Glance | Spring 2004 by California College of the Arts

Volume 12

Spring 2004

No. 2

A publication for the CCA community

glance In this issue:

Text Meets Image: Writing Programs Flourish at CCA Wornick Distinguished Visiting Professor Comes to Wood/Furniture Program Students Star in HGTVâ&#x20AC;&#x2122;s Designer Finals

California College of the Arts San Francisco/Oakland

contents

Text Meets Image:

Glance

Growing a Career in the Arts: Alumni Profiles Jennavave Barbero, Julie Walker and Susie Gelbron

CCA Student Among Finalists in World Trade Center Memorial Competition

In the News

Honor Roll of Donors

Writing Programs Flourish at CCA

Spring 2004 | Volume 12, No. 2

Director of Publications Erin Lampe Editor Erica Olsen Managing Editor Debbie Kane Contributors Susan Avila Chris Bliss Kate Fowle Melissa Hutcheson Kim Lessard Ashley Lomery Jennifer Minniti Pippa Murray Anthony Spurlock

Donor Profile: Ronald and Anita Wornick/CCA Students Star in HGTVâ&#x20AC;&#x2122;s Designer Finals/Campus events and more.

Design Sputnik CCA, a student design team

Design Director Eric Heiman

Faculty Notes

Alumni Notes

Designers Katie Fishback Nicholas Macias

Glance is a publication of the CCA Communications Department. Please send all address corrections by mail to: CCA Advancement Office 5212 Broadway, Oakland, CA 94618 or by email to bjones@cca.edu.

In Memoriam

Leadership in Arts Education

Dear Friends, In January we held staff and faculty meetings to discuss the draft, and revisions were made. At its February meeting the Board of Trustees approved the plan. I would like to thank all of those who participated in this process. As we know, a good strategic plan is never truly “finished.” It is a document that is meant to guide an institution, but it cannot anticipate every opportunity or challenge that will present itself. With that in mind, we hope to keep the plan very much a living document. I urge you to view the plan on our website at California College of the Arts educates students www.cca.edu/about/stratplan. Please feel free to to shape culture through the practice and critiemail your comments, questions, or concerns to cal study of the arts. The college prepares its comments@cca.edu. students for lifelong creative work and service to In closing, I would like to share with you a pastheir communities through a curriculum in art, sage from the plan that articulates the ambitions of architecture, design, and writing. the college for the coming years:

For the past nine months, the college community has been engaged in developing a strategic plan to carry CCA through its centenary. Students, faculty, staff, alumni, and trustees have participated in a series of lively and informative discussions, culminating with a daylong Board of Trustees meeting in December. Faculty, staff, and student representatives were in attendance, and there was plenty of good discussion concerning the key values and mission of the college. In the process, we came to consensus about the following revision of the mission statement:

After the initial discussion, participants focused their work in small groups to develop ideas relating to the three overarching goals of the strategic plan: • Enhance national visibility through academic excellence • Maintain a sustainable business model • Strengthen internal and external community relations Several common themes emerged. There was strong agreement that we should work to create strategic partnerships with local and national organizations and to build stronger bridges between the campus community and the creative economies of Northern California. Many other good ideas were incorporated into a draft of the plan.

With this strategic plan, CCA proposes a series of initiatives aimed at establishing the institution as a leader in education through the arts. In this capacity, CCA will offer its students the very best education an art college can offer, provide its alumni the greatest opportunities for creative work and public service, and give its communities the benefits of sharing the public sphere with a vibrant and dynamic cultural institution.

Sincerely,

Michael S. Roth President

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Writing Programs Flourish at CCA In fall 2004 the MFA Program in Writing will welcome its largest class yet. As many as thirty-five poets, fiction writers, and writers of creative nonfiction will join the college’s flourishing literary community. In recent years, California College of the Arts has expanded its offerings to include both a graduate writing program (which graduated its first class in 2002) and a BA Program in Creative Writing, headed by poet Stephen Ajay, which admitted its first students in fall 2003. Ann Joslin Williams, fiction writer and chair of the MFA Program in Writing, believes that a majority of CCA’s graduate writing students are attracted to the art school setting. Williams says, “We encourage the crossing of genres. If you are a fiction writer and you want to take a poetry workshop, or a studio art class, you can. Writers and visual artists find that the creative process is similar.”

