Premier and Emporium Auctions | July 19 & 20, 2019

BA

Brunk

Auctions

BA

Brunk

Auctions July 19 & 20, 2019

Early Preview By Appointment Friday, July 19, 2019

Public Preview Begins 8:00 AM Emporium Auction Begins 9:00 AM Saturday, July 20, 2019 Public Preview Begins 8:00 AM Premier Auction Begins 9:00 AM BrunkAuctions.com 117 Tunnel Road Asheville, NC 28805 828-254-6846 info@brunkauctions.com NCAL 3095

Featured Estates

Estate of Charlie Tate, Asheville, North Carolina Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estate of Mary Ann Bresee, Orange Park, Florida Private Collection, Candlewood Lake, Connecticut Estate of William Hodges, South Garden Plantation, Providence Forge, Virginia Private Collection of Siao Huy Wu, Raleigh, North Carolina Private Collection, Delaware Private Collection, Greenville, South Carolina Estate of Danny Wiginton, Huntsville, Alabama Property From an Important Tennessee Living Estate Private Collection, Knoxville, Tennessee Private Collection, New York, New York Private Collection, Pinehurst, North Carolina Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Private Collection, Richmond, Virginia Private Collection, Wilmington, North Carolina Private Memphis, Tennessee Collection A North Carolina Estate Private Virginia Collection Property from an Important South Carolina Estate Private Collection, North Carolina

E mp o r i u m Lots 1-799 Available Online

S e ssi o n II 6

Asian

10

British

18

Continental

26

Naturalist Prints

30

Southern

36

Estate of Charlie Tate

44

Native American & Western

52

American

64

Modern & Craft

72

Silver

78

Condition

84

Fine Art Index

mporium E

Auction

Prelude to our Premier Auction Friday, July 19 at 9:00am - lots 1 to 799 Featuring Fine Art, Decorative Arts, Native American, Asian Art, Scrolls, Furniture, Art Pottery, Sterling and Silver-Plate, Decoys, Dolls, Art Glass, Items from Estate of Charlie Tate Please visit BrunkAuctions.com for images and full descriptions.

Asian

Asian

801 Ten Chinese Export Famille Rose Plates 18th century, gilt octagonal with underglaze blue borders, iron red band, flowers on a rocky outcropping, 8-1/2 in.

Provenance: Funk Collection, NJ Estimate: $800 - $1,200

802 Pair Chinese Export Lidded Porcelain Urns, Qing dynasty, each with oval landscape cartouche, pistol grip handles, scattered flower and vine design, faux marble base, 15 in.

Estimate: $1,000 - $2,000

803 Chinese Export Famille Rose Charger Qing dynasty, central enamel floral decoration with vignettes of birds and pavilions along border, 13-7/8 in.

Provenance: Private Collection, SC Estimate: $500 - $700

804 Chinese Porcelain Famille Verte Vase possibly Qing dynasty, tianqiuping form, blue underglaze Kangxi mark at base, 17 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $500 - $700

July 20, 2019

II

805 Chinese Lacquered Sewing Box, Gilt Decoration, Qing dynasty, octagonal lift lid and single drawer, brass bale handles, metal escutcheon, 6 x 13 x 9-1/2 in.

Provenance: Reeves Collection, GA Estimate: $500 - $700

806 Canton Chinese Export Porcelain Partial Service, Qing dynasty, 17 rose verte decorated objects: nine plates; six bowls; two trays, 1-3/4 in. to 11-1/2 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

807 Pair Diminutive Chinese Export Wucai Vases, possibly Qing dynasty, each suantouping form with underglaze blue Yongzheng reign mark, 5-1/4 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $600 - $900

808 Pair Chinese Enameled Porcelain Vases Qing dynasty, pair porcelain finely enameled vases, unmarked, chrysanthemum, butterflies, 17 in. to 17-1/2 in Provenance: Gore Collection, VA Estimate: $1,000 - $2,000

6

For full cataloging and images see our website, brunkauctions.com

811 Set of Seven Chinese Dragon Plates Qing dynasty, plates with dragon theme, Wanli reign mark, 8-1/2 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $400 - $600

812 Chinese Blue and White Dragon Plate Qing dynasty, underglaze blue with artemisia leaf mark, 6-7/8 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $400 - $600

814 Qing Dynasty Underglaze Blue Brush Pot, Chinese, possibly Kanqxi, porcelains and auspicious objects, Sotheby's Arcade Auctions label, 5 x 4-3/4 in.

Provenance: Sotheby's Arcade Estimate: $600 - $900

815 Chinese Blue and White Bowl porcelain bowl with blue floral pattern on white, reign mark of Xuande, 2-1/2 x 5-1/8 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $500 - $700

818 Longquan Style Celadon Duck Chinese, possibly Ming dynasty, resting duck, incised feathers accented with blue glaze, slightly open mouth, 6 x 9 in.

Estimate: $800 - $1,200

819 Chinese Vase with Dragon Qing dynasty, yellow vase with brown five clawed dragon above green waves, flaring neck, reign mark of Qianlong, 9 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $1,000 - $1,500

813 Famille Rose Stem Cup, Qianlong Mark Chinese, Qing dynasty, fine enamel decoration of pomegranates and lemons, silvered metal applied border at rim, iron red Qianlong seal mark on base, 3-3/4 in. (9.5 cm.), with box Estimate: $6,000 - $9,000

816 Pair 18th Century Chinese Bat Dishes Qing dynasty, blue clouds with flying bats, reign mark of Qianlong, 6-1/8 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $500 - $700

817 Chinese Porcelain Blue and White Vase Qing dynasty, tianqiuping form, blue underglaze Kangxi reign mark, 9 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $500 - $700

820 A Fine Chinese Blue and White Porcelain Cup Kangxi six-character mark in underglaze blue within a double circle, possibly of the period, 2 x 2-1/2 in.

Estimate: $2,000 - $3,000

Condition notes available in back of catalog

II Asian

810 Qinbai Chinese Carved Celadon Bowl possibly Song dynasty, thinly potted incised decoration, petal design, glazed foot, crackle, 1-3/4 x 6-3/8 in.

Provenance: Private Collection Estimate: $500 - $700

July 20, 2019

809 Chinese Dragon Bowl possible Qing dynasty, wucai dragon and phoenix, overglaze iron red, Qianlong reign mark, 4-3/8 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $600 - $900

7

821 A Fine Chinese Copper Red Bottle Vase Jiaqing seal mark in underglaze blue, possibly of the period, 7-1/4 in.

Estimate: $6,000 - $8,000

824 Chinese Flambe Vase with Wooden Stand, Qing dynasty, oxblood on green with no visible mark, 8-1/4 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $400 - $600

825 Six Panel Lacquered and Parcel Gilt Room Screen, Chinese, 20th century, polychromed, gilt landscape, verso with branches, flowers, birds 72-1/2 x 96 in.

Provenance: Private Collection Estimate: $500 - $700

Asian

823 Chinese Peach Bloom Brush Washer Qing dynasty, liver colored body, 1-3/4 x 4-3/4 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $800 - $1,200

826 Longquan Style Celadon Brush Rest Chinese, stand with two applied chilong figures, impressed decoration on sides, 2-1/2 x 4-3/4 x 7-3/4 in.

Estimate: $600 - $900

827 Chinese Blue and White Planter Qing dynasty, blue and white Empress with boys playing, mark of Kangxi within Greek key fret, 7-1/4 x 8-1/2 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $400 - $600

828 Near Pair Chinese Vases with Enameled Decoration, possibly Qing dynasty, decoration of clouds and figures, Kangxi reign mark; Qianlong mark, 14-3/8 in.

Provenance: Private Collection Estimate: $800 - $1,200

829 Chinese Huanghuali Brush Pot Qing dynasty, cylinder brush pot shape with plugged interior, 4-5/8 in.

Provenance: Private Collection, NC Estimate: $600 - $800

July 20, 2019

II

822 Chinese Porcelain Sang de Boeuf Vase Qing dynasty, yuhuchunping form, rich oxblood red color, crackle finish, 12 in.

Provenance: Sotheby's, New York Estimate: $600 - $900

830 Pair Monumental CloisonnÊ Jardinières on Stands, Chinese, late Qing dynasty, bronze with lion mask handles, foo lion decoration, 15 x 23 in.; stands, 30-1/2 in.

Provenance: Tennessee Living Estate Estimate: $1,000 - $2,000

831 Famille Rose Punch Bowl Chinese, late Qing dynasty, interior court yard scene with figures, alternating figural and floral panels, 5 x 16 in.

Estimate: $800 - $1,200

832 Chinese Longquan Celadon Double Fish Dish, possibly Song period, crackled glaze, 1-1/4 x 5-1/4 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $600 - $900

833 Chinese Famille Rose Vase Qing dynasty, decorated with branches and blossoms, Greek key handles, mark of Qianlong, 22-1/2 in.

Provenance: Private Collection, NC Estimate: $400 - $600

8

For full cataloging and images see our website, brunkauctions.com

834 Chinese Longquan Celadon Figural Vase, possibly Song period, figural decoration, grayish white glaze, brick red exposed clay at base, 10 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $600 - $900

835 Three Tang Dynasty Pottery Figures Chinese, court lady standing arms folded, tall crescent shaped coiffure, 10-3/4 in.; with pair of ducks, Sotheby's tags Provenance: Wu Collection, Raleigh, NC Estimate: $500 - $700

836 Chinese Celadon Ceramic Redware Vessel , possibly Han dynasty, hu form, mottled, crackled green glaze, 15-1/4 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $500 - $700

837 Two Gilt Bronze Buddhas Thai, seated figure on wood base, traces of cobalt to head, 10-1/4 in. including base; standing figure, hands crossed, 9-1/2 in.

Estimate: $500 - $700

838 Three Chinese Reverse Paintings on Glass , 20th century, portraits of women playing musical instruments, ebonized frames, one 23 x 17 in.; two 21 x 14 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

839â—‰ Chinese Peking Glass Snuff Bottle blue glass carved through to snowflake glass with relief figural carving, 2-1/2 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $500 - $700

840 Chinese Carved Stone Snuff Bottle flora and fauna decoration, low grade silver cap and spoon, purple colored stone finial, 3 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $600 - $900

841 Chinese Carved Stone Table Screen Qing dynasty, relief carved stone plaque, 11 x 12-1/2 in.; set in a carved hardwood base, 15-1/4 x 13-1/4 x 5 in.

Provenance: Private Collection Estimate: $500 - $700

844 Jade Double Gourd Figure Chinese, carved double gourd with russet color, 2-1/4 in.

Provenance: Bresee Estate, FL Estimate: $400 - $600

843 Jade Belt Hook Mythical Beast Chinese, carved with smaller figural hook, 3-1/2 in.

Provenance: Estate of Mary Ann Bresee, Orange Park, Florida Estimate: $600 - $900

845 Jade Buddha's Hand of Citron Chinese, light celadon jade carving, 2-1/2 in.

Provenance: Estate of Mary Ann Bresee, Orange Park, Florida Estimate: $500 - $700

Condition notes available in back of catalog

846 Jade Mother Cat and Kitten Chinese, carved figure of cat and her kitten kissing, 2 in.

Provenance: Bresee Estate, FL Estimate: $400 - $600

July 20, 2019

842 Jade Cat and Kitten on Stand Chinese, carved cat and kitten with wood stand, 2-1/2 in.

Provenance: Estate of Mary Ann Bresee, Orange Park, Florida Estimate: $500 - $700

Asian

II

9

847 James Cranke I (British, 1707-1780) Portrait of Henry Ashurst Esquire, within feigned spandrel, signed lower right "Crank Pinxt. 1749" and inscribed lower left, oil on canvas, 30-1/8 x 24-7/8 in.; 19th century gilt wood and composition frame, 37 x 32-1/8 in.

Provenance: Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Estimate: $3,000 - $6,000

848 Attributed to Francis Cotes, R.A. (British, 1726-1770) Young Lady said to be Mrs. Charles Arnold of Shenley, oil on canvas, 30-1/8 x 25 in.

Provenance: Parke Bernet Estimate: $1,000 - $2,000

British

849 British School (18th century) Woman in Bonnet and Black Lace Gown, oil on canvas, 27-1/2 x 23-1/4 in.; framed Provenance: Funk Collection, NJ Estimate: $1,000 - $1,500

850 British School (18th century) A Hunting Party on a Vast Estate, unsigned oil on canvas, 28 x 36 in.; 18th century or style frame, 34-1/2 x 41-1/4 in.

Provenance: Collection of Wilfred and Eleanor Funk, Montclair, NJ; By descent in family Estimate: $2,500 - $3,500

851 British School (18th century) Seated Gentleman in Red Chair, unsigned, oil on canvas, 34-3/4 x 27-3/8 in.; framed Provenance: Funk Collection, NJ Estimate: $800 - $1,200

857 Four Pieces Whieldon Type Creamware British, mid 18th century, comprising plate, 9 in.; pair bowls, 5-1/2 in.; small bowl, floral decoration, 3-3/4 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

855 Staffordshire Whieldon Type Covered Milk Pitcher, British, mid 18th century, pear shape body, mottled brown glaze, cover with flower finial, 7 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

858 Jacobean Style Leather Upholstered Armchair, 20th century, brass and steel finials, reclining arms, distressed leather, brass tacking, 43-1/2 x 40 x 37 in.

Provenance: Private Collection, TN Estimate: $500 - $700

II

856 Staffordshire Creamware Whieldon Type Teapot, British, mid 18th century, melon form body, bands of green and yellow over wavy lines, 4-1/2 in.

Provenance: Funk Collection, NJ Estimate: $600 - $900

859 George III Mahogany Chest on Chest British, 18th century, figured mahogany throughout, fitted butler's desk, ogee bracket feet, 75-1/2 x 44 x 23-1/2 in.

Provenance: Wiginton Estate, AL Estimate: $800 - $1,200

Condition notes available in back of catalog

British

854 Staffordshire Creamware Whieldon Type Tea Pot, British, mid 18th century, molded cover and sides with fruiting leafy branches, three paw feet, 4-1/2 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

853 British School (18th century) Portrait of Three Boys with a Basket of Fruit, ship's mast at right and view of a large city on a river, possibly the Thames, circa 1735-40, unsigned, oil on canvas, 38-1/2 x 52 in.; 18th century style carved and gilt wood frame, stamped, 60 x 46-1/2 in.

Provenance: Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Estimate: $5,000 - $7,000

860 William and Mary Japanned Tall Case Clock, British, late 17th century, gilt bronze dial signed "Jonathan Puller Londini Fecit" (London, c. 1662-1707), independent seconds, calendar aperture, brass time and strike, sarcophagus hood with pierced fretwork, 93 in.

Provenance: Funk Collection, NJ Estimate: $1,000 - $1,500

July 20, 2019

852 Two Creamware Whieldon Type Teapots, British, mid 18th century, covered teapot with Asian figures; pot with floral and vine decoration, tallest 5 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

11

July 20, 2019

British

II

12

861 Fine Pair William and Mary Brass Candlesticks, British, late 17th/early 18th century, octagonal bases with engraved stems, 8-1/2 in.

Provenance: Christie's, lot 281 Estimate: $600 - $900

862 Two Pairs Early Scalloped Push Up Candlesticks, British, 18th century, petal base; scallop base; tallest 8 in.

Provenance: Willow Corners Antiques, CT Estimate: $500 - $700

864 Two Pairs Petal Base Candlesticks British, 18th century, one with floral neck ring; one with thumb tab ejector mechanisms; tallest 9 in.

Provenance: South Carolina Estate Estimate: $500 - $700

865 Six Georgian Brass Candlesticks British, 18th Century, six various notched and scalloped bases including one pushup, 6-1/2 in. to 8 in.

Provenance: South Carolina Estate Estimate: $500 - $700

868 Classical Carved Mahogany Sofa British, early 19th century, brown mohair velvet upholstery and cushions, brass tacking, brass casters, 36 x 76 x 26 in.

Provenance: Reeves Collection, GA Estimate: $600 - $900

863 Eight Georgian Brass Candlesticks British, 18th century, scalloped petal, swirl and scalloped bases, 7-1/4 in. to 9-1/2 in.

Provenance: Mark and Marjorie Allen Antiques, New Hampshire; Northeast Auctions, (attached labels); Property from an Important South Carolina Estate Estimate: $800 - $1,200

866 Two Pairs Early Georgian Candlesticks British, 18th century, octagonal base pair, tapered bulbous stem; pair scalloped base, bulbous stem detail, tallest 8 in.

Provenance: South Carolina Estate Estimate: $500 - $700

869 Persian Gallery Rug 20th century, navy ground, repeating central pattern, humanoids, 7 ft. 10 in. x 19 ft. 2 in.

Provenance: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $1,500 - $2,000

871 George III Carved Mahogany Chest on Chest, British, late 18th/early 19th century, rich brown color, dentil molded cornice, dovetailed drawers, original ogee bracket feet, 73 x 47 x 22 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $1,000 - $2,000

872 Three Georgian Carved Mahogany Hall Chairs, British, early 19th century, each with cushion: pair, gadrooned, 32 in.; single, shell and lion carved, 35 in.

Provenance: Reeves Collection, GA Estimate: $800 - $1,200

For full cataloging and images see our website, brunkauctions.com

867 Pair George II Signed Brass Candlesticks, William Lee, British, circa 1745, both cast with maker's mark "Wm LEE", silver form, 8-1/4 in.

Provenance: Christie's, 2010, lot 328 Estimate: $300 - $500

870 Karajeh Runner Persian, 19th century, seven medallions, red ground, geometrics, trees, double "hook" borders, 4 ft. 11 in. x 12 ft. 8 in.

Estimate: $600 - $900

873 Karajeh Rug Persian, 19th century, red ground, multiple medallions, geometric designs, navy, olive, forest, camel, 5 ft. x 6 ft. 5 in.

Estimate: $600 - $900

874 Three Pairs Georgian Brass Candlesticks British, 18th century, all with cut corner bases, tallest 7-3/8 in.

Provenance: South Carolina Estate Estimate: $400 - $600

875 Pair Chippendale Columnar Candlesticks, British, 18th century, bell metal fluted stem, gadrooned, bobeches, 11 in.

Provenance: Northeast Auctions, NH Estimate: $500 - $700

876 Pair 18th Century Brass Candlesticks French or British, knopped standard, raised on shape base, Greek key border, two detachable bobeches, 10 in.

Provenance: Northeast Auctions, 2004 Estimate: $400 - $600

877 Pair Push Up Brass Tapering Candlesticks, British, 18th century, fluting on a tapering plinth, concave base, beading, band collar, 10-1/2 in.

Provenance: South Carolina Estate Estimate: $500 - $700

878 Pair of George II Brass Candlesticks British, square bases, square fluted columns, square bobeches, 10-7/8 in.

Provenance: Allen Antiques, NH Estimate: $500 - $700

879 28 Piece Minton Chinoiserie Tea Service Staffordshire, England, marks for 1847, comprising: teapot; creamer; sugar; two wastes; 12 cups, 11 saucers, 2 in. to 6 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

880â—‰ Spencer, Browning, and Co. Octant and Case, London, mid 19th century, ebony frame, brass index arm and fittings, inset ivory plates; original ebonized oak keystone box, paper label, 4 x 14 x 13 in.

Estimate: $500 - $700

881 Four Georgian Brass or Bell Metal Candlesticks, British, 18th century, scallop base forms, unmarked, 9-1/2 in.

Provenance: South Carolina Estate Estimate: $500 - $700

884 Mashad Runner Persian, 20th century, nine central medallions, 3 ft. 2 in. x 13 ft. 1 in.Provenance: Private Collection Estimate: $300 - $600

885 Apple and Pear Form Tea Caddies British, 19th century, carved wood, apple with metal escutcheon, pear with key, foiled interiors, tallest 8-1/2 in.

Provenance: Funk Collection, NJ Estimate: $600 - $900

886 Georgian Carved Walnut Birdcage British, 19th century, arcaded and domed form, removable zinc lined trays, 38 x 32 x 14 in.

Provenance: Funk Collection, NJ Estimate: $600 - $900

Condition notes available in back of catalog

British

883 Heriz Carpet Persian, 19th century, central floral medallion, floral spandrels, 7 ft. 9 in. x 11 ft. 9 in.

Provenance: Private Collection, Weaverville, North Carolina Estimate: $1,000 - $1,500

887 Scottish George III Mahogany Tall Case Clock, dial signed "Jon. Armour/Kilmaies" (Jonathan Amour, Scottish, w. 1780-1808), moon phase, date aperture, brass works, 89 in.

Provenance: Wiginton Estate, AL Estimate: $1,000 - $1,500

July 20, 2019

882 Persian Floral Runner Persian, navy ground, multiple central florals, 3 ft. 5 in. x 10 ft. 5 in.

Provenance: Private Collection, TN Estimate: $500 - $700

II

13

888 James Hardy II (British, 1832-1889) Grouse Hunting in Scotland, signed lower right "James Hardy", oil on canvas, 30 x 47-3/4 in.; gilt wood frame, 35 x 53 in.

Provenance: Private Collection, Delaware Estimate: $3,000 - $5,000

890 British School (19th century) Portrait of Rachel Howard, inscribed, oil on canvas, 30-1/4 x 25-1/8 in.; framed Provenance: Funk Collection, NJ Estimate: $800 - $1,200

July 20, 2019

British

II

14

891 After Prince Raden Saleh (Indonesian, 1811-1880) "The Attack of the Lion", unsigned, British, 19th c., oil on canvas, 39 x 48 in.; wood frame Provenance: Private Collection, South Carolina Estimate: $1,000 - $1,500

893 Follower of Henry Redmore (British, 1820-1887) Shipping in Rough Seas, bearing signature "H. Redmore 1892", oil, 26-1/8 x 40-1/4 in.; framed Provenance: Private Collection, NC Estimate: $1,000 - $1,500

894 British School (19th century) Fishing Off the Coast, unsigned, oil on canvas, 29-1/2 x 49-1/2 in.; gilt wood and composition frame Provenance: Private Collection Estimate: $800 - $1,200

896 Classical Carved and Turned Four Post Bedstead probably Caribbean, 19th century, mahogany and walnut (?) spiral turned posts and scroll decorated headboard, toile upholstery, 97 x 91 x 63-1/2 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $2,000 - $3,000

897 Six Hand Decorated Face Screens British/Continental, 19th century, various gilt and lacquered scenes depicted, one with bone handle, 15 in.

Provenance: Reeves Collection, GA Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

889 Attributed to George Angelo Crowhurst, (British, died 1844) Three silhouette portraits: blue color with gilt accents, 10 x 8 in. to 7-1/2 x 5-1/2 in.

Provenance: Reeves Collection, GA Estimate: $600 - $900

892 After Edward Algernon Stuart Douglas (British, 1848-1918) Set of Four Steeplechase Scenes, bearing signature "E.A.S. Douglas", oil on prints on artist board, 25-1/2 x 10-1/2 in.; framed Estimate: $800 - $1,200

895 Green Marble Carved Recumbent Lion British/Continental, 19th/20th century, mottled green marble figure of lion resting head on paws, 7-1/2 x 17 x 7 in.

Provenance: Reeves Collection, GA Estimate: $600 - $900

898 Three Pairs of Hand Painted Face Screens, British/Continental, 19th century, pair penwork Alpine scene; pair chinoiserie; pair floral design, 15-1/2 in.

Provenance: Reeves Collection, GA Estimate: $600 - $900

899 George IV Figured Mahogany Bookcase Cabinet British, circa 1825, rich red-brown color, upper case with two glazed doors opening to adjustable shelved interior, lower case with two long dovetailed drawers over two paneled doors, open interior, oak linings, 94 x 52-1/2 x 24-1/2 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $2,000 - $3,000

900 Scottish Regency Carved Mahogany Sideboard British, 19th century, rich color, large scrolled backsplash, three frieze drawers over two cabinet doors, open to five additional drawers, 60 x 82 x 26 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $1,000 - $2,000

901 Monumental Carved and Gilt Girandole Mirror American/British, 19th century, crested by spread wing eagle on rocky plinth, applied leaf and grape vines, shell and leaf drops, six scrolled candle arms, gilt brass candle capitals, 61 x 46 in.

Provenance: Property from a Private Durham, North Carolina Estate Estimate: $6,000 - $8,000

II

904 Neoclassical Carrara Marble Fireplace Surround British or Italian, probably late 19th century, fine sculpted Carrera marble, with drapery and Cupid carved frieze flanked by two classical maidens, 54 x 83 in.

Provenance: By tradition removed from an English country house that was razed in the 1920s, and installed in a Greenwich, Connecticut Mansion in the 1930s; purchased by the consignor in New York, circa 2000; Private Collection Estimate: $15,000 - $25,000 A closely related fireplace surround said to have come from the home of Gouverneur Morris and dated to 1798 was sold at Christie's, January 17, 2019.

Condition notes available in back of catalog

July 20, 2019

903 William IV Figured Mahogany Sideboard British, circa 1825, rich red-brown color, two central drawers, cellaret drawer and door, 44 x 72-1/2 x 31 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $1,000 - $2,000

British

902 William IV Burl Oak Cellaret British, 19th century, honey brown color, gadrooned top, removable dovetailed box, 22 x 28 x 21-1/2 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $800 - $1,200

15

905 Pair Regency Style Carved and Gilt Sconces, late 19th/ early 20th century, each ribbon and tassel carved form with two candle arms, ebonized eagle, 19 x 16 x 9 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $1,200 - $1,800

910 Classical Carved Gilt Wood Girandole late 19th/early 20th century, figural eagles flanked by stylized dolphins, set with four scrolled candle arms, 41 x 29 in.

Estimate: $600 - $900

911 Fine George III Figured Mahogany Pembroke Table, British, late 18th century, lustrous color, richly grained single board top, 28 x 27 x 20, extended 41 in.

Provenance: Reeves Collection, GA Estimate: $500 - $700

908 Seven Pieces English Staffordshire Pottery, early 19th century, footed baluster form coffeepot with Prattware colors, 11 in.; two pitchers, 8 in.; 6 in.; two canns, 5-3/4 in.; one cup, 2-1/2 in.

Estimate: $600 - $900

909 13 Piece Davenport Floral Dessert Set British, 19th century, decorated with gilt and hand painted floral design, marks for Davenport, Staffordshire, 9 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

British

907 British Ironstone Tea Set, Potpourri Vases, early 19th century, six articles: teapot; creamer; sugar; waste; pair vases, probably Mason's, 3-3/8 in. to 5-1/2 in.

Estimate: $400 - $600

912 Set Six Colonial Style Classical Armchairs, modern, each figured hardwood, caned backs and seats, each with loose cushion, 34-1/4 in.

Provenance: Reeves Collection, GA Estimate: $600 - $1,200

913 Fine Regency Style Carved Mahogany Sideboard British, 19th century, stepped top with sliding doors over three central drawers flanked by cellaret drawer and door, ram's head brasses, 43-1/2 x 95 x 34 in.

Provenance: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $800 - $1,200

July 20, 2019

906 Waterford Lismore Cut Glass Partial Service, 35 articles: 12 flutes; eight sherbets; eight clarets; four cordials; carafe; vase; Irish coffee, 3-1/2 in. to 7-1/4 in.

Provenance: Private Collection, NC Estimate: $500 - $700

915 Two Regency and Regency Style Bull's Eye Mirrors, 19th century example with ebonized plate surround, 18-1/2 in.; together with a modern example, 24 in.

Provenance: Reeves Collection, GA Estimate: $500 - $700

916 Regency Style Inlaid Two Pedestal Dining Table, 20th century, banded top, two leaves, leaf carved pedestal bases, 30 x 48 x in., extended 112 in.

Provenance: Private Collection, TN Estimate: $600 - $900

II

16

917 Royal Doulton Flambe Vase by Eaton British, 20th century, decorated with peacock, signed "A. Eaton", base marked "Sung/Noke, Flambe, Royal Doulton, Made in England", 12-1/2 in.

Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

914 Chippendale Style Mahogany Parcel Gilt Mirror, 20th century, scrolled pediment, base, carved and gilt ornaments, beveled mirror plate, 46 x 49-1/2 in.

Provenance: MacNeill Collection Estimate: $500 - $700

918 Pair Stoneware Recumbent Lions probably British, 19th century, brown glazed on stepped base, unmarked, 13 in. length Provenance: Funk Collection, NJ Estimate: $500 - $700

919 Serapi Carpet Persian, red ground, central medallion, ivory geometric spandrels, floral geometrics in forest, olive, blue, pink, 9 ft. 6 in. x 12 ft.

Estimate: $1,000 - $1,500

921 Oushak Carpet Persian, light raspberry ground, large medallion, geometric, floral motifs, 10 ft.

5 in. x 11 ft. 6 in.

Provenance: Reeves Collection, GA Estimate: $1,000 - $2,000

920 Gothic Revival Burl and Ebonized Sideboard British, 19th century, three dovetailed drawers over two cabinet doors, one opens to fitted cellaret drawer, original gilt brass pulls, oak secondary, 37-1/2 x 90 x 28 in.

Provenance: Private Collection, Knoxville, Tennessee Estimate: $2,000 - $3,000

922 Malayer Carpet Persian, navy ground, overall geometric medallions, orange, green, mustard, wide boteh border, 10 ft. 8 in. x 13 ft. 2 in.

Estimate: $1,000 - $1,500

923 Gothic Revival Inlaid Oak Extension Dining Table British, 19th century, banded top with inlaid edges, crank mechanism for top, 29-1/2 x 83 x 56-1/2 in.

Provenance: Private Collection, Knoxville, Tennessee Estimate: $2,000 - $3,000

924 Palace Size Turkish Rug 20th century, navy ground with repeating large floral pattern and geometric florals, thin floral borders surround rust ground leaf spray border, sewn label verso reads "Euphrates Carpet/Woven Legends/Handwoven in Turkey of (?) and Handspun Wool", 14 ft. 3-1/2 in. x 30 ft. 11 in.

