Choral at Cadogan 2011/12

inspirations

Choral at Cadogan 2011/12

E I G H T C O N C E RT S E R I E S 1 9 O C TO B E R 2011 – 16 M AY 2012

nspirations

Peter Phillips, Artistic Director

inspirations

E I G H T C O N C E RT S E R I E S 1 9 O C TO B E R 2 0 1 1 – 1 6 M AY 2012

2011/12

Choral at Cadogan

Choral at Cadogan is delighted once again to present some of the best names in choral singing today. Highlights will include Ex Cathedra presenting a complete programme of Bach, including a rare opportunity to hear some of his motets sung one or two to a part. In-the-news composer Eric Whitacre is represented both in an evening conducting his music, sung by his own group the Eric Whitacre Singers, and in the programme given by the Wellensian Consort, winners of Choir of the Year 2010. Upcoming consort New York Polyphony will give an excitingly balanced sequence of masterpieces next March, while the choir of St John’s College Cambridge, celebrating the College’s 500th anniversary, capture the spirit of the Christmas season. And again The Tallis Scholars will open and close the season with some specially selected renaissance gems, familiar and unfamiliar. I look forward to seeing you at the Hall during our season!

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he Tallis Scholars T Magnificat

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he Wellensian Consort T Blessed Cecilia

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he Armonico Consort T A German Christmas Story

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he Choir of St John’s T College, Cambridge What Sweeter Music?

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he Eric Whitacre Singers T Inspirations

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ew York Polyphony N Tudor City

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x Cathedra E Bach: A Beautiful Mind

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he Tallis Scholars T Field of the Cloth of Gold

Peter Phillips, Artistic Director

inspirations

E I G H T C O N C E RT S E R I E S 1 9 O C TO B E R 2 0 1 1 – 1 6 M AY 2012

2011/12

Choral at Cadogan

Choral at Cadogan is delighted once again to present some of the best names in choral singing today. Highlights will include Ex Cathedra presenting a complete programme of Bach, including a rare opportunity to hear some of his motets sung one or two to a part. In-the-news composer Eric Whitacre is represented both in an evening conducting his music, sung by his own group the Eric Whitacre Singers, and in the programme given by the Wellensian Consort, winners of Choir of the Year 2010. Upcoming consort New York Polyphony will give an excitingly balanced sequence of masterpieces next March, while the choir of St John’s College Cambridge, celebrating the College’s 500th anniversary, capture the spirit of the Christmas season. And again The Tallis Scholars will open and close the season with some specially selected renaissance gems, familiar and unfamiliar. I look forward to seeing you at the Hall during our season!

Contents 4

he Tallis Scholars T Magnificat

6

he Wellensian Consort T Blessed Cecilia

8

he Armonico Consort T A German Christmas Story

10

he Choir of St John’s T College, Cambridge What Sweeter Music?

12

he Eric Whitacre Singers T Inspirations

14

ew York Polyphony N Tudor City

16

x Cathedra E Bach: A Beautiful Mind

18

he Tallis Scholars T Field of the Cloth of Gold

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‘You could not have hoped for a more finely blended or carefully shaped and entirely affecting performance.’

T he Tal l i s Sc hol ars M a gni fi c at

Th e N ew Yo r k Times

Wednesday 19 October 2011, 7.30pm Palestrina: Magnificat For Double Choir Pär t: Sieben Magnificat-Antiphonen Tallis: Miserere Nostri Alle gri: Miserere Praetorius: Magnificat II Byrd: Miserere Mei Byrd: Miserere Mihi, Domine Pär t: Magnificat Pär t: Nunc Dimittis Palestrina: Nunc Dimittis for double choir Director Peter Phillips The Magnificat, Mary’s song of exaltation following the annunciation, sits together with the Nunc Dimittis at the core of the Christian liturgy, whether in the Anglican rite of Evensong or the Catholic Offices of Evening Prayer and Compline. Together they frame the scope of the Christian experience – from the joyous anticipation of Christ’s birth to the calm acceptance of death and resurrection. Their certainty, however, leaves little room for the human errors and doubts that also shape the Christian journey, errors for which Ash Wednesday’s Psalm 51 – the Miserere – is perhaps the most impassioned plea for forgiveness.

Taking these three texts as touchstones, this programme explores the musical responses of composers divided by age and nationality, but united by a common spiritual inspiration.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Eric Richmond

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‘You could not have hoped for a more finely blended or carefully shaped and entirely affecting performance.’

