
• Flash nosebands cause the most pressure and have the most detrimental effect on a horse’s movement. A lower fixed ring (the flash strap), dragging down the lower edge of an upper fixed ring (the cavesson) is the most antagonistic high-pressure noseband design Fairfax tested.
• Drop and grackle nosebands perform better in terms of pressure reduction and increased knee flexion compared to any other conventional noseband tested, so should replace the flash as your ‘go to’ choice, especially for youngsters.
• A crank noseband exerts less pressure than a normal cavesson (fastened at the same tightness). This is down to the fact that a normal cavesson is fixed and rigid against the horse’s head. The small rings on a crank allow at least some articulation, reducing peak pressure. However, avoid over-tightening.
1. Areas on the head for measuring asymmetries
2. Buckle too close to TM Joint
3. Buckles in a comfortable area
4. Padding would make lower strap more comfortable
5. Hidden buckle close to bony area
6. Noseband up against facial crest bony area
7. Ring sitting against facial crest IMAGES:
BRIDLES AND ACCESSORIES
FAIRFAX DOUBLE OR SNAFFLE WITH PATENT NOSEBAND The Fairfax bridle is proven to relieve pressure at key zones, including the nose. In addition to these pressure-relieving features, the new patent noseband is tapered at the sides giving more room between the corners of the mouth and the bottom of the facial crest. This is particularly useful for horses with limited space in this area, when skin can potentially become trapped and prone to pinching.
RRP: from £400 | fairfaxsaddles.com
WINDEREN GEL
BIT SYSTEM helps achieve a light yet precise contact during dressage training. Crafted with horse-friendly gel material, these bits are accepted by even the most sensitive horses. Extremely durable and available in two colour options with cost-saving interchangeable cheek pieces. 100% EU production.
RRP: from £121.45 winderen.com
PRESTIGE
3E157 ENGLISH BRIDLE elevates every ride. Crafted from premium European leather, it boasts an anatomicallyshaped headpiece for comfort and reduced pressure. It features Swarovski crystals for sparkle or sleek patent leather browbands and a padded noseband with a Swedish closure and flash strap.
RRP: £240 | prestigeitalia.com
STÜBBEN is setting new standards in horse comfort and biomechanics with the Freedom II bridle. The bridle allows freedom of movement for the ears, a clear field of vision for the horse and avoidance of the main nerves on the horse’s face helping to keep the horse calm and relaxed. All provided with the all-new innovative slide and lock fastening system.
RRP: from £429 | stuebben.co.uk
THE BLISS OF LONDON BRIDLE COLLECTION handstitched by craftsmen in the finest English leather, offers style and function. All bridles can be ordered in mix and match size and style combinations to achieve the perfect fit with single or double option. The signature anatomical headpiece is specially contoured, and the choice of luxurious finishes allows personalised styling.
RRP: from £250 | bliss-of-london.com
KUDOS DOUBLE BRIDLE BROWN/WHITE Crafted in high-quality pre-oiled Italian leather, this double bridle features an anatomically shaped gelpadded headpiece for clearance behind the ears. A distinctive detachable contoured crystal browband and gel-cushioned patent leather noseband communicate unmistakable LeMieux style, while the discreet throatlash conveys a clean appearance. A gel-cushioned crank pad ensures the comfort of this premium bridle.
RRP: from £229.95 lemieux.com
YOUR EQUESTRIAN OFFICE ON WHEELS designed with horse owners in mind, Haybrook and Co has launced its range of carefully curated storage solutions for the equestrian world with four products to suit your needs whether that be for your yard, lorry, trailer or vehicle.
RRP: from £POA | haybrookandco.co.uk
THE HORSE BIT SHOP are bitting specialists and offer bit bank services, are fully independent, qualified and members of BETA and Equine Fitters Council. Stockist of all major brands such as Fager, Sprenger, Neue Schule, Trust, Bombers, Freejump and Winderen, with over 20 years experience we offer free bitting advice and 30 day trials.
thehorsebitshop.co.uk
UTZON EQUESTRIAN is reimaging classical bridles for a modern rider. Since its launch a few years ago the brand has sold thousands of bridles to riders all around the world. The bridles are handmade in the finest Italian leathers from Tuscany and are anatomically shaped for optimal pressure relief in the neck area.
RRP: from £245 | utzonequestrian.com
KUDOS PATENT DRESSAGE BRIDLE is crafted in premium pre-oiled Italian leather, featuring a detachable flash noseband. The anatomically shaped padded headpiece allows comfortable clearance behind the ears. The contoured, crystal-embellished padded browband exudes sophisticated comfort.
RRP: from £189.95 | lemieux.com
CHILDÉRIC BRIDLE using their experience crafting bespoke saddles, Childéric saw how the perfect fit improved comfort and performance. In designing their new bridle, the same principle was applied: each part fitted perfectly, independently from the other parts. The Childéric bridle is as bespoke as their saddles, with each part selected to suit the individual horse’s conformation.
RRP: from £390 | childericsaddles.co.uk
Left: Charlotte Dujardin and her European team gold and double individual bronze medal partner, Imhotep (Everdale x Vivaldi) –winners of the CDI3* Grand Prix on 79.891%. Their Grand Prix Special test, with a couple of costly blips in the onetempis, likewise brimmed with quality for a winning score of 77.638%. “I couldn’t be prouder of his progress ahead of team selection for Paris – he really does have a heart of gold,” said Charlotte about Carl Hester and Coral Ingham’s 11-yearold ‘Pete’.
Wellington International
Wellington CDI and CPEDI, from 1-9 June, featured many of Britain’s leading names as team selection drew near for Paris 2024 and for this year’s Youth European Championships. The nine-day Wellington Festival of Dressage also played host to Premier League classes and KBIS Young Horse and Pony qualifiers. Here, we celebrate some of the international winners.
Left: The CDI3* Grand Prix Freestyle honours belonged to Carl Hester and Fame who were also part of the gold medal-winning British team last summer in Riesenbeck. Carl and 14-year-old Fame (Bordeaux 28 x Rhodium), who he coowns with Fiona Bigwood and Mette Dahl, having already taken second place to Charlotte and Imhotep in the Grand Prix
debuted a stellar new freestyle earning 83.935% for the win.
Right: Grand Prix rider Kate Cowell, a team bronze medallist at the 2000 Young Rider European Championships, rode her 10-year-old Dutch-bred Joolz (Expression x Uphill) to achieve a dream clean sweep of the CDI1* Small Tour classes. The pair won the Prix St Georges (69.755%) and Intermediate I (69.118%) on the gelding’s international debut.
(77.457%)
Left: Abigail Gray (16) and George Clooney B.S (Caesar 171 x Santano) dominated the CDIP to complete an unbeaten run of seven international wins. The pair topped the leaderboard in both the Pony Team Test on 73.190% and the Pony Individual with 73.559%.
Inset: The 2023 Junior European Championship team and individual bronze combination of Myles Graham and Nibeley Union Hit, second to Ruby Hughes and Brioso in the Junior Team Test, went one better to claim the Junior Individual on 71.470%.
Above: Reigning Young Rider European Champion Annabella Pidgley (19) dominated the CDIU25 with a one-two in the both the Intermediate II and Grand Prix 16-25 with Gio (pictured) and Vamos Amigos.
Left: Ella-Grace Dovey and Sheepcote Jackson celebrate their high-scoring clean sweep of the CDICh-A classes. Thirteen-year-old Ella-Grace rode David Pincus’s Johnson x Don Primero gelding to win the Children on Horses Team Test on 74.950% and the Individual with a superb 76.820%.
Below: Isobel Lickley and Rob Lickley’s 13-year-old stallion Nymphenburg’s First Ampere (Ampere x Weltruhm) posted a convincing win in the Young Rider Individual Test scoring 72.108%. Riding Katniss, Isobel (19) also took second spot as well as finishing second to Oliver Gould and Virtue in the Young Rider Team Test.
Right: After winning the Grand Prix A with Rowland Kinch’s Don Cara M (73.761%), Sophie Wells rode The Lady Joseph Trust’s eight-year-old LJT Egebjerggards Samoa (pictured) to claim the Grand Prix B (75.877%) followed by a Freestyle win on a PB of 82.467%. “So unbelievably proud of this girl absolutely smashing it out of the park this week,” said Sophie.
Above: Repeating their Addington and Hickstead international hat-tricks, another British combination unbeaten was Nicola Naylor and Humberto L. Nicola and the 12-year-old KWPN gelding, who she co-owns with Ros EmeryKay, once again showed consistency and style with a convincing clean sweep of the CPEDI3* Grade IV classes on scores of 73.519% (Grand Prix A), 74.775% (Grand Prix B) and 77.534% (Freestyle).
Below: The CPEDI3* Grade II witnessed a British triple win courtesy of Georgia Wilson who won the Grand Prix A and B with her Tokyo Paralympics ride, Sakura (pictured), on scores of 71.034% and 72.500% respectively, before claiming the Freestyle aboard the Grey Flanell-sired eight-year-old Faside Got The Love (74.823%).
Left: Natasha Baker and Keystone Dawn Chorus, competing at their second CPEDI since a 20-month break from competition while Natasha welcomed her first child, Joshua, won the CPEDI3* Grade III Grand Prix on a cracking score of 75.222%. ‘Lottie’, who Natasha co-owns with Joanna Jensen and Christian Landolt, along with Phil and Lorraine Baker, was piloted by Natasha to also win the Freestyle on 80.023%. The Grand Prix A win was claimed by Erin Orford who scored 71.333% aboard Sophie Wells, Diane Gallon and Neil and Jackie Walker’s eight-year-old Dragons Fire.
Right: Following a treble win at Hickstead CPEDI in May, Mari DurwardAkhurst and Athene Lindebjerg (Gribaldi x Diamant), owned by Diane Redfern, achieved three PBs for three wins across the CPEDI3* Grade I classes, moving Mari to the top of the FEI Para Dressage World Individual Ranking. They posted 76.666% in the Grand Prix A, 78.958% in the Grand Prix B and 82.089% in the Freestyle, breaking the 80% barrier for the first time.
