Premier and Emporium Auctions | September 13 & 14, 2019 by Brunk Auctions

Brunk

Auctions

Brunk

Auctions

September 13 & 14, 2019

Early Preview By Appointment

Friday, September 13, 2019

Public Preview Begins 8:00 AM Emporium Auction Begins 9:00 AM Saturday, September 14, 2019 Public Preview Begins 8:00 AM Premier Auction Begins 9:00 AM BrunkAuctions.com 117 Tunnel Road Asheville, NC 28805 828-254-6846 info@brunkauctions.com NCAL 3095

Emporium

Lots 1-799 Available Online

Sess ion I I 6

Asian

Continental

British

Houghton Collection

Virginia Living Estate

American

Southern

Modern & Craft

Automobiles

Jewelry

Jewelry From Virginia Living Estate

Coins

Books & Maps

Silver

George Collection

Condition Notes

Art Index

Featured Estates

Property From an Important Virginia Living Estate A Maryland Private Collector Collection of Hollister Houghton, Aiken, South Carolina Private Collection, Lenoir City, Tennessee Collection of Colonel and Mrs. Rigby D. Valliant, Fairfax, Virginia Private Collection, Richmond, Virginia Estate of Dr. Philip George, Memphis, Tennessee Private Collection, Asheboro, North Carolina A Private South Carolina Collection Private Collection, Charleston, South Carolina The Estate of Joan Gilkinson, Williamsburg, Virginia Private Collection, Highlands, North Carolina Estate of Danny Wiginton, Huntsville, Alabama Private Collection, South Carolina Collection of Peter Shepherd, Garfield, New Jersey Private Collection, Nashville, Tennessee Estate of General Raymond Eliot Lee Private Collection, Wilson, North Carolina Property from a Southern Institution Private Collection, Atlanta, Georgia Private Collection, Hilton Head, South Carolina

mporium E

Auction

Prelude to our Premier Auction Friday, September 13th at 9:00am - lots 1 to 799 Featuring Fine Art, Decorative Arts, Jewelry, Native American, Asian Art, Furniture, Art Pottery, Sterling and Silver-Plate, Art Glass, Rugs, Lalique From the Estate of Dr. Philip George Please visit BrunkAuctions.com for images and full descriptions.

801 Chinese Export Porcelain Urn early 19th century, covered urn with pistol grip handles, reserves decorated with sepia western scenes, 17 in. Provenance: Private Collector, MD Estimate: $600 - $900

802 Eight Chinese Export Fitzhugh Porcelain Plates, 18th century, eight plates with blue Fitzhugh borders, center monogram "GG", 9-1/2 in. Provenance: Private Collector, MD Estimate: $800 - $1,200

803 Chinese Planter With Kangxi Reign Mark, Qing dynasty, powder blue, auspicious objects, reign mark of Kangxi, 7-1/4 x 5-3/4 in. Provenance: Private Collection, NC Estimate: $500 - $700

804 Pair Famille Rose Vases With Phoenix Handles, Chinese, probably 20th century, alternating reserves of female figures at court with floral and phoenix ground design, stamped apocryphal marks , 25 in. Estimate: $500 - $700

805 Framed Chinese Porcelain Tile Wall Plaque, Qing dynasty, composed of 28 famille rose enamel decorated tiles depicting various characters from Chinese folklore, tile size range from 2-3/4 x 5-1/2 in. to 9-3/4 x 2-1/2 in., hardwood plaque, carved openwork crest with dragons, applied floral and scroll decoration, 39 x 28 in. Provenance: Private Collection, Atlanta, Georgia Estimate: $1,000 - $2,000

Asian

806 Chinese Blue and White Wig Stand probably Qing dynasty, underglaze blue, auspicious objects and antique porcelain, pierced quatrefoils, 12 in. Provenance: Private Collection, NC Estimate: $500 - $700

807 Four Chinese Dragon Horse Vases similar design of blue horses on one side and dragon horses longmas verso, on iron red spiral ground, 5-1/2 in. Provenance: Fleisher Estate Estimate: $500 - $700

808 Large Pair Famille Verte Porcelain Vases bottle form, fine enamel decoration of landscape with birds and flowers, 17-1/2 in. Estimate: $1,500 - $2,000

811 Pair Chinese Yingqing Glazed Vases Jingdezhen, Kiansu Province, probably Yuan dynasty, pear shaped body and footed base, cylindrical neck with fluted rim, chilong handles at sides, label on base "E&J Frankel Collection", accompanied with facsimile of receipt and appraisal with description and stated appraisal value of $12,500.00, 11 in. Provenance: E&J Frankel; Private Collection, Charleston, South Carolina Estimate: $3,000 - $5,000

812 Three Chinese Famille Noire Dishes probably Republic period, porcelain, millefleur, two with red Guangxu mark; one with red Qianlong mark, 9-1/4 in. Provenance: Valliant Collection, VA Estimate: $500 - $700

813 Chinese Carved Porcelain Vase with Chilongs, Qing dynasty, bottle form, carved chilongs and other mythical animals, underglaze six character Kangxi reign mark, 10-1/2 in. Estimate: $500 - $700

814 Chinese Red Flambe Monumental Vase probably 20th century, ovoid body, oxblood and mottled purple glaze, 18 in. Estimate: $500 - $700

815 Large Chinese Famille Verte Porcelain Vase, bottle form, enamel decorated, ferocious lions and shields, bottom with blue Kangxi reign mark, 18 in. Provenance: Private Collection, SC Estimate: $800 - $1,200

816 Four Chinese Mounted Lacquer Plaques probably Qing dynasty, black lacquer and gilt decorated, black frame, 32-1/2 x 26-3/4 in. Provenance: Private Collection, GA Estimate: $500 - $700

817 Two Chinese Scholar's Table Objects possibly Ming dynasty, round porcelain censer with celadon glaze, 2-1/2 x 3-3/4 in.; rectangular celadon table screen with cloud and dragon motifs, 6 x 6-3/4 in. Estimate: $600 - $900

818 â&#x2014;&#x2030; Yellow Rosewood Brush Pot Qing dynasty, cylinder with smooth base, 5-3/4 x 5-1/4 in. Provenance: Private Collection, NC Estimate: $600 - $900

819 Chinese Apothecary Cabinet probably late 19th/early 20th century, 45 dovetailed drawers with paper labels, 451/2 x 37 x 23-1/2 in. Provenance: Brunk Auctions, January 2007 Estimate: $800 - $1,200

Condition notes available in back of catalog

II Asian

810 Large Korean Blue And White Dragon Vase, possibly late Joseon dynasty, porcelain tapered body with straight neck, decorated with dragon chasing a flaming pearl, 20-1/2 in. Estimate: $600 - $900

September 14, 2019

809 Chinese Blanc de Chine Dragon Relief Vase, possibly Qing dynasty, footed vase with two four clawed dragons amidst clouds and two character marks, 8 in. Estimate: $500 - $700

820 Chinese Ningxia Gallery Rug early 20th century, three central medallions, diaper field in gold with dispersed auspicious and precious objects, Greek key border, 24 ft. 9 in. x 9 ft. Provenance: Private Collection, Virginia Estimate: $2,000 - $3,000

September 14, 2019

Asian

821 Chinese Feti Rug With Dragon, Phoenix circa 1930, black border with central panel depicting a potted flowering tree, dragon and phoenix, 4 ft. x 6 ft. 10 in. Provenance: Valliant Collection, VA Estimate: $600 - $900

822 Pair Framed Chinese Embroidered Rank Badges, Qing dynasty, silk, leopard (military 3rd rank) with bats, badges 10-1/4 x 10-1/2 in.; gold frame, 30-1/2 x 19-1/2 in. Provenance: Private Collection, NC Estimate: $600 - $900

823 Framed Tibetan Thangka possibly 18th/19th century, ink and pigment on cotton, 23 x 17 in.; framed Provenance: Private Collection, NC Estimate: $500 - $700

824 Chinese Plum Monochromatic Rug circa 1930, open field with loose border of tree with stylized pine, 5 ft. 11 in. x 9 ft. 9 in. Provenance: Valliant Collection, VA Estimate: $600 - $900

826 Four Signed Samurai Swords gendai, attributed to Showa Ju Hachi, (1943, 11th month), 26 in.; Kamakura style gendai, (1938), attributed to Tensho San, Sagami Province, 27 in.; attributed to Muso, Showa 18 (1943), 26 in.; possibly 17th century, three mekugi-ana, possibly Nabeshima clan, 26-1/2 in., each with scabbard Provenance: Collection of Peter Shepherd, Garfield, New Jersey Estimate: $800 - $1,200

825 Three Signed Samurai Swords attributed to Kenko, 25 in.; gunome hamon, attributed to Kuriyama Mumyo, 26-1/2 in.; Naval Officer Kai Gunto, anchor on seppa, attributed to Tadayoshi, 26 in., each with scabbard Provenance: Collection of Peter Shepherd, Garfield, New Jersey Estimate: $1,000 - $1,500

827 Four Samurai Swords Onizuka Yoshikuni, 28 in.; Seki Kanetsugu, notare ba hamon, 27 in.; undecipherable, 28 in.; Kanematsu Kazunori, 27 in. Provenance: Collection of Peter Shepherd, Garfield, New Jersey Estimate: $800 - $1,200

828 Three Samurai Swords Showa era, Sanbon sugi hamon, 27 in.; suguha hamon, signed Yoshishige, 26 in.; Showa era, 27 in. Provenance: Shepherd Collection, NJ Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

829 Four Unsigned Samurai Swords blade with two mekugi-ana, 27 in.; deep yakiba, dai midare, 26 in.; five mekugiana, 26-1/2 in.; Nakago, 27 in. Provenance: Shepherd Collection, NJ Estimate: $600 - $900

830 Japanese Samurai Sword Yasunobu Showa 17 (1942), attributed to swordsmith Murakami Yasunobu, Yasukuni Shrine, gendai blade, Akizuki mon on kabuto-gane, three flower palm ornament, scabbard, blade 32 in. Provenance: Collection of Peter Shepherd, Garfield, New Jersey Estimate: $1,000 - $1,500

831 Two Japanese Helmets and Facial Armor probably Edo period, daimyo jingasa, gilt family mark, partially upset brim, metal top hardware, 13-7/8 in.; spiked kabuto, butterfly design on fukigaeshi, partial shikoro, fabric chinstrap, 13 in. front to back; traditional mengu half mask, fiber moustache, with yodare-kake, 8-1/2 in. Provenance: Collection of Peter Shepherd, Garfield, New Jersey Estimate: $500 - $700

832 Four Katana Swords attributed Fujiwara Yoshisada, shingunto mountings, leather covered wood scabbard, blade 26 in.; attributed Bungo no kuni Shigeyuki, lacquer scabbard, blade 22 in.; unsigned, cherry blossom fittings, lacquer scabbard, blade 21-1/2 in.; attributed Takada, wooden scabbard, blade 20 in. Provenance: Collection of Peter Shepherd, Garfield, New Jersey Estimate: $1,000 - $1,500

833 Japanese Hachiwara Helmet Splitter possibly late Edo period, cinnabar lacquer, finely carved, four sided blade, scabbard, signed, blade 10-3/4 in. Provenance: Shepherd Collection, NJ Estimate: $500 - $700

835 Group of Four Shirasaya Wakizashi Fujiwara Yasushige blade; older Koto blade, Bizen Province; pair of unsigned wakizashi blades, 16-3/4 to 21 in. Provenance: Shepherd Collection, NJ Estimate: $800 - $1,200

837 Kawase Hasui, Three Woodblock Prints, Unframed (Japanese, 1883-1957) Views of Tokaido, Morning at Nijubashi; Dawn At Nihonbashi Bridge; both 1934-1941, Nagahama Beach in Mito; 1946-1957, signed with artist's seal "Sui", publisher's mark "Watanabe"; unframed, largest 15-1/2 x 10-1/2 in. Provenance: Collection of Peter Shepherd, Garfield, New Jersey Estimate: $600 - $900

838 Utagawa Hiroshige (Japanese, 1797-1858) Ten woodblock prints, largest 15 x 10 in.; unframed Provenance: Collection of Peter Shepherd, Garfield, New Jersey Estimate: $600 - $900

839 11 Japanese Woodblock Prints, Hiroshi Yoshida 20th century, Hiroshi Yoshida; other artists; largest 18 x 12 in.; all unframed Provenance: Shepherd Collection, NJ Estimate: $1,000 - $1,500

Condition notes available in back of catalog

Asian

September 14, 2019

836 Asian Ephemera Lot, Four Books, Two Albums, 20th century, four books containing illustrations, two print albums, largest 17 in. Provenance: Valliant Collection, VA Estimate: $600 - $900

834 Japanese Tanto Dagger possibly 19th century, gold colored mounts, ornate orange scabbard, blade 9-1/2 in. Provenance: Shepherd Collection, NJ Estimate: $500 - $700

Continental II

September 14, 2019

Continental

841 After Cornelis van Poelenburgh (Dutch, 1586-1667) Mary Magdalene, unsigned, oil on panel, 16-1/4 x 19-5/8 in.; gilt frame Provenance: Private Collection Estimate: $1,500 - $2,500

840 Rembrandt van Rijn Abraham Entertaining the Angels (B. and Hol. 29, H. 286), 1656, state I/I, signed and dated in plate lower left "Rembrandt f. 1656", etching and drypoint on laid paper with no visible watermark, 6-1/4 x 5-3/16 in.; modern frame, 13-3/8 x 11-3/4 in. Estimate: $8,000 - $12,000

842 After Aert de Gelder (Dutch, 1645-1727) Esther and Mordecai, by H. Brandt, 1912, Gemaldegalerie Alte Meister stamp, oil, 40-3/8 x 60 in. Provenance: Private Collection Estimate: $1,000 - $1,500

For full cataloging and images see our website, brunkauctions.com

843 Marinus Adrianus Koekkoek The Elder (Dutch, 1807-1870) Loggers on a Winter Track, signed, oil on panel, 17-1/4 x 21-3/4 in.; gilt frame Provenance: Walker Estate Estimate: $1,000 - $2,000

845 After Titian (Italian, 1485â&#x20AC;&#x201C;1576) Bacchus and Ariadne, after the work held by the National Gallery, London, possibly 16th or 17th century, oil on canvas, 43-1/2 x 531/2 in.; late 16th century Florentine panel frame with stencil decoration, 58-3/4 x 68-1/4 in. Estimate: $5,000 - $7,000

846 Joghem de Vries (Dutch, active 1753-1789) Dutch Ships in a Harbor, 1777, signed lower right "Jogh. de Vries 1777", oil on canvas, 30 x 48 in.; black lacquered frame, 38-5/8 x 561/2 in. Estimate: $5,000 - $7,000 Brunk Auctions would like to thank Dr. Laurens Schoemaker, Curator Historical Topography & Marine Painting, RKD â&#x20AC;&#x201C; Netherlands Institute for Art History for research confirming the authorship of this painting. Dr. Schoemaker states, "The size and the composition point directly to this artist. The type of ships and the way the figures, flags and waves are painted, are typical for De Vries." Joghem de Vries is best known for painting whaling ships in the Arctic.

Condition notes available in back of catalog

848 Follower of Adriaen Jansz van Ostade (Dutch, 1610-1685) Thankful Family by a Hearth, 18th/19th century, oil on panel, 14-3/8 x 10-1/2 in. Provenance: New England Collection Estimate: $500 - $800

Continental

847 After Gerrit Dou (Dutch, 1613-1675) The Herring Seller, 18th/19th century copy, oil on panel, 18-1/2 x 13-7/8 in. Provenance: Rozenbroek Estate, VA Estimate: $800 - $1,200

September 14, 2019

844 Follower of Maerten Jacobsz Heemskerk van Veen, (Flemish, 14981572), Jesus Teaching at the Temple, unsigned, oil on canvas, 45-1/2 x 65-1/2 in.; carved and gilt wood frame, 56 x 74 in. Estimate: $1,000 - $2,000

849 Jean Baptiste Madou (Belgian, 1796–1877) Le trouble-fête (scène Flamande de la fin du XVIIIème siècle), after the 1852 work held by Le Musée royaux des Beaux-Arts de Belgique, signed on chair lower right "Madou", oil on canvas, 41-1/2 x 50-1/2 in.; possibly original fine gilt wood and composition frame, 56-1/4 x 74 in. Provenance: Property From an Important Tennessee Living Estate Estimate: $12,000 - $18,000 Jean Baptiste Madou is considered one of the most important Belgian genre painters of the 19th century. Le trouble-fête was exhibited along with another painting at the Universal Exhibition in Paris in 1867 and is considered one of his masterpieces. It was acquired directly from the artist by The Royal Museum of Fine Arts of Belgium. This duplicate composition may be a copy executed by the artist for another patron.

September 14, 2019

Continental

850 Follower of Adriaen and Isaack van Ostade (Dutch, 17th century) Tavern Scene, bears signature lower left "Isack v Ostade/16?6", oil on panel, 17 x 22-1/8 in.; gilt wood and composition frame, 25-3/4 x 31-1/8 in. Provenance: Estate of Clarence H. Mackay, Trustee, Metropolitan Museum of Art (19291932); Hammer Galleries, New York,1941; Estate of Alice Rozenbroek, Henrico, Virginia Estate of Clarence H. Mackay, Trustee, Metropolitan Museum of Art (1929-1932); Hammer Galleries, New York, 1941; Estate of Alice Rozenbroek, Henrico, Virginia Estimate: $3,000 - $5,000 This lot is accompanied by a letter from Ellis Dullaart, MA, Curator Dutch and Flemish Old Master Painting, RKD, discussing this work of art. Exhibited: Duke University Museum of Art, 1988, accompanied by copy of loan document

851 Attributed to Jan van der Vaardt (Dutch 1647-1721) Still Life of Spring Flowers in a Gilt Bronze Urn on a Ledge, unsigned, oil on canvas, 27-7/8 x 35-5/8 in.; gilt wood frame, 34-1/4 x 41-1/2 in. Provenance: Private New England Collection Estimate: $5,000 - $8,000 According to expert, Fred G. Meijer, this painting, "is reminiscent of the work of Jakob Bogdány, a Hungarian artist working in England, but the palette differs. There is, however, a signed flower painting by Jan van der Vaart, who was born in Haarlem, but worked in London and who was mainly a portraitist, and appears to have worked together with Bogdány." A similar signed flower painting by van der Vaart was advertised in a 1949 edition of The Connoisseur by G. M. Lotinga, Ltd., London (facsimile accompanies lot). Meijer goes on to state that, "in fact some of the flowers are almost identical, as well as the structure in the right background." Brunk Auctions would like to thank Dr. Meijer for his assistance with this painting.

For full cataloging and images see our website, brunkauctions.com

852 Italian School (16th/17th century) Angels Playing a Tamborine and a Lira Da Braccio, oil on canvas, 18-1/2 x 141/4 in.; unframed Estimate: $1,000 - $2,000

855 Italian School (possibly 15th century) Portrait of a Woman Holding a Flower, unsigned, oil on panel, 21-3/4 x 13-3/4 in.; unframed Estimate: $2,000 - $3,000

856 Francesco Piranesi (Italian, 1758-1810) Two engravings: Veduta..Pronao del Panteon, 15-1/4 x 21 in.; Veduta...Terme di Diocleziano, 17-3/8 x 27-5/8 in.; framed Estimate: $600 - $900

857 Giovanni Battista Piranesi (Italian, 1720-1778) Pianta di Roma from Le Antichita Romane, Vol. I Plate II, 1756, etching with engraving on laid paper, 18-1/4 x 20-3/4 in. Estimate: $800 - $1,200

858 Giovanni Battista Piranesi (Italian, 1720-1778) Two etchings: one from Vedute di Roma, Rome; one from Antichita.., Rome; largest plate 18-3/4 x 27-3/4 in.; unframed Estimate: $600 - $900

860 Giovanni Battista Piranesi (Italian, 1720-1778) Five etchings from Le Antichita Romane, tome III, Rome, 1756-57, on thick laid paper, plates approximately 15-3/4 x 19 in. Estimate: $400 - $800

861 Luigi Rossini (Italian, 1790-1857) Six architectural etchings from Le Antichita Romane, wove paper, plates approximately 16-3/4 x 20-3/4 in.; unframed Estimate: $500 - $1,000

862 Giovanni Battista and Francesco Piranesi (Italian, 1720-1778) Nine etchings from Vasi.., Rome, 18th century, on laid paper, plates approximately 15-1/4 x 9-3/4 in.; unframed Estimate: $1,000 - $2,000

Condition notes available in back of catalog

859 Italian Grand Tour Framed Plaque (Italian, 19th century) Madonna della Segiolla, after Raphael, stamped, porcelain, 7-1/2 in. diameter Provenance: Private Collection, NC Estimate: $800 - $1,200

II Continental

854 Follower of Franรงois Hubert Drouais (French, 1727-1775) Portrait of a Lady Holding a Spaniel, unsigned, dated left "1770", oil on canvas, 24 x 19-3/4 in; 19th century gilt frame Estimate: $1,000 - $1,500

September 14, 2019

853 Italian School (19th/20th century) Madonna della Segiolla (Sedia), after Raphael, oil on canvas, 29-5/8 in. diameter Provenance: Private Collection Estimate: $600 - $900

863 Filippo Palizzi (Italian, 1818-1899) Pointers with a Woodcock, signed lower right "Filip. Palizzi 1886" with another signature above, oil on canvas, 20 x 30 in. ; fine, deep acanthus leaf frame, 32-3/8 x 42-1/2 in. Provenance: Private Collection, Atlanta, Georgia Estimate: $10,000 - $15,000

September 14, 2019

Continental

864 Attributed to Louis Gabriel Moreau I (French, 1740-1806) View on the Loire, not apparently signed, oil on canvas, 24 x 40-1/4 in.; carved and gilt wood frame, 30-3/4 x 46-7/8 in. Provenance: Property from a Southern Institution Estimate: $3,000 - $5,000

865 Attributed to Emile Munier (French, 1840-1895) Girl with a Basket of Cherries, "E. Munier", oil on canvas, 26-3/8 x 13-5/8 in.; framed Provenance: Private Collection, IL Estimate: $500 - $700

866 Sophie Gengembre Anderson (Pennsylvania/Britain/French, 1823â&#x20AC;&#x201C;1903) Playing Dress-up-Little Red Riding Hood, signed lower right "S. Anderson", oil on canvas, 22 x 27 in.; original 19th century gilt wood and composition frame, 33-5/8 x 38-5/8 in. Provenance: Charles Gallery, Philadelphia, Pennsylvania (old tag verso); Private Collection, Knoxville, Tennessee Estimate: $3,000 - $5,000 An important female genre painter, Sophie Gengembre grew up in Paris, France where she began her studies in art. Her parents moved to Ohio in 1849 and she continued her studies. It was there Sophie met and married the artist, Walter Anderson. They primarily lived in Great Britain, but she exhibited extensively in the United States, including National Academy of Design, the Pennsylvania Academy of Fine Arts and, at the Boston Athenaeum among others. She enjoyed great popularity throughout Europe and America, with some of her paintings made into chromolithographs by the Louis Prang Company. This charming composition depicts a child's imagination reenacting the fairy tale by overturning a trash basket to prop up a 'wolf' using a fox pelt.

For full cataloging and images see our website, brunkauctions.com

867 Alois Arneggar (Austrian, 1879-1967) The Coast of Capri, signed "A. Arnegger", oil on canvas, 22-3/4 x 31-1/4 in.; framed Provenance: Private Colblection, GA Estimate: $1,000 - $2,000

868 Edouard Lèon Cortès (French, 1882-1969) Place de la Republique, signed lower left "Ed. Cortès", inscribed verso in pencil with two addresses including the artist's, colorman stamp "The Paris American Art Co....Paris", oil on artist board, 6-1/4 x 8-5/8 in.; carved and gilt wood frame, 11-1/4 x 13-1/2 in. Provenance: Sotheby's; Dallas Auction Gallery: October 2, 2013, lot 42; Christie's East: June 15, 1999, lot 354; Sotheby's London: May 4, 1988, lot 215; Property from an Important South Carolina Estate Estimate: $8,000 - $12,000 Edouard Cortès was able to purchase property at 22 rue Macheret in Lagny (inscribed verso), as a home for himself and his mother. This painting will be included in Nicole Verdier's forthcoming catalogue raisonné on the works of Edouard Léon Cortès, volume III.

873 Bronze Angel Sculpture Supporting Scallop Shell, Continental, 19th century, angel figure atop black slate base, 12-1/2 x 4 x 5 in. Provenance: Private Collection, NC Estimate: $500 - $700

874 Auguste Moreau (French, 1834-1917) Retours des Champs, signed "Aug. Moreau", patinated bronze, 24 in., with wood pedestal with decoration, 44-1/4 in. Estimate: $600 - $900

Condition notes available in back of catalog

875 Philippe Robert (Swiss, 1881-1930) Panoramic Landscape, Egypt, signed, oil on canvas board, 9-7/8 x 17-3/8 in. Provenance: Private Collection, SC Estimate: $600 - $900

Continental

872 Bronze Renaissance Revival Oil Lamp Continental, 19th century, pedestal urn with putti and mask, 8-1/2 x 5-1/2 in. Provenance: Private Collection, NC Estimate: $400 - $600

871 Cristoforo Vicari (Swiss, born 1846) Bust Of A Smiling Woman, ca. 1875-1900, "C. Vivari", alabaster, 25-1/2 in. Provenance: A Southern Institution Estimate: $500 - $800

September 14, 2019

869 Pair of Bronze Busts on Column Form Bases, Continental, 19th century, Roman male busts, laurel crowns, marble Doric column, bronze claw feet, 11 in. Provenance: Private Collection, NC Estimate: $500 - $700

870 Peter Tereszczuk (Ukrainian-Austrian, 1875-1963) bronze, glass aquarium, early 20th century, signed "ZUK", foundry mark, 14 x 9 x 16 in. Provenance: Private Collection, Raleigh, North Carolina Estimate: $800 - $1,200

877 Louis XV Style Gilt Bronze Clock Garniture French, late 19th century, mantel clock surmounted by love birds, 19 in.; pair five light candelabras, 23-1/2 in. Provenance: Private Collection Estimate: $1,000 - $1,500

876 Pair Monumental Napoleonic Sèvres Porcelain Urns French, late 19th/early 20th century, each hand painted with Napoleon on horseback amidst continuous scenes from the battles of Austerlitz and Rivoli, signed "H. Desprez/ Sèvres", with gilt bronze mounts, neck, cover and socle decorated with Napoleonic devices including an eagle, "N", crown and berried laurel branches, iron red stenciled mark, "M.Imp. Le de Sevres", 38 in. Provenance: Private Virginia Collection Estimate: $4,000 - $6,000

September 14, 2019

Continental

880 Pair Signed Gilt Bronze Figural Candelabra, French, late 19th century, attributed to Victor Raulin, (Paris, 18671925), each with faun playing instrument in front of tree issuing a three branch candelabrum, mounted to fluted marble columns on garland embellished square bases, bases stamped "RAULIN", 19 in. Estimate: $1,500 - $2,500

883 Six Hand Painted Hochst Porcelain Plates, German, 18th century, bird imagery, molded lattice impressions, all marked with wheel and electoral crown in underglaze blue, two with gilt 'X', 9 in. Estimate: $500 - $700

878 French Chinoiserie Gilt Bronze Table Clock, late 19th century, patinated and gilt brass, signed "A. Armault Paris" on face, elephant head supports, 12 in. Provenance: Private Collection Estimate: $600 - $900

879 Classical Bronze Urn by Benedetto Boschetti, Italian, 19th century, depiction of classical Roman figures, bas relief, handles, stepped base, 14-3/4 x 10-3/8 in. Provenance: Private Collection, NC Estimate: $600 - $900

881 Large Louis XVI Style Bisque Jardiniere, Stand, Continental, late 19th/early 20th century, possibly Sèvres, "Dreyfous 99 Mount S W", gilt stand, 34 in. overall Provenance: Private Virginia Collection Estimate: $1,000 - $1,500

882 Renaissance Revival Bronze Chalice Continental, 19th century, carvings of mythical sea creatures, frolicking humans, mounted on marble plinth, 13-3/4 in. Provenance: Private Collection, NC Estimate: $400 - $600

884 Pair Venetian Polychrome Blackamoor Torchières, Italian, late 19th century, carved and lacquered wood standing figures, richly painted attire with gilt accents, octagonal bases, 51-1/2 in. Provenance: Private Collection, Spartanburg, South Carolina Estimate: $1,500 - $2,500

885 17 Piece Royal Copenhagen Flora Danica Set, Danish, 20th century: seven teacups; eight saucers; covered cup, 3 in.; octagonal saucer, 4 in.; gilt, factory marks Provenance: Private Collection, SC Estimate: $800 - $1,200

For full cataloging and images see our website, brunkauctions.com

890 Goyard Steamer Trunk French, early 20th century, chevron pattern canvas which reads "Goyard", brass plaque reads "Malles Goyard/233 Rue St. Honore/Paris/ Monte Carlo/Biarritz/Bordeaux", owner's initials "B. N." on side, 34 x 36 x 22 in. Provenance: Private Collection, Charleston, South Carolina Estimate: $1,500 - $2,000

892 Delft Tobacco Jar with Brass Lid Continental, 18th/19th century, underside displays De Klauw mark, 11 in. Provenance: Private Collection, SC Estimate: $600 - $900

893 Pair of Louis XVI Style Gilt Bronze Candelabras, French, 19th century, three arms, mounted as bouillotte lamps and electrified, acanthus leaf decoration, 32 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

894 Heriz Carpet 20th century, central blue medallion, red field, geometric floral design, red field, white spandrels, 9 ft. x 10 in. x 10 ft. 9 in. Estimate: $800 - $1,200

895 Serapi Room Size Carpet 20th century, red field, stylized geometric floral and vine pattern, navy blue border, 11 ft. 6 in. X 8 ft. 11 in. Provenance: Private Collection, SC Estimate: $800 - $1,200

888 Louis XV Style Bronze Crystal Chandelier, 20th century, gilt bronze 12 arm chandelier, scrolling foliate and floral design, stamped "Made in Spain", 36 in. Provenance: Private Collection, GA Estimate: $600 - $900