T he Tal l i s Sc hol ars M a gni fi c at

Th e N ew Yo r k Times

Wednesday 19 October 2011, 7.30pm Palestrina: Magnificat For Double Choir Pär t: Sieben Magnificat-Antiphonen Tallis: Miserere Nostri Alle gri: Miserere Praetorius: Magnificat II Byrd: Miserere Mei Byrd: Miserere Mihi, Domine Pär t: Magnificat Pär t: Nunc Dimittis Palestrina: Nunc Dimittis for double choir Director Peter Phillips The Magnificat, Mary’s song of exaltation following the annunciation, sits together with the Nunc Dimittis at the core of the Christian liturgy, whether in the Anglican rite of Evensong or the Catholic Offices of Evening Prayer and Compline. Together they frame the scope of the Christian experience – from the joyous anticipation of Christ’s birth to the calm acceptance of death and resurrection. Their certainty, however, leaves little room for the human errors and doubts that also shape the Christian journey, errors for which Ash Wednesday’s Psalm 51 – the Miserere – is perhaps the most impassioned plea for forgiveness.

Taking these three texts as touchstones, this programme explores the musical responses of composers divided by age and nationality, but united by a common spiritual inspiration.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Eric Richmond

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‘This is a hugely accomplished choir, demonstrating technical mastery, smooth musicianship and wonderful phrasing.’

B BC Mu s i c Ma g a zine

T he We l l e nsi an Consort Ble sse d Ce c i l i a

Thursday 24 November 2011, 7.30pm “Choir of the Year 2010” Programme to include: Britten: Hymn to St. Cecilia Kodály: The Music Makers, an ode Chil cott: Everyone sang Elgar : There is sweet music Harris: Faire is the Heaven Rutter : What sweeter music Whitacre: Her sacred spirit soars Vaughan Williams: Silence and music Conductor Christopher Finch Winners of Choir of the Year in 2010, The Wellensian Consort pay homage to the patron saint of music in a glorious celebration of the gift of music. The centrepiece of this programme is Benjamin Britten’s acclaimed choral masterpiece ‘A Hymn to St Cecilia’; a deeply engaging work, rich in sonority and characterisation. This is complemented by a marvellously evocative setting of ‘The Music Makers’ by the esteemed Hungarian composer Zoltan Kodály.

This joyous celebration will be further enriched by works from some of the 20th and 21st centuries’ greatest exponents of choral music, including Vaughan Williams, Elgar, Rutter and Whitacre.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Oliver Dean

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‘This is a hugely accomplished choir, demonstrating technical mastery, smooth musicianship and wonderful phrasing.’

B BC Mu s i c Ma g a zine

T he We l l e nsi an Consort Ble sse d Ce c i l i a

Thursday 24 November 2011, 7.30pm “Choir of the Year 2010” Programme to include: Britten: Hymn to St. Cecilia Kodály: The Music Makers, an ode Chil cott: Everyone sang Elgar : There is sweet music Harris: Faire is the Heaven Rutter : What sweeter music Whitacre: Her sacred spirit soars Vaughan Williams: Silence and music Conductor Christopher Finch Winners of Choir of the Year in 2010, The Wellensian Consort pay homage to the patron saint of music in a glorious celebration of the gift of music. The centrepiece of this programme is Benjamin Britten’s acclaimed choral masterpiece ‘A Hymn to St Cecilia’; a deeply engaging work, rich in sonority and characterisation. This is complemented by a marvellously evocative setting of ‘The Music Makers’ by the esteemed Hungarian composer Zoltan Kodály.

This joyous celebration will be further enriched by works from some of the 20th and 21st centuries’ greatest exponents of choral music, including Vaughan Williams, Elgar, Rutter and Whitacre.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Oliver Dean

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‘A beautiful sound’ BBC Ra d i o 3

T he Arm oni c o Consort & Ba roque P l aye rs A Ge rm an Chri stm as Story

Wednesday 7 December 2011, 7.30pm Programme to include: Schütz The Christmas Oratorio Praetorius Lutheran Mass for Christmas Director: Christopher Monks The English Cornett and Sackbutt Ensemble Heirich Schütz is widely regarded as being the most important German composer prior to JS Bach, and is also thought to have studied with Monteverdi in Venice. The influence of Venetian music on these composers is undoubtedly strong, and the combination of the brilliance in the perfection of German compositions of the time with the vibrant excitement of the Venetian School, created works of incredible colour, drama and melody.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Great Britain Online

