Premier Auction Featuring Collection of David Bahlman and Howard Klosterman

Premier Auction Featuring Collection of David Bahlman and Howard Klosterman January 11, 2024 Auction BrunkAuctions.com 117 Tunnel Road Asheville, NC 28805 828-254-6846 info@brunkauctions.com

Collection of David Bahlman and Howard Klosterman

American

501 Jere Raymond Wickwire (American, 1883-1974) Portrait of the Artist’s Wife, Constant Lounsbury Johnson, 1922, signed lower right “Jere R Wickwire”, inscribed verso “Mrs. Jere R. Wickwire/November 1922/by Jere R. Wickwire”, oil on canvas, 42 x 36 in.; carved gilt wood frame, 48-1/4 x 42-1/4 in., old patch repair verso, stretcher marks, crackle; frame with wear Provenance: Amos Judd & Son, Baltimore, Maryland, 1989. This lot is accompanied by a copy of the original bill of sale; Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200 Exhibited: National Academy of Design, 1945, number 99. (according to the consignor’s notes). 4

500 Carl Joseph Becker (American, 1841-1910) Portrait of George E. Bartol, circa 1896, unsigned, a canvas fragment with the signature “Carl J Becker” affixed to the back of the frame, oil on canvas, 34 x 27-3/4 in.; fine carved gilt wood frame, 40-1/4 x 33-1/2 in., mounted on panel, scattered retouch; frame with minimal wear Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200 This lot is accompanied by a metal plaque that identifies the sitter as George E. Bartol (b. 1858), the founder and first President of the Philadelphia Bourse, presented to the Bourse by the Officers and Board of Directors of the Bourse on October 14, 1896.

502 Wilder M. Darling (Ohio, 1856-1933) Self Portrait, stamped lower right, oil on panel, 16-1/4 x 11-1/4 in.; gilt wood frame, 21-3/4 x 16-3/4 in., rough surface as made, some surface dirt and abrasions; frame with wear and losses to gilt Provenance: Cincinnati Art Galleries, Cincinnati, Ohio; Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200 Exhibited: Wilder Darling /Jesse Deviney, the Dean and his Student, Cincinnati Art Galleries, Cincinnati, Ohio, n.d., catalog ill. p. 8.

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503 Thomas Sully (British/America, 1783-1872) Portrait of Mary Howard Fleming, (1819 - 1885), 1844, initialed and dated canvas verso “TS 1844”, stamped “TB/G 41 London” canvas verso, oil on canvas, 30 x 25 in.; period carved gilt wood frame, 36 x 31 in., strip lined, patch repair verso, crackle; frame with abrasions, cracking at corners Provenance: M. Knoedler & Co., Inc., New York, NY, 1974. This lot is accompanied by a copy of the original bill of sale.; Collection of David Bahlman and Howard Klosterman Estimate: $10,000 - $15,000 Exhibited: The Works of Thomas Sully, June-September 1983, (label verso), The National Portrait Gallery, Smithsonian Institution. Washington, D.C.; American Painting, Three Centuries, John and Mabel Ringling Museum, Sarasota, Florida, 1949; Exhibition of Portraits by Sully, The McClees Galleries, Philadelphia, Pennsylvania, 1944, cat. #15. Literature: Biddle Edward and Mantle Fielding. 1969, 1921. The Life and Works of Thomas Sully by Edward Biddle and Mantle Fielding, page 153, cat. #589. This lot is accompanied by extensive correspondence and information related to the painting and its exhibition history.

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504 Franklin Chenault Watkins (American, 1894-1972) Portrait of William H. Rapp, signed lower right “Franklin Watkins”, partially legible inscription verso, “Watkins ...?”, oil on canvas, 22 x 18 in.; carved gilt wood and composition frame, 30-3/4 x 26-3/4 in., original canvas and stretchers, two old patch repairs verso, repaired tear at center left, surface dirt, stretcher marks; frame with wear and abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

505 Fred D. Dagit Architectural Watercolor (Philadelphia, 1889-1954) Villa Facade, 1913, signed lower right “Fred. D. Dagit/ Oct.1913”, watercolor on paper, sight 163/4 x 37 in.; wood frame, 27-3/4 x 48 in., not examined out of frame, appears in good condition, warping visible at upper edge; frame with scratches and abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

506 A Fine Philadelphia Chippendale Carved Mahogany Side Chair Pennsylvania, 1760 to 1780, dense figured mahogany throughout, shell carved crest and skirt, finally carved cabriole legs with ball and claw feet, modern silk damask upholstery, 39 x 25 x 22 in., excellent condition overall, some very minor cracks at rear stiles, one side seat rail with face patch at molding, slip seat replaced Provenance: Israel Sack, 1930s; Joe Kindig; Collection of Donald Shelley, Executive Director of The Henry Ford Museum, Dearborn, Michigan; sold Pook & Pook, October 3, 1992, lot 650, $13,500; Collection of David Bahlman and Howard Klosterman, accompanied by documentation Estimate: $4,000 - $6,000 6

507 Philadelphia Chippendale Cherry Chest of Drawers late 18th century, four graduated drawers flanked by fluted quarter columns, ogee bracket feet, 33 x 41-1/2 x 21-1/2 in., generally good overall condition, finish somewhat sun faded, small repairs at lips of drawers, replaced pulls, minor repairs to feet, scattered shrinkages, small patch repairs to top, other general wear and imperfections as expected with age and use Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $1,500

508 Two Period American Chippendale Carved Side Chairs attributed to Philadelphia and Connecticut, 18th century, mahogany example with carved serpentine crest over a gothic splat, attributed to Philadelphia, 38-1/2 x 22 x 20-1/4 in.; cherry example with shell carved crest and pierced splat, attributed to Connecticut, 38-1/2 x 21 x 25 in., both with square legs with stretchers, matching cream modern upholstery, mahogany example with some cracks, patches and repairs at crest rail attachment, rear legs ended out, knee brackets likely restored; cherry example good overall with scattered cracks, both with typical bumps and wear, modern upholstery generally in good condition Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $600 - $900

509 American Chippendale Cherry Tall Case Clock 18th century, painted floral dial with terrestrial globes, moon face dial, calendar aperture and second hands, bonnet with flame finials and swan pediment with inlay, columns with brass supports, stepped base with ogee feet, 89 x 21 x 11 in., split to front bottom, rich mellow finish, lacking pendulum, weights, and winder, restoration at door lock, restorations to underside of base, finials are likely later replacements Provenance: Garth’s Auction Barn (receipt 1971, $1,300); Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $3,000

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510 Philadelphia Chippendale Cherry Chest of Drawers late 18th century, four graduated drawers flanked by fluted quarter columns, ogee bracket feet, batwing brasses, 35 x 41 x 21-1/2 in., generally good overall condition, brasses replaced, later pinning, feet appear to be original, small loss to top molding, top with dark mark and filled separation, scattered shrinkages and surface wear, other imperfections as expected with age and use Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $1,500

511 Heriz Carpet mid 20th century, red field with geometric and floral pattern, white spandrels, blue border with floral elements, 15 ft. 2 in. x 11 ft. 2 in., overall good condition, wear to fringe at both ends, high pile Provenance: Pook & Pook, 2014 (with copy of receipt), Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $4,000 8

512 Feraghan Sarouk Rug mid 20th century, red field, polygonal medallion, white spandrels, blue border, 4 ft. 8 in. x 3 ft. 5 in., loss to ends with overcasting, curling to edges, wear to pile consistent with age and use, staining Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

513 Fereghan Sarouk Rug mid 20th century, red field, floral sprays, blue border, 4 ft. 9 in. x 3 ft. 4 in., low overall pile with some areas of wear, overcast ends, replaced selvage, abrash, repair at one side Provenance: Pars Rug Gallery, Bloomington Illinois, 2001 (accompanied by copy of receipt); Collection of David Bahlman and Howard Klosterman Estimate: $500 - $700

514 Persian Rug 20th century, blue field with three red central medallions, blue border with vines and flowers, 6 ft. 2 in. x 4 ft. 2 in., areas with holes and exposed foundation, wear to selvage, abrash, loss to both ends Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500

515 Massachusetts Chippendale Mahogany Drop Leaf Table circa 1770, heavy mahogany drop leaf top, shaped apron, scrolled knee returns, tapered legs, ball and claw feet, maple and possibly beech secondary wood, 28-1/4 x 48 x 16 in., good integrity overall, top reset due to shrinkage, one side of top is detached from base, resurfaced throughout, secondary wood with old insect damage (not active), re-pinning to base, other scattered surface wear and imperfections as expected Provenance: Joseph Sprain, Philadelphia, purchased in March 1976; Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $1,500

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516 Massachusetts Federal Mahogany Tall Case Clock circa 1800, floral painted dial, surmounted by a reticulated crest and brass finials, brass movement, bonnet and case with brass mounted stop fluted columns, molded and inlaid door, stepped base with bracket feet, 88-3/4 x 21 x 10-1/2 in., painted dial with craquelure and minor paint losses, case with spanning shrinkage across base, feet with repairs, finish with light fading, other general wear and imperfections as expected with age and use, newly constructed pierced crest, plinths and finials, missing pendulum, weights, winder Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000 accompanied by paperwork from Peter Van Beckum, Unionville, Connecticut, regarding restoration of bonnet

517 American Federal Inlaid Mahogany Side Chair New England, circa 1800, figured light wood inlaid crest over rosette carved back, over the rail upholstery, birch rails, 37-1/2 x 21-1/2 x 20 in., good condition overall replaced seat blocking, scattered bumps and wear, some varnish distress at back, modern cream upholstery in good condition Provenance: Sotheby’s New York, Private South Carolina Collections; Brunk Auctions, April 2021, lot 861; Collection of David Bahlman and Howard Klosterman Estimate: $200 - $300

518 New England Queen Anne Figured Maple High Chest 18th century, molded ogee cornice, four drawers over a configuration of four lower drawers centered by a fan carved drawer, likely original batwing brasses, acorn drop finials, cabriole legs, pad feet, white pine secondary wood, 67 x 39 x 19-1/2 in., re-pinning throughout, backboards have been painted, resurfaced throughout, proper right return with thin cracks in upper and lower case, old repairs and nail holes to drawer secondary wood, scattered shrinkages and surface wear Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $3,000

519 American Federal Inlaid Mahogany Sideboard circa 1790-1810, likely Virginia, serpentine top, conforming case with three frieze drawers over cabinet doors and two bottle drawers, tapered legs, light wood and ebonized line inlay throughout, yellow pine and poplar secondary, 39-1/2 x 68-1/2 x 28-1/4 in., top resurfaced with staining on underside, replaced brasses, center drawer baize-lined for silver, rear leg with break and repair, one bottle drawer with warping to front panel, one center leg with old pegged repair, scattered thin cracks and shrinkages, minor veneer chips and small veneer repairs, other general wear as expected Provenance: Northeast Auctions, Portsmouth, New Hampshire, October 26, 2013, lot 189; Collection of David Bahlman and Howard Klosterman Estimate: $1,500 - $2,500 10

520 New York Federal Inlaid Mahogany Card Table circa 1800, shaped foldover top, conforming paneled frieze with bookend inlay, tapered legs with bellflower inlay, gate leg, 29-1/2 x 36 x 17 in., refinished, scattered thin cracks, minor losses along lower edge, later screws and minor restorations to underside and lamination, other scattered marks and imperfections as expected with age and use Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

521 Pair of Connecticut Federal Mahogany Side Chairs late 18th century, arched crest rail, fanned slatted back with foliate carved accent at center, molded tapered legs, stretchers, 38 x 21 x 19-1/2 in., both chairs with later slip seats, one chair with loss at rear foot, other chair is loose at crest rail and splat joints and has a replaced stretcher, both chairs with scattered thin cracks and general wear from age and use Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

522 William John Edmondson (American, 1868-1966) Portrait of a Man in a Red Tie, signed lower right “Wm J. Edmondson”, partial old label stretcher verso “Akron”, oil on canvas, 30 x 28 in.; reproduction carved gilt wood frame, 32-3/4 x 35 in., original canvas and stretchers, crackle, areas of retouch, stretcher marks, old wax repairs verso; frame with wear and abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

523 Ann Lofquist (American, born 1964) Late Summer, 2002, signed lower right “AL 02”, oil on board, 3 x 8-3/4 in.; burlwood veneer frame, 8-1/2 x 14-1/4 in., floating on backing, painting appears in good condition; frame in good condition Provenance: Leah’s Gallery, New York, NY, 2003. This lot is accompanied by a copy of the original bill of sale.; Collection of David Bahlman and Howard Klosterman Estimate: $1,500 - $2,500

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524 Ann Lofquist (American, born 1964) Woolwich I, 1991, signed lower left “AL ‘91”, also inscribed and labeled verso, oil on panel, 9 x 15 in.; gilt wood frame, 16 x 21-3/4 in., painting in good condition, dry, unvarnished surface with minor surface wear; frame in good condition Provenance: Tatistcheff Gallery, New York, NY (label verso); Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $3,000 525 Colin Campbell Cooper (American, 1856-1937) Palais de Justice, Rouen, France, unsigned, oil on canvas, 27 x 21 in.; fine reproduction gilt wood and composition frame, 33-1/2 x 27 in., linen lined, surface dirt; frame with carved out rabbet, some wear. Partial label verso from Newman Galleries, Philadelphia, Pennsylvania, referring to a recent varnish, n.d. Provenance: Schwarz & Son, Philadelphia, Pennsylvania, 1982 (labels verso). Lot is accompanied by copy of original bill of sale from Schwarz & Son; Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $3,000 Exhibited: Philadelphia Collection P XIX, December 1982, Schwarz & Son, Philadelphia, Pennsylvania, catalog pl. #60

526 Charles Shepard Chapman (American, 1879-1962) Along the Seine, signed middle left “Chapman”, partial inscription verso, also inscribed “Pascal Seine” canvas verso, oil on canvas, 241/4 x 26 in.; fine carved gilt wood frame, 35 x 37 in., original canvas and stretchers, possibly stretched down in size by artist, crackle, canvas slightly loose at corners; frame with minimal abrasions Provenance: Kenneth Probst Galleries, Chicago, Illinois, 2002. This lot is accompanied by a copy of the original bill of sale.; Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000

527 Philadelphia Chippendale Style Benchmade Mahogany Dressing Table signed and dated “H.C. Hull, West Chester, Pa., 1970”, modeled after the EdwardsHarrison Family Philadelphia dressing table by Thomas Tufft (circa 1779), top with stepped and scalloped molding, fluted inset quarter columns, frieze drawer over three drawers centered by a scallop shell and foliate carving, shaped foliate skirt, beaded cabriole legs, ball and claw feet, 30-1/2 x 34 x 19-1/2 in., excellent overall condition with only minor surface wear and small imperfections from previous use Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000

528 Set of Six Federal Style Inlaid Mahogany Side Chairs mid 20th century, Beacon Hill Collection, paneled crest rail, entwined slatted back, striped upholstered seat with brass tack decoration, molded tapered legs, stretchers, 37 x 21-1/2 x 20-1/2 in., very good overall condition with minor wear from previous use, some minor upholstery discoloration, light veneer shrinkage to inlaid panels, minor abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $500 - $700

529 Philadelphia Chippendale Style Mahogany Dressing Table 20th century, benchmade, top with molded edge, frieze drawer, reeded quarter columns, three lower drawers, center drawer with scallop shell and acanthus carving, scrolled shell carved apron, cabriole legs, ball and claw feet, poplar secondary wood, 29-1/2 x 34 x 20-1/4 in., good overall condition with minor surface wear and imperfections from previous use Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

530 Pair of Philadelphia Chippendales Style Walnut Side Chairs 20th century, each well crafted with scroll and shell carved crest rail, shell carved knees, yellow upholstered slip seats, 41 x 23-1/2 x 21 in., good condition with minor finish wear at crest rails, some slight fading at knees, other minor surface flaws Provenance: ex Collection of C. L. Prickett; Brunk Auctions, September 15, 2022, lot 3; Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500

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531 14kt. Burmese Jade Ring one oval cabochon cut Burmese Imperial Green Jade, 12.0mm x 14.0mm, engraved “David Bahlman”, tested 14kt. yellow gold, ring sz.10-3/4, 14.3 grams, jade has some scratches and abrasions to surface from wear, metal has scratches from wear Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

Collection of David Bahlman and Howard Klosterman

Jewelry

532 18kt. Tiffany & Co. Gentlemen’s Band classic milgrain edge band, 6.0mm wide, stamped “TIFFANY & CO., 750”, 18kt. yellow gold, ring sz. 12-1/2, 10.8 grams, scratches to metal from normal wear, in original Tiffany & Co. box Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $500 - $700 Is accompanied by an appraisal from Jade Jewelers, May 16, 1974, This item tested as Nephrite on the Presidium Gem Tester II.

533 18kt. Italian Textured Finish Cufflinks, Two Pairs one pair of 13.0mm round shape, stamped “750”, 18kt. yellow gold; one pair of 16.0mm x 10.5mm oval shape, tested 18kt. yellow gold, in original box marked, “GIOIELLERIA, M. Polroni, VIA TIBULLO 10, ROMA Tel 380466”, total weight 14.1 grams, both pairs have very little wear to the texture Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $600 - $900

534 22kt. Gentlemen’s Gold Signet Ring 13.0 x 12.5mm, tested 22kt., 9.2 grams, shank is bent and scratched from heavy wear, engraving is not distinct, cannot get an exact ring size Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600 14

535 18kt. Waltham Gold Pocket Watch hunter case, inside stamped “AWCO., A9906, K18”, movement stamped, “AM Watch Co., 1S07364, Royal Waltham Mass.”, estimated production date: 1885-1904, black Roman numbers, seconds dial, 73.5 grams, crystal has minor scratches from normal wear, case is in good condition for age, running condition during inspection Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $1,500 Brunk Auctions makes no warranty or guarantee whatsoever regarding the accuracy of the movement which has not been tested and that any clock or watch is in working condition.

536 Two Waltham Silver Pocket Watches 18s, inside back case stamped, “461063, Philadelphia Watch Case Co., Silverode”, movement stamped, “American Waltham Watch Co., 11320416”, Waltham, Massachusetts, movement serial number 113210416, grade 18, model 1883, estimated production year 1902, approx. run quantity 4,000, jewels 7, open face, movement finish nickel, 159.1 grams; 14s, inside back case stamped, “AWWCO.,” movement stamped, “American Waltham Watch Co., 5155474, Waltham, Massachusetts, movement serial number 5155474, grade 8, model 1884, estimated production September 1891 - January 1892, approx. run quantity 5,000, jewels 7, open face, 93.6 grams, scratches to crystal and case from normal use for age, smaller watch has no crystal and has normal wear for age on case, both in working condition during inspection Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $200 - $400 Brunk Auctions makes no warranty or guarantee whatsoever regarding the accuracy of the movement which has not been tested and that any clock or watch is in working condition.

538 Omega Seamaster 600 Automatic Watch 34mm, acrylic crystal, silver tone dial, applied gold tone batons, gold tone pencil hands, 17 jewel, 21987917, back is stamped “Omega, SEAMASTER 600”, Scotch grain aftermarket leather band, gold tone pin buckle, sz. L 11/10, 35.7 grams, crystal has scratch from normal wear, automatic worked during inspection Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $600 - $900 Brunk Auctions makes no warranty or guarantee whatsoever regarding the accuracy of the movement which has not been tested and that any clock or watch is in working condition.

537 Georg Jensen Delta GMT Automatic Watch 42mm, white dial, baton markers, center second hand, date above six o’clock, water resistant 10 ATM, 000734, 396, stamped “GEORG JENSEN, DENMARK, SWISS MADE, 21 TWENTY - ONE JEWELS”, skeleton back, Dakota genuine brown leather band with buckle, sz. 22R, 92.0 grams, working during inspection, case has scratches from normal wear, crystal is in great condition with no scratches, band has some wear and crease where clasp was worn Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200 Included with original box and retail tag purchased for $2,650.00, Brunk Auctions makes no warranty or guarantee whatsoever regarding the accuracy of the movement which has not been tested and that any clock or watch is in working condition.

