September 12-13, 2014 Auction by Brunk Auctions

Brunk

Auctions

Brunk

Auctions

September 12-13, 2014 Session I Friday, September 12 Auction begins 5:00 pm Session II Saturday, September 13 Auction begins 9:00 am Public Preview Friday, September 12 Begins at 1:00 pm Saturday, September 13 Begins at 8:00 am Early Preview By Appointment

117 Tunnel Road, Asheville, North Carolina 28805 Fully illustrated color catalog $35 Free at the door Catalog available online, www.brunkauctions.com Tel. 828-254-6846, Fax 828-254-6545 info@brunkauctions.com Andrew Brunk NCAL 8330, Firm NCAL 3095, Robert S. Brunk NCAL 3041, Robert Ruggiero, NCAL 7707

Featured Collections Estate of Charles Edward and Miriam Barr Mitchell, Woodlawn, Quinby, South Carolina Important Contemporary Glass from a Private Collection A Private Atlanta Collection Estate of Harry Edwards, Birmingham, Alabama; by descent in the family Estate of Judy Hudson, Hendersonville, North Carolina Collection of Judge & Mrs. Robert M. Haverfield, Coral Gables, Florida Collection of Kent Darling Garbee, Athens, Georgia Estate of the late Robert H. Hirsch, by descent in the family Private Estate, Charlotte, North Carolina John Frederick and Elizabeth Mane, New York, New York/Jersey City, New Jersey, by descent Private Collection, Greenville, South Carolina Private Collection, Fairview, North Carolina Private Kentucky Collection A New York Collection By descent in the Sprunt and Taylor families of Wilmington and Winston Salem, North Carolina Collection of Dr. and Mrs. H. Harlan Stone, Glenville, North Carolina Collection of Ed and Peggy Ware, Knoxville, Tennessee Private Virginia Collection Sold to Benefit the UUFH Arts Fund Property of a Tennessee Collector Sold to Benefit Hospice of the Carolina Foothills

Table of Contents Session I 5 Modern Design 15

Tiffany and Art Glass

American

Cut Glass

Session II 45 Art Nouveau, Art Deco 57

Arts & Crafts, Art Pottery

Continental

Mitchell Estate

101

Old Masters

106

British

114

Silver

118

Asian

124

Condition

136

Index

Session I

MODERN & dESIGN

001 After Marc Chagall (French/Russian, 1887-1985) Tribe of Dan, 1964, edition 130/150, from Douze Maquettes de Vitraux Pour Jerusalem (CS.18), published by Charles Sorlier, printed by Mourlot, signed lower right in pencil "Marc Chagall" and printed verso lower right with credits, color lithograph on Arches paper, 24-1/4 x 18-1/4 in. (image), 28 x 20-3/4 in. (page); silver gilt frame with conservation framing and glass Provenance: Private Collection, Greenville, South Carolina Estimate: $5,000 - $7,000

002 Philip Howard (Blashki) Evergood (New York, 1901-1973) Happy Children, 1946, signed lower center “Philip Evergood”, signed and titled on verso, oil on canvas laid on board, 30 x 21 in.; gilt wood frame Provenance: Forum Gallery, New York, New York, labels verso; Tampa, Florida, Private Collection Estimate: $7,000 - $10,000 Exhibited: Forum Gallery, Radical Views: Philip Evergood and George Grosz, January 17 February 21, 1998

005 Cubist or Dada School (20th century) Untitled, mechanism, unsigned, inscribed verso “Max Ernst”, oil on canvas, 113/4 x 9-7/8 in.; unframed Estimate: $400 - $600

006 Robert Brackman (New York, 1898-1980) Arrangement #7 with Figure, signed lower left "Brackman" and signed, inscribed and titled verso canvas, oil on canvas, 36-1/8 x 28-1/4 in.; paint washed gilt wood frame Provenance: From a Private Collection, Miami, Florida, commissioned from the artist Estimate: $5,000 - $7,000

Condition notes available in back of catalog

September 12, 2014

003 Thomas Corbin (Missouri, born 1954) Man and Woman figural lamps, signed “Tom Corbin”, patinated bronze, 28 in. Provenance: Tennessee Collector Estimate: $800 - $1,200

Modern Design

004 Richard Earl Phelps (American, born 1954) Head of a Woman, signed "REP", patinated bronze, 16-1/2 in. Provenance: Private Collection Estimate: $300 - $500

008 Pablo Picasso (Spanish, 1881-1973) Petit visage Barbu, 1968-1969, signed, glazed terracotta tile, 6-5/8 x 6-1/2 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $3,000

007 Pablo Picasso (Spanish, 1881-1973) Le Déjeuner sur l’herbe, 1962, edition 38/50, (B.1096), signed lower right in pencil “Picasso” inscribed verso in pencil “14507”, linoleum cut in color on Arches paper, 13-3/4 x 10-5/8 in. (image), 24-1/2 x 17-3/8 in. (page); metal frame Provenance: Collection of Dr. and Mrs. Alan Jackson, North Miami Beach, Florida Estimate: $15,000 - $20,000

009 Pablo Picasso (Spanish, 1881-1973) Nature morte, 1953, edition of 400, (Ramie 219), stamped, partial glazed ceramic platter, 1-3/4 x 12-1/8 x 14-3/4 in. Estimate: $1,000 - $2,000

Modern Design

September 2, 2014

010 Pablo Picasso (Spanish, 1881-1973) Minotaure Aveugle Guidé par une Petite Fille au Pigeon (from La Suite Vollard) 1934 (B224), signed lower left in pencil “Picasso” inscribed in pencil “382”, dry point etching on laid paper with Picasso watermark, 8-7/8 x 121/4 in. (image), 13-3/8 x 17-3/8 in. (page); silver gilt frame Provenance: Collection of Dr. and Mrs. Alan Jackson, North Miami Beach, Florida Estimate: $20,000 - $30,000 Literature: Accompanied by a copy of the conservation report by Jane E. Sugarman dated 2009

For full cataloging and images see our website, www.brunkauctions.com

011 Richard Ritter (Michigan, born 1940) "Triolet Series No. 2", 1986, furnace-worked glass with murrinies and canes cut and polished, base inscribed "Richard Ritter YC-3086", 8-3/4 x 10 x 8 in. Provenance: Purchased from the artist in 1986 (a copy of the invoice accompanies the lot); Private Collection Estimate: $2,000 - $4,000 Richard Ritter was named a "North Carolina Living Treasure" in 2011.

012 Alain and Marisa Begou (French, born 1940s) thick disc form with small opening at top, base signed “Begou 7K51”, 14-3/4 x 14-3/4 x 3-1/4 in. Provenance: Purchased from the artist in 1998 (a copy of the invoice accompanies the lot); Private Collection Estimate: $500 - $1,000

015 Peter Vanderlaan (Massachusetts, born 1950) large chunky glass vessel, interior sea forms, etched “Vanderlaan 9/99”, 11-1/2 x 10-1/2 in. Provenance: Private Collection Estimate: $200 - $400

017 Dick Huss (Minnesota, born 1946) signed "Dick Huss 1993", relief-decorated vase in shades of pink with green and blue geometric designs, 7-1/2 x 8 in. Provenance: Private Collection Estimate: $800 - $1,200

016 Molly Stone (American, 20th century) Tornado Series, 1975, frosted exterior with 23K gold leaf interior, “M Stone 1975”, 11 x 13-1/2 in. Provenance: Private Collection Estimate: $500 - $800

Condition notes available in back of catalog

Modern Design

014 Michael Glancy (Michigan, born 1950) "Ruby Triskelion" important large-scale vase inscribed "Michael M. Glancy 1988 Ruby Triskelion", large-scale faceted vase in "ruby" glass with copper, 11-1/4 x 5 in. Provenance: Private Collection Estimate: $6,000 - $9,000

September 12, 2014

013 James Nowak (Wisconsin, born 1956) "Fluted Aquamarine" tall scalloped vase in vibrant colors, base signed “Nowak 51J2”, 18-1/2 x 17-3/4 in. Provenance: Purchased 1999 (a copy of the receipt accompanies the lot ); Private Collection Estimate: $1,000 - $1,500

018 William Morris (California, born 1957) monumental glass vessel, depicting deer and horses, multicolored ground with gilding, bright orange interior, base signature "William Morris 1990", 24-1/2 x 24 x 6 in. Provenance: Purchased in a Seattle Gallery; Private Collection Estimate: $7,000 - $10,000

019 William Morris (California, born 1957) "Stonehenge", 1986, flattened vasiform vessel, signed "William Morris 1986", 16-1/4 x 16 x 3-1/2 in. Provenance: Purchased in a Philadelphia Gallery; Private Collection Estimate: $5,000 - $7,000

detail

021 Richard Ritter (Michigan, born 1940) untitled glass sculpture, 1986, three-sided faceted form, furnace-worked glass with murrinies and canes, cut and polished, base with etched signature "Richard Ritter YC 3386", 6-1/2 x 6-3/4 x 6-3/4 in. Provenance: Purchased from the artist in 1986; Private Collection Estimate: $1,000 - $2,000

September 2, 2014

Modern Design

detail

020 Joel Philip Myers (New Jersey, born 1934) "Contiguous Fragment Series", inscribed "Joel Philip Myers 1987", heavy layered sculpted red glass vessel, 13-3/4 x 16-3/4 x 4 in. Provenance: Purchased in a Florida Gallery; Private Collection Estimate: $4,000 - $6,000

022 Jan Williams Ritter (Pennsylvania, 20th century) â&#x20AC;&#x153;Reading in the Gardenâ&#x20AC;?, 1995, blown and sandetched, signed, 4-3/4 x 12 in. Provenance: Purchased from the artist in 1995; Private Collection Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

023 Jan Williams Ritter (Pennsylvania, 20th century) "Bedtime Story", blown and sand-etched glass, signed, 4-3/4 x 9-3/4 in. Provenance: Purchased Toe River Council Auction, 1990; Private Collection Estimate: $600 - $900

024 Dale Chihuly (Washington, born 1941) important "Macchia Pair", 1987, ultramarine lip wraps, fine multi-colored bodies in shades of pink, blue, peach and turquoise, pale turquoise interior, underbowl with signature "Chihuly 1987", bowl 15 x 13-1/2 x 13-1/2 in., underbowl 10-1/2 x 22 x 17 in. Provenance: Private Collection Estimate: $5,000 - $8,000 Consignor was present at Harvey Littleton's studio, Spruce Pine, North Carolina, January 1987, when Chihuly and his team were there for a glass blowing session, with invited guests. This signed set of his came from that demonstration. A snowy day, once the glass pieces were cool enough, they were placed carefully in the snow as large colorful gems, a spectacular scene!

028 Mark Peiser (Illinois, born 1938) large coiled cobalt glass bowl, signed on rim "Mark Peiser CSC2004", 5 x 15-1/4 in. Provenance: Private Collection Estimate: $800 - $1,200 Mark Peiser was named a "North Carolina Living Treasure" in 2011.

029 Mark Peiser (Illinois, born 1938) pyramid of compound cast glass, 1985, cut and hand-polished, depicting a sun over a wavy green lower section, base signed "Peiser 15.23E.85", 9-3/4 x 4-3/4 x 2-1/2 in. Provenance: Purchased 1986 (a copy of the receipt accompanies the lot); Private Collection Estimate: $2,500 - $3,500

Condition notes available in back of catalog

Modern Design

detail

027 Dale Chihuly (Washington, born 1941) early ruffled bowl, base signed "Chihuly 1984", 6 x 101/2 x 10-1/4 in. Provenance: Private Collection Estimate: $2,000 - $3,000

September 12, 2014

025 Large Royal Blue Glass Bowl with Folds on Clear Glass Base, base signed â&#x20AC;&#x153;Brasol 2004â&#x20AC;?, 9-1/2 x 14 in. Provenance: Private Collection Estimate: $400 - $600

026 Laurie Thal (Wyoming, born 1953) "Lotus Flower" vessel, sandblasted glass in shades of blue to pale green and yellow, signed at bottom "L Thal 2003.36 M.Malm", 8 x 16 in. Provenance: Purchased from the artist, 2004 (a copy of the receipt accompanies the lot); Private Collection Estimate: $400 - $600

031 Kyohei Fujita (Japanese, 1921-2004) six-sided lidded glass box in mottled bright emerald green with silver leaf and gilt highlights, faintly signed on base, 5-1/4 x 7-1/8 x 7-1/8 in. Provenance: Private Collection Estimate: $4,000 - $6,000 Among his many honors, Kyohei Fujita was conferred to the "Order of the Sacred Treasure" in Japan.

032 Kyohei Fujita (Japanese, 1921-2004) six-sided lidded glass box in mottled cobalt blue with silver leaf and gilt highlights, faintly signed on base, 4 x 4 x 4 in. Provenance: Private Collection Estimate: $3,000 - $5,000 Among his many honors, Kyohei Fujita was conferred to the "Order of the Sacred Treasure" in Japan.

September 2, 2014

Modern Design

030 Dan Dailey (Pennsylvania, born 1947) “Dragonfly Man”, 1990, monumental glass vessel in bright red with cobalt-wrapped top, lower section with geometric designs in relief on colorful stippled ground, base inscribed “FV 39 90 Dragonfly Man”, 22 x 11 in. Provenance: Purchased Chicago Craft Show, 1990 (the artist was present); Private Collection Estimate: $10,000 - $12,000

033 Kyohei Fujita (Japanese, 1921-2004) six-sided lidded glass box in mottled scarlet red with silver leaf and gilt highlights, faintly signed on base, 6 x 5-1/4 x 5-1/4 in. Provenance: Private Collection Estimate: $3,000 - $5,000 Among his many honors, Kyohei Fujita was conferred to the "Order of the Sacred Treasure" in Japan.

034 Orrefors Cobalt-to-Clear Art Glass Vase “The Universe”, signed “Orrefors 945490 Ollie Alberius E 19-1-89”, 7-1/4 x 5-3/4 in. Provenance: Copy of original invoice accompanies lot; Private Collection Estimate: $400 - $600

036 Five Pieces Contemporary Glass Murano and possibly other, late 20th century: cobalt bowl and vase; bud vase; two Murano ornaments, 15 in. to 21-1/2 in. Provenance: Private Collection, SC Estimate: $400 - $700

035 Orrefors “Ariel” Cobalt and Clear Square Bowl or Low Vase, signed “Orrefors Ariel...”, 3-1/4 x 5-1/2 x 5-1/2 in. Provenance: Copy of original invoice accompanies lot; Private Collection Estimate: $300 - $500

For full cataloging and images see our website, www.brunkauctions.com

037 Stephen Dee Edwards (California, born 1954) “Matte Orange Amphibian”, 1986, signed, 24-1/2 x 12 in. Provenance: Purchased from artist, 1987; Private Collection Estimate: $200 - $400

039 Kate Vogel and John Littleton (American, born 1950s) “Aquaflora” glass sculpture, 1986, 19-3/8 x 10-1/2 x 10 in. Provenance: Purchased from the artists; Private Collection Estimate: $200 - $400

040 Klaus Moje (German, born 1936) "Platter Form No. 8", 1987, signature and date at bottom, brightly colored slumped, fused and carved glass platter, 2 x 12 x 12 in. Provenance: Private Collection Estimate: $2,500 - $3,500

041 Harvey Littleton (New York, 1922-2013) "280 Degree Yellow Rotation", 1981, two-piece glass sculpture in shades of yellow, orange, red and clear glass, both pieces with signatures, "© Harvey K. Littleton 1981", 19 x 5-1/4 x 5-1/2 in. Provenance: Purchased from the artist in 1986; Private Collection Estimate: $9,000 - $12,000 Harvey Littleton is known as the founder of the American Studio Glass Movement.

044 Gary Beecham (Wisconsin, born 1955) signed “Gary Beecham 1981 Textile Vessel”, glass vase, purple, peach and yellow, 7 x 5-1/4 in. Provenance: Private Collection Estimate: $400 - $700

045 Gary Beecham (Wisconsin, born 1955) “Color Study Vessel, 1984,” clear detail glass with multicolored decoration, signed, 4-1/2 x 8 in. Provenance: Private Collection Estimate: $300 - $600

043 Toots Zynsky (American, born 1951) "Festoso" (playful), filet-de-verre technique of fused and slumped glass threads, "Z" signature at bottom, 4-3/4 x 9-1/4 x 6 in. Provenance: Habatat Gallery; Private Collection Estimate: $6,000 - $8,000

046 Gary Beecham (Wisconsin, born 1955) "Prismatic Shift", disc in bright colors, 20 in.; set on a heavy steel stand, 25-1/2 x 22-1/2 x 5 in. Provenance: Purchased 2002 (a copy of the invoice accompanies the lot); Private Collection Estimate: $1,500 - $2,000 Gary Beecham was a National Merit Scholar and assistant to Harvey Littleton, 1980-1985.

Condition notes available in back of catalog

Modern Design

042 Toots Zynsky (American, born 1951) "Cresente", Pulled Fused Glass Threads, Kiln-Formed Green Vessel, "Z" signature at bottom, 5-1/2 x 9-3/4 x 6-1/4 in. Provenance: Elliot Brown Gallery; Private Collection Estimate: $6,000 - $8,000 Zynsky's work is represented in over 70 museums worldwide.

September 12, 2014

038 Ken Carder (Ohio, born 1955) glass triptych with faces, each signed, 9-1/4 in. to 10-1/4 in. Provenance: Purchased 1987; Private Collection Estimate: $300 - $500

047 Richard Royal (Washington, 20th century) 2003, naturalistic form in shades of purple and green, signature and date, 45-3/4 x 13 x 10 in. Provenance: Purchased 2004, (a copy of the receipt accompanies the lot); Private Collection Estimate: $3,500 - $5,000

September 2, 2014

Modern Design

053 Dante Marioni (California, born 1964) "Goose Beak Pitcher", fine elongated ewer-form vase in bright blue and yellow glass, signed on base "Marioni 95", 31 x 6 x 6 in. Provenance: Purchased in 1996; Private Collection Estimate: $3,000 - $4,000

048 Paul Stankard (American, 20th century) "Environmental Paperweight", encased flamework glass, engraved signature "Stankard 52[?] 1983", roots dangling, 3-1/2 x 2-1/4 x 2-1/4 in. Provenance: Private Collection Estimate: $2,500 - $3,500

049 James Nowak (Wisconsin, born 1956), "Sea Fan", signed "Nowak F4K0", 10 x 24 x 10-1/2 in. Provenance: Purchased 2000 (a copy of the receipt accompanies lot) Estimate: $700 - $1,000

050 Richard La Londe (Washington, born 1950) "Bolero #12", circa 1990, signed on rim in gold "La Londe", 8 x 18-1/4 x 18 in. Provenance: Private Collection Estimate: $400 - $600

051 John Littleton and Kate Vogel (American, born 1950s) “Bagged Bags”, signed and dated 1986 at base, 15 x 10 in. Provenance: Purchased from the artists, 1986; Private Collection Estimate: $500 - $800

052 Pinot Signoretto (Italian, 1944-circa 1988) Sculptural clearto-aubergine car, back signed, issued 1988, 7 x 18-1/2 x 9 in. Provenance: Ware Collection, TN Estimate $500 - $1,000

054 Ken Butterfield (American, 20th century) “TV Toaster”, 1987, 18 x 26-1/2 x 8-1/2 in. Provenance: Purchased 1987, (a copy of the receipt accompanies the lot) Estimate: $500 - $1,000

055 Michael Cohn (American, 20th century) "Athena Bowl", "8-15" and "9-6", 12-1/2 x 19-1/2 in. Provenance: Purchased 1997; Private Collection Estimate: $300 - $500

056 Stephen Dee Edwards (California, born 1954) “Yellow Lattice Physalia, 1983”, 8-1/2 x 15-1/4 x 14 in. Provenance: Purchased from artist, 1987; Private Collection Estimate: $400 - $600

057 Andy Warhol (New York, 1928-1987) Neuschwanstein, 1987, from a limited edition of 1200 aside from 250 proofs, Bayerische Rück, publisher, lower left stamped signature "Andy Warhol", color offset/ silkscreen on paper, 35-5/8 x 24-1/2 in. (sheet); original white frame with original label verso Estimate: $800 - $1,200 The planned signatures for this print were no longer possible after Andy Warhol's death, so they were stamped by The Factory, New York City.

058 Finely Sculpted Vintage Acrylic Yacht Sculpture, signed "Eugene Brignola" and numbered 38 of 500, set on a mirrored and lighted stand, 25-1/4 x 7 x 21 in. Provenance: Ware Collection, TN Estimate: $300 - $500

For full cataloging and images see our website, www.brunkauctions.com

061 Charles Levier (French, 1920-2003) Untitled, City Street, signed lower left “Levier”, oil on canvas, 20 x 24 in.; frame Provenance: Private Collection Estimate: $600 - $900

062 Charles Levier (French, 1920-2003) Untitled, Still Life with Boats, unsigned, oil on canvas, 30 x 24 in.; gilt wood frame Provenance: Collection of a Lady Estimate: $1,000 - $1,500

064 Chui Faising (20th century) Swan, signed "Chi 772", marble with slate and marble plinthe, 13-1/4 x 10 x 24 in. Provenance: Private Collection Estimate: $200 - $400

065 Romano Parmeggiani (Italian 1930) Two Italian views: oil on masonite, 7-1/8 x 16-7/8 in., oil on canvas, 37 x 12-7/8 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

066 Charles Levier (French, 1920-2003) Nu a la chaise, signed “Levier”, oil with seeds on canvas, 40 x 30 in.; gilt frame Provenance: Collection of a Lady Estimate: $1,500 - $2,500

067 Three Horse Paintings one by Kaour Uehashi, oil on canvas; two signed Edmundson, crayon on paper, 10-3/4 x 8-3/4 in. to 14 x 16-1/8 in. Provenance: Private Collection Estimate: $200 - $400

068 Pierre Alexandre Graziani (or Piero, French, 1932) Untitled, abtract composition, signed, oil on canvas, 36-3/8 x 28-5/8 in.; frame Provenance: Collection of a Lady Estimate: $300 - $500

069 John Clark (Penland, North Carolina, Contemporary), inlaid mahogany desk, 29-3/4 x 84 x 41 in. and printer stand, 36 x 49 x 23 in. Provenance: Private Collection, SC Estimate: $1,000 - $2,000

071 Pair Edward Wormley for Dunbar Upholstered Chairs, 20th century, mahogany frames, herringbone tufted upholstery, loose cushion, 36 x 25-1/2 x 33 in. Provenance: Private KY Collection Estimate: $500 - $1,000

072 Frits Henningsen Designed Danish Modern Sofa, 20th century, mahoganyframe set with pale blue modern upholstery, 30 x 88-1/2 x 33 in. Provenance: Private KY Collection Estimate: $1,500 - $2,000

073 Contemporary Brushed Steel Dining Table, Set of Eight Bentwood Chairs Trip Alley, (Raleigh, North Carolina, c. 1996), rectangular steel table with brushed spiral decorations at top, 30 x 72 x 41-3/4 in.; together with a set of eight bentwood and chrome dining chairs, labels for "Effezeta Made in Italy", 35-1/2 x 17 x 21 in. Provenance: Private Collection, NC Estimate: $1,000 - $2,000

Condition notes available in back of catalog

070 Dorothy Draper Designed Three-Drawer “Expana” Chest, probably manufactured by Henredon, mid-20th century, 31-1/2 x 38-1/4 x 17-1/4 in. Provenance: NC Private Collection Estimate: $1,000 - $1,500

Modern Design

063 Manner of Roberto Matta (Chile, 1911-2002) Untitled, abstract with three nudes, bearing signature “Matta”, oil pastel and pencil on laid paper, 17 x 24-1/4 in.; frame Estimate: $100 - $300

060 Henry Martin Gasser (New Jersey 1909-1981) Entrance to the Ruins, signed, gouache on board, 13-3/4 x 21-7/8 in.; frame Provenance: Sotheby’s, New York, 1993 Estimate: $400 - $600

September 12, 2014

059 Eugene Gustavovitch Berman (US/France/Russian, 1899-1972) La Taverne, 1939, gouache and ink on paper, 7-1/4 x 11 in.; frame Provenance: M. Knoedler & Co., NY Estimate: $300 - $500

Session I

tIFFANY & aRT gLASS

077 Four Pieces American/European Art Glass American, early 20th century, rose-colored vase, 5-1/4 in.; Austrian, gold vase with blue decoration, base with "LCT Favrile" paper label and "LCT" mark, 4-1/2 in.; Lotton vase with flared rim, base with etched mark, 4-3/4 in.; ruffled bowl, marked "LCT Favrile", 6 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

080 Pulled Feather Art Glass Vase American, early 20th century, gilt and cobalt pulled feather decoration, signed “LC Tiffany-Favrile”, 9-3/4 in. Provenance: Mane Family by descent Estimate: $400 - $700

083 Tiffany Favrile Glass Decanter and Six Goblets, decanter “LC Tiffany Favrile”, “708”, 7-3/4 in.; six goblets, all unmarked, 4-1/2 in. to 10 in. Provenance: Private Atlanta Collection Estimate: $1,200 - $1,800

081 Amédée de Caranza (Turkey/France, active 1875-1914), blown glass, signed “Duc.A.de.Caranza”, “Amadé de Caranza, Paris”, 6-1/2 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

078 Tiffany Blue Lily Pad Center Bowl and Flower Frog American, early 20th century, blue favrile glass bowl with lily pads, blue flower frog, bowl "1684 1454M LC Tiffany Favrile", frog "1785 LCT Favrile", 4 x 9-3/4 in. overall Provenance: Mane Family by descent Estimate: $3,000 - $5,000 079 - No lot.

082 Amédée de Caranza (Turkey/France, active 1875-1914), blown glass with floral and foliate decoration, signed “A de Caranza”, 6-1/2 in. Provenance: Private Atlanta Collection Estimate: $600 - $800

084 Tiffany Favrile Center Bowl, Suite of Four Candlesticks American, late 19th/early 20th century, “Louis C. Tiffany...”, 4-3/4 x 12 in., four candlesticks, 12-1/4 in. Provenance: Private Atlanta Collection Estimate: $3,000 - $4,000

Condition notes available in back of catalog

Tiffany & Art Glass

075 Large Signed Steuben Aurene Glass Vase, early 20th century, base with Steuben mark, “2693”(?), flared rim in rich iridescent blue surface, 10-3/4 in. Provenance: Private Atlanta Collection Estimate: $600 - $900

085 Very Fine Tiffany Favrile Glass Floriform Vase American, early 20th century, base signed "LCT" and "M8116", finely colored with green leaf decoration, 14-1/4 in. Provenance: Private Atlanta Collection Estimate: $6,000 - $9,000 Exhibited: "A Thing of Beauty", High Museum, Atlanta, 1980.

September 12, 2014

074 Tiffany & Co. Favrile Glass Lily Pad Flower Bowl and Frog, American, early 20th century, signature, 11-1/4 in. Provenance: Lillian Nassau Estimate: $3,000 - $5,000 Exhibited: High Museum, 1980

076 Rare Tiffany Favrile Brown Aurene Vase American, late 19th/early 20th century, egg-shaped vase with "Italian" border over a brown aurene body on a conforming gilt metal leaf-decorated stand, unsigned, 7-1/2 in. Provenance: Private Atlanta Collection Estimate: $5,000 - $8,000 A related example is illustrated in McKean, Hugh Lost Treasures of Louis Comfort Tiffany, figure 167.

September 2, 2014

Tiffany & Art Glass

086 Important Tiffany Studios “Tree of Life” Leaded Glass Window probably designed by Agnes Northrup, 1888-1892, richly colored with bright blue and green mountainous landscape in background, stylized trees in shades of brown, green, orange and lavender in the foreground, 41-1/2 x 36-3/4 in. (sight), 76-3/4 x 43-3/4 in. overall dimensions including lighted frame and pedestal; with custom-made lighted stand and shipping crate Estimate: $40,000 - $60,000

087 Tiffany Studios Bronze and Favrile Glass Floor Lamp, fine feathered shade signed “LCT Favrile”, base signed “Tiffany Studios New York 423H”, 57-3/4 in. Provenance: Private Atlanta Collection Estimate: $1,500 - $2,000

088 Tiffany Studios Gilt Bronze and Glass Three-Light Lily Table Lamp base stamped "Tiffany Studios New York" and "319", three green-decorated and frosted favrile glass shades, each signed "LCT", 12-3/4 in. Provenance: Lillian Nassau; Private Atlanta Collection Estimate: $1,500 - $2,500

For full cataloging and images see our website, www.brunkauctions.com

089 Tiffany Studios Gilt Bronze Counterbalanced Floor Lamp, base stamped “Tiffany Studios New York 681”, green and white cased-glass shade, 55-1/4 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $1,500

091 Tiffany Studios Gilt and Patinated Bronze Floor Lamp, patinated bronze three-leg base stamped “Tiffany Studios New York 423”, shade unsigned, 54-1/2 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

092 Tiffany Favrile Glass Candlestick Lamp and Shade, ruffled shade and twisted base signed “LCT”, silver-plated fluid stick and shade support, 12-1/2 in. Provenance: Lillian Nassau Estimate: $500 - $700

093 Tiffany Studios Patinated Bronze and Favrile Glass Candlestick Lamp, base stamped “Tiffany Studios New York” and “1205”, leafy base, 10-1/2 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

Condition notes available in back of catalog

094 Tiffany Studios Bronze and Glass Candlestick, base stamped “Tiffany Studios New York 831”, Queen Anne’s Lace design, blown-out green glass, 18 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

Tiffany & Art Glass September 12, 2014

090 Important Tiffany Leaded Glass “Oyster Bay” Window American, c. 1900, brilliant color centering a view of a harbor with sailboats, mottled cloudy sky and wavy sea, Japanese lanterns at top, floral, vine and branch surround with geometric-banded border, 69 x 59-1/2 in. (sight), overall dimensions including custom lighted frame and pedestal, 101 x 70-1/2 in., with shipping crate Estimate: $50,000 - $80,000

detail

095 Fine Tiffany Studios Leaded Glass Peony Lamp on Bronze Base ribbed bronze three-light base signed “Tiffany Studios New York 370”, brightly colored shade signed “Tiffany Studios New York”, 18-1/4 in. diameter shade Provenance: Lillian Nassau; A Private Atlanta Collection Estimate: $45,000 - $65,000 Exhibited: “A Thing of Beauty”, High Museum, Atlanta, 1980.

September 2, 2014

Tiffany & Art Glass

detail 096 Fine Tiffany Studios Arrowroot Leaded Glass and Bronze Table Lamp shade signed “Tiffany Studios”, patinated bronze base with original patination and apparently unsigned, attributed to Tiffany, adjustable shade support, original Tiffany chimney cap, 20-1/4 in. diameter shade Provenance: A Private Atlanta Collection Estimate: $12,000 - $18,000

detail

097 Tiffany Patinated Bronze and Leaded Glass Acorn Lamp canister-form patinated bronze unsigned base with leaves in relief, shade signed "Tiffany Studios New York", 14 in. diameter shade Provenance: Private Atlanta Collection Estimate: $5,000 - $7,000

For full cataloging and images see our website, www.brunkauctions.com

detail

098 Tiffany Leaded Glass and Patinated Bronze Banded Dogwood Table Lamp shade signed “Tiffany Studios New York 1891”(?), finely colored dogwood blossoms and leaves on a mottled pale green ground, six-light patinated bronze ribbed base stamped “Tiffany Studios New York 28622”, 28-1/4 x 20 in. Estimate: $45,000 - $65,000

detail

099 Handel Painted Glass and Patinated Metal Table Lamp base signed "Handel", patinated three-socket stand with Art Nouveau decoration in relief, circular chipped-ice shade, signed verso "Handel 5351"(?), 18 in. diameter shade Provenance: Private Atlanta Collection Estimate: $4,000 - $6,000

100 Fine Tiffany Studios Gilt Bronze and Favrile Glass Twelve-Light Lily Table Lamp base signed "Tiffany Studios New York 382", lily pad base issuing twelve arms, each set with a favrile glass shade (six signed "LCT Favrile", three signed "LCT", three unsigned), 21-1/2 in. Estimate: $25,000 - $35,000

Condition notes available in back of catalog

September 12, 2014

Tiffany & Art Glass

101 Very Fine Pair Tiffany Studios Glass-Inset Patinated Bronze Candlesticks with Favrile Glass Shades each with inset emerald green glass cabochons at the candle cups, impressed marks “Tiffany Studios 1215 and 1216”, favrile shades signed “LCT”, 22-1/2 in. Provnance: A Private Atlanta Collection Estimate: $8,000 - $12,000 Exhibited: “A Thing of Beauty”, High Museum, Atlanta, 1980.

September 2, 2014

Tiffany & Art Glass

103 Two Tiffany & Co. Bronze Double Candlesticks American, late 19th/early 20th century, patinated bronze example with fleur de lis base, stamp marked "Tiffany Studios New York 10076", 9 in.; gilt bronze with central stem with bud-form finial, Tiffany cipher and stamped "Tiffany Studios New York", 9-1/4 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $1,500

102 Tiffany Studios Gilt Bronze Counterbalanced Floor Lamp base stamped “Tiffany Studios New York 677”, leaf-decorated column, original gilding, 55-1/4 in. Provenance: Private Atlanta Collection Estimate: $2,500 - $3,500

105 Tiffany Studios Gilt Bronze Inkwell early 20th century, “Tiffany Studios, New York 1030”, tripod stand with anthemion decoration, paw feet, divided glass insert stamped “Frank A. Weeks…”, 1-3/4 x 8 in. Estimate: $2,000 - $3,000

detail

For full cataloging and images see our website, www.brunkauctions.com

104 Group of Tiffany Bronze Desk Articles American, late 19th/early 20th century: thermometer; pen tray; two pairs blotter ends, 12-1/4 in. and 19 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

106 Three Tiffany Gilt Bronze Chargers one with abalone insets in rim, each marked “Tiffany Studios New York...”, two 12 in. and one 14 in. Provenance: Private Atlanta Collection Estimate: $400 - $700

107 Louis Comfort Tiffany Green-Glazed Ceramic Vase, American, late 19th century, incised “LCT” monogram, 5-1/2 in. Provenance: Lillian Nassau Estimate: $600 - $900 Exhibited: High Museum, Atlanta, 1980.

108 Tiffany Studios Gilt Bronze Standing Ashtray, American, circa 1900, both stamped “Tiffany Studios New York 1649”, hinged top with match holder, 27-3/4 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

detail

110 Fine Tiffany Patinated Bronze Lamp Base, Leaded Glass Liburnum Shade base signed "Tiffany Studios New York 529", fluted column-form with mosaic style decoration, six-light fixture, fine unsigned leaded glass shade with branches and blossoms in deep relief, shades of rich green, blue, purple and yellow, 32-1/2 x 22 in. Provenance: Private Atlanta Collection Estimate: $6,000 - $9,000

111 Collection of 83 Tiffany Favrile Glass Prisms, circa 1900, unsigned, attributed to Tiffany, each approximately 6 in. Provenance: Private Atlanta Collection Estimate: $1,500 - $2,500

112 Fine Steuben Gold Aurene Glass Basket American, early 20th century, tall loop handle applied to oval ruffled rim, vasiform body, base marked "Aurene 455", polished pontil, 15-1/4 in. Provenance: Private Collection Estimate: $1,500 - $2,500

113 Vintage Tiffany Style Leaded Glass and Patinated Metal Table Lamp, early 20th century: shade with band of floral decoration, three-light stand, 25-1/2 x 19 in. Provenance: Private Collection Estimate: $300 - $500

114 Tiffany Style Pond Lily Fifteen-Light Painted Metal Table Lamp, contemporary, black-painted leaf-form base supporting 15 stems with frosted pink shades (maker unknown), electrified, 21 in. Estimate: $300 - $500

115 Vintage Tiffany Style Leaded Glass Table Lamp on Patinated Bronze Lotus Base, American, circa 1900, lotus-form base on four feet, 26-1/2 in. Provenance: Lillian Nassau Estimate: $800 - $1,200

Condition notes available in back of catalog

Tiffany & Art Glass

four of 83

116 Large Vintage Arched Stained Glass Window, Print, American, circa 1906, rectangular arched top and base, wooden frame, 45-1/2 x 46 in. and 65-1/2 x 46 in. Provenance: St. Stephens Church, Hickory Estimate: $400 - $800

September 12, 2014

109 Three Fine Tiffany Type Favrile Glass Shades each with feather decoration, unsigned, rims marked "S538", "S119", and "S155", 10-3/4 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

117 R. Lalique Jade Green Glass Malescherves Vase base with engraved mark "R. Lalique France", "N.014", designed 1927, 9 in. Provenance: Private Atlanta Collection Estimate: $5,000 - $7,000

120 Large Lalique Assiette Felix Platter etched signature “R Lalique France” and “No 3023”, 17-5/8 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

Tiffany & Art Glass September 2, 2014

118 Fine Lalique Emerald Green Glass Ronces Vase, molded relief depicting intertwining briars, molded "R Lalique" mark at base and script incised "Lalique", 9-1/2 in. Provenance: Galerias "La Granja", Mexico City, Mexico; Private Atlanta Collection Estimate: $4,000 - $6,000

119 Lalique Frosted Avallon Vase etched signature "R Lalique France", designed 1927, opalescent and blue-stained frosted glass, depicting songbirds and vine and berry surround in deep relief, 5-3/4 in. Provenance: Private Atlanta Collection Estimate: $1,500 - $2,500

121 Lalique Frosted Dauphins Opalescent Glass Bowl designed 1932, depicting sea shells and creatures in a wavy sea, base signed "R Lalique France", 9-1/4 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

For full cataloging and images see our website, www.brunkauctions.com

122 R. Lalique Frosted-to-Blue Glass Ceylon Vase etched mark “R. Lalique France” and “N.905”, designed 1924, 9-1/2 in. Provenance: Private Atlanta Collection Estimate: $3,000 - $5,000

123 Lalique France Gray Chamilles Monumental Vase impressed “R. Lalique”, circa 1926, molded leaf-covered body in gray, 14 in. Estimate: $3,000 - $5,000

126 Seven Pieces Steuben Glass American, 20th century: bowl, 7 x 10-3/4 in.; two pairs candlesticks; paperweight, 2-1/2 in.; bird, 2-1/4 in., all signed Provenance: Private Collection Estimate: $400 - $600

127 Seven Pieces Cut and Colored Moser and Attributed Glass, each with cut floral decoration, one decanter and three vases signed “Moser Karlsbad”, 4 in. to 10 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

128 Three Pieces Gallé-Attributed Enameled Glass, French, circa 1900, apparently unsigned: decanter, 9-3/4 in.; tray, 11-1/2 in.; cordial, 2-1/2 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

Condition notes available in back of catalog

129 Four Pieces Art Glass: Daum, Webb, Quezal, early 20th century: fine pair Quezal glass shades, 6-3/4 in.; Webb bowl, 8 in. diameter; Daum vase, 5-1/4 in. Provenance: Private Atlanta Collection Estimate: $400 - $700

Tiffany & Art Glass

detail

September 12, 2014

124 Lalique “Cermuschi” Floral-Rimmed Deep Bowl signed "R. Lalique France 9397", circa 1927, clear-to-frosted overhung rim with floral decoration, 5 x 10-3/4 in. Estimate: $500 - $800

125 Lalique Frosted Glass Ronces Vase Mounted as a Lamp French, early 20th century, vase with etched signature at bottom "R Lalique France", now set with fine wrought iron mounts, base iron mounts stamped "Made in France", 16 in. Provenance: Private Atlanta Collection Estimate: $400 - $700

131 Large Loetz Iridescent Pinched-Rim Vase, Austrian, early 20th century, Phanomen genre, iridescent gold, lavender, 10-3/4 x 6-1/2 in., bird feet signed “Lhenr”(?), 12-1/2 in. with bronze stand Estimate: $800 - $1,200

132 Two Art Glass Vases 20th century: one ribbed with cobalt spotted decoration, 10-1/2 in.; one with orange yellow, marked “K”, “Dec-31” and “20180-11-1/2”, 11 in. Estimate: $300 - $500

134 Daum Nancy Art Glass Bud Vase French, early 20th century, striated yellowto-blue neck, “Daum Nancy” and Cross of Lorraine mark, 14-3/4 in. Provenance: Private Atlanta Collection Estimate: $200 - $400

135 Monumental Amberina Swirl Glass Vase probably early 20th century, red-to-clear body with overall swirl design, base with polished pontil mark, unsigned, 14 in. Estimate: $200 - $300

137 Seven Pieces Peachblow Glass American, late 19th century: three vases; sugar and creamer; footed center bowl with enamel decoration, 3-1/2 in. to 9 in. Provenance: Private Collection Estimate: $400 - $700

138 Plated Amberina Cream Pitcher attributed to New England Glass Co., late 19th century, 2 in. Provenance: Private Collection Estimate: $500 - $700

141 Two Aesthetic Movement Enameled Glass Vases, American, late 19th century: one bottle form, flowers on beige ground, 12-1/4 in.; one with swirled body, possibly Mount Washington, 6-1/4 in. Estimate: $400 - $600

142 Three Pieces Art Glass large cameo vase, “De Vez”, 14-1/2 in.; cranberry vase, 9-1/2 in.; dresser box, V.S. Lorrain, 4 x 6-1/2 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

detail

130 Quezal Art Glass Vase on Bronze Snake Base, American, early 20th century, slender tapered art glass vase, signed, bronze base with snakes in relief, 21 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

September 2, 2014

Tiffany & Art Glass

133 Rainbow Satin Glass Mother-of-Pearl Footed Bowl, American, late 19th/early 20th century, rainbow diamond quilted pattern, yellow ruffled rim, 5 x 6-1/4 in. Provenance: Private Collection Estimate: $300 - $500

136 Large Daum Nancy Art Glass Center Bowl mottled pale red to dark blue with flecks of gilding, bottom with engraved signature “Daum [Cross of Lorraine] Nancy France”, 14 in. Provenance: Private Collection Estimate: $300 - $500

four of ten

139 Signed Libbey Cobalt and Clear Glass Cocktail Set, American, early 20th century, cocktail shaker with silver-plated lid, Libbey mark, 12-3/4 in.; nine glasses, 3 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

140 Seven Pieces Art Glass and Ceramic late 19th/early 20th century: Libbey bowl, 9-1/2 in.; ruffled basket; pinched bowl; millefiori vase; R. S. Prussia vase; Goldstone cherub bowl and underplate Estimate: $500 - $700

For full cataloging and images see our website, www.brunkauctions.com

145 Fine Gallé Wheel-Cut Glass and Gilt Silver-Plated Ewer, French, circa 1900, fine gilt silver-plated mounts, tubular insert for cooling, signature on side, 12 in. Provenance: Private Collection Estimate: $1,000 - $3,000

146 Three Legras Cameo Glass Vases French, early 20th century: purple grape leaf cylindrical vase, 11-1/2 in.; blossom vase, 8-1/2 in.; orange on yellow, 8 in., all with cameo signature at side “Legras” Estimate: $1,000 - $1,500

147 Tall Gallé Cameo Glass Vase French, late 19th/early 20th century, flowers and leaves, purple, lavender and green, cameo signature at side, 23-1/2 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

148 Two Similar Legras Cameo Glass Vases French, early 20th century, each with landscape scene at twilight, orange-toblue background, 6 in. and 6-1/2 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

149 Gallé Cameo Glass Lamp Base French, early 20th century, cameo signature at base “Gallé”, orange floral decoration on ivory ground, 9-1/4 in. Provenance: Private Atlanta Collection Estimate: $400 - $600

150 Legras Wheel-Cut and Parcel Gilt Art Glass Vase, French, early 20th century, cameo signature “Legras”, pastel colors, pale green-to-blue ground, 12 in. Provenance: Private Atlanta Collection Estimate: $400 - $700

Condition notes available in back of catalog

I Tiffany & Art Glass

144 Two Gallé Decorated Glass Vases (Emile Gallé, French, 1846-1904) circa 1900: center bowl with pinched rim, 63/4 x 7-1/4 in.; signed vase, 5-3/4 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

September 12, 2014

143 Three Gallé Cameo Glass Vases French, circa 1900, each signed “Gallé”, bud vase, 12 in.; purple flowers, 7-3/4 in.; orange-to-purple decoration, 6-3/4 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $1,500

Session I

American

154 Olive Parker Black (New York/Massachusetts, 1868-1948) Cows on Sunlit Path, signed “Olive P. Black”, oil on canvas, 30 x 25 in.; frame Provenance: John Dennison Fine Art, SC Estimate: $1,000 - $2,000

155 Henry Pember Smith (NY/Connecticut/NJ, 1854-1907) Morning After the Rain, signed, oil on canvas, 20-1/8 x 28 in.; frame Provenance: By descent in family Estimate: $1,000 - $2,000

156 Ernest Parton (New York/England, 1845-1933) The Lily Pond, signed “Ernest Parton”, oil on canvas, 10 x 14 in.; Heydenryk frame Provenance: Private Collection, NY Estimate: $1,000 - $2,000

157 Arthur Beckwith (New York/California, 1860-1930) River Landscape, signed “A. Beckwith”, oil on plywood, 9-1/8 x 11 in.; original frame Provenance: Private Collection Estimate: $400 - $600

158 Charles P. Appel (New Jersey, 1857-1928) Winter Landscape, signed, oil on canvas, 20 x 30-1/4 in.; Heydenryk frame Provenance: Private Collection, NY Estimate: $2,000 - $3,000

159 James McDougal Hart (New York, 1828-1901) Cows in a Meadow, unsigned, oil on canvas, 20-3/8 x 37-3/4 in.; fine frame Provenance: John Dennison Fine Art, SC Estimate: $2,000 - $3,000

161 Max Weyl (Washington, DC, 1837-1914) Santa Maria della Salute, Venice, signed “Max Weyl” and signed and titled verso, oil on canvas, 14 x 20 in.; original frame Estimate: $600 - $900

162 George W. Drew (New York, 1875-1968) Cottage by a Pond, signed “George W. Drew”, oil on canvas, 10 x 14 in.; frame Provenance: Private Virginia Collection Estimate: $300 - $500

163 Russell Smith (Pennsylvania/Scotland, 1812-1896) Near Lauden, Pennsylvania, signed lower left "R.S.", oil on canvas, 11-7/8 x 18 in.; carved and gilt wood frame by Hendenryk Provenance: Christie’s, New York, 1979 Estimate: $2,000 - $3,000

Condition notes available in back of catalog

160 Olive Parker Black (New York/Massachusetts, 1868-1948) Autumn in Berkshire, signed “Olive P. Black”, oil on canvas, 16 x 20 in.; frame Provenance: John Dennison Fine Art, SC Estimate: $800 - $1,200

American

153 F. R. Zeidler (American, 19th/20th century) Horses in Pasture, signed “F. R. Zeidler”, oil on canvas, 22 x 30 in.; fine frame Provenance: John Dennison Fine Art, SC Estimate: $1,000 - $1,500

September 12, 2014

151 David Johnson (New York,1827-1908) Autumn Farm Landscape, signed “DJ”, oil on fiber board, 8-1/8 x 11-3/4 in.; frame Provenance: Private Virginia Collection Estimate: $2,000 - $3,000

152 David Johnson (New York, 1827-1908) Farmstead, Pompton, New Jersey, signed lower left with conjoined monogram "DJ" also signed "David Johnson" and titled verso, oil on canvas laid on panel, 8-1/2 x 12-5/8 in.; original 19th century gilt wood and composition aesthetic movement frame Provenance: Sotheby’s, New York, 1993 Estimate: $5,000 - $7,000

164 George E. Forster (New York/Germany, 1817-1896) Still Life with Fruit and Wine Glass, signed lower right "G. Forster/1873", oil on canvas, 14 x 12 in.; gilt wood and composition cove molding frame Provenance: Christie’s, New York, 1996 Estimate: $6,000 - $8,000

167 August Laux (New York/Germany, 1847-1921) Chickens in a Yard, signed “A. Laux”, oil on canvas, 10-7/8 x 15-7/8 in.; frame Provenance: Private Virginia Collection Estimate: $500 - $700

168 Burr H. Nicholls (New York/Connecticut, 1848-1915) Stable Interior with Chickens, signed, oil on artistboard, 10 x 12 in.; frame Provenance: Samuel T. Freeman & Co Estimate: $400 - $600