Provenance: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $3,000 - $5,000

925 Serapi Carpet Persian, ivory ground with large central medallion, in blue and rust colors, geometric details, 9 ft. 5 in. x 13 ft. 10 in.

Estimate: $4,000 - $6,000

Condition notes available in back of catalog

July 20, 2019

British

II

17

Contiental

July 20, 2019

Continental

II

18

926 After Raphael (Raffaello Sanzio da Urbino, Italian, 1483-1520), Madonna of the Goldfinch, oil on canvas, 42 x 31 in.; Florentine frame Provenance: Funk Collection, NJ Estimate: $1,000 - $2,000

927 Italian School (19th century) Madonna della Segiolla (or Sedia), after Raphael (1483-1520), oil on panel, 13 x 13 in.; fine original Florentine frame Estimate: $800 - $1,200

928 Italian School (18th century) Saint Martha, symbolic of the Rite of Purification and Expulsion of evil, wood, 32 in.

Provenance: Funk Collection, NJ Estimate: $800 - $1,200

929 Italian School (17th century) Adoration of the Magi, unsigned, oil on canvas, 22 x 16-5/8 in.; gilt wood frame Provenance: Funk Collection, NJ Estimate: $600 - $900

930 Follower of Frans Pourbus II (Flemish, 1569-1622) Isabella Clara Eugenia, "Don Isabella Infant", 17th century, oil on canvas, 24-1/4 x 19-1/8 in.; reverse profile leaf frame Estimate: $1,000 - $1,500

931 French School (18th century) Boy with Toy, unsigned, pastel on paper on card, sight 12-3/8 x 10 in.; framed Provenance: Reeves Collection, GA Estimate: $1,000 - $1,500

932 Fine Monumental Regency Style Frame first quarter 20th century, rabbet 97-1/4 x 51-3/4 in., exterior 111 x 65-1/2 in., 8 in. wide, 4 in. deep Provenance: NC Museum of Art Estimate: $1,500 - $2,500

933 Pair Venetian Baroque Carved Girandoles, Italian, 18th century, each shell and scroll-form gilt wood frame with mask drop supporting a wrought iron two-branch insert, 29 x 15 x 6 in.

Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

939 Pair Renaissance Style Carved Arm Form Sconces, Italian, 19th century, each well carved, gilt wood, 10 x 18 x 6-1/2 in.

Provenance: Private Collection Estimate: $500 - $700

943 P. Virgilii Maronis Opera MDLII (1552), vellum, "...presente Signor Lord Byron per Zechini of Austria, AD 98, 20 Aprile Anno 1801 Venicia" Provenance: By descent in Iredell/Johnston Family Estimate: $800 - $1,200

937â—‰ Pair Dutch Queen Anne Ivory Inlaid Side Chairs, 18th century, rich brown color, each finely inlaid, silk damask upholstery, 42 in.

Estimate: $600 - $900

940 Two Baroque Style Tapestry Upholstered Armchairs, early 20th century, Flemish taste, carved walnut frames, tapestry upholstery, brass tacking, 48 in.

Provenance: Funk Collection, NJ Estimate: $800 - $1,200

938 Southern German School (15th century) A Crowned Saint Holding a Church, portion of an altarpiece, oil and gilding with "brocade work" on thin pine panel, 30-7/8 x 11-7/8 in.; unframed Provenance: Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Estimate: $3,000 - $5,000

941 Italian Neoclassical Paint Decorated Mirror, late 18th/early 19th century, parcel gilt frame, artichoke finials, carved leaf and floral ornaments, 47 x 26 in.

Provenance: Reeves Collection, GA Estimate: $600 - $900

944 18th Century Black Naskh Script Quran, Middle Eastern, gilt pages with illuminations, bound in Morocco leather, paisley decoration on inner boards, annotated on first page, 7-1/2 x 4-1/2 in.

Provenance: Private Collection, New York Estimate: $1,500 - $2,000

Condition notes available in back of catalog

942 Two Vieux Paris Gilt Porcelain Urn Lamps, French, late 18th/early 19th century, each hand painted en grisaille, to socket 20-1/2 in. to 24 in.

Provenance: Reeves Collection, GA Estimate: $600 - $900

945 Renaissance Style Carved Fall Front Cabinet, Continental, late 19th century, walnut, figural carving, fitted interior, paw feet, 72-1/2 x 41 x 18-1/4 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $800 - $1,200

II Continental

936 Moorish Carved and Inlaid Lift Top Chest, probably North African/Colonial, 18th/19th century, inlaid lid, original lock, bone inlaid facade, 24 x 53 x 23 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $500 - $700

935 Italian Renaissance Style Carved Library Table, 20th century with some earlier elements, heavy walnut top, three dovetailed drawers, carved figures, 31 x 79 x 31 in.

Provenance: Wu Collection, Raleigh, NC Estimate: $1,000 - $2,000

July 20, 2019

934 French School (18th century) Portrait of an Officer, "Le Vicomte de Molleville, 1785", pastel, 21 x 16-5/8 in.

Provenance: Funk Collection, NJ Estimate: $800 - $1,200

19

946 F. Roussel (French, 19th/20th century) Nature Morte, signed lower left "F. Roussel", 32 x 45-3/4 in., oil on canvas; gilt frame Estimate: $1,000 - $1,500

950 French School (early 19th century) A pair of profile portraits, labels "Le Sieur Coqueret", pastel, 16 x 13-3/4 in.; frames Provenance: Reeves Collection, GA Estimate: $1,000 - $1,500

July 20, 2019

Continental

II

20

954 After Augustine Pajou (French, 1730-1809) Bust of Madame Du Barry (1743-1793) after one in the Louvre, marble, 25 in.

Provenance: Wiginton Estate, AL Estimate: $1,000 - $2,000

947 European School (19th century) Portrait of a Lady in a Red Striped Bonnet, unsigned, oil on canvas, 16 x 12-1/4 in.

Provenance: Funk Collection, NJ Estimate: $800 - $1,200

948 French School (19th century) Young Person Wearing a Scarf, inscribed with the initial "B", marble, 21-3/4 in.

Provenance: Funk Collection, NJ Estimate: $800 - $1,200

949 After Louis-Ernest Barrias (French, 1841-1905) La nature se dévoilant devant la science, faintly signed "Barrias", bronze, 30-3/4 in.

Provenance: Private Collection, DE Estimate: $1,000 - $1,500

951 Paul Louis Delance (French, 1848-1924) Portrait of a Baby, signed "Paul Delance 75", oil on canvas, 14 x 10-3/4 in.; framed Provenance: Reeves Collection, GA Estimate: $600 - $800

952 Pair Louis XV Style Gilt Bronze Candelabra, French, late 19th/early 20th century, each parcel gilt, figural putto and songbird decoration, 28-1/2 in.

Provenance: Tennessee Living Estate Estimate: $1,000 - $2,000

953 Sèvres Bisque Bust of Marie Antoinette French, 20th century, signed "Lecomte." (after Felix Lecomte, French, 1737-1817), hallmark, 34 x 17 x 12 in.

Provenance: Wiginton Estate, AL Estimate: $500 - $700

955 French Victorian Style Granite Top Baker's Table, modern, scrolled iron and gilt bronze base, 31 x 46-1/2 x 27 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

956 Three Piece Sèvres Porcelain Garniture Set, French, 19th century, two lidded vases and bowl, bronze mounts, hand painted, vases 18 in.; bowl, 9 in.

Provenance: Funk Collection, NJ Estimate: $800 - $1,200

957 Pair Samson Armorial Porcelain Urns French, 19th century, each hexagonal form with heraldic ensign, gilt figural bixie finial, 18 in.

Provenance: Private Collection, SC Estimate: $500 - $700

959 Attributed to Girolamo Nerli (Italian, 1860-1926) Shoreline at Dusk, signed "G. Nerli", oil on paperboard, 10 x 12-1/8 in.; framed Provenance: Private Collection, DE Estimate: $600 - $900

960 Pair Provincial Louis XIV Style Carved Mirrors, French, 19th century, each green painted, carved and composite, two candle shelves, 35 x 20 in.

Provenance: A Midwest Collection Estimate: $600 - $900

958 Pericles Byzantios (Greece, 1893-1972) Room Interior, signed and inscribed verso "Pour mes amis/ d'A.../22 mai 1915 (?)/Byzantios", oil on canvas, 18 x 15 in.; gilt wood and composition frame, 26-1/2 x 23-3/8 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $2,000 - $3,000

For full cataloging and images see our website, brunkauctions.com

962 Second Empire Bronze Mounted Onyx Pedestal Table, French, 19th century, octagonal top, ormolu mounts, figured brown onyx throughout, 34 x 17-1/2 in.

Provenance: Wiginton Estate, AL Estimate: $800 - $1,200

964 Fine Neoclassical Carved Marble Top Center Table French/Italian, 19th century, cloudy Bardiglio top set on a gilt pedestal base with carved bellflower and swag decoration, 29 x 38 in.

Provenance: Private Tennessee Collection Estimate: $3,000 - $5,000

965 Louis XV Style Gilt Bronze Mounted Marble Lamp, Continental, 20th century, amarillo Triana base, double socket, electric, to finial 24 in., extended, 28 in.

Provenance: Reeves Collection, GA Estimate: $400 - $600

966 Aleksei Vasilievich Hanzan (Russian, 1876-1937) Mediterranean Coast, signed lower left "A. Hanzan", oil on canvas, 10-7/8 x 12-3/4 in.; accompanied by an ill-fitting frame, 15-5/8 x 17-5/8 in.

Provenance: Private Collection, Delaware Estimate: $3,000 - $5,000

967 Ten Watercolor Interior Elevations (early 20th century) Formal room elevations, most circa 1920s, unsigned, largest 16-7/8 x 10-1/8 in.

Provenance: Reeves Collection, GA Estimate: $500 - $1,000

968 Five Russian Dog Lithographs (19th century) Prize-winning Show Dogs, Litografia Martinova, c.1885, 11-7/8 x 16-1/4 in.

Provenance: William Hodges Estate Estimate: $600 - $900

969 Set Four Russian Kornilov Bros. Porcelain Kovshi, St. Petersburg, late 19th/early 20th century, each with transfer mark, hand painted with fine Cyrillic and double headed eagle decoration, 2 x 8-3/8 x 5-3/8 in.

Estimate: $1,500 - $2,500

Condition notes available in back of catalog

II Continental

963 Louis XV Style Parquetry Marble Top Commode French, late 19th century, figured brèche d'Alep top, gilt bronze mounts, two long drawers, 32-1/2 x 47 x 22-1/2 in.

Provenance: A Private Midwest Collection Estimate: $2,000 - $3,000

July 20, 2019

961 Pair Neoclassical Carved and Gilt Eagle Mirrors, Continental, 19th century, each wooden double headed eagle form with distressed mirror plate, 17 in.

Provenance: Reeves Collection, GA Estimate: $500 - $700

21

971 Italian School (19th/20th century) Classical Bust, possibly after Greek statue, white marble with socle, 33 in.

Provenance: Reeves Collection, GA Estimate: $1,000 - $1,500

970 Fine Monumental Berlin K.P.M. Porcelain Plaque Ladies at Their Toilette, after Hans Makart (Austrian, 1840-1884), stamped verso "KPM" with scepter, "W", "485", and "290", hand painted porcelain plaque, 11-1/4 x 18-7/8 in.; rococo gilt wood and composition frame, 16-1/2 x 24 in.

Provenance: Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Estimate: $10,000 - $15,000 For similar examples see: Royal Antiques Pasadena, California: September 25, 2016, sold for $110,000; Christie's New York: November 18, 2014, Lot 206, sold for $62,500; Christie's sold one for $140,000.

July 20, 2019

Continental

II

22

972 Classical Style Carved Marble Pedestal Continental, 19th/20th century, in three sections, verde antico column carved with intertwined dolphins, 44 x 14 x 14 in.

Provenance: Private Collection Estimate: $500 - $700

973 Fine Berlin K.P.M. Porcelain Plaque Wellenkuss (The Wave's Kiss), after Gustave Wertheimer (Austrian, 1847-1904), signed "Greiner" (Julius Greiner, active from 1871), stamped verso "KPM" with scepter, "W", "315", and "395", hand painted porcelain plaque, 12-1/8 x 15-1/8 in.; gilt wood and composition frame with shadowbox, 24-5/8 x 27-5/8 in.

Provenance: Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Estimate: $2,000 - $3,000

974 German Painted Porcelain Plaque German, 19th/20th c., Herodias, inscribed verso, after Nathaniel Sichel (1843-1907), 7 x 4-7/8 in.; original gilt wood and composition frame Estimate: $500 - $700

975 Fine Berlin K.P.M. Porcelain Plaque Tannhäuser in Venusberg, a scene from Wagner's 1845 opera, "Tannhäuser", signed lower right "Wagner" (Franz Wagner, Austria, active 1894-1908), stamped verso "KPM" with scepter, "C", "375", and "323", hand painted porcelain plaque, 9 x 11 in.; gilt wood and composition frame with shadowbox, 17-1/2 x 19-3/4 in.

Provenance: Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Estimate: $2,000 - $4,000

976 Cornelis van Leemputten (Belgian, 1841-1902) Sheep Resting, signed "C. Van Leemputten", oil on panel, 5-1/2 x 8-1/4 in.

Provenance: Private Collection, NC Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

981 Monumental Black Forest Clock Continental, late 19th century, with flora, fauna and birds, clock face painted Roman numerals, 30 x 29 x 10 in.

Provenance: Private Collection, NC Estimate: $1,000 - $1,500

982 Empire Style Parcel Gilt Hanging Fixture, modern, bronze and composite frame with six scrolled electric arms, 25 x 24 in.

Provenance: Private Collection, TN Estimate: $400 - $600

983 Pair Bronze Marly Horse Lamps 20th century, after Guillaume Coustou the Elder (French, 1677-1746), soapstone bases, later wooden plinth, 18-1/2 in.

Provenance: Reeves Collection, GA Estimate: $800 - $1,200

984 Two Italian Renaissance Style Majolica Lions, 20th century, recumbent example, 20 x 34 x 15 in.; sitting example, 31 x 23 x 13 in.

Provenance: Private Collection, TN Estimate: $600 - $900

985 Renaissance Style Tall Case Regulator Clock Austrian, 1880-1890, signed "Joh. Salfer/ Wien" (Johann Salfer, Vienna, w. 1874-1914), brass time and strike, oak case, 88 in.

Provenance: Private Collection Estimate: $1,000 - $1,500

986 Pair Recumbent Lion Statuary on Plinths, 20th century, each cast composition with terracotta paint decoration set on a classical style plinth, 24 x 36 x 15 in.

Provenance: Reeves Collection, GA Estimate: $800 - $1,200

987 Pair Louis XV Style Needlework Fauteuils, 20th century, each carved walnut, needlework upholstery, brass tacking, 37-1/2 in.

Provenance: Private Collection, SC Estimate: $500 - $700

988 Set Four Carved and Gilt Classical Style Sconces, early 20th century, each wooden quiver and arrow form with two electric arms, 19-1/2 x 13 x 7 in.

Estimate: $500 - $700

979 Italian Neoclassical Style Carved Walnut Mirror, Continental, 19th century, crest set with boldly carved urn and floral finial, winged putti, 69 x 41 in.

Provenance: Tennessee Living Estate Estimate: $1,000 - $2,000

Condition notes available in back of catalog

989 Dutch Baroque Style Carved Oak China Press, Continental, late 19th century, bombĂŠ form, glazed doors over three long drawers, 95 x 70 x 15 in.

Provenance: Funk Collection, NJ Estimate: $800 - $1,200

II Continental

980 Carved Mahogany and Tile Inset Cabinet, Continental, late 19th century, upper case with two doors set with Persian style tile panels, iron strap hinges, adjustable shelved interior, lower case with two drawers over two folding doors, 93 x 69 x 22-1/4 in.

Provenance: Private Collection of Siao Huy Wu, Raleigh, North Carolinac Estimate: $1,000 - $1,500

July 20, 2019

977 Black Forest Carved Hunter With Deer Continental, late 19th century, finely carved oak hunter with slain deer over shoulder, 34 x 18 x 11 in.

Provenance: Private Collection, Candlewood Lake, Connecticut Estimate: $1,500 - $2,000

978 Pair Black Forest Hunt Trophy Plaques, Continental, late 19th century, cartouche shaped oak plaques with finely carved slain hunt animals, one of wild deer with shotgun, game net and powder horn, one of a goat with shotgun, ice pick, powder horn and game bag, 33-1/2 x 18 in.

Provenance: Private Collection, Candlewood Lake, Connecticut Estimate: $2,000 - $3,000

23

July 20, 2019

Continental

II

24

990 Early Cast Zinc Figure of Napoleon late 19th century, standing figure depicted in uniform with sword, rectangular plinth, 39 in.

Provenance: Wiginton Estate, AL Estimate: $800 - $1,200

991 Eleven Kister Porcelain Napoleonic Figurines, Scheibe-Alsbach, Germany, early 20th century, blue mark and stamped "Germany", 9-1/2 in. to 10 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

992 Four Kister Porcelain Napoleonic Figurines, Scheibe-Alsbach, Germany, early 20th c., Napoleon's flight; Prince Eugene; two guards, 7-3/4 in. to 11-1/4 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

993 Three Kister Napoleonic Marshal Figurines, Scheibe-Alsbach, early 20th c., Jean-Baptiste Bessières Louis-Nicolas Davoust; Jean-de-Dieu Soult, 11-1/4 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

994 Provincial Louis XV Style Floral Chandelier, early 20th century, painted metal with applied porcelain flowers, carved candle covers, six branches, 33 in.

Provenance: A Midwest Collection Estimate: $400 - $600

995 Pair Venetian Rococo Style Wall Lights 20th century, each black painted metal, pear and grape cluster drops, four socket, electric, 19 x 13 x 7-1/2 in.

Provenance: A Midwest Collection Estimate: $400 - $600

996 Pair Empire Style Parcel Gilt Bronze Lamps, French, 19th century, each bronze caryatid presenting an ormolu capital set with single electric socket, 27 in. to socket Provenance: Reeves Collection, GA Estimate: $800 - $1,200

997 Louis XVI Style Bronze Mounted Marble Pedestal, French, marbre jaune imperial slab, marbre rouge de Saint-Pons shaft, 42-3/4 x 10-1/4 x 10-1/4 in.

Provenance: Reeves Collection, GA Estimate: $500 - $700

998 Italian Rococo Style Marble Top Console, Mirror, 20th century, nero Portoro top, paint decorated iron frame, 32-1/4 x 37 x 14 in.; mirror, 38-1/2 in.

Provenance: A Midwest Collection Estimate: $500 - $700

999 Pair Paint Decorated Wrought Iron Floor Lamps, 20th century, each faux verdigris painted scrolled frame set with silvered mount, electric sockets, 62 in.

Provenance: Private Collection, TN Estimate: $500 - $700

1000 Venetian Style Bronze and Crystal Hall Lantern, Italian, heavy bronze crown form over four tapered tears of glass pendants and rosettes, large ball drop, 32 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

1001 Four Vintage Cut Glass, Metal Candelabra Lamps, late 19th/early 20th century, silver plate; pair cut glass; Louis XVI style, metal base, 25-1/2 in. to 34 in.

Provenance: Reeves Collection, GA Estimate: $500 - $700

1002 Vintage Paint Decorated Sleigh, Fitted as a Bed, late 19th century, runners with scrolled wrought iron mounts, fitted for use as child's bed, 45 x 108 x 43 in.

Provenance: Private Collection, TN Estimate: $500 - $700

1003 Ten Assorted Herend Porcelain Articles Hungarian, pair urns; Fortuna teapot; Chinese Bouquet tray; Indian Basket: coffee; dish; two cups; saucer, 2 in. to 16 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

1004 16 Czech Crystal Wine Goblets 20th century, cut and engraved, eight whites, 9-1/4 in.; eight red wine hocks, 8 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

1005 Group of Six Lalique Animals France, 20th century, six animals: owl, duck, resting rabbit, swans, ram, dragon, tallest 3-1/2 x 4 in.

Provenance: Private Collection Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

1006 Empire Style Gilt Cut Glass Chandelier early 20th century, gilt brass with cut glass prisms, six electric sockets, eight candle arms, 28 x 29 in.

Provenance: Funk Collection, NJ Estimate: $600 - $900

1007 Two Eight Day Time and Strike Clocks Second Empire, "D.B. & C. Ă Paris"; Swiss lantern, "Bailey Banks & Biddle", 9-1/2 in. to 17-1/2 in.

Provenance: Private Collection Estimate: $400 - $600

1008 Pair Venetian Rococo Style Carved Walnut Sofas 20th century, exuberant frames set with tufted sage upholstery with loose cushions, 43 x 88 x 32 in.

Provenance: Collection of Wilfred and Eleanor Funk, Montclair, NJ; By descent in family Estimate: $1,000 - $2,000

1009 Three Herend Porcelain Chinois Objects Hungarian, 1985-1991, comprising: lidded box with butterfly finial, 4-7/8 in.; egg, 2 in.; lighter case, 2 in.

Provenance: Private Collection Estimate: $200 - $400

1010 Seven Herend Porcelain Table Objects Hungarian, 20th century: Wales vase; soap dish; mini tureen; matching box; three similar mini tureens, 3-1/2 in. to 4-3/8 in.

Provenance: Private Collection Estimate: $600 - $900

1011 Eight Herend Porcelain Table Objects, Two Signed, cranes; mini tureens; matching egg; mini tureen; matching lighter case; two boys, largest 9-1/4 in.

Provenance: Private Collection Estimate: $600 - $900

1012 Five Herend Porcelain Green Animal Figurines, Hungary, 20th century, each with blue mark, comprising: rabbits; seal; bear; rhinoceros; frog, 1-3/4 to 5-1/2 in.

Provenance: Private Collection Estimate: $600 - $900

1015 Three Herend Porcelain Animal Figurines, Hungary, 20th century, each with blue stamp, comprising: mice, 3 in.; peacock, 2 in.; fish, 2-1/2 in.

Provenance: Private Collection Estimate: $400 - $600

1016 25 Cold Painted Bronze Miniature Figures, Austrian, early 20th century, including musicians; courting couples; children and others, one with Bergman mark, 1/4 in. to 4 in.

Estimate: $600 - $900

1017 A Near Pair Venetian Style Mirror Framed Mirrors, Mid-20th century, each with gilt frames set with beveled glass mirrors, 56-1/2 in. and 55 in. high Provenance: Funk Collection, NJ Estimate: $1,000 - $1,500

1018 Louis Vuitton Garment Cover American/French, canvas body, external hook, name tag, adjustable shoulder strap, lock with two keys, 48 x 24 in.

Provenance: Private Collection Estimate: $300 - $500

1019 Two Similar Louis Vuitton Motoring Trunks, French, mid 20th century, monogrammed: rectangular, 9 x 30 x 18-1/2 in.; square, 8-1/2 x 16 x 15-3/4 in.

Provenance: Private Collection Estimate: $600 - $900

1020 Two Vintage Louis Vuitton Cases by French Co., American, suitcase with labels for The French Co. under special license, Saks, 20 x 26 x 9 in.; briefcase, 11 x 17 in.

Provenance: Private Collection Estimate: $500 - $700

Condition notes available in back of catalog

Continental

1014 Italian Richard Ginori Assembled Service for Ten, 84 porcelain articles, comprising: 74 Torino pattern; with ten Visconte Red plates, 2-1/4 in. to 16-1/2 in.

Provenance: Private Collection, NC Estimate: $500 - $700

July 20, 2019

1013 Seven Assorted Tole Planters 19th/20th century, large yellow monteith; pair, ram heads; pair, chinoiserie decoration; others, largest 5 x 15-1/2 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

II

25

Naturalist Prints

1021 Franz Michael Regenfus (German, 1712-1780) Eight plates from Volumes II, III, IV of the The Birds of Europe, John Gould, publisher, Richard & John E. Taylor, printers, London, 1832-1837, hand colored lithographs with gum arabic highlights, largest sheet 21-1/4 x 14-1/2 in.; unframed, three matted Provenance: W. Graham Arader III, King of Prussia, Pennsylvania Estimate: $2,000 - $4,000

1022 Johann Wilhelm Weinmann (German, 1683-1741) Ten plates from Phytanthoza iconographia (1737-1745), hand colored engravings, plates 12-7/8 x 8-1/4 in. largest sheet 15-1/2 x 9-7/8 in.; unframed, matted Provenance: Estate of William Hodges, South Garden Plantation, Providence Forge, Virginia Estimate: $800 - $1,200

1023 Mark Catesby (British, 1679-1749) The Tyrant, T. 55, from The Natural History of Carolina, Florida and The Bahama Islands, 1754 edition, handcolored engraving on laid paper with Strasbourg Lily watermark, plate 13-3/4 x 10-1/4 in. sheet 20-7/8 x 14 in.; modern frame, 24 x 20 in.

Provenance: Private Collection Estimate: $800 - $1,200

1026 Mark Catesby (British, 1679-1749) The Bull Frog, T.72, from The Natural History of Carolina, Florida and The Bahama Islands, Vol. II., 1771 edition, hand-colored engraving on laid paper with "J. Whatman" watermark, plate 13-3/4 x 10-1/8 in. sheet 21 x 14-3/8 in.; modern frame 24 x 20 in.

Provenance: Private Collection Estimate: $600 - $900

1027 Mark Catesby (British, 1679-1749) The Jamaican Anole, T. 65, from The Natural History of Carolina, Florida and The Bahama Islands, Vol. II, 1754 ed., hand-colored engraving on laid paper, plate 14 x 10-1/4 in. sheet 20-1/2 x 14 in.; modern frame, 20 x 24 in.

Provenance: Private Collection Estimate: $800 - $1,200

1028 Mark Catesby (British, 1679-1749) The Logger-head Turtle T.40, from The Natural History of Carolina, Florida and The Bahama Islands, Vol. II, 1731-43 edition, hand-colored engraving on laid paper, plate 10 x 13-3/4 in. sheet 14-7/8 x 21-1/4 in.; modern frame, 20 x 24 in.

Provenance: Private Collection Estimate: $1,000 - $1,500

1029 Mark Catesby (British, 1679-1749) The Green Turtle T.38, from The Natural History of Carolina, Florida and The Bahama Islands, Vol. II, 1731-43 edition, hand-colored engraving on laid paper, plate 10 x 13-7/8 sheet 14-3/8 x 20-5/8 in.; modern frame, 20 x 24 in.

Provenance: Private Collection Estimate: $1,000 - $1,500

Condition notes available in back of catalog

II Naturalist Prints

1025 Mark Catesby (British, 1679-1749) The Parrot of Paradise, T.10, from The Natural History of Carolina, Florida and The Bahama Islands, Vol. I, 1754 edition, hand-colored engraving on laid paper with "IHS Ivillidary" watermark, plate 13-3/4 x 10-1/4 in. sheet 20-3/4 x 14-1/4 in.; modern frame, 24 x 20 in.

Provenance: Private Collection Estimate: $1,200 - $1,800

July 20, 2019

1024 Mark Catesby (British, 1679-1749) Razor-billed Blackbird of Jamaica, with Moccasin Flower (Lady's Slipper) Pl. 3, from The Natural History of Carolina, Florida and The Bahama Islands, Appendix, 1754 edition, handcolored engraving on laid paper with Strasbourg Lily watermark, plate 14-1/8 x 10-1/4 in. sheet 20-1/4 x 14-1/8 in.; modern frame, 24 x 20 in.

Provenance: Private Collection Estimate: $800 - $1,200

27

1030 After Pauline Knip née De Courcelles (French, 1781-1851) Eight plates of Tanagara from Histoire Naturelle des Tangaras, des Manakins et des Todiers, J.-B. Garney/ Delachaussée, Paris, 1805-1807, hand colored etchings on wove paper with "Odent & C" watermark, largest sheet 20-1/2 x 13-1/4 in.; unframed Estimate: $400 - $600

July 20, 2019

Naturalist Prints

II

28

1031 After Pauline Knip née De Courcelles (French, 1781-1851) Eight plates, Histoire Naturelle des Tangaras, des Manakins et des Todiers, J.-B. Garney/Delachaussée, 1805-1807, etchings, 21-1/4 x 14-1/8 in.; unframed Estimate: $400 - $800

1032 After Pauline Knip née De Courcelles (French, 1781-1851) Six plates of Euphone and Todiers from Histoire Naturelle des Tangaras, des Manakins et des Todiers, J.-B. Garney/ Delachaussée, Paris, 1805-1807, hand colored etchings on wove paper with "Odent & C" watermark, largest sheet 21-1/4 x 14-1/8 in.; unframed Estimate: $400 - $600

1033 After Pauline Knip née De Courcelles (French, 1781-1851) Four plates including Ramphocele from Histoire Naturelle des Tangaras, des Manakins et des Todiers, J.-B. Garney/ Delachaussée, Paris, 1805-1807, hand colored etchings on wove paper with "Odent & C" watermark, largest sheet 21-1/4 x 14-1/8 in.; unframed Estimate: $300 - $500

1034 After After Pauline Knip née De Courcelles (French, 1781-1851) Nine plates from Les Pigeons, Paris, 1808-1811, hand colored etchings, largest sheet 21-1/4 x 14-1/8 in.; unframed Estimate: $400 - $600

For full cataloging and images see our website, brunkauctions.com

1035 After John James Audubon (New York, 1785-1851) The Birds of America, New York: Abbeville Press, 1985, one of 350 sets of four large elephant folio volumes with 435 color plates and seven text volumes, all volumes bound with matching gilt decorated apple green morocco, 40-1/4 x 27-7/8 in.; text volumes 10-3/4 x 7-5/8 in.; with custom made original baroque style viewing and storage desk, with keys, 47 x 64 x 36 in.