539 Vintage Omega De Ville Watch 34mm, acrylic crystal, applied gold tone batons, gold tone pencil hands, quartz movement, dial is stamped, “Omega, De Ville, Swiss Made”, 14k gold filled, Speidel aftermarket genuine leather band, sz. 18, 35.7 grams, watch is in good condition with no evidence of wear to crystal, some scratches to metal case, Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500 Brunk Auctions makes no warranty or guarantee whatsoever regarding the accuracy of the movement which has not been tested and that any clock or watch is in working condition.

540 Baum & Mercier Watch with Box white dial, black roman numbers, back of case stamped, “14k, 95600, 1687760”, 14kt. yellow gold, quartz movement, engraved, “David A. Bahlman”, Swiss made, 32mm, black genuine lizard band, 18R, gold-plated stainless steel pin buckle, 21.8 grams, crystal is in good condition with no evidence of wear, leather band is not gold and is after market, needs battery to inspect Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $500 - $700 Included with original box and case, Brunk Auctions makes no warranty or guarantee whatsoever regarding the accuracy of the movement which has not been tested and that any clock or watch is in working condition.

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Collection of David Bahlman and Howard Klosterman

Continental

541 Jacob Frans Van Der Merck, Portrait (Dutch, circa 1610-1664) Portrait of a Thirty Two Year Old Man, wearing a damasked Coat with a flat lace collar, 1642, signed lower right “Aet. 32 . 1642/JMerck ft.”, 28-1/2 x 22-1/2 in. (73 x 57.2 cm.); handmade Dutch style ripple molding frame by APF Munn, with original receipt for $3,396.24, two vertical splits with associated retouch and glue residue verso, retouch, treatment by conservator Stephen Kornhauser in 2011 Provenance: Estate of Susan Minns, 1946; Massachusetts Historical Society, Boston, Massachusetts, 2010; Northeast Auctions, October 31, 2010, Lot 612; Collection of David Bahlman and Howard Klosterman Estimate: $4,000 - $6,000 RKD link: <a href=”https://rkd. nl/explore/images/190237” title=”Go to https://rkd.nl/explore/ images/190237”>https://rkd.nl/explore/ images/190237</a> 16

542 Dutch School Portrait, 1622 (17th century) Portrait of an Unknown Man, wearing a loose ruff collar and a brocaded coat, inscribed upper left “Aetatis suae. 46/Anno 1622”, oil on oak panel, 29-5/8 x 23-3/8 in. (75.1 x 58.42 cm.); fine gilt wood and composition frame, 39-1/8 x 33-1/4 x 3-1/2 in., panel cradled, stabilizing vertical split, areas of retouch, abrasion with void to beard and collar, other abrasions, craquelure; frame with abrasions Provenance: Presumed Baudin Collection, Marseille, France; Galerie Lucien Blanc, Aix en Provence, France, sold as Frans Pourbus the Younger (Flemish, 1569-1622), September 22, 1973 for FF8.600 (accompanied by the original receipt and article on artist); Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $3,000

543 Studio of Jacques-Louis David, The Pecoul Portraits (French, 1748-1825) A pair: Monsieur Charles Pécoul, in a russet coat, 36-3/4 x 28-1/2 in. (93 x 72.5 cm.); 37 x 28-1/4 in. (93.5 x 73 cm.), both shown seated, three quarter length, oil on canvas; matching, likely original Empire gilt wood and composition frames, 45-5/8 x 37-1/2 x 4 in., lined, crackle, retouch, conserved in 2022 with treatment reports and images by Sandra Kelberlau (accompanied by resume); frames re gilt, with abrasions Provenance: Presumed Pierre and Emile Sériziat; Presumed Sostene Moreau (1877-1941), Paris; his sale, Hotel Drouot, Paris, 28 February 1912, lots 4 and 5; George Joseph Demotte (1877-1923), Paris; Ernest May (1845-1925), Paris; Jacques Léon Stern (1882-1949), Paris and New York; his sale, Parke-Bernet Galleries, New York, 3 November 1950, lots 51 and 52, as ‘Jacques-Louis David’; Collection Baron and Baroness Cassel (née van Doorn); their sale, Galerie Charpentier, Paris, 9 March 1954, lots 27 and 28, as ‘Jacques-Louis David’; Collection of David Bahlman and Howard Klosterman Estimate: $5,000 - $7,000 Literature: A. Schnapper, et. al, Jacques-Louis David 1748-1825, exhibition catalogue, Paris, 1989, p.157, No. 64. Marguerite-Charlotte Pecoul was the wife of Jacques-Louis David, and the daughter of Charles-Pierre Pecoul’s first wife, Marie-Louise L’Alouette. It is thought that David painted his parents-in-law on the occasion of his second marriage to Geneviève Jacqueline Potain. This studio pair was painted circa 1784 after the originals, also executed in 1784 and are held by the Louvre (acquired in 1844). Laure Emilie Pecoul married Pierre Serizat whose portraits were painted by David in 1795. It is presumed that this studio pair were in their possession.

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544 Pierre Outin Landscape Painting (French, 1840-1899) Le Ruisseau, signed lower left “Outin”, oil on linen, 17-3/8 x 22-3/8 in.; gilt and painted wood frame, 24-5/8 x 29-5/8 x 3-1/4 in., original stretcher, two small points of retouch, craquelure; frame with abrasions Provenance: Post Boy Antique Galleries, Ltd, Flimwell, Sussex; Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000 Exhibited: Gebr. Douwes Kunsthandel, Amsterdam, Netherlands, and H. Terry-Engell Gallery, London, Paysages de France, May 7 June 4, 1971, No. 27.

545 Pierre Emmanuel Eugene Damoye Landscape (French, 1847-1916) The Coming Storm, 1878, signed lower right “E. Damoye 78”, oil on mahogany panel, 123/4 x 24 in.; gilt wood frame, 16-1/4 x 27-1/2 x 1-1/2 in., surface dirt, minor crackle; frame with abrasions Provenance: The Estate of William “Willie” Postar (1924-2006); his sale Grogan & Company, Dedham, Massachusetts, October 26, 2014, lot 78, purchased for $2,868.75 (accompanied by facsimile of catalog page and original receipt); Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000

546 Emile Louis Vernier, Harbor Scene (French, 1829-1887) Stormy Seas off the Jetty, circa 1880, signed lower right “Vernier”, oil on canvas, possibly original gilt wood and composition frame, 12-1/8 x 20-1/8 in.; 19-7/8 x 27-3/4 x 3-1/2 in., lined, restretched on original strainer, retouch, crackle; frame with resurfacing and losses to composition, abrasions Provenance: The Londonderry Gallery, purchased March 26, 1973 (accompanied by original receipt, conservation receipt); Collection of David Bahlman and Howard Klosterman Estimate: $600 - $900 18

547 Charles Pierre Beckman, Harbor (French, 20th century) Shipping, Tugboats, and Train in a Busy Port, possibly Dunkirk, France, signed lower left “C. Beckman”, oil on canvas, 30-1/4 x 40-1/4 in.; American powder gilt wood and composition frame, 38 x 48-1/4 in., lined with wax and canvas, restretched on old stretcher, crackle; frame with some abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000

548 French School Architectural Drawing (19th century) Monument de Saint-Romain, Rouen France, unsigned, pencil and body color on paper, 13-1/2 x 9-3/4 in.; gilt wood frame, French mat, 21 x 17 x 1 in., glue tacked to album page, handling grime, small stains, foxing to mount, small loss to right corner, not examined out of frame; frame with wear and abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $100 - $300

549 Collection of Four Framed French Works of Art (17th and 20th century) Jacques Callot (French, 1592-1635), La Dame de profil, signed in plate, etching, sheet 5-1/2 x 3-3/4 in.; Robert Leboucher, French Village, signed lower left “R. LeBoucher”, watercolor on paper, sight 4-3/4 x 8-3/4 in.; Berthe Dumas, Village Road Along the Loire, circa 1930, signed verso “B. Dumas” according to receipt, oil on heavy paper, sight 7-1/8 x 9-1/4 in.; Jeanie Caldwell Daugherty (France/West Virginia, 1842-1930), Sketch of Bearded Man, not visibly signed, charcoal on paper, 6-1/2 x 11 in.; gilt wood frames, largest 15-3/8 x 17-3/8 x 1-1/2 in., Callot glue tacked to mount, trimmed to plate, some light handling grime; Leboucher with some toning and fading, Daugherty with minor foxing and toning, not examined out of frames; frames with abrasions Provenance: Berthe Dumas from DeLind Gallery of Fine Art, Milwaukee, Wisconsin, purchased in 2005 for $897.60 (accompanied by original receipt); Collection of David Bahlman and Howard Klosterman Estimate: $600 - $900

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551 Alfredo Pina, Dante Alighieri (Italian, 1887-1996) Portrait bust, signed “A. Pina” at the base, foundry stamp reads “Copyright by Motte Freres Paris, 1924, Cire Perdue”, additionally stamped “Made in France”, patinated bronze, 24-1/2 x 12 x 10-1/2 in., green to light brown patina, with abrasions, rubbing Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $1,500

550 French School, Mont St. Michel (19th/20th century) Architectural Study, unsigned, inscription verso translated to read, “&lsquo;the Gabriel Tower should look like this’ possibly a competitive drawing submitted for consideration during the 1874 restoration of this famous landmark, found in Arles, France”, pen and ink, watercolor, sight 4-3/4 x 8 in.; wood frame, 15 x 19 x 1-3/4 in., slight toning and fading, light foxing, not examined out of frame; frame with wear and abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $200 - $400 552 Dutch Brass Six Light Chandelier possibly 18th/19th century, segmented and knopped central support, scrolled arms, 18 x 20 in., later wired for electricity, not tested for functionality, discoloration, spotting, pitting, and denting, some bent elements Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

553 French Empire Style Gilt and Patinated Bronze Mantel Clock 19th century, tiered base surmounted by classical female figure holding a lyre atop a column housing movement, engraved dial with Roman numerals, 23-1/2 x 14-1/4 x 5-5/8 in., not tested for functionality, lacking winding key, some scuffs and rubbing to bronze, rust and verdigris, notably on underside Provenance: Duck and Dolphin Antiques, Key West, Florida, July 1984, $1,500 (accompanied by receipt dated July 29, 1984); Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

554 Pair of French Empire Style Gilt Bronze Candlesticks possibly 19th century, urn form capitals and removable bobeche over columnar stems with foliate decoration, 12-3/4 x 5-5/8 in., discoloration, surface accretion and wax residue, verdigris Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

555 Pair of French Empire Style Gilt and Patinated Bronze Seven Light Candelabra possibly 19th century, tiered marble bases surmounted by winged female supports, 32 x 10-3/4 in., some discoloration, rubbing at high relief areas, surface dirt/accretion Provenance: Christa’s LTD. Arts & Antiques, Chicago, Illinois (accompanied by receipt dated July 7, 2005); Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $4,000

556 Small Dutch Brass Four Light Chandelier possibly 18th/19th century, segmented and knopped central support, scrolled arms, 11-3/4 x 13 in., discoloration, spotting, pitting, and denting, some verdigris and wax residue, one arm with solder repair Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $200 - $400

557 Pair of Louis XVI Style Gilt Bronze Sconces 20th century, cloth form central supports issuing two arms, 19-3/8 x 11-1/4 x 4-1/4 in., overall good condition, slight anomalies, spotting and discoloration Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500

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558 Pair of Swedish Birch Upholstered Bergeres 20th century, molded curved arms with carved rosettes, figured veneers, embroidered cream silk upholstery, 24-3/4 x 33-1/2 x 22 in., good overall condition with scattered minor surface wear from previous use, upholstery in good condition with small imperfections Provenance: Greene Street Antiques, New York, purchased for $5,500 (accompanied by copy of receipt); Private Collection, North Carolina; Brunk Auctions, November 11, 2022, lot 598; Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

559 Set of German Silver Flatware, 35 Pieces 20th century, fiddle and thread handles, including six 8-3/4 in. hollow handle knives, stainless blades; six 10-1/4 in. hollow handle knives, steel blades; eight 6-3/4 in. forks; four 8-1/8 in. forks; seven 6 in. spoons; four 8-3/8 in. spoons; all with monograms, .800 fine, 31.93 oz. T. excluding hollow handles pieces, average wear Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $600 - $1,000

560 Pair of Italian Silver Five Light Candelabra Rome, 20th century, round form, stepped bases, four scroll arms, and reeded column, marked “Saviotti/ Roma”, .800 fine, 98.41 oz. T., 14 in., surface residue, several drip plates bent, one arm bent, and all with wear Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,500 - $2,500

561 Set of German Silver Flatware, 132 Pieces 20th century, including twenty four 8-3/8 in. hollow handle knives, stainless blades; twenty four 7-7/8 in. forks; twelve 6-7/8 in. salad forks; twelve 4-1/8 in. demitasse spoons; twenty five 5-1/8 in. spoons; twelve 7-7/8 in. round soup spoons; twelve 7-3/4 in. ice tea spoons; two 9-1/2 in. serving spoons; two 9-1/4 in. serving forks; 9-1/2 in. server; 6-5/8 in. sauce ladle; 12-1/8 in. soup ladle; hollow handle carving set; 9-3/8 in. hollow handle salad set, plastic bowls, no monograms, 158.31 oz. T. excluding hollow handles pieces, average wear Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $2,600 - $3,500

562 Franz Xaver Frankl Landscape (German, 1881-1940) Sunlit Trees, 1922, signed lower right “Franz Frankl/ Munchen”, oil on canvas, 31-5/8 x 36 in.; gilt wood reverse profile frame, 38-5/8 x 43-1/4 x 2 in., original stretcher and tacking edge, some deterioration to tacking edge with some looseness to canvas, faint stretcher marks and crackle, five tears with patches verso; frame with abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $200 - $400 563 Attributed to Otto Friedrich (Austrian, 1862-1937) Woman Seated by a Piano, said to be Vera Shapira, Viennese Concert Pianist (1891-1930), unsigned, label verso “Aus Dem Nachlasse Der Frau Marie Geistinger”, oil on canvas, 31-7/8 x 32-7/8 in.; fine gilt wood fluted frame, 36-5/8 x 37-5/8 x 2-1/2 in., original stretcher and tacking edge, small split on proper right sleeve, repair bottom with associated retouch; frame with abrasions Provenance: Estate of Marie Geistinger (1833-1903), with estate label verso; Boris Wilnitsky Kunsthandel, Vienna Austria, purchased in 1991 (accompanied by the original receipt); Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000 Marie Geistinger (1833-1903) was an Austrian soprano celebrated in Vienna as the “Queen of the Operetta.”

564 Otto Friedrich, Self Portrait (Austrian, 1862-1937) Profile facing left, signed lower left “OF”, oil on paper board, 11-7/8 x 10-1/2 in.; stained wood frame, 17-1/4 x 16-1/8 x 2 in., slightly yellowed varnish; frame with abrasions Provenance: Boris Wilnitsky Kunsthandel, Vienna Austria, purchased in 2007 (accompanied by the original receipt); Collection of David Bahlman and Howard Klosterman Estimate: $500 - $700 565 Joseph Quinaux Landscape (Belgian, 1822-1895) Mountain Pass with Travelers, 1847, signed lower left “J. Quinaux 1847”, oil on canvas, 28-3/4 x 38 in.; painted and gilt wood and composition frame, 35-3/8 x 44-3/8 x 2-3/4 in., lined, restretched on original stretcher, draw crackle, retouch, stretcher marks; frame with wear and losses Provenance: Frank S. Schwaz & Son, Philadelphia, Pennsylvania, purchased in 1974 for $1,350 (accompanied by the original receipt and tag); Collection of David Bahlman and Howard Klosterman Estimate: $600 - $900 https://live.brunkauctions.com/auctions/brunk/premier-auction-featuring-

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566 Edouard Chappel Landscape Painting (Belgian, 1859-1946) Clearing with Cows and a Stream, signed lower left “E. Chappel”, oil on canvas, 14 x 24-1/8 in.; fine gilt wood and composition frame, 24-1/2 x 34-1/2 x 3-1/2 in., original stretcher and tacking edge, good condition; frame with minor wear Provenance: The Chenil Galleries/Anthony Barbieri Fine Paintings, Daniel Nelson, purchased March 1.1986 for UK 1,150 (accompanied by original receipt); Collection of David Bahlman and Howard Klosterman Estimate: $600 - $900

567 André Masson, Ten Impressions of Atalante (French, 1896-1987) Atalante, 1967, from the signed edition of 130, signed lower right in pencil “Andre Masson”, inscribed with edition numbers, Mourlot, printer, lithograph on cream Arches paper, sheet 29 x 21-1/2 in.; unframed, reproduction map included with black portfolio, some with slight toning at edges Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $500 - $1,000 A poster edition of this print was “created by Andre Masson for the opening of the Mourlot studio in New York City in 1967. The studio was located on Bank Street in the heart of the West Village and was conceived after a successful exhibition organized by the Smithsonian Institute in 1963. Fernand Mourlot commissioned several famous International artists to create a series of original Lithographic posters to celebrate the event.” -Galerie Mourlot

568 Shirvan Rug 20th century, field with multicolored star and geometric pattern, 7 ft. 10 in. x 4 ft 9 in., overall good condition, very little signs of wear Provenance: Le Palais du Tapis (accompanied by 2004 receipt); Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000

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569 Shirvan Runner 20th century, blue field with leaf and flower motif, red border with repeating geometric pattern, 15 ft. 3 in. x 3 ft. 5 in., loss to fringe, small areas of repair, wear to selvage, altered, abrash, staining Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500

570 Turkmen Rug 20th century, red field, six medallions, multiple borders, 4 ft. 8 in. x 3 ft. 5 in., overall good condition, staining to one edge of fringe, pest damage near one end Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $200 - $400

571 Two Hand Knotted Persian Mats mid 20th century, blue field with repeating medallions with birds and figures; blue field with square medallion, geometric leaf design, white border, largest 2 ft. 8 in. x 2 ft. 4 in., loss to fringe, pest damage, loss to pile with exposed foundation; all edges with new selvage, exposed foundation, one 1 in. hole in field near end Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500

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Collection of David Bahlman and Howard Klosterman

British

572 Framed British Crewelwork, Dog with Stag 17th/18th century, linen backing with wool stitch, sight 25-1/2 x 27-1/2 in.; modern wood frame, 34-1/8 x 36 in., some picked/pulled threads throughout, light staining at upper left near trees and corner, some possible retouch or reinforcement, most likely a fragment of a larger piece, stapled in on mat (not fully examined out of frame); frame with bumps and abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000

573 George II Irish Mahogany Games Table 18th century, foldover turret top with baize lined playing surface and game piece recesses, shaped apron centered by a shell carving, cabriole legs with shell carved knees, gate leg, Spanish paw feet, 28 x 34-1/2 x 16 in., gate leg is somewhat loose with later peg, baize lining with wear, some restorations to leg joints, later screws, minor insect damage to secondary wood, resurfaced, small veneer repairs and filled shrinkages, other surface wear and imperfections expected with age and use Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $1,500 26

574 George II Parcel Gilt and Burl Wood Mirror 18th century with later elements, broken arch pediment centered by a cabochon finial, fruit and floral stiles, foliate molding, scrolled based with pierced shell medallion, 56-1/2 x 28-1/2 in., good overall condition with later gilt surface, later finial and fruit carved stiles, later mirror plate, burl wood refinished, minor shrinkages and other wear and imperfections expected with age, use and restoration Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

575 George II Mahogany Side Table British, 18th century, frieze drawer with batwing brass pull, scalloped knees, tapered legs, raised pad feet, 28 x 28-1/2 x 14 in., converted from a card table, replaced knee returns, some thin cracks and shrinkages, scattered surface wear, other imperfections as expected with age, use, and restoration Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500

576 George III Mirrored Mahogany Secretary Bookcase British, late 18th century, broken arch pediment centered by a brass finial, arched mirrored doors, brass bail handles, upper case fitted with shelves, cartonnier drawers, and shaped dividers, lower case with fall front door opening to a fitted interior with tooled leather writing surface, configuration of five lower drawers, ogee bracket feet, 90 x 39 x 24 in., generally good condition overall, mirror plates not removed for inspection, glass with age related discoloration, small filled areas, small repair to bed molding, leather writing surface with wear, feet with restorations, two feet replaced at lower section of molding, one foot missing lower molding, other general wear and imperfections expected with age and use Provenance: Stalker & Boos, Inc., Antiquarians, Birmingham, Michigan; Collection of David Bahlman and Howard Klosterman Estimate: $1,500 - $2,500