889 Pair Louis XV Style Carved and Giltwood Consoles, French or Italian, early 20th century, Sienna marble top, 29-1/2 x 35-1/2 x 12-1/2 in. Provenance: Private Collection, TN Estimate: $600 - $900

891 Louis Vuitton Steamer Trunk French, early 19th century, Damier pattern canvas, brass clasps read "1. Rue Scribe/Paris/ Louis VUITTON/London/454 Strand/Made in France", canvas reads "L.Vuitton/Marque Di Fabrique/Deposee", interior label reads "Louis Vuitton...No. 399999", owner's name "Farr" on side, 20 x 36 x 20 in. Provenance: Private Collection, Charleston, South Carolina Estimate: $1,500 - $2,000

II Continental

887 Wrought Iron Gate Mounted as Headboard probably Continental, late 19th century, wrought iron, converted to padded headboard, 93 x 78 in. Provenance: Private Collection, TN Estimate: $500 - $700

896 Serapi Carpet Persian, possibly pre 1900, red ground with large central serrated medallion, four ivory stepped spandrels, floral and geometric details in mustard, olive, blues, greens, pinks, 12 ft. 7 in. x 9 ft. 9 in. Estimate: $2,500 - $3,500

Condition notes available in back of catalog

September 14, 2019

886 Pair Louis XV Style Walnut Fauteuils French, late 19th/early 20th century, each frame with mellow brown color, floral carved crest and skirt, 34-1/2 in. Provenance: Private Collection, SC Estimate: $500 - $700

British

897 Follower of Joseph M.W. Turner (British, 1811-1869) View Of a Ruins and Town, unsigned, with frame plate attribution to Thomas Crestwick [sic] (British, 1811-1869), oil on canvas, 26 x 38 in.; gilt wood and composition frame, 33-1/4 x 45-1/2 in. Provenance: Estate of Edie Funsten, Virginia Estimate: $1,500 - $2,500

898 Rare Classical Fine Regency Carved Mahogany Wine Cooler probably Philadelphia, early 19th century, leaf carved and brass inlaid octagonal top, opening to a lead lined interior, brass banded body, on a carved and brass inlaid base with casters, white pine and yellow pine secondary woods, 36 x 19 x 19 in. Estimate: $2,500 - $3,500

899 Attributed to Edward William Cooke (British, 1811-1880) Fishing Vessel, signed "E.W. Cooke, R.A. 1972", oil on tin, 10-1/8 x 14-3/8 in. Provenance: Walker Estate Estimate: $800 - $1,200

900 Georgian Bracket Clock with Brass Dial British, 19th century, mahogany case with glass panels, repousse brass dial with engraved Roman and Arabic numerals, time and strike mechanisms, 18 in. Estimate: $600 - $900

903 Chippendale Mahogany Serving Table British, 18th/19th century, mahogany, top with ogee edge, blind fret legs, 31-3/4 x 50-1/2 x 28 in. Estimate: $800 - $1,200

904 Regency Eagle Decorated Bullseye Mirror, British, early 19th century, gilt composition spread wing eagle, convex mirror, ebonized surround, 34-1/2 x 22 in. Provenance: Private Collection, NC Estimate: $800 - $1,200

905 Diminutive George II Mahogany Bachelors Chest, British, 18th century, four graduated drawers with oak linings, full dust boards, dense mahogany throughout, rich plum color, 31 x 30 x 18-1/2 in. Estimate: $800 - $1,200

906 British School (18th century) Portrait said to be Francis Wingfield, Prime Sargeant-at-law for Charles II, oil on canvas, 28-7/8 x 23-5/8 in.; framed Estimate: $1,000 - $1,500

908 James Gillray (British, 1756-1815) Forty-one sheets from The Works of James Gillray..., London, 1796-1884, etchings on wove paper, largest 23-1/2 x 17 in.; unframed Estimate: $1,500 - $2,000

British

907 Eight George III Carved Mahogany Dining Chairs British, late 18th century, two arm and six side chairs, each with shaped crest and pierced splat, assembled set comprising a matched set of seven together with an associated arm chair, side chairs with over the rail upholstering with brass tacking, armchairs with slip seat and matching upholstery, 38-1/2 in. Provenance: Private Collection Estimate: $1,500 - $2,500

909 British School (late 18th/early 19th century) Portrait of a Gentleman with a Letter, unsigned, oil on canvas, 50-1/4 x 40-1/8 in.; gilt frame, 57 x 46-5/8 in. Estimate: $1,500 - $2,500

Condition notes available in back of catalog

September 14, 2019

901 James Hardy, Junior (British, 1832-1889) After the Hunt, c.1862, signed "J. Hardy, Junr.", watercolor, 12-1/4 x 18-1/4 in. Provenance: Walker Estate Estimate: $600 - $900

902 William Watson II (British, 1831-1921) Evening, Loch Awe, 1897, signed lower right "W. Watson 1897", oil on canvas, 33-1/4 x 51-1/4 in.; gilt wood and composition frame, 39-1/2 x 58 in. Provenance: Estate of Ann B. Walker Estimate: $1,500 - $2,500

910 Important Pair George III Carved and Giltwood Mirrors circa 1780s in the manner of Robert Adam, each with extraordinarily fine carving, urn, leaf, and drapery decorated crests, leaf carved bases, early distressed mirror plates, 57 x 24-3/4 in. Provenance: Mallett, London, England; Private Collection, Highlands, North Carolina Estimate: $20,000 - $30,000

September 14, 2019

British

911 Queen Anne Style Red Japanned Grandmother Clock late 19th century, possibly some earlier elements, Tempus Fugit dial, lacquer with gilt decoration, painted scene with birds, pagoda, dog, and male figure, 77-3/4 x 9 x 5-1/2 in. Provenance: Private Collection, Nashville, Tennessee Estimate: $500 - $700

912 Set of Eight Regency Mahogany Dining Chairs British, early 19th century, each with tablet back and turned legs, over the rail upholstery, two arm and six side, 35 in. Provenance: Private Collection Estimate: $1,200 - $1,800

913â&#x2014;&#x2030; Three Carved Wood Table Items British, 19th century, urn form fruit wood tea caddy; laburnum barrel form box; turned caddy, 4 in. to 11-1/4 in. Provenance: Christie's, 2010, lot 858 Estimate: $500 - $700

914 Irish George II Carved Oak Bookcase Cabinet, British, 18th century, upper case with walnut banded oak doors, opening to an adjustable shelved interior, frame with dovetailed drawers, 72 x 51 x 18 in. Estimate: $1,000 - $2,000

916 Baroque Carved Walnut Wall Bracket British or Continental, 18th century, cartouche form top, serpentine veneered support, 12 x 21 x 10 in. Provenance: Private Collection, SC Estimate: $500 - $700

915 Set of Queen Anne Style Painted Dining Chairs, early 20th century, with gilt, carved legs and stretchers, with green upholstery, two arm and four side, 47 in. Provenance: Private Collection, TN Estimate: $700 - $900

For full cataloging and images see our website, brunkauctions.com

923 Group of Three Dated Bronze Sundials British, 18th century and later, square, sun face, "17 Lux Es 19"; two smaller related pieces, possibly cast; largest 4-1/2 x 10 x 10 in. Estimate: $500 - $700

926 Victorian Hanging Brass Pot Rack British, 19th century, ceiling mounted, solid brass pot rack, marked "Gibbons, W. Hampton," 23-1/2 x 66 x 9 in. Provenance: Private Collection, NC Estimate: $500 - $700

921 Robert John Thornton, Publisher (British, 1768-1837) Ten plates from The Genera.., London, 1799-1805, including The Sexual System, engravings, 18-5/8 x 13-1/8 in.; unframed Estimate: $500 - $700

924 Georgian Mahogany Tall Case Clock probably Scottish, 19th century, dial with painted agricultural scene of maiden fetching water, 94 x 29 x 11 in. Provenance: Private Collection, NC Estimate: $500 - $700

927 Chippendale Carved Mahogany Candlestand, probably British, 18th century, thin mahogany top tilting over a fluted column, 27-1/4 x 22-1/2 in. Provenance: Private Collection, SC Estimate: $500 - $700

919 Robert John Thornton, Publisher (British, 1768-1837) Cupid Inspiring Plants with Love, from The Genera.., London, 1800, first ed., hand colored engraving, sheet 18-5/8 x 13 in. Estimate: $800 - $1,200

922 Eleanor Fortescue-Brickdale (British, 1871-1945) Gathering Flowers in an Orchard, signed lower right, "E.F. Brickdale" and signed and inscribed verso, watercolor on Whatman watercolor board, 12-1/2 x 10-1/2 in.; possibly original gilt wood frame, 16-3/4 x 14-3/4 in. Provenance: Private Collection, Florida Estimate: $2,000 - $3,000

925 Follower of John Frederick Herring, Sr. (British, 1795-1865) Black Stallion in a Stall, unsigned oil on canvas, 14 x 17-5/8 in.; 19th century burlwood veneer frame Estimate: $600 - $900

928 Edward Harry Handley Read (British, 1870-1935) Four French WWI scenes, signed "E Handley Read", mixed media, 18 x 24 in. Provenance: Private Virginia Collection Estimate: $600 - $900

Condition notes available in back of catalog

British

920 Robert John Thornton, Publisher (British, 1768-1837) Six plates from The Genera..., London, 1801-1803, hand colored engravings on wove paper, page 18-9/16 x 13-1/8 in. Estimate: $600 - $900

918 Robert John Thornton, Publisher (British, 1768-1837) Four botanical plates from The Genera.., London, 1801-1805, engravings on wove paper, page 18-5/8 x 13-1/8 in.; unframed Estimate: $300 - $500

929 Queen Anne Walnut Tall Case Clock British, 18th century, brass and silvered dial signed "Thomas Grinnard, London", seconds sweep and strike silent, date aperture, sarcophagus top, walnut veneer and weighted case, central brass finial, weights and pendulum, winder, 104 x 19-1/2 x 10 in. Provenance: Private Virginia Collection Estimate: $700 - $1,000

September 14, 2019

917 Fine Monumental Regency Style Frame blossom, shell and acanthus corner and central decorations between "mirror panels", first quarter 20th century, rabbet 97-1/4 x 52-5/8 in., exterior 110-1/2 x 65-1/2 in., width 8-1/4 in. depth 4-3/4 in. Provenance: Sold to Benefit Frame Purchases for the North Carolina Museum of Art Estimate: $1,500 - $2,500

Collection of Hollister Houghton, Houghton Collection

Aiken, South Carolina

930 Large Set James Robinson English Silver Flatware, English, late 20th century, including place and service pieces, James Robinson, 135.04 oz. T.; (113 pieces); with other pieces and case, (133 pieces total) Estimate: $2,500 - $3,500

ollister Houghton was born in New York and raised at Wye Plantation on the Maryland shore. She was the daughter of Arthur A. Houghton, Jr., President of Steuben Glass, who instilled in her a great intellectual curiosity about the world around her. Passionate about art, she surrounded herself with objects that were whimsical but grounded in classic style. An avid sportswoman and equine enthusiast, Holly was a champion at shooting clays. A devoted conservationist, Holly worked tirelessly to preserve lands as open space and formed Clays for Conservation, a group which helps preserve large tracts of land through fundraising efforts.

September 14, 2019

Brunk Auctions is honored to offer these objects which provide a small glimpse into the rich and varied life Holly led.

931 Twelve Wye Plantation Silver Plate Trivets, 20th century, with Wye Bull Crest, 7-1/4 in.; with copy of Hollister Houghton Wye Plantation 1938-1970, 1999 Estimate: $200 - $400

For full cataloging and images see our website, brunkauctions.com

932 Large Cartier Sterling Frame 20th century, rectangular, marks for Cartier, "423", no monograms, 16-3/4 x 13-3/4 in. Estimate: $200 - $400

933 Three Famille Rose Porcelain Covered Teapots Chinese, 18th century, square with rose sprigs, ringed gilt handle and spout; pear form body, floral sprigs, gilt band with fleur di lis decoration; pot with figural spout and berry finial, 5-1/2 in. to 7-1/2 in. Estimate: $500 - $700

935 Four Chinese Export Porcelain Teapots 18th century, four famille rose covered teapots with animal scenes, 5 in. to 5-1/4 in. Estimate: $500 - $700

936 Four Chinese Export Teapots with Landscapes, 18th/19th century, famille rose porcelain, three pots with western figures, one Asian scene, 5 in. to 5-1/2 in. Estimate: $500 - $700

934 Three Famille Rose Porcelain Teapots Chinese, 18th century, six paneled pot, alternating scenes of family figures with birds and flowers, rose finial; round pot with figures in courtyard; pot with applied flower and vine decoration, branch form handle and spout, 5-1/2 in. to 9 in. Estimate: $500 - $700

937 Seven Chinese Export Armorial Porcelain Teapots 18th/early 19th century, fine enamel floral decoration with armorial crests, 4-1/2 in. to 5-3/4 in. Estimate: $600 - $900

939 Eight Chinese Export Blue and White Teapots 18th/early 19th century, two famille rose; two square; one oval; three round, gilt accents, 4 in. to 5-1/2 in. Estimate: $600 - $900

940 Twelve Chinese Famille Rose Plates With Insects, Qing dynasty, made for Dutch market, each depicting tulip with floral sprays, 9 in. Estimate: $800 - $1,200

941 Ten Blind Earl Worcester Plates British, 18th century, Dr. Wall period, molded, hand painted floral imagery, red crescent mark on one, 7-1/2 in. Estimate: $1,000 - $1,500

Condition notes available in back of catalog

September 14, 2019

938 Seven Chinese Export Porcelain Teapots 18th/19th century, six famille rose and one famille verte floral decorated covered pots, 5 in. to 6 in. Estimate: $600 - $900

Houghton Collection

942 Peter de Wint (British, 1784-1849) Pheasant Shooting, inscribed verso "0239 De Wint", watercolor on paper, 5-1/4 x 8-5/8 in.; gilt wood frame, French mat, 11-5/8 x 14-7/8 in. Provenance: Thomas Agnew & Sons, No. 47817 Estimate: $500 - $700

943 British or American School Sporting Painting (20th century) Riding English on a Dapple Gray Arabian Horse, signed indistinctly lower right "Lopsn?", oil on Masonite, 17-5/8 x 20-3/8 in.; modern wood frame, 22-3/4 x 25-1/2 in. Estimate: $600 - $800

944 British School Sporting Painting (19th/20th century) Portrait of a Chestnut Horse, unsigned, oil on canvas, with "John Reeves..London" colorman stamp, 28 x 23-3/8 in.; framed Estimate: $600 - $900

946 Brass Figural Fender with Mounted Guard Dogs Continental, late 19th century, chained dogs mounted on rectangular pedestals with scrolled feet, detachable chain over rail, telescoping sides, 42 in. Estimate: $500 - $700

945 Michael Lyne (British, 1912-1989) Jockey Up!, signed lower right "Michael Lyne", gouache on taupe paper, 7-1/2 x 11 in.; framed Estimate: $300 - $500

September 14, 2019

Houghton Collection

948 Classical Figured Mahogany Center Table, probably Continental, 19th century, highly figured bookmatched top, faceted pedestal base, 30 x 40-1/2 x 41-1/4 in. Estimate: $500 - $700

947 Sultanabad Rug early 20th century, tan field with stylized vine and floral geometric decoration, multiple floral borders, 10 ft. 5 in. x 7 ft. 11 in. Estimate: $1,000 - $1,500

For full cataloging and images see our website, brunkauctions.com

949â&#x2014;&#x2030; Six Piece Tortoise Shell and British Silver Desk Set, five pieces with English silver mounts, marks for J. Batson & Son, London, 1898; oval box, 3 in. to 14 in.` Estimate: $800 - $1,200

950 George III Figured Mahogany Chest On Chest, British, 18th century, figured bookmatched veneers, dovetailed drawers, brush slide, bracket feet, 73-1/2 x 43-1/2 x 21 in. Estimate: $600 - $900

951 Abraham Munting (Dutch, 1626-1683) Four botanical plates from Naauwkeurige Beschryving der Aardgewassn, 1696, or Phytographia Curiosa, 1713, engravings with later hand coloring on laid paper, sight 12-1/4 x 8-1/4 in.; matching modern parcel gilt wood frames, French mats, 22-5/8 x 18-3/8 in. Estimate: $800 - $1,200

953 17 Steuben Glasses With Knop Tear Drop Stems, American, 20th century, clear glass, goblets; tumblers; all signed, 4 in. to 7 in. Estimate: $600 - $900

954 Two Herend Objects, Platter and Covered Tureen, Hungarian, 20th century, lidded tureen, 6 x 7-1/2 in.; round platter, 2 x 10-1/2 in. Estimate: $500 - $700

952 American School (19th century) Basket of Strawberries, signed "A. Stafford" lower right, oil on canvas, 12 x 15 in.; modern gilt wood frame, 15 x 18 in. Estimate: $700 - $900

955 Nine Pieces Enameled and Hand Blown Glasss probably Continental, late 19th/early 20th century, each with detailed enameled exotic jungle scenes, 3 in. to 7-1/4 in. Estimate: $500 - $700

957 Eight Andrea Spadini Ceramic Circus Animals Italian, 20th century, two monkeys; two cheetahs; two kangaroos; one goat; one hyena; signed "Spadini", tallest 10 in. Estimate: $600 - $900

958 Andrea Spadini Ceramic Elephants and Hippos Italian, 20th century, circus performers each on pedestal with marbled appearance, marked "Spadini", tallest 15-1/4 in. Estimate: $600 - $900

959 Two Grand Tour Framed Plaster Intaglio Sets Continental, 19th century, approximately 38 carved classical intaglios in octagonal frames, 14-1/2 x 12 in. Estimate: $500 - $700

960 Andrea Spadini Ceramic Obelisk on Two Elephants, Italian, 20th century, on base with marbled appearance, signed "Spadini, Roma, 1961", 19-3/4 in. Estimate: $500 - $700

961 Four Andrea Spadini Ceramic Elephants Italian, 20th century, circus elephants balancing balls, each on pedestal with marbled appearance, tallest 11-3/4 in. Estimate: $600 - $900

Condition notes available in back of catalog

September 14, 2019

956 Six Andrea Spadini Ceramic Siamese Cats Italian, 20th century, each in playful pose on pedestal, signed "A.Spadini", tallest 9-7/8 in. Estimate: $500 - $700

Houghton Collection

Property From an Important Virginia Living Estate

September 14, 2019

Virginia Living Estate

runk Auctions is proud to offer selections from an Important Virginia Living Estate. Represented here are examples from an extraordinary collecting history that spanned 51 years and countless periods, countries, and cultures. From a sixteenth century Flemish masterpiece by Marten de Vos to a Belle Ă&#x2030;poque gouache by Gallien-Laloue, and a classic New York City scene by Guy Wiggins, these collectors bought only what they truly loved. With an eye for quality and no didactic constraints, they gathered a very personal collection that both represented, enriched, and expanded their world.

962 Eugene Galien-Laloue (French, 1854-1941) La Place de la RĂŠpublique, signed lower right "E. Galien-Laloue", gouache on heavy buff paper, 9-7/8 x 13-7/8 in.; gilt wood and composition frame, 14-5/8 x 18-5/8 in. Provenance: Auslew Gallery, Virginia, circa 1985 Estimate: $3,000 - $5,000

Both husband and wife have also enriched the cultural and civic communities around them in innumerable and lasting ways. Active in many capacities at the Chrysler Museum, The Virginia Beach Commission For the Arts, The Virginia Opera, and the SPCA, among other organizations, they also extended their good will and hospitality to their community at their home. We are very pleased to present some of this remarkable collection here at Brunk Auctions today.

963 Continental School Painting (19th century) Woman Descending a Staircase by Candlelight, signed "L.M.K.", oil on canvas, 26 x 10-1/4 in.; gilt wood frame Estimate: $1,000 - $1,500

For full cataloging and images see our website, brunkauctions.com

964 Italian School (18th/19th century) Saint Cecilia, Patron Saint of Musicians, unsigned, mixed media on paper, 18-1/2 x 15-1/4 in.; modern gilt wood frame Estimate: $1,000 - $2,000

965 Italian School (late 15th/early 16th century) Portrait of a Young Man, unsigned, oil on panel, 10-3/4 x 8 in.; Neapolitan Baroque parcel gilt wood frame Estimate: $3,000 - $5,000

972 Four European Animalier Bronzes Paul Gayrard (1807-1855), Lévrier Couché; P. N. Tourgueneff (1854-1912), Bear; Friedrich Gornik (1877-1943), Three Pheasants; Gazelle, tallest 10 in. Estimate: $500 - $1,000

969 Paul Jean Marie Ducuing (1867/68-1949) Le poilu marchant, signed "Ducuing", F. Barbedienne, foundry, bronze on wooden base, 14 in. Estimate: $500 - $700

970 Antonin Marie Moine (French, 1796-1849) Souvenir d' Egypte., resting soldier, signed "Antonin Moine" and "E. Quesnel", bronze on black marble base, 9-1/2 in. Estimate: $500 - $700

973 After Pierre-Jules Mêne (French, 1810-1879) Cheval à la barrière No 1, signed "P.J. Mêne", a 20th century aftercast, patinated bronze, 12 in. with black marble Estimate: $500 - $700

974 Auguste Leroux (French, 1871-1954) Ballet Dancer, signed lower left "Auguste Leroux", oil on canvas, 24-1/4 x 19-3/4 in.; gilt wood and composition frame, 32-1/4 x 28-5/8 in. Provenance: Alexander Kahan Fine Arts Estimate: $2,000 - $3,000

Condition notes available in back of catalog

971 Adolf Josef Pohl (Austrian, 1872-1930) Amazon, signed "Pohl", patinated bronze, 23-1/8 in., with black marble base Estimate: $1,000 - $1,500

II Virginia Living Estate

968 Italian School Bronze (19th/20th century) Head of Hesiod, after the antique circa 750 BC, patinated bronze, 14-3/8 in. with green marble socle Estimate: $500 - $700

967 Attributed to Simon de Vlieger (Dutch, 1601-1653) Sailing off the Coast in Choppy Seas, unsigned, oil on oak panel, 12-1/4 x 16 in. (30.48 x 40.64 cm.); black lacquer frame, 17-3/4 x 21-1/2 in. Provenance: Ex-Collection Don and Beverly Lewis, 1990; Norfolk, Virginia Estimate: $8,000 - $10,000

September 14, 2019

966 Follower of Andrea Del Sarto (Italian, 1486-1530) St. Catherine with the Holy Family, unsigned, red chalk on laid paper, 6-1/8 x 7-1/8 in.; gilt wood frame Estimate: $2,000 - $3,000

Virginia Living Estate

975 Maerten de Vos (or Marten, Flemish, 1532–1603) The Annunciation, signed on page of book at left "Vos", oil on canvas, 44-3/4 x 60 in.; 20th century parcel gilt and painted panel frame, 54-1/4 x 70 in. Provenance: James McNair, Esq. Aucheneck House, Killearn, Stirlingshire (presumed by label verso); Donated to the Hunter Museum of Art by Hirschl & Adler in 1957 Estimate: $100,000 - $150,000 With its exquisitely detailed biblical scene, this important Maerten de Vos painting represents a tradition of mid to late sixteenth-century Dutch art. Its rich and elaborate depiction of the Annunciation within a lady’s public and private rooms conveys the ideals and values of both material and spiritual wealth. This elegant domestic setting for the Annunciation is, in a way, a vital precursor to the Dutch Golden Age of painting and its explosion of genre paintings, portraits, still lifes, and landscapes in the seventeenth century. In this composition, de Vos not only speaks of the Annunciation, as described in Luke 1: 2638, in which Archangel Gabriel appears to the Virgin Mary, but he narrates the life of Christ, including the coming of the Messiah, and the ultimate act of salvation. The Ten Commandments, depicted by the dual tablets, represent the Old Covenant that is fulfilled by the coming of Christ and the establishment of the New Covenant. Salvation, the cleansing of sin, is found represented in the ewer, bowl, and towel. The lapis blue robe symbolizes the Virgin and the red undertunic, the blood of Christ, or the Crucifixion. Perhaps the most beautiful device is found in the delicate interpretation of the dove formed by the veil over Mary's heart. This detail reminds the viewer of the presence of the Holy Spirit and the point of conception.

Image courtesy Rijksmuseum, Amsterdam

September 14, 2019

An engraving by Hendrik Goltzius of the Annunciation, circa 1579, is thought to be a possible reference to this painting. In her description of the engraving, Dr. Susan Anderson, then the Interim Mellon Coordinator of College Programs at Amherst College, states,"[a] youthful Goltzius produced this reproductive engraving after a design by the sixteenthcentury artist Marten de Vos for the Antwerp publishing house Aux Quatre Vents. A similar painting by de Vos survives, although the drawing that likely served as the print’s model does not. Presuming that Goltzius was given liberty to revise his source, he reversed the painting’s overall composition but varied the figures so that their right and left hands remain consistent: Gabriel, for example, enters from the right in the painting and the left in the print, but in both he gestures heavenward with his right hand and holds a lily – the symbol of the Virgin - with his left. Goltzius could have reproduced the painting in the same orientation, but reversing it with altered elements allowed him to imbue the scene with a greater vitality, especially in the twisting body of the Virgin." This painting by Maerten de Vos is an extraordinary example of a sixteenth century Flemish art. It marks an important moment in Dutch religious art, skillfully illustrating both the peace and beauty of the Annunciation, as well as the approaching sacrifice of Christ. More broadly, the de Vos painting marks a significant moment in Dutch history and European religious traditions, capturing on canvas a period of prosperity, burgeoning ideals, and conflict that together speak of both independence and the Dutch Reformation. References: http://museums.fivecolleges.edu/detail.php?museum=&t=objects&type=exact&f=&s=sumi&record=2

For full cataloging and images see our website, brunkauctions.com

September 14, 2019

Virginia Living Estate

Condition notes available in back of catalog

976 Howard Russell Butler (New Jersey/California/New York, 1856-1934) San Diego, c. 1922, signed lower right "H.R. Butler", watercolor on paper, 9-1/2 x 13-1/2 in.; modern gilt wood and composition frame, 18 x 21-1/4 in. Provenance: Don Lewis, Norfolk, Virginia Estimate: $2,500 - $3,500 Together with a letter from the artist's son to Don Lewis (see provenance) referencing his father's work.