Literary Arts at 1111 Eighth Street CCA’s regular mix of art exhibitions, screenings, and artist talks has been enhanced by an increasing number of literary events. With the growth of the graduate writing program, readings by MFA writers took place over multiple days during the spring 2004 Graduate Exhibition. Writers were included in For Example, the show of recent work by faculty teaching Core studios, on view in December 2003 at Michael Martin Galleries in San Francisco, and in the annual faculty show at the Oliver Art Center on the Oakland campus. Since 2000, the college has hosted the nationally known reading series organized by Small Press Traffic, an independent organization founded in San Francisco in 1974 and now housed at CCA. For more information on events or membership in Small Press Traffic, visit www.sptraffic.org.

Visiting writers who have given talks at the college include novelist Barry Gifford, who appeared in conversation with Juvenal Acosta, associate professor of writing and literature, in February 2004 as part of the CCA Graduate Studies/Wattis Institute Public Lecture Series. Screenings of Lost Highway, Perdita Durango, and Wild at Heart, all based on Gifford books, took place the same week. In the graduate writing program, a Friday seminar series brings current students into contact with visiting writers, Small Press Traffic’s annual Poets’ Theater showcases poets as playwrights, directors, and actors. Brent Cunningham and Jocelyn Saidenberg in Frank O’Hara’s Two Eclogues, directed by Mac McGinnes. January 23, 2004. Photo: Paul Jackson

editors, and literary agents. Visitors this spring included Elaine Katzenberger, associate director of San Francisco’s landmark independent bookstore, City Lights; Michael Ray, senior editor at Zoetrope: All Story, the literary magazine founded by Francis Ford Coppola; David Daniel, poetry editor of the literary magazine Ploughshares; monologuist Josh Kornbluth; and San Francisco writer and NEA award winner Julie Orringer, author of How to Breathe Underwater. The CCA libraries house a growing collection of innovative literary resources. Recently, the Lannan Foundation generously donated their complete video library of readings and interviews featuring major poets and writers. The videos, which do not circulate, are housed in Meyer Library on the Oakland campus but can be requested for use at Simpson Library in San Francisco. Also at Simpson Library, Small Press Traffic maintains an archive of books and magazines of poetry, prose, and theory from independent presses, as well as chapbooks, broadsides, and other rare literary memorabilia. The materials date from the 1950s to the present and do not circulate.

Literary Journal Debuts Eleven Eleven, CCA’s new literary arts journal, will publish its first issue in spring 2004. The journal is produced and edited by students in the MFA Program in Writing. Eleven Eleven features original and engaging fiction, poetry, essays, interviews, and visual art. The journal will be available at Bay Area bookstores such as Cody’s in Berkeley, and Modern Times and Booksmith in San Francisco. To see work by current MFA in Writing students in a variety of disciplines, check out the online journal Transmission at www.cca.edu/transmission/.

Tom Barbash Wins NEA Grant Tom Barbash has been awarded a National Endowment for the Arts (NEA) literature fellowship for 2004. An adjunct professor in the MFA Program in Writing, Barbash was one of forty-two fellowship winners this year. Each literature fellow receives a $20,000 award. A graduate of the Iowa Writers’ Workshop, Barbash is a former Wallace Stegner and Scowcroft Fellow at Stanford University, Photo courtesy HarperCollins Publishers as well as a Jones Lecturer. His nonfiction book On Top of the World was a New York Times bestseller, and he won the California Book Award for his novel, The Last Good Chance.

Lannan Foundation Honors Rebecca Solnit Rebecca Solnit received one of just four Lannan Literary Awards in 2003. Candidates are recommended to the Lannan Foundation by a network of writers, literary scholars, publishers, and editors. (Unsolicited applications and nominations are not accepted.) An adjunct professor in the MFA Program in Writing, Solnit is an essayist, critic, and activist whose work focuses on issues of environment, Photo © Jude Mooney landscape, and place. Her most recent book, River of Shadows: Eadweard Muybridge and the Technological Wild West (2003), won a National Book Critics Circle Award for criticism.

Excerpt from “Wishbones” A short story by Ann Joslin Williams

Our mother had come out of her room. She wore nothing but underwear. There was a shirt in her hands. Ribs, sharp and clear, cut around her sides. Her collarbone sliced across to her shoulders like a hanger, connecting the bones of her skinny arms. Her breasts hung empty. She hadn’t seen us. Jeff made a hiccup noise, and she jumped, clutched the shirt to her chest. Then she ran away from us, all knees and hips and elbow Vs. She made it to the other end of the hall and slammed the door. Jeff got to his feet. Neither David nor I moved. We sat still, as though nothing had happened, as though my mother hadn’t just fled down the corridor mostly naked. Hot spiders crept up my back and turned cold on my neck. “I’m sorry,” Jeff said, but I wasn’t sure who he was talking to. “Geez,” he said. “Jesus, Carey. What in the name of . . .” He stared at the bathroom door. There was no light under it. She was in there, in the dark. Jeff tipped his head, listening. He scratched the underside of his chin. Then he said, “Your mother’s going through hard times. You need to take

