Photography/Faces and Places Auction | December 3, 2024 by Brunk Auctions

Photograph Faces and Places Auction December 3, 2024

Bill Brandt (British, 1904-1983)

Parlourmaid and Under-Parlourmaid Ready to Serve Dinner, circa 1935, signed in ink on mount lower right, inscribed pencil lower right verso “79-1776”, gelatin silver print, image 13-1/2 x 11-1/2 in.; mount 20 x 16 in.; unframed, mounted

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

Bill Brandt (British, 1904-1983)

East Sussex Coast, 1953, printed later, signed in ink lower right margin on mat, gelatin silver print, image 13-3/8 x 11-1/2 in.; mount 20 x 16 in.; unframed, mounted, areas of artist retouch and surface anomalies visible in raking light

Provenance: Private Collection, Wisconsin

Estimate: $3,000 - $5,000

Bill Brandt (British, 1904-1983)

Northumbrian Miner at His Evening Meal, 1937, signed in ink on mount lower right, inscribed in pencil verso “Bill Brandt Northumbrian Miner at His Evening Meal”, gelatin silver print, image 13-1/2 x 11-1/2 in.; mat 20 x 16 in.; unframed, mounted

Provenance: Douglas Kenyon Galleries. (label verso); Private Collection, Wisconsin

Estimate: $2,000 - $4,000

Aaron Siskind (American, 1903-1991)

Volcano 67, 1980, signed in ink margin lower right “Aaron Siskind”, titled and dated in ink lower left margin, gelatin silver print, image 14-1/4 x 14-1/4 in., sheet 20 x 16 in.; black metal sectional frame, 26-1/4 x 20-1/4 in., mounted with archival corners, tacked to backing board at upper right center, print with no flaws or visible anomalies of any kind; frame with minimal wear

Provenance: Private Collection, Savannah Estimate: $700 - $900

Berenice Abbott’s New York, Four Works (American, 1898-1991)

Aaron Siskind (American, 1903-1991)

Remembering Joseph Cornell in Merida 25, 1975, signed in ink margin lower right “Aaron Siskind”, titled and dated lower left margin in ink, also titled and dated mat backing, gelatin silver print, image 10 x 9-1/2 in., sheet 14 x 11 in.; gun metal frame, 20-1/4 x 16-1/4 in., hinged at upper corners, print with no visible anomalies of any kind; frame in overall good condition

Provenance: Private Collection, Savannah

Estimate: $500 - $700

from the New York At Night Portfolio, Parasol Press, printed 1979, including; New York at Night, circa 1933; Yuban Coffee Warehouse, Water and Dock Streets, Brooklyn, 1936; Fifth Avenue Houses, New York, 1936; View from Exchange Place, Broadway, New York, 1933; printed by the artist from the original negative, each one signed and editioned 59/60 in pencil on mount, all gelatin silver print; Night, 13-1/2 x 10-5/8 in; mount 20 x 16 in.; Yuban, 10-1/2 x 13-1/2 in.; mount 16 x 20 in.; Fifth Avenue,10-3/4 x 13-1/2 in.; mount 16 x 20 in; Exchange Place,13-5/8 x 3-7/8 in.; mount 20 x 16 in.; unframed; includes original portfolio title page, printing information page, and contents page, all mounted, prints all in very good condition with no visible flaws or anomalies

Provenance: Private Collection, Wisconsin

Estimate: $3,000 - $5,000

Brett Weston (American, 1911-1993)

Wooded Landscape, 1959, signed on mount lower right “Brett Weston 1959”, gelatin silver print, print 13-1/2 x 10-1/2 in.; mount 18 x 15 in.; unframed, mounted, print with no visible flaws of any kind

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

8 Bill Brandt (British, 1904-1983)

Rainswept Roofs, 1937, signed in ink on mount lower right, image 13-1/2 x 11-3/8 in.; mount 20 x16 in; unframed, mounted

Provenance: Douglas Kenyon Inc. (label verso); Private Collection, Wisconsin Estimate: $3,000 - $5,000

Yousuf Karsh

(Canadian, 1908-2002)

Ernest Hemingway, 1957, signed on mount lower left, stamped verso, with title and date handwritten in pencil, gelatin silver print, 19-3/4 x 16 in.; unframed, mounted, three areas of surface indentations in lower quarter of image; mount with some wear at corners

Provenance:

Estimate: $4,000 - $6,000

10 Yousuf Karsh

(Canadian, 1908-2002)

Winston Churchill, 1941, signed on mount lower left, also stamped verso, with title and date handwritten in pencil, gelatin silver print, 19-3/4 x 16 in.; unframed, mounted to a larger backing board, surface indentation upper left near edge; backing with some wear at corners

Provenance: Sotheby’s, New York (presumably, label attached to plastic sleeve)

Estimate: $5,000 - $7,000

Richard Avedon (American, 1923-2004)

Sicily, Italy, #19, Boy in Tree, Noto, 1947, printed later, signed with stylus in black margin lower right “Avedon”, also stamped signed in pencil verso, inscribed “saintz”, (?) 17-14-47 and editioned 5/13, gelatin silver print, image 6 x 6 in., sheet 14 x 11 in., slight surface crimp lower left and upper left in white margin, very slight surface crimp in image left edge center