KWPN BY JERVEAUX
Joined up
thinking
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Above: Dressage requires a high level of flexibility in the joints.
TThe health of our horse’s joints plays a big role in their soundness and ability to perform at their best. Stephanie Bateman uncovers the most common joint condition in competition horses – arthritis.
he horse’s limb is made up of multiple joints, and just like humans, these joints are prone to arthritis which can not only limit a horse’s career, but also end it.
So, what is arthritis, and how is it caused?
“Arthritis, also known as Osteoarthritis or Degenerative Joint Disease, is a very common joint-related condition in horses that are used for ridden work and competition,” says Therese de Souza, MA VetMB DipECVS MRCS, European Specialist in equine surgery at B&W Equine Vets. “The most commonly affected joints are the coffin joint, fetlock and the hock. All the horse’s joints have cartilage that line the bones, and a joint capsule that surrounds it. The job of the joint is to lubricate those two joint surfaces when the horse moves and weight bears. When the joints move abnormally, that cartilage starts to wear down, resulting in synovitis (fluid in the joint). The bone underneath becomes more brittle
and to try and stabilize itself, it lays down new bone. On rare occasions, the two ends of the bone can fuse together.”
Arthritis can be caused by trauma, wear and tear and conformational issues that make the horse place additional stress on a joint. It can also be caused by infection in the joint, bone fragments and Osteochondrosis (osteochondrosis dissecans; OCD).
SYMPTOMS OF ARTHRITIS AND DIAGNOSES
recognizing what the joints of your horse look and feel like normally is important,” explains Professor Roger Smith MA, VetMB, PhD, DEO, DipECVSMR, DipECVS FRCVS, Professor of Equine Orthopaedics at RVC. “Horses
Alongside correct management and veterinary intervention, many owners opt to supplement their horses’ diets in order to support their joints.
Horses with arthritis will show different symptoms depending on the severity.
“Lameness is often present and you will also feel heat and swelling in the joint, so
might also appear ‘stiff’ and take longer to ‘loosen up’ when worked or suffer a loss of performance. These signs are common when both legs are affected, meaning lameness is less evident.”
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When diagnosing arthritis, your vet may want to assess your horse in walk and trot to assess the level of lameness (and if there is more than one limb affected). They might also perform flexion tests and nerve blocks, and for a more detailed diagnosis, they may use X-rays, ultrasound and MRI.
TREATMENT OPTIONS
Sometimes, treatment of the primary cause is required such as keyhole surgery to remove bone fragments or treat meniscal tears and repair intra-articular fractures.
There are then two main approaches to treating arthritis: S-MOADs (symptommodifying osteoarthritic drugs) and D-MOADs (disease-modifying osteoarthritic drugs).
“S-MOADs only really help the pain, but ultimately, the disease will continue to progress, so the goal is always to find effective D-MOADs,” says Roger.
• S-MOADs include non-steroidal antiinflammatory drugs (NSAIDs) such as Bute and Danilon – they do have a mild anti-
inflammatory effect, but you can’t compete on these. Corticosteroids (steroid injections) are more potent anti-inflammatory agents and widely used for the treatment of joint disease. They’re usually highly effective at removing clinical signs, but risks include laminitis, and higher and repeated doses can have deteriorative effects on the joint.
• Orthobiologicals D-MOADs include IRAP (Interleukin One Receptor Antagonist Protein), PRP (Platelet Rich Plasma), Stem Cells, and Alpha-2-Macroglobulin, which are derived from processing blood samples or tissues and then injecting them into the joint. Horses can compete on them, but they are expensive and there is a risk of flares and infection. The idea is that they change the joint environment to halt the progression and even reverse arthritis in some cases, although evidence is limited. Arthramid is an intra-articular polyacrylamide gel that modifies the joint capsule to improve the mobility of the joint. Hyaluronic Acid (HA) is a constituent of
synovial fluid which is said to lubricate the soft tissues of the joint.
MANAGING ARTHRITIS
“With arthritic horses, it’s important that they are warmed up and cooled down well,” advises Therese. “Having balanced hooves with limbs that land balanced is also important. Keeping them in a good body condition score reduces overloading the joints, and a mixed training schedule with lots of fitness and core work is important, as is being sensible about what surfaces you work on.”
SUPPORTING JOINTS WITH SUPPLEMENTS
Alongside correct management and veterinary intervention, many owners opt to supplement their horses’ diets in order to support their joints.
“The wear and tear process occurs daily which is why here at NAF, we recommend dressage joints to be supported from a
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Nerve blocks can be used as part of the diagnostic process for arthritis.
young age,” says NAF’s Griselda Beaumont BSc (Hons), ANutr (Animal).
“When supporting joints, it is important to include the right ratios of ingredients in the right forms.”
• Antioxidants will help to efficiently disperse and flush out free radicals.
• Feeding around 10,000mg/day of Glucosamine will help to maintain and support the repair of connective tissue.
• MSM helps to sustain the health of both cartilage and collagen.
• Chondroitin helps to stimulate the production of cartilage or joint surfaces.
• OMEGA-3 fatty acids have proven to be effective in supporting the recognised joint nutrient capabilities and have positive effects of joint cartilage.
• HA helps to keep synovial fluid healthy and protect from unwanted molecules.
CASE STUDY
LAURA COOPER AND ROXY
A decrease in the performance of dressage mare Woodlander Roxanne (Roxy) in October 2022, prompted owner Laura Cooper to investigate further.
“It was subtle but she wasn’t quite as forward or supple,” said Laura. “We’d also had trouble with her fidgeting in the halt which cost us several good placings, and when stretching her off at the end of a session, I felt a couple of unlevel strides, but when I picked her back up again she was sound.
“My vet detected 2/10 lameness so we did an MRI of both front feet which showed mild coffin joint arthritis. My options were steroids, Arthramid or stem cells. I opted for stem cells which cost £1,000 per vial and she needed one for each foot. Luckily she is insured.
“We began rehab with walking in straight lines and built this up to trotting for 20 mins.
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I didn’t introduce circles until week eight and then only 20m circles. By the end of the third month, we were able to do 10m circles.
“Since the treatment, Roxy now stands and halts well, rarely getting less than a 7, and her willingness and forwardness has improved. I believe that the treatment worked so well because of how early we caught it. If she deteriorates, I’ll look at Arthramid as a ‘top up’.
“She wears adapted shoes to help her breakover more easily, I monitor her weight and feed a high strength joint supplement. She is turned out daily in a level field and I don’t do more than walk on hard ground.
“Since her treatment, we’ve had some of our best scores to date, qualifying for Petplan Area Festival Championships, Associated Championships and even my first ever Summer Nationals.”
...it is important that they are warmed up and cooled down well.
WHAT IS COVERED ON INSURANCE?
“On the basis that you have full comprehensive Vet Fee insurance, and the condition or area is not already excluded, there are no restrictions around joint surgery or medicating a joint for a new accident, sickness or disease,” says Claims Manager Sarah Price from KBIS. “If you are considering medicating your horse’s joints to enhance performance, or as a preventative measure, be aware this will not be covered. There must be a diagnosed accident, sickness or disease to make a claim.
“Providing there is a sufficient amount of cover remaining, repeat injections would be covered within the claim period, which at KBIS is 15 months from the onset of a condition, subject to assessment. Outside of the claim period, the cost of repeat treatments would fall to the owner.”
Supplements are assessed under the ‘Complementary Treatment’ section of your horse insurance policy. Whether or not this is included on your policy will be detailed on your certificate of insurance.
Having balanced hooves and limbs that land in a balanced way is important to managing arthritis.
JOINT CARE
HORSLYX MOBILITY BALANCER can be used to help maintain healthy joints for the performance horse that may be prone to stiffness. It’s ideal for competition horses that require support for hard working joints.
RRP: from £21.24 | horslyx.com
NUPAFEED FLEX
GLM provides proven nutrition for performance and longevity. With the highest levels of Green Lipped Mussel, a natural extract containing uniquely active omega-3 to support against inflammation. Vitamin E and selenium are especially associated with cartilage health.
RRP: from £54.90 for 2kg nupafeed.co.uk
TOPSPEC 10:10
JOINT SUPPORT is a caramel-flavoured additive which contains an excellent specification of nutrients to support healthy joints, particularly those subject to excess trauma and/or repeated wear and tear. Contains a generous combination of natural sources of Glucosamine and MSM.
RRP: from £68.00 for 3kg topspec.com
PRO JOINT PERFORMANCE helps maintain healthy joint function in horses by utilising key ingredients blended at the perfect ratio to reduce inflammation, support healthy cartilage, increase joint lubrication, and keep ligaments supple. 500g of Pro Joint Performance contains 500g of powder.
RRP: from £40.50 | equinenutrition.vet
RRP: from £29 for 1kg | prosportive.co.uk
ROWEN BARBARY SUPPLE PLUS contains key nutrients designed to help maintain joint health, mobility and target inflammation. Designed for performance horses undertaking strenuous work that require the highest nutritional care. It adheres to the BETA NOPS standards, ensuring safety and quality.
RRP: from £145.00 for 5kg | rowenbarbary.co.uk
FIVE STAR SUPERFLEX SENIOR provides key joint support nutrients for horses. The blend of ingredients has been formulated to provide targeted nutrition for the maintenance of senior joints and older horses and ponies. Superflex Senior provides key joint support nutrients working with natural sources of omega 3 fatty acids and naturally sourced antioxidants.
RRP: from £35.99 for 660g | naf-equine.eu/uk
PROFLAMAID PLUS is specifically formulated to support equine musculoskeletal health and is made with high-quality extracts and human-grade ingredients. This formulation has supported equine athletes across all disciplines, both nationally and internationally, by assisting with overall physical well-being and performance.
RRP: from £78 for 750g | hiformequine.co.uk
RRP: from £37.95 for 15kg spillers-feeds.com
TRIFLEX 100 aids the general health, flexibility, and mobility in senior horses and supports the cushioning of connective tissue in young, competition and older animals. Only pure active ingredients are packed into Triflex 100. It is a scientifically balanced formula of Glucosamine, Chondroitin and MSM for healthy joint support.
