Premier and Emporium Auction | May 16-18, 2019 by Brunk Auctions

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Auctions

Brunk

Auctions May 16-18, 2019

Early Preview By Appointment Thursday, May 16, 2019

Public Preview Begins 8:00 AM Emporium Auction Begins 9:00 AM Friday, May 17, 2019

Public Preview Begins 8:00 AM Premier Auction Begins 9:00 AM Jewelry Begins 5:00 PM Saturday, May 18, 2019

Public Preview Begins 8:00 AM Premier Auction Begins 9:00 AM BrunkAuctions.com 117 Tunnel Road Asheville, NC 28805 828-254-6846 info@brunkauctions.com NCAL 3095

Featured Estates

Property from a Southern Institution Collection of Dr. and Mrs. Joseph R. Gabriels An Important Southern Collection Estate of Mr. and Mrs. Eugene Fleischer Property from an Important Private South Carolina Estate By Descent in the family of Governor Manning, South Carolina Private Collection, Highlands, North Carolina Collection of Clint Paul and Lois B. Herring, Post, Texas Private Collection, Williamsburg, Virginia Collection of Marion and Theodore Gore, Williamsburg, Virginia Private Southern Collection Colonial Williamsburg Foundation, Proceeds to Benefit the Acquisitions Fund Estate of Alice Carter Middendorf Private Collection, Winston-Salem, North Carolina Private Collection, Charlotte, Vermont Estate of Dr. Philip George, Memphis, Tennessee Private Collection, Wilmington, North Carolina From the Collection of Salem Academy and College, Winston-Salem, North Carolina Historic Bremo Plantation, Bremo, Virginia Private Collection, Cary, North Carolina Private Collection, Nashville, Tennessee Private New England Collection Property from a Southern Institution Property from the Estate of Colleen Conway-Welch Willard R. Sparks Estate, Memphis, Tennessee Private Collection, Fearrington, North Carolina Collection of James B. MacNeill, North Carolina

E mp o r i u m Lots 1-799 Available Online

S e ssi o n I I 6

Asian

Continental

Fleischer Estate

British

Highland Collection

George Estate

Modern | Craft

Herring Collection

Silver

Conway-Welch Estate Jewelry

Jewelry

S e ssi o n II I 78

South Carolina Estate

106

Mulberry Plantation

108

Southern

120

Gabriels Collection

122

American

134

Bremo Plantation

128

Condition

137

Fine Art Index

mporium E

Auction

Prelude to our Premier Auction Thursday, May 16 at 9:00am - lots 1 to 799

Featuring Decorative Arts, Asian Art, Furniture, Jewelry, Art Pottery; Sterling and Silver-Plate; Southern Coin Silver; Art Glass; Items from Estate of Mr. and Mrs. Eugene Fleischer and Property from the Estate of Colleen Conway-Welch Please visit BrunkAuctions.com for images and full descriptions.

Asian

800 Chinese Qing Dynasty Bottle Vase 18th/19th century, bottle form with pink and white mottled glaze, interior with green glaze, 6-1/2 in.; with stand Provenance: Private Collection, NC Estimate: $1,000 - $1,500

801 Chinese Qing Dynasty Bulb Planter 18th/19th century, kidney form low bowl on three raised feet, reign mark of Yongzheng (1723-1735), 2-1/8 x 9-3/4 in. Provenance: Private Collection, NC Estimate: $500 - $700

802 Finely Enameled Chinese Vase boys at play in garden like settings, brightly enameled, bats, longevity and good luck symbols, Qianlong mark, 18 in. Provenance: Private Collection Estimate: $800 - $1,200

803 Chinese Blue and White Snuff Bottle possibly early Republic, lady in formal robes, with porcelain objects, poems, underglaze blue mark, 3-1/4 in. Provenance: Private Collection, NC Estimate: $500 - $700

May 17, 2019

804 Pair Chinese Export Bowls, Arms of Chase, 18th century, hexagonal famille rose soup bowls, geometric floral borders, Arms of Chase, 8-1/2 in. Provenance: Charles Perry Antiques, GA Estimate: $1,000 - $2,000

805 Dehua Blanc de Chine Wine Pot with Chilongs, 17th/18th century, blanc de chine with stave and ribbon decoration, chilong form handle, 5-3/8 in. Provenance: Private Collection, NC Estimate: $1,000 - $1,500

806 Qinbai Chinese Carved Celadon Bowl possibly Song dynasty, thinly potted incised decoration, petal design, glazed foot, crackle, 1-3/4 x 6-3/8 in. Provenance: Private Collection Estimate: $500 - $700

807 Chinese Enamel Decorated Porcelain Panel, late 19th/early 20th century, fine enameled details of chrysanthemum flowers, bamboo, bees and a bird, unsigned, 37-1/2 x 13 in. Estimate: $600 - $900

For full cataloging and images see our website, BrunkAuctions.com

812 Chinese White Jade Hair Pin Qing dynasty, white jade with elaborately carved top, gold (tested) tip, silver band, top of hairpin wrapped with gold tone floral decoration, colored beads with au tremblant attachments of birds and insects, 9-3/4 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

814 Six Asian Export Porcelain Vases, Jars lamp mounted, wooden base: pair wig stands; rotund jar; globular jar; pair imari, to socket 14-1/2 in. to 17-1/2 in. Provenance: Private Collection, NC Estimate: $500 - $700

815 Chinese Six Panel Porcelain Table Top Screen, Qing dynasty, carved wood, fine enamel decorated mother with child porcelain plaques, 23-1/3 x 24 in. Provenance: Gabriels Collection Estimate: $800 - $1,200

818 Three Chinese Export Famille Rose Vases, Qing dynasty, each lamp mounted, wooden base, to socket 19 in. to 20-3/4 in. Provenance: Private Collection, NC Estimate: $500 - $700

819 Pair Chinese Carved Hardwood Armchairs, Table mid 20th century, each highly figured, scrolled fretwork, chairs, back moon panel, basket weave cane seat, 36 in.; side table, panel top, 27 in. Provenance: Private Collection, Asheville, North Carolina Estimate: $800-$1,200

816 Chinese Export Porcelain Blanc de Chine Figure, finely slip cast, ruyi scepter in left hand, with dried peach and elixir, 17-1/4 in. Provenance: Gabriels Collection Estimate: $500 - $700

Condition notes available in back of catalog

813 Chinese 19th Century White Jade Knife Qing dynasty, eight sided knife with jade handle and case, gilt metal mounts, 5-1/4 in. Provenance: Private Collection, NC Estimate: $1,000 - $1,500

817 Chinese Incised Imperial Yellow Vase Qing dynasty, yellow ground, incised decoration of Foo lions, 17-3/4 in. Provenance: Vallin Galleries, CT Estimate: $500 - $700

II Asian

811 Four Chinese Porcelain and Hardwood Panels, Qing dynasty, enamel decorated walking figures, inset panels with Chinese script, 35-1/2 x 9-1/4 in. Provenance: Gabriels Collection Estimate: $800 - $1,200

810 Yen Yen Vase with Double Ring Kangxi Mark, Chinese, Qing dynasty, florals with panels, double ring Kangxi mark, label "H. Moog, Atlanta", 17-1/4 in. Provenance: MacNeill Collection Estimate: $2,000 - $3,000

809 Yen Yen Vase with Kangxi Mark Chinese, Qing dynasty, seaside landscape with figures, double ring Kangxi mark, label "H. Moog, Atlanta", 17-1/4 in. Provenance: MacNeill Collection Estimate: $2,000 - $3,000

May 17, 2019

808 Chinese Porcelain Screen with Carved Stand, Qing dynasty, fine famille rose enamel decorated courtyard scene, hardwood stand, 25 x 16-3/4 x 7-3/4 in. Provenance: Private Collection Estimate: $800 - $1,200

821 Fine Chinese Brocade Court Dragon Robe Qing dynasty or earlier, multiple frontal and profile views of four clawed dragons brocaded in red, blue, yellow, silver and gold threads over lishui border, on tawny gold silk satin ground, later blue fabric lining, 51 in., lot accompanied with 2004 insurance appraisal that reads, "The four clawed eight dragon robes preceding the Chien Lung codification in 1760 were known as MING dragon robes, Yung Cheng Reign (1723-1736)" Provenance: Private Collection, North Carolina Estimate: $3,000 - $5,000

820 Imperial Kesi Slit Tapestry Dragon Robe late Qing dynasty, imperial yellow silk tapestry woven in gold thread with 12 dragons, clouds, bats and other symbols over lishui border, brocaded silk lining, 52 in. length. Lot accompanied by copy of 1980 receipt from Vallin Galleries, Wilton, Connecticut, reads "Twelve Symbol Imperial Consort's Robe, late 19th century" and indicates a price of $2500. Provenance: Vallin Galleries, Wilton, Connecticut; Private Collection, North Carolina Estimate: $6,000 - $9,000

May March 17,22, 2019 2019

Cut Asian Glass

824 Fine Jade Double Seal with Chilong Chinese, light celadon with russet brown, double square seal with engraved characters, carved chilong, 1-3/8 x 1-3/4 in. Provenance: Collection of Early 20th Century Wall Street Financier Estimate: $2,500 - $3,500

827 Jade Figure Man Lotus Blossom Chinese, celadon green with occlusions, robed figure carrying lotus blossom on his back, 2-1/8 in. Provenance: Wall Street Financier Estimate: $400 - $600

822 Chinese School Painting of Emperor Qing dynasty, emperor with attendants, figures in relief with bone faces, 20-3/4 x 21 in.; modern gilt wood frame Provenance: Private Collection, NC Estimate: $500 - $700

825 White Jade Goat Figure Chinese, Qing dynasty, white recumbent figure with horns and beard, 1 x 1-3/8 in. Provenance: Early 20th Century Wall Street Financier Estimate: $2,000 - $3,000

828 Jade Figure of Fruit with Small Dragon Chinese, white jade fruit with blossoms with small dragon, 1 x 1-1/4 in. Provenance: Wall Street Financier Estimate: $800 - $1,200

829 White Jade Bi Disc with Two Dragons Chinese, white jade with two swirling chilongs amongst vines, base with raised dimples, 2-1/2 in. Provenance: Wall Street Financier Estimate: $1,000 - $1,500

For full cataloging and images see our website, BrunkAuctions.com

823 Three Chinese Tang Figures robed monk figures with sancai glaze, each holding an offering, 8-1/4 in. to 9 in. Provenance: Private Collection, NC Estimate: $400 - $600

826 Jade Brush Washer with Chilongs and Script Chinese, oval shape with high sides, archaic script carved in relief, three chilongs, base with mark, 1-1/4 x 3-1/2 in. Provenance: Wall Street Financier Estimate: $1,000 - $1,500

830 Jade Dragon Plaque Chinese, light pale celadon, areas of black occlusions, undulating dragon set against a screen motif, 2-3/8 x 3-3/8 in. Provenance: Wall Street Financier Estimate: $1,000 - $1,500

834 70 Piece Rose Medallion Dinner Service, Chinese, late Qing, gilt floral decoration, eight dinner plates; two tureens; two tea pots; platter; six tea cups and saucers, with others, 2 in. to 12 in. Estimate: $800 - $1,200

835 Early Chinese Tomb Guardian Chinese, possibly Tang dynasty, terracotta figure standing on an ox with body armor, one hand raised, 30-1/2 in. Provenance: Trace Mayer Antiques, KY Estimate: $600 - $900

836 Japanese Edo Period Painted Screen possibly 18th century, panels depicting scene from Tales of the Genji, figures in house setting, 30 in. x 5 ft. 9 in. Provenance: Private Collection, TN Estimate: $800 - $1,200

II Asian

833 Chinese Copper Red Yuan Vase possibly Yuan dynasty, copper red vase with grey/celadon ground, depictions of fish with floral borders, 13 in. Provenance: Private Collection, Georgia Estimate: $500 - $700

832 Carved Schist Figural Buddha Gandharan, probably 2nd/3rd century, depicted seated, rectangular plinth, framed by a large glory, 14-1/2 x 8-1/2 x 3 in. Provenance: Pak Kashmir Handicrafts House, Rawalpindi, Pakistan, 1970; Tompkins Family, United Kingdom, 1970-1990; Stanley & Co., Sydney, Australia, October 2005; Gandhara, Sydney, Australia, November 2005; A Private West Coast Collection Estimate: $3,000 - $5,000 Lot is accompanied by a receipt from Gandhara Gallery, Sydney, Australia, dated 2005.

837 Rare Military Map Portfolio of Shanghai 1865 British, 1865, Military Plan of the Country around Shanghai From Surveys Made in 1862.63.64.65, by Lieut. Colonel Gordon C.B., Major Edwardes, Lieuts. Sanford, Lyster & Maud R1 Eng., Southampton, 1865, contains thirteen printed maps with some hand coloring, bound, in clam shell case Estimate: $3,000 - $5,000

Condition notes available in back of catalog

May 17, 2019

831 Carved Schist Figural Buddha Gandharan, probably 2nd/3rd century, depicted standing, framed by large glory, plinth with floral decoration, 25 x 8-1/2 x 3-1/2 in. Provenance: Pak Kashmir Handicrafts House, Rawalpindi, Pakistan,1970; Tompkins Family, United Kingdom, 1970-1990; Stanley Auction & Co., Sydney, Australia, 2005; Gandhara, Sydney, Australia, October 2005; A Private West Coast Collection Estimate: $3,000 - $5,000 Lot is accompanied by a receipt from Gandhara Gallery, Sydney, Australia, dated 2005.

Continental II

May 17, 2019

Continental

839 Italian School (17th century or style) Sophonisba or Artemisia II of Caria, unsigned, oil on canvas, 44 in.; framed Provenance: Private Collection, NC Estimate: $1,000 - $1,500

838 Early 18th Century Italian Escutcheon Coat of Arms for Francisco-Maria Maripetro and further inscribed in Latin in cartouche "Proctori Confratrisuo Optime Merita/CUM In Templi I Iuius Ornamento Etamplificati/ Multorum Discrepantes Animos/UNO/ Prudentia Sua Composuerit Oraculo/Confratres Unanimes/In Auum Pincere" dated at bottom of cartouche "MDCCXX" (1720), possibly Venetian, oil on canvas, 45 x 38 in.; painted wood frame, 47 x 40-1/8 in. Provenance: Private Collection, Atlanta, Georgia Estimate: $1,500 - $2,500

For full cataloging and images see our website, BrunkAuctions.com

840 Francisco Goya (Spanish, 1746-1828) Six plates from Bordeaux, 1824-28, Sorini, ptr. 1971, etchings/aquatints, 7 in.; framed Provenance: Private Collection, NV Estimate: $1,500 - $2,500

841 Angelo Mambriani (Italian, 1877-1968) Madonna della Segiolla (or Sedia), after Raphael (Raffaello Sanzio da Urbino, 1483-1520), signed verso "A. Mambriani/pittore/Firenze", oil on canvas, 28-3/4 x 29-1/8 in.; fine original Florentine frame, 55-1/4 x 45-3/4 in. Provenance: Salem Academy Collection Estimate: $2,000 - $4,000

842 Dutch School (18th century) Still Life of Spring Flowers in a Gilt Bronze Urn on a Ledge, unsigned, oil on canvas, 27-7/8 x 35-5/8 in.; gilt wood frame, 34-1/4 x 41-1/2 in. Provenance: Private New England Collection Estimate: $4,000 - $6,000

845 Two Neoclassical Polychrome Decorated Plaques, harvest scene in relief, mark for Capo-di-Monte/Doccia; hunting scene; both framed, 11-1/2 in. Provenance: Humber Family, NC Estimate: $500 - $700

846 Continental Baroque Serpentine Burl Commode, 18th century, bookmatched figured walnut veneers, three dovetailed drawers, 33-1/2 x 49 x 26 in. Provenance: Conway-Welch Estate Estimate: $800 - $1,200

847 After Marie Elisabeth Louise Vigee-Lebrun, (French, 1755-1842) Self Portrait, signed "..C. Luchess/ copio 1933", oil on canvas, 39-1/4 in.; framed Provenance: Salem Academy Collection Estimate: $800 - $1,200

Condition notes available in back of catalog

848 Italian Rococo Carved Walnut Mirror 18th century, carved and parcel gilt frame, scrolled and floral decoration, 50-1/2 x 38 in. Estimate: $1,000 - $1,500

Continental

May 17, 2019

843 Circle of Jan Wyck (Dutch, 1640-1700) A Stag Hunt, unsigned, 18th century or earlier, unsigned oil on canvas, 57-1/4 x 41 in.; black painted frame, 45 x 61-1/2 in. Provenance: Private New England Collection Estimate: $5,000 - $7,000

844 Philip Mercier (England/French, 1689-1760) Two works from the series of four Elements: Air and Earth, circa 1755, oil on canvas, 14 x 12 in.; gilt wood frames, 18-1/2 x 16-1/2 in. Provenance: Copeland Family of Collaston; Lt. Col. Alexander Blair; Mrs. Mary E. Blair, presented to Dumphries Municipal Chambers in 1959; Findlay Galleries, Chicago, Illinois, (CA9404 CA9405); Ex-collection of Mr. and Mrs. Morrie A. Moss, Memphis, Tennessee, 1980; Property from a Southern Institution Estimate: $5,000 - $8,000 The other two, Fire and Water, were sold at Sotheby's, May 8, 1974, lot 125 and February 19, 1975, lot 46. Literature: INGAMELLS, JOHN, and ROBERT RAINES. â&#x20AC;&#x153;A CATALOGUE OF THE PAINTINGS, DRAWINGS AND ETCHINGS OF PHILIP MERCIER.â&#x20AC;? The Volume of the Walpole Society, vol. 46, 1976, pp. 41-42, nos.151,152, JSTOR, www.jstor.org/stable/41829356.

849 Ferdinand Barbedienne, Foundry (French, 19th century) The Fates, after Pheidias, numbered "19", impressed A Collas seal, bronze, 14-1/2 x 27 in., black marble plinth with ormolu mounted feet Estimate: $1,200 - $1,800

853 Agathon Léonard (French, 1841-1923) Bust of Artemis, signed "ALEONARD", marked "CA 3", silver on bronze, 20 in. Provenance: Private Collection, SC Estimate: $500 - $700

854 Sèvres Style Large Porcelain Dresser Box, French, 19th century, hand painted scene with figures in a landscape, multiple gilt floral borders, 4-1/2 x 12 in. Provenance: Humber Family, NC Estimate: $500 - $700

855 Two Aubusson Romantic Scene Tapestries French, early 19th century, two courting scenes in a garden landscape, each hand woven wool with later fabric backing and rings for hanging, both 7 ft 9 in. x 4 ft. 7 in. Provenance: Property from the Estate of Colleen Conway-Welch Estimate: $1,000 - $2,000

856 Provincial Louis XV Inlaid Fruitwood Server, French, 18th century, original steel hardware, inlaid lovebird decorated panel, skirt, 37-1/2 x 50 x 23 in. Provenance: Private Collection, Georgia Estimate: $800 - $1,200

857 Two Blue and White Majolica Albarello Jars, Italian, 18th century, converted to lamps, both with village scenes, one with "T.E.C.", one "F.T.M./1732", 17 in. Provenance: Colonial Williamsburg Estimate: $400 - $600

858 Italian Baroque Red Painted Commode 18th century, two serpentine dovetailed drawers, bronze pulls, original locks, 33-1/2 x 34 x 39-1/2 in. Provenance: Private Collection, Georgia Estimate: $1,000 - $1,500

860 Pair Kashan Rugs Persian, 20th century, navy, tan, orange, pink, brown floral, 7 ft. x 4 ft. 5 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

861 Konaghund Lattice Rug Caucasian, 19th century, navy ground, ivory lattice, kufic border, 5 ft. x 4 ft. Provenance: Private Collection, NC Estimate: $500 - $1,000

851 After Heinrich Hofmann (German, 1859-1933) Jesus Teaching in the Temple, unsigned, oil on canvas, 48-1/4 x 64-1/4 in.; framed Provenance: Salem Academy Collection Estimate: $1,000 - $2,000

May 17, 2019

Continental

850 Mathurin Moreau (French, 1822-1912) L'Été, signed on base "Math. Moreau" with foundry mark "Susse Freres Edi. Paris", patinated bronze, 32-1/2 in. Provenance: Property from a Southern Institution Estimate: $1,000 - $1,500

852 Auguste Fidèle Edouart (French, 1789-1861), two silhouettes, black on cream wove paper, 1832, 10-1/4 x 6 in.; 1830, 11 in. Provenance: Laughon Estate, VA Estimate: $600 - $900

859 Near Pair Kashan Rugs Persian, 20th century, navy blue, floral medallion, largest 6 ft. 8 in. x 4 ft. 5 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

For full cataloging and images see our website, BrunkAuctions.com

862 Giovanni Giordano Lanza (Italian, 1827-1889) View of Naples, signed lower right "G. Lanza", watercolor, 17 in.; original frame Provenance: Private Collection, SC Estimate: $800 - $1,200

867 Paul Désiré Trouillebert (French, 1829-1900) Figure Outside the Village, signed lower left "Trouillebert", oil on paper or canvas, 19-1/4 x 15-1/4 in.' painted wood frame Estimate: $2,000 - $3,000

868 Gustave van Hoorde (Belgian, 19th/20th century) Cows Watering, signed "Gustaf van Hoorde/Antwerp 77", oil, 33-1/2 x 46-1/2 in.; framed Provenance: Private Collection, Charlotte, Vermont Estimate: $2,000 - $3,000

Condition notes available in back of catalog

II Continental

865 Attributed to Willem de Klerk (Flemish, 1800-1876) Figures on a Frozen Lake, signed indistinctly, oil on panel, 8 x 10-1/8 in.; framed Provenance: Salem Academy Collection Estimate: $600 - $900

866 Berthe Morisot (French, 1841-1895) Dôme des Invalides, Vu du Trocadéro, Eventail (B & W 738), unsigned, watercolor with pencil on silk, 14 x 26 in. (fabric); gilt wood and composition frame, 18-1/4 x 29-1/4 in. Provenance: Galerie Hopkins-Thomas, Paris, France; Property from a Southern Institution Estimate: $5,000 - $7,000 Literature: Bataille, Marie Louise, Berthe Morisot, and Georges Wildenstein. Berthe Morisot ... Catalogue Des Peintures, Pastels Et Aquarelles. [With Reproductions and Portraits.]. 1961. no. 738, fig. 730. Lot accompanied by copy of catalog pages referencing work.

May 17, 2019

864 Attributed to Jean Baptiste Bourne (French, 19th century) Still Life, Roses, Passion Flower, Lilies, signed "J. Bourne/1881", oil, 20 in.; framed Provenance: New England Collection Estimate: $800 - $1,200

863 Attributed to Louis Gabriel Moreau I (French, 1740-1806) View on the Loire, not apparently signed, oil on canvas, 24 x 40-1/4 in.; carved and gilt wood frame, 30-3/4 x 46-7/8 in. Provenance: Property from a Southern Institution Estimate: $6,000 - $9,000

869 Two Meissen Figurines German, 20th century, two female figures, "Luxure", "Colere", both with blue crossed sword marks, 7-1/2 in. tallest Provenance: Private Collection, NC Estimate: $500 - $700

May 17, 2019

Continental

870 Bacchante Gilt Bronze and Porcelain Centerbowl, Continental, 19th century, probably KPM, putti finial, comical vignettes, scrolled leafy handles, egg and dart and scrolled gilt foot, 19 x 16 in. Estimate: $1,200 - $1,800

871 Meissen Europa and the Bull Figurine German, 19th/20th century, Europa astride a bull with two attendants, blue crossed swords mark, 8-1/4 in. Provenance: Private Collection, NC Estimate: $600 - $900

872 SĂ¨vres Cobalt Blue Two Handled Vase French, circa 1888, ornate gilding on cobalt ground, "Dore A Sevres/88" brick red circular mark, 19 in. Provenance: Humber Family, NC Estimate: $500 - $700

873 Pair Meissen Painted Porcelain Busts German, circa 1900, Elizabeth I, 13 in.; Marie Antoinette, both with blue underglazed crossed sword mark, 14-1/4 in. Estimate: $800 - $1,200

874 Pair Vieux Paris Style Porcelain Urn Lamps, French, early 20th century, each parcel gilt, hand painted floral decoration, gilt plinth, to socket: 19 in. Provenance: Private Collection, NC Estimate: $600 - $900

875 14 Piece Meissen Partial Dessert Service, German, 20th century, underglaze blue crossed swords, hand painted, pair compotes; twelve plates, 8 in. Provenance: Private Collection, NC Estimate: $500 - $700

876 Italian Neoclassical Style Gilt Marble Top Console, late 19th century, heavy nero Portoro top, half fan, festoon carved apron, fluted, 33-1/2 x 60 x 24 in. Provenance: Conway-Welch Estate Estimate: $1,000 - $2,000

877 Louis XVI Style Ormolu Mounted Cabaret Table, French, late 19th/early 20th century, two fan inlaid burlwood and mahogany tiers, gilt bronze mounts, fluted legs, 33-1/4 x 32-1/2 x 20-1/4 in. Estimate: $500 - $700

878 Pair Baccarat Cut Glass Decanters French, 20th/21st century, each with etched mark for Baccarat, matching stopper, 13 in. Provenance: Private Collection, TN Estimate: $500 - $700

879 Herend Porcelain Olympic Wrestlers Hungarian, circa 1936, mark for Herend at base, incised "p. Farkas B." (BĂŠla Pankotai Farkas, Dutch, 1885-1945), 15 in. Provenance: Private Collection Estimate: $800 - $1,200

881 Kerman Carpet Overall floral and tree design on raspberry field, blue and olive ground borders, 16 ft. x 10 ft. 10 in. Estimate: $800 - $1,200

882 Caucasian Rug early/mid 20th century, six medallions, red ground, 5 ft. 10 in. x 6 ft. 10 in. Provenance: Ruggiero Collection, NC Estimate: $600 - $1,200

880 Near Pair Kerman Pictorial Rugs Persian, both with matching landscape scenes with mountains, buildings, tents, trees, ten species of birds, borders with repeating palace and cypress trees with weeping willow, one 7 ft. x 4 ft. 4 in.; one 6 ft. 10 in. x 4 ft. 2-1/2 in. Provenance: Private Collection, Cary, North Carolina Estimate: $1,000 - $1,500

For full cataloging and images see our website, BrunkAuctions.com

883 Cristoforo Vicari (Swiss, b. 1846) Bust Of A Smiling Woman, ca. 1875-1900, signed "C. Vivari", alabaster, 25-1/2 in. Provenance: A Southern Institution Estimate: $1,000 - $1,500

884 Pair Provincial Louis XVI Style BergĂ¨res French, 20th century, each carved beech frame, Nancy Corzine silk upholstery, 33 in. Provenance: Private Collection Estimate: $600 - $900

885â&#x2014;&#x2030; Swiss Automaton Music Box 19th century, tortoise shell case with singing bird mechanism, silver lid and bird, 1-1/2 x 3-3/4 in. Provenance: Private Collection, NC Estimate: $600 - $900

886 Mettlach 22 in. Tall Stein German, early 20th century, central panel of a reveler, signed Mettlach 1494 9", 22 in. Provenance: Private Collection, NY Estimate: $1,000 - $1,500

887 Provincial Pine and Oak Harvest Table 20th century, battened top, single skirt drawer, tapered legs, 29 x 88-1/4 x 36 in. Provenance: Private Collection, Georgia Estimate: $600 - $900

888 Empire Style Marble Top Gueridon 20th century, Portargento top, figured fruitwood veneers, parcel gilt tapered columns, 30 x 23-1/2 in. Provenance: Private Collection, TN Estimate: $400 - $600

889 Pair Neoclassical Style Carved Window Benches, 20th century, each parcel gilt and ebonized frame, Travers striped velvet upholstery, 32 x 46-1/2 x 19 in. Provenance: Private Collection Estimate: $600 - $900

890 Louis XVI Style Painted Parcel Gilt Mirror, French, 20th century, carved and composition ornament, beveled mirror plate, paneled back, 67-1/2 x 44 in. Provenance: Private Collection, Georgia Estimate: $500 - $700

892 Vintage Fendi Mink Paw Coat by Karl Lagerfeld, 20th century, Fendi label, detachable collar, adjustable clasps, length 46 in., shoulder 18 in., arms 25 in. Provenance: Private Collection Estimate: $1,500 - 2,500

893 Oushak Carpet early/mid 20th century, repeating designs on tan field, turquoise and brown highlights, 11 ft. 5 in. x 16 ft. 3 in. Provenance: A Midwest Collection Estimate: $2,000 - $3,000

894 Senneh Kilim Rug Persian, 20th century, boteh field, mustard, fox heads, 7 ft. 3 in. x 4 ft. x 7 in. Provenance: Private Collection, NC Estimate: $600 - $900

895 Oushak Carpet Turkish, 20th century, six medallions, mustard borders, signed on reverse with black thread, 11 ft. 11 in. x 10 ft. Provenance: Private Collection, TN Estimate: $1,000 - $2,000

896 Oushak Carpet 20th century, yellow medallion, salmon ground, stepped spandrels, 10 ft. x 13 ft. Provenance: The Collection of Bob and Dianne Ruggiero, Fines Creek, North Carolina Estimate: $1,500 - $2,500

Condition notes available in back of catalog

May 17, 2019

891 Two Provincial Louis XV Fauteuils, Footstool, French, 18th/20th century, beech, caned: period, shell carved; similar, 36-3/4 in.; period footstool, 19 in. Provenance: Private Collection, NC Estimate: $600 - $900

Continental

May 17, 2019

Continental

897 Five Herend Porcelain Objects, Cats, Vase, Hungarian, 20th/21st century, each with mark for Herend: four cats; basket weave vase, 4-1/2 x 5-3/4 in. Provenance: Conway-Welch Estate Estimate: $500 - $700

898 Seven Herend Objects, Rabbits, Pomander, Hungarian, 20th/21st century, each porcelain with contemporary blue mark for Herend, 3 in. to 11-3/4 in. Provenance: Conway-Welch Estate Estimate: $800 - $1,200

899 Herend Porcelain Black Dynasty Rabbit, Egg, Hungarian, 20th century, each with Herend mark, rabbit, marked "Durght", 12 in.; egg, 1-3/4 in. Provenance: Private Collection Estimate: $500 - $700

900 Herend Porcelain Queen Victoria Lamp Hungarian, 20th century, hexagonal swirled bottle form, black background, wooden base, to socket 19-1/4 in. Provenance: Private Collection Estimate: $400 - $700

901 Herend Porcelain Black Dynasty Pitcher Hungarian, 1988, 34 oz., nautilus form, lizard figure at handle, illegible signature at base, 13-1/2 in. Provenance: Private Collection Estimate: $600 - $900

902 Five Herend Porcelain Black Dynasty Objects, Hungarian, comprising: foo dog; dragon dish; goblet; soap dish; Poisson soap dish, 3-1/4 in. to 10 in. Provenance: Private Collection Estimate: $600 - $900

903 Pair Neoclassical Nero Granito Urns 20th century, each lid with brass acorn form finial, opens to a drilled cylindrical receptacle, 20 in. Estimate: $500 - $700

904 F. Robert (French, 19th century) A Soldier's Visit to the Dentist, signed, inscribed, watercolor, ink on paper, 8 in.; framed Estimate: $600 - $900

905 Rococo Style Wrought Iron Marble Top Console, 20th century, figured rosso breccia top, parcel gilt and painted scrolled frame, 32-1/2 x 63 x 18 in. Provenance: Private Collection, Georgia Estimate: $1,000 - $1,500

906 16 Pieces Royal Vienna Porcelain Fish Set, Austrian, 20th century, impressed beehive, platter, four bone plates, gravy boat, nine plates, covered dish; 16 x 14 in. Provenance: Private Collection, SC Estimate: $800 - $1,200

907 German Silver Fish Handle Flatware, 12 Pieces, German, 20th century, fish on a line handles, .800 fine, 26.42 oz. T., six 7-3/4 in. fish knives; six 6-3/4 in. fish forks Provenance: Private Collection, SC Estimate: $400 - $600

908 Daum PĂ˘te de Verre Rhino, Sword, Kerversau, 20th century, rhino Samurai figure, signed by artist Kerversau, marked Daum, "117/250"; 12-1/2 in. Provenance: Private Collection, NC Estimate: $500 - $700

909 Pair French Gothic Style Iron Garden Benches 20th century, each white painted, Gothic tracery back, pierced seat, 33 x 54 x 18 in. Estimate: $2,000 - $3,000

For full cataloging and images see our website, BrunkAuctions.com

910 Two Neoclassical Style Glass Top Tables Italian, 20th century, lacquered bronze frame, hoofed feet: occasional table; low table, 15 x 51-1/2 x 24-1/2 in. Provenance: Conway-Welch Estate Estimate: $500 - $700

911 Ivan Fedorovich Choultsé (Russian, 1874-1939) Trees in a Winter Landscape, circa 1928-1930, signed lower right in Latin "Iw. F. Choultse", oil on canvas, 21 x 25-1/2 in.; original painted wood and composition frame, 30 x 34 in. Provenance: John Levy Galleries, New York Estimate: $20,000 - $30,000 According to Vadym Goncharenko, of the Choultsé Foundation, this painting was created after the artist emigrated to Paris, France in 1920. During the period of 1928 through 1930 the artist actively worked with many galleries in the United States. The formal name of this painting is not known at this time but it was confirmed as being exhibited at John Levy Galleries in New York. We would like to thank Vadym Goncharenko for kindly confirming the authenticity of this painting which will be included in the second part of his catalogue raisonné. The lot is accompanied by the photo certificate.

912 Attributed to Émile Munier (French, 1840–1895) Girl with a Basket of Cherries, signed lower right "E. Munier", oil on canvas, 26-3/8 x 13-5/8 in.; gilt wood and composition frame, 31-1/4 x 18-1/2 in. Provenance: Private Collection, Winnetka, Illinois Estimate: $1,000 - $2,000

913 Antanas Zemaitis (or Zmuidzinavicius, Lithuanian, 1876-1966) Lake Islands Under a Cloudy Sky, signed lower left "A. Zemaitis" and inscribed indistinctly verso "At .../R764", oil on canvas, 16 x 20 in.; wood and composition cushion style frame, 26-1/8 x 30-1/4 in. Provenance: Private Collection, Charlotte, Vermont Estimate: $7,000 - $10,000 Considered an important Lithuanian artist, Antanas Zmuidzinavicius, painting under the pseudonym "Antanas Zemaitis", exhibited in the 1907 First Lithuanian Art Exhibition held at the Petras Vileisis house.

Condition notes available in back of catalog

May 17, 2019

Continental

Gene Fleischer had an amazing ‘eye.’ (Pair) Actually, four of them. Two were his wife, Lucille’s. They operated as an organism for almost 72 years. They shared collectors’ passion and intellectual curiosity - The Joy Of Stuff.

Estate of Mr. and Mrs. Eugene Fleischer

May 17, 2019

Fleischer Estate

914 Willem Frederik De Haas (American, 1830-1880) Coastal Scene, signed lower left "Willem F De Haas,", oil on canvas, 15 x 26 in.; framed Estimate: $5,000 - $7,000

915 William Trost Richards (American, 1833-1905) Seascape, signed lower left "Wm. T. Richards", oil on canvas, 15-1/2 x 26-1/2 in.; reproduction gilt wood and composition frame, 23 x 34 in. Estimate: $4,000 - $6,000

For full cataloging and images see our website, BrunkAuctions.com

917 Sir James Lawton Wingate (British, 1846-1924) Sheep Shearing, signed lower left "Wingate", oil on canvas, 16-1/8 x 20-1/8 in.; original fine gilt wood frame Estimate: $600 - $900

918 After Michele Felice Corne (Rhode Island/Massachusetts/Italy, 1752-1845) USS Chesapeake and HMS Shannon at the Battle of Boston Harbor, June 1, 1813, old label verso, oil and gilding on a Regency papier mache oval tray incised "Clay/London" (Henry Clay), 22-7/8 x 30; lined gilt wood shadowbox frame, 27-1/2 x 35-1/8 in. Estimate: $1,000 - $2,000

Condition notes available in back of catalog

Fleischer Estate May 17, 2019

916 Alfred Thompson Bricher (American, 1837-1908) Grand Manan Island, signed lower left "ATBricher", oil on canvas, 9-3/4 x 13-3/4 in.; period gilt wood and composition frame, 17-1/2 x 21-1/2 in. Estimate: $15,000 - $20,000

919 Henry Stull (Kentucky/New York/Canadian, 1851â&#x20AC;&#x201C;1913) Braw Lad, Winner of the U.S. Hotel Stakes, Jockey Up, signed lower left "Henry Stull/1902", oil on canvas, 23 x 28-3/4 in.; gilt wood and composition frame, 27-1/8 x 32-3/4 in. Provenance: Skinner May 14, 1999, lot 108 Estimate: $5,000 - $7,000 Henry Stull is considered one of the most important horse painters of the 19th century. His passion led him to buy a racehorse, Braw Lad. The thoroughbred was eventually purchased and bred by J.O. "Jack" Keene. It was Keene, whose property was purchased by the Keeneland Association, establishing one of the most beautiful racetracks in the country.

May 17, 2019

Fleischer Estate

921 F. Clifton (British, 1830-1898) Afghan, signed lower left "F. Clifton/85.", oil on canvas, 25 x 30 in.; gilt wood and composition Estimate: $800 - $1,200

920 Henry Stull (Kentucky/New York/Canadian, 1851â&#x20AC;&#x201C;1913) A Race Horse with Jockey Up, Possibly Domino, 1903, signed and dated lower right "Henry Stull/1903", oil on canvas, 24 x 29-1/4 in.; fine burl wood reverse ogee frame, 30-1/4 x 35-1/2 in. Estimate: $5,000 - $7,000

For full cataloging and images see our website, BrunkAuctions.com

922 (British, 1830-1898) Chevio, signed lower right "F. Clifton/85.", oil on canvas, 25 x 30 in.; gilt wood frame Estimate: $600 - $900

926 Nicholas Winfield Scott Leighton (Maine/Massachusetts, c. 1849 -1898) And a Time To Rest, signed lower left "Scott Leighton", oil on canvas, 24 x 36 in.; period carved gilt wood and composition frame liner, 31 x 43 in. Estimate: $2,000 - $3,000

928 Ludwig Vordermayer (German, 1868-1933) The Warrior's Horse, "Ludw. Vordermayer/1905", "Akt. Ges. vorm. H. Gladenbeck u. Sohn Berlin", bronze, 14 in. Estimate: $800 - $1,200

929 Raffaello Romanelli (Italian, 1856-1928) Cavallo (Horse), signed on base "Raffaello Romanelli Firenze", patinated bronze, 161/2 x 22-1/2 x 6 in. Estimate: $1,000 - $2,000

932 Albert Hinrich Hussmann (German, 1874-1946) Horse Head, signed "Albert Hinrich Hussmann", patinated bronze on green marble base, 12 in. Estimate: $500 - $700

933 Frances Bryant Godwin (New York/Rhode Island/South Carolina, 1892-1975) Mare and Foal, signed on base "F.B. Godwin", foundry stamp "Roman Bronze Works. N.Y.", patinated bronze, 13 x 14-1/2 x 7-3/4 in. Estimate: $2,000 - $4,000 A sculpture by Frances Bryant, a female artist, is permanently exhibited at Brookgreen Gardens in South Carolina.

930 Kathleen Wheeler Crump (American/British, 1884-1977) Portrait of Kentucky Cardinal, signed in base "K. Wheeler" and inscribed, patinated bronze on marble base, 13-1/4 in. Estimate: $600 - $900

Condition notes available in back of catalog

927 James Clark (British, 1858-1943) A Bay Hunter at a Gate, frame plate "Dun", signed lower left "James Clark", oil on canvas, 20 x 23-7/8 in.; framed Estimate: $800 - $1,200

931 Kathleen Wheeler Crump (American/British, 1884-1977) Portrait of Manna, signed "K. Wheeler", patinated bronze, 13-1/8 in. Estimate: $600 - $900

II Fleischer Estate

925 Henry Frederick Lucas Lucas (British, 1848-1943) Pepper, Bay Hunter, 1892, "H. F. Lucas Lucas", oil on canvas, 20 x 26 in.; framed Provenance: Mickelson Gallery, DC Estimate: $500 - $700

924 Edwin Cooper (British, 1785-1833) Bay Hunter with a Groom, signed "Edwin Cooper Pinxt./1815", oil on canvas, 23-7/8 x 30-5/8 in.; gilt frame Estimate: $2,500 - $3,500

May 17, 2019

923 Harry Hall (British, 1815-1882) Chestnut Hunter Stockwell, in a loose box, signed lower right "H.Hall", oil on canvas, 16-7/8 x 21 in.; gilt wood frame Estimate: $1,500 - $2,500 Stockwell was bred by William Theobald and was purchased by Brownlow Cecil, 2nd Marquess of Exeter (1795â&#x20AC;&#x201C;1867). Interestingly, Brownlow Cecil is the great great grandfather of William Cecil, Jr, current co-owner of the Biltmore Estate, Asheville, North Carolina.

935 Nicholas Winfield Scott Leighton (Maine/Massachusetts, c. 1849-1898) Two Gentleman Riders, signed, dated '89 lower left, oil on canvas, 10 x 12 in.; framed Estimate: $1,000 - $2,000

934 Attributed to James Barenger II (British, 1780-1831) The Squire on Horseback, with his dogs, unsigned, oil on canvas, 30 x 34 in.; 19th century gilt wood and composition frame Estimate: $3,000 - $5,000

May 17, 2019

Fleischer Estate

937 Charles Towne (British, 1763-1840) Chestnut Hunter and a Bull Terrier in a Field, signed lower left "C. Towne/1830", oil on canvas, 20 x 25 in.; gilt frame Estimate: $2,000 - $4,000

939 British School (20th century) The Squire's Favourites, 1927, signed indistinctly, patinated bronze, 20 in. with marble plinth, 1-1/2 x 18 in. square Estimate: $600 - $900

940 Robert A. Larum (Colorado/Norwegian, 20th/21st century), Tally Ho, 1978, edition 4/15, signed on base "Larum", patinated bronze with wood base, 12-1/2 x 27 x 9 in. Estimate: $500 - $700

941 R.M. Davis (American, 20th century) Two equestrian bronzes: Two Children on a Workhorse, 1980, ed. 2/10, 9-3/8 in; Frolicking Horses, "R.M. Davis", 7-1/4 in. Estimate: $500 - $700

For full cataloging and images see our website, BrunkAuctions.com

936 A. V. Willis (19th century) Lady Evelyn, signed lower left "A.V. Willis", dated indistinctly, oil on board, 8-1/2 x 10-1/2 in.; framed Estimate: $600 - $800

938 George II English Silver Cann, Horse Decoration, London, 1735, baluster form with later decoration of two racing horses, two scroll and wave cartouche, marks for Thomas Rush, 9.34 oz. T., 5 in. Estimate: $400 - $800

942 John Rogers (American, 1829-1904) Three: Fetching the Doctor, 1881; Going for The Cows, 1873; We Boys, 1872, each signed, inscribed, largest 15-7/8 in. Estimate: $500 - $700

946 Robert Wesley Amick (Connecticut, 1879-1969) Man O' War, inscribed canvas verso, oil on canvas, 13-3/4 x 17-1/4 in., (painted oval); framed Estimate: $1,000 - $2,000

949 Hablot Knight (Phiz) Browne (British, 1815-1882) Four Steeplechase Scenes, each signed lower right "Phiz", watercolor on paper, 5-3/4 x 7-3/4 in. (sight); gilt wood frames Estimate: $600 - $900

953 Attributed to Cecil Aldin (British, 1870-1935) A Kill in the Open, unsigned, inscribed with title, colored chalk on brown paper, 10 x 13-1/2 in.; 19th century frame Estimate: $400 - $600

947 Charles Johnson Payne or "Snaffles" (British, 1884-1967) Four lithographs: Great Banks..; A Sight..; The Gent..; A Bona Fide.., blindstamp, lithographs, 20-1/2 x 28 in.; framed Estimate: $1,500 - $2,500

948 After Edwin Henry Landseer (British, 1802-1873) Scarbro, An Old Cover Hack, unsigned, oil on canvas, 26 x 32-3/8 in.; 19th century gilt wood and composition frame Estimate: $1,500 - $2,500

950 J. Colvin (American, late 19th/early 20th century), Off to Market, signed lower right "J. Colvin", oil on canvas, 36 x 24 in.; period frame Estimate: $500 - $700

951 Two Fox Hunting Watercolors Henry William Standing (British, 18941931), The Kill; De Marcillac (French, 19th/20th), The Start, both signed, largest 18-3/4 x 22-3/4 in.; modern frames Estimate: $500 - $700

952 Nicholas Winfield Scott Leighton (Maine/Massachusetts, c. 1849-1898) The Shepherd, 1886, signed and dated lower right "Scott Leighton 86", oil on canvas, 26 x 51 in.; fine period frame Estimate: $1,000 - $2,000

954 Charles Johnson Payne or "Snaffles" (British, 1884-1967) The Big Fence/Slap at it for the honour of Hitem-on-Holdinshire, "Snaffles", colored lithograph, 19-7/8 x 29-5/8 in.; framed Estimate: $400 - $600

955 Warren B. Davis (American, 1865-1928) Rest Stop, signed lower right "Warren B. Davis", oil on canvas, 26 x 20 in.; modern carved metal leaf wood and composition frame, 36-3/4 x 30-1/4 in. Provenance: Doyle, New York, 2004 Estimate: $2,000 - $4,000

Condition notes available in back of catalog

II Fleischer Estate

945 Edward Garraway (British, active 1875-1878) Two Tied Off Hunters, signed lower left "E. Garraway/1892", oil on canvas, 15-3/4 x 24 in.; painted wood frame Estimate: $400 - $600

May 17, 2019

943 Attributed to Marshall Claxton (British, 1812-1881) Bay Horse at a Trough, signed lower right "M. Claxton 1852", oil on panel, 12-1/8 x 16 in.; gilt wood and composition frame Estimate: $800 - $1,200

944 John Nost Sartorius (British, 1759â&#x20AC;&#x201C;1828) A Successful Hunt, signed faintly lower right "J...Sartorius...1806", oil on canvas, 16-7/8 x 21 in.; gilt wood and composition frame, 20-3/8 x 24-1/2 in. Provenance: Arthur Ackermann & Son, New York (label verso) Estimate: $2,000 - $4,000 Exhibited: The Dog Museum of America, New York, "Hound and Horn", September 13-December 2, 1983, #2

956 Edwin Willard Deming (American, 1860-1942) Five Indian Ponies, signed lower left "E.W. Deming", oil on canvas, 22 x 28 in.; framed Estimate: $2,000 - $3,000

958 Nicholas Winfield Scott Leighton (Maine/Massachusetts, c. 1849-1898) Belle of the Village, signed lower left "Scott Leighton", oil on canvas, 36 x 55 in.; gilt wood frame Estimate: $2,000 - $3,000

959 Cecil Charles Windsor Aldin (British, 1870-1935) Five sporting scenes: two, Bluemarket Races; Breakfast at the Three Pigeons; two, Hounds, largest 15 x 26 in. (sight) Estimate: $600 - $1,200

961 Two Miniature Sporting Paintings (19th/20th century) Follower of Alken, Clearing the Fence, oil, 6 x 9-1/2 in.; Dogs Clearing a Fence, "Brush", watercolor, largest 6 x 9-1/2 in. Estimate: $500 - $700

Fleischer Estate May 17, 2019

957 European or British School Equestrian Painting, (20th/21st century) Preparing for the Races, signed lower right "Simone", oil on canvas, 23-7/8 x 297/8 in.; modern painted and gilt frame Estimate: $400 - $800

960 Edmund Henry Osthaus (German/America, 1858-1928) Saint Bernards, 1893, signed and dated lower right "Edm. H. Osthaus/1893", watercolor on board, 20 x 28-1/4 in.; modern carved gilt wood and composition frame, 24-1/2 x 32-1/2 in. Estimate: $3,000 - $5,000

For full cataloging and images see our website, BrunkAuctions.com

962 South American or Spanish School Dog Sculpture (20th century) Two Setters, signed on dog's tail "Lobo", bronze on black marble plinth, 14 in. Estimate: $400 - $600

965 Two Animal Paintings Merry Twirl, signed Joan MacIntyre, 1970, oil on canvas, 9 x 12 in.; Black Spaniel, unsigned, oil on canvas, 12-1/2 x 17-1/4 in. both framed Estimate: $500 - $700

966 Nicholas Winfield Scott Leighton (Massachusetts, c. 1849-1898) In the Sheepfold, signed, titled, oil on canvas, 9 x 14 in.; modern frame Estimate: $600 - $900

967 Six Fox and Hound Ceramic Stirrup Cups, British, 19th century, four large fox heads and two unglazed hound heads, hounds stamped "Copeland", 5 in. to 6-3/4 in. Estimate: $500 - $700

968 Hand Painted and Parcel Gilt Nautical Deep Tray, French, circa 1900, porcelain decorated with crossed anchors, French and American flags above "The Steamer Chateau Yquem", 15-1/4 in. Estimate: $500 - $700

969 Italian School (19th/20th century) A Pair: Maltese Fishing Boats, "Emilia", one oil on paperboard, and one on canvas, largest 12-3/4 x 15-7/8 in.; frames Estimate: $400 - $800

970 Froylan Ojeda (Mexico, 1932-1991) Barcos de Papei (Paper Boats), 1960, signed "Froylan Ojeda 60", oil on canvas, 47 in.; framed Estimate: $600 - $900

971 Nine Porcelain Fox Stirrup Cups British, 19th century, one lustre accents; one "Tallio"; two similar, black collars; four heads, ears back; white with gilt collar, 4 in. to 5 in. Estimate: $600 - $900

972 18 Piece Set, Comical Fox Hunt Plates and Tazzas, British, 19th century, six porcelain tazzas, 12 plates, "T.C. Brown Westhead Moore & Co., tazzas, 3 x 9-1/2 in. to 5 x 9-1/2 in.; plates, 9-1/2 in. Estimate: $800 - $1,200

975 Two 18th Century Hunt Motif Plates Chinese/Dutch, Chinese export, grisaille decoration of a Western hunt scene,"H Moog Atlanta" label, 8-1/2 in; Delft plate of hunter, hound and hare, 10 in. Estimate: $600 - $900

976 12 Pieces Chinese Export Hunt Motif Porcelain, Qianlong period, blue and white with similar fox hunting scenes: three plates, three shallow bowls, three saucers, three teabowls, 3 in. to 10-1/4 in. Estimate: $500 - $700

973 Eight Hound Ceramic Stirrup Cups British, 19th century, six pearlware hounds with variations in paint decoration; two similar hounds with Rockingham glaze, 4-1/2 in. to 5 in. Estimate: $800 - $1,200

974 15 Wood's Burslem Hunt Motif Porcelain Plates, British, 20th century, assorted transfer printed sepia tone hunt scenes, scrolled relief border, Wood's Burslem mark verso, 10-1/2 in. Estimate: $500 - $700

977 Historical Blue Staffordshire Platter, Detroit English, mid-19th century, after the 1836 painting "View of Detroit" by William James Bennet (American, 1787-1844); blue stamp mark "Detroit", 18-1/2 in. Estimate: $800 - $1,200

Condition notes available in back of catalog

II Fleischer Estate

964 Wilhelm Albermann (German, 1835-1913) Blacksmith, "Albermann Fec.", Maiden, Gladenbeck & Sohn foundry stamps, bronze red marble bases, tallest 10-3/8 in. Estimate: $500 - $700

May 17, 2019

963 Five Small Animal Bronzes (early/late 20th century) Whippet, "Barye"; Frisette, "P.J. MĂŞne; Pointer, Ganz & Co.; Foal, "M.Parker 2"; Buffalo; bronze, largest 7-1/2 in. Estimate: $500 - $1,000

May 17, 2019

Fleischer Estate

978 Historical Staffordshire Platter, New Jersey, British, circa 1830, dark blue transfer, Arms of New Jersey above "NEW JERSEY", impressed mark "T.Mayer/Stoke" for Thomas Mayer, Stoke-on-Trent, 19 in. Estimate: $800 - $1,200

979 Three Historical Blue Staffordshire Pitchers, British, 19th century, three transfer pitchers, two decorated with New York and Boston architecture; small with "Fathers at Plymouth", 5-1/2 in. to 9 in. Estimate: $800 - $1,200

980 Three Pieces Historical Blue Transfer Ceramics, British, 19th century, tureen, "Belleville on the Passaic River"; mismarked; platter, "Catskill Mountain"; plate, "City of Albany" 7 in. to 10-3/4 in. Estimate: $500 - $700

981 Three Pieces Historical Staffordshire Earthenware, British, 19th century, tureen, tray, "Boston State House"; covered vegetable, "Mount Vernon"; "New Haven" basket, 6-1/2 x 11 in. to 8-1/2 x 5-1/2 in. Estimate: $600 - $900

982 Two Blue Transfer Decorated Hunt Motif Platters, British, 19th century, each with hunt scenes and floral borders, 16-1/2 in.; 18-1/2 in. Estimate: $300 - $500

983 Three Historical Staffordshire Platters British, early 19th century, transfer decorated: Baltimore Harbor; Albany Harbor; "Picturesque Views Newburg[sic]/ Hudson River", 15-1/4 in. to 19-1/2 in. Estimate: $500 - $700

984 Boston Historical Staffordshire Transfer Tureen, British, early 19th century, with Boston scenes, "Beauties of America/ Cambridge College Massachusetts", and "Alms House Boston", 13 x 15-1/2 in. Estimate: $500 - $700

985 Historical Staffordshire Pitcher and Basin, British, late 18th/early 19th century, decorated, "Boston State House", 9 in.; basin "Upper Ferry Bridge over the River Schuylkill", 4-1/2 x 12-3/4 in. Estimate: $600 - $900

986 Historical Staffordshire Lafayette Earthenware, British, 19th century, dark blue transfer decorated with Lafayette scenes, comprising: plate; sugar bowl and tray; teabowl and saucer, 5 in. to 10 in. Estimate: $500 - $700

987 Two Historical Transfer Decorated Lustre Pitchers, British, early 19th century, pink and gold lustre wares with commemorative navy battle scenes, each 7-1/2 in. Estimate: $500 - $700

988 Two Liverpool Creamware Commemorative Pitchers, British, early 19th century, polychrome and transfer decoration: "The Arms of Deering"; "The Arms of Frodsham", 9-1/2 in. to 11-1/8 in. Estimate: $600 - $900

989 Three Transfer Decorated Creamware Pitchers, British, early 19th century, each with black transfer printed hunt scenes, two with tavern scenes verso, 8 in. Estimate: $500 - $700

990 Apotheosis Washington Memorial Liverpool Pitcher, British, early 19th century, transfer decorated "Apotheosis of Washington", and "A Plan of the City of Washington", "Benjn. King", 10-1/2 in. Estimate: $600 - $900

991 Three Pieces Historic Decorated Wares British, 19th century, pitcher, "Arms of the States"; pitcher, transfer portrait of Washington; platter, "America and Independence", 12 in. to 17-1/2 in. Estimate: $500 - $700

992 Six Historic Transfer Decorated Wares British, 19th century, polychrome punch bowl, interior ship building scene, 11 in.; bowl "Shipwright's Arms", 8-3/4 in.; four pitchers, 5 in. to 5-1/2 in. Estimate: $600 - $900

993 Two Black Transfer Decorated Creamware Pitchers, British, early 19th century, ship one side, "Peace Plenty and Independence" verso, 8-1/4 in.; ship one side, "Liberty/Independence" verso, 8 in. Estimate: $200 - $300

For full cataloging and images see our website, BrunkAuctions.com

997 Fine Chinese Export Hunt Scene Punch Bowl 18th century, enamel and gilt decorated fox hunt, interior with single horse and rider, foot and interior rim with inverted fleur-de-lis, 6-1/4 x 16 in. Estimate: $800 - $1,200

998 Pair Blanc de Chine Guanyin Figures each depicted sitting on a lotus throne with fine incised decoration, seal mark at back, 13-1/2 in. Estimate: $300 - $500

999 Two Pieces Benjamin Franklin Porcelain British, 19th century, Franklin figure, painted and gilt details, 15 in.; transfer decorated bowl, young Franklin flying a kite, 3-3/4 x 12-1/2 in. Estimate: $300 - $500

1000 17 Blue Transfer Decorated Scenic Plates, British, 19th century, mostly Staffordshire, "Exchange Baltimore"; two "Franklins Morals"; "Arms of South Carolina", and others, 7-1/2 in. to 10-1/4 in. Estimate: $500 - $700

1001 Three Pieces Prattware Ceramics British, late 18th/early 19th century, two similar pitchers with raised hand painted hunt scenes , 7-1/4 in. and 7-1/2 in.; spirits barrel, 6-3/8 in. Estimate: $500 - $700

1002 Ten Hand Painted and Gilt Decorated Plates, British, 19th century, ten shaped plates: six cobalt and four pale striped borders enclosing American, Continental and British scenic views, 11 x 8-1/2 in. Estimate: $800 - $1,200