Provenance: G. Ray Hawkins Gallery, Los Angeles, California, a facsimile of original receipt accompanies the lot; Private Collection, Wisconsin

Estimate: $10,000 - $15,000

Literature: Richard Avedon and Truman Capote, Observations (New York, 1959), pp. 72-3; Richard Avedon, An Autobiography (New York, 1993), unpaginated; Richard Avedon: Evidence, 1944-1994 (New York: The Whitney Museum of American Art, 1994), pp. 18, 30, and 71; Richard Avedon Portraits (New York: The Metropolitan Museum of Art, 2002), frontispiece and unpaginated; Michael Juul Holm, Richard Avedon- Photographs 19462004 (Humlebæk: Louisiana Museum of Modern Art, 2007), p. 11; Jeff L. Rosenheim, Photography’s Last Century: The Ann Tenenbaum and Thomas H. Lee Collection (New York: The Metropolitan Museum of Art, 2020), p. 50

Richard Avedon (American, 1923-2004)

Elise Daniels with Street Performers, 1948, from the Paris portfolio of eleven original prints printed in 1978, signed and editioned 30/75 pencil verso, also stamped verso (see note below), gelatin silver print, image/ sheet 14-1/4 x 18 in.; unframed, print in very good condition no visible anomalies of any kind

Provenance: G. Ray Hawkins Gallery, Los Angeles, California, purchased July 15th, 1980 (facsimile of original receipt accompanies the lot); Private Collection, Wisconsin

Estimate: $12,000 - $18,000

Note (stamped verso):”Avedon / Paris / A portfolio of eleven original prints in an edition of seventy five. Printed on the occasion of Richard Avedon’s retrospective exhibition at the Metropolitan Museum of Art, New York September 13 - November 5, 1978./ No further prints will be made from these negatives, with the exception of a limited number made solely in connection with museum exhibitions./ This original photograph may not be reproduced by this or any subsequent purchaser without written permission of the photographer. / Copyright (c) 1978 by Richard Avedon/ All Rights Reserved./ Elise Daniels with street performers, Suit by Balenciaga, Le Marais, Paris August 1948”

Literature: Harry N. Abrams, Avedon Fashion, 1944-2000, p. 48

The Metropolitan Museum of Art, Avedon: Photographs, 1947-1977, pl. 10

Louisiana Museum of Modern Art, Richard Avedon: Photographs 1946-2004, p. 31

Diane Arbus (American, 1971)

Child with a Toy Hand Grenade in Central Park, N.Y.C. 1962, printed later by Neil Selkirk, stamped print verso “A Diane Arbus Photograph”, titled and signed in ink by Doon Arbus, also copyright credit and reproduction limitation stamps on verso, image 14-7/8 x 14-5/8 in.; sheet 20 x 16 in.; unframed, no visible flaws of any kind

Provenance: Private Collection, Wisconsin

Estimate: $70,000 - $90,000

Literature: Diane Arbus, Aperture, Millerton, 1972, n.p.; Sandra Phillips, et al., Diane Arbus, New York: Aperture, 1972, n.p.; S. Kismaric, American Children: Photographs from the Collection of the Museum of Modern Art, New York: MoMA, 1980, p. 20; J. Green, American Photography: A Critical History 1945 to the Present, New York: Harry N. Abrams, 1984, p. 119; P. Galassi, American Photography 1890-1965 from the Museum of Modern Art, New York: MoMA, 1996, p. 243; Diane Arbus: Revelations, New York: Random House, 2003, pp. 104-105, p. 164; A. Nemervo, Silent Dialogues: Diane Arbus and Howard Nemerov, New York: D.A.P., 2015, p. 31; J. Rosenheim, Diane Arbus: in the beginning, New York: The Metropolitan Museum of Art, 2016, p. 257

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Diane Arbus (American, 1971)

Masked Woman in Wheelchair, PA, 1970, gelatin silver print, printed later by Neil Selkirk, stamped print verso “A Diane Arbus Photograph”, titled and signed in ink by Doon Arbus, also copyright credit and reproduction limitation stamps on the verso, image 15-1/2 x 14-3/4 in.; sheet 20 x 16 in.; unframed, three small surface crimps visible in raking light, two upper left, one at lower margin, small surface pinpoint size ding near lower right corner, slight drops of accretion upper left margin (not on image)

Provenance: Private Collection, Wisconsin

Estimate: $8,000 - $12,000

Literature: Diane Arbus, Aperture, Millerton, 1972, n.p.; Doon Arbus, Untitled: Diane Arbus, Aperture, New York, 1995, n.p.; Sandra Phillips et al., Diane Arbus Revelations, Random House, New York, 2003, p. 91.