American

166 Louis H. Burr (New York, 19th century) Two Chickens by a Door, signed, oil on canvas, 14-1/4 x 12-1/8 in.; frame Provenance: New Orleans Auction, 2000 Estimate: $400 - $600

169 Attributed to Arthur Jones (American, early 20th century) Still Life with Basket of Fruit, unsigned, oil on canvas, 15-3/8 x 19-1/2 in.; original gilt wood frame Estimate: $300 - $500

170 American School (19th century) Pair Nature Morte panels, unsigned, oil on panels, 17-3/4 x 12-3/4 in.; frames Provenance: Private SC Collection Estimate: $300 - $500

171 Martin Rettig (Ohio, 1869-1956) Fall Flowers, 1928, signed “M. Rettig. 1928”, oil on canvas, 24-5/8 x 22-1/4 in.; original carved and gilt wood frame Estimate: $600 - $900

172 American School (20th century) Two portraits: unsigned, oil on canvas, 30 x 24 in.; unframed Provenance: Private Collection Estimate: $200 - $300

September 12, 2014

165 John Adam Parker (New York, 1827-1905) Campsite in the Cove at Day’s End, signed, oil on canvas, 22-1/8 x 36-1/8 in. Provenance: John Amos, NY Estimate: $2,000 - $3,000

173 Louis Hovey Sharp (California/NM/Illinois, 1874-1946) The Coast Guard, signed “Louis H. Sharp”, oil on canvas, 20 x 30-1/8 in.; frame Provenance: Private Collection Estimate: $1,800 - $2,400

174 K. E. Felix (Kanute Edwin Felix, NJ, 1852-1935) Coastal View with Distant City, signed oil on canvas, 17 x 35 in.; frame, by Motyka Provenance: Private Collection Estimate: $1,000 - $2,000

175 William Columbus Ehrig (Maine, 1892-1973) Rocky Coast at Dawn, signed lower right “Wm. C. Ehrig”, oil on canvas, 28 x 38 in.; original carved and gilt wood frame Estimate: $800 - $1,200

176 Ramón Páez (New York/Venezuela, 1820–1897) Arabic Woman, gouache on thin porcelain panel on , 9-7/8 x 7-1/4 in.; original frame Provenance: Private Collection Estimate: $400 - $600

For full cataloging and images see our website, www.brunkauctions.com

177 Bruce Crane (Connecticut/New York, 1857-1937) Frosted Fields, signed lower left "Bruce Crane. NA" and signed and titled on old label verso, oil on canvas, 28 x 36-1/8 in.; original carved and gilt wood frame Provenance: Private Collection, Ohio; Private Collection, New Mexico Estimate: $8,000 - $10,000

September 12, 2014

American

178 William Langson Lathrop (New York/Pennsylvania/Ohio, 1859-1938) Autumn Field, signed lower right "W L Lathrop", oil on canvas, 22 x 25 in.; original painted, gilt and distressed wood frame Provenance: Private Collection Estimate: $8,000 - $12,000

Condition notes available in back of catalog

179 Aldro Thompson Hibbard (Massachusetts/Vermont, 1886-1972) Winter Landscape with Farm, Vermont, signed lower left "A. T. Hibbard.", oil on canvas, 25 x 30-1/8 in.; original carved and gilt wood Newcomb-Macklin frame Provenance: Middletown, Ohio Collection Estimate: $7,000 - $9,000

180 Aldro Thompson Hibbard (Massachusetts/Vermont, 1886-1972) View of Rockport, signed “A.T. Hibbard”, oil on canvasboard, 7-7/8 x 9-3/4 in.; fine Arts and Crafts style frame Estimate: $2,000 - $3,000

September 12, 2014

American

181 Aldro Thompson Hibbard (Massachusetts/Vermont, 1886-1972) Vermont Homestead, signed “A.T. Hibbard”, oil on canvas, 24-1/4 x 29-1/2 in.; original frame Provenance: Private Collection, Ohio Estimate: $5,000 - $7,000

183 Louis Aston Knight (NY/California/France, 1873-1948) La Seine Près de Paris, signed “Aston Knight/Paris”, oil on canvas, 32-3/8 x 46 in.; frame Provenance: Sotheby’s, New York, 1993 Estimate: $5,000 - $7,000

For full cataloging and images see our website, www.brunkauctions.com

182 Charles Salis Kaelin (Ohio/Massachusetts, 1858-1929) Calm Harbor, signed “C.S. Kaelin”, oil on canvas board, 11 x 12-7/8 in.; frame Provenance: Doyle New York, 2012 Estimate: $1,500 - $2,500

184 Mary Lane McMillan (New York/Florida/Texas, 1883-1976) Two landscapes: Garden, watercolor; Boathouse (verso), pencil, 12-7/8 x 19 in. Provenance: Private Collection Estimate: $200 - $300

185 Paul Ashbrook (Ohio, 1867-1949) Drying Codfish-Portugal, signed “Paul Ashbrook”, oil on canvas, 24-1/8 x 30-1/4 in.; original gilt wood frame with glass Estimate: $1,000 - $1,500

186 Hayley Lever (New York/Massachusetts, 1876-1958) Boats, signed “Hayley Lever”, oil on fiber board, 6-1/4 x 9-3/8 in.; Heydenryk frame Provenance: Christie’s East, 1995 Estimate: $1,000 - $2,000

187 William Lester Stevens (Massachusetts, 1888-1969) Shoreline Birches, signed, watercolor on paper, 7 x 10 in.; frame Provenance: James Julia, Maine, 2014 Estimate: $600 - $900

188 Hayley Lever (New York/Massachusetts, 1876-1958) Early Morning, St. Ives, signed “Hayley Lever”, oil on canvas, 14 x 18 in.; frame Provenance: Maxwell Galleries, NY, 1992 Estimate: $2,000 - $4,000

189 Eric Sloane (New York/Connecticut, 1905-1985) Autumn, New Milford, Connecticut, signed lower left "Sloane" and signed verso, oil on masonite, 26-3/4 x 22 in.; gilt wood frame by Heydenryk Provenance: Christie's, NY: September 25, 2012 lot 143; Private Collection, NY Estimate: $6,000 - $9,000

192 Attributed to James Montgomery Flagg, (New York, 1877-1960) The Golf Widow, circa 1930, unsigned, oil on canvas, 25 x 30 in.; frame, Heydenryk Provenance: Private Collection Estimate: $2,000 - $3,000

193 Julian Alden Weir (New York/Connecticut, 1852-1919) The Young Catherine Adams, seated holding a doll, unsigned, oil on canvas, 33-1/2 x 24-1/8 in.; carved and gilt wood Arts and Crafts style frame Provenance: Private Collection Estimate: $6,000 - $9,000

Condition notes available in back of catalog

September 12, 2014

191 Everett Shinn (New York/Pennsylvania, 1876-1953) Woman Bathing, signed lower left “Everett Shinn/1940”, mixed media on paper, 11-5/8 x 9 in.; gilt wood frame Estimate: $1,000 - $2,000

American

190 Attributed to Ernest Lawson (American, 1873-1939) Sailboats in a Harbor, signed for Ernest Lawson, oil on canvas, 31-3/4 x 38-1/4 in.; frame Provenance: Private Atlanta Collection Estimate: $3,000 - $4,000

194 Fine American Victorian Cast Iron Three-Piece Garden Suite cast signature for "Peter Timmes Son Brooklyn N.Y.", backs "Pat May 7 1895", pierced strapwork back and pierced seats, settee 39-1/2 x 43-3/4 x 18 in., chairs 38 x 23 x 18 in. Provenance: Ware Collection, TN Estimate: $3,000 - $5,000

American

197 New England Federal Figured Mahogany Inlaid Games Table, probably Coastal Massachusetts, circa 1810, 30-1/2 x 36 x 16-3/4 in., opens to 33-1/2 in. Provenance: Private Virginia Collection Estimate: $500 - $700

195 Federal Style Bellflower-Inlaid Mahogany Three-Part Banquet Table early 20th century, mahogany tops with inlaid edges, 30 x 47 x 123-1/2 in. Provenance: Private Kentucky Collection Estimate: $500 - $1,000

September 12, 2014

detail

199 Fine New York Chippendale Sofa American, late 18th century, boldly shaped crest and rolled arms, serpentine front rail, tapered square mahogany legs with H-stretchers, heavy oak seat frame, pine back frame, fine silk gray and pale yellow striped upholstery, 41 x 95 x 34 in. Provenance: Private SC Collection Estimate: $8,000 - $12,000

196 Set of Six Baker Chippendale Style Upholstered Mahogany Dining Chairs late 20th century, each with damask upholstery, 39-1/2 x 20-1/2 x 24 in. Provenance: Private Collection, NC Estimate: $500 - $1,000

For full cataloging and images see our website, www.brunkauctions.com

198 Federal Style Inlaid and Parcel Gilt Mahogany Mirror, early 20th century, urn finial over an inlaid eagle cartouche, gilt streamers, 48-3/4 x 21 in. Provenance: Private Virginia Collection Estimate: $100 - $300

200 American Queen Anne Walnut and Yellow Pine High Chest, Pennsylvania or Southern, 18th century in part, drawers with yellow pine linings, cabriole legs, 54 x 38-1/2 x 20-3/4 in. Estimate: $1,000 - $2,000

detail

205 Federal Mahogany Miniature Chest of Drawers, early 19th century, four drawers, scalloped apron, French feet, brass side handles, 13-3/4 x 13-1/2 x 8-3/4 in. Provenance: Private SC Collection Estimate: $200 - $400

208 Caucasian Rug probably a Kazak, early 20th century, central panel with two rows of geometric devices, 3 ft. 4 in. x 5 ft. 7 in. Provenance: Private Collection Estimate: $600 - $900

209 Caucasian Rug late 19th/early 20th century, probably Moghan, two rows of repeating panels on a red field, stepped geometric devices with hooked edges, 4 ft. 9 in. x 8 ft. 6 in. Estimate: $500 - $1,000

210 Caucasian Rug late 19th/early 20th century, two rows of interconnected geometric designs, boteh, and animals on a green field, 3 ft. 7 in. x 7 ft. 2 in. Estimate: $400 - $800

211 Caucasian Style Rug mid to late 20th century, six-sided medallions on red ground with hooked, geometric, and linear designs, 3 ft. 3 in. x 5 ft. Provenance: Dr. Jauhar’s Collection Estimate: $300 - $600

206 Assembled Set of Six Delaware Valley Ladder-Back Side Chairs, American, probably 19th century, five-slat backs, 45-1/4 x 19-3/4 x 15-1/4 in. Provenance: Private SC Collection Estimate: $500 - $1,000

207 Newport Chippendale Style Mahogany Desk and Bookcase, American, 20th century, upper case with bonnet top and blocked doors, lower case with fitted desk over four long drawers, 92 x 39 x 22 in. Estimate: $1,000 - $1,500

I American

204 Vintage Walnut Roll-Front Desk-Top Filing Cabinet, American, late 19th century, “Amberg’s Patent Cabinet Letter File”, 12 drawers, 34-3/4 x 31-1/2 x 17 in. Provenance: Private Virginia Collection Estimate: $300 - $500

202 Federal Carved Cherry Drop-Leaf Breakfast Table, American, circa 1820, shaped drop leaves, leaf-carved legs on turned feet, 28-1/2 x 24-1/2 x 37-3/4 in. Provenance: Private Collection Estimate: $200 - $400

212 Ziegler Sultanabad Carpet late 19th/early 20th century, brick red large central medallion and corner work on cobalt field, elaborate floral, vine and leaf designs, major border with repeating floral devices, green and red highlights, 9 ft. 9 in. x 13 ft. Provenance: Private Collection Estimate: $6,000 - $8,000

Condition notes available in back of catalog

September 12, 2014

201 American Federal Pine Chest of Drawers, 19th century, four dovetailed long drawers on straight bracket feet, 35 x 41-1/2 x 18-1/2 in. Provenance: Hudson Estate, NC Estimate: $100 - $200

203 Signed Cincinnati Carved and Figured Walnut Marble-Top Sideboard Ohio, stenciled mark in two central drawers "A. C. Richards Maker No. 12 East 4th St. Cincinnati, O.", stepped and mirrored back and variegated rouge-to-ivory marble top, boldly carved fruit appliques, burlwood veneers, paneled back, 109 x 70 x 23-1/2 in. Provenance: Haverfield Collection, FL Estimate: $3,000 - $5,000

214 Fine Charleston Federal Mahogany Two-Drawer Side Table 1800-1820, thin figured mahogany top over two dovetailed drawers with white pine secondary, turned and reeded legs on turned feet, 28-3/4 x 20 x 15-1/2 in. Provenance: Private SC Collection Estimate: $4,000 - $6,000

September 12, 2014

American

213 Fine Virginia Federal Vine and Shell Inlaid Walnut Tall Case Clock attributed to Valley Virginia, 1790-1810, scrolled arched pediment with carved rosettes and a vine-inlaid frieze, painted dial with floral spandrels and calendar wheel, brass eight-day movement, waisted case with fluted quarter columns, paneled base with fluted quarter columns and shell patera inlay on heart and shell-inlaid central panel, ogee bracket feet, yellow pine backboard, old dry varnished surface with rich dark brown color, with pendulum and weight, 96 x 19-1/2 x 11-1/2 in. Provenance: Private SC Collection Estimate: $8,000 - $12,000

215 Lewis Towson Voigt (Baltimore, Maryland, 19th century) Richard Fleming Foley, signed, oil on canvas, 30-1/4 x 15 in.; frame Provenance: By descent in Foley Family Estimate: $1,000 - $2,000

216 John R. Johnston (Maryland, 1826-1895) Figures on a Rocky Beach, signed lower right "E.R. Johnston 1893", oil on card, 6-3/8 x 10 in.; unframed Estimate: $200 - $400

217 Rare Southern Chippendale Walnut Two-Drawer Games Table, attributed to Virginia, 18th century, original locks, 271/2 x 32 x 17-3/4 in., opens to 35-1/2 in. Provenance: Private Collection Estimate: $1,000 - $2,000

218 John Bivins, Jr., The Furniture of Coastal North Carolina 1700-1820 published by MESDA, Winston-Salem, NC, 1988, with dust jacket, 11-1/4 x 8-3/4 in. Provenance: Private SC Collection Estimate: $200 - $400

For full cataloging and images see our website, www.brunkauctions.com

219 Southern Chippendale Figured Walnut Slant-Front Desk on Frame, attributed to Virginia, late 18th century, fitted interior, 43-1/2 x 34-1/2 x 24 in. Provenance: Private SC Collection Estimate: $800 - $1,200

220 Federal Walnut Childâ&#x20AC;&#x2122;s Canopy Bed possible Southern states, 19th century, turned posts with spindle rails (one side removable), 63 x 30-1/2 x 52 in. Provenance: Private SC Collection Estimate: $300 - $500

221 Southern Chippendale Carved Walnut Double Chair-Back Settee attributed to Maryland or Virginia, possibly Williamsburg, 1770-1780, walnut throughout, broad double chair-back with pierced splats, relief-carved with scrolls centering wheat or rice motifs with ribbon surround, scrolled arms, molded legs with stretchers, 36-1/2 x 65-1/2 x 25 -1/2 in. Provenance: Private South Carolina Collection Estimate: $10,000 - $15,000

222 Southern Federal Walnut Plantation Desk, second half 19th century, paneled walnut fallboard, fitted interior, hidden compartment, 58-1/2 x 35-1/2 x 31-3/4 in. Provenance: Private Collection Estimate: $300 - $600

223 Fine Southern Federal Walnut Sideboard attributed to Piedmont or Coastal North Carolina, 1800-1810, walnut throughout with yellow pine secondary, dovetailed drawers set with original brass pulls on tapered legs, 42-1/2 x 64 x 22 in. Provenance: Private Collection Estimate: $4,000 - $6,000

American

225 Southern Federal Walnut Panel-Door Corner Cupboard, Southern states, 19th century, with restorations, shaped foot returns, 85 x 44 x 22-1/2 in. Provenance: Hudson Estate, NC Estimate: $500 - $1,000

Condition notes available in back of catalog

226 Southern Federal Walnut Writing Table attributed to Virginia, late 18th/early 19th century, poplar secondary, 32-1/2 x 251/4 x 20-1/4 in. Provenance: Private SC Collection Estimate: $2,500 - $3,500

September 12, 2014

224 Virginia Chippendale Mahogany and Yellow Pine Cellaret attributed to Coastal Virginia, late 18th century, dovetailed case, hinged lid and original straight bracket feet, 17-1/2 x 26-1/2 x 15-3/4 in. Estimate: $4,000 - $6,000

detail

227 Southern Federal Inlaid Walnut Cellaret on Stand attributed to Virginia, 1790-1810, urn-and-leaf patera inlaid top opening to a divided interior for 12 bottles, brass carrying handles, 13-1/2 x 19 x 15 in., conforming frame with inlaid single drawer on interlaced line-inlaid tapered legs, original bed molding, 24-3/4 x 21 x 16 in. Provenance: Private Collection Estimate: $4,000 - $6,000

228 Southern Yellow Pine Stretcher-Base Tavern Table, 19th century, yellow pine with hickory(?), single drawer with nailed construction, 27-3/4 x 47 x 31-1/2 in. Provenance: Hudson Estate, NC Estimate: $400 - $700

229 Southern Red and Green-Painted Punched-Tin Pie Safe, mixed woods, double-panel doors, early painted surface, 61-1/4 x 44-1/2 x 17-1/2 in. Provenance: Hudson Estate, NC Estimate: $500 - $1,000

230 Southern Walnut Lift-Up Blanket Chest North Carolina or Virginia, early 19th century, walnut with poplar and yellow pine secondary, 26-1/2 x 47-1/2 x 24 in. Provenance: Found Mecklenburg Co., NC Estimate: $1,000 - $2,000

231 American Federal Poplar Lift-Top Chest probably Southern states, 19th century, hinged top with open interior over two drawers and turned feet, 35 x 39-1/4 x 20 in. Estimate: $200 - $400

September 12, 2014

American

233 Hubert Shuptrine (Tennessee, 1936-2006) "The Guardian", signed lower right "© Hubert Shuptrine 1978", watercolor on paper on , 22-1/2 x 31-3/8 in.; silver gilt panel frame Provenance: Private Collection Estimate: $3,000 - $5,000

232 Virginia Chippendale Paint-Decorated Yellow Pine Corner Cupboard Eastern Shore, late 18th century, carved and dentil-molded cornice over two glazed doors flanked by rope-carved applique, red-painted shelved interior, paneled lower door with shelved and painted interior, red-painted shelved interior, exterior with original white paint, original feet, backboards set with rosehead nails, 82-3/4 x 38 x 18 in. Estimate: $6,000 - $9,000

234 John James Audubon (New York, 1785-1851) “Bonapart’s Flycatcher”, handcolored engraving, 20-3/8 x 12-3/8 in.; frame Provenance: Private Collection Estimate: $400 - $800

For full cataloging and images see our website, www.brunkauctions.com

235 John James Audubon (New York, 1785-1851) Velvet Duck, from Birds of America, engraving, 20-3/4 x 30-3/16 in.; frame Provenance: W. Graham Arader III, PA Estimate: $1,500 - $2,500

240 Signed Hemingway, Winner Take Nothing, first edition of Winner Take Nothing, signed by Ernest Hemingway, Hemingway’s third collection of short stories, 7-1/2 x 5-1/2 in. Estimate: $2,000 - $3,000

241 Andrew Jackson Signed Land Grant dated December 2, 1830(?), granting 80 acres of land to George Baskins of Richland County, Ohio, boldly signed “Andrew Jackson”, 9-3/4 x 15-1/2 in. ; frame Estimate: $600 - $800

242 Stevenson, Strange Case of Dr. Jekyll and Mr. Hyde, 1886, first American edition, original gilt-lettered cloth, top edge gilt, 7-1/2 x 5-1/4 in. Provenance: Hospice of the Foothills Estimate: $600 - $1,000

243 Charles Balthezar Saint Memin (French, 1770-1852) Portrait of John Wharton, signed, engraving on paper, 2-1/8 in.; frame Provenance: descent in Humphreys Family Estimate: $300 - $600

American

238 Frank Finney (Virginia, 20th century) life-size carved and painted figure of a snowy owl in ocher paint, black highlights, glass eyes, stand incised “F” in script, 26 in. Estimate: $1,500 - $2,500

239 Six-Piece Folk Art String Band six black musicians in formal attire with various stringed instruments, one banjo with tunes listed on back, fabric, wire, wood, composition and other elements, 23 in. to 29 in. Provenance: Purchased Austin, Texas, 1991, The Bathrop Collection; Brunk Auctions, January 7-8, 2006; Private South Carolina Collection Purchased Austin, Texas, 1991, The Bathrop Collection; Brunk Auctions, January 7-8, 2006; Private South Carolina Collection Estimate: $4,000 - $6,000

244 Robert E. Lee Letter, Lithograph Portrait and Porcelain Statue, Lee letter to Major John Symington, 1853 from West Point; lithographic portrait; ceramic figure Provenance: Sprunt-Taylor Families Estimate: $1,500 - $2,500

245 George Washington Custis Lee Letter and Seven Mary Custis Lee Letters 1876, Lee to Gen. W. R. Boggs; seven Lee to Elizabeth Symington, 1871-1872 Provenance: Sprunt-Taylor Families Estimate: $800 - $1,200

246 Jefferson Davis Letter to General Boggs, General Wm. R. Boggs Books and Journals, Davis 1854 letter; Boggs 1913 book; Register Military Academy Provenance: Sprunt-Taylor Families Estimate: $500 - $800

247 Decorative Arts Books, 29 Volumes including books on furniture, silver, glass, including A Checklist of Kentucky Cabinetmakers from 1775 to 1859 Provenance: Private Collection Estimate: $300 - $400

September 12, 2014

236 American Folk Art Great Chair probably Southern, 19th century, walnut and other mixed woods, sausage turnings, oak split seat, 39-1/4 x 25 x 19-1/2 in. Provenance: Private SC Collection Estimate: $400 - $700

237 Carved and Polychromed Tobacconist Wall Hanging probably Maryland or Virginia, mid to late 19th century, deeply carved pine depicting a black man wearing a straw hat and surrounded by tobacco leaves tied at bottom with yellow ribbon, 15-3/4 x 25 in. Provenance: Collection of Tony and Marie Shank, Marion, South Carolina; The Levison & Cullen Gallery, Atlanta, Georgia, 1998; Collection of Thomas A. Gray, Brunk Auctions, March 2010, lot 346; Private South Carolina Collection Estimate: $6,000 - $9,000

Condition notes available in back of catalog

250 Two Brass-Mounted Powder Horns, Copper Bird, Sword, probably Persian, late 19th/early 20th c., largest horn 14-1/2 in.; bird in flight, 20th c., 8-1/4 x 13 in. Provenance: Hirsch Estate, by descent Estimate: $50 - $150

254 Three Southwestern Bolo Ties, mid-20th century, one round with turquoise and coral inlay; one with turquoise and coral “hand”; one with oval turquoise Provenance: Private Collection Estimate: $400 - $600

251 Three Bolo Ties American, mid to late 20th century, one silver squash blossom form; one silver dollar form mount; one mounted token Provenance: Private Collection Estimate: $400 - $600

252 Southwestern Decorated Box, Lighter mid-20th century, rectangular silver box, 1 x 7-1/8 2-1/4 in.; silver lighter with fanshaped turquoise, 2-1/4 x 1-1/2 x 1/4 in. Provenance: Private Collection Estimate: $800 - $1,200

253 Two Southwestern Bolo Ties, mid-20th century, one large oval turquoise in silver mount, 2-1/2 x 2 in.; turquoise nugget inlay, 2-1/4 x 2 3/4 in. Provenance: Private Collection Estimate: $400 - $600

American

249 Framed Collection of Native American Arrowheads, collected in Tennessee, mounted on a velvet ground, approximately 160 points, 43 x 27 in. Provenance: Ware Collection, TN Estimate: $300 - $500

255 Two Southwestern Bolo Ties, mid-20th century, one butterflyshaped with inlaid mother-of-pearl, turquoise and coral; one oval-shaped turquoise Provenance: Private Collection Estimate: $500 - $800

256 Two Southwestern Bolo Ties, mid-20th century, one with coral and turquoise nuggets; one turquoise nugget set within deer antlers, all with silver mounts Provenance: Private Collection Estimate: $500 - $800

257 Two Southwestern Bolo Ties, mid-20th century, one silver shield-form mount with inlaid turquoise; one rectangular cast silver mount with turquoise Provenance: Private Collection Estimate: $400 - $600

258 Three Bolo Ties mid to late 20th century, one cast silver openwork mount; one cast silver heartshaped; one cast silver figure Provenance: Private Collection Estimate: $400 - $600

September 12, 2014

248 Good Group of Figural Steel, Wood and Brass Food Choppers, Continental and possibly Pennsylvania, early 19th century: rare angel; two foxes; horse; bird head finial, various handles, 10 in. to 13 in. Estimate: $2,000 - $3,000

259 Three Southwestern Bolo Ties mid to late 20th century, one concave shield-form silver mount; one turtle form; one cast silver mount of encircling arms Provenance: Private Collection Estimate: $400 - $600

260 Three Southwestern Bolo Ties mid to late 19th century, one coral and turquoise nuggets; one with large turquoise; one cross, coral and turquoise Provenance: Private Collection Estimate: $500 - $800

261 Three Pairs Beaded Plains Rawhide Moccasins, American, pair child’s size, early 20th century, 6 x 2-1/4 in.; pair beaded teepee design, 10-1/4 x 3-1/4 in.; pair 3-1/4 x 1-5/8 in. Estimate: $800 - $1,200

262 Edmund Montague Morris (Canadian, 1871- 1913) Crying Native American Child, signed “E Morris”, gouache over pencil on paper laid on card, 14-1/2 x 10-1/4 in.; frame Estimate: $300 - $500

For full cataloging and images see our website, www.brunkauctions.com

eight of 74

263 Vintage Patented Laing’s Planetarium “Orrery”, American, late 19th/early 20th century, “Laing’s Planetarium...Planetarium Co. Detroit, Mich. USA”, 12-1/2 x 16 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

264 Pair 18th Century Style Blown Glass Decanters with Stoppers, Pair Cut Glass Cruets, late 19th/early 20th century: decanters, 10 in.; cruets, 8 in. Provenance: Private SC Collection Estimate: $150 - $300

265 Seven Boehm Porcelain Bird Figures American, 20th century, babies and fledglings: two bluebirds, mockingbird, cardinal, blue jay, robin, 4-1/8 in. to 5 in. Provenance: Private Collection Estimate: $400 - $700

266 Service for Twelve Lenox Cretan Pattern Cream and Gilt-Decorated Porcelain Dinnerware, 20th century: 12 each three size plates; soups; other, (74 pieces) Provenance: Private Collection, NC Estimate: $300 - $500

267 Six Coin Silver Dessert Knives with Agate Handles, American, 1828-1846, blunt coin silver blades, marks for Samuel Kirk and Baltimore assay marks, 7-1/4 in. Provenance: Private Collection Estimate: $600 - $800

268 Jaccard St. Louis Coin Silver Ladle American, mid to late 19th century, shaped fiddle handle, marked “Jaccard & Co.”, “St. Louis”, 9.12 oz. T., 13 in. Provenance: Brunk Auctions Estimate: $200 - $400

269 New York Coin Silver Sugar American, early 19th century, oval lobed and dart body, marks for “W. Thomason”, 26.42 oz. T., 8-3/4 x 9-3/4 x 5-1/2 in. Provenance: Private Collection Estimate: $300 - $600

270 Large Cast Iron Octagonal Boot Scraper late 19th/early 20th century, raised flaring border, octagonal tray, unmarked, 10 x 16 x 15-3/4 in. Provenance: Private Collection Estimate: $200 - $400

272 Vintage Carved and Paint-Decorated Carousel Horse, late 19th/early 20th century, rearing horse with open mouth, glass eyes, modern stand, 53 x 46 x 11 in. Provenance: Private SC Collection Estimate: $1,000 - $3,000

American

271 Wavecrest Decorated Dresser Box, Two Tiffany & Co. Dresser Brushes early 20th century: Wavecrest box, 3-1/2 x 8-1/2 in.; Tiffany brushes, 1-1/2 x 5 in. Provenance: Private Collection Estimate: $100 - $200

273 Group of Women’s Undergarments late 19th/early 20th century: lace “cancan”; cotton chemise, under vests, culottes, bloomers, (nine pieces) Provenance: Speed Art Museum, Kentucky Estimate: $100 - $400

274 Group of Jackets and Blouses late 19th/early 20th century: taffeta jacket; wool jacket; silk jacket; velvet jackets; lace blouse; (nine pieces total) Provenance: Speed Art Museum, Kentucky Estimate: $300 - $600

275 Rare Segregation-Era Pre-Civil Rights Water Cooler circa 1940s with original Frigidaire enameled label, cream-painted cooler with spigots and basins on either side, one side marked "Colored" and one marked "Whites Only", 49-1/2 x 19-1/2 x 30 in. Provenance: Reputedly from the town square on Biloxi, Mississippi Estimate: $4,000 - $6,000

Condition notes available in back of catalog

September 12, 2014

detail

Session I

Cut Glass 276 Large Rare Brilliant-Period Cut Glass Vase, American, late 19th century, probably Comet pattern, 14 x 7 in. Provenance: Edwards Estate, by descent Estimate: $500 - $1,000

277 Near Pair Brilliant-Period Cut Glass Decanters with Stoppers American, late 19th century, 6-3/4 x 5 in. and 7 x 6 in. Provenance: Edwards Estate, by descent Estimate: $400 - $600

September 12, 2014

Cut Glass

278 Rare Brilliant-Period Cut Glass Two-Part Cake Stand American, late 19th century, 9 x 12-1/2 in. Provenance: Edwards Estate, by descent Estimate: $400 - $600

279 Monumental Cut Glass Vase probably American, early 20th century, sawtooth flaring rim, latticework panels flanking stars, central body with finely cut flowers, unsigned, 18 in. Estimate: $400 - $700

280 Three Fine Cut Glass Vases probably American, late 19th century: one stenciled “Libbey”; one “Gravic Glass Patd Hawkes”; one “Sterling 0425”, each 10 in. Provenance: Edwards Estate, by descent Estimate: $600 - $900

281 Four Pieces Brilliant-Period Cut Glass American, late 19th century, comprising a very large pitcher, 14-1/2 in.; lidded compote or candy dish, 12 in.; decanter marked "Libbey" with stopper, 15 in.; compote, 9 x 8 in. Provenance: Edwards Estate, by descent Estimate: $500 - $1,000

For full cataloging and images see our website, www.brunkauctions.com

282 Very Fine Brilliant Period Monumental Cut Glass Tray American, late 19th century, 16 in. Provenance: Edwards Estate, by descent Estimate: $500 - $1,000

285 Very Fine Brilliant-Period Cut Glass and Sterling-Mounted Centerpiece American, late 19th century, Alhambra pattern or variation, central trumpet flanked by three cornucopia, each very finely cut and set in a matching center bowl, sterling collar with marks for Wilcox Silver Co., 17-1/2 in. Provenance: Edwards Estate, by descent Estimate: $2,000 - $3,000

five of 53

286 Waterford Crystal Table Ware, 53 Pieces English, 20th century, comprising 15 tumblers, 5 in.; 16 large goblets or red wines, 7 in.; 11 small goblets or white wines, 5-7/8 in.; six stemmed cordials, 4-1/4 in.; five sherberts, 4-1/4 in., Waterford stenciled marks Provenance: Ware Collection, TN Estimate: $800 - $1,200

287 Fine Brilliant-Period Cut Glass Tazza American, late 19th century, 12-1/4 x 9 in. Provenance: Edwards Estate, by descent Estimate: $400 - $600

detail

289 Brilliant-Period Cut Glass and SilverPlated Lidded Bowl on Stand, late 19th century, probably Comet pattern, silverplated marks for WMF, 16 x 11-1/4 in. Provenance: Private Collection Estimate: $300 - $500

290 Signed Libbey Brilliant-Period Cut Glass Pitcher American, late 19th/early 20th century, top of handle with etched mark, 7-3/4 in. Provenance: Edwards Estate, by descent Estimate: $200 - $300

291 Large and Rare Brilliant-Period Cut Glass Bowl on Stand possibly a banana bowl, 12 x 13-3/4 in. Provenance: Edwards Estate, by descent Estimate: $1,000 - $2,000

Condition notes available in back of catalog

288 Rare Brilliant Period Cut Glass Coffeepot, American, late 19th century, a variation of the â&#x20AC;&#x153;Sherwoodâ&#x20AC;? pattern, 11 in. Provenance: Edwards Estate, by descent Estimate: $600 - $900

I Cut Glass

284 Rare Brilliant-Period Cut Glass Decanter American, late 19th century, handled form set with heavy stopper, finely cut decoration overall, 12 in. Provenance: Edwards Estate, by descent Estimate: $400 - $600

September 12, 2014

283 Very Fine Realistic Cut Glass Decanter British or American, late 19th century, deep fine floral and leaf decoration with faceted stopper, unsigned, 10 in. Provenance: Edwards Estate, by descent Estimate: $300 - $500

293 Two Brilliant-Period Cut Glass TrumpetForm Vases, American, late 19th century: stenciled “Hawkes”, 13-3/4 in.; one with cut and etched floral swags, 14 in. Provenance: Edwards Estate, by descent Estimate: $400 - $600

detail

292 Very Fine Realistically Wheel-Cut Figural Cut Glass Trumpet-Form Vase probably American, late 19th century, extremely fine decoration depicting mermaids, maidens and a mask, floral and foliate surrounds and bellflower streamers, apparently unsigned, 15-3/4 in. Provenance: Edwards Estate, by descent Estimate: $1,000 - $2,000

September 12, 2014

Cut Glass

detail

296 Fine Brilliant-Period Cut Glass Ice Cream Tray American, late 19th century, finely cut oblong form, 17-3/4 in. Provenance: Edwards Estate, by descent Estimate: $500 - $1,000

294 Six Pieces Brilliant-Period Cut Glass American, late 19th century, two pitchers, 6-3/4 in. and 8-1/2 in.; two decanters, 7 in. and 8 in.; small tray, 10 in.; knife rest, 5 in. Provenance: Edwards Estate, by descent Estimate: $300 - $500

295 Rare Brilliant-Period Cut Glass and Sterling-Mounted Champagne Pitcher with Stirrer American, late 19th century, finely cut pitcher set with sterling rim monogrammed "WMA", sterling marks for Mauser, 16-1/2 in.; with a fine champagne stirrer or claret ladle with twisted handle and marks for George W. Shiebler, American Rose pattern, 16-3/4 in. Provenance: Edwards Estate, by descent Estimate: $500 - $1,000

detail

297 Very Fine Cut and Engraved Glass and Silver-Plated Cornucopia, American, possibly Pairpoint, late 19th century, the cut cornucopia centering a finely engraved panel depicting a sailing yacht on a silver-plated crystal pedestal-form base, 13-3/4 in. Provenance: Edwards Estate, by descent Estimate: $600 - $900

299 Brilliant-Period Cut Glass Punch Bowl on Stand American, late 19th century, bowl resting on a trumpet-form pedestal base, bowl 12 in. diameter, 13-1/2 in. height with stand Provenance: Edwards Estate, by descent Estimate: $400 - $600

300 Rare Brilliant Period Cut Crystal “Turkish Hookah” Pedestal Coffeepot late 19th century, 15-3/4 in. Provenance: Edwards Estate, by descent Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

298 Fine Brilliant Period Cut Crystal Vase American, late 19th century, in the “Alhambra” pattern, castellated rim, etched and brilliant-cut decoration, 13-1/4 in. Provenance: Edwards Estate, by descent Estimate: $500 - $1,000

301 Two Fine Cut Glass Decanters American, late 19th century: wine decanter with floral sterling top, 10-1/4 in.; pedestal decanter, 13-1/4 in. Provenance: Edwards Estate, by descent Estimate: $500 - $700

302 Two Brilliant-Period Cut Glass Bowls American, late 19th century, one Bishop’s Hat-form set on three faceted feet, 12-3/4 in. diameter; cut six-sided form with hobstar decoration, 11-1/4 in. Estimate: $500 - $700

303 Two Brilliant-Period Cut Glass Trays American, late 19th century: one with scalloped rim, 11-3/4 in.; the other with Gothic rim and etched “Libbey”, 11-3/4 in. Provenance: Edwards Estate, by descent Estimate: $300 - $500

detail

304 Two Brilliant-Period Cut Glass Pitchers American, late 19th century: tall form with silver top marked “Tiffany & Co. Makers”, 10-1/4 in.; one low-belly form, faceted handle, 10 in. Estimate: $400 - $700

detail

305 Fine Brilliant-Period Cut Glass Bowl American, late 19th century, possibly an ice cream tray, oblong form with squared ends, 16-1/2 in. Provenance: Edwards Estate, by descent Estimate: $400 - $600

306 Large Brilliant-Period Cut Glass Mushroom-Form Table Lamp American, late 19th century, brass rim hung with prism drops, shade diameter 12-3/4 in., overall height 24-1/2 in. Provenance: Private Collection Estimate: $1,000 - $2,000

detail

309 Five Reference Works on American Glass, 20th century: Sandwich Glass; Rarities in American Cut Glass; set Encyclopedia of American Cut and Engraved Glass Provenance: Edwards Estate, by descent Estimate: $100 - $300

310 Five Pieces Brilliant Period Colored Cut Glass late 19th/early 20th century, comprising a circular tray, cranberry to clear, 11 in. diameter; green-to-clear decanter with faceted stopper, 8 in.; pair globular-form cranberryto-clear vases with a black-to-clear cut bowl with signature for "Libbey", 11-1/2 in. Provenance: Edwards Estate, by descent Estimate: $800 - $1,200

Condition notes available in back of catalog

Cut Glass

308 Fine Brilliant Period Footed Flower or Fruit Center American, late 19th century, two handle, 9-3/4 x 10-1/2 in. Provenance: Edwards Estate, by descent Estimate: $400 - $600

311 Fine Pair Brilliant Period Cut Greento-Clear Glass Tall Champagne Flutes each with green-to-clear cut bowl, cut circular base, attributed to Dorflinger, 12 in. Provenance: Edwards Estate, by descent Estimate: $200 - $400

September 12, 2014

307 Two Rare Brilliant-Period Cut Glass Bowls American, late 19th century, comprising a bowl probably by Hoare in the Trellis pattern, 8 in.; with an example probably by Meriden in the Cetus pattern, 9 in. Provenance: Edwards Estate, by descent Estimate: $500 - $700

Session II

Art nouveau Art Deco

314 Very Fine Moorcroft Art Nouveau Lidded Loving Cup, printed mark for Macintyre Burslem and script "WM" for William Moorcroft, underside of lid also with "WM" signature, stylized leaf-and-flower decoration in green and pale blue with gilt highlights, cobalt handles, 8-1/2 x 6 x 4-1/2 in. Provenance: Private Atlanta Collection Estimate: $600 - $900

315 French Art Pottery Shallow Bowl incised signature “Aug. Delaherche” (August Delaherche), circa 1900, mottled glaze, 1-3/4 x 11-1/2 in. Provenance: Lillian Nassau Estimate: $200 - $400

316 Two Art Nouveau Porcelain Plaques late 19th century: Medusa, blue/green glaze, 8-1/4 x 6-1/8 in.; iridescent glaze, “Korona, 5-3/4 x 3-1/2 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

317 Two Fine Zolnay Art Pottery Centerpieces Hungarian, early 20th century: one “Zolnay Budapest”, “S882”(?); figural, signed, 7 x 15 in. and 7-1/4 x 10 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

318 Monumental French Art Nouveau Iridescent-Glazed Ceramic Urn-Form Lamp, attributed to Clement Massier, fine iridescent purple to blue glaze, 24 in. Provenance: Private Atlanta Collection Estimate: $1,200 - $1,800

319 Clement Massier Butterfly-Decorated Iridescent Ceramic Vase, French, marks for Clement du Massier, Golfe Juan Ami, “CM Golfe-Juan Ami”, 8-3/4 in. Provenance: Lillian Nassau Estimate: $400 - $600

320 Large Emile Gallé Art Pottery Center Bowl, French, early 20th century, “E Gallé Nancy” and “E [Star of Lorraine] G”, elaborately decorated, 6-1/2 x 12 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $1,500

321 Emile Gallé Art Nouveau Art Pottery Vase, French, late 19th century, cobalt, gilt and silver leaf and incised decoration, base with “E [Cross of Lorraine] G”, 8 in. Provenance: Private Atlanta Collection Estimate: $400 - $600

324 Dalpayrat Art Nouveau Ceramic Swirl Vase, base signed “Dalpayrat” (Pierre Adrien Dalpayrat), circa 1900, swirled body, splashed glazed interior, 4-3/4 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

325 Art Nouveau Gilt Bronze and Brass Floor Lamp with Mica Shade, probably French, circa 1900, leaf-form feet, paneled mica polychromed shade, 68-1/2 in. Provenance: Private Atlanta Collection Estimate: $400 - $600

322 Art Nouveau Wrought Iron Lamp with Decorated Mica Shade, probably American, circa 1900, elaborate base, shade 181/2 x 13-3/4 in., with shade 28-1/2 x 23 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

323 Dalpayrat French Art Nouveau Figural Ceramic Vase, late 19th/early 20th century, rich runny sang de boeuf and turquoise glaze, marked, 8 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $1,500

Condition notes available in back of catalog

II Art Nouveau

313 Figural Art Nouveau Gilt-Decorated Porcelain Vase, Austria, possibly Teplitz, late 19th century, partial printed mark, tall vase with deeply sculpted floral decoration, 17 in. Estimate: $400 - $600

September 13, 2014

312 Three Fine Art Nouveau Ceramic Vases Continental, circa 1900: various Teplitz and Amphora marks, one partial St. Louis retailer’s mark, tallest 11-1/4 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

327 Austrian Art Nouveau Figural Ceramic Mantle Clock, marks for “Friedrich Goldscheider Wien F2718”, circa 1900, plinth with script Goldscheider mark, 14 x 13 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

328 Two Art Nouveau Ceramic Vases circa 1900: one blue with mark for Villeroy & Boch Mettlach; one “Amphora” and “8258”, 12-1/2 in. and 15 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

330 Nicolas Mayer (French, 1852-1929) Le Matin, signed “N. Mayer”, “Tiffany & Co.”, bronze, 22-1/2 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

331 Three Art Nouveau Ceramic Vases Rosenberg double-gourd and flared-rim examples, Royal Bonn bottle vase, Art Nouveau decoration, tallest 8-1/4 in. Provenance: Private Atlanta Collection Estimate: $400 - $600

332 Fine Bohemian Art Nouveau Art Glass Gilt Vase, attributed to Loetz, circa 1900, gilt signature “A Rupp Meistersdorf Boheme”, “324/13”(?), three-sided, 13 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

333 Minton Art Nouveau Decorated Charger or Shallow Bowl, mark for Minton, blue decorator mark “WL[?] 1903”, pale blue on pale yellow ground, 13-3/4 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

334 Fine Gallé Art Nouveau Engraved and Enameled Art Glass Vase, French, circa 1900, base with gilt signature “Emile Gallé”, “Depose”, 12-1/4 in. Provenance: Private Atlanta Collection Estimate: $400 - $700

335 Twelve Pieces Silver-Plate Hollowware late 19th/20th century, Art Nouveau style decoration: goblet, candlesticks, other, 11-3/4 in. tallest Provenance: Private Atlanta Collection Estimate: $300 - $500

326 Rare Majorelle French Art Nouveau Ceramic Vase base with signature in blue "Lunivelle B.G.[?] Majorelle" and "3.1901", tall three-handled form with runny turquoise, cream and pale green, body with molded decoration of stylized foliate and berry decoration, 10-1/2 in. Provenance: Lillian Nassau; Private Atlanta Collection Estimate: $500 - $1,000

329 Three Majolica Serving Pieces German, marks for G. S. Zell, Baden, two with lily pad German, marks for G. S. Zell, Baden, comprising two with lily pad decoration, serving bowl, plate, and plate with dandelion decoration, 8-1/2 in. to 11-3/4 in. Provenance: Private Atlanta Collection Estimate: $100 - $300

September 13, 2014

Art Nouveau

For full cataloging and images see our website, www.brunkauctions.com

337 Pair Art Nouveau Gilt Bronze Busts, Saibas (19th century), Wind Blown Coquettes, one signed Saibas.1869" one signed "ADK: Saibas", gilt bronze, 12-1/2 in. Provenance: Private Collection, SC Estimate: $1,000 - $2,000

344 Four Pieces Silver Art Nouveau and Danish Style Hollowware, early 20th century, including box and three bowls, 1-3/4 x 4 x 4-1/4 in. to 5 x 5-1/2 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

339 Art Nouveau Gilt Bronze Shelf Clock body probably French, circa 1900, enameled dial signed “Seth Thomas”, backplate stamped “ST”, 16 x 9-1/2 x 6 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

342 Marcus Sterling Double-Loop Handle Bowl American, early 20th century, hammered finish, beaded rim, large loop handles with purple stones, 7.79 oz. T., 3 x 12-3/4 x 4-1/2 in. Estimate: $1,500 - $2,500

345 Very Fine Art Nouveau Figural Bronze Centerpiece Continental, probably French or Austrian, circa 1900, bronze maidens, moths, 4-1/4 x 9-1/2 x 7 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

Condition notes available in back of catalog

340 J. Caussé and E. Leveilleé (French, circa 1900) Art Nouveau bronze-finished cast metal maiden, figure signed, 23-1/2 in. Provenance: Private Atlanta Collection Estimate: $4,000 - $6,000

343 Fine Art Nouveau Figural Gilt Bronze and Rouge Marble Four-Piece Desk Set “H. Muller” (Hans Muller, Austrian, 18731937), ink stand, pair candlesticks, blotter Provenance: Lillian Nassau Estimate: $1,000 - $2,000

II Art Nouveau

341 Four Pieces WMF Art Nouveau Silver German, late 19th/20th century, including two decanters and pair of candlesticks, 10-3/4 x 8 x 5 in. to 13-3/4 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

338 Art Nouveau Gilt Bronze Chalice probably French, late 19th/early 20th century, flower bulb-form bowl with leaf handles, naturalistic support, 13 in. Provenance: Private Collection Estimate: $600 - $900

September 13, 2014

336 Art Nouveau Shreve Sterling Trumpet Vase American, 20th century, iris relief decoration, marks for Shreve & Co. (San Francisco, California, working 1852-Present), no monogram, weighted, 20-1/2 x 7 in. Estimate: $2,000 - $3,000

346 Very Fine Louis Majorelle Art Nouveau Carved Walnut Seven-Piece Ombellifleurs Salon Suite French, circa 1900, comprising a finely carved and upholstered settee, 45 x 61-3/4 x 23-1/2 in.; two matching caned armchairs set with loose cushions, 43 x 26 x 20-1/2 in.; four caned side chairs, 40 x 17-3/4 x 17 in. Provenance: Lillian Nassau; Private Atlanta Collection Estimate: $6,000 - $9,000 Exhibited: “A Thing of Beauty”, High Museum, Atlanta, 1980.