1003 Georges Van der Straete (Belgian, 1856-1928) La Pierrette, signed, 20th century cast, bronze, 25 in.; mounted as a lamp, to socket 31 in. Estimate: $500 - $700

1004 Two Parian Porcelain Busts, Clay and Garfield, Henry Clay marked "U.P.W." (Union Porcelain Works), dated "1877", 11-1/2 in.; James Garfield, circa 1881, inscribed "Garfield" verso, on socle, 12 in. Estimate: $500 - $700

1005 Clark & Co. Georgia Coin Silver Ladle early 19th century, fiddle and thread handle, "Peay", marked "Clark & Co" (Francis Clark & Co., Augusta, George, working 1816-1840), 6.86 oz. T., 13 in. Estimate: $400 - $800

1006 Eighteen Pieces Augusta Coin Silver Flatware, makers including J. N. Freeman & Co., T. W. Freeman, W. Catlin, F. A. Brahe, more. 16.79 oz. T., 7-1/4 in. Provenance: Griffin Collection Estimate: $400 - $800

Condition notes available in back of catalog

II Fleischer Estate

996 Six Pieces Chinese Export Hunt Motif Porcelain, 18th century, in the Mandarin palette, two matching canns , 5-1/8 in.; two matching bowls and one similar bowl, 5-1/2 in; teabowl, 3 in. Estimate: $600 - $900

995 Large Famille Rose Hunt Scene Punch Bowl Chinese, Qianlong period, in the Mandarin palette, two large panels of mounted huntsmen and hounds, interior with single hunter, 5-1/2 x 13 in Estimate: $1,000 - $1,500

May 17, 2019

994 Two Chinese Export Punch Bowls late 18th century, large bowl, fine sepia sporting scenes within cartouches, 5-3/4 x 14-1/2 in.; smaller, continuous hunt scene, 5 x 11-1/4 in. Estimate: $1,000 - $1,500

1008 EugĂ¨ne Courteille (French, 19th/20th century) La Boheme, signed lower left "Eug.Courteille", oil on canvas, 24 x 18 in.; gilt wood and composition frame Estimate: $400 - $600

May 17, 2019

Fleischer Estate

1007 Jane Peterson (American, 1876-1965) Vase of Zinnias, signed lower right "Jane Peterson", oil on canvas, 24-1/2 x 20 in.; period carved painted wood frame, 29-1/2 x 25-1/2 in. Provenance: James D. Julia, 2010 Estimate: $3,000 - $5,000

1009 Four Signed Art Pottery Vases 20th century, three signed "Sanimo"; cylindrical spiral with volcanic glaze, signed "Baldell; Italy 28/295", 11 in. to 15 in. Estimate: $400 - $600

1010 Bernard Buffet (French, 1928-1999) La Tour Eiffel, 1962, ed. 25/150, "Bernard Buffet", A. Mazo & C., pub., lithograph, sheet 21-3/4 x 28-5/8 in.; framed Estimate: $1,000 - $1,500

1011 Sallie Coyne Rookwood Scenic Vellum Plaque American, 1922, Winter lake scene, artist's initials lower left, Rookwook mark above XXII original frame, plaque, 9 x 5 in.; frame 12-1/2 x 8-1/2 in. Estimate: $800 - $1,200

1012 Six Small Rookwood Pottery Vases American, early 20th, mauve/blue vellum, 1920, C.S. Todd; blue, red and green, 1921, E. N. Lincoln; six sided, 1925; and others, 6 in. to 6-1/2 in. Estimate: $500 - $700

1014 Three Rookwood Floral Vases American, late 19th/early 20th century, dull finish, "Rookwook/1884/142C", metal lid, 5-1/4 in.; two Iris glaze vases, 8 in.; 10 in. Estimate: $500 - $700

1015 Four Pieces Standard Glaze Rookwood American, late 19th/early 20th century, lidded humidor, 1902; two portrait mugs, circa 1895 and 1901; small pitcher, circa 1890, 2-1/2 in. to 6-3/4 in. Estimate: $500 - $700

1013 Two Rookwood/Gorham Silver Overlay Vessels American, late 19th century, standard glaze ewer, silver, William P. McDonald, 1892, 9 in.; small standard glaze vase, Kate Matchette, 1892, 5-1/4 in. Estimate: $1,200 - $1,800

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1016 Three Rookwood Iris Glaze Vases, Asbury, Reed, American, early 20th century, two by Lenore Asbury, "L.A", 1905-1906, blue and green floral, "Olga Geneva Reed", 1901, 7-1/4 in. 9-1/4 in. Estimate: $600 - $900

1017 Three Signed Rookwood Vellum Vases American, early 20th century, wild rose vase, incised "R", 1909; trumpet vine, incised "WHM", 1912; begonia, incised "LNL", 1906, 6 in. to 9-3/4 in. Estimate: $800 - $1,200

1018 Kataro Shirayamadani Rookwood Scenic Vase American, early 20th century, vellum glaze marsh scene with flying water fowl, Kataro Shirayamadani, (Japanese, 1865-1948), 1907, 9-1/8 in. Estimate: $1,000 - $1,500

1019 Three Rookwood Vases, Hentschel, Jones, Holkamp, American, early 20th century, ombroso, E.W. Hentschel, 1916, 11-1/2 in.; matte glaze, K. Jones, 1929, 8 in.; high glaze, L. Holkamp, 1946, 7 in. Estimate: $600 - $900

1020 Two Pieces Rookwood, Hurley Bird Vase and Sconce, early 20th century, painted vase, incised "ETH" for Edward T. Hurley, mark for 1943, 12-1/2 in.; candle sconce #1760, mark, 1916, 8-1/2 in. Estimate: $800 - $1,200

1021 Elizabeth Lincoln Rookwood Floral Vellum Vase, American, early 20th century, carved and painted floral decoration, Rookwood date mark for 1927, artist cipher for Elizabeth Lincoln, 14-1/2 in. Estimate: $800 - $1,200

1022 Louise Abel Rookwood Vellum Vase American, early 20th century, flowers and leaves on yellow ground, impressed Rookwood date mark for 1927, artist's cipher for Louise Abel, 17-1/8 in. Estimate: $800 - $1,200

1024 Two Rookwood Standard Glaze Vessels American, late 19th century, pitcher with wild rose, mark for 1887, artist signed, 8 in.; vase with carnation, mark for 1895, artist signed, 11-1/4 in. Estimate: $500 - $700

1025 K. Shirayamadani Rookwood Standard Glaze Vase American, late 19th century, magnolia blossom decoration, marks for Kataro Shirayamadani, Rookwood mark for 1893, 18-3/4 in. Estimate: $1,200 - $1,800

1026 Four Rookwood Standard Glaze Vessels American, late 19th/early 20th century, thistle vase incised "MR"; oak leaf pitcher, incised "CAB"; floral ewer, "LVB"; floral vase, 5-3/4 in. to 8 in. Estimate: $600 - $900

1027 A. R. Valentien Rookwood Vase American, 1862-1925, mahogany glaze with chrysanthemum decoration, Rookwood mark circa 1898, incised "A.R.V.", 10-1/2 in. Estimate: $500 - $700

1028 Early Monumental Rookwood Bat Vase American, late 19th century, early standard glaze, with bats and a full moon, impressed "Rosewood/1887/197", unsigned, possibly by Albert Valentien, 26 in. Estimate: $800 - $1,200

Condition notes available in back of catalog

1029 Five Pieces American Ceramics 20th century, two oyster plates, molded dish of crowned man, Union Porcelain Works; green striped vase; "Shearwater" fish sculpture, 4 in. to 7-1/2 in. Estimate: $400 - $600

May 17, 2019

1023 Two Signed Weller Sicard Iridescent Lustre Vases, American, early 20th century, lobed vase with floral design, signed "Weller Sicard", 7-3/4 in.; small vase, leaf design, signed "Weller", 4 in. Estimate: $500 - $700

Fleischer Estate

British

May 17, 2019

British

1031 William and Mary Burl Five Drawer Chest, early 18th century, oak frame, rich honey color, burl veneers, rosehead nail construction, 37-1/2 x 37-1/2 x 27 in. Provenance: Conway-Welch Estate Estimate: $500 - $700

1030 British School Military Portrait (18th century) An Officer, said to be General Cornwallis (1728-1805), unsigned oil on canvas, 49-3/4 x 39-3/4 in.; framed Provenance: Private North Carolina Collection Estimate: $2,000 - $3,000

1032 British School (18th century) Portrait of a Magistrate, stretcher inscribed "William Badger 1795", oil on canvas, 30 x 25 in.; framed Estimate: $600 - $800

1033 Replica Rosetta Stone, Gothic Revival Case British, circa 1900, full scale replica from the original black basalt stele excavated at Fort St Julien, el-Rashid (Rosetta), Egypt, Ptolemaic Period, 196 BC, carved by the British Museum, London; Gothic style oak case by Fogle Brothers (Winston-Salem, North Carolina, 1871-1932), French plate glass, 49 x 47-1/4 x 39-1/2 in. Provenance: From the Collection of Salem Academy and College, Winston-Salem, North Carolina, a gift from Mrs. W.J. Keyser, Milton, Florida, 1901 (accompanying article) Estimate: $1,000 - $1,500

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1036 George III Inlaid Mahogany Pembroke Table, British, late 18th century, marquetry, figured veneers, inlaid panels, single drawer, 27-1/2 x 18-1/2 x 24 in. Provenance: Private Collection, NC Estimate: $500 - $700

1037 Full Set Brass Diamond Candlesticks British, 19th century, 12 push-ups; with two "Ace of Diamonds"; two "King of Diamonds"; and six others, tallest 14 in. Provenance: Private Collection, VA Estimate: $500 - $800

1040 After Richard Wilson (British, 1714-1782) Tivoli, Temple of the Sibyl, 19th c. copy, oil, 14-3/8 x 17-3/8 in.; framed Provenance: A Southern Institution Estimate: $800 - $1,200

1038 Classical Carved and Gilt Bull's Eye Mirror, 19th century, gilt wood spread eagle crest, ebonized surround, 43 x 23-1/4 in. Provenance: Private Collection, GA Estimate: $600 - $900

1042 Three Wooden Tea Caddies, One Oval British, 19th century, parquetry design; oval marquetry; mahogany, brass handles, 4-1/2 x 7 in. to 6-1/2 x 12-3/8 in. Provenance: Private Collection, NC Estimate: $500 - $700

1041 George II Style Oyster Veneer High Chest 20th century, bench made, dovetailed drawers, boldly carved legs, 74-1/4 x 44-1/2 x 25 in. Estimate: $800 - $1,200

1043 George III Inlaid Mahogany Tambour Sideboard probably Scottish, 19th century, stepped top with tambour doors, serpentine facade, two central dovetailed drawers, flanked by deep bottle drawers, 42-1/4 x 78 x 28 in. Provenance: Private Collection, Asheville, North Carolina Estimate: $1,000 - $2,000

1039 Welsh George III Mahogany Tall Case Clock, signed "James...Abergavenny" (James Ingram, w. 1791-1795), calendar aperture, brass eight day, 82-1/2 in. Provenance: Private Collection, NC Estimate: $600 - $900

1044 George II Style Faceted Cut Glass Chandelier, British, some period elements, typical form with central faceted ornament, 41 x 27 in. Provenance: Colonial Williamsburg Foundation, Proceeds to Benefit the Acquisitions Fund Estimate: $800 - $1,200

Condition notes available in back of catalog

II British

1035 George III Figured Mahogany Sideboard British, circa 1800, bow front, two false double front cellarettes, lower tambour, 35-1/2 x 71-1/2 x 26-1/2 in. Provenance: Property from the Estate of Colleen Conway-Welch Estimate: $800 - $1,200

May 17, 2019

1034 George II Figured Mahogany Five Drawer Chest, 18th century, dovetailed drawers, oak linings, batwing brasses, original feet, 39-3/4 x 45-3/4 x 22 in. Provenance: Conway-Welch Estate Estimate: $600 - $900

1045 After J.M.W.Turner (British, 1775-1851) Blois, on the Banks of the Loire, unsigned, likely derived from the watercolor recorded on the Tate database (TW0718 Wilton 933), oil on canvas, 20 x 24 in.; gilt and painted wood and composition frame, 29-3/4 x 33-1/2 in. Provenance: Schwabe Collection, Hamburg, Germany; Hermann Schaus, purchased for $9,800 at the David H. King Auction sponsored by the American Art Association, New York, February 18,1896; Ex-collection of Edward T. Stotesbury (1849-1938), Philadelphia, Pennsylvania; With Scott & Fowles, New York, in 1922 with the title of "City of Blois"; Nicholas Acquavella, purchased on April 8, 1937, lot 61, for $4,100; M. Knoedler & Co., New York (label verso); Louis Kaplan, New York; with T. Gilbert Brouillette Gallery, New York, working 1934-1958 (label verso); Excollection Mr. and Mrs. Morrie A. Moss, Memphis, Tennessee; Property from a Southern Institution Estimate: $1,000 - $2,000 In 1984, photographs of this painting were seen by Evelyn Joll, pre-eminent Turner scholar, who strongly suggested that it was not by Turner's hand. It has had a long history of being held by prominent collectors and galleries alike. According to Edward T. Stotesbury, former owner of this painting and a prominent art collector in his day, the painting was, "Purchased by Hermann Schaus for $9,800 at the David H. King, Jr. auction sponsored by the American Art Association in New York on February 18, 1896 (The New York Times, Feb 19, 1896, page 5, "A Rembrandt Brings $11,100). Consigned to Scott & Fowles of New York in 1922 under the name of "City of Blois."Sold April 8, 1937 for $4,100 as lot number 61 at the American Art Association auction to Nicholas Acquavella (The New York Times, April 9, 1937, page 17, "$4,100 Paid for Painting") and described as follows: Hazy view of the blue river spanned in the middle distance by the arches of a white bridge, the cream-colored mass of the chateau, with misty outlines of turrets and towers, rising at left. A roadway leads from the left foreground shaded by a russet tree; pedestrians in yellow and red costumes stand overlooking the water and numerous animated figures in boats.â&#x20AC;?

1047 Follower of John Constable (British, 1776-1837) The Ripe Cornfield, unsigned, oil on board laid on panel, 11-3/4 x 18 in.; gilt wood and composition frame, 21 x 27-1/4 in. Provenance: Thomas Agnew & Sons, London; presumed Wadsworth Atheneum, Hartford, Connecticut, 1901; Julius H. Weitzner, New York, 1951; John Nickolson Gallery, New York, 1952; Findlay Galleries, Chicago, Illinois, 1955; Mr. and Mrs. Morrie A. Moss, Memphis, Tennessee Tennessee, ca. 1955-1977; Property from a Southern Institution Estimate: $1,000 - $2,000 Exhibited: Wadsworth Atheneum, Hartford, Connecticut, 1901; Wesleyan University, Middleton, Connecticut, 1931; Nelson Gallery of Art, Kansas City, 1937; Marie Harriman Gallery, New York, 1937; Carnegie Institute, Pittsburg, Pennsylvania, "A Survey of British Paintings," May 10, 1938 - June 12, 1938, #51; Museum of Fine Arts, Boston, "Works of Turner, Constable and Bonington," 1946; Wesleyan University, Middleton, Connecticut, "Neo-Classicism, Romanticism, and Realism," 1948; John Nickolson Gallery, NY, "Stepping Stones in Art Fantasy, Realism, Impressionism," 1952, #24; Brooks Memorial Art Gallery, Memphis, Tennessee, "Paintings from the Collection of Mr. and Mrs. Morrie A. Moss," 1955, #30; Brooks Memorial Art Gallery, Memphis, "The Moss Collection Paintings, A Loan Exhibition," , January-February 1965, #5. Literature: The Collection in the Avery Memorial, Wadsworth Atheneum, Hartford, CT, 1934, p. 47; A Survey of British Paintings, Carnegie Institute, Pittsburgh, 1938, #51; Stepping Stones in Art Fantasy, Realism, Impressionism, John Nickolson Gallery, NY, 1952, #24, ills.; Paintings from the Collection of Mr. and Mrs. Morrie A. Moss, Brooks Memorial Art Gallery, Memphis, TN, 1955, #30; The Moss Collection Paintings, A Loan Exhibition, Brooks Memorial Art Gallery, Memphis, TN, 1965, p. 8, #5; The New England Magazine, 1903, volume 27, pages 668-669, there is a mention of a painting by Constable with the title "The Ripe Cornfield" as being in the collection of the Wadsworth Athenaeum corporation, Hartford, Connecticut.

May 17, 2019

British

1046 Follower of Thomas Gainsborough (British, 1727-1788) Travelers on a Country Track, unsigned, oil on canvas, 12-1/2 x 14-1/8 in.; gilt frame, 18-3/4 x 21-3/8 in. Provenance: Edward McDermott, Esq., London, ca. 1885; Findley Galleries, Chicago; Ex-collection Mr. and Mrs. Morrie A. Moss, Memphis, Tennessee; Property from a Southern Institution Estimate: $1,000 - $2,000 Exhibited: Grosvenor Gallery, London, 1885. Exhibition of the Works of Thomas Gainsborough, R.A.; Municipal Art Gallery, Leeds, Autumn, 1889.; Brooks Memorial Art Gallery, Memphis, Tennessee The Moss Collection Paintings, A Loan Exhibition, January- February, 1965, No. 11 Literature: Grosvenor Gallery, London, Exhibition of the Works of Thomas Gainsborough, R.A., London: Grosvenor Gallery, 1885, No. 15. pg. 14 ills.; Graves, Algeron, A Century of Loan Exhibitions, 1813-1912, London, 1913, vol. I, No. 1, pg. 390; Brooks Memorial Art Gallery, Memphis, Tennessee, The Moss Collection Paintings, A Loan Exhibition, 1965, No. 11, p. 8, ills

1048 Adam Style Paint Decorated Pembroke Table, British, early 20th century, figured lightwood frame, hand painted decoration, dovetailed drawer, 28 x 31 x 19 in. Provenance: Private Collection, NC Estimate: $500 - $700

1049 Set Ten Queen Anne Style Armchairs 20th century, each mahogany frame set with cream silk upholstery, 40-1/2 in. Provenance: Conway-Welch Estate Estimate: $800 - $1,200

1050 Percy Bysshe Shelley Signed Letter, Adonais Book note which reads, "My dear Sir, I am much upset that I am engaged tomorrow at the hour you appoint, but I will call on Monday morning at your chambers, Your very obliged, P.B. Shelley"; with [Adonais], Pisa: With The Types of Didot, 1821, this appears to be an early facsimile reprint possibly done by Turner & Reeves, (1876), paper boards, preface annotated by H. Buxton Forman, with ownership inscription "with kind regards from H. Buxton Forman"; with unassociated letter found in book Provenance: Private Collection, Fearrington, North Carolina Estimate: $3,000 - $5,000

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1051 Robert Finlay McIntyre (British, circa 1846-1906), Christmas Geese, signed "R.F. McIntyre" inscribed, oil on canvas, 10 x 14 in.; framed Provenance: Salem Academy Collection Estimate: $500 - $700

1052 Maria Brooks (British, 1837-1913) Woman in Yellow, signed "Maria Brooks", oil on canvas, 16-5/8 x 12 in.; framed Provenance: Private Collection Estimate: $1,000 - $2,000

1053 Thomas Reynolds Lamont (British, 1826-1898) The Pious and the Poor, signed lower right "T. Lamont", oil on canvas, 25 x 31 in.; gilt wood and composition frame, 31-3/4 x 37-3/4 in. Provenance: Private Collection, Tampa, Florida Estimate: $2,000 - $3,000

1054 Six British and French Watercolors (19th century), Various subjects and artists including E. Ciceri, G. Chambers, R.Dobson, 9-3/4 x 20-1/8 in.; framed Provenance: Private Collection, GA Estimate: $1,000 - $2,000

1055 Attributed to Thomas Faed (Scotland, 1826-1900) The Letter, monogram "18 TF 82", oil on artist board, 15 x 11-3/4 in.; framed Provenance: Private Collection, TN Estimate: $800 - $1,200

1056 Coalport Hong Kong Demitasse Service for 11, 1970-1993, 58 pieces: tray; bowl; salad plates; soup bowls, saucers; demitasse cups, saucers, 2-1/4-14 in. Provenance: Conway-Welch Estate Estimate: $500 - $700

1057 Nine Assorted Pieces Waterford Cut Glassware, Irish/Continental: four old fashioneds; seahorse server; star; bowl; compote; rose bowl, 3-1/4 in. to 9 in. Provenance: Conway-Welch Estate Estimate: $500 - $700

1060 Ten Wedgwood, Other Jasperware Table Objects, British, 19th/20th century, eight Wedgwood mark, dish and dome, canister unmarked, 2-1/2 in. to 8 in. Provenance: Private Collection, NC Estimate: $500 - $700

1061 Coalport Blue Wheat Dinner Service for 14 1972-1993: 71 pieces, plates, flat cups, saucers, 2-1/4 in. to 10-3/4 in. Provenance: Conway-Welch Estate Estimate: $500 - $700

1062 Waterford Millennium Cut GlassÂ Partial Service, Irish, 21st century, 19 objects: 12 flutes; four old fashioneds; two plates; coaster, 4-1/4 in. to 9-1/4 in. Provenance: Conway-Welch Estate Estimate: $500 - $700

1063 Waterford Lismore Cut Glass Partial Service, Irish, 20th/21st century, 45 pieces: 20 water goblets; 12 hocks; 11 clarets; two water goblets, 5-7/8-8-1/4 in. Provenance: Conway-Welch Estate Estimate: $600 - $900

1064 Kazvin Carpet Persian, Circa 1910, diamond, trees, geometric spandrels, 10 ft. 8 in. x 7 ft. 4 in. Provenance: Conway-Welch Estate Estimate: $500 - $700

1065 Shirvan Field of Flowers Runner Caucasian, stylized navy floral field, geometric border, 11 ft. 6 in. x 3 ft. 8 in. Provenance: Private Collection, NC Estimate: $2,000 - $3,000

Condition notes available in back of catalog

British

1059 Pair Bronze Heraldic Lion Lamps probably British, 19th/20th century, each solid lion on a pedestal base, single light, 20-1/4 in., to socket 28-1/2 in. Provenance: Private Collection, GA Estimate: $600 - $900

May 17, 2019

1058 Aynsley Tea Service for 11 British for American market, 20th century, teapot; cream; sugar; waste; spoon dish; plates; cups; saucers, 2 in. to 8 in. Provenance: Private Collection Estimate: $500 - $700

1066 Follower of John E. Ferneley (British, 1782-1860) Master of the Hunt, unsigned, oil on canvas, 35-5/8 x 47-1/4 in.; gilt wood and composition frame, 43-1/8 x 54-7/8 in. Provenance: From the Collection of Salem Academy and College, Winston-Salem, North Carolina Estimate: $3,000 - $5,000

1068 John E. Ferneley, Sr. (British, 1782-1860) Bay Stallion in a Loose Box, signed lower left "John Ferneley/1851", oil on canvas, 18 x 24 in.; 19th century gilt wood frame, 20-1/2 x 26-5/8 in. Provenance: Private Collection, Charlotte, Vermont Estimate: $2,000 - $3,000

May 17, 2019

British

1067 Attributed to Sir John Hoppner (British, 1758-1810) Portrait of a Gentleman in a Riding Habit and Holding a Crop, said to be Samuel Wright (1754-1839), unsigned, oil on canvas, 36-1/4 x 28 in.; gilt wood and composition Maratta type frame, 43-3/4 x 35-3/4 in. Provenance: Presumed based on documents attached verso: John and Ann Wright, Nottingham; John Wright (1758-1840) and Elizabeth Beresford Wright (1762-1833) of Lenton Hall, Nolts; to the son Francis Wright later Osmaston (1806-1873); to his son John Wright later Osmaston (1831-1901) of Beacon Crag, Porthleven, Cornwall, England, to his widow, Florence Mary Osmaston, then sold; Arthur Ackerman & Son, New York; From the Collection of Salem Academy and College, Winston-Salem, North Carolina Estimate: $2,000 - $3,000

1069 W. Smithson Broadhead (British, 1888-1960) Mrs. Charles D. Pierce on Lord Brampton, 1936, signed lower left "W. Smithson Broadhead" and signed and inscribed verso, oil on canvas, 28-1/8 x 36 in.; gilt wood frame, 33-7/8 x 41-7/8 in. Provenance: Private Collection Estimate: $2,000 - $3,000

1070 Oswald Longfield Brett (NJ/Australian, born 1921) Arrival of Ship Three Brothers Nantucket, April 28, 1844, 1970, signed lower right Oswald Brett '70", oil on canvas, 30 x 52-3/8 in.; frame, 35 x 57-1/4 in. Provenance: The Douglas Fonda, Jr. Collection; by descent in family Estimate: $1,000 - $2,000

1071 Oswald Longfield Brett (New York/Australian, born 1921) H.M. Bark Endeavour, "Oswald Brett '73", oil on canvas, 23-7/8 x 35-7/8 in.; framed Provenance: Fonda Collection Estimate: $800 - $1,200

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1072 Oswald Longfield Brett (NY/Australian, b.1921) Negotiating the Release of Mr. Harber, signed, oil, 23-3/4 x 30 in.; framed Provenance: Fonda Collection Estimate: $800 - $1,200

1073 1973 Jaguar XKE V-12 Convertible odometer reads 15,557, four speed manual transmission, cream exterior, black interior, later top, after market Pioneer radio, ID# UD1523232, appears to be original interior Provenance: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $30,000 - $50,000

1076 Kerman Lavar Mid 20th century, ivory ground with central red medallion, four urn with flowers in corners, navy ground border, 11 ft. 10 in. x 8 ft. 5 in. Estimate: $600 - $900

1077 Isparta Carpet Turkish, 20th century, mint field with peach and blue floral sprays, 12 ft. x 8 ft. Provenance: Private Collection, Tennessee Estimate: $500 - $700

II British

1075 Heriz Carpet Persian, 20th century, red with green, blue, and white floral design, 10 ft. x 6 ft. 6 in. Provenance: Private Collection, Atlanta Estimate: $1,000 - $1,500

1078 Sarouk Rug Persian, 20th century, green, draping floral motif, 14 ft. 1 in. x 11 ft. 3 in. Provenance: Private Collection, Tennessee Estimate: $6,000 - $9,000

Condition notes available in back of catalog

May 17, 2019

1074 Baktiari Carpet Persian, 20th century, willow, mihrab, floral grid, sage, 11 ft. 7 in. x 7 ft. 10 in. Provenance: Lowenstein Collection, NC Estimate: $600 - $1,200

1079 Two 18th Century Flemish Painted Leather Panels Parrots with Flowers in Chinoiserie Vases, circa 1750, vegetable dye on leather, 31 x 17-5/8 in. (sight); matching modern gilt wood frames, 35-7/8 x 22-3/8 in. Provenance: Mallet, New York Estimate: $1,000 - $1,500

Private Collection, Highlands, North Carolina

1080 Pair Louis XVI Style Ormolu Urns French, 19th century, each signed "LĂŠon Boucher", gilt bronze, on a turned, stepped, rosso antico plinth, 17-5/8 in. Estimate: $800 - $1,200

1081 Fine George III Inlaid Pembroke Table British, late 18th/early 19th century, rich old surface, inlaid top, dovetailed drawer, 28-1/4 x 20-1/2 x 30-1/2 in. Estimate: $600 - $900

1082 Pair Regency Style Plant Stands British, 19th century elements, each pole ebonized and parcel gilt, with a rotating demilune plant stand, 56 in. Estimate: $500 - $700

1083 Fine Queen Anne Walnut Mirror British, early 18th century, molded surround, two early distressed beveled mirror plates, 65-1/2 x 23-3/4 in. Estimate: $1,000 - $1,500

1084 Chippendale Carved Mahogany Library Chair, British, 18th century, fine leaf carved frame, cabriole legs, four scrolled feet, orange velvet upholstery, brass tacking, 38 in. Provenance: G. Sergeant Antiques, Connecticut Estimate: $3,000 - $5,000

1085 Russell Smith (Scottish/America, 1812-1896) Bathing in a Stream-The Encounter, 1895, signed, oil on canvas, 12 x 18 in.; framed Provenance: Kennedy Galleries, NY Estimate: $1,000 - $2,000

1086 Russell Smith (Scottish/America, 1812-1896) Sandy Run by Camp Hill, 1895, signed, dated, oil on canvas, 12 x 18 in.; framed Provenance: Kennedy Galleries, NY Estimate: $1,200 - $1,800

1088 Chinese Lacquered Cabinet on Stand 19th century, five drawers, set on a later British stand, pierced legs, corner brackets, 47-1/2 x 21 x 12-1/2 in. Provenance: G. Sergeant Antiques, CT Estimate: $500 - $700

1089 George III Figured Mahogany Silver Table British, 18th century, highly figured, solid mahogany, single board top, carved skirt moldings, fluted, tapered legs, 28-1/4 x 24 x 36 in. Provenance: G. Sergeant Antiques, Connecticut Estimate: $3,000 - $5,000

1092 Chippendale Carved Parcel Gilt Triptych Mirror, British, 18th century, mahogany, pierced shell, phoenix crest, three mirror plates, drapery streamers, 27-1/2 x 44 in. Estimate: $600 - $900

1093 Large Oushak Rug Turkey, circa 1920, camel ground, medallion, dark grey border, 11 ft. 8 in. x 9 ft. Estimate: $1,000 - $2,000

Highland Collection

1091 George III Chinoiserie Decorated Tray Top Table, late 18th century, Chinese lacquer tray, ebonized frame, single dovetailed drawer, 27 x 27-1/2 x 17 in. Provenance: Kentshire Galleries, NY Estimate: $1,200 - $1,800

1094 Triple Coat of Arms for the Fitzwilliam Nobility Irish/British, early 18th century, Central coat of arms for "The Atchievement [sic] of the Right Honourable/William Lord Fitzwilliam of Liffer in the Kingdom of Ireland", flanked by the coat of arms and quarterings of .." William Fitz-William of Lincoln Esq." and "William Fitz-William of/Clixby in the County of Lincoln Esq.", gouache and gilding on vellum, 26 x 41 in.; parcel gilt and painted wood frame, 35-3/8 x 50-1/2 in. Provenance: Mallet, London, New York, 2014 Estimate: $5,000 - $7,000 Lot accompanied by the original receipt from Mallett, London | New York, dated 31 March 2014, #SII3063.

Condition notes available in back of catalog

May 17, 2019

1090 Georgian Oak Tilt Top Tea Table British, 18th century, mellow patinated surface, circular top, turned base, original iron catch, 28-1/2 x 33-1/2 x 33 in. Estimate: $500 - $700

1087 Chippendale Figured Mahogany Bachelors Chest British, 18th century, serpentine form, highly figured mahogany top, brush slide, over four graduated drawers, flanked by blind fretwork, oak secondary, bracket feet, 33-1/4 x 38-1/2 x 21-1/2 in. Provenance: G. Sergeant Antiques, CT Estimate: $3,000 - $5,000

Estate of Dr. Phillip George Memphis, Tennessee

Dr. Phillip George of Memphis, Tennessee was a distinguished pediatric pulmonologist, whose services in the field of medicine and whose contributions to the social and cultural fabric of Memphis are innumerable. Dr. George spent 40 years in the department of pediatrics at The University of Tennessee Health Science Center (UTHSC) during which time he served on countless boards and received numerous awards. Some of his most notable contributions include serving as Le Bonheur's Chief of Medicine, Medical Director of Le Bonheur's Pulmonary Function Laboratory, and Medical Director of the Memphis Cystic Fibrosis Clinic. His efforts during his long and distinguished career at UTHSC culminated in establishing the Department of Pediatric Pulmonary Medicine at Le Bonheur, which he founded in 1978.

Remarkably, Dr. George still found time to collect beautiful objects and brilliant works of art, particularly works by RenĂŠ Lalique. His collecting began in the 1960s, as he began buying locally in Memphis, but quickly expanded into countries such as France and the Bahamas during his international travels. He had a true appreciation for art of all kinds, and was proud to be a founding member of the Decorative Arts Trust at the Memphis Brooks Museum of Art, an active member of the Dixon Gallery & Gardens Art Museum, and a charter member of the Memphis Symphony Orchestra's Stradivarius Society. His collection of Lalique and other fine objects were displayed in his Memphis home, and it is the family's hope that the items he so passionately collected and truly loved will continue to bring joy to all who see them.

May 17, 2019

George Estate

1095 R. Lalique Perruches Opalescent Glass Bowl, model introduced 1931, acid etched "R.LALIQUE/ FRANCE", 4-1/4 x 9-1/2 in. Estimate: $2,000 - $3,000

1097 R. Lalique Nefliers Frosted Glass Vase model introduced 1923, model number 940, engraved "R.Lalique/France", 5-5/8 in. Estimate: $500 - $1,000

1098 R. Lalique Ondines Opalescent Bowl model introduced 1921, model number 380, wheel carved "R. LALIQUE/FRANCE", engraved "No 380", 3 x 8-1/8 in. Estimate: $800 - $1,000

1099 R. Lalique Frosted Glass Chat Paperweight, model introduced 1929, model number 1162, engraved "R.Lalique France", 3-1/8 x 4-1/2 x 1-5/8 in. Estimate: $400 - $600

For full cataloging and images see our website, BrunkAuctions.com

1096 R. Lalique Gui Frosted Vase model introduced 1920, model number 948, molded "R.LALIQUE", 6-1/2 in. Estimate: $400 - $600

1100 Lalique Deux Poissons Figure fish figures in clear and frosted glass, engraved "Lalique France", 11 in. Estimate: $600 - $900

1102 R. Lalique Ondines Opalescent Dish model introduced 1921, model number 3003, wheel carved "R.LALIQUE/FRANCE", 10-3/4 in. Estimate: $800 - $1,200

1103 R. Lalique Danaides Opalescent Vase wheel carved "R. LALIQUE/FRANCE", engraved "No 972", 7-1/4 in. Estimate: $2,000 - $3,000

1107 R. Lalique Lievres Frosted Glass Vase model introduced 1923, model number 942, indistinctly molded "R.LALIQUE" and engraved "France", 6-1/4 in. Estimate: $800 - $1,200

1105 R. Lalique Frosted Hesperides Vase model introduced 1931, model number 3412, acid etched "R.Lalique/France", 5 in. Estimate: $300 - $500

1106 R. Lalique Suzanne Opalescent Glass Figure with cast metal illuminated stand, model introduced 1925, model number 833, molded "R.Lalique", 9 x 7 x 2-1/8 in. (figure only) Estimate: $6,000 - $9,000

1108 R. Lalique Graines Glass Vase acid etched "R.LALIQUE/FRANCE", 7-7/8 x 7-3/4 in. Estimate: $1,000 - $2,000

1109 R. Lalique Statuette de la Fontaine Ashtray, model introduced in 1925, model number 288, engraved "R.Lalique", 4-5/8 in. Estimate: $600 - $900

1110 R. Lalique Gazelles Opalescent Bowl model introduced 1925, model number 390, molded "R.LALIQUE", 11-5/8 in. Estimate: $400 - $600

1112 R. Lalique Raisins Frosted Vase model introduced 1928, model number 1032, wheel carved "R.LALIQUE/FRANCE", 6-1/4 x 3-1/2 in. Estimate: $400 - $600

1111 R. Lalique Chiens Glass Bowl model introduced 1921, model number 3214, molded "R.Lalique", 9-3/8 in. Estimate: $400 - $600

Condition notes available in back of catalog

II George Estate

1104 R. Lalique Palmes Frosted Vase model introduced 1923, model number 952, molded "R.LALIQUE/MADE IN FRANCE", 4-3/4 in. Estimate: $400 - $700

May 17, 2019

1101 R. Lalique Saint-Tropez Opalescent Glass Vase, model introduced 1937, model number 10-915, acid etched "LALIQUE/ FRANCE", 7-3/8 x 5-5/8 in. Estimate: $300 - $500

1114 R. Lalique Archers Gray Glass Vase model introduced 1921, model number 893, engraved "R. Lalique/France No. 893" 10-3/4 in. Estimate: $2,000 - $3,000

1115 R. Lalique Albert Vase smokey glass vase with bird handles, molded "R.LALIQUE", wheel carved "FRANCE", 6-7/8 in. Estimate: $1,000 - $2,000

1116 R. Lalique Pinsons Smokey Glass Vase model introduced 1930, model no. 1038, acid etched "R.LALIQUE", 7-1/4 in. Estimate: $1,000 - $2,000

1118 R. Lalique Davos Alexandrite Glass Vase model introduced in 1932, model number 1079, acid etched "R.LALIQUE/FRANCE", 11-1/4 in. Estimate: $1,000 - $1,500

1119 R. Lalique Avallon Smokey Gray Glass Vase, engraved "R.Lalique", 5-3/4 x 6-1/4 in. Estimate: $1,000 - $2,000

1120 R. Lalique Chamois Amber Glass Vase model introduced in 1931, model number 1074, engraved indistinctly "R.Lalique/ France", 4-3/4 in. Estimate: $1,000 - $2,000

1121 R. Lalique Camaret Frosted Glass Vase model introduced 1928, model number, 1010, engraved "R.Lalique/France", 5-3/8 in. Estimate: $800 - $1,200

1122 R. Lalique Acacia Glass Vase frosted with black patina, model introduced 1921, model number 949, molded "R.LALIQUE" and engraved "R.Lalique", 8-1/8 in. Estimate: $500 - $1,000

1123 R. Lalique Volubilis Amber Opalescent Glass Bowl, model introduced in 1921, model number 383, molded "R.LALIQUE", 8-1/2 in. Estimate: $300 - $500

1113 R. Lalique Sophora Amber Glass Vase engraved "R.Lalique/France/No. 977", introduced circa 1926, 10-1/4 in. Estimate: $5,000 - $7,000

May 17, 2019

George Estate

1117 R. Lalique Ronces Butterscotch Glass Vase, molded signature "R.LALIQUE", 9-1/4 in. Estimate: $2,000 - $3,000

For full cataloging and images see our website, BrunkAuctions.com

1124 R. Lalique Serpent Amber Glass Vase introduced 1924, model number 896, molded "R.LALIQUE", 9-3/4 in. Estimate: $15,000 - $20,000

1127 R. Lalique Amber Glass Grignon Vase model introduced in 1932, model 1085, acid etched "R.LALIQUE/FRANCE", 7 in. Estimate: $800 - $1,200

1128 R. Lalique le Mans Amber Glass Vase model introduced 1931, model number 1074, engraved "R.Lalique/ France", 4-1/4 in. Estimate: $1,500 - $2,500

1129 Lalique Marrakech Glass Vase engraved "Lalique France" and "Made in France" paper label, 12 in. Estimate: $700 - $1,000

1130 Lalique Tanega Glass Vase engraved "Lalique France" with "Lalique Paris" label, 14 in. Estimate: $1,000 - $1,500

1131 Two R. Lalique Ashtrays, Dindon, Topaz Renard, Turkey model introduced 1925, model 287, Renard model introduced 1926, model number 291, both engraved "R.Lalique", 4 in. Estimate: $400 - $600

1132 R. Lalique Formose Glass Vase amber cased with opalescent glass, model introduced in 1924, model number 934, molded "R.LALIQUE", 6-3/4 in. Estimate: $800 - $1,200

Condition notes available in back of catalog

II George Estate

1126 R. Lalique Cleones Amber Box model introduced 1921, model number 49, molded "R.LALIQUE", 1-3/4 x 6-3/4 in. Estimate: $500 - $700

May 17, 2019

1125 Two R. Lalique Actinia Opalescent Glass Vases, converted to hanging lamps, electrified, model introduced 1934, model number 10-889, acid etched "R.LALIQUE/ FRANCE", 8-7/8 x 7-5/8 in. Estimate: $400 - $600

1134 R. Lalique Lys Opalescent Footed Bowl model introduced in 1924, model number 382, molded "R.LALIQUE", 4-7/8 x 9-3/8 in. Estimate: $300 - $500

1133 R. Lalique Madagascar Opalescent Bowl model introduced 1928, model number 403, molded "R.Lalique", 4-3/4 x 13-1/4 in. Estimate: $4,000 - $6,000

May 17, 2019

George Estate

1136 R. Lalique Six TĂŞtes Frosted Glass Decanter, model introduced 1914, model number 3159, molded "LALIQUE", faintly engraved "Lalique" near base, 14-1/8 in. Estimate: $1,500 - $2,000

1135 R. Lalique Vichy Frosted Vase model introduced 1937 model number 10-909, acid etched "R.LALIQUE FRANCE", 6-5/8 x 7-7/8 in. Estimate: $300 - $500

1137 R. Lalique Rennes Frosted Glass Vase model introduced 1933, model number 10-875, engraved "R.Lalique", 5 in. Estimate: $500 - $800

1138 R. Lalique Campanule Vase model introduced 1926, model number 1096, acid etched "R.LALIQUE/FRANCE", 5-5/8 x 5-1/8 in. Estimate: $400 - $600

1139 Two R. Lalique Vases Objects, CoupePlate, Bowl, plate, model introduced in 1921, model number 3234, engraved "R.Lalique/France" and molded "VDA/ France" 7-1/4 in. Estimate: $500 - $700

1140 R. Lalique Six Figurine Decanter, Four Cordials, decanter model introduced 1914, model 3158, molded "R.LALIQUE", 14 in.; cordials, acid etched "R.LALIQUE/ FRANCE", 2-1/2 in. Estimate: $800 - $1,200

1141 R. Lalique Poissons Opalescent Plate, Two Bowls, model introduced in 1921, various marks for R. Lalique, bowls, 8-1/4 in.; plate, 11-7/8 in. diameter Estimate: $800 - $1,200

1142 R. Lalique Rotterdam Glass Vase model introduced 1929, model number 1027, engraved "R.Lalique/France", 7-1/2 in. Estimate: $300 - $500

For full cataloging and images see our website, BrunkAuctions.com

1145 R. Lalique Frosted Malines Vase model introduced 1924, model number 957, engraved "R.Lalique France N 957", 4-7/8 in. Estimate: $400 - $700

1146 R. Lalique Saint-Francois Frosted Vase model introduced 1930, model number 1055, acid etched "R.LALIQUE" 7 in. Estimate: $800 - $1,200

1147 R. Lalique Marignane Frosted Glass Vase model introduced 1936, model number 01-895, acid etched "R.LALIQUE", engraved "France", 9-1/8 x 8 in. Estimate: $2,000 - $3,000

1148 R. Lalique Trois Figurines Frosted Box model introduced 1913, model d'Orsay, molded "R.LALIQUE", 3-3/4 in. Estimate: $200 - $400

1149 Three R. Lalique Glass Bird Figures two acid etched "R.Lalique", one engraved "R.Lalique France", 3-1/4 in. tallest Estimate: $500 - $700

1150 R. Lalique Tournai Frosted Vase model introduced 1924, model number 956, molded "R.LALIQUE", 4-7/8 in. Estimate: $400 - $700

1151 R. Lalique Druids Opalescent Glass Vase, model introduced 1924, model number 937, engraved "R.Lalique/ France/937", 6-3/4 in. Estimate: $300 - $500

1152 R. Lalique Lapin Ashtray and le Lys Powder Box, ashtray, 1925, no. 285, "R.Lalique/France/N 285", 2-1/2 in.; box, 1922, D'Orsay-Box-5, "R.LALIQUEFRANCE", 4 in. Estimate: $200 - $400

1153 R. Lalique Moineaux Frosted Glass Clock, model introduced 1924, model number ATO-3, dial marked "ATO/Made in France", new works, no signature found on glass, 6-1/8 x 8-5/8 x 3-3/8 in. Estimate: $800 - $1,200

1154 R. Lalique Fleurville Frosted Bowl model introduced 1928, model number 405, molded "R.LALIQUE FRANCE", 11-1/2 in. Estimate: $300 - $500

1155 R. Lalique Domremy Opalescent Glass Vase, model introduced in 1926, model number 979, engraved "R.Lalique/France, No 979", 8-1/2 in. Estimate: $800 - $1,200

Condition notes available in back of catalog

II George Estate

1144 R. Lalique Violettes Frosted Vase model introduced 1921, model number 930, engraved "R.Lalique/France", 5-7/8 in. Estimate: $800 - $1,200

May 17, 2019

1143 Two R. Lalique Fleurettes Perfume Bottles, model introduced 1919, model number 577, molded "Lalique", 6-1/4 in. Estimate: $400 - $800

1157 Lalique Silenes Glass Vase engraved "Lalique France", 7-7/8 in. Estimate: $400 - $600

1156 Lalique Masque de Femme Decorative Plaque indistinct engraved mark, with metal stand, 12-1/2 in. x 12-1/2 in. x 2-1/2 in. Estimate: $2,500 - $3,500

May May 17, 17, 2019 2019

George George Estate Estate

44 44

1158 Lalique Glass Bowl acid etched "LALIQUE FRANCE", 8-3/4 in. Estimate: $400 - $600

1159 Set 26 Lalique Treves Wine Glassware each engraved "Lalique France", 13, 6-1/2 in.; 13, 7-1/2 in. Estimate: $600 - $900

1160 Lalique Zeila Frosted Glass Panther engraved "Lalique France", 4-1/4 in. x 14-1/2 in. Estimate: $500 - $700

1161 Five Glass Table Ornaments two Lalique Saint-Nicholas ashtrays; Lalique Ermenonville vase; two Baccarat ashtrays; 6 in. Estimate: $300 - $500

1162 12 Lalique Assorted Perfumes and Paperweights, four perfumes with stoppers, eight paperweights, all with various Lalique marks, 3 in. to 5-1/2 in. Estimate: $500 - $700

1163 Set Eight Treves Martini Glasses engraved "Lalique France", 5-5/8 in. Estimate: $300 - $500

1164 Two R. Lalique Chardonneret Moqueur Paperweights, model introduced in 1931, model number 1211, engraved "R. Lalique France", 3 in. Estimate: $300 - $500

1165 Four R. Lalique Glass Ashtrays, Naiade Naiade; Rapace; Perdix; Leaping Fish, all engraved "Lalique France", three with paper label, "Made in France", 2-1/4 in. to 4-1/4 in. Estimate: $100 - $300

1166 Six R. Lalique Pinsons Glass Place Card Holders, model introduced 1924, model number 3501, engraved "R.Lalique", 1-3/4 x 1-7/8 in Estimate: $200 - $400

For full cataloging and images see our website, BrunkAuctions.com

1175 Two Frosted Glass Verlys Dishes each engraved "Verlys", bird and dragonfly decoration, 11-5/8 in.; iris decoration, 14-1/4 in. Estimate: $300 - $500

1179 Eleven Lalique Angel Champagne Flutes engraved "Lalique France", 8-1/4 in. Estimate: $500 - $800

1172 Three Lalique Frosted Glass Bird Figures, all engraved "Lalique France", 9-1/2 in to 12 in. Estimate: $500 - $700

1176 Four Lalique Frosted Animal Figures each engraved "Lalique France", two Liberty Eagles, 9-1/2 in.; peacock, 13-3/4 in.; duck, 9-3/4 in.; Estimate: $400 - $700

1169 Lalique Versailles Glass Vase engraved "Lalique France", 13-3/4 in. Estimate: $600 - $900

1170 Lalique Verone Glass Vase engraved "Lalique France", 7-1/2 in. Estimate: $400 - $600

1173 Three Lalique, Nina Ricci Lovebird Perfumes, perfume engraved on side "Lalique France" with "L'Aire du Temps/ Nina Ricci/Paris", 12-1/4 in; two smaller with various marks, 3-3/4 in. to 6 in. Estimate: $300 - $500

1174 Three Lalique Glass Pigeon Figures all three engraved "Lalique France", one with "Made in France" label, 6 x 10-1/2 in. Estimate: $500 - $700

1177 Two Lalique Frosted Glass Cats Chat Assis and Chat Couche, each engraved "Lalique France", 8-1/2 in. Estimate: $400 - $600

1180 Lalique Femmes Decanter, Set Ten Glasses engraved "Lalique France", decanter 9-1/4 in; glasses, 4 in. Estimate: $800 - $1,200

Condition notes available in back of catalog

1178 Lalique Jardiniere Champs-Elysees Glass Bowl, engraved "Lalique France", 7-1/2 x 17-7/8 x 9-5/8 in. Estimate: $500 - $700

1181 Eleven Lalique Napsbury Glasses, Treves Pitcher all engraved "Lalique France", glasses, 2-7/8 in. to 5-1/8 in.; pitcher 8-1/2 in. Estimate: $500 - $700

II George George Estate Estate

1171 12 Lalique Annual Glass Plates 1965-1976, all engraved "Lalique France", 8-1/4 in. Estimate: $200 - $400

1168 Lalique Asmara Glass Vase tapering rectangular form with applied amber opalescence stylized cat decoration, engraved "Lalique France", 7 in. Estimate: $400 - $600

May May 17, 17, 2019 2019

1167 Lalique Perdrix Glass Serving Tray engraved "Lalique France", 17-7/8 x 12 in. Estimate: $500 - $700

45 45

1182 Lalique Champs-Elysees Chandelier France, after 1978, six sockets with frosted and clear glass, gold metal, etched "Lalique France", 23 x 22 in. Estimate: $3,000 - $5,000

May 17, 2019

George Estate

1183 Lalique Serpent Bowl with amber snakes on a clear glass bowl, engraved "Lalique France", 8-3/4 in. Estimate: $500 - $700

1184 Four Lalique Glass Filicaria Pillow Vases each engraved "Lalique France", some with Lalique adhesive label, 4-1/2 in. Estimate: $400 - $600

1185 Lalique Cyrus Glass Vase blue decoration on clear glass, engraved "Lalique France", 6-1/2 in. Estimate: $500 - $700

1186 Eight Treves Wine Stems engraved "Lalique France", 7-5/8 in. Estimate: $300 - $500

1187 Two Lalique Vases, Atossa and Amber Rose, each engraved "Lalique France", one with "Made in France" label, 7-1/4 in.; 8-1/2 in. Estimate: $400 - $600

1188 Lalique Bamako Bowl green lizards, clear glass bowl, engraved "Lalique France", 8-3/4 in. Estimate: $300 - $500

1189 Lalique Yeso Bowl green double fish, clear glass bowl, engraved "Lalique France", 9 in. Estimate: $300 - $500

1190 Seven Lalique Glass Animal Figures hedgehog; two turtles; two bison; two lizards; various marks, 2-1/4 in. to 3-7/8 in. Estimate: $500 - $800

1191 46 Pieces Herend Porcelain including Rothschild, Hungarian, 20th century, birds, butterflies, gilt, mostly Rothschild, all with blue "Herend/Hungary/Handpainted" mark, 7-1/8 in. Estimate: $800 - $1,200

1192 Two Herend Porcelain Rabbit Figurines Hungarian, 20th century, each green, blue mark for Herend, 4-1/4 in. to 11-3/4 in. Estimate: $500 - $700

1193 Five Assorted Herend Porcelain Figurines, Hungarian, 20th century, each rust, blue mark for Herend, comprising: two hens; cat; cobra; peacock, 4-1/4 in. to 7 in. Estimate: $500 - $700

1194 Japanese Copper Basket with Lacquer Tray, 20th century, basket woven border, gilt relief center, 9-3/4 in.; tray with gilt landscape, 12 x 12 in. Estimate: $300 - $500

For full cataloging and images see our website, BrunkAuctions.com

1198 Eight Japanese Imari Porcelain Objects 19th/20th century, comprising: pair jars, 14-1/2 in.; pair double lidded jars, 9-1/4 in.; set four chargers, 12-1/4 in. Estimate: $1,000 - $1,500

1197 Thomas Hart Benton (American, 1889-1975) Instruction, 1940, edition of 250, signed lower right in pencil "Benton", Associated American Artists, New York, publisher, lithograph on paper, sheet 12-5/8 x 16-1/4 in.; wood frame, 22-1/2 x 21-1/8 in. Estimate: $2,000 - $3,000

1199 Ten Japanese Imari Porcelain Objects 19th/20th century, comprising: pair vases, applied gilt metal handles, 11 in.; pair vases, reign mark at base, 8 in.; pair jars, foo dog, pearl finial, 12-1/4 in.; pair oblong bowls, 9-3/4 in.; pair bone dishes, 8 in. Estimate: $1,000 - $1,500

1200 Arthur Brandish Holte (British, 19th/20th century), Shepherds Resting By a Woodland Cascade, signed "A. Brandish Holte/1871.2", oil on canvas, 46 in.; gilt frame Estimate: $1,000 - $1,500

1204 Five Piece Sterling Tea Service American, 1931, four pieces, Fairfax pattern, Gorham/Durgin: 7 in. coffee with matching teapot, creamer, sugar; with similar Wallace waste, 63.41 oz. T. Estimate: $800 - $1,200

1201 Chinese Enameled Porcelain Plaque 19th/20th century, brightly enameled plaque with image of an elderly couple with flowing robes and basket of flowers, 10 x 16 in., frame, 23 x 17-3/4 in. Estimate: $500 - $700

1202 Pair Neoclassical Parcel Gilt Bronze Candelabra, French, 19th century, each with figural satyr, over seven candle arms, gilt chains draped mid column, supported by three lion monopodia, 34 in. Estimate: $600 - $900

1203 Pair Hepplewhite Style Gilt Mirrors 20th century, each gilt wood and composition frame, nine beveled mirror plates, 63-1/2 x 42 in. Estimate: $1,000 - $1,500

1205 Fine Chippendale Style Carved and Gilt Mirror, British, probably 19th century, phoenix finial, elaborate leaf, scroll ornaments, six small shelves, 46 x 32 in. Estimate: $600 - $800

1206 Tiffany Venetian Gilt Bronze Partial Desk Set, New York, early 20th century, six objects, each marked Tiffany Studios: clock; stationary holder; box; pen tray; two blotter ends, 1-7/8 in. to 19-1/4 in. Estimate: $600 - $900

1207 Pair Regency Style Grille Door Cabinets British, late 19th/early 20th century, each stepped front, ebonized and gilt bronze mounted, bronze inlaid sides, central grill door, shelved interior, 37-1/2 x 53-1/2 x 15 in. Estimate: $1,500 - $2,500

Condition notes available in back of catalog

II George Estate

1196 Thomas Hart Benton (American, 1889-1975) Sunday Morning, 1939, signed "Benton", AAA, publisher, lithograph, sheet 11-3/8 x 14-1/2 in.; framed Estimate: $800 - $1,200

May 17, 2019

1195 Carroll Cloar (Tennessee, 1913-1994) Portrait of My Father, signed "Carroll Cloar", lithograph, 15-1/4 x 12-5/8 in.; framed Estimate: $1,500 - $2,500

Modern

May 17, 2019

Modern|Craft

1208 Diego Rivera (Mexican, 1886–1957) Woman Working, 1934, signed and inscribed upper left "Diego Rivera. 34, Xochimilco", watercolor on rice paper, 15-3/4 x 11 in. Provenance: Private Collection, Fearrington, North Carolina Estimate: $8,000 - $12,000 For a similar example see: Christie's Online: November 21, 2017, lot 50; Christie's New York, November 16, 2011, lot 170

1209 Pablo Picasso (Spanish, 1881–1973) Jeune couple accroupi, l'homme avec un tambourin (B. 212), 1934, edition of 260, plate 19 from la Suite Vollard, signed in pencil lower right "Picasso", Lacourière, Paris, printer, Vollard, Paris, publisher, 1939, etching on Montval laid paper with "Picasso" watermark, plate 10-7/8 x 7-3/4 sheet 17-1/2 x 13-3/8 in.; gilt wood frame, 23 x 18-1/2 in. Estimate: $6,000 - $9,000

For full cataloging and images see our website, BrunkAuctions.com

1210 Sir Jacob Epstein (British, 1880-1959) Monument to William Blake (S. 498), 1956, edition of 3 including the plaster, signed on back of proper right shoulder "Epstein", patinated bronze, 21-1/2 in. Provenance: Ex-collection Mr. Edward P. Schinman; Private North Carolina Collection; From the Collection of Salem Academy and College, Winston-Salem, North Carolina Estimate: $10,000 - $15,000 In Evelyn Silber's book, The Sculpture of Epstein, the publisher notes, "Jacob Epstein (1880-1959), though born in New York, was the most important British sculptor of the early twentieth century. Henry Moore is one among many who have acknowledged the positive role he played in their careers. Yet few artists have roused such passionate controversy over their work or suffered so many vociferous attacks from public and critics alike: charges ranged from obscenity and barbarism to belated romanticism. As Moore neatly put it, 'He took the brickbats . . . and as far as sculpture in this century is concerned, he took them first.' Epstein was a modern pioneer of direct carving and one of the first to collect and appreciate the function and form of primitive sculpture. The original commission still resides in Westminster Abbey. The original plaster was given by the artist's estate to The Israel Museum in Jerusalem. This bronze is the third that was originally held by the Epstein collector, Edward P. Schinman. It is noted as "unlocated" in Silber's catalogue raisonné. Exhibited: Leicester Gallery, Exhibition No. 1191, Fifty Years of Bronzes and Drawings by Sir Jacob Epstein (1880-1959), June-July, 1960, no.56 Literature: Silber, Evelyn, and Jacob Epstein. The Sculpture of Epstein: With a Complete Catalogue. 1986, pg. 222, ill.