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577 George II Mahogany Card Table mid 18th century, foldover top with outset corners and ribbon and floral carved edge, gameboard shaped with recessed areas, frieze drawer, acanthine carved cabriole legs, ball and claw feet, gate leg, underside with incised numeral “VIII”, 30 x 36-1/2 x 18 in., retains good structural integrity, resurfaced throughout, replaced pulls, minor veneer loss to top, minor veneer repairs and filled areas, good condition overall considering age, other imperfections expected with age and use Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $2,000

578 A Parkinson & Frodsham Marine Chronometer No. 250 English, circa 1819, three tiered mahogany case with brass mounts, silvered dial with Roman numerals and blued hands, 6-3/8 x 6 x 6 in., movement professionally restored, not tested for functionality, some abrasions, discoloration, and spotting to brass, general wear to wood commensurate with age and use, crack to veneer on lid Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $4,000 Accompanied by invoice and notes relating to the professional restoration by David Harries dating 1977 through 1979. 579 George III Mahogany Secretary Bookcase early 19th century, broken arch pediment with Greek key molding and plume finial, paneled doors, upper case fitted with shelves and drawers, lower case with fall front door, fitted interior with tooled leather writing surface, configuration of drawers flanked by fluted quarter columns, bracket feet, 97 x 51 x 24 in., pediment with restorations, plume finial likely associated, resurfaced, cabinet doors with small areas of wear and infilled restoration, later tooled leather writing surface, replaced pulls, returns with filled separations, scattered patches and restorations to feet and base molding, other general wear expected with age and use Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $1,500 - $2,500 28

580 Pair of Elkington Silver Plate Lidded Sauce Tureens Birmingham, 1860s, oval forms with bead borders, heraldic device on lid and body, marks for Elkington & Co., 5-3/4 x 8-1/4 x 5 in., minor wear and loss to plate Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $100 - $200

582 Set of English Silver Flatware, 81 Pieces London and Sheffield, 20th century, including twelve 8-5/8 in. hollow handle knives, stainless blades; twelve 9-1/2 in. hollow handle knives, stainless blades; twelve 7-1/8 in. forks; twelve 8-1/8 in. forks; seven 5-5/8 in. teaspoons; twelve 8-3/4 in. spoons; twelve 7 in. oval soup spoons; two 6-7/8 in. ladles, various markers including Robert Pringle & Sons, .925 fine, 109.14 oz. T. excluding hollow handle pieces, average wear Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $3,000

581 28 English and Continental Silver and Silver Plate Table Items twelve pieces English silver: set of six George III fiddle and thread handle forks; Birmingham footed bowl; two hollow handle letter opener; Georgian salt ladle; Victorian teaspoon; early form fork with 1977 jubilee marks, with original Asprey box, ten pieces Continental silver: set of five Latvian small spoons; two teaspoons; ice tongs, four pieces silver plate, .925 fine, 27.52 oz. T. excluding hollow handle and silver plate pieces, 4-5/8 in. to 13 in., all with wear and damage Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $500 - $800

583 55 Pieces Sterling and Coin Silver Flatware 19th/20th century including 48 pieces sterling: 22 pieces International 1810, small spoons and hollow handle spreaders; sugar spoon; Alvin sugar tongs; two napkin rings; Gorham stoplight jigger; bread plate; five Whiting butter pats; eight decanter labels, four Colonial Williamsburg; nine hollow handle knives, seven pieces Northern coin silver: fiddle and thread ladle and fish server; pairs salt ladles; mustard ladle; two teaspoons, 26.42 oz. T., 1 in. to 11-1/2 in., all with wear and damage Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $800

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584 British School Portrait (early 19th century) Portrait of a Gentleman, circa 1806, unsigned, oil on canvas, 30 x 25 in.; gilt wood frame, 36-1/2 x 311/4 x 2-1/2 in., lined and restretched, scattered retouch, with conservation report from Sandra Kelberlau, 2022; frame with resurfacing and abrasions Provenance: Hindman, Chicago, Illinois July 7, 2021, lot 298, as attributed to Richard Rothwell (Irish, 1800-1868); Collection of David Bahlman and Howard Klosterman Estimate: $1,000 - $1,500

585 John Syer, Fishing Scene (British, 1815-1885) Salmon Trap on the Conway, signed lower left on rock “J. Syer”, signed “J. Syer”, titled, inscribed “Sold” on original label verso stretcher, oil on canvas, 37-1/4 x 52-1/2 in.; painted and parcel gilt wood frame, 43-3/4 x 58-7/8 x 2-1/2 in., lined, restretched on original stretcher, stretcher reinforced, some crackle, slightly yellowed varnish; frame with abrasions Provenance: Durrett Galleries, Ltd., Baltimore, Maryland, purchased in 1987 for $6,770 (accompanied by original receipt; Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $4,000

586 Charles Aird, Impressionist River Scene (British, 1883-1927) River Lock, signed lower left “Charles Aird”, oil on canvas 20 x 26 in.; gilt and painted wood and composition frame, 30-1/2 x 36-1/4 x 4 in., original stretcher and tacking edge, some surface dirt; frame with repairs, losses, resurfacing Provenance: Davis Stuart Gallery, Columbus, Ohio, purchased in1976 (accompanied by the original receipt); Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500 30

587 Frank Bramley Woodland Landscape (British, 1857-1915) Wet Woodland, 1882, signed lower right “Frank Bramely/1882.”, oil on canvas, 14 x 19-1/2 in.; gilt wood frame, 22 x 27-1/2 x 2-1/2 in., lined with wax and linen, faint stretcher marks, retouch at repairs; frame with abrasions Provenance: Treasure Trove Antiques, Columbus, Ohio, purchased iJanuary 24, 1978 for $470 (accompanied by original receipt); Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

588 Philip Gregory Needell (British, 1886-1974) Sunshine and Peace, Eggleston Abbey (Near Barnard Castle, Yorkshire), signed lower left “P.G. Needell”, titled and stamped verso, oil on plywood, 13-5/8 x 18 in.; gilt wood panel frame, 201/8 x 241/2 x 1-3/4 in., abrasion, some surface checking; frame with abrasions Provenance: Abbott and Holder, Bloomsbury, England, purchased July 20, 1989 for UK 295 (accompanied by the original receipt); Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500

589 Harrington Mann, Portrait of Art Dealer Joseph Duveen (British, 1864-1937) Sir Joseph Duveen, Baronet (1861-1939) seated in a chair and holding a cigar, signed lower left “Harrington Mann/1921”, oil on canvas, 40 x 30 in.; gilt wood and composition frame, 49-5/8 x 39-1/2 x 4 in., original stretcher and tacking edge, small abrasion lower right; frame with abrasions Provenance: Leah’s Gallery, New York City, New York, purchased in 2003 for $4,500. (accompanied by original receipt); Collection of David Bahlman and Howard Klosterman Estimate: $2,000 - $3,000 A fabled art dealer and cigar lover, Joseph Duveen handled many important works of art for clients that included Henry Frick, William Randolph Hearst, Henry Huntington, Samuel Kress, Andrew Mellon, J. P. Morgan, John D. Rockefeller Sr., and other illuminate. Many of these works of art can be seen in the core collections of American museums.

590 British School Portrait (early 20th century) Man in a Red Tie, unsigned, oil on canvas, 24 x 19 in.; Arts and Crafts carved and giltwood frame, 28-1/2 x 23-1/2 in., stretcher marks, crackle, abrasions, surface dirt, scattered retouch; frame with abrasions Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

591 George III Style Inlaid Mahogany Card Table 20th century, shaped foldover swivel top, interior compartment, conforming frieze with seaweed marquetry panels, line inlaid tapered legs, 32 x 38 x 19 in., generally good overall condition with light wear from previous use, top is slightly loose Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

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592 Pair of Patinated Bronze Nautilus Shell Candlesticks British, 19th century, naturalistically modeled, 5-1/4 x 3-3/4 in., rubbing and discoloration, verdigris and surface accretion, some wax residue Provenance: Hoffman Gampetro Antiques, New York (accompanied by copy of receipt dated February 11, 2011); Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

593 HMS Victory’ Midsection Model by William H. Eisele 20th century, wood, metal, and string construction, encased in glass and wood shadowbox, 15-5/8 x 18-1/4 x 11-1/8 in., not examined out of case, appears in good condition, slight separations at corners of case, some surface dust and accretion Provenance: The Country House, Inc., Lake Forest, Illinois (accompanied by receipt dated February 02, 2002); Collection of David Bahlman and Howard Klosterman Estimate: $400 - $600

594 27 Art Reference Books 27 volumes total, comprising: Sandro Botticelli by Franz Zollner, Munich/Berlin/ et al: Prestel, 2005; Canaletto by Katharine Baetjer and J.G. Links, New York: Metropolitan Museum of Art, 1989; and others (see additional photos of spines for titles), good overall, light wear to extremities, scattered creasing and scuffs to jackets Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $400 - $700

595 Five Volumes, The National Gallery and The National Portrait Gallery comprising: two volumes The National Portrait Gallery, edited by Lionel Cust, London: Cassell and Company, Ltd., 1901-1902, numbered 284 of 750; three volumes The National Gallery, London: Cassell and Company, Ltd., 1899-1900, numbered 141 of 1,000; all bound in three quarter dark red leather, gilt ruling and lettering to spines, teg, good overall, light wear to extremities, minor scuffs to leather Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $500 - $700

596 Irish Chippendale Style Carved Mahogany and Marble Top Console Table late 20th century, verde antico marble top, frieze with applied scrolls, heavily reticulated foliate scrolled apron centered by a mythological mask, leaf carved cabriole legs, hairy paw feet, 31 x 53 x 20 in., good structural integrity, scattered surface wear and imperfections from previous use, minor inherent flaws Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

597 Qashqai Rug 20th century, red field with flower pattern and central blue floral medallion, floral border, 8 ft. 2 in. x 5 ft. 8 in., over cast at one end, wear to fringe, wear to selvage Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200

598 Tabriz Rug 20th century, red field with stepped edges, blue polygonal central medallion with leaves and vines, red border with leaf and vine pattern, 4 ft. 6 in. x 2 ft. 7 in., loss to fringe at both ends, wear to selvage, thick pile Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $300 - $500

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599 Tabriz Rug mid 20th century, central blue medallion with arrow points, red field, blue spandrels, red border, 4 ft. 1 in. x 2 ft. 8 in., overall good pile with minimal wear, loss to fringe with overcasting to ends, newer replaced selvage Provenance: `tCollection of David Bahlman and Howard Klosterman Estimate: $300 - $500

600 Joseghan Rug 20th century, blue field with floral diamond medallions, red border, 6 ft. 9 in. x 4 ft. 5 in., patch to edge near one end, loss to pile with some exposed knots Provenance: Larchmere Oriental Rugs, Cleveland, Ohio, 2005 (accompanied by receipt), Collection of David Bahlman and Howard Klosterman Estimate: $600 - $800

601 Pepperdil Rug 20th century, blue field with six red star shaped medallions, floral and geometric borders, 6 ft. 9 in. x 4 ft. 11 in., loss to fringe at both ends, running of colors, overall good condition Provenance: Collection of David Bahlman and Howard Klosterman Estimate: $800 - $1,200 34

Chinese Export

602 Chinese Export Armorial Porcelain Saucer, Skinner circa 1750, with coat of arms for the Skinner family, gilt and enamel decoration, spearhead banding, 1-1/4 x 6-1/8 in. diameter, pinholes, loss to enamel and gilt, hairline through center, cracks and area of retouch and restoration in top right (see blacklight) Provenance: H. Moog Antique Porcelains, Atlanta, Georgia (label) Estimate: $500 - $700 Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 466.

603 Chinese Export Porcelain Wash Basin Qing dynasty, central enamel decoration of a waterside scene, surrounded by gilt spearhead banding, 2-7/8 x 15 in., anomalies, pinholes, glaze voids, some loss to gilt and enamel Provenance: Vintage Interiors II, Potomac, Maryland (label); Private WinstonSalem Estate Estimate: $800 - $1,200

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604 Three Chinese Export Porcelain Table Objects 18th/19th century, each with enamel and gilt banding, comprising: chestnut basket, with initial “A” within a shield, 4-5/8 x 8-5/8 in.; underplate with openwork shoulders, with initial “A” within a shield, 9-1/2 x 8-1/2 in.; small plate, with initials “AJ (?)” within a shield, 7-5/8 in., anomalies, pinholes, glaze voids, loss to gilt and enamel, wear to bases, surface dirt/accretion; small plate with areas of retouch and possible repair (see blacklight) Provenance: Private Winston-Salem Estate Estimate: $500 - $700

605 Chinese Export Famille Rose Porcelain Tureen and Underplate 18th/19th century, enamel decoration of flower festoons and bouquets, acorn finial, overall 8-7/8 x 14-7/8 x 12-1/4 in. Provenance: Suchow & Seigel Antiques, New York (label), anomalies, pinholes, some wear to bases, some surface dirt/accretion Provenance: Suchow & Seigel Antiques, New York (label); Private Winston-Salem Estate Estimate: $600 - $900

British 36

606 Robert Dellow, Portrait of a Girl (British, circa 1696-1736) Said to be Miss Mary Sayre, holding gathered flowers in an architectural setting, 1734, signed lower left “R Dellow/pinxt 1734”, oil on canvas, 40 x 50 in.; 18th century carved and gilt wood frame, 57-3/4 x 47-3/4 x 3-1/8 in., lined and restretched, some looseness to canvas, retouch, some abrasions, surface dirt, yellow varnish, craquelure; frame with wear and losses to surface commensurate with age, restorations Provenance: Montague Family Collection from Toddsbury, Gloucester County, Virginia Estimate: $3,000 - $5,000 “Sir Godfrey Kneller’s Academy in London led the way. Robert Dellow (c.1696-c.1736/1749) was an English (or possibly Irish) artist who attended Godfrey Kneller’s Academy in 1711. His name is often recorded as Dellon and he appears in Oxford College accounts as Delleau. He followed in Kneller’s manner and after the death of Kneller he assisted in the completion of his unfinished pictures. Several of his paintings were in the Duke of Beaufort’s collection at Badminton. A number of his portraits have been engraved. He is thought to have been buried at St. Botolph’s Bishopsgate in London.” - Titan Fine Art, London, Portrait Of Timothy Mortimer, Signed & Dated 1720; Robert Dellow (c.1696-1736)

607 Thomas Hudson, Portrait (British, 1701-1779) Portrait of a Young Lady, said to be Miss Amelia Todd of Ware, possibly signed and titled on reaffixed label verso “Thomas Hudson pinxt”, old label verso stretcher with number “987”, oil on canvas, 30 x 25 in.; 18th century gilt wood and composition frame, 37 x 32 x 2 in., lined, restretched on old stretcher, several periods of retouch affecting approximately 25% of surface; frame with original gilding, wear commensurate with age Provenance: From a Prominent Charleston, South Carolina Family Estimate: $800 - $1,200

608 British School Portrait (18th century) Gentleman in Red Coat with Brocaded Vest, unsigned, oil on canvas, 32-1/8 x 26-1/8 in.; gilt wood frame, 37-1/8 x 31-1/2 in., lined with paste and linen, crackle, retouch, abrasions, shiny varnish, areas of overcleaning Provenance: Private Collection Estimate: $600 - $900

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609 William Hogarth, Hudibras’ First Adventure - 12 illustrations (British, 1697-1764) from the third state, 1822 large folio edition, Hudibras’s First Adventure for Samuel Butler’s Hudibras: includes Catechized, Triumphant, Tribulation, His Praising Worth The Manner How He Sally’d forth, Vanquished by Trussa, Beats Sidrophel and his man Whacum, The Lawyer, Frontispiece and its Explanation, Encounters the Skimmington, Burning the Rumps at Temple Barr, The Committee, engraving and etching, largest plate 11-1/2 x 20 in.; matching black and gilt wood print frames, 16-3/4 x 23 x 1/2 in., small plates trimmed, loose, foxing, toning, printing creases, water stains; frames with abrasions Provenance: Montague Family Collection from Toddsbury, Gloucester County, Virginia Estimate: $600 - $900

610 A Collection of Eight Naturalist Prints (19th/20th century) Two of Shells after Captain Brown, S. Milne engraver, hand colored engravings, sight 13 x 9 in.;Six of Birds, including ducks and waterbirds, four photolithographs, sight 11 x 9-1/2, two handcolored engravings, 8-1/2 x 10-1/2 in.; gilt wood frames, largest, 18-1/2 x 14-1/4 x 1-3/4 in., some prints slipped in frames, toning, fading, light foxing, one with visible small tear; frames with abrasions Provenance: The Important Private Collection of a Rocky Mountain Couple Estimate: $300 - $500

611 British School Painting, Coaching Scene (19th/20th century) The Alexander and Royal Union Lines on a Country Road, unsigned, oil on canvas, 23-1/2 x 36 in.; gilt wood frame, 27-3/4 x 40 in., lined with wax and linen, restretched on old stretcher, crackle, cupping, gilt accretion, retouch, surface dirt; frame with restoration, resurfacing, abrasions Provenance: Private Virginia Collection Estimate: $600 - $800 label verso, “this oil painting was presented to George Book who is driving the first coach in recognition of his prowess as a driver. He was the brother of John Book of Thurleston [sic]” 38

612 George III Mahogany Bracket Clock British, 19th century, silvered chapter ring with Roman numerals, openwork corners, signed “Richard Marsh/Ipswich”, wood and glass case with pineapple finial, 23-3/4 x 14 x 9-5/8 in., not tested for functionality, pendulum, keys, and winding key present, some cracks and patches to veneer, some discoloration to metal, some scratching to chapter ring Provenance: Private Collection, Hilton Head, South Carolina Estimate: $800 - $1,200

613 Two British George III Mahogany Footstools 18th century, both with upholstered seats, one with serpentine apron, foliate cabriole legs and pad feet, 15-1/2 x 21 x 17-1/2 in.; other with straight apron, cabriole legs and pad feet, 17 x 21 x 16-1/2 in., both in generally good condition, one with uneven seat corner and some repaired knee returns, both refinished with scattered surface wear, upholstery in good condition Provenance: Montague Family Collection from Toddsbury, Gloucester County, Virginia Estimate: $400 - $600

614 A Pair of George I Carved and Figured Walnut Compass Seat Side Chairs British, 18th century, shell carved knees with scrolled volutes, leaf and shell carved crests with punch work backgrounds, period oak slip seats and yellow silk upholstery, 40 x 21 x 20 in., crack at one front leg with plugged screw repair at back, one front leg is weak at attachment with crack and associated veneer distress, break and repair at one rear stile, veneered skirts with scattered pest damage and other minor repairs, scrolled knee returns appear to be original, upholstery worn and torn Provenance: Private Winston-Salem Estate Estimate: $800 - $1,200

615 British George III Carved Mahogany Open Armchair British, 18th century, elaborate leaf and rosette carved crest and pierced splat, fluted rear stiles, 37 x 25 x 24 in., scattered repairs, including at back of one front leg at seat rail attachment, rear seat rail replaced, later seat blocking, some knee returns restored, some later pinning, cracks and repairs at arm attachments, stains to upholstery Provenance: Private Winston-Salem Estate Estimate: $400 - $600

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616 Fine British Chippendale Mahogany Marble Top Pier Table 18th century, associated molded Egyptian marble top, scallop shell carved cabriole legs, ball and claw feet, 32-1/2 x 54 x 23 in., associated marble top with repaired through crack, other areas of restoration and some losses along rear edge, refinished, legs with minor thin cracks, one rear leg with replaced knee return, other scattered wear as expected with age and usage Provenance: From a Prominent Charleston, South Carolina Family Estimate: $3,000 - $5,000 617 Polychrome Delftware Bowl probably British, 18th century, painted in yellow, ochre, green, and blue decoration of flora, blue dash border, 2-1/4 x 7-3/4 in., anomalies, glaze voids, chipping and loss to glaze, notably along edges Estimate: $500 - $700