care of her.” He had one hand on the edge of the table, leaning on it, his fingers spread out, the joints pressed white. “We do,” I said. The words came out so tight that my scalp tingled. I tried to think of what else to say and wished David would help, but he turned away. “Okay,” Jeff said, and put on his hat. “Well, okay, okay.” He poked his glasses straight. “Okay,” he said again, like it was a piece of something stuck in his throat. “Do you need anything next time?” he asked. “Supplies?” We didn’t answer. I was thinking that supplies meant toilet paper and batteries, and I was thinking that next time was a long ways away. There was moisture on Jeff’s forehead, and when he wiped it he knocked the brim of his cap, set it crooked. He didn’t put it right. Then he left, backed out the door and went across the yard. We watched until his truck started, and the headlights came on, sending out yellow shafts full of bugs and moths, suspended in the light.

Ann Joslin Williams is Chair of the MFA Program in Writing. She is a former Wallace Stegner Fellow at Stanford University and a graduate of the Iowa Writers’ Workshop. “Wishbones” first appeared in The Missouri Review, Volume XXIV, No. 1. To read the entire story, go to www.missourireview.org and select Content, then Fiction.

Joseph Lease’s collections include Human Rights and The Room. Lease’s poem “‘Broken World’ (For James Assatly)” was selected by Robert Creeley for The Best American Poetry 2002. Lease is Associate Professor of Writing and Literature at California College of the Arts. Joseph Lease notes: When I met James Assatly in 1991, he was completing his novel Hejira. By the spring of 1992, when he graduated from Brown with his MFA, James had grown increasingly ill and was living at home with his parents. In 1993 he died in Boston of an AIDS-related illness. In an interview Edmund White, with whom James worked closely at Brown, called Hejira a “remarkable novel . . . As long as we live,” White said, “we’ll remember that book.” I wrote this poem to honor James and his book, and to mourn all the words and worlds that were lost when we lost him. He was one of the smartest, toughest, most gifted people I knew then or have known since. He died on the morning of his thirty-first birthday— March 25, 1993. His novel remains unpublished. Poem and author’s note are reprinted from The Best American Poetry 2002 (Scribner).

“Broken World” (For James Assatly) by Joseph Lease 1 faith and rain brightness falls

3 faith and rain brightness falls

blank as glass brightness falls

everyone who hates you.

Won’t be the magic lantern or dancer. Won’t be despite the fullness of time, the other three magic ones. Won’t be a year. Won’t be a song. Won’t be a beginning. Won’t be forward. Won’t be on the way. Won’t be a dreary prison. Won’t be the month of May. Won’t be Mary. Won’t be the sea road. Won’t be stronger. Won’t be younger. Won’t be pink. Won’t be opening from under.

Arrows on water; you are with me—

The word. The word of God.

rain on snow— and I shatter

The word of God in a plastic bag.

everyone who hates you.

I couldn’t hear. I couldn’t hear

until he

can’t bend light anymore. Won’t be stronger. Won’t be water. Won’t be dancing or floating berries. Won’t be a year. Won’t be a song. Won’t be taller. Won’t be accounted a flame. Won’t be a boy. Won’t be any relation to the famous rebel. You are with me and I shatter

2 To be a man, to be, to try. I hate the word man. I’m not crazy about the word husband or the word father either. To try. To heal the night or day. I’m busy selling fighters and bombers. The NASDAQ moves in my face. I’m wired to my greasy self-portrait. Every day in every way. America equals ghost. The wrong side of history. Flat matted yellow weeds. Who could believe “God chose me.” Flat matted yellow weeds. God chose? You were dying that spring. Reading at some college I saw ROTC boys in fatigues. The talkiness of winter unwraps me now. In each room someone is fingering her or his soul. The talkiness of winter unwraps me now. The garden made unknowing by the snow. Erased by snow. Erased by snow. Two blocks from campus, a boy, maybe ten or eleven, yelled at a Junior High School girl: “Ho-bag, incest baby, spread your legs.” It’s all naked out here. Nothing is here. It’s all one big strip mall. We have a Ponderosa.

your voice. You are with me and I shatter everyone who hates you. Arrows on water; you are with me— rain on snow— and I shatter everyone who hates you. faith and rain brightness falls blank as glass

brightness falls

Growing a Career in the Arts: Alumni Profiles By Melissa Hutcheson with Erica Olsen

“The MFA is the new MBA,” trumpeted an article in the February 2004 Harvard Business Review. Apparently the business world is waking up to the value of art skills. (We knew their value all along.) In this issue of Glance three recent graduates share how they got their start. Jennavave Barbero is an associate designer at BCBG in New York City. Susie Gelbron and Julie Walker are co-proprietors of Carrot & Stick Press in Oakland.