SPILLERS SUPPLE & SENIOR BALANCER is a multi-vitamin and mineral balancer with added omega 3 alongside 7.5g of glucosamine and 10g of MSM per 500g serving, making it ideal for younger horses in need of joint support. It also supplies antioxidants including vitamin C and a high level of vitamin E to support immune health, as well as pro- and prebiotics to support digestive health.
PHARMAQUIN JOINT COMPLETE HA uses only the highest-grade active ingredients with no artificial fillers or bulking agents to support optimum joint health and mobility. PharmaQuin is a palatable powder which includes Glucosamine, MSM and Chondroitin, offering maximum joint support.
RRP: from £72.50 for 1kg | bettalife.co.uk
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Above: Ready for Medium? Your progression through Elementary 1-6 should have helped your horse develop the strength, balance and suppleness needed.
TPart 2
Test your training
We take a practical look at how to prepare your horse for the new BD tests with the help of Paul Hayler, Bobby Hayler-Wright and Andrew Wright
he new tests started being used at BD competitions on 1st July, and are designed to help the progression of the horse and rider through the levels according to the scales of training. The movements in the tests and the way they are put together build on the strength, balance and suppleness that the horse is developing and prepare for the steps ahead. Many riders have found
1. EXTENDED WALK
You’ll have been performing free walk right since Preliminary –it’s an important movement as it attracts double marks, and this is also the case with extended walk which comes in at Elementary 3. There’s a significant difference between extended walk and free walk.
In free walk, the horse should move like a lion, with swinging along with relaxation and the head low. Practice the transition from free walk back to medium walk – use your knees to take the speed out of the walk and ‘shorten the wheelbase’ without creating tension which can then lead the horse to jog.
In extended walk, be careful not to let the horse drop down; the poll should still be the highest point while the whole body should extend. The horse must push through to the contact but the walk must remain four beat – rushing the horse can make the walk become ‘lateral’; you need to give him time to develop that adjustability. It’s easy to neglect the walk and not train this pace – make time for it when training.
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the step up from elementary to medium challenging in the past, but this structure and the focus on the scales of training should help to develop the skills needed with any type of horse or pony.
In Part 1 we looked at the horse stepping up to Elementary, now we’re aiming for Medium. You should have worked your way through tests E1-4 and now be preparing for tests 5 and 6, for area festivals/regionals and championships.
Right top: In free walk, the horse should move like a lion. Right bottom: In extended walk the whole body should extend.
2. COLLECTED CANTER
As your horse progresses through Elementary, you can pay more attention to collection. When training, reduce the size of the circle to help collect the canter; the horse has to engage his hindquarters and lift his core. The horse will want to slow down, so the rider must create impulsion from behind and motivate the hindleg. Remember we’re looking for collection not slowness; the horse can easily lose the hindleg activity and become stiff and tight in the back. Keep the leg on but collect him with your seat. Think of it as sliding drawers – the top drawer is pushed back by the seat and the bottom drawer is pushed forwards by the leg.
PICTURED
3. GIVE AND RETAKE IN CANTER
You are aiming to show that the horse remains in balance when you ease the rein. Keep him up and balanced coming into this movement. The rider must remain upright – if you find yourself tipping forward think of pushing the hands up the crest rather than along the neck.
4. MEDIUM CANTER
At Novice we ask for a few lengthened strides; at Elementary it is a sustained movement along a whole long side. The ability to lengthen the frame rather than simply go faster comes as the horse develops in strength.
Right: In order to collect, the horse has to engage his hindquarters and lift his core.
5. 10M CIRCLE TO SHOULDER IN
Again, the rider should turn at the waist so that the shoulders mirror the horse’s shoulders. Keep your arms either side of your body so that they allow the horse to come into three tracks rather than trying to pull him across.
The 10m circle helps start the correct body bend for shoulder in, turning the horse’s shoulders and creates the first steps of the shoulder in.
Shoulder in helps with engagement of the hindquarters, as the inside hindleg must push through, and encourages lightness in the shoulder.
PICTURED
PICTURED
6. MOVING ON TO MEDIUM
Once you are secure in the shoulder in, try some travers – you won’t need this until Medium, but it continues to build engagement and lift of the shoulders. Make sure that the horse remains on three tracks. And when you can put this together with shoulder in, you’ve got the beginnings of half-pass!
REIN BACK
Even though the horse is stepping back, think of this as a forwards movement, as he’s got to step forward from it, into walk or trot. You’ll have started in-hand, teaching the horse to step back while engaging his hindquarters and lifting his core and shoulders. Straightness is very important, so don’t ask for too many steps to start with and use the wall to guide him. Remember not to pull back – sliding the leg back along the horse’s tummy will encourage him to step back.
Above: Travers is again on three tracks and is the next step towards half pass, which you will need at Medium!
Right: Keep your arms either side of your body so that they allow the horse to come onto three tracks rather than trying to pull him across. Far right: The 10m circle creates the first steps of shoulder in.
Fair play
Staffing is an ongoing challenge in equestrianism. We get some advice on how to make employment both fair and legal, from coach educator and employer Ali Dane and our legal partner Rothera Bray.
HOW DOES THE EMPLOYER BALANCE THE REQUIREMENTS OF A GROOM OR RIDERS’ JOB AND THE NEED TO COMPLY WITH MINIMUM WAGE AND WORKING HOURS REQUIREMENTS?
The first thing that any employer should be aware of is that they have a legal obligation to pay their workers for every hour worked, and they therefore need to have the income to support this. They must pay their staff at least National Minimum Wage for every hour worked – which, in our industry, is frequently around 50-60 hours per week.
There are laws regarding opting in/out of anything more than a 48 hour week, but any job that’s nearing 50 hours could/should be done by two people.
There are many ways that we can modernise the way we work with horses so that employees can spend less time working. For example – staggered start times: could
one person feed on a rotating basis and everyone else start an hour later? Can you implement a staggered finish time or flexible working hours?
AND HOW DOES THIS WORK FOR SITUATIONS SUCH AS GROOMING AT SHOWS?
Some employers will do this by giving ‘time off in lieu’ (TOiL), but many will pay overtime instead. Employers should log all hours their employees work and keep records.
The best way to approach this is to understand what the employee’s motivations are – do they come to work just to earn money? In which case they might want the overtime pay. Or are they happier to have the TOiL after a long day/weekend/week at a show? Of course there are times when neither will be required, i.e. the show doesn’t require the groom to work any hours over and above
their usual, but most shows will mean more hours and these hours must be paid for somehow.
HOW DO YOU MOTIVATE EMPLOYEES AND RETAIN GOOD STAFF IN A WAY THAT’S VIABLE FOR AN EQUESTRIAN BUSINESS ?
The key to retaining good employees is to understand WHY they come to work. Fair pay is only a small part of the jigsaw. Yards have to be a pleasant place to work, and employees need to feel valued. They need to feel safe - not just physically, but mentally and emotionally too and creating this positive atmosphere is down to the employer.
The parts of good employment that cost nothing are things like taking time to get to know the employee: why are they working for you? What do they want to get out of job? Do they have career progression in mind? Where do they want to be in a year/three years/five years? Do they have a family and thus do they need flexible hours? Would they like regular training from you? Do they want to go to shows?
HOW DOES THE EMPLOYER ENSURE THAT THE EMPLOYEE IS CAPABLE OF CARRYING OUT THE REQUIRED TASKS SAFELY AND EFFICIENTLY?
This should be covered in risk assessments that are reviewed every six months as a minimum, and the employee should be assessed during the initial interview and trial period.
All tasks should be supervised and observed to begin with, and once the employer is satisfied that the employee is capable, then they can be allowed to get on with the job.
There should also be adequate insurance in place.
LONE WORKING IS CONSIDERED PART OF THE JOB WITH HORSES! HOW CAN EMPLOYERS ENSURE THAT THEIR STAFF ARE SAFE?
A thorough assessment of an employee’s capabilities should be carried out before they are left alone to work and the employee should be made aware of the procedure to follow in case of emergency. It is vital that employees understand the need to wear >
safety equipment while working, and that they adhere to all the safety rules while working both as a team and on their own. Should an incident occur, it will be down to the employer to show what they had in place to mitigate against any serious accidents.
CCTV is also very useful.
HOW WOULD YOU APPROACH A SITUATION WHERE AN EMPLOYEE’S CONDUCT OR ACTIONS HAVE LED TO AN UNSAFE SITUATION AND/OR INJURY TO A HORSE OR ANOTHER PERSON?
After making sure that everyone concerned is OK, and making an entry in your accident book, as well as making a RIDDOR report if need be, ensure you’re approaching the incident from a non-emotional and unbiased standpoint. Understanding why and how the accident/incident happened from the employee’s point of view as well as any other concerned parties is vital. This will allow you to make an educated and balanced decision as to your next steps and avoid making hasty decisions or judgements that might cause issues further down the line.
There should be a disciplinary policy/ procedure in place for the employer to follow if
EMPLOYMENT LAW
IS THERE ANY LEGISLATION RELATING TO THE ACTUAL RECRUITMENT PROCESS?
Employers are bound by the Equality Act 2010, in that they may not discriminate, victimise or harrass any potential candidate, at any stage of the recruitment process. Discrimination relates to nine protected characteristics under the Equality Act, including age, disability, gender reassignment, marriage and civil partnership, pregnancy and maternity, race, religion, sex, and sexual orientation. Employers must be careful that they aren’t directly, or even indirectly, overlooking candidates based on these protected characteristics.
Choosing certain candidates over others based fully or in part on the protected characteristics above is only one way in which an employer can be seen to have discriminated against an individual. To give an example, holding in-person interviews in a building with no disabled access could be seen as a form of discrimination for wheelchair users. In this instance, you would expect an employer to either change venue or provide a virtual meeting option as a ‘reasonable adjustment’ to accommodate.
IS A CONTRACT ESSENTIAL?
Under s1 of the Employment Rights Act 1996, anyone who is legally classed as a ‘worker’ or ‘employee’ should be given a written statement of particulars of employment. The absence of a written contract would not prevent a worker from claiming certain employment rights and protections and could prove costly for the employer.