618 12 Royal Crown Derby Porcelain Plates in the Imari Palette English, 20th century, retailed by Tiffany & Co., New York, marks for Royal Crown Derby and Tiffany to underside, in matching enamel and gilt decoration, 10-5/8 in. diameter, some anomalies and pinholes, minor loss to gilt, some scratches to surface Provenance: Private Collection, Hickory, North Carolina Estimate: $500 - $700

619 George III English Silver Teapot and Stand, William and Peter Bateman London, 1807, oval form with reeded band, wooden handle and pineapple finial, conforming stand with four scroll feet, both monograms on bases “Z*R*B”, matching marks for Peter and William Bateman, 22.62 oz. T., 6-3/4 x 12 x 4-1/4 in. teapot and 3/4 x 6-1/2 x 5 in. stand, stand with minor rim dent, all with light scratches and minor wear Estimate: $500 - $800 40

620 George III English Silver Cream Pitcher, John Eames London, 1808, round with stop reeded decoration, gilt interior, marks for John Emes, no monogram, .925 fine, 10.96 oz. T., 4-1/2 x 7-1/2 x 6 in., 3/4 x 1-1/4 in. dent, light scratches, and some wear Estimate: $200 - $400

621 Four George III English Silver Serving Pieces, Bateman Family London, late 18th/early 19th century, including ladle with rounded handle, no monogram, marks for Peter and William Bateman, 1807, 13 in.; stuffing spoon with engraved decoration, monogram, marks for Peter and Ann Bateman, 1794, 11 in.; pair of serving spoons, marks for Peter, Ann and William Bateman, 1801, 8-3/4 in., .925 fine, 12.31 oz. T., ladle and serving spoons with monogram removed, all with small dents, light scratches, and typical wear Provenance: Private North Carolina Collection Estimate: $200 - $400

623 George IV English Silver Condiment Pot London, 1824, urn form with acanthus decoration, scroll and shell border, bud finial, foliate and snake handle, gilt interior, marks for William Eaton, .925 fine, 7.54 oz. T., 3-1/2 x 5 x 3-3/4 in., lid rim slightly bent and some roughness and some overall wear Estimate: $200 - $400

622 Scottish Victorian English Silver Monteith Glasgow, 1896, round paneled form with openwork decoration, scroll rim with mask, removable interior silver plate liner with gilt interior, marks for Thomas Smith & Son, .925 fine, 57.68 oz. T. excluding liner, 9 x 13 in., light scratches and minor wear; liner with scratches, wear, and loss to gilt Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

624 Individual Silver Teapot and Creamer late 19th century, round with ornate scroll and floral decoration, teapot with wooden handle and finial, no monograms, both have two sets of marks, one side marks for London, 1884, Charles Boyton II, bottoms with Danish marks for “830S”, teapot test .925 fine and creamer test .900 fine, 9.34 oz. T. gross weight, 4-1/2 in. teapot with matching creamer, monograms removed, dents in cartouche, decoration possibly later, damage and loss to wooden finial, small dents and wear Estimate: $300 - $500

625 25 Pieces English Silver Flatware seven pieces Bateman family: two stuffing spoons, two forks, and two small spoons with marks for Peter and Ann Bateman; one serving spoon with marks for William Bateman; ten pieces George III including bone marrow scoop, condiment ladle, salt spoon, and teaspoons; eight pieces Irish, mostly teaspoons and one salt spoon, .925 fine, 23.07 oz. T., 3-7/8 in. to 12 in., all with wear and damage Provenance: North Carolina Collection Estimate: $500 - $800

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Continental

626 Follower of Jean-Baptiste Oudry (French, 1686-1755) Spaniel Attacking a Goose, unsigned, 18th century, oil on canvas, 22-3/4 x 31 in.; gilt wood frame, 27 x 35-1/8 x 2 in., lined, restretched on new stretcher, crackle, areas of overcleaning, retouch, some cupping; frame with abrasions, some losses to gilding Provenance: Collection of Ben Schecter and George Barimo, Athens, New York Estimate: $1,000 - $2,000 627 Follower of Jean-Auguste-Dominique Ingres (French, 1780-1867) Portrait of a Woman in a Fur Trimmed Wrap, oil on canvas, 11-3/8 x 8-1/4 in.; Empire gilt wood and composition frame, 16-1/4 x 13 x 2-1/4 in., lined, two periods of retouch, crackle, some flaking with voids at edges; surface dirt; frame with losses and wear Provenance: Private Collection Estimate: $600 - $900 This portrait bears similarities to a drawing by Ingres of MarieJeanne-Catherine-Delaigle (Mdme Granger) that was published in an article by the expert, Dr. Hans Naef, titled Eighteen Portrait Drawings By Ingres (Fig. 9). 42

628 Pair of Portraits, W. Weidemann (German, 18th century) Three quarter length of Seated Woman Petting a Spaniel, said to be, Mrs. James Hyde, “W. Weidemann/1739”, 44 x 34 in.; Gentleman with a Dog and a Gun, said to be Mr. James Hyde, signed lower right “W. Weidemann/pinxt 1739”, both oil on canvas; black lacquer frames, 47-7/8 x 37-3/4 in., both with surface dirt and yellowed varnish, canvases slightly loose, 19th century lining, craquelure, crackle, minor retouch under heavy dirt layer possible, area of fill on his bottom left; frames with abrasions Provenance: Montague Family Collection from Toddsbury, Gloucester County, Virginia Estimate: $4,000 - $6,000

629 Dutch or Italian School Painting (early 19th century or earlier) The Baptism of the Ethiopian Eunuch by the Apostle Philip, unsigned, oil on canvas, 35 x 46 in.; 20th century frame, 40 x 51-3/8 x 2 in., lined, restretched on late 19th/early 20th century stretcher, crackle, and some cupping and scattered retouch; frames with abrasions Provenance: Collection of Ben Schecter and George Barimo, Athens, New York Estimate: $1,000 - $1,500

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630 17th Century Spanish School Portrait, Frame (17th century) Smiling Man with Game Pie, unsigned, oil on canvas, 35-3/4 x 26-3/4 in.; Spanish Baroque carved, painted, and parcel gilt wood panel frame, 43-3/4 x 35 x 2 in., lined and restretched, crackle, retouch, some areas of overcleaning; frame with wear and losses commensurate with age, reduced Provenance: Collection of Ben Schecter and George Barimo, Athens, New York Estimate: $1,000 - $2,000

631 Follower of Luca Longhi (Italian, 1507-1580) The Mystic Marriage of Saint Catherine, unsigned, early 19th century or earlier, oil on canvas, 17-1/2 x 14-3/4 in.; Empire gilt wood and composition frame, 20-5/8 x 19-3/8 x 2-1/4 in., lined with wax and fiberglass fabric, crackle, cupping some cleavage primarily at edges, retouch, overcleaning, frame resurfaced, with abrasions Provenance: Montague Family Collection from Toddsbury, Gloucester County, Virginia Estimate: $800 - $1,200 632 18th Century Dutch Tulip Drawing Two parrot tulips, monogram upper right, inscriptions verso including “Claudia Alle XVI”, watercolor on joined sheet of laid paper, partial grape cluster watermark, 6-3/8 x 10 in.; gilt wood frame, with sandwiched glass, 9-1/8 x 12-5/8 x 3/4 in., some fading, stains, creases, engraving attached verso, small holes, glue tacked to mat; frame with repairs, abrasions Provenance: Private Collection Estimate: $500 - $700

633 After Bernardo Strozzi, The Concert (Italian,1581-1644) Two musicians with instruments, unsigned, 19th century copy, oil on canvas, 23-1/2 x 33-1/2 in.; burl veneer frame, 34 x 40-3/4 x 2 in., lined with paste and linen, restretched on older stretcher, crackle, retouch, abrasions, areas of over cleaning, trimmed of tacking edges; abrasions, Provenance: Private Virginia Collection Estimate: $600 - $900 44

634 Pair of Italian Carved, Painted, and Gilt Cherubs possibly 18th century, polychrome carved wood, gilt cloth over red bole, each approximately 27 x 28-1/2 x 8-1/2 in., notable flaking and loss to painted surface, possibly lacking wings and halo, multiple areas of retouch, regilding, and repair, surface dirt/accretion Estimate: $1,000 - $1,500

635 Italian Giltwood Demilune Console Table late 18th century, molded rosso antico marble top, diamond carved frieze with applied floral vines centered by a floral medallion, bulbous palmette carved stop fluted and tapered legs, foliate turned feet, 35-1/4 x 38-3/4 x 19-1/4 in., marble top with several filled restorations, table base is structurally sound with old repairs at joints of legs and frieze, some later screws, old gilt surface (probably regilded some time ago) with scattered losses, areas of gesso showing through, and restored areas, scattered cracks and losses, minor insect holes, other general wear as expected with age and use Provenance: Private Collection Estimate: $2,000 - $3,000

636 Two Carved and Polychrome Wood Figures Continental, possibly 19th century, two figures in Mayan dress, larger 21-5/8 x 8 x 6 in., each with significant chipping and loss to surface and paint, surface dirt/ accretion; larger figure with separation at articulated right shoulder; smaller figure possibly lacking element in hands and with cracks to back Provenance: Collection of Ben Schecter and George Barimo, Athens, New York Estimate: $400 - $600

637 Three Large Carved and Painted Nativity Creche Figures late 19th century, painted composition over wood substrate, comprising: Mary, 30 x 18-1/4 x 13-1/4 in.; Joseph, 29-3/4 x 25 x 15-1/2 in.; Shepherd, 35-1/2 x 18-1/4 x 15-1/2 in., scene lacking Baby Jesus, surface dirt/accretion, cracks, chips, and losses throughout, visible seams with separations, repairs and retouch to painted surfaces, some loose elements throughout; Mary with cracks and loose pieces to back left near base, missing structural support on base (does not sit straight); Joseph and Shepherd both with losses to fingers Estimate: $600 - $900

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638 Hand Painted Wood Psaltery, Instrument Continental, 19th century, of trapezoidal form, top panel with enamel and gilt decoration featuring putti, musical accoutrements, and the monogram “VTR”, side panels with inlaid decoration, small drawer at bottom, 5-1/4 x 30-5/8 x 12-1/2 in., lacking strings and some pegs, enamel on top panel is most likely later, cracking and abrasions Provenance: Private Collection Estimate: $400 - $600

639 William S. Haynes & Co. Silver Flute serial number 27756, produced June 6, 1958, with incised trademarks on barrels, in original case with velvet lining, with cleaning rod and cloth, surface dust/ accretion, wear and loss to case; catalog with significant wear to extremities and some pages Provenance: Riddling Estate Estimate: $1,000 - $2,000 Accompanied by a 1925 William S. Haynes’ Flutes and Piccolos Catalog and two signed pictures dedicated to Clayton Lindsay, Solo Flutist Washington Marine Band.

640 Oushak Carpet 20th century, orange field with green leafy flowering vines, yellow border, 12 ft. x 16 ft. 6 in., indentations in carpet due to furniture legs, one indentation with discoloration, some staining, one area of staining near one end Provenance: Private Collection, Charleston, South Carolina Estimate: $1,000 - $1,500

641 Kazak Runner early 20th century, brown field with repeating boteh and animal figures, white border with leaf and wine glass pattern, 8 ft. 5 in. x 3 ft. 8 in., loss to fringe at both ends, areas of low pile and exposed foundation, wear to selvage with exposed foundation at one side, loss to brown pile, restoration to one end Provenance: Private Collection, Hilton Head, South Carolina Estimate: $500 - $700 46

642 Oushak Carpet 20th century, blue field with oversized geometric floral pattern, salmon border, 11 ft. 9 in. x 9 ft. 5 in., crease from being folded, some loss with exposed foundation, wear to pile, abrash and some restoration to pile Estimate: $1,200 - $1,800

643 Serab Runner 20th century, five central medallions on red field, white border, 3 ft. 7 in. x 11 ft. 10 in., overall uniform high pile, abrash, overcast at both ends Estimate: $500 - $700

644 Bidjar Rug mid 20th century, field with interior diamond shaped medallions with stepped edges and floral elements, red floral border, 10 ft. 7 in. x 6 ft. 4 in., loss to fringe at both ends, wear to selvage, overall good condition, some curling to edges Provenance: Private Collection Estimate: $800 - $1,200

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645 Sevres Style Porcelain Lamp Continental, 20th century, baluster form vase with hand painted decoration of garden scenes signed on one side “h Fuchs (?)”, gilt accents, with bronze mounts and wreath form handles and finial, wired for electricity, 30-1/2 x 11-1/2 in., not tested for functionality, some loss to gilt and enamel, surface dirt/accretion, some rubbing and discoloration to bronze, cord with tape (possible repair), needs rewiring Provenance: Private Collection Estimate: $500 - $700

647 Carved, Polychrome, and Gilt Venetian Blackamoor Pedestal Figure late 19th century, holding detachable scalloped Chinoserie decorated tray, painted eyes, 52-3/4 x 11-1/2 x 11 in., tray possibly associated, scattered smalls chips and losses to molded elements, some crackle and minor losses to gilt and paint, possible paint retouch Estimate: $600 - $900

646 Large Black Forest Carved Elk and Pheasant Wall Hanging German/Swiss, early 20th century, carved oak leaf border, 50-1/2 x 31 x 9 in., surface dirt/ accretion, scattered smalls chips and edge wear to leaf borders, some breaks and losses to antlers, one antler loose, scattered shrinkage cracks and slight separations throughout Estimate: $1,000 - $2,000

648 Group of Seven Herend Fishnet Porcelain Animals Hungary, 20th century, each with Herend porcelain marks in overglaze blue to bases, including multiple rabbits, a pair of ducks, a swan, a pig, and a cat, largest 6-1/8 x 4-3/8 in., slight anomalies, minor loss to enamel and gilt, slight wear to bases Provenance: Private Collection Estimate: $500 - $700

649 Fine Jallot Lacquered Polychromed Two Panel Room Screen French, circa 1925, one panel faintly signed “Jallot” for Leon and Raymond Jallot, each panel decorated on both sides with exotic stylized tropical fish, incised and slightly raised in various shades of green, gold and brick red swimming about aquatic plants against ground of green and gold resembling sunlight piercing deep waters, 671/2 x 72-1/8 x 1 in., areas of retouch, surface losses or chips at edges and ends, crackle throughout, scratches and abrasions, some black surface spotting Provenance: offered Christie’s New York, December 9, 2014 (lot 523); Sotheby’s New York, December 6 7, 1996 (lot 314); Private Collection, New York Estimate: $2,000 - $3,000

650 Dominique Nickeled Bronze Mounted Parquetry and Walnut Sewing Table French, circa 1930, rectangular top with hinged double parquetry doors opening to an interior compartment, lower shelf fitted with a shallow drawer, tapered trestle base, 27-1/4 x 30-1/2 x 20 in., in generally good overall condition with minor abrasions, marks and surface imperfections expected with age and previous use, underside of shelf with paint splatter (only visible from underside) Provenance: Commissioned directly from the artists by Mr. & Mrs. William C. Sassoon, Paris, circa 1930; Stella C. Sassoon, Tryon, North Carolina; Sotheby’s, New York, June 9, 2000, lot 223; Private Collection, New York Estimate: $1,000 - $1,500

651 Siebe Johannes Ten Kate (Dutch, 1858-1908) View of a Parisian Esplanade, building with rampe deuce entry center, signed lower right “ten Cate”, pastel on paper board, 21 x 28 in.; possibly original, ornate, gilt wood and composition frame, 30 x 36-3/4 x 5 in., pastel appears to be in good condition, some minor spotting, not removed from frame; frame with abrasions and restorations Estimate: $800 - $1,200

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652 Wlodzimierz Terlikowski (Polish/France, 1873-1951) Still life, 1923, signed lower right “Terlikowski 1923”, oil on canvas, 25-1/2 x 19-3/4 in.; modern frame, 32-1/2 x 26-1/2 in. Provenance: Estate of the Artist; Private Collection, original strainer; abrasions at edges; frame with abrasions Provenance: Estate of the Artist; Private Collection Estimate: $2,000 - $3,000

653 8 Botanical Prints After Pancrace Bessa, Pierre Joseph Redoute (French, 19th century) Bushes, extracted from Tomes 4,5, and 6 of Henri Louis Duhamel du Monceau’s, Traité des arbres et arbustes que l’on cultive en France en pleine terre. Paris: Didot, Michel, et Lamy, [1800]-1804-1819; hand colored engravings, plates approximately, 11-3/4 x 8-3/4 in.; matching gilt wood frames, French mats, four 21-3/4 x 16-3/4 x and four 20 x 16 x 3/4 in., not examined out of frames, faded, light toning, light foxing; frames with abrasions Provenance: The Important Private Collection of a Rocky Mountain Couple Estimate: $600 - $800

654 Continental School, View of a Village (20th century) Colorful Houses Along a Track, unsigned, oil on unstretched canvas, image 8 x 9-7/8 in.; frame 14-5/8 x 18-5/8 x 1 in., taped in to verso of mat, void lower right, surface dirt; frame with wear and abrasions Estimate: $100 - $300

655 Enzo Plazzotta Bronze (Italian, 1921-1981) Fridays Child - Anthony Dowell and Antoinette Sibley, 1972, edition 6/9, stamp reads “Plazzotta, 6/9”, patinated bronze, 11 x 13-1/4 x 8-1/2, attached to marble base, 8-3/4 x 8-1/4 x 3/4 in., light brown patina with abrasions, some points of corrosion on his proper right hand, her shoulder and base, small chips on marble base Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

656 German Silver Mocha Service with Silver Plate Dish German, 20th century, including coffee pot and six cups with ceramics liners, marks for Wilhelm Binder, .800 fine, 18.78 oz. T.; with round silver plate foot dish, 3 x 10-1/2 in., all with light wear Provenance: Private Collection, New York Estimate: $300 - $500

657 Continental Art Deco Silver and Enameled Centerpiece early 20th century, oval with scroll and floral decoration, blue, white, and red enamel highlights, low quality silver or silver plate, with glass insert with cut glass highlights, unmarked, 5-3/4 x 14-1/2 x 6-1/4 in., base rim with separations and bent, silver with wear; glass insert with large chip, light scratches, and abrasions Provenance: Private Collection Estimate: $100 - $300

658 17 American and Continental Silver Items including Tiffany Flemish sterling serving spoon; Kirk Repousse bon bon; English silver two handle dish with coin base, Sheffield, 1913; Dutch soup ladle, 13-3/4 in.; four Continental serving spoons; tea caddy spoon, possibly German; eight sterling buckles with three accessories: one William Spratling and one Ralph Lauren, 27.78 oz. T., 1-1/2 in. to 13-3/4 in., all with wear and damage Provenance: North Carolina Collection Estimate: $400 - $800

659 55 Pieces of French Silver Flatware 19th/20th century, oval handles: six forks, 8-1/2 8-3/4 in.; one oval soup spoon. marks for J. Granvigne, oval and ribbon handle knives: twenty four 10 in. hollow handle knives; twenty 8-5/8 in. hollow handle knives, some with Odiot blades; four 9-1/4 in. knives with scroll and floral handles, .950 fine, 18.68 oz. T. excluding hollow handle knives, some knives with separation, average wear Provenance: North Carolina Collection Estimate: $600 - $900

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660 14 Continental and English Silver and Silver Plate Table Items English silver: Birmingham vinaigrette; two napkin rings; Victorian stuffing spoon; George IV dessert spoon; Edinburgh sauce ladle; Georgian spoon; teaspoon, worn marks, probably 18th century, pair English silver plate candlesticks, Continental silver: plique a jour spoon; serving spoon “I. Johnsen”; enamel spoon, partial marks; teaspoon, 12.76 oz. T., 1-1/2 in. to 11-1/2 in., plique a jour with damage and loss to decoration; one candlestick repaired, all with wear and damage Provenance: Private Collection, Saluda, North Carolina Estimate: $200 - $300