September 14, 2019

Virginia Living Estate

977 Marion Gray Traver (American, 1892-1964) Deepening Twilight, signed lower right, "Marion Gray Traver", inscribed with title and artist's address board verso, oil on board, 22 x 28 in.; possibly original period carved silver leafed wood frame, 26 x 32 in. Estimate: $2,000 - $3,000

978 Bela De Tirefort (American, 1894-1993) Horse Carriage in Central Park, 1948, signed lower left "De Tirefort. 48", oil on canvas board, 16 x 19-3/4 in.; modern carved gold painted wood frame, 21-1/2 x 25-1/4 in. Provenance: Private Collection, New York City Estimate: $1,000 - $2,000

For full cataloging and images see our website, brunkauctions.com

September 14, 2019

979 Guy Carleton Wiggins (New York/Connecticut/Florida, 1883-1862) Fifth Avenue in the Snow, signed lower left "Guy Wiggins N.A.", oil on canvas board, 12 x 9 in.; reproduction carved gilt wood and composition frame, 18-1/2 x 15-1/2 in. Provenance: Quill Ruffner, Norfolk, Virginia Estimate: $15,000 - $20,000

Virginia Living Estate

Condition notes available in back of catalog

980 Alexander Helwig Wyant (American, 1836-1892) View of Mt. Mansfield, signed lower left "A.H. Wyant", oil on canvas, 22 x 30 in.; fine reproduction carved gilt wood and composition frame, 28-3/4 x 36-3/4 in. Provenance: Auslew Gallery, Norfolk, Virginia Estimate: $6,000 - $9,000

September 14, 2019

Virginia Living Estate

981 Hermann Herzog (German/America, 1832-1932) The Distant Lake, apparently unsigned, oil on board, 9-1/2 x 13-1/4 in.; fine carved gilt wood reproduction frame, 14-3/4 x 18-1/2 in. Provenance: Auslew Gallery, Norfolk, Virginia Estimate: $8,000 - $12,000

982 Hermann Herzog (German/America, 1832-1932) Three Western Scenes; white horse, 7-1/4 x 10-1/2 in.; brown horse, 6-3/4 x 9-3/4 in.; landscape study 6-3/4 x 10-1/4 in.; all watercolor and gouache on buff paper, all in similar reproduction carved gilt wood and composition frames, 15-1/2 x 17-1/2 in. (the largest) Provenance: Auslew Gallery, Norfolk, Virginia Estimate: $2,000 - $3,000

For full cataloging and images see our website, brunkauctions.com

983 Susan Watkins (California/New York/Paris, 1875-1913) Portrait of a Young Lady, signed upper left "Susan Watkins.", oil on canvas, 42-1/2 x 36 in.; fine reproduction carved gilt wood frame, 51 x 45 in. Provenance: Bonham's, California, 1999; Private Collection, San Francisco, California Estimate: $8,000 - $12,000

984 Eastman Johnson (Massachusetts/Maine, 1824-1906) Portrait of Nora, initialed lower right "E.J.", inscribed pencil verso "Nora", oil on board, 22 x 18 in.; fine reproduction carved gilt wood frame, 27-1/4 x 23-1/4 in. Provenance: Auslew Gallery, Virginia Beach, Virginia Estimate: $5,000 - $7,000

985 Eastman Johnson (American, 1824-1906) Portrait of Morris K. Jesup, unsigned, oil on canvas, 41 x 30 in.; reproduction carved gilt wood and composition frame, 38 x 48-3/4 in. Provenance: Kennedy Galleries, New York (label verso, date unknown); Northeast Auctions, Portsmouth, New Hampshire, 2005 Estimate: $4,000 - $6,000

Condition notes available in back of catalog

September 14, 2019

Virginia Living Estate

American 986 James Roy Hopkins (Ohio/Kentucky/France, 1877-1969) Mirror Lake, Ohio State University Campus, c. 1925, unsigned, labeled verso, oil on plywood panel, 15 x 18 in.; modern wood and rubbed gold finish frame, 20 x 23 in. Estimate: $800 - $1,200

987 Charles Ephraim Burchfield (American, 1893-1967) Village by a Dark Ravine, 1918, signed with artists cipher "CEB", dated 1918, titled verso, charcoal and pencil on buff colored paper, 5-3/4 x 8-3/4 in. (sheet); modern frame Provenance: Kennedy Galleries, New York (label verso); Estimate: $800 - $1,200

988 Francis Coates Jones (New York/France/Massachusetts, 1857-1932) At the Garden Gate, signed lower left "Francis C. Jones", oil on canvas, 31-1/2 x 21 in.; fine reproduction carved gilt wood and composition frame, 31 x 41 in. Provenance: Mrs. Frederick Y. Chubb, sister of the artist; Sisters of Providence, Saint Mary-of-the-Woods, Indiana, 1941; H.V. Allison Gallery, New York; R.H. Love Galleries, Inc., Chicago, Illinois; Estate of Danny Wiginton, Huntsville, Alabama Estimate: $8,000 - $12,000

989 James Gale Tyler (Connecticut/New York, 1855-1931) Sunset Sail, signed, oil on canvas, 27 x 21-3/4 in.; period frame Provenance: Private Collection, NC Estimate: $1,000 - $2,000

990 American School (early 20th century) Sailboat Race, initialed lower right "D. V.", oil on canvas, 12 x 20 in.; period frame Estimate: $500 - $700

991 Anthony Thieme (Massachusetts/California, 1888-1954) Gloucester Boats, Going Out, signed lower right "A.Thieme", titled canvas verso, also titled stretcher verso, oil on canvas, 30 x 36 in.; possibly original carved gilt wood frame, 38 x 44 in. Provenance: Private Collection, Cincinnati, Ohio; Descended in the Family; Private Collection, Southern Pines, North Carolina Estimate: $4,000 - $6,000

992 Edward Moran (British/America, 1829-1901) Fishing Boats, signed lower right "Edward Moran", oil on canvas, 20 x 17 in.; modern wood frame, 22-1/2 x 19-1/2 in. Estimate: $2,000 - $3,000

993 Thomas Moran (California/Pennsylvania, 1837-1926) Grand Canyon of Arizona From Hermit Rim Road, 1913, Atchison, Topeka & Santa Fe Railway System, publishers, American Lithographic Company, New York, printers, chromolithograph, sheet 31-3/4 x 415/8 in.; wood frame, 39-7/8 x 48-3/8 in. Provenance: Private Collection, Asheville, North Carolina Estimate: $2,000 - $3,000

Condition notes available in back of catalog

September 14, 2019

American

995 Classical Eagle Carved Girandole with Sconces, American or British, circa 1820, with spread wing eagle on rocky plinth, leaf carved drop, two scrolled candle arms, 29 x 19-1/2 in. Estimate: $1,200 - $1,800

994 George III Mahogany Server with Pennsylvania Marble late 18th century, mahogany frame with molded legs and pierced corner brackets, set with a heavy early marble top, likely quarried at King of Prussia, 34 x 56-3/4 x 25-1/2 in. Estimate: $6,000 - $9,000

996 Philadelphia Chippendale Mahogany Tea Table, Pennsylvania, late 18th century, dished top rotating on a bird cage, old dry surface, 28 x 32-3/4 x 33 in. Provenance: Private Collection, SC Estimate: $800 - $1,200

998 American Federal Eglomise Mirror probably New York, circa 1815, gilt frame, two eglomise panels, central panel depicting a port scene, early distressed mirror plate, 51 x 33-1/2 in. Estimate: $1,000 - $2,000

999 Brass and Crystal Chandelier attributed Cornelius & Co., Philadelphia, cast gilt brass, six scrolled arm, six light, two tier, acanthus leaf, 45 in. Provenance: Private Collection, GA Estimate: $600 - $900

September 14, 2019

American

997 Fine New England Federal Chest probably Massachusetts, 1790-1810, serpentine with highly figured mahogany, white pine secondary, one board top, tall bracket feet, 37 x 40 x 22 in. Provenance: Estate Antiques, Charleston SC; Couey Collection, sold Brunk Auctions January 6, 2007; A Private South Carolina Collection Estimate: $3,000 - $5,000

1000 American Federal Figured Mahogany Sideboard attributed to Maryland, circa 1800, highly figured veneers, dovetailed construction with white pine secondary, 39 x 66-1/2 x 26 in. Provenance: Averill family, New England Estimate: $2,000 - $3,000

For full cataloging and images see our website, brunkauctions.com

1001 American Federal Eglomise Mirror, War of 1812, probably New York, circa 1815, panel with naval battle, "Engagement on Lake Erie...1813", 36-1/2 x 21-1/2 in. Provenance: Private Collection, SC Estimate: $1,000 - $1,500

1003 American Federal Eagle Inlaid Slant Front Desk attributed to Baltimore, 1780-1800, inlaid lid set with bold American eagle pattern, fitted and inlaid interior with 6 drawers (two with false double fronts), poplar and white pine secondary, set on boldly formed original ogee bracket feet, 43-1/4 x 40 x 21-1/2 in. Estimate: $4,000 - $6,000

1005 Malayer Gallery Carpet early 20th century, muted red field with geometric pattern of trees, florals and birds, 16 ft. 4 in. x 6 ft. 5 in. Estimate: $800 - $1,200

1006 American Federal Eglomise Mirror probably New York, early 19th century, painted panel of mother and child, over early distressed mirror, 40 x 22 in. Provenance: Private Collection, SC Estimate: $500 - $700

1007 American Federal Mahogany Bow Front Chest, Massachusetts, circa 1800, figured mahogany, white pine secondary, original shaped bracket feet, 33-1/2 x 38 x 21 in. Provenance: Private Collection, SC Estimate: $1,000 - $2,000

1008 Kurdish Runner late 20th century, seven central stepped medallions of blue, brown, white and red, red field, 11 ft x 4 ft. 3 in. Provenance: Private Collection, NC Estimate: $500 - $700

1009 Serapi Rug 20th century, repeating geometric floral design on blue field, brick red inner border, 4 ft. 4 in. x 2 ft. 10 in. Estimate: $600 - $900

1010 Rare Labeled American Chippendale Looking Glass, Philadelphia, 18th century, scrolled arched crest above rectangular mirror plate, partial label for James McGlathery, 28-1/2 x 15 in. Estimate: $600 - $900

1011 American Federal Tall Case Clock New York, early 19th century, dial signed "Mitchell & Mott, New York", with scrolled decoration, weights and pendulum, eight day movement, 97 x 21 x 10 in. Estimate: $1,000 - $2,000

Condition notes available in back of catalog

II American

1004 Bibi Kabad Rug Persian, 20th century, black ground, overall potted plant and birds motif, 6 ft. 7 in. x 4 ft. 4 in. Provenance: Private Collection Estimate: $800 - $1,200

September 14, 2019

1002 Unusual American Diminutive Settee probably New York, 1800-1810, mahogany, with banded tablet back, ash secondary, 36-1/2 x 39-1/2 x 23 in. Provenance: Private Collection, SC Estimate: $800 - $1,200

1013 Henry Collins Bispham (Philadelphia/New York, 1841-1882) Driving The Horse Trap, 1877, signed lower left "H.C. Bispham/1877 N.Y.", oil on canvas, 25-1/4 x 40 in.; period gilt wood and composition frame, 31 x 46-1/2 in. Estimate: $2,000 - $3,000

1012 Emanuel Gottlieb Leutze (German/America, 1816-1868) Portrait of a Young Woman, signed lower left "E.G. Leutze", oil on canvas, 29-1/4 x 24-1/4 in., (painted oval); possibly early 20th century carved gilt wood and composition frame, 36-1.4 x 31-1/4 in. Provenance: Private Collection, Cincinnati, Ohio; Descended in the Family; Private Collection, Southern Pines, North Carolina Estimate: $3,000 - $4,000 Exhibition label verso: "M.H. de Young Memorial Museum Exhibition: American Painting (1935) Title: Portrait of a Young Woman Artist: Emanuel Leutze (1816-1868)

1014 Francis Alexander (Connecticut/Boston/Italy, 1800-1880) Owen Glendour Peabody as a Boy, inscribed canvas verso* "Owen Glendour Peabody/ Painted by Fr. Alexander/June 1826", also labelled stretcher verso, oil on canvas, 30 x 25-1/4 in.; period carved gilt wood and composition frame, 36 x 31 in. Provenance: Private Collection, Boston; by descent in the Family to the Present Owner; Private Collection, Asheville, North Carolina Estimate: $3,000 - $5,000

*presumably copied during lining from original inscription.

September 14, 2019

American

Label stretcher verso: "Museum of Fine Ar..."/517.21/Lent by Miss Luisa Peabody" n.d.

1016 William Turner Dannat (American/France, 1853-1929) The Midnight Missive, 1891, signed and dated upper left "W.T. Dannat/1891", oil on canvas, 53-1/2 x 31-1/2 in.; carved wood and composition frame Provenance: Collection of Marion and Theodore Gore, Williamsburg, Virginia Estimate: $2,500 - $3,500 1015 William Allen Wall (Massachusetts, 1801-1885) The Spirit of the Age-An Allegory of Truth and Knowledge, 1839, signed dated lower left "W.A.Wall/1839", oil on canvas, 72 x 59 in; period carved gilt wood and composition frame, 84 x 70-1/2 in. Estimate: $8,000 - $12,000

For full cataloging and images see our website, brunkauctions.com

Three labels stretcher verso: "Newman Galleries, Philadelphia"; "This painting is one of the (35) paintings covered by the agreement with the Philadelphia National Bank Re: $21,000 loan on these paintings"; also a mostly illegible old exhibition label.

1017 Carle J. Blenner (New York/Connecticut, 1862-1952) Phlox and Zinnias, signed upper left "Carle J. Blenner", titled in pencil stretcher verso, oil on canvas, 30-1/4 x 25-1/4 in.; period Newcombe-Macklin carved silver leafed wood and composition frame, 34-1/2 x 29-1/2 in. Estimate: $2,000 - $3,000

1020 Edward Dufner (American, 1871-1957) Petunias, signed, watercolor on paper, 19 x 15-1/2 in. (sight); modern frame Provenance: Private Collection, MD Estimate: $1,000 - $2,000

1023 Jeanne V. Billfaldt (North Carolina/Texas, 1920-2002) Still Life with Wine and Fruit, signed lower right "V. Billfaldt 1944", oil on fiberboard, 16 x 19-3/4 in.; original painted wood frame Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $900

1022 Carducius P. Ream (Illinois/Ohio, 1837-1917) Fruit Still Life, unsigned, oil on board, 11 x 14 in.; period carved gilt wood and composition frame, 18 x 21 in. Estimate: $3,000 - $5,000`

1024 Jeanne V. Billfaldt (North Carolina/Texas, 1920-2002) Woman in Blue, 1947, signed lower left "J. Billfaldt, 1947", oil on canvas, 19 x 18 in.; original pickled wood frame, 26-5/8 x 26-1/4 in. Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $900

Condition notes available in back of catalog

American

1021 Thomas Corwin Lindsay (Ohio, 1839-1907) Still Life of Chrysanthemums, initialed, "T.C.L", oil on Masonite, 47-1/2 x 36 in.; framed Provenance: Mary Ran Gallery, Cincinnati, Ohio; Private Collection, Southern Pines, North Carolina Estimate: $2,000 - $3,000

September 14, 2019

1019 Edward Dufner (American, 1871-1957) Splendid Iris, signed lower left, watercolor on paper, 18-1/2 x 15 in. (sight); framed Provenance: Private Collection, MD Estimate: $1,000 - $2,000

1018 John Yerger (American, 1935-2017) Still Life with Watermelon, Apples and Grapes, signed lower right "John Yerger", oil on board, 10 x 12-3/4 in.; modern wood frame, 13-1/4 x 16-1/4 in. Estimate: $1,000 - $1,500

1025 Ernest Lawson (American, 1873-1939) Winter River, faintly signed lower left "E. Lawson", oil on canvas, 23-1/2 x 29 in.; period carved gilt wood frame, 32 x 37 in. Provenance: R.H. Love Galleries, Chicago, Illinois; Estate of Danny Wiginton, Huntsville, Alabama Estimate: $7,000 - $10,000

September 14, 2019

American

1026 American School (late 19th/early 20th century) Tonalist Sunset, unsigned, remnants of inscription verso, oil on wood cigar box lid, 8 x 12-1/4 in.; period carved gilt wood and composition frame, 12-1/4 x 16-1/4 in. Estimate: $800 - $1,200

1027 American School (19th/early 20th century) South American Landscape Study, unsigned, oil on board, 6 x 8-3/4 in.; period wood and gilt wood frame, 12 x 14-3/4 in. Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $800

1028 Eugene W. Leake (American, 1911-2005) Dark Stream, signed lower left "Eugene Leake", oil on heavy paper, 22 x 30 in.; modern wood frame, 25 x 32-3/4 in. Provenance: C. Grimaldis Gallery, Baltimore, Maryland (label verso); Private Collection, Maryland Estimate: $3,000 - $5,000

For full cataloging and images see our website, brunkauctions.com

1029 Andrew Schwartz (Kentucky/New York, 1867-1942) Sunny Landscape, signed lower left "Andrew T. Schwartz", oil on board, 11-1/2 x 16 in.; modern gilt wood and composition frame Estimate: $1,000 - $1,500

1030 Thomas Hill (English/America, 1829-1908) Ducks and Ducklings by a Pond, signed lower left "T. Hill", oil on canvas, 14 x 20 in.; fine reproduction gilt wood and composition frame, 21-3/4 x 27-1/2 in. Estimate: $2,000 - $3,000

American

1032 John James Audubon (New York, 1785-1851) Wild Turkey, Plate 287 from The Birds of America, Bien edition, London, 1858, chromolithograph, on paper, sheet 39-1/4 x 263/4 in.; gilt wood frame, 46-1/2 x 33-1/4 in. Provenance: Joel Oppenheimer, Chicago, Illinois Estimate: $1,000 - $2,000

1033 American School (19th/early 20th century) Three Chicks, unsigned, oil on canvas, 11 x 15 in.; period carved gilt wood frame Provenance: Private Collection, Spartanburg, South Carolina Estimate: $800 - $1,200

September 14, 2019

1031 Alexis Jean Fournier (Minnesota/New York/Indiana, 1865-1948) Normandy Landscape, 1894, signed lower right "Alexis J. Fournier/ Normandie, France/1894", oil on canvas, 31-1/2 x 17-1/2 in.; early 20th century carved gilt wood frame, 37 x 23 in. Provenance: Mrs. Heinrich von Wedelstaedt, Minneapolis, Minnesota, (early patron of the artist); Descended in the Family; Private Collection, Asheville, North Carolina (her great-Granddaughter) Estimate: $5,000 - $7,000

Condition notes available in back of catalog

September 14, 2019

American

1034 Edward Henry Potthast (New York/Ohio, 1857-1927) At the Seashore, signed lower right, "E. Potthast", oil on canvas, 12 x 15-3/4 in.; fine reproduction carved gilt wood and composition frame, 19-1/2 x 23-1/2 in. R.H. Love Galleries, Chicago Illinois (label verso); Estate of Danny Wiginton, Huntsville, Alabama Estimate: $12,000 - $18,000

1035 Edward Henry Potthast (American, 1857-1927) Double Sided Beach Drawing, signed lower left on both sides, crayon on waxed paper, recto 10-1/2 x 14-1/2 (sight); verso 11 x 14-1/2 in.; double sided gold metal sectional frame , 15-1/4 x 19-1/4 in. Provenance: Private Collection, Cincinnati, Ohio; Descended in the Family; Private Collection, Southern Pines, North Carolina Estimate: $3,000 - $5,000

For full cataloging and images see our website, brunkauctions.com

1036 Aiden Lasell Ripley (American, 1896-1969) Spring Planting, 1946, signed and dated lower left "A. Lasell Ripley © 46", watercolor on paper, 21-1/4 x 30-1/2 in.; modern distressed wood frame, 29 x 38 in. Provenance: Private Collection, Knoxville, Tennessee Estimate: $4,000 - $6,000

1037 Thomas Moran (English/American, 1837-1926) Jumièges and Ponts de St. Cloud et De Sévres, a pair of paintings, c., 1865; Ponts signed and inscribed lower left "T.Moran after J.M.W. Turner"; Jumieges signed and inscribed lower left "T.Moran-J.M.W. Turner", both gouache on paper, 5-3/4 x 8 in.; fine matching reproduction gilt wood and composition frames, 15-1/2 x 18 in. Provenance: R.H, Love Galleries, Chicago, Illinois: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $7,000 - $9,000

Condition notes available in back of catalog

September 14, 2019

American

1038 Levi Wells Prentice (American, 1851-1935) Adirondack Lake, inscribed indistinctly lower right "wells (?)", oil on canvas, 8 x 21-1/2 in.; period carved gilt wood and composition frame, 13 x 26-1/4 in. Provenance: Private Collection, Nashville, Tennessee Estimate: $4,000 - $6,000

September 14, 2019

American

1039 Walter Beach Humphrey (American, 1892-1966) The Surrender of Cornwallis at Yorktown, signed lower right, titled in pen stretcher verso, oil on canvas, 30 x 42 in.; wood frame, 32-3/4 x 45 in. Provenance: Private Collection, Florida` Estimate: $2,000 - $3,000

1040 Arnold Friberg (American, 1913-2010) Three Amalekites, signed, titled, pencil on board, 15 x 20 in.; unframed Provenance: Private Collection, NC Estimate: $800 - $1,200

1041 Hattie K. Brunner (American, 1890-1982) Winter Scene with Train, signed lower right "Hattie K. Brunner 70", watercolor and gouache on paper, 17-1/4 x 25 in.; modern wood frame, 22-3/4 x 30-1/2 in. Provenance: Collection of Richard S. & Rosemarie B. Machmer, Kutztown, Pennsylvania; Sotheby's, May 1997 Estimate: $2,000 - $3,000

1042 Hattie K. Brunner (American, 1890-1982) Winter Scene with Covered Bridge, signed, watercolor on paper, 10-3/4 x 14-1/4 in.; framed Estimate: $1,000 - $2,000

For full cataloging and images see our website, brunkauctions.com

1043â&#x2014;&#x2030; Fine Gothic Revival Rosewood Center Table attributed to New York, mid 19th century, with elongated octagonal original white marble top, cluster column pedestal base, with pierced Gothic skirt, figured rosewood throughout, removable central finial, octagonal quatrefoil decorated feet on brass casters, ash secondary, 29-1/2 x 45 x 30-3/4 in. Estimate: $10,000 - $15,000

1046 Pair of Amethyst Whale Oil Lamps American, 19th century, possibly Boston & Sandwich Glass Co., hexagonal cone, dome top font, square two tier base, pewter burners and snuffers, 12 in. Estimate: $600 - $900

1047 Large Room Size Heriz Rug late 20th century, large central stepped medallion, red field, geometric floral and vine design, 13 ft. x 9 ft. 10 in. Provenance: Private Collection, SC Estimate: $1,000 - $2,000

American

1045 Federal Inlaid Cherry Seven Drawer Chest, American, early 19th century, dovetailed drawers with white pine secondary, turned feet, 47 x 43 x 22 in. Provenance: Private Collection, SC Estimate: $500 - $700

1048 Serapi Carpet early 20th century, orange field with central navy blue and ivory medallion, spandrels of ivory with orange and blue geometric florals, navy blue border with floral and foliate designs, 18 ft. 3 in. x 11 ft. 2 in. Estimate: $3,000 - $5,000

Condition notes available in back of catalog

September 14, 2019

1044 American Classical Eglomise Mirror 19th century, ogee molded mahogany frame, American flag and ship flanking ornate initials "JB", 35 x 20-3/4 in. Estimate: $400 - $600

1049 American Paint Decorated Walnut Lift Top Chest, Pennsylvania or Southern, 18th century, hinged lid, interior till, early painted signature "Martin V?", case with tombstone panels, 27 x 49 x 23 in. Estimate: $800 - $1,200

1050 Pair Classical Eagle Carved Painted Panels, late 18th/early 19th century, each elaborately carved, traces of paint and gilding, 64 x 22 x 1-1/2 in. Estimate: $800 - $1,200

1051 Oushak Carpet floral central medallion on tan field, leaf and vine decoration, pink and green spandrels, 12 ft. 3 in. x 8 ft. 2 in. Provenance: Private Collection, NC Estimate: $1,000 - $1,500

1052 Kilim Yahyali circa 1900, four central medallions, multiple geometric borders, attached Velcro strip for hanging, 8 ft. 5 in. x 4 ft. Provenance: Private Collection, NC Estimate: $800 - $1,200

1053 American Chippendale Pine Corner Cupboard, Pennsylvania or Southern, 18th/19th century, two door, yellow pine construction throughout, two scalloped shelves, 77-1/2 x 34 x 23-1/2 in. Estimate: $500 - $700

1054 Pair Lead Garden or Architectural Eagles, British or American, 19th/20th century, with spread wings and detailed feathers, approximately 10 in. height Provenance: Private Collection, NC Estimate: $500 - $700

1055 Persian Runner possibly Northwest Persia, nine medallions on blue field, 3 ft. 11 in. x 16 ft. x 3 in. Estimate: $600 - $900

1056 Turkish Kilim circa 1920, six medallions separated by geometric borders, orange, brown, grey and yellow, 4 ft. 9 in. x 7 ft. 4 in. Provenance: Jackson Collection, DC Estimate: $500 - $700

American

1057 American Carousel Horse early 20th century, possibly by Herschell Spillman Company, jumper pose, carved and painted wood, leather reins and metal stirrup attachments, 57 x 57 in. Estimate: $800 - $1,200

1058 Wooden Carousel Horse Head American, circa 1900s, original painted surface, carved wood, glass eyes, iron bit, 13 x 16 x 5-1/2 in. Provenance: Private Collection, NC Estimate: $600 - $900

1059 Cast Iron Figural Hitching Post American, probably 19th century, horse head and attached ring on columnar post, 61-1/2 in. Estimate: $500 - $700

1060 Two Large Pairs Iron Andirons 19th/early 20th century, pair wrought iron with basket tops, 37 x 22 in.; pair cast iron with putti standing on columns, 30 x 22 in. Estimate: $400 - $600

September 14, 2019

1061 1760 Crown Point Engraved Powder Horn New York, possibly 18th century, engraved "RICHARD PARI HIS HORN/MADE AT CROWN POINT/MADE AUGUST 22 1760", stylized depiction of Fort Point Crown, and smaller images of various animals and trees, wood cap, 11 in. Provenance: Estate of Charlie Tate, Asheville, North Carolina Estimate: $800 - $1,200 Crown Point was significant to the British victory during the French and Indian War. Formerly controlled by the French as Fort St. Frederic, the British took control of the damaged fort in 1759. Over the winter they rebuilt it with a new name of "His Majesties Fort of Crown Point". The following year, an assembled British fleet left Crown Point and pursued the French into Canada for a three prong attack on Montreal. The successful capture of Montreal ended hostilities in the Champlain Valley.

1062 W.H. Horstmann Officer's Sword 19th century, marked "W.H. Horstmann & Sons" and "Philadelphia", engraved flourishes, curved blade 29 in. Provenance: Shepherd Collection, NJ Estimate: $500 - $700

1063 U.S. Model 1906 Cavalry Saber by Ames, 20th century, marked "A.S. Co." above a flaming bomb with "1906" under, by Ames Sword Company, 35 in. Provenance: Shepherd Collection, NJ Estimate: $500 - $700

For full cataloging and images see our website, brunkauctions.com

1068 Two Small Crow Bags late 19th/early 20th century, parfleche envelope, 7 x 3-3/4 in.; quilled flap bag, beaded edges, 5-1/2 x 6 in. Provenance: Sara Goodspeed, Montana Estimate: $500 - $700

1069 Quilled Knife Sheath and Loom Beaded Necktie, Plains sheath, rawhide, one side with quilled slats, 5-1/2 in., with blade; beaded necktie, 10 in. Provenance: Sara Goodspeed, Montana Estimate: $400 - $500

1070 Northern Plains/Plateau Beaded Bag early 20th c., unfinished bag, beaded floral design on velvet over Uneeda Biscuit cardboard, edged in silk, 10 x 17-1/2 Provenance: Sara Goodspeed, Montana Estimate: $300 - $500

1072 Fully Beaded Northern Plains Awl Case late 19th/early 20th century, fully beaded rawhide case and cover, beaded rawhide drop, tin cone danglers, 14 in. overall Provenance: Sara Goodspeed, Montana Estimate: $300 - $500

1073 Two Northern Plains/Plateau Bags 19th/20th c., Nez Perce Corn Husk Bag, 10-1/2 x 9-1/2 in.; deer/elk skin bag, beaded panels, dew claws, 8 x 11 in. Provenance: Sara Goodspeed, Montana Estimate: $500 - $700

1074 Two Pair Beaded Moccasins late 19th/early 20th century, Sioux/Northern Plains, men's moccasins, sinew sewn, hard rawhide soles, 9-1/2 in. long; 20th century, child's moccasins, thread sewn, hard hide soles, 4-1/2 in. long Provenance: Collected by Sara Goodspeed, Pryor, Crow Reservation, (between 19131925); descended in the Goodspeed family; Private Collection, Knoxville, Tennessee Estimate: $500 - $700

Condition notes available in back of catalog

1071 Northern Plains Figural Painted Hide Dance Rattle, late 19th/early 20th century, probably Crow, sinew sewn hide, painted on both sides, 11 in. long Provenance: Sara Goodspeed, Montana Estimate: $600 - $800

II American

1066 Collection of Crow Reservation Ephemera early 20th century, collected by Sara Goodspeed, a missionary on the Crow reservation between 1913-1925, including approx. 80 photographs, variously inscribed, Miss Goodspeed's handwritten Crow linguistic journal, letters from Miss Goodspeed to her family, newspaper and journal clippings referencing the Mission, and more Provenance: Collected by Sara Goodspeed, Pryor, Crow Reservation, between 19131925); descended in the Goodspeed family; Private Collection, Knoxville, Tennessee Estimate: $400 - $600

1067 Plateau Beaded Bag and Beaded Strip, belt pouch/mirror bag late 19th century, foliate design, thread sewn, beaded side heavy cotton canvas backed with buckskin, cotton calico edged, 5-1/2 in. long; beaded strip late 19th/early 20th century, foliate design, thread sewn, 27 in. long Provenance: Collected by Sara Goodspeed, Pryor, Crow Reservation, between 1913-1925); descended in the Goodspeed family; Private Collection, Knoxville, Tennessee Estimate: $500 - $700

September 14, 2019

1064 McKenny & Hall Se-Quo-Yah, Inventor of the Cherokee Alphabet, from History of the Indian Tribes of North Americaâ&#x20AC;Ś,, 1833, Edward Biddle, Philadelphia, publisher, 1837, large folio, hand-colored lithograph, 187/8 x 13 in.; unframed Estimate: $500 - $700

1065 McKenny & Hall (19th century) Six Native American Portraits: Els-Kwau-Ta-Waw, John Ridge, A Cherokee, Apauly-Tustennuggee, Pet-A-Le-Shar-Ro, Wa-Baun-See, WaaTop-E-Not, from History of the Indian Tribes of North Americaâ&#x20AC;Ś, Edward Biddle, 1837 (2), Greenough, Bowen, 1838-41(2) and Rice & Clark, 1843 (2), Philadelphia, Publishers, large folio, hand-colored lithographs with gum arabic on paper, largest 19-3/4 x 14 in.; unframed Estimate: $800 - $1,200

1075 Alfred Hutty (Charleston, South Carolina, 1877-1954) Deep South, signed lower right "Alfred Hutty" and snail symbol, inscribed lower left, "Deep South - Ed 75 Dry Point", dry point on paper, 8-7/8 x 10-1/8 in.; modern wood frame, 16-3/4 x 18 in. Provenance: The Estate of Joan Gilkinson, Williamsburg, Virginia Estimate: $2,000 - $4,000

1076 Rachel Hartley Scrapbook (New York/Florida/Guiana, 1884-1955) Scrapbook containing 46 paintings and drawings, many signed and inscribed, most 10 x 8 in.; scrapbook 16-1/2 x 12-1/2 in. Provenance: Collection of Wilfred and Eleanor Funk, Montclair, New Jersey; By descent in family Estimate: $4,000 - $6,000

Southern

1077 Rachel Hartley (New York/Florida/Guiana, 1884-1955) 13 framed paintings, most inscribed verso, oil on canvas and watercolor on paper, 3-1/2 x 2-1/2 in. to 4-1/2 x 6-1/4 in.; all with wooden frames Estimate: $800 - $1,200

1078 Alfred Herber Hutty (Charleston, South Carolina, 1877-1954) Toward a New Day, signed lower right, "Alfred Hutty", watercolor on paper, 22 x 29-3/4 in.; gilt wood frame, 34 x 41-1/2 in. Provenance: Private Collection; sold Brunk Auctions, March 2013; Privare Collection Estimate: $25,000 - $35,000 Archival images taken by Hutty are now in the collection of the Greenville County Museum of Art. This work is among them. This is significant in that it shows the depth of color intended by the artist. Hutty intentionally created a low light image. The atmospheric sky is intentional, not the result of age or darkening.

1079 William Aiken Walker (Charleston, South Carolina, 1838-1921) Cabin Scene, signed lower left "WAWalker", oil on board, 6-1/4 x 12-1/4 in.; gilt gesso frame 12-1/4 x 18-3/8 in. Provenance: Private Collection, North Carolina Estimate: $8,000 - $12,000 Label verso from Robert M Hicklin, Jr. Inc, Spartanburg, Sputh Carolina.

1080 William Aiken Walker (Charleston, South Carolina, 1838-1921) A Pair of Portraits: Cotton Sharecroppers, Male and Female, both signed lower left "WAWalker", female figure inscribed verso "Cotton Picker", oil on board, 12-1/4 x 5-1/8 in., new gilt gesso frames, 18-1/2 x 12-1/4 in. Provenance: Private Collection, North Carolina Estimate: $8,000 - $12,000 both with labels verso from Robert M Hicklin Jr., Inc, Spartanburg, SC. Female figure with inventory No 21-2-8412, Male figure with inventory No. 21-1-8412.