Jennavave Barbero Born in 1975 in Lodi, CA BFA 2002, Fashion Design Other education: Fashion Design Certificate and Fashion Merchandising Certificate (two-year degrees) Residence: New York, NY Current occupation: Associate designer, BCBG Influences at CCA: Neysa Young, Pauline Howland, Edward Leaman, Jennifer Minniti ... you see where I’m going here?

A former model, Jennavave Barbero always wanted to be involved in the fashion industry. While still a student at CCA, she worked as an assistant to local designer Jean Cacicedo and won an award in 2002 in the first annual Bay Area Fashion Design Scholarship Show, organized by Our Tribe Productions. After graduation the young designer struck out on her own and moved to New York. Jennavave, who found her current job through a friend from church,

cites her spiritual strength as a key factor in her success. At BCBG a typical day begins at 9 AM and ends no earlier than 7 PM. “I source goods, trim, and Jennavave Barbero sketch like crazy,” says Jennavave. As associate designer, she has a myriad responsibilities: merchandise line planning with the design director; maintaining the sample room; making sure the pattern maker and sewers are making samples to the specs; helping with fittings; and overseeing trim and fabric development. And that’s not to mention the paperwork: she tracks all shipping confirmations, packing slips, POs, and invoices. Asked about her favorite memory of CCA, Jennavave’s reply is that of a designer: “The satisfaction I felt as I watched my girls on the runway, showing a year’s worth of work, was unbeatable.”

Julie Walker and Susie Gelbron When Julie Walker and Susie Gelbron met in line during graduate student orientation they got more than financial aid. They found a career. A creative partnership that began with a letterpress printing project for class eventually evolved into Carrot & Stick Press (www.carrotandstickpress.com). The company, founded in 2000 and based in Oakland, CA, produces letterpress stationery—invitations, notecards, and place cards—as well as custom orders that are highly in demand. Their colorful patterns include pink argyle, blue polka dots, and a zebra print—all produced in their Oakland studio. Carrot & Stick’s first project was, appropriately, a birth announcement. The two entrepreneurs juggled custom letterpress orders with other jobs: Julie taught art in public schools and worked at the Gap corporate archives, while Susie ran a summer camp and did web design. Orders came from friends and family, and through word of mouth. Later, they were able to devote themselves to Carrot & Stick fulltime. “After attending a stationery show in New York City, we were flooded with orders,” they say. Today, they run a thriving business that has been featured in publications including Bon Appétit and The New York Times. As Carrot & Stick continues to grow, Julie and Susie face such challenges as quality control, finding a new location that includes retail space, and expanding their product offerings—all while designing new collections inspired by answering very personal questions: what do I want to buy? What am I looking for?

Susie Gelbron (left) and Julie Walker. Photo: Shana Agid

Julie Walker Born in 1972 in Carmel, CA MFA 1998, Printmaking Other education: BA, UC Santa Barbara Residence: Berkeley, CA Current occupation: co-proprietor of Carrot & Stick Press Influences at CCA: Linda Yaven, Betsy Davids

Susie Gelbron Born in 1973 in Phoenix, AZ MFA 1998, Photography Other education: BA, Princeton University, Art History and Photography Residence: Berkeley, CA Current occupation: co-proprietor of Carrot & Stick Press Influences at CCA: Stephen Goldstine, Susan Ciriclio, Betsy Davids, Larry Sultan

CCA Student Among Finalists in World Trade Center Memorial Competition By Chris Bliss

The last thing fifth-year architecture student Jessica Kmetovic imagined was that her picture would appear in The New York Times. But that’s exactly what happened on November 20, 2003, when it was announced that her team’s proposal, “Garden of Lights,” was selected as one of eight final designs in the World Trade Center Site Memorial Competition. The story began in fall 2002, when Jessica took a leave from CCA to attend Columbia University’s Shape of Two Cities Program: New York/Paris. At the end of the spring semester in Paris, she remained behind with fellow student Sean Corriel and architecture professor Pierre David to work on a submission for the competition. “We wanted to memorialize life, so the first idea that came to us was a garden,” said Jessica. “We then came up with the notion of lights to represent the spirit of each victim.” The street level of the memorial would feature a garden with trees and meadows. Below the surface would be a private room for families of the victims, and below that would be a public space. Natural light from above would connect the levels and fall on “altars” at the lowest level.

