Bukowskis | Modern Art + Design No 632| Design | May 2021

MONDAY MAY 10 From 1 pm (CEST) Number Glass

1–63

Ceramics 64–145 Silver and Jewellery

146–194

Carpets 195–270 Furniture and Works of Art

271–438

TUESDAY MAY 11 From 1 pm (CEST) Number Jan Torsten Ahlstrand Collection (separate catalogue)

439–490

Art 491–749 Prints 750–793

For inquiries please contact Design & 20th Century Works of Art Eva Seeman, +46 708 92 19 69 eva.seeman@bukowskis.com

Design & 20th–21st Century Works of Art Jonatan Jahn, +46 703 92 88 60 jonatan.jahn@bukowskis.com

Design & 20th Century Works of Art Camilla Behrer, +46 708 92 19 77 camilla.behrer@bukowskis.com

Carpets, Textiles & Islamic Works of Art Anette Granlund, +46 708 92 19 92 anette.granlund@bukowskis.com

Cover: Alexandre Noll, an ebony “Large bol”, France ca 1950. Margareta Köhler, a macassar ebony modernist desk for Futurum, Stockholm 1938. A carpet, Swedish design, knotted pile in relief, signed IB.

1. Axel Enoch Boman, an Art Nouveau cameo glass vase, Reijmyre, Sweden ca 1908.

A sea eagle in purple against a background of the sea in mixed colours yellow, blue, green and white glass, signed Reijmyre A.E, Boman 169. Height 16 cm.

Estimate: SEK 8 000 – 12 000 / EUR 800 – 1 190

2. Karl Lindeberg, an Art Nouveau cameo glass vase, Kosta Sweden.

Decorated with vines and grapes in purple, signed to the bottom K. Lindeberg Kosta and Kosta to the body. Height 30 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

3. Simon Gate, a glass vase, Orrefors 1917.

Optics blown, coral red underlay, signed SG – KB (Knut Bergqvist, glassblower), height 19,5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

4. Simon Gate, an engraved glass bowl with plate, Orrefors, Sweden 1923, model 122.

Richly engraved decoration of dancing women, the bowl signed ORREFORS S. GATE. 122. 1926. E. WEIDLICH (engraved by Emil Weidlich, active at Orrefors 1922–29), height of the bowl 23,2 cm, diameter 28 cm, diameter of the plate 29,6 cm.

Estimate: SEK 100 000 – 150 000 / EUR 9 900 – 14 840

5. Simon Gate, an glass bowl with plate, Orrefors 1924, engraved by Karl Müller.

6. Simon Gate, an engraved glass bowl, Orrefors, Sweden 1946, model 372.

Decorated with four panels with female figures on postaments, the bowl signed Orrefors. S. Gate. 107. 1924. K. Müller, the plate unsigned. Total height 13,5 cm, diameter of the plate 20,5 cm.

Decorated with four different medallions with figure scenes and crossed swords, signed Orrefors. S Gate. 372. KR B.3.

Measurements 24,5 x 22 cm, height 8,3 cm.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

7. Simon Gate, an engraved glass vase, Orrefors, Sweden 1947, engraved by Arthur Diessner.

Engraved decor with oriental figures, engraved signature Simon Gate ORREFORS SIMON GATE – 1847 – 1947 – A – DIESSNER. Literature: H. Ricke, L. Thor (ed), ‘Schwedische Glasmanufakturen, Produktionskataloge 1915–60’, München 1987, see the model illustrated from Smålands museum, ‘Orrefors Nr 12’, see p 126.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

8. Edward Hald, a ‘fish graal’ glass vase, Orrefors, Sweden 1945.

Decorated with fish in green against clear glass, signed Orrefors Sweden 1945 Graal nr: 2295 Edward Hald. Height 16,5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

9. Edvin Öhrström, an ‘Ariel’ glass vase, Orrefors, Sweden 1948.

Patterned decor in grey/black against emerald green, signed E Öhrström Orrefors Sweden Ariel nr: 433. Height 17 cm. Base with light enclosed. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

10. Withdrawn

11. John Selbing, two glass sculptures ‘Klot över kon’, Orrefors, Sweden 1954.

Clear glass, height 51,5 and 53,5 cm.

Provenance: Received as a 40th birthday present in 1960, thence by descent.

Literature: Kerstin Wickman (ed), ‘Orrefors, Etthundra år av svensk glaskonst’, compare the model illstrated, photographed by John Selbing, p 76, the largest one of theses sculptures, height 45,8 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

12. Nils Landberg, a ‘Tulip’ glass goblet, Orrefors, Sweden 1954.

13. Nils Landberg, a glass vase, Orrefors, Sweden 1964.

Burgundy and grey coloured glass, signed ORREFORS EXPO 1954.

N. Landberg. Height 38,4 cm.

Blue coloured glass with patterned decor, signed Orrefors 1964 N. Landberg. Height 41,2 cm.

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(d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

14. Nils Landberg, ‘expo 129’, a unique glass vase, Orrefors 1944.

Decorated in a ‘mykene’ technique with carborundum with a nude female in sunlight among plants in grey against clear glass, signed ORREFORS SWEDEN 1944 Expo 129 Nils Landberg. Height 18,5 cm.

Literature: Åke Stavenow (ed), Svenska Slöjdföreningens tidskrift, FORM 1936, nr 6, compare Vicke Lindstrand’s vase in ‘Mykene’ technique, bought by Nationalmuseum, p 149.

Derek E. Ostergard & Nina StritzlerLevine (ed), ‘The brilliance of Swedish Glass, 1918–1939, An Alliance of Art and Industry’, The Bard Graduate Center for Studies in the Decorative Arts, New York 1996, compare Vicke Lindstrand’s ‘Mykene’ vases, catalogue no 126–129, pp 280–282. (d)

Estimate: SEK 30 000 – 35 000 / EUR 2 970 – 3 470

15. Sven Palmqvist, a ‘Ravenna’ glass bowl, Orrefors, Sweden 1953, nr 438.

Oval, boat–shaped, decorated with yellow and blue ovals against a ruby red ground, signed ORREFORS RAVENNA NR 438 Sven Palmqvist. Length 24,5 cm, width 12,5 cm, height 8 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

16. Vicke Lindstrand, a cut glass vase, Orrefors 1931.

Blue tinted glass with cut decor, signed Orrefors V. Lindstrand 31. Height 15,5 cm. (d)

Estimate: SEK 4 000 – 6 000 / EUR 400 – 600

17. Gunnar Cyrén, a ‘graal’ glass vase, Orrefors, Sweden 1987.

Irregular shape, blue and green glass with cut stripes, signed Orrefors 937672 Gunnar Cyrén Graal 1–87. Height ca 21 cm, length ca 24 cm.

Estimate: SEK 5 000 – 6 000 / EUR 500 – 600

18. Vicke Lindstrand, an engraved glass vase ‘It smells like fish’, Kosta, Sweden 1950’s.

Engraved and cut decor with a cat and a fishing net, signed V. Lindstrand Kosta LG 377. Height 33 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

19. Vicke Lindstrand, a set of three glass vases, Kosta, Sweden 1950–1960’s.

Underlay in coral red, green and black, oval shapes with holes.

Signed Kosta LH 1321/69, Kosta LH 1321/72 and LINDSTRAND KOSTA LH 1179, height 12,5, 27,5 and 29,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

20. Bengt Edenfalk, a ‘Thalatta’ glass vase, Skruf, Sweden 1960’s.

Oval shape, clear glass decorated with figures and dots in green colours and blue. Signed Edenfalk Skruf –62(?) blurred date, Thalatta, measurements ca 28 x 23 cm, height 19,5 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

21. Edvin Öhrström, a cast glass sculpture, Lindshammar, Sweden 1960’s, ed. 2/5.

Clear glass, signed Öhrström 2/5. Height ca 41 cm, length ca 54 cm, excluding stained wooden stand. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

22. Eva Englund, a ‘graal’ glass vase, Orrefors, Sweden 1987.

Decorated with faces and fruit in several colours, signed Orrefors 957130 Eva Englund Graal 1–87, height 34 cm, diameter 16,5 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

23. Bengt Lindström, a blasted glass vase, Kosta, Sweden 1982, numbered 9/95.

Oval footed vase with handles, blasted decor of a face in blue, green, yellow and pink. Signed Lindström 9/95 Kosta –82 and label marked Kosta Crystal Collection. Height 21,5 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

24. Anne Nilsson, a ‘graal’ glass vase ‘Inka I’, Orrefors, Sweden 1990, ed. 20/30.

Decorated in dark blue/black against light blue of a face with eyes, nose and mouth in blue, purple, green and orange. Signed Orrefors Gallery – 90 955278 Anne Nilsson 20–30. Height 29,5 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

25. Ulrica Hydman–Vallien, a unique ‘graal’ glass vase, Kosta Boda, Sweden.

Decorated with figures among trees, etc in several colours, signed 8UHVUN 994080 KOSTA BODA UNIQUE Ulrica HV. Height 39 cm. (d)

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

26. Ulrica Hydman–Vallien, a unique ‘Kabale’ glass sculpture/ vase, Kosta Boda, Sweden 1987.

Decorated with painted animal figures against a red ground, clear glass stopper in the shape of a cobra, mouth of pewter, stamped UHV Tenn N10, signed Kosta Boda Unik 310870371 Ulrica H.V, also the stopper numbered 310870371. Height 27 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

27. Bertil Vallien, a blue sand cast and polished glass sculpture, Kosta Boda Sweden.

Signed B Vallien KOSTA BODA UNIQUE 1363990272. Height 71 cm, width 26 cm, depth 9 cm, height including base of diabase 76 cm.

Literature: Gunnar Lindqvist ‘Bertil Vallien – Glas äter ljus’, Carlssons Bokförlag, 1999, compare similar sculpture ‘Area II finding’, part of the ‘AREA II’ exhibition hold at the Borgholm Castle, the summer of 1991, ill p 207. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

28. Bertil Vallien, a sand cast glass sculpture of a boat, Kosta Boda, Sweden.

Blue glass with several different coloured elements inside, figures, ladders etc. Signed KOSTA BODA 8BVAUN 979342 UNIQUE B. Vallien, length 49,5 cm, placed on an iron stand with steel wire, height 19 cm. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

29. Bertil Vallien, a sand cast glass sculpture of a boat on stand, Kosta Boda, Sweden.

The interior of the boat with different elements and a face, both pieces signed Kosta Boda 305851106 B. Vallien, length of the stand 42,5 cm, the boat 38,5 cm, total height 13,3 cm. (d)

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

30. Kjell Engman, a unique glass sculpture ‘Nobelman’, Kosta Boda, Sweden.

31. Kjell Engman, a unique cast glass sculpture of a guitar, Kosta Boda, Sweden.

Cast and sand cast glass on an iron plaque, signed Kjell E and underneath 7470075 Kosta Boda Unique Kjell Engman. Height ca 98 cm, total height ca 154 cm including blasted stand with light.

Decorated in several colours and gold, the interior with a face, signed 7470207 Kosta Boda Unique Kjell Engman. Height ca 91+112 cm, total height ca 203 cm including the wooden stand with iron plates.

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(d)

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

32. Alvar Aalto, a ‘Savoy/9750’ dark green glass vase, probably Karhula Glassworks, Finland 1937–1949.

Blown into wooden mould. Height 15,2 cm.

Provenance: Architect Judith Turner von Huth. In 1952 she made a study trip to visit Alvar Aalto in Finland. She was given this vase as a gift from Aalto at the time.

Literature: Christiane Heuwinkel (ed), ‘Alvar & Aino Aalto. Design Collection Bischofberger’, Haatje Cantz Verlag, Germany 2004, compare p 211.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

33. Alvar Aalto, a green tinted glass dish, model 9748 for Karhula Glassworks, Finland, in production 1937–1949.

Mould blown, length 38 cm, height 5 cm.

Provenance: Gift from Finland, acquired before 1950.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

34. Alvar Aalto, a clear glass vase, Iittala, Finland probably 1960’–1970’s, model 3031.

Mould blown, engraved signature ALVAR AALTO and label marked, height 30,4 cm.

Literature: Aalto, Alvar & Keinänen, Timo, ‘Alvar Aalto: designer’, Alvar Aalto Foundation, Alvar Aalto Museum, Helsinki, 2002, p 196.

Kellein, Thomas & Egging, Björn, ‘Alvar & Aino Aalto design: Collection Bischofberger’, Hatje Cantz, Ostfildern–Ruit, 2005, p 217.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

35. Timo Sarpaneva, a ‘Devil’s pearl’ glass bowl, Iittala, Finland 1956.

36. Nanny Still, a yellow and black ‘Melon’ vase/sculpture, Riihimäen Lasi Oy, Finland.

Clear glass with bubbles, signed TIMO SARPANEVA IITTALA –56. Measurements ca 16,5 x 15,5 cm, height 13,5 cm.

Signed Nanny Still Riihimäen Lasi Oy. Height 10,5 cm.

Estimate: SEK 5 000 – 6 000 / EUR 500 – 600

37. Louis Comfort Tiffany, an Art Nouveau ‘Favrile’ glass vase, USA. Iridescent surface, decorated with straws of grass, signed 10131 L.C.T and with a paper label. Height 32,5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

38. Emile Gallé, an asymmetrical Art Nouveau fire polished cameo glass vase, Nancy, France.

Decorated with a grasshopper and ferns in burgundy against clear glass, signed to the bottom Cristallerie E. Gallé and a butterfly, height 22 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

39. Emile Gallé, an Art Nouveau cameo glass vase, Nancy, France.

40. Emile Gallé, an Art Nouveau fire–polished cameo glass vase, Nancy. France.

Decorated with roses and foliage in red against a matte yellow background, singed Gallé to the body. Height 36 cm.

Decorated with a floral motif in purple against matte white, signed to bottom Cristallerie d’ Emile Gallé Nancy Modèle et Décor Déposés, height 23,5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

41. Emile Gallé, an Art Nouveau cameo glass vase, Nancy, France, early 1900’s.

42. Emile Gallé, an Art Nouveau cameo glass vase, Nancy, France.

Etched floral decor in purple and green against a white frosted ground. Signed Gallé, height 31,2 cm.

Etched and polished decor of mistletoe in dark olive green against yellow, signed Gallé, height 30,8 cm.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

43. Gabriel Argy–Rousseau, a pâte–de–verre night light, France ca 1925.

A bouquet of flowers in red, dark green and almost black glass, signed into the mould G. ARGY–ROUSSEAU, height including the patinated metal fitting ca 13 cm.

Literature: Janine Bloch–Dermant, ‘G. Argy–Rousseau Glassware As Art’, Thames and Hudson, London 1991. Pp 100, 108–109, this model depicted.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

44. Daum, an Art Nouveau enamel painted cameo glass landscape vase.

Decorated with trees in a spring landscape with a lake in yellow, different green hues, brown and black against a blue tinted background. Signed DAUM NANCY, height 35 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

45. Daum, a cameo glass bowl, Nancy, early 1900’s.

Etched and polished decor of trees in green and grey against a dark purple ground, signed Daum Nancy. Height 9,5 cm, diameter ca 12 cm.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

46. Daum, an Art Nouveau mould blown, soufflé glass vase, Nancy France.

Decorated with squash flowers and leaves in yellow tinted glass against a matte background, signed DAUM NANCY, height 25,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

47. Daum, an Art Nouveau soufflé/ mould blown glass vase, Nancy, France.

Almost black trees in high relief against a pink background, signed Daum Nancy. Height 29 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

48. René Lalique, an opalescent ‘Dahlias’ cast glass ceiling light, France 1920’s–1930’s.

Signed R Lalique and to the interior R LALIQUE, diameter 30,5 cm, height of the bowl 15 cm.

Literature: Félix Marcilhac, ‘René Lalique 1860–1945 maitre–verrier analyse de l’oeuvre et catalogue raisonné’, Les éditions de l’Amateur, Paris, 1994. See p 592, catalogue no 2011.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

49. Vittorio Zecchin, a smoke coloured ‘Soffiato’ glass vase, model 1464, Venini, Murano, Italy 1920’s.

Rectangular etched mark venini murano ITALIA. Height 29 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

50. Tyra Lundgren, a glass sculpture of a bird, Venini, Murano, model 2627, ca 1937–1938.

Tea coloured iridescent glass, marked with paper label: Venini Murano Venezia 2627 Made in Italy. Height 14 cm, length 15,5 cm.

Literature: Anna Venini Diaz de Sanitillana, ‘Venini, Catalouge Raisonné 1921–1986’, Skira 2000, ‘Catalogo blu’, fol 45, no 2627, p 243.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

51. Tyra Lundgren, an ‘a Bollicine’ glass bowl, Venini, Murano, Italy ca 1940.

Emerald green glass, etched stamp venini murano MADE IN ITALY. Length 32 cm, width 20 cm, height 11 cm.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

52. Tyra Lundgren, a leaf–shaped iridescent zanfirici bowl, Venini, Murano, Italy post 1938.

Length 29,5 cm.

Estimate: SEK 4 000 – 6 000 / EUR 400 – 600

53. Carlo Scarpa, a ‘Mezza Filigrana’ glass vase, Venini, Murano, Italy ca 1946–1948.

Acid stamped signature venini murano. Height 30 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

54. Tyra Lundgren, & Paolo Venini, a ‘Murrine’ swallow /rondine, Venini, Murano, Italy.

Red and black murrine, wings of clear glass, etched signature venini murano ITALIA. Length 26,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

55. Riccardo Licata, a red glass ‘lattimo and black wheel murrine’ bowl, model 3613, Venini, Murano, Italy, probably 1950’s.

Rectangular acid stamp. Diameter 12 cm, height 7,3 cm.

Literature: Marino Barovier, Carla Sonego, ‘Paolo Venini and his Furnace’, Skira, Milano 2016. Pp 431, 441.

Riccardo Licata was educated as a painter. In the early 1950’s he became involved in working with mosaics and started working with different Italian glass manufacturers, S.A.L.I.R and Cenedese. For a short period between 1953–1954 and in 1956 he was working with the Venini glassworks, primarily exploring the use of mosaics, ‘murrine’, in his different designs.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

58, 57, 60, 61, 59 and 62, Alessandro Pianon, ‘Pulcino’ glass sculptures.

356, Josef Frank, a mahogany chest of drawers, Svenskt Tenn.