Provenance: Private Collection, Leicester, North Carolina Estimate: $6,000 - $9,000

1036 Gould, & Richter, W. Hart, E. Gould (British, 19th century) Six plates, five from The Birds of Great Britain, London, 1862-1873, one from J & E. Gould, The Birds of Europe, 1832-1837, hand colored lithographs with gum arabic highlights, largest sheet 14-3/4 x 21-3/4 in.; unframed Estimate: $600 - $900

Condition notes available in back of catalog

1037 John & Elizabeth Gould (British, 19th century) Eight plates from Volumes II, III, IV of the The Birds of Europe, John Gould, publisher, Richard & John E. Taylor, printers, London, 18321837, hand colored lithographs with gum arabic highlights, largest sheet 21-1/4 x 14-1/2 in.; unframed, three matted Estimate: $800 - $1,200

July 20, 2019

Naturalist Prints

II

29

Southern

II

July 20, 2019

Southern

1039 Minnie Evans (North Carolina, 1892-1987) Untitled, 1940, indistinctly signed lower right "Minnie Evans", mixed media on paper, 11-1/2 x 8-7/8 in.; modern frame 16-1/2 x 13-3/8 in.

Provenance: Private Collection, Wilmington, North Carolina Estimate: $1,000 - $2,000

30

1038 Minnie Evans (North Carolina, 1892-1987) Untitled, three faces, Feb 1965, signed lower right "Minnie Evans", inscribed verso "slide Nov 73, #372", mixed media on paper, 12 x 8-3/4 in.; modern wood frame, 25-3/4 x 22-1/2 in.

Provenance: Private Collection, Wilmington, North Carolina Estimate: $5,000 - $7,000

1040 Minnie Evans (North Carolina, 1892-1987) Untitled, 1948, signed, mixed media on brown paper, 11-3/4 x 8-3/4 in.; framed Provenance: Private Collection, NC Estimate: $800 - $1,200

For full cataloging and images see our website, brunkauctions.com

1041 Minnie Evans (North Carolina, 1892-1987) Untitled, May 3 1943, signed "Minnie Evans", crayon on paper, 12 x 9 in.; framed Provenance: Private Collection, NC Estimate: $800 - $1,200

1042 Stephen Scott Young (South Carolina/Florida/Bahamas, born 1957) Handline Hook study, 2012, signed "SS Young", inscribed bottom left "Eleuthera Bahamas", inscribed verso "Study for Handline Hooks 2012 SS Young", watercolor, 14-1/2 x 20-7/8 in.; modern frame 25-3/4 x 33-1/8 in.

Estimate: $14,000 - $18,000

1046 11 Adrian Woodall Carved Figures American, 1888-1969, carved and polychrome African American figures, most signed ARW in pencil on bottom of feet, tallest 6-1/2 in.

Estimate: $600 - $900

1047 Four Tom Brown Carved and Polychrome Figures, Pleasant Hill, Tennessee, 1884-1947, comprising old man wearing long coat; boy holding a watermelon; girl and old woman in polka dot dresses, several numbers (prices ?) on bottom, tallest 5-1/2 in.

Estimate: $800 - $1,200

Condition notes available in back of catalog

1045 Three Tom Brown Carved and Polychrome Figures, Pleasant Hill, Tennessee, 1884-1947, comprising old man; woman in red dress; and girl, tallest 5-1/2 in.

Estimate: $500 - $700

1048 Large Scale Folk Art Articulated Carved Pine Painted Figure, late 19th century, carved and painted figure with articulated arms and one leg (one stationary as made), one hand holding a section of pipe, later green painted plinth, 53 in.

Provenance: Private South Carolina Collection Estimate: $1,000 - $2,000

Southern

1044 Minnie Evans (North Carolina, 1892-1987) Winged Horse and Angel, inscribed verso "Minnie Evans 1981", mixed media on paper, 5-1/4 x 7-1/2 in.; framed Provenance: Private Collection, Wilmington, North Carolina Estimate: $800 - $1,200

July 20, 2019

1043 Minnie Evans (North Carolina, 1892-1987) Untitled, Eyes Watching, 1981, signed verso "Minnie Evans 1981", crayon on card, 5-1/4 x 7-1/4 in.; wood frame Provenance: Private Collection, Wilmington, North Carolina Estimate: $800 - $1,200

II

31

1051 American Federal Cherry Biscuit Table probably Southern, early 19th century, inset white marble top, tapered legs, 25 x 29 x 17-1/2 in.

Provenance: South Carolina Estate Estimate: $600 - $900

1052 Confederate Grouping, Lt. D. T. Wilson Company K 48th Georgia Regiment muster roll; watch, musket ball; battlefield letters; three stamped covers; with others Provenance: By descent in family Estimate: $600 - $900

Southern

1054 Historical Grouping Atlanta Gate City Guard, Atlanta, Georgia, 19th century, dress sword; cap; belt buckle; beaver parade hat, with others, 2-1/4 in. to 14 in.

Provenance: By descent in family Estimate: $800 - $1,200

1055 1820 Southern Map by H.S. Tanner American, folding pocket map of Louisiana and Mississippi, with hand coloring laid on linen, "...20th day of December 1820", 30 x 24 in.; with case Estimate: $800 - $1,200

July 20, 2019

1050 Southern Federal Walnut Cellaret Tennessee/North Carolina, early 19th century in part, later box with hinged lid and open interior, period base with drink slide, single dovetailed drawer, stretcher shelf, 39 x 17 x 16-1/2 in.

Estimate: $800 - $1,200

1056 Sutton Nicholls Map Plantations in America, British, 18th century, A New Map...Plantations of the English In America, Coat of Arms, 24-1/4 x 27 in.

Provenance: New England Collection Estimate: $600 - $900

1057 Theodore DeBry Virginia and Florida Map, 1623, Virginiae Item et Floridae/ Americae Proviniciarium, nova Descriptio, hand coloring; 18-1/2 x 21-1/2 in.

Provenance: Private Virginia Collection Estimate: $500 - $700

1049 Southern Eagle Inlaid Walnut Corner Cupboard probably Piedmont, North Carolina, 19th century, original feet and pediment, yellow pine secondary, 87 x 37 x 17-1/2 in.

Provenance: Private Collection, TN Estimate: $2,000 - $4,000

II

32

1053 Kentucky Federal Cherry Sugar Desk early 19th century, interior with three dovetailed drawers, single long drawer, scratch reeded sides, poplar and walnut secondary, 37 x 39 x 19-3/4 in.

Estimate: $2,500 - $3,500

For full cataloging and images see our website, brunkauctions.com

1058 Carved Folk Art Box with Palmetto Tree American, 19th century, possibly South Carolina, carved with hex symbols, hearts, houses and palmetto type tree on lid, 6-3/4 x 9-3/4 x 5-1/2 in.

Estimate: $500 - $700

1059 Southern Federal Cherry Chest in Old Surface, probably Tennessee, early 19th century, dry varnished surface, five dovetailed drawers, poplar secondary, 47 x 42 x 20 in.

Estimate: $600 - $900

1060 A Good Tennessee Federal Walnut Server early 19th century, three dovetailed drawers, yellow pine secondary, paneled back and sides, 39 x 39-1/2 x 20-3/4 in.

Estimate: $3,000 - $5,000

1061 American Federal Inlaid Cherry Four Drawer Chest, Pennsylvania/Southern, early 19th century, dovetailed drawers, poplar secondary, 43-1/2 x 43 x 18-1/2 in.

Provenance: Private Collection, TN Estimate: $500 - $700

1062 Kentucky Federal Inlaid Walnut Sugar Chest early 19th century, inlaid fall front opens to divided interior, single dovetailed drawer, 25 x 26 x 14-1/2 in.

Provenance: Private Collection, Knoxville, Tennessee Estimate: $1,000 - $1,500

1063 Southern Federal Miniature Four Drawer Chest, Pennsylvania/Southern, early 19th century, dovetailed drawers, poplar secondary, 21 x 15-1/2 x 11 in.

Provenance: Private Collection, TN Estimate: $500 - $700

1064 Helen Fleenor Pictorial Quilted Bed Cover East Tennessee, 1925-2001, 56 hand pieced appliquĂŠd blocks with hand stitched religious text including "Lord Bless this Bed Cover and Warm it with Your Love for this Family", appliquĂŠd motifs includes children at play, cowboys, hearts, crosses, horses, dogs, lambs, cows, pigs, squirrels, chickens, and cats, several fragments from older quilts, later applied sleeve for hanging, 85 x 74 in.

Provenance: Private Collection, Asheville, North Carolina Estimate: $800 - $1,200

Condition notes available in back of catalog

1065 Southern Chippendale Style Architectural Cabinet, 19th century elements, paneled doors, shelved interiors, single case, yellow pine secondary, 96 x 45 x 18 in.

Provenance: Private Collection, Knoxville, Tennessee Estimate: $800 - $1,200

July 20, 2019

Southern

II

33

1067 Jugtown Chinese Blue Vase (Moore County, NC, 1930s) runny mottled blue and red glaze, low shoulder form, 6 in. x 7 in., "JUGTOWN WARE" Provenance: Private NY Collection Estimate: $300 - $600

1066 Rare Jugtown Persian Earthenware Jar (Moore County, North Carolina, early 1930s) blue, green, and red glaze, silver and purple speckling, incised applied meandering rope decoration at shoulder, four applied tapered strap handles at neck, rolled rim, footed base, attributed to Ben Owen, stamped "JUGTOWN WARE" on base, 13-3/4 in.

Provenance: Private Collection, New York, New York Accompanied by copy of purchase receipt from Southern Folk Pottery Collectors Society Estimate: $4,000 - $8,000

July 20, 2019

Southern

II

34

1068 Four Pieces Jugtown Chinese Blue Pottery, (Moore County, NC, 1930s) vase, 7-1/4 in.; bowl, 4-3/4 in.; egg vases, 4-3/8 in.,` 4-1/4 in., "JUGTOWN WARE" Provenance: Private NY Collection Estimate: $200 - $400

1069 Jugtown Chinese Blue Han Vase (Moore County, North Carolina, circa 1930s) blue over red glaze, strap handles at shoulder between incised line decoration, flat rim, footed base, stamped "JUGTOWN WARE" on base, 9 in.

Provenance: Private Collection, New York, New York Estimate: $500 - $1,000

1070 Two Rare Early Jugtown Drip Vases (Moore County, North Carolina, circa 1930s) two tone glazes, three handle vase forms, likely attributed to Ben Owen, yellow and mottled brown vase, 6 in.; yellow and orange vase, 6-1/2 in., both stamped "JUGTOWN WARE" on base Provenance: Private Collection, New York, New York Estimate: $500 - $1,000

1071 Two Pieces Jugtown Chinese Blue Pottery (Moore County, North Carolina, circa 1930s) blue and red glaze, yellow and purple speckling, wide low shoulder form vase, straight neck, 5-1/4 in.; runny mottled blue and red glaze, large egg vase form, 6-1/4 in., both stamped "JUGTOWN WARE" on base Provenance: Private Collection, New York, New York Estimate: $500 - $1,000

1072 Two Pieces Jugtown Chinese Blue Pottery (Moore County, North Carolina, circa 1930s) red and blue glazed large egg vase, 6-3/4 in.; runny mottled blue and red glazed large low shoulder vase, 5-3/4 in. x 7 in., both pieces stamped "JUGTOWN WARE" on base Provenance: Private Collection, New York, New York Estimate: $500 - $1,000

For full cataloging and images see our website, brunkauctions.com

1073 George Hand Wright (Connecticut/SC, 1872-1951) The Back Yard, signed "G Wright N.A.", watercolor, 9-1/8 x 9-5/8 in.; framed Provenance: A North Carolina Estate Estimate: $800 - $1,200

1075 Alfred Hutty (Charleston, South Carolina, 1877-1954) Shrimp Caster, Edition 20/75, signed lower right "Alfred Hutty" and snail cypher, drypoint on paper, 7-5/8 x 10-3/8 in.; modern frame Provenance: A North Carolina Estate Estimate: $2,000 - $3,000

1078 Ethelyn P. Cobb (American School, 1884-1973) Old Mansion, Beaufort, South Carolina, signed, label verso, oil on board, 18 x 24 in.; framed Estimate: $400 - $600

1079 Elliott Daingerfield (North Carolina, 1859-1932) Portrait of a religious figure, signed, graphite on paper, 16 x 11-1/4 in.; framed Provenance: Private Southern Collection Estimate: $500 - $700

1077 Alfred Hutty (Charleston, South Carolina, 1877-1954) A Southern Villa, circa 1948, edition 20/75, signed lower right, "Alfred Hutty" and snail cypher, drypoint on paper, plate 8-7/8 x 11 in. sheet 13-1/2 x 15 in.; modern frame Provenance: A North Carolina Estate Estimate: $1,000 - $1,500

1080 Ben Long (North Carolina, born 1945) Portrait of Reynolds Price Wearing His Academic Gown from Oxford University, signed lower left ""BL LXXXVI"", oil on linen laid on panel, 30 x 23-7/8 in.; fine hand-carved, painted and gilt wood frame Provenance: Estate of Reynolds Price; Brunk Auctions: March 10, 2012, lot 51 Estimate: $1,000 - $2,000

Condition notes available in back of catalog

II Southern

1076 Elizabeth O'Neill Verner (Charleston, South Carolina, 1883-1979) Two etchings: Postern Gate, Charleston; St Michael's Alley, Charleston, each signed lower right "Elizabeth O'Neill Verner' and inscribed, both 2-5/8 x 2-1/8 in.; modern frame, 8-1/4 x 11-3/4 in.

Provenance: A North Carolina Estate Estimate: $600 - $800

July 20, 2019

1074 George Hand Wright (Connecticut/SC, 1872-1951) Afternoon Sun, signed "G Wright N.A.", watercolor, 8 x 9-3/4 in.; modern frame Provenance: A North Carolina Estate Estimate: $600 - $800

35

Estate of Charlie Tate, Asheville, North Carolina

C

July 20, 2019

Estate of Charlie Tate

II

36

harles " Charlie" Tate a lifelong resident of Western North Carolina and the Asheville area was truly a lifetime collector of antiques. He started at the young age of 20 collecting a vast array of exquisite items. Collecting was in his blood as he literally could not go a a week without horse trading and adding to his personal collection. If you ever visited his residence you would see he was truly in love with all periods of antiques. In his later years he became interested in Native American objects and folklore. He often visited the Cherokee Indian Reservation in search of the next new item to add to his collection. Over the years his professional travels allowed him to search out items throughout the country, however the majority of his collection came from the mountains of Western North Carolina.

1082 Southern Federal Walnut Pie Safe probably North Carolina, dovetailed construction, twelve fylfot punched tin panels, yellow pine secondary, shelved interior, 70-1/4 x 43-1/4 x 17-3/4 in.

Estimate: $600 - $900

1083 Pisgah Forest Pottery Cameo Lamp Arden, NC, W.B. Stephen, (1876-1961), matte green glaze over glossy teal glaze, underside signed "W.B Stephen", 11 in. to socket Estimate: $600 - $900

1081 American Chippendale Pine Chest in Later Paint Virginia/Pennsylvania, late 18th/early 19th century, yellow pine throughout, strap hinges, interior till, two dovetailed drawers, modern distressed paint in the style of Johannes Spitler (Virginia, 1774-1837), 27 x 51 x 20-3/4 in.

Estimate: $1,000 - $2,000

1084 Twelve Pieces Pisgah Forest Pottery Arden, NC, W.B. Stephen, (1876-1961), signed "Stephen", cameo over green glaze, tallest 6 in.; bluish vase, 4 in.; blue teapot, 5-1/4 in.

Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

1085 Southern Federal Paint Decorated Pie Safe, 19th century, dry surface with traces of original grain paint, single dovetailed drawer, poplar and other mixed woods, 57 x 43-1/2 x 21-1/2 in.

Estimate: $500 - $700

1086 Southern Pine Red Painted Hunt Board possibly Georgia, 19th century, two dovetailed drawers, poplar, yellow pine, and other mixed secondary woods, 44 x 50-1/2 x 25 in.

Estimate: $600 - $900

1088 American Federal Poplar Farm Table 19th century, old surface, traces of red stain, scrubbed double board top, single dovetailed drawer, pegged construction, tapered legs, 30 x 58 x 34 in.

Estimate: $800 - $1,200

1090 Connecticut Federal Pine Tall Case Clock , wooden dial signed "R Whiting/ Winchester" (Riley Whiting, CT, w. 18191835), independent seconds, wooden time and strike movement, 82-1/2 in.

Estimate: $500 - $700

1092 Southern Federal Walnut Pie Safe 19th century, dovetailed drawers, doors with heart and arch punched tin panels, compass star side panels, poplar secondary, 47-1/2 x 52-1/4 x 19-1/4 in.

Estimate: $500 - $700

1093 Federal Pine Tall Case Clock in Early Surface, wooden dial signed "S. Hoadley Plymouth" (Silas Hoadley, Connecticut, w. 1807-1849), wooden time and strike, white pine case likely Southern, 87 in.

Estimate: $800 - $1,200

1094 Unusual American Single Drop Leaf Work Table, possibly Shaker, late 19th century, tiger maple foldover top, gateleg support, single dovetailed drawer, 29 x 25-1/2 x 13 in.

Estimate: $600 - $900

Condition notes available in back of catalog

II Estate of Charlie Tate

1089 Southern Inlaid Walnut Single Drawer Stand, Piedmont/Western North Carolina, 19th century, dovetailed drawer with inlaid kite escutcheon, poplar and yellow pine secondary, 29 x 27 x 19-1/2 in.

Estimate: $500 - $700

1091 Fine New England Federal Inlaid Bookcase on Desk attributed to Vermont, circa 1805, one interior drawer retains early label or clipping for Hastings Warren, fan inlaid writing board, fitted interior, original pediment with applied unusual walnut elements, original scrolled feet, maple and cherry with white pine secondary, together with two period sets of three brass finials, 90 x 39-1/2 x 21 in.

Provenance: C. Ray Franklin, Asheville, North Carolina Estimate: $5,000 - $7,000

July 20, 2019

1087 New England Chippendale Maple Drop Leaf Table, late 18th century, figured tiger maple top, legs and frame retain early crusty painted surface, molded legs, 381/4 x 14-1/2 x 28 in., extended 39-3/4 in.

Estimate: $800 - $1,200

37

1095 New England Federal Inlaid Mahogany Games Table, early 19th century, top with banded edge, figured bird's eye maple paneled skirt flanked by diamond inlay, double tapered legs, 29 x 35 x 17-1/2 in.

Estimate: $500 - $700

1096 Chippendale Carved Mahogany Piecrust Tea Table 18th century, piecrust single board top, birdcage support, leaf carved pedestal base, 27-1/2 x 29 x 29 in.

Estimate: $500 - $700

1098 Large English Silver Tray London, 1800, oval form with reeded border and acanthus handles, maker probably Richard Crossley, .925 fine, 111.17 oz. T., 27-1/4 in.

Estimate: $2,000 - $3,000

July 20, 2019

Estate of Charlie Tate

II

38

1101 George II English Silver Coffee Pot London, 1733, tapering sides, doomed lid, wooden scroll handle, no monogram, marks for Thomas Farren, .925 fine, 26.94 oz. T. gross weight, 9-1/2 in.

Estimate: $800 - $1,200

1102 Pair of Kirk Repousse Bowls American, 1896-1924, floral repousse border, marks for S. Kirk & Son (Baltimore, Maryland, working 1817-1932), 33.45 oz.

T., 2-1/4 x 12-3/4 x 8-1/2 in.

Estimate: $500 - $800

1105 Set of Four George I Irish Silver Candlesticks Dublin, probably 1725, octagonal form, diamond faceted base, heraldic on base, monogram on underside, partial marks, .925 fine, 45.11 oz. T., 6-1/2 in.

Estimate: $1,500 - $2,500

1097 New England Federal Inlaid Mahogany Games Table Boston area, 1800-1810, skirt set with flame birch panels, inlaid double tapered legs, 29 x 36 x 17 in.

Estimate: $500 - $700

1099â—‰ Miniature English Silver Urn London, 1781, urn form, bead borders, urn finial, ball feet, ivory finial, maker possibly Joseph Steward II, .925 fine, 26.55 oz.

T., 13-3/4 in.

Estimate: $400 - $800

1100 John Burger Coin Silver Teapot and Urn American, late 18th century, teapot, 7 x 12 x 4-1/4 in.; covered urn, 9 in., marks for John Burger (New York City, working 1775-1807), 37.93 oz. T. Estimate: $500 - $800

1103 New York Coin Silver Lidded Porringer American, mid 19th century, openwork handle, marks for Gerardus Boyce, 8.60 oz. T., 4-1/2 x 6-1/2 x 4-3/4 in.

Estimate: $500 - $800

1104 46 Pieces Onslow English Silver Flatware, London, 18th/20th century, various makers including Crichton Brothers, most 20th century, .925 fine, 67.22 oz. T., 4-7/8 in. to 12-1/4 in.

Estimate: $1,000 - $1,500

1106 Pair of English Silver Trays London, 1792, oval with bead border and engraved decoration, marks for John Crouch I & Thomas Hannam, no monogram, .925 fine, 26.26 oz. T., 1 x 7 x 10 in.

Estimate: $600 - $1,000

1107 Five Silver Table Items 20th century, two similar sterling coffee pot; three English silver pieces: two sauce boats; caster, .925 fine. 4 in. to 9-1/2 in.

63.09 oz. T. Estimate: $900 - $1,100

For full cataloging and images see our website, brunkauctions.com

1112 Three North Carolina Decoys Knotts Island, North Carolina, 20th century, pair wood ducks attributed to Romy Waterfield; one attributed North Carolina canvas back drake, longest 14 in.

Estimate: $500 - $700

1114 Cherokee River Cane Burden Basket Qualla Boundary, North Carolina, attributed to Rowena Bradley, single woven, walnut and bloodroot, 13-1/2 in.

Provenance: Brunk Auctions, 2007, lot 406 Estimate: $400 - $800

1115 Three Cherokee Double Weave Miniature Baskets, Qualla Boundary, North Carolina, river cane, two Ramona Lossie; Geraldine Walkingstick, tallest 6-3/4 in.

Provenance: Medicine Man, Cherokee, NC Estimate: $600 - $900

1116 Rowena Bradley Cherokee Lidded Basket Qualla Boundary, North Carolina, double weave river cane with colors for walnut and bloodroot, accompanied with facsimile of receipt from Bigmeat House of Pottery, Cherokee, North Carolina, attributing basket to Rowena Bradley and photograph of Bradley weaving a basket, 10 in.

Provenance: Bigmeat House of Pottery, Cherokee, North Carolina; Brunk Auctions, North Carolina, January 6, 2007, lot 409 Estimate: $1,000 - $1,500

1117 Two Cherokee Oak Split Baskets Qualla Boundary, North Carolina, both with commercial dyes, storage basket signed "Haley Bradley", 11-1/2 in.; purse with rim lock handles, 9-1/2 x 11 in.

Estimate: $400 - $600

1118 Two Emma Garrett Cherokee Storage Baskets, Qualla Boundary, North Carolina, attributed to Emma Garrett, river cane with colors for walnut and bloodroot, signed "Emma Garrett", 9-1/2 in.; 10 in.

Estimate: $500 - $700

1119 Two Cherokee Market Purse Baskets Qualla Boundary, North Carolina, both with rim lock handles, single woven river cane, colors for walnut and bloodroot, 7 x 9 in.; oak split, 7 x 10 in.

Estimate: $500 - $700

Condition notes available in back of catalog

1113 Two Canvas Canada Goose Decoys, One Folding, American, early to mid 20th century, folding decoy, 19-1/2 in.; stretched canvas decoy, 20 x 27-1/2 x 9 in.

Provenance: Timberlake Collection Estimate: $800 - $1,200

II Estate of Charlie Tate

1111 Five Michigan Attributed Duck Decoys early to mid 20th century, all carved wood, painted and with glass eyes, three blue bills and two canvasback drakes, longest 16 in.

Estimate: $500 - $700

1110 16 Cork Bodied Duck Decoys American, mid 20th century, with painted cork bodies and wood heads, including pair Canadian geese, mallards and canvas backs, largest 26 in. length Estimate: $500 - $700

1120 Two Emma Garrett Cherokee Storage Baskets, Qualla Boundary, North Carolina, attributed to Emma Garrett, river cane with colors for walnut and bloodroot, both signed "Emma Garrett" each 11 in.

Estimate: $500 - $700

July 20, 2019

1108 Attributed Joe King Golden Plover Decoy, Manahawkin, New Jersey, 18341913, circa 1910, traces of old paint, written on bottom of stand, "From Joe King Maker" on later wood stand, 9 in. height Estimate: $500 - $700

1109 Six Vintage Carved and Painted Shore Birds American, 20th century, carved banana form bodies, later paint decorated with matching spiral based stands, longest 16-1/4 in.

Estimate: $600 - $900

39

1121 Woven Cherokee Rivercane Mat Qualla Boundary, North Carolina, single woven mat with diamond pattern design, colors for walnut and blood root, accompanied with label from the Hunting Ground, Cherokee, North Carolina, indicating a price of $700, 59 x 38 in.

Provenance: The Hunting Ground, Cherokee, North Carolina Estimate: $800 - $1,200

1123 Two Similar Emma Garrett Cherokee Storage Baskets, Qualla Boundary, North Carolina, attributed to Emma Garrett, river cane with colors for walnut and bloodroot, signed "Emma Garrett", 10-1/2 in.

Estimate: $500 - $700

1124 Large Cherokee Oak Split Signed Market Basket, Qualla Boundary, North Carolina, white oak, brown and red dyes, double lock handle, "Bessie Long", with Qualla label, 18 x 21-1/2 x 13-1/2 in.

Estimate: $400 - $800

1122 Monumental Cherokee River Cane Basket, Qualla Boundary, North Carolina, square to round form, old style rim, colors for walnut and bloodroot, 20 in.

Estimate: $800 - $1,200

1125 Three Native American Baskets Southeastern/Western, Choctaw swamp cane, 5-3/4 x 11-1/2 in.; coiled round, probably Apache, 11 in.; polychrome coiled, probably Apache, 10 x 9-1/2 in.

Estimate: $400 - $600

1126 Ten Miniature Cherokee Baskets Qualla Boundary, North Carolina, seven river cane including two double weaves; five attributed to Ramona Lossiah; three oak split, tallest 3-3/4 in.

Estimate: $600 - $900 1128 Plains Men's Quilled Moccasins Late 19th/early 20th century, sinew sewn, fully quilled uppers, three wrap-around quilled bands, parfleche soles, uppers edged in cotton calico, 11 in. long.

Provenance: Allard Auctions, St. Ignatius, Montana, 2001 Estimate: $800 - $1,200

July 20, 2019

Estate of Charlie Tate

II

40

1127 Pewter Inlaid Pipe Tomahawk Northern Plains or Plateau, late 19th/early 20th century, decorated with brass tacks, bands of hot file cross-hatching, cut out blade, beaded cloth drop, shaft 21 in.; drop 16-1/2 in. long without fringe Estimate: $2,000 - $3,000

1129 Two Mi'kmaq Quilled Boxes late 19th/early 20th century, both with quilled birch bark lids, 7 x 10 x 7-1/2; 5 x 8 x 6 in.

Estimate: $700 - $900

For full cataloging and images see our website, brunkauctions.com

1130 Sioux beaded hide knife sheath late 19th/early 20th century, fully beaded on one side, with tin cone danglers, 9-1/2 in.; with early trade knife, 10-1/4 in.

Estimate: $400 - $600

1131 Two Fully Beaded Native American Belts, Northern Plateau, floral design, metal buckle, leather signed "D.I. 11052/ Pahawk/Muskogee/Okla", 37 in.; beaded sash, 29-1/2 in.

Estimate: $400 - $600

1132 Beaded Quilled Buffalo Society Knife Sheath, Late 19th/early 20th century, sinew sewn, quilled slats, sheath 11-1/4 in., with quilled slats, 17-1/4 in.

Provenance: Courtney Smith Collection Estimate: $700 - $900

1134 Lakota Beaded Quilled Cradle Board late 19th/early 20th century, sinew sewn beadwork, quilled bands, cotton calico, muslin, silk ribbon, quill wrapped slats and fringe at top, wood slat supports with brass tack decoration, 43 in. long overall Estimate: $2,500 - $3,500

1133 Quilled Beaded Hide Men's Moccasins, late 19th century, Lakota, porcupine quills, white, blue and white heart red beads, rawhide soles, ankle flaps edged in cotton calico, 11 in. long Estimate: $700 - $900

II

1137 Sioux Quilled Sheath with Knife probably early 20th century, quilled, beaded hide, with tin cones, 10 in.; wood handled blade, 12-1/2 in. long Estimate: $500 - $700

1138 Ojibwa Beaded Knife Sheath and Blade late 19th/early 20th century, floral design, rawhide back, beaded drops, fringe, 151/2 in., with J. Russell & Co. Green River Works blade, 19-1/2 in.

Estimate: $700 - $900

Condition notes available in back of catalog

1139 Large Crow Beaded Hide Knife Sheath late 19th century, with wood handled knife, red trade cloth, brass tacks, beaded strip across top, 13-1/2 in.; knife 12-1/2 in.

Estimate: $3,000 - $5,000

July 20, 2019

1136 Two Hide Knife Sheaths with Blades late 19th/20th century, beaded, tin cones, beaded drop, 8 in.; blade 11 in.; parfleche interior, 7 in.; blade 10-1/4 in.

Estimate: $500 - $700

Estate of Charlie Tate

1135 Plains Beaded Possible Bag late 19th/early 20th century, sinew sewn, fully beaded front, sides and flap, 12 x 20 in.

Estimate: $1,500 - $2,500

41

1142 Two Beaded Flap Bags late 19th/early 20th century; Cheyenne beaded hide bag with calico cotton interior, tin cones, fringe, 6-1/4 in. long; 19 in. long with fringe; together with a small beaded hide flap bag, central medallion, calico cotton interior, trade beads on fringe and handle, 4 in. long Estimate: $400 - $600

1140 Beaded Strike-a-Light Bag possibly Kiowa, late 19th century, saddle hide, tin cone danglers, brass button, brass and glass beads on fringe, bag 5-3/4 in. long, longest fringe 14 in.