661 Seven Continental Silver Table Items 19th/20th century, including pear form creamer with wood handle, heraldic device, partial marks; pair open salts with tall legs, partial marks; Austria Hungary small mug with crane handle, marks for Austria Hungary, .800 fine; tumbler with applied band, unknown mark; Dutch pear form jug, wood handle, heraldic device, marks for Netherland, .833 fine, export mark; oval footed bowl with scroll and dragon handles, partial marks, 37.89 oz. T. gross weight, 2 in. to 7-1/4 in., all with wear and damage Provenance: Estate of Dr. J. Francis and Laquita Amos, Rocky Mount, Virginia Estimate: $600 - $1,200

662 German Sterling Coffee, Teapot and Sugar 20th century, urn forms with scroll and floral decoration, composite spacers, no monograms, marks for Otto Wolter, 58.77 oz. T., including 11 in. coffee pot with matching teapot and covered sugar, teapot with replaced spacers, spots of corrosion at seams, light scratches, small dents, and wear Provenance: James E. Mulkin Collection, Bessemer, Alabama Estimate: $1,000 - $1,500 663 Four Mexican/Peruvian Sterling Table Items and Silver Shell 20th century, round hanging plate, marked “Chile”, “900”; small round plate, marks for Maciel, “925”; round platter, Peruvian marks for Welsch “000”; footed round dish, three figural feet, marked “000”, probably Peruvian, with cast shell form dish, unmarked, test .925, 72.50 oz. T., 6-1/2 in. to 11-1/4 in., all with wear Provenance: Private Collection, Saluda, North Carolina Estimate: $1,000 - $1,500

664 Persian Silver Kiddush Cup/Goblet 20th century, goblet form with Persian decoration, partial mark on base and rim, 2.89 oz. T., 3-1/4 in., minor wear Provenance: Private North Carolina Collection Estimate: $100 - $200 52

665 Legras Monumental Cameo Glass Vase French, 20th century, cameo cut waterside scene, signed “Legras” in cameo, 24-3/8 x 7-1/2 in., some anomalies, air bubbles, and scratching, surface dust/ accretion Provenance: Private Collection Estimate: $1,000 - $1,500

Early 20th Century

666 Tiffany Studios Iridescent Vase American, 20th century, cylindrical with slightly flared foot, iridized glass with six leaves, base with sticker of TDGCO logo and “Tiffany Favrile Glass/Registered Trademark”, 9-1/2 x 4-3/8 in., some minor air bubbles and anomalies, slight scratching to base, slight surface accretion Provenance: Private Collection Estimate: $1,000 - $1,500 667 Tiffany Favrile Glass Trumpet Vase and Miniature Vase American, early 20th century, base inscribed “ 1066 5340M - L.C. Tiffany Inc. favrile”, circular foot and flared body, yellow iridescent glass, 10-1/2 x 4 in.; base inscribed “9272K L.C. Tiffany + favrile”, circular foot and baluster form body, 2-7/8 in., anomalies to glass, air bubbles, scratching to surface, surface dirt/accretion; larger with rough pontil Provenance: Private Collection Estimate: $1,000 - $1,500

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668 Tiffany Studios Dragonfly Lamp American, early 20th century, leaded glass shade with dragonfly motifs, interior rim marked “Tiffany Studios/New York/1598”, 7-3/4 x 20-1/8 in.; bronze base, with pierced heat cap, stamped on underside “Tiffany Studios/ New York/528”, 25-3/8 x 9 in., working at time of inspection, approximately six small hairlines and cracks, some verdigris to leading, heat cap, and base, scratching, anomalies as made; base with patina, later wiring Provenance: Private Collection Estimate: $30,000 - $50,000 A similar base can be seen in Alastair Duncan, Tiffany Lamps and Metalware pg. 117, fig. 453 & 454.

669 Tiffany Studios Four Light Tulip Lamp American, early 20th century, four glass shades with pulled decoration, each signed “L.C.T.”, 4-5/8 x 4-3/8 in.; bronze base with twist stem, stamped on underside “Tiffany Studios/New York/314”, 25 x 15 in., working at time of inspection, glass shades with anomalies and air bubbles, some scratching, one shade with small chip to top rim; one shade with hairline crack; base with attractive patina, some later screws, top socket loose, wear to cord Provenance: Private Collection Estimate: $4,000 - $6,000 A similar base can be seen in Alastair Duncan, Tiffany Lamps and Metalware pg. 65, fig. 223.

670 Tiffany Studios Three Light Lily Lamp American, early 20th century, three trumpet form shades, each signed “L.C.T. favrile”, 4-1/2 x 2-3/4 in.; gilt bronze base, stamped on underside “Tiffany Studios/New York/306”, 16-1/4 x 5-3/4 in., working at time of inspection, some roughness at top rims of glass shades; middle socket with loss to one sepal, some rubbing to bronze, slight fraying to fabric cord Provenance: Private Collection Estimate: $1,500 - $3,000 A similar base can be seen in Alastair Duncan, Tiffany Lamps and Metalware pg. 63, fig. 205.

671 Tiffany Studios Candlestick Lamp American, early 20th century, shade inscribed “L.C.T./1847”, iridescent green glass, 3-1/2 x 6-7/8 in.; base inscribed “L.C.T.”, gilt metal mounts, 11 x 3-7/8 in., working at time of inspection, small chip to top rim of shade, anomalies and air bubbles to glass, visible solder to metal joints, some fraying to fabric cord Provenance: Private Collection Estimate: $800 - $1,200 A similar base can be seen in Alastair Duncan, Tiffany Lamps and Metalware pg. 63, fig. 205.

672 Tiffany Studios Favrile Glass Ribbed Vase American, early 20th century, base inscribed “2241D L.C. Tiffany - favrile”, bottle form, iridescent orange glass, 7-1/8 x 4-3/4 in., anomalies to glass, air bubbles, scratching to surface, surface dirt/accretion, rough pontil Provenance: Private Collection Estimate: $500 - $700

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673 Handel Reverse Painted Table Lamp American, 20th century, glass shade with forest scene, signed “Handel 6470” interior, stamped “Handel/Pat’d. No. 979664” on rim, 8-1/2 x 18 in.; bronze base, stamped on underside “Handel”, 22 x 7-3/4 in., working at time of inspection, a few minor areas of loss to paint, some flat chips to edges on interior (not visible on exterior), roughness to bottom edge, a few very minor flat chips to exterior where frosted finish is missing; base with patina, verdigris to heat cap, finial possibly associated, slight fraying to cord Provenance: Private Collection Estimate: $5,000 - $7,000

674 Quezal Nine Light Lily Lamp American, 20th century, ten lily flower form shades, iridescent yellow glass, etched at top “Quezal”, each approximately 4-1/2 x 3-1/4 in.; bronze base with nine sprouting sockets, unsigned, 24 x 9-1/2 in., not tested for functionality, one extra shade, some shades with chipping to top rim, most with scratches to tops, anomalies to glass, surface dirt/accretion; attractive patina, some rubbing, a few dents, some fraying to fabric cord Provenance: Private Collection Estimate: $4,000 - $6,000

675 Steuben Jade Green Glass Vase and Near Pair of Compotes American, 20th century, comprising: large vase with two white glass handles, not apparently marked, 11-3/8 x 9-3/8 in.; two compotes of slightly different size, each marked on foot “Steuben”, 4-1/4 x 13-3/4 in. and 4-1/4 x 14-1/4 in., scratches, some surface accretion, some air bubbles, each compote with small flat chip underneath foot Provenance: Private Collection Estimate: $600 - $900 56

676 E. F. Caldwell & Co. Bronze Lamp and Shade American, early 20th century, lamp marked on underside with “C” in a diamond, pyramidal form column with scrollwork, wreath garlands, and three masks, atop three claw feet, three twist form sockets and figural finial, wired for electricity, 31-3/4 x 11-1/2 in.; white fabric and fringe shade with bronze mounts, in decoration of flora, foliage, and ribbons, 10-7/8 x 21-1/4 in., not tested for functionality, uneven patination, verdigris, spotting and discoloration, some loose elements, one socket missing beaded pull; shade with some small tears, pulled threads, and stains Provenance: Private Collection Estimate: $1,000 - $1,500

677 An Interesting Arts and Crafts Carved Cypress Chest, Milton Bancroft Provenance likely circa 1910, possibly made by artist Milton Bancroft (see accompanying documentation), fitted top carved with coat of arms and mounted with wrought iron strapwork hooks, case elaborately carved with foliage and mythological scenes and inscriptions, monogrammed returns, diamond paneled back, 26 x 64 x 30 in., top is secured by wrought iron hooks, structurally sound and in generally good condition with scattered wear, front panel with vertical crack/separation, small losses along edges and corners, abrasions, and other wear and imperfections from age and usage Provenance: According to accompanying document, ex. collection of artist Milton H. Bancroft (1866-1947, b. Massachusetts, active Philadelphia, Pennsylvania) Estimate: $1,000 - $2,000

678 British Arts and Crafts Oak Coffer circa 1900, possibly Liberty & Co., hinged top with carved detailed, arched ends with wrought iron ring handles, carved panels, metal lined interior, trestle base, 19-1/2 x 25 x 15-1/2 in., structurally sound, some minor chips and small losses, surface with minor faded areas, metal interior with oxidation, other wear and imperfections from age and usage Estimate: $500 - $700

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Southern

679 Prospect of Charles Town, The Metropolis of the Province... William Henry Toms (British, 1700-1750) An Exact Prospect of Charles Town, the Metropolis of the Province of South Carolina, after Bishop Roberts, second edition (1779), originally published in The London Magazine, June 1762, uncolored, engraving on laid paper, 6-3/4 x 19-5/8 in.; wood frame, 13-1/4 x 27-1/2 in., rich engraving, clear plate mark, hinged into archival mat, light foxing, slightly toned; frame with some wear Provenance: From a Prominent Charleston, South Carolina Family Estimate: $3,000 - $4,000 The 1779 edition can be distinguished from the 1762 edition by the lack of a small sailing vessel at the lower left margin.

680 The South Prospect of the City of New York in America after William Burgis, The South Prospect of the City of New York in America, engraved folding panorama of lower Manhattan from the August 1761 issue of The London Magazine, image size 6-3/8 x 20-1/2 in.; gilt and painted wood frame, 13-1/4 x 27-1/2 in., overall very nice, some foxing and light toning, sheet trimmed but full plate impression intact; frame with some wear Provenance: Kennedy Galleries, New York, New York; From a Prominent Charleston, South Carolina Family Estimate: $2,000 - $3,000 58

681 Henrietta De Beaulieu Dering Johnston (Active in Charleston, South Carolina, circa 1670-1729) Portrait of a Lady, pastel on paper, unsigned, washed out pencil inscription verso “Mrs St..o..b..m?”, 10-1/2 x 8-3/4 in.; wood frame, 14 x 12 in., surface is very good, small spot of discoloration upper right Provenance: From a Prominent Charleston, South Carolina Family Estimate: $10,000 - $15,000

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682 William Aiken Walker (American/South Carolina, 1838-1921) The Cottonfield, signed lower left “WA Walker”, oil on academy board, 6-1/4 x 12-1/4 in.; gilt wood frame, 10-1/2 x 17 x 2 in., condition is very good with original gallery and auction labels, some retouch in area above horizon; frame with some wear Provenance: Kennedy Galleries, New York, New York; Christies, New York, 25 March, 2015, lot 57; Private Collection, Florida Estimate: $8,000 - $10,000

683 William Aiken Walker Portraits, a Pair (American/South Carolina, 1838-1921) Pair of Cotton Picker paintings, both signed lower left “WA Walker”, oil on academy board, original labels verso, 12-1/2 x 6-1/2 in.; gilt wood frames, 16 x 10 in., good clean surface, some small spots of retouch especially in sky; frames with light wear Provenance: Robert M. Hicklin Jr, Inc., Spartanburg, South Carolina; Private Collection, Florida Estimate: $4,000 - $6,000 60

684 Alfred Heber Hutty (Charleston, South Carolina/New York, 1877-1954) The Old Smyth Gate, Charleston, 1927, signed lower right “Alfred Hutty” with snail cypher, etching on cream paper, 7-5/8 x 8-7/8 in. (plate); black modern frame,., dark rick impression, light toning; frame with light wear Provenance: From a Prominent Charleston, South Carolina Family Estimate: $800 - $1,000 Literature: Sara C. Arnold and Stephen G. Hoffius, editors, The Life and Art of Alfred Hutty: Woodstock to Charleston, The University of South Carolina, 2012, p. 105,135, no. 66.

685 Elizabeth O’Neil Verner (American/South Carolina, 1883-1979) Figures in a Courtyard, oil sketch on canvas board, unsigned, 7 x 5 in.; original frame, 8-3/4 x 6-3/4 in., light surface dirt, some abrasion at corner; painted frame with some wear and paint residue on interior ledge that corresponds to the painted canvas board edge Provenance: From a Prominent Charleston, South Carolina Family Estimate: $800 - $1,000 Authenticated by David Hamilton, nephew of the artist, 15 May 2005

686 Edwin Augustus Harleston (American, 1882-1931) Lady in Black, not visibly signed, oil on canvas, 22-1/4 x 18-1/4 in.; modern wood frame, 28-1/4 x 24-1/4 in., clean surface, modern varnish coat, linen backed, small areas of retouch in background; frame with minor wear Provenance: Purchased from the artist by the consignor’s mother; From a Prominent Charleston, South Carolina Family Estimate: $10,000 - $15,000 Harleston was a graduate of Avery Normal Institute in Charleston, Atlanta University, and received his art training at the Museum of Fine Arts Boston. Despite his artistic talent and prestigious training, as an African American, Harleston was banned from entering many of Charleston’s cultural sites and was shunned by the city’s white, art community. Nevertheless, his work received national attention and by the mid 1920s Harleston was offered exhibition opportunities and commissions from patrons in Atlanta, Boston, Washington D.C., and New York. The Gibbes Museum of Art currently owns six works by Harleston, including his renowned Portrait of Aaron Douglas.(Gibbes Museum of Art: https://www. gibbesmuseum.org/news/artist-spotlight-edwinharleston-american-1882-1931/ ) Edwin A. “Teddy” Harleston was also a community activist in Charleston, South Carolina. A member of Plymouth Congregational Church, he founded the Charleston chapter of the NAACP in 1917 and served as first president of the organization. His father, Captain Edwin G. Harleston (1854-1931), opened Harleston Funeral Home in 1917, and the duo ran this business until their deaths in 1931.

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687 MESDA Documented Charleston Queen Anne Brass Inlaid Mahogany Dressing Table South Carolina, circa 1735-1745, molded top with later brass inlaid leaf and berry motif attributed to William J. O’ Hagen and likely added in the late 19th/early 20th century, single drawer, shaped skirt, tapered legs, pad feet, cypress secondary wood throughout, 27-1/2 x 31 x 19-3/4 in., later inlay as noted, replaced brasses, top has been reset, some repairs and thin cracks at leg joints, replaced knee returns and blocks, one interior board with fraying, two feet are tipped, one foot with reattachment, another foot with patch repair, some resurfacing, scattered abrasions and marks, other wear as expected Provenance: Descended from Governor Thomas R. Bennett, in office 1820-1822, and the Smythe Family of Charleston, South Carolina; From a Prominent Charleston, South Carolina Family Estimate: $5,000 - $7,000 This table is illustrated in The Furniture of Charleston, 1680-1820, by Rauschenberg and Bivens, Vol. I, pg. 233, fig. CT-2 and documented by the Museum of Early Southern Decorative Arts: mesda.org/item/object/table-dressing/12461/.

688 Rare North Carolina Inlaid Walnut Sideboard Fayetteville, circa 1800-1820, inlaid with bookends, bellflower chains, light wood lozenges and line inlay, two dovetailed drawers flanked by four doors, yellow pine secondary wood, 40-1/2 x 59-1/2 x 21 in., top appears to have been reset and has later filled/patched screw holes, all legs have been ended out below lower banded inlay, replaced brasses and door hinges, case and top with minor cracks and shrinkages, legs with some small patches, scattered marks and surface wear, other imperfections as expected with age and usage Estimate: $5,000 - $7,000 This sideboard is from a small group of examples documented to the Fayetteville, North Carolina area. Closely related examples have been recorded by MESDA and several are illustrated in John Bivens, Jr. The Furniture of Coastal North Carolina, 1700-1820, see pages 438-441. MESDA research file McG32-2 is particularly closely related. 62

689 Rare Coastal North Carolina Inlaid Mahogany Sideboard attributed to William Little, Anson County, 1800-1810, with stepped top, highly figured veneers with light wood inlays, the central drawer with panel of quarter fan inlays on bellflower inlaid tapered legs, 42-1/2 x 65-3/4 x 25 in., condition restorations and repairs, cellarette drawers reveneered, veneer patch at top drawer panel, one front leg ended out 9 in., ended out leg, piece is present but loose, brass is replaced, typical shrinkage cracks at top and case sides, doors with later strips at hinges and lock side, other scattered veneer and surface distress, and repairs Provenance: Estate of Barbara F. Chatham, Ronda and Roaring Gap, North Carolina Estimate: $3,000 - $5,000 Note: Design precedents in Scotland and close relatives in Charleston, South Carolina, this sideboard with its heavy yellow pine secondary conforms to the Anson County work of noted cabinet maker William Little. 690 Southern Inlaid Mahogany Chest of Drawers possibly Virginia or North Carolina, string inlay throughout, two short over three long graduated drawers, bracket feet, yellow pine secondary wood, 33-3/3 x 38-1/4 x 22-1/2 in., scattered dark marks and veneer patches, high polish finish, one drawer lacking lock plate, one front foot with patch repairs to both sides, other front foot appears to be replaced, rear feet with small/minor repairs, scattered general wear and imperfections as expected Estimate: $3,000 - $5,000

691 Set of Six Baltimore Federal Bellflower Inlaid Shield Back Dining Chairs Maryland, 1790 to 1810, each with bellflower inlaid back over the rail upholstered serpentine seat on molded tapered legs, 38-1/2 x 20-1/2 x 20 in., good structural condition, one chair with a break and repair with later brace at back of one vertical splat, some replaced seat blocking, frames with some finish distress, typical bumps and wear, stains and wear to upholstery Estimate: $2,500 - $3,500

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692 MESDA Documented Kentucky Federal Cherry Serpentine Sideboard, Col. E.H. Taylor, Jr. Provenance late 18th/early 19th century, shaped top, conforming case with frieze drawer over cabinet doors, flanked by two deep cabinets, tapered legs, poplar secondary wood, 37 x 72-1/4 x 23 in., scattered sun fading, top with shrinkages and a section of later veneer and veneer patches, top with later pinning, shrinkage and repair to proper right stile, replaced brasses, one front leg with small patch repair, other wear and imperfections as expected with age and use Provenance: Estates of Rebecca K. Pruett and John William Pruett, Jr. (brother), Lexington, Kentucky, descendants of distiller Col. E.H. Taylor, Jr. of Woodford County, founder of the Old Taylor Distillery; Clifton Anderson, Lexington, Kentucky, February 1997, purchased for $11,366.25 Estimate: $7,000 - $10,000 See MESDA file S-2766: mesda.org/item/object/sideboard/15347/ 693 Two Pieces Charleston Coin Silver, J. E. Spear South Carolina, mid 19th century, scroll handles, no monograms, both with marks for retailer James E. Spear (Savannah, Georgia, working 1840-1844 and Charleston, South Carolina, working 18451871) including 11-3/4 in. soup ladle and 3-3/4 in. salt shovel, 4.32 oz. T., salt with heavy wear to handle, ladle with typical wear Provenance: A Prominent Charleston Family Estimate: $300 - $600

694 Seven Pieces Charleston Coin Silver Flatware, Sheaf of Wheat, William Ewan South Carolina, mid 19th century, fiddle handles with sheaf of wheat decoration, most with monograms, all with marks for William H. Ewan (Charleston, South Carolina, working 18411860), 6.37 oz. T., including three oval soups, two salt spoons, condiment ladle and sauce ladle, 4 in. 7 in., all with wear and damage Provenance: A Prominent Charleston Family Estimate: $300 - $600 64