56. Tapio Wirkkala, a ‘Lapponi’ glass vase, Venini, Italy 1960’s.

Free blown glass, incalmo, grey coloured base, red neck and rim, engraved signature venini italia TW, height 25,8 cm, diameter 14,5 cm.

Literature: Marianne Aav, ‘Tapio Wirkkala Eye, Hand and Thought’, Werner Söderström Corporation, Museum of Art and Design, Helsinki, compare the model illustrated p 332.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

57. Alessandro Pianon, a ‘Pulcino’ glass sculpture of a bird, Vistosi, Murano, Italy 1960’s.

Blue glass, decorated with murrine, legs of copper, height 27 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

58. Alessandro Pianon, a ‘Pulcino’ glass sculpture of a bird, Vistosi, Murano, Italy 1960’s.

The body of green glass decorated with murrine in blue and red, copper legs, height 32 cm.

Estimate: SEK 30 000 – 35 000 / EUR 2 970 – 3 470

59. Alessandro Pianon, a ‘Pulcino’ glass sculpture of a bird, Vistosi, Murano, Italy 1960’s.

Orange glass body, copper legs, height 22,5 cm.

Literature: Franco Deboni, ‘Murano 900 Vetri e Vetrai’, Bocca Ed Milano 1996.

See p 327, catalogue no 243, here this model is said to be designed by Peter Pelzel.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

60. Alessandro Pianon, a ‘Pulcino’ glass sculpture of a bird, Vistosi, Murano, Italy 1960’s.

Boat–shaped, light blue glass with dark blue stripes, copper legs, height 17,5 cm, length 21,5 cm, width 9,5 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

61. Alessandro Pianon, a ‘Pulcino’ glass sculpture of a bird, Vistosi, Murano, Italy 1960’s.

The body of green glass decorated with murrine in blue and red, copper legs, height 29,5 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

62. Alessandro Pianon, a ‘Pulcino’ glass bird by Vistosi, Italy 1960’s.

Blue glass, decorated with murrine, legs of copper, height 27 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

63. Clare Henshow, a glass vase ‘Planting a seed’, Great Britain, 1999.

A seated woman in an exotic landscape, purple and amber coloured glass, signed Henshow –99 312897. Height 25 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

64. Ruben Rising, an Art Nouveau porcelain vase, Rörstrand, Sweden ca 1900.

In parts relief decoration and underglaze colours of waterlilies in purple and green hues, signed RR 20485, stamped 55, painted signature Rörstrand in green, paper label.

Height 47,7 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

65. Harald Almström, an Art Nouveau porcelain vase, Rörstrand 1900.

Underglaze relief decoration of maple leaves in pink and green, painted signature in green Rörstrand H Almström 1900.

Height 42 cm.

Estimate: SEK 15 000 – 18 000 / EUR 1 490 – 1 780

66. Gunnar G:son Wennerberg, an Art Nouveau, creamware jardinière for Gustavsberg, Sweden, 1905.

Decorated with clivia flowers in relief, orange/brown against green iridescent glaze, signed Gustafsberg 1905. Height 26 cm, diameter 30 cm.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

67. Anders & Bess Wissler, a stoneware jar, ateljé Solklinten, Mariefred, Sweden 1915.

Relief decor of corals, glazed in beige and dark blue, signed with the ladder ABW 1915 Wissler 26–105, height 31,5 cm, diameter ca 34 cm. (d)

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

68. Arthur Percy, a large ceramic garden flower pot, Gefle, Sweden, ca 1930.

Green glazed ceramic, marked with glaze nr 1777, height 30,5 cm, diameter 43,5 cm.

Exhibitions: The model was shown in a larger version at the Stockholm Fair in 1930.

Literature: Eva Rudberg, ‘Stockholmsutställningen 1930, modernismens genombrott i svensk arkitektur’, Stockholmia Förlag 1999, compare the flower pot illustrated at the terrace outside ‘Samfärdshallen’, below the garden ‘Alnarpsträdgården’, p 107.

Nils G Wollin, ‘Nutida konstslöjd i bild’, Natur och Kultur, Stockholm 1931, compare the model illustrated p 137.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

69. Ewald Dahlskog, two faience vases, Bo Fajans 1930’s.

Light green glaze, the one highlighted with light brown strokes, signed scratched ED D240 and painted 1703. Height 39 and 40 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

70. Wilhelm Kåge, a large green glazed stoneware ‘Argenta’ vase, Gustavsberg 1948.

Spherical shape, painted silver decoration of a mermaid and more, maker’s mark R. Height 26 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

71. Wilhelm Kåge, a ‘Surrea’ creamware vase, Gustavsberg, Sweden 1940’s.

Half vase shaped with branches to the body, maker’s mark GUSTAVSBERG KÅGE and impressed S, Height 34,3 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

72. Wilhelm Kåge, a ‘Farsta’ stoneware vase, Gustavsberg studio, Sweden 1948.

Relief decor with stylized leaves, glazed in green, brown and beige, signed KÅGE FARSTA, maker’s stamp and year letter R. Height 17 cm. (d)

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

73. Wilhelm Kåge, a ‘Farsta’ stoneware vase, Gustavsberg studio, Sweden 1954.

A geometrical relief pattern, glazed in different brown hues and blue, signed FARSTA GUSTAVSBERG studio mark, Y. KÅGE, height 23 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

72, 73, 75 and 74, Wilhelm Kåge, ‘Farsta’ stoneware vases.

315, Axel Einar Hjorth, a stained pine ‘Utö’ table.

74. Wilhelm Kåge, a ‘Farsta’ stoneware vase, Gustavsberg studio, Sweden 1957.

Decorated with horizontal relief decoration, glazed in brown, yellow and a little grey, signed FARSTA KÅGE Ä with studio mark. Height 18,3 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

75. Wilhelm Kåge, a ‘Farsta’ stoneware vase, Gustavsberg Studio probably 1950’s.

Spherical, cut verticals, glazed in yellow and brown hues, signed KÅGE, blurred year mark and FARSTA GUSTAVSBERG and the studio mark. Height ca 10 cm. (d)

Estimate: SEK 4 000 – 6 000 / EUR 400 – 600

76. Wilhelm Kåge, a ‘Farsta’ stoneware bowl, Gustavsberg studio, Sweden 1958.

Signed Ö KÅGE with studio mark, FARSTA and marked with inventory no 7394. Height 8,5 cm, diameter 14 cm. (d)

Estimate: SEK 4 000 – 6 000 / EUR 400 – 600

77. Wilhelm Kåge, a ‘Farsta’ stoneware vase, Gustavsberg studio, Sweden 1952.

Rectangular shape with squares in relief, glazed in green and brown hues, signed FARSTA KÅGE v and with studio stamp, ca 21,3 x 15 cm, height 11 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

78. Wilhelm Kåge, a ‘Farsta’ stoneware vase, Gustavsberg studio, Sweden 1957.

Geometrical decoration in low relief, glazed in turquoise, different blue and green hues, signed FARSTA GUSTAVSBERG, studio mark KÅGE Ä, height 33 cm.

79. Wilhelm Kåge, a turquoise glazed ‘Farsta’ stoneware vase, Gustavsberg studio, Sweden 1956.

Signed KÅGE FARSTA studio mark Å and a paper label. Height 35 cm.

(d)

(d)

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

80. Wilhelm Kåge, a ‘Farsta’ stoneware vase, Gustavsberg studio, Sweden 1960.

Three–sided shape with stripes and dots in relief, glazed in turquoise and green hues, signed FARSTA KÅGE K9 and studio stamp. Height 18 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

81. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1954.

82. Berndt Friberg, a blue glazed ‘rabbit’s fur’ stoneware vase, Gustavsberg Studio 1961.

Yellow rabbit’s fur glaze, signed Friberg with the studio mark Y, height 31 cm.

Signed Friberg, studio mark c, height 37 cm.

(d)

(d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

83. Berndt Friberg, a set of three stoneware vases, Gustavsberg studio, Sweden 1960–1967.

‘Rabbit’s fur’ glazes in different grey and blue hues, signed Friberg with the studio mark, b, F and I, height 22, 22,5 and 26,5 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

84. Berndt Friberg, a blue glazed ‘rabbit’s fur’ stoneware vase, Gustavsberg studio, Sweden 1958.

Signed Friberg, studio mark and Ö. Height 52,5 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

85. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1976.

‘Rabbit’s fur’ glaze in grey hues, signed Friberg with the studio mark, 1976. Height 18,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

82 and 84, Berndt Friberg, blue glazed ‘rabbit’s fur’ stoneware vases. 317 Axel Einar Hjorth, a stained pine table ‘Lovö’. 350, Otto Schulz, a Swedish Modern easy chair, Boet Gothenburg.

86. Berndt Friberg, a stoneware vase, Gustavsbergs studio 1961.

Blue rabbit’s fur glaze, signed Friberg with the studio mark c. Height 30,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

87. Berndt Friberg, two stoneware vases and a bowl, Gustavsberg studio, Sweden 1955, 1978 and 1979.

88. Berndt Friberg, a stoneware vase, Gustavsberg studio, Sweden 1967.

Rabbit’s fur glaze in grey/ blue and white, signed Friberg with the studio mark 1978 and Z, the white vase signed Friberg 1979. Height 7, 9,5 and 22 cm.

Rabbit’s fur glaze in beige and light brown, signed Friberg with the studio mark, I, height 18 cm, diameter ca 16 cm.

(d)

(d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

Estimate: SEK 5 000 – 6 000 / EUR 500 – 600

89. Berndt Friberg, a set of five stoneware objects, Gustavsberg studio, Sweden, different years.

Three vases, two bowls, in so called Aniara glazes in different turquoise hues, signed Friberg, the studio mark and different year marks, height 5–18,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

90. Anders Bruno Liljefors, two stoneware vases, Gustavsberg studio, Sweden ca 1949–50.

Sgrafitto decoration, one with figures and one with ovals, each signed. Height 10 cm and 10,5 cm. Book enclosed: Gösta Arvidsson, ‘Keramikens revoltionär Anders Bruno Liljefors’, Carlsson förlag, 2011. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

91. Stig Lindberg, a stoneware vase, Gustavsberg studio, Sweden 1964.

Turquoise glazed, relief decoration, signed Stig L with the studio mark and impressed GUSTAVSBERG, height 31 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

92. Stig Lindberg, a stoneware vase, Gustavsberg studio, Sweden ca 1960.

Relief decoration, glazed in turquoise, green and beige hues, signed Stig L with the studio mark, height 29 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

93. Stig Lindberg, a stoneware floor vase, Gustavsberg studio, Sweden 1967.

Impressed relief decoration, glazed in burgundy and brown hues, signed Stig L with the studio mark and factory stamp. Height 49,5 cm, width 28 cm including handles. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

94. Stig Lindberg, two stoneware vases, Gustavsberg studio, Sweden 1963 and 1965.

Glazed in different brown hues, signed Stig L with the studio mark, height 23 and 8 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

95. Stig Lindberg, a faience wall plaque, Gustavsberg studio, Sweden 1950’s, ed. 1/40.

Painted decor of a fish, signed Stig L and at the back signed with the studio mark and painter’s signature Eduard Berchthold and marked: ‘This plaque, designed and signed by Stig Lindberg is in this colour executed in a maximum edition of 40 pieces of which this is no 1’ and ‘17 D, IV, Gustavsberg’, measurements 10,5 x 60 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

96. Stig Lindberg, a faience wall plaque, Gustavsberg studio, Sweden 1950’s, ed. 22/40.

Painted decor with buildings and a hot air balloon. Signed Stig L, the back marked: ‘This plaque, designed and signed by Stig Lindberg is in this colour executed in a maximum edition of 40 pieces of which this is no 22, 12 B, II GUSTAVSBERG’ and signed with the studio mark and painter’s signature, measurements 25,2 x 34 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

97. Stig Lindberg, a stoneware figure of a horse, Gustavsberg, probably around 1950.

Signed Stig L. Length 20 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

98. Lisa Larson, a stoneware floor vase, Gustavsberg Studio, probably 1960’s.

Abstract decoration in black and different brown hues, signed with the studio mark and Lisa L, diameter 39,5 cm, height 31 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

99. Lisa Larson, a unique stoneware sculpture, Gustavsberg studio, Sweden probably 1960’s.

Partly glazed, decorated in blue, grey and gold, signed with the studio mark Lisa Larson Gustavsberg and maker’s stamp, height 55 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

100. Carl–Harry Stålhane, a stoneware floor vase, Rörstrand, Sweden 1950’s.

Spotted white glaze, signed R SWEDEN CHS, height 51,5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

101. Carl–Harry Stålhane, a stoneware lamp, Rörstrand, Sweden 1940–1950’s.

Turquoise spotted glaze. Signed R SWEDEN CHS. height 55 cm.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

102. Gunnar Nylund, a mid 20th century stoneware floor vase, Rörstrand, Sweden.

Glazed in different brown and green hues. Signed with maker’s mark and G.N. Height 61 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

103. Carl–Harry Stålhane, a stoneware vase, Rörstrand 1950’s.

Brown rabbit’s fur glaze, signed R CHS SWEDEN CEX, height ca 45 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

104. Carl–Harry Stålhane, a unique stoneware floor vase, Rörstrand, Sweden 1960.

Carved decor, glazed in brown and grey hues.

Signed R CH Stålhane SWEDEN d. 342. Height 63 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

105. Åke Holm, a stoneware sculpture of a man on a horse, Höganäs, Sweden 1950’s.

Glazed in brown, beige and blue, signed underneath Å. Holm.

Height 31 cm, length ca 29 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

106. Tyra Lundgren, a stoneware sculpture of a bird, Sweden probably 1960’s.

Partly glazed, seal mark TYRA LUNDGREN. Length ca 14 cm, height ca 15,5 cm including stone base. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

107. Tyra Lundgren, a stoneware sculpture of a bird, Sweden probably 1960’s.

Partly glazed, seal mark TYRA LUNDGREN. Length 12,5 cm, height ca 9,5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

108. Tyra Lundgren, a stoneware relief, Sweden, dated 1956.

Decorated with three fish, partially glazed, signed and dated 1.10.56 TL B3 and maker’s stamp, measurements 46 x 37 cm, dept ca 10 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

109. Helga Henschen, a painted terracotta sculpture, mid 1900’s.

Signed HELGA HENSCHEN. Height 64 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

110. Inger Persson, two massive stoneware table / floor lamps, Rörstrand, Sweden 1960’s.

111. Signe Persson–Melin, a stoneware jardinière, executed in her own studio, Malmö, Sweden probably 1990’s.

Glazed in brown and black against white, signed R IP ATELJÉ SWEDEN 8437. Height 67–68 cm, excluding lamp mounts, total height 120–121 cm including additional white textile shades.

Glazed in an eggshell colour, signed Signe Persson MELIN. Length 42 cm, height 19,5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

Provenance: Acquired directly from the artist’s studio. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

112. Hans Hedberg, a monumental faience sculpture of an orange, Biot, France.

Yellow glazed, signed HHg. Height ca 85 cm, diameter ca 83 cm.

Plexi stand, 58 x 58 cm, height 15 cm.

Literature: Daniel Minassian, ‘Hans Hedberg, Elden, hjärtat och leran’, Örnsköldsvik, 1999, compare the orange illustrated from Hedberg’s workshop in Biot, pp 167–168. (d)

Estimate: SEK 350 000 – 400 000 / EUR 34 620 – 39 570

113. Hans Hedberg, a faience vase, Biot France.

Glazed in hues of rust, brown and beige, signed HHg, measures ca 28 x 25 cm, height 26,5. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

114. Hans Hedberg, a set of three faience boxes, Biot, France.

Spotted glazes in orange, green and red hues, signed HHg, measurements 15,8 x 15,8, height 18,5 cm, 9,5 x 9,5, height 15 cm and 12,3 x 8,5, height 10,5 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

115. Hans Hedberg, a faience vase, Biot France.

Glazed in rust, brown and beige hues, signed HHg. Height 27 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

118, 120 and 116, Hans Hedberg, faience sculptures of apples.

235, Barbro Nilsson, a carpet, ‘Gyllenrutan’.

116. Hans Hedberg, a large faience sculpture of an apple, Biot, France.

Glazed in red, orange, yellow and green hues, signed HHg. Height ca 45 cm. (d)

Estimate: SEK 200 000 – 250 000 / EUR 19 790 – 24 730

117. Hans Hedberg, a faience sculpture of an egg, Biot, France.

Spotted glaze in orange, red and green hues, signed HHg. Height 29,5 cm including black painted iron base. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

118. Hans Hedberg, a faience sculpture of an apple, Biot, France.

Yellow glaze, signed HHg, height 13 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

119. Hans Hedberg, a faience sculpture of a bunch of grapes, Biot, France.

Green and blue spotted twig with blue, green and burgundy glazed grapes, signed HHg. Height 12 cm, length ca 25,5 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

120. Hans Hedberg, a faience sculpture of an apple, Biot, France.

Spotted glaze in red and green hues, signed HHg, height ca 12,5 cm.

The book ‘My friend Hans Hedberg’ by Lennart Bernadotte, Wiken 1992 is included in the lot. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

121. Hans Hedberg, a set of five faience sculptures of eggs, Biot, France.

Different glazes in blue, green, pink and yellow hues, signed HHg. Height 9,5–12 cm including black painted metal stands. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

122. Eva Hild, a white stoneware sculpture ‘Skärva’, Sweden 2006.

Signed EVAHILD 06. Measurements ca 42 x 39 x 25,5 cm.