Estimate: $800 - $1,200

July 20, 2019

Estate of Charlie Tate

II

42

1145 Two Woodlands Beaded Items late 19th/early 20th century, beaded blanket strip, sewn to linen, edged in wool trade cloth, backed with cotton calico, 35-1/2 x 4 in.; men's floral beaded hide moccasins, puckered toes, bead and ribbon detail under ankle flap, 9 in. .

Estimate: $600 - $900

1143 Beaded Hide Flap Bag possibly Apache, late 19th/early 20th century, beaded on both sides of bag, bag 6-1/2 in., with fringe 11 in.

Estimate: $600 - $800

1144 Men's Beaded Hide Moccasins early 20th century, possibly Lakota, fully beaded instep, double bands of beading around back, 9 in. long Estimate: $500 - $700

1146 Two Pair Plains Beaded Moccasins late 19th/early 20th century, men's moccasins 9 in. long; child's moccasins, 6-1/2 in. long Estimate: $400 - $600

1147 Woodlands Cradle Board early 20th century, beaded felt panels, hide, painted back board, muslin cover, blue painted board 35 x 16 in.

Estimate: $400 - $600

1148 Two Silver and Turquoise Concho Belts stamped conchos, 12 cabochons, maker's mark "J.W.", 2-1/2 in. wide, 39 in. lg., 454.7g; stamped conchos, 15 cabochons, 1-1/2 in. wide, 42 in. lg., 233.5g Estimate: $400 - $600

1149 Collection of Projectile and Iron Spear Points, over 50 attributed Native American worked stone projectile points and four iron spear points, in three displays, 8-1/4 x 12 in. to 17 x 21 in.

Estimate: $500 - $700

1150 Two Cased Collections Projectile Points over 100 attributed Native American projectile points, mostly notched and stemmed, displayed in two wood shadow box cases, 24 x 18 in.

Estimate: $500 - $700

1151 Three Cased Collections of Projectile Points, over 130 attributed Native American projectile points including notched, stemmed and several edged, three wood cases, two, 18 x 24 in.; one, 12 x 24 in.

Estimate: $500 - $700

1141 Arapaho Beaded Bag last quarter 19th century, beaded on two sides, remnants of yellow paint, 8 in. long Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

1156 Two Inuit Kayak Models 19th/20th century, figure, carved wood face, hide/leather clothing, painted hide/ skin kayak, 17-1/2 in.; without figure, hide/leather, bone, 14-1/2 in.

Estimate: $600 - $900

1159 Two Eye Dazzler Weavings early/mid 20th century Eye Dazzler style weaving, 63 x 41 in.; together with later Eye Dazzler style textile, 37 x 19 in.

Estimate: $500 - $700

1160 Two Southwestern Textiles early 20th century, Crystal Trading Post Style, 62 x 42 in.; regional style, 64 x 46 in.

Estimate: $700 - $900

1163 Two Southwestern Weavings early 20th century, 74 x 50 in.; together with a later 20th century storm style weaving, 64 x 32 in.; Estimate: $500 - $700

1164 Two Southwestern Weavings early/mid 20th century, transitional/Eye Dazzler style, 62 x 39 in.; regional style trading post, 67 x 45 in.

Estimate: $500 - $700

1154 Two Inuit Kayak Models early 20th century, painted hide model with images of fish and birds, wood frame, 36 in.; model with three openings, hide/skin over wood frame, 42 in.

Estimate: $600 - $900

1157 Two Inuit Kayak Models 19th/20th century, carved wood figure, bone and leather/ hunting implements, 22 in.; leather/hide, wood and bone hunting implements, 23 in., bone stands Estimate: $500 - $700

1158 Two Inuit Kayak Models 19th/20th century, carved wood figure and assorted hunting implements, bone, hide/skin, 22 in.; model with no figure, wood, hide/skin, 29 in.

Estimate: $500 - $700

1161 Inuit Fossilized Walrus Bone Baculum Club, age unknown, carved and decorated face and fins to resemble a seal, abalone shell accents, 20 in.

Estimate: $500 - $700

1162 Two Inuit Dolls probably mid 20th century, male with carved and painted wood head, fur and leather clothes, with stand, 14 in.; female doll with painted wood face, 12 in.

Estimate: $500 - $700

1165 Crystal Trading Post Storm Pattern Weaving early 20th century, 78 X 53 in.

Estimate: $800 - $1,200

Condition notes available in back of catalog

II Estate of Charlie Tate

1155 Two Inuit Kayak Models circa 1900-1910, model, wood frame covered with hide/skin, 45 in. length; model with two openings, wood frame covered with hide/skin, probably seal, 33 in.

Estimate: $600 - $900

1153 Large Scale Inuit Kayak Model early 20th century, with four openings, probably seal skin thread sewn over wood frame, 41 in.

Provenance, Cowan's, 2007, lot 24 Estimate: $500 - $700

July 20, 2019

1152 Inuit Model of Kayak and Hunter probably early 20th century, carved wood figure holding a paddle, stretched and stitched skin/hide over wood frame, bone and leather riggings with line rack, 22 in.

Estimate: $500 - $700

43

Native American & Western II

July 20, 2019

Native American & Western

1167 After Edward Sherrif Curtis (American, 1868-1952) Bow River-Blackfoot, pl. 644, Suffolk Engraving Co., 13 x 16-3/4 in. (sight); framed Provenance: Private Collection, SC Estimate: $1,000 - $2,000

44

1166 Edward Sherrif Curtis (American, 1868-1952) An Oasis in the Badlands, 1905, signed lower right image "Curtis", copyright blindstamp lower left image, also copyright blindstamp lower left corner original mount, platinum print on original mount, 5-7/8 x 7-3/4 in. (image/sheet); modern burl wood veneer and gold leaf frame Provenance: Private Collection, Greenville, South Carolina Estimate: $4,000 - $6,000

For full cataloging and images see our website, brunkauctions.com

1168 After Edward Sherrif Curtis (American, 1868-1952) Wisham Girl pl. 278, photogravure, 17-3/4 x 12-1/4 in.; four reproductions Provenance: Private Collection, SC Estimate: $1,000 - $2,000

1169 Edward Sherrif Curtis (American, 1868-1952) Ankara Man, c. 1905, gelatin silver print, 7-1/4 x 5 in.; modern wood frame Provenance: Private Collection, SC Estimate: $1,000 - $2,000

1171 Edward Sherrif Curtis (American, 1868-1952) American Horse - Oglala, 1906, signed in image lower right "Curtis", stamped print lower left corner, vintage platinum print circa 1906, 15-1/2 x 12 in. (sight); modern burl wood veneer frame, 29-3/4 x 25-1/2 in.

Provenance: Christopher Cardozo Fine Art, Minneapolis, Minnesota; Private Collection, Greenville, South Carolina Estimate: $15,000 - $20,000 Comes with a certificate of authenticity from Christopher Cardozo Fine Art, Minneapolis, Minnesota.

1173 After Edward Sherrif Curtis (American, 1868-1952) Vash Gon-Jicarilla, pl. 20, vintage photogravure, 17-3/4 x 10-1/4 (sheet); framed Provenance: Private Collection, SC Estimate: $1,000 - $2,000

1175 After Edward Sherrif Curtis (American, 1868-1952) Peyote Drummer, pl. 687, photogravure, Suffolk Engr. Co., 1927, 15-1/4 x 11-1/2 in.

Provenance: Private Collection, SC Estimate: $1,000 - $2,000

1176 After Edward Sherrif Curtis (American, 1868-1952) Piopio-Maksmaks-Wallawalla, pl. 267, photogravure, 17-1/2 x 12-1/4 in.; framed Provenance: Private Collection, SC Estimate: $1,000 - $2,000

1177 After Edward Sherrif Curtis (American, 1868-1952) The Moose Hunter, pl. 623, photogravure, Suffolk Engr. Co., 1926, 13-3/4 x 17 in.

Provenance: Private Collection, SC Estimate: $1,000 - $2,000

Condition notes available in back of catalog

II Native American & Western

1172 After Edward Sherrif Curtis (American, 1868-1952) Mosquito Hawk- Assiniboin, pl. 102, 1908, photogravure, 17 x 11 in.; framed Provenance: Private Collection, SC Estimate: $1,000 - $2,000

1174 After Edward Sherrif Curtis (American, 1868-1952) Blackfoot Tipis, plate 642, vintage photogravure on Japan tissue, printed by the Suffolk Engraving Company, Cambridge, Massachusetts (1907-1930), copyright by Edward S. Curtis 1926, 16-3/4 x 121/4 in. (sight); modern burl wood veneer frame, 30-1/2 x 25-3/4 in.

Provenance: Private Collection, Greenville, South Carolina Estimate: $1,000 - $2,000

1178 After Edward Sherrif Curtis (American, 1868-1952) Mixed-Blood Coast Pomo, pl. 476, photogravure, 17-1/2 x 12-1/2 in.; framed Provenance: Private Collection, SC Estimate: $1,000 - $2,000

July 20, 2019

1170 After Edward Sherrif Curtis (American, 1868-1952) Nespilim Man, pl. 244, photogravure, Andrew & Son, 1905, 17-3/4 x 12-1/2 in.

Provenance: Private Collection, SC Estimate: $1,000 - $2,000

45

July 20, 2019

Native American & Western

II

46

1179 Edward Sherrif Curtis (American, 1868-1952) A Painted Tipi-Assiniboin, contemporary "Goldtone", 18 x 22 in. (print); framed Provenance: Private Collection, SC Estimate: $700 - $900

1180 Edward Sherrif Curtis (American, 1868-1952) An Oasis in the Badlands, contemporary "Goldtone", ed. 30/150, 18 x 22 in. (print) Provenance: Private Collection, SC Estimate: $700 - $900

1181 Edward Sherrif Curtis (American, 1868-1952) Chief Joseph, contemporary "Goldtone", edition 70/250, 14 x 17 in. (print); framed Provenance: Private Collection, SC Estimate: $700 - $900

1182 Edward Sherrif Curtis (American, 1868-1952) The Apache, contemporary "Goldtone", ed. 11/75 (label verso), 22 x 18 in.; framed Provenance: Private Collection, SC Estimate: $700 - $900

1183 Edward Sherrif Curtis (American, 1868-1952) Hopi Snake Priest, contemporary "Goldtone", ed. 12/100, 10 x 8 in. (print); framed Provenance: Private Collection, SC Estimate: $700 - $900

1184 Edward Sherrif Curtis (American, 1868-1952) The Oath - Apsaroke, contemporary "Goldtone", 22 x 18 in.; modern frame Provenance: Private Collection, SC Estimate: $700 - $900

1185 Edward Sherrif Curtis (American, 1868-1952) Three Chiefs, contemporary "Goldtone", ed. 41/150, 18 x 22 in.; modern frame Provenance: Private Collection, SC Estimate: $700 - $900

1186 Edward Sherrif Curtis (American, 1868-1952) Crater Lake, contemporary "Goldtone", ed. 26/100 (label verso), 18 x 22 in. (print) Provenance: Private Collection, SC Estimate: $700 - $900

1187 Edward Sherrif Curtis (American, 1868-1952) Chief of the Desert, contemporary "Goldtone", ed. 12/150, 22 x 18 in.; framed Provenance: Private Collection, SC Estimate: $700 - $900

1188 Edward Sherrif Curtis (American, 1868-1952) Taos Water Girls, contemporary "Goldtone", edition 4/8, 24 x 20 in.; framed Provenance: Private Collection, SC Estimate: $700 - $900

1189 Edward Sherrif Curtis (American, 1868-1952) The Vanishing Race, contemporary "Goldtone", ed. 3/12 , 20 x 24 in. (print) Provenance: Private Collection, SC Estimate: $700 - $900

1190 Edward Sherrif Curtis (American, 1868-1952) Spearing Salmon, contemporary "Goldtone", ed. 13/25, 22 x 18 in. (print); framed Provenance: Private Collection, SC Estimate: $700 - $900

1191 Edward Sherrif Curtis (American, 1868-1952) A Son of the Desert - Navajo, contemporary "Goldtone", edition 3/8, 24 x 20 in.

Provenance: Private Collection, SC Estimate: $700 - $900

1192 Five Native American Cartes de Visite, late 19th century, four stamped "Whitney's Gallery/St. Paul", four with pencil inscriptions verso, one with ink inscription recto, each 4 x 2-1/2 in.; framed together, modern metal sectional frame, 12-1/4 x 12-1/2 in.

Provenance: A North Carolina Estate Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

1193 Two Native American Cartes de Visite late 19th century, stamped, inscribed, each 4-1/4 x 3-1/2 in. overall; framed together Provenance: A North Carolina Estate Estimate: $400 - $600

1197 Two Southwestern Polychrome Decorated Jars, probably early 20th century, large Acoma pot with geometric design, 10 in.; Zuni jar with hatched and hook design, 7-1/2 in.

Estimate: $800 - $1,200

1198 Hopi Polychrome Seed Jar American Southwest, attributed to Nellie Nampeyo Dourma (1896-1978), earthenware pot, geometric designs, faint pencil inscription on base, 2 x 6-1/2 in.

Estimate: $500 - $700

1199 Yokuts Coiled Basketry Bowl California, early 20th century, polychrome hour glass design, 6-1/4 x 14 in.

Estimate: $800 - $1,200

1200 Yokuts Coiled Basketry Bowl California, early 20th century, polychrome double diamond rattlesnake pattern, 6-1/2 x 12-3/4 in.

Estimate: $800 - $1,200

1201 Two Vintage Santo Domingo Thunderbird Necklaces, Depression era jewelry, turquoise, plastic- possibly car battery, likely shell/bone, 24 and 28 in. lg., 112.5 g Estimate: $400 - $600

1202 Three Native American Coiled Baskets American, Southwest, early 20th century, three bowls with geometric motifs, 5-3/8 x 11-1/4 in.; 3-1/2 x 10-1/2 in.; 3 x 8-1/2 in.

Estimate: $800 - $1,200

1203 Two Hopi Carved and Polychrome Kachina Dolls , American Southwest, early to mid 20th century, two carved and painted wood figures: long hair, 8-1/2 in.; possibly corn dancer, 10-3/4 in.

Estimate: $500 - $700

1204 Great Lakes Beaded Bandolier Bag early 20th century, fully beaded, floral design, bag 17 x 13 in.; strap 4 x 6 in.; with a small beaded flap bag, 4 in. without fringe Estimate: $700 - $900

1205 Silver & Turquoise Necklace turquoise 3-1/2 x 1-7/8 in., .800 silver, pendant 4-1/2 x 2-3/4 in., two chains 1/4 in. wide, each 24-1/2 in. lg., 90.0g Provenance: Private Collection Estimate: $200 - $400

1206 Two Bracelets, One Hector Aguilar cuff, "Taxco, 940", Hector Aguilar maker's mark, 6 in. ID, 98.0g; link bracelet, "Mexico, Sterling", 7-1/2 in. lg., 129.9g Provenance: Private Collection Estimate: $300 - $500

1207 Sterling Silver Turquoise Pendant turquoise cabochon approx. 3-3/8 x 3 in., stamped "Sterling" and hand engraved "Sharie", 4-5/8 x 3 in., 193.8 g Provenance: Private Collection Estimate: $200 - $400

1208â—‰ Sonwai 18kt. Gemstone Pendant turquoise, lapis and coral, stamped "Sonwai, 18K" and with maker's mark, yellow gold, 2 x 3/4 in., 22.6 g Estimate: $1,500 - $2,500

Condition notes available in back of catalog

II Native American & Western

1195 Zuni Geometric Polychrome Olla American Southwest, late 19th century, with geometric design, red and brown on white with steep sides, elongated neck, and concave base, 9 x 11-3/4 in.

Estimate: $1,000 - $2,000

July 20, 2019

1194 Cochiti Polychrome Pottery Effigy Pitcher, American Southwest, early 20th century, bird head with stylized feather decoration, partial label, "... Packard", 8 in.

Provenance: Packard Estate, AL Estimate: $800 - $1,200

1196 Zia Redware Olla American Southwest, probably early 20th century, polychrome decorated with geometric, bird and flower motifs, 9-1/2 in.

Provenance: Eleanor Tulman Hancock Gallery, New York, New York, 2001 Estimate: $1,000 - $2,000

47

1209 Third Phase Chief's Blanket early 20th century, 49 x 52 in.

Estimate: $1,500 - $2,500

July 20, 2019

Native American & Western

II

48

1214 Nvajo Banded Weaving and Eye Dazzler, circa 1900, small banded style weaving, 48 x 31 in.; together with early to mid 20th century Eye Dazzler style trading post weaving, 58 x 36 in.

Estimate: $800 - $1,200

1215 Three Southwestern Pictorial Weavings early 20th century, Yei weaving, 62 x 30 in.; two mid 20th century: trading post weaving with floral motifs, 50 x 30 in.; sampler style, 39 x 26 in.

Estimate: $600 - $900

1218 Early Crystal Trading Post Navajo Weaving circa 1900, 73 x 42 in.

Estimate: $1,000 - $2,000

1110 Large Southwestern Pictoral Trading Post Weaving early 20th century, wool, 130 x 51 in.

Provenance: Private Collection Estimate: $500 - $700

1211 Two Southwestern Weavings early to mid 20th century, Navajo weaving with central cross motif, 69 x 54 in.; saddle blanket, 39 x 32 in.

Estimate: $500 - $700

1212 Two Navajo Weavings Including Runner, early 20th century, Crystal style runner, natural wools, red accents, 94 x 34 in.; Ganado weaving, 61 x 37 in.

Estimate: $1,200 - $1,800

1213 Germantown Manta Style and Two Saddle Throws, late 19th/early 20th century, Manta style, 42 x 39 in.; two Navajo saddle throws, 55 x 38 in.; 28 x 26 in.

Estimate: $1,200 - $1,800

1216 Two Southwestern Weavings early 20th century, Navajo Eye Dazzler, 65 x 49 in.; mid/late 20th century, striped trading post textile, 59 x 43 in.

Estimate: $800 - $1,200

1217 Third Phase Chief Blanket and Woven Mat, Southwestern, circa 1900, wool, 54 x 73 in.; small transitional style, 19 x 39 in.

Provenance: Ruggiero Collection, NC Estimate: $600 - $900

1219 Late 19th Century Navajo Blanket transitional blanket, 83 x 57 in.; together with late 20th century striped weaving, 61 x 31 in.

Estimate: $1,000 - $2,000

1220 Three Navajo Weavings late 19th/early 20th century, two Eye Dazzler saddle blankets:; 54 x 34 in.; 50 x 28 in.; mid 20th century, round Trading Post weaving, 61 in. diameter Estimate: $700 - $900

For full cataloging and images see our website, brunkauctions.com

1221 After Carl Kauba (Austrian, 1865-1922) The Scout, bearing signature "C. Kauba", bronze aftercast, 26-3/4 in., marble base Provenance: Private Collection, DE Estimate: $1,000 - $1,500

1222 Four Small Bronzes, Three Western (20th century) After C. Russell, Indian Head; C. Kauba; G. Phippen; W.McMillan, largest 7 in.

Provenance: Private Collection, DE Estimate: $1,000 - $1,500

1223 Cyrus Edwin Dallin (Massachusetts/Utah, 1861-1944) Appeal to the Great Spirit, 1913, signed on naturalistic base "Š C.E. Dallin 1913", stamped "Gorham Co. Founders OXC" and inscribed "#165" on edge of base, 8-3/4 x 9 x 5-3/4 in.

Provenance: Private Collection, Delaware Estimate: $5,000 - $7,000

1224 J.. Moore Crystal Trading Post Weaving, first quarter 20th century, J.B. Moore plate XXVIII variation, whirling logs and water bugs design, 39 x 65 in.

Estimate: $1,200 - $1,800

1225 Navajo Teec Nos Pos Rug early 20th century, natural wools, red dye, 81 x 49 in.

Provenance: Private Collection, Davidson, North Carolina Estimate: $1,000 - $2,000

1227 Two Trading Post Textiles early 20th century, Crystal style, 86 x 55 in.; Hubbell style saddle blanket, 42 x 26 in.

Estimate: $1,000 - $2,000

Native American & Western 1228 Cyrus Edwin Dallin (Massachusetts/Utah, 1861-1944) Sacajawea, inscribed "Š C. E. Dallin 1915", bronze, 35-1/2 in.

Provenance: Private Collection, DE Estimate: $2,000 - $4,000

Condition notes available in back of catalog

July 20, 2019

1226 Early Trading Post Weaving early 20th century, 81 x 47 in.

Estimate: $800 - $1,200

II

49

1230 J. Chester (Skip) Armstrong (Oregon, born 1948) In the River's Flow, 2007, "Chester Armstrong 07", carved wood, 33 x 42 x 21 in.

Provenance: Private Collection Estimate: $1,000 - $2,000

1231 Greg Woodard (Utah/Arizona, born 1958) Looks West, edition 4/21, signed near tail feathers, "Greg Woodard", bronze, 33 x 63 x 25 in.

Provenance: Private Collection Estimate: $3,000 - $5,000

1232 George Bensell (Philadelphia, 1837-1879) The Hiding Place, signed lower right "G.F. Bensell", oil on canvas, 30 x 50 in.; framed Provenance: Private Collection, DE Estimate: $1,500 - $2,500

1234 Helen Greene Blumenshein (American, 1909-1989) Taos Panorama, signed lower right "HGB /1963", oil on masonite, 19-1/2 x 61-3/4 in.; modern wood frame, 21 x 63-1/2 in.

Provenance: Private Collection, Delaware Estimate: $2,000 - $4,000

July 20, 2019

Native American & Western

II

1233 Marjorie Dorsey Martinet (Baltimore/Philadelphia, 1886-1981) Chief Cloud Man's Grandson, signed lower left "Martinet", also signed canvas verso, oil on canvas, 30 x 25 in.; period carved gilt wood frame, 34-3/4 x 29-1/2 in.

Provenance: Private Collection, Delaware Estimate: $1,000 - $2,000

1229 Greg Woodard (Utah/Arizona, born 1958) Eagle with Snake, edition 2/25, signed "Greg Woodard", patinated bronze, 20 x 40 x 24 in.

Provenance: Private Collection Estimate: $3,000 - $5,000

1235 After Birger Sandzen (Sweden/America, 1871-1954) Western Scene, signed lower left "Derkach" (Vladimir Derkach, Russian, b. 1964), oil on wood panel, 40 x 60 in.; reproduction gilt wood and composition frame, 50-1/2 x 70-1/2 in.

Provenance: Private Collection, Delaware Estimate: $3,000 - $5,000

50

For full cataloging and images see our website, brunkauctions.com

1236 Mariquita Gill (Paris/Massachusetts/New Mexico, 1861-1915), Century Plant, New Mexico, signed, oil on board, 13 x 9-1/2 in.

Provenance: Private Collection, DE Estimate: $1,000 - $2,000

1237 Oscar Edmund Berninghaus (Taos, New Mexico, 1874-1952) New Mexico Landscape, signed lower right "O. E. Berninghaus", oil on canvas, 21-3/4 x 29-3/4 in.; period frame, 29-1/4 x 37 in.

Provenance: Private Collection, Delaware Estimate: $4,000 - $6,000

II

1239 Anna Elizabeth Keener (New Mexico/Texas, 1895-1982) Wild Horses, signed lower right "Anna E. Keener", oil on canvas, 24 x 30 in.; unframed Provenance: Private Collection, Delaware Estimate: $2,000 - $3,000

1240 William Weaver Armstrong (California/Ontario, 1862-1906) Mt. Shasta, signed "W.W. Armstrong/1879", oil on canvas, 30 x 50 in.; modern carved wood and composition frame, 35-3/4 x 55-1/2 in.

Provenance: Private Collection, Delaware Estimate: $2,000 - $3,000

Condition notes available in back of catalog

July 20, 2019

Native American & Western

1238 Theodore Van Soelen (Pennsylvania/Santa Fe, 1890-1964) Autumn in Santa Fe, signed lower right "Van Solen", oil on beaver board panel, 15-3/4 x 19-3/4 in.; period metal leaf frame, 21-1/4 x 25-1/4 in.

Estimate: $4,000 - $6,000

51

1241 American or European School (early/mid twentieth century) Northern Landscape, unsigned, Belgian colourman stamp verso, oil on canvas, 28 x 34 in.; Newcombe-Macklin carved gilt wood and composition frame, 32-1/2 x 39 in.

Provenance: Private Collection Estimate: $1,000 - $2,000

1242 Georgia O'Keeffe (American, 1887-1986) Plate VI, 1968, from Georgia O'Keeffe Drawings, unsigned, Atlantis Editions, New York, publisher, with impression verso, offset lithograph, sheet 19 x 25 in.; metal frame, 23-3/8 x 28-3/4 in.

Provenance: Private Collection, North Carolina Estimate: $800 - $1,200

American

1243 Paul Sawyier (Ohio/Kentucky/New York, 1865-1917) New York Harbor, signed lower left "Paul Sawyier", inscribed pencil verso "Erie Bo..../#13, New York Harbor", oil on paper, 12 x 9 in.; possibly original frame, 16-3/4 x 13-3/4 in.

Provenance: Private Collection Estimate: $8,000 - $12,000

1244 Nicolai Ivanovitch Fechin (Russian/California/New Mexico, 1881-1955) Impressionist Landscape, signed in Cyrillic upper right "H. Fechin", oil on canvas, 17-1/4 x 24 in.; carved gilt wood frame, 22 x 28-1/8 in.

Provenance: Private Collection, Delaware Estimate: $20,000 - $30,000

II

1247 Joseph Henry Sharp (American, 1859-1953) Still Life with Chrysanthemums, signed lower right "J.H. Sharp", oil on canvas, 22 x 30-1/4 in.; period carved gilt wood frame, 30-3/4 x 39-3/4 in.

Provenance: Private Collection, Delaware Estimate: $7,000 - $9,000

Condition notes available in back of catalog

July 20, 2019

1246 John William Reilly (Pennsylvania, 20th century) Portrait of an Older Man, "John William Reilly", oil on canvas, 48 x 30 in.; framed Provenance: Private Collection, NC Estimate: $600 - $900

American

1245 James Carroll Beckwith (American, 1852-1917) In the Park, signed "Carroll Beckwith", oil on panel, 10 x 13-3/4 in.; modern frame Provenance: Private Collection Estimate: $1,000 - $2,000

53

1248 Antonio Nicolo Gasparo Jacobsen (Danish/America, 1850-1921) Paddlewheel Steamship Old Dominion, signed "A. Jacobsen 1896/31 Palisade Av. West Hoboken, N.J.", oil on canvas, 22 x 36 in.; period burl wood veneer frame, 28 x 42 in.

Provenance: Private Collection, Pinehurst, North Carolina Estimate: $8,000 - $12,000 Literature: Sniffen, Harold S. Antonio Jacobsen The Checklist : Paintings and Sketches by Antonio N.G. Jacobsen, 1850-1921. New York, N.Y.: Sanford & Patricia Smith galleries, 1984., checklist page 226 & 227. According to Sniffen, the paddlewheel steamship Old Dominion was built by Harlan & Hollingsworth, Wilmington. Delaware, and was owned by Old Dominion S.S. Co. in New York from 1872-1937. This painting is listed as being owned by a New Jersey Private Collection.

American

1249 Thomas H Willis (American, 1850-1925) The Irene May, Mixed Media Diorama, signed lower right "T. Willis", oil on canvas, silk, embroidery, 16 x 24 in.; shadow box frame, 25-1/4 x 33-1/4 in.

Provenance: Private Collection, Pinehurst, North Carolina Estimate: $2,000 - $3,000

July 20, 2019

II

1252 George Herbert McCord (American, 1848-1909) Ships in Harbor, signed, oil on canvas, 15 x 19 in.; period frame Provenance: Private Collection, Georgia Estimate: $1,200 - $1,800

54

1250 William Henry (Florida, 20th century) Harbor Scene, Saint Lucia, signed, titled verso, oil on masonite, 29 x 40 in.; framed Estimate: $800 - $1,200

1253 William Wilson Cowell (American, b. 1856) Long Island, Sea Girt Shore, 1878, signed "W. w. Cowell 1878", also signed and titled verso, oil on canvas, 8 x 16 in; framed Provenance: Private Collection, Pinehurst, North Carolina Estimate: $1,000 - $2,000

For full cataloging and images see our website, brunkauctions.com

1251 American or European School (19th / early 20th century) Rounding the Leeward Mark, unsigned, oil on canvas, 20 x 16 in; framed Provenance: Private Collection, NC Estimate: $300 - $500

1254 Julius Augustus Beck (Pennsylvania/Italy, 1831-1915) Coastal Scene, signed "J.A. Beck", watercolor on paper, 6-1/4 x 15 in.; framed Provenance: Estate of William Hodges, VA Estimate: $700 - $900

1259 Prior Hamblin School (American, 19th century) Portrait of a Young Girl, oil on canvas, 14 x 11 in. oval; framed Estimate: $1,000 - $2,000

1258 Aiden Lassell Ripley (Massachusetts/New York, 1896-1969) A Double Chance, unsigned, estate stamp verso, authentication inscription in pencil verso, watercolor on paper, 15 x 21 in.; modern gilt wood frame, 24-3/4 x 30-3/4 in.

Estimate: $3,000 - $5,000 In pencil verso "Painting by A. Lassell Ripley, authenticated Guild of Boston Artists, A Double Chance/ Roger Curtis, Treas."