1212 Anthony Green (British, born 1939) Gospel Oak, Self Portrait, signed lower right "Green.64", collector's label verso, oil on Masonite with applied wood elements, 48 x 36 in.; modern frame, 49-3/8 x 37-1/8 in. Provenance: Bowen Gallery, London 1964; Ex-Collection of Mr. and Mrs. Robert B. Mayer; Brunk Auctions, February 20, 1999, lot 498; Private Southern Collection Estimate: $2,000 - $3,000

1213 Keith Haring (American, 1958-1990) Who? What? Yeah-, the artist's drawings and commentary on a forgery, 1989, signed authentically middle right horizontally "Keith Haring" and inscribed "To Matt", marker on paper record sleeve, 12 x 12 in.; blue metal frame, 17-1/2 x 17-3/8 in. Provenance: Matt Dike, New York/Los Angeles, California; by descent in family Estimate: $2,000 - $3,000 Matt Dike (1962-2018) was a producer, writer and founding member of the Dust Brothers and co-creator of the Delicious Vinyl record label. After co-producing and co-writing the Beastie Boys hit, “Paul’s Boutique” he co-wrote and co-produced some of hip-hop’s most recognizable songs such as “Funky Cold Medina” and "Wild Thing” for Tone Loc and “Bust A Move" for Young MC. He was also a club owner and D.J. who mixed in influential circles. He met and befriended artists such as Jean Michel Basquiat, a one-time roommate, Keith Haring, and George Condo. During one of Dike’s events someone pretending to be Keith Haring drew the middle section of this work on a vinyl sleeve and forged Haring’s signature, inscribing it “To Matt”. The consignor states that, "a few years later, Keith Haring saw this hanging on his wall and said 'I didn't do this!' He then took it down and drew around it, questioning what the other person was thinking, comparing the art and signature."

Condition notes available in back of catalog

May 17, 2019

1211 Robert Gordy (Louisiana, 1933-1986) Arcady #5, signed lower left "RG '71", acrylic on canvas, 83-1/2 x 58-1/4 in.; framed Provenance: An Important Southern Collection Estimate: $3,000 - $5,000

Modern|Craft

1215 Pair Magnus Olesen Paper Knife Armchairs, mid 20th century, Kai Kristiansen (Danish, b. 1929), number 121, teak, 27-3/4 x 28-1/2 x 25 in. Provenance: Private Collection Estimate: $2,000 - $3,000

1214 Gluckman Aluminum Glass Top Dining Table circa 1998, Richard Gluckman (American, b. 1947), unmarked, aluminum trestle form base, black frosted mirrored glass top, 29-1/2 x 96 x 40 in. Provenance: Property from a prominent Pittsburgh Design Collection Estimate: $4,000 - $6,000 This etched glass and mirror table was a collaborative endeavor of world renowned architect, Richard Gluckman and a private collector. Seeking to express a minimalist design in a playful, less severe way, the designers of this table rendered a classical minimalist form in new materials and color. The streamlined simplicity of Shaker furhiture served as inspiration for the table’s structure and lines. Aluminum provided a silver metallic quality that imbued a visual and tactile softness not available in stheel. Backed by mirror, the acid etched glass surface captures and reflects light without revealing the exact contours of the objects above. Its effect is a luminous glow. Metalwork by Michael Ficalora

May 17, 2019

Modern|Craft

1217 Anton Weiss (Nashville, Tennessee/New York, 20th/21st c.), Eruption, inscribed verso, copper, brass on steel frame, 54 x 32 in. Provenance: Private Tennessee Collection Estimate: $1,000 - $2,000

1218 Remo Michael Farrugio (New York/Massachusetts/Italy, 19051981), Untitled, signed lower left "R. Farruggio" oil on canvas, 23 x 31-7/8 in.; original painted wood frame Estimate: $1,000 - $1,500

1221 Rare Magnus Olesen Paper Knife Four Seat Sofa mid 20th century, branded mark, Kai Kristiansen (Danish, b. 1929), number 121, teak, eight cushions, 27-3/4 x 28-1/2 x 86 in. Provenance: Private Collection Estimate: $2,000 - $3,000

Photo that appeared in Loft, a European design magazine, shot by Åke E:son Lindman, a Swedish architectural photgrapher, showing the table in place in the consignor's home

1219 Jacques Dutel (French, 20th century) Palette with Branch, "Jacques Dutel", oil on canvas, 24 x 19-3/4 in.; wood frame Provenance: Private Collection, VT Estimate: $800 - $1,200

1222 Philip Mullen (South Carolina, Ohio, b. 1942) Two monotypes: Warm Slide, Cold Slide, signed "Mullen", inscribed , 18 in.; framed Provenance: Private Collection, SC Estimate: $600 - $900

For full cataloging and images see our website, BrunkAuctions.com

1216 Pair Parzinger for Stiffel Table Lamps Linden, New Jersey, mid 20th century, Tommi Parzinger (German/American, 1903–1981), brass, teak, 44-1/2 in. Provenance: Private Collection Estimate: $600 - $900

1220 William Stoney Lamar (North Carolina, b. 1951) Untitled, vessel, signed "Stoney Lamar/ Red Maple", carved red maple burl, 12 in. Provenance: Private Collection, SC Estimate: $600 - $900

1223 Style of Prince Paul Troubetzkoy (New York/Russia, 1866-1938) Fairy, signature "Paul Troubetzkoy", spurious foundry marks, bronze, 24 in. Provenance: Troubetzkoy Family Estimate: $600 - $900

1224 Charles Brindley (Tennessee, born 1952) Majestic Elm Tree, "Charles Brindley 2011", pencil, image 14-7/8 x 24 in.; framed Provenance: Conway-Welch Estate Estimate: $1,000 - $1,500

1230 Paul Harmon (Tennessee, born 1939), Two monoprints: Elephant, Eagle, both signed, largest 21-1/2 x 29 in. (sight); framed Provenance: Conway-Welch Estate Estimate: $600 - $900

1228 Stein for Knoll Model 700 Sofa 1947-1961, label for Knoll, Richard Stein (American), beech frame, folds into a daybed, 27-1/2 x 34-1/2 x 77 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

1229 Poul Kjærholm PK31 Leather Sofa c. 1999, Poul Kjærholm (Danish, 1929-1980), three seat, brown leather upholstery, brushed chrome frame, 30 x 77-3/4 x 27 in. Provenance: Private Collection, Charlotte, North Carolina Estimate: $4,000 - $6,000 The consignor purchased this furniture in Denmark in the 1990s from the retailer Fritz Hansen. Accompanying the lot is a fax from Fritz Hansen, dated 1999, which outlines the price of three PK-31 sofas, which the consignor had purchased. Also included is a price list for all Poul Kjærholm items sold by Fritz Hansen.

1231 Paul Harmon (Tennessee/France, born 1939) Patriot's Eagle, 1988, signed "'88/P.Harmon", oil on canvas, 48 x 36 in.; framed Provenance: Conway-Welch Estate Estimate: $600 - $900

1232 Caren Canier (New York, born 1953) Daybreak, 1978-80, not apparently signed, oil on canvas, 72-1/4 x 71-1/2 in.; parcel gilt shadowbox frame, 73 x 73-1/2 in. Estimate: $2,000 - $3,000

Condition notes available in back of catalog

II Modern|Craft

1227 De Baggis Two Tiered Parisi Bar Cart mid 20th century, Ico Parisi (Italian, 19161996), unmarked, beech, two removable glazed trays, brass feet, rubber casters, 31-1/2 x 24 x 22 in. Estimate: $500 - $700

1226 Hans Wegner Flag Halyard Chair mid/late 20th century, Hans Jørgensen Wegner (Danish, 1914-2007), steel and white painted frame with plaited brown flag halyard seat, feet with plastic pads, orange pillow, white leather hide, 31-1/2 x 41 x 45 in. Provenance: Property from a prominent Pittsburgh Design Collection Estimate: $8,000 - $12,000

May 17, 2019

1225 Pair Fabricius & Kastholm Style Leather Chairs, late 20th century, after Fabricius & Kastholm, model bo-561, each chrome frame, tufted black leather upholstery, 26 x 24 x 30 in. Estimate: $800 - $1,200

May 17, 2019

Modern|Craft

1233 David Davidovich Burliuk (New York/Ukrainian, 1882 -1967) Long Island Cottage Garden, signed "Burliuk", oil on canvas, 16 x 18 in.; framed Provenance: Collection of Nathalie Reichwald, personal friend of David Burliuk; by descent in family Estimate: $3,000 - $5,000

1234 David Davidovich Burliuk (New York/Ukrainian, 1882-1967) Still Life, signed "Burliuk", inscribed verso, oil on canvas, 12 x 9 in.; unframed Provenance: Acquired from artist Estimate: $1,000 - $2,000

1235 David Davidovich Burliuk (New York/Ukrainian, 1882-1967) Two Horses On Shore, signed "Burliuk", oil on panel, 5-3/8 x 10-1/4 in.; framed Provenance: Reichwald Collection Estimate: $1,000 - $2,000

1236 David Davidovich Burliuk (New York/Ukrainian, 1882 -1967) Spring on a Farm, Long Island, oil on canvas, 12 x 15 in.; frame, 14-1/4 x 17-1/4 in. Provenance: Collection of Nathalie Reichwald, personal friend of David Burliuk; by descent in family Estimate: $3,000 - $5,000

1237 American School Tropical Painting (20th century) View of the Coastline, possibly Hawaii, "Chris", oil on canvas, 40 x 30 in.; framed Provenance: Private Collection, NC Estimate: $500 - $700

1238 Chicago Art Deco Carved Limestone Plaque, American, circa 1926, probably Karl M. Vitzthum (German/American, 1880-1967), 42 x 21 x 4 in. Provenance: Private Collection, TN Estimate: $500 - $700

1239 Cameo Glass Rose Decorated Vase British, 20th century, yellow ground with pink and white roses, mark on base reads "Thos Webb & Sons Cameo", 9-3/4 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

1240 GallĂŠ Cameo Glass Tulip Vase French, early 20th century, cameo cut blue tulips on salmon ground, signed "GallĂŠ," 17 in. Provenance: Humber Family, NC Estimate: $1,200 - $1,800

1241 Victor Toothaker Arts and Crafts Glass Shade, early 20th century, Roycroft Copper Shop, shades of green with brown border, unsigned, 24-1/4 in. Provenance: Private Collection, NC Estimate: $600 - $900

1242 Art Nouveau Manila Jockey Club Horse Trophy, German, 1900, cast pewter, relief figural woman head, iris motif handles, designer J.R. Hannig (F.X. Dautzenberg), "Manila Jockey Club/1906", 14 in. Estimate: $800 - $1,200

1243 Arts and Crafts Stickley Oak Sideboard New York, 1907-1912, paper label, fumed oak, hammered bronze pulls, three drawers, two doors, 42-1/4 x 59-1/2 x 24 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

1244 Pair Gustav Stickley Side Chairs American, circa 1904-12, model 352, each in fumed oak, leather slip seat, with paper labels, one with decal, 37 in. Provenance: Private Collection, IL Estimate: $500 - $800

1245 Three Frank Lloyd Wright Architectural Objects, associated with Coonley, Storer Houses: two light fixtures, slag glass; block mold, copper alloy, 16 in. Provenance: Private Collection, NC Estimate: $1,000 - $2,000

1246 Arts and Crafts Boar Hunt Tapestry late 19th/early 20th century, hand woven wool, later fabric backing, hanging rings, 6 ft. 8 in. X 8 ft. 4 in. Provenance: Conway-Welch Estate Estimate: $600 - $900

For full cataloging and images see our website, BrunkAuctions.com

1253 Two Tall High Glazed Vases, Weller and Rookwood, American, 20th century, Louwelsa Weller iris decorated, 16 in.; Kay Ley Rookwood floral decorated, 1946, 13 in. Provenance: Private Collection, GA Estimate: $500 - $700

1257 Two Pieces Murano Glass, Formia and Capellini, Italian, late 20th century, cased glass sculpture, "Formia" label, 14 in.; Capellini red glass charger, 17 in. Provenance: Private Collection Estimate: $500 - $700

1250 Quezel Art Glass Vase American, early 20th century, blue heart and vine decoration on iridescent gold, signed "Quezel" on base, 6-3/4 in. Provenance: Reid-Settle Family, NC Estimate: $500 - $700

1254 Three Pieces Rookwood Art Pottery American, 20th century, impressed, prunus by Edward T. Hurley; yellow floral by Louise Abel; raspberry floral, 10 in. Provenance: Private Collection, GA Estimate: $500 - $700

1258 Two Signed Joel Philip Meyers Studio Glassware, both signed, dated 1970, Joel Phillip Meyers (NJ/IL, b. 1934), blue rectangular vase; yellow goblet; 6-1/4 in. Estimate: $500 - $700

1251 Tiffany Favrile Cologne Bottle American, early 20th century, bulbous, green leaf swirl, swirl stopper, base signed "L.C.Tiffany-Favrile", stopper and base signed with "8716/H", 4-1/2 in. Estimate: $800 - $1,200

1255 Two Arts & Crafts Vases, Rookwood, Weller, American, 20th century, Deliah Workum urn form Rookwood vase; green Clarke Lefflell Weller planter, 9-3/4 in. Provenance: McCormack & Co., FL Estimate: $800 - $1,200

1252 R. Lalique Smokey Topaz Domremy Glass Vase, with orange patination, introduced in 1926, model number 979, engraved "R.Lalique/France", 8-1/2 in. Provenience: Humber Family, NC Estimate: $800 - $1,200

1256 Fratelli Tosso Yellow Art Glass Vase, Murrine, Italian, 20th century, yellow body with orange murrine style swirl, 13-1/2 in. Provenance: Regency Auction House, NJ Estimate: $600 - $900

1259 Ercole Barovier (Italian, 1889-1974) Pezzato Bicolor Glass Vase, designed by Ercole Barovier for Barovier & Toso, blue and white tessere fused together, label on base, "Barovier & Toso/ Murano/21518/Made in Italy", 17 in. Provenance: Private Collection Estimate: $4,000 - $6,000

Condition notes available in back of catalog

II Modern|Craft

1249 Schneider Acid Etched Gray Compote and Vase, French, early 20th century, compote, 11-1/4 x 15-5/8 in.; vase 5-1/2 in., each acid etched "Schneider" Estimate: $500 - $700

May 17, 2019

1247 François Gall (French, 1912-1987) Jeune femme en rose couchée sur la plage, signed lower left "F. Gall", oil on canvas, 20 x 24 in.; gilt wood frame, 28-3/4 x 32-1/8 in. Provenance: Private Collection, Fearrington, North Carolina Estimate: $2,000 - $4,000

1248 Jean Jules Louis Cavaillès (French, 1901-1977) La Boite à Thé (The Tea Box), signed "J. Cavailles", oil on canvas, 31-3/4 x 25-3/4 in.; gilt wood frame Provenance: Findlay Galleries, New York, #F5622; Private Collection, Charlotte, Vermont Estimate: $5,000 - $7,000

Collection of Clint Paul and Lois B. Herring, Post, Texas

MMay 2019 May 17, 17, 2019

HerringCollection Collection Herring

54 54

1260 Pair Lalique Cygnes, Swans with Mirror engraved "Lalique France", largest 10 x 12 in.; mirror, 33 in. Estimate: $2,000 - $4,000

1261 Three Lalique Frosted Cat Figures Chat Assis, Chat Couche, Simba Lioness, all engraved "Lalique France", 5 in. to 8-1/2 in. Estimate: $600 - $800

1262 Five Lalique Glass Animal Figures jaguar; bear; pair elephants; horse with stand, all engraved "Lalique France", 5-1/2 in. to 14 in. Estimate: $600 - $900

1263 Lalique Biches Vase with Dresser Box box with patinated and engraved cover, "Lalique France", 5-1/8 in., vase engraved "Lalique France", 7 in. Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

1264 Two Lalique Glass Bowls, Thistle and Pinsons, both engraved "Lalique France", Thistle bowl, 4-7/8 x 19 in.; Pinsons bowl, 3-5/8 x 9-1/4 in. Estimate: $500 - $700

1266 Lalique Bacchantes Glass Vase engraved "Lalique France", with "Cristal Lalique Paris" label, 9-1/2 in. Estimate: $1,000 - $1,500

1268 Lalique Glass Luxembourg Frosted Glass Garniture bowl with two figural groups, all engraved "Lalique France", bowl with "Cristal Lalique Paris" label, 8-1/4 x 10-1/2 in.; figures, 7-3/4 in. Estimate: $1,500 - $2,000

1270 Three Pieces Lalique Glass Lalique France, Aries compote, 8-3/4 x 7-1/2 in.; love bird compote, 3-1/2 x 5-1/2 in.; rams in combat, 3-1/2 x 10 in. Estimate: $500 - $700

1271 Lalique Virginia Peacock Compote, Hedera Vase, both engraved "Lalique France", compote, 6-5/8 x 8-5/8 in.; vase, 7 in. Estimate: $800 - $1,200

1273 Four Lalique Glass Dresser Items clock with cat decoration, 7-3/4 x 7-1/4 in.; small lamp, 8-3/4 in.; oval box, 3 x 6-1/2 in.; mirror, 9-1/2 x 8 in. Estimate: $600 - $900

1274 Three Frosted Glass Lalique Tablewares including Venise bowl; Tete de Lion ashtray; Tete D'Aigle paperweight engraved "Lalique France", 6-1/2 in. Estimate: $500 - $700

1269 Two Lalique Vases, Martinets and Ondines both engraved "Lalique France", both approximately 9-1/2 in. height Estimate: $800 - $1,200

II 1272 Lalique Antinea Vase clear glass with green female nymph decoration forming feet, engraved "Lalique France", 8 in. Estimate: $700 - $1,000

1275 Two Lalique Floral Glass Vases both engraved "Lalique France", Orchidee vase, 6-1/2 in.; lavender floral, 7-5/8 in., Estimate: $600 - $900

Condition notes available in back of catalog

HerringCollection Collection Herring

1267 Three Lalique Dancer Figural Groups all engraved "Lalique France" and with retail labels, one in original box, 9-1/2 in. to 10-1/4 in. Estimate: $500 - $700

May17, 17,2019 2019 May

1265 Lalique Ganymede Champagne Cooler engraved "Lalique France", 9 in. Estimate: $1,000 - $1,500

55 55

Silver II

May 17, 2019

Silver

1277â&#x2014;&#x2030; George III English Silver Urn London, 1798, round body with long reed legs with paw feet, lion and ring handles, ivory spout finial, large heraldic device, partial marks for Robert Sharp, all pieces marked, .925 fine, 112.65 oz. T., 15-1/2 in. Provenance: Property from the Estate of Colleen Conway-Welch Estimate: $1,500 - $2,000

1276 Hunt & Roskell Silver Pitcher London, 1867, urn form, mask spout, caryatid handle, beaded and female mask roundels among scrolls and foliate, gilt interior, heraldic device, "C" with crown, marks for John Samuel Hunt, base marked "HUNT & ROSKELL/LATE/ STORR & MORTIMER", .925 fine, 28.42 oz. T., 12-1/2 in. Provenance: Private Collection, Cary, North Carolina Estimate: $1,500 - $2,500

1278 Set of 24 English Silver Place Card Holders, London, early 20th century, bird finials red glass eyes, partial marks, .925 fine, 23.72 oz. T., 1-3/8 in. To 1-3/4 in. Provenance: Conway-Welch Estate Estimate: $400 - $600

For full cataloging and images see our website, BrunkAuctions.com

1279 Pair of George IV English Silver Salvers London, 1824, round with shell decoration, heraldic device, marks of Samuel Dutton, .925 fine, 36.22 oz. T., 1 x 9 in. Provenance: Conway-Welch Estate Estimate: $700 - $1,000

1280 Set of Twelve English Silver Candlesticks Sheffield, 1894-1900, square bases, stop reeded columns, bead border, no monograms, all with marks for James Dixon & Co., weighted bases, six pairs from 6-1/2 in. to 13 in. Provenance: Property from the Estate of Colleen Conway-Welch Estimate: $3,000 - $4,000

1281 Pair George III Silver Vegetable Tureens London, 1801, oval form with reeded border and handle, heraldic devices, partial maker's mark, possibly "RG"?, 75.49 oz. T., 4-1/2 x 14-1/2 x 8-5/8 in. Provenance: Private Collection, Fearrington, North Carolina Estimate: $1,200 - $1,800

1282◉ Four Piece George III Silver Tea Service London, 1807, oval body with foliate decoration, gadroon borders, scroll handles, ivory spacers, all with heraldic devices except creamer, marks for John Emes, 90.87 oz. T., 8-3/4 in. coffee pot with matching teapot, creamer and sugar Provenance: Property from the Estate of Colleen Conway-Welch Estimate: $1,500 - $2,000

1284 George III English Silver Flatware, 108 Piece most 19th century, all with feather edge decoration, including place and service pieces, various makers, 140.55 oz. T. Provenance: Property from the Estate of Colleen Conway-Welch Estimate: $2,000 - $3,000

1285 Ten English Silver Featheredge Serving Pieces London, late 19th century, all service pieces, matching monogram, maker William Fearn, 56.78 oz. T., 14-1/2 in. Provenance: Property from the Estate of Colleen Conway-Welch Estimate: $800 - $1,200

1286 46 Pieces French Silver Flatware 20th century, including place pieces, partial maker's mark, .950 fine, 36.48 oz. T. Provenance: Private Collection, NC Estimate: $600 - $900

1287 Odiot French Silver Covered Dish Paris, 19th century, round shaped form, marks for Maison Odiot, .950 fine, 58.52 oz. T., 6 x 10-1/2 x 9-1/4 in. Provenance: Private Collection, Fearrington, North Carolina Estimate: $1,000 - $1,500

1288 French Silver Covered Entree 19th century, round body, large elaborate bud finial, partial maker's mark, .950 fine, 47.95 oz. T., 6 x 9 x 8-1/4 in. Provenance: Private Collection, Fearrington, North Carolina Estimate: $1,000 - $1,500

Condition notes available in back of catalog

May 17, 2019

1283 Martial Fray, French Silver Tea Cups and Saucers, Paris, mid to late 19th century, marks for Martial Fray, 34.67 oz. T., five 3-3/8 in. teacup; five 5-1/4 in. saucer Provenance: Private Collection, NC Estimate: $500 - $800

Silver

1289 Large Silver Ingot from Atocha Shipwreck 1621, bar was recovered from the wreck of the Nuestra SeĂąora de Atocha, top impressed with several marks including silvermaster's mark, Jacove de Vreder, manifest number 691, assayer's bite mark and fineness mark for 2380/2400, tax seal marks, monogram for owner/shipper J. Delgado, underside with Treasure Salvors, Inc. inventory mark "A445/85", 85 troy pounds, 7.20 troy ounces (approximately 70.5 pounds), 3-1/2 x 14 x 5 in.; lot accompanied by certificate of authenticity Provenance: Property from an Important Tennessee Living Estate Estimate: $28,000 - $36,000 Nuestra SeĂąora de Atocha left South America bound for Spain with 265 people aboard, along with tons of silver, gold and other precious metals and gemstones. On September 6, 1622 the Atocha sank in a hurricane near the Florida Keys leaving only five survivors. During the rescue, the wreck was marked with hopes of later salvaging the priceless cargo. However, another hurricane came through and relocated the wreckage of the ship and all its bounty. The Spanish government spent nearly 60 years trying to locate the site before finally giving up and the ill-fated Atocha lay undiscovered for another 360 years until it was found by treasure hunter Mel Fisher in 1985. The cargo of the Atocha included one thousand silver ingots that had been mined in upper Peru (now Bolivia). The lot being sold is one of the ingots that went down with the Spanish galleon Atocha nearly 400 years ago.

May 17, 2019

Silver

1290 Two John Vogler Coin Silver Spoons North Carolina, early 19th century, larger with picture back with dove and olive branch, both with coffin tip handle, both with monograms, marked "I.Vogler" (Salem, working 1805-1820), 4-3/4 in. and 5-1/4 in. Provenance: Private Collection, South Carolina Estimate: $500 - $800

1293 Nine Raleigh Coin Silver Spoons North Carolina, mid 19th century, including Palmer & Ramsey W. J. Ramsey Thomas Emond, 5.96 oz. T., 5-1/4 in to 7 in. Estimate: $400 - $800

1294 Four Raleigh Silver Serving Pieces late 19th century, Marguerite pattern, including ladle, spoon, fork and pie server, Wood & Hughes, H. Mahler (Raleigh, NC), 8.08 oz. T., 7 in. to 9-1/2 in. Estimate: $400 - $800

1291 Two Bernard Dupuy Coin Silver Ladles North Carolina, mid 19th century, both with fiddle handles, marks for Bernard Dupuy (Raleigh, working 1827-1843), 11.76 oz. T., 13 in. And 13-1/2 in. Estimate: $500 - $800

1292 Two Freeman Woods Coin Silver Spoons, American, early 19th century, coffin tip handles, both marked "Woods" (NY, working 1791-1794, and New Bern, North Carolina, w. 1794-1827), 8-1/2 in. Estimate: $200 - $300

1295 13 Pieces Southern Coin Silver Flatware spoons, ladle and salt spoons, S. Kirk, George Aiken, A. E. Warner, and Charles Pryse, 14.4 oz. T., 3-3/4 in. To 8-3/4 in. Provenance: Private Collection, NC Estimate: $400 - $600

1296 Six Southern Coin Silver Spoons American, 19th century including three North Carolina; J. T. Young teaspoon, (VA); two pieces Larmour & Co. (MD), 5.22 oz. T., 5-1/2 in. to 8-34 in. Estimate: $400 - $800

For full cataloging and images see our website, BrunkAuctions.com

1297 Twelve Coin Silver Philadelphia Spoons Pennsylvania, 18th/19th century, eight 6 in. teaspoons, sheath of wheat; four 9-1/4 in. serving spoons, marks for William Haverstick, Sr., 12.98 oz. T. Estimate: $500 - $800

1298 Five Pieces James Duffel Coin Silver late 18th century, two teaspoons; sugar tongs; two serving spoons, marks for James Duffel, 5.38 oz. T., 5-1/4 in. to 9 in. Provenance: Private Collection, SC Estimate: $300 - $600

1300 Thomas Fletcher, Silversmith (Philadelphia, Pennsylvania, 1787-1866) Design for an Officer's Sword, 1837, signed lower right "Thos. Fletcher/Philaa. 1837" and inscribed with specifications, ink on paper, 17-7/8 x 23-1/4 in.; unframed Provenance: Private Virginia Collection Estimate: $2,000 - $3,000 This design depicts from left to right the lower blade, the lower scabbard, the upper scabbard, the hilt and the upper portion of the blade. Literature: Fennimore, Donald L., Ann Kelly Wagner, Cathy D. Matson, Deborah Dependahl Waters, and Beth Carver Wees. Silversmiths to the Nation: Thomas Fletcher and Sidney Gardiner, 1808-1842. [Woodbridge, Suffolk, UK]: Antique Collectors' Club, 2007. pg. 106-107 For a similar earlier example see The Metropolitan Museum https://www.metmuseum. org/art/collection/search/26561

1301 Nine Virginia and Maryland Coin Silver Spoons, mid 19th century, serving spoon, Andrew Ellicott Warner, Jr.; two teaspoons, George W. Webb; five spoons, James T. Young, 5.57 oz. T., 9-1/4 in. Estimate: $400 - $800

1302 Four Pieces Baltimore Coin Silver American, early 19th century, marks for George Aiken, 10.67 oz. T., 13 in. ladle and three 9 in. spoons Provenance: MacNeill Collection Estimate: $600 - $1,200

1303 11 Savannah Coin Silver Spoons mid 19th century, Frederick Marquand; David B. Nichols; Nathaniel Butler, 11.89 oz. T., 4-3/4 in. to 9 in. Provenance: Private Collection, SC Estimate: $400 - $800

1304 Three Pieces Ewan Family Coin Silver Charleston, mid 19th century, John Ewan sugar tongs and teaspoon; William Ewan fork, 4.06 oz. T., 5-3/4 in. to 7-3/4 in. Provenance: Private Collection, SC Estimate: $300 - $500

Silver

1305 12 Pieces Virginia Coin Silver Flatware including Mitchell & Tyler; Hartman & Phillips; Thomas McConnell; Charles Lunsden, 13.47 oz. T., 5-3/8 in. to 8-3/4 in. Provenance: Private Collection, SC Estimate: $400 - $600

1306 Seventeen Virginia Coin Silver Spoons late 18th/early 19th century, nine Charles A. Burnett; eight John Adam, 14.11 oz. T., 5-1/2 in. to 8-1/2 in. Estimate: $500 - $800

1307 New Orleans Coin Silver Cup Louisiana, mid 19th century, foliate and flower decoration, die rolled base rim, scroll handle, marked "E. A. Tyler" and "New Orleans", 3.86 oz. T., 4 in. Estimate: $300 - $500

1308 Kirk Coin Silver Tea Caddy American, 1846-1868, bombe form, sheath of wheat finial, marks for S. Kirk & Son (Baltimore, MD), 18.01 oz. T., 6-3/4 in. Provenance: Private Collection, SC Estimate: $500 - $800

May 17, 2019

1299 Four Picture Back Philadelphia Spoons, Pennsylvania, late 18th century, oval handles, urn decoration on back of spoons, monograms, marks for McFee & Reeder (working 1793-1796), 5 in. Provenance: three with Sotheby's New York tags; Private Collection, South Carolina Estimate: $200 - $400

Condition notes available in back of catalog

1309 Tiffany Sterling Tray American, 1892-1902, round with swag and shell border no monogram, marks for Tiffany & Co., "5766...1724", 33.83 oz. T., 13 in. Provenance: Collection of Marion and Theodore Gore, Williamsburg, Virginia Estimate: $1,000 - $1,500

1310 Gorham Sterling Loving Cup American, 20th century, round with three handles, reeded borders at top and bottom, large monogram, marks for Gorham, “A7169”, 55.72 oz. T., 7 x 13-1/2 x 13-1/2 in. Provenance: By descent in the Reid-Settle Family, Reidsville, North Carolina Estimate: $800 - $1,200

1311 Cartier Prelude Sterling Tea Service, Tray, American, 20th century, Prelude pattern, composite spacers, all marked "Prelude", "Cartier" over cancelled maker's mark, no monograms, 152.57 oz. T., 10-1/2 in. coffee pot, teapot, creamer, lidded sugar, waste and 23 in. two handle tray Provenance: Robert Lee Humber; Lucie Bertier Humber, Paris, France/ Greenville, North Carolina; by descent in family Estimate: $2,000 - $3,000

Silver

1313 11 Graff Washbourne & Dunn Sterling Goblets, American, 20th century, grape and vine decoration, marks for Graff, Washbourne & Dunn, 96.69 oz. T., 7 in. Provenance: Private Collection, NC Estimate: $1,500 - $2,000

1314 Unger Sterling Love's Dream Set, 22 Pieces, early 20th century, including four jars with glass bases; two mirrors; five brushes; more, Unger Brothers, 10 in. Provenance: Collection of Marion and Theodore Gore, Williamsburg, Virginia Estimate: $500 - $800

May 17, 2019

1316 Francis I Sterling Flatware, 52 Pieces American, 20th century, including place and service pieces, no monograms, all with marks for Reed & Barton, 67.47 oz. T. Provenance: Private Collection, NC Estimate: $1,500 - $2,000

1317 Dominick & Haff Sterling Flatware, 144 Pieces American, 20th century, New King pattern, including place and service pieces, monograms, all marks for Dominick & Haff, 184.83 oz. T. Provenance: Collection of Marion and Theodore Gore, Williamsburg, Virginia Estimate: $2,500 - $3,500

1312 Set of Twelve Sterling Goblets probably Japanese, 20th century, typical form, no monograms, marked “Sterling/950/Base Weighted”, 6-3/4 in. Estimate: $800 - $1,200

1315 Three Art Nouveau Sterling Dresser Items American, 20th century, He Loves Me pattern by Unger Brothers: hand mirror and brush; with unmarked nail brush Provenance: Collection of Marion and Theodore Gore, Williamsburg, Virginia Estimate: $200 - $400

1318 French Provincial Sterling Flatware, 59 Pieces American, 20th century service and place pieces, all with marks for Towle, 49.78 oz. T.; with wooden case Provenance: Private Collection, North Carolina Estimate: $1,000 - $1,500

For full cataloging and images see our website, BrunkAuctions.com

1323 12 Pieces Sterling Flatware, Tiffany, Jensen, 20th century: Tiffany & Co. Hampton hollow handle pie and serving spoon; six Jensen serving pieces: hollow handle cheese knife, two small ladles, scoop caddy spoon, cheese scoop, (one handle bent); Arthur stone serving spoon and fork; ONC salad set, no monograms, 18.39 oz. T., 4-1/4 in. to 10-1/2 in. Provenance: Private Collection, Fearrington, North Carolina Estimate: $500 - $800

1322 Gorham King Edward Sterling Flatware, 93 Pieces, American, 20th century, place and service pieces, all with marks for Gorham, 98.89 oz. T.; wooden case Provenance: Private Collection, SC Estimate: $1,400 - $1,800

1324 Nine Pieces Tiffany Sterling Flatware American, 20th century, Wave Edge and English King serving pieces, monograms, 25.97 oz. T., 7-1/4 in. to 10 in. Provenance: Private Collection, VA Estimate: $500 - $800

1325 Gorham Chantilly Sterling Flatware, 53 Pieces, American, 20th century, including twelve place pieces, all with marks for Gorham, 51.81 oz. T.; with wooden case Provenance: Conway-Welch Estate Estimate: $800 - $1,200

1327 Durgin Fairfax Sterling Flatware, 96 Pieces, American, 20th century, place and service pieces, monograms, most with marks for Durgin, 76.39 oz. T.; wood case Provenance: Private Collection Estimate: $1,000 - $1,500

1328 Modern Victorian Sterling Flatware, 111 Pieces American, 20th century, place and service pieces, no monograms, all with marks for Lunt, 106 oz. T. Provenance: Provenance: Collection of Marion and Theodore Gore, Williamsburg, Virginia Estimate: $1,200 - $1,600

1326 Gorham Melrose Sterling Flatware, 33 Pieces, American, 20th century, including place and service pieces, no monograms, all with marks for Gorham, 41.82 oz. T. Provenance: Private Collection Estimate: $500 - $800

1329 Grand Baroque Sterling Flatware, 125 Pieces American, 20th century including place and service pieces, all with marks for Reed & Barton, 161.78 oz. T.; with case Provenance: Private Collection, Nashville, Tennessee Estimate: $2,200 - $2,600

Condition notes available in back of catalog

II Silver

1321 Wallace Shenandoah Sterling Flatware, 40 Pieces, American, 20th century including place and service pieces, no monograms, marks for Wallace, 40.53 oz. T. Provenance: Private Collection Estimate: $600 - $900

May 17, 2019

1319 Gorham Chantilly Sterling Flatware, 40 Pieces, American, 20th century, including place and service pieces, no monograms, all with marks for Gorham, 38.38 oz. T. Provenance: Private Collection, NC Estimate: $500 - $800

1320 Georg Jensen Continental Flatware, 88 Pieces, Denmark, 20th century, including eight each of 10 in. knives; 8 in. knives; 5-7/8 in. spreaders; 7-5/8 in. forks; 7 in. forks; 6-5/8 in. forks; 5-5/8 in. forks; 5-7/8 in. teaspoons, narrow bowls; 5-7/8 in. teaspoons, wide bowls; 6-7/8 in. spoons; 6 in. spoons with egg shape bowls, all with marks for Georg Jensen, 83.29 oz. T. Provenance: Private Collection, Fearrington, North Carolina Estimate: $2,500 - $3,500

Jewelry from the Estate of Colleen Conway-Welch

Colleen Conway-Welch, Ph.D., C.N.M, F.A.A.N, F.A.C.N.M, was a powerful force in the field of nursing. Not only was she responsible for transforming the Vanderbilt University School of Nursing in Nashville, Tennessee, but her impact on the healthcare system was felt nationwide.

May 17, 2019

Conway-Welch Estate

Dr. Conway-Welch began her career as a labor and delivery nurse at Georgetown University, where she received her degree, and from there she worked in emergency rooms and became a midwife nurse on the West coast. She was recruited to run the nurse-midwifery program at the University of Colorado Health Science Center in Denver until she was recruited in 1984 to become dean at Vanderbilt University School of Nursing. At Vanderbilt, she overhauled the nursing school’s curriculum, opened its Ph.D. program in 1993 and its Doctor of Nursing Practice program in 2008. Today it is ranked nationally as one of the top nursing schools. She also was active nationally in health policy and education, serving on the President’s Commission on AIDS under President Ronald Regan and as member of the Board of Regents of the Uniformed Services University in Bethesda, Maryland under President George W. Bush. Colleen Conway-Welch’s impact was exceptional in the Nashville community and beyond, not only through her dedication to healthcare and nursing, but with her generous philanthropy. Brunk Auctions is honored to be presenting items from the Colleen Conway-Welch estate.

1330 Cartier 18kt. Diamond Ring marquise shaped en tremblant sections, 65 round brilliant diamonds estimated total weight 1.75cts., F-G, VS, stamped "Cartier, 750, 34-984250" and with eagle head stamp, yellow gold, top of ring 5/8 in. wide, size 7-3/4, 20.9 grams Estimate: $2,000 - $4,000

1331 18kt. Gold Necklace fancy hinged links, "Brev. Sauro, 750" and with Italian hallmarks, 18kt. yellow and white gold, 5/16 in. wide, 16. in. lg., 80.3 g Estimate: $1,500 - $2,500

For full cataloging and images see our website, BrunkAuctions.com

1332 Bucellatti 18kt. Gold Earrings twisted rope knot design, hand inscribed "Buccellati, 18kt., Italy", yellow gold, 7/8 x 3/4 in., 8.2 g Estimate: $800 - $1,200

1333 18kt. Gold, Diamond, Black Onyx Ring oval cabochon black onyx approx. 11 x 9mm, six diamonds, stamped "18K, ANF", yellow gold, tapers from approx. 11/16 to 3/8 in., size 7-1/2, 16.4 g Estimate: $500 - $700

1334 14kt. Gold, Diamond and Enamel Bracelet, hinged sections of safari animals, approx. 335 diamonds est. total wt. 2.5 - 3.0cts., rubies, emeralds, black enamel, 1-1/4 in. wide, 7-1/8 in., 110.7g Estimate: $1,600 - $3,200

1339

1335 14kt. Gold, Diamond & Gemstone Earrings, each with one cabochon stone with mother of pearl backing, one pear cabochon moonstone, 12 diamonds, 3/4 in., 16.8g Estimate: $300 - $500

1338

1336 18kt. Gold & Diamond Bee Earrings each with 27 round brilliant diamonds, stamped "750" and with maker's mark, 18kt. yellow gold, 5/8 in., 15.6 g Estimate: $300 - $500

1338 Brown South Sea Pearl Necklace and Earrings necklace knotted, enhanced chocolate brown pearls ranging from approx. 13.5 to 15mm, mystery clasp, with four pearl extender, one mystery clasp ball with enhanced brown diamonds, 18kt. yellow gold, necklace 19-1/2 in. lg., extender and clasp 2-3/4 in., 146.9 grams, with appraisal and receipt; matching earrings, each with enhanced chocolate South Sea pearl approx. 12mm, post stamped "18K, HH", yellow gold, 5.6 grams Estimate: $3,000 - $5,000

1340 Lalique Butterfly Necklace and Earclips clear glass butterflies, each signed "Lalique", non-gold, necklace 16-1/2 in., 19.7 g, earclips 1-1/4 x 3/4 in., 4.9 g Estimate: $200 - $400

1341 Three Pearl Necklaces pearls ranging from approx. 8.5 to 9mm each, mystery clasps to create one necklace, 16-3/4, 17-1/2, 19-1/2 in. lg., 2 in. extender, 136.0 g Estimate: $400 - $600

1342 14kt. Gold Diamond Stud Earrings each with one round brilliant diamond, estimated 2.20cts., I color, SI, estimated 2.43cts., I-J color, SI, tested 14kt. white gold, 2.1 grams, with appraisal Estimate: $12,000 - $18,000

Condition notes available in back of catalog

Conway-Welch Estate

May 17, 2019

1337 14kt. Gold, Pearl and Diamond Bracelet South Sea cultured pearls approx. 11.5 to 13mm each, 127 diamonds est. total wt. 1.0ct., G-I, SI, 1 in. wide, 7-3/4 in. lg., 89.6g, receipt, appraisal Estimate: $2,000 - $4,000

1339 18kt. Gold Pearl Necklace and Earrings necklace knotted, grey Tahitian pearls ranging from approx. 12 to 16mm each, mystery clasp, additional clasp with 105 round brilliant diamonds estimated total weight 1.50cts., extender with five pearls approx. 12.2mm each, necklace 15-1/2 in. lg., extender 2-3/4 in. lg., clasp 5/8 in. lg., 110.6 grams; matching earrings, approx. 12mm each, stamped "18K, HH", yellow gold, 5.8 grams Estimate: $1,600 - $2,400

1344 14kt. Gold, Diamond & Pearl Pendant copper pearl drop approx. 20 x 15mm, approx. 57 diamonds est. total wt. 1.14cts., G-H, VS, 1 x 3/4 in., 8.4 g, with appraisal Estimate: $800 - $1,200

1345 14kt. Gold Lion Doorknocker Earrings stamped "1982, MMA, 14K", yellow gold, 1 x 11/16 in., 11.7 g Estimate: $200 - $400

May 17, 2019

Conway-Welch Estate

1343 18kt. Gold and Gemstone Necklace set with oval and pear faceted citrine, prasiolite and smoky quartz, approx. 93 round brilliant diamonds estimated total weight 4.65cts., G-I, VS to SI, stamped "750", 18kt. white gold, tapers from approx. 7/8 to 5/8 in. wide, 78.7 grams, with receipt Estimate: $3,000 - $5,000

1347 Elizabeth Gage 18kt. Gold and Gemstone Brooch tourmaline, mother of pearl backed rock crystal intaglios, 16 diamonds, pearls, green enamel, with maker's mark, hallmarks, 2 x 2-1/4 in., 40.8g, receipt Estimate: $1,000 - $2,000

1348 18kt. Gold Sapphire and Diamond Ring yellow sapphire est. wt. 2.60cts., approx. 92 diamonds est. total wt. 1.80cts., G-H, VS, "18K" and remnant of maker's mark, size 5-1/2, 11.5 g, receipt Estimate: $2,000 - $4,000

For full cataloging and images see our website, BrunkAuctions.com

1346 Two Pairs 18kt. Gold Earrings MAZ sunface design, stamped "MAZ 18K", 7/8 in., 14.4g; Ballou swirl design, stamped "750, 18K, Ballou", 3/4 in., 15.8g Estimate: $600 - $800

1349 18kt. Gold & Sunstone Brooch/Pendant oval cabochon sunstone approx. 25 x 21.5mm, tested 18kt. yellow gold, 1-7/16 x 1-9/16 in., 35.5 g Estimate: $400 - $600

1350 1351

1352

1354

1352 Elizabeth Gage 18kt. Gold and Diamond Bracelet hinged bangle, shell design, 34 round brilliant diamonds estimated total weight 0.60ct., stamped "GAGE", tested 18kt. yellow gold, 5/8 in. wide, 6-1/2 in., 99.7 grams, with letter and appraisal from Elizabeth Gage, 2009 Estimate: $3,000 - $5,000

1351 Elizabeth Gage 18kt. Gold and Gemstone Ring center oval cabochon citrine approx. 19.5 x 12.5mm, two round brilliant diamonds estimated total weight 0.20ct., brown enamel, stamped "EG, GAGE" and with remnants of hallmarks, tapers from approx. 1-1/4 to 1/4 in., size 6-3/4, 18.1 grams Estimate: $400 - $600

1353 18kt. Peach Moonstone Pendant hinged bail, oval cabochon peach moonstone approx. 28 x 19mm, tested 18kt. yellow gold, 1-1/2 x 1-1/2 in., 32.8 grams Estimate: $400 - $600

1355 18kt. Gold, Diamond, Pearl & Sapphire Brooch , 10 diamonds, two sapphires, 1/2 x 1-5/8 in., 14.5 g; removable pearl drop, pearl approx. 14.5mm, 1 x 9/16 in., 7.8 g Estimate: $500 - $700

1354 18kt. Gold Intaglio Pendant reversible, one side with black onyx classical scene intaglio, other with engraved initials, stamped "18K", yellow gold, 1-1/4 x 1-1/8 in., 18.8 grams Estimate: $300 - $500

1356 KRIA 18kt. Gold Necklace hollow fancy links, stamped "KRIA, 750" and with Italian hallmarks, 18kt. yellow gold, 3/4 in. wide, 18 in. lg., 103.8 grams Estimate: $2,600 - $3,200

Condition notes available in back of catalog

1357 KRIA 18kt. Gold Bracelet hollow fancy links, stamped "KRIA, 750" and with Italian hallmarks, 18kt. yellow gold, 3/4 in. wide, 7-3/4 in. lg., 46.9 g Estimate: $1,200 - $1,800

II Conway-Welch Estate

1350 Elizabeth Gage 18kt. Gold, Diamond & Enamel Ring four round brilliant diamonds estimated total weight 1.0ct., H-I, VS to SI, orange and brown enamel, stamped "GAGE, 750" and with hallmarks, yellow gold, 5/8 in. wide, approx. size 7-1/2, 13.8 grams Estimate: $1,000 - $2,000

May 17, 2019

1353

1358 1359

1358

1361 1360

1358 Platinum, Gold & Diamond Brooch, Elephant Brooch eagle brooch, approx. 120 assorted old cut diamonds estimated total weight 1.20 to 1.80cts., one round faceted red stone, tested platinum and at least 14kt. yellow gold, hand inscribed "12-11018", 1-3/16 x 1-1/16 in., 11.6 grams, with receipt; elephant brooch, approx. 54 rose cut diamonds, one round faceted red stone, tested sterling silver, 3/4 x 1-1/8 in., 5.6 grams, with receipt Estimate: $1,000 - $2,000

1361 Platinum, 14kt. Gold and Diamond Brooch British Grenadier Guard brooch, approx. 48 old mine cut diamonds, tested platinum and 14kt. yellow gold, 1-1/4 x 1 in., 6.4 grams, with original receipt Estimate: $800 - $1,200

May 17, 2019

Conway-Welch Estate

1359 18kt. Gold, Diamond and Enamel Brooch British regimental brooch, approx. 84 single cut diamonds, two round faceted red stones, one round faceted green stone, green, blue and red enamel, stamped "18ct", white gold, 1-3/8 x 1-1/4 in., 12.2 grams Estimate: $300 - $500

1360 Platinum, 14kt. Gold and Diamond Brooch Queen's Royal Lancer's regiment, 58 rose cut diamonds, blue enamel, tested platinum and 14kt. yellow gold, 13/16 x 1 in., 5.9 grams, with original receipt Estimate: $800 - $1,200

1362 Tiffany & Co. Silver Red Cross Pendant nurse's cross design, red and off white enamel, stamped "Tiffany & Co., 925", sterling silver, 1-1/8 x 1 in., 5.0 g Estimate: $100 - $300

1363 14kt. Gold Elephant Earrings two-tone, each with two round brilliant diamonds, stamped "14ct", yellow and white gold, 3/4 x 3/4 in., 9.1 g Estimate: $200 - $400

1364 U.S. Ambassador Cufflinks United States coat of arms, tested nongold, 7/8 in., 13.4 g Estimate: $100 - $300

For full cataloging and images see our website, BrunkAuctions.com

1365 Three Gold Brooches silver topped gold and diamond initial brooch, 6.1g; pearl and enamel initial brooch, 4.9g; trumpet and flag enamel brooch, 9.8 grams Estimate: $500 - $700

1366 Angela Cummings 18kt. Gold Earrings matte flower design, stamped "1991, Cummings, 18k", yellow gold, 1-1/8 x 1-1/8 in., 28.7 grams Estimate: $600 - $800 1367 Platinum, 18kt. Gold and Diamond Ring Tiffany style "X" design, 64 round brilliant diamonds estimated total weight 0.90-1.0ct., "X" tested platinum, twisted rope tested 18kt. yellow gold, 7/16 in. wide, size 5, 15.7 grams, with receipt Estimate: $800 - $1,200

1368 18kt. Gold, Diamond and Pearl Earrings custom designed, each with one round brilliant diamond estimated weight 1.01.10ct., E-F, VS, one white South Sea pearl approx. 10.5mm, stamped "18K", 1-1/2 x 3/4 in., 33.4 grams, with appraisal Estimate: $9,000 - $12,000 1369 18kt. Gold Diamond Earrings "J" hoop design, each with 10 round brilliant diamonds estimated total weight 0.30ct., F-G, VS, stamped "750" and with maker's mark, 18kt. yellow gold, 3/4 x 5/8 in., 16.7 grams Estimate: $400 - $600

1371 14kt. Gold Bracelet large twisted rope links, stamped "S14KS", yellow gold, 3/4 in. wide, 7-3/4 in. lg., 129.9 grams Estimate: $2,600 - $3,200

Condition notes available in back of catalog

May 17, 2019

1370 18kt. Gold, Diamond and Pearl Necklace Set large link chain with two spacers, 16 round brilliant diamonds estimated total weight 0.32ct., link stamped "18K", yellow gold, spacers 3/4 in. wide, chain 5/8 in. wide, 17 in. lg., 97.0 grams; pendant, hinged bail, 60 round brilliant diamonds estimated total weight 1.75cts., F-G, VS, greenish-yellow stone bead, pearl tassels, clasp stamped "18K", yellow gold, 5 x 3/4 in., 47.0 grams; two pendants, six removable pearl drops, 114 round brilliant diamonds estimated total weight 2.25cts., F-H, VS, white, grey, yellow and brown pearls ranging from approx. 13.5 to 25.5 x 16.6mm, tested 18kt. yellow gold, 3 in., 2-5/8 in., 88.0 grams Estimate: $1,600 - $2,400

Conway-Welch Estate

1373 Tiffany & Co. 18kt. Earrings tapered drop, stamped "T&CO., 750", 18kt. yellow gold, 1-3/4 x 1/8 in., 5.3 g Estimate: $300 - $500

1372 18kt. Gold & Diamond Necklace round tubogas necklace, 46 round brilliant diamonds estimated total weight 2.75cts., F-H, VS, round bead tassels, clasp stamped "Kt 18" and with Italian hallmarks, yellow gold, 17 in. lg., 75.9 grams Estimate: $2,500 - $3,500

May 17, 2019

Conway-Welch Estate

1374 18kt. Gold & Diamond Huggie Earrings 38 diamonds est. total wt. 1.10cts., G-H, VS, stamped "18K, MXM, 750", yellow gold 1/2 x 1/4 in., 6.6 g Estimate: $400 - $600

1376 18kt. Gold and Diamond Necklace Component, clasp/extender for double ended pearl/bead mystery clasp, woven rope design, 12 round brilliant diamonds estimated total weight 0.48ct., stamped "K18, Italy", yellow gold, 3 x 2 in., 42.9 grams Estimate: $800 - $1,200

1375 Golden Pearl Necklace and Earrings necklace, baroque cultured pearls ranging from approx. 11 to 17 x 13.5mm, mystery clasp, 20 in. lg., 91.5g; earrings, pearls approx. 12mm each, 5.4 g Estimate: $400 - $600

1378 14kt. Gold Necklace two-tone Bulgari style links, stamped "14kt, Italy", white and yellow gold, 3/4 in. wide, 16 in. lg., 103.5 grams Estimate: $2,200 - $2,800

1377 Chimento 18kt. Gold Bracelet reversible two-tone links, two diamonds, "Mod. Dep. 750, Chimento" and with Italian hallmarks, yellow and white gold, 1/2 in. wide, 7-1/2 in. lg., 30.6 g Estimate: $700 - $900

1379 18kt. Gold Choker Necklace hinged links, hand inscribed "J.S., 18K", yellow gold, 1-1/4 in. wide, 14 in. lg., 62.5 grams Estimate: $1,500 - $2,000

For full cataloging and images see our website, BrunkAuctions.com

1380 Platinum Diamond Tennis Bracelet 50 baguette diamonds estimated total weight 17.0 to 20.0cts., G-H, VS, tested platinum, 6-1/2 in. lg., 38.8 grams, with appraisals Estimate: $18,000 - $24,000

1383 Three Pairs Gold Earrings free form design, 18kt., 1-1/2 x 1-1/8 in., 11.8g; flexible diamond design, 14kt., 1-1/4 x 3/4 in., 5.3g; granulation design, 14kt., 1-1/16 x 11/16 in., 8.9 g Estimate: $400 - $600

1384 14kt. Gold Bangle Bracelet floral pattern, stamped "14K" and with maker's mark, yellow gold, 3/4 in. wide, 7-1/2 in., 74.2 grams Estimate: $1,500 - $2,000

Condition notes available in back of catalog

1385 14kt. Gold and Gemstone Earrings blue sapphire studs, est. weight 1.0ct. each, 1.3 g; jackets, pink and clear stones, 14kt. gold, 7/16 in., 2.1 g Estimate: $300 - $500

Conway-Welch Estate

1382 14kt. Gold, and Diamond Ring Set engagement ring with marquise cut diamond, 3.01cts., D, VS2, GIA report 2203153719, tested 14kt. yellow and white gold, size 7-1/4, 3.6 grams, with appraisals; with pair of custom made ring guards to fit engagement ring, tested 14kt. yellow gold, size 7-1/2, 10.3 grams; wedding band, stamped "ArtCarved, 14K", yellow gold, 5.7mm wide, size 6, 2.8 grams Estimate: $28,000 - $38,000

May 17, 2019

1381 Two Gold Necklaces omega chain, 14kt. gold, 1/4 in. wide, 16-1/2 in. lg., 29.4 g; neckwire, stamped "750", 18kt. gold, 1mm wide, 17-1/2 in. lg., 4.4 g Estimate: $500 - $700

Jewelry

May 17, 2019

Jewelry

1387 Platinum Diamond Butterfly Pendant 53 old mine and rose cut diamonds est. total wt. 1.50cts., G-I, VS to SI, tested platinum, 1-5/8 x 1-1/4 in., 8.4g Provenance: Private Collection, NC Estimate: $1,000 - $2,000

1388 Platinum and Diamond Ring old European cut diamond est. wt. 0.94ct., F-G, VS, two tapered baguette diamonds est. total wt. 0.25ct., size 7-3/4, 2.7 g Provenance: Private Collection Estimate: $2,000 - $4,000

1389 Platinum Diamond Bangle Bracelet hinged bangle, five round brilliant diamonds est. total wt. 0.12ct., stamped "Pt.950", 4.2mm wide, 6-3/4 in., 13.3 g Provenance: Private Collection Estimate: $300 - $500

1390 Platinum Diamond Ring two asscher cut diamonds estimated weights 1.40cts. and 1.30cts., I-J, VS, two tapered baguette diamonds and two trillion cut diamonds estimated total weight 0.50ct., H-I, VS, stamped "950 PLAT/50", approx. size 6-3/4, 5.2 grams Provenance: Private Collection Estimate: $4,000 - $6,000

1391 14kt. Gold Mabe Pearl Earrings each with one mabe pearl approx. 16mm, stamped "14KP, RB", yellow gold, 7/8 x 7/8 in., 20.4 g Provenance: Private Collection Estimate: $300 - $500

1392 Gold Charm Bracelet pineapple, fire truck, horses, elephants, foxes and owl, 24 charms and chains 14kt, one 10kt., 7-1/2 in. lg., 85.7 g Provenance: Private Collection Estimate: $1,800 - $2,400

1386 18kt. Gold, Diamond & Yellow Sapphire Necklace, 510 diamonds est. total wt. 4.0cts., two sapphires est. total wt. 2.65cts., 2-1/8 x 1-5/8 in., 20 in., 42.1g Provenance: Private Collection Estimate: $2,000 - $4,000

For full cataloging and images see our website, BrunkAuctions.com

1393 Platinum Diamond Ring center step cut diamond 3.33cts., I, VS2, GIA report 6203129514, six baguette diamonds estimated total weight 0.75ct., H-I, VS, stamped "Plat", size 7, 8.4 grams Provenance: Private Collection Estimate: $20,000 - $30,000

1394 14kt. Gold Diamond Ring channel set band with 10 diamonds est. total wt. 0.50ct., stamped "14K", maker's mark, 3.4mm wide, size 6-3/4, 3.1 g Provenance: Private Collection Estimate: $300 - $500

1395 Rolex 18kt. Watch 25mm case, diamond hour marks, Rolex, Oyster Perpetual, Datejust, Superlative Chronometer, clasp 18kt., 6-1/2 in., 61.4g Provenance: Private Collection Estimate: $3,000 - $5,000