Courtesy Jessica Kmetovic

The team sent their single board submission to the Lower Manhattan Development Corporation and went back to their respective lives in San Francisco, New York, and Paris. Their design was among 13,683 registrants and 5,201 memorial submissions received from 63 nations. Two weeks into the fall 2003 semester, Jessica got the call. “I really wanted to enter the competition just to be a part of it. I never fathomed that we would make the finals,” said Jessica. Sworn to secrecy, the finalists were flown to New York, put up in a hotel, and given funds for materials to produce more detailed plans and models. In the second round of interviews the judges were demanding, asking questions about access, maintenance, and seasonal concerns. The pace was feverish—designs created at night were sent out for modelmaking the next morning. Although the jury ultimately chose another project, Jessica was thrilled to be part of the process. “Working in the public arena is an amazing experience—you’re pushed and pulled in so many directions.” Will she enter other competitions in the future? “Yes. This wasn’t a contest of personalities, it was a contest of ideas. That’s what appeals to me.”

In the News

Donor Profile: Ronald and Anita Wornick CCA trustee Ronald Wornick and his wife, Anita, have been generous donors to the college for many years. In 1996 they provided a substantial gift during the fundraising campaign to help build the San Francisco campus. The Wornick Wood and Furniture Studios attest to the couple’s abiding passion for the field of wood arts. In 1999 they created an endowed annual scholarship for students in CCA’s Wood/Furniture Program. Recently the Wornicks expanded their generosity to the college by giving a gift of $500,000. The gift established the Wornick Distinguished Visiting Professor in Wood Arts endowment fund. The goal of the fund is to bring a distinguished artist to CCA to teach as a visiting professor. The objective of the Wornick professor’s tenure is to enhance and nourish the curriculum in those areas of art and design that use wood as a creative medium for exploration, expression, and aesthetic functionality. The first Wornick visiting professor is Roy McMakin, who is teaching this semester. A Door Meant as Adornment, a major survey of his work, was organized by the Museum of Contemporary Art, Los Angeles, in 2003. In addition, McMakin has completed numerous architectural, public art, and design commissions, most notably for the J. Paul Getty Museum and the Museum of Contemporary Art San Diego. His company, Domestic Furniture, is based in Seattle. The CCA community will

Photo: Kristen Loken

be able to view McMakin’s work this fall in the exhibition Baja to Vancouver, organized by the CCA Wattis Institute. Ron commented, “The opportunity to work with the CCA Wood/Furniture Program, Donald Fortescue and his faculty, and the students in particular has been one of the great adventures and privileges of my life. I smile to think of it.” Ron is the retired founder, chairman, and CEO of The Wornick Company, an international food processing firm. He has been a member of CCA’s Board of Trustees since 1992 and its vice chair since 1997. An amateur wood artist himself, Wornick has explored the making of furniture forms and sculpted wood vessels. He and Anita have assembled an impressive collection of wood

objects, some of which were on view in the remarkable exhibition, Expressions in Wood—Masterworks from the Wornick Collection, at the Oakland Museum of California in 1997 before traveling to New York and other U.S. cities. In addition to his activities with the college, Ron also serves on the boards of Copia: The American Center for Wine, Food, and the Arts, the Taube Center for Jewish Studies at Stanford University, The Contemporary Jewish Museum (formerly the Jewish Museum of San Francisco), and Collectors of Wood Art.

Meet the New Trustees Simon J. Blattner, chair of the Board of Trustees, has announced the appointment of three new trustees: Leigh Hudson, Ann Morhauser, and Mary Zlot. Blattner commented, “I’m delighted to welcome Leigh, Ann, and Mary to CCA. They bring a wealth of experience and a high level of commitment and passion to our board.”

Leigh Hudson, Ann Morhauser, and Mary Zlot

Gifts and Grants Throughout the fall and winter months, CCA received many generous donations from alumni and friends. The college is grateful for their involvement and support. Four new scholarships were created to help talented and deserving students. Trustee Lorna Meyer gave $100,000 to establish two scholarships: the Christopher Timothy Cutler Endowed Scholarship and the Frederick W. Farnol and Ellen C. Farnol Endowed Scholarship. The college received another gift of $100,000 from the estate of alumna Albertina Zanzi (1941), creating the Albertina “Nina” Zanzi Endowed Scholarship; this gift was made possible by Ms. Zanzi’s niece, Linda Lotspeich,

and her husband, Steve. And trustee Kent Logan and his wife, Vicki, gave $20,000 to establish the Vicki and Kent Logan Scholarship for Curatorial Practice. Each of these new scholarships plays a key role in supporting promising students in their studies at CCA. The Getty Grant Program awarded CCA’s Curatorial Practice Program a $200,000 grant to bring to campus a diverse and distinguished group of visiting curators and artists to enrich the curriculum. Visiting faculty will include Andrea Fraser, Hans Haacke, Hou Hanru, Sandra Percival, and Benjamin Weil. Several generous gifts were given to support the CCA Annual Fund. Carmen Christensen gave over $100,000 to the Annual Fund. The