Exhibited: Aiden Lasselle Ripley Retrospective, Guild of Boston Artists, Boston, Massachusetts, September 10-28, 1996. (label verso)

1260 American School (19th century) Still Life with Oranges, initialed "H.M.R.", oil on canvas, 12 x 18 in.; period frame Provenance: Private Collection, NC Estimate: $500 - $700

1261 Frederick Ferdinand Schafer (German/California, 1839-1927) Autumn on Lake George, signed, titled, oil on canvas, 30 x 50 in.; strip frame Provenance: Private Collection, DE Estimate: $2,000 - $3,000

Condition notes available in back of catalog

II American

1257 Milford Zornes (California/Utah/OK, 1908-2008) Nestled Cottage, 1977, signed "Zornes 77", watercolor, 23-1/2 x 18 in.; framed Provenance: Private Collection, NC Estimate: $600 - $800

1256 Alfred Thompson Bricher (American, 1837-1908) Rocky Shore, signed lower left "ATBricher", oil on canvas, 16 x 223-1/4 in.; burl wood veneer frame, 21-1/4 x 28-1/2 in.

Provenance: Private Collection, Pinehurst, North Carolina Estimate: $6,000 - $8,000

July 20, 2019

1255 American School (19th century) The Death of Atala, unsigned, oil on canvas, 57 x 29-1/2 in.; modern gilt wood frame 33 x 60-1/2 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $400 - $600

55

1263 American School River Landscape (19th century) River Gorge with Cattle, unsigned, oil on canvas, 16-1/4 x 26-1/4 in., gilt wood and composition frame, 21-3/4 x 31-1/2 in.

Estimate: $500 - $700

1262 Edward Mitchell Bannister (Massachusetts/Rhode Island/Canada, 1828-1901) Along the River, signed lower right "E.M. Bannister/93 (?)", oil on canvas, 12-1/2 x 17-1/2 in.; modern gold painted frame, 15 x 20 in.

Provenance: Private Collection, Delaware Estimate: $4,000 - $6,000

July 20, 2019

American

II

56

1265 Robert Jenkins Onderdonk (Texas/Maryland, 1852-1917) Sunset through the Trees, signed lower left "R.J. Onderdonk", oil on canvas, 20 x 24 in.; gold painted wood frame, 24-3/4 x 28-3/4 in.

Provenance: Private Collection, Delaware Estimate: $3,000 - $5,000

1267 John Ross Key (American, 1832-1920) Mountain Landscape, signed lower right "John R. Key", oil on canvas, 14 x 24 in.; modern frame, 17-3/4 x 27-3/4 in.

Provenance: Private Collection, Delaware Estimate: $2,000 - $3,000

1264 Gilbert Gaul (New York/Tennessee/New Jersey, 1855-1919), Autumn Landscape, signed, oil on board, 11-1/2 x 15-3/4 in.; framed Estimate: $800 - $1,200

1266 William Posey Silva (American, 1859-1948) Mountain Landscape, signed lower right "William P Silva", oil on canvas, 14 x 20 in.; framed, 22-1/4 x 28 in.

Estimate: $1,000 - $2,000

1268 Abbott Fuller Graves (American, 1859-1936) Gathering Wood, signed lower right "Abbott Graves", colour man stencil verso, oil on panel, 9-1/4 x 13 in.; modern carved painted and gilt wood frame, 14-1/4 x 17-3/4 in.

Provenance: Private Collection, Charlotte, North Carolina Estimate: $1,000 - $2,000

For full cataloging and images see our website, brunkauctions.com

1274 Currier & Ives, Publishers (American, est. 1834-1907) The White Squadron, U.S. Navy, 1893, image 19 x 34-3/8 in.; framed Provenance: Private Collection, NC Estimate: $600 - $900

1271 Frank F. English (American, 1854-1922) Farm Scene with Horses, signed lower left "F F English", watercolor on paper; 23-1/2 x 36 in., modern gilt wood and composition frame, 37-5/8 x 49-5/8 in.

Provenance: An Important Southern Collection Estimate: $1,000 - $2,000

1273 Currier & Ives, Publishers (American, 19th century) A Spill Out-On Snow, 1870, large folio, hand colored lithograph, image 16-3/16 x 24-11/16 in. sheet, 21-3/4 x 27-3/4 in.; original 19th century wood frame, 25-3/4 x 31-3/4 in.

Estimate: $2,000 - $3,000

1275 Currier & Ives, Publishers (American, 19th century) Coming from the Trot, 1869, large folio, hand colored lithograph, image 18-5/8 x 28-9/16 in. sheet 22-1/2 x 31-1/2 in.; modern gilt wood frame, 30 x 39 in.

Estimate: $1,000 - $1,500

1276 Currier & Ives, Publisher (American, 19th century) The Levee-New Orleans, 1884, after William Aiken Walker, large folio, chromolithograph on paper, stone 20 x 29-3/4 in. sheet 25-1/2 x 35-1/8 in.; wood frame, 30-3/4 x 39 in.

Estimate: $1,000 - $2,000

1277 Three Cartoons, One Production Chic Young, DeBeck (American, 20th century) Chic Young (1901-1973) Blondie Daily Comic Strip original production art, dated 1-22-58 (King Features, Syndicate, Inc.), signed and inscribed "To Wilfred Funk-with all good wishes-Chic Young", mixed media, 5-1/4 x 17-7/8 in.; William De Beck (1890-1942), Christmas Greeting of Barney Google and Spark Plug, pencil and colored pencil; Snuffy Smith, inscribed to "Fred Funk an' His Wife", offset lithograph; black painted frames, largest 8-3/4 x 20-3/4 in.

Provenance: Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Estimate: $600 - $900

Condition notes available in back of catalog

II American

1272 Currier & Ives, Publishers (American, 19th century) American Country Life - Pleasures of Winter, 1855, large folio, lithograph, image 16-3/4 x 23-7/8 in.; framed Estimate: $800 - $1,200

1270 Gertrude Chester (Cuba/California, 1841-1913) Pair of Still Lifes, both signed, oil on board, 9 x 12 in.; matching frames Provenance: Private Collection, SC Estimate: $500 - $700

July 20, 2019

1269 John Michael Buckley (Rockport, Massachusetts, 1891-1958) Motif #1, signed lower right "J.M. Buckley", oil on canvas, 25 x 30 in.; framed Estimate: $800 - $1,200

57

Historic Property From the Johnston/Iredell Family, North Carolina

1278â—‰ James Peale, Sr. (Pennsylvania/Maryland, 1749-1831) Governor Samuel Johnston (Scotland 1733-1816 North Carolina), 1793, completed at the time he was serving as a US Senator from North Carolina, signed "J.P. 1793", watercolor on ivory, 2-1/2 x 1-7/8 in. casework, tests 14kt plain bezel frame with cobalt glass surround and window with braided hair, 3 x 2 in.; with red leather case Provenance: Governor Samuel Johnston, North Carolina; By descent in Johnston/Iredell Family Estimate: $20,000 - $30,000

Samuel Johnston was three years old when he came to America with his family and settled in Eastern North Carolina. He was the nephew of Gabriel Johnston who was the Colonial Governor from 1730 to 1752. After studying law in North Carolina, he was admitted to the bar in 1767 and established a legal practice in Edenton. Johnston began his political career when he was appointed the Clerk of Court for Chowan County, and in 1759, he was elected to serve in the North Carolina General Assembly which was displaced in 1775 upon the start of the Revolution. Starting in 1774, he served as a delegate to the first four Provincial Congresses and presided over the third and fourth Congresses in 1775 and 1776. When he succeeded John Harvey upon his death as the moderator of the Provincial Council and then as President, he became the highest ranking politician in the state, thus putting him in the role of acting Governor upon the abdication of the Royal Governor, Josiah Martin (1737-1786). North Carolina was the first state to declare independence in 1775, with her constitution one of the earliest to be formed. The early leadership of this notable patriot is to be credited in part.In 1780, Johnston was elected as a member of the Continental Congress and presided over both conventions called to ratify the U.S. Constitution in 1788 and 1789. He was the duly elected Governor of North Carolina and served from 1787 to 1789.A U.S. Senator from 1789 to 1793, he returned from Congress to hold his last political office as a North Carolina Superior Court judge, which he held until the age of seventy in 1803. On retirement he quoted a soldier saying, "Some time should be interposed between life and death." Governor Samuel Johnston passed away on August 17, 1806, and was buried at Hayes Plantation, near Edenton, North Carolina. This portrait is thought to be the only known likeness of Samuel Johnston.

References: The National Cyclopaedia of American Biography. New York: J.T. White, 1902, Vol. IV, pg. 420National Governor's Association, 2015, Governor Samuel Johnston, May 3,2019, https://classic.nga.org/cms/home/governors/past-governors-bios/ page_north_carolina/col2-content/main-content-list/title_johnston_samuel.default.html

1279â—‰ Benjamin Trott, Portrait Miniature (New Jersey/New York/Pennsylvania, 1770-1843) Judge James Iredell, US Supreme Court, George Washington appointee, unsigned, watercolor on ivory, casework in burnished bezel with brightwork fillet, verso metal surround and window with braided hair, 3 x 2-1/8 in.; with red leather case Provenance: Governor Samuel Johnston, North Carolina; By descent in Johnston/Iredell Family Estimate: $8,000 - $12,000 In 1790, a young thirty-eight year old lawyer was appointed to the Supreme Court of the United States by President George Washington.

James Iredell had already served North Carolina as the comptroller of the Port of Edenton. In 1771, he was admitted to the bar after reading law under Governor Samuel Johnston, a fellow Edentonian. In 1773, Iredell married Johnston's sister, Hannah, joining these two influential families. During the Revolution he organized the court system and compiled and revised laws which were published in Iredell's Revisal. He is considered North Carolina's greatest essayist, having contributed many ideas that informed the authors of the Declaration of Independence.

His treatise, Principles of the American Whig, published in 1776, outlining that mankind was intended to be happy, second, that government's role is to secure freedom and happiness for the people and third, to define the principles of British legal abuses. He served as the state's Attorney General from 1779-1781. As the leader of the Federalists in North Carolina, he strongly supported the ratification of the Constitution at the convention in 1788, though it failed to pass. After the inclusion of the Bill of Rights, Iredell's efforts succeeded with the Constitution being ratified in 1789. James Iredell died as a result of his travels as a Supreme Court Justice at the age of forty-eight. His son would become the twenty-third Governor of North Carolina.

References: Johnson, Dale T. American Portrait Miniatures in the Manney Collection. New York: The Metropolitan Museum of Art, 1990, pp.

215-217;https://northcarolinahistory.org/encyclopedia/james-iredell-sr-1751-1799/

1280 John James Audubon & Rev. John Bachman (19th century) The Quadrapeds of America, Vol. I 1851 Vol. II 1854 (MDCCCLIV) Vol III, 1854, Rev. John Bachmann, New York, Victor G. Audubon, publisher, brown embossed leather morocco, gilt-lettered spine, edges gilt Provenance: Dr. & Mrs. Fisher gift to Mary Iredell, 1868 (inscribed); gifted by her to her halfsibling, Charles Earl Johnson, Jr. (1851-1923) in 1888 (inscribed); by descent in family Estimate: $1,000 - $2,000

Mary Iredell and Charles E. Johnson were half-siblings. Their father, Dr. Charles Earl Johnson (1812-1876), was the first Surgeon-General of North Carolina and served during the civil war.

He reorganized the hospital system in North Carolina and opened the first military hospital in Raleigh in May, 186. He was one of the founders of the North Carolina Medical Society and was its president twice. It is possible that Dr. Fisher was a colleague of Mary Iredell's father and the Audubon volumes were gifted to her initially because of the association.

1281 Alexander Gardner (Scotland/New York/Washington, 1821-1882) Lincoln at Antietam, 1862, albumen print, 6-3/4 x 8-7/8 in.; wood frame, 10-1/2 x 12-1/2 in.

Estimate: $1,500 - $2,500

American

1282 Signed George Washington Document 1795 18th century, engraved and handwritten passage papers for the ship Cynthia, in three languages, reads "George Washington, President of the United States...be it known that Hezekiah Flint master or commander of the ship called the Cynthia bound for the West Indies...laden with Lumber, Bricks, Flour, Provisions, dry & pickled fish, Butter, Oil, Shock & Piece Goods...Salem, 1795", signed by the President "George Washington", Notary Public, "Edw. Norris", with embossed Great Seal of the United States and Notary Seal from Salem, Massachusetts, 16-1/2 x 14 in.; framed Estimate: $3,000 - $5,000

July 20, 2019

II

1284 13 Star, Nine Stripe Folk Art American Flag, Antique flag with 13 hand sewn double applied linen stars on light blue cotton canton, and nine hand sewn cotton bars, 24-1/2 x 38-1/2 in.

Estimate: $500 - $700

60

1285 Eagle Form Parade Torch Finial American, 19th century, eagle, copper or brass with heavy patina, double burners, with knob "C. Cowles & Co.", (New Haven, CT), 13 x 9 in.

Estimate: $500 - $700

1283 F. Scott Fitzgerald Tales of the Jazz Age New York: Charles Scribner's Sons, 1922, first edition, inscription and signature by Fitzgerald on the front blank, copyright page marked with Scribner's seal and "Published September, 1922", page 232, line six, with "and", blue-green publisher's cloth binding, gilt lettered spine, blind stamped cover, 317 pages, 7-5/8 x 5-3/8 in.

Provenance: Estate of General Raymond Eliot Lee Estimate: $8,000 - $12,000 A similar signed example sold at Doyle New York: 13 November 2018, lot 164.

1286 Four Pieced Quilt Panels American, 20th century, probably Mennonite or Amish, 76 x 68 in.; 57 x 43 in.; hand quilted, 43 x 24 in.; 16 x 16 in.

Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

1287 Two Pieced Quilts: Lone Star and Tumbling Blocks, American, early to mid 20th century, star pattern, 78 x 76 in.; tumbling block, circa 1930, 86 x 63 in.

Provenance: Tumbling: Miriam Tuska, KY Estimate: $500 - $700

1292 Two Black Duck Decoys, Including Doug Jester, attributed Doug Jester, Chincoteague, Virginia, 1876-1921, 16 in.; style of Taylor Johnson, New Jersey, contemporary carving, 19-1/2 in.

Estimate: $500 - $700

1293 Two Frank Finney Bird Carvings Capesville, Virginia, born 1947, painted blue bird, 5 x 7 in.; Baltimore oriole, 6 x 7-1/2 in., both mounted on painted wood bases, signed "F" Estimate: $600 - $900

1295 Two New Jersey Decoys probably early 20th century, brant decoy, "Chris Sprague 1920", "S.G.H.", 13-1/2 in.; goldeneye hen attributed to Jesse Birdsall, later paint, 13 in.

Estimate: $500 - $700

1296 Two Early Duck Decoys probably New Jersey, early 20th century, black duck, hollow, tack eyes, 16 in.; Maine scoter, label for Decoys Unlimited, lot 248, 16-3/4 in.

Estimate: $500 - $700

1297 Three Contemporary Shorebird Decoys 20th century, yellow legs by Steve Morey, Tuckertown, New Jersey, incised "M" on bottom, glass eyes, with stand, 11-1/2 in.; long billed curlew, contemporary carving, 17 in.; yellowlegs, glass eyes, carved "Mark" underside of body, base signed "Mark A Daisy Chincoteague, Va. 2010, Yellowleg", 11 in. length Estimate: $600 - $900

1298 Louisiana Pintail Mallard Decoy 20th century, possibly Mark Whipple, Bourg, 1884-1961, glass eyes, 15-1/2 in.

Estimate: $500 - $700

1299 Two Decoys; Merganser and Loon American, probably 20th century, merganser, possibly North Carolina, 15 in.; loon, "Collection of Fred Noyes" "987", 13 in.

Estimate: $400 - $600

1291 Two New Jersey Shorebird Decoys possibly Nate Fraser, Tuckertown style carving, early 20th century, yellowlegs, 9 in.; plover, 9-1/2 in.

Estimate: $600 - $900

1300 Three Flattie Shore Bird Decoys American, 20th century, carved and painted, two with holes at end of tails, longest 11 in.

Estimate: $400 - $600

Condition notes available in back of catalog

1294 Two North Carolina Decoys Including Wilton Walker, Wilton Walker, Currituck Sound, 1920's, drake widgeon, 16 in.; canvasback drake style of Edward "Ned" Burgess, Churches Island, 1930s, 17-3/4 in.

Estimate: $500 - $700

1301 Iron Billed Curlew Decoy American, possibly New Jersey, early to mid 20th century, carved and painted shorebird, glass eyes, with stand, 15 in. length, 15-1/2 in. height including stand Estimate: $500 - $700

II American

1289 Two Maryland Canvasback Decoys: Boyd, Glen both circa 1930, with carved wood and painted bodies, signed "Taylor Boyd, Perryville, MD", 15 in. length; signed "John Glenn Rock Hall MD 1930", 14-1/4 in.

Estimate: $600 - $900

1290 Attributed John Holly Canvasback Decoy, Havre de Grace, Maryland, 18191892, working decoy, old painted surface, lead weight, carved "H" under tail, 13 in.

Estimate: $400 - $600

July 20, 2019

1288 Pair Madison Mitchell Canvasback Decoys, Havre De Grace, Maryland, painted wood bodies, both signed "Madison Mitchell Havre De Grace MD 1976", 15-1/2 in. to 16 in.

Estimate: $500 - $700

61

1303 Chippendale Style Mahogany High Chest, British, 18th century elements, dovetailed drawers, oak linings, writing slide, 86-1/2 x 43 x 24 in.

Provenance: Wiginton Estate, AL Estimate: $500 - $700

1302 New York Chippendale Carved Mahogany Armchair 1760-1780, seat frame marked "VI", with its original slip seat frame similarly marked, pierced splat with tassel decoration, eagle carved handholds, 38-1/2 in.

Provenance: By descent in the family of Governor Joseph Talcott (1669-1741), Hartford, Connecticut; Mrs. Wainwright, Hartford, Connecticut; Israel Sack, Inc., New York; Marjorie Doyle Rockwell, Loudonville, New York; Northeast Auctions, Portsmouth, 5 November 1995, lot 505; Israel Sack, Inc., New York; Property from a Durham, North Carolina Estate Estimate: $5,000 - $7,000 Literature: Israel Sack, Inc. American Antiques from the Israel Sack Collection, vol. I, 226. Washington D.C.: Highland House, 1981; Singleton, Esther The Furniture of our Forefathers, 417. New York: Doubleday, 1922.

This design is similar to the Van Rensselaer pattern, although this example differs in the carving of the crest rail and the seat rail.

A nearly identical example (likely from the same set) sold at Sotheby's New York: 23 January 2011, from the Hascoe Family Collection.

An additional chair from this set can be found at the Henry Ford Museum (29.1365.11).

II

July 20, 2019

American

1306â—‰ New York Classical Stencil Decorated Pier Table circa 1825, unusual fold-over rosewood and mahogany top, 30 x 35-1/2 x 19-1/2 in.

Provenance: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $2,000 - $3,000

62

1305 J. W. Fiske Zinc Statue of Virtue American, c. 1874-1892, Girl Feeding Bird, zinc statue, plaque marked "J.W. Fiske 26.28 Park Place NY", 38 in.; painted iron pedestal base with two fountain basins; overall 68 in.

Estimate: $2,000 - $4,000

1308 American Classical Carved Mahogany Sofa, probably Philadelphia, circa 1825, brass inlaid, carved back, silk upholstery, paw feet, pierced returns, 35 x 90 x 24 in.

Provenance: Wiginton Estate, AL Estimate: $500 - $1,000

1309 New York Federal Carved Mahogany Server , circa 1810, figured mahogany in rich dark surface, three finely dovetailed drawers, brass feet, 37 x 36 x 18 in.

Provenance: Wiginton Estate, AL Estimate: $800 - $1,200

For full cataloging and images see our website, brunkauctions.com

1304 American Chippendale Pine Hanging Shelf, 18th century, scalloped crest, sides, and moldings, scrolled base, rosehead nail construction, 56 x 45 x 13-1/2 in.

Provenance: Private Collection Estimate: $500 - $1,000

1307 Classical Style Eight Arm Chandelier 20th century, two part pressed brass frame draped with molded glass beads, eight electric arms, 55 x 38 in.

Provenance: Private Collection, TN Estimate: $400 - $600

1310â—‰ American Classical Carved Pedestal Table, attributed to Philadelphia, circa 1825, satinwood top, poplar and white pine secondary, 30 x 28 x 28 in.

Provenance: Wiginton Estate, AL Estimate: $500 - $700

1311 Set Eight Baker Chippendale Style Arm Chairs late 20th century, each with label for Baker Furniture, carved and parcel gilt, blue silk upholstery, 40 x 26 x 26-1/2 in.

Provenance: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $1,000 - $2,000

1312 New York Federal Carved Mahogany Sofa attributed to the shop of Duncan Phyfe, circa 1810, carved rail, scrolled arms, reeded legs, brass casters, 35 x 82 x 32 in.

Provenance: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $2,000 - $3,000

1313 American Classical Mahogany Marble Top Table, New York/Philadelphia, circa 1830, rectangular King of Prussia top, double pedestal, 30 x 61 x 27-1/4 in.

Provenance: Wiginton Estate, AL Estimate: $500 - $700

1315 Classical Carved Mahogany Center Table, possibly Philadelphia, circa 1830, highly figured bookmatched top, pedestal base, paw feet, 29 x 42 x 42-1/2 in.

Provenance: Wiginton Estate, AL Estimate: $1,000 - $2,000

1316â—‰ New England Sheraton Dressing Chest with Mirror, 1810-1820, figured mahogany, ivory knobs, poplar, mahogany, and white pine secondary, 65 x 41 x 23-1/2 in.

Provenance: Wiginton Estate, AL Estimate: $1,000 - $2,000

1317 Two American Grain Painted Lift Top Chests, early 19th century, dovetailed construction, early paint, example with scalloped skirt, original bracket feet, white pine, 14 in.; tabletop example, 7 in.

Estimate: $600 - $900

1318 Pennsylvania Federal Cherry Tall Case Clock, early 19th century, paint decorated iron dial, eight day wooden and brass time and strike movement, 100 in.

Provenance: Private Collection Estimate: $600 - $900

1319 Federal Carved Mahogany Two Part Dining Table, Philadelphia, circa 1820, figured mahogany, carved panels, brass casters, extended 30-1/2 x 48 x 81 in.

Provenance: Wiginton Estate, AL Estimate: $600 - $900

1320 American Classical Eagle and Dolphin Sofa Frame, Philadelphia, 1820-1840, tablet back flanked by stylized dolphins, paw feet, 45-1/4 x 90 x 22-3/4 in.

Provenance: Christie's, New York Estimate: $1,000 - $2,000

American

II

1321â—‰ New York Federal Paint Decorated Spice Cabinet, 19th century, gilt line decoration over rosewood grain, locking paneled doors, spice labels, 11-1/2 x 13 x 6 in.

Estimate: $500 - $700

1322 Signed 1832 Verse Sampler American, possibly Rhode Island, "Lydia M Irons 11 years 1832", floral sprig border, silk on linen, 16-3/4 x 18 in., wood frame Estimate: $500 - $700

1323 1833 Essex Connecticut House Sampler Essex, Connecticut, stitched, "Jane A. Pendleton/Aged 10 years/Essex May 12th 1833", silk on linen, 14 x 16 in.

Provenance: Private Collection, NC Estimate: $800 - $1,200

1324 RJ Horner Carved Mahogany Curved Glass Vitrine, New York, circa 1900, two doors, mirror back, glass shelved interior, 75 x 27-1/2 x 27-1/2 in.

Provenance: Tennessee Living Estate Estimate: $1,000 - $2,000

July 20, 2019

1314 American Classical Carved Mahogany Recamier Sofa, probably Boston, circa 1825, figured veneers, gilt bronze mounts, silk upholstery, 32 x 84 x 25 in.

Provenance: Wiginton Estate, AL Estimate: $800 - $1,200

Condition notes available in back of catalog

63

Modern 1326 Pablo Picasso (Spanish, 1881–1973) Peintre au Travail (B. 1121), 1963, edition 38/50, signed in pencil lower right "Picasso", aquatint on Rives B.F.K. wove paper, plate 12-5-16 x 16-5/16 in. sheet 17-3/8 x 22 in.; modern frame, 30-1/4 x 34-1/4 in.

Provenance: Private Collection of Siao Huy Wu, Raleigh, North Carolina Estimate: $5,000 - $7,000

July 20, 2019

Modern & Craft

II

64

1325 Claude Conover (Cleveland, Ohio, 1907-1994) "Haas" Vessel, ca. 1980, Stoneware with slip surface and incising, signed "Claude Conover Haas" on bottom, 23 in.

Estimate: $4,000 - $8,000

1327 Claude Conover (Cleveland, Ohio, 1907-1994) 'Cerros' Vase, circa 1980, glazed stoneware with incising, glass liner, signed "Claude Conover Cerros", 11-1/2 x 19 x 19 in.

Estimate: $3,000 - $5,000

For full cataloging and images see our website, brunkauctions.com

1328 Wolf Kahn (Vermont/Germany, born 1927) View of Venice, 1958, signed lower right "W. Kahn '58", pastel on paper, 17-3/4 x 24 in.; gilt frame, 23-3/4 x 29-3/4 in.

Estimate: $2,000 - $3,000

1329 Camille Fauré (French, 1872-1952) Art Deco Vase, circa 1930, enamel over copper, signed near base, "C. Fauré Limoges", 11-1/2 in.

Estimate: $10,000 - $15,000

Modern & Craft

II

Guy Martin à Beckett Boyd, as he was also known, was a member of a prominent Australian artistic family that boasted thirty artists spanning five generations starting in 1886. He lived in Australia and for a total of five years in Canada. He has works in the National Gallery of Victoria, Melbourne and has exhibited work in Australia, the United Kingdom, Canada, and the United States.

1331 Fritz Bultman (New York/Louisiana, 1919-1985) Untitled, 1958, signed verso "Fritz Bultman" and inscribed, oil and crayon on canvas board, 24 x 20 in.; parcel gilt and painted frame, 31-1/2 x 27-1/2 in.

Provenance: Heritage Auctions Dallas: November 29, 2018, lot 77031 Estimate: $3,000 - $5,000

Condition notes available in back of catalog

July 20, 2019

1330 Guy Martin Boyd (Australian, 1923-1988) Swimmer Emerging, 1986, edition 3/12, signed "Guy Boyd 1986", patinated bronze, 38 in., with lighted black marble pedestal, 41-3/4 in.

Provenance: Sotheby's New York February 12, 2004, lot 123; Private Collection, North Carolina Estimate: $6,000 - $9,000

65

1332◉ Wormley for Dunbar Walnut Tambour Desk American, mid 20th century, label for Dunbar, model 452 by Edward J. Wormley (American, 1907-1995), set with two rosewood tambour compartments, three drawers, 35 x 28 x 75 in.

Provenance: Private Collection, Hilton Head, South Carolina Estimate: $3,000 - $5,000

1334 Gered Mankowitz (British, b. 1946) Three silkscreens of The Rolling Stones: Mick, 1965/1994, RCA Studios Hollywood, edition 860/1000; Keith, 1965, edition 889/1000; The Rolling Stones-Caged, 1964/1994, signed in pencil, Masons Yard Studio London, edition 878/1000, sheet 35 x 24-1/2; unframed Provenance: Private Collection Estimate: $500 - $1,000

July 20, 2019

Modern & Craft

II

66

1336 Philippe Halsman (American/Latvian, 1906-1979) Halsmen/Dali, editions eight 8/250 and two 7/250), portfolio of 10 gelatin silver prints, stamped verso and inscribed edition numbers, New York: Neikrug Press, 1948-64; printed 1981, with introduction by Yvonne Halsman, contents, images 9 x 13 sheets 107/8 x 16-7/8 in.; with blue linen clam shell portfolio and 10 original rag mats; contents in modern frames Provenance: Private Collection, Greenville, South CarolinaIncludes: Dali Atomicus, 1948; Dali Cyclops, 1953; Dali with Rhinoceros, 1956; Dali Skull, 1951; Dali Clockface, 1953; Dali Sculpture with Light, 1950; Invisible Dali, 1954; Dali's Mustache, 1953; Dali Fishing, 1954; Dali in Port Lligat, 1964.

Estimate: $3,000 - $5,000

1333 Pair Eames Soft Pad Group Management Chairs, modern, model 343

by Charles (1907-1978) and Ray (19121988) Eames, aluminum frame, tilt-swivel mechanism, leather upholstery, 31 in.

Estimate: $500 - $700

1335 Set Six Laverne White Leather T Chairs New York, mid 20th century, model 3LC, chromed tubular steel and enameled frame, white leather sling seat, 32 in.

Provenance: Private Collection, North Carolina Estimate: $2,000 - $3,000

1337 Set Three Upholstered Thonet Stools 20th century, each with label for Thonet, painted metal base, yellow vinyl upholstery, 18 x 18 x 18 in.

Provenance: Private Collection, NC Estimate: $500 - $700

1338 Aluminum Glass Top Sawhorse Desk 20th century, sawhorse supports, smoked glass top, 29 x 30 x 60 in.

Provenance: Private Collection, NC Estimate: $500 - $700

1339◉ Danish Modern Rosewood Cabinet mid 20th century, Danish export label, doors open to rosewood and maple shelved interiors, 50-3/4 x 42-1/2 x 17 in.

Provenance: Private Collection, NC Estimate: $500 - $700

1340 Two Similar Danish Modern Bookcases 20th century, labels for Domino Møbler, walnut, teak veneers, doors open to shelved interiors; 72 x 48 x 19-1/4 in.

Provenance: Private Collection, NC Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

1341 William de Kooning (New York, 1904-1997) With Love, 1971, 6/40, signed "de Kooning", lithograph, sheet 15-3/8 x 12-3/4 in.; gilt frame Provenance: The J.L. Hudson Gallery Estimate: $3,000 - $4,000

1343 Le Pho (French/Vietnamese, 1907-2001) Vase de Fleurs, signed lower left "Lepho" and in Vietnamese script, oil on canvas, 16-1/4 x 10-1/2 in.; original gilt wood frame, 23-5/8 x 18-1/8 in.