Exhibitions: ‘Gudomliga skärvor – kult blir konst’, The monastery in Ystad in collaboration with the Historical Museum at Lund University, Sweden, 19 februari – 31 december 2007. (d)

Estimate: SEK 75 000 – 100 000 / EUR 7 420 – 9 900

123. Birger Kaipiainen, a stoneware dish, Arabia, Finland 1943.

Decorated with female figures and commedia dell’arte characters in a flowering garden, signed KAIPIAINEN –43 ARABIA and à tergo: BK ARABIA SUOMI, 31,5 x 37,5 cm, depth 3,5 cm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

124. Birger Kaipiainen, a ceramic relief, Arabia, Finland 1940’s.

A polychrome motif with women, child and flowers, signed KAIPIAINEN to the base. 51,5 x 42 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

125. Birger Kaipiainen, a ceramic dish, Arabia, Finland.

Decorated with two women with a goblet against a green glazed ground, signed KAIPIAINEN, measurements 30 x 30 cm, depth ca 6 cm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

126. Birger Kaipiainen, a stoneware dish, Arabia, Finland.

Floral decor in yellow, green, black and lustre glaze agianst a red– spotted ground, signed KAIPIAINEN and to the back KAIPIAINEN ARABIA. 36,3 x 31,5 cm. (d)

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

127. Birger Kaipiainen, a stoneware dish, Arabia Finland.

Decorated with glazes in burgundy, black and iridescent of a flower, plums and modelled beads, faintly scratched signature, KAIPIAINEN ARABIA, diameter 26 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

128. Kyllikki Salmenhaara, a stoneware bowl, Arabia, Finland 1950’s.

Glazed in green and brown hues, signed ARABIA KS. Height 12,2 cm, diameter 25,3 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

129. Rut Bryk, a stonerware wall relief decorated with birds, Finland ca 1950.

Glazed in different green hues, blue/grey and pink against beige, signed BRYK and to the back BRYK 445, measurements 27,5 x 34 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

130. Rut Bryk, a stoneware wall relief, Arabia, Finland 1970’s.

Pieces joined together, mounted to a wooden plaque, partly glazed in green, orange, red, pink and yellow. Signed BRYK and to the back RUT BRYK ARABIA, measurements 18,5 x 23,5 cm, depth 4 cm.

Literature: Harri Kalha, ‘Rut Bryk’, EMMA, Espo Museum of Modern Art, 2nd edition, 2016, compare similar works illustrated. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

135, Axel Salto, a ‘Sung’ glazed fruit–shaped stoneware vase.

296, Axel Einar Hjorth, a console table, ‘Louis’.

131. Dorrit von Fieandt, a stoneware dish, Arabia, Finland.

Painted floral decor, signed DF and to the reverse DF ARABIA FINLAND. Diameter 49 cm, height 8,5 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

132. Daisy Makeig Jones, a ‘Fairyland lustre’, ‘z4968’ porcelain bowl, Wedgwood, England 1920’s–1930’s.

Decorated with a multi coloured landscape with gilt decor of fairies, bats etc, stamped maker’s mark WEDGWOOD MADE IN ENGLAND, Z4968 in underglaze blue and marked with paper label from Löfbergs, Malmö. Diameter 20,7 cm, height 8,5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

133. Axel Salto, a stoneware ‘fluted style’ stoneware bowl, Denmark 1933.

Glazed in beige and blue grey hues, signed in blue, scratched SALTO 1933, diameter 29 cm, height 8 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

134. Axel Salto, a ‘Sung glaze budding style’ stoneware vase, Royal Copenhagen, Denmark 1954.

Glazed in brown and green hues, signed 20708 SALTO, green factory mark and ‘the three waves’ in underglaze blue. Height 18,5 cm, diameter ca 14,5 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

135. Axel Salto, a ‘Sung’ glazed fruit–shaped stoneware vase, model 20818, ca 1946.

Marked with the ‘three waves’ in underglaze blue, signed 20818 SALTO and 095/s. Height 22,5 cm.

Literature: Susanne Bruhn & Pia Wirnfeldt (ed), Axel Salto – Stentøjsmesteren, CLAY – Keramikmuseum, Danmark 2017, comnpare catalogue no 272, p 180 and see the model illustrated p 38.

Estimate: SEK 100 000 – 150 000 / EUR 9 900 – 14 840

136. Axel Salto, a stoneware ‘fluted style’ stoneware bowl, Royal Copenhagen, Denmark, model 20726.

Blue ‘mussel’ glaze, signed 20726 SALTO and the ‘three waves’ in underglaze blue. Height 6 cm, diameter 15,7 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

137. Axel Salto, a stoneware vase, Royal Copenhagen ca 1957–1960.

Glazed in grey and brown hues, partly covered with buds, scratched signature SALTO and 21441 and the factory mark in underglaze blue. Height 21 cm.

Provenance: Probably acquired in 1960 at an exhibition in Piteå, Northern Sweden.

Estimate: SEK 50 000 – 75 000 / EUR 4 950 – 7 420

138. Shoji Hamada, a square stoneware dish, Japan 1950–1960’s, with signed wooden box.

Relief patterned rim, glazed in brown, green and beige, measurements 32,5 x 33,3 cm, height ca 8 cm, wooden box, signed to the reverse of the cover, 35,8 x 35,8 cm, height 12,3 cm.

Provenance: Ambassador Karl Fredrik Almqvist (1906–1982), who served as Sweden’s Ambassador in Tokyo 1963–70. This dish was received as a gift directly from the artist, who was a close friend to the family. Thence by descent.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

139. Pablo Picasso, a ‘Visage de femme’ faience dish, Vallauris, Madoura, France post 1953, A.R 220.

A female face in blue, green and white against black, stamped MADOURA PLEIN FEU EDITION PICASSO, D’APRÈS PICASSO, 38 X 31,5 cm.

Provenance: This actual dish was acquired by the vendors at the studio of Suzanne & Georges Ramié in 1956 for the amount of 12 000 francs. (d)

Estimate: SEK 100 000 – 125 000 / EUR 9 900 – 12 370

140. Pablo Picasso, a faience pitcher, ‘Têtes’, Madoura, Vallauris, France post 1956, A.R 368.

Decorated in black against a cream coloured background, signed EDITION PICASSO PLEIN FEU. Height 14 cm. (d)

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

141. Pablo Picasso, a faience bowl, ‘Oursin’, Madoura Vallauris, France post 1955. A.R 268.

Decorated i blue, green and black glazes, signed to the material, mirrored, 31.3.55, stamped MADOURA EMPREINTE ORIGINAL DE PICASSO, scratched K 116 130/150. Diameter 17,5 cm, height 6 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

142. Pablo Picasso, a faience dish ‘Motif Spiralé’, Madoura Vallauris France post 1957. A.R 404.

Decorated in yellow, blue, black and terracotta, scratched signature against black EDITION PICASSO 139/500 MADOURA K119, stamped EDITION PICASSO MADOURA PLEIN FEU. Diameter 24,5 cm (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

143. Pablo Picasso, a faience dish ‘Visage de femme’, Madoura Vallauris, post 1955. A.R 286.

Ivory coloured, decorated with a female face, details in grey, signed I. 120 EDITION PICASSO 110/500 MADOURA and stamped MADOURA PLEIN FEU EDITION PICASSO, 39 x 32 cm.

Provenance: Acquired directly from the workshops in Vallauris. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

144. Pablo Picasso, a terracotta pitcher ‘Sujet Poisson’, Madoura Vallauris France, A.R. 139.

In the shape of a bird, decorated in black and white, impressed and scratched maker’s marks. Length 21,5 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

145. Pablo Picasso, a faience dish ‘Scène de tauromachie’, Madoura, Vallauris France, post 1957. A.R 393.

Decorated in black against a terracotta background, scratched signature EDITION PICASSO 193/500 MADOURA K117 against a black background, stamped EDITION PICASSO MADOURA PLEIN FEU. Diameter 24 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

139, Pablo Picasso, a ‘Visage de femme’ faience dish.

141, Pablo Picasso, a faience bowl, ‘Oursin’.

142, Pablo Picasso, a faience dish ‘Motif Spiralé’.

143, Pablo Picasso, a faience dish ‘Visage de femme’.

146. Georg Jensen, an oval 830/1000 silver box, Copenhagen 1920, design nr 317.

The leg with filigree decoration. Length 16 cm weight ca 645 g.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

147. Harald Nielsen, a sterling champagne cradle, Georg Jensen, Copenhagen 1925–1932, design 467B. Swedish import marks. Decorated with grapes and leafage.

Height 27 cm, weight ca 1240 g.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

148. Georg Jensen, a three pieces sterling silver ‘Blossom’ mocca service, Copenhagen 1933–1944.

Swedish import marks, design nr 2H, the pot height 13,5 cm, total weight 330 g.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

149. Georg Jensen, a pair of six lights silver candelabra, Copenhagen 1920, design nr 38.

830/1000 silver, six candleholders, crowned by a finial in the shape of a flower bud. Height 54,5 cm, total weight ca 3730 g.

Estimate: SEK 200 000 – 250 000 / EUR 19 790 – 24 730

150. Georg Jensen, a sterling silver bowl, Copenhagen 1925–1932, design nr 242.

151. Georg Jensen, a pair of sterling silver candlesticks, Copenhagen 1945–1977, design nr 263B.

Diameter 18,5 cm, height 12,5 cm weight ca 465 g.

Height 21 cm, total weight ca 1715 g.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

Estimate: SEK 50 000 – 60 000 / EUR 4 950 – 5 940

149. Georg Jensen, a pair of six lights silver candelabra, Copenhagen 1920, design nr 38.

152. Georg Jensen, a pair of sterling silver wine glasses, Copenhagen 1988 & 1996, design nr 263.

Decorated with hanging grapes. Height 17,5 cm total weight ca 670 g.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

153. Georg Jensen, a pair of sterling silver grape decorated candlesticks, Copenhagen 1996, design nr 263B. Height 20,5 cm, total weight ca 1575 g.

Estimate: SEK 50 000 – 60 000 / EUR 4 950 – 5 940

154. Georg Jensen, a three pieces sterling silver coffee service, Copenhagen, 1925–44, design nr 32A + C. Wooden handle to the coffee pot. Height of the coffee pot 25 cm, total weight ca 1076 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

155. Georg Jensen, a sterling silver sauceboat and ladle, Copenhagen 1925–1945, design nr 98 and 141.

Length sauceboat 22,5 cm, the ladle 20 cm, total weight ca 615 g.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

156. Georg Jensen, a set of three pieces of sterling coffee service, Copenhagen 1925–1944 (the sugar bowl 1925–1933), design nr 80 A and B. Wooden handles and finials, height of the coffee pot 18,5 cm, total weight ca 640 g.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

157. Georg Jensen, a sterling silver candelabrum, Copenhagen 1993, design nr 324.

For two candles. Height 23,5 cm, weight ca 1175 g.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

158. Johan Rohde, a sterling silver pitcher, Copenhagen 1945–77, nr 432A. Height 23 cm, weight ca 560 g.

Estimate: SEK 15 000 – 18 000 / EUR 1 490 – 1 780

159. Johan Rohde, a sterling silver two branched candelabrum, Georg Jensen, Copenhagen 1945–1977, design nr 343.

For two candles. Height 26 cm, weight ca 590 g.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

160. Johan Rohde, a three pieces sterling silver coffee service ‘Cosmos’, Georg Jensen, Copenhagen 1945–1977, design nr 45 A + D. The coffee pot with wooden handle. Height of the coffee pot 24 cm, total weight ca 965 g.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

161. Johan Rohde, a sterling silver tray, Georg Jensen, Copenhagen 1945–1977, design nr 251 K. Diameter 35,5 cm weight ca 1220 g.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

162. Johan Rohde, a sterling silver bowl on a stem, Copenhagen 1945–1977, design nr 6.

163. Sigvard Bernadotte, a sterling silver bowl, Georg Jensen, Köpenhamn 1945–1977, design 856B.

Diameter 16 cm, height 13,5 cm, weight ca 425 g.

Diameter 26 cm, height 8,5 cm, weight ca 760 g.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

164. S & M Benzen, an Art Nouveau silver pitcher, Copenhagen 1905.

Relief decoration of dandelions in relief.

Height 21 cm, weight ca 460 g.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

165. Anton Michelsen, & Royal Copenhagen, a porcelain vase with sterling silver mouth, Copenhagen 1910.

166. Anton Michelsen, & Royal Copenhagen, a porcelain vase with sterling silver base and rim, Copenhagen 1911.

Painted decoration with irises against a blue background, the silver mount with flower branches in relief, maker’s mark, the porcelain with factory mark in green, 3/47D, the three waves and 85 in underglaze blue. Height 22,8 cm.

Painted decor with birds, silver mount with flowers and leaves in relief, both the mouth and the base with maker’s marks, the porcelain with factory mark in green, 190 47 e, and the three waves and 96 in underglaze blue. Height 18 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

167. Tapio Wirkkala, a sterling silver thirteen candles candelabrum ‘TW412’, Hopeakeskus OY, Finland 1972.

168. Jacob Ängman, a silver vase, Guldsmedsaktiebolaget, Stockholm 1939.

Swedish import marks. Height 80 cm, the base filled.

Height 21 cm, weight 820 g.

(d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

Estimate: SEK 60 000 – 70 000 / EUR 5 940 – 6 930

169. Atelier Borgila, a sterling silver coffee set, 3 pcs, Stockholm 1935.

Faceted shape, finials in the shape of flowers, wooden handles, height of the coffee pot 18 cm, total weight ca 1120 g.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

170. Atelier Borgila, a sterling tray, Stockholm 1938.

Octagonal, on semi–circular paws, 43 x 31 cm, weight ca 1195 g.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

171. Atelier Borgila, a sterling silver cocktail shaker, Stockholm 1953.

Shaker, cover and strainer all with maker’s mark, height 20 cm, weight 672 g.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

172. Atelier Borgila, a silver lidded goblet, Stockholm 1932.

The finial in the shape of a viking ship. Height 29 cm, weight ca 745 g.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

173. Atelier Borgila, a sterling silver bowl, Stockholm 1953.

Diameter 31,5 cm, height 7 cm, weight 2400 g.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

174. Atelier Borgila, a pair of sterling silver bowls, Stockholm 1953.

Diameter 19 cm, height 4,2 cm, total weight 1530 g.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

175. Atelier Borgila, a sterling silver bowl with handles, Stockholm 1930, designed by Erik Fleming.

Engraved along the rim: ALLMÄNNA SVENSKA TRÄDGÅRDSUTSTÄLLNINGEN I STOCKHOLM 1930 STOCKHOLMS GARTNERSÄLLSKAPS HEDERSPRIS. Length ca 38 cm, weight ca 1300 g.

Provenance: This bowl was designed to be the honorary prize in a gardening exhibition in Stockholm 1930.

Literature: Nils G Wollin, ‘Nutida Svensk Konstslöjd i Bild’, Natur och Kultur, Stockholm, 1931, ill. p 92.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

176. W.A. Bolin, an octagonal silver vase, Stockholm 1946.

Height 16,5 cm, weight ca 615 g.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

177. Wiwen Nilsson, a hexagonal sterling silver vase, Lund 1965.

Height 16 cm, weight ca 270 g. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

178. Wiwen Nilsson, a set of six sterling cocktail glasses, Lund 1933–1950.

Height 6,5 cm, total weight ca 490 g. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

179. Wiwen Nilsson, a sterling and rock crystal bangle, Lund, Sweden 1945.

Rock crystals, each ca 15 x 12 mm, maker’s mark.

Inner circumference ca 16 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

180. Wiwen Nilsson, a pair of sterling candlesticks, Lund 1971.

Hexagonal in shape, height 17 cm, total weight ca 470 g. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

181. Vivianna Torun Bülow–Hübe, a leather necklace with brass and carved wooden details, Stockholm ca 1948.

Stamped TORUN. Length 41 cm.

Provenance: The vendor’s family were friends with the Bülow Hübe family through their summer vacations in the early 1950’s.

Compare lots nr 628:168, 628:169 sold at Bukowski’s auction in November 2020.

These originates from the same family.

Literature: Ann Westin, ‘Torun – Conversation with Vivianna Torun Bülow Hübe, Carlsson Bokförlag, 1993, p 27 see similar pieces shown hanging on the wall in the studio. Torun had her first studio up at an attic in Stockholm. She was a young student and also a mother and had to work with the materials she could afford at the time. She was very much inspired by African works of art. (d)

Estimate: SEK 50 000 – 75 000 / EUR 4 950 – 7 420

182. Vivianna Torun Bülow–Hübe, a wooden and brass brooch, executed in her own workshop, Stockholm ca 1948–1952.

Carved in an organic shape, details of brass, stamped in the wood TORUN. 7 x 5 cm.

Provenance: The vendor’s family were friends with the Bülow Hübe family through their summer vacations in the early 1950’s.

Compare lots nr 628:168, 628:169 sold at Bukowski’s auction in November 2020. These originates from the same family.

Literature: Ann Westin, ‘Torun – Conversation with Vivianna Torun Bülow Hübe, Carlsson Bokförlag, 1993, p 27 see similar pieces shown hanging on the wall in the studio. Torun had her first studio up at an attic in Stockholm. She was a young student and also a mother and had to work with the materials she could afford at the time. She was very much inspired by African works of art. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

183. Vivianna Torun Bülow–Hübe, a wood and brass brooch, executed in her own workshop in Stockholm ca 1952.

The brass stamped TORUN Stockholm mark B9 (1952), measurements ca 4 x 3 cm.

Provenance: The vendor’s family were friends with the Bülow Hübe family through their summer vacations in the early 1950’s. Compare lots nr 628:168, 628:169 sold at Bukowski’s auction in November 2020. These originates from the same family.

Literature: Ann Westin, ‘Torun – Coversation with Vivianna Torun Bülow Hübe, Carlsson Bokförlag, 1993, p 27 see similar pieces shown hanging on the wall in the studio. Torun had her first studio up at an attic in Stockholm. She was a young student and also a mother and had to work with the materials she could afford at the time. She was very much inspired by African works of art. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

184. Vivianna Torun Bülow–Hübe, a silver necklace with three pendants and a pair of earrings executed in her own workshop, Stockholm 1950’s.

The pendants with a glass ‘dew drops’, one clear, one amber and one yellow tinted, earrings with screws and yellow tinted drops. Inner circumference of the neck part ca 33 cm, pendants height ca 4,5 cm, 6 cm samt 7,5 cm, earrings height ca 4,5 cm with screw–fittings. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

185. Sigurd Persson, a sterling silver vase, executed by Johann Wist, Stockholm 1964.

Elliptical. Length 21 cm, height 15,5 cm, weight ca 725 g. (d)

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

186. Sigurd Persson, a sterling jar with cover, Stockholm 1959, executed by the silversmith Dieter Zellweger.

Wooden cover of palisander, maker’s marks. Height 10,5 cm, weight 255 g. (d)

Estimate: SEK 4 000 – 6 000 / EUR 400 – 600

187. Sigurd Persson, a 23 k gold bowl, Stockholm 1976, executed by the silversmith Wolfgang Gessl.

Diameter ca 10,5 cm, height 3,5 cm, weight ca 135 g. (d)

Estimate: SEK 70 000 – 90 000 / EUR 6 930 – 8 910

188. Birger Haglund, an oval sterling bowl, Stockholm 1985, nr 2/10.

Executed in an edition of 10 bowls for the Friends of National Museum’s 75 yrs jubilee in 1986, maker’s mark BirgerH and 2/10.