1397 Platinum, Sapphire and Diamond Ring three stone ring, center cushion cut blue sapphire estimated weight 1.30cts., AGL report 1099812, Kashmir origin, no heat or clarity enhancements, two old European cut diamonds estimated weight 0.91ct., and 0.97ct., H-I, VS, 24 single cut diamonds estimated total weight 0.24ct., tested platinum, size 8-3/4, 4.7 grams, with appraisal Provenance: Private Collection Estimate: $5,000 - $7,000

1396 Platinum, 14kt. Gold and Gemstone Earrings custom made, four diamonds estimated weights: round brilliant, 0.62ct., H, VVS, round brilliant, 0.61ct., H, VVS, round brilliant, 1.20cts., I-J, VVS-VS, old European cut 1.40cts., H-I, VVS-VS, two pear cut sapphires estimated weight 2.0cts. each, two old mine cut diamonds estimated total weigh 0.30ct., four rose cut diamonds, mountings tested 14kt. and platinum, 1-3/4 x 3/8 in., 7.6 grams Provenance: Private Collection, NC Estimate: $10,000 - $15,000

1398 Art Nouveau 14kt. Gold and Sapphire Ring center cushion cut blue sapphire estimated weight 10.0cts., AGL report 1099813, Ceylon origin, no evidence of heat or clarity enhancement, stamped "14K" and with maker's mark and personal engraving, top of ring approx. 1 x 7/8 in., size 7-1/2, 9.5 grams Provenance: Private Collection, Asheville, North Carolina Estimate: $7,000 - $9,000

May 17, 2019

Jewelry

Condition notes available in back of catalog

1399 Cartier 18kt. Gold Delices De Goa Necklace round amethyst and turquoise beads, eight round brilliant diamonds estimated total weight 0.55ct., stamped "Cartier, 750, 32635A" and with eagle head hallmark, 18kt. yellow gold, 14-5/8 in. lg., 34.0 grams Provenance: Private Collection Estimate: $12,000 - $18,000

May 17, 2019

Jewelry

1400 Cartier 18kt. Gold Delices De Goa Earrings each with amethyst and turquoise beads, three round brilliant diamonds estimated total weight 0.25ct., stamped "Cartier, 750, 38243A", 18kt. yellow gold, 1-1/4 x 1/2 in., 12.5 grams Provenance: Private Collection Estimate: $4,000 - $6,000

1401 14kt. Gold and Turquoise Earclips retro ribbon design, each with four round cabochon turquoise, tested and stamped "14K", yellow gold, 1-1/8 x 7/8 in., 12.0 g Provenance: Private Collection, NC Estimate: $300 - $500

1402 18kt. Gold Bracelet twisted rope links, spurious stamp "Tiffany & Co., Made in Italy", tested 18kt. yellow gold, 5/16 in. wide, 8 in. lg., 42.6 g Provenance: Private Collection, NC Estimate: $1,500 - $2,500

1403 22kt. Gold Brooch/Pendant image of two dolphins, stamped "22c, Fz", yellow gold, 1-3/4 x 2-1/8 in., 13.2 g Provenance: Private Collection Estimate: $400 - $600

1404 Concord 14kt. Gold Watch 33.5mm case, date window, marked "20, 72, 214, 605637, 14K", and with hallmarks, quartz movement, 7-1/2 in. lg., 64.0 g Provenance: Private Collection Estimate: $1,000 - $2,000

1405 Gold Charm Bracelet six 14kt., one "10K", pocket watch "Base metal, 10 microns", gold plated, clasp stamped "14K", 7-1/2 in. lg., 67.9 g Provenance: Private Collection Estimate: $1,000 - $1,500

1406 Gold Coin Bracelet Liberty Head coins dated 1853 to 1880, one side of coin has been entirely altered, black enamel, 7/8 in. wide, 7 in., 39.8 g Provenance: Private Collection Estimate: $1,000 - $2,000

1407 Jabel Platinum Diamond Ring Set unmounted diamond est. wt. 1.0ct., J-K, VS1, size 5, 3.3g; band, diamonds est. total wt. 0.40ct., size 4-3/3, 2.6g, appraisal Provenance: Private Collection, NC Estimate: $2,200 - $3,200

1408 Gold and Coral Necklace and Earrings necklace coral beads, 14kt. beads, clasp 18kt., 38 in. lg., 49.1g; stud earrings, coral approx. 11mm, post tested 14kt., 3.4g Provenance: Private Collection, NC Estimate: $500 - $700

For full cataloging and images see our website, BrunkAuctions.com

1410

1409

1411

1412

1411 14kt. Gold, Diamond and Sapphire Brooch one round old European cut diamond estimated 1.60cts., K-L, VS, nine assorted old cut diamonds estimated total weight 0.95ct., H-I, SI to I, two oval faceted blue sapphires estimated total weight 0.40ct., tested 14kt. yellow gold, 1-1/4 x 1-3/8 in., 4.3 grams Provenance: Private Collection Estimate: $3,500 - $4,500

1410 18kt. Gold Diamond Woven Clutch border with 47 assorted cut diamonds estimated total weight 2.0cts., I-K, VS to SI, stamped "750" and with maker's mark and hallmarks, 18kt. yellow gold, edge with diamonds tested 14kt. white gold, interior lid mirrored and with personal engraving dated 1963, 3-3/4 x 7 x 1-3/4 in., 459.5 grams Provenance: Private Collection Estimate: $12,000 - $18,000

1412 14kt. Gold Diamond Earclips each with eight round brilliant diamonds estimated total weight 0.48ct., G-I, VS to SI, stamped "M. Gates, 14K", yellow gold, 15/16 x 13/16 in., 16.4 grams Provenance: Private Collection Estimate: $500 - $700

1413 14kt. Gold Jade Necklace carved jade pendant, bail tested and stamped "14K", 2-1/4 x 1 in., chain with nine jade beads, tested 14kt., 29 in., 53.3 g Provenance: Private Collection, NC Estimate: $500 - $700

1415 14kt. Gold Sapphire Bracelet three sapphires approx. 4mm each, in hinged coach cover style links, tested 14kt. gold, 3/8 in. wide, 6 in. lg., 33.9g Provenance: Private Collection, NC Estimate: $1,000 - $2,000

Condition notes available in back of catalog

1416 14kt. Gold Diamond Ring center diamond est. wt. 0.90ct., G-I, SI, six diamonds est. total wt. 0.21ct., stamped "14K, Myro", size 9-1/4, 7.1 g Provenance: Private Collection Estimate: $2,000 - $4,000

May 17, 2019

1414 18kt. Gold Lion Head Ring blue and green enamel, stamped "750", yellow gold, approx. size 7-1/2, 7.2 g Provenance: Private Collection Estimate: $200 - $400

II Jewelry

1409 14kt. Gold & Diamond Necklace retro belt buckle design, approx. 134 assorted old cut and round brilliant diamonds estimated total weight 5.0cts., H-L, VS to SI, tested 14kt. yellow gold, approx. 3/8 in. wide, 18 in. lg., 62.5 grams Provenance: Private Collection, Atlanta, Georgia Estimate: $2,000 - $4,000

1417 Pearl Necklace knotted, slightly off round pearls approx. 11mm each, 17 in. lg., 68.8 grams Provenance: Private Collection Estimate: $2,000 - $4,000

1420 14kt. Gold and Pearl Necklace pearls ranging from approx. 4.5 to 8mm each, one old mine cut diamond est. wt. 0.60ct., SI to I, 18 in. lg., 23.3g Provenance: Private Collection, NC Estimate: $500 - $700

1418 14kt. Gold Pearl Necklace knotted, pearls ranging from approx. 7.5 to 10.2mm, clasp with three diamonds, tested 14kt. white gold, 15 in. lg., 33.1 g Provenance: Private Collection, NC Estimate: $400 - $600

1421 14kt. Gold Pearl Necklace knotted, pearls range from approx. 8.5 to 9.2mm, six diamonds, "585, do.029ct.", 27-1/2 in. lg., 74.0 g Provenance: Private Collection Estimate: $400 - $600

1419 2.05ct. Ruby cushion faceted, 2.05cts., 0.4 g Provenance: Private Collection Estimate: $3,500 - $4,500

1422 1.91ct. Golden Sapphire oval faceted, 1.91cts., 0.4 g Provenance: Private Collection Estimate: $300 - $500

May 17, 2019

Jewelry

1424 1.53ct. Ruby cushion faceted, 1.53cts., 0.3 grams, with California Gemological Laboratories Report Provenance: Private Collection Estimate: $2,000 - $4,000

1423 14kt. Gold, Diamond and Gemstone Ring custom made, center round brilliant diamond estimated 2.30cts., E, SI1, two old mine cut diamonds estimated weight 0.70ct. and 0.65ct., three old mine cut diamonds estimated total weight 0.60ct., two old mine cut diamonds estimated total weight 0.18ct., nine round brilliant diamonds estimated total weight 0.37ct., nine baguette diamonds estimated total weight 1.20cts., E-G, VVS to SI, one round faceted blue sapphire estimated weight 0.60ct., one octagon cut ruby estimated weight 0.75ct., four octagon cut rubies estimated total weight 0.48ct., two octagon cut red spinels estimated total weight 1.30cts., stamped "14K", yellow gold, size 9, 21.7 grams, with appraisal Provenance: Private Collection, Asheville, North Carolina Estimate: $22,000 - $32,000

1425 1.68ct. Blue Sapphire oval faceted, 1.53cts., 0.3 g Provenance: Private Collection Estimate: $500 - $700

For full cataloging and images see our website, BrunkAuctions.com

1426 1.22ct. Golden Sapphire oval faceted, 1.22cts., 0.2 g Provenance: Private Collection Estimate: $200 - $400

1427 Platinum, Pearl and Diamond Earrings, each with black Tahitian pearl approx. 14mm, five round brilliant and pear cut diamonds estimated total weight 0.55ct., G-I, VS, stamped â&#x20AC;&#x153;PT, 950â&#x20AC;?, 7/8 x 5/8 in., 14.1 grams Provenance: Private Collection Estimate: $1,500 - $2,500

1429 Platinum and Diamond Art Deco Style Bracelet approx. 351 square, round brilliant, European and single cut diamonds estimated total weight 10.0cts., F-I, VS to SI, tested platinum, 1/2 in. wide, 7-1/8 in. lg., 24.5 grams Provenance: Private Collection Estimate: $4,000 - $6,000

1430 Art Deco Platinum, Diamond & Sapphire Brooch flying goose, carved sapphire, approx. 59 old European cut diamonds estimated total weight 1.25cts., F-H, VS, calibre cut synthetic ruby eye, black enamel, tested platinum, stamped "17073", 5/8 x 1-1/8 in., 6.0 grams, with copy of part of appraisal Provenance: Private Collection, Fearrington, North Carolina Estimate: $2,000 - $4,000 1431 Platinum and Diamond Line Bracelet 38 old European cut diamonds estimated total weight 6.0cts., H-J, VS, stamped "IRID.PLAT", 7 in. lg., 16.5 grams, with appraisal Provenance: Private Collection Estimate: $4,000 - $6,000

II Jewelry

1428 Platinum, Sapphire and Diamond Ring center oval faceted blue sapphire estimated weight 8.9cts., 22 old mine cut diamonds estimated total weight 0.90ct., H-I, SI, tested platinum, size 7-1/4, 7.2 grams Provenance: Private Collection Estimate: $2,000 - $4,000

1433 Antique Platinum Diamond Bow Brooch 27 old European and single cut diamonds estimated total weight 1.0cts., G-I, VS to SI, 24 calibre cut black onyx, carved and frosted rock crystal, mounting tested platinum, 1 x 2-3/8 in., 12.3 grams Provenance: Private Collection, Asheville, North Carolina Estimate: $400 - $600

Condition notes available in back of catalog

May 17, 2019

1432 14kt. Gold, Diamond and Pearl Ring one round pearl approx. 7.5mm, 20 round brilliant and single cut diamonds estimated total weight 0.45ct., stamped "14K", white gold, approx. size 7-1/2, 7.1 grams Provenance: Private Collection Estimate: $200 - $400

1434

1435

1438 Bjorn Weckstrom, Lapponia Silver Necklace, sculptural pendant, "925, Sterling, Finland, Lapponia, Bjorn", pendant 3-1/2 x 2 in., chain 27-1/2 in. lg., 64.2g Provenance: Middendorf Estate Estimate: $600 - $800

1439 Bjorn Weckstrom, Lapponia Silver Cuff Bracelet, sculptural design with figure, "925H, Sterling, Finland, Lapponia, Bjorn" 1-1/2 in. wide, 5-3/4 in., 81.7g Provenance: Middendorf Estate Estimate: $400 - $600

1440 Bjorm Weckstrom Silver Bracelet hinged sculptural links, "ATS, 925H, Sterling, Finland", maker's mark and hallmarks, 7/16 in. wide, 6-1/2 in. lg., 41.9g Provenance: Middendorf Estate Estimate: $300 - $500

1441 Bjorn Weckstrom, Lapponia Silver Bracelet, hinged sculptural links, stamped "925, Sterling, Finland, Lapponia, Bjorn", 1-1/4 in. wide, 7-5/8 in. lg., 104.7 g Provenance: Middendorf Estate Estimate: $400 - $600

1442 Southwestern 14kt. Gold Cuff Bracelet mesa scene, hand inscribed "Origin of the Stars", stamped "14K, Arviso", 1/2 in. wide, 6-1/2 in. lg., 38.1 g Provenance: Middendorf Estate Estimate: $600 - $800

1443 Victor Coochwytewa 14kt. Gold & Silver Bracelet, cuff, adobe design, stamped "Sterling-14K, maker's marks, yellow gold, 5/8 in. wide, 5-3/8 in., 39.7 g Provenance: Middendorf Estate Estimate: $600 - $800

1446 Two Southwestern Silver Cuff Bracelets kachina designs, sterling silver, 1-1/2 in. wide, 5-3/4 in., 78.9 g; inlaid stones, 1 in. wide, 5-3/4 in., 62.5 g Provenance: Middendorf Estate Estimate: $200 - $400

1447 Northwest Silver Raven Cuff Bracelet engraved and oxidized design, inscribed "Raven, D. Chilton", possibly Doug Chilton, 1 in. wide, 5-3/4 in., 47.6 g Provenance: Middendorf Estate Estimate: $150 - $350

1436

1437

1434 Bjorn Weckstrom, Lapponia 18kt. Gold Ring one rough green tourmaline, stamped "750, Finland" and with maker's mark and hallmarks, yellow gold, size 8-1/2, 8.7 g Provenance: Middendorf Estate Estimate: $400 - $600 1435 Bjorn Weckstrom, Lapponia 14kt. Gold Ring watermelon tourmaline slice, with maker's mark and Finnish hallmarks, dated 1971, size between 6-1/4 to 6-1/2, 4.6 g Provenance: Provenance: Middendorf Estate Estimate: $300 - $500

May 17, 2019

Jewelry

1436 Bjorn Weckstrom, Lapponia 14kt. Gold Necklace watermelon tourmaline slices, maker's mark and Finnish hallmarks, 1972, pendant 2 x 1-1/2 in., chain 19 in. lg., 31.0 g Provenance: Middendorf Estate Estimate: $1,000 - $3,000 1437 Bjorn Weckstrom, Lapponia 14kt. Gold Earclips each with one pearl approx. 4mm, stamped "585" and with maker's mark and Finnish hallmarks, dated 1971, 1-5/8 x 3/8 in., 7.0g Provenance: Middendorf Estate Estimate: $300 - $500

1444 Southwestern Silver Cuff Bracelet sun and mesa scene, tested sterling silver, maker's mark, tapers from approx. 1/2 to 7/8 in. wide, 5-1/4 in., 38.2 g Provenance: Middendorf Estate Estimate: $300 - $500

1445 Northwest 14kt. Gold and Silver Cuff Bracelet, bird design, engraved "PAS", tested 14kt. yellow gold and sterling silver, 1 in. wide, 5-3/4 in., 36.9 g Provenance: Middendorf Estate Estimate: $100 - $300

For full cataloging and images see our website, BrunkAuctions.com

1448 Vacheron & Constantin 14kt. Gold Pocket Watch inside case back and cuvette stamped "14K, 585 Fine, 318982", movement "Vacheron Constantin, 338979, F.W. Bromberg, Birmingham, ALA", 2-1/2 x 1-7/8 in., 62.9g; two gold fob chains, 32.8g Provenance: Bremo Plantation, Bremo, VA Estimate: $800 - $1,200

1451 14kt. Gold Pocket Watch, 46mm case, cases tested 14kt. yellow gold, hallmarks, liner paper and bag marked "C. Lumsden & Son, Richmond, VA", 116.6 g Provenance: Bremo Plantation, Bremo, VA Estimate: $400 - $600

1453 Antique Pocket Barometer 27mm case, case tested 18kt. yellow gold but jump rings did not- possibly plated, 1-1/2 x 1 in., 15.8 g, wood and leather box Provenance: Private Collection Estimate: $400 - $600

1454 Rolex 18kt. Gold and Diamond Watch, 22.5 x 27mm case, 28 round brilliant diamonds estimated total weight 1.12cts., F-H, VS to SI, back of case stamped "18K Gold, L+W", inside case back stamped "Rolex, 8356, 18K Gold, L+W, 67949", yellow gold, movement marked "Rolex, 17 jewels, Swiss", woven chain band, clasp stamped "L+W, 750", 18kt. yellow gold, tapers from approx. 1/2 to 3/4 in., 7-1/2 in. lg., 50.4 grams, with original paper and tag Provenance: Private Collection Estimate: $3,000 - $5,000

1456 Southwest Silver and Gemstone Cuff Bracelet, inlaid Rainbow Man design: turquoise, coral and black onyx, tapers from 1-3/4 to 1/4 in. wide, 54.6g Provenance: Middendorf Estate Estimate: $200 - $400

1457 Two Southwestern Turquoise Cuff Bracelets, turquoise, "Sterling, Sam W. Graves", 5-1/4 in., 57.3g; three turquoise cabochons, 9/16 in. wide, 5-1/2 in., 64.8g Provenance: Middendorf Estate Estimate: $300 - $500

1455 Rolex 18kt. Watch 25mm case, silver-tone dial, gold-tone hour marks and hands, date window, stamped "18K, 750, 6900", "6919, 542396, 2035", movement serial number 97827, autobridge stamped "2030", clasp on band stamped "Rolex, Swiss Made, 750" and with hallmarks, 18kt. yellow gold, 5-1/2 in., 57.8 grams, with two additional links Provenance: Collection of James B. MacNeill, North Carolina Estimate: $3,000 - $5,000

1458 Ray Tracey Silver & Gemstone Cuff Bracelet, inlaid stones, stamped with maker's mark for Ray Tracey, Navajo, tapers from approx. 1-1/2 to 5/16 in., 94.6 g Provenance: Middendorf Estate Estimate: $200 - $400

Condition notes available in back of catalog

1459 Southwestern Silver Squash Blossom Necklace, cabochons, engraved "Seff & Loretta-Eriacho, Zuni, New Mex, 4/7/15", tested sterling silver, 25 in. lg., 113.5 g Provenance: Middendorf Estate Estimate: $400 - $600

II Jewelry

1450 Lucien Sandoz 18kt. Gold Pocket Watch 40mm case, sub-seconds dial, engraved "N28918, Lucien Sandoz", cuvette tested 18kt., 2-1/4 x 1-9/16in., 45.8g, key Provenance: Private Collection Estimate: $500 - $700

May 17, 2019

1449 Two 1811 Napoleon Gold Coins French, each impressed "NAPOLEON/EMPEREUR/EMPIRE FRANCAIS.", comprising 20 francs, 6.3 grams; 40 francs, 12.8 grams Provenance: Private Collection Estimate: $500 - $700

1452 18kt. Coin and Diamond Set pendant with gold coin/medallion, 60 round brilliant diamonds estimated total weight 1.30cts., F-H, VS, two round faceted blue sapphires, stamped "18K, U.S.A." and with "SS" maker's mark, yellow gold, 1-7/8 x 1-1/8 in., with necklace chain, stamped "18K, U.S.A", yellow gold, 6mm wide, 19 in. lg.; bracelet chain stamped "18K, U.S.A", yellow gold, 5.8mm wide, 8-1/2 in. lg., 155.9 grams Provenance: Private Collection, Winston-Salem, North Carolina Estimate: $4,000 - $6,000

Property from an Important South Carolina Estate

This impressive collection was formed by a passionate collector over the course of decades. With a focus on great American furniture, clocks, and period lighting, the successful investor and philanthropist purchased primarily from Sothebyâ&#x20AC;&#x2122;s and Christieâ&#x20AC;&#x2122;s, as well as from prominent New York dealers such as Levy and Keno. The collection graced his coastal home for many years, and the family hopes that these great objects will bring as much joy to their new owners as they did to their former owner. For additional provenance details for many lots, see our online catalog.

May 17, 2019

South Carolina Estate

II III

1460 Fine Federal Inlaid Mahogany Lolling Chair Massachusetts, 1790-1810, with sharply peaked, serpentine crest rail, flame birch inset panels, turned and reeded legs, 47 in. Provenance: Israel Sack, Inc., New York; Sotheby's New York, January 2007, sale 8278, lot 583; Christie's New York, September 2011, sale 2468, lot 48 Estimate: $7,000 - $10,000 Accompanied by Christie's sale catalog for September 2011 and a copy of the invoice for $25,000.

1461 Classical Eagle Gilt Wood Convex Mirror, British, early 19th century, stamped "G. Nightingale/Carver and Gilder/143 Leadenhall Street", 28-1/2 in. Provenance: S. Dean Levy, 1989 Estimate: $800 - $1,200

1462 Pair Carved Gilt Wood Wall Appliques, Continental, 19th century, each with a conch shell base supporting an eagle, 19-1/4 in. Provenance: Northeast Auctions, NH Estimate: $800 - $1,200

1463 Pair Paktong Candlesticks circa 1760, fluted baluster form, shaped square bases with shell decoration, one with elephant head mark, 9 in. Provenance: Sotheby's, NY 2011 Estimate: $1,500 - $2,500

1464 Fine Pair George III Paktong Candlesticks circa 1790, fluting on a tapering plinth, beading, 11 in. Provenance: M. & M. Allen Antiques, NH Estimate: $700 - $1,000

For full cataloging and images see our website, BrunkAuctions.com

1465 Guy Carleton Wiggins (American, 1883-1932) Broadway and Old Trinity in the Snow, signed lower left "Guy Wiggins", titled in the artist's hand verso "Broadway & Old Trinity", oil on canvasboard, 16 x 12 in.; modern carved gold painted wood frame, 21 x 17 in. Provenance: J. Assenheim & Son., New York (label backing board verso); Christies, New York, March 1986 Estimate: $25,000 - $35,000

South Carolina Estate

1467 Pair Chippendale Carved Mahogany Side Chairs, probably American, late 18th century, each shell crest, Gothic splat, embroidered slip seat, molded legs, 37-1/2 in. Estimate: $500 - $700

1468 Fine Massachusetts Federal Mahogany Games Table, Boston, 1800-1808, attributed to John and Thomas Seymour (w. 1794/6-1816), 29 x 36 x 16-1/2 in. Estimate: $3,000 - $5,000 Literature: for closely related examples, see: Mussey, Robert D. The Furniture Masterworks of John & Thomas Seymour, pages 348-349. Salem, Mass: Peabody Essex Museum, 2003, cat. no. 107; and Stoneman, Vernon C. John and Thomas Seymour, Cabinetmakers in Boston, 1794-1816, figures 118, 130. Salem, Mass: Special Publications, 1959.

Condition notes available in back of catalog

May 17, 2019

1466 Pennsylvania Chippendale Dish Top Candlestand Philadelphia, 1760-1780, single board mahogany top, compressed ball support and tripod base, 26-1/2 x 22-1/2 x 23 in. Estimate: $500 - $700

III

1469 Pair Swirl Petal Base Candlesticks British, mid 18th century, with stem collar details, scalloped wax lips, twist ejectors, 8-1/2 in. Estimate: $500 - $700

May 17, 2019

South Carolina Estate

II III

1470 Fine Pair Bell Metal Columnar Candlesticks, British, 18th century, stop fluted columns, stepped square bases and square removable bobeches, 11-1/2 in. Provenance: M. & M. Allen Antiques, NH Estimate: $800 - $1,200

1471 Two Pairs George III Brass Candlesticks British, 18th century, pair petal form base; pair with push-up mechanism, 7-1/2 in. to 8 in. Estimate: $1,000 - $1,500

1472 Two Pairs Georgian Brass Candlesticks British, 18th century, pair square base, pair ruffle base, tallest 8 in. Provenance: Christie's Sale HJIII, Lots 28 and 50, (labels attached) Estimate: $500 - $700

1473 Pair Chippendale Bell Metal Candlesticks, 18th century, attributed to Clifford Sandelson, gadrooned, petal base, bulbs, 10 in. Provenance: Northeast Auctions, NH Estimate: $500 - $700

1476 Five Early Brass Candlesticks British, pair, three singles, tallest 7 in. Provenance: Northeast Auctions, NH; Sotheby's, NY; Brunk Auctions, NC Estimate: $500 - $700

1474 Three Pairs Georgian Scalloped Candlesticks, British, 18th century, Queen Anne scallop and "Joseph Wood"; corner lobe base; cut corner round base; tallest 8 in. Estimate: $600 - $900

1477 Two Fine Pairs Early Tapersticks British, 17th century pair with tapered neck; George II pair, petal base, tallest 5 in. Provenance: Sotheby's, NY Estimate: $500 - $700

1475 Thomas Wagstaff Bracket Clock British, late 18th century, mahogany case, brass dial signed "Thomas Wagstaff London" with Roman numerals and Arabic minutes, 20 x 10-1/2 x 7 in. Estimate: $2,000 - $3,000

1478 Six Georgian Miniature Candlesticks, Tapersticks British, 18th century, one pair brass with wood bases; near pair brass tapersticks; and two similar tapersticks, 3-1/4 in. to 4-1/2 in. Provenance: Pair, Northeast Auctions, New Hampshire Lot 1762; Near pair: Sotheby's, NY, lot 77, singles: Sotheby's and Mark and Marjorie Allen Antiques, New Hampshire Estimate: $600 - $900 1479 - No lot

1480 Two Pairs Miniature Brass Tapersticks 18th century, comprising: child's pair with stem rings; pair with octagonal faceted base, tallest 3-1/2 in. Provenance: M. & M. Allen Antiques, NH Estimate: $500 - $700

For full cataloging and images see our website, BrunkAuctions.com

1481 Two Pairs Tall Brass Chippendale Candlesticks, 18th century, Chippendale pair with gadrooning; near pair tapered and scored, tallest 11-1/4 in. Estimate: $400 - $600

1483 Pair Queen Anne Petal Base Candlesticks , 18th century, two similar with removable bobeches, 9-1/2 in. Provenance: Sotheby's, Sale 8280, Lot 119 Estimate: $400 - $600

1484 Two Pairs Brass Candlesticks British, 18th century, pair petal form base and bobeche; pair corner lobe side-cut base, petal form wax lip, 8-1/2 in. Provenance: M.& M. Allen Antiques, N.H. Estimate: $500 - $700

1486 Three Fine Georgian Candlesticks British, 18th century, petal form; shell form; ruffled hexagonal base, 7-1/2 in. to 9-1/4 in. Provenance: Sotheby's Estimate: $600 - $900

1485 Two Pair Georgian Brass Candlesticks British, 18th century, petal form bases with pushup mechanisms, 8 in.; pair with square ruffled bases, 6-1/2 in. Provenance: Northeast Auctions, NH Estimate: $1,000 - $1,500

1489 Pair Louis XV Brass Candlesticks French, 18th century, scalloped octagonal stepped base, all over punch decorated, 9-3/4 in. Provenance: M. & M. Allen Antiques, NH Estimate: $400 - $600

1490 Pair George II Brass Candlesticks British, 18th century, square bases, gadroon borders on bases, turned stems, 11 in. Provenance: M. & M. Allen Antiques, NH Estimate: $500 - $700

1491 Two Pairs Georgian Petal Base Candlesticks British, 18th century, one pair signed "Geo Grove", 8-1/4 in to 9 in. Estimate: $500 - $700

1492 Pair Queen Anne Brass Candlesticks British, 18th century, with stepped, scalloped bases, 9-1/4 in. Provenance: Pook & Pook, 2003, lot 49 Estimate: $400 - $600

1494 Ten 18th Century Brass Candlesticks British, 18th century, pair swirled base; two silver plated; two pairs "Geo Grove"; two singles, 8-1/2 in. to 12 in. Provenance: Sotheby's, 2007, lot 385 Estimate: $1,000 - $2,000

1493 Pair Georgian Brass Petal Base Candlesticks, British, 18th century, push-up, scalloped wax lip, 8-1/4 in. Provenance: Northeast Auctions, August, 2001, lot 442 Estimate: $300 - $500

Condition notes available in back of catalog

III South Carolina Estate

1487 Two Fine Pairs George II Brass Candlesticks British, mid 18th century, pair stamped each "George Grove" and "Geo.Grove"; pair petaled wax lips; tallest 7-3/4 in. Estimate: $500 - $700

1488 Fine Philadelphia Federal Bracket Clock works engraved by Thomas Parker, late 18th century, mahogany case, pagoda form top with brass handle and finials, brass bracket feet, painted metal dial with foliate spandrels, subsidiary dial with "strike" in arch, escapement with hour drop hammer strike on a bell at the top of the movement and hour repeater string on the side of the case, scrolled floral engraved brass back plate and signed "Thos. Parker/Philadelphia", with pendulum and key, 18 in. Provenance: Israel Sack, Inc.; Sotheby's New York, January 20, 2002, lot 1199 Estimate: $5,000 - $8,000 Literature: Israel Sack, Inc. American Antiques from Israel Sack Collection, Vol. IX, pp. 2525. Washington D.C.: Highland House, 1957.

May 17, 2019

1482 Four Georgian Bell Metal Sticks British, circa 1760, pair George II; singles; tallest 6 in. Provenance: Christie's, NY; Sotheby's; M. & M. Allen Antiques, NH Estimate: $600 - $900

1496 Georgina Lara (British, active 1862-1871) A pair of rural farm scenes: Wayside Tavern and a Busy Farmyard, not apparently signed, oil on canvas, 18-1/4 x 14-1/8 in.; matching gilt wood and composition frames, 22-1/2 x 18-5/8 in. Provenance: Christie's New York, February 16,1993, lot 188 Estimate: $1,000 - $1,500 1495 Federal Inlaid Mahogany Desk and Bookcase Boston, 1805-1815, possibly by John, Thomas Seymour (w. 1794/6-1816), upper section with brass gallery, two arcaded glazed doors, adjustable shelved and compartmentalized interior, lower section with hinged writing flap, inlaid long drawer, two lower cabinet doors, shelved interior, 53-1/2 x 37-3/4 x 20-1/4 in. Provenance: Collection of Eugene Bolles; Collection of Mrs. Russell Sage; Metropolitan Museum of Art, New York; Israel Sack, Inc., New York, 1981; Christie's, New York, May 2002, sale 1096, lot 168 Estimate: $4,000 - $6,000 Literature: Stoneman, Vernon C. John and Thomas Seymour, Cabinetmakers in Boston, 1794-1816, pages 118-119. Boston, Massachusetts, 1959. Israel Sack, Inc. American Antiques from Israel Sack Collection, Vol. IV, page 901. Washington, D.C.: Highland House, 1974. This desk has a storied provenance, as it was part of the collection of H. Eugene Bolles (1838-1910) purchased as a core of the American Wing of the Metropolitan Museum of Art. As Christie's stated in their catalog, "H. Eugene Bolles began collecting Americana in the 1880s, and soon had a collection more than 600 objects strong. In 1909, Bolles lent twenty-five of his over 400 pieces with New England origin, to the Hudson-Fulton exhibition at the Metropolitan Museum of Art. This exhibition, which was one of the first of its kind to celebrate the decorative arts of America, was an instant success and spurred Henry Watson Kent to create the first permanent American collection."

May 17, 2019

South Carolina Estate

II III

1497 Pennsylvania Chippendale Mahogany Bowfront Chest, Philadelphia area, late 18th century, original ogee bracket feet, poplar, pine, white cedar secondary, 34-3/4 x 41 x 21-1/2 in. Estimate: $1,000 - $2,000

1498 Queen Anne Walnut Parcel Gilt Mirror probably American, 18th century, scrolled crest, pierced, gilt shell, two part mirror plate, inscription, "TC", 35-1/2 x 12-1/2 in. Provenance: S. Dean Levy, NY Estimate: $500 - $700

1499 Pennsylvania Chippendale Walnut Slipper Chair, Philadelphia area, 18th century, arched crest, figured splat, trifid feet, embroidered muslin upholstered period slip seat, 39-1/2 in. Estimate: $800 - $1,200

1500 New England Chippendale Blocked Serpentine Chest Connecticut, circa 1790, figured cherry case, four dovetailed drawers, white pine secondary, 34 x 41-1/2 x 21-1/2 in. Provenance: Midwestern Private Collection; Sotheby's, New York, sale 6392, lot 1084, January 1993 ($6,000) Estimate: $2,500 - $3,500

1501 Pennsylvania Queen Anne Walnut Slipper Chair, Philadelphia area, 18th century, oxbow crest, scrolled ears, slipper feet, through tenon construction, 37 in. Provenance: Sotheby's NY, June 1998 Estimate: $500 - $700

1502 Chippendale Mahogany Parcel Gilt Mirror, 1750-1780, shaped pierced crest, 41 x 20-1/2 in. Provenance: Israel Sack; Chipstone; Christie's NY Estimate: $600 - $900

1503 Two Leaf Form Table Top Fire Screens American, 19th century, two similar carved mahogany screens on turned adjustable bases, 14-1/2 in.; 17-12 in. Estimate: $400 - $600

1505 Two Fine Georgian Inlaid Tea Caddies British, late 18th/19th century, inlaid shell panels, 4-3/4 x 4-1/2 in.; octagonal, barber pole inlay, 3-1/2 x 5-1/2 in. Provenance: Sotheby's NY, 2011 Estimate: $600 - $900

1504 Fine George III Satinwood Inlaid Shell Tea Caddy, British, early 19th century, three shell panels front, corner fan inlay on lid, brass bail handle, 5-3/4 x 11 in. Estimate: $600 - $900

For full cataloging and images see our website, BrunkAuctions.com

1506 Joseph Thors (British, c.1835-1900) A Pair of Rural Landscapes: Figures by a River, Gent on a Track, signed "J.Thors", oil on panel, 8 x 10 in.; matching gilt wood and composition frames, 14 x 16 in. Estimate: $1,000 - $1,500

1509 Pair Regency Gilt Diminutive Convex Mirrors, British, 19th century, each with gilt frame centering a convex mirror plate, 5-1/2 in.; frame 9 in. Estimate: $500 - $700

1510 Pair Federal Style Carved Gilt Eagle Sconces, late 19th/early 20th century, each well carved spread eagle, two scrolled candle arms, 31 in. Estimate: $1,200 - $1,800

1512 American Chippendale Cherry Pembroke Table, New England, possibly late 18th century, single dovetailed drawer, white pine secondary, cherry gates, 28-1/2 x 32 x 18 in., extended 41 in. Estimate: $1,200 - $1,800

1513 American Chippendale Mahogany Tilt Top Tea Table. New England, late 18th century, scalloped, highly figured top tilts over an urn turned pedestal base, slipper feet, 28-1/2 x 30 x 28-3/4 in. Estimate: $1,200 - $1,800

1511 Fine Pennsylvania Chippendale Tall Case Clock, brass dial signed "Thomas Wagstaffe/London" (w. 1760-1790), moon dial, calendar aperture, brass eight day time and strike, highly figured walnut, waisted case, flanked by quarter inlay columns, period pendulum, weights, winder present, 87-3/4 in. Provenance: Christie's, New York, January 1987, sale 6320, lot 245 Estimate: $6,000 - $9,000 Lot is accompanied by a facsimile of the invoice from Christie's, dated January 1987, for $19,800. As noted in Christie's catalog, "Many Philadelphia tall case clocks with works ordered from Thomas Wagstaffe survive. Wagstaffe was a Quaker clockmaker who worked in London from 1756-1793 and made brass clock works for Quaker cabinetmakers in both Philadelphia and Newport. In the 18th century, Quakers in London and American Colonial cities commonly traded goods in a vast network of direct commercial ties. Wagstaffe probably filled custom orders from Philadelphia clock case makers for these ornamental brass works. Two Philadelphia Chippendale clocks (one is labelled by William Connell) with works by Thomas Wagstaffe are in the Winterthur Museum, ill illustrated in Joseph Downs, American Furniture Queen Anne and Chippendale Periods (New York: Bonanza Books, 1952), figs. 206 and 207."

1514 Pennsylvania Queen Anne Walnut Corner Chair 18th century, pierced splats, shell carved front knee, four cabriole legs, poplar seat supports, upholstered slip seat, 31 in. Estimate: $2,500 - $3,500

Condition notes available in back of catalog

III South Carolina Estate

1508 Regency Carved Gilt Wood Eagle Convex Mirror American/British, late 19th century, eagle perched on rocky plinth, lion head and foliate pendant, 34-1/2 x 18-1/2 in. Estimate: $1,200 - $1,800

May 17, 2019

1507 Two Portrait Miniature Paintings (British or German, 19th c.), An Artist and A Woman, signed "Michaelson 1843", oil on canvas, largest 13-1/2 x 11 in.; framed, largest 16-1/2 x 14-1/2 in. Estimate: $600 - $900

1515 Fine Pair George II Four Shell Candlesticks, British, 18th century, removable shell bobeches, 9-3/4 in. Provenance: M. & M. Allen Antiques, NH Estimate: $1,000 - $1,500

May 17, 2019

South Carolina Estate

II III

1516 Pair George III Brass Shell Form Candlesticks British, 18th century, six shell base and bobeche, 9-1/8 in. Provenance: M. & M. Allen Antiques, NH Estimate: $1,000 - $2,000

1517 Two Pairs George III Spiral Brass Candlesticks, British, 18th century, spiral with knot; wax lip; 9 in. Provenance: Northeast Auctions, NH; Sotheby's, New York Estimate: $500 - $700

1518 Four Early Georgian Brass Candlesticks British, circa 1745, Georgian pair and two singles, tallest 8-1/2 in. Provenance: Christie's NY, 2010, lot 243 Estimate: $600 - $900

1519 Pair George III Brass Candlesticks British, 18th century, stop fluted columns, square pedestal base, 11 in. Provenance: Northeast Auctions, lot 971 Estimate: $400 - $600

1520 Rare Near Pair Early Brass European Candlesticks, possibly Nuremberg, 17th century, baluster shaft, bell base, 3-1/2 in. Provenance: M. & M. Allen Antiques, NH Estimate: $400 - $700

1521 Federal John J. Parry Philadelphia Bracket Clock, early 19th century, mahogany case, painted dial signed "John J. Parry/Philad", with winder and pendulum, 20 in. Estimate: $1,000 - $1,500

1522 Five Early Brass Objects, Casters, Standish, 18th/19th century, standish, original urn form holders; casters, domed pierced tops, 2-3/4 in. to 5-1/2 in. Provenance: Sotheby's NY (casters) Estimate: $500 - $700

1523â&#x2014;&#x2030; Two Fine Georgian Inlaid Tea Boxes British, 19th century, mahogany, two removable compartments; rosewood, burl parquetry inlay, lidded compartments, ivory knobs, 7-3/4 x 14 x 6-7/8 in. Estimate: $500 - $700

1524 Two Early British Tea Caddies British, 18th/19th century, Chippendale mahogany with brass key plate, 6 x 9 in.; inlaid, three interior lidded metal compartments 4-1/2 x 7-3/4 in. Estimate: $500 - $700

For full cataloging and images see our website, BrunkAuctions.com

1527 Fine Pair George I Cast Brass Candlesticks British, 18th century, shell base, 9 in. Provenance: Sotheby's NY, 2001, lot 156 Estimate: $800 - $1,200

1529 Two Pairs George III Brass Candlesticks British, 19th century, two similar pairs with scalloped bases, 7 in. Provenance: Sotheby's NY, 2007 Estimate: $400 - $600

1532 Chippendale Mahogany Parcel Gilt Mirror, British/American, 18th century, scrolled and gilt crest with phoenix ornament, carved mirror surround, early mirror plate, 38-1/2 x 22 in. Estimate: $500 - $700

1533 ConnecticutÂ Chippendale Mahogany Chest late 18th century, serpentine form, four graduated drawers, plum pudding mahogany drawer facings, chestnut, white pine, poplar secondary, original scrolled bracket feet, 33-1/2 x 40-1/4 x 19-3/4 in. Estimate: $3,000 - $5,000

1530 Three Signed George II Brass Candlesticks, British, 18th Century, two marked "Joseph Wood"; one marked "Geo. Grove", approximately 7-1/2 in. Provenance: Christie's, 2010, lot 87 Estimate: $400 - $600

Condition notes available in back of catalog

1531 Four Early British Brass Items 17th/18th century, pair Queen Anne candlesticks, two George III snuffers, tallest 8-1/4 in. Provenance: Sotheby's, 2002 Estimate: $300 - $500

South Carolina Estate

1528 Pair Tall George III Beaded Brass Candlesticks, 18th century, fluted tapering plinth, concave base, rows of beading, 11 in. Provenance: Sotheby's, New York Estimate: $500 - $700

III

May 17, 2019

1525 Pair George III Six Shell Brass Candlesticks, British, 18th century, shell bases and removable shell bobeches, 9 in. Provenance: M. & M. Allen Antiques, NH Estimate: $1,000 - $2,000

1526 Pair George II Cast Brass Candlesticks, British, mid 18th century, petal base form, 8-1/2 in. Provenance: Sotheby's NY, Oct. 2001 Estimate: $800 - $1,200

1534 Early American Wrought Iron Spring Pipe Tongs, American, early 19th century, spring activated, penny terminals, acorn form finial, detail to handle, 17-1/4 in. Provenance: Pook & Pook, Inc., PA Estimate: $500 - $700

1535 Two Pair Early Wrought Iron Spring Pipe Tongs, American/British, 18th/19th century, two pairs, spring activated, 20 in. Provenance: Northeast Auctions, NH Estimate: $600 - $900

1536 Early American Wrought Iron Spring Pipe Tongs, American, late 18th century, spring activated, penny terminals, handle scoring, unique form finial, 17-1/4 in. Provenance: Pook & Pook, Inc., PA Estimate: $500 - $700

1537 Two Pairs Early Wrought Iron Spring Pipe Tongs, American/British, 18th/19th century, two pairs, spring activated, heart finial, longest 19-1/2 in. Provenance: Northeast Auctions, NH Estimate: $600 - $900

1539 Fine and Rare Carved Tobacconist's Figure probably British, circa 1850, counter top figure of a Scottish Highlander taking snuff, mounted to wooden base, 24-1/2 in. Provenance: Sotheby's, New York, sale 8053, lot 964, January 2005 Estimate: $3,000 - $5,000

May 17, 2019

South Carolina Estate

II III

1538 Early American Wrought Iron Spring Pipe Tongs, American, early 19th century, spring activated, penny terminals, heart finial and flat nail head handle, 18 in. Provenance: Pook & Pook, Inc., PA Estimate: $500 - $700

1540 Early Wrought Iron Spring Pipe Tongs American or British, circa 1800, spring activated pipe tongs with penny terminals, handle detail with fine hook, 15 in. Provenance: Pook & Pook, Inc., PA Estimate: $500 - $700

1541 Two Pairs Early Wrought Iron Spring Pipe Tongs, American/British, 19th century, two pairs, spring activated, penny terminals, petal rivet, longest 16 in. Estimate: $600 - $900

1543 Two Pairs Early Wrought Iron Spring Pipe Tongs, American/British, 19th century, spring activated, penny terminals, acorn pair, tall pair; longest 23 in. Estimate: $400 - $600

1544 Heriz Carpet Persian, early/mid-20th century, red with ivory, teal, navy, 8 ft. x 10 ft. 10 in. Estimate: $800 - $1,200

1542 Carved and Polychrome Tobacconist Figure British or American, late 19th century, standing wood figure of Scottish Highlander, 32 in. Estimate: $500 - $1,000

1545 Kubah Rug Kurdish, 20th century, navy ground, three geometric medallions, ivory border, 6 ft. 1 in. x 3 ft. 4 in. Estimate: $500 - $700

1546 Two Persian Rugs Caucasian, circa 1900, Herati design with fish motif, 6 ft. x 4 ft.; two rows hexagonal geometrics, 4 ft. 10 in. x 3 ft. Estimate: $300 - $500

For full cataloging and images see our website, BrunkAuctions.com

1547 Malayer Runner Persian, navy blue field with floral and boteh design, blues, reds, greens, ivory border, 17 ft. 7 in. x 3 ft. 6 in. Estimate: $500 - $700

1548 Arthur Weaver (American, 1918-2008) Oil Drilling Scene, Texas, Early Evening, signed lower left "A. Weaver 1962", oil on canvas, 28 x 42 in.; modern carved gilt wood frame, 34 x 48 in. Provenance: H. Richard Dietrich, Jr.; Pook & Pook, Downingtown. Pennsylvania, October 2010 Estimate: $2,000 - $4,000

1549 American Chippendale Mahogany Serpentine Chest Boston area, late 18th century, blocked and serpentine single board top, four conforming dovetailed drawers, original ball and claw feet, scrolled returns, white pine secondary, 31-3/4 x 38-1/2 x 22-1/2 in. Estimate: $3,000 - $5,000

1552 Fereghan Rug Persian, early 20th century, navy field, all over Herati design with central stepped diamond, red ground floral motif border, 5 ft. x 3 ft. 5 in. Estimate: $400 - $600

1553 Persian Carpet mid 20th century, repeating designs, ivory, pale green, blue, 11 ft. x 8 ft. Estimate: $400 - $600

South Carolina Estate

1551 Kazak Runner, Caucasian, early 20th century, navy ground, five central serrated edge diamonds, spandrels with quadrupeds, geometric star border, 9 ft. 3 in. x 3 ft. 5 in. Estimate: $600 - $1,200

1554 Rare Massachusetts Federal Tall Case Clock dial signed "David Wood/Newburyport" (w. 1790-1850), arched painted dial with rocking American ship (rocks with pendulum), arch painted with erupting volcano, brass eight day time and strike movement, waisted mahogany case, inset quarter columns, fretwork pediment, original brass finials, scalloped base, French feet, period pendulum, winder, two weights present, 86 in. Estimate: $10,000 - $15,000

Condition notes available in back of catalog

May 17, 2019

1550 Kurdish Runner early 20th century, navy ground, octagonal medallions, spandrel with humanoids, geometrics, birds, animals, 9 ft. x 3 ft. 9 in. Estimate: $600 - $1,200

III

1556â&#x2014;&#x2030; Two British Tea Caddies, 19th century, apple form with lift top cover, foil lined interior, 4 in.; satin wood, ivory or bone escutcheon, two lidded compartments, 5 x 8-1/2 in. Estimate: $500 - $700

1555 John George Brown (British/America, 1831-1913) The Finishing Touch, signed lower right "copyright/ J.G. Brown N.A.", inscribed with title stretcher verso, oil on canvas, 24 x 16 in.; reproduction carved gilt wood frame, 28-1/2 x 20-3/4 in. Provenance: Ira Spanierman, Inc., circa 1975, (label verso), New York; Sotheby's New York, September 23, 1993 (label verso) Estimate: $10,000 - $15,000 Exhibited: Spanierman Gallery, New York, "City Streets and Country Glens: Paintings by J.G. Brown", March 1990.

May 17, 2019

South Carolina Estate

II III

1558 Pair George I Walnut Parcel Gilt Pier Mirrors, British, 18th century, each arched, spurred, scrolled crest centers applied gilt shell, two part mirror plate, gilt slip, 35 x 8 in. Provenance: Donald F. Moylan, M.D., Birmingham, Michigan, 1992; Stanley Paul Sax Sale 7087, Sotheby's, New York, January 1998, lot 251 Estimate: $2,000 - $3,000

1559 Brass Mechanical Wine Cradle, Tobacco Cutter, British, 19th century, wine or decanter holder with wooden handle and base, 9-1/2 in.; knife form cutter mounted to mahogany base, 12-1/2 in. Estimate: $500 - $700

1557 Merriam Moore & Co. Terrestrial Globe American, mid 19th century, desk top globe, scrolled iron stand, 9 in. diam., globe only; overall height 14-1/2 in. Estimate: $1,000 - $1,500

1560 Satinwood and Burl Inlaid Tea Caddy British, 19th century, dome lid, burl panels encircled with floral vine inlay, two compartments, 5-3/4 x 7-3/4 in. Provenance: Northeast Auctions, 2009 Estimate: $500 - $700

1561 Fine Pair Federal Inlaid Mahogany Games Tables New York, 1790-1810, each demilune form, five leg design with figured top, inlaid skirt, set with burlwood oval patera, pine secondary, cherry gates, 29-1/2 x 36 x 17-1/2 in. Provenance: Bernard & S. Dean Levy, New York Estimate: $4,000 - $6,000

For full cataloging and images see our website, BrunkAuctions.com

1562 Rare Pair Rhode Island Miniature Andirons, Tongs, 18th century, pair brass and iron Queen Anne andirons, 7 x 7 in.; brass ember tongs, 9-1/2 in. Provenance: Pook & Pook, 2012, lot 524 Estimate: $400 - $600

1566 Two Pairs Miniature Federal Brass Andirons, American, early 19th century, pair ring turned, 6-3/4 x 6 in.; pair faceted finial, 8-1/2 x 10 in. Provenance: Pook & Pook, 2015, lot 359 Estimate: $500 - $700

1569 Rare Pair Miniature Brass and Steel Andirons, Boston, circa 1830, each faceted finial, shaped stem, double spurred arched supports, 9-3/4 x 7-3/4 in. Provenance: Sotheby's, NY, June 1991 Estimate: $400 - $600

1570 Pair Early Miniature Brass Andirons American, Boston area, early 19th century, faceted urn finial, spurred legs on slipper feet, iron billet bar, 8-1/4 in. Estimate: $500 - $700

1567 Federal Mahogany Lolling Chair British/American, early 19th century, arched crest, striped pink silk upholstery, 41 x 27 x 23 in. Estimate: $500 - $700

1568 American Federal Inlaid Mahogany Games Table possibly New York, 1790-1810, bellflower inlaid legs, white pine secondary, maple gates, 29 x 36 x 17-1/2 in. Estimate: $800 - $1,200

1571 New England Federal Serpentine Mahogany Chest Massachusetts, circa 1800, dovetailed drawers, original brass bale pulls, ogee bracket feet, white pine secondary, 32 x 37-1/2 x 20-1/2 in. Estimate: $1,500 - $2,500

Condition notes available in back of catalog

South Carolina Estate

1565 Two Pairs Miniature Brass Andirons American, early 19th century, pair ring turned; pair faceted finials, approximately 5 x 6 in. Provenance: Pook & Pook, 2015, lot 830 Estimate: $500 - $700

III

May 17, 2019

1563 Two Pairs Miniature Brass Andirons American, 19th century, pair octagonal; pair ring turned, largest 8-1/4 x 8-1/4 in. Estimate: $500 - $700

1564 Rare Federal Inlaid Mahogany Architect's Table New York, circa 1795, in rich reddish brown color, highly figured inlaid hinged top, red baize lined interior with ratcheted writing board, two recessed compartments fitted with drawers, front with three inlaid dovetailed drawers, poplar, white pine, and probably sycamore secondary, tapered legs, brass casters, 30 x 37 x 21 in. Provenance: Purchased in 1936 from Joe Kindig, Jr., York, Pennsylvania; Appell Family Collection, Sold Sotheby's, New York, January 18, 2003 lot 1266 Estimate: $6,000 - $9,000 Exhibited at American Art Gallereies, The Girl Scouts Loan Exhibition, New York City, 1929. Literature: American Art Galleries, Loan Exhibition of Eighteenth and Early Nineteenth Century Furniture and Glass for the Benefit of the National Coucil for Girl Scounts, no. 702; Comstock, Helen. "Living with Antiques: The Collection of Mrs. Louis J. Appell at Sinking Springs, York, Pennsylvania", The Magazine Antiques (August 1956): 132; Comstock, Helen. American Furniture. Atglen, PA: Schiffer Publishing, 1962, No. 572.

1572 Chinese School (China Trade, 19th century) A View of the Hongs at Canton, 1847-1856, unsigned, oil on canvas, 17-1/2 x 30-1/2 in.; 19th century gilt wood frame, 20-7/8 x 33-3/4 in. Provenance: Christie's, New York, October 8, 1998, lot 35 Estimate: $5,000 - $8,000

May 17, 2019

South Carolina Estate

II III

1573 Pair Shellwork, Rolled Paper, Foil Wall Sconces, 19th century, each pierced crest, shells, rolled paper, other elements, brass candle arm, 22-1/4 x 12-3/4 in. Provenance: Sotheby's, Jan. 1991 Estimate: $600 - $900

1574 George III Paper Scroll Tea Caddy British, early 19th century, octagonal form, scrolled floral decoration, interior partially foiled, with lid, 5-1/4 x 5-1/4 in. Estimate: $600 - $800

1575 George III Gilt Heightened Paper Scroll Box, British, late 18th/early 19th century, rectangular, inscribed "Imitation filigree work design formed by small rolls of paper and wire", 2-3/4 x 3-1/2 in. Estimate: $400 - $600

1576 George III Paper Scroll Tea Caddy British, late 18th/early 19th century, mahogany rectangular form with scrolled paper floral panels, 4-1/4 x 6-1/2 in. Provenance: Pook & Pook, 2011, lot 130 Estimate: $400 - $700

1577 George III Paper Scroll and Inlaid Tea Caddy, British, late 18th/early 19th century, canted corners, scrolled floral and medallion panels, inlaid molding, 5 x 8 in. Provenance: Brunk Auctions, 2010 Estimate: $500 - $700

1578â&#x2014;&#x2030; George III Gilt Heightened Paper Scroll Caddy, British, late 18th/early 19th century, hexagonal form caddy, overall gilt painted, interior lid with ivory or bone pull, 5-1/8 x 7-1/8 in. Estimate: $500 - $700

1579 George III Paper Scroll and Inlaid Tea Caddy, British, late 18th/early 19th century, round scrolled decoration with inlaid wood borders, 4-1/2 x 7-3/4 in. Provenance: Northeast Auctions, 2010 Estimate: $500 - $800

1580 George III Oval Paper Scroll Tea Caddy British, late 18th/early 19th century, gilt painted borders, later marbled papered interior, 4-1/2 x 7 in. Provenance: Brunk Auctions, 2010 Estimate: $400 - $700

For full cataloging and images see our website, BrunkAuctions.com

1583 Two Chinese Export Lidded Tea Pots probably 18th century, one with courtyard scenes; other with iron red floral decoration, 4-1/2 in. to 5-1/2 in. Estimate: $400 - $600

1587 11 Pieces Rose Medallion Porcelain Chinese, 19th century: large bowl; pair candlesticks, 8-3/4 in.; oval platter; two plates; two covered dishes; and others, 5-1/2 in. to 14-1/4 in. Estimate: $500 - $700

1584 Six Chinese Export Porcelain Objects 18th century, two pairs famille rose plates, all approximately 9 in.; two helmet form creamers, 5-1/4 in. Estimate: $400 - $600

1582 Chinese School (19th century) House Barge on a Lotus Pond, unsigned, gouache on paper, 14-7/8 x 18-1/2 in.; modern gilt wood frame, 19-5/8 x 23-1/8 in. Estimate: $600 - $900

1585 Chinese Export Tray, Fruit Basket with Stand, Qing dynasty, unmarked, hexagonal tray, 15-1/2 x 12-1/2 in.; basket and stand, hand cut piercing, 4-1/4 x 11 x 9-1/2 in. Estimate: $500 - $700

1586 Rose Medallion Covered Tureen, Pair Vases, Chinese, Qing dynasty, tureen, continuous figural vignettes, flower finial, 14-1/2 in.; pair, alternating panels of figures and flowers, 12 in. Estimate: $500 - $700

1588 Five Chinese Blanc de Chine Lamps Qing dynasty/Republic period, each lamp mounted on a wood base, 10-1/2 in. to 14 in. Estimate: $500 - $700

1589 Four Covered Rose Medallion Entrees Chinese, late 19th/early 20th century, pair vegetables, 8-1/4 x 9 in.; tureen, court scenes, 11 x 12 in.; tureen, flowers and butterflies, 10 x 13 in. Estimate: $500 - $700

1590 Two Rose Medallion Covered Hot Water Plates, Chinese, Qing dynasty, two oval servers, complementing covers with berry finials, one plate with associated undertray, 15-3/4 in. to 18 in. Estimate: $500 - $1,000

1592 Tibetan Thanka of Seated Buddha late 19th century, gouache on fabric, depiction of Buddha surrounded by courtyard scenes, cloth border, framed, 25 x 17 in. Estimate: $500 - $700

1593 Tibetan Thanka of Seated Buddha late 19th century, oil on paper, with courtyard surrounded by lotuses, rainbows and other deities, 32 x 24 in. (sight); brass frame, 40 x 31 in. Estimate: $500 - $700

1594 Tibetan Thanka of Mahakala probably 19th century, oil on fabric, central figure of Mahakala riding an elephant, 29-1/2 x 22-1/2 in.; brass frame, 36-1/2 x 29 in. Estimate: $500 - $700

III South Carolina Estate

1581 Two Rose Medallion Tureens with Under Plates Chinese, late 19th century, with strap handles and flower finials, one tureen with figural vignettes, both with matching under plates, all approximately 14-1/2 in. diameter Estimate: $500 - $1,000

1591 Famille Rose Wash Basin Chinese, 19th century, interior with figures in a courtyard, calligraphic inscription over scene, floral border, 5-3/4 x 14-1/2 in. Estimate: $500 - $700

Condition notes available in back of catalog

May 17, 2019

detail

1596 Georges Philibert Charles Maroniez (French, 1865-1933) Moonlight on the Thames, London, signed "G. Maroniez..1912", oil on canvas, 9-1/4 x 16-1/4 in.; Arts & Crafts frame Estimate: $600 - $900

1595 Antonio Nicolo Gasparo Jacobsen (Danish/America, 1850-1921) Paddlewheel Steamship St. Johns, signed lower right "A. Jacobsen 257 8th Avenue, New York, 1880", oil on canvas, 24 x 42 in.; period gilt wood and composition frame, 32 x 50 in. Provenance: New Jersey Historical Society (presumably-see notes); Windsor White, Duxbury, Massachusetts; Christie's, New York, September 2010; Property from an Important South Carolina Estate Estimate: $5,000 - $7,000 Literature: Sniffen, Harold S., Antonio Jacobsen The Checklist: Paintings and Sketches by Antonio N.G. Jacobsen, 1850-1921. New York, N.Y.: Sanford & Patricia Smith galleries, 1984., checklist page 262 & 263. According to Sniffen, the paddlewheel steamship St. Johns was built by Harlan & Hollingsworth, Wilmington. Delaware, and was owned by C.C. Leary & Co. in New York from 1878-1941. This painting is listed as being owned by the New Jersey Historical Society.