September 13, 2014

Art Nouveau

348 Art Nouveau Carved Walnut and Leaded Glass Lighted Cabinet French, circa 1900, carved walnut with oak secondary, 49-1/2 x 54 x 15-3/4 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

347 Art Nouveau Carved Oak Tall Case Clock, British or Continental, circa 1900, enameled brass dial, carved base panel, paneled back, 86 x 22-1/2 x 13 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

350 Pair Art Nouveau Carved Gilt Wood and Upholstered Tub Chairs attributed to Louis Majorelle, French, circa 1900, naturalistic frames, set with rosettecarved knees, beige damask upholstery, 30 x 32 x 29 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $4,000

For full cataloging and images see our website, www.brunkauctions.com

349 French Art Nouveau Carved Walnut and Tooled Leather Two-Tier Table circa 1903, Gauthier-Poinsignon & Cie, leather with leaf and bellflower tooled decoration, 29-1/2 x 17-1/4 x 19 in. Estimate: $800 - $1,200

351 Assembled Pair Gallé Art Nouveau Marquetry-Inlaid Side Tables, shieldform figured fruitwood tops, 28-1/4 x 19-3/4 x 21 in. and 28 x 20-1/4 x 21 in. Provenance: Private Atlanta Collection Estimate: $1,500 - $2,500

353 Art Nouveau Wrought Iron, Copper and Glass Hall Lantern circa 1890s, wrought iron frame set with copper appliques and cylinder-form diapered pale green/ yellow glass, three-light interior, 33 x 13-1/2 in. Provenance: Private Atlanta Collection Estimate: $400 - $600

352 Art Nouveau Figured Walnut and Stained Glass Cabinet probably French, circa 1900, pull-out mixing board, figured veneers and green stainedglass doors, gilt bronze hinges, escutcheons and corner mounts in the Art Nouveau taste, paneled back, adjustable shelves, 84 x 82-3/4 x 17 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $3,000

357 Pair French Art Nouveau MarquetryInlaid Side Tables, attributed to Louis Majorelle, circa 1900, bold inlays, carved corners, 29-1/2 x 24-3/4 x 19 in. Provenance: Private Atlanta Collection Estimate: $1,500 - $2,500

359 Pair French Art Nouveau Carved and Gilt Wood Armchairs attributed to Louis Majorelle, French, circa 1900, fine gilt wood frames with rose-andleaf carved crest, cream-colored damask upholstery with loose down cushions, 44-3/4 x 34-1/2 x 23 in. Provenance: Lillian Nassau; Private Atlanta Collection Estimate: $3,000 - $5,000

358 Set of Eight Art Nouveau Carved Walnut and Leather-Upholstered Dining Chairs, French, circa 1900, rich reddishbrown color, 36-1/2 x 18-1/2 x 18 in. Provenance: Lillian Nassau Estimate: $1,500 - $2,500

Condition notes available in back of catalog

356 Fine Signed Majorelle Mahogany Art Nouveau Three-Tier Tea Table French, circa 1900, impressed signature â&#x20AC;&#x153;L. Majorelle Nancyâ&#x20AC;?, 39 x 33 x 21 in. Provenance: Lillian Nassau Estimate: $2,000 - $3,000

II Art Nouveau

355 Set of Six Art Nouveau Carved Walnut and Leather-Upholstered Dining Chairs probably French, circa 1890s, upholstered, 38-1/4 x 18 x 19-1/2 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

September 13, 2014

detail

354 French Art Nouveau Carved French Walnut Extension Dining Table attributed to Louis Majorelle, circa 1900, figured top with molded edge and four leaves, buttressed legs with stylized leaf carving, 28 x 47 x 131 in. Provenance: Lillian Nassau (she personally used in her shop); Private Atlanta Collection Estimate: $5,000 - $7,000

360 Art Nouveau Marquetry-Inlaid Mahogany and Mirror-Door Cabinet Leon BĂŠnouville, French, circa 1900, three marquetry-inlaid drawers, fine gilt bronze pulls and escutcheons in the Art Nouveau taste, mirror door with applied openings and opening to an adjustable shelved lighted interior, 90-1/2 x 57 x 24 in. Provenance: Sotheby's, NY, 1998; Private Atlanta Collection Estimate: $2,000 - $4,000

September 13, 2014

Art Nouveau

361 Art Nouveau Bronze Five-Light Fixture circa 1900, set with feathered favrile glass shades, Quezal shades, 24 x 27 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

362 French Art Nouveau Carved Walnut and Silk Firescreen, circa 1900, carved walnut frame set with original silk upholstery, 37-1/2 x 23 x 14-1/4 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

363 Art Nouveau Painted Iron Panel designed by Hector Guimard for the Paris metro, execution date unknown, stylized openwork design, 30-1/2 x 24-1/2 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $3,000

364 Art Nouveau Gilt Bronze and Favrile Glass Four-Light Chandelier, American, early 20th century, each shade signed "LCT", 14 x 14 in. Provenance: Privatte Atlanta Collection Estimate: $400 - $600

detail

365 Art Nouveau Carved and Mirrored Dressing Cabinet, probably Spanish, circa 1900, figured chestnut or ash throughout, carved ornament, 104 x 56-1/2 x 21 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $3,000

366 Art Nouveau Marble-Top and Mirrored Dressing Vanity, probably Spanish, circa 1900, ash or chestnut, 68-1/2 x 49-1/2 x 19 in., matching bench and chair Provenance: Private Atlanta Collection Estimate: $500 - $1,000

367 Art Nouveau Carved and Stained Glass Corner Cabinet, probably Spanish, circa 1900, chestnut and other mixed woods, amethyst glass door, 70 x 27-1/2 x 19 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

368 Marble-Top Bedside Commode probably Spanish, circa 1900, quartersawn ash or chestnut, salmon-to-gray/ blue marble, 44 x 16-3/4 x 14-1/2 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

369 Set of Five Art Nouveau Carved Mahogany and Leather-Upholstered Dining Chairs, probably French, circa 1900, leather seats, 35 x 17 x 20 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

370 Austrian Bentwood Center Table attributed to Thonet, cartouche-form bookmatch-veneered top, unsigned, 301/2 x 44-1/2 x 33 in. Provenance: Sothebys, Chicago, 1999 Estimate: $700 - $1,000

371 Two Art Nouveau Oak Bentwood Rocking Chairs, circa 1900: one Thonet, caned seat; one with bentwood, largest 41-1/2 x 23 x 39 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

372 Seven Art Nouveau Decorative Accessories, circa 1900: coal hod; pair gilt bronze andirons; lidded brass jardiniĂ¨re; two fire screens; side table Provenance: Private Atlanta Collection Estimate: $400 - $600

For full cataloging and images see our website, www.brunkauctions.com

373 French Art Nouveau Carved Walnut Five-Piece Salon Suite circa 1900, attributed to Louis Majorelle, floral-carved crests, arm supports and seat rails, cream-to-pale-yellow silk upholstery, settee, 45-1/2 x 62 x 23-1/2 in.; two armchairs, 42-3/4 x 26-1/2 x 22-1/2 in.; two side chairs, 39-3/4 x 18 x 18 in. Estimate: $2,000 - $4,000

374 Fine Art Nouveau Carved Walnut Server French, circa 1900, impressive form elaborately carved with stylized tree and floral decoration, rich brown color, 70-1/2 x 65 x 29-1/2 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $3,000

375 Rare French Art Nouveau Cast Iron and Marble Fireplace Surround signed “Hector Guimard” (1867-1942), signed cast iron, 37-1/2 x 41-3/4 x 20 in. Provenance: Private Atlanta Collection Estimate: $5,000 - $7,000

378 Gallé Marquetry-Inlaid Art Nouveau Two-Tier Side Table, French, circa 1900, iris, dragonfly and moth inlays, inlaid Gallé signature, 29-1/4 x 24-1/2 x 15-1/4 in. Provenance: Lillian Nassau Estimate: $1,000 - $1,500

380 French Art Nouveau Carved and Gilt Wood Tub Chair, Louis Majorelle, circa 1900, scrolled fern leaf-carved arms and legs, 32 x 31 x 27 in. Provenance: A Private Atlanta Collection Estimate: $1,000 - $2,000

381 Art Nouveau Carved Gilt Wood and Marble-Top Circular Side Table, French, circa 1900, variegated black marble top, inset glass lower shelf, 25-1/2 x 24-1/2 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

382 Pair Art Nouveau Carved Walnut Upholstered Armchairs, probably Spanish, circa 1900, walnut and chestnut(?), carved arms, velvet upholstery, 27 x 25 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

Condition notes available in back of catalog

379 Art Nouveau Carved Oak and CopperMounted Desk and Bookcase, British or French, circa 1900, carved frieze, glass shelves, lighted, 86-1/2 x 50-1/4 x 20 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

383 Art Nouveau Carved Mahogany Partners Desk, probably British, circa 1900, drawer(s) and open shelves on all sides, heavy brass pulls, 30 x 84 x 48 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $3,000

II Art Nouveau

377 Art Nouveau Carved and Leaded Glass Lady’s Writing Desk and Chair, probably Spanish, circa 1900, 50 x 31-1/2 x 19-1/2 in.; matching chair, 38 x 15-3/4 x 18 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

September 13, 2014

376 French Art Nouveau Marquetry-Inlaid Walnut Three-Drawer Stand, attributed to Louis Majorelle, circa 1900, floral and foliate marquetry, 31-1/2 x 19-1/2 x 20 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

385 Art Nouveau Walnut Armchair British or Continental, circa 1900, oak with upholstered seat and brass cuffs at front feet, 32-1/2 x 22-1/2 x 20-1/2 in. Provenance: Private Atlanta Collection Estimate: $400 - $600

384 Fine Art Nouveau Carved Oak and Leather-Upholstered Music Room Chair designed by Richard Riemerschmid, possibly made for Liberty & Co. London, 18981900, frame with chamfered stiles and angled buttressed supports, brown leatherupholstered seat with brass tacking, underside of frame stamped "Made in England", 30-1/2 x 18-3/4 x 22 in. Provenance: Private Atlanta Collection Estimate: $4,000 - $6,000

387 Austrian Secessionist Pewter Ice Bucket, Two Candelabrum each with marks for Kayserzinn: candelabrum 13 in. and 16 in.; ice bucket 8-1/4 in. Provenance: Private Atlanta Collection Estimate: $600 - $900

389 Four Pieces Secessionist Austrian Ceramics, marks for Weiner Werkstätte and attributed, early 20th century: two lamp bases and two figures Provenance: Private Atlanta Collection Estimate: $800 - $1,200

Art Nouveau September 13, 2014

386 Two Rare German Jugendstil Art Pottery Vases Attributed to Max Lauger daisies, Gesetzl Geschze, “21”, “V”, 8 in.; “KK952L”, “Germany”, 7 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

388 Important Secessionist Bentwood and Leather-Upholstered Side Chair designed by Josef Hoffmann, Vienna, Austria, 1903-1905, probably made at the Kohn workshops, steam-bent European beech, red leather seat with button banding, 39-1/4 x 17-1/4 x 17-1/2 in. Provenance: A Private Atlanta Collection Estimate: $10,000 - $15,000 Exhibited: “A Thing of Beauty”, High Museum, Atlanta, 1980. Published: “A Thing of Beauty” exhibition catalog No. F.9. Catalog notes: “This chair was designed by Hoffmann for the dining room of the Purkersdorf Sanitorium Vienna in about 1903-1905. It was probably made at the workshop of the Kohn factory, although he also designed furniture for the more well-known Thonet company" . As icons of modern design, chairs from this suite have been widely published.

For full cataloging and images see our website, www.brunkauctions.com

390 Secessionist Hammered Copper Lotus-Form Vase Austrian or American, possibly Marie Zimmerman, unsigned, 7-1/4 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

391 Art Deco Wrought Iron and Mirrored Hall Tree, probably French, 20th century, style of Edgar Brandt, frosted glass panel with light behind, 76 x 25-1/2 x 8 in. Provenance: A Private Atlanta Collection Estimate: $400 - $700

392 Pair Art Deco Parquetry-Veneered Demilune Cabinets circa 1930, figured mahogany parquetry veneers, stepped form with glazed upper cabinet, single door with adjustable interior glass shelf, lower cabinet with adjustable mahogany shelf, 65 x 39-1/2 x 19-3/4 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $3,000

detail

395 Erté (Romain De Tirtoff French/Russian, 1892-1990), Two serigraphs, blindstamps, black paper, 35 x 25-1/2 in.; frames Provenance: Private Collection, SC Estimate: $1,000 - $2,000

397 Louis Icart (French, 1888-1950) Listen (Écouté), 1928, no. A/275, signed, color etching on paper, 19 x 14-5/8 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

398 Louis Icart (French, 1888-1950) Fruit (Les Fruits), 1926, no. 42, signed, etching on paper, 15 x 20-3/8 in.; frame Provenance: Private Atlanta Collection Estimate: $600 - $900

399 Louis Icart (French, 1888-1950) Smoke (Fumée), 1926, no. 163, signed, etching on paper, 15 x 20-1/8 in.; frame Provenance: Private Atlanta Collection Estimate: $800 - $1,000

400 Louis Icart (French, 1888-1950) Awakening (Le Réveil) and Retiring (Le Coucher), signed, etching, 15-1/2 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $1,500

Condition notes available in back of catalog

II Art Nouveau

394 Dorothy Mary Burroughes (British, circa 1895-1963) Gun Fodder, signed, ink and gouache on cream paper, 14-5/8 x 10-3/4 in.; frame Provenance: Jeremy North’s Gallery, NC Estimate: $300 - $600

September 13, 2014

393 Art Deco Wrought Iron Marble-Top Console, 20th century, green marble top over a scrolled wrought iron frame with gilt rosettes and banding, 35 x 43 x 12 in. Provenance: Private Collection, NC Estimate: $500 - $700

396 Art Deco Style Patinated Metal Figural Nude Ashtray Converted to Table Lamp, early 20th century, possibly Frankart, female figure holding tray, 27-1/2 in. Provenance: Private Collection, NC Estimate: $300 - $500

401 Robert Fowler (British, 1853-1926) Pair Pre-Raphaelite works: Woman in Blue Gown Grasping Pearls and Jug, Woman in Green Robe Carrying Fawn, one signed "R.F. 1874", gouache on card, 17 x 8 in.; original matching black painted ribbed frames with gold bosses and gilt oak liners, original glass Provenance: Private Atlanta Collection Estimate: $3,000 - $5,000

Art Nouveau

402 Charles Rennie Mackintosh (Scottish,1868-1928) Two architectural sketches, both signed, pencil on paper, 10-5/8 x 7-1/4 in.; frames Provenance: Thomas Howard, England Estimate: $1,800 - $2,400

403 Lord Frederick Leighton (British, 1830-1896) Two sheets of figural studies, 11-1/8 x 10 in.; 8-3/4 x 11-1/8 in., charcoal on paper Provenance: Private Atlanta Collection Estimate: $4,000 - $6,000

September 13, 2014

404 Simeon Solomon (British, 1840-1905) La Pia Deâ&#x20AC;&#x2122; Tolomei Imprigionata, signed lower right "Simeon/Solomon/1896", graphite on paper, 14-1/4 x 17-1/8 in.; gilt wood frame Provenance: E. and A. Silberman Galleries, NY Estimate: $6,000 - $9,000

405 Lord Frederick Leighton (British, 1830-1896) Mediterranean Landscape, unsigned, oil on paper, 10-1/2 x 16 in.; gilt wood frame Provenance: Private Atlanta Collection Estimate: $7,000 - $10,000

For full cataloging and images see our website, www.brunkauctions.com

406 John Brett (British, 1830-1902) Coastal Village, 1883, signed lower left "John Brett 1883", oil on artist board, 12 x 18-7/8 in.; gilt wood and composition frame Provenance: Old Hall Gallery Limited, Sussex, England; A Private Atlanta Collection Estimate: $4,000 - $6,000

410 John Brett (British, 1830-1902) View of Millport, Scotland, 1886, signed verso on canvas "John Brett" inscribed upper left "Millport 17 July 86", oil on canvas, 7 x 14-1/8 in.; gilt wood and composition frame Provenance: Old Hall Gallery Limited, Sussex, England; A Private Atlanta Collection Estimate: $2,000 - $3,000

411 Mary Lizzie Macomber (Massachusetts, 1861-1916) Portrait of a Young Woman, signed, oil on masonite, 19 x 15 in.; frame Provenance: Private Atlanta Collection Estimate: $800 - $1,200

412 John Brett (British, 1830-1902) Sailing in Calm Waters, possibly signed verso on label "..John Brett.." and dated "Aug 17 1892"(?), possible inscribed on verso canvas tacking edge, oil on canvas, 11-3/4 x 17-1/4 in.; gilt wood and composition frame Provenance: Old Hall Gallery Limited, Sussex, England; A Private Atlanta Collection Estimate: $4,000 - $6,000

Condition notes available in back of catalog

II Art Nouveau

409 John Brett (British, 1830-1902) Trevone, Cornwall, 1889, unsigned, inscribed lower right "N.W...at Trevone/20 Aug.89", oil on canvas, Winsor & Newton colourman stamp, 7 x 14 in.; gilt wood frame Provenance: Old Hall Gallery Limited, Sussex, England; A Private Atlanta Collection Estimate: $2,000 - $3,000

September 13, 2014

407 John Brett (British, 1830-1902) View of Black Rock, 1891, signed verso on stretcher and canvas "John Brett" and inscribed upper left "...Black Rockâ&#x20AC;Ś10 July 91", oil on canvas, 7 x 14-1/4 in.; frame Provenance: Old Hall Gallery Limited, Sussex, England; A Private Atlanta Collection Estimate: $2,000 - $3,000

408 Mary Lizzie Macomber (Massachusetts, 1861-1916) Flower of Yesterday, 1913, signed "Macomber/1913" indistinctly, oil on canvas, 44-1/4 x 34-1/4 in.; frame Provenance: Private Atlanta Collection Estimate: $4,000 - $6,000 Exhibited: R.C. & N.M. Vose Gallery, An Important Exhibition of the Latest Works of Mary L. Macomber, Boston, Massachusetts, March 13-15, 1913, ill.; City Art Museum, An Exhibition of Paintings by Mary L. Macomber, starting March 12, 1916, No. 2

Session II

Arts & Crafts Art Pottery

detail

413 Large Rookwood Vellum-Glazed Floral-Decorated Vase, marks for 1908, Edward Dyers decorator, 15-3/4 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200 Exhibited: High Museum, Atlanta, 1980.

detail

414 Signed Rookwood Vellum-Glazed Landscape Vase, impressed marks for Rookwood, 1917, artist cipher probably for Carl Schmidt, 12 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

415 Monumental Royal Doulton “Chang” Vase, monograms for decorators Harry Nixon and Charles Noke, circa 1920s, Royal Doulton mark, “Chang”, 13-1/2 in. Provenance: Private Atlanta Collection Estimate: $3,000 - $5,000

detail

418 Three Grueby and Attributed Arts and Crafts Pottery Vases, American, early 20th century: one Grueby mark, paper label remnants, 3-1/2 in. to 5-1/2 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $1,500

419 Two Monumental Rookwood Art Pottery Vases one with marks for 1912, decorator probably William Hentschel, blue irises(?) on a blue-to-aubergine ground; one with marks for 1926, decorator Sarah Sax, glossy glaze with stylized leaf and floral decoration on a pale aubergine ground, 16 in. and 15-1/4 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000 Exhibited: “A Thing of Beauty”, High Museum, Atlanta, 1980.

420 Two Newcomb College Art Pottery Vases, Louisiana, early 20th century: landscape vase, 5-1/2 in.; floral and foliate vase, decorator Anna Simpson, 3 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

422 Two Rookwood Art Pottery Vases American, late 19th century: baluster form, Valentien, circa 1897, 9-3/4 in.; bottle form, E. Felton, 6 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

424 Large Weller Sicard Ceramic Vase Weller Potteries, Zanesville, Ohio, circa 1906-1910, design by Jacques Sicard, impressed "Weller Ware Zanesville", rich iridescent glaze with floral and foliate design, 11-3/4 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200 Exhibited: “A Thing of Beauty”, High Museum, Atlanta, 1980.

423 Two Art Pottery Dragonfly-Decorated Vases, Rookwood, 1920, blue glaze, 9-1/4 in.; similar two-handled vase with red glaze, indistinct mark, 10-1/4 in. Provenance: Private Atlanta Collection Estimate: $200 - $400

Condition notes available in back of catalog

421 Newcomb College Blue and Green Decorated Plate, early 20th century, marks for “New Orleans”, “NC” and “AE64”, mark Marie de Hoa Le Blanc, 8-1/4 in. Provenance: Private Atlanta Collection Estimate: $600 - $900

II Arts & Crafts/Art Pottery

417 Grueby Art Pottery Earthenware Vase American, circa 1900, leaf-decorated form with flared rim, base with two Grueby labels, 8 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $3,000

September 13, 2014

416 Four American Art Pottery Vases: Roseville, Weller, Rookwood, early 20th century: Roseville Rozane Ware Royal vase, 10-1/2 in.; Rookwood Ed Diers Provenance: Private Atlanta Collection Estimate: $500 - $800

September 13, 2014

Arts & Crafts/Art Pottery

425 Limbert Arts and Crafts Oak China Cabinet, American, circa 1900, No. 448, back of crest with branded Limbert mark, plate rail, 61-1/2 x 45-3/4 x 16-1/2 in. Provenance: Private Atlanta Collection Estimate: $1,500 - $2,500

426 L & JG Stickley Arts and Crafts Oak Morris Chair, American, circa 1900, adjustable flat back, “The Work of L & JG Stickley”, original finish, 40 x 29 x 36 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

427 Two American Arts and Crafts Oak Side Tables, circa 1900, one with metal tag “Quaint…Stickley Bros”, 29-3/4 x 17 in.; one unsigned, 26 x 20 in. Provenance: Private Atlanta Collection Estimate: $500 - $700

428 Gustav Stickley Arts and Crafts Oak V-Back Settee, early 20th century, No. 212, muslin-upholstered seat, stenciled mark, 3-1/2 x 47-1/4 x 24 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

429 Two English Arts and Crafts Side Chairs Attributed to Pugin, 19th century, one mahogany attributed to E. W. Pugin; one attributed to A. W. N. Pugin Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

430 Rustic Style Oak and Twig Breakfast Table, Armchair, probably Old Hickory, 20th century, table, 30-1/2 x 30 x 30 in.; armchair, 34-3/4 x 23-3/4 x 20 in. Provenance: Hudson Estate, NC Estimate: $400 - $700

431 Rustic Style Seven-Piece Dining Set probably Old Hickory, 20th century, table with stretcher base, 29-1/2 x 66 x 36-1/2 in.; six chairs 35-1/2 x 18-1/2 x 21-1/2 in., Provenance: Hudson Estate, NC Estimate: $800 - $1,200

432 Pair Roycroft Arts and Crafts Copper Table Lamps, East Aurora, New York, early 20th century, original patination, signed, 3/4 in., 19-1/4 in. with modern shades Provenance: Private Atlanta Collection Estimate: $1,500 - $2,500

433 Handel Patinated Bronze Floor Lamp with Glass Shade, American, early 20th century, brown shade with leaves in relief, woven label “Handel Lamps”, 571/2 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

434 Arts and Crafts Slag Glass Lamp four-panel green glass shade, black-painted metal surround, removable painted tole fluid lamp with glass chimney, 24 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

435 Arts and Crafts Brass-Mounted Mahogany Wall Clock, label “The National Clock Manufacturing Company, Chicago”, Arabic chapter ring, 25-1/2 x 13-1/4 x 4 in. Provenance: Private Atlanta Collection Estimate: $200 - $300

436 L & JG Stickley Arts and Crafts Oak Morris Chair, American, circa 1900, red-stenciled mark “L & JG Stickley Hand Craft”, original finish, 40 x 29-1/2 x 36 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

437 Arts and Crafts Oak Settle American, early 20th century, slat back and brown leather-upholstered seat, 33-1/2 x 72 x 26-3/4 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

For full cataloging and images see our website, www.brunkauctions.com

438 Stickley Arts and Crafts Oak and Leather Footstool, American, early 20th century, oak frame, copper studs, branded “Stickley”, 9 x 15-3/4 x 12 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

439 Roycroft Arts and Crafts HammeredCopper and Mica Table Lamp, East Aurora, New York, early 20th century, wood-grain pattern, signed, 14 in. Provenance: Private Atlanta Collection Estimate: $1,200 - $1,800

440 Roycroft Copper and Silver-Mounted Buttressed Bud Vase, designed by Karl Kipp (1881-1954) for Roycroft, East Aurora, New York, 1906-1910, 8-1/4 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $3,000

441 Roycroft Arts and Crafts Hammered-Copper and Mica Table Lamp East Aurora, New York, early 20th century, hammered copper and mica shade with strapwork decoration over a column support and circular base, underside with Roycroft orb-and-cross mark, fine original patination, 14-1/2 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $3,000 Exhibited: “A Thing of Beauty”, High Museum, Atlanta, 1980.

442 Three Pieces Roycroft, Arts and Crafts Hammered Copper, American, early 20th century: pair candlesticks and chamberstick, Roycroft marks; pair “CS” bookends Provenance: Private Atlanta Collection Estimate: $500 - $700

443 Eleven Pieces Roycroft Arts and Crafts Metal Ware, American, early 20th century: four pairs copper bookends; dish; two trays, all marked, largest 17 x 14-7/8 in Provenance: Private Atlanta Collection Estimate: $600 - $900

444 Large Arts and Crafts Hand-Hammered Copper Bowl, Roycroft Shops, East Aurora, New York, early 20th century, 13 in. Provenance: Private Atlanta Collection Estimate: $600 - $900 Exhibited: High Museum, Atlanta, 1980.

445 Heintz Cigar Humidor American, 20th century, hinged cover with sterling silver inlaid border, woodlined interior, ball feet, Heintz triangle mark, “August 27, 12”, 3 x 10 x 6 in. Estimate: $200 - $400

446 Brass and Leaded Glass Hall Lantern probably American, early 20th century, four-light interior, green, red and yellow glass with brass frame, 24 x 9-3/4 in. Provenance: Private Atlanta Collection Estimate: $200 - $400

447 Vintage Leaded Glass Hanging Lamp American, early 20th century, brass fixture with two lights, large green-to-amber leaded glass shade, 17 x 23-1/2 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

448 After Leonetto Cappiello (French, 1875-1942) Je Ne Fume Que Le Nil..., signed, color lithographic, 45-3/4 x 62-1/2; frame Provenance: Private Collection, NC Estimate: $600 - $900

449 Guillaume Georges Roger (French, 1867-1943) L’Été Sur La Côte D’Azur, 1926, signed, lithographic, 42-1/4 x 30-1/2 in.; frame Provenance: Private Collection, NC Estimate: $400 - $600

450 Eleven Pieces Arts and Crafts Metal Ware, American, early 20th century: pair copper sconces; two bud vases; two pairs small copper bookends; two candlesticks Provenance: Private Atlanta Collection Estimate: $300 - $500

451 Five Roycroft Arts and Crafts Hammered-Copper Vessels, East Aurora, New York, early 20th century: two vases, 5-1/2 in. and 7 in.; chamberstick; two bowls Provenance: Private Atlanta Collection Estimate: $500 - $1,000

452 Arts & Crafts Woven Panel probably American, early 20th century, embroidered wool geometric pattern, woven wool, 8 ft. x 12 ft. 2 in. Provenance: Private Atlanta Collection Estimate: $3,000 - $5,000

detail

Condition notes available in back of catalog

September 13, 2014

Arts & Crafts/Art Pottery

453 Three Roycroft Arts and Crafts Hammered-Copper Vessels, East Aurora, New York, circa 1900, two vases, 4 in. and 7 in.; bowl, 7-1/4 in. diameter, all marked Provenance: Private Atlanta Collection Estimate: $800 - $1,200

455 Two Pairs Roycroft Art and Crafts Candlesticks, American, 20th century, hammered finish: cylinder post, 9-3/4 in.; scalloped base, 2 in., marks for Roycroft Provenance: Private Atlanta Collection Estimate: $500 - $700

456 Roycroft Hammered Copper Floor Ashtray, American, 20th century, standing ashtray with match holder, loop handle, removable ash bin, four supports, orband-cross mark, 29-1/2 in. Estimate: $500 - $700

458 Five Moorcroft Ceramic Articles British, early 20th century: lamp, 17-1/2 in.; small vase; two Florian Ware vases and a cup Provenance: Private Atlanta Collection Estimate: $400 - $700

459 Three Pieces Art Pottery: Rookwood, Weller, Other, American and possibly French, late 19th/early 20th century: Rookwood loving cup, 11-1/2 in.; bud vase, unmarked, 7-3/4 in.; vase, 7 in. Estimate: $400 - $600

461 British Arts and Crafts Ceramic and Pewter-Mounted Vase marks for Tudric, circa 1900, 9 in. Provenance: Private Atlanta Collection Estimate: $600 - $900

462 Four Pieces Saturday Evening Girls Pottery, Boston, early 20th century, two bowls and two plates, all with various S.E.G. signatures, 6 in. to 10 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

463 Six Pieces Marblehead Art Pottery Massachusetts, early 20th century, comprising five small vases, 3-1/4 in. to 41/2 in.; ship bookend, 5-1/2 x 5-1/2 in. Provenance: Private Atlanta Collection Estimate: $500 - $1,000

464 Ruskin Turquoise and Green-Glazed Ceramic Vase, ovoid body with rich mottled blue-to-green glaze, stamped mark “Ruskin England 1918”, 10-1/2 in., Provenance: Private Atlanta Collection Estimate: $300 - $500

465 Three Pieces Hampshire Art Pottery comprising two blue-glazed vases, 7-1/2 in. and 7-1/4 in.; lily pad low vase, 21/4 in., each with Hampshire mark Provenance: Private Atlanta Collection Estimate: $500 - $1,000

466 Seven Pieces McCarthy Pottery Lee and Pup McCarthy, Marigold, Mississippi, 20th century: candle plate; two cups; plate with well; figure, all signed Provenance: Private Collection Estimate: $400 - $700

454 Hammered Sterling Tray and Centerbowl, American, early 20th century, Lebolt tray, 6 x 9-1/2 x 9-1/4 in.; Gorham centerbowl, 4-1/4 x 10 in., 31.29 oz. T. Provenance: Private Atlanta Collection Estimate: $400 - $700

457 Four Pieces Moorcroft Pottery English, early 20th century, comprising a large two-handled ice bucket or bottle cooler, Moorcroft signatures, 7 in.; baluster-form vase, signatures, 6 in.; similar vase, signatures, 6 in.; small cup or vase, Moorcroft signature, 3-1/4 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

September 13, 2014

Arts & Crafts/Art Pottery

460 Theodore Deck Aesthetic Movement Ceramic Bud Vase, French, late 19th century, base with mark for “Th. Deck”, label “Gilman Collamore & Co….”, 12-1/2 in. Provenance: Private Atlanta Collection Estimate: $400 - $600

For full cataloging and images see our website, www.brunkauctions.com

467 George Ohr (George Edgar Ohr, 1857-1918) twisted and double-handled ceramic loving cup, redware with brown glaze, base with stamped mark "GE Ohr Biloxi" (Mississippi, 1890-1910), 6 in. Provenance: Private Atlanta Collection Estimate: $2,000 - $4,000

468 George Ohr (George Edgar Ohr, 1857-1918) redware with mottled brown glaze, twisted and crimped top, base stamped "GE Ohr Biloxi" (Mississippi, 1890-1910), 2-3/4 in Provenance: Private Atlanta Collection Estimate: $800 - $1,200

469 Martin Bros. Glazed Stoneware Double-Sided Face Jug English, late 19th century, base signed "R.W. Martin Bros. Southall", double-sided face jug with strap handle and deeply molded design, 4-3/4 in. Provenance: Private Atlanta Collection Estimate: $3,000 - $5,000

473 Two Della Robbia Pottery Vases English, 1894-1906: floral example, inscribed mark, applied decorator’s initials; bottle-form vase, 9 in. and 11-3/4 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

474 Royal Doulton Sung Flambé-Glazed Vase, British, 1920s, mottled flambé green and dark blue glaze, possibly decorated by Charles Noke (no decorator mark), 7 in. Provenance: Private Atlanta Collection Estimate: $400 - $600

475 Two Royal Doulton Flambé-Glazed Chang Vases, designed by Charles Noke and Harry Nixon: one with Doulton label, 12 in.; monogram for Harry Nixon, 4 in. Provenance: Private Atlanta Collection Estimate: $800 - $1,200

Condition notes available in back of catalog

476 Three Fine Bernard Moore Ceramic Flambé Vases, English, early 20th century: peacock decoration, 8 in.; bat decoration, 8-3/4 in.; one flambé-glazed, 4 in Provenance: Private Atlanta Collection Estimate: $800 - $1,200

II Arts & Crafts/Art Pottery

471 Finely Enameled Worcester DragonHandled Ewer, English, late 19th century, Royal Worcester porcelain, gilt dragon handle wrapping extended neck, incised stylized clouds, 1875, 11-1/2 in. Estimate: $300 - $500

September 13, 2014

470 Two Art Pottery Decorated Vases American or French, circa 1900: ewer form with strap handle, 10-1/4 in.; similar bud vase, 10 in. Provenance: Private Atlanta Collection Estimate: $200 - $400

472 Five Christopher Dresser Aesthetic Movement Ceramics British, late 19th century, circular vase in the form of a brush washer, scene depicting a bird in flight, impressed "C Dresser", 6 in.; bowl with flambé glaze on ocher ground, stamped "Linthorpe" and "C. Dresser", 9-3/4 in.; pitcher with floral and fan decoration; brown-glazed bottle-form vase with handle, pressed "Linthorpe" and "C. Dresser" and "344", 9 in.; yellow-glazed ewer signed "Linthorpe", 7 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $1,500

Session II

Continental

detail

480 Hermanus Koekkoek (Dutch 1815-1882) Ship on Stormy Sea, signed lower left "H. Koekkoek ft/1846", oil on canvas, 18-1/4 x 23-1/4 in.; modern black lacquered frame Provenance: Adam A. Weschler & Sons Estimate: $5,000 - $7,000

481 W. J. Boogaard and J. Ruyten (Willem Jacobus Boogaard, Dutch, 1842-1887, Jan Michiel Ruyten, Belgian, 1813-1881), Going to Market, signed lower left signed and inscribed "figures J. Ruyten/W. J. Boogaard 1880", oil on panel, 10-3/8 x 15-3/4 in. Provenance: Commissioned from artist Estimate: $3,000 - $5,000

482 Jan Vrolyk (Dutch,1845-1894) Cows on a Path, signed, watercolor on paper, 19-3/4 x 13-7/8 in.; frame Provenance: Private Virginia Collection Estimate: $600 - $900

484 Attributed to Marie Joneche (19th century) Fisherman on a Beach, signed lower right “Jonchne 18_7” (?), oil on canvas, 121/2 x 18 in.; gilt and painted wood frame Estimate: $600 - $900

486 Hendrik Savrij (Dutch, 1823-1907) Going to Pasture, signed lower right "H. Savrij f", oil on canvas, 24 x 42-1/4 in.; modern gilt wood and composition frame Provenance: Nagel Auktionen, 2005 Estimate: $3,000 - $4,000

485 Hendrik Savrij (Dutch, 1823-1907) Cows in Stream, signed “H. Savrij f”, oil on canvas, 45-1/2 x 30-1/2 in.; modern frame Provenance: Moerkerken Fine Art Estimate: $2,000 - $3,000

Condition notes available in back of catalog

483 Jan Vrolyk (Dutch, 1845-1894) Cows by a Gate, signed “Jan Vrolyk”, oil on canvas, 15-3/4 x 12-3/4 in.; frame Provenance: Private Virginia Collection Estimate: $800 - $1,200

II Continental

479 Johann Frederik Cornelis Scherrewitz (Dutch, 1868-1951) Milking Time, signed “J Scherrewitz”, oil on panel, 13-7/8 x 10-3/4 in.; frame Provenance: Walker’s Auctions, 2005 Estimate: $1,000 - $1,500

September 13, 2014

477 Willem Vester (Dutch, 1824-1895) Landscape with Cows, signed “W. Vester”, oil on canvas, 12-1/4 x 20-3/4 in.; frame Provenance: Private Virginia Collection Estimate: $1,200 - $1,800

478 Charles Henri Leickert (Belgian/Dutch, 1816-1907) Town View with Barge and Windmill, signed lower right “Ch. Lieckert .f”, label verso canvas with artist’s wax seal, oil on canvas, 17-3/4 x 23-1/2 in.; gilt wood and composition frame Provenance: Sotheby’s, Amsterdam, April 25, 2007, lot 35; Private Virginia Collection Estimate: $8,000 - $12,000

487 Arnold Marc Gorter (Dutch, 1866-1933) "A Sunlit Meadow", signed lower right "A. M. Gorter", oil on canvas, 26-7/8 x 33-3/8 in.; possibly original gilt wood and composition frame Provenance: Odon Wagner Gallery Estimate: $3,000 - $5,000

490 Willem Jacobus Boogaard (Dutch, 1842-1887) Horses Being Shod, signed, oil on canvas, 19-1/2 x 27-5/8 in.; fine frame Provenance: John Dennison Fine Art, SC Estimate: $2,000 - $4,000

491 Philibert-Leon Couturier (French, 1823-1901) Chickens and Ducks, signed, oil on canvas, 12-3/4 x 9-5/8 in.; frame Provenance: Private Virginia Collection Estimate: $500 - $700

September 13, 2014

Continental

494 Charles Émile Jacque (French, 1813-1894) Shepherd with Flock of Sheep, signed lower right "Ch. Jacque", oil on canvas with "L'Asset & L'Hote..Paris" colourman stamp, 31-7/8 x 25-3/4 in.; gilt wood frame Provenance: Estate of the late Robert H. Hirsch, by descent in the family Estimate: $6,000 - $9,000

488 Manner of Eugene Verboeckhoven (Belgian, 1798-1881) Sheep and Chickens in a Barn, unsigned, oil on canvas, 22-1/8 x 29-1/8 in.; frame Provenance: Roger Tunis Fine Art, PA Estimate: $1,800 - $2,400

489 Henri de Beul, Jr. (Belgian, 1845-1900) Feeding Time, signed “De Beul, Junior/ 1862”, oil on panel, 6-3/4 x 9 in.; frame Provenance: Private Virginia Collection Estimate: $1,000 - $1,500

492 Jules Bathieu (Belgian, 19th/20th century) Chickens in a Barnyard, signed “J. Bathieu”, oil on canvas, 9-5/8 x 13-1/8 in.; frames Provenance: Private Virginia Collection Estimate: $1,000 - $1,500

493 Claude Guilleminet (French, 1821-1860) Chickens and Ducks in a Barn, signed, oil on canvas, 12 x 10 in.; frame Provenance: James Wilhoit, Virginia Estimate: $400 - $600

495 Charles Émile Jacque (French, 1813-1894) Chickens in a Courtyard, signed “Ch. Jacque”, oil on tin, 6 x 9 in.; modern frame Provenance: Private VA Collection Estimate: $1,000 - $1,500

496 Attributed to Claude Guilleminet (French, 1821-1860) Chickens in Barnyard, signed “Guilleminet”, oil on canvas, 24 x 19-5/8 in.; frame Provenance: Sloans & Kenyon, 2006 Estimate: $600 - $900

497 Aymar (Aimard Alexandre) Pezant (French, 1846-1916) Pastoral Landscape with Cows and Field Worker, signed lower right "Aym. Pezant", oil on canvas, 35-1/8 x 46 in.; carved and gilt wood frame Provenance: Private Collection Estimate: $3,000 - $4,000

For full cataloging and images see our website, www.brunkauctions.com

498 Henri D’Ainecy Montpezat (or Henri Auguste de Montpezat, French, 1817-1859) Two Greyhounds, signed lower right “Montpezat”, oil on canvas, 45 x 57-1/2 in.; modern gilt wood frame Provenance: Christie’s New York labels verso, November 28, 2007, lot 70; Private Virginia Collection Estimate: $10,000 - $15,000

500 Marie Dieterle (French, 1856-1935) Cows Crossing Stream, signed, oil on canvas, 30-3/4 x 40-3/4 in.; original frame Provenance: John Dennison Fine Art, SC Estimate: $3,000 - $5,000

501 Marie Dieterle (French, 1856-1935) Cows and Sheep on a Path, signed lower right "Marie Dieterle", oil on canvas, 27-7/8 x 20-5/8 in.; carved and gilt wood frame Provenance: City Art Museum, Missouri Estimate: $2,000 - $3,000

502 Marie Dieterle (French, 1856-1935) Cows with Shepherd and Dog in Marsh, signed lower left "Marie Dieterle", oil on canvas, 24 x 19 in.; gilt wood and composition frame Provenance: Sloans & Kenyon, 2004 Estimate: $3,000 - $4,000

Condition notes available in back of catalog

September 13, 2014

499 Jean-Emile van Cauwelaert (Belgian, 1860-1907) Changing Pastures, signed, oil on canvas, 28-3/4 x 39-1/4 in.; original frame Provenance: Samuel Gans, Netherlands Estimate: $2,500 - $3,500

Continental

503 Pair Venetian Neoclassical Style Carved and Gilt Wood Mirrors each with urn and dolphin crest over a two-part distressed mirror plate with carved surround, distressed gilded surface, 70 x 28 in. Provenance: Private Collection, NC Estimate: $2,500 - $3,500

September 13, 2014

Continental

508 Mathurin Moreau (French, 1822-1912) Two Allegorical Neoclassical Figures representing Science and Music, signed on bases "Min. Moreau", patinated bronze, 16 in. and 15-1/4 in. Provenance: Mouser Estate, VA Estimate: $1,000 - $1,500

511 Fine Empire Style Patinated Bronze and Siena Marble Console Table probably French, late 19th/early 20th century, thick Siena marble top set on a patinated bronze frame, front legs with busts of Hercules set on boldly formed lion paw legs, 34 x 54 x 23 in. Provenance: Private Collection, NC Estimate: $4,000 - $6,000

504 Louis XV Style Carved and Gilt Wood Petit Point-Upholstered Firescreen French, 19th century, finely carved frame, needlepoint panel, 42 x 27 x 17-1/2 in. Provenance: Ware Collection, TN Estimate: $500 - $700

505 Pair Directoire Style Parcel Gilt and Leather-Upholstered Club Chairs, painted frames, white leather with Greek key highlights, 35-3/4 x 26-1/2 x 23-1/2 in. Provenance: A Tennessee Collector Estimate: $1,000 - $1,500

506 Fine Louis Philippe Rosewood, Brass and Mother-of-Pearl Inlaid Ladyâ&#x20AC;&#x2122;s Sewing Table, French, second half 19th century, 28-1/2 x 21 x 15 in. Provenance: Collection of a Lady Estimate: $300 - $500

507 Venetian Style Diminutive Paint-Decorated Secretary Bookcase, 20th century, printed floral decoration on a red-painted ground, two-case construction, shelved interiors, 73 x 23-3/4 x 17 in. Estimate: $500 - $1,000

509 Pair Louis XV Style Carved and Gilt Wood Upholstered Side Chairs, French, late 19th century, urn and oak leaf carved crests, 37-1/2 x 22-1/2 x 23 in. Provenance: Private Collection, NC Estimate: $600 - $900

510 Two Grand Tour Figural Bronzes (19th/20th century) A Discus Thrower and A Youth, patinated bronze, 11-1/8 in. and 10-1/2 in. Provenance: Private Collection, NC Estimate: $200 - $400

512 Three Grand Tour Figural Bronzes (19th/20th century) Mercury; Discus Thrower; Flute Player, patinated bronze, 7-1/2 in. to 15-1/4 in. Provenance: Private Collection, NC Estimate: $300 - $500

513 Pair Empire Style Gilt Metal and Rouge Marble Figural Table Lamps, probably Continental, early 20th century, winged figure, 25-3/4 in., two silk linen shades Provenance: Private Collection, NC Estimate: $500 - $800

For full cataloging and images see our website, www.brunkauctions.com

514 Pair Louis XVI Style Painted and Upholstered Fauteuil, late 19th/early 20th century, carved frames, ribbon-and-floral crests, down cushion, 39 x 24-1/4 x 25 in. Provenance: Private Estate, NC Estimate: $500 - $700

515 Victorian Carved Walnut and Rouge Marble-Top Center Table, French or American, mid-19th century, finely carved, 28-1/2 x 42-1/2 x 28-1/2 in. Provenance: Ware Collection, TN Estimate: $500 - $1,000

516 Louis XV Style Carved and Needlepoint-Upholstered Salon Suite, French, late 19th century, oak settee 42-1/2 x 56 x 27-1/2 in.; chair 40-3/4 x 29-1/2 x 29 in. Provenance: Ware Collection, TN Estimate: $1,000 - $1,500

517 Louis XIV Style Carved and Bookmatched Oak Rosewood-Inlaid Library Table, late 19th/early 20th century, 291/2 x 78-1/2 x 37-1/4 in. Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

518 Two Aubusson Style Tapestry Panels modern, two similar panels with floral urns and burgundy borders, 8 ft. 5 in. x 4 ft., 8 ft. x 3 ft. 10 in. Estimate: $400 - $800

519 Louis Philippe Carved, Gilt and Caned Bedstead, French, second half 19th century, carved crest and artichoke finials, double-caned footboard, 61-1/2 x 56-1/2 x 96 in. Estimate: $800 - $1,200

520 Pair Louis XVI Style Carved Walnut and Caned Bedsteads, 20th century, floral and ribbon-carved crests, curved head and footboards, 48-1/2 x 43 x 85-1/2 in. Provenance: Property of a TN Collector Estimate: $1,000 - $1,500

521 Pair Louis XVI Style Carved Beechwood and Needlepoint-Upholstered OpenArm Chairs, late 19th/early 20th century, 37-1/2 x 24-1/2 x 24 in. Provenance: Ware Collection, TN Estimate: $500 - $700

522 Louis XVI Style Carved and ParcelPainted Upholstered Sofa, 20th century, distressed paint, damask upholstery by Manuel Canovas, 36 x 67 x 29 in. Provenance: Private KY Collection Estimate: $600 - $900

523 Pair Carved White Marble Architectural Panels, probably 20th century, each with central winged cherubâ&#x20AC;&#x2122;s head, relief decoration, 24-1/2 x 26-1/4 x 2-1/2 in. Provenance: Private Collection Estimate: $500 - $1,000

524 After Biggi Fausto (Italian, 19th century) Girl Seated in Chair, signed on base "= Biggi Fausto= Carrara", cast stone and resin, 25-1/2 x 14-1/4 x 10-1/4 in. Estimate: $200 - $300

525 Rafaello Battelli (Italian, 19th/20th century) Portrait of a Young Woman, signed, marble 42-1/2 in. alabaster pedestal Provenance: Ware Collection, TN Estimate: $1,000 - $2,000

526 Venetian Baroque Style Carved and Gilt Wood Upholstered Open-Arm Chair Italian, probably 19th century, finely carved frame, 43 x 30 x 27-1/2 in. Provenance: Ware Collection, TN Estimate: $800 - $1,200

Condition notes available in back of catalog

September 13, 2014

Continental

527 Suite of Four Sèvres Style GiltEncrusted and Framed Porcelain Plates French, late 20th century, gilt and “jeweled” ground, Sèvres style mark, 10-1/2 in. Provenance: Ware Collection, TN Estimate: $1,000 - $2,000

528 Fine Dresden Hand-Painted and GiltDecorated Ram’s Head Jardinière French, 20th century, four cut-out handles, gilt rams’ heads, “Dresden”, “835 Deposé”, 12-3/4 x 14-3/4 in. Estimate: $800 - $1,200

529 Louis XV Style Gilt Bronze Clock Garniture 20th century, comprising a large pair of six-light candelabra and a central clock, all with elaborate scroll decoration, clock 28 x 16 x 10 in., pair candelabra 28-1/2 x 16-1/2 in. Provenance: Ware Collection, TN Estimate: $2,000 - $3,000

September 13, 2014

Continental

532 Hamadan Rug early to mid-20th century, central medallion, geometric and floral designs on cobalt ground, corner work with dentil and stepped borders, 4 ft. 5 x 6 ft. 8 in. Estimate: $400 - $800

533 Kashan Rug early to mid-20th century, central medallion with drops on red field, curvilinear and floral designs, cobalt and ivory highlights, 4 ft. 5 in. x 7 ft. 3 in. Estimate: $400 - $800

530 Pair Italian Neoclassical Style Parcel Gilt and Turquoise-Painted Urns, Italian, 20th century, each in form of half urn, flame finials, open handles, 21 x 10-3/4 in. Provenance: Private Estate, NC Estimate: $400 - $600

531 Three Pieces Meissen Porcelain German, late 19th/20th century: pair jardinières, putti handles, 4-1/2 x 5-1/2 in.; figural putto with bicycle, 6-1/4 in. Provenance: Garbee Collection, Georgia Estimate: $400 - $700

534 Sarouk Rug mid to late 20th century, rich red field with typical floral and urn designs, green and blue highlights, 4 ft. 3 in. x 6 ft. 8 in. Estimate: $600 - $900