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‘A beautiful sound’ BBC Ra d i o 3

T he Arm oni c o Consort & Ba roque P l aye rs A Ge rm an Chri stm as Story

Wednesday 7 December 2011, 7.30pm Programme to include: Schütz The Christmas Oratorio Praetorius Lutheran Mass for Christmas Director: Christopher Monks The English Cornett and Sackbutt Ensemble Heirich Schütz is widely regarded as being the most important German composer prior to JS Bach, and is also thought to have studied with Monteverdi in Venice. The influence of Venetian music on these composers is undoubtedly strong, and the combination of the brilliance in the perfection of German compositions of the time with the vibrant excitement of the Venetian School, created works of incredible colour, drama and melody.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Great Britain Online

9

10

‘some of the most exquisite choral singing I have ever heard’ I nte r n a ti o n al Re cord Review

T he Choi r of St John’s C o l l e ge , Cam bri dge W h at swe e te r m usi c ?

Friday 9 December 2011, 7.30pm Purcell: O sing unto the Lord Purcell: Remember not, Lord, our offences Purcell: Behold now praise the Lord Purcell: O praise God in his holiness Purcell: Hear my prayer, O Lord Purcell: My beloved spake Rutter : What sweeter music?

Whitehead: The seven joys of Mary Cashmore: Es ist ein Ros’ entsprungen arr. Ledger : Silent night arr. Ledger : On Christmas night Rutti: I wonder as I wander Darke: In the bleak midwinter Bullard: Glory to the Christ Child arr. Willcocks: Away in a manger arr. Wilberg: Ding dong, merrily on high Director Andrew Nethsingha Piano: John Challenger and Freddie James The St John’s Sinfonia Andrew Nethsingha writes; “Today we explore the rich, plangent soundworld of Henry Purcell. At the interval we change the mood to present a Christmas selection – popular favourites as well as new works. Boys’ voices have a special emotional resonance when evoking the fragility and innocence of Christ’s nativity.”

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Ben Ealovega

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10

‘some of the most exquisite choral singing I have ever heard’ I nte r n a ti o n al Re cord Review

T he Choi r of St John’s C o l l e ge , Cam bri dge W h at swe e te r m usi c ?

Friday 9 December 2011, 7.30pm Purcell: O sing unto the Lord Purcell: Remember not, Lord, our offences Purcell: Behold now praise the Lord Purcell: O praise God in his holiness Purcell: Hear my prayer, O Lord Purcell: My beloved spake Rutter : What sweeter music?

Whitehead: The seven joys of Mary Cashmore: Es ist ein Ros’ entsprungen arr. Ledger : Silent night arr. Ledger : On Christmas night Rutti: I wonder as I wander Darke: In the bleak midwinter Bullard: Glory to the Christ Child arr. Willcocks: Away in a manger arr. Wilberg: Ding dong, merrily on high Director Andrew Nethsingha Piano: John Challenger and Freddie James The St John’s Sinfonia Andrew Nethsingha writes; “Today we explore the rich, plangent soundworld of Henry Purcell. At the interval we change the mood to present a Christmas selection – popular favourites as well as new works. Boys’ voices have a special emotional resonance when evoking the fragility and innocence of Christ’s nativity.”

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Ben Ealovega

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‘Whitacre is that rare thing, a modern composer who is both popular and original’ Th e Da i l y Te le graph, London

T he Eri c W hi tac re Si nge rs I n spi rati ons

Wednesday 1 February 2012, 7.30pm Programme to include: Whitacre: Sleep Whitacre: Lux Aurumque Whitacre: A Boy and a Girl Conductor: Eric Whitacre A programme to include some of Whitacre’s most famous works including ‘Sleep’, ‘Lux Aurumque’ and ‘A Boy and a Girl’ conducted by the composer himself, performed by his professional choir, the Eric Whitacre Singers. Alongside his own works, Eric will conduct pieces by other composers who have inspired him in his work.