Elliott Erwitt (French, 1926-2023)

Las Vegas, Nevada, 1954, signed in ink lower right margin “Elliott Erwitt”, gelatin silver print, image 14-3/8 x 21-3/4 in., sheet 20 x 24 in.; unframed, print in good condition, small spots of artist retouch, mounted with archival corners

Provenance: Private Collection, Wisconsin

Estimate: $1,000 - $2,000

Elliott Erwitt (French, 1928-2023)

South Carolina, 1962, signed and editioned 44/100 pencil verso “Elliott Erwitt”, gelatin silver print, image 9-1/2 x 6-3/8 in., sheet 10 x 8 in.; unframed, mounted to backing with archival corners, Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

Alfred Eisenstaedt (German/America, 1898-1995)

Children at Puppet Theater, Paris, 1963, signed in margin lower right “Eisenstaedt”, editioned margin lower left “AP17”, handwritten in pencil print verso “Time Inc all rights reserved”, “Print made in the Time Life Photo Lab”, gelatin silver print, image 14 x 21-1/2 in.; dark wood frame, 28 x 35-1/2 in., not examined out of sealed frame, print appears in good condition, small spots of artist’s retouch visible in raking light; frame with minimal wear

Provenance: Christie’s, New York. October 5, 2012, sold for $32,500. Copy of original sales receipt accompanies this lot; Private Collection, Wisconsin

Estimate: $18,000 - $28,000

Alfred Eisenstaedt (American, 1898-1995)

Premiere at La Scala - Milan, 1933, printed later, signed lower right margin, edition lower left margin 9/50, stamped print verso “Time Inc. / photo by Alfred Eisenstaedt 1933 / Title: Premiere at La Scala - Milan/ Printed 1979”, gelatin silver print, image 12-3/8 x 9 in.; reproduction gilt wood frame 22-3/8 x 18-7/8 in., not examined out of sealed frame, surface appears in good condition, Time Inc. stamp visible in cutout mat verso; frame with wear

Provenance: Private Collection, Wisconsin

Estimate: $4,000 - $6,000

20 Bill Brandt (British, 1904-1983)

Elbow and Knee, East Sussex, 1959, printed later, signed in ink on mount lower right, gelatin silver print, image 13-3/8 x 11-1/2 in.; mount 20 x 16 in.; unframed, mounted

Provenance: Private Collection, Wisconsin

Estimate: $3,000 - $5,000

Literature: Bill Brandt: Shadow of Light, New York: Da Capo Press, 1977, p. 142; Bill Brandt: Photographs 1928-1983, London: Barbican Art Gallery, 1993, p. 174; B. Jay, Brandt: The Photography of Bill Brandt, New York: Harry and Abrams, 1999, pl. 211

Margaret Bourke-White (American, 1904, 1971)

Hats in the Garment District, New York, 1930, embossed signature lower right margin “Margaret Bourke-White”, editioned in ink lower left 111/250, Time Life print, titled and dated in pencil verso, also artist estate stamp verso, Life Gallery of Photography, gelatin silver print, image 14-3/4 x 20 in., sheet 20-1/4 x 23-3/4 in., unmatted and unframed, surface crimp near lower left edge, smaller surface crimp at margin center

Provenance: Private Collection, Wisconsin

Estimate: $1,000 - $2,000

Bill Brandt (British, 1904-1983)

Nude, London, 1952, printed later, signed in ink on mount lower right, gelatin silver print, image 13-3/8 x 11-1/2 in.; mount 20 x 16 in.; unframed, mounted, areas of artist retouch surface anomalies visible in raking light, signature faded, mount with toning

Provenance: Private Collection, Wisconsin

Estimate: $3,000 - $5,000

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Bill Brandt (British, 1904-1983)

Evening in Kew Gardens, London, circa 1935, signed in ink on mount lower right, inscribed pencil lower left verso “Evening in Kew Gardens”, gelatin silver print, image 13-1/2 x 11-1/2 in.; mount 20 x 16 in.; unframed, mounted, areas of artist retouch and surface anomalies visible in raking light

Provenance: Private Collection, Wisconsin

Estimate: $2,000 - $4,000

Brett Weston (American, 1911-1993)

Garrapata Beach, Monterey County, California, 1954, signed and dated mount lower right, 22 x 25 in. unframed, mounted, no visible flaws of any kind

Provenance: Private Collection, Wisconsin

Estimate: $3,000 - $5,000

Brett Weston (American, 1911-1993)

Piles, 1974, signed on mount lower right “Brett Weston 1974”, gelatin silver print, 7-3/4 x 9-3/4 in.; matted, 14 x 18 in., mounted, no visible flaws of any kind

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

Brassai (French, 1899-1984)

Les Grands Boulevards, 1933, printed by the artist, signed, titled, dated, Brassai/ Le Grand Boulevards/ 1933”, also artist stamp verso, and “Tirage image/sheet 8-7/8 x 8-3/4 in.; unframed, no margins, slight wear at corners small pinhead sized indentation near center

Provenance: Douglas Kenyon Inc. Chicago, Illinois; Private Collection, Wisconsin

Estimate: $2,000 - $3,000

26 Ruth Orkin (American, 1921-1985)

Tired Little Boy Outside Circus at Madison Square Garden, circa 1940, printed later, signed in ink lower right margin, also titled and dated in ink lower left margin, inscribed in pencil verso “ Tired Little Black Boy After Circus at Madison Square Garden, 1940’s/ Ruth Orkin”, gelatin silver print, image 12-5/8 x 8-1/2 in., sheet 14 x 11 in.; unframed, print surface in excellent condition, no marks on anomalies of any kind