LEF Foundation awarded $80,000 to sustain the school’s core operations, and Miranda Leonard gave $10,000 for the same purpose. Over one hundred CCA alumni, parents, and friends generously responded to our year-end appeal for support. As of January 31, 2004, CCA had received more than $13,000 for the Annual Fund and student scholarships. The Center for Art and Public Life received a grant of $63,000 from the Alameda County Office of Education/ U.S. Department of Education in support of professional development for art educators. The Center also received $56,000 from the Nathan Cummings Foundation in support of its Community Student Fellows program and a grant of $50,000 from the Richard and Rhoda Goldman

In the News

Leigh Hudson is a managing director of Vrolyk & Company, an investment banking firm specializing in raising growth capital for and providing merger and acquisition services to privately held businesses. The company is best known for work in the consumer sector with clients such as BASS Tickets; Discovery Toys; Beverages & More!; Johnson & Johnson; and Made in Nature Foods. Prior to joining Vrolyk & Company, Hudson held positions with Drexel Burnham Lambert and Chase Bank in New York. She has served on many corporate and nonprofit boards, including Sunny Hills Children’s Garden, a Bay Area nonprofit organization that provides a wide range of services for children and families.

Ann Morhauser is owner and president of Annieglass, an international glass design and production firm based in Santa Cruz. Her handcrafted sculptural dinnerware, serving pieces, glassware, and accessories can be found around the world in museum collections and galleries as well as restaurants, hotels, and upscale retail stores. An alumna of CCA, Morhauser is the recipient of numerous awards and honors, including the Niche Award for 2000 and 2003. She has served on the boards of many community and cultural organizations, including Jacob’s Heart Children’s Cancer Association, Museum of Art and History Santa Cruz, and the Cultural Council of Santa Cruz.

Mary Zlot is principal of Mary Zlot & Associates, art advisors to individuals and corporations. She is affiliated with many professional organizations, including the International Association of Professional Art Advisors, the Association of Corporate Art Curators, and ArtTable. From 1994 to 1996 she was president of the Board of Trustees of the Ansel Adams Center for Photography. She currently serves on the Education Committee at the San Francisco Museum of Modern Art. Mary and her husband, Harold, are very active in the local philanthropic community and have established the Mary and Harold Zlot Family Foundation, which supports a variety of arts and community organizations.

Fund for general program support. The San Francisco Foundation awarded $7,500 in support of the Center’s partnership with Far West School in Oakland. The Mondavi Family of Wines made a wonderful in-kind donation, becoming CCA’s sole wine sponsor for 2003–4. Tupperware Worldwide Corporation awarded the Industrial Design Program $40,000 in support of its Senior Studio Tablescape project. Members of the Bay Area architecture and design community contributed $8,000 to the Architecture Lecture Series. We appreciate donations from Tim and Nancy Howes, who made a gift of $15,000 supporting the Annual Fund and the Jewelry/Metal Arts Program, and from alumnus Arthur Krakower (MFA, 2001) and his wife, Jean,

who gave $5,000 to the President’s Discretionary Scholarship Fund. We are also grateful to Elizabeth Schaufel, who gave an additional $5,000 to the Gertrude Schaufel Memorial Scholarship. CCA received a grant of $5,000 from the Clinton Walker Foundation at the suggestion of Kay Kimpton Walker and John C. Walker. Gifts of $5,000 were received from Joe and Beth Hurwich and trustee Tecoah Bruce and her husband, Tom, to sponsor the CCA Wattis Institute exhibition Likeness: Portraits of Artists by Other Artists. Trustee Mary Zlot and her husband, Harold, gave $5,000 to sponsor the exhibition The Gray Area: Uncertain Images—Bay Area Photography 1970s to Now. And trustee Tony Meier and his wife, Celeste, and

the LEF Foundation sponsored the exhibition Capp Street Project: Brian Jungen with gifts of $5,000 each. In conclusion, CCA extends its warm thanks to trustees Simon Blattner, Jan Boyce, Tecoah Bruce, Carla Emil, Laurence Evans, Nancy Forster, Ann Hatch, Mrs. Charles H. Hine, David Hobstetter, Leigh Hudson, Nathan Oliveira, Tony Meier, Lorna Meyer, Steve Oliver, Shepard Pollack, Mr. C. David Robinson, Karen Rose, Norma Schlesinger, Bryce Seidl, Mary Jo Shartsis, Judy Timken, Dr. Calvin Wheeler, Ronald Wornick, and Dr. Janice Zakin for their generous trustee gifts to the Annual Fund. — Susan Avila, Advancement