695 16 Charleston Coin Silver Spoons, Sheaf of Wheat, John Ewan South Carolina, mid 19th century, fiddle handles with sheaf of wheat decoration, most with monograms, all with marks for John Ewan (Charleston, South Carolina, working 1823-1852), most with monograms, 14.37 oz. T., including two serving spoons; three oval soup spoons; eleven teaspoons, 5-3/4 in. to 9 in., all with wear and damage Provenance: A Prominent Charleston Family Estimate: $1,000 - $1,500

697 Five Pieces Charleston Coin Silver Flatware, John Ewan South Carolina, mid 19th century, fiddle handles, most with monograms, all with marks for John Ewan (Charleston, South Carolina, working 18231852), most with monograms, 6.83 oz. T., including four serving spoons and one sauce ladle, 6-1/2 in. to 8 in., serving spoons with heavy wear and damage; ladle with typical wear Provenance: A Prominent Charleston Family Estimate: $200 - $400

696 Set of Six Charleston Coin Silver Forks, William Ewan South Carolina, mid 19th century, fiddle thread handles, monograms, marks for William H. Ewan (Charleston, South Carolina, working 1841-1860), 13.98 oz. T., 7-3/4 in., tine and overall wear and loss Provenance: A Prominent Charleston Family Estimate: $300 - $500

698 Eight Coins Silver Spoons, Sheaf of Wheat mid 19th century, fiddle handles with sheaf of wheat decoration, most with monograms, 4.89 oz. T., one teaspoon, James E. Spear Savannah, Georgia, working 1840-1844 and Charleston, South Carolina, working 1845-1871); five teaspoons, Pelletreau & Upson (New York, NY, working 1823-1824); one oval soup spoon, Moses Eastman (Savannah, Georgia, working 1826-1850); one oval spoon unmarked, 5-3/4 in. to 7-3/8 in., wear and damage Provenance: A Prominent Charleston Family Estimate: $100 - $200

699 Twelve Pieces Charleston Silver South Carolina, most coin silver including three serving spoons, C. & F. Wittich (working 1802-1806); three forks, Gregg, Hayden & Co (working 1846-1852); one serving spoon, Hayden & Whilden (Charleston, South Carolina, working 1855-1863); oval soup spoon, Augustus Hayden (working 1852-1855); teaspoon, king style handle, Hayden & Gregg (working 1838-1842); sugar spoon, Lewis & Wilson (working 1853-1855); sterling souvenir spoon of Fort Sumter; silver plate souvenir spoon of South Carolina, most with monograms, 14.82 oz. T. excluding silver plate, 5-3/4 in. 8-5/8 in., Wittich with heavy wear and damage to bowls, all with wear and damage Provenance: A Prominent Charleston Family Estimate: $300 - $600

700 36 Pieces Charleston Retailed Silver Flatware 19th/20th century, 12 pieces retailed by William Carrington (Charleston, South Carolina, working 1835-1901) including serving spoon, sugar spoon, forks, oval soup spoon, seven teaspoons; 23 pieces retailed by James Allan & Co. (working 1855-1908) including 12 Durgin cocktail forks; six Gorham Plymouth tea spoons; two solid handle butter knives, sugar spoon, teaspoons, and fork, most with monograms, 30.28 oz. T., 5-3/4 in. to 8-3/8 in., all with wear and damage Provenance: A Prominent Charleston Family Estimate: $500 - $800

701 Three Southern Coin Silver Julep Cups and Sterling Child’s Mug one Kentucky mint julep with tapering sides and beaded border, marks for Hudson & Dolfinger (Louisville, working 1853-1856); two mint juleps with tapering sides and beaded border, marks for E. Jaccard & Co., (Kansas City, Missouri, working 1868-1876); one sterling child’s mug, marked “W. Bell & Co., all without monograms, 11.98 oz. T., 2-1/2 in. to 3-3/4 in., large julep with 1 in. shallow dent, all with light scratches and wear, some heavy tarnish Provenance: Riddling Estate Estimate: $300 - $400

702 Pair of Agricultural Coin Silver Spoons mid 19th century, fiddle and thread handles, both handles inscribed “American Institute/to Wm. L. Ferris,/for the best/30 varieties of Pears./1871.” and one with initials on back of handle, marks for Kidney & Johnson (New York, NY, working 18681874), 3.61 oz. T., 8-5/8 in., bowls with light abrasion and wear Provenance: Private Collection, Saluda, North Carolina Estimate: $200 - $400 The 40th National Industrial Exhibition of the American Institute was held at the Empire Rink on 3rd Ave in New York. <a href=”https://timesmachine.nytimes.com/ timesmachine/1871/09/06/78773014. html?pageNumber=8”>Click here</a> is see an article in the New York Times

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703 Louisiana Figured Mahogany Armoire early 19th century, likely New Orleans, later ogee molded cornice, associated bronze foliate mount, flush panel doors, fiche hinges, paneled sides, interior with medial belt of drawers, reeded turned legs, poplar and cypress secondary woods, 82-1/2 x 57-1/2 x 24 in., replaced cornice, associated bronze mount, scattered veneer losses, scattered cracks and shrinkages, feet likely were previously raised on brass balls (not present), replaced lock, center drawer with replaced pull (other pulls appear to be original), other general wear expected with age and use Estimate: $2,000 - $3,000

704 Classical Mahogany Tilt Top Pedestal Table possibly Baltimore, circa 1830, mahogany throughout, finely figured segmented top tilting on urn turned support, boldly reeded saber legs with brass paw casters, early historic finish, 49-1/2 x 42 x 41-3/4 in., very good condition, old dry surface with typical bumps and wear, typical minor veneer and banding repairs, some water spots and finish distress, very minor warping to top, probably original brass paw feet with later inset casters Estimate: $1,000 - $1,500

705 1775 Framed Map of the Mississippi River John Ross, Course of the River Mississippi, from the Balise to Fort Chartres..., London, 1775, engraving on laid paper with hand colored highlights, 46-1/4 x 15-7/8 in.; painted and gilt wood frame, 49-1/4 x 18-1/8 in., taped in on mat with archival tape, scattered staining, some spotting/foxing visible verso, possibly trimmed at left margin; frame with light wear and abrasions Provenance: Private Virginia Collection Estimate: $2,000 - $4,000 66

706 Framed Craven County, North Carolina Signed Alphabet Sampler Jane Banks (Craven County, North Carolina, born 1844), signed “Jane Banks Aged 12 Years 56”, wool on linen, 16 x 17-1/4 in.; wood frame, 22 x 23 in., not examined out of frame, tacked in on mat, bright color, minimal staining; frame with light wear and abrasions Provenance: Private Collection, Tennessee Estimate: $800 - $1,200 Accompanied by genealogical records for Jane Banks (laid in frame pocket).

707 Southern Federal Inlaid Walnut Chest of Drawers late 18th/early 19th century, likely Tennessee, four graduated drawers, demilune skirt with diamond inlay, flared legs, yellow pine secondary wood, 41 x 42-1/2 x 20 in., replaced brasses, lower drawer with patch repair, feet have been rebuilt, returns with minor thin cracks, resurfaced, other general wear and imperfections expected with age and use Provenance: Estimate: $1,000 - $1,500 708 Shenandoah Valley Inlaid Mahogany Serpentine Sideboard Virginia, circa 1790-1810, serpentine top, conforming case with three frieze drawers over cabinet doors, floral inlaid panels and barber pole inlay, tapered legs with bellflower inlay, heavy yellow pine secondary wood throughout, 42 x 71 x 27-1/4 in., good integrity overall, likely original brasses, some lifting and small veneer losses to cabinet doors, returns with thin cracks, some small old veneer patches, other general surface wear as expected from age and use Provenance: Private Collection, Richmond, Virginia Estimate: $7,000 - $10,000

709 Southern Federal Stained Walnut Side Table likely late 18th century, plank top with molded edge, deep drawer, square tapered legs, yellow pine secondary wood, 30 x 22 x 21-1/2 in., top with slight warping, old dark stain with minor crazing and wear, drawer front with abraded area, legs with thin shrinkages, other general wear expected with age and use Estimate: $500 - $700

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710 Zelda Sayre Fitzgerald (American/Alabama, 1900-1948) Zelda’s House, unsigned, gouache on paper, 10 x 14 in; modern frame, 20 x 16-3/4 in., paper in good condition; frame with light wear Provenance: By descent in the Gassenheimer family; Property from a Private Collector Estimate: $15,000 - $20,000 An Introduction by the consignor: Zelda’s painting of her home in Montgomery, hung in my grandparent’s home, then my parent’s and then hung in mine. Thanks to the stories my grandmother told and retold to me, Zelda was as large a figure in my imagination as she was in real life. My grandmother, Birdie Frank Gassenheimer, was a friend of Zelda’s in Montgomery, Alabama in the early 1900’s. Born in Montgomery just a few years earlier, they both attended Sidney Lanier High School. The last child of 11, Birdie wasn’t even given a name until 6 years old; she was called “Baby” until one day hanging from a window she pointed and called “Birdie” and so named herself. Like Zelda and another contemporary, Tallulah Bankhead, born two years after Zelda, all three were extroverted and independent. Spoiled in childhood and doted on in adolescence, they lived a carefree life lacking for little. Birdie’s stories were about outings, dating, and parties. The one I loved the most was about Zelda, Birdie and friends late night skinny dipping in the Dexter Avenue fountain in downtown Montgomery. They were free, uninhibited and determined to enjoy their youth. Having visited the fountain myself countless times, I could never get enough of this story, picturing their hats, dresses and under things hanging on the wrought iron fencing around the fountain. Imagining them shrieking and splashing under the stars was captivating. They went with boys on hunting and fishing trips- not to hunt and fish but to drink, smoke, and gossip. Nights were filled with fancy dress dinners and dancing and of course their dance cards were always full. They definitely exemplified “living in the moment.” But as you know from the fame of Zelda and Tallulah, there was also a dark side with episodes of manic depression, substance abuse and attention seeking behavior. Birdie did not escape this. A semi-pro golfer with a bright future, she gave it up when she married. It seems as if even women as self sufficient as these were often cowed and overshadowed by the men in their lives, in constant rebellion to what was expected of women at the time. Very close to Birdie and like lots of kids, I spent more time at her house than my own. She was always so much fun. I loved watching her entertain grown-ups with fancy cocktails and lavish multi-course meals. She was the life of the party. Kids were expected to “be seen and not heard” so we sat on the floor playing with cards and poker chips, underneath where “The Zelda’s” were prominently hung. Listening to the conversations we’d wonder what was always so riotously funny. Often we would take our Shirley Temples outside on the terrace of their Bankhead Avenue home and play at being grown up, a little drunk on the happy time, food, and heady aromas of camellias and magnolias surrounding the home in abundance. I would often spend Friday night with Birdie after the parties and we’d lie awake talking until falling asleep when she’d tell me the stories again. They seemed like the very best memories for her too. Saturday afternoons would find us listening to opera in the living room, she on the sofa and me on the floor beneath “The Zeldas” given to Birdie from Zelda with love.

711 William Melton Halsey (American/South Carolina, 1915-1999) Space Windows, 1986, signed verso “Wm Halsey,” inscribed verso “Wall Construction, Masonite, wood, oil paint”, 69 x 47-1/2; unframed, some minor losses to paint surface, lower right corner with small area of loss Provenance: A South Carolina Institution Estimate: $10,000 - $20,000

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712 Will Henry Stevens (North Carolina/Louisiana/Indiana, 1881-1949) Mountain Stream, unsigned, inscribed verso bottom right “912”, charcoal on rice paper, 10-3/4 x 11-1/4 in.; modern gilt wood frame, 20-1/4 x 19-3/4 x 1-1/2 in., paper trimmed, slightly toned, surface is good; frame with minor wear Provenance: Blue Spiral I, Asheville, North Carolina; Private Collection Estimate: $600 - $800

714 Lamar Dodd (American/Georgia, 1909-1996) Double sided watercolor, the front, a red abstraction, signed lower right “Lamar Dodd 91”, the verso an abstract sunset, 15-1/2 x 12 in.; double sided frame showing landscape on verso, 17-1/2 x 21-1/2 in., color very bright, paper appears to be very good, not examined out of frame; frame with light wear Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation Estimate: $400 - $600 70

713 Emil Holzhauer (American/Georgia, 1887-1986) Florida Pier, 1955, signed lower right “Holzhauer”, watercolor on paper, sight 141/2 x 21-1/2 in.; modern frame, 23-1/2 x 30-1/4 in., good clean image, bright color; frame with light wear Provenance: Dave and Chris Knoke, Marietta, Georgia Estimate: $800 - $1,200

715 Greg Decker, Two Paintings (Tennessee/New York/Congo, 20th/21st century) Two paintings: Mirage (Man with a Cart), 1997; Woman with Yellow Cart, 1998, both signed with monogram “GD” and signed, titled, inscribed and dated verso, both oil on canvas mounted on panel, 37-1/2 x 29-3/4 in.; matching painted wood gallery frames, 39 x 31-1/8 x 2-1/8 in., some lifting of canvas at edges, abrasions with some paint loss Provenance: Private Asheville, North Carolina Collection Estimate: $1,000 - $2,000

716 Lamar Dodd (American/Georgia, 1909-1996) North Georgia Mountains, signed lower left, “Lamar Dodd”, watercolor on paper, sight 28 x 20 in.; modern gilt wood frame, 32-1/2 x 40-3/4 x 1-1/2 in., excellent bright color, two sheets of paper joined at center, not examined out of archival framing; frame with only the slightest wear Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation Estimate: $1,000 - $2,000

717 Lamar Dodd (American/Georgia, 1909-1996) Waiting Kennedy Space Center, not visibly signed, charcoal on paper, sight 17 x 22 in.; gilt wood frame, 26-1/2 x 31-1/2 in., slight foxing, not examined out of archival frame; frame with light wear Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation Estimate: $600 - $800

718 Rare Marjorie Daingerfield Sculpture (New York, 1900-1977) A Southern Lady, possibly a portrait of the artist’s mother, Anna Grainger Daingerfield, signed at back of truncation “M.J. Daingerfield 26”, with foundry mark “Roman Bronze Works N. Y.”, patinated bronze on marble plinth, 24 x 12 x 9 in., verdigris patina, abrasions on chest; marble base with small chips Provenance: Dave and Chris Knoke, Marietta, Georgia Estimate: $2,000 - $3,000 Exhibited: BRAHM, Blowing Rock, North Carolina, Elliott Daingerfield Collected, April 9 - July 24, 2016.

719 Marjorie Daingerfield (New York, 1900-1977) Dipping Her Toes, signed on naturalistic base “Marjorie Daingerfield”, inscribed foundry mark “Kunst Foundry N.Y.”, patinated bronze, 11-1/2 x 8-1/2 x 8 in.; newer wood base, 2 x 11-1/2 in. dia., brown to verdigris patina, some minor rubbing on legs Provenance: Dave and Chris Knoke, Marietta, Georgia Estimate: $1,000 - $2,000 Marjorie Daingerfield was a sculptor, author, and teacher. She was the daughter of the renowned Southern artist, Elliott Daingerfield and was married to artist, J. Louis Lundean. A copy of the gallery’s biography accompanies the lot.

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720 Large Group of Alabama and Confederate Ephemera, Banking and Currency approximately 100 individual documents with Alabama or CSA relevance, including many certificates of deposit, checks, financial instruments, receipts, promissory notes, and other period memoranda, good overall, typical wear commensurate with age and usage Provenance: many in this group from NASCA (Numismatic & Antiquarian Service Corporation of America) through their January 1978 sale of The New England Collection; James E. Mulkin Collection, Bessemer, Alabama Estimate: $500 - $700

721 Two 1860s Alabama Broadsides Talladega, “Administrators Sale”, dated January 7th, 1863, list of deceased John P. Rawdon estate, including “gold watch” and “repeating pistol”, 18 x 11-1/2 in.; [Reconstruction Era] Montgomery, “NOTICE”, dated October, 18th, 1866, United States Internal Revenue, 13 x 10-1/2 in.; each broadside unframed, folding, staining, rough periphery, some annotations, gall ink deterioration Provenance: James E. Mulkin Collection, Bessemer, Alabama Estimate: $500 - $700

722 Group of 19th Century Postal Covers, Alabama and Confederacy three covers with Confederate stamps, two tied to cover with postmark; over 20 other period covers, majority with Alabama relevance, some enclosures; Harden’s Military Express wooden handstamp; cover signed by F.E. Spinner, U.S. Treasurer, good overall with expected wear Provenance: James E. Mulkin Collection, Bessemer, Alabama Estimate: $200 - $400

723 Various Licenses, Bond Certificates, Alabama or Confederate Related seven total articles, R.J. Abernathy Alabama physician’s license dated 1869; R.J. Abernathy Internal Revenue License dated 1866; land deed from 1851 signed by Alabama Governor Henry W. Collier; two CSA bonds, $500 and $1,000, each with seven attached bond coupons; City of Montgomery $1,000 bond with 13 attached coupons; Tennessee Coal, Iron, and Railroad Company stock certificate for 100 shares, numbered A1; largest in group 13-3/4 x 21 in. framed, condition issues present such as stains and losses Provenance: James E. Mulkin Collection, Bessemer, Alabama Estimate: $100 - $300

724 Group of 12 Alabama Land Documents Endorsed by United States Presidents seven different U.S. Presidents on 12 total grants, Andrew Johnson, Millard Fillmore, Martin Van Buren (x3), James Buchanan (x2), Franklin Pierce, Andrew Jackson (x3), and Grover Cleveland, largest in group 21 x 25 framed, others unframed, visible condition issues such as toning, splits, curling, stains, and losses Provenance: James E. Mulkin Collection, Bessemer, Alabama Estimate: $300 - $500 Andrew Johnson appears to be a stamped signature and others in the group may be secretarial signatures. Cleveland, both Buchanan, and each Jackson signature varies greatly in appearance from known exemplars. 72

725 Heriz Carpet 20th century, red field with blue polygonal medallion, geometric trailing vines and florals, white spandrels, blue border, 8 ft. 10 in. x 12 ft. 5 in., wear with some exposed knots, wear to selvage, loss to fringe at both ends with overcasting, fading Estimate: $1,000 - $2,000

726 Serapi Style Carpet late 20th century, terra cotta colored field with leaves and vines, blue border with leaves, vines and flowers, 12 x 9 ft. 4 in., pest damage throughout, fading, exposed knots, one end with an area of approx. 3 inch exposed foundation, staining, loss to fringe Provenance: Collection of Ben Schecter and George Barimo, Athens, New York Estimate: $500 - $700

727 Palace Size Heriz Style Carpet 2nd half 20th century, central panel flanked by pairs of similar panels, geometric and floral designs, sky blue, green, and ivory highlights, 13 ft. 4 in. x 19 ft. 11 in., generally uniform low pile, minor moth damage, small furniture imprints, soiling and spot stains, (no odor) small area of spilled paint, retains original kilim ends and fringe, no repair or reduction found Provenance: Private Collection from Florida Estimate: $1,000 - $2,000

728 Persian Runner early 20th century, red field with geometric florals and quadrupeds, four borders, 11 ft. 10 in. x 3 ft. 6 in., overcast ends with loss to fringe, scattered wear with exposed foundation, restoration at one side, abrash, wear to selvage Provenance: Private Collection, Hilton Head, South Carolina Estimate: $500 - $700

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729 Winfred Rembert (American, 1945-2021) Three Women, signed verso “Winfred Rembert”, dye on carved and tooled leather, 19-1/2 x 14 in.; metal frame, 20 x 14-1/2 in., surface is very good; frame with light wear Provenance: By descent in the family of the artist’s sister Estimate: $50,000 - $75,000 Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - Chasing Me to My Grave: An Artist?s Memoir of the Jim Crow South - was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings. After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases. In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 coming out show at Adelson Galleries in New York.

730 Winfred Rembert (American, 1945-2021) Dr. King and Winfred, inscribed bottom right “W Rembert”, also inscribed “To Joseph and Lorraine Reaves from your Brother”, dye on carved and tooled leather, 8-3/8 x 12 in.; unframed, some scratches bottom edge Provenance: By descent in the family of the artist’s sister Estimate: $50,000 - $75,000 Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South - was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings. After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases. In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 “coming out” show at Adelson Galleries in New York.