Provenance: The Witkin Gallery, Inc. New York, New York, purchased December 30, 1980, facsimile of original receipt accompanies the lot; Private Collection, Wisconsin

Estimate: $2,000 - $4,000

Marion Post-Wolcott (American, 1910-1990)

Post-Office, Aspen, Colorado, 1941, printed later, signed in pencil verso, gelatin silver print, image 8-1/4 x 11-1/4 in., sheet 11 x 14 in.; matted and unframed , mounted with archival corners, print surface in excellent condition

Provenance: John Cleary Gallery (label verso); Catherine Couturier Gallery, Houston, Texas, purchased on April 11, 2014 for $4,500, (a facsimile of original receipt accompanies this lot); Private Collection, Wisconsin

Estimate: $800 - $1,200

Edward J. Steichen (American, 1879-1973)

Mother and Child, heavy paper, 10 mounted to additional commensurate

Provenance: The Estimate: $2,000

The Steichen photo

The child in the mother. Katherine a frequent house giving up on her in Washington,

and numbered in ink verso, “N. 450/ “Tirage de I’Aauteur”, gelatin silver print, corners and edges, slight wear to surface,

Wisconsin

Imogen Cunningham (American, 1883-1976)

Magnolia Blossoms, 1925, printed later, signed and dated in pencil mount lower right “Imogen Cunningham 1925”, Imogen Cunningham Trust label mat verso, gelatin silver print, image 10-1/2 x 13-1/2 in., mat 16 x 20 in.; matted not framed, mounted, area of artist retouch visible in raking light near lower edge center; mat with minimal grime

Provenance: Imogen Cunningham Trust (label mat verso); Private Collection, Wisconsin

Estimate: $3,000 - $5,000

Literature: Imogen Cunningham, Frontiers: Photographs 1906-1976 (Berkeley: The Imogen Cunningham Trust, 1978), table 4, image C; and pl. 34; Richard Lorenz, Imogen Cunningham: Ideas without End (San Francisco, 1993), pl. 38; Richard Lorenz, Imogen Cunningham: the Modernist Years (Tokyo, 1993), unpaginated; Richard Lorenz, Imogen Cunningham: Flora (New York, 1996), pl. 11; Richard Lorenz and Manfred Heiting, Imogen Cunningham: 1883-1976 (Cologne, 2001), p. 200

Steichen 1879-1973)

Child, The Rhoades Family, circa 1902, signed on original tissue mount, gum bichromate print on 10 x 7-3/4 in.; natural wood frame, 24 x 16 in., hinged to original tissue mount at top edge, tissue additional vintage backing, scratches/barely visible wear lines scattered on surface, mounts with wear with age; frame with abrasions

The Estate of Barbara Rhoades; Private Collection, North Carolina

$2,000 - $3,000

photo is from the estate of Barbara Rhoades, grandniece of Katharine Rhoades by way of her father. the photo is the father of Barbara Rhoades, shown with his mother, who would also be Katharine’s Katherine would become a modernist painter who exhibited at the Armory Show of 1913. Steichen was house guest of the Rhoades. Katherine had a close relationship with both Steichen and Steiglitz before her own artwork and becoming an assistant to Charles Lang Freer, founder of the Freer Gallery of Art DC, now a part of the Smithsonian Institution.

Jacques Henri Lartigue (French, 1894-1986)

Figural French Street Scene, 1919, printed later, signed lower right margin “J. H. Lartigue”, gelatin silver print, image 12-1/2 x 8-1/2 in., sheet 16 x 12 in.; unframed, multiple spots of artist retouch scattered throughout, at least four areas of retouched surface scratches

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

Jacques Henri Lartigue (French, 1894-1986)

Famous Rowe Twins of Casino de Paris, 1929, printed later, signed lower right margin “J. H. Lartigue”, embossed initials lower left, gelatin silver print, image 13-1/4 x 8-1/2 in., sheet 16 x 11-7/8 in.; unframed, good condition overall, no visible flaws

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

Paul Strand (American, 1890-1976) Boy, Uruapam, from the Mexican Portfolio, 1923, unsigned, photogravure, image image 10 x 8 in., sheet 16 x 12-3/8 in.; 17-1/8 x 14-3/8 x 1-1/2 in., hinged at wear

Provenance: Private Collection

Estimate: $1,000 - $2,000

33 Robert D’Oisneau (French, 1912-1994)

Un Regard Oblique 1948, printed 1981, signed margin lower right “Robert D’Oisneau”, also titled, dated and initialed by hand print verso, silver gelatin print, sheet 19 x 23, image 16 x 19-1/2 in.; frame 22-1/4 x 28-1/4 in., mounted with archival corners, artist retouch upper right, no visible anomalies on print; frame with some dings along edges, in overall good condition

Provenance: Private Collection, Savannah

Estimate: $3,000 - $5,000

Portfolio, image circa 1922image possibly varnished, in.; natural wood frame top edge; frame with some

Walker Evans (American, 1903-1975)