Condition notes available in back of catalog

September 14, 2019

Southern

September 14, 2019

Southern

1081 A Fine and Rare Charleston Federal Rice Bed Charleston, South Carolina, 1800-1815, made of rich, dense mahogany, boldly carved, turned and reeded posts with "rice" motifs interspersed with leafy stems, drapery, leaves, and fluted details, set on reeded urns, on tapered front legs with spade feet, tapered head posts, molded canopy frame, figured mahogany headboard, mahogany rails, 97-3/4 x 89-1/2 x 85 in. Provenance: Private Collection Estimate: $15,000 - $25,000 Illustrated in Rauschenberg and Bivins, Jr., The Furniture of Charleston, 1680-1820, Volume II, figure NB-27. Accompanied by copies of correspondence from Brad Rauschenberg to consignor discussing the bed and asking for permission to illustrate it in the book.

1082 Mark Catesby (British, 1679-1749) Four fish plates, from The Natural History of Carolina, 1731-43, engravings, 10-1/4 x 13-7/8 in.; framed Provenance: Private Collection Estimate: $1,000 - $1,500

1083 Mark Catesby (British, 1679-1749) Two fish plates from The Natural History of Carolina.., 1731-43, engravings, largest 14-1/8 x 20-7/8 in.; unframed Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

1084 Mark Catesby (British, 1679-1749) Two bird plates, 1754 and 1731-43 from The Natural History of Carolina.., engravings, largest 20-1/8 x 14-3/4 in. Estimate: $400 - $800

1085 Important Signed Charleston Secretary Linen Press South Carolina, 1790-1800, finely constructed in figured mahogany, upper case with removable broken arch, dentil molded pediment, set with "pomegranate" rosettes, bookmatched panel doors, opening to five graduated linen drawers, lower case with a fitted secretary drawer over two additional long drawers, cypress, red cedar, white and yellow pine, as secondary woods Provenance: Acquired by a Charlotte, North Carolina doctor in 1952; George C. Williams Antiques, Charleston South Carolina; Private Collection, acquired 2005 Estimate: $30,000 - $50,000

1087 Mark Catesby (British, 1679-1749) Two snake plates from The Natural History of Carolina, 1771 edition, engravings, largest 20-3/4 x 14-1/4 in.; unframed Estimate: $400 - $800

1088 Mark Catesby (British, 1679-1749) Three snake plates from The Natural History of Carolina, (2) 1771, and 1755, plates 10 x 13-5/8 in., engravings; unframed Estimate: $600 - $800

Condition notes available in back of catalog

1089 Mark Catesby (British, 1679-1749) Two snake plates from The Natural History of Carolina, Florida.., 1771 ed., engravings, sheets 21 x 14-1/8 in.; unframed Estimate: $600 - $900

September 14, 2019

1086 Mark Catesby (British, 1679-1749) Four aquatic/crab plates from The Natural History of Carolina.., T.21, engravings, largest 21 x 14-1/2 in.; unframed Estimate: $500 - $700

Southern

This important Charleston secretary linen press relates to a number of documented Charleston double case forms including a library bookcase illustrated in Rauschenberg and Bivins, Jr. The Furniture of Charleston, 1680 to 1820; fig NC-32. This present example is distinguished by a chalk inscription on the top of the lower case that may reference the cabinet maker John Gough who was working in Charleston at that time. He was a free African-American cabinetmaker who had served in the Revolutionary War, owned slaves, and was financially successful. No other work by this artisan has been discovered to date. A full description can be found in the book referenced above.

1090 Fine Federal Rice Carved Four Poster Bed Bermuda or Caribbean, early 19th century, appears to be mahogany throughout, with finely carved head and foot posts, tapered legs, period canopy frame, rich dark color, 91 x 87 x 68-1/2 in. Provenance: A Maryland Private Collector Estimate: $4,000 - $6,000

September 14, 2019

Southern

1092 Mark Catesby (British, 1679-1749) Four plates from The Natural History of Carolina.., 1st and 3rd ed., hand colored engravings, largest sheet 201/2 x 14 in.; unframed Estimate: $800 - $1,200

1091 Southern Federal Eight Leg Dining Table, Pennsylvania or possibly Virginia, late 18th/early 19th century, dense figured mahogany construction, yellow pine secondary, 28-1/2 x 54 x 68 in. open Estimate: $500 - $700

1094 Decorated Edgefield Gallon Jug Collin Rhodes Factory, Shaw's Creek, Edgefield District, South Carolina, circa 1850, ovoid with runny alkaline glaze, circular looped "1" at shoulder above slip floral flourish, 11 in. Provenance: Private Collection, Asheville, North Carolina Estimate: $2,000 - $4,000

1093 Mark Catesby (British, 1679-1749) Three plates: Skink, Lizard (1754) and Iguana (1771): from The Natural History of Carolina, engraving, 13-5/8 x 10-1/4 in.; unframed Estimate: $800 - $1,200

1095 Michael & Melvin Crocker Rattlesnake Jug, (Lula, Georgia, Michael b.1956, Melvin b.1959), alkaline glaze stoneware, entwined by rattlesnake, 13-1/4 in. Provenance: Virginia Living Estate Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

1096 Reverend Russell Gillespie Log Cabin Miniature, North Carolina, 1922-2019, carved wood model, with letter, September 21, 1973, 16-1/4 x 18 x 13-1/2 in. Provenance: Private Collection Estimate: $300 - $500

1097 Rare Pennsylvania Federal Inlaid Mahogany Spice Cabinet Chester County, 1790-1810, bow front form, with inlaid pediment over and inlaid figure door, opening to 13 small drawers, finely constructed, poplar, yellow pine and white pine secondary, original French feet 26-3/4 x 18-1/2 x 12-1/2 in. Provenance: Former Collection Margaret Schiffer Estimate: $5,000 - $7,000 Illustrated: Schiffer, Furniture and Its Manners of Chester County, Pennsylvania, figures 155-156.

II Southern

1098 American Federal Bellflower Inlaid Games Table probably Baltimore, 1790-1810, figured mahogany with line inlaid top and skirt, pine secondary, oak gates, 29 x 35-1/4 x 17-1/2 in. Provenance: Sotheby's, New York, sale 6319, lot 934, June 1992; Property from an Important South Carolina Estate Estimate: $600 - $900

1099 John Sylvan Brown (North Carolina, 1868-1956) Tryon Landscape, Polk, Co., unsigned, oil on canvas, 9 x 12 in.; wooden frame Provenance: Private Collection, NC Estimate: $300 - $600

1100 Horace Talmadge Day (New York/Virginia, 1909-1984) Industrial Port Scene, signed, watercolor on paper, 19 x 23-3/4 in.; framed Estimate: $500 - $700

The sitter was the famous industrialist, inventor and Civil War commander of "Wilder's Lightening Brigade". He fought at the Battle of Shiloh. As a colonel from Indiana, Wilder became indispensable to the Union cause. Because of his high regard back home in Indiana, he was able to outfit his brigade with the Spencer Repeating Rifle on his own with loans from Hoosier banks. After surrendering at the Battle of Munfordville, he spent two months in a Confederate prison with full military honors. For his part in the Battle of Chickamauga, he was brevetted Brigadier General. After the war, he settled in Chattanooga, where he invested heavily in the area, opening an iron works, manufacturing for the railroad industry, and eventually becoming active in local politics. Because of his leadership in the redevelopment of the south, he was elected an honorary member of the Forrest Camp of the United Confederate veterans. A monument to Wilder's Lightening Brigade stands in Chickamauga and Chattanooga National Military Park, and his homes in Knoxville and Roan Mountain are listed on the National Register of Historic Places.

Condition notes available in back of catalog

September 14, 2019

1101 Daguerreotype of General John Thomas Wilder 19th century, c. 1860s-70s, vintage daguerreotype in tooled leather case, fitted in a velvet lined interior, 3-3/4 x 3-1/4 in. (case overall) Estimate: $2,500 - $3,500

1102 Will Henry Stevens (North Carolina/Louisiana, 1881/87-1949) Church with Trees, signed lower right "Stevens", inscribed verso "NMG 682", pastel on paper, 16 x 19-3/4 in.; silver gilt wooden frame, 27-1/2 x 31 in. Provenance: New Morning Gallery, Asheville, NC; Private Collection; Property from a Southern Institution Estimate: $6,000 - $9,000

1105 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Dead Tree, inscribed NMG 1,574, pastel on paper, 22 x 17-1/2 in.; framed Provenance: A Southern Institution Estimate: $2,000 - $3,000

Southern September 14, 2019

1103 Will Henry Stevens (North Carolina/Louisiana, 1881/87-1949) Blue Abstract, unsigned, watercolor and pastel on paper, 20 x 15-1/2 in.; black and silver gilt frame, 31 x 26 in. Provenance: New Morning Gallery, Asheville, NC; Private Collection; Property from a Southern Institution Estimate: $6,000 - $9,000

1104 Will Henry Stevens (North Carolina/Louisiana, 1881/87-1949) Spring Tree, signed lower left "Stevens", inscribed verso "NMG 755", pastel on paper, 15-3/4 x 14 in.; silver gilt wooden frame, 6-3/4 x 21-1/4 in. Provenance: New Morning Gallery; Private Collection; Property from a Southern Institution Estimate: $5,000 - $7,000

1106 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Forked Tree, unsigned, inscribed, pastel on paper, 21-3/4 x 18 in.; modern frame Provenance: A Southern Institution Estimate: $1,500 - $2,500

1107 Will Henry Stevens (North Carolina/Louisiana, 1881-1949) Rural Rail Line, signed, inscribed, pastel on board, 12 x 16 in.; modern frame Provenance: A Southern Institution Estimate: $2,000 - $3,000

For full cataloging and images see our website, brunkauctions.com

1108 Maud Gatewood (North Carolina/New York, 1934-2004) Morna (The Artist's Lover), signed lower right "Gatewood '60", oil on canvas, 60 x 48-1/2 in.; black-painted frame, 61 x 49-1/4 in. Provenance: From the artist to the sitter, to the consignor Estimate: $15,000 - $25,000 Maud Gatewood practiced her art and taught at Texas Christian University (TCU) in the 1960's. It was during this period that she executed this portrait of her lover, a woman named Morna. Gatewood also taught and worked at the University of North Carolina in Charlotte.

1111 Carl Raymond Blair (South Carolina, born 1932) Brewing Storm, inscribed verso "Carl R Blair", oil on canvas, 25 x 25 in.; silver gilt frame 28-3/4 x 28-3/4 in. Proveance: Acquired from the artist; by descent to consignor Estimate: $5,000 - $7,000

Condition notes available in back of catalog

September 14, 2019

1110 Scott Upton (Georgia/Asheville, NC, born 1958) Untitled, abstract composition, signed, oil on canvas, 60 x 48 in.; framed Provenance: Private Collection, NC Estimate: $800 - $1,200

Southern

1109 Scott Upton (Georgia/Asheville, NC, born 1958) Untitled, abstract composition, signed, oil on canvas, 60 x 48 in.; framed Provenance: Private Collection, NC Estimate: $800 - $1,200

Modern 1112 Salvador Dali (Spanish, 1904-1989) The Twelve Apostles (as Knights of the Round Table) (F.180-81; M. & L. 15041515), 1977, edition 23/350, aside from a Spanish edition of 250 and an edition of 50 artist proofs, each signed "Dali", lithograph in colors with embossing and foil on Arches paper, sheet 25-1/2 x 18-3/4 in.; unframed, lacking portfolio Provenance: Private Collection, Virginia Estimate: $3,500 - $4,500

September 14, 2019

Modern & Craft

1113 Joan Miró (Spanish, 1893-1983) Miró (M. 687), 1970, edition 36/60, signed upper right "Miró", Fabbri Fratelli, Milan, Publisher, lithograph, 12 x 9-7/8 in.; metal frame, 20 x 17-1/2 in. Provenance: Private Collection, Atlanta, Georgia Estimate: $1,500 - $2,500

1114 Joan Miró (Spanish, 1893-1983) Ma de proverbis, 1970, edition 51/75, planche II, signed "Miro", Polígrafa, Barcelona, publisher, color lithograph, 22-1/4 x 30 in.; metal frame Provenance: Private Collection, Atlanta, Georgia Estimate: $1,500 - $2,000

For full cataloging and images see our website, brunkauctions.com

1115 Andy Warhol (New York/Pennsylvania, 1928-1987) Flowers (F. & S. II.6), 1964, signed "Andy Warhol '64", Leo Castelli Gallery, New York, Publisher, Total Color, New York, Printer, offset lithograph, image 21-7/8 x 21-7/8 in. sheet 23 x 23 in.; painted wood frame, 29-7/8 x 29-7/8 in. Provenance: Collection of Marshall De Bruhl Estimate: $12,000 - $18,000 Marshall De Bruhl was part of a creative circle in New York in the 1960's that included partners Parker Ladd and designer, Arnold Scaasi. At the time, De Bruhl was an editor at Charles Scribner's Sons. Scaasi and Ladd introduced him to Warhol and shortly thereafter Warhol gifted him with this print.

1118 Danish Modern Sideboard with Bookcase, circa 1960s, teak wood cabinet with tambour doors, bookcase, sliding glass doors, 52-1/2 x 67 x 18-1/2 in. Provenance: Gilkinson Estate, VA Estimate: $500 - $700

1120 Danish Modern Sideboard circa 1960s, teak with tambour doors, stamped "Made in Denmark" and "Danish Control", 28 x 54-1/2 x 16-3/4 in. Provenance: Gilkinson Estate, VA Estimate: $400 - $600

1121 Danish Modern Teak Coffee Table circa 1960s, bowed sides with raised lip, stamped verso "Denmark 25", 18-1/2 x 59-1/2 x 20-1/2 in. Provenance: Gilkinson Estate, VA Estimate: $400 - $600

1122 Pair of Philip and Kelvin LaVerne Side Tables New York, circa 1960s, each rectangular form with chinoiserie scenes in relief, both with signatures in relief, 17 x 26 x 19 in. Estimate: $2,000 - $3,000

Condition notes available in back of catalog

1119 Set Six Danish Modern Teak Chairs circa 1960s, five side and one arm chair, black vinyl seats, marked "Made in Denmark/A/S Randers", 30-1/2 in. Provenance: Gilkinson Estate, VA Estimate: $600 - $900

Modern & Craft

1117 Victor Vasarely (French/Hungarian, 1906-1997) Cephei-S; Kalota-S, 107/165, signed "Vasarely", serigraphs, 27-5/8 x 19-5/8 in Provenance: Private Collection, GA Estimate: $600 - $900

September 14, 2019

1116 Karel Appel (Dutch, 1921-2006) Deux Visages, 1969, ed.22/75, "Appel 69", silkscreen, 22-3/8 x 30-1/8 in.; framed Provenance: Gilkison Estate, VA Estimate: $600 - $900

1123 Howard Hodgkin (British/New York, 1932-2017) Acquainted with the Night, 2012, edition 28/50, signed lower left "H.H.", sugar lift aquatint in colors with hand painting on Arches Moulin du GuĂŠ blanc paper, sheet 15-1/4 x 19-1/2 in., with a custom made clam shell portfolio in blue fabric and a signed copy of Howard Hodgkins, Acquainted with the Night hard bound catalog Provenance: Private Collection, North Carolina Estimate: $10,000 - $15,000

1125 Jean Pierre Lermite (French, 1920-1977) Pelle Mecanique (Steam Shovel), 1950, signed "LERMITE/'50", oil and encaustic on jute mounted to paperboard, 13-5/8 x 9 in, with two preliminary sketches, signed and dated "1949" and inscribed to "Mr. et Mme E. Vaucher", pencil on paper, 5-3/4 x 4-4/8 in. and a letter from the artist to the Vauchers discussing the two studies and their meeting in Bienne, (4 pcs); painting framed, 20-7/8 x 16 in. Estimate: $1,500 - $2,500

September 14, 2019

Modern & Craft

1124 Madeline and Robert Longstreet (American, 20th/21st century) Elephant Ears, signed lower right "Madeline and Robert Longstreet", edition 84/200, archival print on rag 300gsm watercolor paper, 38 x 76 in.; modern frame, 78-1/2 x 40-1/2 in. Provenance: Private Collection, Asheville, North Carolina Estimate: $1,000 - $2,000

1127 Georges Braque (French, 1882-1963) Eurybia and Eros (V.21), etching on wove paper, plate 14-1/4 x 11-1/2 in. sheet 19-1/8 x 15 in; metal frame, 22-1/4 x 17-3/4 in. Provenance: Estate of Joan Gilkison, Virginia Estimate: $800 - $1,200

For full cataloging and images see our website, brunkauctions.com

1126 Christopher Flach (New York, 20th/21st century) Peer Gynt, 2016, signed on base "G.B.", glazed ceramic, 13-1/2 in. with stone base Provenance: Private Collection, NC Estimate: $800 - $1,200

1128 Jean Pierre Lermite (French, 1920-1977) Rouges Terres, sketch, "Lermite 54. II.", graphite on paper, 7-1/4 x 11-1/2 in. Provenance: Private Collection, SC Estimate: $300 - $500

1129 Hans Hofmann (New York/Massachusetts/Germany, 1880-1966) Fall Foliage (H.H. 976-1959, V. P1151), "Hans Hoffmann 59" and signed and inscribed verso, oil on panel, 14-1/8 x 11-1/8 in.; parcel gilt wood frame, 15-1/4 x 12-1/8 in. Provenance: Estate of the Artist; Andre Emmerich Gallery, Inc., New York, 1982; Private Collection, North Carolina Estimate: $20,000 - $30,000

Modern & Craft

"Hans Hofmann (1880–1966) is one of the most important figures of postwar American art. Celebrated for his exuberant, color-filled canvases, and renowned as an influential teacher for generations of artists—first in his native Germany, then in New York and Provincetown—Hofmann played a pivotal role in the development of Abstract Expressionism.

Already 64 by the time of his first solo exhibition at Art of This Century in New York in 1944, Hofmann balanced the demands of teaching and painting until he closed his school in 1956. Doing so enabled him to renew focus on his own painting during the heyday of Abstract Expressionism, and for the next twenty years, Hofmann’s voluminous output—powerfully influenced by Matisse’s use of color and Cubism’s displacement of form—developed into an artistic approach and theory he called “push and pull,” which he described as interdependent relationships between form, color, and space. From his early landscapes of the 1930s, to his “slab” paintings of the late 1950s, and his abstract works at the end of his career upon his death in 1966, Hofmann continued to create boldly experimental color combinations and formal contrasts that transcended genre and style." For thirty years, 1967-1997, Hans Hofmann exhibited at Andre Emmerich Gallery in New York. http://www.hanshofmann.org Literature: Villiger, Suzi, and Hans Hofmann. Hans Hofmann: Catalogue Raisonne of Paintings. 2014, P1151, pg. 196, Vol.III This lot is accompanied by a facsimile of the catalogue raisonne page featuring the painting.

Condition notes available in back of catalog

September 14, 2019

Between 1900 and 1930, Hofmann’s early studies, decades of painting, and schools of art took him to Munich, to Paris, then back to Munich. By 1933, and for the next four decades, he lived in New York and in Provincetown. Hofmann’s evolution from foremost modern art teacher to pivotal modern artist brought him into contact with many of the foremost artists, critics, and dealers of the twentieth century: Henri Matisse, Pablo Picasso, Georges Braque, Wassily Kandinsky, Sonia and Robert Delaunay, Betty Parsons, Peggy Guggenheim, Lee Krasner, Jackson Pollock, and many others. His successful career was shepherded by the postwar modern art dealer Sam Kootz, secured by the art historian and critic Clement Greenberg, and anchored by the professional and personal support of his first wife, Maria “Miz” Wolfegg (1885–1963).

1130 Frank Nelson Ashley (California/New York, 1920-2007) Walk to the Paddock, No. 34, 200th Epsom Derby, signed "F.N. Ashley", watercolor on paper, sight 29-1/4 x 21-7/8 in.; pickled wood frame, 35-1/2 x 28 in. Estimate: $600 - $900

1132 Frank Nelson Ashley (California/New York, 1920-2007) Three polo scenes: G.H. and Player, Players, Single Player, each signed, pen and ink on paper, 11-1/2 x 5-1/2 in.; framed Estimate: $800 - $1,200

1133 Frank Nelson Ashley (California/New York, 1920-2007) Happy, Happy Punter, The Curragh, oil on Masonite, 14-1/2 x 11-3/8 in. signed "FN Ashley"; gilt wood frame Estimate: $600 - $800

1135 David Davidovich Burliuk (New York/Ukrainian, 1882-1967) Long Island Cottage Garden, signed lower left "Burliuk", oil on canvas, 16 x 18 in.; painted wood frame, 20-1/2 x 22-1/2 in. Provenance: Collection of Nathalie Reichwald, personal friend of David Burliuk; by descent in family Estimate: $3,000 - $5,000 This lot is accompanied by a facsimile of the brochure distributed to visitors to his gallery. The original owner of this work was a personal friend of the artist and can be seen in a photo on page 13 at the bottom standing behind the artist.

September 14, 2019

Modern & Craft

1131 Frank Nelson Ashley (California/New York, 1920-2007) Prix de Paris-Longchamp, signed "F.N. Ashley", watercolor, sight 26-1/2 x 20 in.; modern gilt frame, 35-1/2 x 28 in. Estimate: $800 - $1,200

1137 David Davidovich Burliuk (New York/Ukrainian, 1882-1967) Spring on a Farm, Long Island, oil on canvas, 12 x 15 in.; modern frame, 14-1/4 x 17-1/4 in. Provenance: Collection of Nathalie Reichwald, personal friend of David Burliuk; by descent in family Estimate: $3,000 - $5,000 This lot is accompanied by a facsimile of the brochure distributed to visitors to his gallery. The original owner of this work was a personal friend of the artist and can be seen in a photo on page 13 at the bottom standing behind the artist.

For full cataloging and images see our website, brunkauctions.com

1134 Jack Flanagan (North Carolina/Texas, 1920-1998) Still Life with Lemons and A Pitcher, unsigned, oil on canvas, 21 x 21-1/2 in Provenance: Private Collection, NC Estimate: $600 - $900

1136 David Davidovich Burliuk (New York/Ukrainian, 1882-1967) Still Life, signed "Burliuk", inscribed verso, oil on canvas, 12 x 9 in.; unframed Provenance: Acquired from artist Estimate: $1,000 - $2,000

1138 David Davidovich Burliuk (New York/Ukrainian, 1882-1967) Two Horses On Shore, signed "Burliuk", oil on panel, 5-3/8 x 10-1/4 in.; framed Provenance: Reichwald Collection Estimate: $1,000 - $2,000

1139 Charles Clos Olsommer (Swiss, 1883-1966) La né interieuse, 1942, signed lower left "C.C./Olsommer", inscribed verso, watercolor and ink on laid paper, 9 x 7-1/2 in.; original carved and painted wood frame, 12-1/2 x 10-3/4 in. Provenance: Mr. and Mrs. Eric Vaucheur, Bienne, Switzerland; Private Collection, South Carolina Estimate: $800 - $1,200

1145 Thomas Hart Benton (American, 1889-1975) Hymn Singer, 1950, ed. 179/500, signed, lithograph, 15-7/8 x 12-1/4 in.; framed Provenance: Gilkison Estate, VA Estimate: $800 - $1,200

1143 Jean Grapp (American, 20th/21st century) The Costume Maker, signed "J. Grapp/1984", oil on canvas, 28 x 32 in.; modern frame Provenance: Heritage Art Gallery, Alexandria, Virginia, accompanied by original receipt Estimate: $1,000 - $2,000

1146 Grant Wood (Iowa, 1891-1942) January, 1938, ed. 250, "Grant Wood", AAA, pub., lithograph, 11-7/8 x 16 in. Provenance: Gilkison Estate, VA Estimate: $1,500 - $2,500

1148 André Harvey (Delaware/Florida, 1941-2018) A Gathering of Emperors, 1988, edition 50/60, signed thrice "©André Harvey" with full inscription on bottom of base, foundry mark for Tallix, polychromed bronze with walnut base 12-3/8 x 27 in. Provenance: Private Tennessee Collection Estimate: $4,000 - $6,000 “‘A Gathering of Emperors’ evolved out of my fascination with Antarctica, that mystical, unremitting, last continent sculpted by wind, ice, snow, and time into different shades of blue. In March or April the emperors, fat with fish, shrimp, and squid, head south, forming long, majestic lines across the polar ice.” -André Harvey

Condition notes available in back of catalog

1147 Jacques and Mary Regat (French/American, 20th century) patinated bronze, black marble base, signed, edition 2/75, 26-1/2 x 28 in. Provenance: Private Collection Estimate: $1,000 - $1,500

II Modern & Craft

1144 Louis Icart (French, 1888-1953) Moquerie, signed "Louis Icart", etching and aquatint, plate 16-1/2 x 19 in.; framed Provenance: Private Collection, MD Estimate: $700 - $900

1142 Charles Clos Olsommer (Swiss, 1883-1966) Lidka, 1938, signed "C.C. Olsommer", mixed media, 14-1/8 x 11-1/4 in.; framed Provenance: Private Collection, SC Estimate: $800 - $1,200

September 14, 2019

1141 Camera Notes and Camera Works (late 19th-early 20th century) Thirteen works; E. Ashton, W. Cadby, others, half-tones, gravures, largest 5 x 9 in. Provenance: Private Collection, NC Estimate: $300 - $500

1140 Charles Clos Olsommer (Swiss, 1883-1966) Woman with Lizard, unsigned, watercolor and ink on laid paper laid on cardboard, 14-3/8 x 11-5/8 in.; gilt wood frame, 19-1/4 x 16-1/2 in. Provenance: Mr. and Mrs. Eric Vaucheur, Bienne, Switzerland; Private Collection, South Carolina Estimate: $1,500 - $2,500

1150 Pair Ivan Bailey Wrought Iron Figural Sconces , Portland, Oregon, 1945-2013, each with stylized standing figure, copper shades, "IB10", electrified, 21-1/2 in. Provenance: Private Collection Estimate: $500 - $700

1149 Theofrastos Triandafyllidis (Greek, 1881-1955) Fishing Boat In a Cove, signed indistinctly lower right in Greek, oil on cardboard, 7-1/8 x 9-7/8 in.; painted wood frame, 15 x 17-3/4 in. Provenance: Florida Private Collection Estimate: $5,000 - $7,000

September 14, 2019

Modern & Craft

1152 Newcomb College Art Pottery Vase New Orleans, Louisiana, circa 1920, moon and moss motif, Newcomb cipher mark, marks for potter Kenneth Smith and decorator Sadie Irvine, 7 in. Estimate: $1,000 - $1,500

1153 Moorcroft Pottery Vase English, early 1900s, tapered form, rolled lip, Eventide landscape, impressed "Moorcroft Made in England 103", 5-1/2 in. Provenance: Valliant Collection, VA Estimate: $800 - $1,200

1156 Art Deco Macassar Veneered Dressing Cabinet French, early 20th century, impressive form with dramatic, figured, lacquered veneers, two doors open to a veneered and shelved interior, flanked by eight drawers, chrome mounts, on an ebonized, mahogany and walnut secondary, 74 x 100 x 21 in. Estimate: $1,500 - $2,500

1154 R. Lalique Ormeaux Dark Amber Vase circa 1926, engraved "R Lalique France No 984", drilled at base, 6-1/2 in. Provenance: Private Collection Estimate: $500 - $700

1151 Pair Arts & Crafts Hand Forged Candelabras, probably American, early 20th century, five light with removable candle cups, 21-1/2 x 16-1/4 in. Provenance: Private Collection, SC Estimate: $500 - $700

1155 Two Steuben Aurene Table Objects American, 20th century, rose bowl, 4 x 7-1/2 in.; candlestick, tapering stem, 10 in. Provenance: Private Collection, MD Estimate: $500 - $700

1157 â&#x2014;&#x2030; Art Nouveau Rosewood, Brass Inlaid, Stained Glass Cabinet probably American, late 19th century, manner of Tiffany or De Forest, single dovetail drawer with cherry secondary, hinged central brass grill, flanked by double stained glass doors, urn and flame finials, lower section with two brass inlaid and beveled glass doors, on brass legs with paw feet, 62-1/2 x 78 x 14-1/2 in. Estimate: $2,000 - $4,000

For full cataloging and images see our website, brunkauctions.com

1158 Charles Andrew Hafner (New York/Nebraska, 1888-1960) A Mother with Two Children, signed on base "C.A. Hafner/N.Y. 1924-25, bronze, 72-1/2 in. Provenance: Private Collection, Ohio, circa 1956, then by descent to the present owner; Christie's New York, March 5, 2009, lot 141; Private Collection, North Carolina Estimate: $20,000 - $30,000 Charles Hafner studied at the Boston Museum of Fine Arts, the Art Students League in NY, and the Beaux Arts Institute of Design in Paris. He is perhaps best known for his sculpture, Peter Pan, that was originally made for a fountain at the Paramount Theater in Times Square. It was gifted to the city of New York and installed in a garden. This figural composition is reminiscent of Venus and frolicking putti but reflected in an earthy manner, suggesting a happy family, perhaps even his own.