II III

1599 John Fannen (British, active 1880-1905) The Brigantine Ship Adolphe & Laura Off Dover, signed lower left "J. Fannen/1887", oil on canvas, 20 x 31 in.; gilt wood frame Estimate: $800 - $1,200

South Carolina Estate May 17, 2019

1597 Edmund Darch Lewis (Pennsylvania, 1835-1910) At the Shore, signed, dated, watercolor and gouache on board, 12-1/2 x 22-3/4 in.; framed Estimate: $500 - $700

1598 Antonio Nicolo Gasparo Jacobsen (Danish/America, 1850-1921) The City of Para American Steamship, 1916, signed lower right "Antonio Jacobsen 1916", oil on board, 20 x 36 in.; carved painted and gilt wood frame, 23 x 39 in. Provenance: Northeast Auctions, August 2004 Estimate: $5,000 - $7,000 Literature: Sniffen, Harold S., Antonio Jacobsen The Checklist: Paintings and Sketches by Antonio N.G. Jacobsen, 1850-1921. New York, N.Y.: Sanford & Patricia Smith galleries, 1984., checklist page 72 & 73. According to Sniffen, the screw steamship City of Para was built by John Roach & Son, Chester, Pennsylvania, and was owned by the U.S. & Brazil S.S. Company, in New York, from 1878-1923. This painting is listed as being owned at time of publication by the Mariner's Museum, Virginia.

For full cataloging and images see our website, BrunkAuctions.com

1600 James Gale Tyler (American, 1855-1931) Schooner by Moonlight, signed, oil on canvas, 30-1/4 x 25-1/4 in.; framed Estimate: $1,000 - $2,000

III

1602 Antonio Nicolo Gasparo Jacobsen (Danish/America, 1850-1921) The Steamship Hekla, signed lower right "A. Jacobsen 1884", oil on canvas, 12 x 20 in.; reproduction carved gilt wood frame, 14-1/2 x 22-1/2 in. Provenance: Sotheby Parke Bernet, New York 1976; Christie's, New York Estimate: $4,000 - $6,000 Literature: Sniffen, Harold S., Antonio Jacobsen The Checklist: Paintings and Sketches by Antonio N.G. Jacobsen, 1850-1921. New York, N.Y.: Sanford & Patricia Smith Galleries, 1984., checklist page 144 & 145. According to Sniffen, the screw steamshhip Hekla was built by Scott & Co. in Greenock, Scotland, and was owned by the Thingvalla Line in Copenhagen from 1884-1910. The location of this painting is listed at time of publication as Sotheby Parke Bernet, NY, in 1976.

May 17, 2019

South Carolina Estate

1601 Montague Dawson, R.S.M.A., F.R.S.A. (British, 1890â&#x20AC;&#x201C;1973) The Tall Ship Sierra Miranda at Full Sail, 1967, signed lower left "Montague Dawson" stamped verso "8751" and inscribed "Copyright Strictly Reserved" along with title, oil on canvas, 24 x 36-1/8 in.; modern gilt wood frame, 30-1/4 x 42-1/2 in. Provenance: Frost and Reed, Ltd., London; The Cooling Gallery, Ltd., London (partial label verso); Sotheby's New York: April 11, 1997, lot 194 Estimate: $20,000 - $30,000 A fine full-rigger, The Sierra Miranda was built by the Scottish company, John Reid & Co, Port Glasgow for the Sierra Steamship Company - Thompson, Anderson & Co, Liverpool. She was registered at 1,888 tons gross and measured 80.7 meters. In 1906, she was sold to Andreas Meling of Stavanger, Norway. Then in 1921, she was sold to International Star Lines in Panama and renamed Maria Borges. She foundered at her moorings at Hampton Roads, Virginia off Newport News in 1922. Two paintings with the subject of the Sierra Miranda are listed in the 1967 Catalog of Copyright Entries published by the Library of Congress. Literature: OFFICE, LIBRARY OF CONGRESS COPYRIGHT. CATALOG OF COPYRIGHT ENTRIES, THIRD SERIES, VOLUME 21, PART 6, NUMBER I: Maps and Atlases, January-June, 1967

Condition notes available in back of catalog

1604 George II Walnut and Parcel Gilt Mirror British, mid 18th century, finely figured bookmatched walnut veneers, scrolled pediment, centering a well carved phoenix finial, 51 x 25 in. Estimate: $2,000 - $3,000

1605 George II Brass Book Cover, Hydrometer Book, British, 18th century, "Sikes's Hydrometer", leather; 10 in. Provenance: Christie's, New York Estimate: $500 - $700

May 17, 2019

South Carolina Estate

II III

1603 Fine Early Georgian Grandmother Clock British, 18th century, brass dial signed "Thomson Chester" (William Thompson, British, w. 1743-c. 1767), brass eight day fusee time and strike movement, Corinthian colonettes, inlaid oak waisted case, period pendulum, iron and brass weights present, 63 in. Provenance: Henry Ford Museum; Sotheby's, New York, October 1992, lot 65 Estimate: $2,500 - $3,500

1608◉ New England Federal Inlaid Mahogany Work Table, Boston area, circa 1800, highly figured mahogany top, rosewood banding, inlaid tapered legs, white pine secondary, 29 x 20-3/4 x 15-1/2 in. Estimate: $1,000 - $1,500

1609 Pair Queen Anne Style Carved Walnut Armchairs, British, late 19th century, each bellflower carved legs, turned stretchers, vintage leather upholstery, brass tacking, loose down cushion, 41 in. Estimate: $600 - $900

1606 Brass Model of a Windlass British, 19th century, mounted on a bow form mahogany base, with attached chain, 13 in. Provenance: Northeast Auctions, 2005 Estimate: $500 - $700

1607 American Federal Carved Gilt Églomisé Mirror paper label for James Todd (Portland, Maine, w. 1820-1861), églomisé panel depicts naval battle, 33 x 18 in. Provenance: label on back for William F. Buckley, Sr.; Kamschatka Estate, Camden, South Carolina; Great Elm Estate, Sharon, Connecticut Estimate: $1,000 - $1,500

1610 16 Early Brass Desk Accessories, Snuffers, 19th/20th century, snuffers with trays or stands; save-all; two boxes; pepper shaker; tallest 8-1/2 in. Provenance: Brunk Auctions, NC Estimate: $500 - $700

For full cataloging and images see our website, BrunkAuctions.com

1611 Assorted Wood, Brass Desk Accessories, Toleware, American/British, 18th century/19th century, snuff tin, brass travel quill, two ink wells, pounce box; tallest 4 in. Estimate: $500 - $700

1614 Seven Early Brass Objects British, 18th/19th century, standish; pair urn finials; pair tapers, petal form bases; bell; and match box, 4-1/2 in. to 9-1/2 in. Estimate: $500 - $700

1615 Queen Anne Mahogany Footstool probably 18th century, slip seat with early flame stitch needlework upholstery, turned legs, Spanish feet, 18 x 17-1/2 x 15-1/2 in. Estimate: $300 - $500

1616 Georgian Style Mahogany Leather Top Desk, late 19th/early 20th century, tooled and gilt green leather, five dovetailed drawers, seven false fronts, 30 x 54 x 35 in. Estimate: $400 - $700

1617 American Federal Bellflower Inlaid Games Table, probably Baltimore, 17901810, figured mahogany, pine secondary, oak gates, 29 x 35-1/4 x 17-1/2 in. Provenance: Sotheby's Estimate: $600 - $900

1619 Three Early Brass Kettles British, 18th-20th century, small kettle with wood handle, marked "J.C.B"; tall baluster shape coffeepot; brass kettle, 7-1/2 in. to 14 in. Estimate: $300 - $500

1620 Isparta Carpet Turkish, early/mid 20th century, large medallion on open ground, slate blue and green highlights, 9 ft. 10 in. x 15 ft. 7 in. Estimate: $1,500 - $2,500

1622 Kubah Rug Turkish, navy ground with three medallions within yellow geometric border, brown ground border with flowers, 4 ft. 9 in. x 3 ft. 9 in. Estimate: $500 - $700

1623 Pair Bidjar Rugs Kurdish, circa 1900, orange ground, stepped navy medallions, geometric mustard spandrels, largest 3 ft. 9 in. x 6 ft. 9 in. Estimate: $500 - $700

1618 Fine Chippendale Mahogany Parcel Gilt Mirror, British, 18th century, finely pierced pediment, gilt phoenix, carved ears, pierced, carved base, early mirror plate, 46 x 22 in. Estimate: $2,000 - $3,000

1621 Hamadan Runner Persian, ivory field with three stepped medallions and connecting line, blue border with boteh, 9 ft. 2 in. x 2 ft. 3 in. Estimate: $600 - $900

1624 Serapi Carpet Persian, early 20th century, medallion and pendants, sky blue and ivory highlights, 10 ft. 10 in. x 8 ft. 1 in. Estimate: $1,500 - $2,500

Condition notes available in back of catalog

III South Carolina Estate

1613 Three Continental Pressed Burl Snuff Boxes, 19th century, three circle boxes, busts with text, figural Punch, tortoiseshell interior, 3-1/4 in. x 3/4 in. Provenance: Northeast Auctions, NH Estimate: $300 - $500

May 17, 2019

1612 Three Carved Wood Table Items British, 19th century, urn form fruit wood tea caddy; laburnum barrel form box; turned caddy, 4 in. to 11-1/4 in. Provenance: Christie's, 2010, lot 858 Estimate: $500 - $700

1625 Marie François Firmin-Girard (French, 1838–1921) Le Jardin de la Marraine (The Godmother's Garden), 1875, signed lower left "Firmin-Girard 1875.", oil on canvas, 11 x 8 in.; fine 19th century gilt wood and composition frame, 21 x 18 in. Provenance: Christie's New York: October 16, 1991, lot 49 (accompanied by the catalog) Estimate: $8,000 - $12,000 This is a miniature format variation of the painting exhibited at the Salon des Artistes Français, 1875, the Metropolitan Museum in New York in 1881 and the Art Institute of Chicago in 1889. According to Patrick Faucheur, "This painting, which was very successful during these exhibitions, was the subject of several copies in small formats." We would like to thank Patrick Faucheur, great-grandson of Marie François Firmin-Girard, for kindly confirming the authenticity of this painting which will be included in his forthcoming Firmin-Girard catalogue raisonné. See also: Sotheby's New York: Thursday, May 5, 2011, Lot 39, for the large version. Literature: Girard, Paul, and Chantal Vezin, Firmin-Girard, 1838-1921. Luchon (BP 75, 31110): Ed. du Cent cinquantenaire Firmin-Girard, 1988, no.41 (book accompanies lot).

II III

May 17, 2019

South Carolina Estate

1627◉ British School Portrait Miniature (early 19th century), inscribed verso "James Edgar..(?) Easton 1802", watercolor on ivory, 2-1/4 in.; framed Provenance: Christie's, June 1998 Estimate: $400 - $600

1626 Edouard Léon Cortès (French, 1882-1969) Place de la Republique, signed lower left "Ed. Cortès", inscribed verso in pencil with two addresses including the artist's, colorman stamp "The Paris American Art Co....Paris", oil on artist board, 6-1/4 x 8-5/8 in.; carved and gilt wood frame, 11-1/4 x 13-1/2 in. Provenance: Sotheby's London: May 4, 1988, lot 215; Christie's East: June 15, 1999, lot 354; Dallas Auction Gallery: October 2, 2013, lot 42 Estimate: $8,000 - $12,000 Edouard Cortès was able to purchase property at 22 rue Macheret in Lagny, inscribed verso, as a home for himself and his mother. This painting will be included in Nicole Verdier's forthcoming catalogue raisonné on the works of Edouard Léon Cortès, volume III.

For full cataloging and images see our website, BrunkAuctions.com

1628◉ A Pair of British Portrait Miniatures (19th century), Red Haired Woman in Peach Gown; Gentleman in Black Cravat, watercolor on ivory, 2-3/4 x 2-1/8 in.; matching metal frames Estimate: $600 - $800

1629 Fine American Chippendale Walnut Dressing Table Lancaster/Chester County, Pennsylvania, circa 1770, highly figured walnut, dovetailed drawers, poplar and white cedar secondary, finely carved shell drawer, scalloped skirt and knees, 29-3/4 x 34-3/4 x 19-3/4 in. Provenance: Miss Adaline Sinnickson; Pook & Pook, September 20, 2003, lot 255 Estimate: $25,000 - $35,000 Literature: Hornor, W. M. Blue Book, Philadelphia Furniture: William Penn to George Washington. Washington: Highland House, 1977.; ill. p.121. Lot is accompanied by a Pook & Pook catalog from September 2003, and by a copy of Hornor's Blue Book.

1630 Pair Regency Giltwood Two Light Eagle Sconces 19th century, gilt ribbon tied tassel form with top knot, central eagle with spread wings beneath a spray of wheat, two scroll arms support candles, electrified, 27-1/2 in. Provenance: Northeast Auctions, Portsmouth, New Hampshire, October 29, 2006 Estimate: $2,000 - $3,000

South Carolina Estate 1632 Pennsylvania Chippendale Four Shell Side Chair, Philadelphia area, 18th century, walnut, shell carved crest and scrolled splat, shell carved cabriole legs, period slip seat, 37-1/2 in. Estimate: $500 - $700

1633 Fine Federal Inlaid Mahogany Lolling Armchair probably Salem, Massachusetts, 1790-1810, arched back, line inlaid arm supports, bellflower inlaid tapered legs, fine silk damask upholstery, 47 in. Estimate: $4,000 - $6,000 Literature: Sack, Albert, Fine Points of Furniture: Early American, New York: Crown Publishers, Inc., 1950, p. 73 identified as "Best". American Antiques from Israel Sack Collection, Highland House, 1986, Vol. VIII, p. 2287, P5799.

Condition notes available in back of catalog

May 17, 2019

1631 George III Inlaid Mahogany Side Table British, early 19th century, oval form, banded figured mahogany top, single dovetailed drawer, oak linings, 28-1/2 x 22 x 16 in. Estimate: $500 - $700

III

1635 Two Similar Small Chippendale Mirrors British/American, 18th/19th century, each with scrolled crests and bases, approximately 23 x 13 in. Estimate: $500 - $700

1634 Delaware River ValleyÂ Queen Anne Walnut Lowboy probably Pennsylvania, 1730-1760, notched top, scalloped skirt, walnut, with poplar, white cedar, and yellow pine secondary, stockinged feet, 29 x 34 x 19-1/2 in. Provenance: Sotheby's, New York, sale 6589, lot 450, June 1994 Estimate: $3,000 - $5,000

May 17, 2019

South Carolina Estate

II III

1637 12 Assembled Monkey Orchestra Figures, British/Continental, 20th century: seven with unidentified mark [-*-]; conductor, mark for Ruskin Pottery; four unmarked, 4 in. to 5 in. Estimate: $500 - $700

1638 Five Meissen Porcelain Monkey Orchestra Figures German, late 19th/early 20th century, four with underglaze blue mark for Meissen, comprising: songstress, marked "no. 13", 4-5/8 in.; timbal carrier, marked "3", 5-3/8 in.; flutist, 6 in.; bagpiper, 5-3/4 in.; timbal drummer, attributed to Meissen, marked "no. 12", 5-3/4 in. Estimate: $1,500 - $2,500

1640 New England Federal Cherry Bowfront Chest 1800-1820, attributed to Nathan Lumbard (Sutton, Massachuetts, 1777-1847), four graduated dovetailed drawers, white pine secondary, 33-1/2 x 38 x 22-3/4 in. Estimate: $1,500 - $2,500

1641 George II Walnut Parcel Gilt Mirror British, mid 18th century, figured walnut veneers, pitched pediment, 41 x 23 in. Estimate: $800 - $1,200

For full cataloging and images see our website, BrunkAuctions.com

1636 New EnglandÂ Chippendale Dish Top Candlestand, Connecticut, late 18th century, possibly Eliphalet Chapin (American, 1741-1807), highly figured cherry, single board dish top, 27-1/2 in. Estimate: $500 - $700

1639 14 Volkstedt Porcelain Monkey Orchestra Figures German, 1915-1981, each with marks for Oldest Volkstedt in underglaze blue, 3-3/4 in. to 6 in. Estimate: $500 - $700

1642 George II Figured Mahogany Bachelor's Chest, British, 18th century, probably original brass pulls, straight bracket feet, oak and pine secondary, 31-1/2 x 35-1/2 x 18-1/4 in. Estimate: $500 - $700

1644 Cecil Kennedy (British, 1905-1997) Spring, signed lower right, "Cecil Kennedy", oil on canvas, 15-7/8 x 20 in.; original gilt wood frame, 22-3/8 x 26-3/8 in. Provenance: MacConnal-Mason & Son, LTD., London, 1988 (accompanied by related documents) Estimate: $6,000 - $9,000 Exhibited: MacConnal-Mason, London, "The Contemporary Scene", No. 44

1646 Edmund Darch Lewis (Philadelphia, 1835-1910) The Blue Zebra, 1909, signed lower right "Edmund Darch Lewis 1909/The Blue Zebra", watercolor on board, 22 x 34-1/4 in.; gilt wood frame, 27-1/2 x 39-1/2 in. Estimate: $1,000 - $2,000

1648 Two Inlaid Jewelry Boxes British, 19th century, mahogany, dovetailed with one drawer, inlaid band on lid, 6 x 12-3/4 in.; inlaid birds eye maple lidded box, 3 x 6-1/4 in. Estimate: $500 - $700

1649 Two Period Carved Mahogany Wall Mirrors, circa 1760/early 19th century: Queen Anne, incised gilt slip; Federal, old plate, 25-1/2 x 13-3/4 in. Provenance: Sotheby's NY, Jan. 2001 Estimate: $500 - $700

1650 Two Early American Dish Top Candlestands, 18th/early 19th century, mahogany single board top, urn turned support; cherry and mahogany, scrolled returns, 25-1/2 x 19 x 19-1/4 in. Estimate: $500 - $700

Condition notes available in back of catalog

1647 Albert Babb Inlsey (American, 1842-1937) Foggy Day, signed lower right "Albert Insley", oil on canvas, 20 x 32 in.; framed Estimate: $1,800 - $2,200

1651 American Federal Carved Mahogany Side Chair, Providence, Rhode Island, circa 1795, urn carved back, silk upholstered saddle seat, 38-1/2 in. Provenance: Sotheby's NY, January, 2002 Estimate: $800 - $1,200

South Carolina Estate

1645 Dianne Elizabeth Flynn (British, born 1939) Secrets, signed lower right "DE Flynn", oil on canvas, 16 x 20 in.; gilt wood and composition frame, 21 x 25 in. Estimate: $600 - $900

III

May 17, 2019

1643 Cecil Kennedy (British, 1905-1997) Spring Flowers in a Glass Vase, signed lower right, "Cecil Kennedy", oil on canvas, 12 x 10 in.; original gilt wood frame, 18-1/4 x 16-3/8 in. Provenance: MacConnal-Mason & Son, LTD., London, 1987 (accompanied by documents) Estimate: $5,000 - $7,000 Exhibited: MacConnal-Mason, London, "The Contemporary Scene", No.33

1653 Assembled Set Ten George III Style Dining Chairs British, 19th century, mahogany, shell carved crests, X backs, yellow silk damask upholstered seats, 38 in. Provenance: Sotheby's New York, April, 2008, sale 8435, lot 25 Estimate: $3,000 - $5,000

May 17, 2019

South Carolina Estate

II III

100

1652 Rare Pennsylvania Federal Tall Case Clock dial signed "Bernard Hendel/Carlisle" (1787-1849), painted metal dial, moon phase, second bit, calendar aperture, brass eight day time and strike movement, cherry, mahogany waisted case, arched pediment, turned feet, yellow pine and poplar secondary, pendulum rod, two weights present, 89 in. Estimate: $4,000 - $6,000

1654 Regency Style Mahogany Three Pedestal Table, 20th century, each top tilts over urn turned pedestal base, brass casters, two leaves, 29-1/2 x 97-1/2 x 47-1/2 in., extended 135 in. Estimate: $1,000 - $1,500

1655 Pennsylvania Chippendale Shell Carved Chair, Philadelphia area, 18th century, walnut slipper chair, shell carved crest, trifid feet, through tenon construction, 37-1/2 in. Estimate: $800 - $1,200

1656 Wedgwood Sterling Cups, Lenox Liners, 24 Pieces, American, 20th century, Lenox liners, 56.39 oz. T. weighable silver, six demitasse and bullions with matching underplates, 3-1/4 in. to 5-1/2 in. Estimate: $700 - $1,000

1657 Three English Silver Plate Candlesticks Sheffield, 19th century, pair, 11-3/4 in.; small taper, mark for Thomas Law and "AW", heraldic device, 6-3/4 in. Provenance: Northeast; Sotheby's Estimate: $300 - $600

1658 Pair Rhode Island Federal Inlaid Games Tables 1790-1810, each mahogany, demilune form, figured top, line inlaid edges, five bookend and icicle inlaid tapered legs, white pine secondary, maple/birch gates, illegible chalk inscriptions at underside, 28-1/2 x 36 x 18 in., extended 36 in. Estimate: $5,000 - $7,000

For full cataloging and images see our website, BrunkAuctions.com

1659 Rare George Hendel Coin Silver Tea Service Carlisle, Pennsylvania, c. 1800, urn forms with bead borders, bird head spout, wooden handles, "W" monograms on body and base of coffee pot, marks for George Hendel (working 1902-1840), 79.43 oz. T., 14 in. coffee pot with matching teapot and creamer and lidded urn Provenance: Pook & Pook, Inc., Downingtown Pennsylvania, April 24, 2009, lot 163 Estimate: $30,000 - $50,000 Hollowware by George Handel is extremely rare. There is only one other tea service known and it is located in the collection of the Cumberland County Historical Society. This set is illustrated in: George Hendel of Carlisle, Pennsylvania Silversmith by Merri Lou Scribner Schaumann, cover, page 32, (accompanied by copy of the book).

1662 Five Piece Wedgwood Sterling Tea Service American, 20th century, all with band of Wedgwood decoration, gilt interiors, composite spacers, 72.95 oz. T., 12 in. coffee pot with teapot, creamer, lidded sugar and waste Estimate: $1,500 - $2,000

1663 Old Maryland Engraved Sterling Flatware, American, 20th century, 122 pieces Kirk: service and place pieces, all with marks for Kirk & Son, 129.56 oz. T.; two silver-plate spoons, (124 pieces total) Estimate: $1,800 - $2,400

1664 Six English Silver Pieces Hollowware, Bateman, Peter and Ann Bateman sugar basket; with five pieces Georgian, various makers, .925 fine, 21.78 oz. T., 3 in. to 7 in. Provenance: Sotheby's, NY Estimate: $800 - $1,200

1665 George II English Silver Tray London, 1754, round scalloped border with shell decoration, central cartouche, later monogram, marks for William Peaston, .925 fine, 28.71 oz. T., 12 in. Estimate: $800 - $1,200

Condition notes available in back of catalog

1666 George III English Silver Coffee Pot London, 1786, paneled urn form, pineapple finial, pedestal base, marks for Thomas Tookey, 30.74 oz. T., 14-3/4 in. Provenance: Sotheby's, January 2006 Estimate: $600 - $1,000

May 17, 2019

1661 George II English Silver Chamberstick London, 1744, round base with scroll handle, heraldic device on thumb and snuffer, marks for James Gould, .925 fine, 12.31 oz. T., 4 in. Estimate: $400 - $600

South Carolina Estate

III

1660 Three English Silver Footed Trays 18th century: makers Robert Pilkington, Robert Jones I, Elizabeth Cooke, .925 fine, 23.75 oz. T., 6-3/4 in. to 7-1/4 in. Provenance: Northeast; Sotheby's Estimate: $600 - $1,200

101

1667 Rhode Island Chippendale Drop Leaf Table Goddard-Townsend School, Newport, 1760-1790, dense figured mahogany, chamfered and stop fluted legs, heavy maple gates, cross brace set with rosehead nails, 28 x 14-3/4 x 42 in. Provenance: Sotheby's, NY, Jan. 1994 Estimate: $5,000 - $7,000

1670 Georgian Mahogany Hanging Cutlery Box, British, late 18th/early 19th century, scalloped, pierced back, knife and fork form inlay, 20-1/2 x 8 x 4-1/2 in. Provenance: Pook & Pook, PA Estimate: $500 - $1,000

1671 Rare American Federal Mahogany Server, circa 1810, single dovetailed drawer, poplar and white pine secondary, 37-1/2 x 42-1/2 x 17-1/2 in. Provenance: Sotheby's NY, June 1992 Estimate: $500 - $700

1672 Two Fine Georgian Mahogany Inlaid Tea Caddies, British, 18th/19th century, two similar with barber pole inlay: three lidded compartments, 6-1/2 x 9-3/4 in.; brass bail handle, 6-3/4 x 9-1/2 in. Estimate: $600 - $900

1673 New York Federal Carved Mahogany Sofa 1800-1810, well carved drapery and ribbon back, reeded, leaf carved arm supports, reeded legs, casters, 36 x 77 x 29 in. Provenance: Christie's, Jan. 2004 Estimate: $2,000 - $3,000

1674 American Federal Carved Gilt Églomisé Mirror, probably New York, circa 1815, pale blue painted églomisé plate with gilt and silvered riverscape decoration, 33 x 19-1/2 in. Estimate: $500 - $700

1675◉ Two George III Inlaid Urn Form Tea Caddies, British, late 18th century, probably tulip, banded octagonal panels, foil lined interiors, ivory pull, 10-1/2 in. Provenance: Pook & Pook, 2004, lot 172 Estimate: $800 - $1,200

1676 Set Six Boston Queen Anne Style Dining Chairs late 19th century, each mahogany, turned stretchers, green upholstered slip seat, 39-1/2 in. Estimate: $800 - $1,200

1677 George II Brass Salver British, 18th century, cut out petaled circumference, three maker's marks top with one "AG", three feet, 8 in. Provenance: Christie's, 2010, lot 326 Estimate: $500 - $700

1678 Seven Assorted Tea Wares, Booth's, Worcester, British/Chinese, 18th/19th century, Booth's Lowestoft teapot, two tea cups, saucers, pair Dr. Wall Worcester cups; 5-3/4 in. Estimate: $100 - $400

1669 Two Federal Gilt Wood Églomisé Mirrors, early 19th century, both diminutive forms with floral églomisé panels, early mirror plates, 26-1/2 in. Estimate: $500 - $700

May 17, 2019

South Carolina Estate

II III

102

1668 Massachusetts Federal Mahogany Work Table, Boston/Salem, early 19th century, figured mahogany, old dark surface, two drawers, original brasses, work bag, white pine secondary, 30-1/2 x 20 x 15 in. Estimate: $800 - $1,200

For full cataloging and images see our website, BrunkAuctions.com

1681 Two Mahogany Inlaid Tea Caddies British, 19th century, rectangular, canted corners, barber pole inlay, 4-3/4 x 7-5/8 in.; rectangular, two lidded compartments, 5-3/4 x 8-1/2 in. Estimate: $400 - $600

1682 Albert Webster Davies (American, 1889-1967) Sewing Bee in the Front Parlor, signed lower right "Davies", oil on masonite, 20 x 23-1/2 in.; modern carved wood frame, 26-1/2 x 30-1/2 in. Provenance: Sotheby's, NY Estimate: $1,500 - $2,500

1683 Georgian Table Dumbwaiter, Wig Stand, Yarn Star, British, 18th/19th century: servante, 15-1/2 x 9-3/4 x 10 in.; adjustable stand, extended 12-1/2 in.; yarn winder, 15-1/4 in. Estimate: $500 - $700

1684 Three Framed Oval Silk Embroideries British, late 18th/early 19th century, silk, watercolor, ink, seated women, gilt frame, 19 x 16 in.; two silk, watercolor, ink, female figures, 11 in. Estimate: $500 - $700

1685 1793 Silk and Watercolor Embroidery British, late 18th century, "Sylva & Her Fawn", "Maria Walker 1793", ink, watercolor and silk on silk ground, 21 x 26 in. (sight), frame, 29-3/4 x 35 in. Estimate: $800 - $1,200

1687 Scherenschnitte Love Letter American, 19th century, unsigned, titled "Hesitation", ink and watercolor on cut paper, 12 in.; framed Estimate: $300 - $500

1688 Four Framed Silk Embroideries British, late 18th/early 19th century, mostly silk, watercolor, and ink scenes with figures, gilt frames, 15-1/2 x 15-1/2 in. to 18-3/4 x 14-1/2 in. Estimate: $600 - $900

1689 Six Framed British Embroideries late 18th/early 19th century, assorted wool, silk and watercolor scenes, most with gilt frames, 7-1/2 x 9-3/4 in. to 18 x 16 in. Estimate: $600 - $900

Condition notes available in back of catalog

1686 Framed Silk Embroidery, "The Little Slumberer", British, early 19th century, round silk, watercolor and ink scene of three youths by a cottage, eglomise mat, gilt frame, 19 in. (sight), 25-1/2 x 28 in. Estimate: $500 - $700

III South Carolina Estate

1680 Albert Webster Davies (American, 1889-1967) Skating Scene, signed lower left "Davies", oil on masonite, 18 x 24 in.; carved burl wood frame, 22 x 28 in. Estimate: $1,500 - $2,500

May 17, 2019

1679 Fine Georgian Mahogany Inlaid Sewing Chest, British, 19th century, quarter fan inlay on lid, one drawer with lift top fitted compartment, four bracket feet, with key, 7-1/8 x 13 x 9-1/2 in. Estimate: $500 - $700

103

1691 Rare Boston Pottery Figural Frog Mug Boston, 19th century, brown Bennington glazed mug with three molded frogs, inscribed on base, "Joseph Beech/Boston Pottery/East Boston/July 4, 1833 (or)1853", 5-3/4 in. Estimate: $400 - $600 The 1856 Boston Directory lists a Joseph Beech, potter, 153 Lexington, The Boston Directory including all Localities in the City Limits, Sampson and Murdock Company, 1856

1692 Two Early Brass Teapots British, 18th/19th century, engraved oblong form, "JP/TP"; brass, 5-1/2 in. Provenance: Christie's, April, 2004, Lot 159 Estimate: $500 - $700

II III

1695 Assembled Collection Six Wax Jacks British, 18th century, four brass; silver plate; iron, 5-1/2 in. Estimate: $400 - $600

South Carolina Estate May 17, 2019

104

1693 Early Brass Tazza with Two Brass Pots 17th/18th century: tazza, armorial engraving; hot chocolate pot, turned wood handle; coffee pot, 9 in. Provenance: M. & M. Allen Antiques Estimate: $500 - $700

1690 American Federal Inlaid Mahogany Tall Case Clock dial signed "Effingham Embree/New York" (w. 1785-1794), arched painted dial, finely painted moon phase, gilt spandrels, second bit, calendar aperture, eight day brass time and strike movement, finely inlaid case, quarter fan and barber pole inlay, quarter columns, winder, pendulum, two weights present, 95-1/2 in. Estimate: $5,000 - $7,000 A similar clock sold at Christie's, New York, December 2005, lot 4, for $38,400.

1694 American Federal Églomisé Gilt Mirror New York, circa 1815, spread eagle crest over gilt églomisé plate, riverscape decoration, 53 in. Estimate: $1,200 - $1,800

For full cataloging and images see our website, BrunkAuctions.com

1696 Pair Early Brass Wall Sconces probably British, 18th century, each with single scrolled single candle arm, 6-3/4 x 13 in. Estimate: $500 - $700

1699 J.B. Smith (American, 19th century) The Residence of John Blair, Brooklyn, 1863; signed, inscribed verso, watercolor on paper, 12-1/2 x 20 in.; framed Estimate: $300 - $500

1700 William Newton Bartholomew (California/Massachusetts, 1822-1898) Two watercolors; Farmyard, Coast, both signed, on paper, largest 13 x 19 in. (sight); matching frames Estimate: $600 - $900

1701 W. R. Vander Veer (American, 19th century) Farm Scene, signed, oil on canvas, 14 x 18 in.; framed Provenance: Schwarz Gallery, PA Estimate: $600 - $800

1703 Fine Pair George III Brass Candlesticks 18th century, rich dark color, boldly formed hexagonal pedal bases, 9-1/2 in. Estimate: $500 - $700

1704 Four Early Brass Candlesticks and Paktongs British, two Queen Anne, circa 1705-1710; two William and Mary, circa 1690, 8-1/4 in. Provenance: Christie's, 2010, lot 218 Estimate: $800 - $1,200

1706 Kurdish Runner Turkish, circa 1900, red ground, two navy medallions, ivory spandrels, masks, birds, flowers, 10 ft. 2 in. x 4 ft. 3 in. Estimate: $500 - $700

1707 Turkish Mihrab Rug Circa 1910, red field with tree of life motif, yellow, purple, green, blue border and red border, 4 ft. 5 in. x 5 ft. 9 in. Estimate: $300 - $500

1702 American School River Landscape (19th Century), Three unsigned Hudson River School works, oil on board, inscribed with titles verso, 4-1/2 x 12 in.; painted and gilt wood frames 9 x 16 in. Estimate: $500 - $700

1705 Signed English Brass Octagonal Sun Dial, British, circa 1765, faintly signed "Edm. Culpeper London Fecit", 8 x 13 in. Provenance: Pook & Pook, 2003, lot 47 Estimate: $800 - $1,200

1708 Serab Runner Persian, circa 1910, camel field, serrated diamond medallions, blue and pink florals, bird motif, 15 ft. x 2 ft. 8 in. Estimate: $500 - $700

Condition notes available in back of catalog

III South Carolina Estate

1698 Thomas Hill (English/Boston/Philadelphia/ California, 1829-1908) Two Chicks and a Basket of Cherries, signed, oil on canvas, 7-1/4 x 13-1/4 in.; period frame Estimate: $2,000 - $3,000

May 17, 2019

1697 August Laux (German/New York, 1847-1921) two chicken paintings: both signed, oil on panel, 7-1/2 x 5 in.; matching frames Estimate: $800 - $1,200

105

By Descent in the family of Governor John Lawrence Manning, South Carolina Mulberry Plantation, Camden, South Carolina, was established in the 1760s, and under the aegis of James Chesnut, II, grew to be one of the largest and most successful inland plantations of the period. The historic Georgian style Mulberry Plantation house was constructed in the 1820s for James Chesnut, II and his wife, Mary Boykin Chesnut. As a United States Senator for South Carolina, James Chesnut was deeply involved in the politics and military campaigns of the Civil War. His wife, Mary Boykin Chesnut, chronicled the Civil war from a Confederate perspective later published as the Pulitzer Prize winning, Mary Chesnutâ&#x20AC;&#x2122;s Civil War. Millford Plantation was established in the 1830s by South Carolina Governor, John Laurence Manning. Its impressive Greek Revival mansion became the locus for the not only family and business activities, but significant local and national issues as well. With John Laurence Manningâ&#x20AC;&#x2122;s second marriage to Sally Bland Clarke, the families of the Mulberry and Millford Plantations were joined, and their interests and art were intermingled forever. Brunk Auctions is pleased to offer a very fine collection of furniture and decorative arts from these prominent South Carolina families.

1709 Southern Federal Inlaid Mahogany Silver Chest probably South Carolina, 1790-1810, rare form, hinged lid, opens to removable dovetailed mahogany tray, over open interior, facade with three false drawer fronts, tapered legs, yellow pine bottom board, white pine (?) backboard, 34 x 31-1/2 x 18 in. Estimate: $6,000 - $9,000

1710 Civil War Artillery Bolt 19th century, iron, traces of white or yellow paint, 8-1/2 in. Estimate: $500 - $700

1714 Set of Three Hayden and Gregg Stands American, mid 19th century, openwork floral, scroll and shell decoration, cut glass inserts, largest with lid (possibly later) with floral finial, each with applied monograms "JLM" (John Lawrence Manning), all with marks for Hayden & Gregg (Charleston, South Carolina and New York City, 1832-1846), 31.96 oz. T., two 2 x 3-1/4 in. and one 3 x 5-1/2 in. Estimate: $1,000 - $2,000 For similar example see Brunk Auctions, May 15-16, 2015, Millford Plantation, South Carolina, lot 476.

1715 Vintage Louis Vuitton Steamer Trunk French, circa 1939, serial 823109, lock 109151 (?), quilted interior, removable tray, lock and brasses with monogram stamp, casters, 13 x 36 x 20 in. Estimate: $2,000 - $3,000

1716 Kirk King Sterling Flatware, 27 pieces American, 20th century, including place and service pieces, no monograms, all with marks for S. Kirk & Son, 42.59 oz.T. Estimate: $600 - $900

Condition notes available in back of catalog

1717â&#x2014;&#x2030; American Classical Rosewood Desk mid 19th century, spinet desk, rosewood and walnut, hinged lid, open interior, false drawer front, yellow pine bottom board, 28-1/2 x 32 x 16 in. Provenance: Mulberry Plantation, Camden, South Carolina Estimate: $200 - $400

III Mulberry Plantation

1713 Nineteen Pieces Silver Flatware most American, mid 19th century, including coin silver pie servers, spoons, two Virginia; Hester Bateman sugar tongs, 24.16 oz. T., 5-3/8 in to 10-1/4 in. Estimate: $400 - $600

Early photo showing the bed at Mulberry Plantation

May 18, 2019

1711 American Federal Carved Mahogany Side Chair, New York/possibly Charleston, South Carolina, circa 1810, old mellow surface, finely carved urn back, tapered legs, ash secondary, 35-1/2 in. Estimate: $400 - $600

1712 Rare Southern Federal Tobacco Leaf Carved Bed Carolinas, possibly Charleston, circa 1800, reeded, urn turned foot posts with drapery and tobacco leaf decoration, square bases with large bellflower inlay, tapered square head posts, solid mahogany rails, 83 x 81-1/4 x 61-1/2 in. Provenance: Mulberry Plantation, Camden, South Carolina. Ellen Manning Williams Glover to her daughter, Sally Bland Glover Johnson in 1974 (see note at photograph verso). Estimate: $3,000 - $5,000 Lot is accompanied by a letter from Frank L. Horton (MESDA) suggesting the bed is from Charleston and by a photograph of bed located in a Mulberry Plantation, Camden, South Carolina bedroom.

107

1718 Nicholas Alden Brooks (New York, 1840-1904) A Royal Flush, signed lower right "N.A. Brooks", titled lower left "A Royal Flush", oil on panel, 10 x 15-1/4 in.; period carved gilt wood and composition frame, 17-3/4 x 23 in. Estimate: $5,000 - $7,000

1719 Henry Benbridge (South Carolina, 1743-1812) Portrait of Elias Ball, III of Charleston, (1752-1810), oil on canvas, 30-1/8 x 25-1/8 in.; antique gilt wood and gesso frame, 35-3/4 x 30-3/4 in. Provenance: Important Southern Collection Estimate: $6,000 - $9,000 This painting was attributed to Henry Benbridge by Robert Stewart, curator at the National Portrait Gallery, Washington D.C. It was then included in his exhibition catalogue for the Benbridge show in 1971. Previously, the painting was thought to have been executed by Jeremiah Theus (1716-1774). Ellis Ball, III acquired Pilmco Plantation in 1810. This property was part of a larger property known as Mepshawwhich was located in Kitteredge, South Carolina on the Western Branch of the Cooper River. It was here that generations of Balls cultivated and sold rice and other goods, and prospered.

Southern

1720 After William Sydney Mount (New York, 1807-1868) The Power of Music, 19th century copy, oil on canvas, 29 x 36-1/4 in., gilt frame, 38-1/2 x 45-1/2 in. Provenance: The Charleston Renaissance Gallery, South Carolina Estimate: $1,000 - $1,500

1722 James Wallace (Tennessee, 1852-1921) East Tennessee Landscape, 1893, signed, oil on board, 14-3/4 x 18 in.; framed Provenance: Important Southern Collection Estimate: $1,200 - $1,400

1723 Gladys Smith (Washington D.C., 1890-1980) The Scolding, signed "GNS", inscribed verso "by Gladys Nelson Smith", oil on board, 9-1/2 x 6-3/4 in.; carved and gilt wood arts and crafts frame, 16 x 13-1/4 in. Provenance: An Important Southern Collection Estimate: $1,000 - $1,500

Condition notes available in back of catalog

Southern

III

May 18, 2019

1721 Alfred Heber Hutty (Charleston, South Carolina/New York, 1877-1954) The Potato Pickers, circa 1935, unsigned, oil on canvas, 16-1/4 x 20 in.; modern gilt wood frame, 20-3/4 x 24-1/2 in. Provenance: Carolina Prints and Frames (Carolina Galleries), Charleston, South Carolina; Private South Carolina Collection Estimate: $20,000 - $30,000 Exhibition label verso: Greenville County Museum of Art; Included in "Work Song", May 15-July 1, 1990, and McKissick Museum, Columbia, South Carolina, September 2 - October 28, 1990; also has loan history at the Gibbes Museum of Art, 1990 The work of Alfred Hutty has come to be closely linked with the Charleston Renaissance movement, a time loosely delineated by World Wars I and II. It was through the work of artists, writers and historians that the City of Charleston came back to the national consciousness. This thriving seaport had not fared well through the Civil War and reconstruction but its grit and poise held the city and its inhabitants together. By the 1920's both visiting and local artists found the vistas, the street life and the low country landscape to provide an almost endless supply of creative inspiration. Potato Pickers in the Low Country is closely related to Hutty's drypoint of the same name. They differ slightly in composition and also in the specificity of his rendering of the figures. Another related work in the collection of the Gibbes Museum, Charleston, South Carolina is The Discussion Group, watercolor, circa 1940. In some of Hutty's work we can be sure we are seeing a particular person or group engaged in activity. At other times faces are abstracted or rendered in a generalized way. This work by Hutty is informed by two discernable forces. The first is the viewpoint of a visitor - Hutty only lived in Charleston a few months each year. As Alexis Boylan points out in The Life and Art of Alfred Hutty, Woodstock to Charleston, "Hutty gives the viewer beauty and proximity without the demands of engagement and responsibility." He is also an artist that regularly traveled between Woodstock, NY and Charleston, SC. This work hints that he was well aware of the growing trend toward Modernism in America.

109

1724 William Aiken Walker (South Carolina, 1839-1921) Man Holding Possum, signed lower left "WA Walker", oil on canvas, 18-1/4 x 10-1/4 in.; period gilt wood and composition frame 24-1/2 x 16-1/4 in. Provenance: An Important Southern Collection Estimate: $20,000 - $30,000

1725 Elizabeth O'Neill Verner (Charleston, South Carolina, 1883-1979) Rachael, signed lower right "Elizabeth O'Neill Verner", inscribed verso "Mr Frank Knight/Norcross Georgia/"Rachael", pastel on silk, 21 x 13 in.; original frame, 24 x 15-3/4 in. Provenance: Private North Carolina Collection Estimate: $8,000 - $12,000

May 18, 2019

Southern

III

110

1726 Elizabeth O'Neill Verner (Charleston, South Carolina, 1883-1979) Rebbecca Smoking a Pipe, signed lower left "Elizabeth O'Neill Verner", inscribed verso "Rebbecca", pastel on silk, 9 x 8-3/4 in.; original frame, 12 x 11-1/2 in. Provenance: Private North Carolina Collection Estimate: $4,000 - $6,000

1727 Three Southern Related Books, Verner Letter Mellowed by Time, by Elizabeth O'Neill Verner, Columbia, South Carolina: Bostick & Thornley, 1941, signed by author on frontispiece, with dust jacket; handwritten letter on personal stationary of "Elizabeth O'Neill Verner / Studio - 38 / Tradd Street / Charleston 1, S. C. / Dial 2-4246" reads in part "...I sent the manuscript to MacMillan Sept 1st and have not heard from them. My agent said not to come to NY before 21st of Sept. at least so I'm here on a limb... from your devoted, Beth"; Plantations of the Carolina Low Country, by Samuel Gaillard Stoney, Charleston, South Carolina: Carolina Art Association, 1939, with dust jacket; Gateways & Doorways of Charleston South Carolina in the Eighteenth and Nineteenth Centuries, by Elizabeth Gibbon Curtis, New York: Bonanza Books, 1926, with dust jacket Estimate: $800 - $1,200

For full cataloging and images see our website, BrunkAuctions.com

1728 Alice Ravenel Huger Smith (Charleston, South Carolina, 1876-1958) Plantation Field, signed lower right "Alice R.H. Smith", watercolor on paper, 9 x 12 in.; modern frame, 18-1/4 x 20-1/2 in. Provenance: From the family; By descent to Sarah Harleston Huger of Richmond Plantation; By descent to Nancy Brocklehurs; By descent to the present owner Estimate: $15,000 - $20,000 "The fields are beautiful alike when green or tawny in the fall, or silver when the grasses were in their last glory. Others were orange when the broom-grass had its November coloring. The rice fields were golden with the ripe rice in summer." ARHS, Reminiscences, 99 (as quoted in M. Severens, An Artist, A Place and a Time).

1729 Alice Ravenel Huger Smith (Charleston, South Carolina, 1876-1958) Plantation Field, signed lower right "Alice R.H. Smith", watercolor on paper, 9 x 12 in.; modern frame, 18-1/4 x 20-1/2 in. Provenance: From the family; By descent to Sarah Harleston Huger of Richmond Plantation; By descent to Nancy Brocklehurs; By descent to the present owner Estimate: $5,000 - $10,000

1730 Alice Ravenel Huger Smith (Charleston, South Carolina, 1876-1958) Fall Foliage on the Marsh, signed lower right "Alice R.H. Smith", watercolor on paper, 9 x 12 in.; modern wooden frame, 18-1/4 x 20-1/2 in. Provenance: From the family and thence by descent to Sarah Harleston Huger of Richmond Plantation, by descent to Nancy Brocklehurst and thence by descent to the present owner. Estimate: $4,000 - $6,000

1731 Alice Ravenel Huger Smith (Charleston, South Carolina, 1876-1958) Birds Over a Marsh, signed lower right, "Alice R.H. Smith", watercolor on paper, 9 x 12 in.; modern wooden frame, 18-1/2 x 20-1/2 in. Provenance: From the family and thence by descent to Sarah Harleston Huger of Richmond Plantation, by descent to Nancy Brocklehurst and thence by descent to the present owner. Estimate: $5,000 - $10,000

Condition notes available in back of catalog

May 18, 2019

Southern

III

111

1733 Southern Federal Six Drawer Walnut Chest, 19th century, dovetailed drawers, yellow pine and other mixed secondary woods, inlaid kite escutcheons, tall bracket feet, 48 x 39 x 18-1/2 in. Estimate: $500 - $700

1732 Rare Virginia Chippendale Walnut Dressing Table Rappahannock Area, 1760-1780, molded two board top, single dovetailed drawer with poplar secondary, original brass pull, scalloped skirt, Persian arch side skirts, boldly formed legs with trifid feet, 28-1/2 x 35-1/2 x 20 in. Estimate: $15,000 - $25,000

1734 American Limestone, Wrought Iron Footscraper, 19th century, scrolled, pierced ironwork, 13 x 17 x 7 in. Provenance: Private Collection, TN Estimate: $300 - $500

III

May 18, 2019

Southern

1736 Unusual Chippendale Walnut Lift Top Chest Pennsylvania/Southern, 18th century, old dark surface, original strap hinges, lidded interior till, dovetailed drawers, original batwing brasses, escutcheons, tall stockinged carved feet, 36 x 51-1/2 x 24-1/2 in Estimate: $2,000 - $3,000

112

1735 Charleston Chippendale Mahogany Chest on Chest 18th century in part, fine blind fretwork pediment, stop fluted chamfered corners, ogee bracket feet, cypress and white pine secondary, 75 x 43 x 24 in. Estimate: $5,000 - $7,000 Lot is accompanied by Humphrey's Thomas Elfe, Cabinetmaker. Literature: for similar examples see: Humphrey, Samuel A. Thomas Elfe, Cabinetmaker. Charleston, SC: Wyrick, 1995.

1737 Hamadan Runner Persian, 20th century, navy, quadrupeds, leaves, 13 ft. 8 in. x 3 ft. 4 in. Provenance: Private Southern Collection Estimate: $600 - $900

For full cataloging and images see our website, BrunkAuctions.com

1738 Feraghan Carpet Persian, circa 1900, Arabesque, green, red, yellow trailing vines, 15 ft. 9 in. x 10 ft. Provenance: Private Collection Estimate: $800 - $1,200

1739 Fine American Federal Inlaid Mahogany Sideboard Baltimore, Maryland, 1790-1810, serpentine form, highly figured plum pudding mahogany, lightwood banded drawers and doors, single long drawer, four cabinet doors, tapered legs with fine bellflower inlay, 39-3/4 x 72-1/4 x 28 in. Provenance: By Descent in the Jenkins Family of Baltimore, probably from William Jenkins (1767-1843) or Thomas Courtney Jenkins (1802-1881) Estimate: $10,000 - $15,000

III

1742 Persian Runner 20th century, three medallions, humanoid figures, birds, 9 ft. 5 in. x 3 ft. 6 in. Provenance: Private Southern Collection Estimate: $600 - $900

1743 Salem North Carolina Walnut Secretary Johann Frederick Belo (German/American, 1806-1827), rich brown color, uppercase with panel doors and shelved interior over fitted desk with nine dovetailed drawers, inlaid kite escutcheons, poplar secondary, 93-1/2 x 46-1/2 x 22-1/4 in. Estimate: $4,000 - $6,000

Condition notes available in back of catalog

May 18, 2019

1741 Persian Carpet 20th century, orange field, blue medallion, camel border, 11 ft. x 8 ft. 8 in. Provenance: Private Collection, GA Estimate: $800 - $1,200

Southern

1740 Caucasian Gallery Rug Late 19th/early 20th century, hooked edge medallions on red, 4 ft. 7 in. x 14 ft. 4 in. Provenance: Private Collection, SC Estimate: $2,000 - $3,000

113

1745 Heriz Carpet Persian, serrated medallion, red, blue and green spandrels, 15 ft. 11 in. x 9 ft. 11 in. Provenance: Private Collection Estimate: $800 - $1,200

1744 North Carolina Federal Walnut Sideboard attributed to Fayetteville, 1800-1820, four doors, four dovetailed drawers, yellow pine secondary, inlaid teardrop escutcheons, tapered legs, 42-1/2 x 62 x 20-1/4 in. Provenance: from the Collection of Salem Academy and College, Winston-Salem Estimate: $8,000 - $12,000 Literature: closely related sideboards are illustrated in Bivins, John. The Furniture of Coastal North Carolina: 1700-1820. Chapel Hill u.a: Univ. of North Carolina Pr, 1988. p.438-441.