Farmer’s Kitchen, Hale County, Alabama, (Washroom in the Dog Run of Floyd Burroughs’ Home) 1936, artist stamp and editioned verso “Walker Evans 11/82”, gelatin silver print, image 13-1/4 x 9-1/2 in., sheet 14 x 10 in.; unframed, loss to surface at left edge center

Provenance: The Halsted Gallery, Birmingham, Michigan (label verso); Douglas Kenyon Inc., Chicago Illinois (a facsimile of original receipt accompanies this lot); Private Collection, Wisconsin

Estimate: $5,000 - $7,000

36 Walker Evans (American, 1903-1975)

Coal Dock Worker, Havana, Cuba, from The Crime of Cuba, 1933, signed in pencil on mount lower right “Walker Evans”, inscribed in pencil on mount lower left “Coal Dock Worker, Havana, 1932 (Crime of Cuba, Carleton Beals), Printed 1971 J.O.”, gelatin silver contact print, 10 x 8 in.; matted, 20 x 16 in.; unframed, mounted, mount attached to mat with archival corners, surface crimp visible near right edge on shirt; mat in good condition

Provenance: Private Collection, Wisconsin

Estimate: $2,000 - $4,000

A related image from The Crime of Cuba is in the collection of the Metropolitan Museum of Art, New York, NY, accession Number: 2005.100.169. According to the Museums website, “...[The Crime of Cuba] was an exposé by Carleton Beals of the conditions under which Cubans lived during the oppressive regime of Machado y Morales, a dictatorship covertly supported by the U. S. State Department. Evans neither read the book nor had any interest in its politics: “I simply went around everywhere I could get. I interviewed, and was helped by, Cuban revolutionaries as well as government officials.”

35 Walker Evans (American, 1903-1975)

Fish Market Near Birmingham, Alabama, 1936, printed later, signed on mount lower right “Walker Evans”, editioned in pencil mount lower left “IX 97/100, 1936-1971”, gelatin silver print, 7-1/2 x9-1/2 in., mounted, print lifting from mount slightly at lower corners

Provenance: Private Collection, Wisconsin

Estimate: $2,000 - $3,000

37 Walker Evans (American, 1903-1975)

Interior of Coal Miner’s House, Scott’s Run, West Virginia, 1935, printed later, artist stamp verso, numbered in pencil “1 54”, gelatin silver print, 10 x 8 in.; matted, 20 x 16 in., mounted with archival corners, surface in good condition

Provenance: Christie’s New York: Thursday, February 15, 2007. Sold for $3,360.00; Private Collection, Wisconsin

Estimate: $1,000 - $2,000

Jacques Henri Lartigue (French, 1894-1986)

Mardi Gras, 1903, printed later, signed lower right margin “J. H. Lartigue”, embossed initials lower left, gelatin silver print, image 9-1/2 x 13-1/4 in., sheet 12 x 15-3/4 in.; unframed, print with no visible flaws of any kind

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

O. Winston Link (American, 1914-2001)

Train 202 at Tusk, NC, 1955, signed lower right margin recto, color print, 16 x 20 in.; metal sectional frame, 20-1/4 x 24-1/4 in., print in good condition, no visible flaws of any kind, mounted to backing with archival corners; frame with minimal wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $1,000 - $2,000

Jacques Henri Lartigue (French, 1894-1986)

City Street Scene with Child on Horse, 1912, printed later, signed lower right margin “J. H. Lartigue”, embossed initials lower left, gelatin silver print, image 9-1/2 x 12-3/8 in., sheet 12 x 16 in.; unframed, no visible flaws of any kind

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

Jacques Henri Lartigue (French, 1894-1986)

Avenue des Acacias, Paris, 1911, printed later, date, signed lower right margin “J. H. Lartigue”, gelatin silver print, image 13-7/8 x 10-1/8 in., sheet 15-3/4 x 11-3/4 in.; unframed, assorted small anomalies scattered throughout, some in negative, some in surface

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

Jacques-Henri Lartigue (French, 1894-1986)

40 rue Cortambert a Paris, Boubette - Louis - Robert - Zissou, 1903, from the English language portfolio, printed in 1978 under the supervision of the artist, editioned “585/5000 U.S.” written in pencil in the margin recto, blindstamp on original portfolio sleeve lower center, gold tone gelatin silver print on Kodak Portralure G paper, sheet 8-1/4 x 6-3/4 in.; silver finished wood frame, 19-1/2 x 15-1/2 in., mounted to backing, print in good condition, small spots in margins near edge, portfolio sleeve with some toning at edges; frame in good condition

Provenance: An Important Atlanta Collection

Estimate: $400 - $600

Only 1000 from the edition were ever produced.

Zissou conduisant son “Bob a 4 roues” avec Oleo et Louis comme pass agers trop charge le Bob ve entrer dans un arbre, 1910, from the English language portfolio, printed in 1978 under the supervision of the artist, editioned “702/5000 U.S.” written in pencil in the margin recto, blindstamp on original portfolio sleeve lower center, gold tone gelatin silver print on Kodak Portralure G paper, sheet 6-1/2 x 8-1/4 in.; black finished wood frame, 19-1/4 x 15-1/4 in., mounted on original portfolio mount, print in good condition, portfolio mount mounted on backing with archival corners, mat with some grime; frame with minimal wear

Provenance: An Important Atlanta Collection

Estimate: $400 - $600

Only 1000 from the edition were ever produced.