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731 Winfred Rembert (American, 1945-2021) In Shackles, inscribed and signed bottom right “To Joe Reaves W Rembert”, dye on carved and tooled leather, 11-3/8 x 10-1/4 in.; unframed, some discoloration at top right corner, in the area of the cane and shoe Provenance: By descent in the family of the artist’s sister Estimate: $40,000 - $60,000 Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South - was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings. After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases. In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 coming out show at Adelson Galleries in New York.

732 Winfred Rembert (American/Georgia, 1945-2021) Farmer and Mule, signed bottom center “W Rembert”, inscribed upper right “To Loraine Reaves”, dye on carved and tooled leather, 12-1/4 x 11-1/2 in.; unframed, good color, clean surface, light abrasion on mule face Provenance: By descent in the family of the artist’s sister Estimate: $30,000 - $50,000

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733 Frog Smith (American/Florida, 1896-1993) Pelham Railroad Station in 1903, signed lower right “Frog Smith”, oil on board, 24 x 15 in.; original wood frame, 25 x 16 in., some surface dirt; frame separating at corner Provenance: Thomas W. Bradley and Clionike Bradley, Birmingham, Michigan Estimate: $3,000 - $5,000 Includes typed description written by artist that reads: The smooth faced 16 year old fireman Will Loyless, remained on the job to become a good engineer who pulled the last train over the line around 1940. On the first run Dad dubbed the little road “The Ticknor, Tooten & Hell-western” a name that the old road bed is known by to this day. Old-timers have forgotten all but the “Old Ticknor’n Tooten.” At the beginning of the year 1905, the Flint River & North Eastern Railroad was born by the joining of two logging railroads. One ran northeast from Pelham, Ga., and the other ran southwest from Tichnor, fourteen miles north of Moultrie, Ga. on the Georgia Northern R. R. My Father, “Stuttering Dick” Smith, had the doubtful honor of pulling the inaugural train, an excursion of the F.R. & N.E. Combination and three day coaches borrowed from the Georgia Northern. Stuttering Dick ran the mixed train until his death in December of 1905. His body was hauled in the combination car which together with the engine was trimmed in crepe in honor of the dead engineer. His body was unloaded at the station on December 9, 1905 and buried in the cemetery where the organizer of the line, and founder of the town of Pelham, Mr. J.L. Hand is buried. Stuttering Dick was my father and I was his companion in the cab for many happy hours. Signed: E.A. (Frog) Smith

734 Mose Tolliver (American/Alabama, 1918-2006) Times Past and Present, signed “MOSET” recto, paint on board, 14-1/2 x 29-1/4 in., wear to wood, edges of board are rough, likely as made, slight loss to paint Provenance: Purchased from the artist in 1984 at his residence in Montgomery, Alabama Estimate: $800 - $1,000

735 Mose Tolliver (American/Alabama, 1918-2006) Worry Woman, signed “MOSET” lower left, multimedia and collage on board, 13 x 17-3/8 in., edges of board are rough, likely as made, soda can flip top hanger, some losses to paint Provenance: Purchased from the Artist in 1984 at his residence in Montgomery, Alabama Estimate: $800 - $1,000 78

736 Laura Davis (American/North Carolina, born 1954) Portrait of Jean-Michel Basquiat, The Righteous will Thrive, signed lower right “Laura Davis”, acrylic on canvas, 36 x 24 x 1-1/2 in.; unframed, surface is very good; unframed Provenance: Private Collection Estimate: $800 - $1,200

American

737 American William and Mary Red Stained High Chest early 18th century, likely New York, probably gum under red stain, molded cornice, bolection map drawer, three short drawers over three long drawers, lower case with configuration of six drawers, scalloped apron, baluster turned supports, shaped stretchers, bun feet, poplar secondary throughout, 69-1/2 x 45 x 22-1/2 in., later stain, replaced pulls, upper case with some molding loss and separations to returns, lower case with later bottom boards, feet and stretchers appear to be original, feet have been plugged, scattered minor thin cracks and shrinkages, general surface wear and other imperfections expected with age and use, some pulls detached and found in drawer, other pulls fit loosely Provenance: Montague Family Collection from Toddsbury, Gloucester County, Virginia Estimate: $2,000 - $3,000

738 Unusual Pair Pennsylvania Chippendale Walnut Side Chairs 18th century, each with shell carved crest and knees, trifid feet, early needlework upholstery, 41 x 19-1/2 x 18 in., extensive wear and tear to needlework upholstery, later slip seats, one with a patch and repair at one scroll of splat, repining at rear seat rail joints, scattered tacking scars around slip seats, some areas of color retouch other possible repairs Provenance: each with old label for Ginsburg & Levy, New York; Montague Family Collection from Toddsbury, Gloucester County, Virginia Estimate: $1,000 - $2,000

739 Chippendale Carved Figured Mahogany Tilt Top Tea Table probably Massachusetts, 18th century, circular top tilting on a spiral turned support, shell and bellflower carved knees, ball and claw feet, birch block support, 27-3/4 x 35-1/4 x 34-1/2 in., resurfaced, repairs to top with butterfly patches at back, battens with later plugged screws (not removed), shrinkage cracks to standard, possibly later iron spider Estimate: $500 - $700

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740 Massachusetts Queen Anne Walnut Dressing Table mid 18th century, probably Boston, long drawer over two short drawers centered by a concave inlaid fan, drop finials, cabriole legs, pad feet, interior with 1931 Israel Sack label, 30-3/4 x 32-3/4 x 20-1/4 in., top lacking veneer with later board near center and several plugged holes, replaced brasses, was previously painted with remnants of old paint under return aprons and on legs, drawer interiors are partially painted and have plugged lock cavities, one leg with repairs, scattered cracks, restorations to apron, scattered shrinkages and thin cracks, loss to one front foot, other wear from age and use Provenance: Per label, Israel Sack, 1931 Estimate: $1,000 - $2,000

742 Massachusetts Queen Anne Stained Walnut Dressing Table mid 18th century, molded top, long drawer over three short drawers centered by a fan carving, drop finials, cabriole legs, pad feet, white pine secondary wood, 31 x 33-3/4 x 21 in., old stained surface, top with later screws and small patches, replaced brasses, rear leg with structural repair and cracks, pieced repair at foot, scattered small cracks and shrinkages, surface wear and marks, other imperfections expected with age and use Estimate: $2,000 - $3,000 80

741 Pennsylvania Chippendale Walnut Tall Chest mid 18th century, molded cornice, paneled returns, three short drawers over four graduated drawers, serpentine skirt, tall bracket feet, dovetailed construction, 50 x 39-1/2 x 21 in., generally good condition overall, later stain, surface wear, replaced brasses, scattered cracks and shrinkages, feet appear to be original with some cracks and minor repairs, some later pinning, other wear as expected with age and use Estimate: $1,000 - $1,500

743 Edward Savage (Pennsylvania/Massachusetts, 1761-1817) George Washington, known as the Lansdowne Portrait, 1801, inscribed in pencil lower right “Proof by E. Savage”, after Gilbert Stuart, mezzotint on paper, 27-1/2 x 20-1/2 in., 28-3/8 x 22 in. (sheet); wood frame, toning, foxing, stains, taped in at two points verso with masking tape, small tears at edges, creases Provenance: Private Collection Virginia Estimate: $1,000 - $2,000 Possibly a rare proof before text.

745 Lucius A. Briggs (American, 1852-1931) Whaling Ship Pocahontas, signed lower left “L.A. Briggs”, labeled on ship “Pocahntas (sic), watercolor on card, 17-1/2 x 22-3/4 in.; burlwood frame, 20-3/4 x 26 in., foxing overall, fading; frame with some wear and small losses Provenance: Private Collection, Hickory, North Carolina Estimate: $600 - $800

744 Lucius A. Briggs (American, 1852-1931) Black Ball Liner Isaac Webb in New York Harbor, signed lower left “L.A. Briggs”, partial old label verso “Isaac Webb/Briggs”, watercolor on card, 17-1/2 x 22-3/4 in.; burlwood frame, 20-1/2 x 26 in., foxing/ staining upper left, fading; frame with some wear Provenance: Private Collection, Hickory, North Carolina Estimate: $600 - $800

746 Manner of Robert Feke (American, 1707-1751) Portrait of a Lady in White, unsigned, oil on canvas, 36 x 28 in.; reproduction black finished wood frame, 43 x 35 in., old linen lining, two old patch repairs lining verso, areas of retouch, crackle (appears stable), yellowed varnish, stretcher marks, canvas slightly loose/warped at upper corners; frame with wear and small losses Provenance: David Stockwell, Wilmington, Delaware, 1981; Private Collection, Charleston, South Carolina Estimate: $2,500 - $3,500

747 Folk Painting of Two Children (American, 19th century) Twins with their Dog, unsigned, oil on mattress ticking, 30 x 24-3/4 in.; period gilt wood frame, 33-1/2 x 27-1/4 in., two old patch repairs verso, crackle, grime, retouch; frame with wear and losses Provenance: Collection of Ben Schecter and George Barimo, Athens, New York Estimate: $600 - $800

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748 James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe, 1860, third state of three (K. 66), signed in plate lower left “Whistler 1860”, drypoint etching on cream laid paper, plate 10-7/8 x 7-7/8 in., sheet 15-15/16 x 12-1/4 in.; modern frame, 24-1/8 x 19-7/8 x 1-1/2 in., good rich impression, light toning, some remnant mount tape verso Provenance: H. Lieber Company, Indianapolis, Indiana; Private Collection Estimate: $2,000 - $3,000 Literature: Kennedy, Edward G. The Etched Work of Whistler, San Francisco: Alan Wolfsy, 1978, no. 66, ill.

749 Pair of Federal Brass Andirons and Fire Fender 19th century, ball finial atop segmented columns and ball and claw feet, original iron billet bar, 20-1/4 x 10-3/4 x 23-3/8 in.; circa 1900, openwork and twisted rope decoration, 6-3/4 x 49-1/8 x 12-3/8 in., spotting and discoloration, some dents, patina and verdigris, surface dirt/accretion; one billet bar lacking middle leg, possibly re-rodded Provenance: From an Important Antique Collector, Charleston, South Carolina Estimate: $500 - $700

750 Salem Federal Carved, Figured, and Inlaid Mahogany Sideboard Massachusetts, early 19th century, attributed to William Hook, turret corner top, three paneled drawers, lower cabinet doors flanked by flame birch banded bottle drawers, foliate carved reeded stiles and legs with stacked rings, turned feet, 40 x 55-1/2 x 22 in., high polish finish, scattered shrinkages, top with filled area, drawer interiors have been stained, pulls likely original, scattered small veneer repairs, backboards with old screw holes from an older repair, later bracing, other scattered wear and imperfections as expected Estimate: $1,500 - $2,500 Illustrated in The Magazine Antiques, March 1953. 82

751 American Chippendale Mahogany Drop Leaf Table 18th century, drop leaf top with rounded corners, scallop shell carved cabriole legs, two gate legs, ball and claw feet, 28 x 40 x 20 in., old heavy top reset from shrinkage, one leg with structural repair, top with scattered small patch repairs, underside with minor insect holes (not active), scattered marks and abrasions and other imperfections from age and use Provenance: Private Collection, Charleston, South Carolina Estimate: $1,000 - $2,000

752 A Massachusetts Chippendale Carved Mahogany Side Chair Salem area, late 18th century, carved crest and pierced splat, molded rear stiles, leaf carved legs and ball and claw feet with raked talons, over the rail upholstery with brass tacking, 37-1/2 x 21 x 22 in., crest carving deeply abraded, breaks and repairs to splat with associated losses, cracks and infill, break and repair with several patches at one rear stile, other rear stile with later plugged screw, distress at knee returns, wear and abrasion to knees and feet, stains and wear to upholstery Provenance: Montague Family Collection from Toddsbury, Gloucester County, Virginia Estimate: $800 - $1,200

753 Federal Mid Atlantic Inlaid Mahogany Sideboard early 19th century, possibly Virginia, shaped bowfront top, conforming case fitted with three frieze drawers over cabinet doors, flame birch inlaid panels, tapered legs, 41-1/2 x 61 x 23-1/4 in., top with horizontal crack spanning 3/4 of rear section, top edge with a small molding loss, top with filled areas, scattered shrinkages, bottom board somewhat warped, replaced brasses, other wear and imperfections as expected with age and use Provenance: Montague Family Collection from Toddsbury, Gloucester County, Virginia Estimate: $1,000 - $2,000

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754 American Federal Inlaid Cherry Chest of Drawers late 18th/early 19th century, top with banded edge, four graduated drawers with line inlay, serpentine skirt, flared legs, poplar secondary wood, 38-1/2 x 42 x 19-1/2 in., scattered surface wear, top with scattered small patch repairs, feet have been rebuilt, scattered minor shrinkages, brasses are possibly original, other general wear and imperfections from age and use Provenance: Estimate: $1,000 - $1,500

755 American Classical Mahogany Sofa, Senate Provenance circa 1825, leaf carved and gadrooned back with turned rosettes, deeply scrolled leaf carved arms and seat rail with eagle’s head feet with wing returns, fully carved rear feet, silk upholstery, 32-1/4 x 89 x 23-1/2 in., very good overall with minor cracks at arm supports, scattered wear and some minor chips at corners, visible upholstery frame with later/replaced bracing, not fully examined under upholstery, stained and torn Estimate: $1,500 - $2,500 Note: Illustrated and discussed in The Magazine Antiques, October 1931, pg. 208209. The article describes that by tradition, the sofa is one of an original suite of four originally made for the Senate chamber of the Capital at Washington. When it was no longer in use, it is thought to have been moved to the Sun Tavern in Alexandria.

756 Five Piece New York Coin Silver Tea Service early to mid 19th century, paneled urn forms with die rolled borders, ivory spacers, blossom finials, monogram “Hart”, marks for Nicholas James Bogert (New York, NY 1801-1803 and St. Andrew’s, New York, working 1803-1843), 112.39 oz. T., including 10 in. coffee pot with matching teapot, covered sugar, creamer, and waste, coffee pot with handle pushed in; teapot and coffee pot with blossom finial off but present; creamer with three deep dents, most with bent bases, all with small dents, light scratches, and wear Provenance: James E. Mulkin Collection, Bessemer, Alabama Estimate: $1,500 - $2,500 ◉This lot contains animal or plant material that may be restricted under federal, state and/ or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn. 84

757 40 Pieces Northern Coin Silver Flatware American, 19th century, including set of six forks with oval handles, partial pseudo hallmarks; set of ten teaspoons, Henry L. Webster & Co. (Providence, Rhode Island, working 1831-1864); large tongs, marked “J.B.”; other serving spoons and teaspoons, most with monograms, 33.25 oz. T., 5-1/2 in. to 8-3/4 in., wear and damage Provenance: North Carolina Collection Estimate: $600 - $900

758 Albert Coles Coin Silver Mug American, round with engraved decoration, bead handle, inscribed “Joseph”, marks for Albert Coles (New York, NY, working 1835-1877), 3.60 oz. T., 3 in., dents and wear Provenance: Private Collection, Saluda, North Carolina Estimate: $100 - $300 760 57 Assorted Silver Small Perfume Bottles and Boxes including 37 pieces sterling: Tiffany & Co Honeywell thermometer with sterling mounts; mesh purses; card cases; cut glass dresser jars; teapot form tea ball; brushes; three bud vases; small bowl; buckles; heart shaped dish; paper weight; boxes; match box cover; Kirk book marker; ring holder; jewelry items; small perfume; clock; button hook; seal, other items including cigar holder, .950 fine; English silver box; coin silver card cases and knife; other silver plate and low silver items, 34.35 oz. T., 1 in. to 8 in., all with wear and damage Provenance: James E. Mulkin Collection, Bessemer, Alabama Estimate: $500 - $800

762 Gorham Strasbourg Sterling Flatware, 29 Pieces American, 20th century, including six 9-1/4 in. hollow handle knives, stainless blades; six 7-1/2 in. forks; six 6-1/2 in. salad forks; two 7 in. fork; six 5-5/8 in. spoons; 6-3/8 in. hollow handle cheese clever, stainless blade; 6 in. sugar spoon; 7 in. sauce ladle, no monograms, all with marks for Gorham, 32.09 oz. T. excluding hollow handle pieces, average wear Provenance: Private Collection, Asheville, North Carolina Estimate: $700 - $1,200

764 48 Pieces Assorted Silver Flatware including 12 piece coin silver: set of six forks, Gale & Hayden (New York, NY 1845-1850); two sugar spoons; three serving spoons (J. & I. Cox New York, NY, working 1817-1831 and 1833-1852); berry spoon, one Georgian English silver serving spoon, 29 pieces sterling flatware: several sets of teaspoons, six solid handle spreaders, two lettuce fork, hollow handle pie server, fork, solid handle knife; five silver plate souvenir spoons, 40.08 oz. T. excluding hollow and silver plate items, 5-7/8 in. to 10 in., all with wear and damage Provenance: A Prominent Charleston Family Estimate: $700 - $900

759 Ten Sterling Art Nouveau Items American, late 19th/early 20th century, all with flowing figural and floral decoration, including Unger Bro bud vase; Foster & Bailey mirror and brush; Wm B. Kerr & Co. case; hollow handle brush and nail file; two match safes; small round case; sterling front brooch, 4.83 oz. T excluding hollow pieces, 1-1/2 in. 9-1/4 in., all with wear and damage Provenance: Mulkin Collection, Bessemer, Alabama Estimate: $300 - $600 761 47 Pieces Assorted Silver Flatware 19th/20th century, 30 pieces sterling including Tiffany finial; fish server, serving spoons, teaspoons, bon bons, serving fork, souvenir spoon, demitasse spoons, salt spoon, 13 pieces coins silver: three forks, teaspoons, sugar spoon, two serving spoon, most with marks for Hotchkiss & Schreuder, George III Irish silver pierced ladle (decoration probably later), four pieces silver plate including serving spoon, Elkington asparagus tongs, sugar, and meat fork, 29.77 oz. T. excluding silver plate pieces, 2 in. to 9 in., all with wear and damage Provenance: Riddling Estate Estimate: $600 - $900

763 Four Sterling Hollowware Table Items 20th century, including shell form dish, no makers mark; round Wallace bowl, wave border; Wilcox bowl with floral border; weighted round basket, 15.59 oz. T. excluding weighted piece, 5 in. to 10-1/4 in., dents and wear Provenance: Private Collection, Asheville, North Carolina Estimate: $300 - $600

765 16 Sterling Table Items American, 20th century including: Whiting Louis XV cake saw; 2 soup ladles, one unmarked; hollow handle candle snuffer; bowl and underplate; two oval bowls, one Gorham; two round bowls; small plate with openwork border; three footed cake plates, one Gorham; oval frame with ball feet; cut glass basket with silver mounts, various makers, .925 fine, 63.22 oz. T. excluding glass, frame, and hollow handle, 5-1/2 in. to 11-3/4 in., all with wear and damage Provenance: Private Collection, Saluda, North Carolina Estimate: $1,000 - $1,500

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766 American Federal Inlaid and Plum Pudding Mahogany Butler’s Secretary Bookcase late 18th century, Pennsylvania or Southern, flared cornice with drop spire molding, paneled doors, shelved interior, secretary drawer with fall front door and fitted interior, three lower drawers, ogee bracket feet, poplar and pine secondary wood, 93 x 44 x 23 in., some spire moldings missing, resurfaced, minor inlay separations, some drawer pulls detached or missing, returns with thin cracks, small veneer patches, feet are replaced, scattered shrinkages, surface wear and other imperfections expected with age and use Estimate: $1,000 - $2,000

767 Boston Classical Carved Rosewood Pier Table early 19th century, possibly Isaac Vose, marble top, blocked frieze with spired border, heavily scrolled acanthine supports, mirrored back, shaped plinth, lobed feet, 35-1/2 x 36 x 12 in., marble with minor chips at corners, scattered shrinkages and veneer patches, minor repairs and glue residue to frieze carvings, later “antiqued” mirror plate lacking backing, other general wear as expected Estimate: $800 - $1,200 ◉This lot contains animal or plant material that may be restricted under federal, state and/ or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