535 Heriz Rug mid to late 20th century, three medallions on a red field, quadrupeds, floral and geometric designs, blue, olive and green highlights, 4 ft. 8 in. x 6 ft. 5 in. Estimate: $400 - $800

For full cataloging and images see our website, www.brunkauctions.com

538 Large Meissen Porcelain Figural Group, German, late 19th/early 20th century, three winged putti painting a portrait, naturalistic base, crossed swords mark in underglaze blue, 7-1/2 in., Estimate: $600 - $900

539 Three Meissen Porcelain Figural Groups, German, late 19th/early 20th century: gilt highlights, blue crossed swords marks, 3-1/2 in. to 6-1/2 in. Estimate: $1,000 - $1,500

540 Monumental Pair SĂ¨vres or SĂ¨vres Style Hand-Painted and Gilt Porcelain Urns French, late 19th/early 20th century, Louis XV and Marie Antoinette, marks, 25 in. Provenance: Private Collection Estimate: $5,000 - $7,000

541 Twelve Porcelain Blue Onion Pattern Table Articles, German, late 19th/20th century: two lamps, teapot, two pairs Meissen dishes, coasters, breadboardform cutting board, circular trivet Estimate: $200 - $400

542 Six Meissen Porcelain Figures German, 20th century, all with blue crossed swords mark in underglaze blue: horse, cat, winged eagle, young man with green coat, two putti wtih flowers Estimate: $400 - $700

543 Meissen Streublumen Pattern Dinner Service, 162 Pieces, German, 20th century: 12 each various size plates, cups, platters, bowls, cake stand, tureens Estimate: $3,000 - $5,000

544 Nine Meissen Porcelain Cabinet Plates and Shallow Bowls, German, late 19th/early 20th century, all with hand-painted floral and fruit decoration, crossed swords mark, 9 in. to 11-1/4 in. Estimate: $600 - $900

545 Tabriz Style Rug mid to late 20th century, finely woven, ivory central medallion on a red field, 4 ft. 1 in. x 6 ft. 5 in. Provenance: Private Virginia Collection Estimate: $600 - $900

546 Tabriz Style Rug mid to late 20th century, central medallion with drops and ivory corner work on a salmon ground, 3 ft. 6 in. x 5 ft. 6 in. Provenance: Private Virginia Collection Estimate: $600 - $900

547 Tabriz Style Carpet mid to late 20th century, elaborate central medallion with drops on a red field, 10 ft. 6 in. x 13 ft. 6 in. Provenance: Private Virginia Collection Estimate: $800 - $1,200

548 Tabriz Style Carpet mid to late 20th century, curvilinear central medallion on red ground, elaborate corner work, 9 ft. 11 in. x 13 ft. Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

six of 12

16 of 162

Condition notes available in back of catalog

II Continental

537 Hochst Porcelain Figural Group German, early 20th century, hand-painted, depicting family picking grapes, grass and rock mound, pinwheel and cross mark in underglaze blue, "VB"(?), 8-5/8 in. Estimate: $400 - $700

September 13, 2014

536 Pair Meissen Porcelain Putto Figural Salts, German, late 19th/early 20th century, each hand-painted with seated putto holding a flower, underglaze blue Meissen mark with asterisk, incised "2028", 5 in. Estimate: $600 - $900

549 Three-Piece Suite of Venetian Fantasy Style Furniture modern, two armchairs, scrolled dolphin arms, 41 x 25 x 23 in.; side table, 26-1/4 x 24 in. Provenance: Private Florida Collection Estimate: $1,000 - $2,000

550 Venetian Baroque Style Carved Walnut Lectern, 19th century, lectern or music stand, top with scrolled leaf-carved surround, carved and scrolled support on tripod base, 50 x 25-1/2 in. Estimate: $300 - $500

551 Pair Ebonized and Gilt Bronze Venetian Style Blackamoor Candleholders 20th century, each elaborately dressed figure holding a tall candleholder, quatreform platform bases, 16 in. Estimate: $300 - $500

552 After Georg Raphael Donner (Austrian, 1693-1741) Allegorical figure for Providence, signed, patinated bronze on marble base, 19 in. Provenance: Private Collection, SC Estimate: $600 - $1,200

554 Rococo Style Carved and Parcel Gilt Mirror, late 20th century, elaborately carved with cartouche over swan figure, rocaille and twig motifs, 64-1/2 x 32 in. Provenance: Ware Collection, TN Estimate: $800 - $1,200

555 Vintage Painted Three-Panel Room Screen, early 20th century, each arched canvas panel with rose decoration on dark ground, black backs, tacked edges, 67-1/4 x 51-3/4 in. Estimate: $100 - $300

557 Brass-Mounted Mahogany Hanging Corner Rack, late 19th/early 20th century, bow-front form set with brass curtain railing, 15-1/4 x 33 x 24 in. Provenance: Private Atlanta Collection Estimate: $100 - $300

558 Vintage Painted Canvas Three-Panel Room Screen, early 20th century, urn of flowers and an exotic bird on a brick and stone wall, brass studs, 67-3/4 x 58 in. Provenance: Private Collection Estimate: $500 - $700

559 Continental Neoclassical MarquetryInlaid Fruitwood Pier Mirror, probably Italian, 19th century, medallions, rosettes, berry and urn decoration, 78-1/2 x 38 in. Provenance: Private Collection Estimate: $1,000 - $1,500

560 Pair Italian Provincial Figured Walnut Two-Drawer Petit Commodes, 20th century, incorporating some early elements, inlaid tops, 29 x 19 x 11-1/2 in. Provenance: Private Kentucky Collection Estimate: $800 - $1,200

553 Classical Style Dolphin-Carved Pier Table, 20th century, triple dolphin support, gadroon-carved plinth base, distressed painted surface, 34 x 46 x 24 in. Provenance: Private Florida Collection Estimate: $800 - $1,200

September 13, 2014

Continental

556 Pair Venetian Baroque Style Rock Crystal and Parcel Gilt Two-Light Sconces probably Italian, 20th century, each with rock crystal urn issuing leaf-and-floral scrolled arms in gilt wrought iron and rock crystal, leaves with silver leaf backing, some elements probably glass crystals, 26-1/2 x 11 x 4-3/4 in. Provenance: Private Collection, NC Estimate: $2,000 - $3,000

For full cataloging and images see our website, www.brunkauctions.com

563 Meissen Porcelain Parrot early 20th century, parrot with bright plumage perched on a floral-decorated tree stump, blue crossed swords mark, "A43A", "185", 16-1/2 in. Estimate: $1,500 - $2,500

564 Meissen Porcelain Eagle on Rocky Perch, German, 20th century, Meissen mark in underglaze blue with incised designer’s initial’s “OW”(?), 16 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

565 Fine Swedish Neoclassical Style Carved and Gilt Wood Cartel Clock late 19th/early 20th century, dial signed "Rob. Engstrom Stockholm", wheat-sheaf-andribbon carved finial over painted dial flanked by fluted torches with rose finials over flag-decorated base, with pendulum and winder, 39 x 20 in. Estimate: $2,000 - $3,000

566 Three-Piece Oval Bronze Jardinière, Pair Circular Jardinières, probably Continental, late 19th century: oval, 9-1/2 x 24-1/4 x 5-3/4 in.; pair 9 x 10-1/2 in. Provenance: Haverfield Collection, FL Estimate: $600 - $900

567 Pair Gilt Metal and Carved Glass Wall Sconces, French, 20th century, each with glass perched parrot on two-tier vase, gilt metal mount, 19-1/4 x 11 x 5 in. Provenance: Tennessee Collector Estimate: $1,000 - $1,500

568 Pompeian Style Patinated Bronze Brazier on Stand late 19th/early 20th century, tripod figural supports with cross-stretcher and depicting satyrs, paw feet, 37 x 19-1/2 in. Provenance: Private Collection, NC Estimate: $1,500 - $2,500

570 Pair Gothic Style Composite Gilt and Painted Italian Table Lamps with Shades, each candlestick form with black and gilt enamel, stepped tripod bases, Chelsea House silk shade, 36-1/2 in. Estimate: $300 - $500

571 Gothic Revival Carved and PaintDecorated Altar-Form Cabinet probably Continental, 19th century, open upper section with painted and carved finials, cluster columns, reliefcarved and painted angels, lower section with polychromed quatrefoil frieze over cluster column centering three carved and painted cabinet doors, top and bottom sections both with doors opening from the back, 82 x 67 x 28-1/2 in. Estimate: $1,000 - $2,000

569 Venetian Baroque Style Carved, Painted and Parcel Gilt Loveseat, late 19th/early 20th century, painted frame, silk upholstery, down cushions, 36 x 46-3/4 x 25 in. Provenance: Private Estate, NC Estimate: $800 - $1,200

Condition notes available in back of catalog

II Continental

562 Pair Classical Style Bronze and Black Marble Campana Urns, probably French, late 19th century, female masks at sides and handle mounts, 15 in. Provenance: Ware Collection, TN Estimate: $500 - $1,000

September 13, 2014

561 Neoclassical Carved and Gilt Wood Courtship Mirror, Continental, 19th century, floral and tassel-carved frame, 29-1/2 x 16-1/2 in. Provenance: Collection of a Lady Estimate: $200 - $200

573 French School (19th/20th century) Vers L’Opera, frameplate attribution Tissot, oil on canvas, 27-1/4 x 21-1/2 in. Provenance: Hirsch Estate, Sarasota, FL Estimate: $500 - $1,000

572 Gustav Vilhelm Blom (Danish, 1853-1942) The Dance, 1880, signed lower left with monogram "VB.", oil on canvas, 46-1/2 x 68-1/4 in.; gilt wood and composition frame Provenance: Private Collection, NC Estimate: $5,000 - $7,000

September 13, 2014

Continental

574 German School (20th century) Portrait of Dorothea Frederikke, oil on canvas, 30-1/4 x 24-1/2 in.; frame Provenance: Private Collection, NC Estimate: $300 - $600

575 Friedrich Carl Gröger (German, 1766-1838) Mr. and Mrs. Gebauer, He, signed "Gröger Pinx 1812" (?); and She, signed "Gröger Pinx 1811", both oil on canvas, 40-1/2 x 35 in.; both gilt wood frames Provenance: Private Collection Estimate: $2,000 - $4,000

576 Mora (European, 19th century) Stubborn Eater, signed “F (?) Mora”, oil on canvas, 16-3/4 x 8-1/2 in.; original frame Provenance: Private Collection Estimate: $500 - $700

577 Continental School (19th century) A Couple Praying, signed with monogram “HS”, oil on panel, 9-1/4 x 6-5/8 in.; frame Provenance: Collection of a Lady Estimate: $300 - $500

578 Fine Large Berlin Plaque (late 19th century) The Love Letter "My dearest Gretel!..", stamped verso "K.P.M.", and "H", handpainted porcelain, 16-1/4 x 12-3/8 in. Estimate: $4,000 - $6,000

579 Frédéric Grosclaude (French/Swiss, circa 1849-1892) Woman Blowing Bubbles, signed, pastel on paper on canvas, 25-1/2 x 20 in.; frame Provenance: Private Collection Estimate: $800 - $1,200

580 Five Pieces Art including Harbor With Wreck; Portrait of a Bearded Man, various media and artist, 3-1/4 x 2-1/2 in. to 10-1/2 x 7-7/8 in. Provenance: New York Collection Estimate: $400 - $600

For full cataloging and images see our website, www.brunkauctions.com

581 Federico del Campo (Peruvian,1837-1927) A View of the Canal della Giudecca with shipping and views of Chiesa dei Gesuati and San Giorgio Maggiore, signed lower left “F. del Campo./Vencia 1899”, oil on canvas, 14-1/4 x 23-1/2 in.; original gilt wood and composition frame by Henry Schultheis Company, New York City (label verso) Provenance: John Frederick and Elizabeth Mane, New York, New York/Jersey City, New Jersey; by descent in family Estimate: $130,000 - $160,000 The tradition of the Grand Tour began in the 17th century and extended into the early 20th century. It afforded the European elite upper class, mainly young men, to gain exposure to the roots of Western civilization. The upper class in America also joined in this tradition, traveling throughout Europe with unlimited funds at their disposal and commissioning paintings to be shipped back to their homes as evidence of their broad journeys, cultural knowledge and affluence.

II Continental

One of the most sought after mementos of the Victorian era Grand Tour were views of Venice. Federico Del Campo had few rivals in the effort to provide the elite with stunning representations of both the unique Venetian architecture and the light variations found in this city. A native of Lima, Peru, Federico Del Campo showed great promise as an artist and was sponsored by a patron to study in Paris and later in Madrid. After traveling extensively and holding successful exhibitions in France and Spain, he settled in Venice and perfected his technique. Characteristic of his Venetian paintings are both strong atmospheric light and lively detail depicting the tourist laden city. This particular painting represents the popular view of San Giorgio Maggiore from the Canal della Giudecca. It shows a bustling city in strong light with a view of tall masted ships, reminiscent of a time when Marco Polo opened up trade between Asia and Europe for the first time by way of Venice. To the right, sunlight strongly hits the façade of the Chiesa dei Gesuati. This painting has been retained by the family since the time of their own Grand Tour and has never been previously offered.

detail

Condition notes available in back of catalog

September 13, 2014

detail

583 Antoine Vollon (French, 1833-1900) Still Life, signed, “A. Vollon”, oil on panel, 12-5/8 x 9-1/4 in.; original frame Provenance: Parke-Bernet, New York Estimate: $1,000 - $1,500

582 Victor Charreton (French, 1864-1937) La Ruisseau de la Moune à St. Amant-Tallende, signed lower left "Victor Charreton", oil on fiberboard, 19-5/8 x 24-1/4 in.; gilt wood and composition frame Provenance: Private Collection Estimate: $4,000 - $6,000

586 Ali Chitsaz (Iranian, 20th century) View of a Mosque, 1965, signed, oil on canvas, 31-1/2 x 23-3/4 in.; frame Provenance: R.A. Hayrapetyan, Iran Estimate: $300 - $500

Continental September 13, 2014

584 Horace Duchene de Vere (French, 19th/20th century) Woman Gazing out a Kitchen Window, signed, oil on canvas, 19 x 15 in.; frame Provenance: Madison Gallery, Georgia Estimate: $1,000 - $2,000

585 European School (19th century) Saladin after the Capture of Jerusalem, receiving homage and salutations of Muslim citizens., unsigned, oil on canvas, 47-1/2 x 67 in.; original gilt wood and composition frame Provenance: Tennessee Collector Estimate: $3,000 - $4,000

For full cataloging and images see our website, www.brunkauctions.com

587 Walter Sauer (Beligian, 1889-1927) Portrait of an Arabic Man, 1926, signed, graveur on paper, 13 x 9 in.; frame Provenance: Private Collection Estimate: $50 - $150

589 Julien Caussé (French, 1868-1909) La Fleur des Glaciers, late 19th/early 20th century, patinated spelter on red marble base, 33-3/4 in. Estimate: $500 - $1,000

590 Alberto Pasini (Italian, 1826-1899) View of the Alhambra, 1892, signed lower left "A. Pasini" and inscribed indistinctly lower right, oil on canvas, 21-1/8 x 14 in., original gilt wood and composition frame, Provenance: John Frederick and Elizabeth Mane, New York, New York/Jersey City, New Jersey, by descent Estimate: $10,000 - $15,000

Condition notes available in back of catalog

September 13, 2014

Continental

588 Félix Ziem (French, 1821-1911) On the Bosporus with View of Constantinople, figures under trees with Caique, signed lower left “Ziem”, oil on panel, 16-1/4 x 26-1/4 in.; original gilt wood and composition frame Provenance: Ex-Collection Henry L. Quick, New York, circa 1908; Estate of the late Robert H. Hirsch, by descent in the family Estimate: $12,000 - $18,000 Exhibited: Brooklyn Institute of Arts and Sciences Museum, New York, New York, (old exhibition label verso) forebear of the Brooklyn Museum

September 13, 2014

Continental

591 Maximilien Luce (French, 1858-1941) Les Dindons and Coeur de ferme, signed, ink on paper, 9-5/9 x 12-3/4 in. Provenance: Royer S. A., Paris, France Estimate: $500 - $700

592 Jean Jacques Henner (French, 1829-1905) Landscape with Pond, signed, oil on canvas, 13 x 21-3/4 in.; frame Provenance: Private Atlanta Collection Estimate: $1,000 - $1,500

593 Manner of André Derain (French, 1889-1954) Figure in Red, signed “Derain”, oil on panel, 8-1/2 x 6-1/8 in.; gilt wood frame Provenance: New York Collection Estimate: $300 - $500

594 Albert Guillaume (French, 1873-1942) La réveille, signed “A. Guillaume”, oil on panel, 16-1/8 x 12-3/4 in.; frame Provenance: Hirsch Estate, by descent Estimate: $2,000 - $3,000

595 Raymond Casez (French, 20th century) Sunlit Interior, signed “Raymond Caser...”, oil on fiberboard, 9-1/2 x 12-3/4 in.; frame Provenance: Private Collection, NC Estimate: $300 - $500

596 Attributed to Madeleine Marie Aimé (French, 20th century) Processional, signed “M. Aimé”, oil on fiberboard, 11-1/2 x 8-1/4 in.; frame Provenance: Private Collection, NC Estimate: $200 - $300

597 Eugène Bégarat (French, 1943) Jour de Vent en Bretagne, signed, oil on canvas, 19-5/8 x 24 in.; frame Provenance: Sotheby’s Arcade, NY, 2006 Estimate: $400 - $800

598 Manner of Eugène Galien-Laloue (French, 1854-1941) Parisian Street Scene, signed lower right indistinctly, oil on fiberboard, 10 x 12 in.; carved, painted and gilt wood frame Estimate: $400 - $600

599 Manner of Eugène Galien-Laloue (French, 1854-1941) Spanish Street Market, signed lower left indistincly, oil on canvas, 20 x 28 in.; carved, painted and gilt wood frame Estimate: $600 - $900

600 Manner of Diaz de la Peña (French, 1808-1876) Woodland with Figures on a Track, signed “N.D.”, oil on panel, 4-5/8 x 7-5/8 in.; gilt wood and composition frame Estimate: $300 - $500

601 Manner of Diaz de la Peña (French, 1808-1876) Woodland Landscape, signed “N.D.”, oil on panel, 4-5/8 x 7-5/8 in.; frame Provenance: Private Collection Estimate: $200 - $400

602 Italian School (20th century) Italian Market, signed “.di. Gennaro.”, oil on canvas, 23-3/8 x 31-3/8 in.; carved and gilt wood frame Estimate: $400 - $600

603 Romolo Leone (Italian, 1885-1958) Pescatori a Napoli (Fishermen at Naples), signed “Romolo Leone/Napoli”, oil on canvas, 19-1/8 x 27-1/8 in.; gilt frame Estimate: $500 - $700

604 Manuel Mensa Salas (Spanish, 1875-1938) Spring Landscape, signed “M. Mensa”, oil on canvas, 51-1/2 x 81-1/2 in.; frame Provenance: Ware Collection, TN Estimate: $1,000 - $2,000

605 Royal H. Millegan, Chagall (20th century) Landscape, “Royal H. Millegan”, 13-1/2 x 19-1/4 in.; Les Fables, “Chagall”, 4 x 14 in. Provenance: Hirsch Estate, by descent Estimate: $100 - $200

For full cataloging and images see our website, www.brunkauctions.com

609 19th Century Frame painted wood and composition frame with crest, shell and acanthus decoration, 36 x 48-1/4 in. (rabbet), 49-1/2 x 62-1/4 in. (exterior), 7 in. (width), 4 in. (depth) Estimate: $200 - $400

610 Fine Florentine Frame (19th century) hand-carved and gilt wood frame, 29-1/4 x 35-3/4 in. (rabbet), 45 x 52-1/2 in. (exterior), 8 in. (width), 4-1/2 in. (depth) Estimate: $800 - $1,200

611 Five Ornithological Prints (European, 19th century) Water Birds, four after Alexander Wilson, engraving, 13-3/4 x 10-1/2 in.; frames Provenance: Private Collection Estimate: $200 - $400

612 After Maurice Utrillo (French, 1883-1955) Montmartre, signed “Maurice Utrillo..”, gouache on card, 9-1/2 x 12-1/4 in.; frame Provenance: David Findlay Galleries, NY Estimate: $200 - $300

613 Continental School (19th/20th century) Still life with Harlequin Doll Seated in a Chair, unsigned, oil on canvas, 35-1/4 x 24-1/4 in.; modern gilt wood frame Estimate: $300 - $500

614 Hubert Bauer (German, 20th century) River Landscape, signed lower left "H. Bauer", oil on canvas, 12 x 16 in.; molded gilt wood frame Estimate: $100 - $200

615 Jansson, Veteris Pannonia Map Veteris Pannonia Utriusque Nec Non Illyrici, Joannis Jansson geographer, circa 1647, hand-colored, 22-1/2 x 26 in. Provenance: Private Collection Estimate: $200 - $400

616 Two Hand-Colored Maps, Siberia and Persia, A New and Accurate Map of Persia, Emanuel Bowen, 16 x 18-1/2 in.; with Carte de la Siberie…, 16 x 19-1/4 in. Provenance: Private Collection Estimate: $100 - $400

617 Three Framed Hand-Colored Maps “A New and Accurat Map of the World”; “Tiipus Orbis Terrarum”, Phillipe Galle; “A Map of New France…” Provenance: Private Collection Estimate: $500 - $800

618 Marshall, New Map of South America, 1774, printed and sold by R. Marshall, No. 4 in Aldermary Church Yard, London, hand-colored, 24-1/4 x 39 in. Provenance: Private Collection Estimate: $400 - $800

Condition notes available in back of catalog

II Continental

608 Manner of Francesco Guardi (Italian, 1712-1793) Venetian Scene, a mid-20th century decorative painting, signed indistinctly, oil on canvas, 24 x 36 in.; gilt wood frame Estimate: $300 - $500

September 13, 2014

606 Manner of Diaz de la Peña (French, 1808-1876) Woodland Landscape, signed lower right “N. D.”, oil on panel, 6-1/4 x 3 in.; gilt wood and composition frame Estimate: $300 - $500

607 Alois Arnegger (Austrian, 1879-1967) Winter View of Kitzbühel, Austria, signed lower right "A. Arnegger", oil on canvas, 24 x 36 in.; original gilt wood and composition frame Provenance: Benefit the UUFH Arts Fund Estimate: $2,000 - $3,000

619 Louis XVI Style Gilt Bronze Mantle Clock Retailed by Tiffany & Co. French, late 19th century, works marked “Made in France 247472”, dial marked “Tiffany & Co.”, 13-1/2 x 11 x 4-1/4 in. Provenance: Private Collection Estimate: $1,200 - $1,800

September 13, 2014

Continental

620 Three-Piece Gilt Metal and Porcelain Clock Mantle Garniture Set, French, 20th century, clock with porcelain panels, 111/2 in.; pair candelabrum, 15-3/4 in. Provenance: Private Kentucky Collection Estimate: $800 - $1,200

621 Sèvres Porcelain Hand-Painted Figural Sedan Chair, French Vase French, early 20th century: hand-painted sedan chair with Marie Antoinette, 9-1/4 in.; finely enameled vase, 5-1/2 in. Estimate: $300 - $500

623 Pair Empire Style Crystal and BrassMounted Urn-Form Lamps, attributed to Baccarat, 20th century, each faceted crystal urn set with brass scroll handles and mask-form mounts, 24 in. Estimate: $500 - $1,000

624 Pair Samson Chinese Export Style Enameled Porcelain Urns, French, 19th century, leaf-form scrolled handles, armorial crest, Samson mark, 19-3/4 in. Provenance: Jordan Collection, LA Estimate: $500 - $1,000

622 Very Fine Gilt Bronze and SèvresMounted Barometer, French, 19th century, dial signed “Passemant Au Louvre”, oval porcelain plaque, 41 x 11 in. Provenance: Private Collection, NC Estimate: $2,500 - $3,500

625 Sitzendorf Hand-Painted Porcelain Four-Piece Mantle Garniture, German, 20th century, clock and stand with figural putti, “Germany”, 18-1/2 x 11 x 6-1/2 in. Provenance: Private Collection Estimate: $800 - $1,200

626 Finely Molded Capodimonte Centerpiece, Italian, early 20th century, platform with four gargoyle supports, lion’s head masks, 14-3/4 x 10-3/4 in. Provenance: Private Collection, SC Estimate: $600 - $900

627 Fine Louis XV Gilt Bronze and Enameled Cartel Clock, second half 19th century, dial “A Beurdeley Fils à Paris”, works “J Lefebre Fils”, 21 x 8-1/4 in. Provenance: Private Collection, NC Estimate: $2,000 - $3,000

628 Hamadan Runner early to mid-20th century, floral patterns on a rust red field, florets on cobalt ground, ivory, yellow, and green highlights, 3 ft. 4 in. x 12 ft. 4 in. Estimate: $600 - $900

629 Heriz Carpet mid-20th century, central medallion with drops on a red field, ivory and green highlights, 6 ft. 8 in. x 9 ft. 7 in. Estimate: $800 - $1,200

630 Indo Tabriz Carpet mid to late 20th century, ivory field with floral and vine designs, olive and blue highlights, 6 ft. 3 in. x 7 ft. 5 in. Estimate: $400 - $800

631 Baktiari Carpet early to mid-20th century, central panel with rows of geometric devices, major border with ivory ground, florets, cruciform and hooks 7 ft. 2 in. x 12 ft. 8 in. Estimate: $1,000 - $1,500

For full cataloging and images see our website, www.brunkauctions.com

634 Rudolstadt Porcelain Figural Group German, Ernst Bohne Sohne (18541921(?)), hand-painted depicting five girls holding hands and circling, marked "EBS", blue anchor mark and "533", 6-5/8 in., Estimate: $100 - $300

635 Reticulated SĂ¨vres Porcelain Center Mangani Porcelain Candleholders French and Italian, 20th century: SĂ¨vres bowl, 4-1/8 x 13 in.; candleholders, 10 in. Provenance: Private NC Estate Estimate: $600 - $900

636 Monumental Pair Paris Porcelain Hand-Painted and Gilt Urns French, 19th century, each with elaborate enameled and gilt decoration, front with finely hand-painted depictions of courtiers, floral panels verso, 24-1/4 in. Provenance: Ware Collection, TN Estimate: $3,000 - $5,000

637 Three Meissen Porcelain Figures German, 19th and 20th century: pair four seasons figures, 5 in.; girl with doll, 6 x 5 x 3-1/4 in. Provenance: Private Collection, IN Estimate: $600 - $900

638 Pair Porcelain Tazzas, Ewer, Covered Urn, German, 20th century: pair reticulated tazzas, 9 in.; covered urn, 12 in.; covered ewer, 14-3/4 in., all floral, grape and vine encrusted Estimate: $300 - $500

639 Pair Meissen Porcelain Compotes German, late 19th/early 20th century, hand-painted and gilt decorated with finely scalloped borders, crossed swords marks in underglaze blue, 4-1/2 x 9 in. Estimate: $600 - $900

640 Dresden Porcelain Coffeepot, Capodimonte Coffeepot, German and Italian, early 20th century: Dresden heavily gilt, 8-1/4 in.; Capodimonte, 7 in. Provenance: Private Collection, SC Estimate: $300 - $500

643 Afshar Rug early to mid-20th century, two large geometric medallions on a boteh filled red field, ivory and cobalt highlights, 5 ft. 1 in. x 6 ft. 6 in. Estimate: $600 - $900

644 Heriz Runner early to mid-20th century, seven medallions on a brick red field, geometric, hooked and cruciform designs, green and blue highlights, 2 ft. 9 in. x 10 ft. 7 in. Estimate: $800 - $1,200

641 Hamadan Runner mid 20th century, cobalt central panel, geometric and floral designs, ivory field major border, 3 ft. 5 in. x 13 ft. 2 in. Estimate: $600 - $900

642 Heriz Carpet early to mid-20th century, central panel with red ground with typical designs, blue and yellow highlights, 7 ft. 9 in. x 10 ft. 10 in. Estimate: $800 - $1,200

Condition notes available in back of catalog

II Continental

633 Pair Famille Rose Style Porcelain Tea Caddies, French, late 19th century, heavily enameled floral decoration, probably Samson with faux Chinese signature in brick red, 9 x 4-3/8 x 2-3/4 in. Estimate: $200 - $400

September 13, 2014

632 Four Chinese Export Famille Rose Plates, possibly Samson, French, 19th century, heavily enameled centers, floral borders, unmarked, 9 in. Provenance: Private Collection, GA Estimate: $100 - $300

detail

645 French Brass Butcher Shop Standing Scale early 20th century, horned steer-head finial, two brass balance scales, 5-1/2 in. and 15 in. pans, weights 5 kg. to 5 grams, 61-3/4 x 40 in. Estimate: $2,000 - $4,000

September 13, 2014

Continental

650 Nine Pieces Continental Porcelain Meissen man and woman, Meissen goat, man playing trumpet, man in blue coat, three small figures, German beer stein, 2-3/4 in. to 7 in. Estimate: $300 - $500

651 Continental Hand-Painted Bentwood Bride’s Box, 19th century, hand-painted floral and scenic designs, 1828 below two lines of German, 7-1/4 x 18-5/8 x 12 in. Provenance: Private SC Collection Estimate: $100 - $400

654 Large Collection Steam Engines and Accessories, Wooden Sailboat Model by Mamod Wilesco, Others, German, English, American, 59 pieces Provenance: Private Atlanta Collection Estimate: $3,000 - $5,000

646 Marquetry-Inlaid Burlwood Vintage Music Box, Swiss, late 19th/early 20th century, original label with song list, single cylinder, 7-1/2 x 25-1/2 x 12 in. Provenance: Private Atlanta Collection Estimate: $1,000 - $2,000

647 Emmanuel Frémiet (French, 1824-1910) Cat Playing with a Ball of Yarn, signed patinated bronze, 4-1/2 x 6-1/2 x 4-3/4 in. Provenance: Mouser Estate, VA Estimate: $400 - $600

648 Two Figural Busts (19th /20th century) Mercury, 8-7/8 in.; Beauty with Butterfly, 10-1/2 in., both patinated bronze Provenance: Private Collection, SC Estimate: $300 - $500

649 Louis Kley (French, 1833-1911) Two figural bronzes: Cupid, 4-1/2 in.; Putti with Mask, 7 in., both signed, bronze Provenance: Private Collection, NC Estimate: $200 - $400

652 Herend, Royal Dux, Tiffany Ceramic Pieces, two Herend chicken figures; Royal Dux rooster; Tiffany hen on nest; two Italian chicken lamps, 4-1/2 in. to 11-1/2 in. Provenance: Private Virginia Collection Estimate: $200 - $400

653 Collection of Porcelain Lithophane Panel, 24 Pieces, German, late 19th/ early 20th century, most stamped “PPM” (Pensaich Porzellan Manufactur in Plaue), largest 5-1/4 in. Estimate: $300 - $500

655 Cut Glass Bowl, Pair Decanters, Baccarat Covered Jar, French, early 20th century: cut bishop’s hat crystal bowl, 4-1/4 x 11 in.; pair decanters, 9-1/4 in.; signed jar Provenance: Stone Collection, NC Estimate: $300 - $500

656 Five Porcelain Figurines, Various German Makers, late 19th/early 20th century: Meissen boy wtih grapes; Dresden girl with pink dress; musician playing a horn; lavender coat, “D”; Hochst woman Estimate: $400 - $600

For full cataloging and images see our website, www.brunkauctions.com

ten of 24

657 Pair Gilt Brass and Felt-Lined Epaulets Spanish, 19th century, tabs signed “Blanco G. Torino”, fishscale designs in gilt brass set with silver emblems, 6-1/2 x 4-1/4 in. Provenance: Hirsch Estate, by descent Estimate: $100 - $200

658 After Louis-Marie Morise (French, 1818-1883) Equestrian figure of Napoleon, a 20th century casting, bronze, 24 x 25 x 8 in. Provenance: Private Collection Estimate: $1,200 - $1,800

detail

659 Pair Napoleon III Gilt and Silver-Plated and Onyx Five-Light Candelabrum, French, second half 19th century, “Henri Picard”, mask and griffin stand, 24 in. Provenance: Ware Collection, TN Estimate: $600 - $900

660 Pair Napoleonic Porcelain Lamps 20th century, large-scale urns with Napoleonic wreath encircling “N”, signed Garnier, 15-3/4 in. top of urn Provenance: Private Collection, TN Estimate: $800 - $1,200

661 Raffaello Romanelli (Italian, 1856-1928) Napoleone a Cavallo, “Raffaello Romanelli”, bronze, 20-3/4 x 20-1/2 x 6 in. Provenance: Galleria d’Arte Palazzo Strozzi Estimate: $3,000 - $5,000

662 Four Pieces Napoleonic Memorabilia 19th and 20th centuries: two busts on marble plinths, 6-3/4 in. and 3-3/4 in.; enameled box; matchbox with plaque Provenance: Hirsch Estate, by descent Estimate: $100 - $300

663 Four Porcelain Napoleon Figures Continental, probably 20th century, various makers, two standing, two on horseback, one with Chelsea marks, largest Capodimonte, 8-5/8 in. Estimate: $300 - $500

664 Napoleonic Library: 42 Leather-Bound Napoleon Volumes including rare copy Lieut. G. W. Picton, The Battle of Waterloo, circa 1816; etc. Provenance: Hirsch Estate, by descent Estimate: $2,000 - $3,000

665 Napoleonic Library: 59 Cloth-Bound Volumes, including Napoleon and the Invasion of England, 1908; Memoirs of Napoleon Bonaparte, 1885; etc. Provenance: Hirsch Estate, by descent Estimate: $500 - $700

666 Signed Napoleon Document entitled “Rapport a sa Majeste l’Empereau et Noi”, dated 1807, states that Colonel M. Lacour was injured, 13 x 8-1/2 in.; frame Provenance: Hirsch Estate, by descent Estimate: $600 - $900

667 Signed Napoleon Document entitled “Brevel de Capitaine du train d’artillerie”, details the service of Captain Edme Devarrannes, 13 x 8-3/4 in.; frame Provenance: Hirsch Estate, by descent Estimate: $500 - $700

Condition notes available in back of catalog

668 Two Napoleonic Works (19th/20th century) Napoleon Reviewing His Troops, ink wash, 12 x 15 in.; Napoleon, 18-3/8 x 16-3/8 in. Provenance: Hirsch Estate, by descent Estimate: $200 - $400

September 13, 2014

Continental

670 Delft Blue and White Tile Panel Depicting a Hunter and Squire, Portuguese, probably 18th century, attribution to Bartholomew Antunes, 34 x 35-1/2 x 1-1/4 in. Provenance: Private Collection Estimate: $1,000 - $2,000

669 Continental Baroque Burlwood, Marquetry and Pietra Dura-Inlaid Cabinet Over Desk probably Northern Italian or German, 18th century, upper case with stepped frieze and marquetry-inlaid prospect door, opening to a paper-lined interior with two dovetailed drawers and flanked by eight burlwood drawers each set with a pietra dura tablet, lower case with two candle slides over inlaid lid opening to a fitted interior over six dovetailed drawers all with highly figured veneers, 72-1/2 x 40 x 22 in. Provenance: Private Collection Estimate: $1,500 - $3,000

September 13, 2014

Continental

673 Fine Baroque Walnut Refectory Table probably Italian, 17th century with restorations, set with two drawers on turned legs with stretchers, rich dark color, 31 x 79 x 32-1/2 in. Provenance: Private Collection, NC Estimate: $3,000 - $5,000

676 Fine Heriz Carpet early to mid-20th century, large central medallion and ivory corner work on brick red field, 10 ft. 11 in. x 14 ft. Provenance: Stone Collection, NC Estimate: $2,000 - $4,000

671 Italian Majolica Apothecary Ewer dated 1704 and inscribed Aqua da Indiuia(?) below a spout over figure of a saint, flanked by “S” and “G”, 13-1/4 in. Provenance: Private Collection Estimate: $800 - $1,200

672 Spanish Colonial Gothic Carved Walnut Coffer 17th/18th century, initials “EP”, eagle, armorial shield, king and queen, elaborate iron lock, in later frame, 23 x 50 x 21 in. Provenance: Private Collection Estimate: $1,000 - $2,000

674 Caucasian Runner early 20th century, five geometric devices on red ground, geometric, cruciform and floral designs, 4 ft. 7 in. x 9 ft. 11 in. Provenance: Stone Collection, NC Estimate: $300 - $600

675 Three Caucasian Prayer Rugs early to mid 20th century, two on red ground and one on cobalt ground, 2 ft. 10 in. x 4 ft. 7 in. to 3 ft. 1 in. x 4 ft. 11 in. Provenance: Stone Collection, NC Estimate: $300 - $600

677 Caucasian Rug early 20th century, possibly Talish, cobalt central medallion on brick red field, 3 ft. 2 in. x 5 ft. 1 in. Provenance: Stone Collection, NC Estimate: $300 - $600

678 Heriz Rug early to mid-20th century, typical patterns on brick red field, 4 ft. 10 in. x 6 ft. 1 in. Provenance: Stone Collection, NC Estimate: $400 - $800

For full cataloging and images see our website, www.brunkauctions.com

682 Persian Rug possibly Hamadan, mid-20th century, floral and leaf patterns on cobalt ground, 3 ft. 6 in. x 6 ft. 7 in. Provenance: Stone Collection, NC Estimate: $400 - $800

684 Finely Woven Kerman Tree of Life Rug mid to late 20th century, silk prayer mat with inscriptions, tree of life with animal pairs, 2 ft. x 2 ft. 10 in. Provenance: Private Virginia Collection Estimate: $400 - $800

685 Shirvan Runner probably Shirvan, early 20th century, seven diamond shaped medallions on blue field, 3 ft. 1 in. x 9 ft. 1 in. Provenance: Stone Collection, NC Estimate: $300 - $600

686 Ferahan Sarouk Mat early 20th century Ferahan Sarouk, central medallion with drops on a cobalt ground, olive and red highlights, 2 ft. x 3 ft. 5 in. Estimate: $300 - $600

687 Kerman Carpet Persian, mid-20th century, ivory field with vine and floral designs, central medallion with drops, outer trefoil border, 8 ft. 8 in. x 12 ft. 4 in. Estimate: $800 - $1,200

683 Early English Oak Joint Bench probably 17th century, oak throughout, top with molded edges, turned and fluted legs, 19 x 48 x 9-1/4 in. Provenance: Private Collection, NC Estimate: $400 - $600

II Continental

681 Two Caucasian Rugs early to mid-20th century, one with three medallions, 5 ft. 4 in. x 7 ft. 6 in.; one with double entry, 5 ft. 3 in. x 7 ft. 10 in. Provenance: Stone Collection, NC Estimate: $600 - $900

688 Fine Baktiari or Ferahan Rug late 19th century, tree and exotic birds on ivory field, vibrant hues of blue, green, yellow, camel and reds, 4 ft. 4 in. x 5 ft. 9 in. Estimate: $3,000 - $5,000

Condition notes available in back of catalog

September 13, 2014

679 Finely Engraved and Enameled Gilt Bronze Tabernacle Door, Continental, probably French, 19th century, Venize Adoremus at top, 14 x 8-3/4 x 1-3/4 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

680 After Giulio Romano (Italian, 1499-1546) The Muses Dancing with Apollo, late 19th century copy after a painting held by the Pitti Palace, signed verso " L. Galli" and inscribed and stamped with retailer's name "Louis Pisants Picture Galleries..Florence..", oil and gilding on panel, 13-3/4 x 31-1/4 in.; fine carved and gilt wood and composition frame Provenance: Private Alabama Collection Estimate: $1,000 - $2,000

Session II Estate of Charles Edward and Miriam Barr Mitchell

he following items from the estate of Charles Edward and Miriam T Barr Mitchell furnished their residence Woodlawn located in Quinby, South Carolina. The main house, built in the early 1960s with

the later addition of the grand ballroom and spiral staircase in the mid 1970s, showcased the period style mouldings and architectural millwork produced by Driwood, the company founded by Mitchell. To furnish the home, the Mitchells attended many of the estate sales offered by Christie’s in Newport, Rhode Island and St. Davids, Pennsylvania to find paintings, sculptures and furniture to complement the scale and grandeur of the architecture and formal gardens. The Mitchells hosted many social and community events over the years where numerous dignitaries including Jimmy Carter and Strom Thurmond were guests. Brunk Auctions is very pleased to offer the fine furnishings and art from the Mitchell Estate.

690 Large Chinese Porcelain Fish Bowl or Jardinière, 20th century, bowl form with flared rim, exterior with polychromed panels depicting songbirds, base with overglaze blue mark, 11 x 20-3/4 in. Estimate: $400 - $600

692 Fine Pair Monumental Antique Famille Rose Enamel-Decorated Porcelain Vases Chinese, probably 19th century, each with panel of scenic decoration with scroll and floral decoration on turquoise ground, two scrolled ring handles, unmarked, 25-1/2 in. Estimate: $3,000 - $5,000

detail

693 Edgar Brandt Art Deco Figural Ceramic Vase with Wrought Iron Mounts Marked, French, circa 1930s, vase with indistinct “La Hcmal”, ring “E. Brandt”, polychromed urn, 16 in. Estimate: $800 - $1,200

694 Gilt and Silvered Roman Style ChariotForm Centerpiece, late 19th/early 20th century, form of a chariot with spreadwing eagle, four horses, 12-1/2 x 16-3/4 x 24-1/2 in. Estimate: $500 - $1,000

695 Pair Monumental Louis XVI Style Bronze-Mounted Ceramic Urns, French, 19th century, each urn in the Persian taste with polychromed decoration on brown ground, set with gilt bronze rims and bases, 30-1/2 x 14-1/2 in. Estimate: $2,000 - $4,000

Condition notes available in back of catalog

II Mitchell Estate

691 Fine Napoleon III Figural Gilt and Patinated Bronze and Marble Clock French, 19th century, patinated bronze pediment with figure of a scribe on footstool signed on side "Devaulx", and his muse, signed "Gautier Editeur", on a large black marble and bronze plinth-form clock set with classical friezes centering a clock with Roman chapter ring signed "B.A. Frs Gautier", 32 x 18 x 11-3/4 in. Estimate: $2,000 - $3,000

September 13, 2014

689 Large Delft Blue and White Lidded Urn Mounted as a Lamp, urn 18th or 19th century, gilt bronze mounts late 19th century, urn with chinoisserie scenes, set with bronze mounts, 24 in. overall Estimate: $800 - $1,200

696 After BartolomĂŠ Esteban Murillo (Spanish, 1618-1682) Pair of Grand Tour paintings: Boys Eating Melon and Boys Eating Grapes and Melon, unsigned, oil on canvas, 32 x 24-1/2 in.; fine matching 19th century carved and gilt wood Florentine frames Estimate: $3,000 - $5,000

697 After BartolomĂŠ Esteban Murillo (Spanish, 1618-1682) The Game Players, a 19th century Grand Tour copy, unsigned, oil on canvas, 53-1/2 x 39-3/4 in.; original frame Estimate: $2,000 - $3,000

September 13, 2014

Mitchell Estate

698 Important Pair Louis XV Style Carved and Gilt Wood Marble-Top Pier Tables probably Italian, late 19th century, with thick variegated marble top over a boldly carved frame, skirts with pierced shells and scrolled foliate ornament over a diapered and rosette-embellished frieze, legs set with finely carved dragons with long tails wrapping the leaf-carved legs, scroll and rosettecarved stretchers and hoof feet, 36-1/2 x 69 x 27-1/2 in. Provenance: From the contents of Ochre Court, Newport, Rhode Island, August 12, 1981, lot 107 (provenance noted in catalog Robert Goelet) Estimate: $30,000 - $50,000

For full cataloging and images see our website, www.brunkauctions.com

699 Italian School (18th century) Guardian Angel Protecting a Child from Satan, unsigned, oil on canvas, 49 x 391/2 in.; gilt wood and composition frame Estimate: $1,000 - $2,000

700 After Raphael (Italian, 1483-1520) The Transfiguration of Christ, 19th century copy, unsigned, oil on canvas, 78-3/4 x 54-3/4 in.; frame Estimate: $1,500 - $2,500

701 Flemish School (late 18th /early 19th century) The Goddess Diana at Her Bath, unsigned, oil on canvas, 52-3/8 x 39-1/8 in.; 18th century style gilt wood frame Estimate: $1,000 - $2,000

702 After Jean-Marc Nattier (French, 1685-1766) Portrait of Mme ...de Caumartin as Hebe, oil on canvas, 36-1/4 x 29 in.; frame Provenance: Bois DorĂŠ Auction, 1977 Estimate: $1,000 - $2,000

703 Italian School (19th century in the 17th century style) The Apostle John Writing the Gospel, tetramorph eagle to his right, a 19th century Grand Tour copy, unsigned, oil on canvas, 37-5/8 x 31-1/2 in.; original frame Provenance: Du Mouchelle Art Galleries Estimate: $2,000 - $3,000

September 13, 2014

Mitchell Estate

Condition notes available in back of catalog

704 Edward John Gregory, R.A. (British, 1850-1909) Last Touches, 1881, the artist with palette, signed “E.J. Gregory 81”, watercolor on paper, 23 x 7-1/4 in.; original frame Estimate: $1,000 - $2,000

September 13, 2014

Mitchell Estate

709 James Henry Hagaman (New York/Michigan, 1866-1946) Woman with Jeweled Headdress, signed, oil on canvas, 45-1/2 x 26-7/8 in.; frame Provenance: Du Mouchelle Art Galleries Estimate: $1,000 - $2,000

710 Hamilton Gibbs Wild (American, 19th century) Portrait of an Italian Woman, signed “H.G. Wild/Rome/56”, oil on canvas, 39-1/4 x 29-1/4 in.; original frame Estimate: $1,000 - $2,000

705 Charles Octave Levy (French, 1820-1899) Faneur, Figure of Man with Hay Fork, stamp “Garanti Au Titre/ L.V. Deposee” and “4913”, patinated bronze, 23-1/4 in. Estimate: $800 - $1,200

706 Wladislaw Marcinkowski (Polish, 1858-1947) Young Woman, possibly representing Ruth, signed “Marcinkowski/Sculpt 95”, patinated bronze, 36 in. Estimate: $1,000 - $2,000

707 Fine Variegated Marble and Gilt Bronze Corinthian Column-Form Pedestal, French, 19th century, oval marble top and stepped base, gilt bronze mounts in the Louis XVI style, 46-1/2 x 11-1/2 x 17-1/2 in. Estimate: $1,000 - $2,000

708 Gilt Bronze-Mounted Onyx Column-Form Pedestal, probably French, late 19th century, boldly variegated green-to-ocher stone set with gilt bronze mounts, square top rotating over a square column, 40-3/4 in. Estimate: $500 - $700

711 British School (18th century) Portrait of a Gentleman in Red Jacket and Waistcoat, unsigned, oil on canvas, 49 x 39-1/4 in.; late 18th century wood frame Estimate: $1,500 - $2,500

712 Henri Louis Levasseur (French, 1853-1934) Gloire Au Travail, signed on base “H Levasseur” with foundry stamp, patinated bronze, 35-1/4 x 14-1/4 x 11 in. Estimate: $1,000 - $2,000

713 Clarence Henry Roe (British, 1850-1909) monumental pair of landscapes: Mountan Stream with Distant Pond; A Waterfall, signed lower right "Clarence Roe", oil on canvas, 60 x 40 in.; matching 19th century gilt wood and composition frames Estimate: $2,000 - $4,000

For full cataloging and images see our website, www.brunkauctions.com

714 Albert Byron Olson (Colorado, 1885-1940) Pair of portraits, signed “Albert Byron Olson”, oil on canvas, 27 x 36 in.; frames Provenance: Bois Doré Auction, 1977 Estimate: $600 - $900

715 Napoleon III Bronze and Etched Glass Trumpet-Form Centerpiece, French, late 19th century, anthemion and scroll, glass vase, cast bronze Winged Victory, 26-1/4 in.; figural candelabra, 31-1/2 in. Estimate: $300 - $500

716 Pair Painted and Gilt Tole Five-Light Table Lamps, 20th century, each with tole shade decorated in green and gilt over a five-light column-form support, distressed brass finish, 32-1/2 x 16-1/2 in. Estimate: $200 - $400