III

1748 Margaret Rudisell (American, 1857-1933) Cumberland Knob, "Asheville North Carolina ...", oil on board, 9 x 15 in.; framed Provenance: Private Collection, VT Estimate: $500 - $700

Southern May 18, 2019

114

1746 Kashan Carpet Persian, 20th century, medallion, floral sprays, signed verso, 12 ft. 8 in. x 9 ft. 7 in. Provenance: Conway-Welch Estate Estimate: $1,000 - $1,500

1747 Francis Speight (Pennsylvania/North Carolina, 1896-1989) Untitled Mill Scene, oil on canvas board, 12 x 16 in.; gilt wood frame, 17-1/8 x 21-1/8 in. Provenance: An Important Southern Collection Estimate: $8,000 - $10,000

For full cataloging and images see our website, BrunkAuctions.com

1749 August Cook (South Carolina, 1897-1990) Portrait Of A Gentleman, signed upper left, oil on canvas, 40-1/4 x 28 in.; framed Provenance: Important Southern Collection Estimate: $800 - $1,000

1750 Walter Harrison Cady (South Carolina/New York, 1877-1970) Near Beaufort, South Carolina, signed lower right "Harrison Cady", mixed media on Masonite, 23-1/2 x 30 in.; modern gilt wood frame, 32 x 38-1/2 in. Provenance: An Important Southern Collection Estimate: $15,000 - $20,000

III

1753 Colette Heldner (New Orleans, Louisiana, 1902-1990) Bourbon Street, 1942, signed lower right "Colette", inscribed verso "Bourbon Street/Old French Opera House Bar/French Quarter/Old New Orleans/Paris of America/by Colette", oil on canvas, 25-1/8 x 30-1/8 in.; modern wood frame, 31-1/4 x 36-1/4 in. Provenance: An Important Southern Collection Estimate: $4,000 - $6,000

Condition notes available in back of catalog

May 18, 2019

1752 Eliot Candee Clark (Virginia, 1883-1980) Pastoral c. 1890, signed lower right, oil on board, 9 x 12-1/4 in.; framed Provenance: An Important Southern Collection Estimate: $1,000 - $2,000

Southern

1751 Caroline Compton (Mississippi, 1907-1987) Still Life with Grapefruit, signed, inscribed verso, oil on board, 14-1/4 x 16-3/4 in.; framed Provenance: An Important Southern Collection Estimate: $1,500 - $2,500

115

1755 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Harbor Scene, unsigned, inscribed verso "2009.1.9/JM1024", pastel on tracing paper, 11 x 11-1/4 in.; framed, 19-1/2 x 21 in. Provenance: Estate of the Artist; Property from a Southern Institution Estimate: $4,000 - $6,000

1756 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Rooftop Sketch, unsigned, graphite on paper, 10 x 14 in.; modern frame, 17 1/4 x 21 3/8 x 1 in. Provenance: Property from a Southern Institution Estimate: $1,000 - $2,000

1754 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Forked Tree, unsigned, inscribed verso "NMG 1,966", pastel on paper, 21-3/4 x 18 in.; modern frame, 31 x 26-3/4 x 1 in. Provenance: New Morning Gallery, Asheville, North Carolina; Property from a Southern Institution Estimate: $3,000 - $5,000

Southern

1757 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Rocky Shoreline, signed and inscribed, charcoal on paper, 14 x 17 in.; framed Provenance: A Southern Institution Estimate: $1,000 - $2,000

1758 Tim Lewis (Kentucky, b. 1952) Elephant with Calf, 1996, signed "T Lewis" on rear foot, stone, 9 x 8 x 4-1/2 in. Provenance: Conway-Welch Estate Estimate: $1,000 - $3,000

1759 Gladys Wilson (American, b. 1906) Waiting, 1935, signed "G L Wilson", oil on paper board, 23-3/4 x 17-7/8 in.; framed Provenance: Important Southern Collection Estimate: $1,000 - $1,200

1760 Lucile Blanch (South Carolina, 1895-1981) Portrait of Mary Hart Law, "Lucile Blanch", oil on board, 23-7/8 x 20 in.; framed Provenance: Important Southern Collection Estimate: $800 - $1,200

May 18, 2019

III

1761 Mary Hoover Aiken (New York/MA/Georgia 1905-1992) Girl With Two Cats, signed, oil on canvas, 27-1/8 x 21-3/8 in., Sandelin frame Provenance: Important Southern Collection Estimate: $1,000 - $2,000

1762 Anne Munger (Mississippi, 1862-1945) Four woodblock prints, all signed, the first in pencil, all in the plate; unframed Provenance: Important Southern Collection Estimate: $600 - $800

1763 Attributed to Hughie Lee-Smith (American, 1915-1999) Figures By The Dock, signed "Lee-Smith", watercolor on paper, 15 x 17 in.; matted Provenance: Important Southern Collection Estimate: $800 - $1,200

1764 Frederick D. Jones (South Carolina, 1914-2004) Harlequin, watercolor on paper, "Fred Jones", unframed, 15-5/8 x 11-3/8 in. Provenance: Important Southern Collection Estimate: $800 - $1,200

116

For full cataloging and images see our website, BrunkAuctions.com

1765 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Rural Rail Line, signed, inscribed, pastel on board, 12 x 16 in.; modern frame Provenance: Property from a Southern Institution Estimate: $4,000 - $6,000

1766 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Dead Tree, inscribed NMG 1,574, pastel on paper, 22 x 17-1/2 in.; framed Provenance: Property from a Southern Institution Estimate: $4,000 - $6,000

1767 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Abstract Composition, signed lower right "Stevens", inscribed verso NMG 2.059, pastel on paper 19 x 24 1/4 in.; modern frame, 27 x 31 in. Provenance: New Morning Gallery, Asheville North Carolina; Property from a Southern Institution Estimate: $5,000 - $7,000

III

1770 Eugene Thomason (North Carolina, 1895-1972) The Clown, oil on Masonite, unsigned, 59 x 36-1/2 in.; wooden frame, 69-3/4 x 47-5/8 in. Provenance: Foothills Fine Art, Tryon, North Carolina; An Important Southern Collection Estimate: $3,000 - $5,000

Condition notes available in back of catalog

May 18, 2019

1769 Lamar Dodd (Georgia/New York, 1909-1996) Untitled (Abstract Landscape), watercolor on paper, signed lower right "Lamar Dodd", 15 x 22-1/4 in.; modern frame, 24-1/2 x 32 in. Provenance: Private Collection, Atlanta, Georgia Estimate: $1,500 - $2,500

Southern

1768 Emil Holzhauer (Georiga, 1887-1986) In The Heart of Asheville, 1943, signed "Holzhauer", oil on board, 20 x 26 in.; framed Provenance: An Important Southern Collection Estimate: $2,000 - $4,000

117

1771 Mattie Lou O'Kelley (Georgia, 1908-1997) Summer In The Hills, 1978, signed bottom center, "M.L. O'Kelley/AUG 1978", inscribed verso ML363, oil on canvas, 36-1/8 x 48-1/4 in.; modern gilt wood frame, 44-1/4 x 56-1/8 in. Provenance: An Important Southern Collection Estimate: $15,000 - $25,000

III

May 18, 2019

Southern

1773 Helen Yearley Durant (Georgia, b. 1947) Goat Heard, signed, mixed media on canvas, 46 x 36 in. (sight); modern frame Provenance: Private Georgia Collection Estimate: $800 - $1,200

118

1772 Theora Hamblett (Mississippi, 1895-1977) Horse Training, 1974, signed "T. Hamblett", oil on canvas, 16-1/8 x 20-1/8 in.; framed, 18-7/8 x 23 in Provenance: An Important Southern Collection Estimate: $12,000 - $18,000

For full cataloging and images see our website, BrunkAuctions.com

1774 Grace Taylor (West Virginia, 1903-1995) Spatial Study, signed lower right, oil on Masonite, 30-1/8 x 24 in.; framed Provenance: Important Southern Collection Estimate: $600 - $800

1775 Minnie Evans (North Carolina, 1892-1987) Untitled, "Minnie Evans", mixed media on paper, 11-3/4 x 8-1/4 in.; framed Provenance: Private Collection, NC Estimate: $1,000 - $2,000

1777 Minnie Evans (North Carolina, 1892-1987) Untitled (Eyes, Faces and Flora), 1980 Dec, signed "Minnie Evans", mixed media on illustration board, 15-1/2 x 20 in.; black painted wood frame, 21-1/2 x 26 in. Provenance: Private Collection, Wilmington, North Carolina Estimate: $8,000 - $10,000

1778 Minnie Evans (North Carolina, 1892-1987) Untitled (Leaves and Scrolls) 1981, signed, crayon on paper, 5 x 6-3/4 in.; framed Provenance: Private Collection, NC Estimate: $800 - $1,200

1779 Minnie Evans (North Carolina, 1892-1987) Untitled, signed "Minnie Evans", mixed media on paper, 12 x 9 in.; framed Provenance: Private Collection, NC Estimate: $1,000 - $2,000

1780 Minnie Evans (North Carolina, 1892-1987) Peace (Dove and Angel), 1981, mixed media on paper, signed, 9 x 10-1/2 in.; framed Provenance: Private Collection, Wilmington NC Estimate: $2,000 - $4,000

1781 Prentiss H. Taylor (New York/Washington DC, 1907-1991) Taxpayers And Exemption, 1945, signed, oil on canvas, 17-3/4 x 24 in.; framed Provenance: Important Southern Collection Estimate: $600 - $800

1782 David Driskell (Georgia/Tennessee, born 1931) Half Tame, 1966, signed, inscribed verso, oil on canvas, 12 x 21-1/4 in.; framed Provenance: Important Southern Collection Estimate: $2,000 - $3,000

1783 Andrew Schwartz (Kentucky/New York, 1867-1942) Clearing in the Morning, Blue Ridge Mountains 1912, signed "Andrew T. Schwartz", oil on canvas, 24 x 30 in.; framed Estimate: $3,000 - $5,000

Condition notes available in back of catalog

Southern

III

May 18, 2019

1776 Minnie Evans (North Carolina, 1892-1987) Untitled (Faces and Scrolls),1945, signed, crayon on paper, 12 x 9 in.; framed Provenance: Private Collection, NC Estimate: $1,000 - $2,000

119

Collection of Dr. and Mrs. Joseph R. Gabriels

May 18, 2019

Gabriels Collecion

III

120

1788◉ Six Piece Sterling Tea Service, Plate Tray American, 20th century, Georgian Rose pattern, ivory and composite spacers, no monograms, marks for Reed & Barton, “670”, 132 oz. T., 12-1/4 in. hot water kettle with matching coffee, teapot, creamer, lidded sugar and waste; with Reed & Barton Regent two handle silver-plated tray, 26-1/2 in. Estimate: $2,000 - $3,000

1791 Pair Hand Painted Derby Porcelain Plaques, British, 19th century, each with floral decoration, Derby red crown mark verso, gilt frames, 17-1/2 x 14-1/2 in. Estimate: $500 - $700

1784 After Pompeo Girolamo Batoni (Italian, 1708-1787) The Nativity, oil on canvas, 17-5/8 x 22-3/4 in.; fine original Florentine gilt wood frame Estimate: $1,000 - $2,000

1785 Irish or British School (18th century) Portrait of a Gentleman, unsigned, oil on canvas, 30-1/2 x 25 in.; possibly 18th c. gilt wood frame Estimate: $1,000 - $1,500

1786 Massachusetts Federal Mahogany Upholstered Sofa, Boston/Salem, early 19th century, inlaid arms, striped upholstery, 33-1/2 x 77-1/2 x 24 in. Estimate: $800 - $1,200

1787 Massachusetts Federal Mahogany Games Table, Boston/Salem, 1800-1810, top with lightwood inlaid edges, inlaid skirt, 29-1/2 x 35-3/4 x 17-1/2 in. Estimate: $600 - $900

1789 Federal Inlaid Mahogany Pembroke Table, circa 1800, restorations, dovetailed drawer, ash, chestnut, and white pine secondary, 28-1/2 x 33-1/4 x 21-1/2 in. Estimate: $500 - $700

1790 Large Cut Glass Hurricane Shade American, probably 19th century, clear hand blown with foliate and berry decoration, 18-1/4 in. Provenance: Shreve, Crump & Low, MA Estimate: $500 - $700

1792 Signed George III Inlaid Mahogany Sideboard British, stamped "from W. Williamson & Sons, Guildford" circa 1800, bellflower inlaid legs, 37 x 72 x 27-1/2 in. Estimate: $1,000 - $2,000

For full cataloging and images see our website, BrunkAuctions.com

1793 Two Fine British Tea Caddies 19th century, brass mounted mahogany bombe form, 5 x 7-3/4 in.; inlaid burl, 5 x 7-1/4 in. Estimate: $500 - $700

1794 Black Lacquer Tantalus, Mother-ofPearl Inlay, French, 19th century, center inlaid medallions, four decanters, 12 cordials, 10-1/8 x 12-1/2 x 9-1/2 in. Provenance: Cart Meadows Inc, GA Estimate: $500 - $700

1795 Moses Wight (American, 1827-1895) Portrait of Elizabeth Thompson, 1862, signed, dated, oil on canvas, 60 x 48 in.; period frame Estimate: $1,000 - $2,000

1796 American School (19th century) Pastoral Landscape, initialed lower right "J.F.C.", oil on panel, 14 x 20 in.; fine frame Estimate: $1,000 - $2,000

1797 Large Cut Glass Hurricane Shade American, 19th century, clear blown glass, open tops and bottoms with clear rolled banding on base rim, 23-1/4 in. Provenance: Shreve, Crump & Low, MA Estimate: $600 - $900

1798 American Federal Walnut Five Leg Games Table, 1790-1810, D form, shell patera inlaid, white pine secondary, walnut gates, 28-1/4 x 35-3/4 x 17-1/2 in. Estimate: $500 - $700

1799 American School (19th century) A pair of portraits: Mr. and Mrs. Brinkley, unsigned, oil on panel, 25-1/2 x 20-1/2 in. Estimate: $1,000 - $2,000

1801 Towle Madeira Sterling Flatware, 73 Pieces, American, 20th century, including place and service pieces, all with marks for Towle, 77.97 oz. T.; with wooden case Estimate: $800 - $1,200

1802 Pair Large Hand Blown Hurricane Shades, American, 19th century, open tops and bottoms with clear reinforced banding on base rim, 21-3/4 in. Estimate: $800 - $1,200

1803 Chinese Chippendale Style Carved Gilt Mirror, tag for "S. & H. Jewell, London", late 19th/early 20th century, elaborate pagoda form pediment flanked by phoenixes, beveled mirror plate, 49 x 33 in. Estimate: $800 - $1,200

1804 Five Assorted Duck Decoys American, 20th century, green wing teal drake; common golden eye, sea duck, and two others, longest 14-1/2 in. Estimate: $500 - $700

1805 Attributed Charles Birdsall Swan Decoy American, 20th century, painted, 1981 receipt, "Charles Birdsall/N.J./Wildflower Company in 1950", 20 x 28 in. Estimate: $600 - $900

1806 America Schooner Yacht Half Hull Model, 20th century, carved model of laminated mixed woods mounted to painted plaque, brass name plate, 11 x 44 in. Estimate: $500 - $700

Condition notes available in back of catalog

1800 American Federal Gilt Églomisé Mirror New York, circa 1800, carved gilt eagle crest, églomisé panel, riverscape decoration, early distressed mirror plate, 59-1/2 x 28 in. Estimate: $1,200 - $1,800

Gabriels Collecion May 18, 2019

1807 Boston Adam & Eve Needlework signed "Sarah Waterworth ended this Sampler in the 10 year of her age Boston 1809", silk and linen, 22-1/8 x 12-7/8 in. Estimate: $800 - $1,200

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1808 Charles Balthazar Julien Fevret de Saint-MĂŠmin, (French, 1770-1852) Four Engravings: LaFayette, 2 in. sheet 2-5/8 x 2-1/2 in.; John Savage, 1802; two others; framed Provenance: Private Collection, NC Estimate: $400 - $600

1809 Edward Percy Moran (American, 1862-1935) Martha Washington at the Tavern, signed, oil on canvas, 28 x 22 in.; period frame Provenance: Salem Academy Collection Estimate: $600 - $900

1810 John James Audubon (New York, 1785-1851) Rock Grous, Havell ed., engraving, aquatint, 16-1/4 x 21-3/8 in.; framed Provenance: Private Collection, SC Estimate: $1,000 - $2,000

1811 John James Audubon (New York, 1785-1851) Blue-headed Pigeon, Havell ed., engraving, 20-3/4 x 25-3/4 in.; framed Provenance: Private Collection, TN Estimate: $1,000 - $2,000

1812 American School (19th century) George Washington, unsigned, oil on canvas, 39-1/4 x 31-1/4 in. (painted oval); period painted and gilt wood frame and oval liner, 45 x 37-1/4 in. Estimate: $2,000 - $3,000

For full cataloging and images see our website, BrunkAuctions.com

1813 Gilbert Stuart (American, 1755-1828) Portrait of Stuart Samuel Parkman, c. 1807, unsigned, oil on canvas, 30-1/4 x 25-1/4 in.; period carved gilt wood and composition frame, 36-1/2 x 31-3/4 in. Provenance: From the Collection of Salem Academy and College, Winston-Salem, North Carolina Estimate: $15,000 - $25,000 Literature: Rudge, William Edwin. Gilbert Stuart, an Illustrated Descriptive List of His Works Compiled by Lawrence Park [New York]: [W.E. Rudge], 1926., ill. page 370, vol. IV, #608.; discussed page 570, vol. II. In the Rudge edition, #608 is described in depth, and illustrated (see above). The painting discussed there is oil on panel. The portrait shown here, nearly identical in every way to the Parkman portrait illustrated on page 608, is oil on canvas, and there are very slight differences in the treatment of the white neckcloth. At the end of the entry on page 570, the author notes that "a copy is owned by Mrs. James Means". This painting is quite possibly the copy once owned my Mrs. Means. In addition, Rudge notes that Stuart painted Mr. Parkman again, later in life (#609, p. 571, not illustrated), but that this one was "...very inferior to the first portrait". At the age of 55, Mr. Parkman commissioned Gilbert Stuart to paint a full length portrait of George Washington, the "Washington at Dorchester Heights" that is now in the Boston Museum of Fine Arts.

1816 Attributed to Victor De Grailly (French, 1804-1889) The Tomb of Washington, after William Bartlett, unsigned, oil on canvas, oil on canvas, 15-7/8 x 21-1/4 in.; framed Provenance: The Florence and William Griffin Collection, Georgia, sold Brunk Auctions May 30, 2009, lot 621; Private Collection Estimate: $2,000 - $4,000

1817 Samuel F. B. Morse (American, 1791-1872) Portrait of a Lady, unsigned, oil on canvas, 30 x 25 in. (painted oval); period carved gilt wood and composition frame with oval liner; 35-1/2 x 37 in. Provenance: From the Collection of Salem Academy and College, Winston-Salem, North Carolina Estimate: $4,000 - $6,000 old label stretcher verso: "Mr. & Mrs. Gilbert Dean/181 Madison Avenue"

Condition notes available in back of catalog

American

III

May 18, 2019

1814 After George Healy (American, 1813-1894) James K Polk, possibly by George Drury (1817-1894), oil on canvas, 30 x 25 in. Provenance: Important Southern Collection Estimate: $2,000 - $4,000

1815 After Thomas Sully (American, 1783-1872) Mother and Child, unsigned, oil on canvas, 28 x 44 in.; period gilt wood and gesso frame, 39 x 55 in. Provenance: An Important Southern Collection Estimate: $4,000 - $6,000

123

1818 James Fairman (Scottish/American, 1826-1904) Pastoral Landscape, signed lower right "J. Fairman, ANA", oil on canvas, 23 x 36 in.; reproduction carved gilt wood and composition frame, 30 x 43 in. Provenance: Private Collection, Georgia Estimate: $6,000 - $8,000

1819 American School (19th century) The Poker Game Trompe l'Oeil, en grisaille, inscribed, 10-1/2 x 11 in.; framed Provenance: New England Collection Estimate: $600 - $900

1820 Edward Kranich (American, 1826-1891) Passaic River Falls, signed "Kranich." lower right, oil on board, 21-1/2 x 28 in.; period carved gilt wood frame, 26 x 32-1/4 in. Provenance: Private Collection, Charlotte, Vermont Estimate: $1,000 - $2,000

May 18, 2019

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1822 George Cochrin Lambdin (Philadelphia, 1830-1896) Goldfish, 1859, signed and dated lower left "Geo. C. Lambdin/'59", oil on canvas, 12-1/4 x 9 in.; original carved gilt wood and composition frame, 19 x 16-1/4 in. Provenance: John Frederick Kensett, New York (possibly); Schwarz Gallery, Philadelphia, Pennsylvania; Private Collection, Massachusetts Estimate: $7,000 - $10,000 Exhibited: The Lambdins of Philadelphia: Newly Discovered Works,Schwarz Gallery, Philadelphia, Pennsylvania, 2002, catalog page 22, pl. 17.

1821 American School (late 19th/early 20th century) The Village Lane, unsigned, oil on board, 9-3/4 x 11-1/2 in.; framed Provenance: Private Collection, NY Estimate: $800 - $1,200

1823 William H. Langworthy (American, 19th century) Pastoral Landscape, 1869, signed, dated, oil on canvas, 32 x 24 in.; framed Provenance: Private Collection, VT Estimate: $1,000 - $2,000

1824 Style of John La Farge (New York/Rhode island, 1835-1910) Lotus Blossoms, indecipherable labels verso, oil on canvas, 12 x 18 in,; frame Provenance: Private Collection, VT Estimate: $800 - $1,200

1825 American School (19th century) Looking Out Over the Bay, monogrammed, watercolor, 8-3/4 x 16-1/2 in. Provenance: Private Collection, VT Estimate: $500 - $700

1826 Amelia Montague Watson (American, 1856-1934) Canadian Farm, signed, watercolor on paper, 10-1/2 x 14-1/2 in.; framed Provenance: Important Southern Collection Estimate: $400 - $600

For full cataloging and images see our website, BrunkAuctions.com

1828 William Henry Bartlett (British/America, 1809-1854) New York from Weehawken, New Jersey, 1846, signed, dated lower left "W.H. Bartlett", oil on canvas, 17 x 21 in.; period carved gilt wood frame, 22-1/2 x 26-1/2 in. Provenance: Private Collection, Pennsylvania Estimate: $5,000 - $7,000

1830 Edith Watson (American, 1861-1943) QuĂŠbec Shoreline, signed, watercolor on paper, 8-1/2 x 13-1/2 in.; framed Provenance: Important Southern Collection Estimate: $400 - $600

1831 American School (19th century), Mountain Landscape, unsigned, inscribed verso "HRosals(?)", oil on canvas, 14 x 20 in.; period frame Provenance: Private Collection, VT Estimate: $600 - $800

1832 Peter Hanson (Danish/Brooklyn, NY, 1821-1887) View of the Hudson, 1874, signed, oil on canvas, 24 x 32 in.; framed Provenance: Salem Academy Collection Estimate: $1,200 - $1,800

1833 American School (19th century) Portrait of Stanhope Chase, unsigned, oil on canvas, 34 x 27 in.; framed Provenance: Private Collection Estimate: $700 - $900

1834 Attributed to Jacob Eicholtz (Pennsylvania, 1776-1842) Portrait of a Lady, c. 1829, unsigned, oil on canvas, 30 x 25 in.; reproduction frame Estimate: $1,000 - $2,000

1835 Christopher P. Cranch (American, 1813-1892) Italian Scene, 1858, signed, oil on canvas, 17-1/2 in.; modern frame Provenance: Private Collection, VT Estimate: $800 - $1,200

1836 American School (19th century) The Nanny, no apparent signature, oil on canvas, 36 x 29 in.; unframed Provenance: Important Southern Collection Estimate: $1,000 - $2,000

Condition notes available in back of catalog

American

1829 Charles Grant Davidson (New York, 1824-1902) Coastal Landscape, signed "C. Grant Davidson", oil on canvas, 16 x 24 in.; framed Provenance: Private Collection, VT Estimate: $800 - $1,200

III

May 18, 2019

1827 William Davis (New York, 1829-1920) Young Girl Reading by a Tree, c. 1875, signed bottom center "W.M. Davis", oil on canvas, 9-1/4 x 8-3/4 in.; period carved gilt wood and composition frame, 17-1/4 x 15-3/4 in. Estimate: $5,000 - $7,000

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1838 American William and Mary Style Dressing Table, late 19th/early 20th century, burled walnut, herringbone banded top, 30 x 33-1/2 x 20-1/4 in. Provenance: Davis Collection, NC Estimate: $500 - $700

1839 American Queen Anne Tiger Maple Tall Chest, New Hampshire, possibly Dunlap shop, 18th century, highly figured, dovetail construction, scrolled bracket feet, 41-1/2 x 35 x 16-1/4 in. Estimate: $600 - $900

1840 Pennsylvania Chippendale Shell Carved Side Chair, Philadelphia, 1760-1780, shell carved crest and knees, ball and claw feet, slip seat, 40-1/2 in. Estimate: $1,000 - $2,000

1841 Federal Style Mahogany Two Pedestal Dining Table, 20th century, satinwood banded top, casters, two leaves, 28-3/4 x 48 x 80 in., extended 118 in. Provenance: Conway-Welch Estate Estimate: $500 - $1,000

1837 Federal Aaron Willard Tall Case Clock Massachusetts, 1800-1810, dial signed "Aaron Willard/Boston", arched painted dial depicting a riverscape scene, American Federal shield form spandrels, waisted case with quarter columns, original tall French feet, original figural eagle brass finials, 102-1/2 in. Provenance: By descent in the Reid-Settle Family, Reidsville, North Carolina Estimate: $5,000 - $7,000 This clock has descended through the Reid and Settle families of Reidsville, North Carolina, since the 19th century. It has been a furnishing of Hugh Reid Scott's home "Melrose," in Reidsville, North Carolina, since the home was built in 1910. The Reid and Settle families have a long and varied history of public service in North Carolina. David Settle Reid was a NC Governor (1851-1854), US Senator, Congressman and a member of the Great Peace Conference (1861). Thomas Settle was a NC Superior Court Judge, Speaker of the House (1827), member of the NC House of Commons and member of the US House of Representatives. Thomas Settle II was a Speaker of the NC House, Captain of the Third NC Regiment of the Army, NC State Senator, founder of the NC Republican Party (1867), and associate justice of the NC Supreme Court.

1842 Amerian Classical Figured Mahogany Sofa, New York, circa 1830, carved frame, set with rosettes, gilt brass paw casters, green silk upholstery, 32 x 83 x 24 in. Provenance: Dick Button Collection Estimate: $1,000 - $2,000

1843 Set Four Red Leather Upholstered Armchairs, North Carolina, 20th century, labels for Southwood, each carved mahogany back, 34 x 28 x 20 in. Provenance: Conway-Welch Estate Estimate: $300 - $500

1845 Aesthetic Movement Marquetry Inlaid Center Table British, circa 1880, walnut, burl frame, marquetry top, musical trophy decoration, 30 x 37-1/2 x 25 in. Estimate: $800 - $1,200

1846 Three Winkle Terra Cotta Co. Plaques St. Louis, late 19th century, large scale high relief building plaques, one, 20 x 24 in.; two, 22-1/2 x 20-1/2 in. Provenance: Private Collection Estimate: $500 - $700

1847 Fine Gothic Revival Mahogany Upholstered Bench probably New York, early 19th century, serpentine form, silk floral upholstered slip seat, brass casters, 31-1/2 x 47 x 19 in. Estimate: $500 - $700

1844 Herschede Chiming Tall Case Clock early 20th century, five chimes, two weights, silvered and gilt arched dial with printed moon phase, 92-1/2 in. Provenance: Private Collection, NC Estimate: $500 - $1,000

For full cataloging and images see our website, BrunkAuctions.com

1852 Assorted Tableware, Tiffany, Baccarat, Yeoward, 16 pieces: Tiffany bowl, four highballs; Baccarat bowl; Yeoward coaster; nine other vessels, 1-3/4 in. to 8-1/2 in. Provenance: Conway-Welch Estate Estimate: $500 - $700

1855 Three Monumental Tennis Rackets, Briar Cliff American, 20th century, possibly from Briarcliff Lodge (Briarcliff Manor, New York), pieced racket head beams, throats with hand painted "Briar Cliff", female centaur with wings and wreath on both sides, handpainted "Briar Cliff" at beam base on both sides, grips wrapped with leather, cotton strings; 4 ft. 6 in. x 1 ft. 6 in. Provenance: Private Collection, North Carolina Estimate: $500 - $700

1857 Mashad Carpet Persian, 20th century, navy with yellow, orange floral sprays, 13 ft. 7 in. x 10 ft. 7 in. Provenance: Conway-Welch Estate Estimate: $800 - $1,200

1853 Eagle Stoneware Crock Greensboro, PA American, 19th century, decorated with blue glaze eagle, reads "T.F. Reppert Eagle Pottery Greensboro, PA", 14-1/2 in. Provenance: Private Collection, NC Estimate: $600 - $900

1854 Pair of Leeds Scalloped Edge Round Platters, British, 19th century, scalloped edge platters with central urn decoration with floral swag borders, 15-1/4 in. Estimate: $600 - $900

1856 Colt Woodsman 2nd Series Pistol .22 LR, 4-1/2 in barrel, S/N 41633-S, automatic slide stop and hold open, Coltmaster rear sight, one magazine, marked "Colt/CAL 22 LR", with leather holster and fabric belt Provenance: Private Collection, North Carolina Estimate: $800 - $1,200

1858 Ardabil Rug Persian, 20th century, turquoise, birds, pink and cream, 6 ft. 7 in. x 4 ft. 7 in. Provenance: Private Collection, TN Estimate: $600 - $900

1859 Kerman Carpet Persian, ivory field, central floral medallion, blue, green, red floral design, 8 ft. 6 in. x 11 ft. 3 in. Estimate: $600 - $900

Condition notes available in back of catalog

1860 Mafrash Bag Rug Caucasian, bright central stripes, geometric end panels, 5 ft. 4 in. x 3 in. 6 in. Provenance: Private Collection, NC Estimate: $400 - $600

III American

1851 Four Wood Half Hull Ship Models one steamship model, three painted hull models, largest, longest 36 in. Provenance: Davis Collection, NC Estimate: $500 - $700

1850 Monumental Boehm Golden Eagle with Case American, 1963, limited edition porcelain sculpture, signed "Boehm", number 8 under 10046, dated 1963, 29 x 44 in. Provenance: Willard R. Sparks Estate, Memphis, Tennessee Estimate: $500 - $1,000

1849 Large Scale Boehm Studios Great White Egret American, late 20th century, limited edition porcelain sculpture, Boehm mark on base, number 28, 21 x 25 in. Provenance: Willard R. Sparks Estate, Tennessee Estimate: $600 - $900

May 18, 2019

1848 Large Scale Boehm Osprey with Case British, late 20th century, limited edition porcelain sculpture, signed "Boehm #11", with case, 30 x 38 in. Provenance: Willard R. Sparks Estate, Memphis, Tennessee Estimate: $500 - $700

127

1862 Adams Wirt Garrett (American, 1908-2000) The Schoolyard, signed lower right, "Garrett", oil on canvas, 36 x 24 in.; unframed Provenance Private Collection, VT Estimate: $1,500 - $2,500

1861 Guy Carleton Wiggins (New York/Connecticut/Florida, 1883-1862) St. Patrick's Cathedral, Winter, signed lower right "Guy Wiggins", also signed and titled verso in artist's hand, oil on canvasboard, 12 x 9 in.; modern carved painted wood frame, 20-1/2 x 17-1/2 in. Provenance: Private Collection, North Carolina Estimate: $10,000 - $15,000

III

1865 Henry Bacon (Massachusetts/France, 1839-1912) Cairo, 1903, signed, dated, watercolor on paper, 13 x 19-5/8 in.(sight); framed Provenance: A Southern Institution Estimate: $600 - $900

American May 18, 2019

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1863 Gustave Wiegand (Germany/America, 1870-1957) Autumn, signed lower left "Gustave Wiegand", oil on canvas, 12 x 16 in.; framed Provenance: Salem Academy Collection Estimate: $800 - $1,200

1864 Guy Carleton Wiggins (New York/Connecticut/Florida, 1883-1862) Winter in Central Park, signed lower right "Guy Wiggins /N.A.", also titled and signed verso, oil on canvas, 12 x 16 in.; fine reproduction carved gilt wood and composition frame, 18 x 11 in. Estimate: $15,000 - $20,000

For full cataloging and images see our website, BrunkAuctions.com

1866 John Francis Murphy (American, 1853-1921) The Pond, 1907, signed "J.F. Murphy 07", oil on canvas, 8 x 12 in.; framed Provenance: Davis Gallery, NY Estimate: $1,000 - $2,000

1867 Charles Ephraim Burchfield (New York/Ohio, 1893-1967) Valley Road with House, circa 1916, signed lower right "C. Burchfield", watercolor over graphite on paper, 16 x 21-1/2 in.; gilt wood frame, 24-1/4 x 30-3/4 in. Provenance: Kennedy Galleries, New York (label verso); Estate of Charles G. Thalhimer, Richmond, Virginia; Private Collection Estimate: $15,000 - $20,000 Exhibited: "The Paintings of Charles Burchfield: North by Midwest", organized by the Columbus Museum of Art, Columbus, Ohio, March 1997-May 1997; The National Museum of American Art, September 1997-January 1998.

1870 Frank Alfred Bicknell (American, 1866-1943) Summer Landscape, signed, stamped, oil on board, 9-1/4 x 12-1/4 in.; framed Provenance: Private Southern Collection Estimate: $600 - $800

1871 Walter Elmer Schofield (PA/Cornwall, England, 1867-1944) The Coast of Cornwall, signed lower left "Schofield", oil on board, 9-1/2 x 12-1/2 in.; modern carved gilt wood frame, 17 x 20 in. Provenance: Private Southern Collection Estimate: $2,000 - $4,000

Condition notes available in back of catalog

III American

1869 William Sartain (Philadelphia/NJ/MA, 1843-1924) Tonalist Landscape, signed lower right "W. Sartain", oil on canvas, 22-1/4 x 32 in.; fine modern carved gilt wood frame, 28 x 38 in. Provenance: Private Southern Collection Estimate: $2,500 - $3,500

1872 Charles Alfred Meurer (German/Cincinnati, Ohio, 1865-1955) Spring Landscape, estate stamp verso, oil on canvas, 13-1/2 x 18 in.; framed Provenance: Private Southern Collection Estimate: $600 - $900

May 18, 2019

1868 William S. Horton (American, 1865-1936) Village Scene with Church, stamped, charcoal on paper, 7-3/4 x 10 in. (sight) Provenance: Salem Academy Collection Estimate: $600 - $800

129

1873 William Chadwick (Old Lyme, Connecticut, 1879-1962) Fishing Shack, Florida, signed lower right "W. Chadwick", also signed verso, oil on panel, 7 x 9 in.; together with two frames; original carved gilt wood frame, 8-1/2 x 10-1/2 in.; reproduction gilt wood frame, 13 x 15 in. Provenance: purchased directly from the artist during his time in Savannah, Georgia by a private Savannah collector Estimate: $3,000 - $5,000

1875 William Chadwick (Old Lyme, Connecticut, 1879-1962) Fishing Boats, Florida, signed lower right "W. Chadwick", also signed verso, oil on panel, 7 x 9 in.; together with two frames; original carved gilt wood frame 8-1/2 x 10-1/2 in.; reproduction gilt wood frame, 13 x 15 in. Provenance: purchased directly from the artist during his time in Savannah, Georgia by a private Savannah collector Estimate: $3,000 - $5,000

May 18, 2019

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1877 Ogde Minton Pleissner (American, 1905-1983) The Bahamas, signed, inscribed, pastel on paper, 14-3/4 x 21 in.; framed Provenance: A London Collection Estimate: $3,000 - $5,000

1879 Pair Thomas Chambers Paintings (English/New York, 1808-1896) A Pair of Paintings: Fisherman in a Landscape, both unsigned, oil on canvas, 14 x 18 in.; matching period gilt wood and composition frames, each 17-1/2 x 21-1/2 in. Estimate: $7,000 - $10,000

For full cataloging and images see our website, BrunkAuctions.com

1874 Arthur Bowen Davies (American, 1862-1928) Lady in a Ball Gown, stamped, charcoal and watercolor on paper, 10 x 8-1/2 in. Provenance: Private Southern Collection Estimate: $600 - $800

1876 George Hand Wright (American, 1872-1951) Untitled, signed "G. Wright", mixed media ``on paper, 13-3/8 x 11 in.; modern frame Provenance: Important Southern Collection Estimate: $800 - $1,200

1878 Howard Russell Butler (American 1856-1934) Western Landscape, signed, pastel on paper, 7 x 10-1/2 in. (sight); framed Provenance: A Southern Institution Estimate: $500 - $700

1880 Howard Russell Butler (American 1856-1934) Magnolia Rocks, Afternoon Light, 1925, signed, pastel on paper, 7 x 9-3/4 in. Provenance: A Southern Institution Estimate: $700 - $900

1882 Wilson Henry Irvine (Connecticut/Maine/Indiana, 1869-1936) Harbor Scene, signed lower left "Irvine", oil on canvas, 24-1/4 x 27 in.; original carved painted wood frame, 31-1/2 x 34-3/4 in. Provenance: Private Collection, North Carolina Estimate: $5,000 - $7,000

1885 Kenyon Cox (Ohio/New York/Vermont, 1856-1919) Two Studies; Fall, Expulsion, both signed, inscribed, pencil, 14-3/4 x 18-1/2 in.; framed Estimate: $600 - $900

1886 Kenyon Cox (Ohio/New York/Vermont, 1856-1919) Two Studies for Prudence, inscribed, signed, pencil, 19 x 14 in. largest Provenance: A Southern Institution Estimate: $600 - $900

1887 Kenyon Cox (Ohio/New York/Vermont, 1856-1919) Two Studies; one signed, pencil on paper, 15 x 10 in.; 15-3/4 x 7-3/4 in.; framed Provenance: A Southern Institution Estimate: $600 - $900

Condition notes available in back of catalog

III American

1883 Charles Paul Gruppe (American, 1860-1940) The Stone Bridge, signed, watercolor and on paper, 9-1/2 x 14-1/4 in.; framed Provenance: Private Southern Collection Estimate: $800 - $1,200

1884 Anthony Thieme (Massachusetts/California, 1888-1954) Rockport Scene, signed lower right "A. Thieme", titled verso stretcher and canvas back, oil on canvas, 25 x 30 in.; modern wood and composition frame 34-1/2 x 39-1/2 in. Provenance: Private Collection, Miami Shores, Florida Estimate: $3,000 - $5,000

May 18, 2019

1881 Wilson Henry Irvine (Connecticut/Maine/Indiana, 1869-1936) Spring Landscape, signed lower left "Irvine", oil on canvas, 24-1/4 x 27 in.; original carved painted wood frame, 31-1/2 x 34-1/2 in. Provenance: Private Collection, North Carolina Estimate: $5,000 - $7,000

131

1889 William Moyers (New Mexico, 1916-2010) The Restless Breed, 30/30, signed, bronze, 19-5/8 in., wood pedestal base, 35 in. Provenance: Sparks Estate, TN Estimate: $1,000 - $2,000

1888 Frank Duveneck (Kentucky/Ohio, 1848-1919) Portrait of an Artist, said to be William Merritt Chase, 1877, signed with monogram "FD", oil on canvas, 21-3/8 x 18-1/8 in.; framed, 27 x 23-5/8 x 2-1/2 in. Provenance: An Important Southern Collection Estimate: $8,000 - $10,000 labels verso: The Fine Arts Museum of the South at Mobile, "The Ripening of American Art: Duveneck & Chase" Oct.16-Nov.25, 1979; The High museum of Art, "Portrait of an Artist" Purchased with funds from the Friends of Art, Christie's American Art; Berger Art Conservation, Inc.

1890 George Gardner Symons (American, 1863-193) Fall landscape, initialed, oil on Trootex Canvas (see note), 6 x 9 in. ; framed Provenance: Private Southern Collection Estimate: $1,000 - $2,000

American

1891 Claude Curry Bohm (American, 1894-1971) Summer Afternoon, signed, oil on canvas, 24 x 30 in.; modern carved wood frame Provenance: Property from the Estate of Colleen Conway-Welch Estimate: $2,000 - $4,000

1892 Gilbert Gaul (American, 1855-1919) Spring at the Farm, signed lower right "G. Gaul", oil on canvas, 12 x 16 in.; framed Provenance: Private Collection, New York Estimate: $1,500 - $2,500

May 18, 2019

III

1893 Laran Ghiglieri (American, 20th/21st century) Eagle with Nest, 1999, ed. of 125, signed , bronze, black granite base, 49-1/2 in. Provenance: Conway-Welch Estate Estimate: $1,000 - $2,000

1895 Paul Mead (New York/Wisconsin, b. 1910) Afternoon in the Park, signed "Paul Mead", oil on canvas, 20 x 24 in.; framed Provenance: Sparks Estate, TN Estimate: $200 - $400

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1894 George Phippen (American, 1916-1966) Two Ink Drawings; both signed, 6-1/2 x 11 in.; 6-1/2 x 13-1/2 in.; both framed Provenance: Sparks Estate, TN Estimate: $1,000 - $1,500

For full cataloging and images see our website, BrunkAuctions.com

1896 Wayne Baize (American, b. 1943) Mister Rocky, signed "Wayne Baize", colored pencil on paper, 11-1/2 x 23 in. Provenance: Sparks Estate, TN Estimate: $500 - $1,000

1899 Ellen Segner (American, d. 2001) Woman with Golden Retriever in the Snow, signed lower left "E.B. Segner", oil on canvas, 32 x 28-1/4 in.; modern gilt wood frame, 35-1/2 x 31-3/4 in. Provenance: Estate of Ellen â&#x20AC;&#x2018;Segner; Private Collection Estimate: $800 - $1,200

1900 Jessie Wilcox Smith (Philadelphia, 1863-1935) Pen and Ink Studies, unsigned, certificate of authenticity, ink on paper, 8 x 6-1/2 in. Provenance: Private Collection Estimate: $400 - $600

1901 Alfred Charles Parker (American, 1906-1985) Two Illustrations, Ladies Home Journal, 1948/1959, inscribed, tempera, 24 x 19 in.; 19 x 14-1/2; both framed Provenance: William Fink; Private Collection, Atlanta, Georgia Estimate: $800 - $1,200

1903 James T. Berryman (Washington, D.C., b. 1902) Happy Birthday Cliff!, a birthday cartoon, signed, ink on card, 14 x 11 in.; framed Estimate: $500 - $700

1904 Dahl Taylor (American, 20th century) Addy Getting her Hair Done, c. 1998, acrylic on canvas, 27 x 21-1/2 in.; framed Provenance: Private Collection Estimate: $500 - $700

1907 Lewis Christopher Edward Baumer (British, 1870 -1963) 16 illustrations, all signed, all with some text in pencil lower edge on backing board, all ink on paper, 16 x 11 in. (backing) the largest; all unframed Estimate: $800 - $1,200

1905 Dahl Taylor (American, 20th century) Addy Learns to Cook, signed, acrylic on pencil, 20-1/2 x 26 in; framed Provenance: Private Collection Estimate: $500 - $700

1902 Fred Harman, Jr. (American, 1902-1982) Red Ryder and Little Beaver, two comic strips, one signed, ink on paper; unsigned Provenance: Private Collection Estimate: $500 - $700

1906 Dahl Taylor (American, 20th century) Addy Learns a Lesson, c. 1998, signed, acrylic on canvas, 26-1/2 x 21-1/2 in. Provenance: Private Collection Estimate: $600 - $900

1908 Nicola Simbari (Italian School, 1927-2012) Fishing Boats Gathering on the Water, an original illustration for Ladies Home Journal, signed lower right "N. Simbari", gouache on card, 14 x 26-1/2 in.; original white painted frame, 18-3/4 x 31-1/4 in. Provenance: Private Collection, Atlanta, Georgia Estimate: $1,000 - $1,500

Condition notes available in back of catalog

III American

1898 Norman Rockwell (American, 1894-1978) Tom Sawyer Suite, edition 119/200, eight lithographs, 25-3/8 x 19-3/4 in. Provenance: Private Collection Estimate: $500 - $1,000

May 18, 2019

1897 Gil Kane (American, 1926-2000) The Lone Ranger, signed, pen and colored ink on paper, 13-1/2 x 20-1/4 in.; framed Provenance: Private Collection, NC Estimate: $1,000 - $2,000

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Historic Bremo Plantation, Bremo, Virginia

May 18, 2019

Bremo Plantation

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Brigadier General John Hartwell Cocke established Bremo Plantation in Virginia in 1808. Built on a broad ribbon of prime farmland extending 3,184 acres along the James River, Bremo Plantation was the site of three manses and acres of flourishing gardens and planting fields. Together, Bremo Recess, Lower Bremo, and Upper Bremo formed a tranquil, but industrious center in which Cocke cultivated not only experimental farming practices, but a keen interest in social reform, religion, education, and architecture as well. Nearby, John Harwell Cockeâ&#x20AC;&#x2122;s son, Philip St. George Cocke, established Belmead Plantation in Powhatan County in 1835. A noted brigadier general in the Confederate States Army, Philip St. George Cocke held the line of defense along the Potomac River soon after Virginia seceded from the Union. Brunk Auctions is delighted to offer this collection of fine British and American furniture, paintings, and decorative arts from the historic Bremo and Belmead plantations.

1910 1864 Richmond Travel Pass for Mrs. Robert E. Lee handwritten and printed pass, with heading "Provost Marshal's Office, Richmond, VA. July 18, 1864" to "Mrs Ro E Lee/Two daughters 2 servants will pass at will for ten days to Fluvanna County..." signed by "Is H Carrington/Provost Marshal", 3-1/4 in. (sight); framed, 7-1/4 x 9-1/2 in. Estimate: $800 - $1,200

1909 Robert E. Lee and Generals Cartes-de-Visite framed presentation with Robert E. Lee center, signed "R Lee" and embellished with Confederate and American Flags, signed "P.T. Beauregard 1867" on left and signed "W.E. Starke of Louisiana" on right, each 2-1/4 x 3-3/4 in., hand written note verso, "actually personally signed autographs given to my great grandmother Mrs. (General) Philip St. George Cocke and presented to me by my mother, Lucy Hamilton Cocke Elliot", signed "John Page Elliot", 8-5/8 x 14-3/4 in. Estimate: $2,000 - $4,000

1911 Framed Robert E. Lee Historical Memorabilia Bremo Plantation, Virginia, including lock of Roberts E. Lee's hair, lock from the mane of Lee's horse Traveler, an engraving of Lee, and a note by M. B. Coche dated June 9, 1870, indicating "hair taken from the mane of Gen. R.E. Lee's horse Traveler, Bremo, Aug. 18, 1865" and "a piece of Gen.R.E. Lee's hair given to me this morning by Mrs. Lee just before she left with her daughter", copy of letter verso dated July 28th, 1865, expressing gratitude for the care given to his horse, along with a small envelope addressed to Mr. "Chas C. Cocke" containing a lock of Traveler's mane, all mounted on a velvet ground with later frame, 14-1/2 x 22 in. Estimate: $600 - $900

For full cataloging and images see our website, BrunkAuctions.com

1915 Two Framed Invitations, Adams and Lafayette, for John Adams, "Birth Night of the President", 1799, 2-1/2 x 3-1/2 in.; "In Honor of General Lafayette", Richmond, Virginia, 1824, 2-3/4 x 4-1/2 in. Estimate: $400 - $600

1916 1842 Fremont Map of the Rocky Mountains, map "Exploring Expedition to the Rocky Mountains in the Year 1842, Oregon & North California" by Brevet Capt. J. C. Fremont, 30-1/8 x 50-3/8 in. Estimate: $300 - $500

1917 Framed Federal Reserve Proof Notes American, 19th century, $5, $10, $20, $50 and $100 denominations all dated 1913, Die Proof Impressions, 39 x 32 in. Estimate: $400 - $600

1918 Bremo Seminary Framed Rules and Regulations, Fluvanna County, Virginia, c. 1820, printed 23 rules, "George Richardson, Principal, Bremo, Fluvanna County, July 10, 1820", 12-1/2 x 7-1/2 in. Estimate: $400 - $600

1919 Two Bremo Plantation Horse Broadsides, Fluvanna County, Virginia, 1839; 1844, illustrated broadsides advertising for the stud horse Utilitarian, owner "Gen. Cocke", later frames, 17 x 11-1/2 in. Estimate: $600 - $900

1920 Two Bremo Plantation Horse Broadsides, Fluvanna County, Virginia, 1844, illustrated broadsides advertising the stud horse Utilitarian, owner "Gen. Cocke", framed, both 17 x 11-1/2 in. (sight) Estimate: $600 - $900

1921 Two Virginia Horse Breeding Broadsides, 1831,1837, two illustrated broadsides advertising the availability of the stud horses Stegar's Shylock and Winter Arabian, 20 x 11 in.; 18-1/2 x 11-1/4 in. Estimate: $600 - $900

1922 Three Horse Racing Related Advertisements , Racing Stock at the Fairfield Race Course, 1839; "Thorough Bred Horses", 1806; two receipts to John H. Cocke, largest 12 x 6-3/4 in. Estimate: $500 - $700

1923 Three Horse Sale Advertisements, Two Virginia, listing for Comet, Albemarle, 1841, 5 x 11 in.; Star Boy, 9 x 11 in.; Eolus, Albemarle County, 1877, 10-1/2 x 7-1/4 in., (sight) Estimate: $500 - $700

1924 Two Early Illustrated Horse Breeding Broadsides, Virginia, Roebuck, 1809, "to stand at upper Bremo", John H. Cocke, 16-7/8 x 10-1/2 in.; Stirling, 1802, "to stand at Bowling Green, 15-3/4 x 8-1/4 in. Estimate: $600 - $900

1925 Bremo Plantation Horse Breeding Broadside, Fluvanna County, Virginia, circa 1845, illustrated broadside advertising the breeding availability for the stud horse Cleveland, framed, 19 x 11-1/2 in. Estimate: $600 - $900

Condition notes available in back of catalog

III Bremo Plantation

1914 J.B. Cocke Ledger and Prohibition Certificate, 19th century, leatherbound "Inventory/J.B. Cocke", 11 x 9-1/2 in.; 1854 certificate to putting a stop "to the practice of distilling" 20-1/2 x 25-1/2 in. Estimate: $300 - $500

May 18, 2019

1912 Three Pieces Robert E. Lee Memorabilia carte-de-viste of Robert E. Lee, "R Lee"; carte-de-viste of Lee and Generals, both 2-1/4 x 3-3/4 in.; Lee on horseback print, 3-1/2 x 5-1/2 in., framed Estimate: $500 - $800

1913 Franรงois Levaillant (French, 1753-1824) 142 ornithological plates, with 54 in color, from Histoire naturelle des oiseaux d'Afrique, Tome 1, 2, 3 (see detailed note), J.J. Fuchs, publisher, Paris, 1798-1808, engravings on wove paper, sheets approximately 20-3/4 x 13-1/4 in. Estimate: $2,000 - $3,000

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1926 Fine Southern Federal Serpentine Chest Virginia/Maryland, circa 1800, figured mahogany top, conforming brush slide, five dovetailed drawers, five inlaid drawers, original brass pulls, poplar secondary, original bracket feet, 32-3/4 x 39 x 20-1/4 in. Estimate: $5,000 - $7,000

May 18, 2019

Bremo Plantation

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1931 Shenandoah Valley Virginia Signed Stoneware Pot, probably Rockingham County, salt glazed compressed ovoid form, ribbed lug handles, cobalt blue foliate flourishes, incised "Quince", 7 in. Estimate: $500 - $1,000

1932 Signed Richmond Virginia Stoneware Jug, late 19th century, three gallon salt glazed jug, printed in cobalt glaze, "Joseph M. Blair/ Richmond, Va.", 16 in. Estimate: $300 - $500

1934 American Federal Inlaid Mahogany Chest, attributed to Virginia/Maryland, circa 1800, five dovetailed drawers, line inlay, kite escutcheons, poplar secondary, 38 x 39-1/4 x 19-3/4 in. Estimate: $600 - $900

1935 29 Virginia Coins Silver Spoons American, mid 19th century, all with marks for William Mitchell and Mitchell & Tyler (Richmond, Virginia, working 17951866), 43.17 oz. T., 6 in. to 7-1/8 in. Estimate: $500 - $800

1927 Queen Anne Walnut Drop Leaf Table probably Virginia, period elements, six leg form, circular top, pad feet, 30 x 58-1/2 x 20-1/2 in., extended 64 in. Estimate: $400 - $600

1928 Southern Federal Walnut Bottle Case possibly Virginia, early 19th century, dovetailed construction, poplar bottom board, turned feet, 15-1/4 x 18-1/2 x 14-1/4 in. Estimate: $400 - $600

1929 Set of Twelve Mitchell & Tyler Coin Silver Forks, Richmond, Virginia, mid 19th century, tipt front fiddle handle, marks for Mitchell & Tyler (Richmond, Virginia, w. 1845-1866), 15.34 oz. T., 7 in. Estimate: $300 - $500

1930 Eight Sterling Mint Julep Cups American, 20th century, marks for A. G. Schultz & Co. (Baltimore, Maryland, working 1899-1950), 35.09 oz. T., set of six 3-3/4 in. and two 3-1/2 in. Estimate: $500 - $800

1933 Nine Pieces Virginia Coin Silver Flatware mid 19th century, ladle, W. and G. Richardson; spoon, John Le Tellier; spoon, Joseph Jackson; six spoons, Joseph M. Freeman, 15.47 oz. T., 6-3/4 in. to 9 in. Estimate: $600 - $1,000

1936 Southern Coin Silver Mug and Goblet American, mid 19th century, goblet, retailer John B. Akin (Danville, Kentucky), 6 x 3-1/2 in.; mug, W. Mitchell, Jr., 4 x 4-1/2 x 3 in., 10.37 oz. T. Estimate: $300 - $500

For full cataloging and images see our website, BrunkAuctions.com

1937 Set of Twenty-Seven Coin Silver Forks American, mid 19th century, fiddle and thread handles, marks for J. & I. Cox (New York, working 1817-1831 and 1833-1852), 44.27 oz. T., 7-1/2 in. Estimate: $600 - $900

1938 Pair Gothic Revival Carved Oak Hall Chairs, American, 19th century, possibly designed by A.J. Davis, oak throughout, each with hinged seat, open compartment, 51-1/4 in. Estimate: $800 - $1,200

1940 Set 14 Gothic Revival Mahogany Dining Chairs American, mid 19th century, possibly designed by A.J. Davis, two armchairs, upholstered arms, 12 side, each with red silk damask upholstery, 35-1/2 in. Provenance: Historic Belmead Plantation, Powhatan County, Virginia Estimate: $6,000 - $9,000 1939â&#x2014;&#x2030; Federal Inlaid Mahogany Collector's Cabinet, circa 1800, two oval inlaid doors, 30 interior drawers, finely dovetailed construction, mahogany, white pine (?) secondary, ivory pulls, 13 x 18-1/2 x 9 in. Estimate: $500 - $700

1944 American Chippendale Walnut Chest late 18th century, four dovetailed drawers, ogee bracket feet, yellow pine, poplar, and white pine secondary, 34-12/2 x 38-1/4 x 19 in. Estimate: $600 - $900

1945 Pair George Washington Cast Iron Garden Urns early 20th century, each white painted, Washington mask in relief, each three components, 39-1/2 in. Estimate: $500 - $700

1946 Bust of George Washington probably American, 19th century, plaster bust on shaped plinth, unsigned, 13-1/2 in. Estimate: $400 - $600

Condition notes available in back of catalog

Bremo Plantation

1942 American Chippendale Cherry Tea Table, late 18th century, three board dish top, carved pie crust molding, tilts on an urn turned tripod base, 28-1/2 x 34 x 33-1/2 in. Estimate: $600 - $900

III

1947 Federal Inlaid Mahogany Tall Case Clock, early 19th century, painted dial, indistinctly signed, calendar aperture, brass eight day, inlaid mahogany, white and yellow (?) pine secondary, 82 in. Estimate: $1,000 - $1,500

May 18, 2019

1941 Two Framed Silver Engraving Plates probably American, 19th century, one engraved "M. B. Cocke" (Mary Louise Cocke) and one "J. H. Cocke" (John H. Cocke), each 1-3/8 x 2-5/8 in.; framed Estimate: $100 - $200

1943 Eli Terry Pillar and Scroll Shelf Clock American, 19th century, mahogany case, brass urn finials, square painted wooden dial, later reverse painted panel of house, 31 x 17-1/2 x 4-1/2 in. Estimate: $400 - $700

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1948◉ Three Piece Tiffany & Co. Sterling Coffee Set American, 1902-1907, floral and acanthus decoration, ivory spacers, marks for Tiffany & Co., 30.38 oz. T., 7-3/4 in. coffee pot with sugar and creamer Estimate: $600 - $900

1949 Tiffany Marquise Sterling Flatware, 134 Pieces American, 20th century including place and service pieces, monograms, all with marks for Tiffany & Co., 155.47 oz. T.; with wooden box Estimate: $3,000 - $4,000

1950 Pair of English Silver Mugs London, 1943, shaped body and conforming foot, hollow scroll handle, no monograms, marks for Richard Gurney & Co., no monograms, 36.57 oz. T., 5-3/4 in. Estimate: $600 - $900

1951 Sixteen Pieces Sterling Flatware American, 20th century including Alvin Bridal Rose berry spoon; Gorham Norfolk serving spoon; Kirk Mayflower spoon, more, 29.09 oz. T., 7-1/2 in. to 12-1/2 in. Estimate: $400 - $800

1952 Large Old Sheffield Plated Sterling Tray Sheffield, early 19th century, oval with bead border, central let-in shield with “C” monogram, marks for James Dixon & Sons, 35-3/4 in. Estimate: $200 - $400

1953 Six Miscellaneous Pieces of Silver American, 20th century, including pair of Unger Brothers sauce boats with under plates; oval bowl; square shaped bowl, 38.92 oz. T., 6 in. to 11-1/2 in. Estimate: $500 - $800

1954 Collection of Six Pieces Silver Items including English silver 1773 mug, caster, wedding cup with import marks; sterling Kirk mug, goblet; caster with handle, .925 fine, 54.13 oz. T., 6 in. to 9 in. Estimate: $300 - $500

1955 Three Wax Seals probably 19th century, gold seal, parts test 14kt., set with yellow stone; turned wood with metal seal; sterling silver seal, 1-1/2 in. to 3 in. Estimate: $300 - $500

1956 Grand Tour Wedgwood Jasperware Portland Vase British, impressed Wedgwood mark, cream on Wedgwood Blue jasper, relief decoration at base, 10 in. Estimate: $500 - $700

1957 Three Pieces Chinese Export Porcelain 19th century, rose medallion tea set in basket; rose medallion plate; blue and white canton style bowl, largest 14-1/2 in. Estimate: $300 - $500

1959 Regency Mahogany Brass Banded Cellarette, British, 19th century, octagonal form, hinged lid, lead lined interior, turned legs, casters, 25 x 18 x 18 in. Estimate: $400 - $600

1960 French Cast Iron Marble Top Garden Table, late 19th/20th century, octagonal top, green painted, scrolled, pierced base, 27 x 20 in. Estimate: $400 - $600

1958 Large Sarouk Carpet Persian, 20th century, ruby red with multi-colored floral sprays, floral border, high pile, 17 ft. 5 in. x 11 ft. 8 in. Estimate: $1,000 - $1,500

For full cataloging and images see our website, BrunkAuctions.com

1963 Italian School (17th century style) Portrait of a Man of Wealth, unsigned, likely 19th century, oil on canvas, 17-5/8 x 13-1/2 in.; gilt wood frame Estimate: $500 - $700

1964 Attribted to Samuel Bell Waugh (American, 1814-1885) Portrait of Mary E. Muller, unsigned, oil on canvas, 24-1/2 x 20 in.; period frame Estimate: $300 - $500

1966 British School Sporting Scene (19th century) The Meet, Fox Hunting, unsigned, oil on canvas, 20-1/4 x 25-1/4 in.; gilt wood frame Estimate: $300 - $500

1967 Four Framed Silhouette Profile Portraits, British or American, 19th century, three cut out black ink paper; one hollow cut, later gilt frames, 9 x 7-1/2 in. Estimate: $300 - $500

1969 Three Pairs Mother-of-Pearl Opera Glasses, French, 19th/20th century, "Tiffany & Co" with original Tiffany blue velvet case; two pairs stamped "La Favorite Paris", 2-1/2 x 4 in. (glasses only) Estimate: $400 - $600

1970 Hepplewhite Style Inlaid Diminutive Sideboard British, 19th century, mahogany, D form, three dovetailed drawers, shield inlaid bone escutcheons, tapered legs, spade feet, 33 x 40 x 21 in. Estimate: $800 - $1,200