Automobiles

September 14, 2019

1159 1970 Mercedes-Benz 280SL odometer reads "01880"?, blue exterior, blue interior, pagoda top and later soft top, after market radio (Alpine); lot accompanied by original owners manual, service and DMV records, VIN 304412014659 Provenance: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $20,000 - $30,000

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September 14, 2019

1160 1961 Corvette Convertible VIN# 10867S110643, odometer reads 84377, red/white exterior, black interior, later top; lot accompanied by service and DMV records Provenance: Estate of Danny Wiginton, Huntsville, Alabama Estimate: $10,000 - $20,000

Automobiles

Condition notes available in back of catalog

Jewelry

September 14, 2019

Jewelry

1161 18kt. Gold Bracelet woven link, stamped "750" and with illegible marks, 18kt. yellow gold, 7/8 in. wide, 7-1/2 in. lg., 79.0 grams Provenance: Private Collection Estimate: $2,000 - $3,000

1164 18kt. Gold Ring textured feather design, stamped "CHERNY, 18K", yellow gold, size 8-3/4, 15.4 g Provenance: Private Collection, TN Estimate: $300 - $500

1162 18kt. Gemstone and Diamond Ring green tourmaline approx. 4 x 4mm, two round brilliant diamonds, stamped "18K", yellow gold, approx. size 7, 22.6 g Provenance: Private Collection Estimate: $500 - $700

1165 14kt. Tri-Color Gold Bracelet fancy textured links, stamped "585, Made in Italy", 14kt. yellow, white and rose gold, links 7/8 in. wide, clasp 1-1/8 in. wide, 7-1/2 in. lg., 65.8 grams Provenance: Private Collection, Lenoir City, Tennessee Estimate: $1,200 - $1,800

For full cataloging and images see our website, brunkauctions.com

1163 Vaschieri 18kt. Gold Turquoise Earclips each with one oval turquoise cabochon approx. 8 x 6mm, "Vaschieri, 750", 18kt. yellow gold, 1-1/4 x 1 in., 14.5 g Provenance: Private Collection Estimate: $300 - $500

1166 14kt. Gold Earclips domed dot design, stamped "14K", yellow gold, 5/8 in., 11.1 g Provenance: Private Collection Estimate: $200 - $400

1170 14kt. Illinois Ladies Pocket Watch 43mm case, "L + S, Warranted, 14K, 25858", "Illinois Watch CO., 524015", 2-1/2 x 1-5/8 in., 70.9g Provenance: Lee Estate Estimate: $400 - $600

1171 14kt. Emerald Bracelet tri-color links, seven emeralds est. total wt. 3.75cts., 14kt. yellow, white, rose gold, 7/8 in. wide, 7-3/4 in. lg., 57.3g Provenance: Private Collection, TN Estimate: $1,800 - $2,400

1172 18kt. Diamond Brooch retro flower design, 24 diamonds est. total wt. 0.72ct., G-H, VS, stamped "18KT, HB, 4349", yellow gold, 1-3/4 in., 21.5 g Provenance: Private Collection Estimate: $600 - $800

1173 Buccellati 18kt. Gold Earclip and Brooch Set, textured leaf design, marked "M. Buccellati, 750", 18kt. yellow gold, 3/4 x 7/8 and 1-1/2 x 1-3/8 in., 14.7 g Provenance: Lee Estate Estimate: $800 - $1,200

1169 Rolex Submariner Men's Watch 40mm case, 18kt. rotating bezel, date window, model #16613, serial #WZ58085, movement caliber #3135, movement serial #7268768, stainless steel and 18kt. yellow gold, band marked "Swissmade, Rolex, steelinox V2, 93153-18", 7-1/2 in. inside, 137.8 grams Provenance: Private Collection Estimate: $6,000 - $8,000

II Jewelry

1168 Rolex 18kt. Datejust Watch 26mm case, lapis lazuli dial, gold-tone hands, date window, fluted bezel, model #69178, serial #9137109, movement #2135, 18kt. yellow gold, on Rolex gold link band, 6-3/4 in. inside, 68.5 grams, with box, paper and booklet Provenance: Private Collection Estimate: $3,000 - $5,000

1174 18kt. Gold Necklace reversible, one side two-tone gold, stamped "18K, Italy" and with maker's mark, white and yellow gold, 1/2 in. wide, 17 in. lg., 78.6 grams Provenance: Private Collection, Lenoir City, Tennessee Estimate: $2,000 - $4,000

Condition notes available in back of catalog

September 14, 2019

1167 Rolex 18kt. Cellini Watch 28.5 x 30mm case, gold-tone hands, back of case with personal inscription and "3080706", 18kt. yellow gold, model #3880/18, serial #3080806, movement caliber #1600, #on main plate 1600, on gold link band stamped "beta", 7 in. lg., 62.7 grams Provenance: Private Collection Estimate: $2,000 - $4,000

1175 18kt. Diamond Ring 18 round brilliant diamonds estimated total weight 1.25cts., 27 baguette diamonds estimated total weight 1.40cts., G-I, VS, stamped "750, 18015, RT", 18kt. white gold, tapers from approx. 11 to 4.8mm wide, size 6-1/2, 10.2 grams Provenance: Private Collection, Richmond, Virginia Estimate: $1,200 - $1,800

1176 Antique Platinum and Diamond Ring three center diamonds estimated weight 1.60cts., G-H, SI, 1.90cts., J-K, VS, 1.60cts., H-I, SI, 20 old European cut diamonds estimated total weight 1.0cts., I-K, SI, tested platinum, size 6-3/4, 8.5 grams Provenance: Private Collection, Lenoir City, Tennessee Estimate: $12,000 - $18,000

1178 Antique Platinum and Diamond Bar Pin center old European cut diamond estimated weight 0.65ct., 28 single cut diamonds estimated total weight 0.30ct., G-I, VS to SI, synthetic blue sapphires, stamped "Platinum 5%, IRID, 7408", 5/16 x 2-3/4 in., 8.6 grams Provenance: Private Collection, Lenoir City, Tennesse Estimate: $900 - $1,200

1177 Antique Platinum and Diamond Pendant and brooch, hinged bail, approx. 134 old European, single and rose cut diamonds estimated total weight 4.0cts., H-I, VS to SI, mounting tested platinum, 2-1/2 x 1-1/4 in., 22.7 grams, chain with colorless topaz, tested 14kt. white gold, 20 in. lg., 3.8 grams Provenance: Private Collection, Lenoir City, Tennesse Estimate: $2,400 - $3,600

1179 Platinum Diamond Antique Ring filigree design, one old European cut diamond estimated weight 1.60ct., I-K, VS2, tested platinum, size 6-3/4, 2.8 grams, with appraisal Provenance: Private Collection Estimate: $4,000 - $6,000

1180 14kt. Diamond Hinged Bangle Bracelet 76 single cut and 34 round brilliant diamonds estimated total weight 4.0cts., H-K, VS to SI, clasp stamped "14K" and with maker's mark, white gold, tapers from approx. 1/2 to 1/4 in. wide, 6 in. inside, 24.1 grams Provenance: Private Collection Estimate: $2,000 - $4,000

1181 Platinum Diamond Eternity Band 27 baguette diamonds estimated total weight 6.0cts., F-G, VS to I, tested platinum, 7mm wide, size 6-1/4, 7.2 grams Provenance: Private Collection Estimate: $3,000 - $5,000

1182 Platinum, 14kt. Diamond Dress Clips and pendant/brooch, ribbon and foliate design, 24 baguette, six marquise, 10 round brilliant and 48 single cut diamonds estimated total weight 2.25 2.50cts., G-I, VS to SI, mounting tested platinum, brooch clip/pendant tested 14kt. white gold, 2-1/4 x 1 in., 18.6 grams Provenance: Private Collection, Atlanta, Georgia Estimate: $600 - $800 1183 Antique Platinum and Diamond Bar Pin center old European cut diamond estimated weight 2.20cts., K-M, VVS to VS, 18 old European cut diamonds estimated total weight 0.86ct., mounting tested platinum, 7/16 x 2-3/8 in., 11.4 grams Provenance: Private Collection, Lenoir City, Tennessee Estimate: $6,000 - $8,000

1185 18kt. Gemstone Ring oval green tourmaline cabochon, two oval ruby cabochons, two diamonds est. total wt. 0.40ct., "18K, HH", size 6-3/4, 15.7g Provenance: Private Collection Estimate: $800 - $1,200

September 14, 2019

Jewelry

1184 18kt. Necklace woven chain link, stamped "OWC, 750, Germany, Handarbeit", 18kt. yellow gold, 3/8 in. wide, 17 in. lg., 93.9 grams Provenance: Private Collection, Richmond, Virginia Estimate: $2,000 - $3,000

1186 14kt. Pearl Bee Brooch one baroque pearl approx. 11.5 x 9.5mm, two diamonds, stamped "14K" and with maker's mark, gold, 7/8 x 1 in., 4.3 g Provenance: Private Collection, TN Estimate: $200 - $400

1187 18kt. Diamond and Gemstone Butterfly Earclips, each with diamonds, green tourmalines, pink and blue topaz, stamped "750, 18K, MC", gold, 1 x 1-1/4 in., 15.6 g Provenance: Private Collection Estimate: $400 - $600

1188 18kt. Bracelet woven link chain, stamped "OWC, 750, Germany, Handarbeit", 18kt. yellow gold, 3/8 in. wide, 7-1/2 in. lg., 43.6 g Provenance: Private Virginia Collection Estimate: $1,000 - $1,500

1189 Bucherer 18kt. Watch 14 x 14mm case, inside case and clasp stamped "750, CB" and with hallmarks, textured tapered band, 7-1/8 in. lg., 39.2 g Provenance: Private Collection, SC Estimate: $800 - $1,200

1190 Hermès Bangle Bracelet orange background with Hermes Chariot and rider, “Hermès, Paris, Made in Austria +J”, 1/2 in. wide, 8-1/8 in. inside, 30.0 g Provenance: Private Collection Estimate: $300 - $500

1191 Hermès Bangle Bracelet red background with white and black enamel, 7/8 in. wide, “Hermès`, Paris, Made in France +O”, 8-1/8 in. inside, Provenance: Private Collection Estimate: $300 - $500

1192 18kt. Tanzanite & Diamond Ring fancy cut tanzanite est. wt. 4.16cts., seven diamonds est. total wt. 0.21ct., stamped "18K", yellow gold, size 5-3/4, 9.3 g Provenance: Tennessee Living Estate Estimate: $800 - $1,200

1193 14kt. Turquoise and Diamond Ring turquoise approx. 16 x 12mm, 12 round brilliant diamonds est. total wt. 0.30ct., size 7-1/4, 6.3 g Estimate: $1,000 - $1,500

1194 Hermès Bangle Bracelet orange and yellow background design, marked “Hermès, Paris, Made in Austria, +D”, 7/8 in, wide, 8-1/8 in. inside, 45.0 g Provenance: Private Collection Estimate: $300 - $500

1195 Hermès Bangle Bracelet gray background with animal motif, marked “Hermès, Paris, Made in Austria +F”, 3/4 in. wide, 8-1/8 in. inside, 41.0g Provenance: Private Collection Estimate: $300 - $500

For full cataloging and images see our website, brunkauctions.com

1196 Kieselstein-Cord Suede Bag Barry Kieselstein-Cord plaque inside dated 1991, embossed "Handmade in Italy, L.195", 5 x 8-1/2 x 2-1/2 in., 646.4g Provenance: Private Collection Estimate: $400 - $600

1197 Edie Parker Acrylic Clutch Jean Box clutch, black, silver and gold glitter acrylic, mirrored interior, 3-3/4 x 6-3/4 x 1-7/8 in., 389.0g, cloth and bag Provenance: Private Collection Estimate: $300 - $500

1198 Hermès Bangle Bracelet gold-tone rim, black background with red and white horse, chariot and rider enamel design, marked "Hermès, Paris, Made in Austria, +A", 3/4 in. wide, 8-1/8 in. inside, 40.4 grams Provenance: Private Collection Estimate: $300 - $500

1203

1199 Hermès Bangle Bracelet gold-tone rim, elephant enamel design, marked “Hermès, Paris, Made in Austria +B”, 3/4 in. wide, 8-1/8 in. 40.8 grams Provenance: Private Collection Estimate: $300 - $500

1200 Hermès Bangle Bracelet gold-tone rim, interior marked “Hermès, Paris, Made in Austria +M”, 1-1/2 in. wide, 8-1/8 in. inside, 90.0 grams Provenance: Private Collection Estimate: $400 - $600

1204

1203 Salvador Dali D'or for Piaget Cuff Links pair of Dali D'or coins with image of Dali and his wife Gala, marked "Dali, 1966, 0900, HF" on back, front edges stamped "1405" and "1426", 22kt. yellow gold, cufflink findings marked "750, Piaget", 18kt. yellow gold, 1 in., 35.8 grams, in "Dali d'or" Piaget box Provenance: Private Collection, South Carolina Estimate: $3,000 - $5,000 1201 Hermès Clic Clac H Bracelet gold-tone, stamped “Hermès, O, Made in France” and with maker’s mark, 3/4 in. wide, 6-3/4 in. inside, 70.9 g Provenance: Private Collection Estimate: $300 - $500

1202 Hermès Bangle Bracelet horses and chariot enamel design, “Hermès, Paris, Made in Austria +B”, 3/4 in. wide, 8-1/8 in., 41.1g Provenance: Private Collection Estimate: $300 - $500

1204 Salvador Dali D'or for Piaget Tie Clip Dali D'or coin with image of Dali and his wife Gala, marked "1/2, Dali, 1966, 0900, HF", front edge stamped "934", 22kt. yellow gold, back of clip stamped "Piaget, 750", 18kt. yellow gold, 11/16 x 2 in., 18.9 grams Provenance: Private Collection, South Carolina Estimate: $1,500 - $2,500

1205 Charles Krypell 18kt. Diamond and Pearl Ring knot design, one cultured pearl approx. 12mm, 58 round brilliant and assorted baguette cut diamonds estimated total weight 3.5 - 4.0cts., G-I, VS to SI, stamped "750, Krypell", 18kt. yellow gold, size 6, 15.6 grams Provenance: Private Collection, Richmond, Virginia Estimate: $1,500 - $2,000 1206 14kt. Diamond Earclips style of Schlumberger flame earrings, each with approx. 38 round brilliant diamonds estimated total weight 1.0ct., G-H, VS, illegible remnant of stamp, tested 14kt. yellow and white gold, 1-1/4 x 1-3/8 in., 14.9 grams Provenance: Private Collection, Richmond, Virginia Estimate: $1,000 - $2,000

1205

1207 18kt. Diamond Necklace panther-link chain, 140 round brilliant diamonds estimated total weight 2.80cts., G-I, VS, stamped "18K", yellow gold, 5/8 in. wide, 17-1/2 in. lg., 88.7 grams Provenance: Private Collection, Lenoir City, Tennessee Estimate: $2,400 - $3,600 1208 18kt. Diamond and Onyx Earrings each with approx. 27 round brilliant diamonds estimated total weight 0.80ct., F-H, VS, carved black onyx, stamped "18K, T", yellow gold, 1-1/16 x 7/8 in., 23.9 grams Provenance: Private Collection, Lenoir City, Tennessee Estimate: $400 - $600

1206

1209 Long Strand Baroque Pearl Necklace knotted, pearls approx. 13 x 8mm each, 65 in. lg., 169.8 grams Provenance: Private Collection Estimate: $1,200 - $1,400

1207

1210 Pearl Necklace knotted, slightly off round pearls approx. 11mm each, 17 in. lg., 68.8 g Provenance: Private Collection Estimate: $500 - $1,000

1211 14kt. Pearl and Diamond Necklace knotted, pearls approx. 6.5 to 7mm each, clasp with 15 diamonds, stamped "AF, 14KP", yellow gold, 24 in. lg., 38.1 g Provenance: Private Collection, TN Estimate: $300 - $500

1208

1212 Gold, Diamond and Pearl Choker Necklace, pearls, 127 diamonds est. total wt. 2.80cts., H-J, SI, clasp 14kt., center plaque 18kt., 1-1/4 in. wide, 13 in. lg., 57.9g Provenance: Private Collection Estimate: $700 - $900

1217 14kt. Lapis and Diamond Ring one cushion shaped lapis lazuli cabochon approx. 20.5 x 17mm, two diamonds, size 7-1/4, 8.7g Estimate: $500 - $700

1218 Rolex. 18kt. Diamond Watch 18 diamonds, "Geneva, Swiss, Rolex, 18K, 0,750" and with hallmarks, 17 rubies, clasp stamped "CB750", 6-1/2 in. lg., 23.6g Provenance: Private Collection, NC Estimate: $600 - $800

1215 18kt. Pink Opal and Diamond Necklace three pink opal cabochons, two diamonds, stamped “750, 18K, CJ”, yellow gold, adjustable chain 16 to 18 in. lg., 4.1g Estimate: $500 - $700

1216 14kt. Pink Opal Ring oval pink opal cabochon approx. 18 x 13mm, stamped “14K, CJ”, yellow gold, size 7, 7.0 g Estimate: $500 - $700

1219 14kt. Diamond and Ruby Ring 24 square cut rubies estimated total weight 1.60cts., 53 round brilliant diamonds estimated total weight 0.29ct., H-I, VS to SI, stamped “China, 14K, R1”, yellow gold, size 7-1/4, 5.2 grams Estimate: $900 - $1,200

1220 14kt. Tourmaline and Diamond Ring rubelite tourmaline est. wt. 1.10cts., 82 diamonds est. total wt. 0.55ct., I-K, I, size 7, 3.9 g Estimate: $1,000 - $1,500

1221 18kt. Aquamarine, Diamond and Sapphire Brooch oval faceted aquamarine approx. 22.7 x 17 x 12.7mm, estimated weight 27cts., 8 round brilliant diamonds estimated total weight 1.10cts., G-H, VS, 16 round faceted blue sapphires approx. 2.3mm each, "T.L.I, 18K", yellow gold, 1-3/8 x 1-1/4 in., 19.2 grams Provenance: Private Collection, Atlanta, Georgia Estimate: $1,200 - $1,800

1222 18kt. Emerald and Diamond Ring emerald est. wt. 0.75ct., 48 diamonds est. total wt. 0.55ct., H-I, VS to SI, stamped "18K, CJ, 0.76", size 7, 3.8 g Estimate: $1,600 - $2,400

1223 Platinum, Gold, Emerald and Diamond Rings, emerald est. wt. 2.50cts., diamonds, platinum, size 7-1/2, 4.1g; fitted guard, 14kt. white gold, size 6-1/2, 6.2g Provenance: Private Collection, NC Estimate: $800 - $1,200

1224 14kt. Diamond and Sapphire Earclips each with 19 round brilliant diamonds estimated total weight 0.57ct., G-I, VS to SI, seven baguette blue sapphires ranging from approx. 4 x 2.5 to 2.25 x 2mm, stamped "14K", yellow gold, tapers from approx. 1/2 to 1/4 in. wide, 5/8 in., 9.2 grams Provenance: Private Collection, Richmond, Virginia Estimate: $1,000 - $1,500

1225 18kt. Diamond Bracelet 39 diamonds est. total wt. 2.73cts., stamped "18K", yellow gold, 1/4 in. wide, 7 in. lg., 21.4 g, with copy of appraisal Provenance: Private Collection, TN Estimate: $1,000 - $2,000

Condition notes available in back of catalog

II Jewelry

1214 14kt. Diamond and Pearl Hinged Bangle Bracelet, 52 diamonds est. total wt. 0.65ct., cultured pearls, "14K", 1/2 in. wide, 6-1/4 in. inside, 31.7g Provenance: Private Collection Estimate: $800 - $1,200

September 14, 2019

1213 14kt. Bracelet flat curb link chain, stamped "14, SN", yellow gold, 5/16 in. wide, 9 in. lg., 48.1 g Provenance: Riddle Collection, SC Estimate: $800 - $1,200

1227 21kt. Hunting Scene Sculpture Persian-style small sculpture depicting hunter with bow and arrow riding chariot and hunting an ibex, x-ray tested 21kt. yellow gold, "MNP.70.31" written in red on underside-spurious museum markings, 2-3/4 x 1-3/4 x 1-1/2 in., 44.7 grams Provenance: Florida Private Collection Estimate: $1,000 - $1,500

1226 22kt. Libation Cup Persian-style, repousse design, three mythical animals, x-ray tested 22kt. yellow gold, "MNP.07.34" written in red on underside of cup-spurious museum marks, 3-1/2 x 3 x 3 in., 152.4 grams Provenance: Florida Private Collection Estimate: $4,000 - $5,000

September 14, 2019

Jewelry

1228 22kt. Persian Style Finial mythical creature, x-ray tested 22kt., "MP.67.28" spurious museum markings, 2-1/2 x 1-1/2 x 5/8 in., 34.1g Provenance: Florida Private Collection Estimate: $800 - $1,200

1229 22kt. Ibex Figurine Persian-style, x-ray tested 22kt., "MNP.70.14" written in red-spurious museum markings, 1-3/4 x 1 x 1/2 in., 10.6 g Provenance: Florida Private Collection Estimate: $300 - $500

1232 18kt. Diamond and Sapphire Ring seven diamonds est. total wt. 0.48ct., G-I, VS to SI, blue sapphire est. wt. 0.85ct., "Israel, 18K", size 5-1/2, 8.9 g Provenance: Private Collection, TN Estimate: $400 - $600

1233 18kt. Gemstone Tie Clip eight pink sapphires est. total wt. 3.25cts., four amethysts est. total wt. 6.0cts., stamped "750, 4", 7/8 x 2-1/4 in., 13.5g Provenance: Private Collection, TN Estimate: $500 - $700

1230 14kt. Emerald and Diamond Ring emerald est. wt. 4.5cts., approx. 52 diamonds est. total wt. 1.90cts., H-J, VS to SI, stamped "14K", size 8-1/2, 9.8 g Provenance: Private Collection, TN Estimate: $1,000 - $3,000

1231 14kt. Emerald & Diamond Brooch 40 emeralds, nine diamonds est. total wt. 0.50ct., tested 14kt. yellow gold, 2-1/8 x 1-1/4 in., 14.4 g Provenance: Gore Collection, VA Estimate: $200 - $400

1234 14kt. Diamond Bridal Set one diamond est. wt. 1.07ct., J-K, SI3, size 7-1/4, 2.7g; fitted band, two diamonds est. total wt. 0.40ct., size 6-3/4, 1.7g Provenance: Private Collection, TN Estimate: $1,200 - $1,500

1235 14kt. Diamond Ring antique style, center round brilliant diamond estimated weight 0.75ct., I-J, SI, 18 old European, round brilliant and single cut diamonds estimated total weight 1.60cts., I-K, SI to I, stamped "14K", yellow gold, top of ring approx. 1-1/4 x 7/8 in., size 8, 13.6 grams Provenance: Private Collection, Lenoir City, Tennessee Estimate: $1,000 - $2,000

For full cataloging and images see our website, brunkauctions.com

1236 14kt. Emerald & Diamond Ring emerald est. wt. 2.40cts., 44 diamonds est. total wt. 2.50cts., G-I, VS to SI, stamped "14K", yellow gold, size 6-1/2, 5.6 g Provenance: Private Virginia Collection Estimate: $700 - $900

1237

1238 1239

1241

1240

1238 14kt. Diamond Pendant retro foliate design, one marquise and approx. 62 single cut diamonds estimated total weight 1.18cts., H-J, VS to SI, tested 14kt. white gold, 1-1/4 x 7/8 in., 5.8 grams Provenance: Private Collection Estimate: $500 - $700

1240 14kt. Tourmaline and Diamond Ring step cut indicolite tourmaline estimated weight 2.15cts., two trillion cut diamonds estimated total weight 0.16ct., I-J, VS to SI, 68 round brilliant diamonds estimated total weight 0.42ct., G-I, VS to SI, stamped â&#x20AC;&#x153;14K, R1, Chinaâ&#x20AC;?, white gold, size 7-1/4, 3.8 grams Estimate: $1,500 - $2,500 1241 18kt. Gold and Diamond Day/Night Earclips each earclip with approx. 75 round brilliant diamonds estimated total weight 2.15cts., G-I, VS to SI, earclip stamped "18K", rhodium plated yellow gold, top section 11/16 x 11/16 in., removable drop 1-1/2 x 7/8 in., 34.3 grams Provenance: Private Collection Estimate: $1,500 - $2,500

1242 18kt. Diamond and Opal Ring opal cabochon, 16 diamonds est. total wt. 0.95ct., H-J, VS to SI, engraved "France, 18K", Swiss hallmark, size 8, 10.1g Provenance: Private Collection, TN Estimate: $800 - $1,200

1243 14kt. Gold Cigar Cutter scissor form, stamped "14K" and with maker's mark, engraved name, with bail to attach to chain, 2-3/8 x 1-1/2 in., 11.7 g Provenance: Lee Estate Estimate: $300 - $500

1244 14kt. Dragon Pendant and brooch, ammolite approx. 29 x 20mm, "RC, 14K", 3-1/8 x 1-1/4 in., 23.9g, 14kt. chain 3mm wide, 24 in. lg., 19.9g Provenance: Private Collection, TN Estimate: $500 - $700

Condition notes available in back of catalog

1245 Antique 14kt. Diamond Necklace carved beads, onyx pendant/locket, eight old mine cut diamonds, pendant 2-3/8 x 1-3/16 in., chain 27-1/2 in. lg., 52.1g Provenance: Private Collection, TN Estimate: $800 - $1,200

II Jewelry

1239 Tiffany & Co. 14kt. Diamond Ring moi et toi style, two old European cut diamonds, estimated 0.62ct., G-I, VS and 0.65ct., G-H, VS, stamped "Tiffany & Co.", tested 14kt. yellow gold, size 5-3/4, 2.4 grams Provenance: Private Collection Estimate: $1,200 - $1,800

September 14, 2019

1237 Platinum Pearl Necklace assorted color cultured pearls ranging from approx. 7.3 to 12.5mm each, clasp stamped "Pt. 950", wire tested platinum, 32 in. lg., 66.5 grams Provenance: Private Collection, Lenoir City, Tennessee Estimate: $2,000 - $4,000

Jewelry from Property From an Important Virginia Living Estate

September 14, 2019 Jewelry from Virginia Living Estate

1247 Buccellati Sterling Silver Bracelet hinged cuff, stamped "Gianmaria Buccellati, 925, Italy" and with Italian hallmarks, 2-3/4 in. wide, 6 in. inside, 77.3 g Estimate: $400 - $600

1246 14kt. Gold, Pearl and Sapphire Choker Necklace knotted, triple strand pearl necklace, irregular shaped cultured pearls ranging from approx. 6.5 to 8.5mm each, center Art Deco style component with 12 square cut blue sapphires, 46 assorted cut diamonds estimated total weight 1.30cts., H-J, VS to SI, tested 14kt. white gold, 1-1/4 x 1-1/16 in., pearls 1 in wide, 13 in. lg., 78.3 grams Estimate: $1,000 - $3,000

1248 14kt. Diamond, Pearl and Sapphire Bracelet, antique style, blue sapphire approx. 5.3mm, 15 diamonds est. total wt. 1.0ct., G-I, VS, 14kt., 1 to 1/8 in. wide, 7 in. inside, 26.5 g Estimate: $600 - $800

1249 Four Pieces of Gold, Diamond, Gemstone Jewelry necklace, 16 in. lg., 8.3g; ring, sapphire, diamonds, size 6-3/4, 3.7g; ring, citrine, diamonds, size 7, 6.8g; ring, emeralds, diamonds, size 7, 4.8g Estimate: $400 - $600

For full cataloging and images see our website, brunkauctions.com

1250 14kt. Amethyst Earclips hammered-style doorknocker design, each with one oval faceted amethyst, stamped "14K", yellow gold, 1-5/8 x 1-1/8 in., 15.3 g Estimate: $200 - $400

1251 14kt. Diamond and Sapphire Earclips textured drop leaf design, each with three round brilliant diamonds, 13 round faceted blue sapphires approx. 2.6mm each, tested 14kt. yellow gold, 2-1/8 x 7/8 in., 17.1 grams Estimate: $500 - $700

1252 18kt. Diamond and Gemstone Earclips each with 12 diamonds, 22 gemstones, remnant of stamp and French eagle head hallmark, tested 18kt. yellow gold, 1-1/2 x 7/8 in., 18.9 g Estimate: $500 - $700

1253 Tiffany & Co. 18kt. Brooch Chinese lantern plant design, polished and matte finish, stamped "Tiffany & Co., 750", 18kt. yellow gold, 3 x 1-1/4 in., 31.0 g Estimate: $800 - $1,600

II September 14, 2019 Jewelry from Virginia Living Estate

1254 18kt. Fire Opal and Diamond Ring oval fire opal approx. 10 x 8mm, 12 diamonds, stamped "750" and with maker's mark, 18kt. yellow gold, size 6-3/4, 8.6 g Estimate: $400 - $600

1255 Tiffany, Schlumberger 18kt. Brooch hinged shell, three diamonds, one pearl, stamped "18K, Schlumberger, Tiffany", yellow gold, 1 x 1 x 5/ in., 15.9 g Estimate: $800 - $1,600

Condition notes available in back of catalog

Coins

September 14, 2019

Coins

1256 Silver Proof Set Lot 1992 to 2018, some duplicates, over 70 proof sets, 44 proof silver quarter sets, silver coins are .900 fine; some better date sets included 1999 (x2), 2012 (x3) Provenance: Private Collection, Asheville, North Carolina Estimate: $800 - $1,200

1257 1916-D Mercury Dime P.C.I. Good-4 key date to the Mercury Dime series, professionally graded Provenance: Private Collection, Asheville, North Carolina Estimate: $500 - $700

1258 157 Silver Eagles: UNC, Proof, Burnished 130 uncirculated Silver Eagles; ten proof Silver Eagles, in boxes with COA; 17 burnished Silver Eagles, in boxes with COA, all various dates; five Presidential Dollars included Provenance: Private Collection, Asheville, North Carolina Estimate: $1,500 - $2,000

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1259 Commemorative Dollar Lot 57 silver commemorative dollars, mix of proof and BU, most 2004 to 2009 with heavy duplication Provenance: Private Collection, NC Estimate: $600 - $900

1260 U.S. Gold Coin Type Set 12 Coins, all high AU to UNC in Capital holder: 1908 No Motto St. Gaudens Double Eagle, 1910 Indian Eagle, 1912 Indian Half Eagle, 1915 Indian Quarter Eagle, 1853 Type I Dollar, 1854 Type II Dollar, 1862 Type III Dollar, 1854 Three Dollar, 1904 Liberty Double Eagle, 1894 Liberty Eagle, 1907 Half Eagle, 1902 Liberty Quarter Eagle Provenance: Private Collection Estimate: $6,000 - $9,000 1262 Starter Sets for the Collector partial sets: Flying Eagle, Indian, Lincoln Cents; Liberty, Buffalo, Jefferson Nickels; Roosevelt Dimes; Kennedy Halves Provenance: Private Collection, NC Estimate: $600 - $900

Condition notes available in back of catalog

1264 S.F. Old Mint Gold Commem UNC and Proof, San Francisco Old Mint Gold $5 Uncirculated, with COA; San Francisco Old Mint Gold $5 Proof, with box and COA Provenance: Private Collection, NC Estimate: $500 - $700

September 14, 2019

1263 Partial Sets: Silver Dimes and Half Dollars partial silver sets, missing key dates: Barber Dimes, Mercury Dimes (x5), Roosevelt Dimes (x9), Walking Liberty Halves (x2), Franklin Halves (x2); the cumulative face value of the .900 silver coins in this lot is over $180 Provenance: Private Collection, Asheville, North Carolina Estimate: $800 - $1,200

Coins

1261 Mint Set Group 1959 to 2018, over 100 sets, multiples of many years, special mint sets for years 1965 to 1967, in original packaging, complete run from 1959 to 2018, except for 1982, 1983 when no sets were officially produced Provenance: Private Collection, Asheville, North Carolina Estimate: $500 - $700

1265 2006-W Gold Proof Buffalo One-Ounce Coin first year of design, gold one ounce bullion coin, West Point Mint Provenance: Private Collection, Asheville, North Carolina Estimate: $800 - $1,200

1266 Four 1950s U.S. Proof Sets boxed proof sets for 1950, 1951, 1952 and 1953 Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $900

1267 Group of Silver U.S. Coinage .900 fine silver United States coins: dimes, quarters, halves, dollars; cumulative face value over $175 Provenance: Private Collection, Asheville, North Carolina Estimate: $1,000 - $1,500

1268 30 Morgan and Peace Dollars 18 Morgan Dollars housed in two Dansco albums; 12 Peace Dollars housed in one Whitman album Provenance: Private Collection, Asheville, North Carolina Estimate: $500 - $700

September 14, 2019

Coins

1269 11 Key and Semi-Key Dollars, Seated: 1859-O, 1871; Trade: 1878-S; Morgan: 1878-S, 1878-CC, 1880-S, 1882-CC; Peace: 1921, 1928S; Susan Anthony; Ike Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $900

1271 20 Key and Semi-Key Half Dollars 1807, 1809, 1825, 1832, 1834, 1837, 1839, 1846-O, 1853, 1854, 1858-O, 1871-S, 1874, 1875-S, 1916-S, 1921 (3), 1921-D (2) Provenance: Private Collection, NC Estimate: $600 - $900

1270 Franklin Halves, Near Set includes all business strikes, 1948 to 1963D, all but two proofs Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $900

1272 48 Key and Semi-Key Small Cents highlights include: 1872 (x2), 1908-S (x2), 1909-S Indian (x2); 1909-S Lincoln (x6), 1914-D (x6), 1931-S (x8) Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $900

For full cataloging and images see our website, brunkauctions.com

1273 Five U.S. Double Mint Sets 1954, 30 coins; 1955, 22 coins; 1956, 18 coins; 1957, 20 coins; 1958, 20 coins Provenance: Private Collection, Asheville, North Carolina Estimate: $600 - $900

1277 1909-S VDB Lincoln Cent P.C.I. Fine-15 key date from the Lincoln series, scarce and missing from many childhood collections, professionally graded Provenance: Private Collection, Asheville, North Carolina Estimate: $500 - $700 In 1909 the San Francisco Mint initially released Lincoln Cents bearing the initials "V.D.B." for the designer Victor David Brenner. Upon public outcry of self-aggrandizement on Brenner's part, the remaining production of cents was quickly changed to a version sans initials. This, of course, instantly created a classic rarity in American coinage.