Provenance: Wally Findlay, New York, # 46262 Estimate: $4,000 - $6,000

1345 Tablecloth Form Marble and Geometric Side Tables, 20th century, molded veneer top, painted metal base; taupe stained wooden square top, 22 in. to 24 in.

Provenance: Private Collection Estimate: $500 - $700

1346 Jamie Wyeth (Pennsylvania/Maine, born 1946) S.O.S., 1981, 51/150, signed, etching, 15-3/4 x 19-3/4 in. (plate); framed Provenance: Private Collection, NH Estimate: $600 - $900

1347 Alex Gabriel Bernstein (North Carolina, 20th/21st century) Untitled, unsigned, sand blasted and cut glass, 14-1/2 in.

Provenance: Private Collection, NC Estimate: $500 - $700

Modern & Craft

1344 Jean Mirรณ (Spanish, 1893-1983) No. II, ed. 6/100, from Obra Inedita Recent, signed, lithograph, 12 x 8-5/8 in.

Provenance: Private Collection, NC Estimate: $300 - $500

II

1348 William Morris (California, born 1957) untitled glass vessel, blown glass, signed on base "William Morris 1994", 14 in.

Estimate: $5,000 - $7,000

Condition notes available in back of catalog

July 20, 2019

1342 Walter Henry Williams (New York/Denmark, 1920-1998) Fighting Cock #3, 1964, ed. 113/200, signed, color woodblock, 27 x 22 in.

Provenance: Private Collection, North Carolina Estimate: $1,000 - $2,000

67

1350 Pal Fried (American/Hungarian, 1893-1976) Portrait of a Blond Woman, 1960, signed lower right "Fried Pal/1960 mars 9", oil on canvas, 30 x 24 in; original frame Estimate: $800 - $1,200

1349 Frank Stella (New York/Massachusetts, born 1936) Spectralia, 1994, edition 10/75, Tyler Graphics with blindstamp lower right, etching, lithograph and aquatint with embossing on paper, 27 x 32; metal frame, 34-1/2 x 40 in.

Provenance: A Corporate Collection Estimate: $4,000 - $6,000

July 20, 2019

Modern & Craft

II

68

1351 Michael Creed (Virginia, 20th/21st century) Sybilseet, 1988, signed "'Sybilseet'/Michael Creed...", mixed media, 40-1/2 in.

Provenance: Private Collection Estimate: $500 - $700

1352 Alexander Calder (New York, 1898-1976) Soleil et Spirale, edition 80/100, signed lower right "Calder", blindstamp lower left; metal frame Estimate: $800 - $1,200

1353 Pablo Picasso (Spanish, 1881-1973) Le vieux roi, 1959, ed. of 1000, signed in stone in red "Picasso", lithograph on Arches, sheet 26-1/4 x 20-1/8 in.

Estimate: $800 - $1,200

1354 Roy Lichtenstein (New York, 1923 - 1997) As I Opened Fire, 1966, Stedelijk Museum, pub., offset lithographs, 25-1/8 x 20-7/8 in.; unframed Provenance: Private Collection Estimate: $1,000 - $2,000

1355 Frederick Elliott Hart (District of Columbia/Virginia, 1943-1999), Penumbra, signed "Hart", lucite, 20 in.

Provenance: Private Collection Estimate: $1,000 - $1,500

1356 Frederick Elliott Hart (District of Columbia/Virginia, 19431999), Innocence, 1999, edition 75/375, signed "Hart" and "F.Hart", lucite, with lucite base, 24 in.

Estimate: $1,000 - $1,500

1357 Shlomi Haziza (Israeli/American, 20th/21st century) Floating Orb, signed "Shlomi Haziza 95", color acrylic, 17-3/4 in.

Provenance: Private Collection, NC Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

1358 Possibly Shlomi Haziza (Israeli/American, 20th/21st century) Two acrylic sculptures: Skyscraper, 1993, indistinctly signed, 30 in.; Cube, 19 in.

Provenance: Private Collection,NC Estimate: $500 - $700

1262 Warren Brandt (New York/Maryland/NC, 1918-2002) Two abstracts: The Trolley, mixed media; Untitled, oil, largest 13-3/8 x 16-1/8 in.

Provenance: Private Collection, NC Estimate: $400 - $800

1363 Helen Hayse (Indiana, 1913-2003) Portrait of Niatross, with a groomsman, 1984, signed "Helen Hayse/1984"; oil on canvas, 24 x 29-3/4 in.; wood frame Estimate: $600 - $900

1365 Wooden Library Stand American, late 19th/early 20th century, stained oak with 'JR' monogram, possibly Biltmore Industries, 17 x 11-1/4 in.

Provenance: Private Collection Estimate: $500 - $700

1366 Nakashima Style Burl Maple Low Table modern, highly figured burl top with free edges, walnut trestle base, 15 x 41-1/2 x 28 in.

Estimate: $600 - $900

1364 Eduard Buk Ulreich (New York/San Francisco, 1889-1962) Two Mural Studies: Mirror Lake, signed, titled verso "Mirror Lake/by Buk/Eduard Buk Ulreich/542 east 79th st/New York City", mixed media on paper, 12 x 10 in (sight); La Senorita, titled pencil verso, mixed media on paper, 14 x 11 in. (sheet); matching modern silver leaf frames, each 20-3/4 x 18-3/4 in.

Estimate: $1,000 - $2,000

1367 Roycroft Arts and Crafts Dresser, Bedside Table New York, ciphers date 1910-1915, dressing table with adjustable three way mirror, five drawers, period hammered copper pulls, 58 x 53 x 24 in.; single drawer night stand with shelf over a paneled door, open interior, 31 x 18 x 17 in.

Provenance: Private Collection, North Carolina Estimate: $2,000 - $3,000

Condition notes available in back of catalog

II Modern & Craft

1360 Round Lacquer Table and Four Cowhide Side Chairs, modern, unmarked, brown lacquer finish, 30 x 48 in.; each with brass taking, 34 in.

Estimate: $500 - $700

1361 Pair Carved Marble Poodles on Marbleized Plinths, signed "MANCINI" (probably G. Mancini, French, 1933-2015), 24 in.; pair plinths, 30 x 20-1/2 x 14 in.

Provenance: Collection of Stephanie Edgar and William B. Reeves, Atlanta, Georgia Estimate: $1,000 - $2,000

July 20, 2019

1359 Tommy Dale Palmore (Oklahoma/Texas/Pennsylvania, born 1945) Steer Skull, 1982, signed lower right "Palmore 82", oil on canvas, 35-7/8 x 106-1/2 in.; with lattice frame Provenance: Private Collection Estimate: $6,000 - $9,000

69

1369 Charles Stickley Arts and Crafts Armchair, New York, early 20th century, oak throughout, tenon construction, original seat, unsigned, 35 in.

Estimate: $500 - $700

1368 Stickley Craftsman Six Drawer Chest New York, model 902, decal at top right drawer dates 1905-1912, fumed oak frame with rich mellow color, paneled sides, original wrought iron pulls, 50 x 40 x 22 in.

Estimate: $8,000 - $12,000 Literature: Stickley, Gustav, Stephen Gray, and Robert Edwards. Collected Works of Gustav Stickley, pp 115. New York: Turn of the Century Editions, 1981.

1370 Stickley Craftsman Mahogany Tabouret New York, circa 1904, model 603 with decal, mahogany, 20 x 18 x 18 in.

Estimate: $400 - $600

II

July 20, 2019

Modern & Craft

1372 Assembled Set Ten Roycroft Side Chairs American, each with branded Roycroft cipher dating 1910-1915, four oak, six mahogany, leather upholstered seats, brass tacking, 38 in.

Estimate: $2,500 - $3,500

70

1371 Stickley Craftsman One Door Bookcase New York, early 20th century, model 715, fumed oak, through tenon construction, sixteen glazed panes, original hammered pull, unmarked, 56 x 36 x 13 in.

Estimate: $2,500 - $3,500

1373 Pair Stickley Craftsman Rush Seat Side Chairs, American, stamped decal dates 1904-1906, model 306, fumed oak, 36 in.

Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

1374 Pair Stickley Craftsman Arm Rockers New York, branded mark dates 19121916, model 311-1/2, each fumed oak frame set with original leather upholstered seat and tacking, 35 in.

Estimate: $800 - $1,200

1375 Three Tiffany Studios Zodiac Desk Objects, New York, early 20th century, each smooth brown finish with green patination, Tiffany Studios mark, models: 943; 1090; 1095, 7-3/4 in. to 10-3/4 in.

Estimate: $600 - $900

Related literature: Bartinique, A. Patricia, and Gustav Stickley. Gustav Stickley--His Craft: a Daily Vision and a Dream, p. 39. Parsippany, New Jersey: Craftsman Farms Foundation, 1992. Cathers, David M. Furniture of the American Arts and Crafts Movement: Furniture Made by Gustav Stickley, L. & J.G. Stickley, and the Roycroft Shop, p. 226. Philmont, New York: Turn of the Century Editions, 1996. Gray, Stephen. The Early Work of Gustav Stickley, pp. 32 and 73. New York: Turn of the Century Editions, 1987. Livingstone, Karen, and Linda Parry. International Arts and Crafts, p. 147 and back cover. London: V & A, 2005.

1380 Handel Floral Desk Lamp American, early 20th century, bronzed metal base stamped "Handel", leaded glass shade, unsigned, 14-1/2 in. overall Provenance: Private Collection, DE Estimate: $800 - $1,200

1381 Tiffany Studios Favrile Lamp Model 419 New York, early 20th century, patinated bronze base marked "TIFFANY STUDIOS/NEW YORK/419", yellow favrile shade engraved "L.C.T.", 13 x 9-3/4 in.

Provenance: Private Collection Estimate: $2,000 - $3,000

Condition notes available in back of catalog

II Modern & Craft

1378 Art Glass Lamp with Daum Nancy Signed Shade, early 20th century, bronzed socket lamp base, unsigned, with cameo thistle shade, 17-1/2 in.

Provenance: Private Collection, DE Estimate: $800 - $1,200

1379 Louis Comfort Tiffany Furnaces Lamp New York, early 20th century, marked at base "LCT/LOUIS C. TIFFANY FURNACES.INC/FAVRILE/87", gilt bronze dual socket extending base with green enamel decoration, rare and original repoussĂŠ mesh shade with enamel vignette decoration, 21-1/2 in. to 27-1/2 x 18-1/2 in.

Provenance: From an Albuquerque, New Mexico Estate Estimate: $2,000 - $3,000

1382 Arts and Crafts Hammered Copper, Glass Torchiere, early 20th century, three electric sockets, 68 x 21-1/2 x 21-1/2 in.

Provenance: Private Collection, Delaware Estimate: $1,500 - $2,500

July 20, 2019

1376 Three Arts and Crafts Copper, Bronze, Mica Lamps, American, early 20th century, urn form, period copper socket; barrel form; pear form, 16 in. to 22 in.

Provenance: Private Collection, DE Estimate: $600 - $900

1377 Stickley Craftsman Twelve Tile Tea Table New York, circa 1902, fumed oak, top inset with elephant glazed green tiles by Grueby Faience Company (Boston), splayed legs, through tenon construction, 26 x 25-1/2 x 20 in.

Estimate: $12,000 - $18,000

71

Silver II

July 20, 2019

Silver

1384 Two Tiffany Sterling Round Trays American, 1947-1956, two similar, one with monograms, both with marks for Tiffany & Co., 44.66 oz. T., 12 in.

Provenance: Collection of Wilfred and Eleanor Funk, Montclair, NJ; By descent in family Estimate: $800 - $1,200

72

1383 Bowling Trophy Silver American, 1873-1891, goblet form with bands of scroll and floral decoration, band of bowl pins and man figure with bowling ball, raised inscribed "Champion Bowling Tournament/1883/2nd Prize/offered by/F. GROT & Co./to the/Champion of New York and Vicinity.", engraved inscription "Season of 1883/won by/Nassau Club/of/ Brooklyn N.Y./Season of 83-84/won by/ Metropolitan Club/of/New York/Season of 84/85/won by/Metropolitan club/ of/New York", marks for Tiffany & Co., "3784...8934", 25.23 oz. T., 12-1/2 in.

Provenance: Christie's, September 27, 1978, lot 169; Private Collection, Richmond, Virginia Estimate: $2,000 - $3,000

1385 12 Tiffany St. Dunstan Sterling Ice Tea Spoons, American, 1907-1947, all with marks for Tiffany & Co., no monograms, 14.40 oz. T., 7-3/8 in.

Provenance: Funk Collection, NJ Estimate: $400 - $800

For full cataloging and images see our website, brunkauctions.com

1386 18 Tiffany Chrysanthemums Sterling Spreaders, American, 1872-1891, solid handle spreaders, monograms, 12.50 oz.

T., 5-1/2 in.

Provenance: Funk Collection, NJ Estimate: $400 - $600

1392 Hammered Sterling Bowl and Pitcher American, 20th century, bowl, Frederick J.R. Gyllenberg, 9-5/8 in.; pitcher, Karl F. Leinonen, 5-1/2 in., 32.35 oz. T. Provenance: Private Virginia Collection Estimate: $600 - $1,000

1395 Gorham Sterling Ladle with Applied Turtles, American, late 19th/20th century, applied decoration, hammered finish, gilt bowl, marks for Gorham, 7.73 oz. T., 13 in.

Provenance: Private Virginia Collection Estimate: $500 - $800

1390 Tiffany Sterling Hammered Footed Tray American, 1873-1891, hammered finish, marks for Tiffany & Co., "5890...1649", 17.08 oz. T., 8-1/2 x 8-1/2 in.

Provenance: Private Virginia Collection Estimate: $500 - $800

1393 Gorham Japanesque Sterling Hammered Tray, American, late 19th/ early 20th century, bracket feet, marks for Gorham, "C96", 10.47 oz. T., 7 x 7 in.

Provenance: Private Virginia Collection Estimate: $500 - $800

1394â—‰ Whiting Sterling Mixed Metal Coffee Pot American, late 19th century, Japanesque style decoration with hollow branch, hammered finish, twig handle with ivory spacers, no monogram, marks for Whiting, "875/B", 18.23 oz. T., 8-1/2 in.

Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

1396 Whiting Japanesque Mixed Metal Tea Canister American, late 19th century, applied tree and blossom decoration, engraved foliate decoration, marks for Whiting, "762", 9.85 oz. T., 4-3/4 x 4-1/4 x 4-1/4 in.

Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

1397 Sterling Hammered Applied Mixed Metal American, 1883, round hammered finish with applied mixed metals, grape and vine, birds, floral and butterfly, marks for Gorham, "1725", no monograms, 21.49 oz. T., 4 x 8-3/4 in.

Provenance: Private Virginia Collection Estimate: $2,000 - $3,000

Condition notes available in back of catalog

II Silver

1389 Tiffany Silver Bowl Shell Motif American, 1907-1947, round with shell and bellflower border, marks for Tiffany & Co., 14.53 oz. T., 1-1/4 x 8-3/4 in.

Provenance: Private Virginia Collection Estimate: $400 - $600

1391 Gorham Japanesque Sterling Square Tray, American, late 19th century, square form with round recessed area with hammered finish, floral Japanesque decoration, monogrammed, marks for Gorham, "B59/L", 13.53 oz. T., 7-1/2 x 7-1/2 in.

Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

July 20, 2019

1387 Tiffany Sterling Pitcher American, 1947-1956, pear shape, stepped base, scroll handle, marks for Tiffany & Co., "19873", 32.45 oz. T., 7-1/2 in.

Provenance: Funk Collection, NJ Estimate: $600 - $1,000

1388 Set of Six Tiffany Sterling Tumblers, Stirrers , American, 1907-1947, six tumblers with straight sides and reeded border at base, "22394...6815", 5-1/4 in.; six Hampton stirrers, 7 in., all with marks for Tiffany & Co., matching heraldic device, 58.58 oz. T. Provenance: Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Estimate: $1,000 - $1,500

73

1398 Kalo Sterling Water Pitcher American, 20th century, spout cover, marks for Kalo Shops (Chicago, Illinois, working 1900-1970), 27.16 oz. T., 8-3/4 in.

Provenance: Private Virginia Collection Estimate: $1,500 - $2,500

1401◉ Gorham Sterling Covered Compote American, early 20th century, Jensen style, hammered finish, ball and scroll decoration, ball finial with ivory spacer, marks for Gorham, "EHH", 22.33 oz. T., 6-1/2 x 6-3/4 in.

Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

Silver

II

1403 Sterling Floral Rim Footed Tray American, early 20th century, floral decoration, scroll feet, marks for Mauser Co., 25.45 oz. T., 2-1/4 x 13 x 10-1/4 in.

Provenance: Funk Collection, NJ Estimate: $400 - $800

1399 Porter Blanchard Sterling Footed Bowl American, Revere style, light hammered finish, marks for Porter Blanchard, 14.05 o.

T., 3-3/4 x 9-1/4 in.

Provenance: Private Virginia Collection Estimate: $400 - $800

1400 Eight Pieces Sterling Serving Pieces Three piece Porter Blanchard; Gaylord spoon and fork; cocktail spoon; Franklin Porter ladle, 17.21 oz. T., 4-1/2 x 13-3/4 in.

Provenance: Private Virginia Collection Estimate: $400 - $800

1402 Whiting Sterling Hammered Pitcher, Horse American, late 19th century, hammered finish, cut away and engraved horse decoration, marks for Whiting, "1391", 18.69 oz. T., 8-3/4 in.

Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

1404◉ Three Piece Repousse Sterling Tea Service 20th century, pear forms, ivory spacers, test .900 or better, 66.12 oz. T., 10 in. coffeepot, creamer and lidded sugar Provenance: Private Virginia Collection Estimate: $600 - $1,000

1405 Five Sterling Hammered Items including rounded square; Unger Brothers vase; pepper/salt casters; Gorham brush, 16.30 oz. T. total, 3 in. to 5-1/2 in.

Provenance: Private Virginia Collection Estimate: $400 - $800

July 20, 2019

1406◉ Six Piece Richelieu Sterling Tea Service, Tray American, 20th century, shell, floral and acanthus decoration, ivory spacers, no monograms, all with marks for International, “WC530”, 312.73 oz. T., 11-1/2 in. coffee pot with matching teapot, creamer, covered sugar, waste and 32 in. two handle tray Provenance: Private Georgia Collection Estimate: $6,000 - $10,000

74

For full cataloging and images see our website, brunkauctions.com

1407 Eight Reed & Barton Sterling Coasters American, 20th century, applied shield, one liner, Reed & Barton, 26.97 oz. T. weighable silver, 2-1/4 in. to 5-3/4 in.

Provenance: Funk Collection, NJ Estimate: $400 - $800

1409 Twelve Reed & Barton Francis I Sterling Plates American, 20th century, fruit and floral decoration, all with marks for Reed & Barton, 197.84 oz. T., 10-3/4 in.

Estimate: $5,000 - $8,000

1412 Heirloom Damask Sterling Flatware, 152 Pieces, American, 20th century, including place and service pieces, marks for Heirloom, 125.73 oz. T.; wooden case Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

1413 Lunt English Shell Sterling Flatware, 114 Pieces, American, 20th century including place and services pieces, all with marks for Lunt, 101.92 oz. T.; with wooden case Estimate: $1,000 - $1,500

1414 Wedgwood Sterling Flatware, 109 Pieces, American, 20th century including place and service pieces, all with marks for International, 91.29 oz. T.; wooden case Provenance: Private Collection Estimate: $1,500 - $2,000

Condition notes available in back of catalog

Silver

1410◉ Five Pieces Sterling Tea Service 20th century, pear form, acanthus and scroll feet, bud finial, composite and ivory spacers, no monograms, marked “925 STERLING”, 9 in. coffee pot with matching teapot, creamer and lidded sugar; with two handle, oval shaped form silver plated tray with conforming glass insert, 26-1/4 in., marked “ALPAKA” Estimate: $1,000 - $1,500

II

1411 Francis I Sterling Flatware, 126 Pieces, American, 20th century, including place and service pieces, all with marks for Reed & Barton, 140.26 oz.

T.; wooden case Provenance: Private Collection Estimate: $3,000 - $4,000

1415 Gorham Melrose Sterling Flatware, 130 Pieces, American, 20th century, including place and service pieces, marks for Gorham, 144 oz. T.; with wooden case Provenance: Private Texas Collection Estimate: $2,000 - $3,000

July 20, 2019

1408 Cartier/Watson Juliana Sterling Flatware, American, 20th century, designed by Percy B. Ball, retailer Cartier, 82.97 oz. T., 78 pieces Provenance: Funk Collection, NJ Estimate: $1,500 - $2,500

75

July 20, 2019

Silver

II

76

1417 Six Fabergé Russian Silver Spoons late 19th/early 20th century, handles with shell and foliate decoration, marks for Fabergé, 13.57 oz. T., 7-3/8 in.

Provenance: Private Virginia Collection Estimate: $300 - $600

1418 Fabergé Russian Silver Napkin Ring 19th century, oval with wreath, ribbon and Greek key decoration, monograms, 45 grams, .875 fine, 1-1/4 x 2 x 1-1/2 in.

Provenance: Private Virginia Collection Estimate: $300 - $500

1416 Fabergé Gilt Silver, Enamel and Jade Frame early 20th century, gilt silver rectangular with light green enamel background, central circle surround with diamonds (tested), swag and foliate decoration, platform base with green jade, marks for Fabergé and Alexander Edvard Tillander, 9.27 oz. T., 5 x 2-3/4 in.

Provenance: Private Collection, Richmond, Virginia Estimate: $2,000 - $4,000

1419 Ten Russian Silver Spoons Moscow, 1892, fiddle handles, monogram, marks for firm of Ovchinnikov, Imperial mark, .875 fine, 22.36 oz. T., 8-1/8 in.

Provenance: Private Virginia Collection Estimate: $400 - $800

1420 Sterling Tray and Bowl American, 20th century, Gorham bowl, 1-3/4 x 11 x 11 in.; Whiting tray, 12-3/4 x 10-1/2 in., 41.15 oz. T. total weight Provenance: Funk Collection, NJ Estimate: $600 - $1,000

1421 French 14kt. Gold and Enamel Box French, late 19th century, cartouche shape, lid with courting landscape scene, blue enamel background with scroll and foliate decoration, 167.6 grams, 1 x 3-3/8 x 2-1/4 in.

Provenance: Private Collection, Richmond, Virginia Estimate: $2,000 - $3,000

1422 Tiffany 18Kt Gold Pin Tray American, 1907-1947, octagonal form with bead border, monogram "FRK/CHRISTMAS 1931", marks for Tiffany & Co., "21403...2914", 158.7 grams, 1 x 4-1/4 x 4-1/4 in.

Provenance: Parke Burnet, Sale 768, lot 424; Private Collection, Richmond, Virginia Estimate: $3,000 - $4,000

1423 14kt. Gold Match Safe American, late 19th century, scroll and shell decoration, maker possibly Gorham, monograms, 33.2 grams, 2-1/2 x 1-1/2 in.

Provenance: Private Virginia Collection Estimate: $600 - $1,000

1424 1905 Austrian 10 Corona Gold Coin OBVERSE: Franz Joseph I, REVERSE: Imperial Eagle, KM-2805, .900 fine, 3.38 grams Provenance: Private Virginia Collection Estimate: $300 - $500

For full cataloging and images see our website, brunkauctions.com

1425 Black Starr & Frost Sterling Footed Tray American, early 20th century, ball feet, marks for Black, Starr & Frost, 10.54 oz. T., 1 x 7-1/4 x 7-1/4 in.

Provenance: Private Virginia Collection Estimate: $400 - $800

1426 Kirk Sterling Trumpet Vase American, 20th century, flared rim, no monogram, marks for S. Kirk & Son, 16.78 oz. T., 12-1/4 in.

Provenance: Private Virginia Collection Estimate: $400 - $800

1427 Five Serling Serving Pieces, Jensen, Tiffany, George Jensen Acanthus, two spoons and forks; Tiffany Chrysanthemum ladle, 10.21 oz. T. total, 6-1/2 x 8-3/4 in.

Provenance: Private Collection, NC Estimate: $400 - $800

1428 Georg Jensen Acorn Sterling Flatware, 68 Pieces, Denmark, 20th century, including place and service pieces, all with marks for Georg Jensen, 75.43 oz. T.; wooden case Provenance: Private Collection Estimate: $3,000 - $6,000

1429 English Silver Brandy Warmer London, 1814, hinged spout cover, wooden handle and finial, marks for P&C, 12.28 oz. T. gross, 7-1/2 x 10-1/4 x 4 in.

Provenance: Private Virginia Collection Estimate: $400 - $600

1430 French Silver Sauce Boat late 19th/early 20th century, bell flower and scroll decoration, partial makers mark, 21.56 oz. T., 5 x 11 x 6-3/4 in.

Provenance: Funk Collection, NJ Estimate: $500 - $700

1431â—‰ Four Piece French Silver Individual Tea Service, late 19th/early 20th century, scroll handles with bird, ivory spacers, 27.22 oz. T., 6-1/2 in. coffee with matching teapot, creamer and covered sugar Provenance: Funk Collection, NJ Estimate: $500 - $800

1435 Portugal Silver Tray with Gallery late 19th/20th century, rounded rectangular, pierced gallery with two handles, paw feet, no monogram, marks for "1 TITULO" and "Joalharia Do Carmo Lisboa", 88.93 oz. T., 2-1/2 x 21 x 14-1/2 in.

Provenance: Private Collection, Pinehurst, North Carolina Estimate: $1,000 - $1,500

1434 New York Coin Silver Two Handle Basket American, 1855, engraved decoration, marks for William Gale & Son, 30.61 oz. T., 4-3/4 x 14-3/4 x 10-1/4 in.

Provenance: Funk Collection, NJ Estimate: $500 - $800

1436 Four Piece Portugal Silver Tea Service late 19th/20th century, urn forms with beaded borders, swag and bow engraved decoration, wooden handles, marked "1 Titulo", "Joalharia Do Carmo Lisboa", 112.33 oz. T., 12-1/2 in. coffee pot with matching teapot, creamer and lidded sugar Provenance: Private Collection, Pinehurst, North Carolina Estimate: $1,200 - $1,600

Condition notes available in back of catalog

Silver

1433 Two Vogler Coin Silver Spoons Salem, North Carolina, 19th century, fiddle handles, marked "I. VOGLER" (John Vogler, Salem, North Carolina, working 1805-1820), 25 grams, 5-1/2 in. each Estimate: $400 - $800

July 20, 2019

1432 1790 Eight Piece Cruet Set London, 1791, oval form, wood base, seven bottles (two associated), partial maker's marks, 9-1/2 in.; with English silver condiment ladle, 4-3/4 in.