717 Pair Very Large Cut Crystal and Gilt Bronze Louis XVI Style Candelabra Lamps French, late 19th/early 20th century, each with ten lights, scrolled bronze frames set with crystal pendant drops, circular bases, bobeches stamped "Gagneau & Cie", 33 x 26 in. Estimate: $3,000 - $5,000

719 Art Nouveau Gilt, Metal and Onyx Clock Garniture, French, circa 1900, enameled dial signed “A L’Alliance Leforestier Paris”, central figure after Bruchon, 24 x 12-1/2 x 8 in.; two urns, 15-3/4 in. Estimate: $500 - $700

720 Large Pair of Carved Hardwood and Marble Inset Pier Tables Chinese, late 19th century, each with pierced skirt and stretcher base, 32-7/8 x 44-1/8 x 22-1/8 in. Estimate: $2,000 - $4,000

722 Persian Rug probably Bijar, early to mid-20th century, central panel filled with floral and geometric patterns on a cobalt ground, ivory corner work, 6 ft. 10 in. x 9 ft. 9 in. Estimate: $800 - $1,200

723 Sarouk Rug probably first quarter 20th century, typical floral and geometric patterns on red ground, 5 ft. 1 in. x 6 ft. 6 in. Estimate: $400 - $800

II Mitchell Estate

718 Pair Carved and Silver Leaf Wood Classical Urns, Italian, late 19th century, each with scrolled handle and ribbed body, interiors with tole floors, circular pedestal base, 14 x 19-1/2 in. Estimate: $400 - $600

721 Hamadan Runner probably Hamadan, mid20th century, central panel with interconnected floral designs, turquoise and blue highlights on a rust red field, 3 ft x 16 ft. Estimate: $300 - $600

Condition notes available in back of catalog

724 Persian Palace Sized Carpet possibly a Malayer, early to mid-20th century, central panel with repeating rows of boteh on a cobalt field, each with animal figure, 9 ft. 3 in. x 19 ft. 9 in. Estimate: $2,000 - $4,000

September 13, 2014

detail

725 Louis Aston Knight (NY/California/France, 1873-1948) "Moss Brook..Biddeford Pool, Maine/August-September 1916", signed lower left "Aston Knight/Paris" and signed and inscribed verso stretcher, oil on canvas, 35-1/4 x 46 in.; fine carved gilt wood frame with paint wash Estimate: $5,000 - $10,000

September 13, 2014

Mitchell Estate

727 Verdure Needlework Wall Hanging probably Flemish, mid to late 17th century, woman seated at the base of a fountain, wool gros-point and petit-point, 7 ft. 7 in. x 10 ft. 2 in., later backing Estimate: $2,000 - $4,000

726 After Albert Carrier Belleuse (French,1824-1887) Pair of Figural Torcheres of Women with Amphoras, a fine spelter casting, likely late 19th century, both signed at base "A Carrier", 66 in. Estimate: $4,000 - $6,000

728 Fine Louis XIV Style Burlwood Carved and Parcel Gilt Marble-Top Sideboard late 19th/early 20th century, fine dark to pale green variegated marble top, three dovetailed frieze drawers with mahogany secondary and burlwood-veneered carved and parcel gilt facings, leaf-carved legs set with stretchers, central drawer with velvet lining and dividers for cutlery, 38 x 84-1/2 x 23 in. Estimate: $1,000 - $2,000

For full cataloging and images see our website, www.brunkauctions.com

731 Pair Rosso Antico Marble and Gilt Bronze Corinthian Column-Form Pedestals, French, 19th century, gilt bronze mounts in the Corinthian style, interiors of capitals marked "EB", 47 x 12 in. Estimate: $1,000 - $1,500

732 Étienne Alexandre Stella (French, died 1892) Two Allegorical Figures of Spring and Autumn, late 19th or early 20th century castings, signed on base “.Stella.”, parcel gilt and patinated bronze, 37 in. Estimate: $6,000 - $8,000

733 Renaissance Style Carved and Parcel Gilt Mahogany Marble-Top Sideboard late 19th century, variegated black marble top over elaborately carved frame, single dovetailed frieze drawer with mahogany secondary and removable interior tray, paneled construction, oak secondary, 38-1/2 x 88-3/4 x 21-1/2 in. Estimate: $1,000 - $2,000

734 Chippendale Style Carved Mahogany Ribbon-Back Side Chair, late 19th century, intricately carved tall back, velvetupholstered seat, cabriole legs, 45 x 22-1/2 x 21 in. Estimate: $200 - $400

735 Pair Chippendale Style Mahogany and Silk-Upholstered Library Chairs, early 20th century, each with scrolled hand grips and molded legs with stretchers, 40-1/2 x 27-3/4 x 29-1/2 in. Estimate: $500 - $1,000

Condition notes available in back of catalog

II Mitchell Estate

730 Chinese Dragon-Carved and Lacquered Center Table, late 19th/early 20th century, elaborately carved, skirts with dragons, masks and leaf-carved surrounds, 30 x 28-1/2 x 28-1/2 in. Estimate: $500 - $700

detail

September 13, 2014

729 Fine Pair Classical Painted and Gilt Figural Urns British, attributed to Masons, early 19th century, one impressed “Ironstone China Patent”, 14-1/4 in. Provenance: Ochre Court, Newport, RI Estimate: $2,000 - $4,000

736 Impressive Pair Antique Empire Style Gilt Bronze Nine-Light Torcheres French, late 19th century, each with nine-light top supported by three standing putti over an elaborate ram's head, caryatid and satyr mask base supported by three large winged sphinx figures on pierced and painted cast iron conforming stands with pierced grilles centering a cartouche with monogram, 80 x 24 in. Provenance: Said to be from the James Forrestal Estate, Newport, Rhode Island Estimate: $12,000 - $18,000

737 Two Similar Flemish Baroque Style Carved and Tapestry-Upholstered Open-Arm Chairs, late 19th/early 20th century, each set with needlework-upholstered back and seat, 49-3/4 x 26 x 25 in. Estimate: $800 - $1,200

738 Baroque Style Carved and LeatherTop Center Table, early 20th century, octagonal top set with polychromed leather with brass studs, elaborate leaf-carved base with stretchers, 30 x 39 x 39 in. Estimate: $400 - $700

739 Italian Baroque Style Carved Walnut Library Table, late 19th century, fielded top with carved molded edges, trestle-form base with winged angel bust carving, 31 x 96 x 30-1/2 in. Estimate: $1,000 - $2,000

740 Renaissance Revival Carved Walnut Center Table, American, late 19th century, possibly R. J. Horner or a contemporary, top with carved edges over single dovetailed drawer, 29-3/4 x 48 x 29-1/4 in. Estimate: $500 - $1,000

September 13, 2014

Mitchell Estate

742 Framed Woven Tapestry British or Continental, late 19th, early 20th century, Middle Eastern street scene, machine woven wool tapestry, 37-1/2 x 36 in.; frame Estimate: $600 - $800

741 Pair Large Italian Renaissance Style Figural Bronze Andirons, late 19th/early 20th century, male and female figures standing over a mermaid and putto figural base, 34 x 21 x 8 in. For full cataloging and images see our website, www.brunkauctions.com Estimate: $1,000 - $2,000

743 Large Pair Mounted Cow Horns on Griffin-Carved Ebonized Bases, Continental, late 19th century, â&#x20AC;&#x153;Rom 1880â&#x20AC;?, tripod stand with carved and winged griffins, 28 in., 23-1/2 in. with horns in stand Estimate: $800 - $1,200

747 Louis XV Style Carved Cream-Painted and Damask-Upholstered Sofa, French, late 19th century, carved mahogany frame with fluted posts and cream-painted surface, 39-3/4 x 66 x 29 in. Estimate: $800 - $1,200

748 Gilt Bronze-Mounted Marble Corinthian Column-Form Pedestal, probably French, late 19th century, boldly figured marble, rotating top, stepped base with bronze mounts, 52-1/2 x 11 in. Estimate: $500 - $1,000

749 Pair Louis XIV Style Carved Walnut Upholstered Open-Arm Chairs late 19th/early 20th century, winged-mask crests, leaf, maiden-head arm supports, carved and fluted legs, 42 x 23 x 21-1/2 in. Estimate: $500 - $1,000

750 Set of Twelve Chippendale Style Carved Mahogany Dining Chairs, early 20th century, each with carved frame and needlework-upholstered slip seat, 41-1/2 x 22 x 21 in. Estimate: $1,000 - $2,000

753 Good Set of Eight Irish Chippendale Style Carved Mahogany Dining Chairs late 19th century, each with lion mask carved knees, two armchairs, 40 x 27 x 24 in.; six side chairs, 39 x 23-1/2 x 21 in. Estimate: $3,000 - $5,000

746 French School (19th Century) Woman Bathing, unsigned, patinated bronze on red marble, slate and gilt bronze plinthe, 20-1/2 in. Estimate: $800 - $1,200

751 Classical Style Carved Mahogany Pedestal Extension Dining Table, late 19th/ early 20th century, figured mahogany veneers, gadrooned circular top opening for two leaves, 28-1/2 x 60 x 60 in. Estimate: $500 - $1,000

752 Adam Style Carved Walnut MarbleTop Sideboard, late 19th century, finely carved in the Adam taste, top set with fine variegated Siena marble, case with central dovetailed drawer, 36-1/2 x 69 x 27-1/2 in. Estimate: $1,000 - $2,000

754 Regency Style Mahogany Four-Pedestal Dining Table probably British, early 20th century, figured veneers, two D ends and two central pedestals each with single drop leaf, 30 x 72 x 159 in. Estimate: $2,000 - $4,000

Condition notes available in back of catalog

II Mitchell Estate

745 Fine Pair of Gilt and Hand-Painted Porcelain Urns, Royal Vienna or style, blue beehive mark, Apollo Unter Denmusen and Die Arcatischen Hirten, band of classical decoration, 10-1/4 in. Estimate: $500 - $1,000

September 13, 2014

744 Cut and Etched Crystal and Bronze Centerpiece, late 19th century, etched glass trumpet-form top, two-tone bronze support, cut glass lower bowl, over a column-form support, 22-1/2 in. Estimate: $100 - $300

756 Very Fine French Ormolu and Silver-Plated Center Bowl stamped mark for Christofle, Paris, circa 1885, 562438, silver-plated and gold-painted removable insert in an elaborate conforming frame set with heavy gilt bronze openwork designs of scrolling foliage and floral passages, centering cartouches with “V” possibly for the Vanderbilt family, underside of insert bright cobalt plated or painted and showing through openwork decoration, 8 x 25-3/4 x 14 in. Estimate: $5,000 - $7,000

755 Very Fine Large Napoleon III Gilt and Patinated Bronze Figural Mantle Clock French, third quarter 19th century, dial signed Raingo Fres Paris, bronze back stamped “H. Picard”, surmounted by two classical maidens in patinated bronze holding gilt grape-and-vine streamers descending to putto leaning on black marble and gilt urns, tassel, drapery and arabesque-decorated base with lions and set on black marble, 311/2 x 24 in. Estimate: $15,000 - $25,000 A closely related Raingo Freres clock sold Christie’s London, March 14, 2013, lot 1.

758 Fine Pair Gilt and Hand-Painted Porcelain Empire Style Urns, printed marks for Dresden, late 19th/early 20th century, winged swan handles, urns with painted city scenes, gilt backs, 13-1/2 in. Estimate: $1,000 - $1,500

760 Fine Pair Regency Gilt and Polychromed Porcelain Coolers English, circa 1820, each with finely gilt lid opening to an interior with removable insert, urn-form bodies with interlaced handles and fine gilt and floral decoration, 14-1/4 in. Provenance: Ochre Court, Newport, RI Estimate: $1,000 - $3,000

Mitchell Estate September 13, 2014

757 Pair Louis XV Style Carved Gilt Wood and Caned Bergères, French, late 19th/ early 20th century, well-carved frames, finished backs, caned seats set with loose upholstered cushions, 44-1/2 x 30 x 22 in. Estimate: $800 - $1,200

detail

759 Pair Very Fine Gilt and Hand-Painted Porcelain Ewers Royal Vienna or style, late 19th century, each with underglaze blue beehive mark, each with fine hand-painted scene depicting Venus and Adonis with Cupid, gilt and polychromed strapwork decoration on black and lavender ground, foliate decoration on red and cream ground, open strapwork handles, 17-3/4 in. Estimate: $5,000 - $8,000 detail

761 Pair Louis XV Style Carved and Gilt Wood and Marble-Top Taborets, French, late 19th century, each with finely carved and gilt wood frame set with crossstretchers, 21 x 24 x 24 in. Estimate: $1,000 - $2,000

For full cataloging and images see our website, www.brunkauctions.com

762 Alabaster Rougeto-Ivory Variegated Column-Form Pedestal late 19th/early 20th century, rotating square top over ring-and-column-form stand on square base, 36-3/4 in. Estimate: $300 - $500

763 White Marble Fluted Column-Form Pedestal, 20th century, square top with notched corners, stop-fluted column-form support on turned base, 40 x 9-3/4 in. Estimate: $300 - $500

764 Directoire Style Brass-Mounted Mahogany Circular Games Table, probably French, 20th century, pierced brass gallery and tapered square legs, two leather-lined game slides, 30 x 31-3/4 x 31-3/4 in. Estimate: $200 - $400 765 Emile Louis Picault (French, 1833-1915) The Lute Player, signed on base “E. Picault”, patinated bronze on green marble base, 30-1/2 in. Estimate: $1,000 - $2,000

767 Classical Carved and Gilt Wood Pier Mirror, probably New York, circa 1820s, paneled back, poplar and pine secondary, rectangular mirror plate flanked by columnar sides, 45 x 65 x 5 in. Estimate: $800 - $1,200

769 Set of Twelve Chippendale Style Carved Mahogany Dining Chairs 20th century, each with heavy frame with well-carved embellishments, two armchairs 41-1/2 x 27 x 24 in., ten side chairs 40 x 23 x 23 in. Estimate: $2,000 - $4,000

770 Persian Rug probably Heriz, early to mid-20th century, central panel with red ground, urns and floral designs with turquoise and cobalt highlights, 5 ft. 3 in. x 6 ft. 6 in. Estimate: $400 - $800

772 Persian Rug possibly Hamadan, mid-20th century, ivory field central panel, floral and leaf designs, 5 ft. x 4 ft. 8 in. Estimate: $200 - $400

771 Hamadan Rug mid-20th century, cobalt ground central panel with geometric patterns, major border on red ground, 3 ft. 4 in. x 6 ft. 4 in. Estimate: $300 - $600

Condition notes available in back of catalog

773 Persian Rug mid-20th century, possibly Hamadan, blue ground central panel, floral and vine designs, red, green, and ivory highlights, 3 ft. 5 in. x 6 ft. Estimate: $300 - $600

II Mitchell Estate

768 Louis XVI Style Walnut and Parcel Gilt Extension Table 20th century, oval walnut top opening to 18 leaves, 30-1/4 x 63 x 62-3/4 in., opens to 427 in. Provenance: Bois Doré Auction, property of the Late Elinor Dorrance Ingersoll, Newport, Rhode Island, September 27-28, 1977, lot 151 Estimate: $4,000 - $6,000

September 13, 2014

766 Louis XV Style Carved and Silver-Leafed Upholstered Settee, French, late 19th/ early 20th century, deeply carved frame with stylized leaves and flowers, fully finished back, 49-1/2 x 65-3/4 x 29-1/2 in. Estimate: $500 - $1,000

775 Pair Silver-Plated Urns probably English, 20th century, each with two acanthus decorated handles, floral and scroll body decoration, unknown circular mark, 16-3/4 x 13 x 8 in. Estimate: $300 - $600

774 Gorham Florenz Sterling Trumpet Vase American, 20th century, decorated with satyr masks, oak leaf border, marks for Gorham, “EAK” and retailer Spaulding & Co., 72.34 oz. T., 29-1/2 in. Estimate: $2,500 - $3,500

778 Fine Chippendale Style Carved Mahogany Triple Chair-Back Settee, late 19th century, dense mahogany throughout, finely carved with stylized leaf and bellflower decoration, 40 x 65 x 27 in. Estimate: $1,000 - $2,000

776 Pair Ornate Silver-Plated Five-Cup Candelabra, probably Continental, late 19th century, scroll and grotesque arms, dolphin feet, unmarked, 31-1/4 in. Estimate: $400 - $800

777 Pair Wedgwood Blue and White Jasperware Jardinières, English, late 19th/ early 20th century, “Wedgwood England”, morning glory banding over classical figures in relief, three feet, 9 x 9-1/4 in. Estimate: $400 - $600

779 Fine Pair Chippendale Style Carved Mahogany Side Chairs, late 19th century, dense mahogany throughout, each with elaborate leaf-and-ribbon carved back and crest, cabriole legs, 42 x 24 x 24 in. Estimate: $800 - $1,200

780 Monumental Ceramic Gilt and Polychrome-Decorated Floral Floor Vase British or Continental, late 19th century, lidded vase form with leaf and floral decoration, 50 in. Estimate: $500 - $1,000

782 Louis XV Style Carved, Paint-Decorated and Damask-Upholstered Sofa, carved and ocher-painted frame with leaf-carved cabriole legs, loose down cushion, 37-3/4 x 81 x 31 in. Estimate: $800 - $1,200

783 Regency Style Mahogany Pedestal Breakfast Table, British, early 20th century, banded figured mahogany top tilting over a pedestal base with four saber legs and brass casters, 28-1/4 x 63 x 63 in. Estimate: $500 - $1,000

784 Large-Scale Chippendale Style Carved Mahogany Open-Arm Chair, late 19th/ early 20th century, shield-and-swag carved crest, leaf-carved hand grips, carved legs, 57-1/2 x 28 x 26 in. Estimate: $400 - $600

785 Pair Carved Oak Art Nouveau Pedestals late 19th/early 20th century, each with rectangular top, relief and applied carved ornament with stylized leaf, shell and dragon motifs, 45-1/2 x 16-1/2 x 14 in. Estimate: $500 - $1,000

781 Life-Size Zinc Figure of a Maiden, probably French, late 19th century, maiden depicted with upraised arm and low-cut blouse beside a draped plinth and standing on a circular base, 69-1/2 in. Estimate: $3,000 - $5,000

September 13, 2014

Mitchell Estate

For full cataloging and images see our website, www.brunkauctions.com

786 Very Fine Pair Gilt and Patinated Bronze Figural Candelabra-Form Lamps attributed to J. E. Caldwell & Co., early 20th century, satyr and dolphin mask decoration, 15 x 13 x 6-3/4 in. Estimate: $2,000 - $3,000

790 Pair Philadelphia Chippendale Style Carved Mahogany Castle-Back Side Chairs, 20th century, each with bold shell and tassel-carved crest with scrolled ears, 38-1/2 x 24-3/4 x 24 in. Estimate: $400 - $600

791 Adam Style Carved Mahogany Library Table, British, 19th century, finely constructed, figured mahogany top with rosette and banded carved molding, single dovetailed frieze drawer, 34 x 60 x 32 in. Estimate: $1,000 - $2,000

792 Two Chinese Carved Hardwood and Marble-Top Taborets, late 19th century: tall rosewood urn stand, with piercecarved skirt and lower stretchers, 36-1/4 x 15-1/2 in; pedestal, 18-1/4 x 18-1/4 in. Estimate: $300 - $500

793 Pair Campana Carved Stone Garden Urns, late 19th/early 20th century, each with leaf-carved rolled rim over a flowerencrusted body set with two handles on pedestal base, 26-1/2 x 24-1/2 in. Estimate: $800 - $1,200

789 Set of Four Venetian Louis XVI Style Polychromed, Parcel Gilt and Bronze-Mounted Torchieres, late 19th/early 20th century, six lights, gilt bronze candle cups on gilt metal arms, 85 x 16 x 16 in. Proveance: Bois DorĂŠ Auction, Newport, Rhode Island, September 27 and 28, 1977, lot 149 (provenance noted in catalog William Fahnestock) Estimate: $2,000 - $4,000

II 794 Pair Carved Stone Campana Garden Urns late 19th/early 20th century, each with decorated rolled rim over body with stylized leaf decoration on turned pedestal base, 39 x 24 x 24 in. Estimate: $800 - $1,200

Condition notes available in back of catalog

Mitchell Estate

788 Pair Mahogany Fluted Column-Form Pedestals, early 20th century, each with rotating circular top over a fluted column with turned base and capital, 42 x 15 in. Estimate: $400 - $600

September 13, 2014

787 Pair Bronze, Marble and Crystal ElevenLight Candelabra, Italian, 20th century, each with scrolled brass arms set with candle cups and garlands of crystal drops, 21-1/2 x 16 in. Estimate: $200 - $400

795 A. Riccardo (Italian, 19th/20th century) View of Venice, signed lower left "A. Riccardo", oil on canvas, 20-1/8 x 60 in.; fine original gilt wood and composition frame Provenance: Du Mouchelle Art Gallery, Detroit, Illinois, (early 20th century tag attached) Estimate: $1,000 - $2,000

September 13, 2014

Mitchell Estate

796 Books on Southern History and Architecture, 20 Volumes, including Old Savannah Ironwork, The Early Architecture of Georgia, 9 x 6 in. to 13 x 10 in., 18 hardcovers and two paperbacks Estimate: $300 - $400

797 Books on Decorative Arts and Architecture, 20 Volumes, including The Work of Wallace and Warner, The Art and Craft of Garden Making, 7-1/4 x 4-3/4 in. to 16-1/4 x 12-1/4 in., all are hardcover Estimate: $400 - $600

798 Leather-Bound Books including Hubbard, Ruskin and Hallam, 27 Volumes 14 Hubbard; three volumes Hallam; ten volumes Ruskin; Modern Painters, 7 x 5-1/4 in. to 8-1/2 x 6-1/2 in. Estimate: $400 - $600

799 Vintage Brass Balance-Arm Scales marks for Degrave & Co., London, and “Class 1”, balance arm with two bowls on an adjustable stand, 27 x 21 x 11 in. Estimate: $100 - $200

800 Brass-Inlaid Parcel Gilt and Ebonized Patent Mantle Clock, German, circa 1900, circular chapter ring marked “D. R. Patent” and “L. F. S. Schutzmarke”, with pendulum, 13-1/2 x 8-1/2 x 6 in. Estimate: $100 - $200

801 Pair Beechwood and Elm Windsor Armchairs, British, 19th century, each stamped on back of seat "Glenister Maker Wycombe" and one stamped "VR" (for Victoria Regina), 30-1/2 x 24-1/2 x 19 in. Estimate: $200 - $400

802 Persian Gallery Carpet early to mid-20th century, central panel with repeating rows of boteh and floral designs on cobalt ground, major border on ivory ground, 7 ft. 5 in. x 19 ft. 9 in. Estimate: $1,000 - $2,000

803 Signed Persian Runner probably Bijar, early to mid-20th century, repeating floral designs on cobalt ground central panel, signature panel at one end, 4 ft. 8 in. x 11 ft. 3 in. Estimate: $600 - $900

For full cataloging and images see our website, www.brunkauctions.com

September 13, 2014

Mitchell Estate

Condition notes available in back of catalog

Session II

oLD mASTERS

804 Spanish or Italian School (16th century) A Nude, possibly Christ or a saint, carved polychromed wood, 52-1/4 in. Provenance: A New York Collection Estimate: $1,000 - $2,000

805 Flemish School (17th Century) Massacre of the Innocents, unsigned, oil on canvas, 96 x 55 in.; unframed Estimate: $2,000 - $3,000

806 Flemish School (possibly 16th century) God the Father Holding the Crucified Christ, carved oak, 68-1/2 in. Provenance: A New York Collection Estimate: $2,000 - $3,000 807 - No lot

808 Italian School (17th century) The Nativity, fresco, 103 x 52-1/2 in. Provenance: A New York Collection Estimate: $6,000 - $9,000

Old Master

September 13, 2014

809 Attributed to Jean Baptiste Leprince (France, 1734-1781) Circe Changing the Companions of Ulysses, a variation after Giovanni Benedetto Castiglione (Italian, 1609â&#x20AC;&#x201C;1664), unsigned, oil on canvas, 25-1/2 x 31-3/4 in.; gilt wood and composition frame Estimate: $10,000 - $15,000 For an original by Castiglione of the same subject see Mercier & Cie., Lille, France, Septembe 6, 1996, lot 239.

Condition notes available in back of catalog

101

810 Italian School (17th century) Midwives Attending the Newborn Christ, unsigned, possibly 18th century or earlier, oil on canvas, 77 x 62-1/4 in.; unframed Estimate: $3,000 - $5,000

September 13, 2014

Old Master

102

815 Francesco Mati (Florence, Italy, 1561-1623) Ecce Homo, signed middle right "FRANC MATI", oil on canvas, 57-1/2 x 57 in.; late 17th century Italian frame Provenance: New York Collection Estimate: $20,000 - $30,000

811 After Giovanni Stefano Danedi (Italian, 1608-1689) St. Anthony of Padua, 19th c. copy, unsigned, oil on canvas, 33 x 28-7/8 in. Provenance: Private Collection Estimate: $1,000 - $1,500

812 Continental School (19th century) Madonna and Child, recto, and the Visitation, oil on plaque, 11-1/8 x 9-1/8 in. Provenance: Formerly Schwarzenberg Estimate: $200 - $400

813 Italian School (17th century) Still Life with Fountain, unsigned, oil on canvas, 24-3/8 x 41-1/2 in.; frame Provenance: Private Collection Estimate: $2,000 - $3,000

814 British School (17th century) Portrait of Gentleman in Armour, attribution to William Dobson (British, 16111646), oil on canvas, 23-1/2 x 18-3/8 in. Estimate: $1,000 - $1,500

816 Polish School (17th century) Portrait of Prince Jakob Sobieski, oil on canvas, 20-3/4 x 17-1/8 in.; frame Provenance: Private Collection Estimate: $1,000 - $2,000

817 European School (17th century style) Portrait of a Bearded Nobleman, unsigned, inscribed verso â&#x20AC;&#x153;Chateauâ&#x20AC;?, oil on canvas, 29-1/2 x 23-5/8 in.; unframed Estimate: $400 - $600

818 Follower of Thomas Gainsborough (British, 1727-1788, 19th century) Portrait of Lady Georgiana Caverdish, oil on canvas, 36 x 28 in.; modern frame, Provenance: Private Collection, Georgia Estimate: $1,000 - $1,500

819 Manner of Johann Heinrich Wilhelm Tischbein, (German, 19th century) Portrait of Ernestine von Hoplgarten, oil on canvas, 33 x 26-1/2 in.; modern frame Provenance: Private Collection Estimate: $1,000 - $2,000

For full cataloging and images see our website, www.brunkauctions.com

820 Thomas De Keyser (Dutch, 1596-1667) Sporting Scene with a Nobleman on Horseback, said to be Signeur de Moorseween, unsigned, oil on canvas, 27-3/4 x 24-3/8 in.; gilt wood and composition frame Provenance: Baron Max von Goldschmidt-Rothshild, Frankfurt am Main: Pariset, Lyon; “Collection Gruyter et Bregge..” (label verso); Stadische Gallerie, Frankfurt am Main (label verso); Purchased by consigner after exhibition, circa 1963; Private Collection, North Carolina Estimate: $15,000 - $20,000 Comments included in the exhibition catalog include the attribution to Thomas De Keyser by Dr. William R. Valentiner, stating, “it is my opinion a characteristic fine work of Th. De Keyser, the excellent Amsterdam portrait painter. It is painted in 166065 and related in style to several small equestrian portraits in the museums in Amsterdam (dated 1660), Franfurt am Main, Dresden (1661), Brediusmuseum, The Hague etc. The landscape is according to Dr. Oldenbourg probably by A.V.D. Velde, but in my opinion more like Th. D. Keyser himself…” A label verso suggests an attribution to G. Terburg and J.B. Weenix Literature: Rudolf Oldenbourg, Thomas de Keyser’s Taetigkeit als Maler. 1911, p. 78, No. 58; Catalogue exhibition, Staedel, Frankfurt am Main, 1925, No. 113, ill. Pl. LXXXIV; Gallery of the Public Library of Winston-Salem and Forsyth County, Winston-Salem, N.C., Collectors’ Opportunity, April 22-May 3, 1963, exhibition catalog,ill. p. 43 (accompanied by a copy of the catalog)

823 Follower of Rembrandt Van Rijn (Dutch, 1606-1669) Portrait of a Seated Lady, unsigned, oil on panel, 45 x 34-3/4 in.; gilt frame Provenance: A New York Collection Estimate: $4,000 - $6,000

824 Follower of Pierre Gobert (French, 1662-1744) Portrait of a Girl of Noblity, unsigned, oil on canvas, 32 x 25-3/4 in.; frame Provenance: Ex-collection of General Byrd Estimate: $2,000 - $3,000

II Old Master

822 German School (18th century) Portrait of a Seated, unsigned, oil on canvas, 31 x 25-1/2 in.; frame Provenance: Private Collection, NC Estimate: $2,000 - $3,000

825 Johann Heinrich Tischbein the Elder (German, 1722-1789) Johann Abraham de Boor (1732-1799), identified on label verso panel, unsigned, oil on canvas laid on academy board, 22-1/2 x 17-5/8 in.; possibly original frame Provenance: Private Collection Estimate: $5,000 - $7,000

Condition notes available in back of catalog

September 13, 2014

821 Attributed to Balthazar Denner (German, 1685-1749) Portrait of a Gentleman, signed, oil on canvas, 30-1/8 x 25 in.; frame Provenance: Private Collection, NC Estimate: $2,000 - $3,000

103

826 Philippe Mercier (French, 1689-1760) The Goddess of Verse, signed lower left "Ph. Merceir/ Fecit Ano. 1740", oil on canvas, 64 x 58 in.; fine carved gilt wood and compostition frame with ribbon garland decoration Estimate: $8,000 - $12,000

September 13, 2014

Old Master

104

827 Manner of Guiseppe Bonito (Italian, 1705-1789) Portrait of a Noblewoman, unsigned, oil on canvas, 40-1/2 x 31-1/2 in.; frame Provenance: A New York Collection Estimate: $4,000 - $6,000

829 Dutch School (18th century) Shipping with View of Vlissingen, unsigned, oil on panel, 25-3/4 x 40-3/8 in. Provenance: Gorringes, Lewes, England Estimate: $2,000 - $3,000

828 Follower of Nicolas de Largillière (French, 1656-1746) Half Portrait of a Noblewoman, unsigned, oil on canvas, 32 x 25-7/8 in.; frame Provenance: Private Collection Estimate: $3,000 - $4,000

830 Follower of Théodore Géricault (France, 1791-1824) Académie d’homme, unsigned, oil on paper, 18-1/2 x 13-3/8 in.; gilt frame Provenance: A New York Collection Estimate: $1,000 - $2,000

For full cataloging and images see our website, www.brunkauctions.com

831 Manner of Jean Honoré Fragonard (French, 1732-1h) Leda and the Swan, unsigned, oil on panel, 10-7/8 x 7-5/8 in.; gilt wood frame Provenance: Hirsch Estate, by descent Estimate: $400 - $600

Session II

British

September 13, 2014

British

106

832 Finely Carved Rococo Revival Chiming Tall Case Clock late 19th century, silvered and gilt dial with strike silent, chime silent, Whittington chime and Westminster chime dials, fully carved case with marquetry-inlaid lower panel, glazed case sides, 106 x 28 x 17 in. Provenance: Ware Collection, TN Estimate: $5,000 - $8,000

833 Chippendale Style Chinoisserie-Decorated and Parcel Gilt Commode British or French, late 19th/early 20th century, original brasses, 42-1/2 x 64 x 27 in. Provenance: Hirsch Estate, by descent Estimate: $2,000 - $3,000

834 Pair Colonial Carved Rosewood Caned Side Chairs, British Colonial or Chinese, mid-19th century, caned backs and seats, 39-1/4 x 18-3/4 x 23-1/2 in. Provenance: Private Atlanta Collection Estimate: $300 - $500

835 Pair Regency Style Mahogany and Parcel Gilt Eagle-Form Brackets, modern, rectangular mahogany top, composition spread-wing eagle, ebonized rocky plinth, leaf-carved support, 23-1/4 x 23 x 10 in. Estimate: $400 - $700

836 Charles X Figured Mahogany MarbleTop Center Table, British or Continental, circa 1830, circular variegated marble top on pedestal base, 29 x 36-1/2 in. Provenance: Smith Estate, Missouri Estimate: $800 - $1,200

837 Fine Needlework Panel probably British, 19th century, historical scene of James I of Scotland, wool with silk accents, 28 x 30 in.; frame Provenance: Ware Collection, TN Estimate: $1,000 - $1,500

838 Adam Style Carved and Gilt Wood Mirror, late 20th century, urn-and-swag crest over rectangular mirror plate, 46-1/2 x 23 in. Provenance: Private Collection Estimate: $200 - $400

detail 839 George I Style Burlwood and Parcel Gilt Desk and Bookcase British, early 20th century, upper case with arched cornice with carved and gilt wood tympanum and finial, arched doors and fully fitted interior, lower case with slant lid opening to a leather-lined writing surface and fitted interior with till over four lower drawers and straight bracket feet, 92-3/4 x 46 x 22-1/2 in. Provenance: Ware Collection, Tennessee Estimate: $1,000 - $3,000

For full cataloging and images see our website, www.brunkauctions.com

843 Cut Crystal Ten-Light Chandelier probably British, late 20th century, faceted prisms and garland drops, scrolled glass arms with cut candle cups, 30 x 22-1/2 in. Provenance: Private Collection Estimate: $400 - $700

844 Set of 12 Chinese Chippendale Style Carved Mahogany Dining Chairs Far Eastern, late 20th century, two armchairs, ten side chairs Provenance: Ware Collection, TN Estimate: $1,000 - $2,000

845 Adam Style Carved Mahogany Extension Dining Table, 20th century, carved molded top on fluted legs, two leaves, 30 x 54 x 54 in., opens to 93-1/2 in. Provenance: Private Virginia Collection Estimate: $500 - $1,000

846 Persian Rug possibly Hamadan, early to mid-20th century, central medallion with drops and stepped edges, 4 ft. 6 in. x 6 ft. 3 in. Provenance: Private Kentucky Collection Estimate: $400 - $800

847 Persian Rug probably Kazvin, early to mid-20th century, turquoise curvilinear medallion, drops, and corner work, 4 ft. x 4 ft. 8 in. Provenance: Private Kentucky Collection Estimate: $300 - $600

848 Persian Rug possibly Afshar, early 20th century, repeating rows of floral decoration on a dark blue ground, 3 ft. 8 in. x 5 ft. 10 in. Provenance: Private Kentucky Collection Estimate: $400 - $800

849 Indo-Chinese Pictorial Carpet mid to late 20th century, curvilinear medallion with similar cornerwork , amber central field, 10 ft. x 13 ft. 11 in. Provenance: Frankel Collection, NC Estimate: $600 - $1,200

850 Persian Carpet possibly a Bijar, early to mid-20th century, elaborate central medallion on a brick red field, 9 ft. 9 in. x 12 ft. 9 in. Provenance: Private Collection Estimate: $800 - $1,200

851 Persian Rug probably Sarouk, early to mid-20th century, ivory central panel with overall floral designs, 4 ft. 9 in. x 7 ft. 2 in. Provenance: Private Collection Estimate: $400 - $800

852 Persian Carpet probably Tabriz, early to mid-20th century, central medallion with drops on ivory field, corner work, 6 ft. x 9 ft. 3 in. Provenance: Private Collection Estimate: $300 - $600

853 Persian Carpet possibly Tabriz, early to mid-20th century, central medallon on ivory field, floral and vine designs, 8 ft. 11 x 11 ft. 10 in. Provenance: Private Collection Estimate: $600 - $900

Condition notes available in back of catalog

II British

842 Hepplewhite Style Inlaid and Figured Mahogany Arched-Door Cabinet late 19th/early 20th century, quarter-fan inlay, 74-1/2 x 42 x 17-1/2 in. Provenance: Private Virginia Collection Estimate: $500 - $700

September 13, 2014

840 Chippendale Style Mahogany Piecrust Tea Table, late 19th/early 20th century, birdcage support tilting over a carved tripod base, 31 x 31 x 30-1/2 in. Provenance: Private Virginia Collection Estimate: $400 - $600

841 Irish Chippendale Style Carved Mahogany Sofa probably 19th century, arched back and rolled arms, fine carved arm facings, 38-1/2 x 80 x 33 in. Provenance: Private Virginia Collection Estimate: $3,000 - $5,000

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British

854 Flight, Barr & Barr Worcester Porcelain Fence Pattern, 23 Pieces English, circa 1815, partial dessert service, sauce tureens, dishes, platters, plates Provenance: Private Collection Estimate: $3,000 - $5,000

855 Coalport Imari Pattern China, 44 Pieces English, 20th century, in the “Hong Kong” pattern: eight each service, luncheon and bread plates; tray; other Provenance: Ware Collection, TN Estimate: $500 - $1,000

856 Four Pieces Imari Ironstone English, late 19th/early 20th century: oval platter, 19 in.; pair tureens, 5-3/4 x 7-1/4 x 5-1/2 in.; entrée dish, 4-1/4 x 8-3/4 in. Provenance: Stone Collection, NC Estimate: $400 - $700

857 Seven Pieces Ironstone English, late 19th/early 20th century: Mason’s platter and serving plate; inkwell; four pitchers with figural handles Provenance: Stone Collection, NC Estimate: $400 - $700

859 Six Pieces Mason’s Ironstone Lily Pattern, English, late 19th/early 20th century: entrée dish; pair deep bowls; shell-shaped dish; pair plates, 8-3/8 in. Provenance: Stone Collection, NC Estimate: $400 - $700

860 Two Mason’s Ironstone Tureens English, 19th century: Mason’s Mogul pattern, 9-1/2 x 13-1/2 in.; Minton & Boyle tureen and underplate, 11 x 13-1/2 in. Provenance: Stone Collection, NC Estimate: $800 - $1,200

863 Five Pieces Ironstone China English, late 19th/early 20th century: platter, 20-1/2 in.; 14-1/8 in. plate; pair dishes, 1-1/2 x 10-1/2 x 7-1/2 in.; dish Provenance: Stone Collection, NC Estimate: $400 - $700

864 Twenty-Six Pieces English Imari China English, late 19th/early 20th century: 24 plates, 6-3/8 in. to 9-5/8 in.; platter, 113/4 in.; soup bowl, 9-1/2 in. Provenance: Stone Collection, NC Estimate: $600 - $900

866 Set of Twelve Wedgwood Porcelain Service Plates, 20th century, each with Wedgwood printed mark, foliate, cornucopia decoration, 10-3/8 in. Provenance: Private Collection, NC Estimate: $300 - $500

867 Four Pieces Mason’s Ironstone English, late 19th/20th century: entrée dish, 5-1/4 x 9 x 9 in.; tureen, 5-1/4 x 71/2 x 4-3/4 in.; two pitchers, 11 in. each Provenance: Stone Collection, NC Estimate: $400 - $700

858 Two Mason’s Ironstone Blue Pheasant Well-and-Tree Platters, English, late 19th century: of similar design with two exotic birds surrounded by flowers, 20-5/8 in. Provenance: Stone Collection, NC Estimate: $400 - $700

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861 Seven Pieces Mason’s Oriental Pattern Ironstone, English, late 19th/early 20th century: pair chamber pots with snake handles; bowl; slop bucket, 10 in. Provenance: Stone Collection, NC Estimate: $600 - $900

862 Royal Crown Derby Kings Pattern Partial Dessert Set, 58 Pieces, English, 19th and early 20th century, finely enameled, various Crown Derby marks Provenance: Stone Collection, NC Estimate: $1,000 - $1,500

September 13, 2014

865 Barr, Flight & Barr Worcester Imari, Pattern 24 Pieces English and Japanese: various Flight, Barr & Barr/ Worcester marks, all boldly painted designs, four platters, sauceboat Provenance: Private Collection Estimate: $2,000 - $3,000

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868 Monumental Pair Carved Marble Seated Lions 20th century, each depicted seated with open mouth and upraised paw on a shield, 44-1/2 x 17 x 31 in. Provenance: Tennessee Collector Estimate: $2,000 - $4,000

869 Welsh Oak Dresser with Rack 18th/19th century, shelved upper section, lower with three dovetailed doors, 801/2 x 77-3/4 x 16-3/4 in. Provenance: Private Collection, NC Estimate: $1,000 - $2,000

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878 Three Sarouk Mats mid to late 20th century, two with urn and floral designs, one with medallion, 2 ft. 1 in. x 2 ft. 9 in. to 2 ft. 2 in. x 4 ft. 2 in. Provenance: Private Collection Estimate: $300 - $600

872 Early English Paneled Oak Lift-Top Chest, 18th century, oak throughout, lift-off lid, open interior, paneled back and sides, 42 x 56 x 23 in. Provenance: Hudson Estate, NC Estimate: $300 - $600

873 Early English Paneled Oak Lift-Top Chest, British, late 17th/18th century, four-panel top with tine hinges, early dark color, 29 x 52-1/2 x 20-1/2 in. Provenance: Private Collection Estimate: $400 - $600

875 Heriz Style Runner late 20th century, red central panel with eleven medallions, typical designs, 2 ft. 9 in. x 16 ft. Provenance: Private Virginia Collection Estimate: $300 - $600

876 Tabriz Style Carpet late 20th century, arabesque central medallion, blue, yellow, and ivory on red field, floral patterns, 8 ft. 10 in. x 12 ft. Provenance: Private Virginia Collection Estimate: $800 - $1,200

877 Hamadan Rug Persian, mid-20th century, ivory field with floral and geometric designs, multiple borders including four barber pole, 2 ft. 11 in. x 6 ft. Estimate: $200 - $400

880 Persian Rug possibly Mahal, early 20th century, rows of florets and geometric designs on a cobalt ground, 4 ft. 8 in. x 5 ft. 7 in. Provenance: Private Kentucky Collection Estimate: $400 - $800

881 Bokhara Style Runner Pakastani, mid to late 20th century, rows of guls and geometric designs on a burgundy field, 2 ft. 7 in. x 14 ft. 9 in. Provenance: Dr. Jauharâ&#x20AC;&#x2122;s Collection Estimate: $200 - $400

879 Tekke Rug early 20th century, three rows of guls on a rust red ground, typical patterns with ivory highlights, 3 ft. 2 in. x 3 ft. 6 in. Provenance: Private Kentucky Collection Estimate: $200 - $400

Condition notes available in back of catalog

II British

874 Sarouk Rug early to mid-20th century, floral designs on a red field, olive and navy highlights, 3 ft. 5 in. x 4 ft. 7 in. Estimate: $300 - $600

871 Chippendale Inlaid Oak Nine-Drawer Chest, British, 18th/19th century, banded drawer facings with bone kite escutcheons, 40-3/4 x 66-1/2 x 21-1/2 in. Provenance: Private Collection, NC Estimate: $500 - $1,000

September 13, 2014

870 Royal Crown Derby Imari Pattern China, 33 Pieces, comprising 14 service plates; 12 luncheon plates; pair covered dishes; bowl; four platters, all marked Provenance: Ware Collection, TN Estimate: $1,000 - $2,000

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September 13, 2014

British

110

882 Early Georgian Oak Tall Case Clock 18th century, dial signed “Joseph Stancliffe, Barkisland”, square brass dial set with moon dials, 87 x 20 x 10 in. Provenance: Private Collection Estimate: $500 - $1,000

883 Queen Anne Inlaid and BookmatchVeneered Dressing Table, British, bookmatch-veneered top with compass star inlay, inlaid skirt, 27-3/4 x 28 x 18-1/4 in. Provenance: Private Collection Estimate: $500 - $700

884 Chippendale Style Walnut Panel-Door Corner Cupboard, 20th century with some period elements, walnut with yellow pine secondary, paneled doors, 80 x 36 x 20 in. Estimate: $800 - $1,200

885 George III Style Inlaid Mahogany PitchPediment Corner Cupboard, British, late 19th century, shelved interior, two glazed doors, 85 x 31-1/2 x 18 in. Provenance: Private Virginia Collection Estimate: $500 - $700

886 Set of Ten Hepplewhite Style Mahogany Shield-Back Dining Chairs, early 20th century, two armchairs, 38 x 24-1/4 x 21 in.; eight side chairs, 36 x 20-1/2 x 18 in. Provenance: Private KY Collection Estimate: $1,000 - $2,000

887 George III Style Inlaid Figured Mahogany Spider-Leg Table, late 19th/early 20th century, burlwood-banded top, 27-1/2 x 13 x 29 in., opens to 35 in. Provenance: Private Virginia Collection Estimate: $200 - $400

888 Empire Style Gilt and Patinated Bronze and Metal Six-Light Chandelier anthemion-decorated top held by three chains, base with stars, 32 x 25-1/2 in. Provenance: Private Collection Estimate: $400 - $700

889 Pair Tole Two-Handled Covered Urns 20th century, each with pineapple finial, lion’s mask ring handles, oval landscapes with ruins on red ground, 12-1/4 in. Provenance: Stone Collection, NC Estimate: $100 - $400

890 Pair Irish Georgian Carved Mahogany Hall Chairs, 19th century, label for “Robert Strahan & Co….Henry St., Dublin”, 35-3/4 x 17-1/4 x 18-1/2 in. Provenance: Private NC Estate Estimate: $500 - $1,000

891 Chippendale Style Carved Mahogany Tilt-Top Breakfast Table, 20th century, figured-veneer top, pedestal base, carved knees, ball-and-claw feet, 29 x 63 in. Provenance: Private Virginia Collection Estimate: $500 - $700

892 Chippendale Carved Mahogany OpenArm Chair, British, 18th century, carved crest over a pierced splat, silk damaskupholstery, 37-1/4 x 25 x 20-1/2 in. Provenance: Private Collection Estimate: $500 - $1,000

893 Chippendale Style Mahogany Partners Desk, 20th century, each pedestal with three dovetailed drawers and single cabinet door, bracket feet, 30 x 71 x 35 in. Provenance: Private Virginia Collection Estimate: $800 - $1,200

894 Pair George II Style Carved Mahogany Upholstered Open-Arm Chairs, British, early 20th century, eagle’s head carved hand grips, 40-1/2 x 28 x 24-3/4 in. Provenance: Private Virginia Collection Estimate: $800 - $1,200

895 Pair Regency Style Figured Satinwood, Rosewood and Fruitwood Side Tables 20th century, figured banded tops, trestleform bases, 27 x 25-1/2 x 25-1/2 in. Provenance: Private Collection Estimate: $800 - $1,200

896 Black-Lacquered Ink Stand, Lap Desk, Traveling Desk, Glove Box, English, 19th century: finely inlaid two-compartment ink stand; Victorian inlaid lap desk; glove box; Victorian writing desk Estimate: $600 - $900

detail

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897 Two Tea Caddies, Burlwood Lap Desk, English, 19th century: casket-form tea caddy; inlaid walnut and satinwood tea caddy; lady’s lap desk Provenance: Private NC Estate Estimate: $600 - $900

900 Rare Monumental Agateware Center Bowl English or American, probably Staffordshire, 18th century, in the form of four slight lobes, agateware ceramic in shades of blue and rust/brown, 5-1/2 x 15-1/2 in. Estimate: $4,000 - $6,000

901 George III Mahogany Piecrust Tea Tray Set on a Later Lazy Susan Stand, British, 18th century in part, single-board mahogany top, 7-3/4 x 16-3/4 in. Provenance: Private Collection Estimate: $200 - $400

902 S. Marr & Son & Thompson MagnetoElectrio Machine, English, 19th century, mahogany case, brass medallion “S. Marr & Sons..”, 4-1/4 x 10 x 4-1/2 in., Provenance: Private SC Collection Estimate: $200 - $400

903 J. Seal & Son Day-or-Night Brass Telescope, English, 19th century, brass threedraw telescope, “J. Steele & Son, London, Day or Night”, 34-5/8 x 2-1/2 in. Provenance: Private SC Collection Estimate: $200 - $400

905 British School (19th century) Portrait of a Lady, unsigned, oil on canvas, 33-1/4 x 26-1/4 in.; modern frame Provenance: Private Collection, NC Estimate: $800 - $1,200

906 British School (19th century) Seated Woman, unsigned, oil on canvas, 28-1/4 x 22-1/2 in.; frame Provenance: Private Collection, NC Estimate: $500 - $800