1279 1942/1 and 1942/1-D Mercury Dime Overdates both overdates for the year, Philadelphia and Denver examples, older small ANACS slabs Provenance: Private Collection, Asheville, North Carolina Estimate: $500 - $700

1281 Jamestown Gold Commem UNC and Proof, 2007 Jamestown 400th Anniversary Gold $5 UNC; 2007 Jamestown 400th Anniversary Gold $5 Proof, each COA Provenance: Private Collection, NC Estimate: $500 - $700

1278 1922 No D Lincoln Cent noteworthy variety known as "No D" or "1922 Plain" Provenance: Private Collection, NC Estimate: $500 - $700

II 1280 1927 St. Gaudens $20 Gold Double Eagle from 1927 Provenance: Private Collection, Asheville, North Carolina Estimate: $800 - $1,200

1282 2006 Gold American Eagle Four Piece UNC Set, includes one ounce, half ounce, quarter ounce, and tenth ounce gold coins, 1.85 total ounces Provenance: Private Collection, Asheville, North Carolina Estimate: $1,500 - $2,500

Condition notes available in back of catalog

Coins

1276 United States Type Set 20th century type set, with some coins selected dating to 19th century, Indian Cent through American Silver Eagle Provenance: Private Collection, NC Estimate: $500 - $700

1275 1924 St. Gaudens $20 Gold PCGS MS-65 Double Eagle from 1924, professionally graded Provenance: Private Collection, Asheville, North Carolina Estimate: $1,000 - $1,500

September 14, 2019

1274 Proof Set Lot 1955 to 2018, some duplicates, over 100 proof sets, four 2009 cent proofs, 48 proof quarter sets, 34 proof Presidential dollar sets, complete run of regular proof sets from 1955 to 2018, except for the years 1965 to 1967 when none were produced Provenance: Private Collection, Asheville, North Carolina Estimate: $500 - $700

Books & Maps

September 14, 2019

Books & Maps

1283 The Adventures of Tom Sawyer by Mark Twain, Hartford, Conn.: The American Publishing Company, 1876, first edition, second printing, illustrations Provenance: Private Collection, MD Estimate: $500 - $700

1285 Life on the Mississippi by Mark Twain, Boston: James R. Osgood and Company, 1883, hardcover, illustrated, gilt accents Provenance: Private Collection, MD Estimate: $500 - $700

1284 Adventures of Huckleberry Finn by Mark Twain, New York: Charles L. Webster Publishing, 1885, BAL 3415, early state, illustrated, hardcover, housed in a custom chemise and custom made leather backed marble paper slipcase Provenance: Private Collection, Maryland Estimate: $800 - $1,200

1286 A Tramp Abroad by Mark Twain, Hartford, Conn., American Publishing Company, 1880, hardback, illustrated Provenance: Private Collection, MD Estimate: $100 - $200

1287 Five Mark Twain Titles Mysterious Stranger; St. Joan of Arc; Captain Stormfield's Visit to Heaven; Extracts from Adam's Diary; Jumping Frog Provenance: Private Collection, MD Estimate: $300 - $500

For full cataloging and images see our website, brunkauctions.com

1289 Five Mark Twain Titles Pudd'nhead Wilson; Prince and the Pauper; Following the Equator; Sketches, New & Old; Adventures of Huckleberry Finn Provenance: Private Collection, MD Estimate: $600 - $900

1291 Leaves of Grass by Walt Whitman, Washington, D.C.: J.S. Redfield, 1871, BAL 21403, hardcover, spine and both boards decorated in gilt, aeg, four raised bands along spine, presentation copy for Cyril Flower, presumably the known British politician and patron to the arts, inscribed "Cyril Flower from Walt Whitman, Washington, U.S.A., Dec. 1, 1870", accompanied by letter from a rare book dealer that reads "This copy is most interesting, as it was presented to Mr. Cyril Flower by Walt Whitman and is inscribed by the latter and dated December 1st, 1870. The book evidently was ready for Christmas, but as was customary, books printed in December as a rule are dated for the next following year. This copy has Mr. Flower's bookplate in it. It has a unique binding by Birdsall of Northampton, England. The leather is Spanish morocco." Provenance: Private Collection, Maryland Estimate: $3,000 - $5,000

1292 Group of Five Scribner's Classics Treasure Island; Kidnapped; The Deerslayer; Robin Hood; The Scottish Chiefs, all hardbound Provenance: Private Collection, MD Estimate: $500 - $700

1293 The Works of Laurence Sterne in four volumes, London: Bickers & Son, 1873, hardback, gilt and marbled accents. ex libris "Dalziel of Wooler" Provenance: Private Collection, MD Estimate: $500 - $700

1295 Memoirs by Tennessee Williams, New York: Doubleday & Company, 1975, hardcover with dust jacket, signed "To Horace, Tennessee Williams" Provenance: Private Collection, Maryland Estimate: $200 - $300

1294 The History of the World by Sir Walter Raleigh, London: White, et al., 1677, hardcover, calfskin leather, illustrated with city views and maps Provenance: Private Collection, NC Estimate: $500 - $800

1296 The Compleat Gardener by Jean-Baptiste de La Quintinye, London: Matthew Gillyflower, 1693, translated to English by John Evelyn, leather bound, illustrated with copper plates Estimate: $500 - $700

Condition notes available in back of catalog

II Books & Maps

1290 Twelve Volumes on Antiquities of England The Antiquities of England and Wales, by Francis Grose, London: S. Hooper, 1797, eight of the 14 volumes; The Antiquities of Ireland, London: S. Hooper, 1797, two volumes; The Antiquities of Scotland, London: S. Hooper, 1789, two volumes; full tree calf, five raised bands on spine, gilt, illustrated, some with marbled endpapers Provenance: Private Collection, Maryland Estimate: $600 - $900

September 14, 2019

1288 Mark Twain's Works Author's National Edition, 25 volume set, New York: Harper Publishing, early 1900s, popular titles Provenance: Private Collection, MD Estimate: $100 - $300

1297 Catch-22 by Joseph Heller, New York: Simon and Schuster, 1961, hardcover in dust jacket, signed by the author on title page Provenance: Private Collection, Maryland Estimate: $800 - $1,200

1300 Pair of Novels by Kurt Vonnegut, Jr. Slaughterhouse-Five; Breakfast of Champions, New York: Delacorte Press, 1969; 1973, each hardcover in dust jacket Provenance: Private Collection, Maryland Estimate: $500 - $700

September 14, 2019

Books & Maps

1303 Fore-Edge Painting Book The Works of Sir John Suckling, London: Tonson, 1719, five raised bands on spine, gilt decoration, fore-edge painting of waterfront city view, "800.00" in light pencil on flyleaf, in associated two-piece hard case with "Preghiere" (Prayers) on label Provenance: Private Collection, Atlanta, Georgia Estimate: $300 - $500

1305 Double Fore-Edge Painting Book Life of Wellington, by An Old Soldier, London: Bell and Sons, 1877, paintings of city views, Dublin and Eton Provenance: Private Collection, Atlanta, Georgia Estimate: $300 - $500

1298 Eimi by E.E. Cummings, New York: Covici Friede Publishers, 1933, hardcover, signed and numbered 952 of 1381 Provenance: Private Collection, Maryland Estimate: $500 - $700

1299 The Adventures of Mickey Mouse Book 1 by Staff of Walt Disney Studio, Philadelphia: David McKay Company, 1931, hardcover with color illustrations Provenance: Private Collection, Maryland Estimate: $200 - $400

1301 Cat on a Hot Tin Roof by Tennessee Williams, New York: New Directions, 1955, hardcover in dust jacket Provenance: Private Collection, Maryland Estimate: $300 - $500

1302 Group of Five Assorted Titles Stuart Little; Zuckerman Unbound; Timebends: A Life; The Love of a Good Woman; Little Lord Fauntleroy Provenance: Private Collection, Maryland Estimate: $500 - $700

1304 Fore-Edge Painting Book The Indian Mutiny of 1857, by George Malleson, London: Seeley, 1906, bound in full tree calf, five raised bands on spine, gilt decoration, marbled end papers, inscription "Arthur John Robinson" among other illegible, fore-edge painting of Taj Mahal Provenance: Private Collection, Atlanta, Georgia Estimate: $400 - $600

1306 Set of Three Books with Fore-Edge Paintings Poems, in Three Volumes, by William Cowper, London: Rivington, 1817, fore-edge paintings of street scenes, inscribed Provenance: Private Collection, Atlanta, Georgia Estimate: $300 - $500

For full cataloging and images see our website, brunkauctions.com

1307 Set of Three Books Double Fore-Edge Paintings Poetical Works, in Three Volumes, by Samuel Coleridge, London: Pickering, 1840, double fore-edge paintings, five raised bands on spine, gilt decoration, inscribed "To Mary from her loving sister and well-wisher, June 26th/73" Provenance: Private Collection, Atlanta, Georgia Estimate: $500 - $700

1308 Group of Fore-Edge Painting Books four titles, with fore-edge painting, theme's include fly fishing, city views for Stockholm, Boston, and Hampstead Heath Provenance: Private Collection, GA Estimate: $500 - $800

1309 Four Books with Australian Fore-Edge Paintings Reflections..., by Christoph Sturm, London: Sharpe, 1824, four volumes, fore-edge paintings of Australian scenes Provenance: Private Collection, GA Estimate: $500 - $700

1312 Eight De La Tour/Denos Engraved French Maps, 1766 Paris, eight hand colored copper plate engravings Atlas General, ... pour l'Etude de la Geographie et de L'Histoire Moderne, 16-1/8 x 22 in. Estimate: $500 - $700

1313 Ten De La Tour/Denos Engraved French Maps, 1766 Paris, ten hand colored copper plate engravings Atlas General, ... pour l'Etude de la Geographie et de L'Histoire Moderne, 16-1/8 x 22 in. Estimate: $500 - $700

Condition notes available in back of catalog

Books & Maps

September 14, 2019

1310 1794 Map of the State of Kentucky, J. Russell A MAP OF THE STATE OF KENTUCKY WITH THE ADJOINING TERRITORIES by J. Russell, London: H.D. Symonds, J. Whatman watermark, hinged, 16-3/4 x 19-3/4 in. Estimate: $500 - $700

1311 John Senex Map of North America British, 18th century, black and white printing with minimal colored highlights, decorative cartouche in upper left, 40 x 27 in.; framed 44 x 31-1/2 in. Estimate: $800 - $1,200

Silver

September 14, 2019

Silver

1314 Five Piece Sterling/Coin Silver Tea Set Chinese and American, 19th century, two pieces American coin silver, including tea pot and creamer, marks for Peter Chitry (New York City, working 1812 and 1815-1850 and Philadelphia, Pennsylvania, working 1814); three pieces Chinese Export silver, marks for Yucheng, including small creamer, lidded sugar and waste, 79.59 oz. T., 9-3/4 in. to 4 in. Provenance: Collection of Colonel and Mrs. Rigby D. Valliant, Fairfax, Virginia Estimate: $1,000 - $1,500

1317 Francis I Footed Bowl and Plate American, 20th century, one footed bowl, 3 x 11-1/4 in.; one plate, 11-1/2 in., marks for Reed & Barton, 40.21 oz. T. Provenance: Private Collection, SC Estimate: $800 - $1,200

1315 Francis I Sterling Bowl Oval American, 20th century, oval marks for Reed & Barton, "570A", 26.67 oz. T. 2-1/2 x 12-1/4 x 9-1/4 in. Provenance: Private Collection, SC Estimate: $500 - $800

1318 â&#x2014;&#x2030; Four Piece Sterling Tea Service, Tray American, 20th century, International, 9-1/4 in. coffee, teapot, creamer and sugar; with tray, 13 in., 44.49 oz. T. Provenance: Private Collection, SC Estimate: $600 - $1,000

For full cataloging and images see our website, brunkauctions.com

1316 Francis I Sterling Footed Bowl American, 20th century, oval with scroll feet, marks for Reed & Barton, "X566F" 21.88 oz. T., 3-1/2 x 12-1/2 x 10 in. Provenance: Private Collection, SC Estimate: $500 - $800

1319 Pair of Sterling Candlesticks possibly Italian, scroll and foliate decoration, marked 925, possibly recast, 19.04 oz. T., 12 in. Provenance: Private Collection, SC Estimate: $400 - $600

1327 Three Coin Silver Goblets American, mid 19th century, one with repousse decoration; two floral decoration; 21.07 oz. T., 6-3/4 in. to 7-1/2 in. Provenance: Private Collection, NC Estimate: $400 - $800

1324 Two Coin Silver Agricultural Awards American, mid 19th century, "Madison Co. Ag...", 5-1/2 in.; "...Indianapolis State Fair...1858", 5-1/4 in., 7.76 oz. T. Provenance: Private Collection, NC Estimate: $400 - $800

1328 Two 1856 Coin Silver Agricultural Awards, American, 19th century, "Wayne Co. Ag...1856", 5-1/4 in.; "Putnam County/ AG Society.../1856", 4-3/4 in., 6.76 oz. T. Provenance: Private Collection, NC Estimate: $400 - $800

1331â&#x2014;&#x2030; Four Piece Sterling Tea Service and Strainer American, late 19th/early 20th century, round body with floral and scroll decoration, ivory spacers, no monograms, marks for Whiting, 7-1/2 in. teapot, covered sugar, cream and waste; tea strainer with foliate decoration, no maker's mark, 6 in., 67.34 oz. T. weightable silver; with oval silver-plate two handle tray, 26-1/2 in., (six pieces total) Estimate: $1,000 - $1,500

1325 Two Indiana Coin Silver Agricultural Trophies, American, 19th century, floral decoration, both Indiana State Fair, 1854 and 1858, 9.73 oz. T., 5-1/4 in. to 5-3/4 in. Provenance: Private Collection, NC Estimate: $500 - $800

1326 Two Indiana Coin Silver Agricultural Trophies, American, "Fifth/ Indiana State Fair/Premium/1856", 7.15 oz. T., 5-1/4 in. and 5-3/8 in. Provenance: Private Collection, NC Estimate: $500 - $800

1329 Three Missouri and Ohio Coin Silver Juleps, American, mid 19th century, marks for Scoville, Willey & Co. and Jaccard & Co., 13.88 oz. T., 3-1/4 in. to 3-3/4 in. Provenance: Private Collection, NC Estimate: $500 - $800

1330 Agricultural Coin Silver Mint Julep American, mid 19th century, inscribed "HESR/to/F W" and "Premium/O. A. S.", marks for John Curry, 4.89 oz. T., 3-3/8 in. Provenance: Private Collection, NC Estimate: $300 - $600

1332 Sterling Agricultural Goblet Trophy American, mid 19th century, "1876/C. C. A. S./to/Ira Young/Herd Prize/Durhams", Wood & Hughes, 4.57 oz. T., 6 in. Provenance: Private Collection, NC Estimate: $300 - $600

1333 Coin Silver Potato Agricultural Award American, mid 19th century, typical form, inscribed "West. Co. Agl Soc/to/M. Mareley/Best Potatoes.", 86 grams, 5-1/4 in. Provenance: Private Collection, NC Estimate: $300 - $600

Condition notes available in back of catalog

II Silver

1323 Two Indiana Coin Silver Agricultural Trophies, American, 19th century, shield and floral decoration, both Indiana State Fair, 1855, 7.37 oz. T., 5-1/4 in. to 5-1/2 in. Provenance: Private Collection, NC Estimate: $500 - $800

1321 Ohio State Coin Silver Agricultural Trophy, America, mid 19th century, acorn decoration, inscribed "Ohio State Board/of Agricultural/ Premium", 6.21 oz. T., 6-1/4 in. Provenance: Private Collection, North Carolina Estimate: $400 - $800

September 14, 2019

1320 Mississippi Coin Silver Agricultural Award, American, mid 19th century, inscribed "Premium/of the/ Mississippi State/Agricultural Society", 2.67 oz. T., 4-1/4 in. Provenance: Private Collection, North Carolina Estimate: $400 - $800

1322 Indiana Coin Silver Agricultural Award , American, mid 19th century, goblet form, engraved wheat decoration, inscribed "Fifth/Indiana State Fair/Premium/1856/Best Thresher/&/Separator", unmarked, 7.79 oz. T., 7 in. Provenance: Private Collection, North Carolina Estimate: $400 - $800

1334 Blanchard Coin Silver Mint Julep Kentucky, 19th century, marks for Asa Blanchard (Virginia and Kentucky, working 1795-1838), 4.54 oz. T., 3-1/4 in. Provenance: Private Collection, NC Estimate: $1,000 - $1,500

September 14, 2019

Silver

1335 Two Kentucky Coin Silver Juleps Louisville, mid 19th century, one Hudson & Dolfinger; one Joseph Werne, Jr., 6.64 oz. T., 3-1/4 in. and 3-1/2 in. Provenance: Private Collection, NC Estimate: $500 - $800

1336 Kentucky Coin Silver Goblet Louisville, mid to late 19th century, Joseph Werne, Jr. (Louisville, Kentucky, working 1859-1878), 6.57 oz. T., 7 in. Provenance: Private Collection, NC Estimate: $400 - $600

1337 Seven Pieces Philadelphia Coin Silver Flatware, American, late 18th/19th century, tongs, ladles and spoons, various makers, 23.72 oz. T., 5-3/4 in. to 14 in. Provenance: MacNeill Collection Estimate: $600 - $1,200

1338 Fletcher & Gardner Coin Silver Ladle American, early 19th century, fiddle handle with shell decoration, marks for Fletcher & Gardner, 9.28 oz. T., 13-1/4 in. Provenance: MacNeill Collection Estimate: $500 - $800

1339 Chaudron's & Rasch Coin Silver Ladle American, early 19th century, Chaudron's & Rasch (Philadelphia, Pennsylvania, working 1809-1812), 6.95 oz. T., 14-1/2 in. Provenance: MacNeill Collection Estimate: $500 - $800

1340 Joseph Richardson Coin Silver Flatware American, late 18th century, ladle, spoon, Joseph Richardson, Jr. (Philadelphia, working 1773-1813), 9-3/4 in. and 14 in. Provenance: MacNeill Collection Estimate: $1,000 - $1,500

1341 Four New York Coin Silver Ladles American, 19th century, makers Hugh Wishart, Thomas Richards, Edward Rockwell, 28.77 oz. T., 11-1/4 in. to 15-1/2 in. Provenance: MacNeill Collection Estimate: $400 - $800

1342 Six Philadelphia Coin Silver ladles American, makers including Joseph Lownes, Philip Garrett, Samuel Hildeburn, 38.22 oz. T., 13 in. to 13-1/2 in. Provenance: MacNeill Collection Estimate: $600 - $1,000

1343 Kirk Repousse Sterling Flatware, 99 Pieces, American, 20th century, service for 12 including place and service pieces, Kirk & Son, 93.41 oz. T. Provenance: Private Collection Estimate: $2,000 - $3,000

1344 14 King Style Sterling Flatware American, 20th century, Tiffany & Co. serving spoon; serving spoon; twelve forks, 25.46 oz. T., 6-3/4 in. to 8-1/2 in. Provenance: MacNeill Collection Estimate: $400 - $800

1345 Pair of Gilt Silver Candelabra probably Italian, gilt silver, three arm, four cup, dolphin base, several partial marks, one of a ships wheel, .800 fine, 90.45 oz. T., 16-1/4 in. Provenance: Private Collection, South Carolina Estimate: $1,500 - $2,500

1346 Pair of Bvlgari Small Bowls Italian, late 20th century, round bowl with square base, marked "Bvlgari", "950" and "19/71", 13.27 oz. T., 2-1/4 x 3-1/2 in. Provenance: Private Collection, SC Estimate: $400 - $800

1347 Three Chinese Export Silver Items 20th century, including gravy boat, under plate; oval tray; round footed tray, Yu Chang, 53.62 oz. T., largest 14-1/2 in. Provenance: Valliant Collection, VA Estimate: $1,000 - $1,500

For full cataloging and images see our website, brunkauctions.com

1348 Pair of English Silver Wine Coasters in Box, London, 1788, openwork engraved sides, possibly Benjamin Mountigue, each 1-1/4 x 4-3/4 x 4-3/4 in.; later case Provenance: Private Collection, SC Estimate: $500 - $800

1349 English Silver Covered Server Sheffield, 1896, oval form and handle, marks for Asprey & Co. Ltd., 42.47 oz. T., .925 fine, 4-3/4 x 11-3/4 x 9-1/4 in. Provenance: Private Collection, SC Estimate: $1,000 - $1,500

1350 â&#x2014;&#x2030; Three Piece English Silver Tea Set London, 1825, oval with floral and scroll repousse decoration, floral finial, gilt interiors, ivory spacers, monogram, maker "WH", 50.88 oz. T., including 6-1/2 in. teapot with matching open sugar and creamer Provenance: Private Collection, North Carolina Estimate: $1,000 - $1,500

1351 Two Silver Ladles, Bateman and New York, one English silver, Peter and William Bateman, 13 in.; one American coin silver, Platt & Bro., 13-1/2 in., 11.98 oz. T. Provenance: Private Collection, SC Estimate: $500 - $800

1352 Four Pieces Ebenzer Coker English Silver Flatware, London, 1746-1757, two spoons, ladle and marrow scoop, all with marks, 17.06 oz. T., 8 in. to 13-3/4 in. Provenance: MacNeill Collection Estimate: $500 - $800

1353 Two Paul Storr English Silver Ladles London, one punch ladle, shaped handle, 1816, 13-1/2 in.; one sauce ladle, handle with shell, 1815, 7 in., 10.54 oz. T. Provenance: MacNeill Collection Estimate: $800 - $1,200

1354 James I English Silver Seal Top Spoon London, 1622, baluster finial cast handle, partial maker "E?", 5-3/4 in., 33 grams Provenance: MacNeill Collection Estimate: $1,000 - $1,500

1357 15 Pieces George III English Silver Flatware, most London, 1763-1817, nine punch and sauce ladles; six spoons, various makers, 55.55 oz. T., 4 in. to 14-1/2 in. Provenance: MacNeill Collection Estimate: $1,000 - $1,500

1358 Four Pieces Early English Silver Flatware, London, late 17th/early 18th century, various makers, 18.23 oz. T., 8 in. to 14-1/2 in. Provenance: MacNeill Collection Estimate: $500 - $800

1359 Seven Sterling Silver Table Items American, 20th century, including two trays; bowl; pin tray; plate; compote; decanter, 84.39 oz. T., 3-1/2 in. to 14 in. Provenance: Private Collection, SC Estimate: $1,000 - $1,500

1360 Southern Silver Ladle and English Silver Tongs, ladle, Walter Pearce & Co. (working VA and AL), 12-1/4 in.; English silver tongs, .925 fine, 4-7/8 in., 7.60 oz. T. Provenance: Virginia Living Estate Estimate: $400 - $800

1361 English Silver Teapot Sheffield, 1912, marks for Atkins Brothers, 17.88 oz. T. gross weight, .925 fine, 6-1/2 x 10-3/4 x 4-1/2 in. Provenance: Private Collection, NC Estimate: $400 - $700

1362 English Silver Flatware, 67 Pieces most Sheffield, 19th and 20th century, fiddle handles, including place and service pieces, various makers, 70.69 oz. T. Provenance: Private Collection, NC Estimate: $1,500 - $2,000

Condition notes available in back of catalog

Silver

1356 Seven George II English Silver Spoons/ Ladles, most London, 1734-1755, two punch ladles; two stuffing spoons; three spoons, 28.11 oz. T., 8 in. to 14-1/4 in. Provenance: MacNeill Collection Estimate: $700 - $1,000

September 14, 2019

1355 Six George I English Silver Spoons London, early 18th century, Hanoverian handles, various makers, 17.95 oz. T., 7-1/2 in. to 13-1/4 in. Provenance: MacNeill Collection Estimate: $400 - $800

Estate of Dr. Phillip George Memphis, Tennessee

1363 Lalique Antinea Vase clear glass with green female nymph decoration forming feet, engraved "Lalique France", 8 in. Estimate: $500 - $1,000

1364 Lalique Lierre Bowl with green leaves on a clear glass bowl, engraved "Lalique France", 8-3/4 in. diameter Estimate: $300 - $500

1365 Twelve Lalique Glass Table Items including two butterflies; two birds; anemone paperweight; others, various marks, labels, 1-7/8 x 3-3/4 in. Estimate: $400 - $600

1366 Two R. Lalique Actinia Opalescent Glass Vases, converted to hanging lamps, electrified, model introduced 1934, model number 10-889, acid etched "R.LALIQUE/ FRANCE", 8-7/8 x 7-5/8 in. Estimate: $400 - $600

1367 Pair Lalique Cygnes Swans with Mirrors engraved "Lalique France", largest 10 x 12 in.; mirror, 33 in. Estimate: $2,000 - $4,000

September 14, 2019

George Estate

1368 Lalique Frosted Cockatoo engraved "Lalique France", 12 in. Estimate: $300 - $500

1369 Lalique Luxembourg Cherub Bowl indistinctly engraved mark with "Made in France" paper label, 8-1/2 x 10-3/8 in. Estimate: $1,200 - $1,800

1370 Lalique Venise Glass Bowl engraved "Lalique France", 6-1/4 x 7-1/4 in. Estimate: $300 - $500

For full cataloging and images see our website, brunkauctions.com

1371 Lalique Martinets Glass Vase engraved "Lalique France" with "Made in France" label, 9-3/4 in. Estimate: $300 - $500

1375 Group of Four Lalique Table Articles including two boxes; a Bangkok cruet set; dinner bell, all engraved "Lalique France" 2-3/8 in. to 5-3/4 in. Estimate: $400 - $700

1376 Lalique Pinsons Bowl and Biches Vase both marked "Lalique France", vase, 6-1/2 in.; bowl 9-1/4 in. diameter Estimate: $400 - $600

1374 Lalique Orchidee Glass Vase engraved "Lalique France" with "Made in France" paper label, 6-1/2 in. Estimate: $500 - $700

1377 Three Lalique Glassware Objects each inscribed "Lalique France", comprising: Paquerettes dish; Bagatelle vase; St. Cloud vase, 1-1/4 to 6-3/4 in. Estimate: $400 - $600

1378 Lalique Ispahan Glass Vase engraved "Lalique France", 9-3/8 in. Estimate: $400 - $600

1379 Lalique Igor Caviar Glass Bowl engraved "Lalique France" with "Made in France" paper label, 10-1/8 x 7-1/2 in. Estimate: $300 - $500

1380 Three Lalique Glassware Objects including two footed vases, 11-3/4 in. tallest; one footed compote, 8-5/8 in. diameter, all engraved "Lalique France" Estimate: $400 - $700

1381 Five Lalique Glass Cat Figurines all engraved "Lalique France", 5 in. to 8-1/4 in. Estimate: $800 - $1,200

1382 Lalique Luxembourg Figurine engraved "Lalique France", 8 in. Estimate: $400 - $600

1383 Ten Lalique Glass Table Ornaments seven Lalique glass ashtrays with three Lalique paperweights; 1/2 in. to 2-3/4 in. Estimate: $400 - $600

1384 Ten Glass Birds including Lalique Four Lalique birds, two Lalique frosted swan ashtrays; with four unmarked birds, tallest 4 in. Estimate: $400 - $600