1965 British or American School Maritime Painting (19th century) The Minerva in Rough Seas, unsigned, oil on mahogany panel, 22-1/2 x 30-3/4 in.; gilt wood and composition frame Estimate: $1,000 - $2,000

Condition notes available in back of catalog

1971â&#x2014;&#x2030; Two Similar Carved Open Armchairs American, mid 19th century, each scrolled arms, red vinyl, brass tacking, comprising: rosewood, walnut rocker, ash secondary; walnut, casters, 43-1/4 in. Estimate: $300 - $500

Bremo Plantation

1968 J. H. Cocke Family Bottle, Traveling Bottle Box British/American, 18th/19th century, hand blown, green glass mallet shaped wine bottle with circular applied seal bearing the monogram "J.H.C.", 10-1/4 in.; rectangular poplar with early red wash, hinged lid with applied shaped handle, interior fitted for 12 bottles, includes ten hand blown green glass bottles; 9-3/4 x 19-1/2 x 7 in. Estimate: $2,000 - $3,000

III

May 18, 2019

1961 After Carlo Dolci (Italian, 1616-1686) Mary Magdalene, unsigned, a 19th century, possibly an American copy, oil on canvas, 28-3/4 x 22-1/4 in.; framed Estimate: $500 - $700

1962 Attributed to William Hamilton (British, 1751-1801) Miranda, Prospero and Ariel "Hast thou, spirit, Perform'd to point the tempest that I bade thee?", Act I scene ii of Shakespeare's The Tempest, bears signature "W. Hamilton", oil on canvas, 27-3/4 x 36 in.' gilt wood and composition frame Estimate: $3,000 - $5,000

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Condition Notes - Please check website for updated condition notes 801 802 800 801

802

803 804 805

806 807 808

809 810 811 812

813

815

816 817 818

819 820 821

822

823 824 825 826

827 828 829 830

831 832

140

wear to base, polishing abrasions to silver scattered light scratches firing anomalies, minute loss to glaze at top rim minimal surface scratching consistent with age and use, some staining around rim, small chip to underside near foot interior chips to rim, base drilled for lamp, firing anomalies in glaze, surface wear and scratching consistent with age and use crazing to glaze minimal gilt loss, few scattered rim chips, one rim chip with retouch to gilt anomalies as made, some chipping to edge of lid, some loss/glaze skips on end of chilong's faces/ beard some glaze puddling, roughness to some edges on rim, wear to foot consistent with age and use gouge in molding at bottom of frame, abrasions and wear to frame light staining and sticker residue on bottom border, small loss to right front foot, other small chips and abrasions to stand some chipping to edge, top of vase slightly askew chips to outer ridge of rim and foot, anomalies as made separations at panel joints, minor abrasions to frames top carved portion is cracked underneath the wrapped metal attachment, tarnish to silver and gold portion occlusion to jade knife handle portion, some normal surface wear consistent with age and use, wear to gilt losses to carved crests and openwork elements at bottom, separation at top of third panel from right, abrasions excellent condition, no apparent breaks or restorations chip to underside of base, all over crazing each drilled for wiring, otherwise good condition, minor wear, gilt/ enamel losses, hairline cracks, other possible restorations excellent condition, minor wear and abrasions, rippling at seats overall good condition, some minor losses and wear at shoulders, light fading fading, some seams are loose, surface abrasions including losses to brocaded details, tears and stains to sleeves some retouch, loss with retouch under one figure's foot, some surface dirt at edge, minor loss at edge top right glaze loss, wear consistent with age and use some very minute chipping to edges, some roughness to surface consistent with age and use internal fissure on one side with some roughness to surface internal fissures, some carving anomalies as made, some tiny edge chips consistent with age and use small chip to fold of robe, some grime to crevices, occlusions small chips to some elements, occlusions, grime in crevices two small areas of possible loss on foliate decoration in center, anomalies as made one small area of loss on screen portion lower right, some minute chipping to edges consistent with age and use, grime in crevices chips and abrasions throughout, losses to arm, hand, foot, toe chips and abrasions throughout

833 834

835 836

837 838

839 840 841 842 843

844 845 846

847 848

849 850 851 852 853 854 855 856

857 858

859 860 861

crazing to glaze, small chip near base, some blackish staining to body overall good condition with minimal losses throughout, hairlines to two dinner plates with chips, hairline to lid of larger tureen, some gilt loss, some minor chips to underside of smaller tureen restoration to neck and shoulder, surface losses consistent with age scattered loss, some separation, scattered retouch, some rubbing and scuffing to black frame, slight discoloration to silk toning, foxing, portfolio spine restored, some bumping and rubbing to board lined with coarse linen or burlap, craquelure, retains much of original tacking edge, abrasions, gold leaf accretion at edges, retouch affecting approximately 15% of surface; frame with abrasions lined, crackle, two periods of retouch affecting approximately 25% of surface; frame with abrasions taped at two point top of mat verso, toning; frames with abrasions original stretcher and tacking edge, dirt layer; frame with minor wear lined, lacking tacking edges, craquelure, crackle, scattered light retouch late 19th/early 20th century paste and linen lining, crackle, craquelure, some areas of overcleaning, scattered retouch affecting approximately 15% of surface; frame with abrasions lined with paste and linen, crackle, scattered light retouch; frames with abrasions excellent condition, frames with minor wear, other minor wear brasses replaced, scattered cracks, repairs, distress to veneers, sun fading at front, original feet with veneer patches 10 patches verso with relatedretouch, dirt layer, crackle; frame with abrasions resurfaced, flaking and retouch to gilding, scattered cracks, repairs, minor losses to carved elements (two pieces off, present), lacking backboard, scratches and distress to mirror plate some wear and abrasions of patinated surface, wear to gilt surface on plinth warm to dark brown patina with some abrasions original stretcher and tacking edge, 3-1/2 in. tear with related paint loss, dirt layer; frame with losses 1832 with creases upper right corner, both with later pencil inscriptions and toning loss to silver plating, varnish distress, surface dirt, corrosion or verdigris at back some tarnish around metal borders, fading, some stress at seams top with wear, stains, separation, feet ended out, scattered minor pest damage, possible restoration at door panel, other typical scattered wear, minor repairs old chips and abrasions to jars consistent with age and use good condition overall, later paint, minor warping, dents, wear to top, chip and loss at drawer facing, other scattered facing repairs, possible foot repairs one corner of stiffness, minor wear with exposed knots, wear to selvedge and edges, staining overall good condition with minor areas of wear, loss to fringe on ends, loss to selvedge overcast edges, general overall

862 863

864

865 866 867 868

869 870 871 872 873

874

875 876 877 878 879 880

881

882

883 884

885

886 887

888 889 890 891

wear with exposed knots, wear to selvedge some toning, not examined out of frame; frame with wear and losses to composition lined, retouch down center and at other repairs, crackle, with conservation report verso backing; frame with abrasions, reduced original stretcher and tacking edge, flaking lower left, crackle, dirt layer, patch verso with associated retouch; frame with abrasions horizontal split in panel, yellowed varnish, retouch; frame with abrasions some foxing, glue tacked at edges laid on Masonite, repaired tears with related retouch, yellowed varnish; frame with abrasions original stretcher and tacking edge, crackle, two patches verso with related retouch, canvas slack, dirt layer; frame with abrasions each with small loss to index finger overall good condition, minor wear to gilt, not taken apart to identify mark minimal loss to floral sprays losses to gilt at metal base, minor wear to decoration Elizabeth I, with adhesive between figure and pedestal applied for stability, losses to front and back of lace collar; Marie Antoinette with pedestal applied for stability drilled for wiring, otherwise good condition, break and repair at one handle, minor areas of distress, gilt loss, other minor restorations good overall condition, very minor paint and gilt loss, few glazing imperfections and surface scratches marble good condition, frame with finish distress, paint chipping, gilt loss, retouch, other minor wear generally good condition, scattered areas of color retouch, wear to top, abrasions to legs excellent condition, minor wear from use excellent condition, minor flaws (as made) abrash, staining, one overcast end, loss to fringe, minor wear throughout, loss to selvedge edge with minor edge repairs on one worn areas, major staining area in center to side, exposed knots, areas of loss on selvedge, scattered stains generally uniform medium pile, wear, abrash, corrosion, spot staining (no odor), no repair or reduction found loss to nose and hair other chips overall good condition, break and repair at arm with patch, other minor restorations, minor wear and losses, modern upholstery with minor wear cracks and some loss at back hinge to tortoise shell, no key, mechanism partly works, bird does not sing, slide mechanism works appropriately and lid opens and closes small chip to underside of base on brown glaze, minimal scattered loss some reconfigured early components, top with extensive cracks, pest damage, and repairs, replaced drawer, one foot is tipped good condition, veneer cracking at base, minor gilt, black paint loss, other minor wear good condition, minor wear (distress as made), modern upholstery with minor wear good condition, surface distress (largely as made), very minor losses at one side molding period example with pest damage, areas of infill, tacking scars,

892 893 894 895 896

897 898 899 900 901 902 903 904 905 906

907 908 909 910 911

912

913 914

915 916

918 919

919 920

921 922 923

scattered minor repairs, modern example generally good condition, minor finish losses and surface distress; footstool with pest damage excellent condition, very minor wear at cuffs generally uniform low pile, fading, abrash, minor end loss with later binding, no reduction found restoration and loss to edges, rings for hanging, repair to corner light staining, minor wear pile varies from medium to low, wear, abrash, scattered very minor moth damage, up to 1 in. end loss, no repair or reduction found one cat with break and loss at ear, otherwise excellent condition excellent condition, no chips, breaks, or repairs excellent condition excellent condition, sticker residue excellent condition excellent condition excellent condition, minor wear to finials, minor edge wear some crackle. two with some flaking, toning; frames with abrasions good condition, corrosion, gilt, paint loss throughout overall good condition, some crackling, scattered scratches, minor crackling; minor chips to bone plates; chips to body and lid of covered dish; chip to gravy boat plate; inconsistent glazing to bone plates all with wear, one fork with bent tines overall great condition, minor scratch to tusk, sword removable, dust good condition, surface wear, pitting and casting flaws, surface dirt good condition, minor wear, discoloration crackle, retouch at repair, conservation by Colin Post, January 2012 (report verso) removed painting from board, lined, restretched on new stretcher, former conservation effort trimmed tacking edge; frame with losses laid down on wood panel, tacking edge removed, glazes have been removed from over cleaning with some to the ground, flattened, 5% retouch with repaired tear left of shoulder in tree; frame with abrasions, losses original stretcher and tacking edge, stretcher mark, two patches verso with related retouch patch verso, tacking edge loose and tearing in places, unevenly yellowing varnish, crackle; frame with wear laid on hardboard, surface dirt layer, crackle; frame with minimal wear on board, surface dirt layer, approx. 3/4 in. vertical line of retouch water, mid/lower left, some abrasions at edges under frame; frame with wear commensurate with age crackle, yellowed varnish lined, restretched on old stretcher, retouch at repairs and in sky affecting less than 5% of surface, crackle; frame with abrasions crackle, stretcher marks; frame with abrasions. repairs, some losses lined July 1973 (notated in pencil canvas verso), areas of retouch scattered throughout, approx. 10% overall, including one apparent repaired tear canvas right side; frame with wear especially at corners original stretcher and tacking edge, crackle, stretcher marks; frame with some minor losses original stretcher and tacking edge, crackle, stretcher marks; frame with some minor losses lined, restretched on old stretcher,

Condition Notes - Please check website for updated condition notes 924

925 926

927 928 929 930 931 932 933 934 935

936 937

938 939 940 941 942

943

944

945 946

947

948 949 950

951 952

953

some retouch mostly at edges, crackle; frame with wear lined with paste and linen, crackle, cupping, cleavage, with retouch, craquelure; frame re-gilt with areas of resurfacing lined, crackle, small points of retouch; frame with abrasions stretcher marks, canvas slightly loose, approx. 6 small areas of re-touch scattered throughout, yellowed varnish; frame liner with minor wear lined with wax and linen, restretched on new stretcher, abrasions at edges slightly oily surface, minor wear to reddish-brown patina verdigris to black patina, good condition small chips on base otherwise good condition abrasions to surface with some wear to black patina wear to vewrdigris patina small abrasions to brown patina lined, restretched, crackle; frame resurfaced with wear original stretchers and tacking edge, tiny areas of retouch scattered throughout, two areas of patching verso; frame with re- gilt decoration, wear to wood, separation at corners crackle, surface dirt layer, areas of retouch horse; frame refinished with gold paint lined with paste and linen with some wax verso, retouch largely in areas of draw crackle, stretcher marks, crackle, yellowed varnish; frame with abrasions small dents, wear and light scratches some wear to patina good condition green and green/brown patina, good condition "Doctor" with restorations and re-paint, "Cows" with restoration to ear, flaking some minor retouch, chips "Boys" with re-paint, break with small losses on horses leg, all with general wear crackle, retouch affecting areas of draw crackle, sky, horse , some flattening; frame resurfaced, with losses lined, restretched on old stretcher, craquelure, crackle, yellowed varnish, scattered light retouch under heavy natural resin varnish; frame resurfaced, abrasions some flaking or voids top sky, lined with wax and linen, crackle; frame resurfaced, abrasions loose canvas, stretcher marks, crackle, original canvas stapled to a backing canvas, patched verso, surface dirt, inscribed canvas verso with artist's name and title; frame with minimal wear all with some slight toning, "Great Banks" examined out of frame, paper tapes to verso of mat, "Bona Fide" with fugitive color or fading; frames with abrasions lined and restretched on old stretcher, crackle, retouch; frame with restoration toning, fading, not removed from frames; frames with abrasions crackle, surface dirt layer, stretcher marks lower edge and right side; frame with wear commensurate with age not examined out of frame minor areas of retouch at edges, wax and linen lined, some surface dirt, conservation label from 1987 attached backing board verso; frame with minimal wear commensurate with age chipping and losses at edges, hinged in, brittle, some creasing,

954 955 956 957 958

959 960

961

962 963 964 965

966

967 968 969

970 971 972 973 974 975

976

977 978 979

980

stain upper right, cellophane tape to tear verso; frame with losses laid down on card, toning, colors strong; frame with abrasions original stretcher and tacking edge, minimal surface dirt layer, crackle; frame with abrasions wax and linen lined, scattered areas of retouch; frame with minimal wear good condition 2 old patch repairs verso with corresponding retouch recto, crackle, minimal surface dirt; frame with abrasions and wear not examined out of frames, light toning; frames with abrasions approx. 1 in. long tear at lower left corner, evidence of three additional old repairs scattered left side, fading and toning; frame with minimal wear oil with yellowed varnish, dirt layer, crackle, flaking and losses at edges, watercolor with toning, not examined out of frame; frames with wear erroneous plate with attribution to Baltasar Lobo (Spanish, 19101993), good condition "Whippet" with spot of corrosion, some abrasions, "Pointer" and "Frisette" with wear to patina small chips on bases some wear to brown/black patina both with minimal surface dirt layer, some alligatoring to Spaniel, minimal surface abrasions with corresponding re-touch; frame with minimal wear original stretcher and tacking edge, tiny spots of re-touch scattered throughout, one larger line of re-touch at lower left edge, slight surface dirt layer, note on label verso "Frederic Gallery framed, cleaned & varnished 3/87"; frame with minimal wear minor staining and wear, small chip to one fox ear wear to gilt on rim, minor wear to painted decoration paperboard with convex warp, canvas with two patches, both with dirt layer, retouch, yellowed varnish; frames re-surfaced with losses to composition original stretcher and tacking edge, dirt layer, abrasion upper left; frame with abrasions all with wear to decoration, minor abrasions to ear tips, noses and around collars minor wear general wear to paint decoration, minor abrasions and wear one plate with chip on back of rim, minor abrasions and wear to decoration export plate with hairline cracks within foot ring, losses and abrasions along rim; Delft plate with repairs to rim and hairline cracks, scattered stains, chips and abrasions to rim oval plate with unglazed base; crack to plate with Moog label; one small saucer with repair to rim; shallow bowl with small chip to rim; another bowl with breaks, repairs, glue residue; otherwise minor wear, scratches and abrasions, old adhesive labels minor wear possible repair to one rim, areas of discoloration to glaze, scratches Boston/New York pitcher with chips to base and hairline cracks, abrasions to rim; molded handle pitcher, two other pitchers with general wear and abrasions to rim; tureen, lacking lid, with large crack and several hairlines in bottom interior, abrasions; plate with old chip to outer rim, all with general

wear large restoration to vegetable dish, appears to have been broken in half, repair to rim, others with minor scattered glaze chips and wear, old adhesive labels 982 glaze flaws as made, both with scratches and abrasions 983 smallest platter with repair to rim, general scattered stains, knife scratches, old adhesive labels, wear consistent with age and use 984 Approximate 5 in. restoration to rim of tureen, adhesive residue to inside of one handle, firing crack interior, scattered abrasions and wear 985 adhesive stickers on base of pitcher, minor wear; basin with two cracks in rim, one hairline crack on bottom, interior with spot of accretion, minor wear 986 sugar bowl, lacking lid, interior cracks; all with general wear consistent with age and use, all with adhesive collector and retail labels 987 buff pitcher with multiple repairs, wear to lustre accents, creamware with possible restoration under spout, glaze flaking and losses under spout, losses to lustre 988 Deering pitcher with approximate 8 in. vertical crack, several hairline cracks near base, crack alongside of spout, vertical crack near handle; Frodsham pitcher with hairline cracks on bottom and one crack extending up in body, both with general wear to decoration consistent with age and use 989 large horizontal crack and restored spout to pitcher with two hunt scenes, chips to spout on "Hodge and Ralph" pitcher, 990 losses to black striping along rim, base, spout and handle, wear and abrasions to transfer decoration 991 platter with small chips and abrasions to outer rim and rim of well, wear and losses to enamel decoration, both pitcher with minor wear 992 overall losses and wear to transfer decoration, chip to spout on pitcher with portraits of Washington and Franklin, other pitcher with abrasions to rims 993 "Peace Plenty and Independence" example, chip and vertical crack at rim, scattered minor abrasions throughout; oval ship building scene and poem on one side, "Liberty/Independence" example, wear to most of gilt at rim and base, old chip on base, minor scattered abrasions 994 larger base with professionally restored base and foot ring, minor wear to gilt, smaller bowl with large restoration, glaze flaws as made, wear to decoration 995 restoration to interior base, minor wear to gilt rim and enamel decoration, glaze flaws as made 996 one cann with crack on bottom, possible repairs to handle; other cann with repair to handle and retouch to enamel, glaze separation on handle; "Moog" with several hairline cracks, stains; small chip on teabowl rim, all with old adhesive labels, some with tape residue 997 large professional restoration, interior with wear to decoration, some glaze flaws as made, abrasions, wear to gilt on rim, minor wear to foot 998 good condition, minor chips at lotus petals with one broken repair, other minor wear 999 wear to applied decoration on figure, tape residue on base, several minor chips; bowl with abrasions to rim, hairline crack on bottom 1000 small Albany with repair, others with minor chips and abrasions to 981

1001

1002

1003 1004 1005 1006 1007

1008 1009 1010 1011 1012 1013

1014 1015 1016 1017 1018 1020 1021 1022 1023 1024

1025 1026 1027 1028 1029 1030

1031

1032

glaze and rims, old adhesive labels, tape residue, wear consistent with age and use yellow and green decorated pitcher with old small chips to spout and rim, old chip to base, losses to glaze on decoration and stains; blue pitcher with several old chips on spout and base, possibly as made, (chips are glazed over), stains; barrel with minor losses to decoration Wales plate with crack in rim; one Caldwell's Landing with several cracks base and rim; all with wear to decoration, minor scratches and abrasion, tape residue, old adhesive labels good condition, minor wear both with surface grime, tape residue, minor abrasions, old adhesive labels, socle loose on Garfield light scratches, some wear all with wear, one heavy wear, one buffed, one with monogram removed patch repair verso upper left with corresponding retouch, surface dirt, crackle, stretcher marks; frame with grime, separation at corners, wear and abrasions original stretcher and tacking edge, yellowed varnish; gilt wood and composition frame good condition full margins tape adhesive and stain verso edges, light toning; frame with abrasions crack with crazing, especially in center, tear to paper backing minor glaze flaws as made, light wear ewer with losses to silver at bottom of handle and one silver has lifted off ewer, light scratches and tarnish, vase with light scratches and tarnish scattered very faint abrasions, tarnish to lid good overall condition, minor wear consistent with age and use poppy vase with minor glaze flaw as made, otherwise all in good condition begonia vase dark specs in glaze as made, otherwise all in good condition minor glaze flaws as made around rim, a few minor abrasions towards base both in good condition a few abrasions at neck and shoulder minor glaze flaws as made, overall good condition minor wear pitcher with minor abrasions to spout, a few light scratches; vase several small flecks of glaze losses, minor base wear a few small areas of glaze losses at neck, shoulder, and towards base, scattered light abrasions small scratch at shoulder; minor abrasions; very light abrasions stray red marks on base, very light abrasions approximately 4 in. repair at flared rim, minor light scratches especially toward base minor wear to decoration, old adhesive labels lined with paste and linen, restretched on 19th century stretcher, crackle, cupping, cleavage, flaking, two periods of retouch with some more recent involving the hand and face; frame with some resurfacing and losses feet and brasses replaced, top possibly restored/replaced, typical stains, veneer flaws, other typical wear, small loss at one front corner areas of retouch at edges obscured by varnish layer, small puncture

141

Condition Notes - Please check website for updated condition notes above head; frame with abrasions 1033 good condition overall, case with wear, losses, cracking 1034 possibly reduced in height (case sides cut, reset), cracks and warping to top with repair at rear corner, brasses replaced, minor warping at drawer facings, scattered molding repairs, retouch, minor sun fading, other typical scattered minor repairs 1035 good condition overall, some water stains to top, minor sun fading, some veneer cracks, including at drawer facings, other wear, surface distress, minor repairs 1036 brass pull replaced, drawer lacking writing board, minor patch and repair at one lower leg, scattered veneer distress, losses, and repairs, with some areas of bubbling, minor warping to leaves (inset splines at backside) 1037 all with rust to interior push-up mechanisms, several with overall spotted corrosion on bases, a few with very minor dents, wear to engraving 1038 gilt retouch and loss, later brace behind crest, cracks and repairs at legs, plinth, breaks and repairs at bosses with loss, ebonized surround with restorations, other typical wear throughout 1039 dial with surface wear, finial replaced, repairs at swan neck, original saddle board, crack to base panel, one later brace at backboard, other scattered surface distress and minor repairs 1040 lined, restretched on old stretcher, crackle, small points of retouch, stretcher marks; frame with wear 1041 good condition, minor surface wear, cracks, and abrasions (some as made) 1042 all with surface scuffs and scratches consistent with age and use, some with minor losses, oval caddy with shrinkage to marquetry, lid does not close completely 1043 break and repair at one front leg, one tambour section with separations, brasses replaced, drawers with later interior felt, typical minor veneer cracks and distress, minor pest damage 1044 reconfigured, period and modern elements with wear, areas of roughness, minor other chips, losses, other possible missing elements or restorations 1045 lined with linen, crackle, retouch primarily in sky with other areas in water, possibly areas of over cleaning at boats left, yellowed varnish; frame resurfaced 1046 lined with paste and linen, crackle, yellowed varnish, retouch; frame with abrasions 1047 panel cradled, some evident breaks in card at two corners with associated retouch, other areas of retouch; frame with losses 1048 scattered veneer cracks and checking with some minor finish losses, other minor wear 1049 generally good condition, upholstery with light stains and wear 1050 each drilled for wiring, otherwise good condition, minor wear, enamel, gilt losses, hairline cracks, other possible restorations 1050 letter with overall light foxing, wear and folds at top edge, otherwise very good; book missing spine, front board detached, wear at extremities 1051 crackle with some cupping, dirt layer 1052 laid down on paper board, crackle, flaking at edges, tacking edges trimmed, retouch affecting 15% of surface; frame resurfaced, with losses

142

1053 crackle, cupping, flaking, yellowed varnish, retouch affecting approximately 15% of surface, signature with some loss; frame with repairs, resurfaced, losses 1054 not examined out of frames, some with light fading and toning 1055 abrasions, small areas of retouch; frame with wear 1056 one soup bowl with break and repair at handle, one demitasse cup with hairline crack from rim to opposite side of base, otherwise excellent condition, minor wear from use 1057 excellent condition, minor wear from use 1058 lacking one 8 in. plate, one saucer, otherwise good condition, minor wear, one saucer with minor chip 1059 good condition, casting anomalies (as made), minor wear, possibly converted 1060 good condition, typical surface wear and minor scuffs, stains, very minor chips and losses to decoration throughout, some with cracks at handle attachments as fired, cake stand and dome may be married (matching oak leaf meander, dome is pale blue and stand is dark blue), dome with restoration at finial with associated minor losses, other minor losses to dome and stand 1061 excellent condition, minor wear from use 1062 four fluted Champagnes with chips at rim, otherwise excellent condition with minor wear from use 1063 wine hock with chip at rim; wine hock with chip at stem; wine hock with chip at base; claret with chip at rim, otherwise excellent overall condition, minor wear from use 1064 pet odor, staining, significant hole, loss to selvedge, loss to ends, overcast ends, tears to ends, stains 1065 loss to brown sections, few areas of professional repair, abrash, minor moth damage 1066 lined, crackle, retouch at edges, stretcher marks; frame with some surface scorching, losses 1067 lined, draw crackle, crackle; frame resurfaced 1068 lined with paste and linen, restretched on old stretcher, crackle, cupping, cleavage, flaking with some voids, retouch affecting approximately 20 % of surface, areas of overcleaning 1069 original stretcher and tacking edge, yellowed varnish; frame with abrasions 1070 light dirt layer, canvas slightly slack frame with abrasions 1071 yellowed varnish, varnish abrasions with lifting, small paint abrasions lower left; frame with abrasions 1072 slightly yellowed varnish; frame with abrasions 1073 From recent inspection and service (2/22/19): "low wear in interior and on the brake and clutch pedal indicate a low mileage car, both the water pump and belt idler pulley bearings noisy which are heard when idling, coolant expansion tank leaks, master cylinder leaks, possible issues to booster, see attached service record for work completed", also, later paint, small area of rust under rear panel on drivers side, black residue at hood grates, light scratches to body throughout, rubber loose at rear bumper on passenger side, oil leak 1074 generally uniform low pile, wear, corrosion, small areas of visible foundation, abrash, up to 1/2 in. end loss, no repair or reduction found 1074 staining, areas of loss, worn areas, exposed knots, wear to ends

1075 professionally cleaned, overall good condition 1077 wear to edges, professionally cleaned, light staining, moth damage to one end 1078 slight moth damage, loss to end, staining throughout, some areas of low pile, overcast ends 1079 leather dry with some splitting and tears, crackle, some retouching; frames with minor abrasions 1080 excellent condition, minor gilt wear and discoloration, minor chips at bases 1081 excellent condition overall, minor repairs at rule joint, typical surface wear and stains 1082 planters likely associated, with scattered minor paint flaking and retouch; stands are generally good, some repairs to composition ornaments, some surface retouch 1083 typical veneer cracks, minor repairs, typical warping at crest, losses to silvering at mirror plates, part of one backboard off (present) 1084 visible frame generally good, repair at one rear leg, minor repairs at returns, cracks at plugged screws at arm attachments, later seat blocking, other scattered minor flaws 1085 linen lined, stretcher marks, crackle, minimal surface dirt layer; frame with wear 1086 linen lined, stretcher marks, slightly loose canvas, minimal surface dirt layer; frame with wear especially at corners, some separation at corners 1087 good condition overall, typical warping and scattered veneer repairs, original feet with patches and repairs, damage to blocking, backboards replaced, shrinkage crack at top with one small patch 1088 generally good condition, replaced brasses (door interiors with recesses for brasses), minor door warping, minor cracks and distress to lacquer, scattered losses, retouch, later stand good overall condition, surface wear, abrasions 1089 top with warping and checking, cracks at two corners, one oval patch, pierced brackets likely replaced, scattered minor pest damage, some color variation, old abrasions to legs, other scattered minor wear 1090 stains and minor separations to top, some pest and water damage at bottom of feet (one foot with later riser), minor cracks to pedestal at leg attachments 1091 good condition overall, surface and edge wear, top with surface stains, gilt loss, one leg with two small patches, ebonizing possibly refreshed, some minor pest damage 1092 scattered veneer losses and repairs, especially at ears, typical molding cracks and repairs, wear and chips to gilding, especially at phoenix, later bracing at back of crest, backboards, mirror plates likely replaced (minor scratches, silver loss) 1093 abrash, general wear, white pattern inconsistencies, possible minor stains, loss to one side corner 1094 floated, some handling grime, flaking or wear to gouache and gilding; frame with abrasions 1095 a few scattered flea bites at rim, traces of blue patina on molded elements, abrasions to bottom interior and base 1096 minor wear 1097 minor abrasions to rim 1098 very minor wear to rim 1099 minor wear 1100 very minor wear 1101 chip to outer rim of base, scattered

1102 1103 1104 1105 1106 1107 1108 1109 1110 1111 1112 1113 1114

1115

1116 1117 1118 1119 1120 1121 1122 1123 1124 1125 1126 1127 1128 1129 1130 1131 1132

1133

1134 1135 1136 1137 1138 1139 1140

1141 1142 1143

fleabites to interior and exterior of rim, adhesive residue and light scratches to base minor scratches at bottom a few flea bites in poured water, traces of blue patina visible on faces tiny chip at rim minor wear several small flakes around base, chip in center of base, stand with old tape minor wear likely repatinated, nick on rim minor wear minor chip at rim likely repatinated, small blemish on one dog leg two chips at base several scattered flea bites and minor surface, several glass bubbles as made, minor base wear minor wear to frosted surface to exterior, some dirt residue to bottom of interior, thickness of rim slightly irregular minor surface scratches, rim likely polished with minor interior indentation, small air bubbles near bottom as made rim with several flea bites and minor wear, wear to base, a few glass bubbles near rim rim has slightly irregular shape and roughness near interior edge with small dark inclusion color shifts from pink to green, possible small chip to larger nodule on side of vase rim likely polished with a few flea bites present, a few glass bubble near rim very minor wear, felt pads applied to base small chip on rim of base, otherwise good condition some wear and uneveness to black patina, some interior grime shallow flake on underside of bowl, several tiny white inclusions in glass, probably as made shallow bubble in middle of coil that has popped through, other scattered bubbles within glass, drilled, otherwise good overall condition small chip on outer rim of box, a few flea bites to inner rim of lid very minor abrasions at rim and base minor wear tape residue around rim, minor wear minor wear turkey missing beak dip in base of rim with several small nicks, hazy line through center of vase, possibly an interior water line small flake under one monkey head, possible chip (polished) under interior rim, bubble near rim, molding lines visible interior (straw marks) a few tiny flakes interior of rim, a few bubbles in glass consistent with age a few flea bites on rim of stopper and rim, very faint residue interior flea bite at outer rim and at base good overall condition, several small glass bubbles plate minor wear; several small nicks to rim of bowl decanter possibly repatinated, rim shape slightly irregular, small crack or anomaly to rim of one cordial, probably as made bowls with overall minor wear; staining and wear to center of plate minor wear one stopper likely repatinated, traces of blue patina on both

Condition Notes - Please check website for updated condition notes 1144 1145 1146 1147 1148 1149 1150 1151 1152 1153 1154 1155

1156 1157 1158 1159 1160 1161 1162 1163 1164 1165 1166 1167 1168 1169 1170 1171 1172 1173 1174 1175 1176 1177 1178 1179 1180 1181 1182 1183 1184 1185 1186 1187 1188 1189 1190 1191

1192 1193 1194 1195 1196 1197 1198

1199

bottles, one bottle with flea bite on underside, scattered flea bites to interiors of stoppers, faint residue to interior of both stoppers minor wear minor abrasions interior of lip chip at bottom rim light wear to outer edges, several flea bites on rim minor chips to lip minor wear interior of mouth is slightly off round everted rim reduced, otherwise good condition ashtray, minute chip to rabbit's ear, box, minor wear replaced works, needs batteries, minor wear to face, wear to metal cover minor surface wear interior of bowl good overall condition, thickness of rim slightly irregular, several flea bites on underside of rim, flea nick on one side of blossom minor wear minor wear minor wear minor wear minor wear very minor wear residue in one perfume, old stickers, minor wear old stickers several small flea bites to one tail minor wear one with small chip to bottom corner, a few scattered flea bites to several minor wear minor wear green floral adhesive interior bottom, minor wear minor wear minor wear old sticker residue, minor wear perfume residue in large bottle; minor neck to interior or middle stopper old sticker residue, minor wear minor wear minor wear minor wear minor wear minor wear minor wear minor wear minor wear overall good condition, sticker and tape residue sticker residue, minor wear very minor wear minor wear old sticker labels, minor wear very minor wear very minor wear minor wear overall good condition, minor transfer and gilt loss, sticker residue, minor scratches; lemon finial sugar dish with restoration to lid; octagonal condiment jar with rim chip; one small matchbook cover with chip; twisted two arm candlestick with broken pierced candle cup excellent condition, minor wear excellent condition, minor wear, sticker residue minor gilt wear to basket, a few abrasions to tray toned, tape residue at top edge, sheet slightly trimmed; frame with minor abrasions paper taped verso all edges, margins trimmed, light toning hinged verso, full margins, very slight toning, tape at corner upper right good overall condition, minor wear, gilt loss, no apparent breaks or repairs, possible minor restorations good condition overall, minor

wear, gilt loss, foo dog jars with minor flaws (some as made) 1200 lined, crackle, dirt layer, some areas of retouch; frame with losses 1201 rubbing and slight surface scratching to frame, enamel plaque in good condition 1202 good condition overall, areas of verdigris, minor gilt loss, other typical wear, modern votive holders good condition 1203 good condition, minor wear and slip cracks 1204 small dents, light scratches 1205 phoenix with break and repair at wing, lacking rear wing, otherwise good condition, scattered minor cracks and repairs, minor gilt retouch, mirror plate, backboards replaced 1206 clock, areas of verdigris (probably as made), original key present, service required; otherwise good condition with areas of discoloration, ink stains, typical wear, abrasions, and gilt loss consistent with age 1207 cracks, wear, finish losses to tops, minor losses around banding, minor losses at grills, other wear and surface flaws 1208 laid on card, light foxing and toning 1209 the full sheet with deckled edge, toning, hinged in, paper tape and adhesive at edges verso; frame with abrasions 1210 verdigris patina, good condition 1211 good condition 1212 abrasion with some paint loss, crackle in heavy impasto areas, corner and edge chips; frame with abrasions 1213 toning, floated on mount, creases, small tears, taped at four points to mount 1214 good condition, very minor dent at one side, edge loose (screw off with loss to particle board under, present), glass good condition, other minor wear 1215 good condition, finish with minor wear consistent with age and use, some sun fading, original upholstery with minor wear and stains, sun fading 1216 overall excellent condition, minor wear, drip pans with minor dents, shades with minor wear 1217 some abrasions on edges, with patina as made 1218 crackle 1219 original stretcher and tacking edge, draw crackle; frame with abrasions 1220 good condition 1221 good condition, finish with minor wear consistent with age and use, some sun fading, upholstery with minor wear and stains, sun fading 1222 floated, good condition; frames with abrasions 1223 weighted in base with plaster 1224 not examined out of frame; frame with losses 1225 wear, stains, cracking, scratches, and possible repairs to leather, minor scratches to chrome frames 1226 good condition, abrasions and paint loss at frame, stains at rope, especially at top back, probably original pillow with wear, fading, associated hide 1227 surface wear, abrasions, minor finish losses, casters with distress to brass finish 1228 excellent condition, minor wear, modern upholstery with minor wear 1229 slight rubbing to leather arm on end, other very minor wear and flaws 1230 not examined out of frames, good condition 1231 good condition

1232 abrasions with some paint loss 1233 original stretcher and tacking edge, dirt layer, 1234 original stretcher and tacking edge, dirt layer 1235 mounted on board, dirt layer 1236 original stretcher and tacking edge, dirt layer 1237 tear bottom middle, yellowed varnish 1238 good condition, minor edge chips, minor wear 1239 scratches to surface, flea nick to top rim 1240 scuffs and minor scratches on neck, rim and shoulder 1241 center metal plate re-soldered, spots of accretion interior of shade, general wear 1242 overall good condition, minor tarnish, scratches, denting, restoration to foot with denting 1243 water stains and finish losses to top, lacking one drawer pull, one lock with break, other minor wear, label with fading 1244 original finish with some wear and finish losses, abrasions, water stains, replaced slip seats and leather with minor scratches 1245 enameled brass with distress, abrasions, losses, retouch, square example lacking two slag tabs; long example with broken sockets, other wear; mold with wear, surface dirt, areas of verdigris 1246 scattered repairs mainly at corners and borders, fading, separations at seams, scattered light stains 1247 good condition 1248 good condition; frame with abrasions 1249 scratches to outer perimeter of compote; vase with some irregularity at rim and glass bubble 1250 minor wear to base 1251 scratches to base, chips to base of stopper 1252 probably patinated, a few flea nicks to rim, several scratches on bottom 1253 minor glaze flakes to iris vase, some crazing, probably as made to Ley vase 1254 minor scattered scuffs 1255 excellent overall condition, minor water stains from use, firing anomalies 1256 great overall condition 1257 scattered light scratches 1258 overall good condition, scattered scratches from table contact 1259 glass anomalies as made, abrasions on base 1260 good condition 1261 minor wear 1262 very minor wear 1263 lower part of box may be later, otherwise good condition 1264 both with very light wear 1265 minor wear 1266 good condition 1267 good condition 1268 a few small scratches top rim of bowl 1269 both with minor base wear 1270 very minor wear 1271 old stickers residue, minor wear 1272 very minor wear 1273 old adhesive labels, minor wear 1274 minor wear 1275 lavender vase with small scratch on one flower, otherwise minor scratches to both 1276 base bent (doesnâ&#x20AC;&#x2122;t sit flat), minor wear to decoration 1277 replaced ivory spout, missing burner, small dents, wear 1278 good condition 1279 wear, light scratches 1280 small dents and wear 1281 both with wear 1282 coffee pot missing ivory spacer in finial, small dents and wear

1283 1284 1285 1286 1287 1288 1289 1290 1291 1292 1293 1294 1295 1296 1297 1298 1299 1300 1301 1302 1303 1304 1305 1306 1307 1308 1309 1310 1311 1312 1313 1314 1315 1316 1317 1318 1319 1320 1321 1322 1323 1324 1325 1326 1327 1328 1329 1330 1331 1332 1333 1334

1335 1336 1337 1338

1339

light scratches, minor wear all with wear, some handles bent all with wear all with wear dents, scratches, wear lid unmarked and bent, light scratches, small dents condition as expected both with wear one with damage to bowl and one with monogram removed loss to bowls, wear all with wear and some loss all with wear and some loss all with wear and some loss all with wear and damage smaller spoons with bowls with small dents and wear and larger with wear to bowl all with wear over all wear, small dents lined with mulberry paper, toning, evident tears, stain upper left all with wear dents in bowls, scratches, wear all with wear tongs with bent arm; teaspoon with lose to bowl tip; fork with loss to tines, all with wear all with wear and some with loss to bowls all with and some bowls with loss wear and loss to decoration, repair at base of handle small dents, light scratches light scratches, average wear light scratches, small dents small dents and light scratches good condition small dents, light scratches small dents, light scratches, some wear, mirrors with discoloration, glass with minor chips small dents and wear, mirror distressed average wear some pieces with monograms removed, wear to tines and loss to tines, all with wear all with average wear average wear average wear average wear average wear average wear average wear average wear average wear average wear some wear average wear wear, scratches and marring to gold- especially to back of shank wear, scratches and light tarnish consistent with use light wear wear and scratches to gold missing one diamond, wear and scratches to gold and enamel, top part of tongue broken off and missing- two figure-eight clasps keep bracelet closed- clasp should be repaired to wear wear and scratches consistent with use light wear consistent with use wear to some knots, light wear and scratches consistent with use necklace, knots frayed and should be restrung/knotted, some glue visible near mystery clasp ends, light wear and scratches to pearls, extender appears to be missing one pearl according to the appraisal; matching earrings, one pearl coming loose from post, should be re-glued, wear consistent with use necklace, body under nacre visible on center pearl near hole, light wear to few knots, wear consistent with use; matching earrings, one earring apparently converted from bead- bead hole has been filled with wire and gold-tone spots vis

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Condition Notes - Please check website for updated condition notes ible, with 14kt. backings 1340 neckwire with three clear glass butterflies, greenish tarnish in a few spots, wear and scratches; matching earclips, greenish tarnish in spots, glue visible and yellowing, wear and scratches consistent with use 1341 light wear to some knots, pearls with blemishes 1342 with one 14kt. white gold backing (other is non-gold), one post slightly bent, one diamond is secure but spins in mounting, should be checked 1343 chips with loss to one citrine, slight abrasions to few stones 1344 tool mark/scratch to pearl 1345 with 14kt. yellow gold backings, wear and scratches 1346 sunface design, wear and scratches consistent with use, spots of tarnish to backs; Ballou, light wear, light tarnish to backs 1347 one intaglio cracked, slight abrasions to tourmaline, light tarnish and wear 1348 wear and scratches to gold 1349 light scratches to stone, light wear to gold 1350 chips with loss to one panel of orange enamel, wear and marring to edge of ring 1351 chip and losses to enamel, scratches/abrasions to stone, wear and scratches 1352 wear and scratches consistent with use 1353 small dents and marring to back of pendant, wear and scratches to gold 1354 twisted rope border around initial side not fully soldered down in one spot and sticks up a little, wear and scratches consistent with use 1355 wear and scratches consistent with use 1356 light tarnish, wear and scratches 1357 light tarnish, scratches and wear 1358 eagle brooch, very small chips to few diamonds visible with loupe, tarnish to gold on back, light wear and scratches consistent with use; elephant brooch, missing one diamond, tarnish, abrasions to red stone, wear and scratches consistent with use 1359 light wear and scratches to enamel and gold 1360 light wear 1361 areas of tarnish- pin catch appears replaces, wear and scratches 1362 light tarnish and wear to back, very light wear to enamel 1363 wear and scratches consistent with use 1364 green tarnish, very light wear 1365 silver topped gold initial brooch, missing one diamond, wear and scratches; British regimental initial brooch, missing two pearls, some pearls replaced and ill-fitting in settings, wear consistent with use and age; trumpet and flag brooch, chip/losses to blue enamel, wear and scratches 1366 wear and scratches 1367 wear and marrings to metal consistent with use, sizing butterfly soldered inside ring 1368 light wear 1369 these are the top part of day/night earrings, wires in back to attach drop, wear and scratches consistent with use] 1370 large link chain, dents to some links, wear and scratches; pendant, hinged bail, chip to greenish yellow stone, wear and scratches; two pendants, light scratches to some pearls, wear and scratches to gold consistent with use, each pearl has hinged bail but appears to be missing bail to attach to necklace 1371 wear and scratches consistent with

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use 1372 very light wear 1373 light wear 1374 wear and scratches consistent with use 1375 necklace, wear and fraying to knots, wear to pearls consistent with use; earrings, wear consistent with use, one post appears replaced 1376 solder seam broken so does not stay in position as designed, should be fixed to be worn, light wear and scratches 1377 wear and scratches 1378 wear and scratches consistent with use 1379 wear and scratches consistent with use 1380 appraisals list bracelet with 52 diamonds but in current form it has 50 diamonds, six diamonds loose in mountings and need to be tightened before wear, wear and scratches to platinum consistent with use 1381 omega chain, wear and scratches, light tarnish; neckwire, very light wear 1382 engagement ring, wear and scratches consistent with use; pair ring guards, wear and scratches 1383 free form wire design, 18kt. white gold backings, light wear consistent with use; flexible diamond shape design, one backing non-gold, wear scratches and light tarnish; granulation style design, one without backing, wear and scratches 1384 wear and scratches 1385 wear consistent with use 1386 slight abrasions/small chips visible with loupe to sapphires, over light wear and scratches to gold 1387 small chips to few diamonds visible with loupe, light wear and scratches 1388 diamond has inclusion/chip to girdle/pavilion/crown near one prong, light wear 1389 small dents, light wear and scratches 1390 ring out of round, wear and scratches to metal 1391 light wear and scratches 1392 light wear consistent with use 1393 wear, scratches and marring to metal consistent with use, shank out of round, break at solder seam in gallery wire 1394 wear and scratches consistent with use 1395 movement not opened during inspection, seconds hand moving intermittently, wear to bandstretched out, marring and wear, appears to have repair where band meets case body, replacement crystal scratched and worn, wear and scratches to gold consistent with use 1396 abrasions to facet junctions on pavilion of sapphire, chip to one old mine cut diamond, light wear and scratches consistent with use 1397 abrasions and chips to girdle of sapphire, wear and scratches to metal 1398 slight abrasions and scratch on sapphire visible with loupe, ring sizer soldered into shank, wear and scratches consistent with use 1399 very light wear 1400 light wear 1401 light wear and scratches 1402 light wear 1403 light wear and scratches consistent with use 1404 not keeping time or opened when inspected 1405 hospital pins appear glued on, one charm appears to be locket closed with lead solder, wear, scratches and tarnish

1406 Light wear consistent with use 1407 diamond not mounted in ring, cracks to mounting- will need repairs to mounting and prongs, evidence of sizing, wear and scratches; band, mounting worn and should be checked by jeweler, wear and scratches 1408 necklace, light wear to knots; stud earrings, no backings, visible glue at post 1409 one link missing, few diamonds with small chips visible with loupe, spot of solder on back of one link, wear and scratches consistent with use 1410 spots on mirror, light tarnish around edge, light wear and scratches, area of tarnish near edge of lid 1411 slight abrasions to sapphires, small chips to few diamonds, very light wear to gold 1412 posts have removed, wear and scratches consistent with use 1413 light tarnish and dirt, no clasp on necklace 1414 tarnish, losses to enamel, back of shank out of round 1415 wear and scratches 1416 one small diamond with chip/loss, tarnish on mounting, wear and heavy scratches to gold, ring out of round 1417 clasp broken and needs to be replaced, wear to knots and area where string is stretched- should be re-strung/knotted 1418 clasp broken in one spot, light tarnish 1419 no visible wear, not tested for treatments 1420 discoloration to some knots, wear and scratches consistent with use 1421 very light wear 1422 no visible wear, not tested for treatments 1423 one spinel chipped, abrasions to spinels, smaller rubies and sapphire, wear and scratches to gold consistent with use 1424 no visible wear, not tested for treatments 1425 surface reaching inclusion, not tested for treatments 1426 no visible wear, not tested for treatments 1427 backings and post 14kt. White gold, very light wear, post appears to have been moved 1428 scratches and abrasions to sapphire visible with loupe, small chips to two diamonds, wear and scratches to metal 1429 very small chips visible with loupe to few diamonds, very light overall wear 1430 small chip to black enamel at tip of beak, food appears to be messily painted with nail polish, repair to frame near head 1431 solder/repair to tongue of clasp- in working order, overall light wear 1432 glue visible in mounting under pearl, evidence of sizing, back of shank out of round 1433 wear and scratches consistent with use and age 1434 spots of light tarnish, light wear 1435 light tarnish, wear and scratches 1436 light wear 1437 light tarnish and wear 1438 tarnish, scratches and wear 1439 tarnish, wear and scratches 1440 heavy tarnish, wear and scratches 1441 heavy tarnish, wear and scratches 1442 tarnish, wear and scratches 1443 tarnish, wear and scratches 1444 tarnish, light wear 1445 tarnish- heavy inside bracelet, light wear and scratches 1446 kachina design very heavy tarnish, wear and scratches consistent with use; inlaid kachina design heavy

tarnish, scratches and wear 1447 tarnish, wear and scratches 1448 seconds hand moving and keeping time intermittently, tarnish, wear and scratches to gold 1449 each good condition, typical wear, please see detailed photos online 1450 not keeping time when inspected, key does not appear to be turning gears, dents to crown, wear and scratches 1451 movement not inspected and not keeping time when inspected, missing minute hand, no key present, cracks to dial, loss, dirt and scratches to crystal, appears to be repair to catch on outer case, dents to both cases, heavy wear and scratches 1452 light wear and scratches consistent with use 1453 dent to back, wear and scratches, light tarnish to dial, damage and loss to case 1454 keeping time when inspected, light overall wear, light scratches to back of case 1455 watch was inspected by certified watchmaker, at time of inspection watch runs, hands set, date jumps, movement will need service, bracelet has been repaired at clasp hinge, crown screws to tube, scratches to crystal, wear and scratches to gold consistent with use 1456 tarnish, wear and scratches 1457 oval cabochon turquoise, spots of tarnish, wear and scratches; three green turquoise cabochons, heavy tarnish, wear and scratches 1458 tarnish, wear and scratches 1459 tarnish, light wear and scratches 1460 excellent condition overall, minor wear and abrasions to frame, later nailing to seat blocking, small plugged screw repair at one arm attachment, other scattered minor flaws, upholstery in generally good condition 1461 mirror plate probably replaced, several shrinkage cracks in mirror frame, repair to one leaf on pediment, scattered losses to gilt, eagle finial reattached and later paint at back, (possibly associated or restored) 1462 wear, scattered loss, retouch to gilt, with restorations 1463 light scratches and minor wear 1464 solder repairs at base, scattered tarnish 1465 surface dirt layer, some wear at edges under frame, crackle; frame with minimal wear at corners and edges 1466 break and repair at one leg, patch and repair to block, four small plugged holes at center top, batons reset 1467 replaced seat blocking, replaced slip seats, minor cracks in splats, some later color, some possible restorations at seat rails (re-veneered?), other scattered minor repairs 1468 minor repairs at front leg attachments, later pins (from interior), one leg with three small areas of infill 1469 polish residue, scattered patina, twist ejectors inoperable 1470 a few minor dents, polish residue 1471 scattered spots of corrosion, one petal base slightly askew, wear to brass surface 1472 tarnish residue, wax residue, corrosion 1473 overall tarnish, polish residue, wax residue, scattered dents and one example with dents on base 1474 overall tarnish, patina, wax residue; corner lobe side-cut pair with solder restoration to stem and base contact

Condition Notes - Please check website for updated condition notes 1475 interior with some later stains, possible restorations to sarcophagus top, tarnish to brass dials, minor veneer chips and abrasions to case 1476 scattered scratches and dents consistent with age, wax residue, minor tarnish and patina 1477 scattered tarnish, wax residue, scattered scratches 1479 tarnish, polish residue, near pair one has stripped base screw and evidence of soldering/repair to that area 1480 scattered tarnish, overall minor surface inconsistencies 1481 scattered tarnish, polish residue; dents and scratches to shorter example wax lips, detail not identical; Chippendale pair possibly missing bobeches 1482 minimal tarnish, corrosion 1483 overall tarnish, polish residue, wax residue 1484 petal bases with repairs to bobeche, polish and wax residue, minor tarnish 1485 both with normal wear consistent with age and use; pushups with one seam separation at base, one pair slight askew 1486 scattered tarnish and polish residue, shell base lacking bobeche, petal base slightly askew 1487 scattered dents, scratches, wax residue, casting imperfections 1488 shrinkage cracks top and bottom front, wear and crackle to painted dial 1489 lacking bobeches, dent to one rim, polish residue 1490 normal wear consistent with age and use, light surface scratching 1491 one with casting flaw (hole) in base; one with solder repair on base, overall wax and polish residue, wear to patina 1492 polish residue, corrosion 1493 tarnish residue, sticker residue, corrosion, possible push up restoration 1494 silver plated with replaced bobeches, tarnish, polish residue 1495 generally good condition, scattered veneer and molding repairs, brasses replaced, veneer checking to door panels, shrinkage cracks to case sides with color retouch, one upper door with patches and repairs at hinges, minor warping to writing board (veneer distress to interior banding), stains to felt 1496 lined, light retouch; frame with abrasions 1497 original feet and blocking with scattered cracks, abrasions, and minor repairs, brasses replaced, some pest damage to back boards, top with minor edge repairs, other typical veneer checking, minor cracks, stains and wear 1498 warping to crest with some losses, retouch, and repair to pierced shell, scattered minor repairs and losses, original backboard, probably original mirror plates (not removed) 1499 good condition overall, some later seat blocking, minor cracks at rear stiles, finish spotting and other flaws, modern upholstery in good condition with minor wear 1500 generally good condition, brasses replaced, minor cracks in top, original feet with some breaks and repairs, some later blocking, rear brackets replaced 1501 rear seat rail joints re-pinned, breaks and repairs at joint of crest rail to rear stiles, patch at back of splat, cracks and repairs to shoe, surface wear and abrasions, especially at knees 1502 cracks and repairs, gilt loss, retouch at crest (later braces at back), lacking part of top orna-

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ment, losses at two scrolled ears, some distress to mirror plate one with several repairs to tip of leaf and stem, tape residue, replaced adjuster knob; other with surface scratches lacking interior compartments, and foil lining, cracks and shrinkage especially under lock, lacking escutcheon, general abrasions and wear octagonal one piece veneer off but present; both lacking foil linings, minor wear consistent with age and use slightly yellowed varnish, "River" with a repaired split and associated retouch lower right, "Track" with abrasions; frames with losses both with crackle, scattered retouch, "Woman" with stretcher marks; frames with losses some distress to mirror, cracks to molding encircling mirror, hairline cracks to frame, repairs at wing attachment, wear to gilt, (regilt) mirror plates have been removed, minor distress to silvering, losses to gilding, losses to paper verso good condition overall, one with chip at eagle's beak, minor gilt wear and distress flaking and loss to painted moon dial, brass dial with traces of silvering, probably original finials, bottom board replaced, breaks and distress to base molding, original feet largely intact generally good condition, underside with traces of red paint, secondary with some later stain, leaf supports probably replaced (do not match scrape marks on leaves), other possible restorations some warping to top with edge cracks, original wrought iron spider, other typical surface wear good condition, crack and repair with infill at one skirt, minor cracks at splats, shrinkage cracks to rear stile, modern slip seat with light wear and stains, other minor wear color disparity across pair, overall tarnish, scattered scratches overall tarnish, polish residue, wax residue tallest example with casting gap near one base, polish residue, possible lead re-solder repair at base; wax lip example with casting gap near base, scattered dents overall good condition, scattered scratches consistent with wear polish residue, expected dings and dents minor tarnish, patina, wax residue, possible solder repair to one at stem to base contact, scattered dents, minor casting imperfections dial paint with several areas of loss and retouch, and overall wear and crazing, several cracks and minor repairs to veneer, minor separations (wood shrinkage on top and sides), back of case will not open standish lacking bell, one base to holders slightly bent; casters with typical wear, dents, minor abrasions throughout, two with misshapen handles, minor breaks at dome piercings, areas of verdigris mahogany example with one interior hinge repaired, minor surface abrasions and normal wear, lacking glass canister; rosewood example with veneer cracks and warping with associated losses, shrinkage crack at lid, hinges replaced, traces of old paint interior, later blue paint, shrinkage at one compartment lid (loosely fits), lacking turned feet Chippendale in good overall condition, stains and accretion on interior lining; loss to veneer on

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left side of lid, cracks and veneer separations, tarnish to metal, repair at one rear foot; inlaid example with scattered veneer losses and repairs overall tarnish, polish residue, wax residue overall tarnish, polish residue, wax residue, scattered dents and one example with dents on base minor scratches, corrosion, wear to finish overall good condition, tarnish residue joint separation in one candle cup, one slightly skewed, crack and repair one base lobe, minor tarnish wax residue, scattered dents minor corrosion and pitting, candlesticks with casting flaws lacking one ear at top, other scattered veneer chips and cracks, repair at phoenix crest with cracks and areas of regilt, loss at beak, flaking to gilding, some distress to mirror plate (not removed for exam) good condition overall, brasses replaced (no plugged holes), top with minor stains and wear, repaired shrinkage crack with some color retouch, original feet and blocking (some scattered glue repairs) overall good condition, mellow patination, rust, scratches consistent with use overall good condition, mellow patination, minor rust, scratches consistent with use, sticker residue overall good condition, mellow patination, scratches consistent with use overall good condition, mellow patination, minor rust, scratches consistent with use; heart example with loss to fork terminals overall good condition, mellow patination, rust, scratches consistent with use, minor rust extensive losses and abrasions to paint surfaces, separations at joints, possible repair to outer arm overall good condition, mellow patination, rust, scratches consistent with use, minor rust overall good condition, mellow patination, minor rust, scratches consistent with use; petaled rivet example with slightly hesitant mechanism, sticker residue; heavy handled example with potential loss of pipe pick lacking one arm, loss to base, extensive surface losses and abrasions overall good condition, mellow patination, minor rust, scratches consistent with use pile varies from low to none, wear, corrosion, scattered heavy moth damage, abrash, selvedge losses, later fringe, no reduction found good overall condition, minimal wear, staining, hand repair Herati with overcast ends, selvedge ends restoration, overall wear, corduroy effect, colored in; geometric with minor loss damage, corduroy effect and exposed knots, minor stains, re-wrapped tinted in areas, patched, wear to selvedge, loss to ends, wear spots with corduroy pattern stretcher marks, minimal surface dirt layer; linen liner with grime, frame with wear and abrasions brasses replaced, lacking locks, cracks to top with one repair at rear corner, original feet and blocking in good condition with minor wear selvedge repair, overall wear, loss to ends, loss to corner, abrash overall wear, replaced selvedge,