Doris Ulmann (Kentucky, 1882-1934)

Jacques Henri Lartigue (French, 1894-1986)

My Big Cousin, Jean Huguet, 1902, printed later, signed lower right margin “J. H. Lartigue”, embossed initials lower left, gelatin silver print, image 9-1/8 x 13-3/8 in., sheet 12 x 15-7/8 in.; unframed, no visible flaws of any kind

Provenance: Private Collection, Wisconsin

Estimate: $1,000 - $2,000

John Jacob Niles with Appalachian Dulcimer, circa 1920-1930, signed lower right on original mat, “Doris Ulmann”, vintage gelatin silver print, sight size 6 x 8 in.; silver metal sectional frame, 13 x 15-1/4 in., original sealed mat, not opened, surface in good condition; mat with toning and slight staining, frame with minimal wear

Provenance: Private Collection, Frankfort, Kentucky

Estimate: $700 - $900

John Jacob Niles (1892-1980) was a musician and luthier who lived in Kentucky.

Rosalind Fox Solomon (American, born 1930)

Catacombs1, 1976, signed and dated print verso “Rosalind Solomon 1976”, gelatin silver print, image 6-3/4 x 7 in., sheet 9-3/4 x 8 in.; unframed, surface in very good condition, slight mark at upper left corner in margin

Provenance: Acquired directly from the artist

Estimate: $800 - $1,200

Peter Henry Emerson (British, 1856-1936)

The Snow Garden, from Marsh Leaves, 1895, photogravure on paper, sheet 7 x 10-1/2 in.; matted, 16 x 21 in., hinged in t top corners, gravure in good overall condition, slight toning commensurate with age; mat in good condition

Provenance: Private Collection, Wisconsinv

Estimate: $4,000 - $6,000

Marsh Leaves is Emerson’s last published book. The sixteen photogravures the work contains are the epitome of refined elegance and minimalism. They fittingly end the nineteenth century and move photography, and fine art in general, into the modern age.

Rosalind Fox Solomon (American, born 1930)

Gravedigger in Alabama, 1975, signed print verso “Rosalind Fox Solomon”, gelatin silver print, sheet 15-1/2 in., image 13-1/2 x 14 in.; unframed, small surface crimps and anomalies at left and lower edges, printed out of square, vertical surface crimp approximately seven inches rear right edge, visible in raking light

Provenance: Acquired directly from the artist

Estimate: $500 - $700

49 Leonard Misonne (Belgian, 1870-1943)

Snow Scene with Three figures, 1926, signed and dated lower left “Leonard Misonne 1926”, mediobrome print, 11-1/2 x 15-1/2 in.; matted, 18 x 22 in., mounted with archival corners, surface in good condition, wear at edges

Provenance: Private Collection, Wisconsin

Estimate: $1,000 - $2,000

Rosalind Fox Solomon (American, born 1930)

Catacombs 2, 1976, signed and dated print verso “Rosalind Solomon 1976”, gelatin silver print, sheet 9-3/4 x 8 in. image 6-3/4 x 7 in.; unframed, crimp at lower right corner (margin), surface crimp lower right margin

Provenance: Acquired directly from the artist

Estimate: $800 - $1,200

Lillian Bassman (American, 1917-2012)

Across the Restaurant at Le Grand Vefour, Barbara Mullen, Harper’s Bazaar, Paris, Dress by Jacques Fath, 1949, signed in pencil verso, editioned 5/25, gelatin silver print, image 21 x 18 in., sheet 24 x 20 in.; black wood frame, 31-1/4 x 25-1/4 x 1-3/8 in., not examined out of sealed frame, surface appears in very good condition; frame in good condition

Provenance: Peter Fetterman, Santa Monica, California (label verso), a facsimile of original receipt accompanies this lot; Private Collection, Wisconsin

Estimate: $6,000 - $8,000

Literature: Harper’s Bazaar, April 1949; D. Solomon, Lillian Bassman: Women, New York: Abrams, 2009, p. 17

George Henry Seeley (American, 1880-1955)

Firefly, 1907, photogravure from Camera Work Number 20 (New York, 1907), pl. 1, unsigned, print 8 x 6-1/4 in.; on original mount, 11-3/4 x 8-1/4 in.; matted, 20 x 16 in., mounted to mat backing with archival corners, in good overall condition, mat in good condition

Provenance: Private Collection, Wisconsin

Estimate: $500 - $700

53 Frederick Henry Evans (British, 1853-1943)

Lincoln Cathedral from High Street, two prints, the first a platinum print, with artist’s embossed signature stamp on mount lower right, 4 x 5-3/4 in.; on original mount, metal sectional frame, 14-1/4 x 11-1/4 in.; together with a glossy print of the same image, inscribed with title, artists name, and with an added label (presumably) editioned 11/86, 8 x 10 in.; unframed, the first mounted on original backing, surface with no visible flaws, frame with no glass, abrasions; the second with a surface fold across lower edge

Provenance: Private Collection, Wisconsin Estimate: $2,000 - $3,000

54 Cecil Beaton (British, 1904-1980)

Portrait of Sydney and Frances Brody, artist’s printed signature margin recto, gelatin silver print, 11-1/4 x 10-1/2 in.; black finished wood frame, 21-1/4 x 18-3/4 in., mounted to backing, slight wear at edges, backing with grime and wear; frame with wear

Provenance: Jackson Fine Art Atlanta; An Important Atlanta Collection

Estimate: $200 - $400

The Brodys were important collectors of modern art, as well as founding benefactors of the LA County Museum of Art, and important benefactors of the Huntington Library.