Estimate: $400 - $600

II

77

Condition Notes - Please check website for updated condition notes 801 802 803 804 805 806

807 808 809 810 811 812 813 814

815 816

817 818 819 820 821 822 823 824 825

826 827 828 829 830

831 832

833 834 835

78

minor losses throughout, two with hairline cracks, minor rim chips throughout one lid restored, some gilt loss to handles, overall surfaces consistent with age and use wear and abrasions to rim, minor wear to decoration excellent condition, minor wear areas of lacquer splitting, overall good condition with minimal surface loss, lacking key old restorations throughout with areas of discoloration, most with hairlines and areas of enamel losses, other minor chips and losses excellent condition good condition, gilt loss at lips, no fluorescence, minor surface scratches, and base wear some crazing and firing anomalies some glaze puddling, roughness to some edges on rim, wear to foot consistent with age and use some heavily repaired, staining, firing anomalies, toning, fading firing anomalies, surfaces consistent with age and use several small dents and tarnish to metal border, minor discoloration to porcelain staining and crazing to top rim, firing anomalies as made, surface scratching consistent with age and use some crazing and firing anomalies, visible fissure at the basin floor hairline crack, chipping and roughness to rims, surface staining, some fading, both with museum acquisition numbers excellent condition, minor wear old adhesive residue near tail feathers, scratches on bottom, glaze voids as made surfaces consistent with age and use good condition good condition, one very minor scratch at shoulder crazing, hairline cracks at rim approx 1 in. to 2-1/2 in. some glazing imperfections, surfaces consistent with age and use minor base and rim chips at bottom, glazing imperfections throughout, some crackling generally good condition with scattered cracks and surface wear, minor warping, two hinges with replaced screws crack to neck on one figure, crack on bottom of rest, glaze voids as made, wear slight glazing imperfections, surfaces consistent with age and use crazing to enamel decoration with staining, firing anomalies, hairline crack at top of one rim minimal surface scratching, remnants of ink on interior, slight interior rim chipping each with corrosion, one with minor area of loss, one dent at rim; one with scattered dents, minor areas of loss (see detailed photos); stands with finish distress small chip and abrasions to rim, wear to gilt decoration glaze crazing (possibly as made), pitting, old minor chips, glazing anomalies at base (probably as made), white spotting at interior (see detailed images) some scattered loss to surface, loss to gilt on handles, some minor chips around base excellent condition, minor typical wear cracked neck on lady, paint loss, fading, surface fissures

836 837 838 839 840 841

842 843 844 845 846 847 848

849

850

851

852 853

854 855

856 857

858 859

860

861 862 863 864

excellent condition with finish wear typical for age and use, no apparent signs of restoration loss of paint and gilt, pitting to bronze, surface rubbing and scratches one loose in frame, scratches and abrasions to frames, corrosion to hangers good condition, minor chips and losses, stopper possibly associated, with restorations minor wear, tarnish chip with loss at top, break and repair at top corner, areas of looseness at base, other minor wear and minor losses surfaces consistent with age surfaces consistent with age surfaces consistent with age surfaces consistent with age surfaces consistent with age lined crackle, retouch, abrasions at edges; frame with wear lined, retouch affecting approximately 20% of surface mostly background and clothing, crackle, cupping lined with paste and linen, restretched on newer stretcher, crackle, retouch; frame with abrasions lined, possibly original stretcher, crackle, retouch affecting approximately 15% of surface, mostly in sky, small voids left; frame resurfaced laid down on Masonite, crackle, approximately 10% of surface with retouch; frame resurfaced, with abrasions floral teapot lacking cover, large chip to spout, covered spot with small chips to spout lined with wax and linen, restretched on new stretcher, crackle, retouch; frame with some abrasions and minor losses old chip to wing on bird finial, chips to spout chips to flower finial, repair and tape residue to cover, repair to body near handle, chips to rim and spout two restorations to spout, repair to handle, tape residue plate with crack and possible repair at rim, small bowl with two vertical cracks at rim and extending through the body, also repair to rim and minor chips, abrasions to footed base, minor wear to pair of bowls stains and distress to leather throughout, dents and rust to finials period brasses possibly original (no plugged holes, one reset), scattered minor veneer and molding losses, lacking one brass rosette and two bales, two interior drawers lacking pulls, one interior drawer bottom loose, original feet with some restorations and repair dial lacking seconds hand and bell, works reset on saddle board, scattered losses to fretwork, extensive losses and distress to japanning at base, lower part of backboard replaced, lacking finials, pendulum, weights, and winder polish residue, wear, minor corrosion restoration to push up mechanism (non-functioning), scattered dents, polish residue, wear inconsistencies one tall candlestick with corrosion on bobeche; one with repair to bobeche wax residue, minor patina, inconsistent surface wear; tallest pair with loss to scalloped wax cup and

865 866 867 868 869

870 871

872

873 874 875 876 877 878

879

880

881 882

883

884 885

886

887

restoration to wax cup generally good condition consistent with age and use, one slightly tilted minor casting imperfections, solder stem repair to one of smaller pair polish residue and tarnish, small dents/nicks to bases good condition, minor veneer cracks and flaws; modern upholstery in excellent condition overall consistent pile, abrash, two locations of minor loss to selvedge, two 3 in. x 3 in. stain locations, minimal scattered knot exposure abrash, some fading, exposed knots to one corner, 12 in. restored cut to one side good condition, original feet with minor repairs, minor repair and losses at tympanum, scattered minor flaws good condition overall, pair with one front leg loose and glue residue at attachment; single with rich old surface, minor crack and repair at back leg; minor stains to cushions, lacking one button overall good condition, minor loss to fringe, consistent medium pile solder repair on tallest pair, minor casting imperfections, overall tarnish, scattered scratches overall polish residue, wax residue, one example with corroded hole in candle cup possibly mismatched bobeches, wear to patina possible resolder to base, with bends to stem, polish residue, corrosion hinge loose on apple form, losses to foil interior, replaced hinge on tea caddy lacking pin to hold lid in place, chips to rim near lock, abrasions and scratches breaks and repairs at two 2 in. teacups, one 2-3/8 in. teacup, and one saucer; hairlines at one waste and two saucers; teapot finial with breaks, repairs, and loss; otherwise good condition with areas of enamel losses throughout, other possible restorations octant in excellent condition, minor wear, possibly lacking some fittings (see detailed images); case with shrinkage crack and repair at lid, paint distress and losses wear to patina, minor casting flaws and separations loss to selvedge, some hand repairs to center, fading, some hand repairs, loss to fringe, consistent medium pile, overcast ends, cotton ribbon sewn to verso of each end overall wear, consistent fading, one 12 in. hand repair from long edge, surface and/or foundation restorations, overcast ends, repair to selvedge generally good condition with consistent low pile veneer losses and repairs at skirt, side seat framing members replaced, feet ended out (to top edge of caster), patch with other possible restorations to crest, not fully examined under upholstery good overall, wear and losses at frame, painted metal elements with paint losses and corrosion, other wear and surface dirt, other minor repairs wear and tarnish to dial, repainting to moon phase, hood with minor losses to fretwork, one side panel loose, lacking side finials and plinths, case with two replaced feet, lacking bottom board, other

888

889 890 891 892 893

894

895 896

897 898 899

900 901

902 903 904 905

906 907

908

909

910

possible restorations (later paint to secondary surfaces), lacking pendulum and winder lined, restretched on old stretcher, crackle, cupping cleavage, flaking, yellowed varnish, dirt layer; frame with abrasions toning, a few small areas of discoloration on gentleman portrait, not examined out of frame crackle, dirt layer, crackle, canvas with some slackness; frame with abrasions original strainer, pencil grid evident in sky, yellowed varnish, dirt layer, crackle; frame with abrasions yellowed varnish, some points of retouch lined, crackle, cupping and cleavage at lower right edge, retouch affecting 25% of surface; frame with some losses to composition lined with linen and paste, restretched on old stretcher, crackle, cupping, cleavage, retouch, flaking; frame with losses repaired crack through body, multiple chips to edges, surface consistent with age and use surface wear, scratches, break and repairs at scroll, replaced side rails, loss to molding, removable later extension at post for canopy all with minimal scattered surface loss, crackling to surfaces, restoration to two handles scattered minimal losses consistent with age and use, some chips to edges upper shelves replaced, lacking lower shelves, brasses replaced or reset, typical minor cracks to case sides, other scattered minor flaws generally good condition, minor cracks, color variation, scattered stains, including drip stains at front scattered breaks and repairs to carved elements with some losses to composition, scattered gilt and paint retouch overall, cracks to frame laminations, bobeches possibly associated good condition, minor veneer distress and bubbling, lacking lock, two small veneer chips at top good condition, scattered minor surface flaws and wear, probably original brasses good overall with some minor edge repairs generally good condition, cracking and losses at composition over metal arms, wax residue, other minor distress good condition, minor wear from use (no apparent chips), sticker residue teapot with hairline fracture around rim; creamer with crack; sugar with minor hairline fractures; other minor wear, discoloration, and gilt loss from use; potpourri vases with gilt loss, possible professional restorations to finials with retouch, other possible minor restorations coffeepot with large restoration near rim and top of handle, chips to spout, larger pitcher with restorations at spout, base and handle, losses to spout, smaller pitcher with repair at base, both canns with chips to base, one with repair to base, small cup with minor chips and abrasions one obvious repaired long crack, slight gilt loss, firing anomalies, surfaces consistent with age and use scattered gilt loss especially at candle capitals, typical minor cracks in composition arms, minor losses at

Condition Notes - Please check website for updated condition notes 911

912 913

914 915

916 917 918 919

920

921

922 923 924 925

926 927 928 929 930

931 932 933

934 935 936

arm attachments patches and repairs at edges of top, cross stretchers restored, scattered pest damage to frame, minor warping at top good condition, minor flaws to caning, some minor surface distress to frames brasses replaced (no plugged holes), one cellaret drawer converted to door, scattered molding losses and repairs, lacking locks, formerly fitted with brass towel bars (several patches at top) lacking central finial, base scrolls lacking ornament, other minor surface wear, flaws period example with gilt losses, cracks at ebonized surround, possibly lacking ornament at top; modern example generally good condition, scattered gilt losses (especially at balls) good condition, minor abrasions and wear slight surface scratching consistent with age and use, firing anomaly on rim and side scattered chips, abrasions and wear low to medium pile with areas of pile loss, exposed knots, corduroying, some repair to selvedge, overcast ends blistering, distress, and scattered repairs to veneers at top, otherwise generally good condition, scattered wear and abrasions significant fading and toning, exposed knots in central medallion, rusted staples to one corner, scattered stains, tape adhered verso overall good condition, high pile, slight abrash to pink, fringe to one end, woven closed second end good condition overall, areas of minor wear and distress, lacking leaves overall good condition, consistent pile, abrash, one minor spot moth damage significant abrash, exposed knots, muted colors with possible fading, 12 in. restored cut from long edge, minor selvedge edge repair, minor fringe loss, two areas of pile restoration lined, restretched on new stretcher, crackle, retouch; frame with abrasions laid on panel, crackle, some retouch; frame with some restorations losses, pest damage, lacking asperges craquelure, two periods of retouch, two patches verso with related retouch; frame resurfaced lined with paste and linen, restretched on new stretcher, crackle, abraded surface with losses, retouch, mildew spotting; frame with pest damage, filled, resurfaced, abrasions not examined out of frame, abrasions; frame with abrasions some restorations, generally good condition old restorations and repairs, one drop and two ears likely replaced, surface distress with gilt loss and retouch, other scattered restorations, probably original mirrors, candle arms drilled and wired water stain at bottom. not removed from frame; frame resurfaced with pest damage good condition, minor wear and losses, mostly as made scattered distress and losses throughout, several elements off (present), restoration at back edge

937

938

939 940 941

942

943 944

945 946 947 948 949 950 951 952

953

954 955 956 957 958 959 960

961

962 963

964

of top, hinges replaced, pest damage with associated losses, other distress throughout two front legs are spliced, scattered inlay losses and distress, other distress and some areas of infill at legs, other scattered repairs warping and checks in panel with batten and related retouch, bee's wax and linen supports verso, craquelure, crackle, possible area of re-gilding at top drilled, gilt wear and loss throughout, shrinkage crack at one hand, other wear and minor losses good overall condition, one with tears and distress to back panel, other scattered minor flaws crest lacking most cartouche and applied leaf ornaments, other scattered losses to applied carving, gilt and paint flaking and distress, some distress to mirror plate (backboard replaced) each drilled and mounted as lamp, boar hunt example lacking lid, gilt retouch to rim, minor wear; Martin Luther example with heavy gilt loss, abrasions, areas of staining, illegible back panel with losses, lamps not removed from later bases for examination staining, loose binding, foxing, toning, some pest damage, loss to boards interior foxing, staining, tears to edges of pages, rubbing to boards, restoration to bindings and flap, wear consistent with age and use good condition overall, veneer losses to fallboard, other scattered minor distress and surface flaws lined with wax and linen, crackle, retouch at repairs; frame with restoration crackle, laid down with wax and linen, trimmed, abrasions, retouch; frame with wear chips on socle, some grime minor abrasions some wear at edges; frame with losses and resurfaced dirt layer; frame with abrasions good condition, one with minor bend, each with drilled holes for electricity, very minor abrasions, gilt loss, wax residue good overall condition, breaks and losses at slip garland decoration at base, areas of verdigris and other corrosion at bronze, surface dirt socle with chips, sticker accretion, light grime good condition, minor wear wear to gilt, tarnish to bronze, adhesive residue bowl interior each with break and repair at rim, glue residue, other minor wear and minor enamel losses lined with linen; frame with some minor losses yellowed varnish, later paint, shrinkage cracks, minor paint and composition losses, distressed mirror plates, one back partially lined, other wear later mirror plates and back panels, breaks and repairs throughout, areas of looseness, one break and loss at talon gilt wear, scattered edge flaws good condition overall, restoration at front corner of marble, scattered minor veneer losses, areas of verdigris on mounts, minor veneer losses and repairs at rear feet early marble top possibly associated (screw holes in support at underside) with minor edge chips, one edge loss, with base with gilding wear and losses, small areas of retouch

965 966 967 968 969

970

971 972 973 974 975 976 977 978 979

980 981

982 983

984 985 986 987

988

989 990

991 992

993 994

995 996 997

good condition, minor wear wrapped around Masonite, crackle, yellowed varnish; frame with abrasions floated, not examined out of frames hinged in, some toning and foxing, pencil inscriptions in margins two with restorations, otherwise good condition, minor wear, gilt and enamel losses (see detailed photos) glaze anomalies in central curtains, pencil inscriptions verso, grime at edges; frame with losses to composition epoxy joining socle to bust, chips break and repair to top with other chips and wear, iron ring support for top associated and loose good condition with some surface dirt; frame with extensive losses dirt later with matte effect from grime possibly with resulting etched surface; frame with losses good condition with some surface dirt good condition; frame with abrasions wood separation at foot of hunter, surface abrasions consistent with age clean break to front leg of goat, minimal surface scratching consistent with use and age good condition, replaced mirror plate, scattered chips and losses to carved elements, including at top of crest, other minor surface wear and flaws generally good condition, minor warping to doors, scattered finish distress, other minor flaws missing clock movement, loss to counter, missing wing elements to top bird, missing beak, minimal scattered losses good condition, minor wear good condition, chips to soapstone base, abrasions and wear to painted plinth (most as made), other typical minor wear minor wear good condition, minor fading and finish losses to case generally good condition with paint weathering, flaking, and losses earlier upholstery with scattered wear, some separations and repairs, frames generally good, light wear generally good condition, gilt wear, breaks and losses at three capital petals, other minor losses and wear minor cracks and repairs to central ornament, other scattered wear and flaws break at bent knee (present), crack at neck, crack at sword, areas of corrosion and discoloration, other minor wear and cracks excellent condition, minor gilt wear, surface dirt good condition, figural group lacking leather harnesses, one guard's horse with minor chip at ear, minor gilt wear Soult horse with chip at ear, otherwise good condition, minor gilt wear good condition overall, areas of distress, wear, minor chips and losses to metal and porcelain elements good condition, minor wear and losses each drilled, wired, solder repairs at gilt capitals, glue residue, gilt loss, other typical minor wear good condition, edge wear and

998 999 1000 1001

1002 1003 1004 1005 1006

1007

1008 1009 1010 1011

1012 1013

1014 1015 1016 1017 1018

1019

1020

1021

1022 1023

1024

minor separations at base good condition, minor wear scattered minor abrasions and paint wear, later electrification and lamp fittings minor wear and discoloration to bronze, scattered chips to glass drops silver plate example reconfigured, drilled, later felt at base loose, tarnish; one cut glass example with chip and loss at base, minor wear, not drilled; Louis XVI style example with gilt loss, areas of corrosion, other minor wear paint losses and retouch, some cracks at runners, later plywood floor, other possible restorations good condition, minor wear, coffee lid finial with minor chips and losses minor wear, some imperfections in glass as made surfaces consistent with age and wear wear and distress to brass surface, scattered losses to prisms (some present), polish residue, other surface distress Second Empire clock with associated bell, lacking winder, case and dial with areas of wear, finish distress, looseness at columns, minor surface losses; lantern clock with finish distress and losses, lacking one screw, crazing, corrosion, other wear good condition with minor wear excellent condition, lighter lacking element excellent condition, minor wear, sticker residue overall excellent condition, Cornucopia mini tureen with chip and loss at base; lighter case lacking lighter element; boy with flute with minor abrasion at head excellent condition monteith with water damage and rust on bottom, all with wear to paint and wear consistent with age and use good condition, typical minor wear from use excellent condition minor to major paint losses, overall wear Good overall with minor wear to gilding and some distress to silvering on mirror plates lacking hangers, good condition overall, one interior snap off (present), minor abrasions and wear consistent with use each with areas of distress, trim and hardware with wear, areas of verdigris, canvas losses, fraying, areas of discoloration, rectangular example lacking handle, punctures at top and bottom (lining not punctured), black scuff mark, other minor losses; square example with later handle (leather grip off, partial present), corresponding repairs at interior attachment wear throughout with areas of discoloration and staining, minor edge distress, suitcase with abrasions and minor losses to leather trim, adhesive residue colors fresh, slight toning, very light foxing, not examined out of museum quality Gallery framing; frames with some abrasions hinged in, strong colors, light toning and foxing, creases, light handling grime very slight toning, strong color, handling grime, binding edge trimmed, minor chipping at top corners, ink stain verso some toning, light foxing, chipping

79

Condition Notes - Please check website for updated condition notes 1025 1026 1027 1028 1029 1030

1031 1032 1033 1034

1035 1036

1037

1038 1039

1040 1041 1042 1043 1044 1045

1046 1047 1048

1049

1050

1051

1052 1053

80

at edges with some associated losses, stains at top edge, pencil inscriptions toning, printing crease lower right margin, light foxing toning, binding edge present, chipping at edges with associated tears and losses, stains some toning, handling grime, pencil inscriptions, binding edge left, stains in top margin stamp verso, some foxing and toning, some creases in margin with small tears some toning and light foxing, faint stain upper right margin, strong color, toning, light foxing, tears, largest 1-1/2 in., one with paper loss in lower margin, creases, pencil inscriptions strong color, toning, light foxing, small tears, creases, pencil inscriptions strong color, toning, light foxing, tears, creases toning some foxing, tears largest 1-1/2 in., handling creases, pencil inscriptions toning, some foxing, tears, some with stains, some with trimming, one trimmed in half and lacking text fine condition with minor scuffing to covers; case good condition with minor wear pencil inscriptions, handling grime, toning, handling creases, one matted and hinged in with some corner losses light toning, minor foxing, three hinged, "Goldfinch" with 3-4 in. tear, "Turtle Dove" with some losses at corners, five with binding edge trimmed some wear and creasing at edges, smudges, frame inscribed "1978 / Peggy Strickland Evans 1985 laid down on what may be contact paper, losses at edges, water damage lower left edge, small area of accretion central lower third wear and creasing especially at edges and corners, possible varnish coat trimmed, toned, laid down, varnished, losses at edges condition is very good minor wear at edges accretion on horses leg, possibly as made, losses to old man's right foot, repair to girl's right leg, repair to woman's neck and foot, wear, surface abrasions and wear four with losses to feet, scattered repair and surface wear minor surface wear surface distress throughout, loss at one fingertip, later wrappings to arm articulations, lacking feet, some losses at collar, both legs original but only one articulates refinished with some sun fading, inlay possibly of later date, interior with traces of green paint, brasses probably original box a later replacement, stand with scattered pest damage, drink slide restored, secondary surfaces with traces of white paint frame generally good with typical abrasions and wear, marble top likely an old replacement with edge wear and stains ephemera articles with fading, foxing, tears and losses; watch with obvious damage from musket ball original feet and skirt, one foot with small patch, other minor repairs to feet, otherwise good condition overall, replaced brasses, no evidence of interior lid, typical

minor cracks and wear 1054 sword, scratching and pitting to surface of scabbard, blade in good condition with minimal pitting, loss to wood grip; cap, loss to wool felt, loss to ribbon, cracking to visor, staining; patina to buckle, surface scratching; parade hat with wear and staining to interior, musty odor, case with normal wear; darkened patina to epaulettes; brass buttons with normal surface wear consistent with age and use; photos with foxing and toning, some with loss to edges of cardboard backing 1055 staining, foxing, surface grime, loss to edge, loss to case with taped reinforcements 1056 toning, foxing, surface abrasions consistent with age 1057 loss to edges, pages affixed at vertical center, toning foxing, staining, tearing at edges, fold lines, tearing around figures of Native Americans 1058 interior with red stains, abrasions and wear to decoration, small chips to corners, possibly lacking feet, bottom board with filled in slot and may be associated 1059 good as found condition, cracks, stains, and wear to top, minor chips to leg turnings, lower drawer facing with area of deep abrasion, other minor wear 1060 good condition overall, strip patch at back edge of top to repair shrinkage, lacking two locks, scattered stains and surface distress (enhanced dark surface) 1061 generally good condition, brasses replaced, scattered minor wear and abrasions, especially at feet 1062 restorations and repairs, including fallboard likely replaced, possible restoration at top edge of front, hinges replaced, patch at drawer facing, shrinkage repairs, distress at joints, two small dents at front 1063 scratches and wear, finish spotting, wear and minor chips to feet 1064 very minor fading, otherwise good condition 1065 largely rebuilt using some period elements, scattered minor cracks and abrasions, other minor wear 1066 glaze anomalies as made, five chips and 2-1/2 in. hairline from base edge, otherwise good condition 1067 glaze voids and anomalies as made, good condition 1068 glaze anomalies as made, all pieces good condition 1069 glaze voids and anomalies as made, areas of underfiring, 1/2 in. restoration at rim edge, wear to base edge, clay body chips and firing hairlines on base, otherwise good condition 1070 both with glaze voids and anomalies as made, both with surface abrasions and minor glaze frits, yellow and brown vase with minor chips to handles and base edge, yellow and orange vase with 1-1/2 in. glaze loss at rim and one handle, four glaze chips to base edge 1071 glaze voids and anomalies as made, otherwise good condition 1072 glaze voids and anomalies as made, shoulder vase with hairline in glaze and frit at rim, illumination on bases under black light possibly due to varnish, otherwise good condition 1073 toning, laid down on card 1074 toned, laid down on card 1075 light toning 1076 both toned, "Postern Gate"

1077 1078 1079 1080 1081

1082

1083 1084 1085 1086

1087

1088

1089 1090

1091

1092

1093

1094 1095

1096

1097 1098 1099 1100 1101 1102 1103 1104 1105 1106 1107

glued to board at top corners, St. Michael's Alley with small areas of loss at top corners light toning, hinged in, tape residue verso at top, pencil inscriptions in margin minor surface dirt and abrasion, otherwise good light foxing, slightly darkened, paper trimmed uneven varnish with resist, abrasions; frame with abrasions overall good condition, original dovetailed bracket feet with minor cracks and repairs (formerly fitted with casters), distress and wear to paint overall (largely as made) good condition, scars from previous pulls, minor surface wear and finish flaws, tin panels with minor dents and typical corrosion minor wear some wear to relief decoration, minor abrasions generally good condition, knobs likely replaced, surface wear and paint losses, other typical distress legs ended out approximately 12 inches, one drawer bottom replaced, cracks and distress to top, red surface color likely enhanced scrubbed top with warping and wear, crack and loss at top of one gate leg, wear at feet, other typical flaws old worn surface with abrasions and stains throughout, scattered dents and small holes, other distress from use good condition overall, warping and stains to top case refinished, breaks and repairs at scrolls, cracks and paint losses to dial, case with other wear and abrasions, lacking winder good condition overall, restorations to upper door frames, brasses replaced (no plugged holes) good condition overall, crack and repair at backsplash, finish wear, some areas of later brown paint retouch, tin panels with later brown paint and typical minor dents dial generally good condition, crack at top, case in good condition, probably original surface, possible restoration to colonnettes on hood, other typical minor surface wear and distress, lacking winder good overall condition, warping to top, crack and small nail scars from lock at drawer facing generally good condition, top with scratches and wear, gate mechanism slightly warped, other scattered minor flaws cracks and repairs at joints of legs to pedestal, possible restorations to birdcage, batons reset and possibly replaced, top with several plugged screw holes, other scattered flaws good condition, scattered surface flaws, minor finish losses, typical minor abrasions to legs light scratches, small dents, floor was lightly buffed heraldic device removal, base bent, possible repair on spout, dents urn with dents; both with bent finials, scratches and small dents light scratches, small dents, repair on base, possibly as made numerous dents, scratches and wear light scratches, small dents several with heavy tarnish wear, scratches small dents, light scratches all with average wear

1108 shrinkage cracks in body, cracks/ separations at neck, abrasions, 1109 wear to paint on birds and stands, small chips to bills and tails, one bird with separation at throat 1110 overall losses and abrasions consistent with age and use 1111 all with surface abrasions and losses to paint, some with separations, wear consistent with age and use 1112 drake with repair to body and later paint, one wood with chips and abrasions to tail, all with general scattered abrasions and general wear 1113 folding decoy with old tears and losses to canvas, paint faded, rust, head loose on nail mount, canvas decoy with water staining, paint flaking, surface dirt, other typical distress from use 1114 two corner holes, wear to other corners, other small breaks and losses, fading and grime 1115 a few splits to weavers, minor wear 1116 minor fading, abrasions and wear to weavers 1117 fading, a few splits to weavers 1118 fading, wear to rims, light stains, a few scattered breaks to weavers 1119 river cane with breaks and splits to reinforced rim, abrasions, interior grime, fading to oak split, a few breaks to weavers, interior grime 1120 fading, wear to rims, scattered splits to weavers 1121 overall good condition, a few splits and spots of minor discoloration 1122 minor fading, some loosened weavers, minor staining 1123 both with wear to rims, minor fading 1124 some interior dirt and residue, minor wear to bottom 1125 Choctaw with fading, breaks and splits to weavers, tall Apache missing handle, general wear 1126 very minor wear 1127 trade cloth with wear, holes, minor areas of bead loss, wood shaft with wear, pewter inlay with wear and abrasions 1128 areas of loss to quills, overall wear and dirt 1129 the smaller box with glued in birch bark on bottom, both inside and out, lid with thread repair inside on two edges, areas of missing quills; the larger with glue repair to wood inside at one long end, areas of missing quills 1130 little to no bead loss, hide with wear and minor water staining on the back, surface dirt and grime, knife with wear, rust and pitting commensurate with age 1131 leather backing missing on one end of floral sash, minor small areas of bead loss to both, both with wear and surface dirt 1132 Small area of loose quills, some loose sinew with no apparent bead loss, buckskin fringe with wear and grime, over all dirt, wear and age to un-beaded side of sheath.

1133 areas of missing quill work at edge of flap, small areas of missing quills scattered throughout, no missing bead work apparent, overall wear and dirt to hide, rawhide soles, quills and beads 1134 wear to quills, wear and dirt to hide, small area of staining on muslin at center front, hide stitched together presumably as made 1135 areas of bead loss, overall wear, some holes to hide bottom and back, staining to hide back 1136 without drop; remnants of red paint at edges and under beads,

Condition Notes - Please check website for updated condition notes

1137

1138 1139

1140 1141

1142

1143

1144 1145

1146 1147

1148 1149 1150 1151 1152

1153 1154

1155

1156 1157

1158

grime, wear, blade with section of missing wood handle, some loose beads; stitching slightly loose at upper edge, grime, wear, no apparent bead loss, blade with wear to handle, chip at tip of blade wear to outer rows of quill work, beads in good condition, hide with wear and grime, blade with rust and pitting, handle with grime small area of bead loss at fringed side, overall wear and grime; knife with wear and age hide with wear, beads in good condition with little or no loss, tacks with rust, possibly replaced lacing on knife cut-out; blade with rust and wear, handle with grime wear and grime, beads in good condition except for grime, no apparent bead loss, cones with rust fringe with wear, small areas of bead loss at sides, flap and back, hide with overall wear commensurate with age. hide soft and supple, surface dirt, missing button/tack, one area of loose beading on bag not visible under flap, one missing cone; grime, areas of accretion buckskin soft and supple, surface dirt and grime, minor bead loss at bottom edge, wear commensurate with age dirt, wear to ankle ties possibly replaced, some areas of minor losses to beads. small hole in each sole blanket strip with areas of loss to beadwork, wear and losses to wool; moccasins with overall surface dirt and wear commensurate with age, no apparent missing beadwork, small area of missing bead detail under one flap, wear at ends of ribbon, apparently added suede sewn to inside of flap hide stiff and dry, overall wear and grime, stitches separating in areas, areas of bead loss muslin with staining and wear, bead work with loose beading and areas of loss, backing board possibly repainted, hide panels with wear and staining tarnish, dents and bends to many conchos, wear and scratches to silver and leather rust to iron spears, points not examined out of frame, minor wear to cases overall good condition, points not examined out of cases, minor wear to cases generally good condition, not examined out of case, minor wear to cases possibly missing some rigging or implements, a few minor stains, wear and abrasions to leather consistent with age stern tab broken, repairs to bow, tears to skin, overall wear and grime painted kayak with multiple tears to leather, some breaks to binding, larger with losses at one end, several tears, both with abrasions, fading, wear and grime larger with several holes on deck and tear on side, wear, discoloration, small with wear and grime, consistent with age wear and grime consistent with age overall grime/dust to model with figure, stains/grime to clothing, both models with wear to leather/ hide consistent with age smaller with damage at bottom where it fits on stand, wear to leather, some apparent damage to fishing implements, overall wear

1159

1160

1161 1162

1163

1164

1165

1166

1167 1168 1169

1170 1171

1172 1173 1174 1175

1176 1177 1178 1179

consistent with age, larger with staining to hide, wear and losses to attached hide sack larger weaving with five holes/ wear near selvage on one side, a few small areas of staining and a few additional areas of wear, repair near one end, smaller weaving with wear at selvage Crystal style with one area of minor bleeding, some wear to selvages, overall grime, regional with areas of moth/wear damage at borders, area of repair at lower corner, wear at all selvages old surface patina, some breaks to abalone he with losses to fur, several tears and wear to leather, minor grime/ dirt on face, she with losses to fur and wear larger with significant bleeding and significant wear, cream colored areas with spattered discoloration, either inherent to the textile or possible staining, smaller with minimal wear smaller weaving with wear at selvages, two small hole/areas of wear near one border, two small areas of abrash, one side with bleeding and fading, larger with some wear at one selvage, scattered areas of pulls/loose threads, overall grime wear at all selvages, overall grime, one area of scattered small holes near one corner, scattered areas of accretions tipped in, upper left corner of original mount missing but present, not visible under mat, some toning and fading commensurate with age; frame with minimal wear not examined out of frame, appears in good condition; frame with minimal wear ripples to tissue left side margin, not visible under mat, tipped in; frame with minimal wear slight surface crease at chest, two tiny surface indentations, one upper right at far right forehead, one lower right at chest, other minor surface flaws; frame with minimal wear small surface crease lower left side, extending approx. 1 in. from edge, tipped in; frame with minimal wear full bleed image, archival mounts verso, three tiny pin holes upper left corner, four small areas of slight discoloration possibly due to re-touch; frame with minimal wear, three seams in veneer probably as made tipped in at corners, appears in good condition; frame with minimal wear tipped in, slight wave to sheet at lower edge; frame in good condition tipped in, slight warping at corners, appears in good condition otherwise; frame with minimal wear slight wave to paper at top edge under mat; frame with minimal wear and some separation at corners tipped in, wear/slight creasing at upper edge, not visible under mat; frame in good condition tipped in, good condition, some fading possible; frame with minimal wear tipped in, minor spots of accretion lower margin; frame with minimal wear not examined out of frame, appears in excellent condition; frame with minimal wear, small nicks and abrasions at corners and edges