Eric Whitacre is one of the most popular and performed composers of our generation; many of his works have entered the standard choral and symphonic repertories and have become the subject of several scholarly works and doctoral dissertations. His works ‘Sleep’, ‘Lux Aurumque’, and ‘A Boy and a Girl’ are among the most popularly performed contemporary choral works and tonight offers a rare chance to hear the composer’s own interpretation of each.-

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Marc Royce

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‘Whitacre is that rare thing, a modern composer who is both popular and original’ Th e Da i l y Te le graph, London

T he Eri c W hi tac re Si nge rs I n spi rati ons

Wednesday 1 February 2012, 7.30pm Programme to include: Whitacre: Sleep Whitacre: Lux Aurumque Whitacre: A Boy and a Girl Conductor: Eric Whitacre A programme to include some of Whitacre’s most famous works including ‘Sleep’, ‘Lux Aurumque’ and ‘A Boy and a Girl’ conducted by the composer himself, performed by his professional choir, the Eric Whitacre Singers. Alongside his own works, Eric will conduct pieces by other composers who have inspired him in his work.

Eric Whitacre is one of the most popular and performed composers of our generation; many of his works have entered the standard choral and symphonic repertories and have become the subject of several scholarly works and doctoral dissertations. His works ‘Sleep’, ‘Lux Aurumque’, and ‘A Boy and a Girl’ are among the most popularly performed contemporary choral works and tonight offers a rare chance to hear the composer’s own interpretation of each.-

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Marc Royce

13

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‘…the perfect blend of sixteenth-century England and twenty-first century New York.’

C h o ra l F i xa tion

N e w York P ol yphony Tu dor Ci ty

Wednesday 21 March 2012, 7.30pm Andrew Smith: Surrexit Christus Lionel Power : Beata progenies John Dunstable: Speciosa facta es Andrew Smith/Worcester fragments (1300): Flos regalis William Cornysh: Ave Maria Mater Dei Andrew Smith: Ave Maris Stella Walter Lambe: Stella caeli Schuber t: Vier gesange für Männerstimme, Opus 17 Gregor y Brown: Abschied vom Leser (New York Polyphony commission) Gregor y Brown: The Dying Californian Gerald Finzi: Thou didst delight mine eyes Opus 32 Clement Janequin: La guerre (La bataille de Marignan) Based on New York Polyphony’s acclaimed 2010 Avie Records release, Tudor City is “a stunning tour through chant, polyphony, and renaissance harmonies” (American Public Media). An allusion to the historic New York neighbourhood, Tudor City highlights the works of English composers active during the reign of the Tudor dynasty (1485-1603), effortlessly interspersed new works written for the quartet by Andrew Smith.

The second half of the programme explores works for male voices

by Schubert and Finzi, as well as two commissioned works by American composer, Gregory Brown and ending with Clement Janequin’s lively depiction of the Battle of Marignan in “La Guerre.”

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Joanne Bouknight

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‘…the perfect blend of sixteenth-century England and twenty-first century New York.’

C h o ra l F i xa tion

N e w York P ol yphony Tu dor Ci ty

Wednesday 21 March 2012, 7.30pm Andrew Smith: Surrexit Christus Lionel Power : Beata progenies John Dunstable: Speciosa facta es Andrew Smith/Worcester fragments (1300): Flos regalis William Cornysh: Ave Maria Mater Dei Andrew Smith: Ave Maris Stella Walter Lambe: Stella caeli Schuber t: Vier gesange für Männerstimme, Opus 17 Gregor y Brown: Abschied vom Leser (New York Polyphony commission) Gregor y Brown: The Dying Californian Gerald Finzi: Thou didst delight mine eyes Opus 32 Clement Janequin: La guerre (La bataille de Marignan) Based on New York Polyphony’s acclaimed 2010 Avie Records release, Tudor City is “a stunning tour through chant, polyphony, and renaissance harmonies” (American Public Media). An allusion to the historic New York neighbourhood, Tudor City highlights the works of English composers active during the reign of the Tudor dynasty (1485-1603), effortlessly interspersed new works written for the quartet by Andrew Smith.

The second half of the programme explores works for male voices

by Schubert and Finzi, as well as two commissioned works by American composer, Gregory Brown and ending with Clement Janequin’s lively depiction of the Battle of Marignan in “La Guerre.”