768 Pennsylvania Walnut Tilt Top Tea Table 18th century, circular tilt top, bird cage support, turned standard, saber legs, pad feet, 29 x 30 x 31 in., top with crack on one side near center, top likely associated with old hinge marks on underside, underside of base lacking iron hinge, other general wear from age and use Estimate: $400 - $600 86

769 Chippendale Carved Walnut Shepherd’s Crook Open Armchair British or American, 18th century, pierced and serpentine front seat rail, ball and claw feet, 37-3/4 x 26 x 22 in., one patch and repair at splat and at one rear foot, later front seat blocking, some knee returns restored, minor patches at arm attachments, other typical surface wear and distress Estimate: $300 - $500

770 Elnathan Taber Massachusetts Federal Inlaid Mahogany Tall Case Clock Roxbury, circa 1795, dial faintly signed “E. TABER”, surmounted by a reticulated crest and brass finials, painted dial with raised gilt decoration and floral corners, calendar aperture, brass movement, bonnet and case with brass mounted stop fluted columns, string inlaid door and base, serpentine skirt, shaped bracket feet, includes key, winder, two weights and pendulum, 95-1/2 x 19-1/2 x 10 in., in a fine state of preservation overall, dial with craquelure and minor paint losses, black light examination shows one small area of paint retouch and calendar aperture with later paint, small old loss to one fluted column, replaced hinges, base with vertical shrinkage, front feet are replaced, other general wear as expected with age and use Provenance: Delaney Antique Clocks, West Townsend, Massachusetts; Private Collection Estimate: $4,000 - $6,000

771 Philadelphia Classical Burl Wood and Mahogany Pedestal Dining Table circa 1820, likely Anthony Quervelle or related maker, two drop leaf swivel top ends with burl wood bolection frieze and acanthine and lobed columnar supports, incurvate plinths, foliate scrolled hairy paw feet, casters, 29-1/2 x 86 x 44 in., structurally sound and functional, top with scattered wear, brass clips fit tightly, pedestals with later bracing under tops, plinths with shrinkages, veneer repairs and minor losses, scattered chips to feet, other general wear and imperfections from age and usage Estimate: $3,000 - $5,000

772 New York Classical Parcel Gilt and Bronze Mounted Mahogany Pier Table circa 1825, possibly J. & J.W. Meeks, later marble top, bolection frieze, columnar supports with bronze capitals, mirrored back, incurvate plinth, acanthine carved paw feet, 37 x 40 x 19 in., later marble as noted, finish with wear and sun fading, scattered veneer shrinkages and minor cracks, later mirror plate and backboard, feet likely regilded some time ago with scattered losses and wear, bronze mounts with minor oxidation, other general wear expected with age and use Estimate: $2,500 - $3,500

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773 Charles Vezin (American, 1858-1942) New York Harbor, signed lower right “C. Vezin”, oil on canvas, 25 x 30 in.; fine period Newcomb Macklin gilt wood frame, 29 x 34 in., original canvas and stretchers, crackle; frame with wear, regilt Estimate: $4,000 - $6,000

774 Royal H. Milleson (Illinois/Ohio, 1849-1935) Evening Glow, signed lower right “Royal H. Milleson”, oil on canvas, 20 x 16 in.; period carved gilt wood frame, 25 x 21 in., crackle, stretcher marks, surface dirt layer; frame with wear and abrasions Provenance: Dave and Chris Knoke, Marietta, Georgia Estimate: $400 - $600 88

775 Nell Choate Jones (American, 1879-1981) Flowers in a Vase, signed on artist made frame verso “Nell Choate Jones”, also stamped frame verso “Nell Choate Jones February 1979”, oil on canvas, 20-1/4 x 18 in.; carved painted and giltwood signed frame, 26-1/4 x 24-1/4 in., crackle, surface dirt layer, area of retouch lower right, stretcher marks; frame with wear, abrasions, separation at corners Provenance: Dave and Chris Knoke, Marietta, Georgia Estimate: $1,000 - $1,500

776 Thomas Hart Benton (American 1881-1975) The Little Fisherman, 1967, edition 300, signed lower right “Benton, lithograph, sheet 18 x 13 in.; modern frame, 27-1/2 x 22 x in., full margins, masking tape verso edges, slight toning in margins Provenance: Private Collection Estimate: $2,000 - $3,000

777 Thomas Hart Benton (American 1881-1975) Ten Pound Hammer, 1967, edition 300, signed lower right “Benton”, lithograph, sheet 17-7/8 x 12-7/5 in.; modern frame, 27 x 22 x 1-1/2 in., hinged in, full margins, masking tape verso edges, slight toning in margins Provenance: Private Collection Estimate: $3,000 - $5,000

778 Mario Andres Robinson (American, born 1970) Leon’s Tire Service, signed lower right “Mario”, watercolor on paper, 18 x 24 in.; black painted wood frame, 22-1/4 x 28-1/4 in., color and condition excellent; frame with some wear Provenance: Private Collection Estimate: $7,000 - $9,000 Note: For more information about the artist: https://www.marioarobinson.com/about

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779 Jeno Juszko Sculpture (American/Hungary, 1880-1954) Boy with Goat, signed on bronze base “J. Juszko”, patinated bronze, 11 x 6 x 10-1/4 in., on a painted wood plinth, 3 x 6 x 12 in., verdigris to black patina, good condition; base with abrasions Provenance: Collection of Ben Schecter and George Barimo, Athens, New York Estimate: $600 - $900

780 American 19th Century Horse on Stand early 19th century, canvas and hide covered wood frame in the form of a running horse, painted hooves, glass eyes, mounted on iron dowel and carved wood base, overall 32-3/4 x 39 x 10-1/2 in., substantial wear, lacking ears, separations to fabric at withers, tear to canvas and loss of hide at proper left shoulder, lifting, tears, and losses to hide throughout, lacking mane and tail, lacking proper left eyes, minor losses to paint at hooves, base with wear and abrasions Provenance: Private Collection, New York Estimate: $400 - $600

781 Carved and Painted Wood Apothecary Trade Sign, C.H. Case probably American, late 19th/early 20th century, multi board construction, on black painted metal stand, 56 x 21-1/2 x 13-1/2 in. (including base), surface dirt/accretion, scattered paint loss at edges, scattered cracks and separations, front and back facing panels each with large crack and separation, some corner chips and small losses, stand with minor wear Provenance: Collection of Ben Schecter and George Barimo, Athens, New York Estimate: $1,000 - $2,000

782 Large Scale Model Steam Locomotive and Tender American, 20th century, model after a circa 1930s engine, engine, 14 x 33-9-1/2 in.; tender, 11 x 23 x 10 in., overall scattered paint losses, oxidation, oil residue and grime on pistons, possibly lacking some elements, not tested for functionality Provenance: Private Collection Estimate: $1,000 - $3,000 783 American Paint Decorated Blanket Chest late 18th century, probably Pennsylvania, hinged top with molded edge, dovetailed case painted with “MMS” monogram and floral decoration, shaped bracket feet, divided interior, interior with pencil inscription related to the Shunk and Vosburgh families, 24 x 43-1/2 x 18-1/2, good integrity overall, paint appears to be 19th century, older red paint showing underneath blue paint in areas of loss, scattered wear and losses to painted surface, repaired back foot, later nails, scattered shrinkages and surface wear, other imperfections as expected with age and use Estimate: $800 - $1,200 90

784 American Red Painted Pine Cupboard late 18th/early 19th century, ogee dentil molded cornice, cartouche glazed doors, patera motif carved paneled sides and cabinet doors, bracket feet, 70-1/2 x 47-1/2 x 21 in., old painted surface with wear and areas of later paint, cornice with some splitting along front, upper case lacking backboards and shelving, scattered old insect holes (not active), scattered shrinkages, later hardware and locking mechanisms, rebuilt feet, one rear foot with loss, scattered cracks and other wear from age and usage Estimate: $800 - $1,200

785 American Grain Painted Lift Top Blanket Chest 19th century, painted in brick red, gold lettering reads “Thomas Murphey, PA, 1849”, hinged lid, black painted lid molding and base, poplar and white pine, dovetailed construction, 16-3/4 x 25-3/4 x 15-1/2 in., later grain paint with scattered wear, retouch to black paint, restoration at hinges on lid and backboard, water staining to underside of base Estimate: $300 - $500

786 Pair of Sterling Repousse Compotes American, early 20th century, inverted rim with floral repousse decoration, both with heraldic device on center of bowl, marks for retailer Bailey, Banks & Biddle (Philadelphia, Pennsylvania, working 1878-2019) and maker Dominick & Haff (New York, NY, working 1872-1928), “635”, 40.73 oz. T., 4-1/4 x 8 in., light scratches and minor wear Provenance: Private Virginia Collection Estimate: $800 - $1,200

787 S. Kirk & Son Coin Silver Repousse Tureen Maryland, 1846-1868, round, two handle, four scroll feet, and floral finial, all with floral repousse decoration, no monogram, marks for S. Kirk & Son (Baltimore, Maryland, working 1846-1868), “11oz.”, 56.06 oz. T., 8-1/4 x 11-1/4 x 9 in., one foot pushed in, rim bent, interior scratches, and slight wear Provenance: Private Virginia Collection Estimate: $1,500 - $2,500

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788 Six Piece Gorham Sterling Tea Service and Tray American, mid 20th century, pear forms with scroll and floral decoration, urn finials, ivory and composite spacers, no monograms, all with marks for Gorham, 213.85 oz. T., including 13 in. hot water kettle with matching coffee pot, teapot, cover sugar and 25 in. two handle tray; with similar creamer, same form lacking decoration, 4-1/2 in., all with small dents, light scratches and typical wear Provenance: Christie’s, Sale 2141, March 4, 2009, lot 253; Private Collection Estimate: $4,000 - $5,000 ◉This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

789 Reed & Barton Francis I Sterling Compote American, 20th century, round with foliate and fruit decoration, no monogram, marks for Reed & Barton, 4-1/4 x 11-1/2 in. 25.77 oz. T., light scratching and minor wear Provenance: Private Virginia Collection Estimate: $500 - $800

790 Set of Eight Gorham “272” Sterling Goblets American, 20th century, typical form, no monograms, all with marks for Gorham, “272”, 49.43 oz. T., 6-1/2 in., three with bent base (doesn’t sit flat), some with small dents, bent rim, minor roughness at rim, and light scratches Provenance: Private Collection, Black Mountain, North Carolina Estimate: $1,000 - $1,500

791 Sterling Openwork Center Bowl American, 20th century, round with scroll and floral openwork rim, engraved center, no monogram, marks for Shreve, Crump & Low Co., “906S”, 49.94 oz. T., 1-1/4 x 14 in., light scratches and minor wear Provenance: Private Collection Estimate: $1,000 - $1,500

792 Gorham Versailles Sterling Flatware, Service for 12, 178 Pieces American, 20th century, including twelve 9-3/4 in. hollow handle knives, silver plate blades; twelve 8-3/4 in. hollow handle knives, silver plate blades; twelve 7-3/4 in. forks; twelve 6-3/4 in. forks; twelve 6-3/4 in. salad forks; eleven 6-1/4 in. gilt fish forks; twelve 5-3/4 in. cocktail forks; twelve 4-3/4 in. ice cream forks, gilt bowls; twenty four 5-7/8 in. teaspoons; twelve 7-1/8 in. oval soup spoons; eleven 5 in. round soup spoons; twelve 6 in. gilt spoons, shell bowl; twelve 8-3/4 in. tablespoons; twelve 5-3/4 in. solid handle spreaders, all with monograms and marks for Gorham, 201.26 oz. T. excluding hollow handle pieces; with pasteboard case, average wear Provenance: Ohio Private Collection Estimate: $4,000 - $6,000 92

793 Towle King Richard Sterling Flatware, 79 Pieces American, 20th century, including seven 9-1/2 in. hollow handle knives, modern stainless blades; eight 8-3/4 in. hollow handle knives, modern stainless blades; eight 7-5/8 in. forks; eight 7-3/8 in. forks; eight 6-1/2 in. forks; twelve 6 in. teaspoons; five 8-1/4 in. ice tea spoons; four 5-3/4 in. hollow handle spreaders; eight 7-1/4 in. oval soup spoons; youth fork and spoon; eleven serving pieces including three serving spoons, two ladles, solid handle butter knife, meat fork, sugar tongs, pickle fork, sugar spoon, small serving spoon, hollow handle carving set, no monograms, all with marks for Towle; with Gorham bon bon, 115.09 oz. T. excluding hollow handle pieces; with five silver plate serving pieces (86 pieces total); wooden one drawer case, silver with average wear; case with scratches and wear Provenance: Private Collection, North Carolina Estimate: $1,600 - $2,200

795 Twelve Silver Plate Table Items most English, including lidded buffet server with stand and burner; divided warmer with wooden handle; two small bowls; eight serving pieces, 2-1/4 in. to 18 in., all with wear and loss to plate Provenance: Collection of Anne H. and Frederick Vogel III Estimate: $100 - $300

794 Reed & Barton Marlborough Sterling Flatware, 85 Pieces American, 20th century, including ten 9-1/8 in. hollow handle knives, stainless blades; two 9-3/4 in. hollow handle knives, stainless blades; twelve 7-1/8 in. forks; twelve 6 in. salad forks; thirteen 5-3/4 in. spoons; ten 7-1/4 in. round soup spoons; ten 7-5/8 in. ice tea spoons; eleven 5-5/8 in. solid handle spreaders; 7-1/4 in. solid handle butter knife; two 8-1/4 in. serving spoons; hollow handle carving set, no monogram, all with marks for Reed & Barton, 87.19 oz. T. excluding hollow handle pieces, average wear Provenance: Private Collection, Asheville, North Carolina Estimate: $2,200 - $3,000

796 Assorted Sterling Flatware, 44 Pieces 20th century, including eleven Wallace Berain round soup spoons; bon bon; sugar tongs; pickle fork; teaspoons; forks; bon bon; eleven straws; thimble form shot; small dish; flask cup; seven pieces hollow handle: Gorham cheese knife with floral insect handle; four knives, cheese server, and one assembled cocktail stirrer; English silver teaspoon, Continental pickle fork, 24.81 oz. T. excluding hollow handle pieces, 2 in. to 13 in., all with wear Provenance: Private Collection, Asheville, North Carolina Estimate: $400 - $800

https://live.brunkauctions.com/auctions/brunk/premier-auction-featuringOffered in the January 11, 2024 Auction collection-of-david-bahlman-and-howard-klosterman-january-11-13759

797 Five Antique Etched and Frosted Glass Panels 19th century, comprising two pairs and a single: pair geometric and bird decorated examples, 51-7/8 x 12-1/4 in.; pair Greek key and foliate decorated examples, 46-7/8 x 14-1/4 in.; floral urn example, 22-1/8 x 44-1/4 in., surface dirt and accretion, some adhesive residue from prior mounting, scattered scratches and edge wear, one with corner edge chip Provenance: From an Important Antique Collector, Charleston, South Carolina Estimate: $800 - $1,200

798 Pair of American Late Classical Mahogany and Marble Top Pier Tables circa 1840-1850, probably New York, made for the Southern market, shaped Egyptian marble top, scrolled frieze centered by a shell medallion, heavily scrolled supports, mirrored back, shaped plinth, scrolled feet, both with metal plaques labeled “Lawrence Thompson, April 20, 1848”, accompanied by a framed purchase receipt from 1848, 35 x 43 x 18-1/4 in., both tables structurally sound, one marble top with restorations, marble tops are likely original with abrasions and minor discolorations, mahogany is sun faded, replaced mirror plates, scattered veneer shrinkages and repairs, one table lacking backing over mirror plate, one table with loss above rear left foot, other small losses and general wear as expected with age and use Provenance: Lawrence Thompson, New Orleans, 1848 (see period receipt); Private Collection Estimate: $2,000 - $3,000 799 Pair of Classical Rectangular Giltwood Mirrors 19th century, molded frames, likely original period mirror plates, 64-1/2 x 33-1/2 in., mirror surround with scattered later paint on top of old gilt, scattered surface losses, mirror plates not removed for inspection but are heavy with consistent silvering and old backboards, other general wear from age and use Provenance: Private Collection Estimate: $400 - $600

800 Mahogany Grandmother’s Clock 19th century, with interior label “Florian Papp, Inc. Early American and English Antiques, brass dial, stepped ogee base with bracket feet, 57 in., associated works, overall good condition with light wear and abrasion to surface, wear to underside of feet Estimate: $500 - $700 94

801 Four Pieces of Northern Stoneware salt glaze storage jar, stamped “O.L. & A.K. BALLARD / BURLINGTON, VT.”, cobalt floral decoration, slip glazed interior, stamped “3” at shoulder, lug handles, rounded flared rim, 12 in.; salt glaze stoneware jug stamped “GEDDES”, cobalt floral decoration, stamped “2”, large strap handle, thick rim, 14 in.; “WHITES UTICA” stamped salt glaze jug, “2” capacity mark, cobalt floral decoration, strap handle, thick rim, 133/4 in.; storage jar with cobalt vine and leaf decoration around the belly of jar, slip glazed interior, ridged lug handles, straight neck, 12-1/2 in., glaze voids and anomalies as made, surface abrasions, minor chips to clay bodies, staining, residue, “BALLARD” jar with chip to interior rim and lid shelf, chips to handle, other handle with small chip 3/4 in. chip to side of jar, other minor chips, “GEDDES” jug with 1 in. base edge chip, “WHITES” jug with 1 in. rim chip, chip to handle, other surface abrasions and chips, base edge wear, unsigned jar with residue to exterior, 3-1/2 and 6-1/2 in. hairlines down from neck, tiny rim chips and wear, staining Provenance: Estimate: $200 - $400

802 Fine Wrought Iron Patio Dining Suite American, mid 20th century, unmarked, Salterini style, suite comprised of a glass topped dining table, two armchairs and four side chairs; table 30 x 61 x 35 in.; side chairs 33 x 19 x 21 in.; arm chairs 33 x 20-1./2 x 22 in., excellent overall condition, no visible cracks, breaks or repairs, casters on all chair feet, likely applied (skillfully) later, overall surface wear commensurate with age and outdoor use Provenance: The Important Private Collection of a Rocky Mountain Couple Estimate: $1,500 - $2,500

803 Fine Wrought Iron Patio Suite American, mid 20th century, Salterini style, the seven piece suite comprised of two glass topped side tables, settee, two arm chairs, chaise, glass topped coffee table; side tables 22-1/2 x 27 x 17 in.; settee 33 x 69-1/2 x 32 in.; arm chairs 33 x 2611/2 x 32 in.; coffee table 18 x 42 x 25 in.; all chairs with cushions, wear losses and some resulting rust to original black painted finish, pad feet on all chairs with later (skillfully) added casters, overall wear commensurate with age and outdoor use; pads with extensive overall wear Provenance: The Important Private Collection of a Rocky Mountain Couple Estimate: $1,500 - $2,500

804 Russell Woodard Attributed Chaise and Table American, 20th century, the wheeled, adjustable iron chaise with mesh seat and back, with matching round side table, chaise 66 x 25 x 36 in.; table 17-1/2 x 30-1/4 in.; chaise with green canvas cushion, excellent overall condition, some overall wear commensurate with age and outdoor use; cushion with wear Provenance: The Important Private Collection of a Rocky Mountain Couple Estimate: $600 - $800

805 Pair Neoclassical Iron Garden Chairs American or British, 20th century, unmarked, the two iron side chairs with inset vinyl cushions, central bas relief rosette, one with painted panel on back, 34 x 21-1/4 x 22 in., overall pitted surface commensurate with age and outdoor use; cushions with wear and grime Provenance: The Important Private Collection of a Rocky Mountain Couple Estimate: $500 - $700

https://live.brunkauctions.com/auctions/brunk/premier-auction-featuringOffered in the January 11, 2024 Auction collection-of-david-bahlman-and-howard-klosterman-january-11-13759