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corner loss, selvedge loss, staining, exposed knots worn, selvedge loss, one invasive side hole, loss to overcast ends generally uniform low pile, corrosion, wear with small areas of visible foundation, abrash, selvedge and end losses with later binding generally good condition with scattered minor retouch to dial with losses at mounting posts, extensive losses to paint on rocking ship, paint retouch to arch (possible restoration to applied wave element at bottom), minor breaks, repairs, and losses to fretwork, patch in box base, lacking bottom board, patches and repairs to feet with minor loss at front foot, works and dial appear to be a good match original stretcher and tacking edge, crackle, minimal dirt layer; frame with wear and abrasions especially at corners and edges apple missing stem, losses to most of foil interior; box with minor exterior abrasions, tear to interior lining, small repair to one lid scattered losses, especially over "Australia" , possible repair to horizontal ring, overall fading and toning each with patches and repairs to veneers on crest and frame surround, old distressed mirror plates, back side is entirely stained minor discoloration to base of holder; some minor chips and separations to base on cutter, tarnish on blade loss to most of foil lining, minor shrinkage and abrasions excellent condition, minor warping and surface flaws, black stain at one top, small area of infill at other top scattered corrosion, wear scattered dents, patination, rust, polish residue excellent condition overall, veneer checking, shrinkage cracks, one dent to top, brasses replaced and castors of a later date, early baize with scattered stains and losses, other scattered minor abrasions, wear, and flaws consistent with age and use ring turned with scattered spots of verdigris, finial pair loose and striped, polish residue, both with wear one ring turned andiron loose on post, rust on billet bars, scattered tarnish, wear, faceted pair wobbly tops, loss of threading back legs reduced in height to accommodate casters, fading, stains, and tears to modern upholstery and welting (not examined under upholstery), chips, wear, and scratches to arms and legs break and repair to one front leg with patch (top of leg is pieced and set with later inlay) shell patera inlay with areas of infill, minor warping to top, notch in top of swing leg at gate attachment minor wear, one slightly askew, polish residue tip to one finial re-soldered, minor dents and scratches foot facings ended out 3 in., otherwise feet generally good with abrasions and some later blocking, scratches and finish losses to top, lacking one brass rosette, checking to top edge of top drawer facing lined with wax and linen, restretched on original stretcher, crackle; frame with abrasions later elements, breaks and repairs at candle arm attachments, paint and gilt loss, later varnish, wax residue, other wear and distress,

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Condition Notes - Please check website for updated condition notes other possible restorations 1574 separations to veneer, one repair to bottom corner, possibly later foil, fading and wear especially to top, losses to escutcheon 1575 overall toning, minor losses to paper, wear 1576 one piece of veneer loose but present, possibly some replaced wood elements, wear and minor staining to paper, lid slightly warped 1577 staining and toning especially to lid, minor damage and wear to paper, wear to interior 1578 losses to gilt painted veneer and enamel, minor damage to paper on lid, crack to escutcheon 1579 losses and toning to paper, minor losses and separation to veneer, lacking key 1580 losses and wear to gilt decoration, lacking key, separation to interior rim, buckling of interior paper 1581 repairs to both covers, repair to enamel decoration on underplate, general wear and minor losses to decoration, old adhesive labels 1582 some light damp staining, laid down on card, some slight abrasions 1583 wear and possible chips to both finials, wear to decoration 1584 plates with abrasions and minor chips to rims, wear to decoration; creamers with light stains and wear 1585 tray good condition, typical wear, glazing anomalies as made; basket and stand good restored condition, basket with professional restoration throughout, stand with breaks and repairs to rim with retouch 1586 one vase with large repair on base extending into the body, also hairline crack and small chip on rim; one vase with interior crack; overall general wear and minor losses to decoration, old adhesive labels 1587 repairs to both candlestick; smaller platter and one plate with chips to rim; general wear, abrasions to rims, old adhesive labels 1588 Guanyin lacking two fingers; each He Xiangu with breaks and losses throughout; Pu Xian with crack at elephant trunk, firing crack at foot; K?itigarbha possibly lacking minor element at knee (rough surface), other minor wear and flaws 1589 general wear to decoration, especially gilt, minor abrasions, old adhesive label on bases 1590 repair to one finial, chips to one handle and multiple chips to rims, general wear to decoration, old adhesive stickers on bases 1591 minor wear to decoration, scratch on side, tape residue 1592 minor creases, abrasions to painted surface 1593 minor creasing, minor losses and wear to paint 1594 minor creasing, some darkening, minor abrasions and wear, not examined out of frame 1595 wax resin and linen lined, (conservation stamp verso dated 1979), scattered areas of retouch scattered throughout sky and water, 1596 laid on Masonite with tacking edge retained on original stretcher, craquelure, abrasions at edges, scattered light retouch; frame with abrasions 1597 toning, fading, flaking over roughly 30% of right side of painting on rocks, small spot of accretion sky left, taped to backing board; frame with minimal wear 1598 scattered areas of retouch sky, especially at edges under frame, one vertical line of retouch water lower center, minimal surface dirt layer; frame with abrasions, wear,

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chips and losses to paint 1599 original stretcher and tacking edge, yellowed varnish, crackle, four patches verso with related retouch; frame with losses 1600 laid on board, small areas of retouch scattered throughout; frame with cracks, wear and abrasions 1601 original stretcher and tacking edge, surface abrasion top middle vertically, fingerprints at top (uv), abrasion at edges 1602 crackle, wax repair verso with corresponding retouch florescence recto, stretcher marks, bull's eye crackle sky right; frame with wear and abrasions 1603 feet restored, scattered veneer distress and repairs, minor pest damage, other possible restorations to case 1604 good condition overall, break and repair at phoenix attachment, backboards possibly associated, other typical minor wear, mirror plate with minor wear 1605 Brass book cover example with tarnish, minor dents, inconsistent patination; hydrometer book example with major wear, scratches, and loss to leather cover and binding, toning, staining, ink loss and detachment to some pages 1606 wear to black paint, rust to chain, minor scratches to wood 1607 original glazed plate with breaks and repairs, minor gilt loss, wear (gilding possibly re-varnished) 1608 some restorations to drawer secondary of top drawer, later ribs on bag drawer, minor distress to bag drawer supports, typical minor warping and veneer distress 1609 frames structurally good, with wear and abrasions, especially at knees, break and repair at one front ankle, wear and distress to leather with cracking and tears to seats, sprung seats with loose webbing 1610 overall polish residue, scattered scratches, tarnish, patina; pepper shaker with crack and loss to holes; rust to iron snuffer with stand; corrosion to cylindrical box and solder restoration at lid, patinated interior; cracks and dents to some trays 1611 scattered tarnish, polish residue to brass; minor rust to pewter ink well and moth damage to table pad; losses to patina and paint of Queen Anne snuff tin 1612 barrel form missing of ivory finial, urn caddy with broken hinge; old chips to lid of turned caddy, all with general wear and minor abrasions 1613 all in relatively good condition, Italian ruins box warped, areas of slight wear and rubbing to surfaces consistent with age and use 1614 patina on bases of tapers; general polish residue, wear, surface grime 1615 formerly a close stool (interior with scars from previous support molding, now removed), skirt rail with two patches (possibly once with a hinged lid?), other typical surface distress, cracks, and wear, moth damage and distress to needlework 1616 stains and discoloration to top, brasses replaced, lacking two bale pulls, legs with abrasions and associated losses, other minor wear 1617 top probably associated (scar from hinge mechanism at underside), some color retouch at tips of feet, some restorations to gate mechanism, other minor wear 1618 overall good condition, later brace at phoenix attachment, scattered minor repairs at ears and scrolls, chips, repairs, gilding distress to streamers, veneer cracks at base,

with repairs at two lower scrolls 1619 dents and scratches to all three, solder repair to large kettle 1620 generally uniform low pile, wear, abrash, scattered very light moth damage, selvedge and edge losses, no repair or reduction found 1621 overall wear, overcast ends, some loss to selvedge 1622 abrash, loss to corner, loss to edges, patch 1623 loss to all ends, replaced selvedge, overall worn spots with hand repairs, abrash 1624 pile varies from low to very low, some visible foundation, wear, abrash, approx. 1 in. end loss with later binding, no reduction found 1625 lined with wax and linen, repaired tear top middle, crackle; frame with some losses 1626 dirt layer, slight convexity to board, minor abrasions at edges; frame with losses 1627 abrasions, slight warp 1628 she with slight fading, some wear at edges 1629 very good condition overall, warping, scratches, and stains to top with one small area of infill, brasses replaced (shell drawer formerly fitted with brass pull, now removed), two knee returns replaced, typical minor cracks and wear to feet 1630 wear and slight chipping to surface consistent with age and use, some possible retouch to gilt surface 1631 some banding and inlay losses to top, break and repair at one rear leg with associated patches, typical minor surface flaws 1632 patches and repairs at feet (appears to have been fitted with rockers, now removed), some cracks at joint of rear stiles to rails (slightly loose), patch at shoe, later glue at seat blocking, other cracks and surface flaws, modern upholstery in good condition with minor wear 1633 excellent condition, minor surface wear and sun fading, modern upholstery in good condition (exposed seat frame in good condition, back upholstery not removed for examination) 1634 brasses replaced, original top reset, later blocking, butterfly patches at underside, cracks and some color variation, some water damage to bottom two feet, restorations to one drawer bottom 1635 mirror without inlay with repairs, back board and mirror plate loose, distress to mirror, both with small chips and abrasions to frame 1636 top with minor edge repairs, one leg badly broken and repaired at ankle, other cracks and repairs to pedestal and leg attachments 1637 conductor with shrinkage crack at ankle as made, tambol drum with break and loss; trumpeter with break and loss at trumpet with retouch; other minor wear throughout 1638 minor wear throughout, songstress with chip and loss at bonnet ribbon, lacking one toe; timbal carrier with enamel chip and loss at one timbal, break and repair at other timbal with retouch, break and repair at feather, break and repair at hand; flutist with breaks and losses at flute and hand, chips and minor losses at foot; bagpiper with breaks and losses at bagpipe, chip at one foot, one hand; timbal drummer with restorations throughout upper half, breaks and repairs at drumsticks with minor losses 1639 conductor with break and repair at foot; harpist with glue repair to harp string; timpanist with

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breaks and losses at drum sticks; drummer with breaks and repairs throughout with minor losses; bagpiper with break and repair at hand; trumpeter with break and repair at trumpet and feet; clarinetist with break and loss at clarinet; bassoonist with break and repair at top of bassoon; otherwise good condition, other possible minor restorations good condition overall, restoration to one rear foot, brasses replaced, top with some stains and wear, other typical surface flaws generally good condition, gilt wear and distress, minor cracks to veneers, pediment with later braces at back (some color variation to gilding with some paint retouch), pediment with other possible restorations, other typical minor wear feet replaced, cracks and stains to top, drawer interiors with traces of blue paper, other minor wear and flaws good condition good condition good condition apparent toning and fading; frame with minimal wear and abrasions linen lined, restretched on older stretcher, evidence of repair with retouch center; frame with abrasions maple box missing escutcheon, both with minor scratches and abrasions Federal example with veneer cracks and chips, break and repair at three ears, old distressed mirror plate; Queen Anne example with veneer cracks and chips, break and repair at one ear, slip and gilt loss, distressed mirror plate, other typical wear small form with breaks and restorations to feet, warping and edge repairs to top, finish distress; larger form with crack and repair to top, top and base possibly associated (screw holes at underside of top, possibly from a turning cross), cracks and minor losses at leg attachments, surface wear, sun fading, minor pest damage at underside of feet appears to retain original pine corner blocks, cracks to splat and crest rail with two small patches, some abrasions and wear at front legs, upholstery with light stains and wear wear, craquelure, surface dirt, scattered small chips to dial, case generally good condition, finial possibly replaced, shrinkage crack in base panel, scattered losses to base molding, works and dial appear to be a good match, lacking pendulum bob, winder scattered cracks and repairs to splats, one with patches at rear stiles (probably from arm attachments), other scattered restorations and repairs, abrasions, finish losses, some color variation good condition, scattered light wear and abrasions good overall condition, modern seat frame blocking, two plugged screws at one rear seat rail joint, crack and screw repair at one rear seat rail return, slip seat frame replaced, upholstery with light wear silver with light scratches small dents; Lenox insert with light scratches one of pair with top bent; taper lacking bobeche, bent top rim, all with wear break and spline repair to one front leg, otherwise good condition, minor surface wear and fading, minor cracks, abrasions, other

Condition Notes - Please check website for updated condition notes typical minor flaws 1659 coffee pot with abrasion on one corner of base; creamer with bent base (doesn't sit flat), small dents; lidded sugar urn with bent base (doesn't sit flat), top rim bent and lid fits tight; teapot was dent in spout, wooden handle has wear 1660 all with wear and light scratches 1661 typical wear 1662 light scratches, small dents 1663 all with some wear 1664 all with wear, small dents, scratches 1665 small spots of heavy tarnish, light scratches and some wear 1666 wear, monogram possibly removed, lacking lid hinge pin (lid off but present) 1667 good condition overall, stains and wear to top, patches at two hinge attachments, minor cracks at leg tops (some later pinning), minor pest damage, formerly fitted with casters, other minor surface wear and flaws 1668 excellent condition overall, minor cracks to top and skirt veneers, old varnished surface with scattered minor flaws, modern silk damask bag upholstery in good condition 1669 both with surface wear, gilt loss, glass plates not removed for exam, larger with loss to composition in pediment; smaller with gilding chips and losses at corners, paint retouch 1670 typical minor wear and shrinkage cracks, fading at front side, crack at right side 1671 brasses replaced, repaired crack at lower shelf, chips and losses to turned feet, minor stains to top, other typical minor flaws 1672 footed caddy with small loss to top corner, cracks in veneer, several scratches; other caddy with patch lower right front, small loss left front corner of lid, scattered small scratches and scuffs, possibly lacking feet 1673 breaks and repairs to two center front legs with plugged screws and areas of infill, outer front legs with plugged legs and infill, possible restoration to center rear legs, abrasions and edge wear, molding loss at top of one arm, other scattered flaws (not examined under upholstery), modern upholstery with light wear and stain 1674 minor wear and retouch to églomisé plate, gilt wear and minor chips, replaced mirror plate, part of backboard replaced 1675 one lacking inner lid, inlay at escutcheon, abrasions to finial, both with losses to foil lining and minor wear 1676 good structural condition with surface wear and abrasions, modern upholstery in good condition 1677 wear to center contact with teapot, loss to surface metal, scratches 1678 overall scattered scratches; crackling, gilt loss, minor paint loss, chip to spout, cracking to lid of Booth's teapot; glazing imperfections to Worcester pair; two blue and white saucers with glazing imperfections, cups with chips to lips and handles, one with significant wall restoration 1679 minor loss to interior foot, minor scratches and wear 1680 surface dirt layer, dry, unvarnished surface, small areas of accretion and minor abrasion; frame with wear and slight separation at corners 1681 smaller box missing escutcheon plate, minor veneer losses and lifting, one side with warping and separation, possible repair front side panel, wear to interior, lid slightly warped; larger with minor

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veneer and inlay losses and stains, wear to interior, small patch at one hinge minimal surface dirt layer, dry, unvarnished surface, approx. 5 small white spots of accretion scattered right side; frame with minimal wear good condition overall, dumbwaiter with break and repair at lower shelf, warping to tops of dumbwaiter and stand, other minor typical wear seated woman with some shattering to silk ground, fading; pair with foxing, fading, repairs and losses to rope trim fading, light stains, abrasions, minor losses areas of losses to embroidery at cottage door and foot of sleeping figure, fading, minor abrasions and losses to frame folds, some toning and fading, hole at center, small area of staining; frame in good condition fading, minor losses, wear and abrasions to frames overall fading, scattered shattering to silk ground, minor losses, chips, abrasions and wear to frames dial with minor paint ware, craquelure, scattered retouch; lacking central finial with chip and loss at plinth, case uprights with later shims (works and dial probably a good match), bottom board and base moldings replaced, minor cracks and repairs to glazed door, backboard with old cut window, other typical scattered minor cracks and repairs large repair on side, cracks, abrasions and repair to interior frogs, general wear consistent with age and use overall polish residue, tarnish, surface scratches; George III teapot example with possible restoration and/or resilver to spout; second teapot example with dents and inconsistent patina overall polishing residue and abrasions, scattered corrosion, adhesive residue églomisé plate likely original with distress, losses, retouch, scattered losses and paint retouch to gilding, minor distress to mirror plate (possibly original, not removed for exam) two with bent wax holders, scattered tarnish, general wear consistent with age and use solder repair on one sconce where candle arm joins wall mount, solder repair on one wall mount, pitting, scratches, abrasions, polish residue surface dirt layer, one with some paint loss associated with minor cracking in panel; frames in good condition lined, small spots of retouch scattered throughout; frame with wear and abrasions commensurate with age toning, fading, some foxing sky, approx. three in. repaired tear lower right; frame with wear and abrasions and some repaired chips not examined out of frames, minimal toning; frames with minimal wear original stretcher and tacking edge, approx. five small areas of retouch scattered throughout sky; frame with wear and abrasions, minor chips to painted finish Among the Highlands with paint loss at edges, varnish pooled at upper right corner, some abrasion and surface dirt, On the Juniata with surface dirt, yellowed varnish and abrasion at edges, Hudson River with crackle, surface dirt, yel-

lowed varnish, minor loss at edges; frames with minor paint loss and wear 1703 polish residue, wax residue, one slightly loose on joint 1704 polish residue, small nicks/wear, one with minor dents at base rim 1705 scattered verdigris and polishing residue, wear to engraving 1706 loss to selvedge, overall wear, staining, patches, loss to end, moth damage 1707 overall wear with exposed knots, replaced selvedge, edge losses with hand repair, corduroy effect 1708 worn areas, selvedge restoration with new fringe, loss to ends 1709 good overall condition, brasses replaced, bottom board of interior tray replaced, lock replaced, top with some water stains and abrasions, minor sun fading, old chip and loss at one rear foot 1710 fired, possibly excavated, abrasions at head, typical pitting, corrosion throughout 1711 good condition overall, traces of early dark surface, later seat blocking, some later glue in leg joints, not examined under upholstery 1712 post tops reduced, canopy frame replaced, headboard probably replaced, scattered abrasions, especially at lower part of foot posts 1713 all with wear 1714 silver with some wear; glass with chips and cracks 1715 overall good condition, typical minor abrasions, especially at hinges, minor cracks at leather, two minor glue drips at top, minor scattered dents, original handles and hardware in good condition 1716 average wear 1717 formerly a spinet piano, now converted to a desk, cracks and repairs to stretcher, minor warping to top, other finish distress and wear 1718 small areas of retouch scattered throughout, some checking of grain, some surface dirt layer; frame with minimal wear, possible re-gilt decoration 1719 relined with some residual crackle, significant retouch, new stretcher; period frame has been restored 1720 conserved in 2000 by Dee Minault, conservation information attached verso, some surface accretion and one area of in-painting at center, possible repair. 1721 re-stretched and lined, appears to maintain original tacking edge; frame with minor abrasions 1722 minor surface abrasion and dirt 1723 minor surface abrasion otherwise good, some loss to back of board 1724 lined, l-shaped tear repaired, associated re-touch in the area of the figure's legs, consolidated crackle, flaking at edges, original stretcher with Shattuck keys 1725 water stain along right edge, toned, mounted on board; original frame with mild abrasions 1726 mounted on board, foxing, small area of water damage lower right corner; original frame with some abrasion 1727 yellowing to letter with some fading to ink, signatures crisp on book and letter, dust jackets with tears bumps and loss to edges 1728 toning 1729 toned 1730 toned 1731 toned 1732 excellent condition, minor scratches, warping, stains, and minor cracks to top (butterfly patch at underside), minor patch at one rear foot, other typical minor flaws 1733 wooden knobs replaced, surface wear and stains, especially to top, cracks and minor losses to feet

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and returns, other warping and shrinkage cracks, separation at top drawer divider good condition, typical wear, minor rust reconfigured and largely restored, lower case largely 20th century construction utilizing some earlier elements, upper case drawer facings re-veneered, cornice side molding restored, other repairs and restorations excellent condition overall, minor distress at hinges, strip patches at top edges of drawers, small loss at escutcheon, typical shrinkage and warping to top, knot patch (as made) staining, light wear, restoration to both ends, die runs holes near one end, traffic wear with pile loss, loss to ends, minor staining refinished, scattered cracks and veneer repairs, cabinet interiors now velvet lined, patches and repairs at hinges for central doors, back edge of top with plugged holes (previously fitted with brass gallery), later stain at backboard and some interior surfaces, scattered typical veneer cracks at door panels, leg panels with some small holes and areas of infill, other possible restorations to banding, brasses replaced, restorations to drawer bottom, other very minor flaws low pile, wear, abrash, fading, crease wear, repiling, no reduction found professionally cleaned, minor areas of loss to selvedge minor wear, overall good condition excellent overall condition, brasses replaced, scattered very minor flaws, repairs to drawer blocking good condition, top with typical cracks and stains, brasses replaced (cabinet doors with plugged holes from previous pulls, now removed), secondary surfaces with some later stain, small patch to one drawer facing, two original locks (one replaced, one missing) repair to selvedge, staining, worn areas, minor moth damage, loss to ends overall good condition, some exposed knots, pet odor, some stains inscribed "Speight" on a piece of tape verso, surface is very good surface dirt and minor surface abrasion, yellowed varnish relined, areas of retouch and modern varnish, full conservation report verso; frame with minor abrasions minor surface abrasion, some surface accretion, retouch in area behind turtle and some in figures, full conservation report verso paint loss at frame edges, some retouch under modern varnish layer areas of ground visible throughout, scratches and abrasions throughout surface condition is good, lightly cleaned; frame with abrasions surface condition is very good, minor wear at edges; frame with minor abrasions wear, creases and minor tears on top edge, creased bottom edge toned at edges, foxing, losses to paper at edges and corners toned, some foxing, losses at edges some surface dirt minor surface abrasions, overall very good; frame with minor abrasions lined, modern varnish, areas of retouch throughout canvas is Mylar lined and re-

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Condition Notes - Please check website for updated condition notes 1762

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stretched on original stretchers, minimal re-touch and new varnish layer the first, mild foxing residue from tape on upper left corner, shadow across top; the second with mild foxing and one large dark spot upper left; the third with foxing and discoloration at top edge, residue and shadow on left edge; the fourth with mild foxing and shadow at left edge toned, some foxing, edges trimmed, several losses that have been conserved paper surrounded by brown paper which is adhered to edges, some fading and minor abrasions minor wear at corners surface is very good, minor wear at edges and uneven trim some wear and minor loss at edges surface is very good, areas of retouch in sky and modern varnish; frame is in excellent condition with minor abrasions pin holes at edges, toning, minor crease at corner overall condition is good, minor surface abrasion; frame with abrasions surface is good, minor abrasions; frame with some wear over all condition is very good, minor surface abrasion overall condition very good, not examined out of frame; frame with minor abrasions minor surface dirt and abrasion, small area of accretion edges torn and trimmed, laid down, toned, tear upper left may have been repaired with glue toned, losses at edges, possible water damage lower left, pin holes wear at edges, minor surface abrasion paper slightly buckled paper toned, small tears at edges, drawing laid down on cardboard, toned, surface dirt overall condition is good, minor surface abrasion surface is good, minor abrasion lined, abrasion at edges, some retouch at edge original stretcher and taking edge, crackle, dirt layer, light retouch under heavy varnish layer; frame with separations, repairs and losses lined, crackle, abrasions, retouch; frame resurfaced, with losses fading and stains to upholstery, legs generally good condition with typical wear and abrasions, later rear casters break and repair to one front leg, other front leg with crack (loose), typical veneer cracks and checking with one small loss, slight sun fading, minor surface splatter, other typical minor flaws tea service with light scratches, average wear; tray with light scratches and wear restored and reconfigured, top reset (scars and patches from previous hinges on one side), rebuilding to drawer and gates, feet have been slightly cut, lacking medial brace, other restorations a few scattered glass anomalies and roughness to base rim as made, minor wear minor wear to frames, good condition overall minor fading and finish wear, brasses replaced, underside of top with later stain, some warping to top and drawer facings, feet possibly ended out, other typical surface flaws bombe form with polish residue on brass; burl wood with veneer loss

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to bottom and other small losses, scattered cracks separations at wood joints and cracks to lacquer finish on lid and sides, separations to bottom, losses to veneer on top and front, minor lifting of brass inlay, loose canvas, small round hole at upper left edge, crackle, at least four small areas of flaking upper background, uneven varnish, small areas of retouch scattered throughout, surface dirt and yellowed varnish; frame with wear, decoration in good condition crackle, yellowing varnish, areas of retouch scattered throughout; frame with wear and abrasions a few scattered glass anomalies as made, minor wear generally good condition, crack and repair to back of one front leg, crack and screw repair to one rear leg, minor patches to top at hinges, other scattered surface and veneer flaws panels warped, crackle, alligatoring, uneven varnish, crackle, surface dirt layer breaks and repairs to ĂŠglomisĂŠ panel, chips and gilt loss, partial loss to one acanthus element, other distress average wear a few scattered glass anomalies as made, scattered light scratches possibly lacking rear wings on phoenixes, gilt wear, minor cracks at bases of columns, other typical scattered flaws golden eye with splits in wood, all with losses and wear to paint, minor chips, wear consistent with age and use overall crackling of paint, minor stains minor wear several repairs along border and corners, fading "Lafayette" hinged in, trimmed, "John Savage", trimmed to diameter 2-1/8 in, "Young Gentleman facing right" trimmed to diameter 2-1/8 in. and laid down on another engraving, surface dirt layer, accretion left side, surface abrasions, areas of retouch scattered throughout; frame with gold paint, wear toning, light foxing and fading, creases, stains in margin; frame with abrasions loose, toning, trimmed, small tears, water stains in margins, some handling creases; frame with abrasions dry, unvarnished surface, water staining canvas verso, with staining visible recto lower edge, crackle, grime; frame with only traces of original gilt, some apparent water damage to liner at lower edge wax and linen lined, areas of retouch scattered throughout, especially an approx. 8 in. vertical line of retouch background left side, possibly a repaired tear; frame with wear and minor losses to decoration especially at edges restretched, modern varnish, scattered retouch, full conservation report available; frame modern with minor abrasions painting: minor surface abrasion, especially at edges, minor accretion, small area of retouch, cleaning test patch, original stretcher and tacking edge, modern varnish; period gilt wood and gesso frame, some losses restretched on old stretcher, lined, retouch mostly at bottom, crackle, cupping, cleavage, flaking, accretion; frame with abrasions. linen lined, crackle, approx. 7 inch long line of retouch canvas left,

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apparently patched punctures upper right and canvas center, bloom; frame with wear, abrasions, liner re-gilt, chips and losses to finish wax repaired tear lower right, small thin approx. 1/2 in. un-repaired tear sky upper left, central stretcher mark; frame in good condition crackle, surface dirt layer, chipping at edges under frame; frame with wear, abrasions, some losses to gilt at edges and corners, linen liner with dirt crackle, partially creased corner lower left, grime, yellowed varnish, surface scratch at left edge; frame with wear and abrasions commensurate with age some grime, laid down; frame with wear wax and linen lined, crackle, areas of retouch scattered throughout at edges; frame with wear, losses to decoration at corners, some re-gilt repairs linen lined, crackle, areas of retouch scattered throughout; frame wear and abrasions, repairs and re-gilt, separation at corners surface dirt layer, stretcher marks, small area of tiny chips to paint lower left edge, also one tiny chip upper left, some accretion, some cupping; frame with cracks, separation at corners, chips and losses at edges and corners laid down, toning, fading, surface dirt; frame with approx. 1/2 compo decoration on liner missing, wood with cracks, abrasions, wear and separation slight toning, glue residue verso laid on board, small area of flaking horizon right side, some chipping and losses under frame edge right side, areas of retouch at upper edge, also one at left side of tree; frame with wear and abrasions linen lined, crackle, areas of retouch scattered throughout, approx. 1 inch areas of retouch top and lower edges; frame with wear and minor separation at corners of liner some surface dirt, five small spots of accretion sky center; frame with losses to decoration, abrasions, cracking light toning at edges, glue remnants verso crackle, surface dirt layer, yellowed varnish, some quilting verso; frame re-finished with gold paint, glue remnants from an old repair, separation at corners, partially repaired tear sky center, un-repaired tear at upper left edge and upper center edge, crackle, accretion, surface dirt; frame with wear and abrasions wax and linen lined, crackle; frame with wear, cracking and separating at corners linen lined, evidence of patch repairs verso, associated retouch and additional scattered retouch, stretcher marks, crackle; frame with minimal wear laid on masonite, yellowed varnish, areas of retouch, surface scratch middle left sky, surface dirt layer; frame with minimal wear Lined, areas of retouch scattered throughout, crackle. Conserved by Painting Conservation, Asheville, North Carolina, full report available. extensive losses and repairs to fretwork (extant pieces put in place with museum wax for photo), otherwise good condition, dial with craquelure, surface dirt, minor paint losses, breaks to bottom board (from weights falling) with

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associated breaks and distress to skirts, pendulum with replaced rod, two period weights, winding key, pendulum present stains and abrasions at top, break and repair at one leg and one stretcher, other cracks with some retouch, veneer distress, other surface flaws replaced top and brasses, typical surface wear, scattered, minor patches and repair, original feet one rear leg badly broken and repaired with area of loss, patches at joint at crest to rear stiles, some wear and abrasions to feet, slip seat replaced, other scattered wear, cracks, minor repairs good overall condition, top with stains, fading, color variation, minor finish distress from use minor cracks and surface wear at frame, patch and repair to one rear leg, cracks and one patch to side frames of back panel, modern upholstery with light wear and stains (not examined under upholstery) good condition, light wear, minor cracks to leather pendulum, winding key, two weights included, case with wear, abrasions, finish losses, some spotting at dial and moon phase good condition overall, typical surface wear, abrasions, minor cracks and repairs to pedestal base, minor chips and losses to turned elements some wear to edges, minor stains break and repair at each front leg, break and repair at stile with patch, other minor veneer distress and losses with areas of infill, minor sun fading, modern upholstery with minor wear no damage found to bird, skuffs, scratches and abrasions to case possible chip to feather underside of left wing, small repair to underside of right wing leaving some discoloration no damage found to bird, scratches and skuffs to case and top Dauntless model with some loose elements, paint loss and wear, others with minor wear one of pair bowls with chips at rim, otherwise excellent condition, minor wear from use some staining to stoneware, hairline by base, chip to inside of rim some minor chips, crazing, restoration to one platter tension loss to strings, scattered paint loss, wear to leather, sticker residue, scattered scratches to wood good condition, areas of light rust, color loss at barrel end and trigger guard, some scratches and nicks to grip, holster with abrasions wear to ends and edges, staining, one overcast edge loss to selvedge edge, minor wear, abrash, loss to ends worn area of low pile with exposed knots, minor staining, replaced selvedge, wear verso overall good condition, minor wear on board, yellowed varnish, surface dirt layer, crackle; frame with some wear and losses to gilt at corners surface dirt layer, dry, un-varnished surface, some crackle surface dirt layer, one surface abrasion to varnish left side; frame with wear, separation at corners, losses to gilt, gold paint repairs to some losses surface dirt layer, crackle; frame in good condition, linen liner with some dirt laid on board, glue remnants on backing board, tacking holes at corners under mat, toning; frame

Condition Notes - Please check website for updated condition notes with minimal wear 1866 backed with board as made, crackle, surface dirt layer, yellowed varnish; frame with wear and losses to gilt at edges 1867 hinged in; frame with abrasions 1868 not examined out of frame, creased corner upper right, some toning apparent, slight areas of smudging; frame with abrasions and wear 1869 linen lined, 2 areas of retouch sky, (one an apparently repaired tear), crackle; frame with minimal wear 1870 some surface abrasions, some crackle; frame with minimal wear 1871 surface dirt layer, scattered spots of retouch throughout sky; frame in good condition 1872 surface dirt layer, crackle; frame with minimal wear 1873 recently conserved by Colin Post Restoration, Asheville: painting consolidated, cleaned, retouched, areas of retouch scattered throughout sky; original frame with abrasions and wear, reproduction frame with minimal abrasions 1874 some fading apparent; frame with minimal wear 1875 recently conserved by Colin Post Restoration, Asheville: painting consolidated, cleaned, retouched, areas of retouch scattered throughout sky; original frame with abrasions and wear, reproduction frame with minimal abrasions 1876 mounted on mat board, toning 1877 condition is very good, minor abrasions, light wear at edges; frame with minor abrasions and wear 1878 not examined out of frame, appears in good condition; frame with minimal wear 1879 both linen lined, crackle, areas of retouch scattered throughout; frames with wear and abrasions, some losses to gilt, separation at corners 1880 not examined out of frame, appears in good condition; frame with minimal wear 1881 scattered areas of retouch sky and water; frame with wear and abrasions commensurate with agePainting recently conserved by Fine Art Restoration of Asheville, NC. 1882 canvas slightly loose, stretcher marks; frame with wear and abrasions commensurate with age. Painting recently cleaned, re-varnished and minimally retouched by Fine Art Conservation of Asheville, NC. 1883 toning, fading, not examined out of frame; frame with abrasions and wear, especially at corners and edges 1884 crackle, stretcher marks, grime; frame with minor wear and cracks 1885 both with various drops of ink, surface dirt, some smudging, toning and fading; frames with wear and abrasions 1886 some toning and fading, folds at sides and bottom edge, foxing, surface dirt, some smudging especially at creases; frames with minimal wear, small chips at corners, tiny chips to gilt 1887 both with toning, fading, smudging, not examined out of frames; frames with minimal wear, one chip to gilt 1888 lined, retouch in background at the right edge, at right side and above face, modern varnish layer; frame with wear and abrasions, holes at lower edge from missing name plate, separation at corners 1889 pedestal base with abrasions 1890 some wear at corners under frame; frame with minimal wear, slight

separation at corners 1891 surface dirt layer, crackle, uneven varnish; frame with wear and abrasions 1892 laid on board, board warped, surface dirt layer; frame with wear, losses to gilt at top edge 1893 good condition 1894 not examined out of frames, both with slight ripple to paper at edges; frames with wear 1895 good condition; frame with abrasions 1896 not examined out of frame, minimal toning apparent; frame with wear, suede liner with wear 1897 some surface grime, toning and fading, not examined out of frame; frame with abrasions 1898 lacking text, justification and portfolio, loose, "First smoke" with water stain, two with staind and crease at top 1899 crackle, stretcher marks, label backing board verso :Fine Art Restorations, Asheville, NC., treatment 2001, cleaned, varnished, restored; frame in good condition 1900 slight staining verso, probable toning 1897 some surface grime, toning and fading, not examined out of frame; frame with abrasions 1898 lacking text, justification and portfolio, loose, "First smoke" with water stain, two with staind and crease at top 1899 crackle, stretcher marks, label backing board verso :Fine Art Restorations, Asheville, NC., treatment 2001, cleaned, varnished, restored; frame in good condition 1900 slight staining verso, probable toning 1901 A Breath of Air, surface dirt, water staining; frame with wear, some water staining; Wayward Pilgrim, large area of flaking left side, also flaking lower right, surface abrasions, surface dirt; frame with wear, dirt, water stains lower edge, mat with grime and toning 1902 some surface dirt, some toning at edges 1903 archivally hinged in, toning; frame with minimal wear 1904 painting in good condition; frame in good condition 1905 appears in good condition; frame in good condition 1906 painting in good condition; frame in good condition 1907 all with dirt, toning, some foxing 1908 good condition; frame with abrasions 1909 fading to cartes-de-visite, stains to gray mat, abrasions to frame 1910 blue pencil mark upper right corner, minor fading 1911 minor wear, some handling grime 1912 Lee's signature very faded, both cartes-de-visite with toning 1913 foxing, toning, stains, tears, worn edges, bindings, Tome 1 and another disassembled, are abraded with extensive wear and losses 1914 losses and wear to leather, several pages cut out from volume, toning and light stains to certificate 1915 some fading to Adams print, minor toning to both 1916 left side of map with taped repairs and torn edges, creases, scattered stains, wear 1917 fading, toning, foxing, rubbing to frame 1918 light foxing and toning especially at borders 1919 broadside dated 1844 with fading, toning and multiple creases, 1839, several small stains, toning and light creases 1920 undated broadside with tear to upper left hand corner, otherwise both with minor toning and light

creases 1921 large tear to top and several stains to Stegar's Shylock, light foxing to Winter Arabian, both with creases and toning 1922 one Fairfield receipt with tear, otherwise minor foxing and toning, minor creases 1923 creases, stray ink marks and foxing to Comet, otherwise all with light foxing and minor creasing 1924 Stirling with creases, center wear, fading, Roebuck with toning and creases 1925 minor toning, a few light creases 1926 good condition overall, scattered repairs to feet, including later glue and screws, patch and area of infill, distress to felt on brush slide, some cracks in case sides, minor patch at one rear corner of top, other typical surface flaws and distress 1927 reconfigured and restored utilizing some period elements, hinges replaced, butterfly patches at backs of leaves, other replacements and reconfiguration 1928 feet probably original, lacking dividers, small strip patch at back edge at top (to correct shrinkage) 1929 heavy wear and loss to tines 1930 small dents, light scratches 1931 kiln flaws on base and glaze voids as make, minor abrasions and some wear to rim 1932 restoration and old chip on one side, several chips to rim, glaze thinly applied on upper half of jug, glaze drips 1933 all with wear 1934 veneer chips and losses at skirt, period brasses with wear, likely replaced (no plugged holes), polish residue, lacking kite escutcheon and brass bale, feet largely restored (some period elements, front skirt is original), later blocking, finish losses and wear 1935 all with wear and some with dents in bowls and bent handles 1936 goblet rim rough with dents and wear; mug with repaired handle, interior wear 1937 heavy wear and loss to tines 1938 sun fading, finish wear, some cracks to seats, one with cracks to arch at back, some cracks and distress at quatrefoil leg panels 1939 minor cracks to top with small inlay losses, typical veneer checking, one door with cracks at hinges, other typical minor flaws 1940 good overall condition, scattered repairs at leg attachments, surface losses, some infill, scattered surface wear, other typical flaws, modern upholstery with minor wear 1941 small dents; frames with abrasions 1942 generally good condition, some warping to top, some later screws and plugged holes from battens, repair at the wooden hinge, one chip and loss at underside of top molding, minor separation at leg attachments (underside with iron spider) 1943 repairs to scrolled arch, repairs to veneer, repairs to feet, wear and abrasions to dial, other abrasions, minor scratches and wear 1944 stains, abrasions, and finish losses especially to top, brasses are replaced, restoration to drawer bottom (two are plywood), bottom board and feet are replaced, other scattered patches and repairs 1945 each extensive rim losses, lacking two side moldings at base, surface wear, weathering, scattered rust, paint losses 1946 overall grime, scratches, abrasions 1947 flaking wear and minor losses to dial paint, top molding of hood

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1969

1970 1971

replaced (possibly once fitted with swan's neck), some typical veneer distress, case uprights possibly altered, some repairs to feet (bottom board replaced), case possibly reduced in height light scratches, average wear average wear numerous dents, wear all with wear, several with dents in bowl scratches and loss to plate all with wear, square bowl with interior pitting mug with monogram removed; caster with numerous dents, damaged openwork; goblet with monogram removed wood seal with small loss to handle, abrasions, minor wear to other seals good condition, accretion at one putto arm, minor typical cracks and separations at decoration (no losses), minor separations at handle returns (no apparent restorations), other minor wear, surface dirt losses and split fibers on basket; wear and losses to enamel decoration on plate; bowl with repair to rim, minor chips, abrasions overall good condition, loss to ends, minor moth damage, minor fading, selvedge edge repairs, loss to fringe, exposed knots, abrash, loss to corners, overcast ends stains and finish loss to top, losses and distress to lead lining (lacking dividers), distress and one old repair to brass banding, leg attachment slightly loose, veneer losses and repair at base molding, other surface distress good condition, later paint with wear, surface dirt, honed marble with minor chips lined with wax and linen, crackle throughout, retouch in crackle on face and other areas; frame with abrasions lined with canvas and backed with plywood, crackle, dirt layer, signature heightened or added, retouch affecting approximately 15% of surface; frame with losses lined with wax and linen, crackle, some retouch; frame with losses crackle, small scattered spots of retouch; frame with wear, gold paint, chips and minor losses to finish draw crackle with related retouch, crackle, yellowed varnish, other minor retouch abrasions at edges; frame with losses lined with wax and linen, retouch affecting approximately 40% of surface, crackle; frame resurfaced toning to paper, silhouettes loose in frame, minor scuffs to frames bottle with elongated bubble or anomaly as made, other smaller anomalies, scratches and abrasions; box with scuffs, abrasions and scratches Tiffany glasses with minor wear, blue tears and losses to case; pair of glasses with tarnish and wear, tears and wear to leather cases brasses replaced, typical minor veneer distress and repairs, other minor surface flaws sun fading, surface wear and stains, two front scrolls possibly restored, modern upholstery with minor cracks, wear

149

Fine Art Index Aiken, Mary Hoover 1761 Albermann, Wilhelm 964 Aldin, Cecil Charles Windsor 959 Aldin, Cecil, Attributed to 953 American or British School 1965 American School 1237, 1702, 1796, 1797, 1812, 1819, 1821, 1831, 1825, 1833, 1836 Amick, Robert Wesley 946 Audubon, John James 1811, 1810 Bacon, Henry 1865 Baize, Wayne 1896 Barbedienne, F., Foundry 849 Barenger, J. II, Attributed to 934 Bartholomew, William N. 1700 Bartlett, William Henry 1828 Batoni, Pompeo G., After 1784 Baumer, Lewis C.E. 1906 Benbridge, Henry 1719 Benton, Thomas Hart 1197, 1196 Berryman, James T. 1903 Bicknell, Frank Alfred 1870 Blanch, Lucile 1760 Bohm, Claude Curry 1891 Bourne, J.B., Attributed to 864 Brett, Oswald Longfield 1070, 1071, 1072 Bricher, Alfred Thompson 916 Brindley, Charles 1224 British or American School 1965 British or European School 957 British or Irish School 1785 British School 939, 1030, 1032, 1627, 1966 Broadhead, W. Smithson 1069 Brooks, Maria 1052 Brooks, Nicholas Alden 1718 Brown, John George 1555 Browne, Hablot Knight (Phiz) 949 Buffet, Bernard 1010 Burchfield, Charles Ephraim 1867 Burliuk, David Davidovich 1234, 1235, 1233, 1236 Butler, Howard Russell 1878, 1880 Cady, Walter Harrison 1750 Canier, Caren 1232 Cavaillès, Jean Jules Louis 1248 ChadwickWilliam 1873, 1875 Chambers, Thomas 1879 Chinese School 1582, 1572 Choultsé , Ivan Fedorovich 911 Clark, Eliot Candee 1752 Clark, James 927 Claxton, Marshall, Attributed to 943 Clifton, F. 922, 921 Cloar, Carroll 1195 Colvin, J. 950 Compton, Caroline 1751 Constable, John, Follower of 1047 Cook, August 1749 Cooper, Edwin 924 Corne, Michele Felice, After 918 Cortès, Edouard Léon 1626 Courteille, Eugène 1008 Cox, Kenyon 1885, 1886, 1887 Cranch, Christopher P. 1835 Crump, Kathleen Wheeler 931, 930 Davidson, Charles Grant 1829 Davies, Albert Webster 1680, 1682 Davies, Arthur Bowen 1874 Davis, R.M. 941 Davis, Warren B. 955 Davis, William 1827 Dawson, M., R.S.M.A., F.R.S.A. 1601 Deming, Edwin Willard 956 Dodd, Lamar 1769 Dolci, Carlo, After 1961 Driskell, David 1782 Durant, Helen Yearley 1773 Dutch School 842 Dutel, Jacques 1219 Duveneck, Frank 1888 Eicholtz, Jacob, Attributed to 1834 Epstein, Sir Jacob 1210 European or British School 957 European or Russian School 912 Evans, Minnie 1775, 1777, 1776, 1778, 1779, 1780 Faed, Thomas, Attributed to 1055 Fairman, James 1818 Fannen, John 1599 Farrugio, Remo Michael 1218 Ferneley, J.E., Follower of 1066 Ferneley, John E. Sr . 1068 Firmin-Girard, Marie François 1625 Five Small Animal Bronzes 963

150

Flynn, Dianne Elizabeth 1645 Gainsborough, T., Follower of 1046 Gall, François 1247 Garraway, Edward 945 Garrett, Adams Wirt 1862 Gaul, Gilbert 1892 Ghiglieri, Laran 1893 Godwin, Frances Bryant 933 Gordy, Robert 1211 Goya, Francisco 840 Grailly, Victor De, Attributed to 1816 Green, Anthony 1212 Gruppe, Charles Paul 1883 Haas, Willem Frederik De 914 Hall, Harry 923 Hamblett, Theora 1772 Hamilton, William, Attributed to 1962 Hanson, Peter 1832 Haring, Keith 1213 Harman, Fred, Jr. 1902 Harmon, Paul 1231, 1230 Healy, George, After 1814 Heldner, Colette 1753 Hill, Thomas 1698 Hofmann, Heinrich, After 851 Holte, Arthur Brandish 1200 Holzhauer, Emil 1768 Hoorde, Gustave van 868 Hoppner, Sir John, Attributed to 1067 Horton, William S. 1868 Hussmann, Albert Hinrich 932 Hutty, Alfred Heber 1720 Inlsey, Albert Babb 1647 Irish or British School 1785 Irvine, Wilson Henry 1881, 1882 Italian School 839, 1963. 969 Jacobsen, A.N.G. 1595, 1602, 1598 Jones, Frederick D. 1764 Kane, Gil 1897 Kennedy, Cecil 1644, 1643 Klerk, Willem de, Attributed to 865 Kranich, Edward 1820 La Farge, John, Style of 1824 Lambdin, George Cochrin 1822 Lamont, Thomas Reynolds 1053 Landseer, Edwin Henry, After 948 Langworthy, William H. 1823 Lanza, Giovanni Giordano 862 Lara, Georgina 1496 Larum, Robert A. 940 Laux, August 1697 Lee-Smith, H., Attributed to 1763 Leighton, Nicholas W.S. 958, 935, 926, 966, 952 Léonard, Agathon 853 Levaillant, François 1914 Lewis, Edmund Darch 1597, 1646 Lucas Lucas, Henry Frederick 925 Mambriani, Angelo 841 Maroniez, Georges P.C 1596 McIntyre, Robert Finlay 1051 Mead, Paul 1895 Mercier, Philip 848 Meurer, Charles Alfred 1872 Moran, Edward Percy 1809 Moreau, L.G. I, Attributed to 863 Moreau, Mathurin 850 Morisot, Berthe 866 Morse, Samuel F. B. 1817 Mount, William Sydney, After 1721 Moyers, William 1889 Mullen, Philip 1222 Munger, Anne 1762 Munier, Émile, Attributed to 912 Murphy, John Francis 1866 Ojeda, Froylan 970 O'Kelley, Mattie Lou 1771 Osthaus, Edmund Henry 960 Parker, Alfred Charles 1901 Payne, C.J. 954, 947 Payne, Charles Johnson 954, 947 Peterson, Jane 1007 Phippen, George 1894 Picasso, Pablo 1209 Pleissner, Ogden Minton 1877 Richards, William Trost 915 Rivera, Diego 1208 Robert, F. 904 Rockwell, Norman 1898 Rogers, John 942 Romanelli, Raffaello 929 Rudisell, Margaret 1748 Russian or European School 912 Saint-Mémin, C.B.J.F. de 1808 Sartain, William 1869

Sartorius, John Nost 944 Scherenschnitte Love Letter 1687 Schofield, Walter Elmer 1871 Schwartz, Andrew 1783 Segner, Ellen 1899 Simbari, Nicola 1908 Smith, Alice Ravenel Huger 1728, 1729, 1730, 1731 Smith, Gladys 1723 Smith, J.B. 1699 Smith, Jessie Wilcox 1900 Smith, Russell 1085, 1084 South American/Spanish School 962 Spanish/South American School 962 Speight, Francis 1747 Stevens, Will Henry 1754, 1755, 1756, 1767, 1766, 1765, 1757 Stuart, Gilbert 1813 Stull, Henry 920, 919 Sully, Thomas, After 1815 Symons, George Gardner 1890 Taylor, Dahl 1904, 1905, 1907 Taylor, Grace 1774 Taylor, Prentiss H. 1781 Thieme, Anthony 1884 Thomason, Eugene 1770 Thors, Joseph 1506 Towne, Charles 937 Troubetzkoy, Prince P., Style of 1223 Trouillebert, Paul Désiré 867 Turner, J.M.W., After 1045 Tyler, James Gale 1600 Vander Veer, W. R. 1701 Verner, Elizabeth O'Neill 1726, 1725 Vicari, Cristoforo 883 Vigee-Lebrun, M.E.L., After 844 Vordermayer, Ludwig 928 Walker, William Aiken 1724 Wallace, James 1722 Watson, Amelia Montague 1826 Watson, Edith 1830 Waugh, S.B., Attributed to 1964 Weaver, Arthur 1548 Weiss, Anton 1217 Wiegand, Gustave 1863 Wiggins, Guy Carleton 1864, 1861, 1465 Wight, Moses 1795 Willis, A. V. 936 Wilson, Gladys 1759 Wilson, Richard, After 1040 Wingate, Sir James Lawton 919 Wright, George Hand 1876 Wyck, Jan, Circle of 845 Zemaitis, Antanas 913

In conjunction with each Premier & Emporium Auction, Brunk Auctions chooses to highlight a regional non-profit organization. If you would like to join us in supporting them, we will match any donations up to a total of $3,000. This May we are proud to be working with Asheville Area Arts Council (Arts & Wellness for Veterans Classes).

To Donate: https://ashevillearts.com/support/donate/

Terms of Sale 1. All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Brunk Auctions or by any seller represented by Brunk Auctions. 2. Bidding will begin at a price appropriate in auctioneer’s discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. At the auctioneer’s discretion, no bid of less than one half the low estimate will be accepted from any source: phone bidding, absentee bidding, internet bidding, or bidding in the gallery. All lots in this catalog are offered subject to a reserve, which is the confidential minimum hammer price at which a lot will be sold. In executing a reserve, the auctioneer has the right to bid on behalf of the Consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If the reserve is not met, the Auctioneer has the right to withdraw the item from the sale. 3. Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder’s responsibility to get our attention prior to our saying “sold”. We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer’s discretion. 4. Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. Credit arrangements must be made by the Friday prior to the day of auction so bank statements can be verified. We reserve the right to not issue a buyer’s number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashiers check. 5. Payment is expected at time of purchase. Payment for successful absentee, phone bids and online bids are required within five business days of the auction. Bidding on an item indicates the client’s acceptance of our Terms of Sale. Your signature on our Bid Form or acceptance of these terms through any online bidding platform constitutes permission to charge successful bids to credit cards if payment is not received within five days of the auction. 6. We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at one half the printed low estimate, and gives the auctioneer the authority to open the bidding at that level. Brunk Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. 7. In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers.com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 70-100 lots per hour.

Following are general guidelines for bidding increments: $0-$1,000......................$50 increments $1,000-2,000................$100 increments $2,000-3,000................$200 increments $3,000-5,000................$250 increments $5,000-10,000..............$500 increments $10,000-$50,000.........$1,000, $2,000, $5,000 increments above $50,000.........auctioneers discretion 8. In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above. 9. Purchaser agrees that packing and shipping is done at the purchaser’s risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will either be packed by an agent such as a packaging store or Brunk Auctions. Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests. Brunk Auctions will have no liability for any loss or damage to shipped items. 10. Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our to avoid such a situation. 11. All purchases are subject to applicable North Carolina sales tax unless the North Carolina Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer’s country. 12. Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Brunk Auctions may seek all remedies under the law including canceling the sale and reoffering the property without reserve. 13. A buyer’s premium will be applied to the purchase price of all items: 20%....Cash, check or wire transfer 23%....MasterCard, Visa, Discover and American Express credit cards 23%....Bidsquare with cash, check or wire transfer 26%....Bidsquare with MasterCard, Visa, Discover and American Express credit cards 25%....Liveauctioneers with cash, check or wire transfer 28%....Liveauctioneers with MasterCard, Visa, Discover and American Express credit cards 14. Purchased items not picked up from our auction facility within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within sixty calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer’s commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Brunk Auctions. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you. 15. We are closed on Fridays the week following auctions. Please arrange appointments for other days. 16. Export and Permits - It is the purchaser’s sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalogue reflect Brunk Auctions’ reasonable opinion at the time of cataloguing and are for bidders’ general guidance only; Brunk Auctions and the Consignor make no representations or warranties

as to whether any lot is or is not subject to export or import restrictions or any embargoes. 17. ◉Endangered Species - Certain property sold at auction, for example, items made of or incorporating plant or animal materials, irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Brunk Auctions suggests that international buyers check on foreign governments’ wildlife import requirements prior to placing a bid. All buyers agree to comply with any and all domestic and international restrictions on the trade of endangered species as a condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the purchaser’s responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. In the case of denial of any export or import license or of delay in the obtaining of such licenses, the purchaser is still responsible for making on-time payment of the total purchase price for the lot. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States. Brunk Auctions is not able to assist the purchaser in attempting to obtain the appropriate licenses and/ or certificates, and there is no assurance that an export license or certificate can be obtained. Please check with our specialists if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on exportation. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn. 18. Due to the embargo on Persian carpets, international shipping is not available. 19. Brunk Auctions makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, “earth mined”, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, “cultured or natural pearls, fresh water, south sea, Tahitian pearls”, and other materials used in jewelry, may be enhanced by a variety of treatments. Brunk Auctions makes no warranties or guaranties that any clock or watch is in working order. 20. CONDITION OF FIREARMS: Brunk Auctions or its' employees or consultants make no warranties or representations whatsoever concerning the operation of firing condition, safety to store or reliability of any firearm. Any firearm purchased is at the user's risk. Brunk Auctions expressly disclaims any liability whatsoever for accident, injury or damage resulting to any person or property from the storage or use of any such lot. 21. Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 24 hours in advance of the auction to allow for time to complete the approval process. We make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. First time participants bidding through any online platform will be limited to a maximum of $25,000 total in cumulative bids. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with Brunk Auctions through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. Bids left on Live Auctioneers & Bidsquare are not executed until the item is offered in the live auction therefore the order in which those bids are received is not a factor. We will make every effort within reason to accept and process bids from online participants. Brunk Auctions will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature.

Team

Nashville

Ready to serve you with exceptional results for your estate or collection.

PRINCIPALS

Andrew Brunk

President, Auctioneer

Robert S. Brunk

President Emeritus

Lauren Brunk

Vice President, Museum Services, Auctioneer

CONSIGNMENTS Franklin Gunnells

Consignment Coordinator

Jim Crowley

Inquiry Coordinator, Auctioneer

Sarah Sperling

Director of Nashville Operations

SPECIALISTS

Contact our Nashville Representative Sarah Sperling 615-981-3310 sarah@brunkauctions.com

Andrew Brunk

Furniture, Folk Art

Lauren Brunk

Southern Fine Art and Collections

Laura Crockett

European and Modern Fine Arts, Prints

Jim Crowley

Decorative Arts/Asian Arts

Franklin Gunnells

Cut Glass

Michael Jozefowicz

Decorative Arts

Corey Jones

Southern Pottery

Silvia Kennedy

Cut Glass, Firearms

Bill Lamar

Rugs and Carpets

Robin Rice

Silver

Katie Simonetti

Jewelry

Karen Swager

Decorative Arts, Textiles

Nan Zander

American Fine Art, Native American, Stringed Instruments, Auctioneer

BUSINESS OFFICE Silvia Kennedy

Business Manager

Leah Krause

Administrative Manager

Shannon Hallowell

Administrative Assistant

PHOTOGRAPHY Monica Scott

Director of Photography

Brooke Bennink

Photographer

Michael Traister

Photographer

MARKETING

Michelle Parparian

Director of Marketing

Robin Rice

Catalog Layout

Nan Zander

Exhibition Design

Lucy Kruesel

Content Specialist

OPERATIONS Corey Jones

Operations Supervisor

Cliff Oâ&#x20AC;&#x2122;Hara

Shipping

Thomas Nixon

Property Management

Michael Welch

Property Management

Dustin Vanderbunt

Property Management

Bill Lamar

Shipping