1180 not examined out of frame, appears in good condition; frame with some wear at edges and corners 1181 not examined out of frame, appears in excellent condition; frame with minimal wear 1182 not examined out of frame, appears in good condition; frame with minimal wear at corners and edges 1183 not examined out of frame, appears in good condition; frame with some wear at edges and corners 1184 not examined out of frame, appears in good condition; frame with minimal wear at corners and edges 1185 not examined out of frame, appears in good condition; frame with wear at corners and edges 1186 not examined out of frame, appears in good condition; frame with minimal wear at corners and edges 1187 not examined out of frame, appears in good condition; frame with minimal wear at corners and edges 1188 not examined out of frame, appears in excellent condition; frame with minimal wear at corners 1189 not examined out of frame, appears in good condition; frame with minimal wear 1190 not examined out of frame, appears in good condition; frame with minimal wear, especially at corners 1191 not examined out of frame, appears in good condition; frame with chips at lower edge and corners 1192 all mounted to cartes, staining verso, minimal toning and wear recto; frame in good condition 1193 affixed to backing card, toning, foxing, stain on Red Legs across shoulder recto; frame in good condition 1194 scattered abrasions and wear, consistent with age 1195 chips around rim, slight fading to color, minor surface abrasions 1196 abrasions and wear to polychrome surfaces 1197 Acoma with abrasions and wear to decoration, minor abrasions to rim, Zuni with minor wear and abrasions 1198 overall abrasions and wear especially to base 1199 minor fading, minor wear to interior and exterior border near rim, some interior dust/grime 1200 some fading, scattered losses to stitches, overall light grime/dust to interior 1201 scratches, small chips and wear consistent with age and use 1202 all three with interior dust/grime and minor fading, some scattered accretions to tallest basket 1203 corn dancer with front crack in skirt and small chip back of skirt, wear to paint, long hair with wear to paint 1204 some loose stitching where bag meets strap, minor areas of bead loss, primarily at edges of strap; small bag with overall grime and wear 1205 tarnish, wear, scratches, dirt on chain, pendant possibly converted from a belt buckle 1206 tarnish, scratches; wear and scratches 1207 wear and scratches consistent with use 1208 scratches to gold consistent with use

1209 wear at selvages, small areas of staining, small areas of wear/holes 1210 some scattered stains, wear at selvages, fading, one area of stiffness at left edge 1211 larger with significant fading in central panel, otherwise both blankets in generally good condition 1212 runner with bleeding at some of red squares, overall surface grime, some areas of staining and accretion, minimal wear to one selvage, smaller with several minor spots of staining/accretion, wear to selvage at one side, staining at one long end 1213 green throw with overall surface grime, especially at fringe, brown with one hole at one long selvage, wear at other long selvage end, surface dirt on one side, wear to fringe at corners, Manta with minor bleeding to red dyes, some surface dirt, some small areas of staining and wear 1214 banded with some wear at selvages, overall yellowing of cream bands, trading post with areas of bleeding, one small hole, areas of accretion 1215 Yei with surface dirt especially one side, areas of staining on one side, some wear to selvages, trading post with minimal wear, sampler with bleeding of red dyes, wear to all selvage, scattered areas of wear/holes 1216 Eye Dazzler with areas of slight bleeding, some wear to selvages, small area of staining, at least two small areas of wear/holes, striped with minor wear at selvages 1217 Southwestern with approximately 3 in. tear center, smaller tear near border, fading, wear; small transitional style with scattered holes, fading 1218 wear at one long end, one small area of wear/hole near one corner, one small area of light staining, small area of bleeding near one long edge 1219 large blanket maintains soft, fuzzy original surface, striped weaving in good condition 1220 striped areas of wear and repair at selvages, some fading, one side with small spot of glue?, at least two tiny holes, ocher with small areas of staining, minimal wear at selvages, round with minimal wear 1221 some surface dirt, accretion 1222 "Buffalo" with some rubbing 1223 base filled and felted with wear 1224 small area of accretion at one selvage, assorted tiny areas of light staining, minimal wear of selvages 1225 minimal wear at selvedges, at least one small wear hole, one tiny area of green stain, minimal fading and overall wear 1226 wear at corners, areas of discoloration, two small holes, accretion at one long end, minor wear at selvages 1227 larger with minor wear to selvages, areas of old repair near selvages, areas of minor bleeding of red dye in center, two small holes in center motif, saddle blanket with applied velcro to borders, with multiple areas of wear/pulls/holes 1228 good condition 1229 good condition 1230 some losses to fins and fingers with some parts present, abrasions 1231 good condition 1232 areas of re-touch scattered throughout, five old patch repairs verso, one puncture at horizon line left side; frame with chips and losses to finish, abrasions, wear

81

Condition Notes - Please check website for updated condition notes 1233 surface dirt layer, small are of missing paint just above signature, small re-touched tear at upper left background; frame with wear and abrasions 1234 surface dirt layer, one surface scratch lower left edge; frame with wear, accretions, abrasions 1235 crackle, minimal surface dirt layer; frame with wear and losses to gilt 1236 minimal dirt layer; frame with minimal wear 1237 surface dirt layer, crackle, two areas of retouch left side, yellowing varnish, loose canvas; frame probably re-gilt 1238 surface dirt layer, crackle; frame with wear, separation at corners 1239 two small areas of re-touch, surface dirt layer, crackle 1240 scattered areas of re-touch, surface dirt layer, crackle; frame with wear and abrasions 1241 crackle, surface dirt; frame with wear and abrasions 1242 hinged in at top, slight toning; frame with abrasions 1243 laid on board, heavy dirt/yellowed varnish layer, minor chipping at edges of paper under frame; frame with wear, chips and losses to composition, especially at corners 1244 mounted on plywood, surface dirt layer, crackle; frame with wear, losses to gilt 1245 panel with slight warp, uneven varnish, small areas of retouch; frame with minimal wear 1246 dirt layer, original stretcher and tacking edge; frame with abrasions 1247 crackle, grime, uneven yellowed varnish; frame with wear, separation at corners 1248 scattered areas of re-touch, especially sky upper right corner, 1249 some wear/abrasions to silk at base of ship, lines of accretion at top and bottom edges, apparent wear to sails; frame with wear, abrasions 1250 surface dirt layer, dry, un-varnished surface; frame and velvet liner with wear and abrasions 1251 crackle throughout, minor abrasions to surface, original stretcher 1252 original stretcher and tacking edge, dirt, yellowed varnish, crackle; frame with wear, abrasions some losses to gilt 1253 crackle, quilting verso, surface dirt layer; frame with wear, separation at corners, some cracking to veneer, gilt wood liner with wear 1254 laid down, toning; mat with toning, frame with wear and some losses to gilt 1255 not stretched, backed by plywood panel (not laid down), crackle, right angle tear at upper left, dirt, small areas of paint loss; frame with minimal wear 1256 wax and linen lined, areas of re-touch scattered throughout, especially at edges, crackle; frame with wear 1257 taped in at four points verso, toning, paper tape on all four edges recto 1258 hinged in; frame with wear 1259 laid on board, crackle, tiny areas of retouch scattered throughout; frame with wear, separation at corners 1260 surface dirt layer, small puncture on pail upper right; frame with wear, losses to gilt and decoration, grime 1261 three tears recto right side, one approx 4 in. long, original stretchers and tacking edge, crackle, surface dirt layer; frame with wear.

Cleaning/conservation note dated

82

1968 tacked to stretcher verso.

1262 surface dirt layer, crackle, stretcher marks, some apparent surface overspray of gold spray paint; frame with wear 1263 surface consolidated and lined, period frame and period stretcher 1264 surface dirt layer, laid on cardboard, three vertical scratches sky, areas of retouch scattered throughout; frame with wear and area of red paint top edge 1265 two old patch repairs verso, grime, stretcher marks/loose canvas, crackle, areas of re-touch; frame with wear 1266 surface dirt and minor abrasions 1267 areas of retouch throughout, two old patch repairs verso, tacking edge missing in places, crackle, surface dirt layer, loose canvas; frame with minimal wear 1268 surface dirt layer, uneven varnish, approx. seven small areas of paint loss, approx. 1/2 in long surface scratch central tree 1269 mylar lined, crackle, surface dirt; frame with wear and abrasions 1270 wear at edges of boards, surface dirt; frames with wear, gold paint, separation at corners 1271 small tears in paper and losses at edges, some abrasion; frame with minor areas of loss to gilding and abrasions 1272 restoration in lower right corner with some loss, 1/2 in. restoration in left margin, toning, damp stain lower right, evidence of splatter in margin right and at bottom of steps with a lightened effect; frame with abrasions 1273 good color, some loss to top and bottom right corners and top left corner, toning 1/2 in. tear in right margin; frame with abrasions 1274 toning, pest damage, water stains at bottom, abrasions, glue tacked to verso of mat at top and one point at side, small tears at edges; frame with abrasions 1275 good color, laid down on card, stains in margins, pencil inscriptions, light toning; frame with abrasions 1276 toning from acidic board and light exposure, abrasions, tear within image 1-5/8 in. 4-5/8 in total from bottom, right corner with tear, bottom margin with chipping and water stains; frame with abrasions 1277 two floated, "Blondie" with toning and curling, not examined out of frames; frames with wear 1278 good condition, dust under glass, breaks to cobalt blue glass verso; leather case with wear 1279 good condition; glass with cracks, abrasions to metal; leather case with abrasions 1280 plates and pages with toning and foxing, covers and spines scuffed, tears, one spine lacking, three boards loose or off, all with title pages and presumed complete 1281 overall toning and fading, print trimmed, laid on card, large vertical surface scratch left side, surface abrasions; frame with wear commensurate with age 1282 not examined out of frame, item laid down, foxing, fading, tears on fold lines, staining, slight fading to Washington signature 1283 good condition overall, lacking dust jacket, areas of discoloration and minor staining to binding, spine dulled, fraying to tips, toning, other minor wear 1284 patched, tears at edge, stains, soiled 1285 heavy patina, denting, one crack

1286 1287 1288 1289

1290

1291

1292

1293 1294 1295

1296

1297 1298 1299

1300 1301

1302

1303

1304

1305 1306

1307 1308

1309

on body, rust spots near supports, missing one knob minor fading and wear both quilts with minor wear, some fading, light stains and discoloration to backs light stains to drake, otherwise good condition Glenn decoy with chips to head and tail, Boyd decoy with abrasions to head, bill and tail, both with working repaint, scattered abrasions and wear consistent with age and use scattered crack and surface losses throughout, wear and possible repairs to head and bill, wear consistent with age and use both probably with original paint, yellow leg decoy likely with replaced bill, overall wear to paint consistent with age Jester decoy with surface losses to one side and underside of tail, separation where joined wear to paint, other decoy with wear to paint and tape residue and putty under bill good condition Walker with old working paint, cracks, wear, Burgess style with wear to painted surface brant with partial repaint, losses to painted surface, small chips and abrasions to bill, hen with large crack in bottom, losses to painted surfaces, both with wear consistent with age duck with cracks under eye and underside, wear and abrasions to painted surface, scoter with chips to bill and tail, lacking weight, cracks and losses at neck Morey and Daisey in good condition, weathering and abrasions to curlew abrasions to tail and bill, wear to paint both decoys lacking weights, merganser repainted, head slightly loose, sanded down chip to bill, wear to paint, mallard with abrasions, possibly infill on wing, smallest with broken beak, all with abrasions and wear to paint losses and alligatoring to painted surface, crack or shrinkage from neck to tail, small area of loss at neck, small hold in chest good structural condition with some minor cracks, wear to carving overall, especially at handholds, other minor surface flaws and some color variation restored and reconfigured, later pediment and legs (probably originally a chest on chest), losses and distress at pediment, moldings, fretwork, brasses replaced, other wear and distress good condition, old refinishing, nail holes at back for hanging, other typical abrasions and edge wear extensive weathering and paint distress, fountain section with added pipes losses and retouch at feet, other scattered surface wear to stencil decoration, some finish distress, cracks at lower shelf, cracks and some warping to top good overall condition, minor wear, lacking some drops generally good restored condition, minor veneer patches, surface abrasions to scrolled arms, patches and repairs at rear feet, modern upholstery good condition replaced brasses (upper drawers lacking knobs), scattered minor veneer chips, shrinkage cracks at

case sides 1310 scattered veneer losses and repairs, especially at banding, lacking one pull 1311 good overall condition, minor wear to frames, minor wear and staining to upholstery 1312 good structural condition, finish losses and distress, minor patch at one arm terminal, crack to side of reeded frame, upholstery with extensive distress (not fully examined under upholstery) 1313 top with minor edge chips, pedestal base with extensive finish distress, veneer and molding losses and repairs 1314 frame is good overall with minor veneer flaws, upholstery with minor stains and wear 1315 lacking one gadrooned foot molding, warping, stains, veneer cracks, and distress to top 1316 cracks and repairs to ivory pulls, sun fading at back, mirror uprights loose (later bracing inside), veneer loss at top left side, ratchet support off (present), mirror backboard replaced 1317 scalloped example with a crack at front, scattered surface wear and dirt to paint with minor losses, especially at rear feet; tabletop example in old surface with wear and minor losses, especially at moldings 1318 original dial paint with some flaking and discoloration, case with period finials and feet, glazed door frame with scattered repairs and discoloration, cracks, repairs, and discoloration at base veneers 1319 break and loss at one foot (lacking casters), later casters, scattered minor leg cracks, minor wear and repairs at moldings, top with scattered dents and flaws 1320 currently not upholstered, break and repair at one foot attachment, scattered veneer flaws including at tablet back, other abrasions, veneer flaws, tacking scars, and distress 1321 lacking part of ivory pull, paint flaking, distress, and losses, shrinkage crack at back, minor pest damage, feet with restorations, other areas of wear 1322 browning of linen ground, fading, minor losses to silk, crack in glass in one corner 1323 fading and toning 1324 good condition, minor wear and finish flaws, some abrasions to top molding and feet 1325 good condition 1326 hinged in, tape residue verso; frame with abrasions 1327 good condition 1328 spiral edge from sketchbook present on left edge, some rubbing of pastel, paper with toning, some handling crease, small 1/4 in. tear, tape residue verso top; frame with abrasions 1329 small area of enamel loss under rim, minor accretion and oxidation under interior rim, minor wear to base, old adhesive and taped labels 1330 abrasions on bronze 1331 good condition; frame with abrasions 1332 top with wear and finish losses, some abrasions, white paint accretion, scuffs at legs with one chip, other wear 1333 good overall condition, minor wear and abrasions, especially at arms and base 1334 good condition 1335 some finish spotting and other dis-

Condition Notes - Please check website for updated condition notes

1336

1337 1338 1339

1340 1341 1342 1343 1344 1345 1346 1347 1348 1349

1350 1351 1352 1353 1354 1355 1356 1357 1358 1359

1360 1361 1362 1363 1364

1365 1366 1367

1368 1369

1370 1371

1372

tress to frames, leather upholstery with cracks and distress, some minor edge tears, one with loose strap, other possible re-gluing hinged on acid free mount, small points of retouch, "Dali Atomicus" and "Dali Skull" are marked edition of 7/250; portfolio with some scuffing good condition, minor wear and paint losses, label distress good condition, minor wear good condition, lower case lacking one shelf, scattered minor surface wear, minor veneer chips at case sides, good condition, minor wear floated, good condition; frame with abrasions loose, full margins, one point of foxing; frame with abrasions good condition; frame with abrasions toning, taped in at top with masking tape; frame with abrasions good condition, minor wear very slight toning, not examined out of frame, not apparently laid down; frame with abrasions good condition minor abrasions to base adhesive verso at former floating tape, pencil inscription verso, paper abraded at four corners verso from former mounting dirt layer; frame with abrasions excellent condition, minor wear and scratches floated on silk covered mount, light toning floated, light toning; acrylic with scratches toning at edges, small indentations at edges good condition scratches on base minor scratches both with abrasions table with minor typical wear and abrasions; chairs with areas fading, legs with abrasions and other wear, front legs of one chair with cracks and distress minor wear crackle at bruise on proper left horn otherwise good condition good condition crackle, dirt layer; frame with abrasions ure visible through cut-out in back, appears in good condition; hinged in, tape remnants at edges verso, surface scratch recto upper left nicks and scratches consistent with age, foundation slightly wobbly excellent condition, top with cracks and flaws as made dresser with three copper pulls with Roycroft cipher, two without, possibly associated, central drawer pull over Roycroft cipher; bedside table with traces of white paint, lacking drawer pull, sun fading throughout, other finish distress chip at edge of splash panel, scattered abrasions to drawer facings chip and loss at back of one stile and one rear foot, otherwise good condition with some minor checking, finish wear especially at arm tops, modern upholstery in good condition good condition good condition overall, original finish with wear, some water stains at top, some stains and fading to interior shelves, other minor surface flaws good condition, three oak examples with probably original distressed leather upholstery and lacking some brass tacks, frames

1373 1374

1375 1376

1377

1378 1379

1380 1381

1382

1383 1384 1385 1386 1387 1388 1389 1390 1391 1392 1393 1394 1395 1396 1397 1398 1399 1400 1401 1402 1403 1404 1405 1406 1407 1408 1409 1410 1411 1412 1413 1414

with minor wear and abrasions, modern upholstery with minor wear good condition, minor edge wear, other surface flaws leather seats with deep cracking and alligatoring, lacking some tacking, some color variation (both appear to have original finish, one lightly cleaned, other dusty as found), other minor wear, painted decal with losses good condition, minor typical wear, areas of discoloration (many as made), minor abrasions generally good condition overall with wear consistent with age and use, urn form with flaking at shade, minor losses; barrel form possibly old reconfiguration with old soldering, drilled at base, areas of verdigris; pear form with minor dents, areas of enamel loss support boards for tile top with some later screws, light wear to tiles, minor cracks at edges of top near tenons, other minor wear and surface flaws replaced element to hold shade, light scratches and abrasions to shade, oxidation to base typical wear and corrosion consistent with age, early copper sockets and wiring, finial with distress, mesh shade detached with solder scars, three minor tears, discoloration, cracks at enamel, other minor wear and dents minor pitting and oxidation to base lacking one foot, chip and loss at lip of shade, minor chip at rim, area of finish loss under base, other minor wear generally good condition, rust at feet with some losses, other areas of corrosion throughout, later varnish, other wear heavy tarnish, rim bent and dents, some wear one without monogram with spots of pitting, both with light scratches and wear average wear average wear light scratches light scratches polishing abrasion, small dents, light scratches light scratches and wear light scratches small dents, light scratches light scratches light scratches, some wear both pieces with small dents, light scratches small rim dent, small dents, light scratches light scratches, wear to decoration light scratches light scratches, small dents all with average wear rim dents, light scratches, light scratches, lacking ivory post small dents, light scratches dents, wear and loss to high spot of decoration good condition square bowl with dents, all with light scratches, small dents and wear light scratches, small dents all with light scratches and wear one knife handle separate from blade, otherwise average condition light scratches tea service with light scratches; tray with loss to plate average wear average wear average wear average wear

1415 1416 1417 1418 1419 1420 1421

1422 1423 1424 1425 1426 1427 1428 1429 1430 1431 1432 1433 1434 1435 1436

good condition some wear, back screw loose some wear some wear average wear bowl with scratches; tray with heavy wear and damage, hole enamel with 15% repair to main image, scratches and wear; gilt silver with wear and interior scratches dents in side and repaired dent, wear, doesn't sit flat small dent, light scratches lustrous with light handling wear to decoration, light scratches heavy tarnish, wear average wear average wear dents, light scratches and wear wear to decorations, light scratches creamer rim bent; teapot lid off (lacking pin), all with light scratches, small dents frame base with creases, tears and wear; glass with small chips typical wear base bent, light scratches, small dents some wear light wear

83

Fine Art Index American School 1241, 1251, 1255, 1260 1263 Armstrong, J. Chester (Skip) 1230 Armstrong, William Weaver 1240 Audubon, John James, After 1035 Bannister, Edward Mitchell 1262 Barrias, Louis-Ernest 949 Beck, Julius Augustus 1254 Beckwith, James Carroll 1245 Bensell, George 1232 Berninghaus, Oscar Edmund 1237 Bernstein, Alex Gabriel 1347 Blumenshein, Helen Greene 1234 Boyd, Guy Martin 1330 Brandt, Warren 1362 Bricher, Alfred Thompson 1256 British School 849-851, 853, 892, 894 Buckley, John Michael 1269 Bultman, Fritz 1331 Byzantios, Pericles 958 Calder, Alexander 1352 Catesby, Mark 1023-1029 Chester, Gertrude 1270 Cobb, Ethelyn P. 1078 Cotes, R.A., Francis, Attributed 848 Cowell, William Wilson 1253 Cranke I, James 847 Currier & Ives, Publishers 1272-127 Curtis, After Edward Sherrif 1168, 1170, 1172-1178 Curtis, Edward Sherrif 1166, 1167, 1169, 1171, 1179-1191 Daingerfield, Elliott 1079 Dallin, Cyrus Edwin 1223, 1228 De Courcelles, Pauline After 1030-1034 de Kooning, William 1341 Delance, Paul Louis 951 Douglas, Edward Stuart, After 892 English, Frank F. 1271 European School 1241, 1251 European School 947 Evans, Minnie 1038-1041, 1043, 1044 Fechin, Nicolai Ivanovitch 1244 French School 931, 934, 948, 950

84

Fried, Pal 1350 Gardner, Alexander 1281 Gaul, Gilbert 1264 Gill, Mariquita 1236 Gould, John & Elizabeth 1037 Graves, Abbott Fuller 1268 Halsman, Philippe 1336 Hanzan, Aleksei Vasilievich 966 Hardy II, James 888 Hart. Frederick Elliott 1355, 1356 Hayse, Helen 1363 Haziza, Shlomi 1357 Haziza, Shlomi, Possibly 1358 Henry, William 1250 Hutty, Alfred 1075, 1077 Italian School 927-929, 971 Jacobsen, Antonio Gasparo 1248 Kahn, Wolf 1328 Kauba, Carl, After 1221 Keener, Anna Elizabeth 1239 Key, John Ross 1267 Lichtenstein, Roy 1354 Long, Ben 1080 Mankowitz, Gered 1334 Martinet, Marjorie Dorsey 1233 McCord, George Herbert 1252 Mirรณ, Jean 1344 Nerli, Girolamo, Attributed 959 O'Keeffe, Georgia 1242 Onderdonk, Robert Jenkins 1265 Pajou, Augustine, After 954 Palmore, Tommy Dale 1361 Peale, Sr., James 1278 Pho, Le 1343 Picasso, Pablo 1326, 1353 Portrait Miniature 1279 Pourbus II, Frans, Follower 930 Prior Hamblin School 1259 Raphael, After 926 Redmore, Henry, Follower 893 Regenfus, Franz Michael 1021 Reilly, John William 1246 Ripley, Aiden Lassell 1258

Roussel, F. Saleh, Prince Raden, After Sandzen, Birger, After Sawyier, Paul Schafer, Frederick Ferdinand Sharp, Joseph Henry Silva, William Posey Soelen, Theodore Van Southern German School Stella, Frank Trott, Benjamin Ulreich, Eduard Buk van Leemputten, Cornelis Verner, Elizabeth O'Neill Weinmann , Johann Wilhelm Williams, Walter Henry Willis, Thomas H Woodard, Greg Wright, George Hand Wyeth, Jamie Young, Stephen Scott Zornes, Milford

946 891 1235 1243 1261 1247 1266 1238 938 1349 1279 1364 976 1076 1022 1342 1249 1229, 1231 1073, 1074 1346 1042 1257

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Terms of Sale 1.

All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final.

No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability

by Brunk Auctions or by any seller represented by Brunk Auctions.

2.

Bidding will begin at a price appropriate in auctioneer’s discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. At the auctioneer’s discretion, no bid of less than one half the low estimate will be accepted from any source: phone bidding, absentee bidding, internet bidding, or bidding in the gallery.

All lots in this catalog are offered subject to a reserve, which is the confidential minimum hammer price at which a lot will be sold. In executing a reserve, the auctioneer has the right to bid on behalf of the Consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If the reserve is not met, the Auctioneer has the right to withdraw the item from the sale.

3.

Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder’s responsibility to get our attention prior to our saying “sold”.

We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer’s discretion.

4.

Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. Credit arrangements must be made by the Friday prior to the day of auction so bank statements can be verified. We reserve the right to not issue a buyer’s number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashiers check.

5.

Payment is expected at time of purchase.

Payment for successful absentee, phone bids and online bids are required within five business days of the auction. Bidding on an item indicates the client’s acceptance of our Terms of Sale. Your signature on our Bid Form or acceptance of these terms through any online bidding platform constitutes permission to charge successful bids to credit cards if payment is not received within five days of the auction.

6.

We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially.

All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at one half the printed low estimate, and gives the auctioneer the authority to open the bidding at that level. Brunk Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute.

7.

In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers.com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 70-100 lots per hour.

Following are general guidelines for bidding

increments: $0-$100 .......................$25 increments $100-1,000...................$50 increments $1,000-2,000................$100 increments $2,000-3,000................$200 increments $3,000-5,000................$250 increments $5,000-10,000..............$500 increments $10,000-$20,000.........$1,000 increments $20,000-$50,000.........$2,000 increments $50,000-$100,000.......$5,000 increments above $100,000.........auctioneers discretion 8.

In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above.

9.

Purchaser agrees that packing and shipping is done at the purchaser’s risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will either be packed by an agent such as a packaging store or Brunk Auctions.

Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests.

Brunk Auctions will have no liability for any loss or damage to shipped items. 10. Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid.

For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our to avoid such a situation.

11.

All purchases are subject to applicable North Carolina sales tax unless the North Carolina Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase.

Resale tax numbers from other states are accepted.

International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer’s country.

12.

Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Brunk Auctions may seek all remedies under the law including canceling the sale and reoffering the property without reserve.

13.

A buyer’s premium will be applied to the purchase price of all items: 20%....Cash, check or wire transfer 23%....MasterCard, Visa, Discover and American Express credit cards 23%....Bidsquare with cash, check or wire transfer 26%....Bidsquare with MasterCard, Visa, Discover and American Express credit cards 25%....Liveauctioneers with cash, check or wire transfer 28%....Liveauctioneers with MasterCard, Visa, Discover and American Express credit cards 14.

Purchased items not picked up from our auction facility within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within sixty calendar days.

The costs of storage, plus any other costs directly related to the item, and an auctioneer’s commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Brunk Auctions. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you.

15.

We are closed on Fridays the week following auctions. Please arrange appointments for other days.

16.

Export and Permits - It is the purchaser’s sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalogue reflect Brunk Auctions’ reasonable opinion at the time of cataloguing and are for bidders’ general guidance only; Brunk Auctions and the Consignor make no representations or warranties

as to whether any lot is or is not subject to export or import restrictions or any embargoes.

17. ◉Endangered Species - Certain property sold at auction, for example, items made of or incorporating plant or animal materials, irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Brunk Auctions suggests that international buyers check on foreign governments’ wildlife import requirements prior to placing a bid. All buyers agree to comply with any and all domestic and international restrictions on the trade of endangered species as a condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the purchaser’s responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. In the case of denial of any export or import license or of delay in the obtaining of such licenses, the purchaser is still responsible for making on-time payment of the total purchase price for the lot. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States. Brunk Auctions is not able to assist the purchaser in attempting to obtain the appropriate licenses and/ or certificates, and there is no assurance that an export license or certificate can be obtained. Please check with our specialists if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on exportation.

Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

18.

Due to the embargo on Persian carpets, international shipping is not available.

19.

Brunk Auctions makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, “earth mined”, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, “cultured or natural pearls, fresh water, south sea, Tahitian pearls”, and other materials used in jewelry, may be enhanced by a variety of treatments. Brunk Auctions makes no warranties or guaranties that any clock or watch is in working order.

20.

CONDITION OF FIREARMS: Brunk Auctions or its' employees or consultants make no warranties or representations whatsoever concerning the operation of firing condition, safety to store or reliability of any firearm. Any firearm purchased is at the user's risk. Brunk Auctions expressly disclaims any liability whatsoever for accident, injury or damage resulting to any person or property from the storage or use of any such lot.

21.

Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 24 hours in advance of the auction to allow for time to complete the approval process. We make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. First time participants bidding through any online platform will be limited to a maximum of $25,000 total in cumulative bids. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with Brunk Auctions through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. Bids left on Live Auctioneers & Bidsquare are not executed until the item is offered in the live auction therefore the order in which those bids are received is not a factor. We will make every effort within reason to accept and process bids from online participants. Brunk Auctions will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature.

BA

Team

Nashville

Ready to serve you with exceptional results for your estate or collection.

PRINCIPALS

Andrew Brunk

President, Auctioneer

Robert S. Brunk

President Emeritus

Lauren Brunk

Vice President, Museum Services, Auctioneer

CONSIGNMENTS Franklin Gunnells

Consignment Coordinator

Jim Crowley

Inquiry Coordinator, Auctioneer

Sarah Sperling

Director of Nashville Operations

SPECIALISTS

Contact our Nashville Representative Sarah Sperling 615-981-3310 sarah@brunkauctions.com

Andrew Brunk

Furniture, Folk Art

Lauren Brunk

Southern Fine Art and Collections

Greg Capps

Coins & Currency

Laura Crockett

European and Modern Fine Arts, Prints

Jim Crowley

Decorative Arts/Asian Arts

Franklin Gunnells

Cut Glass

Corey Jones

Southern Pottery

Silvia Kennedy

Cut Glass, Firearms

Robin Rice

Silver

Katie Simonetti

Jewelry

Karen Swager

Decorative Arts, Textiles

Nan Zander

American Fine Art, Native American, Stringed Instruments, Auctioneer

BUSINESS OFFICE Silvia Kennedy

Business Manager

Leah Krause

Administrative Manager

Shannon Hallowell

Administrative Assistant

PHOTOGRAPHY Monica Scott

Director of Photography

Brooke Bennink

Photographer

Michael Traister

Photographer

MARKETING

Michelle Parparian

Director of Marketing

Robin Rice

Catalog Layout

Nan Zander

Exhibition Design

OPERATIONS Corey Jones

Operations Supervisor

Cliff O’Hara

Shipping

Thomas Nixon

Property Management

Michael Welch

Property Management

Dustin Vanderbunt

Property Management

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