Employment status isn’t always clear cut. For example, whether someone helping on a yard is an employee or self-employed would depend on specific circumstances and factors such as the degree of control exercised over the individual and whether they were personally required to the work.
A written statement of particulars of employment is used to outline the key information relating to an individual’s employment, and must include information such as the names of both the employer and the employee, the proposed start date of employment, job title, a description of their role and any associated responsibilities, remuneration, and holiday entitlement. Please note this is not a full list of all required information.
the employee was found to be at fault, which will dictate the next steps. All conversations and communication should be documented, so it would be clear to someone outside the organisation (a) what happened, (b) what was done as a result and (c) what steps have been taken to mitigate against such an incident occurring again. Dismissals MUST be dealt with carefully and professionally, and only after due procedure has been undertaken.
WHAT ARE THE CHALLENGES
ASSOCIATED WITH EMPLOYING UNDER18S OR ON A ‘WORKING PUPIL’ BASIS?
‘Working pupils’ typically receive accommodation, livery and training in exchange for either lower wages, or in lieu of any wages at all. However, none of this is legal.
Deducting anything over and above the £69.93 per week accommodation allowance is illegal. You cannot deduct food bills or any other living expenses from wages. You cannot deduct anything to do with an employee’s horse from wages.
An equestrian business can take on an apprentice through a certified apprenticeship provider (such as British Dressage) but they must make sure that they allow the apprentice
the time to complete their studies, as well as the practical work. Apprentices are trainees, therefore must not be left in sole charge at any time.
Young people MUST be in some sort of formal education until they are 18 years old, so any 16/17 year old working on a yard ‘full time’ (i.e. not just as a weekend job) should be enrolled on an apprenticeship scheme as a minimum. They are entitled to at least two days off per week and can only work up to 40 hours per week. Anyone 16 years plus should be paid via PAYE.
WHAT IS THE LEGAL POSITION REGARDING CONTINUED EMPLOYMENT OF SOMEONE WHO IS INJURED
OR
IS TAKEN ILL?
Dismissing an employee on grounds of capability is considered a fair reason for dismissal as per the Employment Rights Act 1996. The specific circumstances, however, have to be given proper consideration otherwise employers may be at risk of discrimination or an unfair dismissal claim. These reasons usually pertain to a worker with long term sickness or who has been injured to an extent where they will no longer be capable of performing their duties. Employers should still ensure that they have considered all viable alternatives to their current role, explored options such as permanent health insurance or ill health retirement, or whether the incapacity has been caused by workplace factors such as stress, bullying or an accident at work.
HOW CAN LIVERY OR TRAINING YARD CLIENTS CHECK THAT EMPLOYEES ON THEIR YARD ARE BEING TREATED FAIRLY?
Employers’ liability certificates should be displayed on the premises, and you could chat to the grooms about their hours etc.
The Equestrian Employers Association offers wide ranging support to equestrian businesses from industry professionals, including help with contracts, risk assessments, codes of practice etc.
Visit www.equestrianemployers.org.uk
The dismissal will only be fair, however, if in the individual circumstances the employer acted reasonably in treating the ill health as a sufficient reason for dismissing the employee; and followed a fair procedure prior to dismissing on that basis.
Be aware that an employer may be liable for a personal injury/duty of care claim in the latter instance, but still does not necessarily mean they cannot still fairly dismiss the employee if the employer is left with no alternative.
For example, where an employee is injured riding a horse as part of their role, whether it would be fair to dismiss would require consideration of matters to include liability for the accident, any mitigating circumstances, the timescale for a recovery and the availability of other roles on the yard.
Regard should also be had to whether the employee may be classed as disabled under the Equality Act 2010 and an employer’s duty to not discriminate and to make reasonable adjustments for an employee suffering from a disability.
Disclaimer: This note is for information only and does not constitute legal advice. If you need legal advice, please contact us on 08456 465 465 or email enquiries@rotherabray.co.uk to get tailored advice specific to your circumstances from our qualified lawyers.
Getting warmer
The warm-up is one of the most important elements of the preparation for a good test. We hear why you need to get it right from Dr Rachel Murray, and take some tips from leading riders and trainers.
Warming up as part of a training session and for a competition are not the same; at a competition you are preparing for the best possible performance.
The warm-up can be divided into three stages, Dr Rachel Murray points out: passive warm-up; general warm-up and a specific warm-up for what you are doing.
It’s also important to think about WHY we warm our horses up before we ask them to perform or train them, she says.
“Effective warming up can optimise performance and prevent injury. By warming the blood it can more easily transport oxygen from the lungs to the muscles – the blood takes up the oxygen in the lungs and can transfer it to the muscles more quickly.
“It’s also important for the muscles themselves,” she continues. “The chemical reaction needed to contract the muscles is more efficient when they are warmer. It also increases the flexibility of tendons and ligaments as they go through the cycles of stretching and extending, reducing the risk of injury.”
A proper warm up improves the body’s ability to make use of fuel – in this case oxygen, while the liver can also manage glycogen better, and the body can make use of aerobic
metabolism rather than producing lactic acid.
Performance improves as the transfer of electrical impulses to the nerves gets quicker – sensory nerves notice where the legs are and motor nerves work better.
PASSIVE WARM-UP
This takes place before you get on board, explains Rachel.
“Ensure that the horse is physically warm. This may involve using a solarium or putting on a warm rug in cold weather to ensure that the horse is not cold and fixed, especially if he is stabled.”
Horses that have got warm while travelling can quickly get cold once you are parked up, so check that they are warm enough when standing on the lorry.
There’s a range of therapeutic rugs on the market which have been recommended for passive warmingup but Rachel comments: “Scientific evidence for their application in warm-up is very limited. One study suggested that Equissage may stimulate thoracic lift immediately after use. Magnetic rugs or massage rugs might have a superficial effect depending on the setting used, but currently there is not enough knowledge about their usefulness.”
Effective warming up can enhance performance and prevent injury
GENERAL WARM-UP
“The horse’s heart rate will at this stage be at about 100 beats per minute, although the excitement may raise it periodically,” explains Rachel. “Start the warm-up in an active walk, slow trot and slow canter and avoid small circles and difficult movements.”
She adds that it’s easy to get fixed on the idea of a long, low outline, but this might not suit all horses.
“If the horse doesn’t have a flexible topline, such as an older or stiffer horse, a level or slightly higher neck is better. They don’t have to stretch, increasing the blood and body temperature is the priority and real stretching may be safer after the horse is already warmed up.”
SPECIFIC WARM-UP
Once the general warm-up is complete you can move onto smaller circles, lateral work and the type of movement that will be in the test.
“Start off gradually, for example a small half pass,” says Rachel. “This is similar to any athlete – a kick boxer will start with small kicks, or a rower small strokes.”
INDIVIDUAL NEEDS
What you do depends on the level of the horse, and whether you are warming up for training or a test, so the specific warm-up is more varied, while the passive and general warm-ups are similar.
DANNIE MORGAN
“With young horses that are new to competition, allow plenty of time, not particularly to work for the test, but to let their muscles warm up and relax. If it’s possible I like to stretch them, but with the sharper ones, stick to simple walk, trot canter with relaxation as the aim.”
Dannie stresses the importance of treating the horse as an individual.
“If they are nervous, I like to find somewhere to work on a 20m circle and stay on that to encourage relaxation. And if they are nervous of other horses in particular, I will stay on the right rein so they don’t get trapped on the wall. I have been known to do the entire warm-up on the right rein!”
He adds that splitting the warm-up can work with a laid-back character.
“I would ride this type of horse earlier in the day, focusing on suppling work, and do a short, sharp warm up just before going in the arena. Even 10-15 minutes can be enough – I’ve got one horse with a short window of self-carriage, so after 15 minutes he’s ready to go.”
It can also be dependent on the type of horse and its experience.
“An experienced, older horse, perhaps a bit stiff, will need a longer general warm-up. A younger horse may need it from a psychological point of view, but will fatigue quicker.”
In training, consider what your aims are for the day – if it is just a stretching day, the approach to warming up will be different,” she points out.
Working with your ‘ground team’ – trainers, vets and physios, you may also find that ‘off horse’ warming-up can also be useful, such as thoracic lifts to switch on certain muscle groups, or tail pulls for a horse that needs to stretch one hind leg more.
CLIMATIC CONDITIONS
Temperature and humidity will also influence what you do.
“If it’s cold, the horse will need a longer general warm-up,” comments Rachel. “This also includes wet days where the temperature may not be that low but the horse will feel the cold. An exercise rug is useful in cooler weather.”
As our summers get hotter, it’s important to be prepared, she points out.
“Increased heat and humidity require a shorter general warm-up. Aim to actually cool the horse as part of your passive warm up, and you may need to split the general warm-up, with cooling in between.”
Keep the horse in the shade if possible, especially when resting or cooling.
“You may also need to shorten the specific warm-up or allow for gaps – at the Tokyo Olympics we had gaps to cool and monitor the horses; it’s less likely in the UK, but remember that you can wash off and cool the horse during the warm-up.”
Rachel comments that it’s also important to practice warming up in more extreme conditions, with either a longer or shorter warm-up, so the horse can be confident in his rider.
“Suddenly lengthening or shortening the warm-up can confuse the horse so that he’s then not sure what to expect when you go in the arena.”
STRESSY OR SLEEPY
Shows can be an exciting environment for the horse, and some riders will follow a short warm-up in the morning of their class with a second warm-up before competing.
“Your horse’s temperament will also influence your warm-up. A laid-back horse will need more transitions, for example, than a more fizzy character.”
‘Over-warming up’ is considered a welfare issue and Rachel says that it is often due to lack of rider confidence.
“A less confident rider will repeat movements over and over. Unfortunately the horse can then be too fatigued before he enters the arena as specific muscles get tired.”
MICHAEL EILBERG
“It’s easy to obsess over practicing the movements in the test, but I’m more interested in the horse’s way of going and the feeling I get from him.