907 British School (19th century) Portrait of a Gentleman, Alexander Ellerby, oil on canvas, 20 x 16-1/8 in.; frame Provenance: Private SC Collection Estimate: $300 - $600

909 George Armfield (British, 1808-1893) Cairn Terriers with Chickens, signed “G Armfield”, oil on canvas, 25 x 30 in.; frame Provenance: Ware Collection, TN Estimate: $1,000 - $2,000

910 John Nesbitt (British, 1831-1904) Portrait of the Greyhound, signed, oil on canvas, 10-1/8 x 14-1/4 in.; frame Provenance: Private Virginia Collection Estimate: $400 - $600

911 British School (19th century) Three Greyhounds in a Landscape, unsigned, oil on canvas, 28 x 36 in.; frame Provenance: Tryon Gallery ltd., London Estimate: $1,000 - $2,000

Condition notes available in back of catalog

904 British School (19th century) Frigate with Other Shipping in Harbor, signed, oil on canvas, 19-7/8 x 24 in. Provenance: Private Collection, NC Estimate: $200 - $300

908 British School (19th century) Naval Battle with Ships Firing on Fort, unsigned, oil on canvas, 17 x 22-7/8 in. Provenance: Private Collection Estimate: $600 - $900

II British

899 Regency Style Inlaid Fruitwood AppleForm Tea Caddy, British, probably 20th century, hinged lid with foil-lined interior, shield-inlaid escutcheon, 6 in. Provenance: Private Collection Estimate: $200 - $400

September 13, 2014

898 Finely Decorated Rosewood Sewing Box, Tea Caddy, Ebonized Glove Box English, 19th century: sewing box; painted tea caddy; glove box, 1851 Exhibition Provenance: Private NC Estate Estimate: $600 - $900

111

913 British School (19th century) “Laura/Wife of Lt. Col. Montresor./Grendr Guards”, unsigned, oil on canvas, 49-3/4 x 40 in.; original frame Estimate: $400 - $800

912 Scottish or British School (19th century) Portrait of Three Children Seated in a Landscape, with dog and basket of fruit, unsigned, oil on canvas, 40 x 50 in.; fine original 19th century gilt wood and composition frame Provenance: Ware Collection, TN Estimate: $2,000 - $4,000

September 13, 2014

British

915 William Wyld (British, 1806-1889) Italian Figures in Cathedral Portico, Venice, signed “W Wyld”, watercolor and ink on paper, 16-1/8 x 12 in.; frame Estimate: $1,800 - $2,400

112

917 Henry Reynolds Steer (British, 1858-1928) Duty or Inclination, depicting the end of a card game, signed “H Steer/1887”, watercolor on paper, 19 x 28 in.; frame Estimate: $500 - $700

918 J. W. Ludlow (19th/20th century, British) Five works of art: watercolors; three chromolithographs, Caselle’s Poultry Book Provenance: Private Virginia Collection Estimate: $1,000 - $2,000

914 British School (18th/19th century) Pair of reverse-painted portraits of women, unsigned, 10-1/2 x 14-1/2 in.; frames Provenance: Ex-Collection Lauriston Castle Estimate: $300 - $600

916 William Mulready (British, 1786-1863) The Annunciation, signed “W. Mulready”, oil on canvas, 21 x 16-1/4 in.; frame Provenance: Yawkey Woodson Museum Estimate: $2,000 - $3,000

919 Manner of George Cole (British, 1810-1883) Haying Scene, signed “G. Cole”, oil on canvas, 15-7/8 x 24 in.; frame Provenance: Private Virginia Collection Estimate: $600 - $900

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920 W. J. Crampton (British, 1855-1935) Highland Landscape, signed, oil on fiberboard, 10 x 18 in.; frame Provenance: Tennessee Collector Estimate: $200 - $400

921 Alfred de Breanski, Sr. (British, 1852-1928) The Llugwy at Capel Curig N.W., with fly fisherman, signed lower left “Alfred de Bréanski” and signed and inscribed with title verso, oil on canvas, 23-7/8 x 35-7/8 in.; gilt wood and composition frame Provenance: Ambassador Daniel Terra; Mrs. Maurice Zollar, Chicago, Illinois; Kennenth Probst Galleries, Chicago, Illinois (accompanied by copy of original receipt); Private Virginia Collection Estimate: $8,000 - $12,000

924 Alfred de Breanski, Jr. (British, 1877-1957) Cattle by a Highland Stream, signed, oil on canvas, 20 x 30 in.; fine frame Provenance: Walker’s Auctions, Ottawa Estimate: $2,000 - $3,000

925 British or American School (late 19th century) Pastoral Landscape with Cows, unsigned, watercolor on paper, 19-1/4 x 23 in.; frame Provenance: Private Virginia Collection Estimate: $200 - $400

926 Edmund John Niemann, Sr. (British, 1813-1876) Landscape Near Nottingham, signed, oil on canvas, 22-1/4 x 34-1/8 in.; frame Provenance: Christie’s London, 2007 Estimate: $1,200 - $1,800

927 Thomas R. Huson (British, 1844-1920) The Village Path, signed “Thos. Huson R.A.”, oil on canvas, 20 x 30-1/8 in.; frame Provenance: Estate of Sr. Gocmmarie, Paris Estimate: $1,000 - $2,000

Condition notes available in back of catalog

928 British School (early 19th century) Hunters with Hounds in a Country Setting, unsigned, oil on canvas, 29-3/4 x 40 in.; possibly original frame Estimate: $1,000 - $1,500

II British

923 José Weiss (British, 1859-1919) Pastoral Landscape, with cows in distant field, unsigned, oil on canvas, 20-1/4 x 30 in.; gilt wood and composition frame Estimate: $1,000 - $1,500

September 13, 2014

922 Attributed to Edmund John Niemann (British, 1813-1876) A Yorkshire Stream, unsigned, oil on canvas, 10 x 12 in.; gilt wood frames Provenance: Property of a TN Collector Estimate: $400 - $600

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929 Pair Kirk Sterling Covered EntrĂŠe Dishes, American, 1896-1924, oval form with floral repousse decoration, 56.90 oz. T., 5-1/2 x 10-1/2 x 7-1/4 in. Provenance: Garbee Collection, Georgia Estimate: $2,000 - $3,000

Session II

930 Four Piece Assembled English Silver Tea Service, London, 19th century, pear forms with matching decoration, 11-1/2 in. coffee pot, teapot, creamer and sugar, various makers, 1842-1875, 69.89 oz. T. Estimate: $1,000 - $2,000

Silver

September 13, 2014

Silver

114

931 18th Century English Silver Teapot London, 1794, cartouche form with bright-cut engraved borders top and bottom, 15.98 oz. T., 6-3/4 x 11 x 4 in. Provenance: Private Collection Estimate: $400 - $800

934 Pair George III English Silver Sauceboat, London, 1774, oval urn forms, gadroon borders, .925 fine, 30.86 oz. T., 6 x 8 x 3-1/2 in. Provenance: Garbee Collection, Georgia Estimate: $1,000 - $2,000

932 Hester Bateman English Silver Teapot London, 1783, oval form, bead border, bellflower and floral engraved band, 13.24 oz. T., 5-1/2 x 9-1/4 x 3-3/4 in. Provenance: Private Collection Estimate: $1,000 - $2,000

935 Silver-Plated Epergne probably Continental, late 19th/early 20th century, six scroll arms, trifid base with dolphin supports, ball feet, central frosted and cut bowl with swag and thistle decoration; with five candlestick glass inserts, no monograms, 21-3/4 x 17 x 17 in. Estimate: $300 - $600

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933 Hester Bateman English Silver Teapot Stand, London, 1782, oval with bead border, bellflower engraved band, .925 fine, 4.58 oz. T., 1 x 6-1/4 x 4-7/8 in. Provenance: Private Collection Estimate: $400 - $800

936 Cut Glass and Silver-Plated Wine Ewer, Cut Glass Jar, American, 20th century: ewer, 12-1/4 in.; jar in silver-plated frame, hinged cover with lion, 12 in. Provenance: Private Virginia Collection Estimate: $100 - $200

938 Six Piece Assembled Sterling Tea Service with Silver-Plated Tray, sterling five piece tea service and Mexican hot water kettle, 69.37 oz. T.; silver-plated tray Provenance: Private Collection Estimate: $2,500 - $3,500

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940 Sterling and Coin Silver Hollowware American, 19th/20th century, coin bowl; sterling butter dish; sterling tray, 32.51 oz. T., 7-1/2 in. to 9-3/4 in. , (three pieces) Provenance: Private Collection, NC Estimate: $400 - $600

941 William Jerome Presentation Sterling Card Case, American, 1909, case presented to attendees of a retirement dinner, signatures including S. L. Clemmens (Mark Twain), 3-1/2 x 1-3/4 x 1/4 in. Estimate: $1,000 - $1,500

942 Overlay Cruet and Parrot Bud Vase bud vase with silver-plated parrot vase, 6-3/4 x 6 x 4 in. and red glass silver overlay cruet, 10-3/4 in. Provenance: Ware Collection, TN Estimate: $100 - $300

943 Old Sheffield Plate Entrée Dish English, early 19th century, rounded rectangular base with pierced interior, scroll feet and handle, associated removable handle, heraldic device, 9 x 13-3/4 x 9 in. Estimate: $200 - $400

944 Silver-Plated Swan Finial Tureen and Butter Dish, Old Sheffield Plate oval tureen, 10 x 14 x 8-1/2 in.; oval butter dish, American, 4 x 9-1/4 x 7-1/2 in. Provenance: Private SC Collection Estimate: $600 - $900

945 Sterling Asparagus Tongs, Salts, and Spoons, 27 Pieces, American, including Louis XV asparagus tongs; salts and peppers; with German style tankard Provenance: Private Collection, NC Estimate: $600 - $1,000

946 Schwarzenberg Family Silver Salts and Buttons, including 47 buttons, stamp and two open salts, all with Schwarzenberg family crest, 3/4 in. to 1-1/4 x 2 x 2 in. Provenance: Princess Schwarzenberg Estimate: $200 - $400

947 Pair Russian Silver Kovsh St. Petersburg, late 19th/early 20th century, gilt interior, “P.L”, .875 fine, 3.5 oz. T., 1-1/4 x 3-3/4 x 2-1/4 in. Provenance: Private Collection, NC Estimate: $200 - $400

948 Niello Russian Silver Buckle Russian, late 19th century, diamond-form, marked “MC”, Kokoshnik with “X”, .875 fine, 1.80 oz. T., 3-1/4 in. Provenance: Private Collection, NC Estimate: $300 - $600

949 Russian Silver Tankard St. Petersburg, Russia, 1870-1880, figural bust of man with drink coming outside, spurious marks for Paul Sazikov. .875 fine, 42.89 oz. T., 8-1/2 x 6-1/2 x 4-1/2 in. Estimate: $1,000 - $2,000

Condition notes available in back of catalog

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II Silver

939 Gorham Openwork Centerbowl American, 20th century, oval form with openwork scroll and floral decoration, 27.36 oz. T., 4-1/2 x 15 x 10-1/4 in. Provenance: Private Collection, NC Estimate: $500 - $1,000

September 13, 2014

937 Pair J. E. Caldwell Sterling Open Vegetable Dishes American, early 20th century, openwork floral and lattice border, each with two floral handles and scroll and floral feet, marks for J.E. Caldwell & Co. (Philadelphia, Pennsylvania, working 1839-present), monogram "MdeFH", 54.58 oz. T., 3-1/2 x 11-1/4 x 7 in. Provenance: Private Collection, NC Estimate: $1,000 - $1,500

115

950 Pair Sterling Three-Cup Candelabra Mexico, 20th century, modern form, marks for Juventino Lopez Reyes, 72.17 oz. T., 151/4 x 15-1/2 x 6-1/2 in. Provenance: Private Collection, NC Estimate: $1,400 - $1,800

September 13, 2014

Silver

116

951 Mexican Sterling Footed Bowl 20th century, scroll and foliate border, “Conquistador”, 27.39 oz. T., 4 x 9-5/8 in. Estimate: $300 - $600

952 Six Sterling Goblets American, 20th century, flared rim, gilt interior, marks for Wm. Rogers Mfg. Co., 23.46 oz. T., 6-1/2 in. Provenance: Stone Collection, NC Estimate: $300 - $600

953 Three Tiffany Sterling Bowls American, 20th century, one floral, 2 x 8-1/4 in.; one paneled 2 x 7-3/8 in.; one scalloped 2-1/2 x 6 in.; one Tiffany bag, marks for Tiffany & Co., 27.71 oz. T. Estimate: $500 - $800

954 Tiffany Hampton Sterling Flatware, 35 Pieces, American, 1907-1947, including place and service pieces, marks for Tiffany & Co., 52.23 oz. T. weighable silver Provenance: Ware Collection, TN Estimate: $1,500 - $1,800

955 Gorham Imperial Chrysanthemum Sterling Flatware, 136 Pieces, American, late 19th/20th century; with Durgin spoon, 150.67 oz. T. Provenance: Private Atlanta Collection Estimate: $2,500 - $3,500

956 Alvin Chateau Rose Sterling Flatware, 55 Pieces, American, 20th century, including place and service pieces, 48.01 oz. T. weighable silver; with wooden case Provenance: Private Collection Estimate: $700 - $1,000

957 Wallace Sir Christopher Sterling Flatware, 68 Pieces, American, 20th century, including place and service pieces, 67.25 oz. T. weighable silver Provenance: Ware Collection, TN Estimate: $1,000 - $1,500

958 International Joan of Arc Sterling Flatware, 109 Pieces, American, 20th century, including place and service pieces, monograms, 90.96 oz. T.; case Provenance: Private Collection Estimate: $1,300 - $1,600

959 Wallace Grand Baroque Sterling Flatware, 32 Pieces, American, 20th century, including place and service pieces, 37.32 oz. T. weighable silver Provenance: Private Collection, NC Estimate: $600 - $1,000

960 Westmoreland George & Martha Sterling Flatware, 64 Pieces, American, 20th century, including place and service pieces, 59.9 oz. T. weighable silver; case Provenance: Private Collection, NC Estimate: $1,000 - $1,500

961 Whiting Pompadour Sterling Flatware, 159 Pieces, American, 20th century, including place and service pieces, marks for Whiting, 133.72 oz. T.; with felt trays Provenance: Private Collection, NC Estimate: $2,000 - $3,000

962 Gorham Gold Tip Sterling Flatware, 24 Pieces, American, 20th century, including place pieces, marks for Gorham, applied gold “T” monogram, 25.75 oz. T. Provenance: Werner Tschanen, NY Estimate: $400 - $600

963 Gorham Chantilly Sterling Flatware, 62 Pieces, American, 20th century, including place and service pieces, marks for Gorham, 46.75 oz. T.; with wooden case Provenance: Werner Tschanen, NY Estimate: $1,200 - $1,800

964 Dirilyte Empress Flatware, 40 Pieces American, 20th century, including place pieces, Dirilyte metal is a mixture of golden metals; with felt tray Provenance: Private Atlanta Collection Estimate: $40 - $80

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965 Five Pieces Sterling Hollowware American, 20th century, including three piece coffee service; footed bowl; pitcher, 9-1/4 in. to 4-1/2 x 4-5/8 in., 50.85 oz. T. Provenance: Stone Collection, NC Estimate: $700 - $1,000

966 Twelve Gorham Maintenon Sterling Goblets, American, 20th century, gilt interiors, marks for Gorham, monograms, 82.68, 6-1/2 in. Provenance: Haverfield Collection, FL Estimate: $1,500 - $2,500

967 Five Pieces Wallace Stradivari Tea Service with Silver-Plated Tray, American, 20th century, 83.87 oz. T., 11 in. coffee, teapot, creamer, covered sugar and waste Provenance: Private Virginia Collection Estimate: $1,400 - $1,800

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970 Three Pieces Gorham Versailles Sterling Flatware, American, late 19th century, including salad serving set, 9-1/4 in. to 11 in., 10.41 oz. T. Provenance: Private Collection, NC Estimate: $200 - $400

972 Towle Madeira Sterling Flatware, 51 Pieces, American, 20th century, including place and service pieces; with two Gorham pieces, 54.65 oz. T., (53 pieces total) Provenance: Private Collection, NC Estimate: $700 - $1,000

973 132 Pieces Repousse Sterling Flatware including place and service pieces, Kirk, Steiff and other makers, 139.52 oz. T. weighable silver Provenance: Haverfield Collection, FL Estimate: $3,000 - $4,000

974 Thirteen Piece Whiting Flatware American, late 19th/20th century, including Lily salad set, 8.09 oz. T., 11-3/4 in.; eleven Whiting Imperial Queen, 10-1/2 in. hollow handle knives Estimate: $300 - $600

975 Shiebler Gothic Sterling Flatware, 123 Pieces, American, late 19th/early 20th century, place and service pieces, Geo. W. Shiebler & Co., 115.68 oz. T. Provenance: Hirsch Estate, by descent Estimate: $2,500 - $3,500

977 Seven Ornate Silver Serving Pieces American, 20th century, including Tiffany English King; Whiting Huperion scoop, others, 26.55 oz. T., 7-3/4 in. to 13-1/4 in. Provenance: Private Collection, NC Estimate: $300 - $600

978 Sterling Flatware, Plates and Brush, 26 Pieces, American, 20th century, includingGorham Lancaster ladle; Tiffany brush; other flatware, 28.78 oz. T. Provenance: Hirsch Estate, by descent Estimate: $500 - $800

979 Mahogany Fitted Flatware Case American, early 20th century, two drawers and lift top, brass handles, fitted red felt interior, 12-1/2 x 23-3/4 x 16-1/4 in. Provenance: Hirsch Estate, by descent Estimate: $400 - $800

976 Whiting Arabesque, Tiffany Sterling, Nine Pieces, American, 20th century, including service pieces; with open salts, 10.79 oz. T., 2-1/4 in. to 9 in. Provenance: Ware Collection, TN Estimate: $400 - $800

Condition notes available in back of catalog

II Silver

969 Seven Pieces Sterling Hollowware including Lebolt compote; creamer; sugar; loving cup trophy; mirror and brush, 28.48 oz.T, 3 x 6 in. to 5 x 7-1/2 x 7-1/2 in. Provenance: Private Atlanta Collection Estimate: $400 - $600

September 13, 2014

968 Eighteen Sterling Goblets American, 20th century, both with gilt interiors, ten International, 4-3/8 in.; eight Gorham, 5 in., 50.75 oz. T. Provenance: Stone Collection, NC Estimate: $700 - $100

971 Gorham Morning Glory Pie Server American, late 19th century, engraved blade, marks for Gorham, no monogram, 2.64 oz. T., 11 in. Provenance: Private Collection, NC Estimate: $200 - $400

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Session II

Asian 980 Pair Heavily Enameled and Gilt-Decorated Kutani Baluster Vases, Japanese, late 19th/early 20th century, flying peacocks, six-character mark, 13 in. Provenance: Garbee Collection, Georgia Estimate: $400 - $700

981 Pair Large Japanese Kutani Floor Vases, 20th century, necks with applied fruit and berry handles, vignettes on gilt decorated orange ground, 25 x 8 in. Provenance: Private Collection, GA Estimate: $400 - $700

September 13, 2014

Asian

982 Imari Charger and Bowl Japanese, early 20th century: finely enameled charger, floral and gilt center, 171/4 in.; finely scalloped and heavily enameled bowl, 4 x 9-7/8 in., both unmarked Estimate: $500 - $800

118

983 Four Meiji Period Samazu Graduated Bowls possibly Shirayamashousai, 1853-1923, lobed form, finely gilt and enameled, 21/4 x 4-3/4 in. to 3-1/2 x 8-1/8 in. Estimate: $1,000 - $1,500

984 Meiji Period Satsuma Plate possibly Kinkozin Sobei, 1868-1927, gilt decoration on cobalt ground, unglazed foot, Kinkozin signature plaque, 8-3/8 in. Estimate: $800 - $1,200

985 Three Pairs Imari Porcelain Vases Japanese, late 19th/20th century: pair, ribbed bodies, 10-1/4 in.; pair baluster form, 9-3/4 in.; pair with panels, 17-1/4 in. Provenance: Stone Collection, NC Estimate: $400 - $800

For full cataloging and images see our website, www.brunkauctions.com

986 Four Pieces Imari Porcelain Japanese, late 19th/early 20th century: charger, 18-1/2 in.; plate, 14-1/2 in.; pair plates of similar design, 12 in. Provenance: Stone Collection, NC Estimate: $800 - $1,200

987 Finely Enameled Porcelain Charger Japanese, 19th century, gold dragon on green, yellow and aubergine ground, spurious Qianlong mark, 18-1/4 in. Provenance: A Midwest Collection Estimate: $400 - $700

991 Enameled and Gilt Double-Gourd Vase on Rosewood Panel, Teakwood Folding Easel Chinese, 20th century: vase, 11 in., rosewood panel; adjustable easel, 14-5/8 in. Estimate: $300 - $500

992 Large Carved Hardwood Altar Table Chinese, probably 20th century, figured hardwood throughout, pierce-carved returns, 33-1/2 x 81-1/2 x 17-1/4 in. Provenance: Private Collection, GA Estimate: $1,000 - $1,500

994 Finely Crafted Hardwood Low Table Chinese, probably late 19th century, stylized dragons and phoenix heads, 10-1/2 x 24-1/2 x 18 in. Provenance: Private Collection Estimate: $300 - $500

995 Chinese Hardwood Altar Table probably 20th century, Ming style, hardwood throughout with scrolled skirts and molded legs, 33 x 55 x 15 in. Provenance: Mitchell Estate, MA Estimate: $300 - $500

detail

990 Two Monumental Miyagawa (Makuzu Kozan) Vases Japanese, Meiji Period, 1842-1916, commonly called Makuzu ware, overall naturalistic texture depicting waterfalls in mountain landscapes, 22 x 9 in. Estimate: $6,000 - $9,000

996 Finely Carved Zitan Wood Armchair Chinese, modern, large form, elaborately carved with dragon motifs, 49 x 45-1/2 x 28-1/2 in. Provenance: Private Collection, GA Estimate: $2,000 - $3,000

Condition notes available in back of catalog

detail

993 Chinese Carved Rosewood Cabinet 20th century, open top with relief-carved dragon panels, two interior drawers, 71 x 35-1/2 x 17-1/2 in. Provenance: Private Collection, Georgia Estimate: $1,000 - $1,500

II Asian

989 Eleven Pieces Imari Porcelain Japanese, late 19th/early 20th century: two vases; bowl; pair plates; pair dishes; four similar scalloped shallow dishes Provenance: Stone Collection, NC Estimate: $400 - $700

September 13, 2014

988 Finely Enameled CloisonnĂŠ Charger Japanese, 20th century, depicting a bird on a flowering branch on blue ground, 2 x 18 in. Provenance: Private Collection Estimate: $200 - $500

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September 13, 2014

Asian

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997 Four Light Green Carved Hardstone Dragon-Form Belt Buckles, Chinese, 20th century, each with a dragon-head closure, 3/4 x 3-1/4 in. to 4 x 3-7/8 in. Provenance: Private Collection Estimate: $200 - $400

998 Finely Carved Jade Boulder, Jade Grapes on Leaf, Chinese, 20th century: oval boulder, 4-1/4 x 2-3/4 in.; hardstone grapes, 1-1/2 x 4-1/8 x 2-5/8 in. Provenance: Private Collection Estimate: $400 - $800

999 Five Carved Hardstone and Jade Figures, Chinese, 20th century: bird pendant, mother and baby foo dogs, floral and bird form boulder, two foo dogs, jade chimera Provenance: Private Collection Estimate: $400 - $600

1000 Five Carved Hardstone and Jade Figures, Chinese, 20th century: amber hardstone fish pendant, jade man with goose, Buddha, hardstone box, amber wolves Provenance: Private Collection Estimate: $600 - $900

1001 Large Naturalistic Carved Green Hardstone Vase, Bottle Vase, Covered Vase Chinese, late 19th/20th century, boulder, 8 in.; bottle vase, 5 in.; vase, 6-3/8 in. Provenance: Private Collection Estimate: $200 - $400

1002 Carved Soapstone Vase, Standing Figure, Shallow Dish Chinese, early 20th century: gray, red, green soapstone, 5 in. to 9 in. Provenance: Smith Estate, Missouri Estimate: $100 - $300

1003 Cast Iron Duck-Form Figural Teapot Chinese, Kangxi character mark, possibly of the period, figural duck body, open mouth, pointed tail, Kangxi mark, 8-1/4 x 10-3/4 x 4-7/8 in. Estimate: $300 - $600

1004 Engraved Bronze Fitted Koro Asian, Greek key banding, finely engraved with applied floral elements, two handles, three elephant-head feet, 10-1/2 x 7-3/4 in. Estimate: $400 - $700

1005 Carved Zitan Wood Naturalistic Brush Pot, Bamboo Brush Pot, Chinese, 20th century, Zitan example, 7-1/4 x 5-3/4 in.; carved bamboo example, 6-3/4 x 6-3/4 in. Provenance: Private Collection, Georgia Estimate: $400 - $700

1006 Gilt Bronze Figure of Seated Ganesha Sino-Tibetan, figure of Ganesha with elaborate crown, arms holding Buddhist symbols, engraved copper symbol, 9 in. Provenance: Private Collection Estimate: $800 - $1,200

1007 Two Bronze Seated Figures of Buddha Sino-Tibetan, probably 20th century, larger Buddha in Witness of the Earth position, 9-3/4 in.; smaller, 5-1/4 in. Provenance: Private Collection Estimate: $600 - $900

1008 Pair of Fine Chinese Embroidered Panels, probably late 19th/early 20th century, landscape with figures, watercolor and ink on silk, 61 x 71 in.; frame Provenance: Private Collection Estimate: $400 - $800

1010 Islamic Handwritten Leather Bound Book, Turkish or Persian, early 19th century, handtooled and gilt-decorated blue calf boards, 10-1/2 x 7 x 2-1/2 in. Provenance: Private Collection, SC Estimate: $300 - $500

1011 Four Antique Persian Manuscript (19th century) Birds, script in borders, gouache and ink on paper, 7 x 3-1/8 in. to 8 x 4-1/4 in. Provenance: Private Collection Estimate: $200 - $400

1009 Embroidered Panel probably Persian, late 19th/early 20th century, vertical panel with tulip and pomegranate motifs, fine wool thread on linen, 53 x 17 in. Estimate: $300 - $500

For full cataloging and images see our website, www.brunkauctions.com

detail

1015 Ming Style Blue and White Deep Dish Chinese, 20th century, finely scalloped rims with repeating banding, centers with grape leaf and vine decoration, alternating floral panels, 3 x 16 in. Estimate: $400 - $700

1016 Finely Painted Blue and White Porcelain Jar, Chinese, 20th century, overall landscape design with warriors, tigers, riders on horseback, border with Buddhist symbols, unmarked, 11-1/8 in. Estimate: $400 - $700

1017 Pair Blue and White Canteen-Form Porcelain Two-Handled Vases, Chinese, 19th/20th century, pierced dragon handles, two dragons, unmarked, 12-3/4 in. Provenance: Chilcott Collection, Virginia Estimate: $400 - $800

1018 Finely Enameled Blue and White Ginger Jar with Carved Hardwood Cover Chinese, 19th century, finely carved reticulated cover, finely enameled jar, river landscape with figures, 9 x 7 in. Estimate: $600 - $900

1019 Large Canton Blue and White Porcelain Punch Bowl, 19th century, central lake scene, exterior with traditional Canton lake views, unmarked, 6-1/2 x 15-3/4 in. Provenance: Private Collection Estimate: $400 - $700

1020 Blue and White Plum-Form Dragon Vase, Chinese, 20th century, dragons and stylized flowers, six-character Qianlong reign mark, 13-3/4 x 8-3/4 in. Provenance: Private Collection, Georgia Estimate: $300 - $500

1021 Pair Crackle-Glazed Blue and White Decorated Baluster-Form Vases, Chinese, 19th or 20th century, cranes and trees in low relief, 18 in. Provenance: Private SC Collection Estimate: $300 - $500

1022 Pair Blue and White Porcelain DragonDecorated Moon Flasks. Chinese, 19th or 20th century, each with two dragon-form handles, bodies with scenes of figures and performers, 17-3/4 in. Estimate: $300 - $500

1023 White-Glazed Stoneware Footed Offering Bowl, Asian, possibly ancient, flaring rim and unglazed foot, unmarked, 3-5/8 x 6-1/2 in., in a wooden case Estimate: $400 - $700

1024 FlambĂŠ-Glazed Porcelain Bottle Vase Chinese, 20th century, finely potted pearshaped vase with slender neck, rich lilac/purple glaze with milky blue, Qianlong seal mark, 18 in. Estimate: $400 - $700

1025 Finely Potted Yellow-Ground Incised Porcelain Rice Bowl, Chinese, 20th century, incised dragons, stylized clouds on imperial yellow ground, Buddhist symbol in center, Qianlong seal mark, 2 x 4 in. Estimate: $300 - $500

Condition notes available in back of catalog

II Asian

1013 Pair Gilt and Orange Glazed Enameled Figures of Officials, probably 20th century, figures in elaborate long robes, oval caps, unmarked, 16-5/8 in. Provenance: Private Collection, GA Estimate: $400 - $700

September 13, 2014

1012 Tang Style Patinated Plaster Figure of a Standing Horse, 20th century, the horse depicted with one raised leg, standing on a tiered plinth, 26-1/2 x 30 x 10 in. Provenance: Private Collection Estimate: $100 - $200

1014 Black Lacquered Miniature Valuables Cabinet, Chinese, late 19th/early 20th century, elaborate fine gilt decoration, two doors with brass hardware fronting six drawers, 12 x 11 x 9-1/2 in. Estimate: $400 - $700

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1026 Fine Pair Rose Medallion and Gilt Bronze-Mounted Lamps, late 19th/ early 20th century, rose and butterfly lids, gilt bronze lion mask handles, 17 in. Provenance: Ware Collection, TN Estimate: $1,000 - $1,500

1027 Two Gilt-Decorated Rose Medallion Porcelain Vases, Chinese, 19th century: one with scalloped rim, applied gilt foo lion handles and dragons, 14-1/4 in.; another of similar design, 18 in. Estimate: $500 - $800

1028 Heavily Enameled Famille Rose Porcelain Punch Bowl, Chinese, 19th century, floral panels, insects, birds, gilt highlights, unmarked base, 6 x 14-3/8 in. Provenance: Garbee Collection, Georgia Estimate: $600 - $900

1032 Three Heavily Enameled Famille Rose Vases, Chinese, 20th century: one with emperor, 22-7/8 in.; baluster form, 18-1/4 in.; one with warriors, 18 in. Provenance: Private Collection, Georgia Estimate: $400 - $700

detail

1030 Gilt and Enameled Hu-Form Warrior Vase, Chinese, calligraphy on four sides, warrior on one side, courtesan verso, Buddhist symbols, Qianlong mark, 9 in. Provenance: Private Collection Estimate: $400 - $700

1031 Heavily Enameled Tiger Vase, Famille Verte Vase, Blue and White Vase, Chinese, 20th century: one with character Qianlong mark, 10 in. to 16-3/4 in. Provenance: Private Collection, Georgia Estimate: $600 - $900

1033 Pair Finely Enameled Famille Rose Vases, Chinese, finely enameled neck with figural panels, six-character Qianlong mark in underglaze blue and wax export stamp, 15-3/4 in. Estimate: $800 - $1,200

1034 Finely Enameled Eggshell Bowl, Baluster-Form Vase, Chinese, 20th century: bowl with Buddhist symbols, 4 x 9-1/2 in.; vase with garden landscape, calligraphy, 10-3/8 in., each with four-character mark Estimate: $400 - $700

1035 Pair Famille Verte Enameled CylinderForm Figural Vases, possibly Republic Period, early 20th century, figures and calligraphy, unmarked, 11-5/8 x 5 in. Provenance: Private Collection, Georgia Estimate: $300 - $500

September 13, 2014

Asian

1029 Heavily Enameled Hexagonal Garden Seat, Chinese, early 20th century, scenes depicting the emperor and attendants, yellow ground, 20 x 13 in. Provenance: Private Collection, GA Estimate: $400 - $600

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For full cataloging and images see our website, www.brunkauctions.com

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Condition Notes - Please check website for updated condition notes 0001 hinged in at top with remnant masking tape at top edge verso, light toning, small chip to lower left corner (1/8 in); frame with abrasions 0002 good condition; frame with abrasions 0003 one lacking harp and original finial 0004 verdigris patination, lacking base 0005 original stretcher and tacking edge, grime, mildew, yellowed varnish 0006 canvas slightly loose, original stretcher and tacking edge, light abrasions; frame with minor losses, repair 0007 hinged in, very light toning, full margins, recent conservation by Jane E. Sugarman; accompanied by copy of conservation report dated 2009 0008 abrasions to slip decorated surface 0009 cracked and glued with loss to clay body verso and some recto, glaze chips at edge 0010 paper hinge 0011 excellent condition 0012 minor base scratches 0013 excellent condition 0014 excellent condition 0015 excellent condition 0016 excellent condition, slight areas of surface wear at some high spots 0017 excellent condition 0018 excellent condition 0019 excellent condition 0020 excellent condition 0021 excellent condition 0022 excellent condition 0023 excellent condition 0024 excellent condition, scattered surface wax (applied to avoid slippage), 0025 excellent condition 0026 excellent condition 0027 excellent condition with slight roughness at pontil, some surface wax 0028 excellent condition 0029 excellent condition 0030 excellent condition 0031 excellent condition 0032 excellent condition 0033 excellent condition 0034 excellent condition 0035 very minor base scratches 0036 gourd-form ornament with loss at tip, otherwise good condition 0037 excellent condition 0038 tallest form with two tiny chips at top edge (could be polished out) 0039 excellent condition 0040 excellent condition excellent condition, small form with very minor base scratch 0042 excellent condition, some fabrication anomalies as made 0043 excellent condition, some fabrication anomalies as made 0044 excellent condition 0045 excellent condition 0046 excellent condition 0047 excellent condition, some wax residue at base 0048 excellent condition 0049 excellent condition 0050 excellent condition 0051 excellent condition 0052 good condition, minor scratches at feet 0053 excellent condition 0054 excellent condition, 0055 excellent condition 0056 excellent condition 0057 some foxing, not removed from original framing; frame with abrasions 0058 good condition, very light surface dirt and wear, mirrored plateau with scratches 0059 crackle, some flaking, not removed from original frame; frame with

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abrasions 0060 good condition; frame with small abrasions 0061 original stretcher and tacking edge; frame with loss bottom right 0062 crackle, cupping, canvas slightly loose; frame with abrasions 0063 loose, tape stains at edges, light toning 0064 good condition 0065 good condition; frame with abrasions; formerly rolled with horizontal crackle and cupping, original stretcher and tacking edge, some cleavage, generally abraded surface 0066 abrasions, canvas very loose, grime; frame with abrasions 0067 original stretcher and tacking edge, good condition: frame with abrasions; not removed from frames 0068 1 in. tear bottom left with associated paint loss 0069 excellent condition, very light surface wear and scratches 0070 scattered minor cracks and abrasions to drawer facings, other surface wear and flaws to paint 0071 excellent condition, very light surface wear to frames and upholstery 0072 excellent condition, very light surface wear and flaws 0073 table top with scattered areas of rust; chairs in good condition, some frames with some spotting and surface distress, other light surface wear 0074 excellent condition with very minor surface wear 0075 good condition, light surface wear and scratches, signature on base partly obscured by wear 0076 good condition with light surface wear and scratches (especially where it rests against the leaf-form supports), some corrosion and gilding losses to 0077 good condition; good condition; good condition 0078 both in good condition, bowl with scratches on botom 0079 No lot 0080 good condition 0081 excellent condition, silver decoration with some tarnish and light surface wear, other surface anomalies all apparently as made 0082 small scratch and minor surface abrasions 0083 good condition overall; one tall goblet with surface flaws at lower shoulder possibly as made, one feathered goblet with interior lines probably as made 0084 bowl with interior scratches and surface losses, light wear and spotting to gilt bronze base, candlesticks in excellent condition with some interior wax drips 0085 excellent condition 0086 good condition, 12 minor cracks found 0087 shade with chips and roughness at attachment cuff (partial loss of signature) and crack extending from cuff to shoulder, stand generally good condition with some surface wear and scattered scratches to patination 0088 two shades cracked, otherwise generally good condition; light surface wear to patination with some [verdigris] at lower edge of base 0089 stand in good condition with light surface wear and stains especially at base; the later shade with one tiny flake at mounting cuff, otherwise good condition 0090 good condition with scattered minor cracks including lower right

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edge panel, approximately 12 panels with cracks, some areas, releaded good condition overall, shade with very slight dent near attachment point; stand with one slightly bent foot, some variation to patination and light surface wear, attachment ring for shade replaced good condition, glass with light surface wear and some wax drip, scratches at base, silver-plate mounts with tarnish light wear, surface dirt cracks and repairs with one rim chip to blown-out green glass, bronze generally good condition with light surface dirt and one spot of verdigris shade in excellent condition overall, five very minor cracks found; chimney cap likely associated and with scattered minor dents base in excellent condition with some spotting and variation to original patination; shade with scattered cracks to panels including five cracked arrowroot leaves and one with interior chip, one break and 1/4 in. hole in small panel near band, several other cracks to small panels base in good condition with some areas of slight [verdigris,] probable solder repairs at two arms; shade with cracks from impact at one side affecting area approximately 4 x 2 in., seven panels cracked, three other minor cracks found shade in good condition with typical minor cracks (approximately 14 found); base in good condition with light wear to patination, some areas of [verdigris,] chimney cap with one slight dent at side excellent condition, shade with very slight roughness at lower edge, base with some patination variation good condition overall, base with some surface spotting and drips with associated minor corrosion, one shade with break and glue repair at attachment point, some others with slight roughness or very minor chips at attachment, one with internal blister at attachment point, other light wear and surface flaws, some slight variation to color and size (some shades possibly Quezal) excellent condition overall, some variation to patination with areas of [verdigris] and some drip stains at center of stems, lacking one thumb screw for shade; shades with chips and roughness at bases scattered finish spotting, stains and wear especially to base, otherwise good condition the first with original patinated surface, minor dents at sides of candle cups, base and stem slightly bent (it rocks); gilt bronze example with losses to gilding and evidence of polishing, wear and possible retouch to gilding at all in good condition with some surface wear, dirt and tarnish, large blotters with moth damage to felt backing; thermometer likely an old replacement excellent condition all with surface wear and gilding losses overall, one 12 in. example lacking five abalone insets excellent condition overall, some glaze wear and small burst bubbles as made, minor firing flaws, interior staining and crackle good condition, some surface dirt and distress, wear to gilding, scat-

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tered areas of [verdigris], ashtray bowl with some stains and corrosion two in excellent condition, one with interior crack near closed end (not visible from exterior) base in excellent condition with some surface stains and light dirt; shade good overall with approximately ten very minor cracks found many with chips to edges, most with straw marks and edge roughness as minor interior surface spotting base with bumps and wear to green paint, shade in good condition, scattered very minor cracks and flaws one shade with rim flake, rough edges to shade stems mounted to base, otherwise good condition excellent condition overall with very light surface wear and flaws crack and quarter-sized hole in one lavender panel in upper section (bullet), other scattered cracks and weathering to glass, frame with several coats of paint, flaking and surface wear excellent condition tiny flake at interior of rim, otherwise excellent condition excellent condition with light scratches to base ring good condition with light scratches especially at center of bowl and base ring excellent condition excellent condition with very light surface scratches flaking around drilled hole in base, otherwise good condition bubbles in glass as made, otherwise good condition visible glass in good condition, mounts with light surface wear and not removed from vase for examination, base drilled (possibly as made), evidence of solder repair at underside of base bowl with very minor rubbing and chips to base, candleholders with scratches to bottoms small base flake, wear and losses to gilding at rim; two tiny flakes at base ring; both with several very minor chips at edges of cut decoration, larger with flakes to stopper post; one small flake at corner of tip, minor interior decanter in good condition with light wear and gilding losses especially at rim; tray and cordial with some wear and losses to gilt and enamel decoration, base of tray with light surface scratches one shade with small chip at mounting lip, surface dirt, otherwise both pieces in good condition; Daum vase in excellent condition good condition air bubble on base showing surface wear, white paint residue both in excellent condition some interior discoloration and scratches good condition with very minor surface abrasions, two very small shallow flakes at top rim base with fractured bubble and minor scratches excellent condition with light surface wear, typical scratches at foot all in good condition, some very minor surface wear to enameling excellent condition silver-plated top with tarnish, minor edge dents and one possible solder repair, two glasses with chips at bases, otherwise good condition

Condition Notes - Please check website for updated condition notes 0140 all in good condition with light surface wear 0141 bottle-form vase with light scratches and two bubbles at shoulder, gilding losses, both with light surface wear 0142 excellent condition, light surface dirt, one interior wax drip; some interior scratches and mineral staining, otherwise good condition; minor dents to lid, some losses to gilding 0143 bud vase in good condition with light surface wear, some interior stains and possible inclusions (three black spots at interior); vase with purple flowers in good condition, bubble at base ring as made; bottle-form bud vase with surface dirt and light wear 0144 center bowl in good condition with some wear and losses to gilding especially at rim, other light wear; vase in good condition with light wear and 0145 glass in excellent condition with some possible interior stains and scratches, mounts with extensive surface wear and losses, surface tarnish and other 0146 all in good condition with typical light surface wear, some scratches at bases 0147 generally good condition, abrasions and wear at shoulder of vase and scratch left of signature, other light surface dirt 0148 both in good condition, light surface wear especially at rims 0149 base only, no shade, excellent condition with very light surface wear 0150 some gilding losses at rim, area of grinding at top of neck (probably as made), light surface dirt 0151 scattered retouch with signature partially heightened, some flaking, crackle 0152 craquelure, scattered retouch, abrasions at edges; frame with original surface, some wear and abrasions to gilt surface 0153 crackle, lined with wax and linen, restretched on original stretcher; frame with abrasions, some loss to gilt surface 0154 original stretcher and tacking edge, canvas slightly loose, crackle with limited cupping and cleavage, flaking in lower left corner, scattered retouch in sky; frame with abrasions 0155 original stretcher and tacking edge, canvas loose, scattered retouch in sky, crackle, yellowed varnish; frame with abrasions 0156 Minor crackle, abrasions, minor flaking at edges 0157 grime 0158 stretcher marks, crackle mainly in heavy impasto 0159 lined with wax and linen, retouch primarily at edges affecting 10% of surface, abrasion to varnish bottom center; frame with abrasions 0160 original stretcher and tacking edge, canvas loose, stretcher marks and some crackle 0161 original stretcher and tacking edge, stretcher marks, crackle; frame with abrasions 0162 original stretcher and tacking edge, slightly yellowed varnish; frame with abrasions 0163 lined with wax and linen, minor light retouch upper left and lower left, small abrasion lower left 0164 original stretcher and tacking edge, crackle, scattered light retouch; frame with minor losses and abrasions 0165 lined with linen, restretched on original stretcher, possible slight

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over cleaning, three areas with repaired tears and related retouch affecting the water, mountain and sky right and upper middle, other scattered light retouch primarily at edges; frame with minor losses and abrasions lined with linen, restretched on original stretcher, crackle, retouch at repair right side, scattered retouch at edges; frame with minor losses and wear original stretcher and tacking edge, retouch upper right, canvas loose, stretcher marks, abrasion bottom center; frame with abrasions good condition; frame with abrasions laid down on fiberboard, abrasions lower right; frame with abrasions panels with some warping, crackle, grime; frame with abrasions original stretcher and tacking edge; frame with abrasions and minor losses to gilt surface original stretcher and tacking edges, grime, abrasions, some flaking, man with faint inscription, stretcher marks original stretcher and tacking edge, yellowed varnish, grime, crackle: frame with losses to textured gesso original stretcher and tacking edge, crackle, small points of retouch; minor abrasions to frame original stretcher and tacking edge, slightly yellowed varnish, small hole lower middle, light abrasions upper right; frame with abrasions some retouch at bottom with former water damage, minor abrasions; frame with one floral boss off but present, abrasions original stretcher and tacking edge, four patches verso with associated retouch, canvas slightly loose; frame with abrasions and some loss to gilt surface original stretcher and tacking edge, light grime; frame with minor abrasions, holes from former frameplate original stretcher and tacking edge, crackle, cupping, one point of flaking at bottom right edge, light grime; frame with abrasions and some losses to gilt surface good condition original stretcher and tacking; frame with remants of resurfacing minor flaking and losses at edges; frame with minor abrasions water stains verso, original stretcher and tacking edge, crackle, flaking water stains, toning, abraded edges, tears at edges, tape stains, hinged in at top, creases, minor foxing original stretcher and tacking edge; frame with abrasions scattered light retouch at edges toning with some fading, foxing, taped in with paper tape at top to back of mat: frame with abrasions slightly yellowed varnish, retouch at bottom middle edge; frame with pin holes at corners lined and restretched on newer stretcher, retouch at repaired tear tape tacked verso at four corners, light toning, handling creases and grime, pin holes at top two corners; frame with abrasions original stretcher and tacking edge, flaking at edges with some cupping and cleavage, four patches verso with related retouch, dry surface; frame with abrasions and some losses lined with wax and linen, crackle,

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scattered retouch mostly left bottom excellent condition overall, one old break to rear stile of one armchair, probable weld repair at one other stile, later paint generally good with light surface wear and minor corrosion good condition with scattered wear and surface distress good condition, light surface wear and flaws refinished with some sun fading and finish losses to top, later corner braces inside frame, one top with corner patch at hinge, one front leg with patch and repair at joint with skirt, other scattered flaws some wear and losses to gilding, minor varnish bloom and finish spotting, some distress to flowers in urn minor break and repair to one front leg, other minor flaws to legs and stretchers, refinished, modern upholstery with very light surface wear; upholstery removed from back in previous sale and frame appears to be in good condition (upholstery not removed from front or arms) refinished, top moldings and brasses replaced, other possible restorations refinished, scattered surface stains and wear, brasses replaced, minor repairs to feet brass pull replaced, old refinishing with scattered surface wear and loss at top of central crest, shelves with scattered paint stains and splatter especially at middle shelf, minor veneer chips and losses especially at base of sides good condition with scattered surface wear and abrasions especially to top, some minor wear and distress to drawer labels losses to leg support elements of front left foot, small loss to one rear foot, old reglue and repair to right foot, loss to corner blocks on underside of base plate, pulls possibly replaced (some brass, some wood) one with darker color and variations to turning, losses to split seat and minor chips and losses at slats, other split seats replaced, other frames refinished surface abrasions, scratches and dirt, some finish distress to desk interior generally low pile, corrosion, scattered moth damage, several patches and repairs, the largest approximately 4 in. x 4 in. , one end with replaced fringe, no reductions found pile varies from low to none, corrosion, crease wear, selvedge breaks, up to 1 in. of end loss with later binding, no reductions found pile varies from medium to none with small areas of visible foundation due to corrosion, several crude repairs, the largest a repaired crease approx. 7 in. long, selvedge losses and repairs, end losses with some later binding, no reductions found uniform medium pile, light staining (no odors), no repairs or reductions found low pile, abrash, small repairs, reweaving at ends, no reductions found, extensive reweaving, especially at ends dial with crackle, scattered flaking and points of retouch, one finial plinth probably replaced, minor