Length 20 cm, height 9 cm, weight 425 g. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

189. Olle Ohlsson, an 18 k gold clasp collier, Studio Olle Ohlsson, Stockholm.

Cultivated freshwater pearls, 18 k clasp in the shape of a stylized bird, three turmalines and a tiny brilliant cut diamond. Length 46 cm, weight ca 78 g. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

190. Bo Klevert, a sterling silver vase, Stockholm 1994.

191. Jan Brunk, a sterling silver bottle and stopper, Stockholm 1995.

Cylindrical. Height 28,5 cm.

Stopper of lapis lazuli. Height 32,5 cm, weight ca 245 g.

(d)

(d)

Estimate: SEK 4 000 – 6 000 / EUR 400 – 600

Estimate: SEK 3 000 – 4 000 / EUR 300 – 400

192. Claës Giertta, a set of 8 sterling forks and 8 sterling knives, executed in his own studio in Stockholm 1993.

Forks length ca 18 cm, knives length ca 18,5 cm, total weight ca 1140 g. (d)

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

193. Claës Giertta, a sterling box executed in Stockholm 1970.

The lid with an orientalizing gouache, maker’s marks and HL. Ca 12,5 x 12,5 cm, height 6,5 cm, vikt ca 585 g. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

194. Caroline Lindholm, a sterling silver bowl, Stockholm 2011.

Semispherical bowl, foliage with different kinds of leaves. 20 cm diameter, height 8 cm, weight 380 g. Comes with a paper box. (d)

Estimate: SEK 4 000 – 6 000 / EUR 400 – 600

230, Marianne Richter, a carpet.

297, Axel Einar Hjorth, a pair of ‘du Barry’ chairs.

195. Märta Måås–Fjetterström, a textile, ‘Medaljongerna’, flat weave, ca 57,5–60 x 85–86,5 cm, signed AB MMF.

196. Märta Måås–Fjetterström, a textile, ‘Medaljongerna’, flat weave, ca 39,5–40,5 x 83 cm, signed AB MMF.

Designed in 1926, woven after 1941.

Designed in 1926. Woven after 1941.

Literature: Compare with Små vävnader från Märta Måås–Fjetterström, colour plate 3.

Literature: Compare with Små vävnader från Märta Måås–Fjetterström, colour plate 3.

Estimate: SEK 4 000 – 5 000 / EUR 400 – 500

Estimate: SEK 4 000 – 6 000 / EUR 400 – 600

197. Märta Måås–Fjetterström, a textile, ‘Hönsen’, flat weave, ca 56–56,5 x 64,5–65,5 cm, signed MMF.

198. Märta Måås–Fjetterström, a textile, ‘Blekingerosa’, flat weave, ca 63–64 x 55–56,5 cm, signed AB MMF.

Woven before 1942. (Rare).

Designed in 1927, woven after 1941. (Rare).

Estimate: SEK 4 000 – 5 000 / EUR 400 – 500

Estimate: SEK 4 000 – 5 000 / EUR 400 – 500

199. Märta Måås–Fjetterström, a textile, ‘Täppan’, tapestry weave, ca 49–50,5 x 53 cm, signed AB MMF. Designed in 1931, woven after 1941. A label at the back.

Literature: Compare with Bergman, Ingrid: Märta Måås–Fjetterström – En mästare och nyskapare inom textilkonsten, Södertälje 1990 (?), the cover.

Estimate: SEK 4 000 – 5 000 / EUR 400 – 500

200. Märta Måås–Fjetterström, a textile, ‘Grodblad blå’, flat weave, ca 41 x 74,5 cm, signed AB MMF. Designed in 1933, woven after 1941.

Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 129.

Estimate: SEK 5 000 – 7 000 / EUR 500 – 700

201. Märta Måås–Fjetterström, a textile, ‘Grodblad röd’, flat weave, ca 40,5–41 x 58,5–60 cm, signed AB MMF. Six leaves. Designed in 1933, woven after 1941.

202. Märta Måås–Fjetterström, textiles, 2 pcs., ‘Blomlapp’, tapestry weave, ‘Pingstlilja’ ca 28,5 x 29,5 cm, ‘Pensé’ ca 25,5 x 26 cm, signed AB MMF. Designed in 1939, details from an antependium for Västra Ingelstad’s church.

Woven after 1941. ‘Pingstlilja’ with a label at the back.

Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 129.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och vävverkstaden i Båstad, Stockholm 1968, plate 23; Bergman, Ingrid: Märta Måås–Fjetterström – En mästare och nyskapare inom textilkonsten, Södertälje 1991, plate page 28; ‘Små Vävnader från Märta Måås–Fjetterström’, colour plate 2.

Estimate: SEK 4 000 – 5 000 / EUR 400 – 500

Estimate: SEK 4 000 – 5 000 / EUR 400 – 500

203. Ann–Mari Forsberg, född Lindbom, a textile, ‘Blå crocus’, tapestry weave, ca 55,5–57 x 84,5–88,5 cm, signed AMF. Woven at Märta Måås–Fjetterström AB. Designed in 1945.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv– verkstaden i Båstad, Stockholm 1968, plate 61; Waldemarsuddes utställning– skatalog nr 6: Ann–Mari Forsberg, Stockholm 1982, plate page 4, No 1, text page 22; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen!

90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 164.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

204. Ann–Mari Forsberg, född Lindbom, a textile, ‘Blå crocus’, a tapestry variant, ca 31,5–32 x 39–39,5 cm, signed AMF. Woven at Märta Måås–Fjetterström AB. Designed in 1945.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv– verkstaden i Båstad, Stockholm 1968, plate 61 ; Waldemarsuddes utställnings– katalog nr 6: Ann–Mari Forsberg, Stockholm 1982, plate page 4,No 1, text page 22; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen!

90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 164.

Estimate: SEK 4 000 – 5 000 / EUR 400 – 500

205. Barbro Nilsson, textiles, 2 pcs., one is ‘Nejlikan blå’, tapestry weave, one is flat weave, both signed BN. (Barbro Nilsson, MMF AB). ‘Nejlikan blå’ is probably designed in 1950, ca 30 x 29,5–30,5 cm. ‘Nejlikan blå’ has a label at the back. The other textile has an irregular square and stripe pattern in ivory as well as a variety of green and blue nuances, ca 65 x 33,5–34,5 cm. (Rare). (d)

Estimate: SEK 5 000 – 6 000 / EUR 500 – 600

206. Barbro Nilsson, a textile, ‘Kvadrater på linne, mörk’, flat weave, ca 48–49 x 39–40 cm, signed BN. Probably designed around 1950. (Rare). (d)

Estimate: SEK 4 000 – 5 000 / EUR 400 – 500

207. Barbro Nilsson, a textile, ‘Näckrosorna’, tapestry weave, ca 41–42 x 45–47,5 cm, signed BN. Designed at the second half of the 20th century. (d)

Estimate: SEK 4 000 – 5 000 / EUR 400 – 500

208. Märta Måås–Fjetterström, drapes, 1 pair, ‘Rågen’, flat weave, ca 272–274 x 121,5–125 and 274,5 x 123,5–126 cm, both signed AB MF. Designed in 1929, woven after 1941.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och vävverkstaden i Båstad , Stockholm 1968, plate 28; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 114.

Estimate: SEK 18 000 – 20 000 / EUR 1 780 – 1 980

209. Märta Måås–Fjetterström, a drape, ‘Rågen’, flat weave, ca 218,5–219,5 x 160,5–162 cm, signed AB MMF. Designed in 1929, woven after 1941.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv– verkstaden i Båstad , Stockholm 1968, plate 28; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 114; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 97.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

210. Barbro Nilsson, a drape, ‘Kärvar’, tapestry variant, ca 239–240 x 176,5–177,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1956.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 91.

Estimate: SEK 18 000 – 20 000 / EUR 1 780 – 1 980

211. Annie Frykholm, a tapestry, tapestry weave (‘Hauteliss textile’), ca 252,5–258 x 141–146 cm, signerad NK TG AFm. (Nordiska Kompaniets Textilafdelning, Annie Frykholm).

A polychrome decor of a large owl surrounded by flying small birds.

Exhibitions: Konstindustriutställningen (Art Industry Exhibition) at Djurgården in Stockholm in 1909.

Literature: Svenska Slöjdföreningens Tidskrift – organ för Konstindustri, Handtverk och Hemslöjd, årg: V 1909, andra – fjärde kvartalen, redaktör E.G. Folcker: Konstindustriutställningen 1909, plate page 13 K. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

212. Lars Gynning, a tapestry, ‘Viking’, flat weave, ca 114–115 x 165,5–167,5 cm, signed MTP Sino GYNNING. (Manufactura de Tapeçarias de Portalegre/Portugal, Guy Sino, Lars Gynning). Guy Sino founded the company around 1950–1951. A sewn on label at the back with Lars Gynning’s signature as well as a woven label with: 974–5/6.

Literature: Compare with ‘Gånge Rolf’: Brunius, Teddy: Lars Gynning – Textila bilder, Lund 1985, plate page 59, colour plate page 60, text pages 61 and 66. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

213. Barbro Nilsson, a textile, ‘Guldsågen’, flat weave, ca 108,5–110 x 72–73 cm, unsigned.

214. Kaisa Melanton, a textile, flat weave, ca 81,5 x 47–49,5 cm, signed HAV KM.

Designed in 1965, woven at Märta Måås–Fjetterström AB. (Rare).

(Handarbetets Vänner, Kaisa Melanton). A detail from the tapestry ‘Ibland har jag svårt att hålla mig ren’.

(d)

(d)

Estimate: SEK 7 000 – 9 000 / EUR 700 – 890

Estimate: SEK 3 000 / EUR 300

215. Karin Amnå–Lindberg, a work of art, ‘Utblick’, mixed media, ca 97 x 51 cm, signed and dated 1997 at the back.

216. Elisabet Hasselberg–Olsson, a tapestry, ‘Myren’, flat weave, ca 125–126 x 98–99 cm, signed EO, dated 2000 and 2001.

A decor of paint, rebar and more.

Partially lined.

(d)

(d)

Estimate: SEK 5 000 – 7 000 / EUR 500 – 700

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

217. Barbro Nilsson, a carpet, ‘Snäckorna’, flat weave, ca 309,5–312 x 203–205,5 cm, signed AB MMF BN.

218. Barbro Nilsson, a carpet, ‘Strålblomman, röd’, flat weave, ca 313,5–316 x 201,5–204,5 cm, signed AB MMF BN.

(AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1943.

(AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952. (Rare).

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv– verkstaden i Båstad, Stockholm 1968, plate 48; af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 182; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 145.

Literature: Compare with skisser Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 79; af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 184; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 152. (d)

Estimate: SEK 70 000 – 90 000 / EUR 6 930 – 8 910

Estimate: SEK 50 000 – 70 000 / EUR 4 950 – 6 930

219. Barbro Nilsson, a carpet, ‘Kringelikroka, grön’ (‘Finspong’), flat weave, ca 227,5–231,5 x 174,5–178,5 cm, signed AB MMF BN.

220. Marianne Richter, a carpet, ‘Josefina ljusbrun’, tapestry weave, ca 303–305 x 230 – 235 cm, signed AB MMF MR.

(AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1954.

(AB Märta Måås–Fjetterström, Marianne Richter). Designed in 1955.

Literature: Compare with Mattor och vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Stockholm 1957, plate page 19; Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, text page 38. (d)

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 67.

Estimate: SEK 50 000–70 000 / EUR 4 950 – 6 930

Estimate: SEK 60 000 – 70 000 / EUR 5 940 – 6 930

221. Barbro Nilsson, a carpet, ‘Tånga ljus’, flat weave, ca 253,5 x 185,5–187,5 cm, signed AB MMF BN.

222. Barbro Nilsson, a carpet, ‘Tånga blå’, flat weave, ca 226 x 151–154 cm, signed AB MMF BN.

(AB Märta Måås–Fjetterström, Barbro Nilsson). ‘Tånga’ was designed in brown for the H55 (the Helsingborg exhibition in 1955).

(AB Märta Måås–Fjetterström, Barbro Nilsson). ‘Tånga’ was designed for the H55 (the Helsingborg exhibition in 1955).

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 69; Stensman, Mailis: Ännu Mera Mattor från Märta Måås–Fjetterströms ateljé i Båstad 1919–1999, Uddevalla 1999, colour plate page 11; af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 184; Liljevalchs konst– halls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 154–155.

Literature: : Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/ Barcelona 1977, colour plate page 69; Stensman, Mailis: Ännu Mera Mattor från Märta Måås–Fjetterströms ateljé i Båstad 1919–1999, Uddevalla 1999, colour plate page 11; af Klercker, Susanne: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 184; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 154–155.

Estimate: SEK 50 000 – 60 000 / EUR 4 950 – 5 940

Estimate: SEK 40 000 – 60 000 / EUR 3 960 – 5 940

223. Ingrid Dessau, a carpet, flat weave, ca 336,5–338 x 223–227 cm, unsigned, Sweden the 1950’s–1960’s.

Six large sun–like ornaments in a variety of blue nuances.

Literature: Similar carpet is found in literature. (d)

Estimate: SEK 40 000 – 60 000 / EUR 3 960 – 5 940

224. Märta Måås–Fjetterström, a carpet, ‘Rektangel’, knotted pile, ca 389–391 x 202–207 cm, unsigned.

An early design, woven before 1942. (Rare).

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

225. Märta Måås–Fjetterström, a carpet, ‘Ängarna’, knotted pile, ca 325,5–327 x 222,5–227 cm, signed AB MMF. Designed in 1928 for m/s Kungsholm, woven after 1941.

Literature: Compare with Märta Måås–Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 17; Mattor och vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Båstad 1956, plate page 10; ICA bokförlag: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 176; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 113; Skrifter från Kungl.

Husgerådskammare 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 27, page 58; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, text and colour plates pages 100–101.

Estimate: SEK 60 000 – 80 000 / EUR 5 940 – 7 920

226. Märta Måås–Fjetterström, a carpet, ‘Ängarna’, knotted pile, ca 312 x 203–207 cm, cm, signed MMF. Designed in 1928 for m/s Kungsholm, woven before 1942.

Literature: Compare with Märta Måås–Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 17; Mattor och vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Båstad 1956, plate page 10; ICA bokförlag: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 176; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 113; Skrifter från Kungl.

Husgerådskammare 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 27, page 58; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, text and colour plates pages 100–101.

Estimate: SEK 40 000 – 60 000 / EUR 3 960 – 5 940

227. Märta Måås–Fjetterström, a carpet, ‘Tornet’, knotted pile, ca 244,5–246,5 x 155–159,5 cm, signed AB MMF. Designed in 1931, woven after 1941.

Literature: Compare with Mattor och Vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, AnnMari Forsberg, Båstad 1956, plate 10; Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 37; Skrifter från Kungl. Husgerådskammaren 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 28, pages 37, 58; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 115, 138.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

228. Barbro Nilsson, a carpet, ‘Krabban, grå’, knotted pile, ca 272–277 x 178,5–183 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1947.

Literature: Compare with Mattor och Vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, Ann–Mari Forsberg, Båstad 1956, plate page 21; Lundgren, Tyra: Märta Måås–Fjetterström och väv–verkstaden i Båstad, Stockholm 1968, plate 51.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

BARBRO NILSSON

229. Barbro Nilsson, a carpet, ‘Stjärnflossan, blå’, knotted pile, ca 250–253 x 249–253 cm, signed AB MMF BN.

‘Stjärnflossan, blå’ is an excellent example of how well Barbro Nilsson created patterns with motifs from nature. She described in textile the sky, the sun and the stars in an elegant and stylized way. In this carpet you can see the stars twinkling in a dark sky. The pattern is repeated in the large ‘Västeråsstjärnan’ designed for Västerås Cathedral in 1960.

(AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1957.

(Rare).

Literature: Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, text page 35, compare with ‘Västeråsstjärnan’ (designed in 1960), plate page 27. (d)

Estimate: SEK 100 000 – 125 000 / EUR 9 900 – 12 370

MARIANNE RICHTER Marianne Richter’s large knotted pile carpet ‘Fläkten’ was designed for AB Svenska Fläktfabriken in 1959. The factory was also called Fläkt, which has given the name to this carpet pattern.

Marianne Richter started in 1942 both as a teacher at Konstfackskolan (the School of Art) and at the same time she was associated with Märta Måås–Fjetterström AB. At MMF AB, Richter created her perhaps most famous work the 202 square meter large curtain designed for ECOSOC’s council chamber in the UN skyscraper in New York.

Richter is known for her colourful creations and her very characteristic rugs and tapestries. She often used small geometric elements such as rhombuses, triangles, and squares as well as stylized flowers in a more extensive pictorial context. The colour palette is often playful, which you

can see in this particular carpet ‘Fläkten’ and in a rya ‘Guldslottet’ which was designed the same year.

Marianne Richter has long been in the background in terms of popularity in comparison with Märta Måås–Fjetterström and Barbro Nilsson. Still, in the last ten to twenty years, interest in her work has increased significantly.

157. Georg Jensen, a sterling silver candelabrum, Copenhagen 1993, design nr 324.

For two candles. Height 23,5 cm, weight ca 1175 g.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

231.

233.

BARBRO NILSSON

231. Kerstin Ekengren, a carpet, ‘Cavalleria Rustica’, knotted pile, ca 320–321,5 x 220–230 cm, signed KE LH, Plitmors Järvsö 1961.

Barbro Nilsson created many beautiful patterns for both churches and secular buildings, including to some of the important Swedish banks as Svenska Handelsbanken, Götabanken and Skandinaviska Banken. ‘Bankrabatten’ is an excellent example of Barbro Nilsson’s rich, simplified but intense patterns that shine brightly in colour.

The customer wanted a carpet with a horse since he loved horses. Kerstin Ekengren did not think it suited the carpet’s pattern so she designed a detail with a rider on a horse which is seen in a corner of the field. A sewn on label at the back.