“Aim to make the horse feel really good through his body, supple and balanced. Once you’ve got this, you can check a couple of the movements, looking for quality work in those movements.”
Michael adds that a sharper horse will generally need a longer warm-up, but: “Allow enough time with a more laid-back horse –they can sometimes take longer to get motivated.”
When it comes to young horses, he warns that care is needed as they can come out very fresh and then get tired.
“How much to do depends a bit on the class, too – they can be a bit fresher for a young horse class, but if you are doing a test, need to be at the point where they are obedient.”
ALICE OPPPENHEIMER
“I tailor the warm-up to what the horse needs; ideally this would be stretching and then walk, trot, canter but it’s not always possible. Some horses need to practice lines, or do some lateral work, but the aim is to have them relaxed, rideable and on the aids.”
She comments that preparation is important for younger horses.
“We make sure that they have been out to plenty of arena hires so that they get used to working away from home in a situation where there is no time limit, so you don’t need to override.”
The aim, she explains, is to ensure that they have a positive experience.
“If you overdo the warm-up, it has negative connotations for the horse. It’s a fine balance between them being relaxed and tired.”
Young horses are also at risk, she says.
“They need time, but their muscles can’t cope with a long warm-up. At the extreme, their core and neck muscles are too tired to hold their head and neck up and out, and you risk being marked down for being overbent.”
Rachel concludes that riders should understand the principles of warming up and adapt them to their horse.
“It’s not just the duration of the warm-up that’s important, but what’s in it. Make sure you allow plenty of time to get to the show and get on board without being rushed, you need to be mentally well-prepared so that you can get the best out of the experience.”
2 3 4
SYMMETRY
PART 1
Mirror image
The idea of rider symmetry is simple enough on the centre line, as a mirror imaging of the two halves of the body. Yet the term takes on a more complex meaning with the first turn or circle, says Andrea Oakes .
Rider symmetry is what allows us to train a horse to perform movements with equal ease on both reins.
“To give clear aids requires even distribution of weight, the ability to absorb forces and apply pressures on both sides and the dexterity to place each body part as required for any given movement on the left and right of the horse,” explains dressage rider, trainer and Pilates/ movement educator Lindsay Wilcox-Reid.
While symmetry – or lack of it – is most obvious from the waist up, its origins begin in the seat.
“Symmetry starts with even pressure and placement of your seatbones on either side of the horse’s spine,” says Lindsay. “Each seatbone should be the same distance from the centre of the saddle and situated so that one isn’t sitting forward or back of the other. We need even placement and contact with the legs and reins, both in ‘neutral’, when we’re not consciously applying aids or signals, and
also when applying pressure and consciously asking for something. This might not mean even pressures at all times, but the ability to switch patterning from left to right equally. One leg might have to apply more signal pressure, or adopt a different position, but this should be achievable on both reins if the horse is to receive consistent messages. We also need to react quickly through each body part, both to apply and release aids.
“The rider’s pelvis is the hub, or ‘control centre’, as the first part of the body to receive movement forces from the horse,” explains Lindsay. “Being slightly off-centre in the pelvis impacts everything. A dropped shoulder or wayward leg could well come from the pelvis, namely the sacroiliac and hip joints, and how this structure transmits movement forces. Overactivity of muscles, tightness and general restriction in these areas impact our shock absorption capacity, which can worsen on one side over time and create issues.”
The rider’s pelvis is the hub, or ‘control centre’, as the rst part of the body to receive movement forces from the horse.
Of the many possible causes of asymmetry, Lindsay cites mucking out as a main contender. “Our general daily movement habits form our position, as does injury history,” she says. “The nature of the sport means that most of us have a catalogue of bodily traumas. Even a horse treading on your toe can later affect how your hip moves, which can then influence your opposite shoulder. Most riders find it a little harder to position one leg forward and the other back on a certain rein, or turn the hips and upper body in one direction. In addition, a horse will have his own postural and movement habits which impact ours. A rider who continues to drop or twist to one side, despite addressing their own issues, is quite possibly influenced by a horse with subclinical lameness.
“As well as inhibiting our own movement capacity, rider asymmetry can influence many aspects of a horse’s movement, from stride length and amplitude to bend,” she adds. “Over time, asymmetrical riding can load a horse’s back and limbs unevenly and create patterns of restriction through his jaw and neck. While we’re all inherently a little asymmetrical and working
with an animal with his own anatomical issues, we have a responsibility to identify where we can improve relevant areas, from both a welfare perspective and the requirements of sport performance. Clues include uneven seat indentations on your saddle or wear marks on the saddle flaps, or different patterns of wear or grease on the inside of your boots. If you struggle to keep your weight even in both seatbones or stirrups, find a movement persistently tricky in a certain direction or feel that your horse constantly drifts to one side, this could be helped by working out of the saddle on your own body.”
Lindsay stresses that striving for symmetry, like the perfect 10, is an ongoing journey towards a destination. “There may be structural reasons why a rider’s body is loaded or works differently on one side, or surgical limitations such as fused joints or metalwork,” she says. “But our bodies are so adaptable that it’s still possible to develop excellent riding skills and influence. Horses can also learn to work with their riders’ structural makeup, although regular support through assessment and physical
or movement therapy for both sides of the partnership can help mitigate potential issues.
“Any movement or exercise out of the saddle which you enjoy and can do regularly is generally helpful. Pilates can create mindful movement, balance, symmetry, flow and control, among many other benefits, all traits which transfer to dressage. Including the Franklin Method in your practice is also hugely beneficial, as this encourages two-way communication between the brain and body to enhance any
SEEKING SYMMETRY
movement modality. Strength and conditioning work targeted to your individual needs and increasing general fitness is also recommended.
“I’d recommend working with a coach who pays attention to your position in the saddle, as well as a therapist and exercise professional specialising in equestrian sport,” adds Lindsay. “We have a growing pool of these in the UK, to guide you on your journey towards riding symmetry.”
For more information visit equipilates.com
Identify and improve asymmetry in the tone of your hip rotator muscles…
TEST: Sit on a chair with your knees bent at 90 degrees and your heels underneath them. Place your right ankle on your left knee and allow your right knee to lower to wherever it wants to settle, noting the position. Now repeat on the other side.
ADDRESS: If one knee rests higher than the other, this gentle exercise will help to release overactivity in the hip rotator muscles and allow you to sit more centrally and deeper in the saddle. Cross your right ankle over your left thigh and place your left hand on your right knee. Using 20% of your maximum possible effort, press your ankle down onto your thigh and your knee up into your hand. Hold this for 20 seconds before releasing. Try four sets, four times a day for a few days, then reduce this to a couple of sets a day, or just before you ride.”
NEXT ISSUE: Symmetry in the saddle.
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Earlier this year, nominations were invited for the member elected position of BD Youth Director. Following the appointment of Hannah Moody as interim BD Youth Director in October 2023, the current post-holder was also eligible to be nominated for election for an initial four-year term.
With no further candidates proposed for election, and following approval by the Nominations Committee, Hannah is now being put forward to the membership for formal ratification, in accordance with the Memorandum and Articles of British Dressage. As there is just a single candidate nominated for the BD Youth Director role, you will be asked for a simple “yes” or “no” vote to indicate your preference.
The election result will be announced in September 2024 and
PICTURED:
Right: Hannah Moody. Below: Youth teams have enjoyed considerable success in recent years, and the BD youth programme fosters exceptional camaraderie and lifelong friendships.
any appointment will be effective from the date of the next British Dressage Annual General Meeting, scheduled to take place on Thursday 24 October. If the candidate does not receive sufficient support from a majority of members, the Board will be required to make another interim appointment and the post will be advertised again for election in 2025.
2024 BOARD ELECTION: BD YOUTH DIRECTOR
Meet the candidate up for election for the role of BD Youth Director.
HANNAH MOODY
I have over 35 years of experience as a member of British Dressage, as a competitor and coach at all levels from grass roots to international Grand Prix, as a volunteer in various roles, and as a coach educator, youth assessor, committee member, and parent of a BD Youth member. Since October 2023 I have been the Interim Youth Director and I’m passionate about continuing my time in this role.
WHAT’S BEEN HAPPENING IN BD YOUTH
There has been a lot of innovation in BD Youth over the years that I have been involved with, most recently the very aspirational horse care programme, which is still in the beginnings of its roll out, although work has been going on behind the scenes for years. This is a great way to introduce our young members to the importance of caring for their ponies well and developing their foundation understanding of horse welfare. Horse welfare is more important than ever, in the public eye but also in our own yards and homes. As Youth Director I would endeavour to continue encouraging the educational development in this sphere, ensuring that all young people in the sport have the right knowledge to be able to care for their horses and ponies properly in their time as a BD Youth rider and for years to come.
We have also been continually updating our coach CPD activity for those with a particular interest in youth development to ensure we have the best education available for all those involved. After all, young people cannot learn without inspiring, positive and educated teachers in place, and it’s our job to ensure we’re providing the opportunities to make this happen.
LOOKING TO THE FUTURE OF BD YOUTH
I am passionate about the development of our youth riders –not only in their equestrian life, but also in the role that this sport plays in the development of life skills and friendships. I want to continue to develop a supportive and enjoyable environment in which our young people can thrive.
PICTURED:
Below: BD offers a wealth of training opportunities for young people. Opposite: Grooming.
I will seek to continue the development and roll-out of the BD Horse Care Programme, ensuring its growth amongst the BD Youth community, but also the wider opportunity for senior riders.
The BD Apprenticeship programme is also very much in the early stages of development, and I’d love to see the continued growth of this much-needed opportunity. Apprenticeships are a wonderful way for young people to learn, and gain firm foundations in the industry, so the development of this programme is a high priority in my role as Youth Director.
I believe that support for our youth riders should begin at the youngest age and continue right through to those turning 25 and beyond. We all know how hard it is to make a successful transition to the senior categories, and I’d like to introduce
support and education for this age group, including mentoring and development schemes.
The continued promotion and progression of education and interaction in our regions is another area of importance. Camps, training days and coaching opportunities are vital not only for ridden and horse care education, but also in providing the wonderful opportunity for social interaction. Plenty of riders make lifelong friends through the BD regions, who’ll provide support through the highs and lows of horse sport.