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cracks at one swan's neck and at door frame, one glazed side panel cracked, door hinges and lock replaced, original feet and most blocking with scattered repairs including 1/2 in. face patch at one rear facing, scattered minor finish losses and abrasions, period saddleboard (probably a good match) good condition, top with a 1 x 2 in. edge patch and some surface wear and stains, replaced brasses lined with clear liner, restretched on old stretcher, crackle, scattered retouch throughout primarily in areas of crackle and at small repairs, less than 5% of surface affected; frame with abrasions grime, yellowed varnish, some paint loss to edges top resurfaced and probably replaced, otherwise generally good condition, some elements of brass pulls probably original (no plugged holes), rear feet tipped out (one 1/2 in.; one 1 in.), top with some deep surface dents good condition fallboard restored and with losses at top edge, patches at hinges, scattered repairs to drawer lips of long drawer, brass pull replaced, one rear leg of frame with cracks and repairs refinished, scattered surface wear and stains, one leg with superficial burn, legs possibly ended out, scattered cracks and patches at joints of rails to refinished, seat frame blocking and slip seat replaced, otherwise generally good condition, scattered surface wear and abrasions, minor crack at one arm attachment, minor dent in crest rail, other scattered minor flaws crack at one hinge of fallboard and at one rear leg, patch and repair under long drawer, some restorations and distress to molding, other abrasions and minor repairs overall top reset and probably an old restoration, otherwise good condition, original brasses with dents and tears, refinished with rich brown color, some repairs to drawer beading, minor pest damage at back edge of top, other scattered minor surface flaws refinished, top with extensive cracks and some infill, hinges replaced with associated patches and repairs, lacking interior dividers (now fitted with a later sliding tray, later lock and lid catch, original feet with two replaced brackets, restoration to some moldings, case composed of narrow strips of mahogany apparently as made backboards, shelves and hinges replaced, lacking rail under upper doors, other scattered surface distress and restorations refinished with scattered surface abrasions and stains, knee returns restored, break and repair at joint of splashboard to top, brass pull with posts driven in (not removed), top set with later screws, pierced fretwork splash panel probably of the period restorations to lid including probably replaced top (nail scars at underside) with several cracks and some color restoration, triangular patch at back rail of top, drawer with shaved sides and replaced pulls, replaced interior dividers, refinished, scattered surface wear and abrasions

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Condition Notes - Please check website for updated condition notes 0228 refinished, stains and surface wear to top, drawer possibly rebuilt or replaced, other scattered cracks, abrasions and minor flaws overall 0229 interior shelves with extensive surface dirt and some deterioration, lacking door lock, backboards probably old replacements, punched tins with some rust and corrosion including edge losses and tears especially at lower panels, one side lacking top molding, other cracks, wear, surface distress throughout consistent with age and use 0230 excellent condition, light surface wear and some shrinkage separations, scattered minor abrasions and other minor flaws, minor loss at one rear facing 0231 refinished, drawers replaced, abrasions and wear especially at legs 0232 surface dry-scraped, minor losses at moldings, replaced rear foot, minor separations at interior backboards, repainted interiors, hinges replaced, other surface distress overall 0233 staple hole border (by artist), hinged in at top; frame with abrasions 0234 trimmed, laid down, toning, light foxing, staining, glue residue top margin, tape residue bottom left corner, colors slightly faded; frame with abrasions 0235 very slight fading to brown, hinged in at top, binding edge present, very light toning and a few points of foxing 0236 loss to crest rail, arms with cracks and loss to one applied boss, other normal surface wear and cracks 0237 probably original paint with scattered wear and losses especially to nose and lower lip, dent at brim of hat, scattered paint retouch to leaves and face, minor losses at corners 0238 excellent condition, very light surface wear and dirt 0239 most with fading and losses to fabric, some repainting, banjo heads with some holes, other stains and restorations 0240 good condition, splits in both seams at front and rear, general wear to boards and labels, there have only been two signed copies available at auction in the last ten years, dust jacket is a facsimile reprint 0241 not examined out of frame, abrasion obscuring year-date, creases with losses, fading, toning, stains; frame with abrasions 0242 near very good condition, some wear at extremities, wear at top edge and small chip from bottom of spine, ex-private library stamps on front pastedown and on title page 0243 not removed from 19th century frame, toning; frame with abrasions 0244 Lee letter near fine with some darkening at the folds; lithograph portrait near fine (not examined out of frame); statue very good with tiny loss from one ear of horse 0245 all are in very good condition 0246 Davis letter near fine and includes the original envelope; [Military Reminiscence] good condition with original gilt-lettered cloth with a bit of damp-staining to the edges; Cadet journal good condition in original leather backed marbled boards; the ledger is good in original leather, cover has detached from the sheets 0247 all are in good condition 0248 all with surface wear and scattered

126

pitting to blades, other normal distress, one fox form with break and repair at one ear, the other with crack and one loss to composition with discoloring and adhesive residue; horse with tape residue, composition in handle with one crack and some discoloring 0249 points in as-found condition; mounting fabric with some fading and discoloration; frame with minor distress 0250 both powder horns with corrosion and surface distress 0251 light tarnish 0252 light scratches, tarnish; light scratches, tarnish, corrosion to striker 0253 tarnish, wear to leather, light scratches 0254 all with tarnish, wear 0255 wear, tarnish, light scratches 0256 corrosion, grime, tarnish; tarnish, light scratches 0257 tarnish 0258 tarnish, light scratches 0259 tarnish, light scratches 0260 tarnish, wear to leather tie 0261 good condition; rawhide with some surface wear, areas of loose beads; generally good condition 0262 some crackle and cupping, areas of yellow gouache; frame with abrasions 0263 original varnished surface with wear, paper-lined earth generally good condition, other orbs with some wear and paint losses (sun apparently unpainted), base with only traces of applied paper 0264 decanters with minor imperfections to base rims; cruets with some discoloration to bottoms 0265 No. 2 fledgling blue jay with minor flake to top of beak 0266 all in good condition with scattered minor scratches to some bread plates 0267 blades with light scratches and minor wear, handles with cracks 0268 dents in bowl, scratches 0269 numerous small dents, several repairs (one on monogram) 0270 extensive rust and surface corrosion, one support with break and loss to floral finial 0271 box generally good condition, scattered light surface wear to paint decoration, box locked and cannot examine interior; brushes in good condition, very light surface wear and scratches 0272 multiple paint histories with losses, cleaned-down areas and some retouch, replaced tail, early metal brace at one hoof and knee, scattered cracks including some distress especially at laminations, wear to ears (one 0273 light stains, wear 0274 fading, losses, small tears 0275 scattered surface wear and paint losses, minor dents at corners of lid, areas of corrosion and spotting, some color variation (two paint layers with some areas of cleaning) 0276 excellent condition with scattered tiny flaws 0277 excellent condition overall, one decanter with very small bump near top banding, tiny chips at edges of stoppers, other very minor flaws, some variation in side 0278 excellent condition with scattered minute chips and light surface wear 0279 minor rim chips and flakes 0280 Libbey vase with abrasions at interior of top rim and bottom of foot; Hawkes vase in excellent condition, base with minor base and interior scratches, other scattered

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tiny flaws; Sterling vase in excellent condition with light interior scratches all in excellent condition excellent condition overall with minor scratches to interior, two very small chips found at rim, other scattered minute flaws chip at bottom end of stopper, other scattered scratches and minute chips and flaws excellent condition, very minor surface flaws excellent condition, two minor chips found (one on rim of a cornucopia insert and one on rim of center bowl), scattered light stains and surface wear, one small chain detached at top several with water spots, one small goblet with tiny chip to foot, two with chips on stem, two with a rim chip; one large goblet with chip to stem, one with three rim chips, one with abrasions to stem, one with one rim chip, one with chips to stem excellent condition overall, one tiny chip at base ring excellent condition with scattered tiny flaws including slight abrasion at one edge of spout excellent condition overall with light surface wear and scratches good condition, one tiny chip at edge of handle, other scattered minor flaws and typical scratches at bottom excellent condition, some tiny chips to stem and at bottom and edge of stand excellent condition, scattered minor light scratches both in excellent condition smaller pitcher with chip at rim and tip of spout, the larger with very minor rim chips and chips to handle and near base; smaller decanter with minor interior stains, larger decanter with scratch to shoulder and scattered small chips to exterior, tray and knife rest in good condition excellent condition, scattered tiny flaws, typical base wear excellent condition excellent condition overall, some minute chips to points at rim, other light scratches and minor flaws excellent condition with scattered tiny flaws good condition, probable ground chip at interior base rim, cut decoration with scattered very minor bumps and flaws excellent condition with scattered minute flaws wine decanter possibly lacking interior glass stopper, otherwise excellent condition; pedestal decanter in excellent condition, light wear and scratches at base scattered minor chips at rims the first with scattered minor chips at rim; Libbey example in excellent condition with some tiny flaws at points of rim Tiffany with minor scratches to silver mounts with scattered minor flaws; the second in excellent condition with scattered minor flaws excellent condition excellent condition, one tiny chip at top of shade, other minute glass flaws, brass mounts with corrosion and surface wear both in excellent condition; several tiny flaws or chips, interior scratches [Rarities] generally good condition; [Sandwich Glass] good condition but no dust jacket; three-volume

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set with bumped corners and scattered tears on dust jackets good condition with light surface wear and base scratches, decanter probably with ground rim chips excellent condition with light scratches to bottom of feet all in excellent condition with light surface wear and minor gilding losses loss at one leaf tip and three minor chips at edges of base, losses at tips of figure's hair, other minor flaws excellent condition with minor glaze crazing as made, very minor areas of wear to gilding excellent condition the first with slight warping as made; the second with very light surface wear example with maidens with one small chip with retouch at maiden's toe, another area of glaze roughness and possible retouch at another maiden's foot, other light surface wear and crazing; mother and child in good condition, light surface wear and scratches excellent condition, some roughness and tiny glaze losses at handles, one tiny glaze chip at bottom of plinth, lamp fittings not removed to examine base and top rim excellent condition, light glaze crazing near base as made bottom with two shallow star cracks, glaze crazing overall as made, one probable shallow chip with small spot of retouch near rim, one area of surface drip or possible retouch at checkerboard pattern one chip at base ring, tiny chips to handle scrolls, otherwise good condition with minor glaze anomalies shade in good condition with minor surface flaking and flaws, iron base with scattered corrosion and surface distress excellent condition overall, roughness at base ring as made, other light surface wear generally good condition with some glaze anomalies with burst bubbles and rim flaw (as made), one minor rim chip, small area of glaze flaking at base good condition overall, losses to gilding especially at central upper part of column, mica shade generally good condition with minor flaws at center top, other minor surface dirt and flaws several glaze flakes and losses to high spots of naturalistic base (possibly as made), otherwise excellent condition good condition overall, several very minor glaze chips at front, small repair with retouch at figure's heel, some surface dirt and light scratches, wooden hammer in figure's hand replaced two-handled vase with base drilled, glaze scratch at one side, very minor flake at foot ring with retouch, fine glaze crazing as made; bottle vase with glaze crazing as made, several burst bubbles with associated glaze flaking at rim dandelion plate with several tiny glaze flakes at rim some corrosion and wear to patinated surface Rosenberg flared vase with several tiny base rim chips, double-gourd vase with small glaze anomaly at rim as made and one tiny base flake; Royal Bonn example in good condition

Condition Notes - Please check website for updated condition notes 0332 excellent condition, very light surface wear and gilding losses 0333 good condition, one tiny glaze flake at rim and another shallow area of probable retouch, glaze crazing and somewhat fugitive color as made 0334 center of base with 1-1/2 in. hairline crack, otherwise generally good condition with some surface wear, some losses to enameling and gilding, some etched decoration possibly lacking enamel or gilding 0335 all with loss to plate, small dents, light scratches, some with corrosion 0336 interior scratches, small dents 0337 some wear to gilt surface, readhered bases with new screws, one with glue 0338 regilding with losses 0339 bronze body with surface wear and gilding losses, enameled dial with hairline cracks and minor chips at winding holes, solder repair at hinge for back door 0340 figure with surface wear to finishing, icy plinth with chips near post for figure at top and bottom (not apparent when figure is in place), otherwise good 0341 large chip to base of glass decanter, silver with light scratches, handle dent; light scratches; loss and corrosion to silver-plate, glass with light scratches 0342 light scratches otherwise good condition 0343 good condition with scattered wear to gilding, marble with scattered natural cracks and inclusions with some associated flaws, one candlestick with tiny chip to marble at rim, ink stand with two small chips at front edge of marble, other scattered minor flaws 0344 all with light scathes 0345 good condition overall, interior liner with extensive gilding losses, drilled hole at center possibly as made, area of monogram with evidence of polishing, bronze body with very minor stains and wear 0346 excellent condition overall, scattered minor areas of sun fading, minor separations at some joints 0347 good condition overall, case with light surface wear, dial with some losses to enameling on chapter ring, other scattered minor flaws 0348 scattered edge chips and losses to veneers on top, lower shelf with stains and finish losses, other scattered minor veneer chips, water spotting and other minor flaws, later electrification 0349 frame generally good condition with light surface wear and abrasions; leather panels with extensive cracking, abrasions and wear 0350 good condition overall, scattered surface wear and minor gilding losses (possibly regilt?), upholstery with light surface wear and stains, side panels with some picking 0351 tops with surface wear and abrasions; one with more extensive sun fading and area of water damage with veneer buckling, patch and repair to banner inlay and one deep abrasion 0352 scattered surface wear and finish losses, some doors slightly loose at attachments, front molding with area of deep abrasion 0353 iron with possible repaint and scattered minor pitting and paint drip, glass with some surface dirt and scratches, minor roughness at top edge 0354 generally good condition with

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scattered surface wear, finish losses and stains, crack and repair at one toe, scattered minor pest damage, other surface flaws, all four leaves later replacements composed of American walnut upholstery with scattered light scratches and wear, frames generally good condition with minor bumps to carved elements especially at some knees, other light finish spotting and wear, one lacking part of rosette at center of cross-stretchers minor cracks at joints of legs to top on one side, scattered minor surface wear and sun fading, some very small areas of infill, other minor surface flaws good condition overall, scattered minor distress to veneers and marquetry, one top with waterstains and area of buckling, some joints slightly loose, possible repair at one foot, other typical surface flaws frames in good condition with typical surface wear and abrasions, upholstery with some surface flaking, wear and losses good condition, frames probably regilt and with scattered surface wear and minor gilding losses, upholstery generally good with light wear and stains refinished, restorations, cracks and losses to feet, warping to applied moldings on door, scattered cracks and separations at ornaments and laminations, some cracks and veneer distress to drawer facings, crown lost in transit one shade with chip and loss at cuff, others with very minor chips at cuffs, some light surface wear, brass frame with surface wear and gilding losses overall frame in good condition with one very minor crack, light surface wear and abrasions; upholstery with wear and degradation throughout loss at one corner, repainted, scattered surface pitting and flaws (possibly a recast?) shades generally good condition with some surface wear and scratches, surface wear and minor solder repairs to fixture, some interior scratches, one with two inclusions or possible hairline cracks generally good condition, minor gilding losses to hinges and pulls, scattered minor pest damage, one break and repair at corner bracket, scattered minor chips and losses to carved elements, some areas of finish distress, other scattered minor flaws excellent condition, very minor distress to gilding on pulls, some minor losses to carving including leaves at top of crest, chip and loss at back edge of marble (concealed by superstructure), scattered minor pest damage, some finish losses and surface mildew break and loss at corner of one mirrored backsplash panel, some warping to top, frieze drawer lacking escutcheon, interior shelves later, scattered minor surface wear and finish losses generally good condition, minor chips and losses at carved elements, some surface wear and finish losses frames generally good condition with light surface wear and abrasions, leather seats over caning are dry and with extensive wear and stains, some with cracking and tears

0370 minor cracks to top edge molding, bentwood stretchers with cracks and break and other distress including later iron ring support, legs somewhat loose, some infill at curved seat, minor cloudiness to top finish 0371 good condition, refinished with light surface wear and finish losses; minor cracking to bent elements, refinishing 0372 coal hod with surface wear and abrasions; andirons with extensive surface dirt and wear from use; jardiniĂ¨re with surface tarnish, scattered minor dents especially to lid; repoussĂŠ screen with finish spotting and minor dents; mirrored screen with one leg bent, finish losses, some tears and distress to backing; side table top with water stains and finish losses, some wear to gilding on mounts, legs slightly askew 0373 modern upholstery in good condition, frames good overall with scattered minor abrasions, slight separations at some joints, other typical minor surface flaws, probably refinished 0374 scattered surface wear, stains and finish spotting, slight warping to top, minor losses and repairs to carved elements and moldings, other minor flaws 0375 marble generally good condition with minor breaks and repairs at vertical struts, iron elements with light surface dirt and corrosion, abrasions at attachment of marble (hidden when assembled) 0376 good condition with minor surface scratches and wear, top with minor stains and very minor veneer chips, slight crack at curved front edge of top, break and repair at one rear leg, other typical light wear and abrasions 0377 desk in good condition with some original finish with losses and scattered stains, stains and wear to linen, very minor pest damage, other minor flaws; chair with scattered pest damage, wear and finish losses, upholstery in good condition 0378 good structural condition, tops with some fading, light wear and stains, one very minor loss to marquetry, minor chips to veneer at underside of top, lower shelf with water stain 0379 good condition overall, desk interior lacking one valance, scattered surface wear and stains, one lower cabinet door with replaced pull, loss at one rear foot molding 0380 good condition with scattered surface wear and gilding losses, upholstery with light wear and stains 0381 scattered chips and losses to gilding with some minor retouch, minor separations at molding joints for top, bottom edge of marble with minor chips 0382 scattered pest damage and surface wear, minor sun fading to backs, some varnish bloom, upholstery generally good condition with light wear 0383 generally good condition with scattered minor surface wear, dents, some superficial cracks and minor sun fading, deep abrasion and chip at one corner, each short side lacking pull-out writing slide (apertures present), other 0384 excellent condition overall, probably original leather upholstery with some wear and lacking two brass tacks, frame in good repair

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0386

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0401

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with minor surface abrasions and wear cracks at joint of crest to buttress stiles, otherwise generally good condition with light surface wear and finish losses, upholstery with stains and wear daisy vase with glaze crackle with scattered tiny losses including at rim and high spots of several flowers, minor roughness at base rim as made; the second with scattered light surface wear and scratches, otherwise good condition polished, minor surface wear and anomalies; probably original unpolished surface with minor anomalies and wear; now wired for electricity, light surface dirt and wear, two candle cups resoldered some warping to rear stiles, scratches and abrasions to upholstery, some stains and finish losses to frame good condition, glaze crazing, chip at one back toe, top and base drilled (as made); glaze crazing as made; break and repair at neck, otherwise good condition with glaze crazing as made; glaze crazing as made polished surface with scattered areas of minor corrosion and polish residue, interior with some verdigris, other light surface wear and scratches breaks and losses to frosted glass plate, lacking trays under mirror and at bottom of umbrella opening, other minor corrosion and surface distress, minor bending to feet scattered surface wear and finish spotting, some scratches and abrasions, minor loss at one front toe, one with minor chip at ogee molding scattered surface distress with some wear and light rust, otherwise generally good condition toning, creases, hinged in at top verso, paper tape verso left edge; frame with abrasions floated, some moisture related issues apparent with possibly sticking to glass at points in margins, not removed from frames electrified stamped lower right "Gravure Garantie Originale", right edge with 1-5/8 x 5-1/8 in. loss with associated small tear and tissue stabilization, left edge with restored 3/4 in. tear loose, toning, minor tears and abrasions at edges with some restoration, paper abraded verso at edges, light handling grime toning, restoration to some tears at edges, loose, minor points of foxing Awakening with circular abraded area at center with retouch, light toning and stains, not removed from frame; Retiring with toning and light foxing, possibly trimmed and lacking blind stamp; frames with abrasions pest damage and abrasions at edges; frames with resurfacing, one with break and loss to glass lower left floated, handling grime, one with foxing, light toning; frames with abrasions both laid down on card, light toning, minor edge losses hinged in, small stain bottom left edge, some smudging laid on masonite, abrasions at edges, remnant of old varnish at edges; frame with abrasions

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Condition Notes - Please check website for updated condition notes 0406 scattered light retouch in sky, abrasions at edges, yellow varnish; minor breaks and losses in frame 0407 minor flaking lower left, some crackle, abrasions at edges; frame with abrasions and some resurfacing, 0408 original stretcher and tacking edge, crackle, bitumen draw, some scattered retouch; frame with abrasions 0409 original stretcher and tacking edge, slightly yellowed varnish; frame with abrasions and some resurfacing 0410 original stretcher and tacking edge, slightly yellowed varnish, abrasions at edges; frame with minor losses and repairs 0411 frame with abrasions 0412 original stretcher and tacking edge, yellowed varnish, some abrasions at edges, retouch upper left, slight stretcher marks; frame with some breaks and minor losses 0413 one area of burst glaze blistering with associated minor loss, otherwise good condition with fine even crazing as made 0414 excellent condition with even glaze crazing as made, 0415 good condition with light wear, deep crazing and glaze separation at top as made 0416 glaze crazing as made; one probable hairline crack at rim, glaze crazing as made; minor surface scratches, otherwise good condition; good condition with light surface dirt and stains, even glaze crazing 0417 area of glaze loss at base ring (possibly as made) 0418 5-1/2 in. example with light wear to high spots of decoration, other minor glaze anomalies; 4-1/2 in. vase with 1 in. rim chip with repair and retouch; 3-1/2 in. vase with glaze crackle and other anomalies as made 0419 iris vase with base drilled, light scratches; other in excellent condition 0420 landscape vase with internal chip and repair at rim with associated hairline crack, otherwise good condition; low vase with two very fine hairline cracks at base 0421 minor edge wear and glaze losses (possibly from hanging mount), otherwise good condition 0422 small hairline crack at rim, otherwise good condition; good condition 0423 Rookwood vase in good condition; second with small base chip and one tiny glaze flake at rim 0424 excellent condition, minor superficial glaze flaws at edges of rim and handles, other fine glaze crazing as made, impressed mark is partially obscured 0425 original finish with scattered surface wear and abrasions, some scattered minor dents at door edges and surrounds, stains and surface distress to interior shelves, chips and losses to bottom edge of laminate backboard, some minor sun fading and varnish bloom, other scattered surface flaws 0426 frame with scattered surface wear and abrasions especially to tops of arms, later seat upholstery with scratches and wear 0427 scattered surface stains and wear, abrasion at one corner of top; probably refinished with typical surface wear and abrasions 0428 generally good condition, one arm with two small plugged holes and minor color retouch, later seat up-

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holstery in good condition, frame with other light surface wear and some mildew to legs and stretchers, probably original good condition with light surface wear and abrasions, later upholstery generally good; scattered surface wear and finish losses, leather seat with extensive cracking and wear, possible old refinishing both generally good condition with typical surface dirt, wear and flaws, armchair with minor pest damage in one rear stile set in good condition, scattered light surface wear and flaws consistent with age and use excellent condition, patination with surface dirt and light wear, some areas of slight [verdigris], one with more wear to patination at platform base shade in excellent condition; stand with surface dirt and some wear to patination one metal support slightly bent, otherwise good condition with scattered surface wear, minor paint losses to metal mounts generally good condition with some retouch to brown varnish, slight color variation at dial, other minor surface flaws generally good condition with surface wear, stains and color variation, one inside edge of arm with deep abrasions, later seat upholstery with creases and wear refinished (underside of frame with white paint), leather upholstery replaced and with scattered wear and scratches, frame with light wear and some mildew, minor separations at joints frame with scattered abrasions and wear, original leather with extensive distress and repairs, extensive losses to copper studs with associated holes in leather excellent condition, light surface wear and variation to patination, some patination wear at top of shade, sockets replaced excellent condition with some interior staining excellent condition, minor flaws to mica and scratches to underside of shade, other typical light surface wear to patination good condition, minor stains and wear; traces of silvering, surface wear and patination losses; minor surface wear to patination dish with some patination losses; bookends generally good condition with scattered corrosion and wear, trays with tarnish and surface losses scattered areas of wear to patination and light corrosion and stains, top very slightly out of round probably as made, some interior scratches and other minor flaws polished surface, minor scratches, no interior wood on cover brass with surface distress and polish residue, one minor crack to glass surface wear and finish losses to brass cap, shades generally good condition with scattered very minor cracks lined with canvas, stretched, full margins, abraded surface, printing creases, tear at upper right, canvas slightly loose, strong colors; frame with abrasions laid down on card, losses and creases and tears at top, creases bottom left, export stamps lower right, not removed from frame all in generally good condition

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0464 0465 0466 0467 0468 0469 0470 0471 0472

0473

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0476

with some surface wear to patination, candlesticks with some wax drip and other surface distress, large bowl with surface wear and slightly misshapen wear and variation to patination, some traces of silvering; surface wear and some losses to patination; light surface dirt and wear; surface wear to patination, some interior corrosion spots; shallow base dent, surface wear and some patination losses, scattered corrosion spots, selvage wear, losses to embroidery, fading at both ends minor abrasions at shoulder, scattered spots and losses to patination; light wear and anomalies to patination; interior wear, scattered spots and light scratches, small spot of pitting both with loss to silver, light scratches normal wear from use, ash residue ice bucket with 1 in. hairline crack in base glaze crazing, base not removed for examination; good condition; large base chip, otherwise good condition; break and repair at handle, interior staining; good condition, light surface dirt loving cup with 4 in. hairline crack from rim, otherwise good condition; bud vase with scratches and surface wear to decoration, interior gold paint possibly later in date; moth-decorated vase in good condition excellent condition minor repaired shallow flake at rim, slight adhesive residue at joint of ceramic to pewter, pewter with surface tarnish and light wear green bowl with small glaze flake and two hairline cracks at rim, other pieces in good condition copper-colored cylinder vase with deep glaze crackle and one hairline rim crack, otherwise good condition with light surface wear, scratches and glaze anomalies largely as made excellent condition blue vases both with hairline cracks at bases; lily pad vase in good condition smaller with firing sediment to rim interior; two minor rim flakes; minor glaze wear; excellent condition excellent condition excellent condition ewer form with two very small glaze chips at foot ring; bud vase with minute glaze flake at rim good condition all in generally good condition with scattered light surface dirt, wear and glaze crazing; pitcher with adhesive residue on feet and interior staining, one area of decoration with adhesive residue; bottle-form vase with minor crack at bottle-form vase with base chips, otherwise good condition with light wear and surface crackle, repaired base chip excellent condition, light surface wear, glaze anomalies as made tallest vase drilled, base with 1 in. hairline crack; the other with extensive glaze crackle as made, otherwise good condition tiny flake to gilding and one 1/2 in. scratch or possible hairline from rim; roughness at base rim, other very minor surface flaws; minor flaws at base

0477 lined with linen and wax, restretched on original stretcher, crackle, limited retouch in crackle left, slight overcleaning left 0478 original stretcher and tacking edge, crackle, possible retouch upper right; frame with losses and abrasions 0479 light grime and abrasions at edges; frame with abrasions 0480 lined and restretched on old stretcher, crackle, retouch in sky; frame with abrasions 0481 good condition; frame regilt and with abrasions 0482 laid down on acidic paper, light toning, backing paper hinged in 0483 restretched on old stretcher, minor retouch at edges, minor crackle; frame with abrasions 0484 canvas loose, deteriorating tacking edge, stretcher marks, crackle, light grime, points of retouch in sky at repairs and lower right, flaking at edges; frame with abrasions 0485 lined and restretched on original stretcher, puncture lower right, crackle, three areas of repair and retouch at sky; frame with abrasions 0486 lined with linen, restretched on old stretcher, scattered light retouch; frame with minor abrasions 0487 original stretcher and tacking edge, recent cleaning, good condition; frame with abrasions and some resurfacing 0488 lined with wax and linen, restretched on original stretcher, crackle, scattered retouch; frame with resurfacing, abrasions and minor losses 0489 slightly yellowed varnish; frame regilt with abrasions 0490 two patches verso with related retouch, retouch upper right corner, minor abrasions at edges 0491 lined with linen, restretched on original stretcher, signature heightened with red paint, crackle; frame with abrasions 0492 original stretcher and tacking edge, small pin size puncture bottom edge right, another puncture with some paint loss lower left above signature; frame with some restorations 0493 laid down on masonite, large repair at top with associated retouch; frame with abrasions 0494 original stretcher and tacking edge, crackle, cupping, some flaking at edges, stretcher marks, central puncture; frame with abrasions 0495 crackle, grime; frame with abrasions 0496 original stretcher and tacking edge, signature with retouch of one period then mostly heightened later retouch through bottom half, some craquelure; frame with abrasions, restoration and some resurfacing 0497 lined with wax and linen, restretched on old stretcher, retouch upper left, two repairs bottom middle, some minor crackle; frame with abrasions 0498 lined, restretched on original stretcher, scattered retouch primarily at repaired tears in sky, crackle, and small losses throughout affecting less than 7% of surface; frame with abrasions 0499 lined and restretched on old stretcher, retouch in upper and lower right, abrasion upper right; frame with minor losses and abrasions 0500 original stretcher and tacking edge, crackle, retouch on small calf

Condition Notes - Please check website for updated condition notes 0501

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0507

0508 0509

0510 0511

0512 0513

0514

0515

0516

0517 0518 0519

0520

center; frame with minor losses and abrasions original stretcher and tacking edge, some crackle, cupping, small puncture lower left; frame with minor losses and abrasions restretched on original stretcher, not lined, crackle, stretcher marks, light scattered retouch primarliy at edges; frame with losses and some resurfacing some losses and distress to leaves and urn tops, regilt surfaces with distress overall as made, mirror plates with distress to silvering generally good condition, some surface wear and gilding losses to frame, needlework panel with light stains and surface flaws frames generally good condition with scattered surface wear and losses to paint and gilding (some areas possibly resurfaced, rear legs with verdigris paint showing through gilding), leather generally good with some wear and surface dirt, some dents at one arm pad, other scattered flaws loss to one bronze foot cuff, cracks to interior mirror, top with cracks and separations, some minor lifting to brass inlay breaks and repairs at neck of finial cartouche, minor crack at base molding, otherwise good condition with scattered minor surface wear and flaws some rubbing, abrasions and light corrosion minor losses at tops of crest carvings, some wear and losses to gilding, frames with other minor abrasions and flaws, modern upholstery in good black patination, slight abrasions, casting flaws on rings good condition overall, bases with some wear and losses to patination, other light surface distress, marble in good condition with minor edge wear, some natural cracks, inclusions and light surface scratches all with light abrasions drilled and converted to table lamps, extensive wear to gilt surface on figures, old breaks and cracks to platform bases; shades in poor condition scattered surface wear, abrasions and minor paint losses to frames, scattered minor carving losses and surface retouch, minor cracks to back framing elements (frames possibly old resurfacing), modern upholstery in good condition minor separations at some joints, one minor repair at stretcher, other surface flaws, marble top in good condition with natural inclusions (marble top probably later in date) frames generally good condition with scattered surface wear and finish losses, scattered minor chips to leaf carving including one minor loss at arm terminal, other typical cracks and surface wear, settee upholstery generally good (seat and arm upholstery later), armchair with back and arm upholstery generally good with minor moth damage, seat upholstery with several punctures and other wear good condition, minor surface wear, abrasions and finish losses good condition scattered gilding chips and losses and other surface wear, minor pest damage, scattered minor losses to carved elements and some retouch one cane panel on interior of a footboard with two punctures,

0521

0522

0523 0524 0525

0526

0527 0528 0529

0530 0531 0532

0533 0534

0535

0536 0537 0538 0539

0540

0541

0542 0543

0544 0545

minor color variation and scattered surface flaws, some color retouch to caning, lacking one set of bolts excellent condition, frames with minor spots and abrasions, upholstery generally good with wear especially at arm pad and front edges of seat breaks and repairs to rear legs, frame with other surface distress largely as made, modern upholstery in good condition scattered edge and corner chips and losses, minor stains at bottom edges possible repair or discoloration on skirt edge chips and losses, grime, repair at socle and bust; pedestal with chips and losses and possibly replaced top good condition with scattered minor surface retouch and some tacking scars, scattered minor losses to gilding, glue repair at back of one front leg, underside of frame with later paint, fine modern upholstery in good condition excellent condition, minor distress to gilding on frames largely as made base interior discoloration, minor wear to enamel and gilt decoration generally good condition, scattered areas of minor corrosion, some elements slightly bent, scattered minor cracks at scrolled arms and other minor casing flaws surface flaking and losses, other surface distress (some as made) gilt losses at rims; losses to petals, stems and leaves pile varies from medium to low, small areas of visible foundations, minor end loss, no repairs or reductions found uniform low pile, abrash, light soiling and minor fringe loss, no repairs or reductions uniform medium pile, vibrant colors, minor selvedge wear, scattered light moth damage, edge protector verso, no repairs or reductions pile varies from medium to low with small areas of foundation visible, selvedge losses, up to 2 in. of end loss with later binding, no reductions petal losses repaired chip on basket, spots of abrashions on base chip on base rim at back, loss to paint brush handle, loss to one section of base ribbon, loss to gilt old repair to left foot of child with blue coat and playing flute; minor chips to flowers; last with loss to thumb toe of tallest figure one base with large chip and repair, wear and gilding losses overall especially at shoulders and portrait surrounds, possible retouch to black at bottom of base ring smallest lacking brass cap to font, differing burners; gilt loss; losses to gilt, flakes to lid interior; rim chip; one with rim chip; two base chips, surface abrasions; good condition good condition unless noted losses to gilt edges, glaze anomalies as made, one dinner and two dessert plates with scratches to center, one cup with rim chips, small pitcher with losses to gilt highlights as made, square dish with rim chip, candleholders with loss to gilt highlights on top gilt losses, one with old crack and repair to foot, one with cancelled mark, one with firing flaws at rim uniform low pile, silk highlights, slight soiling to trim, no repairs or

reductions 0546 as new condition, no repairs or reductions found 0547 uniform low pile, minor selvedge wear, fringe loss, no repairs or reductions found 0548 scattered light moth damage, edge protectors verso, no repairs or reductions found 0549 surface distress and variation throughout as made, structurally good 0550 some distress at leg attachments (slightly loose and evidence of glue repairs), top reset onto pedestal, scattered minor abrasions and finish flaws 0551 base of one with corrosion 0552 Rubbed areas to patina, abrasions, chips to base with some restoration 0553 surface distress largely as made, very minor chips to some carved elements, dolphins with minor separations at laminations 0554 good condition, minor surface anomalies largely as made 0555 one panel with large T-shaped tear at top, small tears at two back panels, other scattered surface crackle and some flaking and paint losses 0556 scattered distress and natural inclusions as made 0557 surface wear and finish spotting, holes in backboards from mounting 0558 generally good condition, some edge wear with associated paint losses, other scattered scratches, light wear and surface dirt 0559 generally good condition, scattered minor veneer distress and losses, other typical veneer cracks, edge losses and surface flaws 0560 scattered veneer patches and repairs with some cracks and warping, other scattered flaws 0561 largely resurfaced in gold paint with scattered surface losses, cracks and repairs at crest with loss at top ribbon, glazed plate replaced 0562 bronze with polished surface, black marble mounts with scattered minor chips at corners and edges, underside of marble bases resurfaced and one with evidence of breaks and restorations 0563 good condition 0564 several chips at base, otherwise good condition 0565 scattered retouch to gilding especially at sides, very minor chips to carved elements, otherwise generally good condition 0566 normal signs of wear and use; signs of normal wear and use, losses at top rim of liners, one tole insert with loss of ring pull-out 0567 good condition 0568 top lacking two mounting pins, bowl unseated on table platform, extensive corrosion and [verdigris], other surface anomalies 0569 frame with minor cracks and separations, paint retouch to gilding and scattered retouch and repaint to blue elements, minor loss at top of central crest, other scattered wear and flaws, modern upholstery in excellent 0570 good condition 0571 shrinkage cracks and separations to cluster columns, wear and losses to paint decoration, some molding losses and repairs, top central panel with losses and stains to applied paper, scattered finish distress, other scattered surface wear, cracks and minor flaws 0572 original stretcher and tacking

0573

0574 0575

0576

0577 0578 0579 0580

0581

0582 0583 0584

0585

0586 0587 0588 0589 0590

0591 0592

0593 0594

0595 0596 0597 0598 0599 0600 0601

edge, scattered light retouch, crackle, stretcher marks; frame with losses and abrasions lined and stretched on an early 20th century stretcher, craquelure, retouch primarily at edges top right and sky affecting approximately 10% of surface; original stretcher and tacking edge, some retouch, crackle; frame with abrasions both lined, crackle, and scattered retouch primarliy in backgrounds affecting less than 7% of surface; frames resurfaced original stretcher and tacking edge, yellowed varnish; frame with some loss to composition, resurfaced, abrasions abrasions at edges, panel slightly convex; frame with abrasions and areas of paint small abrasions lower left in table leg; frame with losses to composition, resurfaced split in paper diagonally across bottom; frame with minor losses, abrasions light toning; laid on laid paper, scattered retouch throughout affecting up to 25 percent of surface; hinged in, inscribed verso, stains top left, handling creases; taped in at all sides, puncture top center of left portrait, abrasions, stains; frame with abrasions, flaking, toning original stretcher and tacking edge, crackle, with some minor cupping, cleavage, and flaking in the upper right, recently cleaned; frame with minor abrasions good condition; frame with some losses and resurfacing craquelure, yellowed varnish; frame with minor losses and separations original stretcher and tacking edge, crackle, craquelure, retouch at right edge, stretcher marks; frame with abrasions original stretcher and tacking edge, scattered retouch, crackle, abrasions at edges, three patches verso; frame with abrasions original stretcher and tacking edge, grime, crackle cupping, flaking; frame with abrasions not examined out of frame; frame with abrasions some limited crackle, slight convexity to panel otherwise good condition wear and corrosion to patination, grime lined and restretched on original stretcher, retouch at top middle edge at repair, conservation report attached verso, Colin Post, Asheville, N.C.; frame with abrasions light toning and grime original stretcher and tacking edge, canvas slightly loose, some crackle, small puncture at middle left with some paint loss; frame with abrasions panel slightly convex slightly yellow varnish, accretion, no apparent retouch under heavy varnish; frame with minor abrasions good condition; frame with abrasions losses at corner and right edge original stretcher and tacking edge, good condition light grime; frame with abrasions light grime; frame with abrasions abrasions, grime, flaking; frame with minor losses and abrasions flaking and lifting of paint in the upper left, splits, grime; frame with minor losses and abrasions

129

Condition Notes - Please check website for updated condition notes 0602 original stretcher and tacking edge, horizontal split in canvas upper right approximately 5 in. long, grime, abrasions upper left, stretcher marks; frame with abrasions 0603 canvas slightly loose, light grime, stretcher marks, some crackle and minor flaking bottom center at small puncture; frame with abrasions 0604 lined with wax and linen, small tear in upper left, accretion, flaking at edges, stretcher marks, abrasions, crackle, canvas loose, three patches verso with related retouch; frame with abrasions and loss to composition 0605 not examined out of frame; possibly removed from Foundation Maeght Exhibition Invitaion (trimmed), staining, toning and fading 0606 craquelure, flaking, grime; frame with minor losses and abrasions 0607 canvas slightly loose, original stretcher and tacking edge, light grime; frame with abrasions 0608 yellowed varnish, grime; frame with losses and abrasions 0609 formerly gilt and resurfaced, grime, minor losses 0610 minor losses to gilt surface and abrasions 0611 toning, staining, fading, not removed from frames; frames with abrasions 0612 good condition; frame with abrasions 0613 eleven patches verso with related retouch; frame with abrasions 0614 good condition; frame with abrasions 0615 good condition, minor darkening at the edges, evidence of fold at the center 0616 both in good condition with minor darkening at the edges and evidence of folding 0617 all in good condition unless noted, not examained out of frames; frames with minor abrasions 0618 good condition, very small tears at the extremities, evidence of folding, creases 0619 chips to marble base, wear to dial paint, some corrosion on feet, lacking winding key 0620 lacking key, porcelain with gilt losses, central post loose on clock with some pieces off 0621 small loss to one finial, lacking wooden carrying supports; good condition 0622 upper dial lacking hand and two mounting screws, scattered surface drips and areas of corrosion, heart emblem at top of crest likely a replacement 0623 good condition, brass elements with minor scratches and surface wear 0624 one base with restorations at joint of circular urn base to plinth, small impact with hairline spider crack at high spot of shoulder, otherwise generally good condition with light surface wear and gilding losses 0625 losses to flowers and crown of putto finial; petal losses to flowers; losses to petals, covers and elements reglued and attached on both 0626 losses to three gilt rings in lion's head masks on bowl and to a leaf 0627 light surface wear to gilding especially at backplate for works, back of pendant drop lacking pendulum and cross brace(?) (two unused holes) 0628 generally uniform medium pile,

130

0629 0630 0631

0632 0633 0634 0635 0636

0637

0638

0639 0640 0641 0642 0643

0644 0645

0646

0647 0648 0649 0650

0651 0652 0653 0654

0655

abrash, selvedge breaks, retains most of original end treatment, no repairs or reductions found generally low pile, vibrant colors, selvedge breaks and repairs, minor end loss, no reductions found pile varies from medium to low, spot stains, edge protectors verso, minor fringe loss pile varies from medium to low, abrash, selvedge breaks, up to 3 in. end loss with later binding, no reductions found loss to gilt, flakes, losses, rough wear at rims one with age crack at top rim extending into shoulder, both with gilt losses petal losses minor loss to gilt otherwise good condition; one with losses to flower petals and top of left wing excellent condition overall, one with minor chip at leaf, both with light surface wear and gilding losses at highest spots, scattered minor firing flaws chip at one wing tip and repair at another; old damage and repair to ribbon at girl's head, crack at basket handle, otherwise good condition one with loss of wing at back and losses to flowers, the other with extensive losses to flowers and gilt losses; cover and body with losses to flowers and stems; losses to finger of putto at top and petals, abrasions heavy gilt losses, losses to flowers good condition medium pile, no repairs or reductions medium to low pile, selvedge loss, no repairs or reductions. generally uniform medium pile, slight corrosion, spot staining to fringe, no repairs or reductions found medium pile, abrash, corner loss, loss of fringe with later binding, no reductions found lacking smallest weight, lacking pin holding large balance scale, finial on small balance scale possibly replaced sun fading and minor warping to top, minor veneer chips and flaws including one small loss at lower edge of front, some spotting and wear to ebonized moldings, song label with two small tears at top, works in working order good condition both with some abrasions and corrosion both with light abrasions she with small loss at hand and back of woman, both with losses to petals and scroll decoration; chip and repairs to base; firing flaws on base; minor wear otherwise good condition; loss to gilt; loss to gilt loss to top bead molding on top, minor losses to paint surface minor gilt losses; good condition; light surface dirt and crazing several with minor abrashion at edges, one with surface crack on corner most in good condition, some with minor losses and missing elements, rust and surface wear to paint, the electrical engines unable to test if working condition center and bottom with minor scratches; minor flakes to base rim of one, chips to both stoppers, small chips to top rims, scratches and chips to bottoms of decanters, chips to side panels, tape residue; chips to knob of lid

0656 losses to petals; losses to left hand and flower petals, base chip; flake at base rim, firing crack on underside; firing flaws to underside, loss to scarf, old damage and repair to hat 0657 one lacking monogram, the other with scattered distress to tassels, some scattered dents 0658 minor scratch on base of bronze, small areas of corrosion, chip to marble 0659 stone elements with scattered cracks and natural inclusions, one griffin mount loose and with evidence of glue repair, some wear to painted decoration on stone bases, tarnish and wear to silver elements, light surface corrosion, wax drips and other scattered surface flaws 0660 one slightly skewed, minor corrosion to bases, other minor gilding wear 0661 brown patination, bit and reins loose on right side, abrasions on hind 0662 larger bust with large chips and losses to marble pedestal; enamel box in good condition; matchbox with surface wear, some discoloration to porcelain 0663 break and loss to left leg of rider 0664 most in very good to near fine condition; the Picton is very good with slightly rubbed leather; the Montholon is near fine; the Scott set is near fine, probably rebacked at some time 0665 the majority of the books are in very good to near fine condition, a few are good only 0666 very good condition, not examined out of the frame 0667 very good condition, not examined out of the frame 0668 floated on backing, abrasion; frame with abrasions; toning, lifting, tears; frame with abrasions 0669 good condition overall, [pietra dura] plaques with scattered cracks, prospect section with later lock and interior paper, scattered minor molding losses and repairs, upper drawers of lower case lacking pulls, feet probably replaced, other scattered minor repairs 0670 several tiles with breaks and repairs, edge chips and other typical flaws, set into later concrete ground 0671 lacking most of handle and base with cracks and restorations, crack and probable repair at attachment of spout, one area of glaze void 0672 extensive pest damage especially to side panels, one with large area of loss at top, bottom and backboards old replacements 0673 drawers and drawer supports probably restored, restorations to rear stretcher and some feet, scattered pest damage, loss at underside of one corner of top, crack to front stretcher, other scattered repairs 0674 pile varies from low to none with areas of visible foundation, corrosion, crease wear, areas of infill, one hole approx. 1 in. diameter, selvedge and edge losses, the largest approximately 5 x1 inch, slight end loss, no reductions 0675 pile varies from medium to none, abrash, the smallest with visible foundation, corrosion, the two smaller with end loss and later binding, no reductions 0676 generally low pile, areas of foundation visible, abrash, several repairs the largest an approximately 16 in. x 14 in. patch, replaced selvedge, up to 2 in. of end loss later fabric

binding, no reductions found 0677 pile varies from low to none, abrash, corrosion, up to 2 in. of end loss with later binding, no reductions found 0678 generally uniform low pile, abrash, selvedge breaks, corner and fringe loss, no repairs or reductions found 0679 one hinge missing and the other bent from frame, missing four bronze screws on floral border inside figural heads, scratches to surface, no key 0680 linen repairs to panel verso, grime, abrasions, split at bottom; some losses and abrasions 0681 pile varies from low to none with areas of visible foundation, abrash, corrosion, repaired crease wear, selvedge & end losses, no reductions found 0682 generally uniform low pile, vibrant colors, retains original treatment at one end, the other with losses, no repairs or reductions found 0683 cracks and warping to top, scattered pest damage with some associated losses, some joints repinned, legs with scattered cracks, other scattered minor losses and wear throughout 0684 vibrant colors, minor curling, no repairs or reductions found, adhesive residue and hanging pocket verso 0685 pile varies from low to none, corrosion, bleeding, several small repairs, one end patch approximately 4 x 2 in., replaced selvedge, no reductions found 0686 uniform low pile, later binding at ends and selvedge, no reductions found 0687 medium pile, curling, minor selvedge breaks, up to 1/2 in. of end loss, no repairs or reductions found 0688 uniform low pile, 1 in. diameter patch near base of tree, area of infill at top of tree, minor selvedge losses, later binding to ends, no reductions found 0689 minor chips and glaze losses to edge of lid, lid cemented down, base drilled, mounts generally good condition with light surface wear and gilding losses, finial support bent and with solder repair, has not been disassembled for examination 0690 generally good condition with scattered light surface wear, some glaze and potting flaws as made 0691 frieze with some losses to patination especially at base, clock with losses to Roman numerals at chapter ring, two chips to marble at back, other scattered edge and corner chips to marble with areas of roughness, base currently 0692 base with glaze flake and one repaired base chip, some possible restoration at handles(?), scattered light surface dirt and minor wear, otherwise excellent condition 0693 vase generally good condition with one small chip evident at base, other glaze crackle and anomalies as made, iron base ring with light corrosion, needs rewiring, not disassembled for examination 0694 scattered corrosion and surface distress with minor casting flaws 0695 one urn with extensive cracks and repairs at top, both with light surface wear, spotting and losses to gilding on mounts, liners with scattered light dents and corrosion 0696 original stretchers and tacking edges, some crackle, both with grime; one frame with grime, both with some losses 0697 original stretcher and tacking