232. Barbro Nilsson, a carpet, ‘Bankrabatten grön’, knotted pile, ca 502–504 x 202,5–207 cm, signerad AB MMF BN.

233. Märta Måås–Fjetterström, a carpet, knotted pile in relief, ‘Dahlior’, ca 236 x 163–165,5 cm, signerad AB MMF.

(AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1966. Probably made without fringes.

Designed in 1939, woven after 1941. (Rare).

(d)

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 156.

Literature: Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/ Mölndal 2019, colour plate page 168.

Estimate: SEK 100 000 – 150 000 / EUR 9 900 – 14 840

Estimate: SEK 40 000 – 60 000 / EUR 3 960 – 5 940

232, Barbro Nilsson, a carpet, ‘Bankrabatten grön’.

234. Swedish design, a carpet, knotted pile in relief, ca 178,5–179,5 x 137–140,5 cm, signed and dated at the back: SKLH 1944.

(Södra Kalmar Läns Hemslöjd). An ivory ground with a polychrome diagonal patterned decor of geometric shapes.

Several knotted patterns.

Estimate: SEK 6 000 – 7 000 / EUR 600 – 700

235. Barbro Nilsson, a carpet, ‘Gyllenrutan’, knotted pile in relief, ca 381,5 x 259,5–269 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1945.

Probably made without fringes.

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås– Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 148.

Estimate: SEK 80 000 – 120 000 / EUR 7 920 – 11 870

236. Barbro Nilsson, a carpet, ‘Gyllenrutan röd’, knotted pile in relief, ca 309,5 x 203 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1945.

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås– Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 148. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 940 – 7 920

237. Swedish design, a carpet, knotted pile in relief, ca 224,5–227,5 x 112–118 cm, signed IB. Sweden around 1930.

A melange flat woven ground in ivory, light grey and yellow with knotted grid, stripe and vine patterns in colours as above.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

238. Sigvard Bernadotte, a carpet, knotted pile in relief, ca 179–181,5 x 116,5–119,5 cm, signed SB. An ivory grey melange flat woven ground with a decor in relief of geometric shapes in a variety of green and blue nuances. Woven at Nils Nessims Textilateljéer. A sewn on label at the back.

Provenance: Bought at Nessims, Sweden, in December 1955 or in January 1956.

Literature: Compare with Nordenfelt, Amelie: Något om Sigvard Bernadottes designverksamhet, kandidatuppsats vid Lunds universitet vt 1999, text page 18, plate 24. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

239. Märta Måås–Fjetterström, a carpet, ‘Höstmattan’, flat weave, ca 287,5–293,5 x 237,5–240 cm, signed AB MMF. Designed in 1918, woven after 1941.

Literature: Compare with Millesgårdens utställningskatalog nr 20: Märta Måås–Fjetterström, Stockholm 1989, No. 15, colour plate page 18; Skrifter från Kungl. Husgerådskammare 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 9, pages 26, 56; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 53.

Estimate: SEK 70 000 – 80 000 / EUR 6 930 – 7 920

240. Märta Måås–Fjetterström, a carpet, ‘Höstmattan’, flat weave, ca 347–348 x 245–248 cm, signed MMF. Designed in 1918, woven before 1942.

Literature: Compare with Millesgårdens utställningskatalog nr 20: Märta Måås–Fjetterström, Stockholm 1989, No. 15, colour plate page 18; Skrifter från Kungl. Husgerådskammare 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 9, pages 26, 56; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page 53.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

238.

237.

239.

240.

241. Märta Måås–Fjetterström, a carpet, ‘Röda åttan’, flat weave, ca 295–297 x 205,5–209 cm, signed MMF. Designed in 1928, woven before 1942.

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås– Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 109; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 90–91.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

242. Märta Måås–Fjetterström, a carpet, ‘Röda åttan’, flat weave, ca 255–257 x 149–150,5 cm, signed AB MMF. Designed in 1928, woven after 1941.

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås– Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 109; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 90–91.

Estimate: SEK 30 000 – 35 000 / EUR 2 970 – 3 470

243. Märta Måås–Fjetterström, a carpet, ‘Blå heden’, flat weave, ca 424–426 x 200,5–203 cm, signed AB MMF. Designed in 1931, woven after 1941.

Literature: Compare with Märta Måås–Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 6; ICA bokförlag: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 178; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate pages 66–69; Skrifter från Kungl. Husgerådskammaren 20, Nisser–Dalman, Margareta, Stockholm 2019, No. 36, page 59; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 112–114.

Estimate: SEK 80 000 – 100 000 / EUR 7 920 – 9 900

244. Märta Måås–Fjetterström, a carpet, ‘Bruna heden’, flat weave, ca 238,5–241 x 168–172 cm, signed AB MMF. Designed in 1931. Woven after 1941.

Literature: Compare with Märta Måås–Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 6; Liljevalchs konsthalls katalog: Märta Måås– Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate pages 66– 69; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plates pages 112–114.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

245. Märta Måås–Fjetterström, a carpet, ‘Nyponblomman’, flat weave, ca 270 x 203–205 cm, signed AB MMF. Designed in 1932, woven after 1941. In the book ‘Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström’ Angelica Persson at MMF AB writes: ‘The delightful glaucous dog roses which grow wild along the shore outside the studio in Båstad are organised in a strict and functionalist rölakan flatweave rug’.

Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås– Fjetterström, Båstad/Mölndal 2019, colour plate page 123.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

246. Märta Måås–Fjetterström, a carpet, ‘Nyponblomman’, flat weave, ca 125,5 x 79–80 cm, signed AB MMF. Designed in 1932, woven after 1941. In the book ‘Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström’ Angelica Persson at MMF AB writes: ‘The delightful glaucous dog roses which grow wild along the shore outside the studio in Båstad are organised in a strict and functionalist rölakan flatweave rug’.

Literature: Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad /Mölndal 2019, text and colour plate page 123.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

247. Märta Måås–Fjetterström, a carpet, ‘Ljusa plador’, flat weave, ca 265,5–267 x 197,5–199 cm, signed AB MMF. Designed in 1933, woven after 1941.

Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås– Fjetterström, Båstad/Mölndal 2019, colour plate page 124.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

248. Märta Måås–Fjetterström, a carpet, ‘Ljusa plador’, flat weave, ca 262 x 161–162,5 cm, signed AB MMF. Designed in 1933, woven after 1941.

Literature: Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås– Fjetterström, Båstad/Mölndal 2019, colour plate page 124.

Estimate: SEK 30 000 – 35 000 / EUR 2 970 – 3 470

249. Märta Måås–Fjetterström, a carpet, ‘Röda Esset’, flat weave, ca 304,5 x 200–201,5 cm, signed AB MMF. Designed in 1934, woven after 1941.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och vävverkstaden i Båstad, Stockholm 1968, colour plate opposite page 64; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 82; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page F1.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

250. Märta Måås–Fjetterström, a carpet, ‘Röda Esset’, flat weave, ca 203–207,5 x 148–149 cm, signed MMF. Designed in 1934, woven before 1942.

Literature: Compare with Lundgren, Tyra: Märta Måås–Fjetterström och vävverkstaden i Båstad, Stockholm 1968, colour plate opposite page 64; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 82; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, colour plate page F1.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

251. Märta Måås–Fjetterström, a carpet, ‘Blåplump’, flat weave, ca 263–265 x 181,5–182,5 cm, signed AB MMF. Designed in 1937. Woven after 1941. One ‘Blåplump’ was exhibited at the New York Expo in 1937.

Literature: Compare with Mattor och Vävnader – Märta Måås–Fjetterström, Barbro Nilsson, Marianne Richter, AnnMari Forsberg, Stockholm 1957, plate page 13; Millesgårdens utställningskatalog nr 20: Märta Måås–Fjetterström, Stockholm 1989, nr 14; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 133; Skrifter från Kungl. Husgerådskammare 20, NisserDalman, Margareta, Stockholm 2019, No. 35, pages 27, 59; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås–Fjetterström, Båstad/Mölndal 2019, plate page 139, colour plates pages 145, 164.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

252. Marianne Richter, a carpet, ‘Kattegatt’, flat weave, ca 311,5–313,5 x 245–248 cm, signed AB MMF MR. (AB Märta Måås–Fjetterström, Marianne Richter).

Designed in 1945.

Literature: Compare with Liljevalchs: Nordiskt Konsthantverk, 7 september – 6 oktober 1946, Stockholm 1946, plate page 83.

Estimate: SEK 175 000 – 200 000 / EUR 17 310 – 19 790

253. Barbro Nilsson, a carpet, ‘Salerno blå’, flat weave, ca 312 x 201,5–205,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1948. The pattern was designed for the chapel in Salerno, Italy.

Literature: Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920–1960, Milano 1998, colour plate page 39; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 151.

Estimate: SEK 60 000 – 80 000 / EUR 5 940 – 7 920

254. Sigvard Bernadotte, a carpet, flat weave, ca 512–515 x 247–253 cm, signed SB. A red melange ground with large geometric shapes in ivory, light grey melange and brown.

Literature: Compare with Nordenfelt, Amelie: Något om Sigvard Bernadottes designverksamhet, kandidatuppsats vid Lunds universitet vt 1999. (d)

Estimate: SEK 50 000 – 70 000 / EUR 4 950 – 6 930

255. Barbro Nilsson, a carpet, ‘Falurutan mellanblå’, flat weave, ca 257,5–260 x 167–169 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952.

Provenance: According to the owner bought in the 1980’s.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 60 000 – 80 000 / EUR 5 940 – 7 920

256. Barbro Nilsson, a carpet, ‘Falurutan gul’, flat weave, ca 296,5–298 x 200,5–201,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952. Made without fringes.

Exhibitions: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 50 000 – 70 000 / EUR 4 950 – 6 930

257. Barbro Nilsson, a runner, Falurutan starkblå, flat weave, ca 532,5 x 81,5–83,5 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson).

Designed in 1952. Made without fringes.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 50 000 – 70 000 / EUR 4 950 – 6 930

258. Barbro Nilsson, a carpet, ‘Falurutan grön I’, flat weave, ca 241–244,5 x 166 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1952.

‘Falurutan’ was first woven in red to the dining room at the residence in Falun.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls katalog: Märta Måås–Fjetterström, Märta flyger igen, 90 år med Märta Måås–Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

259. Berit Koenig, a carpet, ‘Viggen, grå’, flat weave, ca 252–253,5 x 189–192 cm, signed SH BK. (Svensk Hemslöjd, Berit Koenig). Sweden around 1950.

Possibly made without fringes.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

260. Berit Koenig, a carpet, ‘Viggen, röd’, flat weave, ca 200 x 171,5–175 cm, signed BK SH. (Berit Koenig, Svensk Hemslöjd). Sweden around 1950.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

261. Agda Österberg, a carpet, flat weave, ca 335,5–338 x 182,5 cm, woven 25–10 VL 1955 and AÖ.

Made for principal Valfrid Lengdén’s 60th birthday, Skara. Principal Lengdén was born 25/10 1895 in Längjum, Skaraborg County. A polychrome stripe pattern with stylized flowers and geometric shapes. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

262. Agda Österberg, a carpet, flat weave, ca 196–201,5 x 115,5–116,5 cm, signed AÖ.

A polychrome modernist composition. Made without fringes.

Provenance: The current owners’ parents bought the carpet at Tre Bäckar, Varnhem, in the 1960’s. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

263. Edna Martin, a carpet, ‘Flickorna i fönstret’, flat weave, ca 297–301 x 246,5–250,5 cm, signed SH. (Svensk Hemslöjd). Designed by Edna Martin 1956.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

264. Inga–Mi Varneus Rydgren, a carpet, flat weave, ca 240,5–241,5 x 158–160 cm, signed JLH IMV. (Jönköpings Läns Hemslöjd). Around 1960. An ivory melange ground with light polychrome patterns of squares and fields.

Made with only one fringe at each end. (d)

Estimate: SEK 18 000 – 20 000 / EUR 1 780 – 1 980

265. Marianne Richter, a carpet, ‘Fasad, grön II’, flat weave, ca 240–241,5 x 187–189,5 cm, signed AB MMF MR. (AB Märta Måås–Fjetterström, Marianne Richter). Designed in 1963.

Probably made without fringes.

Exhibitions: The Apartment, Copenhagen, 29 January–28 February 2015.

Estimate: SEK 30 000 – 35 000 / EUR 2 970 – 3 470

266. Barbro Nilsson, a runner, ‘Ostia orange’, flat weave, ca 306–307 x 99–100 cm, signed AB MMF BN. (AB Märta Måås–Fjetterström, Barbro Nilsson). Designed in 1972.

Made without fringes. (Rare in this colour palette).

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates pages 74–75. (d)

Estimate: SEK 40 000 – 60 000 / EUR 3 960 – 5 940

267. Ann–Mari Lindbom, gift Forsberg, a carpet, ‘Ann–Maris röda’, knotted pile, ca 113–115 x 93–95 cm, signed AB MMF AML. (AB Märta Måås–Fjetterström, Ann–Mari Lindbom, married Forsberg). Designed in 1944. A damaged label at the back.

(Relatively rare). (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

268. Sigvard Bernadotte, a carpet, knotted pile, ca 210,5 x 153,5 cm, signed SB. An ivory ground with a large medallion with geometric patterns and borders in a variety of blue, red, grey and brownish violet nuances. Made at Nils Nessims Textilateljéer in the 1940’s–1950’s.

Literature: Compare with Om Sigvard Bernadottes kompositioner för mattor, tyger, plast och papper Nordenfelt, Amelie: Något om Sigvard Bernadottes designverksamhet, kandidatuppsats vid Lunds universitet vt 1999. (d)

Estimate: SEK 15 000 – 18 000 / EUR 1 490 – 1 780

269. Sigvard Bernadotte, a carpet, knotted pile, ca 153,5–155,5 x 101–105 cm, signed SB. A modernist composition in ivory, pink as well as a variety of blue nuances. Probably made at Nils Nessims Textilateljéer, the 1940’s–the 1950’s.

Provenance: Compare with Nordenfelt, Amelie: Något om Sigvard Bernadottes designverksamhet, kandidatuppsats vid Lunds universitet vt 1999. (d)

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

270. Edna Martin, a carpet, knotted pile, ca 262,5 x 94–97 cm, signed EM HAV (Edna Martin, Handarbetets Vänner).

A red ground with a large light red medallion, a burgundy line and a field with ivory shapes. Made without fringes. (d)

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

271. Hugo Elmqvist, an Art Nouveau patinated bronze vase, Stockholm, early 1900’s.

Decorated with crabs among seaweed in relief, signed H.E–r. K.12 and maker’s stamp. Height 32 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

272. Hugo Elmqvist, an Art Nouveau patinated bronze vase, Stockholm early 1900’s.

Decorated with owls among flowers in relief, signed H.E–r X.10 and maker’s stamp, height 24 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

273. Hugo Elmqvist, a patinated bronze Art Nouveau vase, Florence, ca 1900.

Relief decoration with insects among plants, signed Hugo Elmqvist Firenze. Height 24 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

274. Alf Wallander, a patinated bronze table lamp, AB Förenade konstgjuterierna, Stockholm 1898–1900.

275. Emy Wahlström, an Art Nouveau patinated bronze table lamp, Hugo Elmqvist, Stockholm, early 1900’s.

In the shape of a female figure on a three–sided base, signed A. WALLANDER A.B. För. Konstgjuterierna:. Height ca 47,5 cm.

Decorated with starfish in relief, signed H.E–t A.B.E. Gj–metod Stockholm Dec. E Wahlström X9 and maker’s stamp. Height ca 24 cm excluding brass lamp mount, total height including green textile shade 51,5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

276. Otto Wretling, attributed to, a pair of Art Nouveau carved pine easy chairs.

Dark stained pine with carved decoration, upholstered seat and back. Height 78,5 cm, width 64 cm, seat height 42,5 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

277. Otto Wretling, attributed to, an Art Nouveau carved pine book shelf, Umeå, Sweden, early 20th century.

Dark stained pine with carved decoration. Length 130 cm, depth 25 cm, height 95,5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

278. Astri Bergman–Taube, an Art Nouveau patinated bronze table lamp, Herman Bergman, Stockholm, early 1900’s.

Signed Astri Taube Herman Bergman Fud. Shade in a beige fabric with green fringes. Total height 54 cm.

279. Axel Gute, a pair of green patinated metal bookends, Sweden, dated 1920.

(d)

A girl and a boy, signed Gute 1920. height 20,5 cm, including black stained wooden stands.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

280. A Modernist mahogany stool, 1920’s–1930’s.

Mahogany base, black lacquered feet, seat in stained wood, height 40 cm, width 85 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

281. A.W. Borgh, a pair of Swedish Grace brass chandeliers, probably 1920–1930’s.

Nine lights, maker’s mark. Height 100 cm, diameter ca 40 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

282. A.W. Borgh, four Swedish Grace wall sconses, probably 1920–1930’s.

In the shape of stylized leaves, for three lights, stamped with maker’s mark.

Height ca 41 cm, width 36 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

283. A Swedish Grace stool, 1920’s–30’s.

White lacquered wood, decorated with an à la greque pattern in relief, seat with green velvet, height 44 cm, seat measurements 50 x 50 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

284. A large Swedish Grace ceiling lamp, 1920–1930’s.

Three shades in lacquered metal, details in lacquered wood, one shade in white glass, 9 light sockets, height ca 180 cm.

285. A Swedish Grace table, signed and dated 1929.

Provenance: Reportedly from The Per Brahe Secondary School in Jönköping, Sweden. The main building was designed by the city architect August Atterström and opened on the 18th of October 1913.

Base in stained wood, pewter top with carved details and signed AK M 1929, brass lining, height 60 cm, measurements of the top 69,5 x 69,5 cm,

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

286. Oscar Antonsson, a wall mirror, Ystad Metallindustri, Sweden 1920’s.

Patinated bronze, maker’s mark, height 66 cm, width 31,5 cm.

Literature: Barros Eriksson, Jonas, Ystad–metall: 1919–1969, Bokförlaget Arena, Malmö, 2020, p. 59.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

287. Wolfgang von Wersin, a three pcs pewter coffee service with tray, ed. Eugen Wiedamann, Regensburg, Germany 1931–1934.

Coffee pot (model no 1672), milk jug (model no 1674), sugar bowl and tray, handles with bast braiding, spherical white lacquered finials.