I’d like to encourage the participation of young Para Dressage riders in our regional activity and squad system too. We have so many inspirational Para athletes to look up to, and supporting the next generation from a young age is necessary to build
Horse welfare is more important than ever... as Youth Director I would endeavour to continue encouraging the educational development in this sphere.
a strong future. Integration with the existing youth opportunities would provide an open door to even better education and equality.
Finally, I would like to improve awareness amongst our youth members about our environmental responsibilities and how we can minimise our impact on the natural world. Education is key in this area, and enthusiasm already exists amongst many young people. We all need to work together to secure a safe and balanced environment to enable future generations to continue to enjoy the horse world we know and love. There is ongoing development within all our educational and competitive programmes to continually improve and remain leaders in equestrianism, and to give access to all who would like to be a part of BD Youth. I hope I can fulfil the BD Youth Director role, to continue this progress and support all young people looking to experience British Dressage.
HOW TO VOTE
The voting process will be posted online, with the electronic ballot opening from Monday 15 July 2024. All eligible members will receive an email with details of how to vote electronically, using the unique link provided by independent company Mi-Voice.
If you wish to vote by post, you can download a ballot form on the British Dressage website at britishdressage.co.uk, from Monday 15 July. If you require a hard copy, please send an SAE to: Ben Waterhouse at British Dressage, Building 2020, Meriden Business Park, Copse Drive, Meriden, West Midlands CV5 9RG.
All ballot papers or electronic votes cast must be received by 5.00pm on Friday 6 September 2024. Any submissions received after this time will not be counted.
Each current paid member has one vote. Please note that BD Community members are not eligible to vote. Mi-Voice will scrutinise all votes (electronic and paper) and carry out random spot checks for authenticity. British Dressage will not have access to the voting papers, or any record of how individual members voted.
The results of the ballot will be announced during week commencing 9 September, with the appointment formally commencing on the date of the British Dressage Annual General Meeting on Thursday 24 October 2024.
REGIONAL UPDATES
JUDGE TRAINING
For 2024 Annual CPD for judges, from 1 April 2024 onwards, judges must attend a FULL formal training day from the options below only. Judges are required to attend training at a relevant level and have until 1 April 2025 to fulfil this full-day training requirement.
• Black Horse One Online Seminar
• Module 4 Live Training*
• Principles of Dressage Seminar
*A half Module 4 day can be attended alongside an online collectives training or online freestyle training (due to launch in the coming months) to fulfil the full-day requirement. Two separate half Module 4 days can be used to fulfil the full-day requirement.
Small sitting-in training sessions across the regions can be used towards one sitting-in sign off for judges registered for the new system. Judges can also attend these for their own development but are not permitted to use this towards CPD requirements.
General Zoom judge training sessions can be attended for development but are not permitted to be used towards annual CPD.
Anyone not able to complete this is advised to refer to the reinstatement of judges policy on the website, and those unable to fulfil this requirement must write to officials@britishdressage.co.uk.
REGIONAL TRAINING
Judges are reminded that they should be up to date with CPD before they judge.
Online seminars with the eDressage platform Black Horse
One are available for all judges including trainees. Please ensure that you register for the relevant seminar at either your current level or the level you are looking to upgrade to.
ONLINE SEMINARS
These seminars are available to book through Horse Monkey. Please filter your search to ‘British Dressage Judges’ to find the booking page. To apply to become Trainee judge, visit britishdressage.co.uk/judging/ how_to_become_a_judge.
Please visit the Judge Horse Monkey page via the QR code where you’ll find all judge-related booking links including trainee judge registration, music paper booking, the judge listing form and Zoom training sessions.
To find details of regional training, including clinics, test riding, social activities, demos and much more, simply open the camera on your device and scan the codes opposite. Alternatively, visit the BD website, find your region and head to the regional training page via your web browser.
SOUTH & EAST
DO: Katharine Perry and Sharon Walker
M: 07872 603871 (Katharine)
M: 07894 232358 (Sharon)
E: southandeast@britishdressage.co.uk
Chairman: Pam Bushell 07801 252780
Vice Chairman: Mathieu Smith 07481 295713
Coaching: Teresa Edmonds 07957 785929
Rachel Wright 07816 235441
Rider training: Nicola Preston 07984 642291
Jodie Smith 07957 155330
BD Youth: Jessica Brown 07852 282983
Ben Grose 07732 435528
Karen Dance 07747 001494
Judges: Fiona Wilson 07803 263983
Para: Rachel Collins 07855 251514
Marketing: Craig Messenger 07591 202175
Nikki Goldup 07769 896734
SOUTH & WEST
DO: Amanda Rodgers
M: 07894 232355
E: southandwest@ britishdressage.co.uk
Chairman: Carrie Payne 07421 022700
Coaching: Amy Blount 07773 228562
Nicky Du Plessis 07398 130955
Rider training: Nicky Du Plessis 07398 130955
BD Youth: Tina Burrow 07967 912785
Judges: Sophie Dickinson 07881 826052
Sara-Jane Lanning 07881 910690
Para: Mark Cunli e 07717 727147
Marketing: Sharon Stuart 07912 225700
Paula Holland 07748 666794
NORTH & WEST
DO: Nikki Birt M: 07495 013192
E: northandwest@ britishdressage.co.uk
Chairman: Jane Critchley 07966 865604
Coaching: Alison Calvert 07980 886004
Rider training (North of the Region): Lucy Warbrick 07508 028666
Rider training (South of the Region):
Natalie Robinson 07971 555975
BD Youth: Kate Tomlinson 07770 803115
Judges: Denise Glanville 07966 303633
Brenda Pamplin 07415 203766
Richard Baldwin 07903 942498
Para: Diane Fisher 07477 604178
Marketing: Anna Tomlinson 07773 428176
NORTH & EAST
DO: Jo Byrne
M: 07783 791191
E: northandeast@ britishdressage.co.uk
Chairman: Sarah Farrand 07941 640148
Coaching: Gwyneth Lewis 07710 021279
Jenny Folman 07909 547156
Rider training: Rachel Longworth 07863 970192
Alison Timmins 07867 304327
BD Youth: Jess Carr 07590 732896 Charlotte Clark 07868 344617
Judges: Helen Copeland 07877 306864
Para: Vicky Earnshaw 07919 684181
Marketing: Sarah McClarron 07557 281360
Marketing (Social Media): Rebecca Wilson 07585 937488
SCOTLAND
DO: Ashley Stewart M: 07584 147258
E: scotland@ britishdressage.co.uk
Chairman: Caroline Paterson 07554 086211
Coaching: Michael Whippey 07870 542349
Rider training: Linda Thompson 07919 441039
BD Youth: Under recruitment
Judges: Gillian Peters 07501 444132
Para: Emma Douglas 07707 657217
Marketing: Sam Turpitt 07801 428333
WALES
DO: Vanessa Archer M: 07398 763414
E: wales@ britishdressage.co.uk
Chairman: Mike Mullis 07706 940315
Coaching: Nina Boex 07966 032090
Rider training (North Wales): Helen Hopewell 07971 490038
Rider Training (South Wales): Bethan Powell 07545 082247
BD Youth (North Wales): Anna Roberts 07786 674893
BD Youth (South Wales): Briony Cutler 07889 817609
Quest: Emma Thompson-Warren 07747 611274
Judges: Dianne Breeze 07491 531953
Para: Donna Rooney 07969 747817
Marketing: Maisie Sturge 07526 367602
BD ACTION
JUDGE UPGRADES
Congratulations to the recently upgraded judges listed below.
Grand Prix (List 1): Islay Auty (North & West), Andrew Fletcher (North & East), Sarah Kingwells (North & West), Rebecca Trower (South & West), Charlotte Wilson (North & East).
Prix St Georges (List 2): Nick Bigland (North & West), Lindsey Dawes (South & West), Helen Evelyn-Wood (South & West), Claire Moir (South & West), Caroline Paterson (Scotland), Mark Philpott (South & West), Linda Waller (South & West), Jenny Welham (South & West).
Advanced Medium (List 3A): Ali Dane (South & West), Karen Dewar (Scotland), Frances Goodhind (South & West), Tom Graham (South & East), Sarah-Jane Prew (South & West), Carolyn Lesley Smith (North & West).
Medium (List 3): Jonathan Canty (North & East), Marcia Cundy (South & West), Rachel Crook (North & East), Lorna Fraser (South & West), Elizabeth Gammie (Scotland), Stephanie Harant (South & West), Deborah Howson (North & East), Tracey Lovegrove (North & East), Tanya Reid (South & East), Debbie Tate (South & East), Joanne Wainwright (North & East).
Elementary (List 4): Elizabeth Burford (North & West), Samantha Chiappini (North & East), Karin ConradieCoppenhall (South & East), Tracy Davies (South & East), Sophie Gregory (South & West), Emily Hedger (North & East), Charlotte Jones (South & East), Ann Matthews (North & East), Naomi
Pine (North & West), Gemma Sellar (Scotland), Lucy Warbrick (North & West), Heather Woodhead (North & East).
Novice (List 5): Joanna Astor (South & East), Gillian Buxton (North & East), Wendy Cochran (North & East), Emily Frohlich (South & East), Lucia Preece (Wales), Lynsey Ryan (South & East), Tracy Thirlwall (North & East), Sally Wright (North & East).
JUDGE RETIREMENT
Jenifer Gilbey (List 5), from the North & West region, has retired from the Judges Panel. British Dressage would like to thank Jenifer for her contribution and support over the years and we wish her all the best for the future.
REGISTRATION REMINDER
This is a polite reminder that horses and riders should be registered before entering BD competitions. Organisers may take late entries at their discretion however the onus is on the competitor to ensure they are registered prior to the entry being accepted. To join, please visit britishdressage.co.uk/ membership. If you would rather sign up/renew manually, you can download, complete and post the forms to the BD office. Due to the high volume of registrations at peak times, we advise you allow three working days for postal registrations to be processed. Those who compete without being registered will not be covered by BD members’ insurance and their results will be excluded. Repeat offenders may be fined.