55 Jan Saudek (Czech, born 1935)

Man, Woman and Child, signed lower right “Jan Saudek”, stamped verso and written in pencil “image no.62/ print no. 26/50/ image date 1971/ date printed 1980”, gelatin silver print, 14 x 11-1/4 in.; unframed, wear at edges

Provenance: Private Collection, Wisconsin Estimate: $800 - $1,200

56 Jan Saudek (Czech, born 1935)

Man and Train, signed margin lower right

“Jan Saudek”, stamped verso, dated 1974, editioned 25/50, gelatin silver print, 10-1/2 x 13-1/2 in.; unframed, some wear at corners and edges

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

57 Jan Saudek (Czech, born 1935)

Man Holding Infant, signed in print lower right “Jan Saudek”, gelatin silver print, 11-3/8 x 9 in.; unframed, wear at edges, surface appears on good condition

Provenance: Private Collection, Wisconsin

Estimate: $800 - $1,200

58 - No lot

59 Vincent Versace (American, 20th century)

Forest From the Trees, from the Presidio Project, signed and titled lower margin recto, also editioned A/P, archival pigment print, 19-1/2 x 26-1/2 in.; fine silver finished wood frame, 32 x 38-1/2 in., not examined out of sealed frame, print appears in excellent, as made condition; frame in good condition

Provenance: Private Collection, Asheville, North Carolina

Estimate: $300 - $500

This photograph is from an approximately 18 month project commissioned by the San Francisco Presidio National Trust to capture that remarkable 1480 acre National Park and Historic Landmark.

Wolf von dem Bussche (German, 1934-2014)

Trade Center Towers #IV, 1976, signed, titled, dated and editioned 19/96 print verso, also stamped with extensive edition information verso, printed 1980, gelatin silver print, 20 x 24 in.; unframed, no flaws of any kind

Provenance: Stephen Wirtz Gallery, San Francisco, California; Private Collection, Wisconsin

Estimate: $800 - $1,200

Wolf von dem Bussche (German, 1934-2014)

Homage to Stieglitz, the Twin Towers, 1976, signed, titled, dated and editioned 17/96 print verso, also stamped with extensive edition information verso, gelatin silver print, 24 x 20 in.; unframed, print with no visible flaws of any kind

Provenance: Stephen Wirtz Gallery, San Francisco, California; Private Collection, Wisconsin

Estimate: $800 - $1,200

Wolf von dem Bussche (German, 1934-2014)

Foley Square, 1967, signed, titled, dated and editioned 28/90 print verso, printed 1980, also stamped with extensive edition information verso, gelatin silver print, 24 x 20 in.; unframed, print in good condition, minimal wear at edges

Provenance: Stephen Wirtz Gallery, San Francisco, California; Private Collection, Wisconsin

Estimate: $800 - $1,200

Joan Myers (American, born 1944)

Los Angeles Still Life, 1977, signed and dated print verso, “Los Angeles Still Life/1977m/ p1979/Joan Myers, 1977, sepia toned print,, 19-1/2 x 15-1/2 in.; unframed, print in good condition

Provenance: The Center for Photography at Woodstock, Woodstock, NY; Private Collection, Wisconsin

Estimate: $300 - $500

Stephanie, 1976, signed and dated print verso, “Joan Myers 1976/m1974/p1979/ Stephanie”, hand colored print, 19-1/2 x 15-1/2 in.; unframed, print in good condition

Provenance: Private Collection, Wisconsin

Estimate: $300 - $500

Continental School Male Nudes (mid 20th century, possibly Czech)

Anne Lise Mjaaland

(Norwegian, born 1955)

Girl and Ivy, 1979, signed and dated pencil lower right margin “Anne Lise Mjaaland - 79”, inscribed verso “Girl and Ivy/ Anne Lise Mjaaland/ Kristianiasvingen 70./ Oslo 3. Norway”, possibly a kodalith print, image 9 x 6-1/8 in., mat 14 x 11 in.; matted and unframed, mounted to mat backing, surface in excellent condition

Provenance: Stephen White Gallery, Los Angeles, California; Private Collection, Wisconsin

Estimate: $300 - $500

Three Male Nudes, unsigned, no inscriptions of any kind, gelatin silver prints, each 6-1/2 x 4-3/4 in., matted together, 10 x 19 in.; carved wood frame, 14-1/4 x 22-3/4 in., hinged to backing, prints with fading commensurate with age, slight wear at all corners and edges; frame with wear