Honor Roll of Donors CCA thanks the following donors whose gifts and pledges to the college were recorded between January 1, 2003, and December 31, 2003. Alumni are identified by actual or expected year of graduation, when known. Individual Donors $10,000+

Simon and Kimberly Blattner Jan and Tom Boyce Tecoah Bruce ‘74, ‘79 and Thomas Bruce Ms. Carmen M. Christensen Carla Emil and Rich Silverstein Nancy S. and R. Patrick Forster Mrs. Charles H. Hine David Hobstetter Tim and Nancy Howes ‘05 Miranda Leonard Kent and Vicki Logan Tony and Celeste Meier Mr. Lorenz Menrath and Mr. Thomas Menrath Lorna F. Meyer Shepard Pollack and Paulette Long Karen and Ronald Rose Dorothy and George Saxe Ms. Elizabeth Schaufel Norma Schlesinger Estate of Emily T. Schwilke ‘36* Barclay and Sharon Simpson Judith P. and William R. Timken Ronald and Anita Wornick Dr. Janice H. Zakin and Mr. Jonathan Zakin Albertina L. Zanzi Living Trust ‘41*, Linda and Steve Lotspeich

$5,000–$9,999 Rena G. Bransten Ann Hatch and Paul Discoe Ms. Kay Kimpton and Mr. Sandy Walker Jean and Arthur Krakower ‘01 Richard Niles and Lenore Pereira Steven and Nancy Oliver Edna Reichmuth Trust ‘39* Katherine Renick Mr. C. David Robinson FAIA and Mrs. Mary L. Robinson Henry and Nancy Salvo Mary Jo and Arthur Shartsis Iris M. Shimada ‘04 and Henry R. Loubet Christopher E. Vroom Mrs. Sarajane Miller-Wheeler and Dr. Calvin B. Wheeler Mary and Harold Zlot

$1,000–$4,999 Susan Avila and Stephen Gong Stephen Beal and Elizabeth Hoover Mr. and Mrs. Edward L. Blum Mr. and Mrs. John G. Bowes Ellen and Drew Bradley John and Florence Bryan, John M. Bryan Family Fund

Michael Bull ‘63 and Priscilla Bull Dr. Alfred W. Childs and Mrs. Eunice M. Childs Susan Ciriclio ‘71 Ms. Penny Cooper and Ms. Rena Rosenwasser Mr. Tomie dePaola ‘69 Mr. and Mrs. Melvin B. Eagle Laurence and Joan Evans Lois Gordon David L. Herrick and Susan Bleakley Tracy and Maie Herrick Ms. Leigh Hudson Joe and Beth Hurwich Milton E. Jennings, Jennings Family Trust George H. Mead III ‘76, ‘78, The H. T. Mead Foundation Mr. and Mrs. John Miller Michael Muscardini ‘72 and Robyn Muscardini ‘73 Micheal C. Nourot ‘72 John S. Osterweis and Barbara Ravizza Parker Family Foundation Mr. Mark Petersen and Ms. Dana Whitaker John* and Margaret Pillsbury, J/M Pillsbury Family Trust Ms. Helen Hilton Raiser Mr. Steve Reoutt ‘61 Joan E. Roebuck Dr. Michael S. Roth and Dr. Kari Weil Mr. Yukio Sakagami and Ms. Keiko Sakagami ‘02 Büldan Seka Ms. Elizabeth Sher Dr. Robert H. Shimshak and Ms. Marion Brenner Estate of Lundy Siegriest ‘49* Hugo Steccati ‘38 Ms. Madeleine S. Sugimoto Margaret A. Sullivan ‘73, Sidemark Corporate Furniture Kenneth W. Swenson ‘53 and Cherie Swenson Sidney and Nancy Unobskey Mr. and Mrs. Paul A. Wilson

$500–$999 Mr. Ronald Berman ‘76 James E. and Leigh K. Brownlee, Trinity Evangelical Free Church Ms. Claudia Chesavage ‘76 Mr. Juan Delpozo Lori and Peter Feibelman Andrew G. Fisher ‘78 and Jeffry Weisman Ms. Mikae Hara ‘86 Ms. Jean Harris Mr. Kenji R. Hitomi ‘54 Candace Kling ‘78 and Fred Kling ‘70