Keep up-to-date with the latest notices, news and views from British Dressage at britishdressage.co.uk
PETPLAN WINTER AREA FESTIVAL CHAMPIONSHIPS CORRECTION
Hannah MacMillan and Brookeborough Lad, who scored 65.58% in the Medium Silver Winter Area Festival Championship to share tenth place with Emma Agnew and Heroique J, were omitted from the results published in issue 4 2024 (p34). Please accept our apologies.
KEY DATES
ARMBAND AWARENESS
For safety at competitions, armbands are worn by riders who have difficulty with their sight or hearing. All visually impaired riders may wear a white armband, whilst riders with hearing difficulties may wear a royal blue armband –please see rule 92 (page 131) in the BD Members’ Handbook. We ask all competitors to be mindful of this both during the warm-up and around the showground in general.
16-21 Jul FEI Young Rider & U25 European Championships, St Margarethen, Austria
25-28 Jul FEI Junior and Children on Horses European Championships, Sentower Park, Belgium
25-28 Jul FEI Pony European Championships, Sentower Park, Belgium
26 Jul KBIS Young Horse Semi-Finals, Northallerton EC, North Yorkshire
27 Jul-04 Aug Olympic Games, Paris
02-04 Aug BD Youth Home Nations, Mount Ballan, Monmouthshire
19-24 Aug BD Youth Under 25s Championships, Sheepgate Equestrian, Lincolnshire
21-22 Aug Equissage Pulse Para Bronze & Silver Championships and Gold Semi-Final, Hartpury, Gloucestershire
30 Aug-01 Sep Senior Home Nations, Addington Equestrian, Buckinghamshire
02-07 Sep Paralympic Games, Paris
04-09 Sep Longines FEI WBFSH Dressage World Breeding Championship for Young Horses, Ermelo, the Netherlands
12-15 Sep LeMieux National Championships, Somerford Park, Cheshire
01-06 Oct Wellington CDI3* and CPEDI3*/2*, Hampshire
02-06 Oct Petplan Summer Area Festival Championships (incorporating Middle Tour Championships), Arena UK, Lincolnshire
A comprehensive list of major dates including Summer Regional Championships and Petplan Summer Area Festivals can be found online at britishdressage.co.uk/competitions/international-and-major-dates
SHOW ORGANISER: Kelvin Bywater SHOW SECRETARY: Sara Green SHOW & ENTRY SECRETARY TELEPHONE: 07790309424, SHOW & ENTRY SECRETARY EMAIL: entries@showdirect.co.uk
The full schedule is available to download on the competitor information page at www.bdchampionships.com
1
Magic NAF
FEIFSMPSG 202 2 WQ
NAF Superflex FEI INTI 202 2 WQ
NAF Superflex FEI FSMINT1 202 2 WQ
FEI INTII 202 2 FEI GP 202 2
BRAHAN DRESSAGE, HIGHLAND
SAT 14 SEP
EC: 31/08/2024 TIMES: 11/09/2024 12:00; Sponsor Test
HorseHage P2 2024 WQ
HorseHage P3 2024 WQ
Prestige N2 2024 WQ
Prestige N3 2024 WQ
Equi-Trek E2 2024 WQ
Equi-Trek E3 2024 WQ
HorseLight M1 2024 WQ
HorseLight M2 2024 WQ
Black Country Saddles AM1 2024 WQ
DRESSAGE AT HASCOMBE, EAST SUSSEX
SAT 14 SEP
EC: 04/09/2024 TIMES: 11/09/2024 12:00; 07710006473 Sponsor Test
HorseHage P4 2024 WQ
HorseHage P5 2024 WQ
Prestige N4 2024 WQ
Prestige N5 2024 WQ
Equi-Trek E4 2024 WQ
Equi-Trek E5 2024 WQ
HorseLight M4 2024 WQ
HorseLight M5 2024 WQ
Black Country Saddles AM4 2024 WQ
Black Country Saddles AM5 2024 WQ ADV1 2024
NAF FEI PSG 202 2 WQ
Superflex FEI INTI 202 2 WQ
INTII 202 2
GP 202 2
EC: 31/08/2024 TIMES: 11/09/2024 10:00; Sponsor Test
HorseHage P1 2024 WQ
HorseHage P2 2024 WQ
Prestige N1 2024 WQ
Prestige N2 2024 WQ
Equi-Trek E1 2024 WQ
Equi-Trek E2 2024 WQ
HorseLight M1 2024 WQ
HorseLight M2 2024 WQ
KINGSWOOD EQUESTRIAN CENTRE, STAFFORDSHIRE SAT 14 SEP
EC: 31/08/2024 TIMES: 11/09/2024 12:00; Sponsor Test
HorseHage P4 2024 WQ HorseHage P6 2024 WQ
Prestige N4 2024 WQ
Prestige N5 2024 WQ
PYON
Equi-Trek E4 2024 WQ
Equi-Trek E5 2024 WQ PYOE
HorseLight M4 2024 WQ
HorseLight M5 2024 WQ PYOM
Black Country Saddles AM5 2024 WQ
Black Country Saddles AM6
SCOTTISH NATIONAL EQUESTRIAN CENTRE, WEST LOTHIAN SAT 14 - SUN 15 SEP
EC: 11/09/2024 TIMES: 12/09/2024 09:00; Sponsor Test
HorseHage P5 2024 WQ
Prestige N2 2024 WQ
Prestige N5 2024 WQ
Equi-Trek E2 2024 WQ
Equi-Trek E5 2024 WQ
HorseLight M5 2024 WQ
HorseLight M6 2024 WQ
Black Country Saddles AM3 2024 WQ
Black Country Saddles AM6 2024 WQ PYOP1 PYOP2 PYOP3
HorseLight M4 2024 WQ Black Country Saddles AM3 2024 WQ Black Country Saddles AM4 2024 WQ
STOURPORT RIDING CENTRE, WORCESTERSHIRE
SUN 13 OCT
EC: 11/10/2024
FORTHCOMING EVENTS
16 OCTOBER – 1 DECEMBER 2024
Venue County
WED 16 OCT
West Park Equestrian Services (P-AM)+FS Durham
Kelsall Hill Equestrian Centre (I-AM) Cheshire
WED 16 - SUN 20 OCT
Aintree International Equestrian Centre High Profile Show Merseyside
THU 17 OCT
Dressage at Belmoredean (P-GP) West Sussex
Saddlesdane Equestrian Centre (P-PSG) Kent
Chard Equestrian Ltd (P-PSG)+FS Somerset
THU 17 - SAT 19 OCT
Sheepgate Equestrian (P-INTI)+FS Lincolnshire
FRI 18 OCT
Allens Hill Competition & Livery Centre (P-AM)+PE Worcestershire
Arley Moss (P-PSG) Cheshire
SAT 19 OCT
Beaver Hall Equestrian Centre (P-AM) Staffordshire
Burrows Court Farm (P-PYO FEI) Gloucestershire
Fairoak Grange Equestrian Centre (P-PSG) Berkshire
Speedgate Events (P-INTI)+FS Kent
Cockshot (P-GP) Cheshire
The College Of West Anglia (P-AM)+FS Cambridgeshire
Kingswood Equestrian Centre (P-GP) Staffordshire
Moulton College Equestrian Centre (P-AM) Northamptonshire
Pachesham Equestrian Centre (P-AM)+FS Surrey
Tall Trees Arena (I-PSG)+FS Cornwall
Willow Banks Equestrian Centre (P-PYO FEI) Lincolnshire
West Park Equestrian Services (I-AM) Durham
Mendip Plains Equestrian Centre (P-AM) Somerset
Trefor Stables Equestrian Centre (I-AM) Isle of Anglesey
SAT 19 - SUN 20 OCT
Ladyleys Equestrian (P-AM)+FS Aberdeenshire
Bromyard Equestrian (P-PYO FEI)+FS Herefordshire
Manor Grange Stud (I-GP)+FS West Yorkshire
Scottish National Equestrian Centre (P-GP) West Lothian
SUN 20 OCT
Vale View Equestrian (I-PYO FEI) Leicestershire
Colraine Equestrian Centre (I-AM) Cornwall
Foxes Riding School (I-E) Cheshire
Please refer to the BD Schedules webpage for the most upto-date schedule information. Visit the ‘International & Major Dates’ webpage to see a complete list of 2024 Major Dates. Venue
Essendon & Epping Forest (P-AM)+FS+PE London
Field House Equestrian Centre (P-INTII) Staffordshire
Hartpury University and Hartpury College (P-M) Gloucestershire
Swallowfield Equestrian (P-M) Warwickshire
Tall Trees Arena (I-PSG)+FS Cornwall
Wellington Riding (P-E)+FS Hampshire
Dark Deer Croft (I-M) Inverness
Boyton Hall EC (P-INTII)+FS Suffolk
Alnwick Ford Equestrian (P-GP)+FS Northumberland
Codham Park Equestrian (P-AM) Essex
Mendip Plains Equestrian Centre (P-AM) Somerset
MON 21 OCT
Bury Farm Equestrian Village (P-GP)+FS Buckinghamshire
Wellington Riding PE Hampshire
Wellington Riding (M-GP) Hampshire
Kelsall Hill Equestrian Centre (I-AM) Cheshire
TUE 22 OCT
Kings Sedgemoor Equestrian Centre (P-AM) Somerset
Kelsall Hill Equestrian Centre (I-AM) Cheshire
TUE 22 - SAT 26 OCT
Cavago Associated Championships @ Onley
Grounds Equestrian Complex Warwickshire
WED 23 OCT
Vale View Equestrian (I-GP) Leicestershire
Checkendon Equestrian Centre (P-N) Berkshire
Crofton Manor Equestrian Centre (P-AM) Hampshire
Crow Wood Equestrian (P-AM) Lancashire
Northallerton Equestrian Centre (P-GP) North Yorkshire
Cherwell Competition Centre (P-AM) Oxfordshire
Mendip Plains Equestrian Centre (P-AM) Somerset
WED 23 - THU 24 OCT
Aintree International Equestrian Centre (P-PSG)+FS Merseyside
THU 24 OCT
Field House Equestrian Centre (P-INTI) Staffordshire
St Leonards Equestrian Centre (P-AM) Cornwall
Solihull Equestrian Centre (P-GP) West Midlands
West Wilts Equestrian Centre (P-PSG)+FS Wiltshire
Parwood Equestrian Centre (P-PSG) Surrey
Golden Cross Equestrian Centre (P-AM) East Sussex
FRI 25 OCT
Brook Farm Training Centre (P-GP)+FS Essex