Provenance: An Important Atlanta Collection

Estimate: $100 - $300

67 Nick Brandt (British, born 1964)

Lioness with Cub in Mouth, Amboseli, 2012, signed and dated in pencil lower right margin, “Nick Brandt 2012”, editioned in pencil 11/20 lower left margin, archival pigment print, sheet 24 x 33 in.; mat 33 x 37 in., mounted on archival corners, print with no vsible flaws of any kind

Provenance: Private Collection, Wisconsin

Estimate: $4,000 - $6,000

68 Peter Lik (Australian, born 1959)

Tree of Dreams, 2010, signed and editioned 757/950 lower right “Peter Lik”, signed on artist label verso, C print face mounted on acrylic, image 25-3/4 x 39 in., surface in overall good condition, accompanied by mounting hardware

Provenance: Peter Lik Venetian Inc, Las Vegas, Nevada, purchased February 15, 2013 for $7,223.62 (a facsimile of original receipt accompanies this lot); Private Collection, Flat Rock, North Carolina

Estimate: $2,000 - $4,000

This lot includes a certificate of authenticity from the artist, attached verso.

For a description of this work in the artist’s own words, please visit his website through this link: https://lik.com/products/tree-of-dreams?srsltid= AfmBOooj3vXokLNBAWossLMc7ECKy9OTHDlOPu MQoGv4GhyUObFJLRix

Morten Haug

(Norwegian, born 1953 )

Three works: Winter, 1978, signed, dated and editioned in white ink lower black margin recto “8/25 Morten Haug-78”, inscribed verso “Winter/ Morten Haug/ Landingsun. 138/ Oslo 7/ Norway”, gelatin silver print, image 5-1/8 x 7-5/8 in.; mat 14 x 11 in.; Early Morning Fog, 1979, signed, dated and editioned in white ink lower black margin recto “3/25 Morten Haug-79”, inscribed verso “Early Morning Fog/ Morten Haug/ Landingsun.138/ Oslo 7/ Norway”, hand tinted bromide print, image 5 x 7-1/2 in.; mat 14 x 11 in.; Autumn, 1977, signed pencil lower right margin “Morten Haug 77” editioned 2/25 lower left margin, possibly a kodalith print, image 5-1/8 x 7-5/8 in.; mat 14 x 11 in.; all matted and unframed, Winter mounted on mat backing, pinhead sized bump sky middle, apparent mounting anomaly; Early Morning mounted to mat backing, no visible flaws of any kind; Autumn mounted to mat backing, no visible flaws of any kind

Provenance: All Stephen White Gallery, Los Angeles, California, (a facsimile of original receipt accompanies this lot); Private Collection, Wisconsin

Estimate: $300 - $500

70 Morten Haug (Norwegian, born 1953)

Two works: Winter, 1978, signed, dated and editioned in white ink in lower black margin recto “10/25 Morten Haug”, inscribed verso “Winter/ Morten Haug/ Landingsun. 138/ Oslo 7/ Norway”, gelatin silver print, image 5-1/8 x 7-5/8 in.; mat 14 x 11 in.; together with Trees by the sea, 1980, signed and dated pencil lower left margin, inscribed verso “Kodalith print/ Trees by the Sea/ Morten Haug/ Landingsun. 138/ Oslo 7/ Norway”, image 5-3/4 x 8-3/8 in.; mat 11 x 14 in.; matted and unframed, both prints mounted to mat backing, surfaces on both in excellent condition

Provenance: Stephen White Gallery, Los Angeles, California; Private Collection, Wisconsin

Estimate: $200 - $400

Julius Neelley

(American, born 1946)

Evelyn Hofer

(German American, 1922-2009)

Bergamo Courtyard 1977, printed 1982, signed titled dated and editioned print verso, “3/25 for 1982 / 1977 / Evelyn Hofer / INV# 136 (c)”, gelatin silver print, image 12 x 15-3/4 in., sheet 16 x 20 in.; dark gray sectional frame 20-1/8 x 24-1/4 in., print with no visible anomalies of any kind, mounted with archival corners; frame with minimal wear, in overall good condition

Provenance: Private Collection, Savannah Estimate: $500 - $700

Alan Maltz

Basic Instinct, signed in silver ink in image lower right, editioned in silver ink in image power left “AP”, C print on canvas, 20 x 30 in.; unframed, in good condition

Provenance: Alan MaltzPrivate Collection, Wisconsin

Estimate: $500 - $700

Boy Smoking, circa 1969, vintage gelatin silver print from the Rhode Island School of Design Portfolio, printed in 1969, #24 embossed on mount, 4-1/2 x 5-3/4 in.; black finished wood frame, 18-1/4 x 15-1/4 in., mounted to original backing, pin hole sized surface indentation at center of print, barely visible, and barely visible horizontal line anomaly, at center, unretouched dust spots in negative; frame in good condition, acrylic not glass

Provenance: An Important Atlanta Collection

Estimate: $100 - $300

This photograph was created while Neelly was a student of Harry Callahan at RISD in 1969. A print is in the permanent collection of the Art Institute of Chicago as reference number 1969.302x. this print was likely from the portfolio edition 22/150