1385 Lalique Dauphin Glass Vase engraved "Lalique France" "Lalique Paris" label, 6-7/8 in. Estimate: $300 - $500

1386 Lalique Saghir Glass Vase engraved "Lalique France", 8 in. Estimate: $300 - $500

Condition notes available in back of catalog

II George Estate

1373 22 Assorted Lalique Stems all engraved "Lalique France", 3 in. to 7-3/4 in. Estimate: $400 - $600

September 14, 2019

1372 Six R. Lalique Strasbourg Small Glass Stems model introduced in 1926, model number 5086, acid etched "R.Lalique", 5 in. Estimate: $300 - $500

Condition Notes - Please check website for updated condition notes 801 802

803 804 805 806 807 808 809 810 811

812 813 814 815 816 817

818 819 820 821 822 823

824 825 826 827 828 829 830 831

small chips gilt beads at rim, losses and wear to gilt and enamel decoration wear consistent with age and use, all plates display minor gilt and paint loss to center border and armorials, some display chips to edges, one plate displays two cracks to underside, two plates with probable restorations/repairs firing anomalies, flea nicks to surface consistent with age and use firing anomalies, typical wear throughout minor losses to applied decoration, minor abrasions to plaque surface wear consistent with age and use minor wear to base scattered light scratches, a few glaze anomalies as made some glaze voids and firing flaws near base, rough areas on bottom abrasions and rough edges to base, glaze voids as made minor chips/abrasions and glaze losses to fluted rims, some abrasions/glaze losses to backs of chilongs, one vase with glaze voids and firing flaws under fluted rim, minor wear two have small hairline cracks, few chips to rim, small gilt lose to rim due to age and use very minor wear several scratches to glazed surface, minor wear a few small chips to foot ring, possibly as made, minor wear to decoration chips and wear to edges of plaques, light scratches overall censer condition consistent with age and use, residue buildup to interior; table screen in overall good condition overall good condition, age consistent with age and use, one chip on base, some hairline cracks chips and losses to labels, some separations and shrinkage to cabinet loss to pile, wear to edges, overcast ends, one repaired tear, fading, abrash soiling, some fading, wear to pile, new fringe few chips to frame corners, some discoloration on black mat consistent with age and use wear consistent with age and use, laid down on Masonite, minor losses to pigment, trimmed, minor stains, possibly some minor retouch; frame displays paint loss, scratches, and residue buildup wear and loss to fringe, soiling, wear to pile, staining, slight moth damage on underside some splits on wood scabbard, scratches, nicks, surface wear nicks, scratches, surfaces consistent with age and use slight discoloration, rubbing, blade nicks, surfaces consistent with age and use rubbing, blade nicks, surfaces consistent with age and use nicks and scratches to blade, rubbing, tarnish, surfaces consistent with age and use, loose elements scratches and nicks to blade, paint/ gilt loss to scabbard, surfaces consistent with age tearing and loss to fabric elements, enamel cracking inside mask, loss to gilt, surfaces consistent with age,

832 833 834

835 836 837

838

839 840

841 842

843 844

845

846 847

848 849

850

851 852 853

repairs to daimyo jingasa, chipping to one fukigaeshi, kabuto missing maedate dents, scratches, rubbing, nicks, typical wear rubbing, fading, age splits in wood, blade discoloration nicks, scratches, stress lines to blade, notation accompanying the tanto mentions blade may be cut down from katana, also mention of 2 mekugi-ana, although this has not been examined scratches to blades, developing splits to wood, blade signatures not examined wear consistent with age and use, books display frayed edges and corners and paper loss to jackets Morning at Nijubashi print: top and bottom margins trimmed; Dawn At Nihonbashi Bridge print: push pin holes in corners, small discoloration possibly from drop of water; Nagahama Beach in Mito print: 2 push pin holes, one on corner, one on image; prints have some creases due to age overall good condition, mild color fading, light smudging to some prints; mild wrinkling and paper loss to horizontal print overall good condition; all display mild fraying of paper edges, light staining dark impression, trimmed to plate, various inscriptions verso with one in ink with discoloration through to front, foxing and adhesive residue at four corners verso, come tape repaired horizontal split with related retouch, cracquelure ; frame with losses lined with paste and linen, some flaking, crackle and cupping at top, dirt layer, retouch; frame with abrasions crackle; frame with abrasions lined with paste and linen, large complex tear at left, retouch, abrasions, areas of overcleaning, three patches verso; frame with some losses to gilding laid down on Masonite, crackle, scattered retouch, areas of over cleaning; frame warped with some resurfacing, losses lined, crackle, points of flaking, crackle, retouch; frame with losses cradled panel with repair lower right and a with a vertical split, retouch, with gold paint accretion; frame resurfaced panel warped, hole at top center, two periods of retouch; frame with some losses original stretcher and tacking edge, patched with related scattered retouch, canvas slightly loose, wax residue verso; frame with minor losses, restorations, separations date with possible over cleaning, cradled, crackle, horizontal checks (splits) with associated retouch, conservation of this painting was performed by the Preservation Department of the Rijksmuseum in Amsterdam at which time the cradle was applied; frame with abrasions lined, lacking tacking edges, craquelure, crackle, scattered light retouch lined with wax and linen, abrasions left with paint loss, retouch, crackle, craquelure laid down on Masonite, yellowed

854

855

856 857

858

859 860

861

862

863 864

865

866

867

868 869

870

871 872 873

874

varnish, retouch at repairs; frame with abrasions lined, restretched on old stretcher crackle, retouch affecting 25% of surface (mostly background), two wax seals verso, areas of overcleaning; frame with abrasions cradled, losses with abrasions areas of over cleaning, vertical split with repair, retouch likely in oil, crackle, craquelure, cupping, voids toning, some foxing, not examined out of frames, not apparently laid down; frames with abrasions light toning and foxing, few pencil inscriptions, handling grime, centerfold crease and a few smaller creases pencil inscriptions, few creases, handling grime, "Tempio" with two holes and a tear, stains "Veduta" with paper and glue residue in margins, binding holes left, some toning some light surface abrasions; frame with some separations toning, some foxing, some minor stains, few pencil inscriptions, handling grime, all have centerfold crease and other small creases some staining, toning, pencil inscriptions, small tears, handling grime, one with large creases across plate image, one with binding edge present toning, foxing, staining, some small creases and tears, straight and deckle edge, all have tape on back right edge from previous matting lined, yellowed varnish, test clean at upper signature, crackle; frame with abrasions and some losses lined, retouch down center and at other repairs, crackle, with conservation report verso backing; frame with abrasions, reduced laid down on wood panel, tacking edge removed, glazes have been removed from over cleaning with some to the ground, flattened, 5% retouch with repaired tear left of shoulder in tree; frame with abrasions, losses lined and restretched on old stretcher, crackle with cupping cleavage and flaking at right edge; frame with original gilt surface with losses to composition small pin sized holes top middle, crackle, some cupping, stretcher marks, small point of flaking left edge with retouch at consolidation attempt; frame with abrasions dirt layer, slight convexity to board, minor abrasions at edges; frame with losses one bust detached from base, flea nicks consistent with age and use, some verdigris on surface, scuff marks to marble base staining of glass, adhesive peeling at some corners, surface verdigris due to age and use, surface irregularity on back loss to nose and hair other chips overall good condition, oxidation on interior and font mild oxidation to scallop shell, statue coming loose from slate base, angel's left wing coming loose, one panel on slate base detached and retained for restoration reddish brown patina, abrasions, child loose, missing rake; pedestal with repairs

875 876 877

878 879 880

881

882

883 884

885 886 887 888 889

890

891 892

893 894 895 896

897

898

899

dirt layer, abrasions restoration to one cover, some discoloration to mounts, wear to gilt decoration scattered areas of verdigris and discoloration to clock and candelabras, back plate of clock off but present, wax residue to candlecups some wear to gilt and minor spots of corrosion chipping at base, interior of urn with some residue, surfaces consistent with age and use one faun missing partial instrument, dust, wax and polish residue to branches, spots of corrosion and discoloration to bronze surface chip to outer rim of base, small chips, abrasions and wear to gilt ram heads, minor scratches and some discoloration to relief decoration, stand with losses to gilt and abrasions chalice in over all good condition, some chips to marble base, chalice epoxied to base and does not sit perfectly flush, minor dents in copper liner overall good condition with some surface scratches and loss to gilt both figures with repairs and losses to arms, some areas of repaint especially to faces, both with overall scattered losses and chips overall good condition, minor wear to feet due to age and use very good condition, typical minor surface wear to frames, upholstery in good condition repainted, scattered corrosion, fading and wear to fabric lacking several crystals, several scattered spots of corrosion. formerly a center table, now split into consoles, later risers under feet, breaks and repairs to marble tops, typical gilding wear and losses, with some gold overpaint, break and restoration with discoloration at one stretcher attachment loss to edges, scratches, loss to canvas, bumps to brass corners, two missing screws from top brass clasps, interior staining bumps, scratches, interior staining, loss to canvas at edges overall good condition, surface displays firing anomalies such as pinholes, brass lid displays a few minor dents and oxidation to interior light scratches and minor spots of discoloration to bronze slight wear, loss to selvedge, repair to selvedge, loss to ends in need of overcasting repair in center, overall fading, several stains along border, overall grime and wear scattered moth damage, exposed knots, overcast ends, minor fringe loss, abrash throughout red, moth damage significant to one corner lined with paste and linen, restretched, yellowed varnish, crackle, dirt layer, small point of retouch in sky; frame with abrasions good condition overall, cracks and minor repairs to top, scattered distress to brass elements, original casters and iron spider, some repairs and distress at leg attachments, one leg with patch and repair at end, other typical cracks, surface distress and flaws flaking upper left; frame with some

Condition Notes - Please check website for updated condition notes 900

901 902

903 904

905

906 907

908

909 910

911

912

913

914

915

916

917 918 919 920

losses subsidiary dial lacking hands, separations to corners on base, tarnish and polish residue on brass dial, crack on one side of case, overall light scratches and abrasions, lacking pendulum and winding key some toning, small points of flaking in mallards head, not examined out of frame; frame with losses lined and restretched on new stretcher, crackle, conservation by Renewell, Columbia, South Carolina, 1998; frame with abrasions veneer cracks and losses, typical other wear tip of one eagle wing replaced, gilding wear with scattered paint retouch, other typical surface distress, early mirror plate (not removed for examination) brasses replaced, restorations and repairs to feet (later black paint at underside), other typical wear and flaws lined, retouch, crackle; frame with abrasions good structural condition, minor repairs to splats, leg wear, some crack and distress at shoes, upholstery with stains and wear armchairs with loss of finish to top of arm (one with patch and repair) toning, foxing, staining, creases, small tears/some extensive tears, some small taped repairs, few paper clipped notes/pencil inscriptions, gilt loss, some pages trimmed, binding edges present lined with paste and linen, crackle, bruise, repaired tears, retouch, faint stretcher marks excellent condition overall, gilding wear, very minor distress at some bow attachments, some tiny chips at leaf tips, minor distress to mirror plates (not removed for examination), one example with some bending to outer leaf and floral drops rubbing, losses to gilding, scratches, other typical surface distress, with battery powered quartz movement, lacking finials good overall, wear at legs and feet, one arm attachment is loose, other typical minor wear and repairs, edge wear to rear stiles, one leg with some added color and other possible repair, modern upholstery in good condition barrel form missing of ivory finial, urn caddy with broken hinge; old chips to lid of turned caddy, all with general wear and minor abrasions cracks to one glass panel, minor losses and repairs to veneer banding, lacking locks, strip patch and minor loss at one case side, with traces of early surface frames structurally sound, with wear and losses to painted surfaces, stains and wear to upholstery, one lacking knee return three carved rosettes replaced, other minor losses and repairs to applied carving, some veneer repairs, lacking lower drop some minor separations and checks, abrasions light toning, small stains, handling grime, one with loss at left edge toning, some handling grime, binding edge present right light toning, foxing, pencil inscription, small edge tears, binding

921 922 923 924

925

926

927

928 929

930 931 932 933

934

935

936

937

938

939

940

edges present, one with small pen stain on back some toning, foxing, stains, small tears, some with binding edge present good condition, bright colors; frame with abrasions staining, toning, surfaces consistent with age and use crack at side, extensive veneer cracks and distress, rubbing, paint loss, restorations to feet, skirt reveneered, later chime, numeral loss and fading (on dial) original stretcher and tacking edge, crackle, yellowed varnish, canvas, slightly slack, abrasions at edges, small point of retouch; frame with popped corners, wear patina with verdigris, slight scratching to surface consistent with age and use, some minimal denting top surface cleaned and with some abrasions and stains, cracks to column form standard, repair at one toe, minor repair at one leg attachment card glued to verso of mat, some toning, mildew scattered veneer distress and repairs especially to door, rebuilding to box base, some possible reveneering, front veneer scratches, piece of veneer at base off but present, typical other wear average wear good condition light scratches square with chips to corners of lid and rim, pear with small interior chip near rim and two small areas of accretion, (possibly a filler) at rim and tip of spout, all with losses to gilt and decoration, light abrasions to base, general wear consistent with age losses and chips to applied decoration, repair and discoloration to lid, small chips to spout, six paneled with small chips to spout, losses to gilt and enamel decoration, general wear consistent with age and use one teapot of kissing birds has small chip to tip of finial, pot with large birds has small chips to interior of cover, koi pot has metal repair to handle, general losses to gilt and enamel decoration, wear consistent with age and use one teapot with repaired handle, all with wear to gilt and enamel decoration, all with old adhesive labels and residue repair to twisted handle on pot with flanking unicorn crest, repair and chip to spout and also possible restoration to lid of small grisaile decorated pot, all with losses to enamel decoration and gilt, wear consistent with age octagonal pot with chips at corners and spout, orange flower pot with chip to spout, all with losses to gilt and enamel decoration, wear and minor abrasions to bases consistent with age and use one square lacking cover, other square with chips to handle and corners, two round with repairs to handles, all with losses to gilt and enamel decoration, wear consistent with age signs of wear including residue buildup, slight discoloration and fading, and minor chips, one plate

941 942 943 944

945 946 947 948

949

950

951 952

953

954 955 956 957 958 959 960 961 962 963

964 965 966

967 968 969 970

displays crack running from center to rim scattered losses, small restoration to one edge, hairlines, one dish with crack, some chips hinged in, toning good condition; frame with abrasions original stretcher and tacking edge, stretcher marks, crackle, abrasions with retouch; frame with abrasions small smudges, not examined out of frame polish residue, surface wear, tarnish, rail chain missing one link (does not reach attachment) wear to pile, fading, restoration to two corners, overall cast ends, soiling, possibly reselvaged scattered veneer cracks and flaws especially on base, some minor pest damage to secondary surfaces, other minor flaws silver with wear and dents, one candlestick stick with crack in tortoise, other tortoise with light scratches and wear likely a marriage, drawer facings re-veneered, brasses replaced, original feet, cornice molding replaced, other scattered flaws and repairs not examined out of frames, toning, not apparently laid down stretcher marks with small area of corresponding paint loss right side, one additional spot of paint loss left side, crackle; frame in good condition overall good condition, minimal scratching to underside of bases, two large goblets with chips to base, some with flea nicks to bases overall good condition, chip on platter edge pitcher with several large cracks near, stopper finials with chips and losses, residue in decanters chipping, missing elements, paint loss missing elements (kangaroo ear off but present), rubbing, chipping, slight discoloration chipping, missing elements, fading, discoloration separations and minor wear to frames cracking at base, loss of elements, chipping, slight discoloration chipping, cracking, loss to extremities some toning and adhesive residue verso original stretcher and tacking edge, some scattered retouch, crackle, stretcher marks, abrasions at edges; frame with minor losses some foxing and creases, floated crackle, over-cleaning, some voids; frame with pest damage, wear to velvet liner hinged in, inscribed in pencil verso "Andrea del Sar..", small pinsized holes, restoration to paper lower left with some discoloration, creases, handling grime; frame with abrasions possible retouch in sky; frame with abrasions ill-fitting socle, firing flaw or crack at base of neck, abrasions 1/2 in. drill hole for lamp, 2 cracks in gun strap, wear to base, loose at one end worn inscription and scattered chips to base

971

972 973 974 975 976 977 978

979 980

981

982 983

984

985 986

987 988 989

990

991

992

993

firing crack on stump, spear slightly bent, brown to black patina with wear; base cracked with sculpture loose at one end "Gazelle" with abrasions and crack to base; "Pheasants" with wear base infilled with plaster, gold to brown patina with wear good condition; frame with abrasions lined, stretched on 19th/20th century stretcher, retouch at repaired tears, craquelure, laid on board, minimal toning; frame with minimal wear crackle, chips at edges of board; frame with abrasions and some losses to finish surface dirt layer, crackle, small areas of paint loss sky upper right, possible mildew areas upper right; frame with gold painted finish (not gilt), some wear minimal surface dirt layer; frame with minimal wear lined, area of apparent old repair to middle ground left side, areas of fluorescence scattered throughout, surface dirt layer; frame with minimal wear old repair lower left corner, small areas of retouch scattered throughout, chips to lower corners not visible under frame, crackle; frame with wear, small scattered chips to gilt hinged in, toning, some fading; frames all with minimal wear linen lined, crackle, area of alligatoring canvas center left, some areas of fluorescence scattered throughout; frame with minimal wear, abrasions, cracks some wear and chipping at edges not visible under frame, crackle, scattered areas of retouch, minimal surface dirt layer; frame with wear and minor abrasions wax and linen lined, crackle, areas of retouch scattered throughout; frame with wear and abrasions two very tiny pin holes with corresponding paint loss-one grass center, the second also with an associated scratch lower right edge, small area of surface abrasion grass center; frame with minimal wear hinged in, toning; frame with minimal wear and abrasions linen lined, small areas of retouch in face, crackle; frame with minimal wear, some losses to gilt surface dirt layer, areas of retouch scattered throughout; frame with cracks, some scattered losses to decoration surface dirt, loose canvas, stretcher marks, surface abrasions upper left corner; frame with wear, grime, losses to decoration, separation at corners wax and linen lined, original stretcher segments with inscribed titled attached verso, crackle, areas of retouch scattered throughout; frame with minor wear and abrasions commensurate with age old patch repair verso, large area of retouch sky, stretcher marks, crackle, dirt; frame with minimal wear uncirculated, rich color, full margins, very slight toning at edges, hinged in, small break at top right edge, 1 in. tear upper left margin, discoloration at bottom left corner

Condition Notes - Please check website for updated condition notes 994

995 996

997

998

999

1000

1001

1002

1003

1004

1005 1006

1007

1008

1009 1010

marble top with some stains and edge wear, white line in top is natural inclusion (no repairs found), frame good overall with some cracks at joints to skirt rails, later blocking, some possible restorations to corner brackets, other typical abrasions and wear gilding wear and surface losses, bobeches likely recast and currently loose generally good condition, chip and old repair at edge of top, minor infill at back of top from batten screws, original catch and iron spider, typical wear at edges of feet, top with some surface stains, battens lacking some screws excellent condition overall, old refinishing with rich brown color, probably original brasses, original feet and blocking, with very minor repairs, minor sun fading, normal wear and flaws frame with scattered gilding losses, other minor losses and repairs, with some areas of repaint, top panel with distress and losses, central panel generally good (possibly old replacement), mirror panel with distress to silvering, lower back board replaced (panels not removed for examination) small chips to crystal, possibly missing crystals, scattered abrasions, wear commensurate with age and use, wired for electricity very good overall, brasses replaced, typical minor veneer cracks and flaws, feet do not appear to be ended out (difficult to tell), cellarette drawer missing dividers, minor molding losses distress and retouch to eglomise plate (appears to be original but not removed), minor distress to mirror plate, typical gilding chips and minor distress with some paint retouch frame generally good with minor cracks and wear, scattered veneer flaws, upholstery is stained and worn brasses and hinges replaced, some cracks and repairs at hinge attachments, strip patches at edges of fall board, other typical minor warping; cracks, discoloration; original feet with typical wear, lacking one small backboard overcast ends, one short edge mounted on ribbon, restoration to selvedge ends, exposed knots and wear laterally to central field of rug faded, wear consistent with age and use, wear and loss to selvedge gilding wear and losses, glass panel with some distress and possible retouch (appears to be original, not removed for examination), some distress to early mirror plate very good condition overall, top with minor repaired shrinkage crack and other surface distress, original feet and blocking (minor patch at one rear facing), typical minor flaws (including small patches to banding and beading) wear to fringe and selvedge, exposed knots, fading, light soiling overall and staining to fringe, abrash throughout minimal wear, minor fading, overall light grime some losses to label, typical repairs and minor distress to ears,

1011

1012

1013

1014 1015

1016 1017

1018

1019 1020 1021 1022

1023 1024 1025

1026

1027

1028

1029 1030

1031

minor warping, mirror plate likely replaced (not removed) wear to dial paint, lacking seconds hand, side frets of bonnet replaced, lacking central finial, later paint on tympanum, case with typical minor veneer repairs and flaws, original feet with very minor repairs and small loss at toe linen lined, areas of retouch scattered throughout, crackle, small area of paint loss lower right corner, not visible under frame; frame possibly re-gilt, spandrel replaced, wear and abrasions old patch and wax repairs canvas verso, dirt, some areas of retouch; frame re-finished, some separation at corners, some small chips to finish especially at edges linen lined, crackle, small areas of retouch scattered throughout, linen and wax lined, backed by aluminum, crackle, areas of retouch scattered throughout; frame with wear, some losses to gilt at edges and decoration at corners approx. four surface scratches, two surface punctures, surface dirt; frame with wear and abrasions surface dirt, crackle; frame with wear, abrasions, some separation at one corner, lower edge with small holes from prior name plate some surface abrasions, crackle, wear at edges of board under frame; frame with minimal wear and scattered tiny spots of loss to finish laid to mat board; frame with minimal wear laid to mat board and backing board, probable toning; frame with wear and some chips at corners minimal surface dirt layer, small scattered areas of retouch; frame with abrasions laid on plywood panel, minimal surface dirt, wear at edges under frame; frame with wear and abrasions, some areas of loss to gilt dirt layer with some abraded peaks and edges; frame with flaking canvas slack with heavy impasto, dirt layer, original stretcher and tacking edge; frame with abrasions linen lined, crackle, possibly yellowed varnish; frame with wear commensurate with age, some separation at corners crack to board with apparent glue repair verso, surface abrasions with small areas of paint loss, surface dirt; frame with wear, abrasions, cracks at corners and chips to gilt areas of surface cracking, crackle, top edge of board uneven, small areas of florescence sky; frame with wear commensurate with age, gilt wood liner with missing area verso, not apparent recto floated in frame, without glass, paper warping very slightly especially on right side, surface dirt layer; frame with some wear at edges minimal surface dirt layer; frame with abrasions, linen liner with some staining linen lined, crackle, small areas of retouch scattered throughout; frame with minimal wear especially at corners original stretchers and tacking edge, crackle, stretcher mark right side, yellowed varnish, uneven varnish, dirt; frame possibly refinished, gilt wood liner probably original

1032 good color, lined with mulberry paper with restoration to tears and losses, some toning and light fading of background blue; frame with abrasions 1033 old patch repair verso, crackle, areas of retouch scattered throughout; frame with wear commensurate with age, cracks, some separation at corners 1034 laid on panel, small areas of paint loss lower right corner, surface dirt layer, small areas of retouch at lower edge; frame with wear especially at corners 1035 toning to both sides; frame with minimal wear 1036 hinged in, tape remnants at edges verso, tacking holes at edges under mat, slight toning; frame with minimal wear and abrasions 1037 both floated on backing board, both slightly warping, otherwise appear in good condition; frames with minimal wear 1038 linen lined, small areas of retouch scattered throughout; frame with minimal wear 1039 surface dirt layer; frame with wear 1040 smudging, probable toning, chip to lower right corner 1041 tipped in, minimal toning, some bleed from the grey used for smoke stacks in the image 1042 one area of slight staining/bleeding at right side roof of barn, also at chimneys of yellow house; frame with wear 1043 excellent condition overall, scattered minor cracks and finish distress , especially at bases of cluster columns and at pierced skirts (probably traces of original finish) 1044 typical minor veneer flaws, small losses to paint in tablet 1045 glass pulls are later replacements, veneer chip to banding of one drawer, some losses to drawer beading 1046 firing anomalies in glass as made, snuffer chain off on one cap, darkened patina to pewter, scratching to underside of bases, minute scattered flea nicks consistent with age and use 1047 slight soiling, wear to fringe, a few scattered exposed knots, minor fading 1048 overall consistent wear with pile loss in section with exposed knots, overcast ends, fading 1049 good condition overall, typical warping and cracks to top (two patches at back edge), interior formerly fitted with additional tray (unused notches in top edges of case), original feet with minor wear, other typical surface flaws 1050 extensive paint and surface losses, cracks, bottom ends with water damage, other scattered minor pest damage, one with small restored scroll, other with early restoration to lower leaf/drapery section, some holes for mounting, other distress and glue repairs 1051 reduction to both ends, several large patches center of rug and two large patches near border, wear throughout, areas of restoration, later binding, fading and abrash 1052 side borders and end borders with restoration, fading, possible area of reweaving in one medallion 1053 good overall, old refinishing, prob-

1054 1055

1056 1057

1058 1059 1060 1061

1062 1063 1064 1065

1066 1067

1068

1069

1070 1071

1072

1073

1074

ably original hinges, typical surface flaws head, tops of wings, and claws appear to be filed, overall weathering consistent with outside exposure loss to ends overcast, abrash, wear to selvedge, some areas of restoration on edge, tear to one corner with loss wear, loss to one end of fringe, 1 in. long section of loss to edge, few areas of repairs older paint but probably not original, cracks and possible repairs to front right and back right legs, cracks and possible repair to tail, small chips and paint losses to nose, overall abrasions and shrinkage of wood paint loss, chips and cracks repainted, scattered corrosion and wear scattered areas of rust and oxidation, wear to both pairs consistent with age and use extensive pest damage, wear and possible losses to spout, abrasions to wood cap, patina and wear to carvings blade discoloration, rubbing, nicks, typical wear rubbing, pitting, scratches, wear at grip, some discoloration two small losses, toning, handling grime, stain upper right corner, some text bleed toning, text bleed, "Apauly-Tustennuggee" and Waa-Top-E-Not with hinging tape, good fresh color, some with light foxing and pencil inscriptions all with wear, folds, assorted tears commensurate with age pouch with old repairs to buckskin, wear, no apparent bead loss; strip with three areas of bead loss at edges, one area of bead loss at decorative edge beading along one end, wear to buckskin backing parfleche stiff, possibly trimmed at edges of painted side, remnants of fur on inside; quilled bag with wear and areas of loss to quills, hide with grime, small area of apparent bead loss at flap edge sheath with missing quills, wear and grime commensurate with age, knife missing most of bone handle, rusty and pitted; necktie with no apparent bead loss, two small holes in calico wear to silk overall, velvet with grime, no loss to beadwork wear commensurate with age, possibly missing hide or fabric wrapping on handle, dent on one side of head inscribed in ink on drop, illegible except for "1913", minor bead loss at lower edge of cover, one tin cone missing lower edge of cover, small area of bead loss at lower corner of drop, wear commensurate with age Corn Husk Bag with small areas of bead loss on drops, some dirt and discoloration; elk skin bag with dirt and wear, hide fairly soft, no apparent bead loss, some dew claw drops with apparent trade cloth loss men's moccasins with approx. 4 small areas of loss on one (left) moccasin, soles with wear, uppers with wear at ankles; child's moccasins with grime and wear commensurate with age