Literature: Modern Art of Metalwork, Collection Catalogue of the Bröhan museum IV, Metallkunst, Bröhan Museum, Germany, new ed. 2001, see the model of the coffee pot and the milk jug ill. p 332.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

288, Gunnar Asplund, a pair of Swedish Grace chairs.

288. Gunnar Asplund, a pair of Swedish Grace chairs, Nordiska Kompaniet, Sweden ca 1924, from the cinema ‘Skandia–Teatern’ Stockholm.

Black lacquered wooden base with curved front legs and armrests, secondary upholstery with black artificial leather. Height 92 cm, seat height ca 45 cm The drawing (now in the archives of ArkDes, Stockholm) for these chairs by Gunnar Asplund is dated Jan 4th 1923, revised on Jan 19th.

In the Nordiska Kompaniet’s archives, where the chairs were manufactured, the drawing is dated Oct 7th 1924 and the model is called ‘Biograffåtölj fristående’ (Cinema Easy Chair–freestanding).

Provenance: The cinema ‘Skandia–Teatern’ Stockholm.

Literature: Holmdahl, Lind, Ödeen (ed), ‘Gunnar Asplund Arkitekt 1885–1940’, Tidskriften Byggmästaren, Stockholm 1943, see pp 48–49. Skandia–Teatern on Drottninggatan 83, in Warondellska huset, was opened on the 13th September 1923. In the literature, the cinema designed by Gunnar Asplund has been mentioned in only positive terms. The cinema room is referred to as ‘pure poetry’, ‘rich in radiant and beautiful details’. The armchairs stood in the cinema room, in the lodges on the balcony. Architect Gunnar Asplund’s drawing for these cinema chairs is dated January 4th 1923, revised Jan. 19th (see enclosed drawing from Ark Des). In the Nordiska Kompaniet’s archives the drawing for this model is probably the one dated October 7th 1924 and called what translates into ‘Freestanding Cinema easy chair’.

Estimate: SEK 150 000 – 200 000 / EUR 14 840 – 19 790

289. Gunnar Asplund, a Swedish Grace birch sideboard, 1910–1920’s.

Birch veneer, front with two cabinet doors and four drawers, height 74 cm, width 114 cm, depth 49 cm.

Provenance: Gunnar Asplund, thence by descent.

This sideboard was designed by Asplund for his own home and has since then remained in the Asplund family.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

290. A Swedish Grace pewter ceiling light, probably by Guldsmedsaktiebolaget, Sweden 1920–1930’s.

Hexagonal with six lamp holders, the frame with lions in relief, matte glass disc, the stem with conical elements and two lights, diameter including arms 67 cm (excluding the arms diameter 35 cm), height ca 66 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

291. Guldsmedsaktiebolaget, a pewter and brass pewter table clock, Stockholm 1930.

292. Estrid Ericson, a lidded pewter jar, Svenskt Tenn, Stockholm 1925, model A 42.

Cylindrical jar with striped decor, the cover with finial in the shape of a fish, maker’s mark Stockholm Y7. Height 15 cm, diameter 10,5 cm.

The face with details of brass, brass base, stamped SVENSKT TENN D8 MADE IN SWEDEN GAB. Height 20 cm, width 15 cm, depth ca 7 cm.

Literature: Hedvig Hedqvist, Rikard Jacobson and Jan von Gerber, ‘Modernt Svenskt Tenn’, Atlantis 2004, compare the jar designed by Estrid Erikson 1924, illustrated p 29.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

293. Nils Fougstedt, a pewter jardiniere, Svenskt Tenn, Stockholm, Sweden 1928.

The sides with relief decoration of ‘Paradise’ and ‘Noah’s Ark’.

Maker’s mark Stockholm B8, 23 x 23 cm, height 15,5 cm.

Provenance: Engraved inscription underneath: Direktör Robert Malmquist på femtioårsdagen 19 22/12 29 från N.B:s personal.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

294. Nils Fougstedt, & Thorvald Alef, a pewter case, Firma Svenskt Tenn, Stockholm 1930.

Black wood lining to interior, rectangular case on feet, the cover with an oval with a female nude figure, maker’s mark Stockholm D8. Measurements 24,4 x 13,8 cm (total including feet 26,4 x 15 cm), height 24 cm.

Exhibitions: The model was shown at Nationalmuseum in Stockholm 22 March – 7 April 1929, together with Mrs Clow’s magnificent furniture, a work made to order, designed by Uno Åhrén. The museum bought the case to their collections.

Literature: Firma Svenskt Tenn, catalogue, Stockholm 1930, Nordisk Rotogravyr, Stockholm 1929, compare the model illustrated, nr 811: ‘Case – Bought by Nationalmuseum, Stockholm’. Monica Boman (ed), ‘Estrid Ericson – Orkidé i vinterlandet’, Carlsson Bokförlag, Borås 1989, see the model illustrated p 67 and the 1929 exhibition is mentioned pp 76–78.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

295. Anna Petrus, a polished pewter inkstand, Herman Bergman, Stockholm 1932.

The cover with a sculptured lion, signed Anna Petrus, glass liners for ink and sand, the cover with maker’s mark Stockholm F8.

16,3 x 10,8 cm, height ca 12 cm.

Exhibitions: The model was shown at the Paris World’s Fair in 1925 and in New York 1927. The Metropolitan Museum of Art, New York bought the model to the museum collection.

Literature: Erik Wettergren, ‘L’art Décoratif Moderne En Suède’, see the model illustrated p 34.

Hedvig Hedqvist, Richard Jacboson, Jan von Gerber, ‘Modernt svenskt tenn’, Atlantis 2004, see the model illustrated p 39.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

296. Axel Einar Hjorth, a console table, ‘Louis’, Nordiska Kompaniet, Stockholm 1928.

Macassar ebony, carved and gilt details, marked with metal label NK 33248 –24070. 71 x 34 cm, height 48,5 cm.

Literature: Christian Björk, Thomas Ekström, Eric Ericson, ‘Axel Einar Hjorth Möbelarkitekt’, Bokförlaget Signum, 2009. P 85, this model depicted together with a mirror. The model ‘Louis’ was designed in 1928 and was shown at the Worlds’s Fair in Barcelona in 1929 and in London 1931. In the same set was included the extraordinary cabinet ‘Louis’ which was sold at Bukowskis in 2002 and still is the piece by Hjorth that has reached the highest price at auction, hammer price 1 150 000 SEK.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

297. Axel Einar Hjorth, a pair of ‘du Barry’ chairs, for Nordiska Kompaniet, designed in 1929.

Grey lacquered birch, bronzed details, rattan seat and back, maker’s mark AB Nordiska Kompaniet R 33909 C 12642, height 83 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

298. Nordiska Kompaniet, a pair of Swedish Grace floor lamps, 1930’s.

Patinated metal, silk shade, uplight and downlight, marked with model number 30085, height ca 150 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

299. Carl Malmsten, a Swedish Grace cabinet, executed at Nääs, Sweden 1924–1926.

Grey painted wood, in two parts, carved wooden details in relief, height 194 cm, width 111 cm, depth 50 cm.

Literature: Carl Malmsten, ‘Skönhet och trevnad i hemmet’, 1925, p 84–105, see the cabinet ill. pp 100, 102.

Häfte IV av ‘teckningar för träslöjd i skola och hem’ av C. Malmsten Norstedts förlag, 1926.

‘Teckningar till enklare möbeltyper’, Häfte II, PA Norstedts & Söners förlag, Stockholm, 1926.

Blomquist, Lena, Carl Malmsten: känd och okänd, 1. uppl., Jure, Stockholm, 2012, p. 87–91.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

300. Carl Malmsten, a stained pine table, Sweden 1930’s.

Maker’s mark CM, measurements 120 x 70 cm, height 70 cm.

Literature: Huldt, Åke H., Hörlén, Mattis & Seitz, Heribert (red.), Konsthantverk och hemslöjd i Sverige 1930–1940, Bokförmedlingen, Göteborg, 1941, p. 363.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

301. Carl Hörvik, a set of four iron framed garden chairs, ca 1927–1929, probably by Grythyttan Sweden for Lindgården, Stockholm.

The iron is lacquered in green, varnished wood, height 80 cm, width 44 cm, seat height ca 45 cm.

Provenance: Restaurant Lindgården, situated at Djurgården in Stockholm. The garden furniture were designed by Carl Hörvik. They are quite similar to what Hörvik designed for the gardens at the refined hotel ‘Stadshotellet Båstad’ a few years earlier.

Restaurant Lindgården was a work by architect Arne Essén, it opened in 1929 and was demolished in 2011.

Estimate: SEK 50 000 – 75 000 / EUR 4 950 – 7 420

302. Carl Hörvik, an iron and lacquered wood garden table, probably by Grythyttan ca 1927–1929 for Lindgården, Stockholm.

The iron frame is lacquered in green, varnished wooden top. 120 x 58 cm, height ca 71 cm.

Provenance: Restaurant Lindgården, situated at Djurgården in Stockholm. The garden furniture were designed by Carl Hörvik. They are quite similar to what Hörvik designed for the gardens at the refined hotel ‘Stadshotellet Båstad’ a few years earlier. Restaurant Lindgården was a work by architect Arne Essén, it opened in 1929 and was demolished in 2011.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

303. Axel Einar Hjorth, a stained birch library chair/–ladder, Nordiska Kompaniet, 1929, made to the crown prince Gustaf Adolf. (later king Gustaf VI Adolf), marked with maker’s metal label and also parts of a paper inventory label for the King Gustaf VI Adolf. Height 100 cm, width 58 cm, seat height 50 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

304. Ragnar Östberg, a birch desk, Upsala Möblerings AB, Uppsala, Sweden 1930.

Stained birch and burled birch, the front with one drawer, details in relief, the top with leather, maker’s mark UPSALA MÖBLERINGS–A.–B. 1930, height 75 cm, length 130 cm, depth 65 cm.

Provenance: The desk was designed by Ragnar Östberg for a university building

in Uppsala 1926–1930. The building was executed in a typical style of Östberg with a fasad made of bricks.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

305. Josef Frank, a model B 313, stool, Thonet Mundus AG, Vienna, ca 1929.

Green lacquered beech, seat of multi coloured cords, height 38 cm, measurements of the seat 46 x 42 cm.

Literature: Ott–Wodni, Marlene., Josef Frank 1885–1967: Raumgestaltung und Möbeldesign, Böhlau–Verlag, Wien, 2015, p. 305.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

306. Uno Åhrén, a coffee table, ‘model 125’, for Svenskt Tenn, Sweden 1930’s.

Base in black lacquered wood, pewter top with engraved details, height ca 53 cm, the top ca 90 x 90 cm.

Estimate: SEK 40 000 – 60 000 / EUR 3 960 – 5 940

307, Björn Trägårdh, a pair of pewter candlesticks.

307. Björn Trägårdh, a pair of pewter candlesticks, Svenskt Tenn, Stockholm 1932.

Horisontal grooves, stamped with maker’s marks F2.

Height 17,5 cm.

Björn Trägårdh designed this model in 1930.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

308. Firma Svenskt Tenn, a pair of pewter table lamps, model A 1479, Stockholm 1930.

Spherical shape, maker’s mark, Stockholm D8 (1930), height ca 17 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

309. Axel Einar Hjorth, a stained pine easy chair ‘Utö’, Nordiska Kompaniet, Sweden 1930’s.

Wave–pattern to the backrest and lower sides, upholstered seat, loose cushion. Height 86 cm, width 64 cm, seat height ca 46 cm.

Provenance: This chair comes from a ‘Sportstuga’ built in 1932 at Mjölkö in the Stockholm archipelago.

Literature: Björk, Christian, Ekström, Thomas & Ericson, Eric, Axel Einar Hjorth: möbelarkitekt, Signum, Stockholm, 2009, compare the sofa in the same series depicted p 133.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

310. Axel Einar Hjorth, probably, a stained pine ‘Lovö’ table, Nordiska Kompaniet, Sweden.

Square top, pencil note underneath the top 42137.

Height 59 cm, 55 x 55 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

311. Axel Einar Hjorth, a stained pine ‘Lovö’ cabinet, Nordiska Kompaniet, Sweden 1930’s.

The interior with two drawers and shelves. Height 155 cm, 100 x 45 cm.

Estimate: SEK 100 000 – 125 000 / EUR 9 900 – 12 370

312. Axel Einar Hjorth, probably, a stained pine ‘Lovö’ armchair, Nordiska Kompaniet, Sweden.

Height 90 cm, width 61,5 cm, depth ca 72 cm, seat height without cushion ca 38 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

313. Axel Einar Hjorth, a stained pine ‘Lovö’ table, Nordiska Kompaniet, Sweden 1930’s.

Height 58,5 cm, diameter 62 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

314. Axel Einar Hjorth, two pine ‘Skoga’ stools, Nordiska Kompaniet, Sweden 1930’s.

Stained and lacquered wood, 49 x 38 cm, height 45 cm and 48 x 37,5 cm, height 37,5 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

315. Axel Einar Hjorth, a stained pine ‘Utö’ table, Nordiska Kompaniet, Sweden 1930’s.

170 x 55 cm, height 74,5 cm.

Provenance: The table comes from a cottage ‘Sportstuga’ at Tynningö in the Stockholm archipelago, built in 1930.

Estimate: SEK 150 000 – 200 000 / EUR 14 840 – 19 790

315, Axel Einar Hjorth, a stained pine ‘Utö’ table.

316. Nordiska Kompaniet, a patinated metal ceiling light for a Swedish ‘Sportstuge’ interior, 1930’s.

Two lights, originally for kerosene, now electrified, the shade with vellum imitation. Length 70 cm, height ca 70 cm.

Provenance: This ceiling lamp formed part of the interior design in a ‘Sportstuga’ built in 1932 at Mjölkö in the Stockholm archipelago.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

317. Axel Einar Hjorth, a stained pine table ‘Lovö’, Nordiska Kompaniet Sweden 1930’s.

Square, 50 x 50 cm, height 50 cm.

Provenance: This table comes from an interior of a cottage, ‘Sportstuga’, built in 1932 at Mjölkö in the Stockholm archipelago.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

318. Axel Einar Hjorth, a stained pine low back ‘Lovö’ chair, Nordiska Kompaniet, Sweden 1930’s.

Mounts of iron. Height 79,5 cm, seat height ca 41,5 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

319. Axel Einar Hjorth, a stained pine low back ‘Lovö’ chair, Nordiska Kompaniet, Sweden 1930’s.

Mounts of iron. Height 80 cm, seat height 42 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

320. Axel Einar Hjorth, a pair of ‘Skoga’ stools, Nordiska Kompaniet 1930’s.

Stained pine, height 44 cm.

Estimate: SEK 30 000 – 35 000 / EUR 2 970 – 3 470

321. Erik Chambert, a bar cabinet, for AB Chamberts Möbelfabrik, Norrköping, Sweden, 1934.

The front with rich marquetry of stylized leaves and flowers, the interior with shelves and a bar, the bar shelves lacquered i turquoise and black with details of metal, handles in metal and transparent plastics, the feet in carved wood, signed and dated on the front E.C. 1934. height 125 cm, width 140 cm, depth 45 cm.

Provenance: This cabinet was part of a larger set of furniture that was executed on demand for a private client in 1934. They were originally designed for and shown at the Worlds Fair in Chicago 1933.

Literature: Björk, Christian & Ericson, Eric (ed), ‘Swedish Modern’, Orosdi–Back, Stockholm 2018, p 479.

Estimate: SEK 75 000 – 100 000 / EUR 7 420 – 9 900

319, Axel Einar Hjorth, a stained pine low back ‘Lovö’ chair.

322. Harald Notini, a floor lamp by Böhlmark’s, model ‘15084’ Stockholm, Sweden 1930’s.

Metal base with green lacquered details, marked with model number, height 134 cm, diameter of the shade 38,5 cm.

Literature: Huldt, Åke H., Hörlén, Mattis & Seitz, Heribert (ed), Konsthantverk och hemslöjd i Sverige 1930–1940, Bokförmedlingen, Gothenburg, 1941, p 400.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

323. Nils Öfverman, attributed to, a cabinet, for Nordiska Kompaniet, Sweden 1930’s.

Black lacquered wood, interior with mirrors, drawers and metal shelves, marked with Nordiska Kompaniet drawing number 37752, height 180 cm, width 90 cm, depth 41 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

324. Axel Einar Hjorth, a ‘Typenko’ table, Nordiska Kompaniet, Sweden 1934.

Stained birch, steel base, maker’s mark NK R 36110 C 6 11 34, height 55 cm, diameter 80 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

325. Margareta Köhler, a modernist desk for Futurum, Stockholm 1938.

Veneered with macassar ebony, measurements 110 x 60 cm, height 74 cm, total height including centrepiece with two drawers 86,5 cm.

Provenance: The desk was executed as a part of a complete interior by Futurum for Dr Sten Lapidus and his wife’s, Dr Hedvig Müller–Lapidus, first appartment at Baltzar von Platens gata 6 in Stockholm 1938. The table that was placed in the livingroom could be used both as a desk and, without the centrepiece, as an additional dinner table.

Literature: Sigrid Eklund Nyström, ‘Möbelarkitekt på 1930–talet – Om inredningsfirman FUTURUM och hur en ny yrkesgrupp etablerar sig’ Nordiska museets handlingar 112, Uddevalla 1992, see the drawing with the desk placed in the interior of the Müller–Lapidus’ appartment, Baltzar von Platens gata 6 in Stockholm, pp 284–285.

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

326. Margareta Köhler, a set of three cabinets for Futurum, Stockholm 1938.

Veneered with sycamore, oak interior, white metal handles. Marked with crayon to the back: Lägenhet II B. Height 97,5 cm, each section with 65 cm, depth 34 cm.

Provenance: Dr Sten Lapidus, Dr Hedvid Müller–Lapidus. These cabinets were ordered for the couple Lapidus first appartment at Baltzar von Platens gata 6 in Stockholm 1938. The cabinets were placed in the living room along one long side, the one in the middle with a leaf to be used as an extra writing space.

Literature: Sigrid Eklund Nyström, ‘Möbelarkitekt på 1930–talet – Om inredningsfirman FUTURUM och hur en ny yrkesgrupp etablerar sig’ Nordiska museets handlingar 112, Uddevalla 1992, see the drawing of the interior aswell as two of the cabinets illustrated from the Müller–Lapidus appartment, Baltzar von Platens gata 6 in Stockholm, pp 284–286.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

FUTURUM The interior design company ‘Futurum’ was one of the many interior design companies that started business in Sweden post the 1930 Stockholm exhibition.