Lake Farm (P-PSG) Isle of Wight
Prestige Equestrian LLP (P-GP) Gloucestershire
Lime Kiln Farm (P-INTI)+FS Norfolk
FRI 25 - SAT 26 OCT
Netherton Equestrian (P-M)+FS Perthshire and Kinross
SAT 26 OCT
Beaver Hall Equestrian Centre (P-AM) Staffordshire
Brook Farm Training Centre (P-INTI)+FS Essex Burrows Court Farm (P-PYO FEI) Gloucestershire
Duchy College (I-AM) Cornwall
Bridgend College (P-INTI)+FS Bridgend
Conrhenny Equestrian Centre (I-AM) Isle of Man
Port Royal Equestrian & Exhibition Centre (P-GP)+FS East Riding of Yorkshire
Amersham Dressage (P-E)+FS Buckinghamshire
SAT 26 - SUN 27 OCT
Tillyoch Equestrian Centre (P-AM)+FS Aberdeenshire
SUN 27 OCT
Yorkshire Dressage (P-INTI) South Yorkshire
Bicton College (I-AM) Devon
Bluegate Hall Farm (P-M) Essex
Hargate Arena (P-E)+FS Derbyshire
Holmside Hall Equestrian (I-AM)+FS Durham Fenning Farm (P-AM) Cambridgeshire
Hunters Equestrian (P-GP) Gloucestershire
Kingston Maurward College (P-INTI)+FS Dorset
Moor Farm Equestrian Centre (I-E) Pembrokeshire
Queach Farm Stables (I-M) Suffolk
Tall Trees Arena (I-PSG)+FS Cornwall Hill House Equestrian Centre (P-AM)+FS Lincolnshire
Chapelton Equestrian Centre (I-AM) Highland
Newbold Verdon Equestrian Centre (I-AM) Leicestershire
Aike Grange Stud (I-AM)+FS East Riding of Yorkshire
Northallerton Equestrian Centre (I-AM) North Yorkshire
Sunnybank Farm (I-M) Caerphilly
Tall Trees Arena (I-PSG)+FS Cornwall
Stourport Riding Centre (P-E)+FS Worcestershire
Little Mill Equestrian (P-M)+FS Carmarthenshire
Elms Farm Equestrian Centre (P-AM) Lincolnshire
TUE 12 NOV
Widmer Equestrian Centre (P-AM) Buckinghamshire
Onley Grounds Equestrian Centre (P-PSG)+FS Warwickshire
Newbold Verdon Equestrian Centre (P-GP)+FS Leicestershire
WED 13 NOV
Hargate Arena (P-E)+FS Derbyshire Hill House Equestrian Centre (P-AM)+PE Lincolnshire
THU 14 NOV
Solihull Equestrian Centre (P-GP)+PE West Midlands
FRI 15 NOV
Allens Hill Competition & Livery Centre (P-AM) Worcestershire
SAT 16 NOV
Bicton College (I-AM)+FS Devon
Duchy College (I-PSG)+PE Cornwall
Merrist Wood College (P-M) Surrey
Moulton College Equestrian Centre (P-AM)+FS Northamptonshire
Kings Sedgemoor Equestrian Centre (P-GP) Somerset
SAT 16 - SUN 17 NOV
Hartpury University and Hartpury College (P-GP)+FS+PE + PE FSM
Gloucestershire
Manor Grange Stud (I-GP)+FS West Yorkshire
The Croft Equestrian Centre (P-INTI)+FS Berkshire
SUN 17 NOV
Foxes Riding School (I-E) Cheshire
Field House Equestrian Centre (P-INTII) Staffordshire
Tall Trees Arena (I-PSG)+FS Cornwall
Lime Kiln Farm (P-INTI)+FS Norfolk
Alnwick Ford Equestrian (P-GP)+FS Northumberland
TUE 19 NOV
Arena UK (P-AM) Lincolnshire
Manor Grange Stud (I-GP)+FS+PE West Yorkshire
WED 20 NOV
Crofton Manor Equestrian Centre (P-AM) Hampshire
Crow Wood Equestrian (P-AM) Lancashire
Northallerton Equestrian Centre (I-AM) North Yorkshire
THU 21 NOV
Field House Equestrian Centre (P-INTI)+FS Staffordshire
Solihull Equestrian Centre (P-GP) West Midlands
The Grange Equestrian Centre (P-PSG) Devon Parwood Equestrian Centre (P-PSG) Surrey
FRI 22 NOV
Lake Farm (P-PSG) Isle of Wight
Arley Moss (P-PSG)+FS Cheshire
Onley Grounds Equestrian Centre (I-GP)+FS Warwickshire
FRI 22 - SAT 23 NOV
Netherton Equestrian (P-M)+FS Perthshire and Kinross
SAT 23 NOV
The College Of West Anglia (P-AM) Cambridgeshire
Fairoak Grange Equestrian Centre (P-AM) Berkshire
Ladyleys Equestrian (P-AM)+FS Aberdeenshire
Moor Farm Equestrian Centre (P-E) Pembrokeshire
Trefor Stables Equestrian Centre (I-AM) Isle of Anglesey
Chard Equestrian Ltd (P-PSG)+FS Somerset
SUN 24 NOV
Bluegate Hall Farm (P-E) Essex
Hargate Arena (I-E) Derbyshire
Holmside Hall Equestrian (I-AM)+FS Durham
Hill House Equestrian Centre (P-AM)+FS Lincolnshire
SUN 24 - MON 25 NOV
Wellington Riding (P-GP)+FS Hampshire
TUE 26 NOV
Widmer Equestrian Centre (P-AM) Buckinghamshire
SAT 30 NOV
Onley Grounds Equestrian Centre (P-GP)+FS Warwickshire
Amersham Dressage (P-E)+FS Buckinghamshire
SAT 30NOV - SUN 1 DEC
Merrist Wood College (I-GP)+FS Surrey
DRESSAGE LIFE MY
LAURA TOMLINSON MBE
the old school traditions alongside having a keen interest in modern sports science. It was a fusion of modern and classical, with him always open to new theories and research. It was a big part my growing up and why I love the management now.
THE BEST PIECE OF ADVICE I HAVE EVER BEEN GIVEN
Always keep your sense of humour and if you’ve got a problem, sleep on it before taking action.
A
DEFINING MOMENT
IN
MY DRESSAGE CAREER
Probably the 1999 Pony European Championships because they swung me from eventing to dressage. We had such a fun time! With Ian Woodhead as team trainer, we won team silver, I was ninth individually and I had a ball!
MY FAVOURITE SONG OR PIECE OF MUSIC The Lion King always hits a chord! It was our music in London. But I love my music, there’s too many to mention.
MY BEST HOLIDAY Kenya. It’s my favourite place in the world apart from home.
Laura Tomlinson and Mistral Højris played a pivotal part in putting Great Britain on the map as a leading dressage nation, winning a multitude of medals before making history as part of the gold medal-winning team at London 2012 where they also claimed individual bronze. With a stable of exciting horses in the wings, Laura and her husband, England polo player Mark Tomlinson, live in Gloucestershire with their children – Annalisa, Wilfred, Hanni Rose and Tommy.
MY EARLIEST MEMORY OF HORSES On my third birthday I remember the doorbell ringing, then being presented at the front door with my first pony, a palomino called Peacock.
WHAT DID YOU WANT TO BE WHEN GROWING UP?
I grew up with eventing dreams, so wanted to win Badminton. Either that or I wanted to be Steffi Graf! I played a lot of sport growing up. I was into hockey and I still play now.
THE BIGGEST INFLUENCE ON MY CAREER My parents. Klaus Balkenhol coached me from the age of 16, with Dad (the late Dr Wilfried Bechtolsheimer) as my home coach. Dad was very involved in the horses’ wellbeing, valuing
A SPECIAL HORSE Alf (Mistral Højris) who’s now 29 and thriving in retirement. As far as equine soulmates go, that’s him. He’s an amazing horse to work with and on your side through thick and thin. In London he had happy bucks on the last day when others were flagging! I was in tears on the final centre line of our freestyle. For him to have given so much… that was everything for me, never mind the scores and results.
MY FAVOURITE DRESSAGE SHOW OR VENUE
It’s between the old London Olympia and the Horses and Dreams show in Hagen. Hagen was my first international show on ponies. It’s run by the Kasselmann family who make everyone feel welcome.
MY FIRST AND MOST RECENT CONCERT My brother Felix’s band, Curse of Lono, and Sons of the East at the O2 Academy Bristol.
FAVOURITE BOOK Roll of Thunder, Hear My Cry by Mildred D Taylor. It’s about a girl and how she grew up with the injustice and struggles faced by African Americans in 1930s Mississippi.
THE PLACE I FEEL HAPPIEST Home.
MY FAVOURITE RESTAURANT Lola & Co, a family-run Spanish tapas restaurant in Tetbury.
MY FAVOURITE FILM AND TV SERIES TV series – Nashville, because of the music. Film – The Power of One. It’s set in that era of apartheid. I was very moved by it.
WHO WOULD PLAY YOU IN THE FILM OF YOUR LIFE? Emma Stone.
MY GUILTY PLEASURE
Chocolate Hobnobs. I can get through a pack in one sitting!
PETS IN MY LIFE We’ve got chickens, two goats, four dogs, three guinea pigs and lots of horses and ponies.
HOW DO YOU LIKE TO RELAX? I try to fit in one yoga session a week, and in the holidays we like to go to Switzerland for a few days. I love being away for a bit with the kids and not being on a schedule.