Condition Notes - Please check website for updated condition notes 1075 edges of paper slightly yellowed, image is crisp and clean with clear plate mark, frame with minor wear 1076 some wear and many are loose in scrapbook, some adhered and some tipped in 1077 most with some minor surface abrasion; all frames with wear, one missing glass 1078 minor foxing, slight wave in paper; frame in good condition 1079 some surface dirt, minor retouch in trees and sky, frame with losses to gilding 1080 minor surface dirt, female figure with retouch in cotton behind left arm, male figure with retouch to head and left arm; both frames with some loss to gilding 1081 Generally good, headposts are spliced at top, footposts possibly reduced by 2-3 inches, modern canopy frame, rails fitted with later metal brackets for mattress support, typical minor checking to dense mahogany, some scuffs at back of headposts, one minor molding loss, other very minor flaws 1082 two examined out of frame, hinged in, trimmed at binding edges, some foxing good color; frames with abrasions, T. 18 with small hole at bottom of fish 1083 toning, some losses at edges, stains, "Aluterus" with restoration 1084 toning, tears, some losses, taped in at top, some handling grime 1085 accompanied by extensive conservation notes by George C. Williams Antiques indicating carved rosettes and finial replaced, some breaks in repairs with later bracing at pediment, brass is replaced (no plugged holes), original feet with very minor repairs, prospect door lock replaced, scattered minor veneer and cockbeading repairs, 1086 toning, foxing, pencil inscriptions, some losses and small tears, minor stain 1087 toning, pencil inscriptions, small tears, losses and creases 1088 T. 51 with pencil inscription, toning; T. 45 full sheet with some pest stain and toning at edges, strong color; Tab. LII eith handling grime, stains at edge, good color 1089 strong color, some toning at edges, small tears, some handling grime, light foxing 1090 scattered cracks and flaws to head and foot posts, some later dark color, one head post with more significant distress, including scattered losses and repairs at leaf carving and turnings, overspray, some minor patches to rails, other typical minor flaws 1091 stains, abrasions, discoloration to varnish, replaced hinges with associated patches, cracks to leaves, one leaf likely associated 1092 some losses, toning, stains, one with restoration to bottom margin fading, some text bleed 1093 T. 63 with large restoration to bottom edge, some edge tears, toning, T. 67 with good color, hinged to mount, retains tacking edge, light edge toning, T. 64 retaining tacking edge, toning 1094 base with several small chips, minor scratches, applied small pads on bottom 1095 a few small chips to scales 1096 overall good condition, some

minor losses to wood and chinking 1097 generally good condition, veneer cracks, distress to door, later escutcheon with small patch, repairs at door hinges with one patch, other minor patches at case side, original feet with some later blocking, typical shrinkage to door, other surface wear, minor repairs 1098 top probably associated (scar from hinge mechanism at underside), some color retouch at tips of feet, some restorations to gate mechanism, other minor wear 1099 minor surface abrasion, frame with minor wear 1100 laid to backing board, toning, fading, surface dirt; frame with wear and abrasions 1101 wear to leather case at edges, overall wear commensurate with age 1102 minor creases at corner but otherwise very good condition; frame with minor wear 1103 over all condition is very good minor wear at edges; frame in very good condition with minor abrasions 1104 surface condition is very good; frame with minor wear 1105 surface is very good, minor wear at edges and uneven trim 1106 surface condition is very good, minor wear at edges; frame with minor abrasions 1107 minor wear at corners 1108 some light abrasion to surface, minor surface dirt, light wear at stretcher edge, frame with abrasions and some paint loss 1109 paint surface is good with minor abrasions, added elements are attached well but lifting slightly at edges 1110 surface condition is good with minor abrasions 1111 painting surface in good condition; frame with minor abrasions 1112 some toning to verso from ink, some with light creases 1113 floated at four points onto mount, good color 1114 floated, not removed from frame, good condition 1115 floated, light toning with some foxing 1116 floated, good condition; frame with abrasions 1117 good condition, lacking portfolio 1118 overall good condition, minor abrasions 1119 scattered minor surface abrasions on legs, minor wear to seats 1120 faint white ring mark on surface with several small watermarks, light abrasions 1121 overall good condition, minor abrasions 1122 both with some surface wear and distress, one with corrosion and verdigris at one side, same with slight bending to legs 1123 good condition; some light abrasions to the portfolio 1124 good condition, not removed from frame 1125 lower right corner with distress, dirt layer; frame with wear; sketches mounted to paper mats by artist with cellophane tape at two points, minor edge loss to paper, toning; letter with folds and toning 1126 good condition 1127 handling grime and some toning visible verso, hinged in 1128 light toning, taped at top two

corners 1129 good condition 1130 good condition, not examined out of frames; frames with abrasions 1131 good condition, not examined out of frame; frame with abrasions 1132 overall good condition, not examined out of frames 1133 good condition, not examined out of frame; frame with abrasions 1134 lined with wax and linen, restretched on new tension bar stretcher, crackle, cupping consolidated 1135 original stretcher and tacking edge, dirt layer, 1136 original stretcher and tacking edge, dirt layer 1137 original stretcher and tacking edge, dirt layer 1138 mounted on board, dirt layer 1139 toning, frame with abrasions 1140 warping from water with stain verso, abrasions, toning; frame with abrasions 1141 most tipped in, with original tissue covers, toning, fading, assorted small tears 1142 toning; frame with abrasions 1143 good condition; frame with abrasions 1144 hinged in, toning and staining in margins, some fading of orange; frame with abrasions 1145 hinged in with paper tape at top with some thinness to paper, toning, edition number in ink; frame with abrasions 1146 hinged in, some toning, pencil inscriptions in bottom margin; frame with abrasions 1147 overall good condition, rough spot on upper swan wing 1148 good condition 1149 flaking, cleavage at top in sky and left edge, dirt layer; frame with abrasions 1150 some pitting and corrosion 1151 wax residue, scattered oxidation and rust, surface flaws (some as made) 1152 old florist putty bottom interior, wear and grime to base, light scratched to body 1153 possibly lacking lid, glaze crazing, small crack in clay body at base, minor scuffs to surface due to age and use; overall good condition 1154 drilled, five small chips to rim, several visable air bubbles near rim, two small spots of black accretion on leaves 1155 bowl with minimal scratches to interior and exterior surfaces; candlestick with minimal scratching to underside of base, wax residue to interior of candle cup, firing anomalies as made 1156 veneer distress and repairs at interior and exterior door edges, other areas of distress, some minor veneer chips at edges, some possible restorations at drawer supports; chrome mounts and handles with some surface distress 1157 good overall, some possible resoldering to stained glass doors (one small panel with crack), minor distress to brass elements, some veneer cracks and distress especially at edges of top, front foot attachments are unusual but are probably original (see detailed photos) 1158 verdigris patina from exterior exposure, some abrasions to base 1159 from recent inspection: engine cur-

rently not running 1160 from recent inspection and service report (11/24/2018): "engine is not currently running. Removed all spark plugs and found indication of water in number 7 cylinder.", later stereo system added to trunk, later paint with chips and loss, full inspection report found on our website 1161 a few visible solder repairs, hole to one link, clasp is bent so there is a visible gap between tongue and where it attaches to links- can be repaired (figure 8 safety clasps do not close because of this), wear and scratches 1162 light tarnish, wear and scratches to gold consistent with use, three bands are hinged on center section 1163 wear and scratches, dent to back of one, posts appear to have been removed, wear and scratches 1164 two breaks to solder in feather design at shoulder of ring, light tarnish, wear and scratches consistent with use 1165 scratches and wear visible, one link discolored 1166 light tarnish, wear and scratches 1167 watch was inspected by a certified watchmaker, with additional diallikely the original, wear and dirt on dial, wear and scratches to gold, movement in good shape but needs service, keeping time when inspected, one end piece on band slightly stretched 1168 watch was inspected by a certified watchmaker, movement has water damage and old parts, dial is not positioned properly/slightly off center, abrasions to sapphire crystal, keeping time when inspected, wear and scratches to case, band stretched and with wear 1169 watch was inspected by a certified watchmaker, wear and scratches to band consistent with use, light scratches to blue on bezel, 18kt. crown, movement in good shape but has never been serviced, sapphire crystal, keeping time when inspected 1170 light tarnish, wear and scratches, missing four stones on case decoration- likely pearls, crown does not twist, not keeping time when inspected, missing crystal, light cracks to dial 1171 abrasions, scratches and small chips to emeralds, wear and scratches 1172 overall light wear, numbers applied to back appear to be covering other numbers 1173 tarnish, light wear and scratchesmostly to back, pin back on brooch a little loose 1174 scratches and wear 1175 wear to rhodium plating, light wear and scratches 1176 evidence of sizing, chips to few side diamonds, wear and scratches consistent with use 1177 chips to few single and rose cut diamonds, wear and scratches consistent with use to metal and chain 1178 overall light wear and scratches 1179 repairs done with yellow solder visible with loupe, wear and scratches consistent with use 1180 small chips to few diamonds visible with loupe, wear and scratches 1181 nine diamonds with chips, some with losses, wear and scratches to

Condition Notes - Please check website for updated condition notes platinum consistent with use 1182 pin catch does not close completely, wear and scratches 1183 very small chips to one of smallest diamonds, light overall wear 1184 wear and scratches consistent with use 1185 evidence of sizing, wear, scratches and marring to gold, wear and scratches to green tourmalines and rubies 1186 one diamond with large chip/loss, light wear and scratches to gold 1187 overall very light wear 1188 wear and scratches consistent with use 1189 keeping time when inspected, wear and discoloration to dial and hour marks, enamel loss on hands, wear and scratches to case and clasp 1190 tarnish along silver-tone rim, wear, scratches and small interior dent to silver-tone rim, small scratch to orange enamel 1191 wear and scratches to gold-rim 1192 stone very slightly loose in mounting but secure, scratches and marring to gold consistent with use 1193 turquoise with scratch and glued into setting, light wear to ring 1194 wear, scratches and light marring to silver-tone rim, few small scratches to orange enamel by one horse head 1195 wear, scratches and light marring to gold-tone rim, scratch to interior 1196 wear to chain consistent with use, light wear to bottom and top edges and interior 1197 light wear and scratches to acrylic 1198 few small scratches to enamel, scratches throughout interior, wear, scratches and marring to gold-tone rim 1199 wear and scratches to rim consistent with use 1200 wear, scratches and small dents to rim consistent with use 1201 Wear and scratches to rim, interior and gold-tone back of bracelet 1202 wear and scratches to rim, two dents to interior edge of rim 1203 light wear and scratches 1204 light tarnish and wear 1205 marring to gold on back of ring, light scratches to pearl, wear consistent with use 1206 overall light wear 1207 light wear and scratches consistent with use 1208 one diamond is loose, wear and scratches consistent with use 1209 continuous strand with no clasp, very light wear 1210 clasp broken and needs to be replaced, wear to knots and area where string is stretched- should be re-strung/knotted 1211 in Mikimoto box, was said to have been bought at Mikimoto in Japan but owner had clasp changed and does not have receipt, very light wear to knows, wear consistent with use to clasp 1212 light tarnish, wear and scratches 1213 wear and scratches 1214 missing two small pearls, spots of tarnish, wear and scratches 1215 opals appear glued into mounting, light wear 1216 light wear and scratches 1217 lapis slightly loose in mounting but appears secure, light wear 1218 wear and dirt to dial, not keeping time when inspected, wear and scratches consistent with age and

use 1219 very light wear 1220 very light wear 1221 one very small abrasion to a facet junction on aquamarine visible with loupe, abrasions to few sapphires, light wear 1222 surface reaching inclusions on emerald visible with loupe, very light wear 1223 evidence ring has been reshanked and resized- multiple solder seams, emerald heavily abraded and with small chips, wear and scratches to metal, ring out of round; with sizing beads soldered inside shank, seam cracked on ring with diamond, wear and scratches 1224 wear and scratches to gold consistent with use 1225 four mountings appear to have been removed from ends or possibly bracelet was extended? solder seams on both ends near clasp 1226 dents, plaster (?) residue, tarnish, cracks, scratches and tool marks, see images for full composition of metal 1227 areas of tarnish, dents and wear, see images for full composition of metal 1228 dents, wear and scratches, see images for full composition of metal 1229 dents, scratches, dirt,see images for full composition of metal 1230 wear and marring to gold, three prongs are lifted and should be checked by a jeweler but emerald appears secure currently 1231 some emeralds with cracks and losses/chips, light wear to gold 1232 one diamond with small chip, wear to gold consistent with use 1233 small chips to few gemstones, light wear and scratches 1234 evidence of sizing, bearding/abrasions around frosted girdle; wear and scratches consistent with use and being worn next to engagement ring 1235 chips to some diamonds, wear and scratches to gold 1236 emerald loose in mounting but secure, small chips and abrasions to emerald, evidence of sizing/ crack at solder seam, solder seam visible on mounting, scratches and marring to gold 1237 light wear 1238 light wear and scratches, was likely converted from brooch/pin into pendant 1239 small chip to 0.62ct. diamond around girdle visible with loupe, evidence of sizing, wear consistent with use 1240 small chip to tourmaline visible with loupe, light wear 1241 missing one diamond, light overall wear 1242 scratches to opal, scratches and marring to gold consistent with use 1243 tarnish, wear and scratches from use 1244 light wear and scratches 1245 chips to black onyx pendant, remnants/residue in locket, chips to few beads, wear and scratches to gold consistent with age and use 1246 wear and dirt to knots and pearls, center component with visible repairs/solder- appears to be reworked dress clips/brooch 1247 light tarnish and wear 1248 missing one diamond and two seed pearls, wear and scratches to

gold 1249 dents to gold beads; marring to back of ring, wear and scratches consistent with use; one seam not soldered on mounting; chips with losses to some emeralds, wear and scratches consistent with use 1250 light tarnish, light wear and scratches consistent with use 1251 tarnish, chips/abrasions to some sapphires 1252 slight abrasions visible with loupe to few gemstones 1253 wear to matte finish, light scratches 1254 abrasions to opal visible with loupe, wear to back of ring 1255 light tarnish 1256 wear to outer boxes 1257 P.C.I. determined the grade to be Good (circulated) 1258 some toning, slight handling evidence on business strikes, proof and burnished coins not removed from capsules 1259 as issued with box and COA 1260 minimal wear as would be expected with About Uncirculated/Uncirculated coins; Nice eye-appeal 1261 envelopes of earlier sets have wear and/or writing 1262 most circulated, some cleaned, 1885 and 1886 Liberty Nickels included but lower grade, "1856" Flying Eagle Cent stamped "COPY" 1263 majority are circulated, with a few BU, no proofs; Barber Dime set missing seven tougher coins; each Mercury Dime set missing 1916-D, 1921 and 1921-D; one Walking Liberty Half Dollar set missing 1916-S, 1921 and 1921-D, the other missing 1921 and 1921-D; one Franklin set missing 1953-D 1264 as issued in Mint packaging 1265 Mint Packaging, as issued 1266 coins in Mint cellophane, some writing to boxes 1267 circulated 1268 VG to VF (Morgans), VG to AU (Peace), some with evidence of cleaning, some toning spots 1269 most with a nice circulated look, 1878-S Morgan is UNC, 1928-S Peace Dollar has been cleaned, Anthony Dollar is Proof Cameo, Eisenhower Commem is PCGS PR64DCAM 1270 some toning; high grade coins selected; 1953 proof is graded PCGS PR64, 1955 proof is graded ACG PR69; missing 1950 and 1951 proofs 1271 wear, toning, minimal scratches, mount removed (1807) 1272 most fall between Good and Fine, a few with previous attempts to clean 1273 coins have developed rich toning imparted by the cardboard used in packaging these sets 1274 some wear to outer boxes 1275 PCGS has determined this to be an MS-65 (Gem) 1276 high grade coins with eye-appeal were selected for this set, strong remaining detail and very light circulation 1277 P.C.I. determined the grade to be Fine (circulated) 1278 strong reverse, die pair #2, Very Fine 1279 ANACS determined the grade on each to be Fine-12 (shows circulation) 1280 lustrous, no evidence of circulation 1281 as issued from the Mint 1282 coins remain untouched in cap-

sules 1283 some separation at inner hinge, rubbing, shelf wear, foxing to pages, some writing and stamping to inner boards, slightly bumped corners 1284 near fine in original green cloth, slightly rubbed at extremities 1285 fraying, foxing, staining, writing to inner board, one signature loose, slightly bumped corners 1286 rubbing, foxing, staining, "2nd issue/24" written in pencil at top of flyleaf, title page is liberated from binding, inner hinge separating at top, bumped corners 1287 foxing, fading, slight staining, bumped corners 1288 rubbing, foxing, fading, ex-library stamping, bumped corners 1289 fading, foxing, rubbing, inscriptions and erasures, loose hinges, ex libris cards affixed, staining, one with frontispiece separate, affixture to pastedown, slightly bumped corners 1290 loose hinges, rubbing, foxing, fading, staining, warping, separations, affixed labels, bumped corners 1291 rubbing, foxing, loss to gilt, weakness at hinges, slightly bumped corners 1292 rubbing, fading, foxing, some interior writing, loose hinges, bumped corners 1293 rubbing, slight loss to gilt, slightly bumped corners 1294 hinges reinforced, scuffing, rubbing, stray writing, breaks in leather, foxing, fading, bumped boards, bumped corners 1295 small tears to dust jacket, foxing, fading, slightly bumped corners 1296 rubbing, foxing, some losses around edges of flyleaf, writing on flyleaf, bumped corners 1297 some paper loss to dust jacket, light staining, foxing, very faintly bumped corners 1298 foxing, fading, slightly bumped corners 1299 foxing, staining, slight tearing, fading, slightly bumped corners, crude repair at front and back hinges (possible re-bound) 1300 slight foxing, staining, minor writing to flyleaf, very lightly bumped corners 1301 tears to dust jacket, foxing, fading, softly bumped corners 1302 rubbing to dust covers, fading, foxing, bumped corners 1303 foxing rubbing, losses to gilt, minor staining, light pencil on interior, weathering to case 1304 foxing, fading, rubbing, losses to gilt, small and light pencil marking "650.00" 1305 some rubbing, foxing, loss to gilt, bookplate affixed 1306 foxing, rubbing, losses to gilt, minor staining, warping, minor writing on the interior, weak hinges, loose flyleaf 1307 rubbing, foxing, loss to gilt, discrete and relevant writing on inside, hinges loose from age and use, flyleaf separation 1308 overall foxing, rubbing, loss to gilt, ex libris bookplates, staining, period and later inscriptions, fading to cover (especially on Gustavus Adolphus), flyleaf separated but present (Longfellow) 1309 foxing, rubbing, loss to gilt, hinges slightly loose, ex libris bookplate affixed, some interior writing

Condition Notes - Please check website for updated condition notes 1310 overall toning, creases, right and lower right margins trimmed 1311 not examined out of frame, mild staining, some paper loss at edges; frame shows some light scratches and chips 1312 Cercles map loss to tip of upper left and lower left corners, Suisse map with water stain bottom center, Boheme map with two small stains upper right and small edge tear lower left, Danemark with scattered light stains left side of map, Turquie map with extensive foxing and small edge tear bottom center, Afrique map with several small tears along edge and separation at bottom crease, all maps with light foxing and center creases 1313 center creasing, one of the atlases of France with several words underlined in red ink, very minor foxing, a few scattered light stains 1314 dents, light scratches and wear 1315 small dent, interior scratches 1316 good condition 1317 plate with base dents, both with light scratches 1318 creamer with bent base; tray with small spots of pitting, small dents, all with light scratches and small dents 1319 good condition

1320 base and rim dents, light scratches and wear 1321 rim dent, small dents, light scratches 1322 small dents, light scratches 1323 both with rim and base dents, light scratches 1324 both with rim and base dents, light scratches and wear 1325 1854 with bent base, both with light scratches, small dents 1326 both rim dents, small dents, light scratches 1327 morning glory has bent rim and dented base, other two with light scratches 1328 Wayne County with bent rim and base, both with light scratches and wear 1329 Duhme with numerous dents and wear, all with light scratches and small dents 1330 side dent, other small dents and light scratches 1331 tea service with dents, light scratches and wear; tea strainer with dents and damage; tray with loss to plate and pitting 1332 light scratches and some wear 1333 rim bent, rim den, base bent, light scratches 1334 small base dent, light scratches 1335 Hudson & Dolfinger with dented base, both with dents and light

1336 1337 1338 1339 1340 1341 1342 1343 1344 1345 1346 1347

1348 1349 1350 1351 1352 1353 1354 1355 1356 1357 1358 1359

scratches small dents, light scratches all with wear and damage light scratches, small dents light scratches small dents both with wear average wear average wear average wear forks with wear to tines light scratches, loss to gilt, wear light scratches round tray with crack and separation, bent rim; oval tray with two spots of pitting, all with light scratches and small dents later felt, silver with light scratches and wear light scratches and minor wear light wear, small dents both with dents in bowl, light scratches and wear all with wear punch ladle with monogram removed and buffed bowl; light scratches and wear bowl has been buffed, wear all with wear, one with later decoration on back of spoon all with typical wear average wear all with wear and damage all with light scratches and small dents

1360 1361 1362 1363 1364 1365 1366 1367

1368 1369 1370 1371 1372 1373 1374 1375 1376 1377 1378 1379 1380 1381 1382 1383 1384 1385 1386

both with average wear light scratches and wear all with wear small chip on hair of one figure very minor wear minor wear drilled, otherwise good overall condition adhesive residue near front, old sticker residue, minor discoloration to border of mirror with light scratches very minor wear a few abrasions along rim old stickers, minor wear minor wear very minor wear old sticker residue, minor wear minor wear minor wear minor wear minor wear minor wear some tarnish on metal element, minor wear minor wear some with old stickers, minor wear minor wear minor wear some with minor scratches to beak minor wear minor wear

Fine Art Index Alexander, Francis 1014 American School 943, 952, 990, 1026, 1027, 1033 Anderson, Sophie Gengembre 866 Appel, Karel 1116 Arneggar, Alois 867 Ashley, Frank Nelson 1130-1133 Audubon, John James 1032 Benton, Thomas Hart 1145 Billfaldt, Jeanne V. 1024 Bispham, Henry Collins 1013 Blair, Carl Raymond 1111 Blenner, Carle J. 1017 Braque, Georges 1127 British School 906, 909, 943, 944 Brown, John Sylvan 1099 Brunner, Hattie K. 1041, 1042 Burchfield, Charles Ephraim 987 Burliuk, David Davidovich 1135-1138 Butler, Howard Russell 976 Catesby, Mark 1082-1084, 1086-1090, 1093 Continental School 963 Cooke, Edward, Attributed 899 Cortès, Edouard Lèon 868 Dali, Salvador 1112 Dannat, William Turner 1016 Day, Horace Talmadge 1100 De Gelder, Aert, After 842 de Vlieger, Simon, Attributed 967 de Vos, Maerten 975 de Vries, Joghem 846 de Wint, Peter 942 Dou, Gerrit, After 847 Drouais, François, Follower 854 Ducuing, Paul Jean Marie 969 Dufner, Edward 1019, 1020 Flach, Christopher 1126 Flanagan, Jack 1134 Fortescue-Brickdale, Eleanor 922 Fournier, Alexis Jean 1031 Friberg, Arnold 1040 Gale Tyler, James 989 Galien-Laloue, Eugene 962 Gatewood, Maud 1108 Gillray, James 908 Grapp, Jean 1143 Hafner, Charles Andrew 1158 Hardy, Jr., James 901 Hartley, Rachel 1076, 1077 Harvey, André 1148 Herring, Sr., John, Follower 925 Herzog, Hermann 981, 982 Hill, Thomas 1030 Hodgkin, Howard 1123 Hofmann, Hans 1129 Hopkins, James Roy 986 Humphrey, Walter Beach 1039 Hutty, Alfred Herber 1075, 1078 Icart, Louis 1144 Italian School 852, 853, 855, 964, 965, 968 Joan Miró 1113, 1114 Johnson, Eastman 984, 985 Jones, Francis Coates 988 Koekkoek, Elder, Marinus 843 Lawson, Ernest 1025 Leake, Eugene W. 1028 Lermite, Jean Pierre 1125, 1128 Leroux, Auguste 974 Leutze, Emanuel Gottlieb 1012 Lindsay, Thomas Corwin 1021 Longstreet, Madeline 1124 Longstreet, Robert 1124 Lyne, Michael 945 Madou, Jean Baptiste 849 McKenny & Hall 1064, 1065 Mêne, Pierre-Jules, After 973 Moine, Antonin Marie 970 Moran, Edward 992 Moran, Thomas 993, 1037 Moreau I, Louis, Attributed 864 Moreau, Auguste 874 Munier, Emile, Attributed 865 Munting, Abraham 951 Olsommer, Charles Clos 1140, 1139, 1142 Palizzi, Filippo 863 Piranesi, Francesco 856 Piranesi, Francesco 862 Piranesi, Giovanni Battista 857, 858, 860 Poelenburgh, Cornelis van, After 841 Pohl, Adolf Josef 971 Potthast, Edward Henry 1034, 1035 Prentice, Levi Wells 1038

Read, Edward Harry Handley Ream, Carducius P. Regat, Jacques Regat, Mary Ripley, Aiden Lasell Robert, Philippe Rossini, Luigi Sarto, Andrea Del, Follower Schwartz, Andrew Stevens, Will Henry Tereszczuk, Peter Thieme, Anthony Thornton, Publisher, Robert Tirefort, Bela De Titian, After Traver, Marion Gray Triandafyllidis, Theofrastos Turner, Joseph M. W., Follower Upton, Scott Vaardt, Jan van der, Attributed van Ostade, Adriaen, Follower van Ostade, Isaack, Follower van Rijn, Rembrandt Vasarely, Victor van Veen, Maerten, Follower Vicari, Cristoforo Walker, William Aiken Wall, William Allen Warhol, Andy Watkins, Susan Watson II, William Wiggins, Guy Carleton Wood, Grant Wyant, Alexander Helwig Yerger, John

928 1022 1147 1147 1036 875 861 966 1029 1102-1107 870 991 918-921 978 845 977 1149 897 1109, 1110 851 848, 850 850 840 1117 844 871 1079, 1080 1015 1115 983 902 979 1146 980 1018

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Terms of Sale 1. All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Brunk Auctions or by any seller represented by Brunk Auctions. 2. Bidding will begin at a price appropriate in auctioneer’s discretion. The auctioneer always reserves the right to withdraw a lot for any reason he deems appropriate. At the auctioneer’s discretion, no bid of less than one half the low estimate will be accepted from any source: phone bidding, absentee bidding, internet bidding, or bidding in the gallery. All lots in this catalog are offered subject to a reserve, which is the confidential minimum hammer price at which a lot will be sold. In executing a reserve, the auctioneer has the right to bid on behalf of the Consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If the reserve is not met, the Auctioneer has the right to withdraw the item from the sale. 3. Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder’s responsibility to get our attention prior to our saying “sold”. We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer’s discretion. 4. Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. Credit arrangements must be made by the Friday prior to the day of auction so bank statements can be verified. We reserve the right to not issue a buyer’s number or to withhold merchandise if appropriate credit has not been established. We require wire transfers for international buyers. First time buyers will be required to pay by wire transfer or cashiers check. 5. Payment is expected at time of purchase. Payment for successful absentee, phone bids and online bids are required within five business days of the auction. Bidding on an item indicates the client’s acceptance of our Terms of Sale. Your signature on our Bid Form or acceptance of these terms through any online bidding platform constitutes permission to charge successful bids to credit cards if payment is not received within five days of the auction. 6. We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at one half the printed low estimate, and gives the auctioneer the authority to open the bidding at that level. Brunk Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute. 7. In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers.com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 70-100 lots per hour. Following are general guidelines for bidding

increments: $0-$100 .......................$25 increments $100-1,000...................$50 increments $1,000-2,000................$100 increments $2,000-3,000................$200 increments $3,000-5,000................$250 increments $5,000-10,000..............$500 increments $10,000-$20,000.........$1,000 increments $20,000-$50,000.........$2,000 increments $50,000-$100,000.......$5,000 increments above $100,000.........auctioneers discretion 8. In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above. 9. Purchaser agrees that packing and shipping is done at the purchaser’s risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will either be packed by an agent such as a packaging store or Brunk Auctions. Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests. Brunk Auctions will have no liability for any loss or damage to shipped items. 10. Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our to avoid such a situation. 11. All purchases are subject to applicable North Carolina sales tax unless the North Carolina Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer’s country. 12. Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Brunk Auctions may seek all remedies under the law including canceling the sale and reoffering the property without reserve. 13. A buyer’s premium will be applied to the purchase price of all items: 20%....Cash, check or wire transfer 23%....MasterCard, Visa, Discover and American Express credit cards 23%....Bidsquare with cash, check or wire transfer 26%....Bidsquare with MasterCard, Visa, Discover and American Express credit cards 25%....Liveauctioneers with cash, check or wire transfer 28%....Liveauctioneers with MasterCard, Visa, Discover and American Express credit cards 14. Purchased items not picked up from our auction facility within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within sixty calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer’s commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Brunk Auctions. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you. 15. We are closed on Fridays the week following auctions. Please arrange appointments for other days. 16. Export and Permits - It is the purchaser’s sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalogue reflect Brunk Auctions’ reasonable opinion at the time of cataloguing and are for bidders’ general guidance only; Brunk Auctions and the Consignor make no representations or warranties

as to whether any lot is or is not subject to export or import restrictions or any embargoes. 17. ◉Endangered Species - Certain property sold at auction, for example, items made of or incorporating plant or animal materials, irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Brunk Auctions suggests that international buyers check on foreign governments’ wildlife import requirements prior to placing a bid. All buyers agree to comply with any and all domestic and international restrictions on the trade of endangered species as a condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the purchaser’s responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. In the case of denial of any export or import license or of delay in the obtaining of such licenses, the purchaser is still responsible for making on-time payment of the total purchase price for the lot. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States. Brunk Auctions is not able to assist the purchaser in attempting to obtain the appropriate licenses and/ or certificates, and there is no assurance that an export license or certificate can be obtained. Please check with our specialists if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on exportation. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn. 18. Due to the embargo on Persian carpets, international shipping is not available. 19. Brunk Auctions makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, “earth mined”, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, “cultured or natural pearls, fresh water, south sea, Tahitian pearls”, and other materials used in jewelry, may be enhanced by a variety of treatments. Brunk Auctions makes no warranties or guaranties that any clock or watch is in working order. 20. CONDITION OF FIREARMS: Brunk Auctions or its' employees or consultants make no warranties or representations whatsoever concerning the operation of firing condition, safety to store or reliability of any firearm. Any firearm purchased is at the user's risk. Brunk Auctions expressly disclaims any liability whatsoever for accident, injury or damage resulting to any person or property from the storage or use of any such lot. 21. Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 24 hours in advance of the auction to allow for time to complete the approval process. We make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. First time participants bidding through any online platform will be limited to a maximum of $25,000 total in cumulative bids. Parties who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with Brunk Auctions through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. Bids left on Live Auctioneers & Bidsquare are not executed until the item is offered in the live auction therefore the order in which those bids are received is not a factor. We will make every effort within reason to accept and process bids from online participants. Brunk Auctions will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature.

Team

Nashville

Ready to serve you with exceptional results for your estate or collection.

PRINCIPALS

Andrew Brunk

President, Auctioneer

Robert S. Brunk

President Emeritus

Lauren Brunk

Vice President, Museum Services, Auctioneer

CONSIGNMENTS Franklin Gunnells

Consignment Coordinator

Jim Crowley

Inquiry Coordinator, Auctioneer

Sarah Sperling

Director of Nashville Operations

SPECIALISTS

Contact our Nashville Representative Sarah Sperling 615-981-3310 sarah@brunkauctions.com

Andrew Brunk

Furniture, Folk Art

Lauren Brunk

Southern Fine Art and Collections

Greg Capps

Coins & Currency

Laura Crockett

European and Modern Fine Arts, Prints

Jim Crowley

Decorative Arts/Asian Arts

Libby Davis

Decorative Arts

Franklin Gunnells

Cut Glass

Corey Jones

Southern Pottery

Silvia Kennedy

Cut Glass, Firearms

Price Parker

Decorative Arts

Robin Rice

Silver

Katie Simonetti

Jewelry

Karen Swager

Decorative Arts, Textiles

Nan Zander

American Fine Art, Native American, Stringed Instruments, Auctioneer

BUSINESS OFFICE Silvia Kennedy

Business Manager

Leah Krause

Administrative Manager

Shannon Hallowell

Administrative Assistant

PHOTOGRAPHY Monica Scott

Director of Photography

Brooke Bennink

Photographer

Michael Traister

Photographer

MARKETING

Michelle Parparian

Director of Marketing

Robin Rice

Catalog Layout

Nan Zander

Exhibition Design

OPERATIONS Corey Jones

Operations Supervisor

Cliff Oâ&#x20AC;&#x2122;Hara

Shipping

Thomas Nixon

Property Management

Michael Welch

Property Management

Dustin Vanderbunt

Property Management