Futurum was founded in 1934 by Margareta Köhler and Marie–Louise Idestam– Blomberg. The philosophy for their business was based upon the modernistic, or if you wish functionalistic, ideals that were introduced at the 1930 Stockholm Exhibition. The furniture should not be put in an interior for merely decorative

purposes but based upon the client’s actual needs and designed with their function as a major target.

Margareta Köhler was the main designer of the furniture produced by Futurum. Their aim was to create a unity with the furniture, textiles, lighting etc. Despite really good reviews from both clients and critics, Futurum had to shut down the business in 1941 due to financial problems.

327. Futurum, probably designed by Margareta Köhler, a nickel plated floor lamp, Stockholm ca 1938.

Height ca 136 cm.

Provenance: Dr Sten Lapidus, Dr Hedvid Müller–Lapidus.

The lamp formed a part of the complete interior designed by Futurum and ordered by Dr Sten Lapidus and his wife’s, Dr Hedvig Müller–Lapidus, first appartment at Baltzar von Platens gata 6 in Stockholm 1938.

Literature: Sigrid Eklund Nyström, ‘Möbelarkitekt på 1930–talet – Om inredningsfirman FUTURUM och hur en ny yrkesgrupp etablerar sig’, Nordiska museets handlingar 112, Uddevalla 1992, see the drawing for the design of the interior, Baltzar von Platens gata 6 in Stockholm, pp 284–286.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

328. A Swedish Modern steel framed mirror, 1930’s.

The top with rounded corners, height 131 cm, width 51 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

329. Birger Ekman, attributed to, a Swedish Modern bar–trolley by Mjölby Intarsia, 1930–1940’s.

Mahogany veneered with inlays in different kinds of wood depicting dancing people, the top with glass. Length 93 cm including metal handles, width 38 cm, height 67 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

330. Bo Notini, a Glössner & Co floor lamp, Sweden 1940–1950’s.

Brass stem, amber coloured inner shade, etched clear glass outer shade, signed Notini Glössner Co., height 175 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

331. Bruno Mathsson, a rare easy chair for Firma Karl Mathsson, Värnamo, Sweden 1940’s.

Laminated beech, seat with girths, marked with paper label Firma Karl Mathsson.

Height ca 91 cm, length ca 160 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

332. Carl Malmsten, a Swedish Modern cabinet on stand, a journeyman’s masterpiece by Sven–Erik Fryklund, Sweden 1942.

Inlays in different kinds of wood in a floral decoration, signed SEF and dated 1942.

86 x 35 cm, height 159 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

333. Gustav Axel Berg, an easy chair, ‘Estelle’, AB G.A. Bergs, Sweden 1940’s.

Upholstered in two tones grey boucle fabric, stained beech wood feet, height ca 110 cm.

Exhibitions: Exhibited at ‘Svensk Form’, Konstindustrimuseet in Copenhagen 1942.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1943, p. 92.

Estimate: SEK 60 000 – 80 000 / EUR 5 940 – 7 920

334. Hans Bergström, a pair of floor lamps, model ‘567’, Ateljé Lyktan, Åhus Sweden, 1940–1950’s.

Stem of elm wood, base and arms in brass, white textile shades, height ca 152 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

335. Axel Einar Hjorth, a pine stool ‘Utö’, Nordiska Kompaniet, 1930’s.

336. Axel Einar Hjorth, a pine stool ‘Utö’, Nordiska Kompaniet, 1930’s.

Height 45 cm, diameter 40 cm.

Height 45 cm, diameter 40 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

337. Axel Einar Hjorth, a stained pine ‘Lovö’ cabinet, Nordiska Kompaniet, Sweden 1930’s.

Iron mounts, the interior with shelves and two drawers.

Height 155 cm, 102 x 46 cm.

Estimate: SEK 100 000 – 125 000 / EUR 9 900 – 12 370

339. Axel Einar Hjorth, a pair of stained pine ‘Lovö’ chairs, Nordiska Kompaniet, Sweden 1930’s.

Iron mounts. Height 95 cm, seat height ca 41,5 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

338. Axel Einar Hjorth, a pair of stained pine ‘Lovö’ chairs, Nordiska Kompaniet, Sweden 1930’s.

Iron mounts, loose cushions, height 96 cm, seat height ca 45 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

340. Axel Einar Hjorth, a ‘Sport’ stained pine framed mirror, Nordiska Kompaniet, Sweden 1930’s.

72,5 x 55 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

341. Axel Einar Hjorth, a stained pine ‘Lovö’ table, Nordiska Kompaniet, Sweden 1930’s.

180 x 75 cm, height 73 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

342. Axel Einar Hjorth, a set of six stained pine ‘Utö’ chairs, Nordiska Kompaniet, Sweden 1930’s.

Height 80 cm, seat height 44 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

343. Axel Einar Hjorth, a set of six stained pine ‘Utö’ chairs, Nordiska Kompaniet, 1930’s.

Height 80 cm, seat height 44 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

344. Axel Einar Hjorth, a stained pine ‘Sandhamn’ corner cabinet, Nordiska Kompaniet, Sweden 1931, provenance Brostugan, Drottningholm.

Shelves, the lower part with a door, the back marked with maker’s metal label: R33846 – C2 1 31. Height 180 cm, total width ca 95 cm, the sides to the corner ca 70 x 70 cm.

345. Axel Einar Hjorth, probably, a stained pine table, Nordiska Kompaniet, Sweden.

Provenance: Brostugan, Drottningholm, Stockholm.

Diameter 80 cm, height 63 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

346. David Rosén, a pine ‘Berga’ stool, Nordiska Kompaniet, Sweden 1930–1940’s.

39 x 35, height ca 40 cm.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

347. Bröderna Malmströms Lampvarufabrik, a pair of ceiling lamps, Swedish Modern, Malmö 1940’s.

Brass, cast flowers and leaves, three amber coloured glass shades with etched details, height ca 110 cm.

Literature: Illustrated in Bröderna Malmström’s product catalogue.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

348. Hans Bergström, a wall lamp for Atljé Lyktan, Åhus Sweden 1940’s.

Stem in lacquered metal, shade in brass in the shape of leaves and flowers, maker’s mark Ateljé Lyktan Åhus, height 47 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

349. A pair of Swedish Modern brass uplights, 1940’s.

The shade with perforated decoration. Height ca 123 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

350. Otto Schulz, a Swedish Modern easy chair, Boet Gothenburg, 1940’s.

Upholstered in velvet, legs and frame of elm wood. Height 75,5 cm, seat height ca 41 cm, width ca 81 cm.

Literature: Arvid Berghman (ed), ‘Tidskriften Boet’, Göteborg 1945. This model depicted.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

351. Otto Schulz, a Swedish Modern easy chair, Boet Gothenburg, 1940’s.

Upholstered in a yellow fabric, legs and frame of elm wood.

Height ca 75 cm, seat height ca 42 cm, width ca 80 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

352. Nordiska Kompaniet, a Swedish Modern oak sofa table ‘NK Hantverk’, Sweden 1947.

Base in white stained oak, red limestone top with decoration in relief, brickmärkt NK R 579 630 C 18 6 47 samt brännstämplat NK Hantverk ark., height 52 cm, length 110 cm, width 60 cm.

Provenance: ‘NK–Hantverk’ Nordiska Kompaniet, Stockholm 1947.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1947, p. 162–164.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

353. Otto Schulz, two Swedish Modern easy chairs for Boet, Gothenburg 1940’s.

Beige linen textile with leather buttons, wooden feet, height 103 cm.

Literature: Arvid Berghman (ed), Tidskriften Boet, 1945, compare ill. p. 48.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

354. Hans–Agne Jakobsson, an oak six lights celing lamp, Hans Agne Jakobsson Markaryd, Sweden probably 1960’s.

Cylindrical glass shades, details of brass, label marked, diameter ca 98 cm, height of the glass shades 24 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

355. Josef Frank, a sideboard / library table for Svenskt Tenn, Sweden, model 2226.

Veneered with walnut, three drawers, brass handles.

Length 250 cm, width 59,5 cm, height 80 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 940 – 7 920

356. Josef Frank, a mahogany chest of drawers, Svenskt Tenn, probably 1940–1950’s, model nr 2016.

Three drawers, brass handles, 80 x 55, cm, height 80 cm.

Literature: Marlene Ott–Wodni, Josef Frank 1885–1967 Raumgestaltung und Möbeldesign, Böhlau Verlag Wien, 2015, M–WV 357, p 315. Josef Frank designed this model ca 1945.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

357. Josef Frank, a ‘Liljevalchs’ sofa, Svenskt Tenn, Sweden 2018.

Upholstered in grey velvet, stained beech legs, length 280 cm, depth 140 cm, seat height ca 43 cm.

Provenance: Bought at Svenskt Tenn in 2018.

Estimate: SEK 60 000 – 80 000 / EUR 5 940 – 7 920

355, Josef Frank, a sideboard / library table for Svenskt Tenn.

358. Josef Frank, a model 2168 walnut and black marble top sofa table, Svenskt Tenn, probably 1950’s.

Diameter 105 cm ( marble top 100 cm), height 56 cm.

Literature: Marlene Ott–Wodni, ‘Josef Frank 1885–1967 Raumgestaltung und Möbeldesign’, Böhlau Verlag 2015, p 355, the same model depicted.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

359. Josef Frank, a pair of model 2067 armchairs for Svenskt Tenn, Sweden, mid 20th century.

Seat height 36 cm, height 72 cm, width 56 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

360. Josef Frank, a walnut sideboard, model 598, Svenskt Tenn, Sweden 1950–1960’s.

Lined with boxwood, four + one drawers, handles of brass, 130 x 43 cm, height 69 cm.

Literature: Marlene Ott–Wodni, ‘Josef Frank 1885–1967, Raumgestaltung und Möbeldesign’, Böhlau Verlag, Wien 2015, see the model illustrated p 310.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

361. Josef Frank, a pair of mahogany wall shelves, model 2127, Svenskt Tenn Sweden, probably 1950’s.

Three shelves. 55 x 18 cm, height 66 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

362. Josef Frank, a ‘Liljevalchs’ sofa, Svenskt Tenn, Sweden 2014.

Upholstered in beige fabric, stained beech legs, maker’s plaque and marked with label, dated 2014, length 280 cm, depth 140 cm, seat height ca 43 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 940 – 7 920

363. Josef Frank, a dinner table for Svenskt Tenn, model 947, Sweden ca 1939.

Veneered with elm, straight legs, length 130 cm, width 100 cm, total length 310 cm including three extra leaves à 60 cm, height 72 cm, one added leaf in pine, width 30 cm, comes with the table.

Provenance: Reportedly acquired in 1939 from Svenskt Tenn, thence by descent.

Estimate: SEK 30 000 – 35 000 / EUR 2 970 – 3 470

364. Josef Frank, a set of eight dining chairs, Svenskt Tenn, Sweden, model 2025.

White lacquered wood and bamboo, seats upholstered with Frank’s cotton fabric ‘Vegetable tree’, height 96 cm, seat height 46 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

365. Josef Frank, a mahogany sideboard, model 1148, Svenskt Tenn, Sweden.

105 x 45 cm, height 72 cm, total length 150 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

366. Josef Frank, a model 1074 mahogany coffee table, Svenskt Tenn, Sweden.

Mahogany, the corners covered in brass, 80 x 80, height 58 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

367. Josef Frank, a model 1074 coffee table for Firma Svenskt Tenn, Stockholm, Sweden.

Mahogany, details in brass, height 59 cm, the top ca 80 x 80 cm.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

368. Josef Frank, a nr 2326 brass and black lacquered floor light, Svenskt Tenn, Sweden 1930–1940’s.

Adjustable height, lampholder and switch of porcelain, height ca 130 cm.

Estimate: SEK 6 000 – 8 000 / EUR 600 – 800

369. Josef Frank, a mahogany sideboard for Svenskt Tenn, Sweden, model 821.

Five drawers, brass fittings. Length 180 cm, depth 50 cm, height 75 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

370. Josef Frank, a pair of ‘model 1053’ side tables, Svenskt Tenn, Sweden.

Traveritine top, brass base, measurements 81 x 39,5 cm, height 39,5 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

371. Josef Frank, a pair of brass candelabra by Svenskt Tenn, Sweden 1950’s, model nr 2663.

Four detachable arms, height 40,5 cm.

Literature: Monica Boman (ed), ‘Estrid Ericson Orkidé i Vinterlandet’, Carlsson förlag, Stockholm 1989, see the model illustrated p 138–139.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

372. Josef Frank, a library table, Svenskt Tenn, Sweden, probably made to order.

Veneered with walnut, length 210 cm (the top length 200 cm), width 40 cm, height 81 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

373. Josef Frank, a set of six chairs, model 815, for Svenskt Tenn, Sweden 1940–1950’s.

Mahogany, seats upholstered in blue leather, seat height 44 cm, height 89 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

374. Josef Frank, a table model ‘1032’, Svenskt Tenn, Sweden 1940–1950’s.

Mahogany, glass top, brass details, height 72 cm, width 122 cm, depth 48 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

375. Oscar Nilsson, attributed to, a stained oak table, probably executed at Isidor Hörlin AB, Stockholm, 1930–1940’s.

The base with geometrical relief pattern. Length 158 cm, width 87 cm, height 75 cm.

Literature: Hans Rabén, ‘Det Moderna Hemmet – inredningskonst i Sverige och andra länder’, Natur och Kultur, Stockholm, 1937, p 173.

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

376. Erik Bertil Karlén, a pair of Swedish Modern easy chairs for Firma Rumsinteriör, Stockholm 1940’s.

Base in elm, seat upholstered in a wool fabric, height 80 cm.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1943, p. 87. Hedqvist, Hedvig & Björk, Christian, ‘Swedish Modern : En historia om modernismens yttringar i Sverige genom design, inredning och formgivning’ Orosdi–Back, 2018, p 228–229.

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

377. Erik Bertil Karlén, a Swedish Modern sofa for Firma Rumsinteriör, Stockholm 1940’s.

Base in elm, seat upholstered in a wool fabric, height 80 cm, width 150 cm.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1943, p. 87. Hedqvist, Hedvig & Björk, Christian, ‘Swedish Modern : En historia om modernismens yttringar i Sverige genom design, inredning och formgivning’, Orosdi–Back, 2018, p 228–229.

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

378. Bergbom & Co AB (Bergboms), a pair of ‘B–10’ table lamps, Malmö, Sweden 1940–1950’s.

Brass stem, handle with plastic cords, bakelite socket and switch, maker’s mark B–10 Bergbom, height including shade 42 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

379. Axel Larsson, a pair of armchairs, model ‘244’, for Svenska Möbelfabrikerna Bodafors, Sweden 1940–1950’s.

Red beech and teak, brass details, height 71 cm.

Exhibitions: The model was placed in the KTH school’s music room, Stockholm 1949–1950. See picture.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1949, p. 54. Eklund Nyström, Sigrid, Axel Larsson: möbelformgivare och inredningsarkitekt under fem decennier, Carlsson, Stockholm, 2013, p. 142.

Gordan, Dan, Svenska stolar och deras formgivare 1899 till idag, Norstedts, Stockholm, 2019, p. 145.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

380. Axel Larsson, a pair of armchairs, model ‘244’, for Svenska Möbelfabrikerna Bodafors, Sweden 1940–1950’s.

Red beech and teak, brass details, maker’s mark Bodafors Design Axel Larsson, height 71 cm.

Exhibitions: The model was placed in the KTH schools music room, Stockholm 1949–50. See picture.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1949, p. 54. Eklund Nyström, Sigrid, Axel Larsson: möbelformgivare och inredningsarkitekt under fem decennier, Carlsson, Stockholm, 2013, p. 142.

Gordan, Dan, Svenska stolar och deras formgivare 1899 till idag, Norstedts, Stockholm, 2019, p. 145.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

381. Bertil Brisborg, a pair of wall lamps, for Nordiska Kompaniet, Sweden 1940’s.

Brass, shades in yellow glass, length from wall ca 44 cm.

Exhibitions: This model was used at Turitz, Gothenburg Sweden.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1941, p 41.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

382. Göran Malmvall, probably, a Swedish Modern pine chest of drawers, Karl Andersson & Söner Möbelfabrik, mid 20th century.

Three drawers, brass handles, 88 x 40 cm, height 68 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

383. Swedish Modern, a brass ceiling lamp, 1940’s.

Six shades, diameter ca 77 cm, height of each shade ca 20 cm, total height ca 60 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

384. Åke Wennberg, a monumental armchair, STC (The Swedish Associations for Upholsterers), Stockholm 1960’s.

Upholstered with a sand coloured velvet, wooden feet, height ca 94 cm, width ca 102 cm, seat height ca 45.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

385. Hans–Agne Jakobsson, a 12 lights brass ceiling lamp, model 746/12, Markaryd, Sweden, 1960–1970’s.

Details of plastic, label marked. Length 275 cm, height ca 43 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

386. Bertil Fridhagen, an easy chair, ‘Limento’, model 5–168 for Svenska Möbelfabrikerna Bodafors, Sweden 1961.

Oak and brown leather, maker’s mark Bodafors Design Bertil Fridhagen Made in Sweden 1961, height 80 cm.

Exhibitions: This model was awarded first prize at the exhibition in Cantù in Italy 1959.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

387. Bertil Brisborg, two ceiling lamps for Nordiska Kompaniet 1940’s–1950’s.

Brass and white glass shades, maker’s mark NK 31234, diameter ca 50–51 cm, adjustable height ca 160 cm.

Literature: Stawenow, Åke red., Form – Svenska Slöjdföreningens Tidskrift, 1942, the model pictured on p. 137 Model pictured in The archive of Nationalmuseum in Stockholm.

Estimate: SEK 20 000 – 30 000 / EUR 1 980 – 2 970

388. Carl–Axel Acking, a ‘Trienna’ oak and natural leather easy chair, Sweden 1960’s.

Height 77 cm, seat height ca 35,5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

389. Hans–Agne Jakobsson, a pair of wall lamps, Hans Agne Jakobsson AB, Markaryd, 1950’s–1960’s.

390. Hans–Agne Jakobsson, a pair of wall lamps, Hans Agne Jakobsson AB, Markaryd, 1950’s–1960’s.

Brass, green lacquered perforated shades, one marked with label, height 35 cm, width 27 cm.

Brass, green lacquered perforated shades, one marked with label, height 35 cm, width 27 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

391. Alvar Aalto, a green lacquered side table, Aug. Louhen Rautasänkytehdas ja Valimo Oy, Åbo ca 1932, for Paimio, Finland.

392. Alvar Aalto, a green lacquered side table, Aug. Louhen Rautasänkytehdas ja Valimo Oy, Åbo ca 1932, for Paimio, Finland.

The base of green tubular steel, the top of plywood, marked underneath the top with inventory number 4 IV. 55 x 45 cm, height 76 cm.

The base of green tubular steel, the top of plywood, marked underneath the top with inventory number 4 IV. 55 x 45 cm, height 76 cm.

Literature: Ed. Christiane Heuwinkel ‘Alvar & Aino Aalto. Design Collection Bischofberger’, Hatje Cantz Verlag, Germany 2005, pp 58–59, 65.

Literature: Red. Christiane Heuwinkel ‘Alvar & Aino Aalto. Design Collection Bischofberger’, Hatje Cantz Verlag, Germany 2005, pp 58–59, 65.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

393. Alvar Aalto, a pair of chest of drawers, O.y Huonekalu–ja Rakennustyötehdas, Finland, ca 1932, designed for Paimio.

Two drawers and a door, inventory marked underneath ( 5 & 6). 49 x 38 cm, height 69 cm.

Literature: Ed. Christiane Heuwinkel ‘Alvar & Aino Aalto. Design Collection Bischofberger’, Hatje Cantz Verlag, Germany 2005, pp 58–59.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

394. Alvar Aalto, a black lacquered birch cantilevered armchair, ‘nr 42’, O.y Huonekalu–ja Rakennustyötehdas, Finland, 1930’s.

Later black lacquer. Height 65 cm, width 60 cm.

Provenance: This chair is documented on a family photograph from 1939.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

395. Alvar Aalto, a model 31 burled birch armchair, produced by O.y Huonekalu–ja Rakennustyötehdas, Finland or Aalto Design Hedemora.

Laminated birch, burled wood to the seat part. Height 63 cm, seat height ca 40 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

396. Alvar Aalto, a white lacquered ‘Beehive’ ceiling light, Valaistustyö, Finland.

Details of brass, marked A 331, VALAISTUSTYÖ, height 31 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

397. Alvar Aalto, a pair of ‘Golden Bell’ brass pendant lamps, Valaistustyö, Finland, model ‘A330’.

Maker’s mark Valaistystyö A330. Height 22 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

398. Märta Blomstedt, an ‘Aulanko’ armchair by Kantosen Puutyö Oy, Finland, designed in 1939 for the Hotel Aulanko in Tammerfors.

Upholstered with a velvet fabric in light green, wooden ball feet, label marked. Width ca 96 cm, height ca 92 cm. seat height ca 42 cm.

Estimate: SEK 50 000 – 60 000 / EUR 4 950 – 5 940

399. Ilmari Tapiovaara, a white lacquered ‘Maija the Bee’ ceiling light, Hionteräs, Finland 1950’s.

Details of brass, marked HIONTERÄS. Height of the lamp 40 cm.

Provenance: Mielikki (Maija) Tapiovaara (senare Douglas).

This lamp was a gift from Ilmari Tapiovaara for her sister Mielikki (Maija) during the late 1950’s. Thence by descent.

The relationship is documentated in the book: ‘Yksitoista Tapiovaaraa : tuoleja, tauluja, elokuvia – Matti Rinne’ where it is also written that Mielikki was called Maija. This model was designed in 1955.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

400. Ilmari Tapiovaara, a white lacquered ‘Maija the Bee’, Hionteräs, Finland late 1950’s.

Details of brass, marked HIONTERÄS. Height of the lamp 40 cm.

Provenance: Mielikki (Maija) Tapiovaara (married Douglas) This lamp was a gift from Ilmari Tapiovaara for her sister Mielikki (Maija) during the late 1950’s. Thence by descent.

The relationship is documentated in the book: ‘Yksitoista Tapiovaaraa : tuoleja, tauluja, elokuvia – Matti Rinne’ where it is also written that Mielikki was called Maija. This model was designed in 1955.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

401. Ilmari Tapiovaara, a light pink lacquered ‘Maija the Bee’ ceiling light, Hienoteräs, Finland late 1950’s.

Details of brass, marked HIONTERÄS. Height of the lamp 40 cm.

Provenance: Mielikki (Maija) Tapiovaara (married Douglas).

This lamp was a gift from Ilmari Tapiovaara for her sister Mielikki (Maija) during the late 1950’s. Thence by descent.

The relationship is documentated in the book: ‘Yksitoista Tapiovaaraa : tuoleja, tauluja, elokuvia – Matti Rinne’ where it is also written that Mielikki was called Maija. This model was designed in 1955.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

402. Arne Tideman Ruud, a pair of teak lounge chairs ‘Holmenkollen/3030’, A/S Inventar Gjövik, Norway 1960’s.

Black leather upholstery with cushions in grey fabric.

Height 72 cm, width 69 cm, seat height ca 37 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

403. Rolf Rastad, & Adolf Relling, a pair of teak and rattan ‘Bambi’ easy chairs by Rastad & Relling, Norway 1950–1960’s.

Height 75 cm, seat height 44 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

404. Lars Hjelle or Hartmut Lohmeyer, an easy chair for A/S Eidsfjord Møbelfabrik or Gemla, 1950’s.

Teak and leather, seat height 36 cm, height 90 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 190 – 1 490

409, Finn Juhl, a ‘BO 69’ desk, Bovirke.

405. Arne Tideman Ruud, a ‘Holmenkollen/’3030’, lounge chair, AS Inventar/ Norcraft, Gjövik Norway 1950–1960’s.

Teak frame, upholstered in beige leather. Adjustable seat, maker’s mark in the leather: NORCRAFT NORWEGIAN DESIGN, MADE IN NORWAY. Height ca 79 cm, seat height ca 20–28 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

406. An occasional table, probably Denmark 1950’s.

Teak and brass, height 54 cm, length 172 cm, width 45 cm.

Estimate: SEK 10 000 – 12 000 / EUR 990 – 1 190

407. Børge Mogensen, a cherry chair, executed by cabinetmaker Erhard Rasmussen, Denmark ca 1949.

Seat and back in cherry veneered plywood, base in cherry, height 75 cm.

Exhibitions: This model was shown at the Cabinetmakers’ Exhibition in Copenhagen 1949.

Literature: 40 years of Danish furniture design : the Copenhagen Cabinetmakers’ Guild exhibitions 1927–1966 ; Dansk møbelkunst gennem 40 aar : Københavns Snedkerlaugs møbeludstillinger 1927–1966 / Jalk, Grethe . – Tåstrup, 1987, Bd. 3, p. 117

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

408. Børge Mogensen, a pair of oak and natural leather ‘Spanish Chair’, model 226, Fredericia Stolefabrik, Denmark.

Height 68 cm, seat height ca 31 cm, width 81 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

409. Finn Juhl, a ‘BO 69’ desk, Bovirke, Denmark 1950–1960’s.

Designed in 1953.

Rosewood, different coloured drawers, the top with formica, two leaves with black formica tops à 54,5 cm. Length 166 cm, width 85 cm, height 74 cm.

Provenance: Lot nr 1449 Bruun Rasmussen, June 4th 2019 where it was stated that the table was acquired by the then owner’s grandparents during the late 1950’s or early 1960’s.

Estimate: SEK 200 000 – 250 000 / EUR 19 790 – 24 730

410. Hans J Wegner, a teak, oak and cane ‘Cowhorn chair’, JH 505, Johannes Hansen, Denmark 1950–1960’s.

Maker’s mark Johannes Hansen, seat height ca 43 cm, height 74 cm.

Provenance: Danish Modern museum / Lasse Andersen Collection.

Literature: Johan Møller Nielson, ‘Wegner en Dansk Møbelkunstner’, Copenhagen 1965, p 76.

Grete Jalk (ed), ‘Dansk Møbelkunst gennem 40 aar’, vol III: 1947–1956, Copenhagen 1987, p 213.

Jens Bernsen, ‘Hans J Wegner: om Design’, catalogue, Dansk Design Center, Copenhagen 1995, p 75. Christian Holmsted Olesen, ‘Wegner: just one good chair’, Design Museum Denmark, Copenhagen 2014, p 136.

Estimate: SEK 30 000 – 35 000 / EUR 2 970 – 3 470

411. Hans J Wegner, a ‘Papa bear’ easy chair, AP–stolen, Denmark.

Oak, reupholstered in a blue fabric, maker’s mark underneath. Height ca 99 cm, seat height ca 30–37 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 960 – 4 950

412. Hans J Wegner, an ‘AT–314’ dinner table with flaps, Andreas Tuck, Denmark 1950–1960’s.

Teak and oak, brass details, maker’s mark: ANDR. TUCK DESIGN: HANS J. WEGNER MADE IN DENMARK and DANISH FURNITUREMAKERS CONTROL, height 71,5 cm, length 194, total length with the flaps 190 + 60 + 60 = 310 cm, width 105,5 cm.

Estimate: SEK 100 000 – 150 000 / EUR 9 900 – 14 840

413. Hans J Wegner, a set of 10 teak ‘W2’ chairs, C M Madsen, Denmark, 1950’s.

The seats with brown leather, maker’s mark, height 75,5 cm, seat height ca 45 cm.

Estimate: SEK 30 000 – 35 000 / EUR 2 970 – 3 470

414. Hans J Wegner, a model ‘AP 52’ chair for AP Stolen, Denmark 1960–1970’s.

Tubular steel, the seat upholstered with artificial leather, armrests in palisander, marked with Danish Furnituremaker’s Control metal label, seat height 46 cm, height 83 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

415. Hans J Wegner, a teak ‘RY 25, President’ sideboard, for Ry Møbler, Denmark 1960’s.

Teak, tambour doors, oak interior with four shelves and six drawers, palisander linings to feet, marked Danish Furnituremakers Controll, height 78 cm, length 200 cm, depth 49 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

416. Kurt Østervig, a ‘Nr 311’, daybed, for Jason, Ringsted, Denmark, 1950’s.

Teak, upholstered in a green wool fabric, maker’s mark JASON, height 45 cm, length ca 200 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

417. Fritz Hansen, a pair of ‘1669’, easy chairs, Denmark 1940’s.

Upholstered in sheepskin, leather buttons, feet in stained beech wood, height ca 77 cm.

Estimate: SEK 100 000 – 125 000 / EUR 9 900 – 12 370

418. Mogens Koch, an important mahogany desk by N.C. Jensen Kjær, Denmark 1930’s.

Two drawers, brass linings to feet. 188,5 x 93 cm, height 75 cm.

Literature: Grete Jalk, (ed), ‘Dansk Møbelkunst gennem 40 aar’, Vol 2: 1937–1946, Copenhagen, 1987, p. 57.

‘Arbejdsbord og Armstol’, Nyt Tidsskrift For Kunstindustri, no. 2, February 1936, p 24.

Bodil Busk Laursen, Søren Matz and Christian Holmsted Olesen, (ed), ‘Mesterværker: 100 års dansk møbelsnedkeri’, Copenhagen, 2000, p 144.

Arne Karlsen, ‘Danish Furniture Design: in the 20th Century’, Vol 2, Copenhagen, 2007, p 30.

Estimate: SEK 80 000 – 100 000 / EUR 7 920 – 9 900

419. Ib Kofod Larsen, a pair of teak and cognac coloured leather ‘Sälen’ chairs, for Olof Perssons Fåtöljindustri (OPE), Sweden, 1950–1960’s.

One with maker’s mark. Height 72,5 cm, width 80 cm, seat height ca 41 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 940 – 7 920

420. Ib Kofod Larsen, a highback teak ‘Sälen’ easy chair, for Olof Persson Fåtöljindustri (OPE), Sweden 1950–1960’s.

Cognac coloured leather, height 93 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

421. Nanna Ditzel, a freestanding desk by Søren Willadsen, Denmark 1960’s.

Veneered with rosewood, two drawers. Length 155 cm, width 75 cm, height 74 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

422. Ib Kofod Larsen, a black leather ‘Sälen’ easy chair, Olof Perssons Fåtöljindustri (OPE), Sweden, 1950–1960’s.

Teak, maker’s mark, seat height ca 40 cm, height 74 cm, depth 70 cm, width 80 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

423. Ib Kofod Larsen, a pair of ‘Samsö’ easy chairs, Olof Perssons Fåtöljindustri (OPE), Sweden 1960’s.

Palisander, cushions with a light brown fabric, seat height ca 46 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 950 – 7 420

424. Ib Kofod Larsen, a ‘Kandidaten’ easy chair with ottoman, Olof Perssons Fåtöljindustri (OPE), Sweden, 1960’s.

Teak and cognac toned leather, maker’s mark, height if the easy chair 93 cm, height of the ottoman 43 cm.

Estimate: SEK 10 000 – 15 000 / EUR 990 – 1 490

425. Poul Kjaerholm, a PK–11 chair, E Kold Christensen, Denmark.

Ash wood, matte chrome plated steel , the seat with brown leather, maker’s mark to the steel, seat height ca 42 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

426. Poul Kjaerholm, a ‘PK 101’ chandelier for E Kold Christensen, Denmark post 1956.

Matte polished steel, for 33 lights, impressed mark DENMARK in the steel. Height 113 cm.

Estimate: SEK 15 000 – 18 000 / EUR 1 490 – 1 780

427. Poul Kjaerholm, a ‘PK–61’ slate and steel coffee table, E Kold Christensen, Denmark 1960–1970’s.

Maker’s mark in the steel, measurements 80 x 80 cm, height 32,5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

428. Poul Kjaerholm, a ‘PK–33’ stool, executed by E Kold Christensen, Denmark.

Matte polished steel, black leather cushion, maker’s mark in the steel. Height 34 cm, diameter ca 55 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

429. Hans J Wegner, a ‘Heart set’, a dining table with six chairs, Fritz Hansen, 1950–1960’s.

Teak and beech, one chair marked FH DANMARK, the table diameter 120 cm, height 71 cm, the chair height 73 cm, seat height 44 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 970 – 3 960

430. Arne Hovmand–Olsen, a sideboard, model ‘MK 511’ for Mogens Kold, Denmark 1950–1960’s.

Veneered with rosewood, the fornt with two cabinets and drawers, maker’s mark Danish Furnituremakers Control, MK Craftmanship, height 70 cm, length 240 cm, depth 45 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 490 – 1 980

431. Peter Hvidt & Orla Mølgaard Nielsen, two teak ‘Boomerang’ easy chairs, France & Daverkosen, Denmark 1950’s.

Legs of brass, cushions upholstered in different coloured fabric, the one with maker’s metal label. Seat height ca 40 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

432. Gunnar Aagaard Andersen, an ash stool, PP Möbler, Denmark.

Base and seat in ash, steel bolts, length 73 cm, height 37 cm.

Literature: Frederick Sieck, ‘Nutidig dansk möbeldesign’, Nyt Nordisk Forlag Arnold Busch A/S 1990, p 42.

Estimate: SEK 35 000 – 40 000 / EUR 3 470 – 3 960

433. Hans Buser, a sofa, probably for Simmen in Brugg Swizerland 1930–1940’s.

Upholstered in a blue silk textile, decorated with buttons, feet in stained wood, height 83 cm, length 200 cm.

Exhibitions: The model was exhibited at the Swizz Landesausstellung, in Zurich 1939.

Literature: Svenska hem i ord och bilder, E. Lundquists bokförlag, Stockholm, 1939, p.

Estimate: SEK 20 000 – 25 000 / EUR 1 980 – 2 480

436, Alexandre Noll, an ebony ‘Large bol. 325, Margareta Köhler, a macassar ebony modernist desk for Futurum.

237, Swedish design, a carpet, knotted pile in relief.

434. Gerald Summers, an easy chair, probably executed on license in Sweden for Makers of Simple Furniture, 1930–1940’s.

One piece of stained birch plywood, height ca 77–79 cm.

Provenance: This easy chair has been inherited within the same family since the 1940’s.

Estimate: SEK 75 000 – 100 000 / EUR 7 420 – 9 900

435. Marcel Breuer, a ‘Chaise Lounge’, for Isokon, England.

Laminated beech wood, seat covered in a black and brown striped textile, height 85 cm, length 130 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 480 – 2 970

436. Alexandre Noll, an ebony ‘Large bol’, France ca 1950.

Rectangular, signed ANoll, 35 x 23 x 9,5 cm.

Provenance: Gift to the present owner during the mid 1980’s.

Alexandre Noll began working with art in the 1920’s. He was taking part in the 1925 Paris Exhibition with some sculpted items. In the mid 1930’s he moved onto making sculpted furniture, mainly in ebony but also in other kinds of wood. After the second world war his works even more emphasized on unique, crafted pieces, focusing on sculptures.

Estimate: SEK 75 000 – 100 000 / EUR 7 420 – 9 900

437. Carl Auböck, a mahogany nut bowl and a nutcracker, Carl Auböck workshops, Vienna Austria, probably 1950’s.

Handle of brass and leather. Length 40 cm. Nutcracker of brass with leather, length 16,5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 800 – 990

438. Gio Ponti, & Piero Fornasetti, a unique cabinet, probably executed for the MS Guilio Cesare, Italy ca 1951.

Veneered with mahogany, doors and drawers with cream coloured lacquer, brass fittings, upper part with sliding doors applied with hand–painted panels of card– players designed by Piero Fornasetti. Length 235 cm, depth 40,5 cm, height 153 cm.

Provenance: Christies 20th Century Decorative Art & Design sale, London 3 May 2012, lot 115.

Literature: Paolo Piccione, ‘Gio Ponti Le Navi – Il progetto degli interni navali 1948–1953’, Idea Books, 2007, see the interior of the transatlantic ocean liner Giulio Cesare illustrated pp 94–115, the ship’s panels with the actual painted motif of cardplayers illustrated from the first class game room, pp 114–115. See also another view of the game room illustrated in the Fornasetti archives.

Estimate: SEK 50 000 – 75 000 / EUR 4 950 – 7 420

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Contemporary Art & Design

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