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Joanne Bouknight

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‘This is no ordinary group of singers’ Bi r m i ng ham Post

E x Cathe dra Ba c h: A B e auti ful Mi nd Thursday 19 April 2012, 7.30pm Bach: Bach: Bach: Bach: Bach: Bach:

Lobet den Herrn alle Heiden (BWV 230) Cello suite No 1 in G major (BWV 1007) Jesu, meine Freude (BWV 227) Komm, Jesu, Komm (BWV 229) Cello suite No 4 in Eb major (BWV 1010) Singet dem Herrn (BMW 225)

Conductor Jeffrey Skidmore Cello: Andrew Skidmore Ex Cathedra Consort and Continuo A rare opportunity to hear four of JS Bach’s motets for single and double choir performed by one or two singers per part.

Bach’s genius has moved and inspired music-lovers and musicians for centuries: legendary cellist Pablo Casals described Bach as the essence of music and the cello suites as the essence of Bach.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Paul Arthur

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‘This is no ordinary group of singers’ Bi r m i ng ham Post

E x Cathe dra Ba c h: A B e auti ful Mi nd Thursday 19 April 2012, 7.30pm Bach: Bach: Bach: Bach: Bach: Bach:

Lobet den Herrn alle Heiden (BWV 230) Cello suite No 1 in G major (BWV 1007) Jesu, meine Freude (BWV 227) Komm, Jesu, Komm (BWV 229) Cello suite No 4 in Eb major (BWV 1010) Singet dem Herrn (BMW 225)

Conductor Jeffrey Skidmore Cello: Andrew Skidmore Ex Cathedra Consort and Continuo A rare opportunity to hear four of JS Bach’s motets for single and double choir performed by one or two singers per part.

Bach’s genius has moved and inspired music-lovers and musicians for centuries: legendary cellist Pablo Casals described Bach as the essence of music and the cello suites as the essence of Bach.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Paul Arthur

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‘The Tallis Scholars sang these slow-moving, luminous masses with impeccable blend and balance…This is music where time stands still.’

F i n a n c i a l Ti m es

T he Tal l i s Sc hol ars Fie l d of the Cl oth of Gol d Wednesday 16 May 2012, 7.30pm Mouton: Nesciens mater Cornysh: Ave Maria Mouton: Ave Maria...serena Mouton: Quaeramus cum pastoribus Browne: Salve regina Mouton: Kyrie and Agnus dei from the Missa Dictes moy toutes vos pensées Fayrfax: Agnus dei from the Missa Tecum principium Mouton: Salva nos Cornysh: Ah Robin Cornysh: Magnificat Director Peter Phillips Between the 7th and 24th June 1520, in fields near Calais, there took place one of the most spectacular political summit meetings of all time. Henry VIII of England and Francis I of France met to seal a treaty of friendship between their two warring countries, with no expense spared.

The two Chapels Royal were of course in attendance, and of course they tried to out-sing each other. As luck would have it the two choirs were led by two exceptional composers of the period, composers to whom the Tallis Scholars have devoted individual recordings: Jean Mouton on the French side, and William Cornysh on the English.

The Tallis Scholars cannot by themselves, recreate the seething atmosphere of the original meeting but we can give an idea of the splendour of the occasion.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Albert Roosenburg

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‘The Tallis Scholars sang these slow-moving, luminous masses with impeccable blend and balance…This is music where time stands still.’

F i n a n c i a l Ti m es

T he Tal l i s Sc hol ars Fie l d of the Cl oth of Gol d Wednesday 16 May 2012, 7.30pm Mouton: Nesciens mater Cornysh: Ave Maria Mouton: Ave Maria...serena Mouton: Quaeramus cum pastoribus Browne: Salve regina Mouton: Kyrie and Agnus dei from the Missa Dictes moy toutes vos pensées Fayrfax: Agnus dei from the Missa Tecum principium Mouton: Salva nos Cornysh: Ah Robin Cornysh: Magnificat Director Peter Phillips Between the 7th and 24th June 1520, in fields near Calais, there took place one of the most spectacular political summit meetings of all time. Henry VIII of England and Francis I of France met to seal a treaty of friendship between their two warring countries, with no expense spared.

The two Chapels Royal were of course in attendance, and of course they tried to out-sing each other. As luck would have it the two choirs were led by two exceptional composers of the period, composers to whom the Tallis Scholars have devoted individual recordings: Jean Mouton on the French side, and William Cornysh on the English.

The Tallis Scholars cannot by themselves, recreate the seething atmosphere of the original meeting but we can give an idea of the splendour of the occasion.

Tickets

£30, £26, £22, £18

Encore m em bers pay £ 26 for top price See booking information on back cover Image BY Albert Roosenburg

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Choral At Cadogan 2011-2012 Booking information B

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