Condition Notes - Please check website for updated condition notes

0698

0699

0700

0701

0702

0703

0704

0705 0706 0707

0708

0709

0710

0711

0712 0713

0714

edge, crackle, limited cupping, some overcleaning, mildew and grime, yellowed varnish; frame with abrasions and loss to composition good condition overall with scattered surface wear and gilding losses, some chips and losses to carved ornament, other minor separations at laminations and scattered minor losses restretched on 19th century stretcher, crackle, cupping, flaking at center, grime, holes with related paint loss with four patches verso, scattered light retouch; frame with abrasions and loss to composition original stretcher and tacking edge, retouch at bottom, crackle, some cupping, minor flaking, possible abrasions at upper right, small puncture lower right, slighly loose canvas, bloom with possible paint loss, grime; frame with abrasions and losses to composition lined and restretched on old stretcher, crackle, cupping, grime, yellowed varnish, scattered retouch; frame with abrasions lined with linen, restretched on old stretcher, two periods of scattered retouch affecting approximately 15% of surface, crackle, abrasions, some overcleaning, grime, canvas slightly convex; frame with losses to composition original stretcher and tacking edge, minor retouch at bottom, crackle, cupping, minor flaking, grime, loose canvas; frame with some loss to carving and abrasions light fading, wrapped on a panel strainer (original), some light abrasions at edges; frame with abrasions some wear and abrasion to patination medium brown patination, some wear to base generally good condition with some scratches to top, scattered minor edge and corner chips at base, some gilding wear and polish residue to mounts minor scratches to top, stone with natural cracks and inclusions throughout, crack and glue repair to square support for rotating top, edge chips and separations at joints at base, chip and loss at one corner of base, scattered minor surface distress to mounts original stretcher and tacking edge, accretion, mildew, grime and heavy yellowed varnish; frame with loss to composition and abrasions original stretcher and tacking edge, possible retouch under heavy retouch and grime layer, other areas of retouch at edges, crackle, flaking at edges, abrasions, mildew, canvas loose, bloom, yellowed varnish; frame with abrasions and losses to composition lined with linen, restretched on old stretcher, scattered retouch, crackle, cupping,some overcleaning, grime; frame resurfaced and with abrasions light abrasions and wear to patination, original stretcher and tacking edges, stretcher marks, accretion, grime and heavy yellowed varnish, canvas loose on the "Stream" and "Waterfall" with two punctures at bottom; frames with abrasions and losses to composition original stretchers and tacking edges, both with mildew under glass; frames with losses to composition and abrasions, his frame is reduced, hers resurfaced and with

repairs 0715 surface wear and polish residue, scattered minor casting flaws, marble base with inset later brace at underside (plugs at sides of base); six-light candelabra with surface corrosion, polish residue and other surface distress 0716 one shade slightly out of round, otherwise generally good condition with light surface wear, should be rewired 0717 generally good condition, replaced spikes at top, frames with minor bent elements and scattered corrosion, surface wear, scattered losses to pendant drops, lacking one bobeche and some others with chips at interior of rings (at attachments) 0718 separations at some laminations, minor breaks and repairs at handles (somewhat loose), scattered surface dirt, wear and gilding losses overall 0719 figure on clock lacking one thumb and with surface dirt and distress and some losses to gilding, figure and mounts somewhat loose, minor losses to enameling on dial; urns with scattered surface dirt, some feet slightly loose, onyx with some natural cracks and inclusions throughout clock and urns 0720 one with cracked top, some losses to inlay, surface wear, stains 0721 uniform medium pile, abrash, minor end loss and later binding, extensive resizing including reduction in width 0722 generally uniform low pile, abrash, crease wear, probably reselvedged, corner losses, very minor end loss with later binding, no reductions found 0723 generally low pile with areas of corduroy effect, probably color enhanced, selvedge breaks and losses, corner losses, up to 2 in. of end loss, no repairs or reductions found 0724 generally low pile with areas of corduroy effect and small threadbare spots mostly in an area approximately 12 in. x 12 in. at one edge, abrash, corrosion, spot staining, multiple repairs and patches the largest approx. 3 in. x6 in. near one end, areas of fabric backing verso, selvedge breaks and losses, up, to 2 in. of end loss, reduced in length approx. 7 ft. from one end 0725 original stretcher and tacking edge, flaking left at trees from possible water damage, grime; frame with abrasions 0726 underlying gilt surface (with crazing now), extensive flaking where resurfaced, patination is failing 0727 border may not be orginial to tapestry, tapestry possibly reconstructed, extensive fading, splits, repairs, losses 0728 good condition overall, minor surface wear and finish losses, one very minor veneer chip at central drawer 0729 scattered very minor flaking to painted landscape scenes, some wear and losses to gilding at rims and masks, one with 1/4 in. firing flaw at rim, one small corner chip at base, other tiny chips and wear to bases 0730 scattered minor carving losses, surface abrasions and wear, top with some finish distress 0731 one top broken and repaired with associated losses, other top with minor edge chips and scratches, otherwise generally good condition, bronze mounts with light spotting and wear, bases with mi-

0732 0733

0734

0735

0736

0737

0738

0739

0740

0741

0742 0743

0744

0745

0746 0747

0748

nor edge chips and flaws, marble with ligth scratches and some surface stains abrasions, Autumn putti lacking implement and figure with slightly bent wine cup generally good condition with scattered surface wear, dirt and mildew, break and repair to one rear leg (separation), minor separations at laminations, marble top a replacement break and repair to crest and splat at joint with rear stiles, frame with other minor surface flaws, upholstery stained and worn frames generally good condition with scattered light surface wear and abrasions, upholstery with light stains and wear surface wear and losses to gilding with some polish residue, electrical components rewired, one standard lacking lower portion of one small torch applique (torch applique loose but present), the other standard lacking one seated putto on lower tier, scattered areas of corrosion especially to one base one with wear and distress to upholstery at center of back and on seat, the other with minor separation in seat upholstery, both frames generally good, scattered minor cracks and wear generally good condition with scattered minor cracks and separations, some distress to leather with areas of white surface accretion and minor abrasions, one hole from cigarette burn losses to some applied carving on medial stretcher, otherwise generally good condition with minor losses at some foot pads, some cracks and separations including at one angel's face, one end with losses to applied carving above crest, other scattered surface wear and minor losses refinished with some minor fading, lacking drawer pulls, chip and loss at one front corner, legs with minor cracks, other scattered finish losses, surface wear and minor abrasions surface wear and areas of [verdigris], scattered casting flaws, one with cracks and distress at joint of figure to pedestal, one with solder repairs at putto's wrist and garland attachments light fading horns with later discolored varnish at cuffs, one with large break and crude repair with separations, the stands with minor cracks and separations at laminations, some griffin mounts slightly loose glass elements with cracks and chips throughout, bronze elements generally good condition with surface dirt and polish residue, stands somewhat crooked one with small restoration at top of pedestal base, otherwise good condition with light surface wear and gilding losses, later gold retouch at top rims (possibly lacking lids) casting flaw or break in bronze on rock near resting hip, wear to gilding frame in structurally good condition with surface wear and paint losses overall, damask upholstery worn, torn and stained break and repair to square top, mounts with some distress and casting flaws (possibly some regilding), other scattered gilding wear and surface losses, lower

0749 0750 0751

0752 0753

0754

0755

0756

0757

0758

0759

0760

0761

0762

base capital with area of [verdigris], break and repair at midpoint of marble column generally good condition with scattered light surface wear and flaws generally good condition, scattered surface wear and abrasions generally good condition, scattered surface wear and abrasions, pedestal base with some cracks and minor veneer patches, some legs slightly loose marble top with scattered cracks and inclusions, light wear and surface dirt, other minor flaws generally good condition with scattered surface wear and abrasions, leather upholstery with extensive cracking and distress, some dents and wear to rear stiles of side chairs, some minor cracks at splats and some slight looseness at joints, one with breaks and repairs at joint of crest rail to rear stiles and at one rear stile breaks and repairs at four ankles, scattered chips and losses to veneers, other light surface wear and distress with some finish losses good condition overall with some surface dirt and light wear to patination and gilding, minor crack to one front corner of marble, other scattered chips and flaws to marble including 1-1/2 in. chip at one molding, enameled dial in good condition with minor light scratches insert very slightly bent and with repairs and retouch at handles, surface distress and staining overall with flaking to blue paint at underside, probably later gold paint at interior with stains and distress, bronze frame good overall with tarnish, surface dirt and other minor surface distress generally good condition, scattered surface wear and gilding losses, minor separations at joints, caning with possibly old repaint one with very minor retouch to gilding at top of pedestal base and otherwise good condition with light surface wear and very minor scratches one with old break and repair at top of pedestal base at joint with bottom of urn, otherwise good condition with light surface wear and minor gilding losses at high spots, second ewer with very slight retouch at edge of pedestal one with interior of body with extensive cracks, chip and repair at rim with associated crack, repair at finial attachment of lid, chip to insert support, insert with break and professional staple repair; the second with minor chip to interior rim of lid, probable repair at finial attachment, insert generally good condition, body with several interior cracks (one extending from rim into body and with associated minor repair), chips to insert supports, one probable repair at handle attachment, both with scattered wear and losses to gilding, some edge wear, light crazing and stains and other flaws, lids and inserts very slightly ill-fitting scattered surface wear and gilding losses with minor chips to carving, some separations at laminations, other surface flaws, marble in generally good condition surface wear and scratches, scattered natural cracks and inclusions, edge wear and minor chips at base and top edge of capital

131

Condition Notes - Please check website for updated condition notes 0763 scattered natural cracks and inclusions, surface wear to top and one chip and area of infill at edge, minor surface stains, some unpolished areas in fluting 0764 brass gallery with some warping, surface abrasions to marble top 0765 some minor corrosion and abrasions 0766 good condition, light surface wear and flaws to frame, upholstery generally good condition 0767 some surface wear and gilding losses, scattered chips and losses at leaf carving, some paint retouch, mirror plate probably replaced (not removed for examination) 0768 good condition with scattered minor surface flaws and wear 0769 good condition, light surface wear and abrasions to frames with scattered minor flaws, upholstery generally good condition 0770 pile varies from medium to low with areas of corduroy effect, abrash, scattered moth damage, selvedge breaks, up to 2 in. of end loss, no repairs or reductions found 0771 pile varies from medium to high, abrash, selvedge losses, retains most of original end treatment 0772 medium pile, scattered moth damage, grime, no repairs or reductions found 0773 medium pile, moth damage, heaviest at one corner, selvedge breaks and minor end loss, no repairs or reductions found 0774 missing one screw on base, dents, light scratches 0775 loss to plate, dents, scratches 0776 loss to plate, some parts lose, dents, scratches 0777 each with interior stains, surface wear and scratches, scattered adhesive residue 0778 good condition, minor surface abrasions and paint drip, some slight separatioVns at joints and laminations, upholstery with wear and stains 0779 good condition, scattered light surface dirt and wear, 0780 crack and restoration to base, glaze crackle with scattered surface dirt, abrasions and minor stains, some light wear to gilt and painted decoration especially at vase rim 0781 lacking light in upraised hand, surface wear and weathering consistent with outdoor display, two deep edge abrasions at circular base, back and side with possible areas of old resoldering 0782 frame with some surface wear and paint losses, upholstery generally good condition with very light wear 0783 good condition, scattered light surface wear and flaws especially at edges of top and at pedestal base, minor corrosion at casters 0784 generally good condition, scattered surface dirt and wear consistent with age and use 0785 minor surface dents and wear, tops with scratches 0786 good condition with some surface dirt and wear to gilding, other scattered minor surface flaws, probably original wiring (need to be rewired) 0787 scattered surface wear and wax drip, two crystal drops off but present with scattered flaws to crystals 0788 cracks, finish losses and minor warping to top, scattered surface wear and abrasions, chips and losses to veneer at bases 0789 scattered paint flaking and losses,

132

0790

0791

0792

0793

0794

0795

0796 0797

0798

0799

0800 0801 0802

0803

0804

0805

0806 0807 0808

0809

one with break and repair at base of reeded column, one with minor break and repair at top of central candle support, other minor cracks to shafts, minor edge chips and wear to marble generally good condition with scattered light surface wear and abrasions, upholstery with very minor stains good condition with scattered surface wear and flaws, one small molding loss, very minor veneer chips and some finish spotting urn stand general good condition, frame with some surface wear and abrasions, separations and minor glue repairs at joints; low pedestal with wear and surface losses to marble top, otherwise generally good condition minor edge chips and surface wear, some weathering and surface stains consistent with outdoor use, rough-hewn interiors with dirt and stains generally good condition, scattered base chips, surface abrasions and weathering, rough-hewn interiors with dirt and stains original stretcher and tacking edge, heavy grime layer, accretion, small void upper left; frame with some losses to composition, retains much of original surface all in very good to near fine condition Wallace and Warner good condition with some wear at edges; [The Art and Craft of Garden Making] good condition, edge wear; [The House Beautiful Treasury] good condition, dust jacket with two tears; the rest are in good to near fine condition [Little Journeys] is fine; Ruskin near fine with a little wear at the extremities; Hallam is near fine with some wear at the extremities extensive finish spotting and surface distress, some elements slightly bent, possibly lacking one element at front foot wear and losses to ebonized surfaces, lacking hammer for bell at top, generally good condition, surface wear and abrasions with some finish pile varies from low to none with areas of visible foundation, corrosion, moth damage, several small repairs including crease approximately 7 in., selvedge losses and breaks, ends retain most of original treatment, no reductions low pile, corrosion, one patch approximately 2 x 2 inches at one edge, selvedge breaks, up to 1/2 inch of end loss with later binding, no reductions found losses to polychromed surface extremities including arms, proper right foot and digits on proper left foot lined with wax and linen, some lifting from lining, accretion, crackle, two periods of retouch mostly at repairs, edges, and scattered throughout affecting approximately 10% of surface, visual seam vertically at right side splits, some losses to crown No lot areas of fill, abraded surface, supported by wood panels with butterfly joinery and three battens, splits in fresco material associated with backing boards, flaking, no apparent retouch but likely exists on the border possibly original strainer, lined,

0810

0811

0812 0813 0814

0815

0816

0817

0818 0819 0820

0821

0822

0823

0824

0825 0826

0827

0828

crackle, scattered retouch, pest damage to strainer, patched canvas at bottom, cupping; frame with abrasions tacking edges lined with wax and linen, restretched on new stretcher, long vertical repair reinforced verso with wax, crackle, flaking, two periods of retouch scattered throughout affecting approximately 10% of surface lined and restretched on 19th century stretcher, scattered retouch affecting approximately 5% of surface, craquelure; frame with minor losses to composition flaking with more loss to recto side crackle, cupping, cleavage, scattered retouch, lined; frame with abrasions lined, reduced, craquelure, crackle, several periods of retouch affecting approximately 40% of surface with scattered points in face, areas of overcleaning on strainer with center support removed, crackle, some cupping, scattered retouch throughout, stretcher marks, wax upper left corner; frame with pest damage, some abrasions and resurfacing lined, craquelure patches verso, three patches verso with related retouch, other retouch obscured by varnish but possibly affecting approximately 10% of surface, abrasions; frame with abrasions flaking, patch verso with related retouch, other retouch affecting approximately 10% of surface; crackle, cupping, cleavage lined, retouch affecting approximately 25% of surface, crackle, flaking; frame with abrasions possibly retacked, stretcher marks, crackle, scattered retouch, flaking; light abrasions lined, restretched on old stretcher, craquelure, scattered light retouch, abrasions at edges; frame with abrasions and minor losses lined with paste, restretched on older stretcher, fills apparent, retouch in two periods throughout affecting approxiamately 10% of surface , flaking at edges, craquelure; frame with abrasions and some minor resurfacing lined and restretched on new stretcher, crackle, restouch throughout, in center of face and [dĂŠcolletĂŠ] with most in background; frame with abrasions abrasions at edges, panel shaved, resurfaced and cradled, repairs to splits with associated retouch, other scattered retouch; frame with breaks, losses and abrasions lined with fiberglass fabric and wax, craquelure, retouch mostly in background including curtain, with not all apparent in U.V. light and affecting approximately 15% of surface: frame resurfaced and with abrasions flaking, craquelure, some retouch at edges; frame with minor losses lined and restretched on 19th century stretcher, craquelure, possible retouch under varnish but not apparent; frame with some losses and abrasions lined and restretched on 19th century stretcher, crackle, flaking, patch upper right, accretion, canvas loose, scattered light retouch mostly at repairs; frame with abrasions lined and restretched on new stretcher, craquelure, crackle, some flaking revealing red bole or gesso, two periods of retouch affecting

0829

0830 0831 0832 0833

0834

0835

0836

0837 0838 0839

0840

0841

0842 0843 0844

0845 0846

0847

0848

0849 0850

approximately 15% of surface with most at retouch right and then scattered throughout; frame with wear to gilt surface, repairs and losses repaired splits verso with associated retouch, one with newer batten, areas of over cleaning, retouch throughout with most in sky affecting 25% of surface; frame with abrasions laid on canvas, repaired tears with associated retouch panel slightly convex, light abrasions, scattered retouch; frame with some losses and repaint light surface wear and scratches to dial, case good condition with scattered minor abrasions generally good condition, surface wear and finish losses to chinoisserie ornament especially at top, some gilding losses to frame, typical wear at feet, other minor flaws some breaks and repairs at backs and crests, one with break and repair to rear stile, some distress at front leg joints, other typical surface wear tip of two wings broken and repaired, very minor surface flaws and anomalies, top of shelves with some scratches, other minor flaws veneers with sun fading, scattered cracks and checking, minor chips and losses, skirt with veneer chips and retouch, some minor glue repairs at scrolled supports, one foot lacking toes at lamination slight fading, minor losses to the frame good condition, very minor surface flaws excellent condition with scattered surface wear and abrasions (some as made), minor cracks at moldings, other scattered surface flaws scattered patches and repairs to applied top molding, feet with minor separations at laminations, other light surface wear dark finish on frame, some cracks at ankles and restorations to some knee returns, minor cracks at scrolled arm facings, upholstery generally good (not examined under upholstery) good condition with light surface wear and scattered minor flaws, lacking key good condition, lacking one small prism and one prism off but present good condition overall, scattered cracks, minor losses and repairs to carved splats and crest rails, upholstery with light wear and stains, otherwise generally good condition with scattered minor surface flaws scattered surface wear and abrasions, otherwise generally good condition generally low pile with areas of corduroy effect, selvedge breaks, minor end loss, no repairs or reductions found low pile with areas of corduroy effect, selvedge breaks and losses, up to 1 in. of end loss, no repairs or reductions found pile varies from low to none with some foundation visible, corrosion, one 1/2 in. hole, several small repairs, adhesive residue verso, selvedge breaks, minor end loss with some later binding, no reductions found medium pile overall, corners with losses, no repairs or reductions found pile varies from medium to low

Condition Notes - Please check website for updated condition notes

0851

0852

0853

0854

0855

0856

0857

0858

0859

0860 0861

0862 0863

0864

with some visible foundation, abrash, corrosion, scattered moth damage, especially at edges, reselvedged, slight end loss, no reductions found generally even low pile, scattered moth damage, some areas of infill, probably reselvedged, some separation of later added fringe, no reductions medium to low pile with some foundation visible, staining (no odor), creaseware with some restoration, slight end loss, no reductions found low pile with areas of visible foundation, corrosion, several small repairs, edge reweaving with replaced selvedge,end loss with later fringe, no reductions found all with gilt wear and losses, one sauce tureen with old break and restoration to finial with losses; one shell-shaped dish with rim chip; platters with roughness on bases, minor firing anomalies; one 8-1/4 in. plate with two rim scattered scratches to centers, glaze imperfections; one service plate with tiny rim chip; one luncheon plate with loss to gilding at rim, discoloration of gilding, light soiling minor scratches to underside, scratches and wear in center to gilding and decoration; wear to decoration on rim of underplates and center gilding and decoration, age cracks to interior, possible restoration to base, loss to gilding on finials of covers, uneven rim decoration to tureens; minor wear to gilt on finial and in center of bowl extensive scratches to center with some enamel losses, one end repaired/restored, overall crazing; center with scratches, losses to gilt and enamel decoration; losses to gilt decoration; minor losses to enamel decoration, firing crack on bottom, grime; losses to enamel on handle, base chip, glaze crazing; spout with chip and crack, firing cracks especially around handle, enamel losses, small areas of dried paint various scratches, saw mark on outer rim, old repairs to base rim or touch-up to discoloration and bottom and sides; various firing anomalies, discoloration verso gilt losses to finial, minor chip to interior of cover, wear and scratches with loss to decoration in center of bowl and old chip and crack on base; each with minor firing flaws to underside, scratches and losses to decoration; losses to decoration, discoloration to underside; losses to decoration, minor firing anomalies all pieces with glaze anomalies minor wear to gilt, wear to enamel at top rims; minor enamel loss to top rim; loss to top rim decoration, lacking cover and rattan handle; chips to rim; gilt losses, enamel loss at top rim; some with old sticker residue, scattered crazing, light scratches, gilt and decoration loss minor losses to rim enamel, minor discoloration to underside, minor firing anomalies; wear and losses to enamel, discoloration to underside; minor gilt and enamel losses; minor gilt and enamel losses gilt and enamel losses to decoration, scratches to centers; gilt and enamel losses, some discoloration verso; gilt and enamel losses with

0865

0866 0867 0868

0869

0870

0871

0872

0873

0874

0875 0876 0877

0878 0879

0880

0881 0882

some scratches; extensive gilt losses, minor enamel losses; each with scratches, gilt and enamel losses most with gilt wear and loss, some with enamel losses, one square dish with minor pitting at center; one circular underplate with roughness to foot ring; armorial plates with center scratches, one with plain center with 1-1/2 in. age crack excellent condition, very slight surface wear all with gilt losses and firing anomalies as made one with large crack at base extending into rear leg with banded repair around base, chip to shield and some deep abrasions to left paw, scattered chips at base edges; other example generally good condition with wear and abrasions at upraised paw and edge of shield, some abrasions and chips to restorations and repairs including rebuilt drawers, replaced brasses, some rebuilding to upper section, underside of top with some later bracing, some patches and repairs to moldings, some warping to top, scattered pest damage, break and repair to front leg all with scattered scratches to bottom and centers, glaze anomalies, scattered small losses to gilding; one service plate with scratches under rim; one luncheon plate with rim chip, one with glaze crack to bottom; vegetable dishes with chips under top rims of covers, one with scratches to center; smallest platter with chip under rim formerly a lift top now converted, upper five drawers with replaced secondary (top now stationary), scattered surface wear, abrasions and separations, losses and distress at drawer lips, some foot facings replaced, some escutcheons replaced, brasses replaced surface stains and warping to top (top loose, no hinges), replaced brasses, minor pest damage to one rear leg, other typical surface dirt, abrasions and wear overall deep abrasions and wear to front edges of top, patch at lock and former lock hasp attachment, losses and replacements to interior till, other typical stains and wear overall generally low pile with some corduroy effect, selvedge losses, minor end loss with some later binding, no reductions found uniform medium pile, minor selvedge losses, no repairs or reductions found uniform medium pile, very good condition, no repairs or reductions found pile varies from medium to low, bleeding, very minor selvedge breaks, no repairs or reductions found medium pile, slight selvedge breaks, fringe loss with later binding, no reductions found uniform low pile, abrash, scattered moth damage, several small holes, selvedge breaks, losses and repairs, end losses, no reductions found low pile with areas of corduroy effect, abrash, selvedge losses and repairs, approximately 3 in. of end loss (lacking portion of several borders), no reductions found uniform medium pile, as new condition later brass finial and rosettes (lacking finials at outer corners), works

0883

0884 0885 0886

0887

0888

0889 0890

0891 0892

0893 0894

0895

0896

0897

0898

0899 0900 0901 0902 0903

and dial associated (saddle board with later risers), dial resurfaced with some surface wear especially to painted moon dial, case generally good condition scattered restorations and repairs, pest damage to legs with one associated patch and repair at rear leg, brasses reset or replaced, scattered veneer repairs, secondary surfaces painted brown, inlay with sun fading and surface distress generally good condition, light surface wear and abrasions, some polish residue at mounts lacking one foot facing scattered surface wear, finish distress and minor abrasions to frames, two with breaks/repairs to stretchers, upholstery generally good with very light wear and stains good condition, top with light surface wear and very minor crack to one leaf at lamination, scattered typical surface dirt and wear surface distress and gilding losses overall, some sockets loose, some dents and looseness to appliques at top one with dent, both covers bent at base rims, extensive surface losses good condition, typical light surface wear and abrasions especially to seats, one with minor crack at rear leg good condition, light surface wear patches and repairs at joint of crest rail to stiles, one rear stile with slight repair at seat rail, other scattered cracks and minor repairs, modern upholstery in excellent condition light wear to finish, scuffs to leather top otherwise good condition generally good condition, frames with some color variation, some minor cracks at knees, scattered surface abrasions, upholstery generally good with good condition with minor wear and stains, one with some sun fading or water spotting to top, other minor surface flaws minor surface wear to top, cracking to lacquer, old repair to pen slide; tooled leather writing surface replaced, minor losses to inlay, small nicks and scratches; modern paper lining; minor scratches and areas of wear on cover, modern interior fabrics lacking interior fittings, modern paper lining, nicks to one corner; minor loss to one corner at base, minor scratches, interior with traces of foil; lacking interior pen slide, leather writing surface lifting at one end, minor dents to brass trim at front and loss at one corner, one brass molding strip loose old scratches and repairs, minor loss to inlay and one hinge, interior pulls do not match; old surface wear and losses to right side of top, minor foil loss; losses and water damage to painting, minor chip to molding at back exterior with simulated wear and dents, lid slightly warped and with some checking at top one chip at base ring, some very slight glaze losses at rim, otherwise excellent condition refinished, top center with some dents and light stains, otherwise generally good condition case with minor scratches and abrasions, soiling to red felt, rust and corrosion to metal and gilt damage to eyepiece connection,

0904 0905

0906

0907

0908

0909

0910

0911

0912

0913

0914

0915

0916

0917 0918

0919

0920 0921

0922 0923

0924 0925 0926

corrosion to brass, lacking lens cover lined, loose canvas, 70% repainted with most of sky affected, areas of overcleaning; loss to composition lined and restretched on new stretcher, stretcher marks, crackle, repaired tear in sleeve with associated retouch, other retouch possible mostly in background but not apparent under UV light lined with paste and relined tacking edges, skinned, retouch affecting approximately 15% of surface, crackle original stretcher and tacking edge, light grime, retouch at point upper left; frame withlosses to composition lined, restretched on new stretcher, crackle, some cupping and cleavage, retouch at edges mostly in sky affecting 20% of surface original stretcher and tacking edge, stretcher marks, canvas slightly loose; frame resurfaced and with abrasions lined with wax and linen, restretched on newer stretcher, scattered retouch in backbround, crackle; frame with losses to composition lined with linen and restretched on newer stretcher, crackle, some flattening, stretcher marks, abrasions at edges, retouch primarily at edges affecting less than 5% of surface; frame with abrasions original stretcher and tacking edge with Edinburgh colourman stamp, stretcher marks, light abrasions at edges, flaking, cupping and cleavage at original stretcher and tacking edge, stretcher marks, grime, abrasions, light retouch, canvas loose; frame with abrasions, minor losses one with break at lower left, some flaking and lifting, minor retouch; frames with some losses and abrasions taped to verso of mat with masking tape, toning, pencils inscriptions verso, some minute crackle in black areas; frame with abrasions lined with paste and restretched on old stretcher, puncture lower left, scattered retouch, crackle ; frame with abrasions some fading, light toning and abrasions; frame crackle to gum arabic, strong colors, one examined out of frame; hinged in, one examined out of frame lined and restretched on old stretcher, scattered retouch in sky affecting 20% of surface; frame with abrasions yellowed varnish, grime, abrasions at edges; frame with losses and abrasions lined with linen, small flake in mountain, crackle, some retouch at edges; frame with minor losses and abrasions original stretcher and tacking edge, yellowed varnish, grime: frame with abrasions original stretcher and tacking edge, grime, crackle, two patches verso with related retouch in sky; frame with minor losses and abrasions lined with linen, recently cleaned and varnished, retouch in sky; frame with abrasions toning, small edge tears, hinged in at top; frame with abrasions lined, restretched on original stretcher, crackle, two periods of retouch mostly in sky affecting ap-

133

Condition Notes - Please check website for updated condition notes 0927

0928

0929 0930

0931

0932 0933 0934 0935 0936

0937 0938 0939 0940 0941 0942 0943 0944 0945 0946 0947 0948 0949 0950 0951 0952 0953 0954 0955 0956 0957 0958 0959 0960 0961

134

proximately 10% of surface; frame with minor abrasions lined and restretched on original stretcher, repaired tear lower left, slightly yellowed varnish, retouch center and upper right; frame re-gilt with minor abrasions and losses lined with paste and restretched on later stretcher, crackle, bloom, crackle, repaired tear, retouch throughout affecting approximately 25% of surface, yellowed varnish; frame with losses and abrasions interior scratches, dents coffee pot and teapot spacers replaced with temporary wooden spacers, all with light scratches and various dents light scratches, small dents, wooden with crack, handle with wear, makers mark over struck another and lion passant double-struck light scratches other wise good condition light scratches otherwise good condition light scratches, small dents some pieces associated, repairs, glass with chips, loss to plate hinge lacking pin, replaced handle, los to plate; rim and base bent, replated, loss plate, chips to glass base dents, two feet and one spot on rim pushed in and repaired, one small split all with light scratches and various dents scrathes, small dents all with light scratches, small dents wear, dents loss to plate, leg broken and repaired; large interior cracks, repaired handle loss to plate, wear, scratches both with loss to plate all with average wear small dent light wear, small dent light scratches otherwise good condition good condition light scratches, small dents polishing abrasions, light scratches, small dents light scratches, small dents all with light scratches good condition all with average unless noted all with average wear average wear average wear unless noted; case with wear average wear average wear, some dishwasher residue; case with tape and tape residue all with average wear and mono-

gram removed unless noted 0962 average wear 0963 some pieces with polishing abrasions otherwise average wear; case with wear and repair 0964 one handle bent 0965 all with light scratches, dents 0966 light scratches, small dents 0967 light scratches, small dents; tray with loss to silver and scratches 0968 all with light scratches, dents 0969 all with dents and wear 0970 light wear 0971 light scratches 0972 all with average wear 0973 good condition to average wear 0974 all with some wear 0975 average wear unless noted 0976 all with average wear unless noted 0977 average wear unless noted 0978 all with average wear 0979 chip and loss to corner of one drawer, other wear and abrasions 0980 gilt and enamel losses, tiny chip to one rim 0981 good condition 0982 charger with gilding losses; bowl with firing and glaze anomalies 0983 minor wear to gilt and enamel 0984 minor wear to gilt and enamel 0985 small age crack on neck interior of one, firing imperfections on base rim, other in good condition; old crack and repair to neck rim; one with old cracks and repairs to body, other good condition 0986 chips to base rim; scratches to center of basket; minor surface losses, one with rim chip 0987 minor gilt losses 0988 good condition 0989 minor firing flaws; 1-1/2 in. rim crack, glaze cracks; minor wear to decoration and gilt; enamel losses; one with exterior age crack and enamel losses, others with glaze cracks and enamel losses 0990 losses to gilt and enamel at top rim with small flake repair, bodies with minor losses, both lacking applied cave elements (likely three-dimensional figures), interior of cave with traces of black resin, losses to hands of standing figure on one, both drilled for lamps with fittings available 0991 minor wear to red glaze at base of inset vase, otherwise good condition; easel with minor scratches and surface imperfections 0992 surface distress with possible traces of paint, varnish bloom, otherwise good condition with minor abrasions at top panel 0993 good condition overall, scattered cracks and shrinkage, minor warping to cabinet doors, other abrasions and minor flaws 0994 cracking and separations to top

0995 0996

0997 0998

0999

1000

1001

1002 1003 1004 1005

1006 1007

1008

1009 1010

1011

with insert patch, some joints loose, repair to one leg at top, surface wear and scratches sun fading and finish distress overall, otherwise generally good condition generally good condition, scattered light surface wear, minor shrinkage, other scattered minor flaws all in good condition boulder with discoloration, scratches and abrasions to sides; grapes with possible internal fractures and white discoloration internally, inclusions bird with discoloration at base of tail; foo dogs with visible internal fracture, flakes to baby's feet; flower with soiling to inner holes of figure fish with minor imperfection to tail on one side; Buddha with soiling and discoloration at creases, chip to foot minor scratches and abrasions to lower portion of body, minor flakes and internal fracture to lower back; bottle vase with chips; light green vase with chips to base of cover, small rim chips to vase, internal fractures to base on both sides good condition; some color anomalies at center; small break at top leaf area old loss to interior edge of finial possibly lacking a cover, some discoloration and corrosion minor age cracks and splitting at top rim; cracking to outer surface at top and base of body flanking central carving loss to jewel centering crown, enamel losses to tusks, some discoloration to enamel verso larger with two drilled holes on front possibly from missing element, corrosion and wear, no base plate; back of smaller with two mounts for a back plate, extensive surface wear, scratches, lacking base plate and back extensive fading and darkening of silk ground, large stains to upper left panel and lower right panel, cracks, separation and losses along rock formation fading, losses to wool thread, trim loose in some areas extensive wear to binding overall, missing spine, title board and envelope flap, missing colophon, extensive water stains, minor pest damage to back pages and leather binding one with wear and retouch on gilt surface, one with pest damage, abrasions and toning; frames with abrasions

1012 surface voids and color variation as made, some probable mold cracks with infill as made 1013 both in good condition 1014 extensive losses to lacquer at corners, losses and chips to lacquer on doors, some brass mounts unglued, soiling 1015 good condition 1016 soiling and firing anomalies 1017 both with minor chips, abrasions and flakes to glaze, firing imperfections, possible restoration to one handle 1018 old cracks and repairs to cover, jar in good condition with firing and glaze anomalies 1019 old rim chip and repair, old firing crack at top rim extending 1/2 into bowl, soiling to interior 1020 good condition 1021 good condition, possible wear and losses to gilding, some small areas of white paint or accretion 1022 one with breaks and repairs at top of neck with discolored glue, otherwise good condition with scattered minor firing flaws 1023 firing and glaze anomalies to center, some cracking to interior glaze, exterior with firing and glaze anomalies and extensive pitting overall 1024 polished rough edges at foot 1025 good condition 1026 good condition, minor gilding losses, mounts with some light wear and corrosion 1027 shortest in good condition; tallest with old break and repair to top rim and neck, extensive gilt losses, spider crack to base 1028 minor gilt losses, old crack and restorations to body with repaint inside and out, chips to rim 1029 good condition 1030 gilt and enamel losses with firing and glaze anomalies 1031 blue and white vase with extensive spotting and soiling on white ground, otherwise the three in good condition 1032 all with minor surface wear 1033 good condition 1034 bowl in good condition; vase with extensive break and repair from top rim into lower banding of body 1035 minor firing imperfections to glaze, otherwise good condition

Fine Art Index Aimé, Madeleine Marie 0596 American School 0170, 0172 Appel, Charles P. 0158 Armfield, George 0909 Arnegger, Alois 0607 Ashbrook, Paul 0185 Audubon, John James 0234, 0235 Bathieu, Jules 0492 Battelli, Rafaello 0525 Bauer, Hubert 0614 Beckwith, Arthur 0157 Bégarat, Eugène 0597 Belleuse, Albert Carrier, After 0726 Berman, Eugene Gustavovitch 0059 Black, Olive Parker 0154, 0160 Blom, Gustav Vilhelm 0572 Boogaard, W. J. and Ruyten, J. 0481 Boogaard, Willem Jacobus 0490 Brackman, Robert 0006 Brett, John 0406, 0407, 0409, 0410, 0412 British or American School 0925 British School 0711, 0814, 0904, 0905, 0906, 0907, 0911, 0913, 0914 Burr, Louis H. 0166 Burroughes, Dorothy Mary 0394 Cappiello, Leonetto, After 0448 Casez, Raymond 0595 Caussé, Julien 0589 Chagall, Mark, After 0001 Charreton, Victor 0582 Chitsaz, Ali 0586 Cole, George, Manner 0919 Continental School 0577, 0613, 0812 Corbin, Thomas 0003 Couturier, Philibert-Leon 0491 Crampton, W. J. 0920 Crane, Bruce 0177 Cubist or Dada School 0005 Danedi, Giovanni Stefano, After 0811 de Beul, Jr., Henri 0489 de Breanski, Alfred, Jr. 0924 de Breanski, Alfred, Sr. 0921 de la Peña, Diaz, Manner 0600, 0601, 0606 de Largillière, Nicolas, Follower 0828 de Vere, Horace Duchene 0584 del Campo, Federico 0581 Denner, Balthazar, Attributed to 0821 Derain, André, Manner 0593 Dieterle, Marie 0500, 0501, 0502 Donner, Georg Raphael, After 0552 Drew, George W. 0162 Dutch School 0829 Ehrig, William Columbus 0175 Erté 0395 European School 0585, 0817, 0908 Evergood, Philip Howard 0002 Fausto, Biggi, After 0524 Felix, K. E. 0174 Finney, Frank 0238 Flagg, James Montgomery 0192 Flemish School 0701, 0805, 0807 Forster, George E. 0164

136

Fowler, Robert 0401 Fragonard, Jean Honoré 0831 Frémiet, Emmanuel 0647 French School 0573, 0746 Gainsborough, Thomas 0818 Galien-Laloue, Eugène 0598, 0599 Gasser, Henry Martin 0060 Géricault, Théodore 0830 German School 0574, 0822 Gobert, Pierre 0824 Gorter, Arnold Marc 0487 Graziani. Pierre Alexandre 0068 Gregory, R.A., Edward John 0704 Gröger, Friedrich Carl 0575 Grosclaude, Frédéric 0579 Guardi, Francesco 0608 Guillaume, Albert 0594 Guilleminet, Claude 0493 Guilleminet, Claude 0496 Hagaman, James Henry 0709 Hart, James McDougal 0159 Henner, Jean Jacques 0592 Hibbard, Aldro Thompson 0179, 0180, 0181 Huson, Thomas R. 0927 Icart, Louis 0397, 0398, 0399, 0400 Italian School 0602, 0699, 0703, 0808, 0813, 0815, 0827 Jacque, Charles Émile 0494, 0495 Johnson, David 0151, 0152 Johnston, John R. 0216 Joneche, Marie, Attributed 0484 Jones, Arthur, Attributed 0169 Kaelin, Charles Salis 0182 Keyser, Thomas De 0820 Kley, Louis 0649 Knight, Louis Aston 0183, 0725 Koekkoek, Hermanus 0480 Lathrop, William Langson 0178 Laux, August 0167 Lawson, Ernest, Attributed 0190 Leickert, Charles Henri 0478 Leighton, Lord Frederick 0403 Leighton, Lord Frederick 0405 Leone, Romolo 0603 Leprince, Jean Baptiste 0809 Levasseur, Henri Louis 0712 Lever, Hayley 0186, 0188 Levier, Charles 0061, 0066 Levy, Charles Octave 0705 Luce, Maximilien 0591 Ludlow, J. W. 0918 Mackintosh, Charles Rennie 0402 Macomber, Mary Lizzie 0408, 0411 Marcinkowski, Wladislaw 0706 Matta, Roberto, Manner 0063 Mayer, Nicolas 0330 McMillan, Mary Lane 0184 Mercier, Philippe 0826 Millegan, Royal H., Chagall 0605 Montpezat, Henri D'Ainecy 0498 Mora 0576 Moreau, Mathurin 0508 Morise, Louis-Marie, After 0658 Morris, Edmund Montague 0262

Mulready, William 0916 Murillo, Bartolomé Esteban 0696, 0697 Nattier, Jean-Marc, After 0702 Nesbitt, John 0910 Nicholls, Burr H. 0168 Niemann, Edmund John 0922 Niemann, Edmund John, Sr. 0926 Olson, Albert Byron 0714 Páez, Ramón 0176 Parker, John Adam 0165 Parmeggiani, Romano 0065 Parton, Ernest 0156 Pasini, Alberto 0590 Pezant, Aymar 0497 Phelps, Richard Earl 0004 Picasso, Pablo 0007, 0008, 0010 Picault, Emile Louis 0765 Polish School 0816 Raphael, After 0700 Rettig, Martin 0171 Riccardo, A. 0795 Roe, Clarence Henry 0713 Roger, Guillaume Georges 0449 Romanelli, Raffaello 0661 Romano, Giulio, After 0680 Saint Memin, Charles Balthezar 0243 Salas, Manuel Mensa 0604 Salvi, Giovanni Battista, Follower 0810 Sauer, Walter 0587 Savrij, Hendrik 0485, 0486 Scherrewitz, Johann 0479 Scottish or British School 0912 Sharp, Louis Hovey 0173 Shinn, Everett 0191 Shuptrine, Hubert 0233 Sloane, Eric 0189 Smith, Henry Pember 0155 Smith, Russell 0163 Solomon, Simeon 0404 Spanish or Italian School 0804 Spranger, Bartholomaus 0806 Steer, Henry Reynolds 0917 Stella, Étienne Alexandre 0732 Stevens, William Lester 0187 Tischbein, Johann Heinrich 0825 Utrillo, Maurice, After 0612 van Cauwelaert, Jean-Emile 0499 Van Rijn, Rembrandt, After 0823 Verboeckhoven, Eugene 0488 Vester, Willem 0477 Voigt, Lewis Towson 0215 Vollon, Antoine 0583 Vrolyk, Jan 0482, 0483 Warhol, Andy 0057 Weir, Julian Alden 0193 Weiss, José 0923 Weyl, Max 0161 Wild, Hamilton Gibbs 0710 Wilhelm, Johann Heinrich 0819 Wyld, William 0915 Zeidler, F. R. 0153 Ziem, Félix 0588

Robert Brunk Auctioneer, President Emeritus

Andrew Brunk President, Auctioneer

Lauren Brunk Museum Services, Web Site Content Manager

Jerry Israel Western North Carolina Specialist

Robert Ruggiero Trusts and Estate Specialist

Silvia Kennedy Business Manager

Laura Crockett Fine Arts Specialist Artistic Design

Robin Rice Silver Specialist Graphic Design

Carol W. Ballard Alabama Regional Consultant

Barbara Guillaume Atlanta Regional Consultant

Susan Sencer Florida Regional Consultant

Su Mckenzie, GG GIA Corey Jones Jewelry Consultant Operations Supervisor

Heather Masterton Administrative Assistant

Franklin Gunnells Administrative Assistant

Monica Scott Director of Photography

Brooke Avinger Photography

Michael Traister Photography Artistic Design

Jeff Standen Administrative Assistant

Holly Mitchell Consignment Coordinator

Bill Lamar Shipping

Cody Reid Cliff Oâ&#x20AC;&#x2122;Hara Thomas Nixon Property Management Property Management Internet and IT Manager Shipping

Karen Swager Textile Specialist Inquiry Coordinator

Pat Fitzpatrick Administrative Assistant

Aaron Edwards Director of Public Relations

Continuing in a long tradition of supporting nonprofits, Brunk Auctions has initiated a program of matching grants that benefit organizations working with children, families and the environment. In every auction, we designate a beneficiary and offer matching funds for any donation to that organization. To learn more about our charitable and green initiatives, visit our website at

Brunkauctions.com.

The beneficiary for this sale is: Verner, formerly known as Mountain Area Child and Family Center, is a 501(c)3 nonprofit providing comprehensive Early Head Start and preschool services to over 200 children and families in our community. They: * Focus in the development of the WHOLE child * Help families break the cycle of poverty * Train other professionals on best practices in early childhood development CHANGE LIVES!

Verner Center for Early Learning 2586 Riceville Road Asheville, NC 28805 828.298.0808 info@verneremail.org vernerearlylearning.org

THRIVE.

We hope that you will join us in supporting this very worthy cause. Brunk Auctions will match up to $3,000 in donations to Verner. Together, we can raise $6,000 and help children in our community get ready for success in school and life. To make a donation, visit vernerearlylearning.org or call 828.298.0808. Mention Brunk Auctions and our matching grant will DOUBLE your donation!

FLOURISH.

EXCEL.

Terms of Sale 1. All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Brunk Auctions or by any seller represented by Brunk Auctions. 2. Bidding will begin at a price appropriate in auctioneer’s discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. At the auctioneer’s discretion, no bid of less than one half the low estimate will be accepted from any source: phone bidding, absentee bidding, internet bidding, or bidding in the gallery. All lots in this catalog are offered subject to a reserve, which is the confidential minimum hammer price at which a lot will be sold. In executing a reserve, the auctioneer has the right to bid on behalf of the Consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If the reserve is not met, the Auctioneer has the right to withdraw the item from the sale. 3. Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder’s responsibility to get our attention prior to our saying “sold”. We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer’s discretion. 4. Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. Credit arrangements must be made by the Friday prior to the day of auction so bank statements can be verified. We reserve the right to not issue a buyer’s number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. 5. Payment is expected at time of purchase. Payment for successful absentee, phone bids and online bids are required within five business days of the auction. Bidding on an item indicates the client’s acceptance of our Terms of Sale. Your signature on our Bid Form or acceptance of these terms through any online bidding platform constitutes permission to charge successful bids to credit cards if payment is not received within five days of the auction. 6. We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the

the purchase price of all items: 18%....Cash, check or wire transfer 21%....MasterCard, Visa, Discover and American Express credit cards 21%....Live internet bidding with cash, check or wire transfer 24%....Live internet bidding with MasterCard, Visa, Discover and American Express credit cards 14. Purchased items not picked up from our auction facility within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within sixty calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer’s commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Brunk Auctions. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you. 15. We are closed on Fridays the week following auctions. Please arrange appointments for $0-$1,000......................$50 increments other days. $1,000-3,000................$100 or $200 increments 16. Export and Permits - It is the purchaser’s $3,000-5,000................$200 or $500 increments $5,000-10,000..............$500 or $1,000 increments sole responsibility to identify and obtain any necessary export, import, firearm, endangered $10,000-$50,000.........$1,000, $2,000 or $5,000 species or other permit for the lot. Any symbols increments or notices in the sale catalogue reflect Brunk Aucabove $50,000.........auctioneers discretion tions’ reasonable opinion at the time of cataloguing and are for bidders’ general guidance only; 8. In our experience, cellular phones are Brunk Auctions and the Consignor make no reprenot always dependable, and we recommend sentations or warranties as to whether any lot is phone bidding reservations be made on land or is not subject to export or import restrictions lines. We make every effort to honor all abor any embargoes. sentee and phone bid reservations, but we are 17. Endangered Species - Certain property not liable for any losses incurred as a result of failure to execute absentee bids or failed phone sold at auction, for example, items made of or incorporating plant or animal materials, irrespective reservations. Submitting absentee bids or bidof age or value, may require a license or certificate ding by phone does not imply an extension of prior to exportation and additional licenses or credit. Please see numbers 4 and 5 above. certificates upon importation to another country. 9. Purchaser agrees that packing and Brunk Auctions suggests that international buyers shipping is done at the purchaser’s risk and check on foreign governments’ wildlife import that the purchaser will pay in advance all requirements prior to placing a bid. All buyers packing expenses, materials, carrier fees and agree to comply with any and all domestic and insurance charges. At our discretion, items will either be packed by an agent such as a packag- international restrictions on the trade of endangered species as a condition of the sale. Please ing store or Brunk Auctions. Please allow two note that the ability to obtain an export license weeks for shipping after payment is received. or certificate does not ensure the ability to obtain Shipment of large items is the responsibilan import license or certificate in another country, ity of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so and vice versa. It is the purchaser’s responsibility to obtain any export or import licenses and/or requests. Brunk Auctions will have no liabilcertificates as well as any other required docuity for any loss or damage to shipped items. 10. Note to internet absentee bidders. We mentation. In the case of denial of any export or import license or of delay in the obtaining of such do not accept cut bids, (bids less than the last licenses, the purchaser is still responsible for makinterval) from the floor or from phone bidders, and we do not accept them from internet ing on-time payment of the total purchase price for the lot. Although licenses can be obtained to bidders. Thus it is possible that a lot could go export some types of endangered species, other to another bidder for less than your absentee types may not be exported at all, and other types bid. For example, if the bids are progressing in may not be resold in the United States. Brunk ten dollar increments, $50, $60, $70 and your Auctions is not able to assist the purchaser in absentee falls at $75, we will not take the bid attempting to obtain the appropriate licenses since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave and/or certificates, and there is no assurance that absentee bids through our to avoid such a situ- an export license or certificate can be obtained. Please check with our specialists if you are unceration. tain as to whether a lot is subject to these export/ 11. All purchases are subject to applicable North Carolina sales tax unless the North import license and certificate requirements, or any other restrictions on exportation. Carolina Certificate of Resale tax form is fully 18. Due to the embargo on Persian carpets, and completely filled out and received prior international shipping is not available. to time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer’s country. 12. Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Brunk Auctions may seek all remedies under the law including canceling the sale and reoffering the property without reserve. 13. A buyer’s premium will be applied to day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at one half the printed low estimate, and gives the auctioneer the authority to open the bidding at that level. Brunk Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. 7. In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers.com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 70-100 lots per hour. Following are general guidelines for bidding increments: