Modern Art + Design 648 – Design

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Head Specialist Contemporary & Modern Design

Jonatan Jahn, +46 703 92 88 60 jonatan.jahn@bukowskis.com

Head of Design/Head of Modern Decorative Art & Design

Camilla Behrer, +46 708 92 19 77 camilla.behrer@bukowskis.com

Chief Specialist Modern & Contemporary Decorative Art & Design

Eva Seeman, +46 708 92 19 69 eva.seeman@bukowskis.com

Head Specialist Carpets, Textiles & Islamic Works of Art

Christopher Stålhandske, +46 708 19 12 58

christopher.stalhandske@bukowskis.com

Gemmologist, Appraiser

Fredrik Karlsson +46 (0)767 81 06 06

fredrik.karlsson@bukowskis.com

Cover: 89. Hans Hedberg, a large faience sculpture of a lemon, Biot, France, early 1990s. Back: 159. Agda Österberg, a carpet, flat weave and tapestry weave, ca 426 x 223 cm, signed AÖ.

Auktion Live May 16–17

GLASS

Ellen Meyer

Glass pieces signed Ellen Meyer are very rare. She was emp loyed as a designer (‘förlagetecknare’) in 1913–15, mainly for the ‘Baltic’ exhibition in Malmö 1914. There are only a very few pieces known with Ellen Meyer's name. At the National Museum exhibition ‘Swedish Art Nouveau Glass’ in 1980–81, catalogue no 162, p 42, that vase was at that t ime mentioned as the only one known, signed with Ellen Meyer's name. Since then only a very few pieces have becom e known.

1. Ellen Meyer, an Art Nouveau cameo glass vase, Reijmyre 1914, no 334.

Decorated with polished dragonflies, flowers, etc in green hues against peach coloured ground, signed Reijmyre AE Boman 1914 No 334 UNIK Ellen Meyer. Height 43.5 cm.

Exhibitions: The Baltic Exhibition in Malmö 1914. Compare vase exhibited in the stand of AB Svenska Kristallglasbruken in the great industry exhibition hall.

Literature: Gunnel Mörkfors (ed), ‘Reijmyre Glasbruk – formgivare, konstnärer och yrkesmän under 200 år’, Östergötlands länsmuseum, Värnamo 2010, see AB Svenska Kristallbruken's stand at the Baltic exhibition in Malmö 1914 ill, p 78.

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

Decorated with an etched pattern of leaves in burgundy against clear glass, engraved signature SGraal Orrefors 20 KB N: 952 HW (glassblower Knut Bergkvist, etched decor by Heinrich Wollmann). Height 10.5 cm, diameter 18.2 cm.

SEK 10.000 – 12.000 /EUR 900 - 1060

2. Karl Lindeberg (Sweden, 1877–1931) an Art Nouveau cameo glass vase, Kosta, Sweden, model 167. Decorated with purple violets against a frosted background, signed KOSTA KL 167. Height 11 cm, diameter ca 13 cm.

3. Simon Gate (Sweden, 1883–1945) a ‘graal’ glass bowl, Orrefors, Sweden 1920, no 952.

4. Simon Gate (Sweden, 1883–1945) a ‘Slottsglas’ (‘Palace glass’) footed bowl, Orrefors, Sweden 1920s.

Dark green ‘optic blown’ glass, twisted stem, engraved signature Orrefors. Height 17 cm, diameter ca 15.3 cm.

Literature: Derek E Ostergard, Nina Stritzler-Levine (ed), ‘The Brilliance of Swedish Glass, 1918–1939’, New Haven 1996, sid 202–203. Sara Danius, Jan Hellner, ‘A love of glass, Agnes Hellner's collection of Orrefors glass’, Raster förlag 1998, compare pp 203–203.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

5. Edward Hald (Sweden, 1883–1980) a graal glass vase, Orrefors 1963.

Abstract decoration of irregular spots in burgundy/ brown / grey against a clear background, signed ‘Till Lennart’ Graal Of WX2 -1963 Hald EH. Height 14.5 cm

Provenance: Lennart Kjessler, one of Edward Hald's grandchildren, a gift to him from Edward Hald. Thence by descent.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

6. Sven Palmqvist (Sweden, 1906–1984) a ‘ravenna’ glass bowl, Orrefors 1954, no 672.

Four-sided with checkered decor in blue and red, signed Ravenna 672 Sven Palmqvist, 11.5 x 11.5 cm, height 6.3 cm.

Estimate: SEK 4 000 – 6 000 / EUR 360 – 530 ( d)

The first ‘Slottsglas’ glass pieces were shown at the Gothenburg Jubilee exhibition in 1923. There were thin flower-like glasses on t wisted stems in dark green, blue or brown colours. They were designed by Simon Gate and executed by Knut Bergkvist for Orrefors.

T he ‘Slottsglas’ were produced in a series with models from A to V, in 20 different designs. It was intended that each model would be produced in an edition of maximum 30 pieces, but it turned out to not being the case. Most models were produced in an edition of less than 15 pieces. Today they are very rare collectibles.

ORREFORS Ariel Nr 608 O and 495-O. Diameter 14.5 cm, height 13.5 cm, the other diameter 17 cm, height 12 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

7. Gunnel Nyman (Finland, 1909–1948) a ‘musselglas’ glass vase, Nuutajärvi Notsjö, Finland 1957.

Purple underlay with small air bubbles against clear glass, signed G. Nyman Nuutajärvi Notsjö -57, height 34.5 cm.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

9. Ingeborg Lundin (Sweden, 1921–1992) a burgundy ariel glass vase ‘Ansikten’ (Faces), Orrefors, Sweden 1971, executed by master glassblower John Johansson.

Decorated with faces, signed ORREFORS Ariel Nr 522-F Ingeborg Lundin Mästare John Johansson. Height 19.5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

11. Eva Englund (Sweden, 1937–1998) a ‘graal’ glass vase, Orrefors, Sweden 1988.

Decorated with an embracing couple and two horses, signed EA 982030 Eva Englund EA 1-88, Eva Englund and label marked.

Height 35.8 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

10. Eva Englund (Sweden, 1937–1998) a ‘graal’ glass vase, Orrefors, Sweden 1987.

Decorated with a naiad, signed Orrefors 967730 Eva Englund

Graal 1-87 and label marked, height 24 cm, diameter 20.5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

12. Eva Englund (Sweden, 1937–1998) a unique ‘graal’ glass vase, Muraya, Sweden 1992.

Decorated with faces in purple, pink, black and green metallic, black metallic base, signed Eva Englund Muraya 920708 unik graal Dorothy K Wilke A

(Dorothy Konnberg, engraver, Wilke Adolfsson, glassblower), height 25 cm, diameter 18.5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

14. Edvin Öhrström (Sweden, 1906–1994) a unique cast purple glass sculpture, Lindshammars glasbruk, Sweden, probably 1950–60s.

A composition, signed ‘Till Arne E Öhrström unik’. Height 29 cm, including the wooden base 34 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

13. Eva Englund (Sweden, 1937–1998) a unique ‘graal’ glass vase, Muraya, Sweden 1990.

Decorated with faces in purple and green against a dark background, signed unik graal 3 08 90 Dorothy K (Konnberg) Wilke A (Adolfsson). Height 22 cm.

SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

15. Edvin Öhrström (Sweden, 1906–1994) a cast glass sculpture, Lindshammar, Sweden. Green-yellow glass, signed Öhrström 7/8, height 27 cm.

SEK 5 000 – 6 000 / EUR 450 – 530 ( d)

16. Bertil Vallien (Sweden, 1938–) a unique sand cast glass sculpture, ‘Resting head’, Kosta Boda, Sweden.

Egg shaped, one side with a polychrome face within the glass, the other side with a cross, signed B. Vallien 7183215 KOSTA BODA UNIQUE.

Measurements ca 38 x 23 x 28.5 cm.

Literature: Gunnar Lindqvist, ‘Bertil Vallien - Glas äter ljus’, Carlssons 1999, compare similar ‘Resting heads’ illustrated and mentioned pp 226-229.

Estimate: SEK 70 000 – 80 000 / EUR 6 180 – 7 060 ( d)

’Bertil Vallien has taken the theme of semi-transparent glass heads a step further with a suite of ovoidal sculptures, resting on a base. Within the opaque surface, a frozen head is glimpsed – a head within a head. The formal structure is over-simplified in these sculptures, giving the impression of ice, or frozen water; but also of the head as a capsule, a seed containing new life. Here, Vallien is exploring subtler values: the fragile threads of life itself. The effect can be confusing to an observer. The frozen face within the g lass is shrouded in mist, unconcious and unaware. It is rich in symbolism yet the form as simple, as in often the case with Bertil Vallien. It has a poetic, almost sensual feeling, which one does not find in the more expressive blue heads.

The sculptures are cast in two parts, using one mould for each, then fused together and polished individually by hand. A sort of ‘graal’ technique in sand casted glass...’

Gunnar Lindqvist, ‘Bertil Vallien – Glas äter ljus’, Carlssons 1999.

17. Bertil Vallien (Sweden, 1938–) a unique sand cast glass sculpture, Kosta Boda, Sweden.

In the shape of a boat / figure, partly silver foiled, decorated inside the glass, signed B Vallien Kosta Boda Uniqe 939054, height 57.5 cm, width 10 cm, depth ca 7,5 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650 ( d)

18 A. Bertil Vallien, a unique ’Janus’ sand cast glass sculpture, Kosta Boda, Sweden.

18. Bertil Vallien (Sweden, 1938 -) a unique sand cast glass sculpture ‘Three Heads’, Kosta Boda, Sweden.

Three heads, one signed B.Vallien, each height ca 20 cm, width ca 13 cm, depth ca 21 cm. Green patinated metal stand, signed KOSTA BODA UNIQUE 7530905 B. Vallien, length 57.3 cm.

Estimate: SEK 70 000 – 90 000 / EUR 6 180 – 7 950 ( d)

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

18 B. Bertil Vallien (Sweden, 1938 –) a sand cast glass sculpture of a boat, Pilchuck, USA 2011.

Interior polychrome decoration of a head, a figure, a ladder, etc, relief decorated exterior with buds and boxes and silver coloured foil, signed B. Vallien Pilchuck -11, length 65 cm, width ca 11 cm, height ca 8 cm, iron stand with wires, 22.5 x 25.5 cm, height 22.2 cm.

Estimate: SEK 40 000 – 60 000 / EUR 3 530 – 5 300

20. Emile Gallé (France, 1846–1904) an Art Nouveau cameo glass vase, Nancy France.

Decorated with cherry blossom in red against a matte yellow background, signed Gallé. Height 30.5 cm.

Estimate: SEK 16 000 – 20 000 / EUR 1 420 – 1 770

19. Emile Gallé (France, 1846–1904) a large Art Nouveau cameo glass vase, Nancy, France, post 1904.

Decorated with a landscape by a lake in green and brown hues against a matte yellow background, signed Gallé with a star. Height 32.5 cm.

Estimate: SEK 16 000 – 20 000 / EUR 1 420 – 1 770

21. Daum, a four-sided Art Nouveau enamelled cameo glass bowl, Nancy France.

Decorated with a wintery landscape, signed DAUM NANCY. Height 11 cm, length 14 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

22. Venini (Italy, 1921 -) a pair of candlesticks, Murano, Italy, probably 1950s.

Striped decor in blue and green glass, one with etched stamp venini murano ITALIA, height 21.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

24. Alessandro Pianon (Italy, 1931–1984) a ‘Pulcino’ glass sculpture of a bird, Vistosi, Murano, UItaly 1960s. Orange glass body, copper legs, label marked, height ca 21.5 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

23. Ludovico Diaz De Santillana (Italy, 1931–1989) a ‘Cannette’ glass dish, Venini, Murano, Italy c. 1960. Turquoise glass with blue stripes, etched mark venini murano ITALIA, diameter 44 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

sculpture of a bird, Vistosi, Italy 1960s. Orange glass body, copper legs, height 21 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

26. Tomaso Buzzi a floor lamp, Murano, Italy 1930s. 'Alga’ glass with gold leaf, copper coloured metal base, later white textile shade, the foot stamped VENINI MURANO, total height 174.5 cm.

25 A. Toni Zuccheri a glass sculpture of a duck, Venini, Italy 1960s.

Engraved signature venini italia, length 19 cm, width 9 cm, height 9.5 cm.

CERAMICS

Literature: Helena Dahlbäck Lutteman, ‘Svensk 1900–tals keramik, stengods, porslin, flintgods’, ICA-förlaget 1985, p 58. Ulf Hård af Segerstad, ‘Keramik, sekelskifte till sjuttiotal’, the model of the bowl depicted as nr 30. ‘Scandinavian Modern Design 1880–1980’, the model depicted p 109. The bowl was first exhibited at the Paris World's Fair in 1925 ( with another decoration). Arthur Percy was awarded a Diplome d´honneur. Another version was shown in New York 1929 and yet a third version in Stockholm 1930. This model was only made to order or executed for specific occasions. It could be ordered with or without the lid. Arthur Percy was the artistic head and designer at Gefle Porslinsfabrik between 1923–60.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

Scratched and painted horizontal decoration i black and green against white, signed with the studio signature in black and stamped factory mark. Height 30 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

28. Wilhelm Kåge (Sweden, 1889–1960) a faience vase, Gustavsberg studio, Sweden 1940s.

Painted decor of a face, signed GUSTAVSBERG SWEDEN U. KÅGE with the studio mark, diameter 32.3 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

Cylindrical shape on four feet, checkered relief decor, glazed in yellow and brown hues, signed FARSTA KÅGE with inpressed studio mark and year letter V, marked 45. Height 29.5 cm, diameter 12.5 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 090 – 3 530 ( d)

29. Wilhelm Kåge (Sweden, 1889–1960) a faience dish, Gustavsberg studio, Sweden 1951.

30. Wilhelm Kåge (Sweden, 1889–1960) a ‘Farsta’ stoneware vase, Gustavsberg studio, Sweden 1952.

31. Wilhelm Kåge (Sweden, 1889–1960) a ‘Farsta’ stoneware vase, Gustavsberg studio, Sweden 1951.

Brown glaze, with checkered decor in beige and grey, signed KÅGE FARSTA with studio stamp and year letter u, height 19 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

32. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1956.

Blue ‘rabbit's fur’ glaze, signed Friberg with the studio mark and year letter Å, height 46.5 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420 ( d)

33. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1954.

Shape with four vertical ridges, blue ‘rabbit's fur’ glaze, signed Friberg with the studio mark and year letter Y, height 28.5 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

34. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1960.

Blue ‘rabbit's fur’ glaze, signed Friberg with the studio mark and year letter b, height 42.5 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 090 – 3 530 ( d)

35. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1967.

Blue ‘rabbit's fur’ glaze, signed Friberg with the studio mark and year letter I, height 21 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

36. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1964.

Blue ‘rabbit's fur’ glaze, signed Friberg with the studio mark and year letter F, height 41 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530 ( d)

38. Berndt Friberg (Sweden, 1899–1981) a vase, a sculpture and two bowls, Gustavsberg studio, Sweden 1962–70.

The vase with geometric decor, stone shaped sculpture (no year letter), aniara glazed, signed Friberg with the studio mark and different year letters, height 5.3–15.8 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

37. Berndt Friberg (Sweden, 1899–1981) a set of 6 stoneware vases and two bowls, Gustavsberg studio, Sweden 1962–65.

Egg shaped vases, ‘rabbit's fur’ glazes in blue, grey/blue and white, signed Friberg with the studio mark and different year letters, height 3-15.5 cm, the large bowl 16 x 14.5 cm, height 6.8 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

39. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1968. Brown ‘rabbit's fur’ glaze, signed Friberg with the studio mark and year letter J, height 30.5 cm, diameter ca 18.5 cm.

SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

40. Berndt Friberg (Sweden, 1899–1981) a set of 8 stoneware vases and three bowls, Gustavsberg studio, Sweden 1960–70s.

Sang-de -boeuf, green and yellow/brown glazes, signed Friberg with the studio mark, some with different year letters, height 2.6–21 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530 ( d)

Blue and a little brown ‘rabbit's fur’ glaze, signed Friberg with the studio mark and year letter N, height 25.6 cm.

SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

41. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1972.

42. Berndt Friberg (Sweden, 1899–1981) two stoneware vases and a bowl, Gustavsberg studio, Sweden 1962–65. Blue ‘rabbit's fur’ glaze, signed Friberg with the studio mark and year letters d and g, height 1.7 and 13.2 cm.

43. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1965.

'Rabbit's fur’ glaze in brown and a little blue, signed Friberg with the studio mark and year letter g, height 28,.6 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

Gustavsberg studio, Sweden 1960.

'Rabbit's fur’ glaze in blue and brown, signed Friberg with the studio mark and year letter b. Height 27.4 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

45. Berndt Friberg (Sweden, 1899–1981) a set of 6 stoneware vases and 3 bowls, Gustavsberg studio, Sweden 1944–47 and 1960–70s.

One with green spotted glaze, the others glazed in sang-de-boeuf and green, signed Friberg with the studio mark B.F. (1944-47) and different year letters (1960–70s), height 4-11 cm, the bowls diameter 7.2-15.5 cm, height 4.3-8.7 cm.

SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

46. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1956.

Grey/green ‘rabbit's fur’ glaze, signed Friberg with the studio mark and year letter Å, height 21.2 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

47. Berndt Friberg (Sweden, 1899–1981) a set of five stoneware vases, Gustavsberg studio, Sweden 1956-65. Yellow and beige rabbit's fur’ glaze, signed Friberg with the studio mark and year letters Ä, Ö, d and g, height 3.2-15.8 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

48. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1975.

Yellow ‘rabbit's fur’ glaze, signed Friberg with the studio mark and dated 1975, height 23 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

Yellow and beige ‘rabbit's fur’ glazes, signed Friberg with the studio mark and different year letters (the sign and the smallest vase without year letter and studio mark), height 2.8–13 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

50. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1961.

'Rabbit's fur’ glaze in yellow, brown and a little green, signed Friberg with the studio mark and year letter c, height 38 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

53. Berndt Friberg (Sweden, 1899–1981) a set of 4 vases and 3 bowls, Gustavsberg studio, Sweden 1961–71. Aniara glaze, signed Friberg with the studio mark and different year letters, height 3.5–9.7 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

52. Berndt Friberg (Sweden, 1899–1981) a stoneware vase, Gustavsberg studio, Sweden 1965.

Aniara glaze, signed Friberg with the studio mark and year letter G, height 16 cm.

SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

54. Anders Bruno Liljefors (Sweden, 1923–1970) two stoneware bowls, Gustavsberg studio, Sweden 1950–60s. Glazed decor in dark green/brown, signed A.B.L with the studio mark, the smaller one also with year letter V (1952), height 8.8 and 9.5 cm, diameter 11.5 and 23.5 cm.

SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

55. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden, probably 1958–1959. Turquoise and brown glaze, covered with a stamped and scratched decoration of architectorial motifs, a couple, a cat, a fish and more, signed with the studio mark and Stig L.

SEK 20 000 – 30 000 / EUR 1 770 – 2 650 ( d)

56. Stig Lindberg (Sweden, 1916–1982) a pair of stoneware table lamps, Gustavsberg studio, Sweden 1966.

Relief decor with buds, turquoise glaze, signed Stig L with the studio mark. Height excluding lamp mounts 42 cm, total height including silk shades, ca 78 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 420 – 6 620 ( d)

57. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1964.

Oval shape with checkered relief decor, glazed in turquoise and beige, signed Stig L with the studio mark, height 24.4 cm.

SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

58. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1967.

Relief decor, glazed in dark green, rusty brown and white, signed Stig L with the studio mark, height 32.8 cm, diameter 18.5 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

59. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1966.

Relief decor, glazed i rusty brown, black and beige, signed Stig L with the studio mark, height 18.7 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

60. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1976.

Glazed in rusty brown and green hues, signed Stig L with the studio mark, height 30.5 cm, diameter 20 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

61. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg studio, Sweden 1969.

Brown glaze, signed Stig L with the studio mark, height 30.5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

Spotted

Estimate: SEK 30 000 – 35 000 / EUR 2 650 – 3 090

Carl-Harry

The Swedish ceramicist, designer, sculptor and painter CarlHarry Stålhane (1920–1990) started at the Rörstrand factory already as an 18-year-old in 1939 as a decorative painter. A few y ears later he studied art at Grünewald's art school in 1944–46 and sculpture at the Académie Colarossi in Paris in 1947–48. After his studies, Stålhane was connected to the Rörstrand factory until 1973. The first time, in the 1940s, was the time of colorful faiences and Stålhane assisted Isaac Grünewald.

Stålhane made his first solo exhibition as a stoneware artist at the gallery Osterman's in Stockholm 1948. The stoneware was characterized at this time by soft classical forms in the Chinese style. T he stoneware of the late 1960s and 70s was rougher and more rustic in both shape and glaze. In 1973, Stålhane left Rörstrand to start his own company, Designhuset.

Stålhane's clear and elegant stoneware vases from the 1950s with mottled eggshell-like and 'rabbit's fur' glazes in dull shades have seen a marked increase in demand in recent years and are often included in international interiors.

Relief

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

62. Carl-Harry Stålhane (Sweden, 1920–1990) a set of 9 stoneware vases, Rörstrand, Sweden 1950–60s.

white glaze, signed R SWEDEN CHS, some also with model letters, height 10.5-30.5 cm.

63. Carl-Harry Stålhane (Sweden, 1920–1990) a stoneware vase, Rörstrand, Sweden 1950s.

decor, white spotted glaze, signed R SWEDEN CHS, height 29.5 cm, diameter 18 cm.

Stålhane

64. Carl-Harry Stålhane (Sweden, 1920–1990) a stineware vase, Rörstrand, Sweden 1940–50s.

Organic shape, spotted glaze in beige och eggshell white glaze, signed R Stålhane, height 24.3 cm.

Estimate: SEK 4 000 – 6 000 / EUR 360 – 530

65. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware vase, Rörstrand, Sweden 1952. Spotted white glaze, signed R CH Stålhane -52 SWEDEN and numbered T 292. Height 34 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

66. Carl-Harry Stålhane (Sweden, 1920–1990) ‘Hjorttungan’, a unique stoneware floor vase, Sweden 1947. Relief decor with leaves, light green glaze, signed R SVERIGE Stålhane 47 HJORTTUNGAN (Hart's-tongue), height 58 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

SEK 20 000 – 25 000 / EUR 1 770 – 2 210

67. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware floor vase, Rörstrand 1949. Relief decor, glazed in light green and brown, signed R Stålhane

68. Gunnar Nylund (Sweden, 1904–1997) a stoneware floor vase, Rörstrand, Sweden 1950s. Spotted green glaze, signed R SWEDEN G.N., tin liner included,

69. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware vase, Rörstrand, Sweden 1959. Brown spotted glaze, signed R CH Stålhane –59 with scratched number, height 32.3 cm.

70. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware vase, Rörstrand, Sweden 1957.

Brown ‘rabbit's fur’ glaze signed R CH Stålhane 57 SWEDEN and carved U.100. Height 52.5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

71. Gunnar Nylund (Sweden, 1904–1997) a stoneware vase, Rörstrand 1950–60s, model AKT. Spotted glaze in dark green and brown hues, signed R SWEDEN GN AKT, height 43 cm.

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330

72. Gunnar Nylund (Sweden, 1904–1997) a stoneware floor vase, Rörstrand 1950–60s.

Brown ‘rabbit's fur’ glaze, signed R SWEDEN GN NV, height 62 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

73. Gunnar Nylund (Sweden, 1904–1997) a stoneware vase, Rörstrand 1950–60s.

Glazed in brown hues with a little blue, signed R SWEDEN GN NV, height 45.7 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

74. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware vase, Rörstrand, Sweden 1958.

Scratched geometrical decor, glazed in brown and beige hues, signed R CH -58 Stålhane SWEDEN and numbered 539, height 39.7 cm.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

75. Carl-Harry Stålhane (Sweden, 1920–1990) a set of 11 stoneware vases, Rörstrand, Sweden 1950–60s.

Dark brown ‘rabbit's fur’ glaze, signed R SWEDEN CHS, some also with model letters, height 13-31.3 cm.

Estimate: SEK 30 000 – 35 000 / EUR 2 650 – 3 090

76. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware vase, Rörstrand, Sweden 1960.

Glazed in brown, grey and black on a relief patterned ground, signed R 60 CH Stålhane SWEDEN and scratched > 367, height 42.5 cm.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

77. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware vase, Rörstrand, Sweden 1961.

Geometrical relief decor, glazed in different brown hues, signed R CH Stålhane -61 SWEDEN X.180. Height 29.3 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

78. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware floor vase, Rörstrand, Sweden 1960. Four-sided with glazes in brown, beige and grey hues, signed R CH Stålhane -60 SWEDEN, height 41.5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330 ( d)

81. Tyra Lundgren, a large stoneware sculpture of a bird, own workshop, Gotland, Sweden 1961.

79. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware vase, Rörstrand, Sweden 1963.

Four-sided with relief decor, glazed in brown and grey/green hues, signed R CH Stålhane -63 SWEDEN and numbered *939, height 32 cm, the mouth ca 13.5 x 12 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

80. Carl-Harry Stålhane (Sweden, 1920–1990) a unique stoneware vase, Rörstrand 1963.

Oval shape with geometric relief decor, glazed in brown and grey hues, signed R -63 CH Stålhane SWEDEN, scratched number and label marked, height 18.5 cm.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

81. Tyra Lundgren (Sweden, 1897–1979) a large stoneware sculpture of a bird, own workshop, Gotland, Sweden 1961. Decorated in brown and grey engobe, signed TL B 8–8–61, height 46,5 cm, length ca 42 cm.

Literature: Svenska Slöjdföreningens tidskrift, FORM 1965, nr 10, p 697, compare sculpture ill. from Tyra Lundgren's workshop at Valhallavägen in Stockholm, photo: Key L Nilson.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530 ( d)

82. Tyra Lundgren (Sweden, 1897–1979) a stoneware sculpture of a dove, Sweden, mid 1900s.

Partly glazed, inpressed seal mark, length ca 23 cm, height 15 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

83. Åke Holm (Sweden, 1900–1980) a terracotta sculpture, Höganäs, Sweden.

Biblical figures, probably representing the Expulsion from Paradise, signed ÅKE Holm, height 18.5 cm.

Provenance: Acquired directly from the artist in connection with his last retrospective exhibition ‘Åke Holm - 50 years as ceramicist’ in 1980. A glazed version was shown at the exhibition which was still ongoing when Åke Holm died on 13 June 1980.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

84. Åke Holm (Sweden, 1900–1980) a stoneware sculpture, Höganäs, Sweden probably 1950s.

Glazed in matte and glossy brown hues, signed underneath the base ÅKE Holm, height 44 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

85. Hertha Hillfon (Sweden, 1921–2013) a ceramic sculpture of a deer's head, executed in her own workshop, Sweden, dated –79.

Signed H -79. Height ca 150 cm, length ca 93 cm.

SEK 25 000 – 30 000 / EUR 2 210 – 2 650 ( d)

86. Hertha Hillfon (Sweden, 1921–2013) a large glazed ceramic dish, her own workshop, probably 1960s. Scratched decor, glazed in brown and white, signed Hertha Hillfon diameter 41 cm, height 10 cm.

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530 ( d)

87. Lisa Larson (Sweden, 1931–) a unique stoneware sculpture, signed and dated 1984.

Partly glazed, signed Lisa L -84, height 15.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

88. Signe Persson-Melin (Sweden, 1925–2022) a stoneware jardinière, Sweden, signed and dated 1996. Oval shape with gridded sides, white glaze, signed SPM -96 c/o K.W, 48 x 23,5 cm, height 11,5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

Hhg. Height 20 cm, diameter ca 23 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650 ( d)

89. Hans Hedberg (Sweden, 1917–2007) a large faience sculpture of a lemon, Biot, France, early 1990s. Glazed in yellow and a little green, height ca 57 cm, including plexi stand, length ca 84 cm.

Daniel Minassian, ‘Hans Hedberg, Elden, hjärtat och leran’, Örnsköldsvik, 1999, compare massive lemon sculpture in similar size from SEK 300 000 – 350 000 / EUR 26 480 – 30 900 ( d)

90. Hans Hedberg (Sweden, 1917–2007) a green glazed faience sculpture of a pumpkin, Biot, France. Signed

The Swedish painter and ceramicist Hans Hedberg (1917–2007) ran his own workshop with a gas oven in Biot on the French Riviera from 1949. He studied in Faenza in Italy in 1947–48 and became known for his exquisite sculptures, mainly fruits and eggs in a high-fired earthenware in various sizes, from small eggs up to one meter high garden sculptures. With inspiration from nature, he constantly experimented with new glazes, where the glaze also had to determine the shape.

Hans Hedberg

89. Hans Hedberg a large faience sculpture of a lemon, Biot, France, early 1990s. 93. Hans Hedberg a large faience sculpture of a pear, Biot, France, early 1990s. 255. Carl Hörvik a pair of garden chairs, Sweden ca 1927–1929.

91. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of an apple, Biot, France.

Spotted glaze in light yellow, beige, soft pink, green and brown, signed HHg, height 12 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

an apple, Biot, France.

Spotted glaze in pink and brown hues, signed HHg, height 20 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530 ( d)

93. Hans Hedberg (Sweden, 1917–2007) a large faience sculpture of a pear, Biot, France, early 1990s.

Glazed in different hues of red, yellow, green and orange, signed

Daniel Minassian, ‘Hans Hedberg, Elden, hjärtat och leran’, Örnsköldsvik, 1999, compare large pear in similar size from 1992 on the

SEK 300 000 – 350 000 / EUR 26 480 – 30 900 ( d)

Provenance: Höganäs

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

SEK 18 000 – 20 000 / EUR 1 590 – 1 770 ( d)

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

94. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of a pear, Biot, France 1980s… Spotted glaze in red, orange, yellow, green and beige, signed HHg, height 45.5 cm.

konsthall, acquired at a Hans Hedberg exhibition in July 1986.

95. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of an egg, Biot, France. Spotted red glaze, interior in yellow, signed HHg, height 23.3 cm including black painted metal stand.

96. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of an apple, Biot, France. Spotted glaze in red, orange, yellow, beige and green, signed Hhg, height 21 cm

94. Hans Hedberg, a faience sculpture of a pear, Biot, France 1980s.

97. Hans Hedberg (Sweden, 1917–2007) a faience sculpture of a plum, Biot, France, early 1990s.

Dark plum coloured glaze, height ca 83 cm, diameter ca 73 cm.

Literature: Daniel Minassian, ‘Hans Hedberg, Elden, hjärtat och leran’, Örnsköldsvik, 1999, compare massive plum sculptures with similar dimensions from 1992, ill. on the cover and pp 127, 185, 187, 188.

Estimate: SEK 200 000 – 250 000 / EUR 17 660 – 22 070 ( d)

98. Birger Kaipiainen (Finland, 1915–1988) a glazed ceramic sculpture, Arabia, Finland 1950s.

A female figure with scratched and painted poychrome decor, signed KAIPIAINEN inside and with Arabia paper label. Height 48.5 cm.

Literature: Oili Mäki (ed), Taide Ja Työ, Finnish Designers of today, Werner

99. Birger Kaipiainen (Finland, 1915–1988) a glazed ceramic sculpture of a bird, Rörstrand, Sweden 1950s. Scratched decor, glazed in turquoise and black, signed KAIPIAINEN R and numbered 320, length 33 cm, height 17.5 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

100. Birger Kaipiainen (Finland, 1915–1988) a painted ceramic dish,

Rectangular, decorated with a stillife showing a laid table with a rose in black against a yellow ground, scratched signature to the side, marked 352 to base, metal mounts. 45 x 19.5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

101. Birger Kaipiainen (Finland, 1915–1988) a glazed ceramic dish,

Painted stylized floral decor with faces in turquoise and black against white, signed KAIPIAINEN R SWEDEN and numbered 169, measurements 39 x 48 cm, height 5.5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

Each side with relief decor of a fish, glazed in green and brown hues, signed Schilkin -58, height 20 cm, length 33.5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330 ( d)

Rörstrand, Sweden 1950s.

Rörstrand, Sweden 1950s.

103. Patrick Nordström (Sweden, 1870–1929) a stoneware table lamp, Royal Copenhagen 1920. Glazed in brown hues, patinated bronze lamp mount, signed PN med böljemärket, SI-10 1920 I in underglaze blue, shade frame,

SEK 8 000 – 10 000 / EUR 710 – 890

104. Axel Salto (Denmark, 1889–1961) a ‘budding style’ stoneware vase, Royal Copenhagen, Denmark, model 20897. 'Mussel blue’ glaze, signed 20897 and ‘the three waves’ in underglaze blue, signed SALTO and stamped DENMARK. Height 15,3 cm, diameter ca 14 cm.

Literature: Susanne Bruhn & Pia Wirnfeldt (ed), Axel Salto - Stentøjsmesteren, CLAY - Keramikmuseum, Denmark 2017, compare catalogue no 280, p 180.

Estimate: SEK 50 000 – 60 000 / EUR 4 420 – 5 300

105. Axel Salto (Denmark, 1889–1961) a ‘fluted style’ stoneware bowl, Royal Copenhagen 1966, model 20675. Glossy glaze in brown and green to the exterior, the interior with a crazed glaze in blue grey hues. Incised signature SALTO, maker's stamp in green, 20675 and the three waves in underglaze blue. Diameter 27.5 cm, height 13.4 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

106. Sandro Vacchetti, attributed to, a cermic faience buste of a woman with a masque and a monkey, Essevi, Turin Italy, mid 20th C.

Glazed in colours, painted signature ‘ESSEVI’ MADE IN ITALY No 88 and scratched G24 38. 28 x 32 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

108. an ‘Oursin’ faience bowl, Madoura, Vallauris, post 1955, ed. 103/150, A.R. 268.

Relief decor, glazed in blue, green and black, marked in the ware, mirrored, 31.3.55, stamped MADOURA EMPREINTE ORIGINALE DE PICASSO, scratched K 116 103/150. Diameter 17.5 cm, height 6.2 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

107. Pablo Picasso (Spain, 1881–1973) a ‘Nature Morte’ faience dish, Madoura, Vallauris, France, post 1953, A.R. 219.

Decorated with a still life of an apple, a glass and morein green, brown, blue, white against a dark background, stamped with

109. Pablo Picasso (Spain, 1881–1973) a ‘Cendrier rond tourné’ faience bowl, Madoura, Vallauris, France, post 1952, A.R. 175.

Signed EDITION PICASSO and stamped MADOURA PLEIN FEU EDITION PICASSO, diameter 15.3 cm, height 4.2 cm.

Literature: A. Ramié, no 175.

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330 ( d)

CARPETS AND TEXTILES

110. Anna Casparsson (Sweden, 1861–1961) embroidery, ca 158 x 151 cm.

Grey melange polychrome silk embroideries, applications, laces, metal threads, sequins and glass beads. A decor of a landscape with mytholgical creatures.

Estimate: SEK 4 000 – 6 000 / EUR 360 – 530 ( d)

111. Märta Måås-Fjetterström (Sweden, 1873–1941) a drape, ‘Rågen’, flat weave, ca 275 x 127 cm, signed AB MMF.

Designed in 1929, woven after 1941.

Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad , Stockholm 1968, plate 28; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 97.

Estimate: SEK 18 000 – 20 000 / EUR 1 590 – 1 770

112. Märta Måås-Fjetterström (Sweden, 1873–1941) a drape, ‘Rågen’, flat weave, ca 203 x 124 cm, signed AB MMF.

Designed in 1929, woven after 1941.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

a tapestry, ‘Röd Crocus’, a tapestry variant, ca 22,5 x 110 cm, signed AB MMF AML.

(AB Märta Måås-Fjetterström, Ann-Mari Lindbom, married Forsberg.) Designed in 1945.

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060 ( d)

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

113. Ann-Mari Lindbom, gift Forsberg (Sweden, 1916–1992)

114. Ann-Mari Forsberg (Sweden, 1916–1992) a textile, ‘Blå crocus’, a tapestry variant, ca 94,5 x 58 cm, signed AMF. Woven at Märta Måås-Fjetterström AB. Designed in 1945.

115. Ann-Mari Forsberg (Sweden, 1916–1992) a textile, ‘Bandet’, a tapestry variant ca, 65 x 32,5 cm, signed AMF. Designed in 1948.

Literature: Compare Mattor och Vävnader – Märta Måås-Fjetterström, Barbro Nilsson, Marianne Richter, Ann-Mari Forsberg, Stockholm 1957, colour plate p 34; Waldemarsuddes exhibition catalogue 6:1982: Ann-Mari Forsberg, Stockholm 1982, No 2.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

116. Barbro Sprinchorn (Sweden, 1929–1973) a tapestry, ‘Abborrar’, tapestry weave, ca 243 x 81 cm, signed AB MMF BS. AB Märta Måås-Fjetterström, Barbro Sprinchorn.) Designed in 1958.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650 ( d)

117. Marianne Richter (Sweden, 1916–2010) a tapestry, ‘Tuppamattan, blå’, ca 419,5 x 102 cm, signed AB MMF MR. (AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1949.

Estimate: SEK 50 000 – 60 000 / EUR 4 420 – 5 300 ( d)

118. Lars Gynning (Sweden, 1920 – 2003) a tapestry, tapestry weave, ca 690 x 103 cm, signed GYNNING PF Portalegre, Portugal.

(La manufacture de tappaseri de portalegre.) Skeppsbron.

Provenance: Restaurang La Ronde, Salviigränd 3.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530 ( d)

119. Barbro Sprinchorn (Sweden, 1929–1973) a textile, ‘Mörk frukt’, tapestry weave, ca 46,5 x 38 cm, signed S. (Barbro Sprinchorn for MMF AB.) Designed in 1968.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

(AB Märta Måås Fjetterström, Anna Kollberg Sterner.) Designed in 1989.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

120. Anna Kollberg Sterner (Sweden), a tapestry, weave, ‘Armaniflaskor’, tapestry weave, ca 43,5 x 50 cm, signed AB MMF AKS.

121. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Hästhagen’, knotted pile, ca 318 x 218 cm, signed MMF.

121. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Hästhagen’, knotted pile, ca 318 x 218 cm, signed MMF.

Designed in 1923, woven before 1942.

Provenance: According to information ordered in 1928.

Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, colour plate opposite page 33; Millesgårdens utställningskatalog nr 20: Märta Måås-Fjetterström, Stockholm 1989, No. 9, colour plate page 16; Persson, Angelica: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plate page 71; Skrifter från Kungl. Husgerådskammare 20, NisserDalman, Margareta, Stockholm 2019, No. 50, page 60; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst – sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plate page 71.

Estimate: SEK 80 000 – 100 000 / EUR 7 060 – 8 830

122. Brita Grahn (Sweden, 1907–2003) a carpet, flat weave, ca 234 x 177 cm, signed BG.

Sweden, the 1960s. A green melange ground with a large stylized tree with falling leafs in a variety of green and yellow nuances.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

123. Ingrid Hellman-Knafve (Sweden) a carpet, flat weave and tapestry weave, ca 265 x 167 cm, signed IHK.

Sweden, 1960s. A polychrome lightning pattern in different nuances of yellow, orange and brown.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

124. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Ursula’, knotted pile in relief, ca 250,5 x 132,5–134 cm, signed MMF.

(AB Märta Måås-Fjetterström.) Designed in 1935. Woven before 1942.

Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 131.

Estimate: SEK 50 000 – 70 000 / EUR 4 420 – 6 180

125. Astrid Sampe (Sweden, 1909–2002) attributed, a carpet, flat weave, ca 249,5 x 164 cm, signed AS.

Sweden the 1950s. A blue melange field. A wide grey melange ground with large polychrome stylized flowers and blooming trees.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

126. Märta Måås-Fjetterström (Sweden, 1873–1941) A carpet, ‘Ill Greco’, knotted pile, ca 266 x 165 cm, signed MMF.

(AB Märta Måås-Fjetterström.) Designed in 1935, woven before 1942.

Estimate: SEK 80 000 – 100 000 / EUR 7 060 – 8 830

128. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Almarna’, knotted pile, 296 x 205 cm. Signed MMF. (Märta Måås-Fjetterström). Designed in 1930. Tillverkad innan 1942. Provenance: From a swedish private collection.

Literature: Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 110.

Estimate: SEK 100 000 – 125 000 / EUR 8 830 – 11 040

127. Carl Dangel (Sweden) a carpet, flat weave, ca 507 x 138 cm, signed CD.

Sweden, around mid 20th century. A green and blue melange striped ground with polychrome geometrical shapes.

Estimate: SEK 50 000 – 70 000 / EUR 4 420 – 6 180

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590 ( d)

129. Judith Johansson (Sweden, 1916–1993) a carpet, ‘Rosenhäck’, flat weave, ca 243 x 169 cm, signed JJ. Designed in 1961.

130. Marianne von Münchow (Sweden, 1917–2016) a carpet,‘Lek med trekanter’, tapestry weave, ca 248 x 160,5 cm, signed SH MVH.

Designed in 1962.

Literature: Münchow, Marianne von & Münchow, Rüdiger von, 50 år form och färg: arkitektur, inredningar, konsthantverk, [M. von Münchow], [Huddinge], 1997. p 47

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 18 000 – 20 000 / EUR 1 590 – 1 770 ( d)

131. Barbro Nilsson (Sweden, 1899–1983) a carpet, flat weave, ‘Tånga brun och grön’, ca 273 x 211 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1955.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 69; Stensman, Mailis: Ännu Mera Mattor från Märta Måås-Fjetterströms ateljé i Båstad 1919–1999, Uddevalla 1999, colour plate page 11; Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 154–155.

Estimate: SEK 80 000 – 100 000 / EUR 7 060 – 8 830

132. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet,‘Vit botten’, flat weave, ca 241 x 120 cm, signed AB MMF.

Designed before 1919, woven after 1941.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

133. Alice Wallebäck (Sweden) a carpet, knotted pile in relief, 187 x 129 cm, signed AW.

Sweden, 1950s. Light blue flat woven ground with a large polychrome grid pattern in different nuances of brown, yellow and blue mottled.

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

134. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Röda Åttan’, flat weave, ca 301 x 203,5 cm, signed AB MMF

Designed in 1928, woven after 1941.

Literature: Compare with Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 109; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plates pages 90-91.

Estimate: SEK 70 000 – 90 000 / EUR 6 180 – 7 950

135. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Vadstena’, knotted pile, ca 257,5 x 209 cm, signed MMF. (Märta Måås-Fjetterström). Designed for Vadstena klosterkyrka in 1930. Woven before 1942. ‘Vadstena’ is probably woven in only ten examples.

Estimate: SEK 50 000 – 70 000 / EUR 4 420 – 6 180

137. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Höstmattan’, flat weave, ca 295 x 207 cm, signed MMF.

Designed in 1918, woven before 1942.

Provenance: A swedish private collection.

Literature: Compare with Millesgårdens utställningskatalog nr 20: Märta MååsFjetterström, Stockholm 1989, No. 15, colour plate page 18; Skrifter från Kungl. Husgerådskammare 20, Nisser-Dalman, Margareta, Stockholm 2019, No. 9, pages 26, 56; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna – det är jag, 100 år av textil konst – sedan 1919, Märta Måås-Fjetterström, Båstad/ Mölndal 2019, colour plate page 53.

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060

136. Ingrid Dessau (Sweden, 1923–2000) a carpet, ‘Blått blad’, knotted pile, ca 160,5 x 145 cm.

Designed in 1962. Made by Kristianstad Läns Hemslöjd. The label is included.

Provenance: A swedish private collection.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

138. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Gröningen ljus’, knotted pile, ca 150 x 91 cm, signed AB MMF BN. (AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1954. (Rare.)

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650 ( d)

139. A carpet, flat weave, ca 340 x 223 cm, Sweden, the 1950s.

A light blue ground with seven rows of stylized flowers in ivory and red melange. An ivory border with stylizing flowers in different nuances of light blue and brown-grey.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

140. Pierre Olofsson (Sweden, 1921–1996) a carpet, ‘Havsbotten’, knotted pile in relief, ca 201 x 159 cm (the extension is ca 19 x 128 cm).

Sweden around the middle of 20th century. A rectangular shape with a narrower extension at one end.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

141. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Smultron’, tapestry weave, 184,5 x 132,5 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson). Designed in 1946.

Literature: Compare with Lundgren, Tyra, Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate 50, colour plate opposite page 65; Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/ Barcelona 1977, colour plate page 37; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 149.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

175. Märta Måås-Fjetterström (Sweden,

142. Ingrid Hellman-Knafve (Sweden) a carpet, knotted pile in relief, ca 290 x 194 cm, signed IHK.

Sweden the 1950s to the 1960s. A pink flat woven ground with a knotted ivory coloured modernistic geometric pattern.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

144. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Falurutan, röd Borås’, flat weave, ca 226 x 166 cm, signed AB MMF BN.

(AB Märta Måås Fjetterström, Barbro Nilsson.) Designed in 1952.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls

katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 50 000 – 60 000 / EUR 4 420 – 5 300

143. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Ståndaren’, knotted pile, ca 298 x 212 cm, signed MMF.

(Märta Måås-Fjetterström.) Designed in 1928. Woven before 1942. The pattern ‘Ståndaren’ was designed for the world famous ship m/s Kungsholm.

Provenance: From a Swedish private collection.

Estimate: SEK 100 000 – 125 000 / EUR 8 830 – 11 040

145. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Schackrutig, brun’. Knotted pile in relief. 206 x 123 cm. Signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1950.

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

146. A French 1920s to the 1930s savonnerie carpet, ca 211 x 136 cm.

A polychrome modernistic composition.

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

147. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Falurutan gul S’ flat weave, ca 248 x 170 cm, signed AB MMF BN.

(AB Märta Måås Fjetterström, Barbro Nilsson.) Designed in 1952.

Literature: C ompare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates page 68; Liljevalchs konsthalls

katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 153.

Estimate: SEK 50 000 – 60 000 / EUR 4 420 – 5 300

149. Märta Måås-Fjetterström (Sweden, 1873–1941)

A carpet, ‘Röd grön äng’, flat weave, ca 262 x 198 cm, signed AB MMF.

(AB Märta Måås-Fjetterström.) Designed in 1929, woven after 1941.

Estimate: SEK 40 000 – 60 000 / EUR 3 530 – 5 300

148. Anna-Greta Sjöqvist (Sweden) a carpet, tapestry weave, ca 250 x 157 cm, signed AG S. (Anna-Greta Sjöqvist.) Sweden around 1950. An ivory and grey melange ground with rows of large polychrome geometric shape

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

150. Judith Johansson (Sweden, 1916–1993) a carpet, ‘Lönn’, flat weave, ca 240 x 173,5 signed JJ M. Designed in 1951-52.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590 ( d)

153. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Örtagården’, knotted pile, ca 324 x 224 cm, signed AB MMF.

Sweden the 1960s to the 1970s. Diagonally patterned center field in different shades of blue.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

A diamond pattern in different nuances of blue.

Estimate: SEK 18 000 – 20 000 / EUR 1 590 – 1 770

153. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Örtagården’, knotted pile, ca 324 x 224 cm, signed AB MMF.

Designed in 1934. Woven after 1941.

Estimate: SEK 200 000 – 250 000 / EUR 17 660 – 22 070

151. Berit Woelfer (Sweden, 1926–2001) a carpet, ‘Vigo’, flat weave, ca 243 x 167 cm, Kasthall.

152. Berit Woelfer (Sweden, 1926–2001) a carpet, flat weave, Kasthall, ca 310 x 230 cm.

(Sweden, 1916–1993) a carpet, ‘Spise Hall’, flat weave, ca 373 x 275 cm, signed JJ.

Designed in 1961. ‘Spise Hall’ was woven in a variety of sizes – the pattern was created to easily adept to the customers choice of size – that where not standard. All the variants are shaded in a escalating colour scale. In nature there is no such thing as a uniform colour, its always changing depending on light, shadow and density.

Literature: Compare with Andersson, Torsten: JJ Så vävdes ett livsverk, Göteborg 2006, page 80.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420 ( d)

1916–2010) a carpet, ‘Strålar, gul’, tapestry weave, ca 303 x 207 cm, signed AB MMF MR. (AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1949.

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060 ( d)

155.

(Sweden, 1916–1993) a carpet, ‘Spise hall’, flat weave, ca 272 x 209 cm, signerd JJ B.

Designed in 1961. ‘Spise Hall’ was woven in a variety of sizes – the pattern was created to easily adept to the customers choice of size – that where not standard. All the variants are shaded in a escalating colour scale. In nature there is no such thing as a uniform colour, its always changing depending on light, shadow and density.

Literature: Compare with Andersson, Torsten: JJ Så vävdes ett livsverk, Göteborg 2006, page 80.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

154. Judith Johansson

Judith Johansson

156. Marianne Richter (Sweden,

157. Judith Johansson (Sweden, 1916–1993) a carpet, ‘Hallandsåsen’, flat weave, ca 303,5 x 216,5 cm, signed JJ J. Designed in 1961.

Literature: Compare with Andersson, Torsten: JJ - Så vävdes ett livsverk. En berättelse om de vävda konstverken från Judith Johanssons ateljé i Knäred, Falkenberg 2006, colour plate page 72.

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530 ( d)

159. Agda Österberg (Sweden, 1891–1987) a carpet, flat weave and tapestry weave, ca 426 x 223 cm, signed AÖ. (Agda Österberg.) A polychrome modernistic design. Made without fringes.

Estimate: SEK 100 000 – 125 000 / EUR 8 830 – 11 040 ( d)

158. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Josefina gul’, tapestry weave, ca 227 x 174 m, signed AB MMF MR. (AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1955.

Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och vävverkstaden i Båstad, Stockholm 1968, plate 67.

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

160. Agda Österberg (Sweden, 1891–1987) a carpet, flat weave, ca 303 x 194 cm, an embroidered signature at the back.

Sweden, the 1950s. A yellow melange ground with three rows of stylized ornaments.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650 ( d)

161. Agda Österberg (Sweden, 1891–1987) a carpet, flat weave, ca 201 x 116 cm, signed AÖ. A polychrome modernist composition.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

162. A swedish flat weave carpet, 200 x 160 cm.

Around the 1950s to the 1960s. A gray melange gound with large stylized flowers in different nuances of pink, green, yellow, blue and brown.

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

164. Edna Martin (Sweden, 1908–2003) a carpet, ‘Flickorna i fönstret’, flat weave, ca 252 x 197 cm, signed EM SH. (Edna Martin, Svensk Hemslöjd.) Designed in 1956.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

163. A Swedish flat weave carpet, ca 259 x 162 cm. Sweden, 1950s–1960s. A green melange ground with stylized grey ornaments.

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

165. Svea Norén (Sweden) a carpet, tapestry weave, ca 307,5 x 198 cm, signed SN.

A red melange ground with six rows of stylized flowers. An ivory main border with stylized pattern in green melange and grey.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

166.

Sweden, the 1950s. Ivory striped ground. A brown melange border.

35% Import VAT will be charged on the hammer price on this lot.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

167.

‘Skvattram’, knotted pile in relief, ca 275 x 175 cm, signed AB MMF.

(AB Märta Måås-Fjetterström). Designed in 1938. Woven and knotted after 1941. (Rare.)

Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate No. 43; Millesgårdens utställningskatalog nr 20: Märta Måås-Fjetterström, Stockholm 1989-90, No. 16.

Estimate: SEK 70 000 – 90 000 / EUR 6 180 – 7 950

A carpet, flat weave and tapestry weave, signed SH (Svensk hemslöjd) 229 x 154 cm.

Märta Måås-Fjetterström (Sweden, 1873–1941)

168. A swedish flat weave carpet, ca 316 x 187 cm. Sweden, 1950s. Stylized ornaments in yellow and green.

169. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Gångarna’, knotted pile in relief, ca 181 x 100 cm, signed AB MMF MR.

(AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1945. (Rare.)

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590 ( d)

171. Märtha Gahn (Sweden) a carpet, knotted pile, ca 272 x 182 cm, signed MG. Sweden, the 1930s. Step formations in golden yellow and green melange with stylized ornaments.

Estimate: SEK 18 000 – 20 000 / EUR 1 590 – 1 770

170. Barbro Nilsson (Sweden, 1899–1983) a carpet ‘Guldklimpen’, knotted pile in relief, ca 140 x 86 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1944.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

173. Judith Johansson (Sweden, 1916–1993) a carpet, ‘Rosengård’, flat weave, ca 264 x 199 cm, signed JJ EE. (Judith Johansson.) Sweden around 1960.

Literature: Compare with JJ Så vävdes ett livsverk - En berättelse om de vävda konstverken från Judith Johanssons ateljé i Knäred, Falkenberg/ Varberg 2006, colour plate page 23.

Estimate: SEK 18 000 – 20 000 / EUR 1 590 – 1 770 ( d)

172. Sigvard Bernadotte (Sweden, 1907–2002) a carpet, knotted pile, ca 184 x 133 cm, signed SB. Sweden the 1940s-50s. An ivory ground with a large medallion with geometric patterns and borders in a variety of blue, red, grey and brownish violet nuances. Designed by SIGVARD BERNADOTTE. Made at Nils Nessims Textilateljéer.

Literature: Compare with Om Sigvard Bernadottes kompositioner för mattor, tyger, plast och papper Nordenfelt, Amelie: Något om Sigvard Bernadottes designverksamhet, kandidatuppsats vid Lunds universitet vt 1999.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590 ( d)

175. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet ‘Blå natt och dag’, flat weave, ca 293 x 205 cm, signed MMF.

Märta Måås-Fjetterström

On midsummers day 1918, Ludvig Nobel’s life’s work Skånegården was inaugurated. It was a hotel that became the stronghold of Swedish modernism, with artists such as Prince Eugen, Carl Eldh and Märta Måås-Fjetterström. During the inauguration, Måås-Fjetterström lived at Skånegården and it was in this context that Ludvig Nobel persuaded her to move to Båstad.

In 1919, Märta Måås-Fjetterström moved to Strandgården and came to live and work in Båstad until her d eath in 1941. In 1968, Skånegården was decommissioned as a hotel and today the complex is condominiums. The present carpet has been owned by L udvig Nobel’s family until now and was purchased directly by Märta Måås Fjetterström.

174. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Fåren’, knotted pile, ca 208 x 114 cm, signed MMF.

Designed in 1930, woven after 1941. A sewn on lable at the back: Skånegården/ Solgården R:1 .

Provenance: Ludvig Nobel (1868–1946), Skånegården.

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530

175. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet ‘Blå natt och dag’, flat weave, ca 293 x 205 cm, signed MMF.

Designed in 1933, woven before 1942.

Provenance: Ludvig Nobel (1868–1946), Skånegården.

Literature: Compare Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, colour plate p 121.

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060

176. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Kamelryan’, knotted pile, ca 224 x 108 cm, signed MMF.

Designed in 1919, woven before 1942.

Provenance: Ludvig Nobel (1868-1946), Skånegården.

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530

177. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Snäckorna’, tapestry weave, ca 215 x 138 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1943.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

178. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Snäckorna’, tapestry weave, ca 215 x 143 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1943.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

179. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Blåarp’, Tapestry weave, ca 200 x 157 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1962.

Literature: Compare Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, Colour plate p. 29, 56.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

180. Elsa Gullberg (Sweden) probably, a carpet, tapestry weave, ca 236 x 167 cm, unsigned.

Sweden the 1940s. A polychrome lightning shaped pattern.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

181. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Rubirosa, grön’, flat weave, ca 294 x 180 cm, signed AB MMF MR.

181. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Rubirosa, grön’, flat weave, ca 294 x 180 cm, signed AB MMF MR.

(AB Märta Måås-Fjetterström, Marianne Richter.)

Designed in 1958.

Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate 71.

Estimate: SEK 70 000 – 90 000 / EUR 6 180 – 7 950 ( d)

182. Ingrid Dessau (Sweden, 1923–2000) a carpet, ‘Kreta’ flat weave, ca 248 x 180 cm, signed KLH ID.

(Kristianstad Läns Hemslöjd, Ingrid Dessau.) Designed in 1965.

Literature: Compare Gustafsson-Seife, Inger: Ingrid Dessau textildesigner, Borås 2008, p 60–61

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

183. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Nejlikan gul’, flat weave, ca 334,5 x 279 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1950.

Literature: Compare with skisser Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 79; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 152.

Estimate: SEK 100 000 – 125 000 / EUR 8 830 – 11 040

184. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Spättan, gul’, flat weave, ca 269 x 146 cm, signed AB MMF BN.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1943.

Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plates pages 66-67; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 143.

Estimate: SEK 40 000 – 60 000 / EUR 3 530 – 5 300

185. Judith Johansson (Sweden, 1916–1993) a runner, flat weave, ca 433 x 74 cm, signed JJ. Sweden, the 1960s. A grey ground with a stylized grid pattern in grey-blue and green melange. Probably unique.

Estimate: SEK 18 000 – 20 000 / EUR 1 590 – 1 770

186. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Rutig blå halvflossa’, knotted pile in relief, ca 330 x 225 cm, signed MMF.

(Märta Måås-Fjetterström.) Designed in 1938. Woven before 1942.

Literature: Compare with Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen! 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate page 135.

Estimate: SEK 80 000 – 100 000 / EUR 7 060 – 8 830

187.

(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1944.

Estimate: SEK 15 000 – 18 000 / EUR 1 330 – 1 590

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

Barbro Nilsson (Sweden, 1899–1983) a carpet ‘Guldklimpen’, knotted pile in relief, ca 183,5 x 85,5 cm, signed AB MMF BN.

188. Ingrid Dessau (Sweden, 1923–2000) a carpet, ‘Blå Rutor’, flat weave, ca 269 x 175 cm, signed KLH ID. (Kristianstad Läns Hemslöjd, Ingrid Dessau.) Designed in 1961.

189. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Påfågeln’, knotted pile, ca 171 x 97 cm, signed AB MMF MR. (AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1944. (Rare.)

190. Märta Måås-Fjetterström (Sweden, 1873–1941)

a carpet ‘Blå heden’, flat weave, ca 288,5 x 186 cm, signed AB MMF.

Designed in 1931, woven after 1941.

Literature: Compare with Märta Måås-Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 6; ICA bokförlag: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 178; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta MååsFjetterström, Värnamo 2009, colour plate pages 66-69; Skrifter från Kungl. Husgerådskammaren 20, Nisser-Dalman, Margareta, Stockholm 2019, No. 36, page 59; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna –det är jag, 100 år av textil konst– sedan 1919, Märta Måås-Fjetterström, Båstad/ Mölndal 2019, colour plates pages 112–114.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

191. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Blå heden’, flat weave, ca 130 x 60 cm, signed MMF.

Designed in 1931. Woven before 1942.

Literature: Compare with Märta Måås-Fjetterström och verkstaden i Båstad, Stockholm 1951, plate page 6; ICA bokförlag: Antikt – Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 178; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate pages 66–69; Skrifter från Kungl. Husgerådskammaren 20, Nisser-Dalman, Margareta, Stockholm 2019, No. 36, page 59; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst – sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour pla tes pages 112–114.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

192. Marianne Richter (Sweden, 1916–2010) a carpet, ‘Fasad, grön II’, flat weave, ca 305 x 195 cm, signed AB MMF MR.

(AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1963.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530 ( d)

Designed

Literature: Compare with the original water colour Wängberg-Eriksson,

Estimate: SEK 40 000 – 60 000 / EUR 3 530 – 5 300

The

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

193. Josef Frank (Austria, 1885–1967) a carpet, ‘Matta nr 1’, hand tufted, ca 344 x 252 cm.

by Josef Frank in 1938 for Svenskt Tenn. Tufted in Sweden.

Kristina: Pepis Flora, Kristianstad 1998, colour plate page 128.

194. Josef Frank (Austria, 1885–1967) ‘Odjursmattan’ also known as ‘Matta nr 7’. Hand tufted. 179 x 118 cm. Designed by Josef Frank for Svenskt tenn.

light coloured ‘Odjursmattan’ was exhibited in a rya variant at the San Francisco exhibition in 1939.

195. Josef Frank (Austria, 1885–1967) a carpet, ‘Matta Frank nr 4’, tufted, ca 200 x 90 cm. Kasthall Ateljé. Designed by Josef Frank, Svenskt Tenn, probably in the 1930s. A glued on label at the back.

208. Gunnar Asplund a wall lamp, ‘Typ 16’. Provenance: The City Hall of Gothenburg, 1936.

198. Sylvia Stave an alpacca hot water jug, C.G. Hallberg, St ockholm 1930s. This model was designed around 1932/1933.

220. Marcel Breuer a table, model ‘B12’, Thonet, ca 1930. 221. Marcel Breuer a ‘B3’, easy chair, Standard Möbel, German y ca 1927–1928.

223. Ludwig Mies van der Rohe a chair and stool, model ‘MR10 ’, Berliner Metallgewerbe Josef Müller or Bamberg Metallwerkstätten, Germany ca 1926–27.

Rolf Walter Collection

Born in Sachsen in 1938, Rolf Walter grew up in the former East Germany. The East German state did not allow him to study, so he fled to West Berlin in 1956. There, he studied mathematics and physics at Freie Universität, his greatest interest, however, was art and design, and it was in this interest that his collecting began.

At an exhibition at the Akademi der Künste in West Berlin, Rolf Walter saw a painting by the East German artist and poet Gerhard Altenbourg. He was so moved by the work that he decided to seek out Altenbourg to learn more about his art. The meeting led to a lifelong friendship and a large collection of the artist's work, which has been housed at the Kupferstichkabinett in Berlin since 2015.

During the same period, Rolf Walter became interested in the Bauhaus movement. Berlin was an excellent city to live in with this interest. The museums were full of art, and several contemporary architects had been given the opportunity to realize their ideas. His collecting was still motivated by his curiosity about the designer behind the objects. Rolf Walter had the opportunity to get to know Marianne Brandt, Kurt Schmidt, Margaretha R eichardt, and Wilhelm Wagenfeld, all of whom had studied at Bauhaus, the well-known German School of Arts and Crafts, Design, and Architecture. Rolf Walter was also interested in the work by Bauhaus students Marcel Breuer, Anton Lorenz, and Ludwig Mies van der Rohe.

In 1979, Rolf Walter moved to Sweden. On one occasion, at the Moderna Museet, he saw a photo of a jug by Sylvia Stave. Once again, his curiosity about the designer behind the object was aroused. With the help of the Swedish Embassy in Paris and the consulate in Toulouse, he managed to track her down in Nice. After that meeting, Rolf Walter began to build a collection of Sylvia Stave's objects, which are now housed at the National M useum in Stockholm. Rolf Walter was also interested in other architects and designers such as Gunnar Asplund, Folke Arström, Sven Markelius, and Wilhelm Kåge.

R olf Walter's great interest and collecting have had a significant impact on some of the key figures in the Bauhaus movement. His collection has contributed to the remembrance of important artists and designers, w here the common thread has always been the history, functionality, and beauty of the objects.

Original drawing of the lamp made for The Gothenburg City Hall, 1936. ArkDes, Stockholm.

196. Wolter Gahn (Sweden, 1890–1985) a silver plated three pcs coffee service, Swedish Grace, executed by Karl Wojtech, Stockholm 1920s.

The body decorated with mascarons, possibly designed by Anna Petrus, marks K. WOJTECH. Height of the coffee pot 17 cm.

Provenance: Rolf Walter Collection.

Literature: Nils G Wollin, ‘Nutida Svensk Konstslöjd i Bild’, Natur & Kultur, Stockholm 1931, p 84.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

197. Edward Hald (Sweden, 1883–1980) an engraved glass vase ‘Urskogen’, Orrefors, Sweden, designed in 1923/24, executed in 1924. Decorated with palmtrees, monkeys, birds, snake and more, signed Orrefors Hald 378. 24. E.G (engraved by Emil Goldman). Height 26 cm. Rolf Walter Collection.

SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

Spherical shape, the handle fretted with rattan. Maker's mark. Height 17 cm.

Provenance: Rolf Walter Collection.

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530

198. Sylvia Stave (Sweden, 1908–1994) an alpacca hot water jug, C.G. Hallberg, Stockholm 1930s. This model was designed around 1932/1933.

199. Sylvia Stave (Sweden, 1908–1994) an alpacca coctailshaker, C.G Hallberg, Stockholm, 1930s. Designed in 1934. Spherical shape, maker's mark. Height 15 cm.

Provenance: Rolf Walter Collection.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

200. Sylvia Stave (Sweden, 1908–1994) two alpacca lidded dishes, C.G. Hallberg, Stockholm, designed in 1934. Details of black stained wood, maker's mark C.G.HG. ALP and K respectively 99. Length 22 cm, height 10 cm.

Provenance: Rolf Walter Collection.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

service, C.G. Hallberg, Stockholm 1930s.

Comprising a coffee pot, sugar bowl and a creamer, decorated with stripes, black lacquered wooden handle, maker's mark.

Height of the coffee pot 14 cm.

This model of coffee service was shown at The 1930 Stockholm Exhibition.

Provenance: Rolf Walter Collection

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530

203. Axel Einar Hjorth (Sweden, 1888–1959) a large showcase cabinet, from the fashion boutique Oscar Baeckmans, Nordiska Kompaniet, Stockholm 1929.

Nickel plated steel, glass, two sliding doors, elm base, coat hanger, height 187 cm, length 200 cm, depth 62 cm.

Provenance: The fashion store, Oscar Baeckmans, Kungsgatan 10, Stockholm, interior designed by Axel Einar Hjorth, 1929. Later acquired by Rolf Walter.

Literature: Contemporary articles 1929.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

202. Axel Einar Hjorth (Sweden, 1888–1959) a pair of showcase cabinets, from the fashion boutique Oscar Baeckmans, Nordiska Kompaniet, Stockholm 1929.

Nickel plated steel, glass, the front with doors, patinated metal base and top, interior with checkerboard veneered base and roof, adjustable shelves in steel and glass, height 170 cm, width 100 cm, depth 48 cm.

Provenance: The fashion store, Oscar Baeckmans, Kungsgatan 10, Stockholm, the interior designed by Axel Einar Hjorth. Later acquired by Rolf Walter.

Literature: Contemporary articles, 1929.

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650

204. Björn Trägårdh (Sweden, 1908–1998) a rectangular pewter tray, model nr A 1206, Firma Svenskt Tenn, Stockholm 1932.

Dark stained wooden handles, maker's marks F8. Length 41.5 cm, width 23.5 cm. This model was designed ca 1929–1930.

Provenance: Rolf Walter Collection.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

205. Three door handles, from the City hall of Sundbyberg, by Eskil Sundahl och Artur von Schmalensee, for the Co/op 1930.

Chrome plated metal, 17x13 cm.

Provenance: Rolf Walter Collection.

The City hall of Sundbyberg, by architects Nils Malmborg & Sven Ahlbom, 1932.

Literature: Råberg, Per G., Funktionalistiskt genombrott: en analys av den svenska funktionalismens program 1925-1931, Sveriges Arkitekturmuseum, Diss. Stockholm: Univ.,Stockholm, 1970, p. 213.

Estimate: SEK 2 000 – 3 000 / EUR 180 – 270

207. Mogens Mogensen, four coat hangers, Albin Karlssons Metallfabrik, Sweden 1930s.

Chrome plated metal, black lacquered wooden ball, height 20 cm, length from wall 15 cm.

Provenance: Rolf Walter Collection.

Reportedly from the Gothenburg City Hall, 1936.

Exhibitions: This model was shown at the Stockholm Exhibition in 1930.

Literature: Råberg, Per G., Funktionalistiskt genombrott: en analys av den svenska funktionalismens program 1925–1931, Sveriges Arkitekturmuseum, Diss. Stockholm : Univ.,Stockholm, 1970, p. 206.

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360

206. Mogens Mogensen, Sven Markelius and other architects/designers, 10 modernist door handles, Sweden 1930s.

Handles with black knob, from Sven Markelius’ villa in Nockeby, Bromma height 8–12 cm.

Door handles in nickel plated brass, yellow cellouid knob, from Gothenburg's earliest concrete building, height ca 8-10 cm.

Provenance: Rolf Walter Collection.

Exhibitions: Some of these models exhibited at the Stockholm Exhibition 1930.

Literature: Råberg, Per G., Funktionalistiskt genombrott: en analys av den svenska funktionalismens program 1925–1931, Sveriges Arkitekturmuseum, Diss. Stockholm: Univ.,Stockholm, 1970, p. 206. Wichmann, Hans, Neu Donationen und Neuerwerbungen 1986/87: Industrial Design, Unikate, Serienerzeugnisse: Die Neue Sammlung Staatliches Museum für angewandte Kunst, München 1989, Das Museum, München, 1989, p. 131.

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360

208. Gunnar Asplund (Sweden, 1885–1940) a wall lamp, ‘Typ 16’. Provenance: The City Hall of Gothenburg, 1936. Adjustable shade in green lacquered metal, lacquered white to the interior, wall mount of chrome plated tubular steel, depth from wall 50 cm, adjustable height ca 110–140 cm.

Provenance: Rolf Walter Collection.

Gunnar Asplund's, City Hall of Gothenburg, 1936.

Literature: Drawing from, Gunnar Asplund's archive, ArkDes, Stockholm.

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

209. Gunnar Asplund (Sweden, 1885–1940) a wall lamp, ‘Typ 16’. Provenance: The City Hall of Gothenburg, 1936. Adjustable shade in green lacquered metal, lacquered white to the interior, wall mount of chrome plated tubular steel, depth from wall 50 cm, adjustable height ca 110–140 cm.

Provenance: Rolf Walter Collection.

Gunnar Asplund's, City Hall of Gothenburg, 1936.

Literature: Drawing from, Gunnar Asplund's archive, ArkDes, Stockholm.

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

210.

Folke Arström (Sweden, 1907–1997) an 8 pcs alpacca/ silver plated cocktail set, Guldsmedsaktiebolaget (GAB),

211. Marcel Breuer (Hungary, 1902–1981) a first edition ‘B3’, easy chair, Standard Möbel, Germany ca 1926–1927.

Chrome plated tubular steel. This is the first edition without the tubular steel back rest, replaced Eisengarn to the seat and back, height 74 cm, seat height 40 cm.

Provenance: Rolf Walter Collection.

Literature: Droste, Magdalena, Marcel Breuer: design, Taschen, Köln, 1992, p. 62-63.

Estimate:

213. Marcel Breuer (Hungary, 1902–1981) a first edition ‘B5’, Standard Möbel, Germany ca 1926–27.

Nickel plated tubular steel, seat and back with the original Eisengarn-upholstery. Height 87 cm, seat height 48 cm.

Provenance: Rolf Walter Collection.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

212. Marcel Breuer (Hungary, 1902–1981) a desk, model ‘B21’, Thonet, 1930s. Provenance Wilhelm Kåge.

Chrome plated tubular steel, black lacquered wooden top and shelves, height 70 cm, length 88 cm, depth 44 cm.

Provenance: Rolf Walter Collection. Wilhelm Kåge.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

215. Marcel Breuer (Hungary, 1902–1981) a chair, model stol, model ‘B33’, Thonet, ca 1929–30.

Chrome plated tubular steel, seat and back in red later Eisengarn, height 81 cm, seat height 46 cm.

Provenance: Rolf Walter Collection.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

214. Marcel Breuer (Hungary, 1902–1981) a table, model ‘B27’, Thonet, 1930s.

Chrome plated tubular steel, wooden top with later lacquer in red, height 62 cm, diameter 80 cm.

Provenance: Rolf Walter Collection.

Literature: Droste, Magdalena, Marcel Breuer: design, Taschen, Köln, 1992, p. 109.

Estimate: SEK 4 000 – 6 000 / EUR 360 – 530

Chrome plated tubular steel, black lacquered wood, height 67 cm, 74.5 x 74.5 cm.

Provenance: Rolf Walter Collection.

Literature: Droste, Magdalena, Marcel Breuer: design, Taschen, Köln, 1992, p. 88.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

216. Marcel Breuer (Hungary, 1902–1981) a table, model ‘B10’, Thonet ca 1927–1930.

218. Marcel Breuer (Hungary, 1902–1981) an armchair, model ‘B11’, Thonet, ca 1929–30.

Chrome plated tubular steel, black lacquered wooden armrests, seat and back in original Eisengarn, seat height 45 cm, height 87.5 cm.

Provenance: Rolf Walter Collection.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

217. Marcel Breuer (Hungary, 1902–1981) an armchair, model ‘B34’, Thonet, ca 1929–30.

Nickel plated tubular steel, wooden armrests, seat and back in original Eisengarn, seat height 47 cm, height 85 cm.

Provenance: Rolf Walter Collection.

Literature: Droste, Magdalena, Marcel Breuer: design, Taschen, Köln, 1992, p. 91.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

219. Marcel Breuer (Hungary, 1902–1981) most likely an intermediate version of model ‘B-11’, Thonet ca 1929–30. Chrome plated tubular steel, black lacquered wooden armrests, seat and back in original Eisengarn, seat height 44 cm, height 86 cm.

Provenance: Rolf Walter Collection

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530

220. Marcel Breuer (Hungary, 1902–1981) a table, model ‘B12’, Thonet, ca 1930.

Chrome plated tubular steel, black lacquered wooden shelves, height 59 cm, length 79.5 cm.

Provenance: Rolf Walter Collection.

Literature: Droste, Magdalena, Marcel Breuer: design, Taschen, Köln, 1992, p. 93.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

221. Marcel Breuer (Hungary, 1902–1981) a ‘B3’, easy chair, Standard Möbel, Germany ca 1927–1928.

Chrome plated tubular steel, Eisengarn to seat and back, height 76.5 cm, seat height 40 cm.

Provenance: Rolf Walter Collection.

Literature: Droste, Magdalena, Marcel Breuer: design, Taschen, Köln, 1992, p. 62–63.

Estimate: SEK 50 000 – 75 000 / EUR 4 420 – 6 620

222. Marcel Breuer (Hungary, 1902–1981) a table, model ‘B27’, Thonet, 1930s.

Chrome plated tubular steel, top later lacquered in black, height 75 cm, diameter 110 cm.

Provenance: Rolf Walter Collection

Literature: Droste, Magdalena, Marcel Breuer: design, Taschen, Köln, 1992, p. 109.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

223. Ludwig Mies van der Rohe (Germany, 1886–1969) a chair and stool, model ‘MR10’, Berliner Metallgewerbe Josef Müller or Bamberg Metallwerkstätten, Germany ca 1926–27.

Chrome plated tubular steel, seat and back with rattan, seat height 46 cm, height 81 cm, stool, height 46 cm.

Provenance: Rolf Walter Collection.

Literature: Mies van der Rohe, Ludwig, Mies van der Rohe: archicture and design in Stuttgart, Barcelona, Brno, Skira, Milan, 1998, p. 62.

Estimate: SEK 30 000 – 35 000 / EUR 2 650 – 3 090

224. Anton Lorenz, attributed to, a table, model ‘GT71’ Desta, Germany, ca 1927–28.

Nickel plated tubular steel, circular glass top, height 60 cm, diameter ca 80 cm.

Provenance: Rolf Walter Collection.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

225. Otto Schulz (Germany, 1882–1970) a velvet covered Swedish Modern cabinet, Sweden, late 1920s.

Birch, in parts dark stained, covered with ‘antique patinated’ green velvet, brass nails in a geometrical pattern, on stylized lion's paws, the reverse stamped Boet, with pencil V Larsson (?). Height 120 cm, width 76 cm, depth 31,5 cm.

Provenance: This cabinet was acquired at Boet in the late 1920s. Thence by descent within the same family.

Literature: Christian Björk, Erika Geiger Ohlin, Anders Otto Schulz, ‘Tidskriften Boet’, 1931, n:r 1 p 6. Nord, Otto Schulz Möbler och inredningar 1910–19502, Chr. Björk Förlag, Stockholm 2022. Pp 162-163.

Estimate: SEK 100 000 – 150 000 / EUR 8 830 – 13 240

Otto Schulz – Boet

Otto Schulz was born in 1882 in Germany and died in 1970 in Gothenburg. He trained as an interior architect at the Technical S chool in Charlottenburg during the years 1900–1907.

During the years 1904 – 1907, while still studying he simultaneously worked with the Swedish-born architect Professor Alfred Gren a nder. In 1907, after receiving a diploma from the Kunstgewerbe Museum in Berlin, Schulz moved to Sweden and Gothenburg. After a period as an employee, in 1910 he started his own business as an interior architect specializing in ship interiors.

In 1917 Schulz was commissioned to design the new interiors at Bräutigams Konditori on Östra Hamngatan in Gothenburg. This became an important assignment and certainly gave a boost to h is career.

In 1920, the firm Boet was founded in partnership with Adolf Nordenberg in Gothenburg. Boet was a furniture and interior design company located at the intersection of Kungsportsavenyn a nd Kristinelundsgatan.

The store displayed full-scale interior design content for inspiration, advice and sales. They also had other producers' items and obj ects among the range in the showrooms.

Otto Schulz applied for patents for techniques that were used on Boet furniture and interior details: Bosaik (a mosaic coating that was resistant to moisture), Botarsia (a pattern technique using brass pins on wood) and Bopoint (brass nails placed in decoration pattern on fabric, leather or artificial leather).

From 1926, Nordenberg left out the partnership and Schulz bec ame the sole owner of Boet.

Schulz also published the magazine Boet between the years 1928-1938. The magazine Boet has been, and still is today, a very important source of knowledge. In addition to showing Boet's own interiors, the focus was equally on showing the interiors of other contemporary furniture architects, both Swedish and international. According to the preface in the first publication in 1928, t he aim was:

‘Boet magazine intends to meet the current need for discussion, for information regarding the artistic and practical design of the home’.

Otto Schulz was an architect who went his own way and designed furniture that is often unparalleled among contemporary colleagues. His collective impressions and experiences are manifested i n the furniture he designed.

So far, Schulz' design is relatively unknown internationally comp ared to, for example, his Swedish colleagues Axel Einar Hjorth’s and Josef Frank’s.

Stained wood

Black lacquered wood, chrome plated steel, height 55 cm, diamater 74 cm.

Literature: Boet: månadsskrift för hemkultur, hantverk och konstindustri, Boet, Göteborg, 1935.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Box in glass made by Orrefors, lid in stained wood decorated with ‘Botarsia’ brass nails GH, signed Orrefors and marked BOET Gtbg

Jämför Björk, Christian, Geiger Ohlin, Erika & Nord, Anders, Otto Schulz: möbler och inredningar 1910–1950, Chr Förlag, Stockholm,

SEK 4 000 – 5 000 / EUR 360 – 450

226. Otto Schulz (Germany, 1882–1970) a table, Boet, Gothenburg, 1930s.

227. Otto Schulz (Germany, 1882–1970) a table lamp, Boet, Gothenburg 1930–40s.

decorated with ‘Botarsia’ brass nails, stamped

228. Otto Schulz (Germany, 1882–1970) a lidded box, Boet,

Upholstered with a later blue fabric, legs and frame of elm wood. Height ca 76 cm, seat height ca 40 cm, width ca 79 cm.

Literature: Christian Björk, Erika Geiger Ohlin, Anders Nord, Otto Schulz Möbler och inredningar 1910–19502, Chr. Björk Förlag, Stockholm 2022. Pp 236-237. This model was designed ca 1937.

Birch, two drawers, the top covered with mosaic in green, black and grey, the back with maker's mark BOET. Length 50 cm, depth 22 cm, height 10.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

Upholstered with a later blue fabric, legs and frame of elm wood. Length ca 165 cm, height 76 cm, seat height ca 40 cm.

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

229. Otto Schulz (Germany, 1882–1970) covered with ‘Bosaik’ wall shelf, Boet, Gothenburg 1940–50s.

230. Otto Schulz (Germany, 1882–1970) a pair of Swedish Modern easy chairs, Boet, Gothenburg 1930s–40s.

231. Otto Schulz (Germany, 1882–1970) a Swedish Modern sofa, Sweden 1930s-40s.

232. Otto Schulz (Germany, 1882–1970) a ‘Bosaik’ serving trolley, Boet, Gothenburg 1940s.

Mahogany base, two tops covered in ‘Bosaik’, maker's mark BO-Möbel,

234. Otto Schulz (Germany, 1882–1970) a Swedish Modern easy chair, Boet, Gothenburg 1930s–40s.

Upholstered with a floral fabric, legs and frame of elm wood. Height ca 75 cm, seat height ca 45 cm, width ca 82 cm.

Literature: Christian Björk, Erika Geiger Ohlin, Anders Nord, Otto Schulz Möbler och inredningar 1910–1950, Chr. Björk Förlag, Stockholm 2022. Pp 236-237. This model was designed ca 1937.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

233. Otto Schulz (Germany, 1882–1970) a set of three mahogany occasional ‘Bosaik’ tables, Boet Gothenburg, 1940s. The table tops with off-white mosaics, the largest table with a metal label ‘en Bo Möbel’. 45 x 35 cm, 37 x 32 cm, 29 x 29 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

234A Otto Schulz Tyskland 1882–1970 a pair of easy chairs, Boet, Gothenburg 1930s.

Dark stained bases and back leg, front white metal legs, recently reupholstered in beige fabric, height 73 cm, width 65.5–66 cm, seat height 43 cm.

Provenance: Marked underneath the base: ‘P. Lysing Norrtelje Köpte 1935’ (P. Lysing Norrtelje bought 1935)

Literature: Otto Schulz (ed), Tidskriften Boet, Göteborg1935. This and other ‘Bo-stoppmöbler’ in the same manner ill. p. 161–169. Björk, Christian, Geiger Ohlin, Erika & Nord, Anders, Otto Schulz: möbler och inredningar 1910–1950, Chr Förlag, Stockholm, 2022, see the model ill. in a watercolour, ca 1934, p 199.

Estimate: SEK 50 000 – 75 000 / EUR 3 530 – 6 620

Upholstered in sheepskin, leather buttons, stained wooden feet, height 99 cm, seat height ca 40 cm.

Literature: Pictured in Arvid Berghman (ed), Tidskriften Boet, year 1945.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

The upper part a secretaire above the three drawers, brass fittings, the reverese stamped Boet, an original Boet key enclosed. 95,5 x 61 cm, depth 28 cm. This is an end piece, originally a part of a larger combination piece of furniture.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

Two doors with brass fittings the interiors with shelves. Boet original keys. 136.5 x 61 cm, depth 27.5 cm.

Estimate: SEK 40 000 – 60 000 / EUR 3 530 – 5 300

235. Otto Schulz (Germany, 1882–1970) A Swedish Modern easy chair, Boet, Gothenburg 1940s.

236. Otto Schulz (Germany, 1882–1970) a pair of Swedish Modern elm veneered cabinets, Boet, Gothenburg 1940s-50s.

237. Otto Schulz (Germany, 1882–1970) a Swedish Modern elm veneered drop front chest of drawers, Boet, 1940s.

104. Axel Salto a ‘budding style’ stoneware vase, Royal Copenhagen, Denmark, model 20897.

226. Otto Schulz a table, Boet, Gothenburg, 1930s.

238. Otto Schulz a pair of easy chairs, Boet, Gothenburg 1940s.

238. Otto Schulz (Germany, 1882–1970) a pair of easy chairs, Boet, Gothenburg 1940s.

Upholstered in a pink velvet textile, elm feet, height ca 70 cm, seat height ca 42 cm.

Provenance: Businessman Knut Hultén. Aquiered at Boet in Gothenburg during the 1940s

Literature: Compare, drawing from the Röhsska museum, archives.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

Elm, the front veneered with the motif of ‘Göta Kanal’ and a ‘Bo-key’, interior with mirrored glass and glass details, the bottom part with two cabinets, height 122 cm, width 130 cm, depth 42 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

239. Otto Schulz (Germany, 1882–1970) an easy chair, Boet, Gothenburg, 1940s.

Upholstered and covered in a blue textile, feet of beech, height 98 cm, seat height 42 cm.

Provenance: Reportedly, acquired at Boet in 1947.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

240. Otto Schulz (Germany, 1882–1970) a bar cabinet, ‘Göta kanal’, Boet, Gothenburg, 1940s.

FURNITURE AND WORKS OF ART

241. A

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

SEK 15 000 – 20 000 / EUR 1 330 – 1 770

242. Swedish designer, a stained and carved birch folkart chair, ca 1900.

Upholstered, sculpted armrests in the shape of lions, the front legs with turned balls. Height 75 cm, width 56 cm, seat height ca 37 cm.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

Maker's marks ‘TUDRIC’ 0756 ENGLISH PEWTER LIBERTY & CO. Height 10,5 cm.

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330

Swedish Art Nouveau floor lamp, ca 1900. Sculpted and carved beech, decorated with acorns, oak leaves and more, for two lights, the original shade with

243. Swedish Art Nouveau, a carved oak stool, early 1900s. Square seat, carved decoration with oak leaves. 40.5 x 40.5 cm, height 45.5 cm.

The Gothenburg Exhibition in 1923

When making the plans for the 1923 exhibition it was decided that, unlike at the Home Exhibition at Liljevalch in 1917, this exhibition would not include any ‘social crap’. The focus would instead be on the exclusive, luxurious in interior decorating.

T he Gothenburg Exhibition in 1923 was to be a sort of rehearsal for the World Exhibition in Paris in 1925. The purpose of the anniversary exhibition was to present Gothenburg’s 300-year history. The focal point of the exhibition was Götaplatsen.

The architecture around the exhibition was monumental, above all designed by the architects Arvid Bjerke and Sigfrid Ericson. Magnificent buildings, the facades were added classic decorative elements which later came to be associated with ‘Swedish G race’. Of all the buildings, the Art Museum remains one of the few buildings that were erected in time for the exhibition.

The art industry was displayed in a building designed by Hakon Ahlberg. Orrefors showed, among other things, its newly created ‘Slottsglas’ (Castle Glass) for the exhibition, as well as the kind of engraved glass that later attracted great attention in Paris. N äfveqvarns Bruk presented part of its new, modern production, including the Diana urn by Ivar Johnsson.

Nordiska Kompaniet displayed furniture by both Carl Hörvik and Carl Bergsten. Axel Einar Hjorth made his debut here in Gothenburg in a larger context and showed furniture de signed for Svenska Möbelfabrikerna in Bodafors. Uno Åhrén had furniture executed by Emil Jansson.

Unfortunately, there are relatively few documentary images from the art industry’s exhibitions in Gothenburg. It is often the same photographs that are depicted. This means t hat many of the exhibition furniture that was included in Gothenburg have not yet appeared on the market. Therefore, it is exciting that this year, 100 years since the exhibition, we can display some of the furniture that Nordiska Kompaniet displayed, those de signed by Carl Bergsten.

245. Carl Bergsten (Sweden, 1879–1935) an oak veneered sideboard/chest of drawers, Nordiska Kompaniet Sweden 1923. Part of a set exhibited in Gothenburg 1923.

Four drawers, stylized geometrical inlays in different kinds of wood. Maker's metal label NORDISKA KOMPANIET AB 15586-28127. 118 x 48 cm, height 89,5 cm. This commode was part of a furnishing set of a total of fifteen pieces of furniture designed by Carl Bergsten for the Jubilee Exhibition in Gothenburg in 1923.

Architect and designer Bergsten was important as one of those who shaped early 20th century Sweden. He was a curious and alert man who early on undertook study trips to the places that were most at the forefront during the first decades of the 20th century. The trip to Josef Hoffmann and his colleagues at the Wiener Werkstätte in Vienna was to become important.In his hometown of Norrköping, Bergsten was commissioned to design the restaurant ‘Strömsholmen’ for the Industrial Exhibition in 1906. The decor of this restaurant has become iconic with the black lacquered chairs that were truly in step with the most advanced counter-jugend of the time. Carl Bergsten was the exhibition commissioner for what became extremely important for Sweden, the World Exhibition in Paris in 1925 and he was later given the honorable task of decorating M/S Kungsholm in 1928. A ship that came to include the best of the best in terms of Swedish works of art from the early 1920s. Bergsten designed the auction's furniture for the Jubilee Exhibition in Gothenburg in 1923. The furniture shows signs of an incipient modernism.

Provenance: Arthur Glasser, head of a glass- and porcelain department at Nordiska Kompaniet. Thence by descent.

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

The room designed by Carl Bergsten at the 1923 Gothenburg Exhibition.

246. Carl Bergsten (Sweden, 1879–1935) an oak veneered shelf, Nordiska Kompaniet, Sweden 1923. The shelf was exhibited at the 1923 Exhibition in Gothenburg.

Sculpted and black stained geometrical decoration. Maker's metal label NORDISKA KOMPANIET AB 15586-28228. Height 165 cm, width 123 cm, depth 33 cm.

Provenance: Arthur Glasser, head of a glass- and porcelain department at Nordiska Kompaniet. Thence by descent.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

248. Carl Bergsten (Sweden, 1879–1935) probably, a lacquered steel wire ‘Butterfly’ celing lamp, Sweden, 1920s–1930s. For three lights, wooden ball to bottom. Height ca 80 cm.

Provenance: Carl Bergsten.

The Bergsten family had this lamp above the dinner table in their apartment at ‘Riddarhuset’, ‘The House of Nobility’. The Bergsten family moved into the western wing in 1930 and remained there until Carl Bergsten passed away in 1935. In an article about the interiors in Vecko Journalen it says that Carl Bergsten designed everything in the dining room. This lamp was previously sold at Bukowskis' auction 503 in 1997, lot nr 914.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

247. Carl Bergsten (Sweden, 1879–1935) a pair of oak easy chairs, Nordiska Kompaniet, 1923, ordered for the 1923 Jubilee Exhibition in Gothenburg.

Carved decoration, seat and back with red upholstery, the one with maker's metal label. Height 74,5 cm, seat height ca 48,5 cm.

Provenance: The Jubilee Exhibition in Gothenburg 1923.

Literature: Erik Wettergren, ‘L'art décoratif moderne en Suède’ Malmö, 1925, p 150.

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650

The dining room in the Bergsten residence ca 1930–1935.

249. Swedish Grace, a table probably by Svenska Möbelfabrikerna Bodafors and S:t Erik, Upsala 1923.

Oak top with inlayed faience tray decorated with the emblema for the 1923 Gothenburg Jubilee Exhibition, black stained wooden base with profiled legs. The tray signed and dated. Diameter 70 cm, height 63 cm.

Literature: Björk, Ekström, Ericson, ‘Axel Einar Hjorth - Möbelarkitekt’, Signum 2009. The table has kinship to some of the models by Hjorth for Nordiska Kompaniet, for example, compare the ‘Library’ table, designed in 1929, p 58.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

Grace cast iron garden urns ‘Diana’, Näfveqvarn, Sweden. Height 47 cm, length including the handles 50 cm. The model was designed in 1919. The garden urn ‘Diana’ was shown at the Gothenburg exhibition in 1923 and at the Paris World Fair in 1925

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

251. Näfveqvarns Bruk, a cast iron jardinière ‘Fritidsurnan’, Sweden 1930's.

Height 34 cm, diameter 35 cm (47 cm including handles).

Literature: Christian Björk, ‘Näfveqvarns Bruk – konstnärer och arkitekter till industrin’, Orosdi-Back 2013, p 177.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

At the turn of the century, 1900, Stockholm expanded heavily. An architectural competition for designing the new City Hall was an nou nc ed in 1902. The winning proposal came from the young architect Ragnar Östberg.

The construction of Stockholm City Hall began in 1911. The in a ugur ation took place twelve years later, on Midsummer’s Eve in 1923.

Ragnar Östberg believed that architecture and art belong together and art should be a natural extension of architecture.

In January 1921, he put forward the proposal that the Golden Hall should be covered with glass mosaics. Östberg asked the artist Einar Forseth to make some sketches for this project.

252. Einar Forseth (Sweden, 1892–1988) a mosaic work ‘Barmhärtigheten’ (The Mercy), probably an original study for the Golden Hall at the Stockholm City Hall.

Ca 1921–22. Part gilt, back lacquered wooden frame, a tergo in writing: ORIGINAL STUDIE för MOSAIKEN I GYLLENE SALEN STOCKHOLMS STADSHUS ‘BARMHÄRTIGHETEN’ STHLM HÄLSOVÅRD KOMP. o INLAGD AV E FORSETH I TREPTOW and in red crayon ‘SKÄNKT AV KONSTNÄREN’ and XI. The mosaic 55.5 x 64.5 cm, including the frame 60 x 68 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

brown leather, 52 x 34 cm, height 40 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

Einar Forseth had been educated at Valands in Gothenburg and at the Art Academy in Stockholm. After receiving several grants he went abroad for studies during several years.

As an artist, Einar Forseth is primarily associated with monumental works. He designed stained glass windows, mosaic work, ceiling paintings and altarpieces in addition to his work as a designer at several p orcelain factories where he created table decorations. The motifs for his landscapes were mainly taken from Greece and Skåne (Scania), His mosaics and stained glass were strongly influenced by B yzantine art.

This actual work is probably executed by Joseph Habler, who supplied mosaics to Forseth, including the ones for the City Hall

254. Harald Notini (Sweden, 1879–1959) a pair of table lamps, model ‘6891’, Arvid Böhlmarks Lampfabrik, 1920s.

Pewter, hammered surface, green silk shades, marked with number 6891, height 56 cm.

Literature: Arvid Böhlmarks lampfabrik, catalogue 1926.

Andrén, Erik, Aktiebolaget Arvid Böhlmarks lampfabrik 1872-1937, [Arvid Böhlmarks lampfabrik], Stockholm, 1937.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

255. Carl Hörvik (Sweden, 1882–1954) a pair of garden chairs, Sweden ca 1927–1929.

Designed originally for ‘Stadshotellet Båstad’ (Hotell Skansen) or ‘Lindgården, Stockholm. Possibly produced by Thelins vagnsfabrik, Skillingaryd. Green lacquered iron base, seats of wood. Height 79 cm, seat height ca 46 cm.

257. Swedish Modern, a pair of lacquered iron gates, mid 20th C. Asymmetrical shape. Ca 94 x 97 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

lacquered iron garden chairs, possibly manufactured by Thulins vagnsfabrik, Sweden.

Later white lacquer to the frame and to the probably later seats. Height 80 cm, seat height 43 cm.

Provenance: Stadshotellet Båstad (Hotell Skansen).

The garden furniture was designed by Hörvik for the refined gardens at the hotel ‘Stadshotellet Båstad’ (Hotel Skansen) in the late 1920s.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

258. Carl Malmsten (Sweden, 1888–1972) a birch library table, Sweden probably 1920s.

Veneered in a geometrical pattern, marked CM. 180 x 65 cm, height 72.5 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 090 – 3 530

259. Carl Malmsten (Sweden, 1888–1972) a pair of armchairs, Swedish Grace, Svenska Möbelfabrikerna Bodafors, 1920s.

Stained birch, blackened back rests, black wool textile seats, height 85 cm, seat height 43 cm.

Exhibitions: This model pictured from Prince Gustaf Adolf's office, Riksvarumässan in Gothenburg 1922-23 and the Triennale Milan 1925.

Literature: Svenska slöjdföreningens tidskrift: organ för konstindustri, handtverk och hemslöjd, Svenska slöjdföreningen, Stockholm, 1921.

And picture from The Svenska Slöjdföreningen, Archive.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

260. Carl Malmsten (Sweden, 1888–1972) a chest of drawers, model ‘Haga’, Nordiska Kompaniet, 1929.

Veneered in a squared pattern in birch, four drawers, wooden handles, ball feet, maker's mark CM and AB Nordiska Kompaniet R29480 –16 3 29, height 87 cm, width 85 cm, depth 47 cm.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

261. Gunnar Asplund (Sweden, 1885–1940) a set of four chairs for the Stockholm City Library, Nordiska Kompaniet ca 1928.

Birch, seats with girths, maker's mark AB Nordiska Kompaniet R59–C19505, height 89 cm, seat height 44 cm.

Provenance: Lars Garpås.

Garpås was a former employee at the Stockholm Stadsbibliotek's storage (the Stockholm City Library) during the 1960s and 1970s. He acquired these chairs at a sell out arranged by the library at the time.

Literature: Asplund, Gunnar, Alison, Filippo & Acking, Carl-Axel (ed.), Erik Gunnar Asplund: mobili e oggetti, Electa, Milano, 1985. p. 94. Gordan, Dan, Svenska stolar och deras formgivare 1899-2013, [Ny, rev. utg.], Norstedt, Stockholm, 2014, p. 50–51. Gunnar Asplund arkitekt: 1885-1940: ritningar, skisser och fotografier, 2. uppl., Byggförl., Stockholm, 1981[1943], p. 135.

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060

262. Gunnar Asplund (Sweden, 1885–1940) attributed to, a ceiling lamp, reportedly with provenance architect John Elisasson (an Asplund assistant), 1930s.

Sphere shaped shade in yellow glass, steel threads, white lacquered ceiling fixture, diameter ca 40 cm, adjustable height ca 130 cm.

Provenance: Architect John Elisasson, employed by Gunnar Asplund 1935-1937 as his representative in Gothenburg for the extension of Gothenburg City Hall.

Literature: Compare, similar semi sphere shaped lamp from the Gothenburg City Hall. Ahlberg, Hakon & Holmdahl, Gustav (ed.), Gunnar Asplund arkitekt: 1885–1940: ritningar, skisser och fotografier, 2. uppl., Byggförl., Stockholm, 1981[1943], p. 168.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

263. Helge Werner (Sverige, 1883–1953) a Swedish Grace gilt and carved writing cabinet, probably 1920s.

Stylized relief ornaments, lion paw's feet. The upper part's interior veneered with palisander and partly lacquered in black, brass drop handles to the three drawers, the lower part with shelves behind a door. Height ca 192 cm, width 75 cm, depth 40 cm. Helge Werner began his professional life as an officer at Västmanland's regiment in Västerås.He was on leave from service 1913 – 1915 for music studies and more in Italy. He was also engaged as an opera singer in Elberfeld in Germany. His stay abroad had great significance for his artistic development. When he was back in Sweden, he was hired to create a number of interiors in Stockholm, as an interior designer. In 1925 he founded AB Arkitektkontoret at Kungsträdgårdsgatan 12 in Stockholm. In 1929, Torsten Kreuger had acquired a castle just outside Stockholm, Häringe Castle. He got in touch with Helge Werner for renovation of the exterior but also for the design of furniture and other decorative elements, including a tapestry. The furniture is no longer at Häringe, but a tapestry designed by Helge Werner still hangs in one of the salons. Helge Werner designed a number of cabinets which can be found, among other things, in Västerås museum and Värmlands Länsmuseum. The cabinets Werner designed are signified by being richly decorated. They were often executed by the carpentry firm Sköld and Carlsson in Västerås. Helge Werner painted both watercolors and oils throughout his life.

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650

264. Helge Werner (Sverige, 1883–1953) a Swedish Grace gilt wood floor lamp, 1920–30s. Relief decoration with dancing figures, borders and more, parchment type of cover to the shade. Height ca 215 cm. SEK 8 000 – 10 000 / EUR 710 – 890

Black

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330

Lacquered

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650

Estimate:

265. Helge Werner (Sverige, 1883–1953) a Swedish Grace sofa, 1920s.

stained wood, gilt relief decoration, upholstered. Length 170 cm, depth 70 cm, seat height 46 cm.

266. Helge Werner (Sverige, 1883–1953) a chest of drawers, Sweden probably 1920s.

in red, gilt relief decoration, five drawers, two doors, metal fittings, the top of limestone. Ca 143 x 51 cm, height 79.5 cm.

267. Swedish Grace, a brass framed wall mirror, 1920–30s. Bronze patinated brass. 188 x 57 cm.

SEK 10 000 – 15 000 / EUR 890 – 1 330

268. Swedish Grace, daybed, 1920–30s. Provenance building contractor Olle Engkvist, probably made to order for the interior.

Base in oak wood, feet covered in patinated copper, red textile seat and cushion, height 58 cm, seat height ca 45 cm, length 175 cm, width 65 cm.

Provenance: Villa Engkvist, building contractor Olle Engkvist. The villa was designed by architect Sven Markelius for the Engkvist couple in 1929. The house was intended as the couple's summer residence. During the 1950s, Markelius designed an extension that was used as the couple's library. In connection with the expansion, the Engkvist couple moved permanently to the house and lived there for the rest of their lives.

Literature: The daybed pictured in Engkvist, Olle, Olle Engkvist, byggmästare: [… som i år kan se tillbaka på en trettioårig verksamhet som fri byggnadsföretagare], Bonnier, Stockholm, 1945, sid 104–109. Picture from ARKDES. Information about the building from: Rudberg, Eva, Sven Markelius, arkitekt, Arkitektur, Stockholm, 1989.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

270. Lars Holmström (Sweden, 1894–1959) a Swedish Grace brass ceiling chandelier, Arvika Sweden 1920s-1930s.

Four candleholders and reflectors, one lamp socket under a shade of opaque glass, disc of frosted glass. Diameter including the candleholders 62 cm, height ca 63 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

273. Björn Trägårdh (Sweden, 1908–1998) or Nils Fougstedt, a pewter vase, Svenskt Tenn, Stockholm 1929. In the shape of a floral stem, stamped with maker's marks C8. Height 21.5 cm.

Literature: Firma Svenskt Tenn, ‘Katalog Stockholm 1931’, this model pictured as a candlestick with model nr 946.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

271. Lars Holmström (Sweden, 1894–1959) a pair of Swedish Grace brass wall sconces, Arvika. For one candle, stamped with maker's mark. Height 34 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

The cover with relief decor of exotic female figures and a horse, maker's mark Stockholm B8, measurements 13 x 9 cm, height 4.5 cm.

Literature: Firma Svenskt Tenn, catalogue 1930, Nordisk Rotogravyr, Stockholm 1929, see model 616 ill.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

Literature: Firma Svenskt Tenn, product catalogue from 1930. This model depicted as model nr 401.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

276. Firma Svenskt Tenn (Sweden) two pewter boxes, Stockholm 1929 and 1932.

The lids with a female figure and a deer, maker's mark, Stockholm C8 (1929) and F8 (1932), height 8.5 cm, diameter 10.3 cm, height 12.2 cm, diameter 7 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

275. Firma Svenskt Tenn (Sweden) a pewter box, Stockholm 1928, model 595.

Finial in the shape of a seated female figure, maker's mark Stockholm B8, height 14 cm, diameter 8.5 cm.

Firma Svenskt Tenn, catalogue 1930, Nordisk Rotogravyr, Stockholm 1929, compare model 595 with another finial.

SEK 4 000 – 6 000 / EUR 360 – 530

277. Firma Svenskt Tenn (Sweden) a pewter box, Stockholm 1933.

The cover with the Swedish smaller state arms of blue enamel within gilt laurels, maker's mark Stockholm, G8, 15 x 14.7 cm, height 3.5 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

278. Nils Fougstedt (Sweden, 1881–1954) & Anna Petrus, a rare pewter and brass floor lamp, Svenskt Tenn, Stockholm 1929, model 763 A.

Brass leg in facets, geometrical decoration in pewter and brass, resting on four lion paws, maker's mark, Stockholm C8. Height including the lamp fixture 146 cm.

This model was designed by Nils Fougstedt in 1928 and was also produced as a floor candelabrum. The lion paws are designed by Anna Petrus.

Literature: Firma Svenskt Tenn, catalogue 1930, Nordisk Rotogravyr, Stockholm 1929, see the model illustrated nr 763, also compare variant of the model as a floor candelabrum.

Estimate: SEK 100 000 – 125 000 / EUR 8 830 – 11 040

279. Anna Petrus (Sweden, 1886–1949) a pewter lid with a possbly later teak box, Svenskt Tenn Stockholm 1932. The lid crowned by a seated lion, maker's mark F8, the rectangular box 14 x 9 cm, total height 15,5 cm.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

jar decorated with the garden of Eden, Svenskt Tenn Sweden 1930.

Cylindrical, the finial shaped by the snake biting its tail, stamped with maker's mark D8.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

283. Josef Frank (Austria, 1885–1967) a upholstered stool, Svenskt Tenn, probably 1930s–1940s.

Height 37, diameter 47 cm.

Literature: Marlene Ott-Wodni, ibid, p 271, compare stool nr 166. Designed for Haus & Garten around 1929. A modified version was introduced by Svenskt Tenn ca 1935 as model nr 530.

Estimate: SEK 4 000 – 6 000 / EUR 360 – 530 ( d)

282. Estrid Ericson (Sweden, 1894–1981) a pewter and brass box, Svenskt Tenn, Stockholm 1938. Maker's mark Stockholm m8, diameter 10.5 cm, height 6 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

284. Josef Frank (Austria, 1885–1967) a Swedish Modern chintz covered oak cabinet, Svenskt Tenn Sweden, probably 1930s-1940s.

The fabric with a pattern of flower baskets in pink, green, white and brown against a light blue-green background, the interior with four adjustable shelves. Height 140 cm, width 120.5 cm, depth 40.5 cm.

Countess Elsa von Rosen's cabinet is probably a special commission of cabinet model no 522. The cabinet with model number 522 was designed in 1934-1935 and is of a considerably smaller size.

Already in Vienna in the early 1930s when working with Oscar Wlach and their company Haus & Garten Josef Frank began to cover cabinets with different kind of materials. At the time he made use of, like on this one, different kinds of fabrics. After moving to Sweden Josef Frank designed the first cabinet covered with prints in 1938, it was the so called 'Flora cabinet'. Since then he designed several versions of covered cabinets, sometimes with different kinds of fabrics, sometimes with leather and also the ones covered with maps or plans.

Provenance: Countess Elsa von Rosen (1904–1991), Princess Bernadotte 1937–1951.

Estimate: SEK 700 000 – 1 000 000 / EUR 61 790 – 88 270

Green lacquered tin, details of brass, 69 x 44.5 cm, height 66 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

Diameter

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060

Maker's

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330

286. Josef Frank (Austria, 1885–1967) a pewter top walnut table, model 2110, Svenskt Tenn Sweden, Mid 20th C. The table was designed in 1947.

79 cm, height 45.5 cm.

287. Josef Frank (Austria, 1885–1967) a pewter and brass wall mirror, Svenskt Tenn, Stockholm 1952.

mark Stockholm B9, 45 x 35 cm (total height 50 cm including brass loop at the top).

285. Josef Frank (Austria, 1885–1967) a mahogany and tin flower stand, model no 2084, Svenskt Tenn Sweden 1950–60s.

Oval

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

Mahogany,

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

Brass, uplight shade in brass, white lacquered to inside, height 180 cm.

Literature: Pictured in catalogue 1954.

Estimate: SEK 50 000 – 75 000 / EUR 4 420 – 6 620

288. Estrid Ericson (Sweden, 1894–1981) a lidded pewter jar, Svenskt Tenn, Stockholm 1952.

shape, the lid with an agate, maker's mark B9. Height 8.5 cm.

289. Josef Frank (Austria, 1885–1967) a trolley, model ‘470’, Firma Svenskt Tenn, 1940–50s.

tops covered i laminate, on wheels, height 60 cm, length 80 cm, width 46 cm.

290. Josef Frank (Austria, 1885–1967) a rare floor lamp, model ‘G 2346’, Firma Svenskt Tenn, 1940–50s.

291. Josef Frank (Austria, 1885–1967) a mahogany veneered table, modell 1028, mid 20th C, Svenskt Tenn, Sweden. The top lined with a border of boxwood. Diameter 85, height 61 cm.

Literature: Johannes Spalt, Hermann Czech, ed. ‘Josef Frank 1885–1967’, Löcker Verlag, Vienna 1981. The drawing for this table depicted p 63. Marlene Ott Wodni, ibid, p 302, image no 304. P 125, an interior with the table placed in an interior design by Haus & Garten for Haus Steiner in Vienna 1933.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

Estimate: SEK 300 000 – 400 000 / EUR 26 480 – 35 310

294. Josef Frank (Austria, 1885–1967) a model 1022 desk, Svenskt Tenn, Sweden before 1985. Mahogany and other types of wood, brass handles, 130 x 63.5 cm, height 72.5 cm.

Estimate: SEK 30 000 – 35 000 / EUR 2 650 – 3 090

293. Josef Frank (Austria, 1885–1967) a ‘model 880’ armchair, Svenskt Tenn, Sweden. Back, sides, armrests and seat cushion with later textile upholstery, height 101 cm, seat height ca 44 cm.

Literature: ‘Josef Frank, Against Design’, MAK, Vienna 16.12.2015-3.4.2016, exhibition catalogue, Birkhäuser, Basel 2016, model pictured page 195, no. 238.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

295. Josef Frank (Austria, 1885–1967) a model 2070 mahogany table display cabinet, Svenskt Tenn, prior to 1985.

Door, sides and three shelves of glass, mirror glass to interior. Width 39 cm, depth 16.5 cm, height 49 cm.

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330

296. Josef Frank (Austria, 1885–1967) a mahogany base table, map on the top, Svenskt Tenn, Sweden, model U601 (the top) & U491, 1960s–1970s. The glass covered top with a printed map, brass lining, the loose base with profiled legs. Diameter 125 cm, height 49 cm. The map is showing the world as seen around year 1450 after a map drawned by the Venetian cartographer and monk Fra Mauro. The original is now in the Doge Palace, Venice

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

Five-seater, upholstered in different purples hues of velvet, pear-shaped legs. Length 355 cm, dept 96 cm, height 85 cm, seat height 45 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060

298. Josef Frank (Austria, 1885–1967) a floor lamp, model ‘2148’, Firma Svenskt Tenn, 1950–60s. Brass, maker's mark Typ 2148 Svenskt Tenn, original silk shade, height 153 cm.

Estimate: SEK 4 000 – 6 000 / EUR 360 – 530

299. Josef Frank (Austria, 1885–1967) a floor lamp, model ‘2148’, Firma Svenskt Tenn, 1950–60s. Brass, original silk shade, height ca 153 cm.

Estimate: SEK 4 000 – 6 000 / EUR 360 – 530

300. Josef Frank (Austria, 1885–1967) a pair of armchairs, Svenskt Tenn, Sweden, model 725. Walnut frame with textile upholstery. Height 89.5 cm, seat height ca 42 cm, width 59 cm.

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330

301. Josef Frank (Austria, 1885–1967) a burled wood veneered top table, model 2126, Svenskt Tenn Sweden, 1950s.

Elm burled wood to the top, mahogany base. Diameter 60 cm, height 40 cm.

Literature: Red. C Thun-Hohenstein, H Czech, S Hackenschmidt, ‘Josef Frank Against Design’, MAK Vienna, 2016. P 210, picture showing parts of the interior of Anna and Josef Franks apartment, including this model of table. The picture by Hans Hammarskiöld in 1958.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

200th anniversary and was inspired by Linnaeus’ summer home Hammarby, where the hand-colored copper engravings by Georg Dinysius Ehret were used as wallpaper in Linnaeus' bedroom. Estrid Ericson visited Hammarby in 1930 and got the idea to use the colourful prints in interiors and on furniture. The Florabyrå Linné was presented in the spring of 2007 and has been produced in a limited edition of 50 copies.

Estimate: SEK 300 000 – 350 000 / EUR 26 480 – 30 900

303. Carl Malmsten (Sweden, 1888–1972) a ‘model Marabou’ sofa, Swedish Modern, 1966.

Upholstered in a blue fabric, lower frieze of walnut. Length 230 cm, depth ca 74 cm, height 78 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

304. Carl Malmsten (Sweden, 1888–1972) a coral lacquered sideboard, Sweden post 1926, probably by David Blomberg.

Three drawers, the frieze decorated with stylized flowers against a white background. Length 141 cm, depth 52 cm, height 85 cm.

Reportedly originally ordered by the sculptor Carl Milles to their residence in USA.

Provenance: Originally ordered by this sideboard was originally part of a set of furniture ordered by the Swedish sculptor Carl Milles for his residence in the USA.

Literature: Ed. Otto Schulz, ‘Tidskriften Boet’, 1928, p 16, a same model sideboard is depicted and exhibited at Liljevalchs Konsthall in 1928. According to the Malmsten Archives this set was designed in 1926 and executed by Blombergs. There is also a same model sideboard at Millesgården in Stockholm today.

Estimate: SEK 50 000 – 75 000 / EUR 4 420 – 6 620

Carl Milles' residence in

Provenance: Doctor Vesterlund, Alvesta Sweden.

In the Malmstens archive it is stated that this piece of furniture is registered as a chest, designed by Malmsten in 1944 and ordered by Dr Vesterlund in Alvesta. Thence by descent.

Literature: Paul Artaria, ‘Carl Malmsten -Swedish Furniture’, Wepf & Co Verlag Basel, 1954. This piece depicted on p 120, described as a ‘Cabinet, given as a present to a flower lover, with elaborate inlaid work’. Lena Blomquist, ‘Carl Malmsten känd och okänd', Jure Förlag, Stockholm 2012. This actual piece is depicted on p 147. (unfortunately wrongly stated as designed in 1938).

Estimate: SEK 100 000 – 150 000 / EUR 8 830 – 13 240

Cranbrook, USA.

Photo: Millesgården's archive.

Tidskriften Boet, 1928, p 16.

305. Carl Malmsten a palisander sideboard/chest, Sweden 1944.

Iron mounts, the interior with two drawers and shelves. Height 155 cm, 100 x 44,5 cm.

Key enclosed, not the original one.

Estimate: SEK 200 000 – 300 000 / EUR 17 660 – 26 480

306. Axel Einar Hjorth (Sweden, 1888–1959) a stained pine ‘Lovö’ cabinet, Nordiska Kompaniet, Sweden 1930s.

308. Axel Einar Hjorth (Sweden, 1888–1959) a set of four pine ‘Utö’ chairs, Nordiska Kompaniet, Sweden 1930s.

Height 80,5 cm, seat height 43,5 cm.

Estimate: SEK 40 000 – 60 000 / EUR 3 530 – 5 300

307. Axel Einar Hjorth (Sweden, 1888–1959) a stained pine ‘Skoga’ stool, Nordiska Kompaniet, Sweden 1930s.

Marked with number 37224, height ca 45 cm, diameter 40 cm.

Provenance: Margit Wilson, daughter of the master chimney sweep Fritjof Blomqvist. Fritjof Blomqvist bought the stool for the home in Äppelviken where he lived with his wife Emma and daughter Margit (born 1917). There were originally two stools, but one of them was unfortunately destroyed. Thence by descent.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

309. Axel Einar Hjorth (Sweden, 1888–1959) a set of four ‘Utö’ pine chairs, Nordiska Kompaniet, 1930s. Height ca 80 cm, seat height ca 43 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

The upper part with shelves, the lower part with a door, marked with a maker's metal label. Height 184 cm, width 90 cm, the side 70 cm.

Provenance: This corner cabinet ‘Utö’ in oak is manufactured and marked by Nordiska Kompaniet's workshops and is probably the second example of a pair of model ‘Utö’ ever made in oak. The cabinet was a special commission for businessman Adolf Stålbo in 1932. The cabinet was most likely a part of the complete set of ‘Utö’ furniture exhibited at NK's spring exhibition in 1932, which was acquired by Stålbo.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

Provenance: Brostugan, Drottningholm, Stockholm

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060

Provenance: Brostugan, Drottningholm, Stockholm

Brostugan was built as a bridge keeper's residence during the 1780s after Gustav III had the first bridge built between Kärsön and Drottningholm Castle. The building had this function until 1931, when it was instead renovated and rebuilt into a café under the direction of architect Ivar

this

310. Axel Einar Hjorth (Sweden, 1888–1959) an oak ‘Utö’ corner cabinet, Nordiska Kompaniet 1932.

311. Axel Einar Hjorth (Sweden, 1888–1959) a ‘Sandhamn’ stained pine table, Nordiska Kompaniet, Sweden 1930s. Stained and carved pine, measurements 100 x 59,5 cm, height

Tengbom. During

transformation, a new interior with ‘Sportstuge’

312. Axel Einar Hjorth (Sweden, 1888–1959) a set of 6 ‘Sandhamn’ carved and stained pine dining chairs, Nordiska Kompaniet, Sweden 1931. Three with maker's metal plaque ‘NK R 33845–C 28 5 31’, height ca 24.5 cm, seat height ca 44 cm.

Estimate: SEK 40 000 – 60 000 / EUR 3 530 – 5 300

Height ca 45 cm, diameter 40 cm.

Estimate:

Height ca 45 cm, diameter 40 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

316. Axel Einar Hjorth (Sweden, 1888–1959) a stained pine ‘Lovö’ chair, Nordiska Kompaniet, Sweden 1930s. Low version, iron mounts. Height 80 cm, seat height 41,5 cm.

313. Axel Einar Hjorth (Sweden, 1888–1959) a stained pine ‘Skoga’ stool, Nordiska Kompaniet, Sweden 1930s.

314. Axel Einar Hjorth (Sweden, 1888–1959) a ‘Skoga’ stained pine stool, Nordiska Kompaniet, Sweden 1930s.

Iron mounts, high back. Height 95 cm, seat height 40,5.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

Iron

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

Iron mounts, high back. Height 95 cm, seat height 41 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

317. Axel Einar Hjorth (Sweden, 1888–1959) a pair of stained pine ‘Lovö’ chairs, Nordiska Kompaniet, Sweden 1930s.

318. Axel Einar Hjorth (Sweden, 1888–1959) a pair of stained pine ‘Lovö’ chairs, Nordiska Kompaniet, Sweden 1930s.

319. Axel Einar Hjorth (Sweden, 1888–1959) a stained pine ‘Lovö’ chair, Nordiska Kompaniet, Sweden 1930s.

mounts, high back. Height 95 cm, seat height 41 cm.

320. Axel Einar Hjorth (Sweden, 1888–1959) a stained pine corner cabinet, ‘Utö’ Nordiska Kompaniet, Sweden 1930s. The lower part with a cabinet with two adjustable shelves, upper part with fixed shelf, height 190 cm, the side 70 cm, width 89 cm.

SEK 20 000 – 25 000 / EUR 1 770 – 2 210

321. Bruno Mathsson (Sweden, 1907–1988) a pine shelf, Firma Karl Mathsson, Värnamo Sweden. Designed by Bruno Mathsson in 1929 and executed in 1932. Dark stained relief border and ball feet, maker's mark with paperlabel and in ink BM 29 KM 32. Length 187 cm, width 29,5 cm,

SEK 8 000 – 10 000 / EUR 710 – 890

322. Bruno Mathsson (Sweden, 1907–1988) a ‘model 36’ chair, Firma Karl Mathsson, Sweden 1941.

Later, black girths, maker's paper label Firma Karl Mathsson BM 36 KM 41. Height 77 cm, seat height 33 cm

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

Three drawers, a cabinet, the back with shelves, maker's metal

Length ca 187,5 cm, depth 67,5 cm, height 75 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

323. Swedish Modern, a ceiling lamp, 1940s. Brass stem, shade of acrylic glass and a white linnen textile, diameter 70 cm, height ca 65 cm.

324. Axel Einar Hjorth (Sweden, 1888–1959) a red beech ‘Förändrad Typenko’ table, Nordiska Kompaniet, 1935. Circular, the top with black laminate, maker's metal label. Height 60 cm, diameter 55 cm. The record in archives claims that this model was shown at the spring show at Nordiska Kompaniet

325. Axel Einar Hjorth (Sweden, 1888–1959) an ashwood veneered desk, Nordiska Kompaniet 1939. The model was designed in 1936.

mark.

Glass on the top, maker's metal plaque NK R 40952–C 3 11 41. Diameter 55.5 cm, height 58.5 cm.

Estimate: SEK 12 000 / EUR 1 060

Stained birch, maker's mark with double plaques Made in Sweden NK 36117 C 9 2 33, SWEDEN. Height 70 cm, width 44 cm, depth 32 cm.

Provenance: Probably exhibited at the World's Fair in Chicago 1933.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

326. Axel Einar Hjorth (Sweden, 1888–1959) a ‘Dagmar’ elm veneered table, Nordiska Kompaniet, Sweden 1941.

327. Axel Einar Hjorth (Sweden, 1888–1959) a ‘Typenko’ side table, probably executed for the World's Fair in Chicago 1933, Nordiska Kompaniet 1933.

Marked

number 43356,

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

Rosewood veneer, mahogany interior, signed to verso Made in 1937 Carl Bergsten, height 82 cm, width 109 cm, depth 40 cm.

Literature: Pictured in the Stockholm Craft Association archive. Henschen Ingvar, Ingegerd & Blomberg, Sten, Svenskt möbellexikon, Norden, Malmö, 1961–1962, p. 292.

Estimate:

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

329. Robert Berghagen (Sweden, 1892–1987) a cabinet, cabinetmaker Carl Bergsten, for the Stockholms Craft association 1937.

330. David Rosén (Sweden) two ‘Berga’ stained pine stools, Nordiska Kompaniet, Sweden 1940s.

with

measurements 39,5 x 34,5 cm, height 40 cm.

331. David Rosén (Sweden) a Swedish Modern ‘Berga’ pine stool, Nordiska Kompaniet, Sweden 1930–1940s. Length 39.5 cm, height 41 cm.

Height 83 cm, seat height 52 cm. This model was designed in 1942.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

333. Harald Notini (Sweden, 1879–1959) a table lamp, model ‘15233’, Arvid Böhlmarks Lampfabrik, 1930/40s.

Brass, black lacquered wooden stem, perforated shade, height 29 cm.

Literature: Pictured in catalogue 1939.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

‘11894’, Arvid Böhlmarks Lampfabrik, 1940–50s.

Three perforated brass shades, brass chains, height 51 cm, diameter 50 cm.

Literature: Pictured in catalogue 1940–50s.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

335. Harald Notini (Sweden, 1879–1959) a ceiling lamp, model ‘11372’, Arvid Böhlmarks Lampfabrik, 1940s.

Two bowls in clear glass with frosted surface, leaves in clear glass, 9 sockets, brass stem, height ca 95 cm, diameter ca 50 cm.

Literature: Pictured in catalogue 1946.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

Carl-Axel Acking

Carl-Axel Acking (1910–2001) was an interior designer, architect, furniture designer, a renaissance man of public hou sing who, during the 1930s–60s, worked all over the field, from high-rise buildings to mailboxes. He worked on a grand scale, decorating hotels, embassies, restaurants and a cruise ship, designing furniture, logos and phone booths. His work as a teacher at Konstfack 1947–57 was important for a whole generation of interior architects, including chair master Åke Axelsson. Over the years, Acking d esigned countless pieces of furniture, a handful of which have found a place in design history. He is today one of the obvious stars from the golden years of Swedish form. In the Swedish Modern trend, Acking’s softly elegant salon furniture and shiny fix t ures are hot items on the auction market.

Text: Petter Eklund

Lot 336–342 are from Carl Axel Acking's home, thence by descent.

336. Carl-Axel Acking (Sweden, 1910–2001) a first edition ‘Trienna’, easy chair, cabinetmaker Torsten Schollin, 1950s. Provenance Carl-Axel Acking.

Oak and leather, maker's mark T.S-n (Torsten Schollin), and CAA, height 84 cm, seat height 35 cm.

Provenance: Carl-Axel Acking.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

337. Carl-Axel Acking (Sweden, 1910–2001) an easy chair, ‘NK Hantverk’ Nordiska Kompaniet, 1940s. Provenance Carl-Axel Acking. Mahogany, black leather base, loose seat and back cushions covered in a blue textile, marked CAA(Carl-Axel Acking), height 83 cm, seat height 40 cm.

Provenance: Carl-Axel Acking.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1948, no 4, p. 56.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Base in mahogany, upholstered seat covered in woolen textile, marked CAA (Carl-Axel Acking), height 74 cm, length 150 cm,

338. Carl-Axel Acking (Sweden, 1910 – 2001) a square low table, Nordiska Kompaniet, 1940–50s. Provenance CarlAxel Acking.

Laminated oak and teak, base in oak, marked CAA (Carl-Axel Acking), height 42 cm, width 63 x 63 cm.

340. Carl-Axel Acking (Sweden, 1910–2001) a triangular low table, Nordiska Kompaniet, 1940–50s. Provenance Carl-Axel Acking.

Laminated oak and teak, base in oak, marked CAA (Carl-Axel Acking), height 42 cm, width 63 x 63 cm.

Provenance: Carl-Axel Acking.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

341. Carl-Axel Acking (Sweden, 1910–2001) a set of 3 easy chairs, ‘NK Hantverk’ Nordiska Kompaniet, 1940s. Provenance Carl-Axel Acking. Mahogany, loose seat and back cushions covered in a blue textile, marked CAA(Carl-Axel Acking), height 81 cm, seat height 40 cm.

Provenance: Carl-Axel Acking.

Literature: Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1948, no 4, p. 56.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

339. Carl-Axel Acking (Sweden, 1910–2001) a sofa, ‘NK Hantverk’, Nordiska Kompaniet, 1940–tal. Provenance Carl-Axel Acking.

Provenance Carl-Axel Acking.

Oak and opaque glass shades, oak ceiling fixture, height without chord 35,5 cm.

Provenance: Carl-Axel Acking. S:t Nicolai chapel, Helsingborg, Sweden 1956.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Base in brass, stem with leather, three perforated brass shades. Height ca 168,5 cm.

Provenance: Acquired by a gentleman in Malmö. Thence by descent.

Literature: Pictures from the Carl-Axel Acking archive at ArkDes, Stockholm. Depicted in Bröderna Malmströms metallvarufabrik, product catalogue nr 30, 1952

Estimate: SEK 150 000 – 200 000 / EUR 13 240 – 17 660

342. John Kandell (Sweden, 1925–1991) a ceiling lamp from the S:t Nicolai chapel in Helsingborg, Sweden 1956.

343. Carl-Axel Acking (Sweden, 1910–2001) a rare model ‘2645’ floor lamp, Bröderna Malmströms metallvarufabrik, Sweden 1940-50s.

344. Carl-Axel Acking (Sweden, 1910–2001) two Swedish Modern ceiling lamps, ASEA (CEBE), 1940–50's.

White opaque glass shade, brass fitting, the shades height ca 39 cm, diameter ca 39 cm, total height 93 cm.

Literature: Compare with variation from the Acking archive. Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1951, 4/5 p 107.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

345. Carl-Axel Acking (Sweden, 1910–2001) an easy chair, for the Stockholm Association of Crafts, 1950s.

Base of mahogany. Seat height ca 42 cm, height 87 cm.

Literature: Pictured in the archives of the Stockholm Craft Association.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

346. Carl-Axel Acking (Sweden, 1910–2001) a set of eight mahogany chairs, executed by Torsten Scholllin for the Stockholm Association of Crafts, 1950s.

Upholstered with black leather. Height 85 cm seat height 45 cm.

Literature: Pictured in the archives of the Stockholm Craft Association.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

Height 77,5

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

347. Carl-Axel Acking (Sweden, 1910–2001) a pair of ‘Trienna’ easy chairs, Nordiska Kompaniet 1950–60s. Oak base, leather seats, brass nails, height 76 cm, seat height 40 cm.

348. Carl-Axel Acking (Sweden, 1910–2001) a Swedish Modern oak and natural brown leather ‘Trienna’ chair, Nordiska Kompaniet.

cm, seat height ca 34 cm.

349. Swedish Modern, a brass framed mirror, 1940–1950s. 120 x 60 cm.

78 x 55 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

Elm, 100 x 55 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

SEK 25 000 – 30 000 / EUR 2 210 – 2 650

352. Harald Notini (Sweden, 1879–1959) a ceiling lamp, model ‘11555’, Arvid Böhlmarks Lampfabrik, Sweden 1940s. Shade in ‘ivory glass’, fretted rattan details, height of the actual lamp ca 55 cm, including brass fitting ca 80 cm. Arvid Böhlmarks lampfabrik, catalogue 1946. Probably launched

350. Swedish Modern, an elm framed mirror, Fröseke, 1940–1950s

351. Swedish Modern, an elm framed mirror, Fröseke, 1940–50s.

354. Harald Notini (Sweden, 1879–1959) a ceiling lamp, model ‘11553’, Arvid Böhlmarks Lampfabrik, 1940s.

Glass shade with sand blasted details, decorated with glass flowers and wings, brass stem with ball detail, height of shade ca 60 cm, diameter ca 55 cm, total height ca 180 cm.

Literature: Pictured in catalogue 1946.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

353. Harald Notini (Sweden, 1879–1959) a version of model ‘11881’, Arvid Böhlmarks Lampfabrik, 1940–50s. Polished ‘Veluriaglass’, brass suspension, height of the shade 50 cm, total height 120 cm, diameter 45 cm.

Pictured in catalogue.

SEK 30 000 – 40 000 / EUR 2 650 – 3 530

355. Harald Notini (Sweden, 1879–1959) a ceiling lamp, model ‘11556’, Arvid Böhlmarks Lampfabrik, 1940s.

Glass shade with sand blasted details, decorated with glass flowers and wings, brass stem with ball detail, height of shade ca 35 cm, diameter ca 50 cm, total height ca 155 cm.

Literature: Pictured in catalogue 1946.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

356. Bo Notini (Sweden, 1910–1975) a Swedish Modern floor light, Glössner & Co, Sweden, 1940–50s. Brass base, two glass shades, one with etched decor, signed GLÖSSNER. Co. Komp. Notini, height 175 cm.

SEK 12 000 – 15 000 / EUR 1 060 – 1 330

357. Hans Bergström (Sweden, 1910–1996) a table lamp, model ‘20’, ateljé Lyktan, Åhus, 1940–50s.

Brass, for two bulbs, textile shades, height ca 42 cm.

Literature: Pictured in the ateljé Lyktan archives, June 1948.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

358. Hans Bergström (Sweden, 1910 – 1996) a table lamp, ateljé Lyktan, Åhus, 1940–50s.

Brass, three original shades in silk, height 43 cm.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

359. Hans Bergström (Sweden, 1910–1996) a table lamp, model ‘712’, ateljé Lyktan, Åhus, 1950s. Brass, original shade in textile, maker's mark 712, height 55 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

360. Hans Bergström (Sweden, 1910–1996) a ceiling lamp, version of model ‘59’, ateljé Lyktan, 1950s. Cage shaped, sprayed plastic shade, brass joints, height of the shade 33 cm, adjustable total height ca 110 cm.

Literature: Compare, Jansson, Johan & Bengtsson, Staffan, Ljuset ska vara vitt och lysa fritt: historien om ateljé Lyktan, Arvinius, Stockholm, 2009, p. 252.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

361. Hans Bergström (Sweden, 1910–1996) a rare floor lamp, model ‘540’, ateljé Lyktan, Åhus, 1940–50s. Green lacquered metal base, adjustable metal shade, brass joint, Ateljé Lyktan 540, height 127 cm.

Literature: Jansson, Johan & Bengtsson, Staffan, Ljuset ska vara vitt och lysa fritt: historien om ateljé Lyktan, Arvinius, Stockholm, 2009, p. 235.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

Upholstered in a yellow/green fabric, base in stained beech, seat height 38 cm, height 81 cm.

Literature: Pictured in Sven Staaf's home, Svenska hem i ord och bilder, E. Lundquists bokförlag, Stockholm, 1947, p. 12.

364. Greta Magnusson Grossman (Sweden, 1906–1999) a burgundy and off-white ‘G-33’ floor lamp, Bergboms Malmö, mid 20th C. Maker's mark within the shade (faint). Height 124 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

362. Swedish Modern, a daybed, 1940–50s. Organic shape, boucle textile with leather edges, stained birch feet, height 70 cm, length 200 cm.

363. Sven Staaf a Swedish Modern easy chair, model ‘1765’, Almgren & Staaf, Helsingborg, 1940–50s.

Estimate: SEK 30 000

40 000 / EUR 2 650 – 3 530

Literature: Pictured in catalogue 1948.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

SEK 10 000 – 12 000 / EUR 890 – 1 060

365. Edward Wormley (USA, 1907–1995) ‘New York’, a model 5316 sofa, executed by Ljungs Industrier, Malmö, Sweden ca 1960. The base of dark stained wood, the seat and back reupholstered in a dark grey fabric. Length 230 cm, height 72 cm, seat height ca 45 cm.

–

366. Harald Notini (Sweden, 1879–1959) a table lamp, model ‘15471’, Arvid Böhlmarks Lampfabrik, 1940–50s. Brass, mahogany stem, perforated adjustable shade, height 45 cm.

367. Harald Notini (Sweden, 1879–1959) a table lamp, model ‘15258’, Arvid Böhlmarks Lampfabrik, 1940–50s. Brass, one underlying shade in ‘Ivory’ glass, stem in ‘Pollopas’, Pictured in catalogue.

369. Axel Bäck, a Swedish Modern mahogany veneered sideboard, Eksjö Möbelfabrik, Sweden 1950, signed. Brass fittings, four different size drawers, two pairs of doors, the interior with shelves, signed to one drawer: A. Bäck ark (architect) Eksjö 1950. Length 162 cm, depth 45 cm, height 78 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

368. Carl Malmsten (Sweden, 1888–1972) a ‘Berlin’ sofa, Swedish Modern.

Grey sheepskin, beech wood feet, maker's mark CM, height 78 cm, Seat height 42 cm, length ca 190 cm.

Estimate: SEK 30 000 – 35 000 / EUR 2 650 – 3 090

370. Arne Norell (Sweden, 1917–1971) a ‘Gary’ (The Thumb) easy chair for Gösta Westerberg, Sweden 1950's.

Upholstered with a cream coloured fabric, wooden legs. Height 84 cm, seat height ca 43 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

Signed SB and underneath with maker's mark Ystad-Brons, MADE IN SWEDEN, height 20 cm excluding wooden stand.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

Lacquered metal base, sprayed plastic shade, three light fixtures, length ca 76 cm, width ca 62 cm.

Literature: Drawing from the archives of ateljé Lyktan. Jansson, Johan, Ljuset ska vara vitt och lysa fritt historien om Ateljé Lyktan, TPB, Johanneshov, 2010,

243.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

Brass, 8 shades in cream coloured glass, decorated with brass leaves, diameter ca 90 cm, height ca 75 cm.

Literature: Pictured in Sven Staaf's home, Svenska hem i ord och bilder, E. Lundquists bokförlag, Stockholm, 1947, p. 12. Also pictured from ‘Akademiska Föreningen i Lund’, in Svenska Hus och Hem, 1946, p. 52, 94-95.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

371. Stig Blomberg (Sweden, 1901–1970) ‘Fritidsflickan’, a bronze sculpture, Ystad Brons, Sweden.

372. Hans Bergström (Sweden, 1910–1996) a ceiling lamp, ateljé Lyktan, Sweden 1940–50s.

373. Hans Bergström (Sweden, 1910–1996) a ceiling lamp, model ‘C-1143’, ateljé Lyktan, Sweden 1940–50s.

p.

374. Hans Bergström (Sweden, 1910–1996) a table lamp, ateljé Lyktan, 1930–40s.

Teak stem, decorated with brass leaves, brass base and socket, glass inner shade, shade of linnen, height ca 69 cm.

Literature: Jansson, Johan & Bengtsson, Staffan, Ljuset ska vara vitt och lysa fritt: historien om ateljé Lyktan, Arvinius, Stockholm, 2009, p. 232.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

376. Harald Notini (Sweden, 1879–1959) possibly, a floor lamp, model ‘15750’, Arvid Böhlmarks Lampfabrik, Sweden, 1950 –60s.

Brass, stem with leather, shade with an offwhite fabric, inner shade of ‘Veluria’ glass, maker's mark and number 15750, height ca 153 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

375.

Notini (Sweden, 1879–1959) a pair of floor lamps, model ‘15744’, Arvid Böhlmarks Lampfabrik, 1950s. Grey lacquered metal stems, shades in linnen, maker's mark Böhlmarks & P 225, height 145 cm.

Literature: Pictured in catalogue.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

sculpture, Skandia Present, Sweden 1970s, no 313. The base marked Stig L. No 313. Height 19 cm, längd 28 cm.

Literature: Gisela Eronn, ‘Tusenkonstnären Stig Lindberg’, Prisma, Stockholm 2003, see the model illustrated p 139.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

Harald

378. Lisa Larson (Sweden, 1931 -) ‘The Ant’, a bronze sculpture, Scandia Present, Sweden ca 1978, nr 105.

Marked Lisa Larson No 105, height ca 11.5 cm.

Estimate: SEK 35 000 – 40 000 / EUR 3 090 – 3 530 ( d)

379. Lisa Larson (Sweden, 1931–) ‘The Teenager’, a bronze sculpture, Scandia Present, Sweden ca 1978, no 202.

Marked Lisa Larson No 202, height 26.5 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650 ( d)

380. Lisa Larson (Sweden, 1931 -) ‘Thumbelisa’, a bronze sculpture, Scandia Present, Sweden ca 1978, no 145.

Marked Lisa Larson No 145, height 16,5 cm, width 15 cm.

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650 ( d)

381. Lisa Larson (Sweden, 1931 -) ‘Meditation’, a bronze sculpture, Scandia Present, Sweden ca 1978, no 124.

Marked Lisa Larson No 124, height 14.5 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

382. Alvar Aalto (Finland, 1898–1976) a birch shelf, Svenska Artek, Hedemora Sweden 1945–56, model 111.

Laminated birch, stamped maker's mark AALTO MÖBLER Svensk kvalitetsprodukt. Length 86 cm, width 29,5, height 53,5 cm. This model was designed år 1933

Literature: Ed. Markku Lahti, Kaarina Mikonranta, Ásdís Ólafsdóttir, ‘Alvar Aalto Designer’, Alvar Aalto Museum, 2002. See advert republished p 167.

Estimate: SEK 50 000 – 75 000 / EUR 4 420 – 6 620

384. Alvar Aalto (Finland, 1898–1976) a brass and leather ashtray, Valaistustyö, Finland.

Maker's mark AA, Valaistustyö, diameter 16.7 cm, height 4.4 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

383. Alvar Aalto (Finland, 1898–1976) a model ‘34’, easy chair, Huonekalu- ja Rakennustyötehdas A.B. Finland 1930/1940s.

Laminated wood, seat and back upholstered in a green velvet, cold stamped 6 or 9, seat height 40 cm, height 65 cm.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

385. Adolf Relling Sigurd Resell (Norway) a set of six teak ‘Bambi 61/2’ chairs, Gustav Bahus Eftf, Norway 1950–60s. Seat with fretted rattan. Height ca 78 cm, seat height ca 45 cm. This model was designed in 1957.

Literature: Mats Linder, Norske Designmöbler 1940–1975, Antik & Samlerbörsen, Drammen Norway, pp 71, 126.

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650

386. Arne Tideman Ruud (Norway, 1915–1985) a teak and natural brown leather ‘Holmenkollen’ chair, AS Inventar/ Norcraft, Gjövik Norway, 1950–1960s.

Marked to the leather NORCRAFT NORWEGIAN DESIGN, MADE IN NORWAY. Height ca 79 cm, seat height ca 20–28 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

387. Arne Tideman Ruud (Norway, 1915–1985) a teak ‘Holmenkollen'/'3030’ lounge chair from AS Inventar/ Norcraft, Gjövik, Norway, 1950–1960s. Beige leather, maker's mark to the leather, adjustable. Height ca 79 cm, seat height 22–35 cm. Comes with an ottoman upholstered in a green fabric.

388. Poul Henningsen (Denmark, 1894–1967) ‘Septima 5’ ceiling light, Louis Poulsen, Denmark ca 1929.

A total of nine glass shades, in part mat polished, part clear glass, white metal fixture, diameter 50 cm.

Literature: Tina Jørstian, Poul Erik Munk Nielsen (ed), ‘TAEND! PH lampens historie’, Gyldendal, Denmark 1994. Pp 237–239. The Septima lamps were developed under a number of years in 1927–31. First came the model wth clear glass shades, in 1929 the model with amber coloured shades was introduced and in 1930–31 came the one with pink shades. The smaller version ‘Septima 4’ was introduced in 1931.

Estimate: SEK 125 000 – 175 000 / EUR 11 040 – 15 450

389. Poul Henningsen (Denmark, 1894–1967) a ‘PH-4½/4’ pendant, Louis Poulsen, Denmark ca 1933.

Copper shades, maker's mark PATENTED P.H.-4. Diameter 45 cm, total height including patinated brass mount with bayonet spring lock, ca 36 cm.

Literature: Tina Jørstian &Poul Erik Munk Nielsen, ‘Taend, PH lampens historie’, Gyldendal, Denmark 1994, see pp 166-176.

Estimate:

390. Poul Henningsen (Denmark, 1894–1967) a pair of ‘Elongated (Langlyslampen)’ wall lights, Louis Poulsen, Denmark post 1934. Amber colured glass, brown bakelite, bronze coloured metal. Height 40 cm.

Provenance: Reportedly the cinema ‘Roxy’ in the Danish city Nakskov.

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060

391. Poul Henningsen (Denmark, 1894–1967) a pair of ‘Elongated (Langlyslampen)’ wall lights, Louis Poulsen, Denmark post 1934. Opal glass, bakelite and bronze coloured fitting. Height 40 cm.

Provenance: Reportedly the cinema ‘Roxy’ in the Danish city Nakskov

Estimate: SEK 50 000 – 75 000 / EUR 4 420 – 6 620

392.

(Denmark, 1907–1989) attributed

a pair of 'Clam Chairs', probably Madsen & Schubell, Denmark or by license Vik & Blindheim, Norway 1940s-50s. Upholstered seat and back, wooden legs. Height 76 cm, seat height ca 37 cm.

Estimate: SEK 100 000 – 150 000 / EUR 8 830 – 13 240

393.

1907–1989) attributed to, a pair of 'Clam Chairs', probably Madsen & Schubell, Denmark or by license Vik & Blindheim, Norway 1940s-50s. Legs and armrests of wood, seat and back with button-back upholstery. Height 78 cm, seat height ca 32 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

Arnold Madsen

to,

Arnold Madsen (Denmark,

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

395. Finn Juhl (Denmark, 1912–1989) a set of four oak ‘SW86’ chairs, Søren Willadsen, Denmark, 1950s. Upholstered with a red fabric, stamped MADE IN DENMARK. Heigth 82 cm, seat height ca 45 cm.

396. Peter Hvidt & Orla Mølgaard Nielsen (Denmark) a teak gate leg dining table, France & Son, Denmark, 1950–1960s. Maker's metal label. Height 72 cm, width 163,5 cm, length with both leaves unfolded 140 cm (length 44 cm folded).

397. Hans Olsen (Denmark, 1919–1992) a modular daybed, model ‘TV-161’, Bramin Møbler, Denmark 1950–60s. 4 parts, daybed, pair of easy chairs, table, teak and rattan, height 70 cm, length ca 198 cm.

Provenance: Aquiered in Copenhagen 1965.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

Seat and back rest with fretted rattan, maker's marks. Height 77,5 cm, seat height ca 36 cm.

Estimate: SEK 50 000 – 60 000 / EUR 4 420 – 5 300

399. Hans J Wegner (Denmark, 1914–2007) a ‘Papa Bear’ easy chair and ottoman, AP-stolen, Denmark, probably 1950–60s.

Oak, teak and beech, seat cushion, reupholstered in an offwhite fabric, marked with Danish Furnituremaker's circular metal label. Height 99 cm, seat height 38 cm, width 90 cm. Ottoman, 70 x 42, height ca 41 cm.

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

400.

teak and beech, recently re-upholstered with a dark red fabric. Height 98 cm, seat height ca 41 cm. Ottoman ca 70 x 41 cm, height ca 41,5 cm.

Estimate: SEK 75 000 – 100 000 / EUR 6 620 – 8 830

doors, the interior with shelves, one section with white lacquered drawers. Length 244 cm, djup 47 cm, height 72 cm.

Estimate: SEK 60 000 – 80 000 / EUR 5 300 – 7 060

African teak, rattan to the back rest, later cushion with black leather. Height ca 72,5 cm, seat height without cushion ca 35 cm, including the cushion ca 40 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Hans J Wegner (Denmark, 1914–2007) a Papa Bear chair and ottoman, Denmark, probably 1950–1960s. Oak,

401. Ib Kofod Larsen (Denmark, 1921–2003) a palisander veneered sideboard, Seffle Möbelfabrik, Sweden 1960s. Four

402. Ib Kofod Larsen (Denmark, 1921–2003) an ‘Åre’ easy chair, model nr ‘809’, Olof Persons Fåtöljindustri (OPE), Sweden, 1950–1960s.

Four drawers, length 175 cm, width 75 cm, height 71.5 cm.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

Oak and black leather, Maker's marks. Height 77 cm, seat height ca 44 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

Oak and black leather,

ca 44 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

403. Nanna Ditzel (Denmark, 1923–2005) a teak desk, Søren Willadsen, Denmark 1960s.

404. Hans J Wegner (Denmark, 1914–2007) a pair of ‘The Chair’, model JH-503, Johannes Hansen, Danmark 1950–60s.

405. Hans J Wegner (Denmark, 1914–2007) a pair of ‘The Chair’, model JH-503, Johannes Hansen, Danmark 1950–60s.

Maker's marks. Height 77 cm, seat height

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

Base

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

Estimate:

406. Hans J Wegner (Denmark, 1914–2007) a teak ‘RY-25’ sideboard, RY-Møbler, Denmark 1950s–1960s. Tambour doors with metal mounts. 200 x 49 cm height 78 cm.

407. Johannes Andersen (Denmark, 1922 -) a sheepskin sofa, Trensum, 1950–60s. Teak, covered in sheepskin, height 68 cm, seat height 45 cm, length 148 cm.

408. Peter Hvidt & Orla Mølgaard Nielsen (Denmark) an easy chair, ‘model 6103 X-chair’, Fritz Hansen, Denmark 1960s.

of laminated beech, details in dark stained wood, seat in braided rattan. Height 76 cm, seat height ca 35 cm.

410. Poul Kjaerholm (Denmark, 1929–1980) a ‘PK-31-2’ sofa for E Kold Christensen, Denmark.

Polished steel base, upholstered with cushions in black leather, maker's mark in the steel. Length 137 cm, seat height ca 37 cm.

Estimate: SEK 30 000 – 35 000 / EUR 2 650 – 3 090

409. Mogens Koch (Denmark, 1898–1992) four ‘MK16’ folding chairs, Denmark 1960s.

Brazilian rosewood, brass and black artificial leather, maker's metal plaque: MOGENS KOCH INTERNA DENMARK, height 87 cm, seat height ca 35-40 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

411. Poul Kjaerholm (Denmark, 1929–1980) a black stone top ‘PK61’ table, edition E Kold Christensen, Denmark. Steel base, maker's mark, 87 x 87 cm, height 33 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

model

doors lacquered in yellow and white, the interior with shelf, 6 drawers. Length 182 cm, depth 49,5 cm, height 78 cm.

Estimate: SEK 50 000 – 75 000 / EUR 4 420 – 6 620

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

412. Poul Kjaerholm (Denmark, 1929–1980) a pair of ‘PK22’ easy chairs, edition E Kold Christensen, Denmark. Steel and black leather, maker's mark, seat height 29 cm, width 63 cm.

29, Sibast Møbler Denmark 1950–60's. Sliding

414. Poul Kjaerholm (Denmark, 1929–1980) a pair of brown leather ‘PK22’ chairs, edition E Kold Christensen, Denmark. Maker's mark to the steel. Height 70 cm, seat height 35 cm.

415. Knud Joos a set of three side tables, Jason, Denmark, 1960s. Palisander, chrome plated metal base, maker's mark Jason Denmark, height 41 cm, 42 x 42 cm.

416. Svend Langkilde, a chest of drawers, Langkilde Møbler, Denmark, 1950–60s. A chest of drawers, Langkilde Møbler, Denmark.

Rosewood, the front with 6 drawers, height 115 cm, width 84 cm, depth 44 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

418. A Danish Modern sofa, 1940s. Curved shape, upholstered in sheepskin, stained wooden feet, height 72 cm, length ca 195 cm.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

417. Fritz Hansen (Denmark, 1872–) an easy chair, ‘model 1518’, Denmark 1940s.

Covered in sheepskin, feet in stained oak, seat height 43 cm, height 87 cm.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

4. Simon Gate a ‘Slottsglas’ (‘Palace glass’) footed bowl, Orrefors, Sweden 1920s.

305. Carl Malmsten a palisander sideboard/chest, S weden 1944.

247. Carl Bergsten a pair of oak easy chairs, Nordiska Kompaniet, 1923, ordered for the 1923 Jubilee Exhibition in Gothenburg.

423. Hans-Agne Jakobsson a pair of table lamps, model ‘B 90’, Hans-Agne Jakobsson AB, Åhus/Markaryd, 1950s.

425. Hans-Agne Jakobsson a side table, model ‘195’, Hans-Agne Jakobsson AB, Åhus, 1950s.

426. Hans-Agne Jakobsson a ceiling lamp, model 'S-756-3', Hans Agne Jakobsson AB, Åhus, Sweden 1950s.

Hans-Agne Jakobsson – the early years

Hans-Agne Jakobsson (1919–2009) was a Swedish interior architect and furniture designer, but above all an exceptional designer of luminaires. No other Swedish designer has furnished as many p ublic spaces during the 20th century as Hans-Agne Jakobsson.

Jakobsson studied architecture in Gothenburg and after graduating, he obtained an internship with Carl Malmsten. He also worked as an industrial designer at General Motors and as an assistant to Werner West at Stockmann AB in Helsinki. But when he got employed at the lighting company Ateljé Lyktan in Åhus he found his true calling and mentor. At Ateljé Lyktan, he worked under Hans Bergström, who came to have a great influence on Jakobsson's career. It was at Ateljé Lyktan that he found h is artistic expression with a focus on luminaires that would write Swedish design history in lighting.

In 1951, he founded the company Hans-Agne Jakobsson AB in Åhus together with his wife Lisa Jakobsson and was particularly noted for his design of luminaires. The company had such a rapid b reak t hrough that Hans Bergström, who ran Ateljé Lyktan in the same town, became upset. In 1953, Jakobsson had enough of the conflict with Bergström and moved the business to Markaryd, which b ecame his lifelong home. Together, Hans-Agne and Lisa Jakobsson created luminaires and furniture that appealed to everyone from architects to housewives. Jakobsson has received great attention for his artistic expression where the care of details and quality has always been the focus. During his c areer, Jakobsson participated in several significant exhibitions, both nationally and internationally, including the Triennale in Milan in 1957.

The collection presented at this spring’s Modern Art & Design focuses on Jakobsson’s early years, when the production was still relatively small-scale and the manufacturing process remained craft-oriented. Early in his career Jakobsson expressed the importance of craftsmanship,

‘Lamp construction is important. All parts of the luminaires should be of interest to the designer.’ Hans-Agne Jakobsson in an interview in ‘Hem i Sverige’ 1953.

Jakobsson's early works have a more playful and personal character than the brass luminaires that made him successful during the 1960s and 1970s. The collection includes very rare objects from the years in Åhus (1951-53). There are also specially ordered and unique objects from the early years in Markaryd during the end of the 1950s and the beginning of the 1960s. The objects are now classified as significant collector's items.

419. Hans-Agne Jakobsson (Sweden, 1919–2009) a ceiling lamp, ‘S-609’ Hans-Agne Jakobsson AB, Åhus, 1950s. Teak, two metal shades lacquered in white, height ca 100 cm, width 65 cm.

Literature: Pictured in catalogue 1952.

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330

420. Hans-Agne Jakobsson (Sweden, 1919–2009) a rare floor lamp, model ‘S-910’, Hans-Agne Jakobsson AB , Åhus 1950s.

Metal base lacquered in ivory white, teak stain beech wood stem, adjustable metal shade, black ball shaped feet, maker's mark NR S-910 MAX 40 W Hans-Agne Jakobsson ÅHUS, height 142 cm.

Literature: Pictured in catalogue 1952.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

421. Hans-Agne Jakobsson (Sweden, 1919–2009) a wall mirror, model ‘S-1391’, Hans-Agne Jakobsson AB Åhus, 1950s.

Teak frame, black metal adjustable wall mount, maker's mark ‘NR S-1391’, Hans-Agne Jakobsson AB Åhus, Juryvald 1954, height 90 cm, width 50 cm, depth extended ca 23 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

Brass base, grey lacquered metal shade, height 50,5 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

422. Hans-Agne Jakobsson (Sweden, 1919–2009) a coffee table, model ‘S 1097’, Hans-Agne Jakobsson AB, Åhus, 1950s.

Teak top, black metal base, maker's mark ‘S1097’, Hans-Agne Jakobsson AB, Åhus, height 47 cm, length 110 cm, width 50 cm.

Literature: Pictured in the magazine, Hem och Sverige, in 1953.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

424. Hans-Agne Jakobsson (Sweden, 1919–2009) a ceiling lamp, model ‘T 164/550’, Hans-Agne Jakobsson AB, Markaryd, 1950s.

Drop shaped metal cage, sprayed plastic shade, maker's mark Hans-Agne Jakobsson AB, Markaryd, height of shade 56 cm, total height ca 150 cm.

Literature: Pictured in catalogue 1958.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

425. Hans-Agne Jakobsson (Sweden, 1919–2009) a side table, model ‘195’, Hans-Agne Jakobsson AB, Åhus, 1950s.

Table top in teak, base in white metall, maker's mark Hans-Agne Jakobsson Åhus, height 54 cm, diameter 55 cm.

Literature: Pictured in catalogue, 1952.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

423. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of table lamps, model ‘B 90’, Hans-Agne Jakobsson AB, Åhus/Markaryd, 1950s.

426. Hans-Agne Jakobsson (Sweden, 1919–2009) a ceiling lamp, model 'S-756-3', Hans-Agne Jakobsson AB, Åhus, Sweden 1950s.

Three perforated brass shades, white lacquered to inside, teak details, maker's mark, Hans-Agne Jakobsson AB, Åhus, height

Pictured in catalogue 1952.

SEK 15 000 – 20 000 / EUR 1 330 – 1 770

a pair of candelabra, ‘S 557’, Hans-Agne Jakobsson AB, Åhus, 1950s.

Iron base, lacquered in pink, brass details, height 33 cm.

Literature: Pictured in catalogue 1952.

Estimate: SEK 4 000 – 6 000 / EUR 360 – 530

model ‘S 608’, Hans-Agne Jakobsson AB Åhus/Markaryd, 1950s. Teak top, black lacquered iron base, height 44,5 cm, 43x35 cm.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

429. Hans-Agne Jakobsson (Sweden, 1919–2009) a ceiling lamp, model ‘G-23’, Hans-Agne Jakobsson

Black lacquered metal base, bronzed metal shade, maker's mark G-23 Hans-Agne Jakobsson AB, Åhus, height 178 cm.

SEK 15 000 – 20 000 / EUR 1 330 – 1 770

432. Hans-Agne Jakobsson (Sweden, 1919–2009) a candelabrum, Hans-Agne Jakobsson AB, Markaryd 1950–60s.

White stained oak, brass, length 50 cm, height 19 cm.

Provenance: Gift to an employe from Hans-Agne Jakobsson.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

430. Hans-Agne Jakobsson (Sweden, 1919–2009) & Lisa Jakobsson, a set of 3 mirrors, model ‘S 122’, Hans-Agne Jakobsson AB, Åhus, 1950s.

Wooden frames painted in green, pink and blue, handpainted patterns by Lisa Jakobsson, maker's mark 122 Hans-Agne Jakobsson AB, Åhus/ Markaryd, 48 x 38 cm.

Literature: Pictured in catalogue 1952.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

431. Hans-Agne Jakobsson (Sweden, 1919–2009) a table lamp, model ‘2932’, Karlskrona Lampfabrik, Brass, teak and white glass, maker's mark KLK 2932,

Pictured in catalogue 1957.

SEK 10 000 – 12 000 / EUR 890 – 1 060

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

patterned top, maker's mark Hans-Agne Jakobsson ‘809’, Åhus/ Markaryd, height 41 cm, the top ca 31 cm x 36 cm.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

433. Hans-Agne Jakobsson (Sweden, 1919–2009) a table mirror, Hans-Agne Jakobsson AB, Åhus/Markaryd, 1950s. Black lacquered metal, brass edge and feet, height 48 cm.

434. Hans-Agne Jakobsson (Sweden, 1919–2009) a wall mirror, model ‘184’, Hans-Agne Jakobsson AB, Åhus 1950s. Black lacquered metal frame with brass details, maker's mark Hans-Agne Jakobsson AB, Åhus, diameter 41 cm.

436. Hans-Agne Jakobsson (Sweden, 1919–2009) an armchair, model ‘M 122’, AB Ellysett, Markaryd, 1960s.

Beech wood base, braided leather seat and back, height 74 cm, seat height ca 40 cm.

Provenance: Cabinetmaker Bertil Johansson.

Literature: Pictured in advertising by the Swedish Craft Association, 1960s.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

437. Hans-Agne Jakobsson (Sweden, 1919–2009) a bench, model ‘M 103’, cabinetmaker Bertil Johansson /AB Ellysett.

Pine, height 41 cm, length 110 cm, width 36 cm.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

438. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of flower stands, cabinetmaker Bertil Johansson Markaryd, 1950–60s.

Teak, zink tray, brass screws, height 60 cm, measurements of the box 70 cm x 25 cm.

Provenance: Cabinetmaker Bertil Johansson.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

439. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of floor candelabra, model ‘L5’, Hans-Agne Jakobsson AB, Markaryd, 1950s.

Black lacquered iron, for six candles, maker's mark Hans-Agne Jakobsson AB, Markaryd, height 121 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

440. Hans-Agne Jakobsson (Sweden, 1919–2009) a table lamp, model ‘B 54’, Hans-Agne Jakobsson AB, Markaryd 1950s.

White lacquered shade and base in aluminium, swivel base, teak arm, brass details, maker's mark Hans-Agne Jakobsson AB, Markaryd, height 60 cm, length 60 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530

441. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of ceiling lamps, model ‘T 288/6’, Hans-Agne Jakobsson AB, Åhus, 1950s.

Teak stem, six cone shaped shades in white perspex, maker's mark Hans-Agne Jakobsson AB, Markaryd, diameter ca 100 cm, height ca 120 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530

White lacquered metal, leather details, white textile shade, maker's mark ‘G 43’ Hans-Agne Jakobsson AB,

Pictured in catalogue 1960.

SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Shade covered in textile, maker's mark Hans-Agne Jakobsson AB,

Literature: Pictured in catalogue 1958.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

Cone shade base and stem in black lacquered metal, sprayed plastic shades, maker's mark G-23 Hans-Agne Jakobsson AB, Markaryd, height 179 cm.

A version pictured in catalogue 1958.

SEK 25 000 – 30 000 / EUR 2 210 – 2 650

442. Hans-Agne Jakobsson (Sweden, 1919–2009) a floorlamp, model ‘G 43’ Hans-Agne Jakobsson AB, Markaryd, 1950–60s.

Markaryd,

443. Hans-Agne Jakobsson (Sweden, 1919–2009) a table lamp, model ‘B35’, Hans-Agne Jakobsson AB, Markaryd, 1950s.

Markaryd, height 64 cm.

444. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of floor lamps, model ‘G-23’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s.

445. Hans-Agne Jakobsson (Sweden, 1919–2009) a set of 3 lamps, model ‘S 1744’, Hans-Agne Jakobsson AB, Black lacquered aluminium, black printed pattern on white, cup shaped shade in black lacquered aluminium, maker's mark HansAgne Jakobsson AB, Markaryd, diameter ca 32 cm.

Fiell, Charlotte & Fiell, Peter (red.), 50s decorative art: a source book, Taschen, Köln, 2000, p. 420.

SEK 8 000 – 10 000 / EUR 710 – 890

446. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of ceiling lamps, model ‘S 2070’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s. White lacquered stem, white glass shades, maker's mark Hans-Agne Jakobsson AB, Markaryd, height ca 90 cm, diameter ca 55 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

447. Hans-Agne Jakobsson (Sweden, 1919–2009) a floor candelabrum, model, ‘L38’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s,.

White lacquered metal, 6 light arms for candles with blue shades, maker's mark Hans-Agne Jakobsson AB, Markaryd, height 160,5 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

448. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of wall lamps, Hans-Agne Jakobsson, AB, Markaryd 1950–60s.

Brass shade and stem, wall mount in teak, one with maker's mark Hans-Agne Jakobsson, AB, Markaryd, height of the shade 22 cm, depth from wall ca 40 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

449. Hans-Agne Jakobsson (Sweden, 1919–2009) a ceiling lamp, model ‘S 1970–5’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s.

Five perforated copper shades, star shaped perspex plaque, maker's mark Hans-Agne Jakobsson AB, Markaryd, height of the shade ca 23 cm, total height ca 100 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

Jakobsson AB, Markaryd, 1950–60s.

Reconstructed stem of teak, 10 brass shades placed in a rhomboid formation, plastic difussers, length ca 342 cm, height 75 cm, width 55,5–80,5 cm.

Estimate: SEK 100 000 – 150 000 / EUR 8 830 – 13 240

flower stands, model ‘M 79/1000’, Hans-Agne Jakobsson AB, Markaryd 1950–60s.

Perforated boxes in white lacquered aluminium, iron base, height 60 cm, length 98 cm, width 20 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

453. Hans-Agne Jakobsson (Sweden, 1919–2009) a ceiling lamp, model ‘T309/380’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s.

Inner shade of white glass, top shade in light blue glass, HansAgne Jakobsson AB, Markaryd, diameter 38 cm, height 33 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

452. Hans-Agne Jakobsson (Sweden, 1919–2009) an outdoor lamp, version of ‘S-1975’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s.

Wall mount in patinated copper, glass shade with a copper grid, diameter of the shade ca 55 cm, depth of wall mount ca 30 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

454. Hans-Agne Jakobsson (Sweden, 1919–2009) a ceiling lamp, Hans-Agne Jakobsson AB, Markaryd, 1950–60s. Shade made of stripes of brass and white lacquered aluminium, height of the shade 45 cm, diameter 32 cm, total height ca 100 cm.

Literature: Pictured in advertising ca 1960.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

455. Hans-Agne Jakobsson (Sweden, 1919–2009) a ceiling lamp, Hans-Agne Jakobsson AB, Markaryd, 1950–60s.

Saucer shaped shade made of stripes of brass and white lacquered aluminium, maker's mark Hans-Agne Jakobsson AB, Markaryd, height of the shade ca 27 cm, diameter ca 50 cm, total height ca 60 cm.

Literature: Pictured in advertising ca 1960.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

456. Hans-Agne Jakobsson (Sweden, 1919–2009) a floor lamp model ‘G-70/L’, Hans-Agne Jakobsson AB, Markaryd, 1950 –60s.

Base and stem in grey lacquered metal, white lacquered metal shade, maker's mark G-70/L HA Markaryd, height 120 cm.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

457. Hans-Agne Jakobsson (Sweden, 1919–2009) a ceiling lamp, model ‘T 177’, Hans-Agne Jakobsson AB, Markaryd, Perforated metal shade, lacquered in green, details in brass, maker's mark Hans-Agne Jakobsson AB, Markaryd, adjustable height ca 80 cm, height oif the shade ca 23 cm.

Pictured in catalogue 1960.

SEK 10 000 – 12 000 / EUR 890 – 1 060

Urns in copper, black lacquered iron base, one with maker's mark HansAgne Jakobsson AB. Markaryd, height 60 cm, diameter 49 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330

459. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of floor lamps, model ‘G-33’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s.

White lacquered metal, bowl shaped shade, brass joint, maker's mark G33 Hans-Agne Jakobsson AB Markaryd, height 121 cm.

Estimate: SEK 30 000 – 35 000 / EUR 2 650 – 3 090

460. Hans-Agne Jakobsson (Sweden, 1919–2009) a floor lamp, model ‘572’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s.

Base and perforated shade in white lacquered metal, maker's mark ‘572’, Hans-Agne Jakobsson AB, Markaryd, height ca 130 cm.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210

461. Hans-Agne Jakobsson (Sweden, 1919–2009) a chandelier, model ‘T 527-20’, Hans-Agne Jakobsson AB, White lacquered stem, 20 purple glass shades, height 130 cm. SEK 10 000 – 15 000 / EUR 890 – 1 330

462. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of wall mirrors, Hans-Agne Jakobsson AB, Markaryd 1950–60s.

Frame in beech wood, mirrored glass, brass details, one with maker's mark Hans-Agne Jakobsson AB, Markaryd, height 60 cm.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

Stem of white lacquered metal, white textile shades, ash wood stem with adjustable height detail, diameter 70 cm, height 112 cm, total height with cord ca 180 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

463.

a

of 16

24’, Hans-Agne Jakobsson AB, Markaryd 1960s. Brass, multi coloured glass shades, maker's mark Hans-Agne Jakobsson AB, Markaryd, height 26 cm – 43 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Cone shaped brass base, blue glazed ceramics bowl by Arabia, maker's mark P 8 Hans-Agne Jakobsson AB, Markaryd, height 77 cm.

Literature: Pictured in catalogue 1958.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

Hans-Agne Jakobsson (Sweden, 1919–2009)

set

candle holders, ‘L

464. Hans-Agne Jakobsson (Sweden) a pair of ceiling lamps, model ‘T 195/700’, Hans-Agne Jakobsson AB, Markaryd, 1950s.

465. Hans-Agne Jakobsson (Sweden, 1919–2009) a bowl on a brass foot, model ‘P 8’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s.

466. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of table lamps, Hans-Agne Jakobsson AB, Åhus, 1950s. Base in blue ceramics made by Arabia, brass arm and socket, one with maker's mark Hans-Agne Jakobsson AB, Åhus, height 57 cm.

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530

‘T 82’, Hans-Agne Jakobsson Markaryd AB, 1950–60s. Brass, 6 white glass shades each, maker's mark Hans-Agne Jakobsson Markaryd AB, height 63 cm, diameter 52 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

468. Hans-Agne Jakobsson (Sweden, 1919–2009) a pair of candle holders, model ‘L 8’, Hans-Agne Jakobsson AB, Markaryd, 1950–60s. White glaced ceramics made by Arabia, red glass shades, maker's mark Hans-Agne Jakobsson AB Markaryd, height ca 30 cm.

Literature: Pictured in catalogue 1960.

Estimate: SEK 4 000 – 6 000 / EUR 360 – 530

JEWELLERY

Rosa Taikon

With its instantly recognizable style, Rosa Taikon's jewelery combines traditional Romani craftsmanship with Scandinavian modernist simplicity. When her brother was murdered she took a course in silversmithing to be able to carry on the family traditions herself and thanks to a bracelet she created she was accepted to Konstfack even though she lacked formal qualifications. Wearing a Rosa Taikon bracelet is a tribute to both her art and lifelong struggle for the equal value of all people.

469. Rosa Taikon (Sweden, 1926–2017) a sterling silver ring, Stockholm 1972

Width ca 7–17 mm, size ca 18.50/58, weight 7 g. By TAI.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

470. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver brooch in the form of a pheasant, Lund 1974.

Dimensions 60 x 25 mm, weight 14 g. Signed Wiwen Nilsson.

Estimate: SEK 7 000 – 8 000 / EUR 620 – 710 ( d)

471.

Johansson (Sweden,

a silver necklace/bracelet combination, Göteborg 1963 and 1996. Total length 71 cm, weight 94 gram. By KIJ.

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360 ( d)

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

Karl-Ingemar

1927–1997)

472. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver necklace with a rock crystal and onyx pendant, Lund 1939. Facet cut rock crystal, embraced by onyx to each side. Height of the pendant 8,5 cm, length of the chain 72 cm.

473. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver necklace, Göteborg 1963 and 1996.

Width ca 5 mm, length 43.5 cm, weight 66 g. By Wiwen Nilsson.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

Dimensions pendant ca 50 x 80 mm, inner diameter ca 12 cm, weight 34 g. Signed Tone Vigeland and with Swedish hallmarks. 1960s. Accompanied by a fitted case.

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360

475. Sven-Erik Högberg (Sweden, 1924–1997) a sterling silver bracelet set with a moonstone, Göteborg 1954.

Width ca 1.5–11.5 mm, inner diameter 67 mm, weight 49 g. Stamped SEHG.

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360 ( d)

474. Tone Vigeland, a sterling silver and thulite necklace, Norway 1960s.

476. Wiwen Nilsson (Sweden, 1897–1974) an 18K gold bracelet, Lund 1946.

Width 5 mm, length ca 21.5 cm, weight 46 g.

Signed Wiwen Nilsson

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

477. Wiwen Nilsson (Sweden, 1897–1974) a pair of sterling silver earrings set with rock crystal, Lund 1941. Dimensions ca 17 x 17 mm, total weight 10 g.

Signed Wiwen Nilsson.

SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

478. Wiwen Nilsson (Sweden, 1897–1974) an 18K gold bracelet set with cabochon-cut moonstones, Lund 1947. Width ca 6–11 mm, inner diameter ca 59 mm, total weight 37 g.

Signed Wiwen Nilsson and marked AN, Lund 1947. Accompanied by a case from Wiwen Nilsson.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650 ( d)

479. Björn Weckström (Finland, 1935 –) a 14K gold necklace ‘Golden Bridge’, for Lapponia, Finland 1969. Width 3–10 mm, length ca 41 cm, weight 30 g.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

brooch in the form of a swan, Lund 1966. Measuring 57 x 52 mm, weight 16 g. By Wiwen Nilsson. Nr 11.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

Width ca 20 mm, length ca 20.5 cm, weight 28 g. By AHÖ,

SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

481. Anders Högberg (Sweden, 1921–1996) an 18K gold

Göteborg 1968. Accompanied by case.

482. Wiwen Nilsson (Sweden, 1897–1974) a sterlingsilver necklace set with faceted rock crystal and onyx. 1938.

Pendant in the form of a cross measuring 39 x 85 mm, length chain 69 cm, total weight 62 g. Signed Wiwen Nilsson, Lund 1938.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360 ( d)

484. Rey Urban (Sweden, 1929–2015) a sterling silver bracelet.

Width ca 2–6 mm, inner diameter 67 mm, weight 22 g. Signed Rey Urban, Stockholm 1982.

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360 ( d)

485. Inga-Britt ‘Ibe’ Dahlquist (Sweden, 1924–1996)

a necklace in silver, partly bronzed.

Pendant ca 90 x 80 mm, inner diameter ca 12.5 cm, total weight 135 g. Stamped SMY, Malmö 1965 and signed Ibe Dahlquist. Accompanied by a case from Ibe Dahlquist.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

486. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004)

a sterling silver and mother-of-pearl ring.

Size 17.25/54, weight 7 g. Signed Torun.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

necklace/watch pendant ‘Sun Dial’.

Pendant/watch ca 25 x 35 mm, length chain 82 cm, weight 69 g. Signed Lapponia and with Finnish hallmarks, made in 1975.

Estimate: SEK 50 000 – 60 000 / EUR 4 420 – 5 300 ( d)

Dimensions 6 x 65 mm, weight 9 g. Signed Wiwen Nilsson, made in Lund 1949.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

489. Wiwen Nilsson (Sweden, 1897–1974) an 18K gold magnifying glass.

Dimensions ca 44 x 61 mm, weight 12 g. Signed Wiwen Nilsson, made in Lund 1963.

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530 ( d)

490. Wiwen Nilsson (Sweden, 1897–1974) an 18K gold necklace.

Width 3 mm, length 116 cm, weight 89 g. Signed Wiwen Nilsson, made in Lund 1945. Accompanied by a case from Wiwen Nilsson.

Estimate: SEK 40 000 – 45 000 / EUR 3 530 – 3 980

491. Wiwen Nilsson (Sweden, 1897–1974) a pair of 18K gold earrings.

Dimensions 4 x 19 mm, total weight 9 g. Signed Wiwen Nilsson, made in Lund 1963. Accompanied by a case from Wiwen Nilsson.

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530 ( d)

492. Björn Weckström (Finland, 1935 -) a 14K gold bracelet, for Lapponia.

Width 16 mm, length 19.5 cm, weight 52 g. With Finnish hallmarks, made in 1969.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

493.

Weckström (Finland, 1935 –) a 14K gold brooch set with cultured pearls, for Lapponia.

Dimensions 51 x 30 mm, weight 12 g. With Finnish hallmarks, made in 1971.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

Björn

494. Sigurd Persson (Sweden, 1914–2003) an 18K white gold ring set with round brilliant-cut diamonds. 1974. With a total weight of ca 2.00 cts, width ca 5–22 mm, size 17.50/55, total weight 18 g. Stamped SIGP, Stockholm 1974.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

496. Sven-Erik Högberg (Sweden, 1924–1997) an 18K gold chain with a pendant.

Width ca 5.5 mm, length 44 cm, total weight 38 g. The chain stamped H&Co, Göteborg 1962 and the pendant SEH, Göteborg. Accompanied by a fitted case from Silversmederna Högberg & Co.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

495. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) an 18K gold necklace with fossilized coral,Jakarta, Indonesia. Inner diameter ca 14.5 cm, total weight 25 g. Signed Torun.

Estimate: SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

497. Georg Jensen (Denmark, 1866–1935) an 18K gold ring set with a cabochon-cut amethyst.

Width ca 4 -12 mm, size 15.75/49, total weight 8 g. Signed Georg Jensen and numbered 1124.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

499.

Size 17/53, weight 10 g. Marked GSR, Stockholm 1986.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

498. Sigurd Persson (Sweden, 1914–2003) a pair of 18K gold earrings, Stockholm 1969. Set with round brilliant-cut diamonds with a total weight of ca 0.30 ct and cultured pearls, dimensions length ca 80 mm, width ca 30 mm, total weight 24 g.

SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

Glenn Roll an 18K gold ring set with rubies and brilliant cut diamonds. 1986.

501. An 18K gold ring by Hedwig Westermark. Marked MHW, Stockholm 1991. Width front ca 9 mm. Size 15.75/49. Weight 20 gram.

Estimate: SEK 12 000 – 15 000 / EUR 1 060 – 1 330

500. Birger Haglund (Sweden, 1918–2006) an 18K gold ring set with a flat oval lapis lazuli.

Dimensions ca 23 x 17 mm, size 15.5/49, total weight 9 g. Marked HAG, Stockholm 1987.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

502. Tone Vigeland a pair of sterling silver ‘Slynge/Sling’ earrings.

Dimensions ca 50 x 30 mm, weight 17 g.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

504. Cecilia Johansson (Sweden, 1939–2022)

two earrings and a brooch.

Earrings 18K gold and green metal. Brooch silver, lengths ca 70–200 mm, total weight 21 g. Marked KCJ.

Estimate: SEK 13 000 – 15 000 / EUR 1 150 – 1 330

503. Helena Edman a pair of 18K gold earrings. Diameter ca 3 cm, total weight 12 g. Marked EGHE, Stockholm 1988. Accompanied by cases

Estimate: SEK 7 000 – 8 000 / EUR 620 – 710 ( d)

505. Theresia Hvorslev (Sweden, 1935–)

Six 18K gold and white gold and silver rings set with round brilliant-cut diamonds.

With a total weight of 0.15 cts + 0.15 cts+ 0.24 cts according to engravings, size ca 18/56, total vikt 31 g.

Estimate: SEK 22 000 – 25 000 / EUR 1 950 – 2 210 ( d)

506. Wiwen Nilsson (Sweden, 1897–1974) a silver necklace set with faceted rock crystal.

Pendant in the form of a cross measuring 55 x 30 mm, length chain 59 cm, total weight 31 g. Signed Wiwen Nilsson, Lund 1973.

Estimate: SEK 12 000 / EUR 1 060 ( d)

507. Sigurd Persson (Sweden, 1914–2003) a sterling silver and 18K gold bracelet.

Dimensions, weight

Estimate: SEK 10 000 – 15 000 / EUR 890 – 1 330 ( d)

508. Wiwen Nilsson (Sweden, 1897–1974) a sterlingsilver necklace set with faceted rock crystal. 1938.

Pendant in the form of a cross measuring 60 x 35 mm with loop, length chain 57 cm, total weight 43 g. Signed Wiwen Nilsson, Lund 1938.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

Dimensions

25 x 55

Estimate: SEK 5 000 – 6 000 / EUR 450 – 530

509.

Diameter 15 mm, total weight 9 g. Signed Wiwen Nilsson, made in Lund 1952.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

SEK 20 000 – 25 000 / EUR 1 770 – 2 210 ( d)

Wiwen Nilsson (Sweden, 1897–1974) a pair of sterling silver earrings set with green quartz.

510. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver and rock crystal cross pendant with a chain. 1941.

cross

mm, weight 15 g. Signed Wiwen Nilsson, made in Lund 1941.

511. Wiwen Nilsson (Sweden, 1897–1974) an Universal wrist watch with an 18K gold bracelet by Wiwen Nilsson. Width ca 11.5–18.0 mm, length 17 cm, total weight 48 g. Bracelet signed Wiwen Nilsson, made in Lund 1955. With personal engraving.

512. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004)

a leather and silver necklace and a pair earrings, studio work Stockholm ca 1950–55.

Double leather cords joined in a geometrical manner by silver pendants with black tubular ceramic beads. Inner circumference ca 35 cm, height of earrings 5 cm

Provenance: Alice Babs Sjöblom (1924-2014).

Thence by descent.

Literature: Ann Westin, ‘Torun -Conversation with Vivianna Torun Bülow Hübe’, Carlssons Förlag 1993. P 51, compare similar work carried by Torun herself.

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650

Pictures from a private album. The singer Alice Babs and the Swe-Danes, a jazz group consisting of Svend Asmussen, Ulrik Neumann och Alice Babs that existed 1959–1962.

513. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a sterling silver and mother-of-pearl bracelet, Jakarta, Indonesia.

Inner diameter ca 60 mm, weight 21 g. Signed Torun.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

514. Kristian Nilsson (Sweden, 1942–1989) an 18K gold ring set with round faceted coloured stones. 1985. Possibly spinels, dimensions 25 x 25 mm, size 18,25/58, weight 27 g. Marked SKN, Stockholm 1985.

Estimate: SEK 22 000 – 25 000 / EUR 1 950 – 2 210 ( d)

516. Kristian Nilsson (Sweden, 1942–1989) a four strand cultured pearl necklace with an 18K gold clasp. 1985. Diameter pearls ca 8 mm, dimensions clasp ca 45 x 45 mm, length inner strand ca 37 cm. By Kristian Nilsson, Stockholm 1985.

Estimate: SEK 35 000 – 40 000 / EUR 3 090 – 3 530 ( d)

515. Kristian Nilsson (Sweden, 1942–1989) a cultured pearl and coral necklace with an 18K gold clasp. Dimension clasp ca 40 x 20 mm, length inner strand with clasp ca 43 cm. Stamped SKN.

Estimate: SEK 18 000 – 20 000 / EUR 1 590 – 1 770 ( d)

Kristian Nilsson

In Kristian Nilsson's jewellery, classic timelessness meets kitsch. Hard and soft shapes mix with classic antique animal motifs combined with pointed shapes from contemporary punk a nd 1980s colour combinations.

This rebellious banding of styles also meets in the handling of materials. Metals meet organic materials such as pearls and c orals, as the selection in this auction shows. His jewellery is thus characterised by postmodernism and its emerging mix of styles.

Kristian Nilsson enjoyed theatre and opera. His jewellery sweep ing wavy lines like melodies and thunderous expressions are t aken from the world of music and theatre.

He studied at Konstfackskolan from 1965 to 1969. In 1973, he submitted his journeyman's exam, which included a narwhal bone and g old bracelet in the shape of a lion.

517. Kristian Nilsson (Sweden, 1942–1989) an 18K gold brooch set with a faceted amethyst and round brilliant-cut diamonds. Dimensions 30 X 40 mm, weight 29. Marked SKN, Stockholm.

Estimate: SEK 30 000 – 40 000 / EUR 2 650 – 3 530 ( d)

519. Inga-Britt ‘Ibe’ Dahlquist, a bronze necklace ‘Nefertiti’.

527. Rey Urban, a sterling silver bracelet.

Inga-Britt ‘Ibe’ Dahlquist

Like many other 1950s Swedish innovators of the tradition-laden art of jewellery, Ibe Dahlquist (1924–1996) trained as a designer at Konstfack. After completing her education, she settled in Visby and together with her neighbor the silversmith Olov Barve, she created jewelery with a distinctive and modernist tone. Like other makers of the time, Dahlquist worked with ‘low’ materials, including shells and fossils that she found on Gotland's shores, as opposed to traditional jewelry in precious stones and metals.

520. Inga-Britt ‘Ibe’ Dahlquist (Sweden, 1924–1996)

a sterlings silver necklace.

Width 25 mm, length 43 cm, weight 99 g. Stamped SMY, Visby 1965.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

a sterling silver pendant with a chain. Dimensions ca 70 x 45 mm, length 45 cm, total weight 43 g. Stamped SMY, Visby.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

519. Inga-Britt ‘Ibe’ Dahlquist (Sweden, 1924–1996)

a bronze necklace ‘Nefertiti’.

Width 33 mm, length 40 cm, weight 125 g. Signed Ibe Dahlquist.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

521. Inga-Britt ‘Ibe’ Dahlquist (Sweden, 1924–1996)

a bronze and silver necklace ‘Scales’.

Pendant length ca 10 cm, inner diameter ca 13,5 cm, weight 154 g.

Stamped IBD, Visby 1965.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

522. Inga-Britt ‘Ibe’ Dahlquist (Sweden, 1924–1996)

a bronze necklace.

Width ca 35 mm, innerdiameter ca 12,5 cm, weight 111 g.

Signed IB Dahlquist

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

523. Inga-Britt ‘Ibe’ Dahlquist (Sweden, 1924–1996)

a bronze necklace ‘Cascade’.

Inner diameter ca 11 cm, pendant ca 7 x 16 cm, weight 112 g.

Signed IB Dahlquist.

SEK 10 000 – 12 000 / EUR 890 – 1 060 ( d)

525. Rey Urban (Sweden, 1929–2015) a sterling silver bracelet set with a faceted rock crystal.

Width ca 16–18 mm, inner diameter ca 49 mm, weight 56 g. Signed Rey Urban, Stockholm 1981.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

524. Rey Urban (Sweden, 1929–2015) an 18K white gold ring set with a step-cut emerald. And diamonds with a total weight of ca 0.75 cts, size 17.25/54, total weight 7 g. Signed Rey Urban, Stockholm 1985.

Estimate:

527. Rey Urban (Sweden, 1929–2015) a sterling silver bracelet.

Width ca 9–19 mm, inner diameter ca 56 mm, weight 101 g.

Signed Rey Urban 1977.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

526. Rey Urban (Sweden, 1929–2015) a sterling silver ring set with a faceted rock crystal.

Width ca 4–16 mm, size 15.75/50, weight 18 g. Signed Rey Urban, Stockholm 1982.

SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

528. Rey Urban (Sweden, 1929–2015) a sterling silver ring set with a cabochon-cut emerald.

Width ca 5–27 mm, total weight 24 g. Signed Rey Urban, Stockholm 1979.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

529. Rey Urban (Sweden, 1929–2015) a sterling silver ring. Width ca 8–14 mm, size 16.50/52, weight 15 g. Signed Rey Urban, Stockholm 1979.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

530. Rey Urban (Sweden, 1929–2015) a sterling silver ring. Width ca 6–30 mm, weight 12 g. Signed Rey Urban, Stockholm.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

531. Rey Urban (Sweden, 1929–2015) a sterling silver bracelet. Width 6–16 mm, inner diameter ca 65 mm, weight 63 g. Signed Rey Urban, Stockholm 1978.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

532. Rey Urban (Sweden, 1929–2015) a sterling silver ring. Width ca 2–17 mm, size 17.25/54, weight 22 g. Signed Rey Urban, Stockholm 1981.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

534. Rey Urban (Sweden, 1929–2015) a sterling silver necklace.

Width ca 4 mm, length ca 84 cm, weight 55 g. Signed Rey Urban, Stockholm 1985.

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360 ( d)

533. Rey Urban (Sweden, 1929–2015) a sterling silver necklace/bracelet combination. Width ca 4.5 mm, length ca 87 cm (70 cm + 17 cm), total weight 117 g. Signed Rey Urban, Stockholm 1983 and 1984.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

535. Rey Urban (Sweden, 1929–2015) a sterling silver ring.

Width ca 5–17 mm, size 17/52, weight 12 g. Signed Rey Urban, Stockholm 1976.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

536. Rey Urban (Sweden, 1929–2015) a sterling silver ring.

Width ca 4.5–22.5 mm, size 15.25/48, weight 15 g. Signed Rey Urban, Stockholm.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

537. Rey Urban (Sweden, 1929–2015) a pair of sterling silver earrings.

Dimensions ca 11 x 50 mm, weight 11 g. Signed Rey Urban, Stockholm 1982.

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360 ( d)

538. Rey Urban (Sweden, 1929–2015) a sterling silver bracelet.

Width ca 6–16 mm, inner diameter ca 52 mm, weight 35 g.

Signed Rey Urban, Stockholm 1975.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450

539. Rey Urban (Sweden, 1929–2015) a sterling silver ring. Width ca 7–20 mm, size ca 17/53, weight 17 g. Signed Rey Urban, Stockholm 1975.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

541. Rey Urban (Sweden, 1929–2015) a sterling silver ring with a faceted smoky quartz.

Width ca 6–15 mm, size ca 16.50/52, weight 8 g. Signed Rey Urban, Stockholm 1985.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

540. Rey Urban (Sweden, 1929–2015) a three strand cultured pearl necklace. With an 18K gold Rey Urban clasp set with a pink cabochon-cut tourmaline, Ø pearls ca 8 mm, length with clasp ca 41 cm. Clasp signed Rey Urban, Stockholm 1970.

SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

542. Rey Urban (Sweden, 1929–2015) a sterling silver brooch.

Dimensions ca 45 x 30 mm, weight 10 g. Signed Rey Urban, Stockholm 1975.

Estimate: SEK 3 000 – 4 000 / EUR 270 – 360 ( d)

544. Rey Urban (Sweden, 1929–2015) a sterling silver bracelet.

Width ca 10 – 50 mm, inner diameter ca 58 mm, weight 56 g.

Signed Rey Urban, Stockholm 1974

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

543. Rey Urban (Sweden, 1929–2015) a sterling silver necklace/bracelet combination.

Width ca 18 mm, length 63 cm (ca 43 cm and 20 cm), total weight 365 g. Signed Rey Urban, Stockholm 1980 and 1982.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

545. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver necklace set with faceted rock crystal. 1945.

Ø pendant ca 28 mm, length 74 cm, weight 61 g. By Wiwen Nilsson, Lund 1945.

SEK 12 000 – 15 000 / EUR 1 060 – 1 330 ( d)

546. Bengt Liljedahl (Sweden, 1932 -) an 18K gold ring set with a faceted smoky quartz.

Dimensions stone ca 20 x 17 mm, size ca 18/57, total weight 22 g. By Liljedahl, Stockholm 1965.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

547. Wiwen Nilsson (Sweden, 1897–1974) a fleur de lis brooch and pair of earrings in 18K gold.

Measurements brooch 37 x 43 mm, earrings 11.5 x 12.7 mm, total weight 34 g. By Wiwen Nilsson, Lund 1966 and 1967.

Estimate: SEK 18 000 – 20 000 / EUR 1 590 – 1 770 ( d)

Rey Urban

After completing his education at Konstfack in 1951, Rey Urban trave led the world for new inspiration, he also worked as a silversmith in Denmark for a period. Rey Urban was one of the participants in the important exhibition ‘Nutidssmycken’ at the National Museum in 1959, an exhibition that presented most of the 1950s innovators of Swedish jewelry art. In the 1960s, together with Lars Fleming and Claës Giertta, he formed the group ‘Tre smeder’ which exerted a great influence on the contemporary jewelry scene. Interest in Rey Urban's matter-of-fact and sometimes almost brutalist aesthetics is constantly growing, not least abroad where Swedish jewelry from the 1950s and 60s is held in high esteem.

548. Rey Urban (Sweden, 1929–2015) a sterling silver bracelet. Width ca 45–60 mm, inner diameter ca 5 cm, weight 150 g. Signed Rey Urban, for Åge Fausing Denmark.

Estimate: SEK 4 000 – 5 000 / EUR 360 – 450 ( d)

550. Vivianna Torun Bülow-Hübe, a leather necklace with brass and carved wooden details,

555. Sigurd Persson (Sweden, 1914–2003) an 18K white gold and smoky quartz bracelet.

549. Karl Heinz Sauer (Sweden, 1943 –) an 18K gold ring set with cultured pearls.

Width ca 12–24 mm, size 18.50/58, total weight 29 g. By SAU, Västerås 1974.

Estimate: SEK 14 000 – 16 000 / EUR 1 240 – 1 420 ( d)

550. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a leather necklace with brass and carved wooden details, mos t likely 1948-1949.

Length ca 39 cm. Unsigned.

Provenance: The vendor's father was a student at Konstfack at the same time as Torun Bülow-Hübe

Estimate: SEK 20 000 – 30 000 / EUR 1 770 – 2 650 ( d)

551. Inga-Britt ‘Ibe’ Dahlquist (Sweden, 1924–1996) a silver and fossil necklace.

Dimensions ca 65 x 65 mm, inner diameter necklace ca 12 cm, total weight 46 gram. Signed Ibe Dahlquist and with Swedish hallmarks.

SEK 6 000 – 8 000 / EUR 530 – 710 ( d)

552. Claës Giertta (Sweden, 1926–2007) necklace in silver set with rutilated quartz.

Pendant ca 8.5 x 12.0 cm, length 55 cm, total weight 134 g. By GIE, Stockholm 1967.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

553. Björn Weckström (Finland, 1935 –) a 14K gold brooch ‘Ajopuut’ for Lapponia.

Dimensions 40 x 35 mm, weight 16 g. Signed BW and with Finnish hallmarks, made in 1970.

Estimate: SEK 10 000 / EUR 890 ( d)

Dimensions ca 8 x 35 mm, total weight 7 g. Signed Wiwen Nilsson and stamped AN, Lund 1947.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890 ( d)

Width 7.75–24.2 mm, inner diameter ca 55 mm, total weight 56 g. By SIGP, Stockholm 1962.

Estimate: SEK 30 000 – 35 000 / EUR 2 650 – 3 090 ( d)

554. Wiwen Nilsson (Sweden, 1897–1974) a pair of 18K gold earrings set with cabochon-cut moonstones.

555. Sigurd Persson (Sweden, 1914–2003) an 18K white gold and smoky quartz bracelet.

556. Georg Jensen (Denmark, 1866–1935) an 830/1000 silver centerpiece with grapes, Copenhagen 1919, design nr 296, also designed in 1919. Swedish import marks GAB F. Decorated with hanging grapes and vines. Length 37 cm, width 27 cm, height 13 cm, weight 2030 g.

Literature: Jørgen E. R. Møller, ‘Georg Jensen The Danish SIlversmith’, Georg Jensen & Wendel A/S, Copenhagen 1985. The model depicted p 56.

Estimate: SEK 100 000 – 150 000 / EUR 8 830 – 13 240

Swedish import marks. Height 18 cm, weight ca 260 g.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

Swedish import marks GAB F, round bowl on an oval base. Height 13 cm, diameter 15,5 cm, weight ca 335 g.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

557. Georg Jensen (Denmark, 1866–1935) an 830/1000 silver sugar castor, Copenhagen, Denmark, ca 1915–1919, design nr 69.

558. Johan Rohde (Denmark, 1856–1935) an 830/1000 silver bowl on a stem, Georg Jensen, Copenhagen, Denmark, 1918, design nr 6.

559. Johan Rohde (Denmark, 1856–1935) a lidded sterling silver bowl on a stem, Copenhagen 1945-77, design nr 43. Beaded decoration to the leg. Height 15,5 cm, weight ca 425 g.

560. Johan Rohde (Denmark, 1856–1935) a set of 65 pieces of ‘Acorn’ sterling and stainless steel flatware, Georg Jensen post 1945.

12 luncheon forks

12 luncheon knives (length 20,5 cm, handle 9 cm)

12 tea spoons

12 salad forks

12 salad knives (length 17 cm, handle 7,5 cm)

3 potatoe spoons (serving spoons)

1 serving fork

1 sauce ladle

Estimate: SEK 25 000

24 forks, length 17,5 cm

24 knives, length 20,5 cm

24 dessert spoon, length 17,5 cm

4 dinner spoons

18 fish forks

18 fish knives

12 lobster forks

18 salad forks, length 14,3 cm

18 salad knives, length 17 cm

22 tea spoons, length 14,7 cm

8 coffee spoons

12 butter knives

11 egg spoons

2 cheese slicers

2 cheese knives

1 cake knife, length 26,5 cm

1 cake knife, length 23,5 cm

2 sauce ladles

6 serving forks ( small)

6 serving forks ( larger)

4 bouillon spoons

1 pair of sallad serveras

1 salad fork

Estimate: SEK 50 000 – 60 000 /

561. Georg Jensen (Denmark, 1866–1935) a set of 240 pieces of ‘Continental’ sterling and stainless steel flatware, Copenhagen 1945–77.

Cylindrical leg and base, the leg with engraved decoration.

Height 9 cm, total weight ca 320 g.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770

‘ANNO

Height 12 cm, weight ca 475 g.

Provenance: Reportedly acquired in Copenhagen in 1964.

Estimate: SEK 10 000 – 12 000 / EUR 890 – 1 060

10 dinner forks

10 dinner knives

10 dinner spoons

10 fish knives

10 luncheon forks

10 luncheon knives

10 salad forks

10 salad knives

2 lobster forks

1 server

2 larger serving forks

2 smaller serving forks

4 butter knives

1 potatoe spoon

1 sauce spoon

1 pair of serving tools

2 marmelade spoons

1 jam spoon.

Estimate: SEK 25 000 – 30 000 / EUR 2 210 – 2 650

562. Sigvard Bernadotte (Sweden, 1907–2002) a pair of sterling candlesticks, Copenhagen 1945–1977, model nr 923.

563. Tias Eckhoff (Norway, 1926 –) a set of 98 sterling and stainless steel ‘Cypress’ flatware, Copenhagen post 1952.

564. Karl Gustav Hansen (Denmark, 1914–) a sterling teapot, model no 418, Hans Hansen, Denmark 1950–1960s. Organic shape, the handle with fretted rattan, maker's mark

1950 HANS HANSEN DENMARK STERLING 418’.

565. Tapio Wirkkala (Finland, 1915–1985) a sterling candelabrum for 13 candles ‘TW412’, Hopeakeskus OY, Finland post 1968. Swedish import marks. Height 80 cm, the base filled with plaster.

Literature: Marianne Aav (ed), ‘Tapio Wirkkala - Eye, Hand and Thought’, Konstindustrimuseet, Helsinki, 2000. See nr 299, pp 168, 367. This model was designed by Tapio Wirkkala in 1969, after that, a model only made to order.

Estimate: SEK 50 000 – 75 000 / EUR 4 420 – 6 620

566. Firma K. Anderson, a silver tureen, Stockholm 1917. Lid and handles in the shape of buds of ‘Lily of the valley’.

Height ca 21,5 cm, length 23 cm, weight ca 1110 g.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

567. Atelier Borgila (Sweden) a set of 18 sterling plates, Stockholm 1941.

The rim with a pattern of repeated monograms LA. Diameter 25 cm, total weight ca 9100 g.

Estimate: SEK 50 000 – 60 000 / EUR 4 420 – 5 300

568. Atelier Borgila (Sweden) a pair of three-light silver candelabra, Stockholm 1929.

Three twisted arms, decorated with leaves and flowers, maker's marks, height 28.5 cm, total weight ca 2050 g.

Estimate: SEK 40 000 – 50 000 / EUR 3 530 – 4 420

569. Atelier Borgila (Sweden) a sterling silver three-piece coffee service, Stockholm, 1947.

Mocca pot, sugar bowl and creamer. Height of the mocca pot 14,5 cm, total weight ca 910 g.

Estimate: SEK 6 000 – 8 000 / EUR 530 – 710

570. Atelier Borgila (Sweden) a sterling vase, Stockholm 1942.

Gilt to interior. Height 21.5 cm, weight ca 605 g.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

Coffee pot,

1330 g.

Estimate: SEK 8 000 – 10 000 / EUR 710 – 890

18.5

The interior gilt. Diameter 22 cm, height 7,8 cm, weight ca 785 g.

Estimate: SEK 15 000 – 20 000 / EUR 1 330 – 1 770 ( d)

571. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver bowl, Lund Sweden 1944.

572. Carl Fredrik Carlman, a set of three pcs coffee service Stockholm 1947, silver.

sugar bowl and creamer, oval shape gilt interior, coffee pot handle of blackened wood, maker's marks, height

cm, total weight ca

573. W.A. Bolin (Sweden) a silver vase, Stockholm, 1950. Engraved floral decoration. Height 16.5 cm, weight ca 350 gram. SEK 6 000 – 8 000 / EUR 530 – 710

SPRING 2023

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