Naomie Kremer ‘93 and Charles Kremer Brian Douglas Lee Mr. Robert P. Levenson ‘74 and Ms. Diane K. Kinnane Ruth P. and Edmund W. Nash* Diane Oles ‘84 Nathan Oliveira ‘52, ‘68 and Ramona Oliveira Bernice M. Quadros ‘30 Florence T. Salo ‘38 and Karuna I. Davy ‘81 Bryce and Chris Seidl Mr. and Mrs. Richard A. Smith Mr. Ron Tanovitz ‘69 and Ms. Eve Steccati-Tanovitz ‘69 Lloyd Wasmuth ‘37, ‘54 Bobbi and Herb Wiltsek

$250–$499 Ms. Sandy Berrey Mrs. Myra Goodall Block Amanda A. Bryan ‘84, John M. Bryan Family Fund Philip and Sally Chapman Ms. Elizabeth Chen Nina Chiappa ‘76 Patrick Chronis ‘73 and Connie Chronis Connie L. Clark ‘83 Mr. Don A. Crewell and Ms. Mary Jacobson Ms. Robin A. Dintiman ‘83 Mr. Robert A. Ellis and Ms. Jane W. Bernstein Kevin Elston ‘66 and Theodora Elston ‘65 Florence and Leo Holub Kurt Kiefer ‘92 and Mary L. Williamson Mr. and Mrs. John A. Komes Mr. Henry E. Lienau ‘49 James McLemore ‘66 and Ida McLemore Patricia McShane ‘87 Mr. Richard Mendelsohn Christina Meyer ‘93 Eric J. Read ‘82 and Deborah S. Read Ms. Sharon R. Robinson ‘62, ‘79 Mr. Timothy J. Schmitt Sallie Shawl Mr. Duane H. Steidley ‘72 Mr. and Mrs. Norman J. Stein, Sr. ‘70 Robert Tong ‘53 and Helen Tong Martin C. Van Buren Ms. Patricia Walsh Jeffrey R. Werner ‘79, Werner Design Associates Laurellee Westaway Suzanne Westaway Mr. and Ms. James W. Wilson II ‘64 Randy L. Wilson Carol Zell ‘78 and Robert Andrews Anonymous

$50–$249 Erik Adigard ‘87 Hassan Afrookhteh, Domus Architecture + Construction Mia S. Alexander ‘79 Ms. Rosemary A. Allen ‘89 and Mr. Howard W. Allen Cal Anderson ‘46 Joseph Arena ‘56 and Tonni Arena Art Group, Rosalie Ross David H. Asari ‘89 Ms. Elizabeth H. Ashley ‘80 Robert Avery ‘62 and Amanda Avery Lawrence S. Azerrad ‘95, Lawrence Azerrad Design John Reid Bagley ‘68, John Bagley Photography Stanley and Sara Bailis Ms. Marianne Bardsley Ms. Jacqueline Bassman ‘82 Ms. Zlata Baum ‘82 and Mr. Jamy Sheridan ‘81 Lisa Bayne ‘75 and Stephen Bayne Alice H. Beall Robert Bechtle ‘54, ‘58 and Whitney Chadwick Mary C. Bendix ‘75 Donald Berk ‘75 and Nina Berk Douglas Bernhagen ‘69 and Cathy Bernhagen John W. Berry ‘49, ‘50 Ms. John Billones ‘49 Ronald A. Blodgett ‘88 Joanna E. Boley-Lee ‘72 Catherine Bonnell Lee Bousian ‘35 and Clara Bousian Maureen Bragdon ‘73 and Richard Bragdon Kathleen A. Brosnan ‘83 and John A. Murphy Phyllis Peres Brown ‘56 Mr. and Mrs. Edward M. Brownlee ‘53 Mr. Donald W. Brundage Kenneth L. Bryant ‘76 Mr. James Brzezinski ‘80 Elizabeth W. Bunce ‘90 and Jack Bunce Stormy Burns ‘80 and Shane Burns Sandor and Elizabeth Burstein Jessie H. Cahill Ms. Georgia D. Calderon ‘91 Niki Caldis Casimiro Camacho ‘96 Martha MacLean Campbell ‘78 and Twining F. Campbell III Peter Canepa ‘71 Ms. Sandra Carroll and Family Mr. and Mrs. Arthur R. Carson ‘84 Judith A. Carter ‘67 and Bruno J. Brania Robert D. Casamajor ‘67, Casamajor Marketing Associates Mr. John M. Christensen ‘50 Rosemary Clark ‘67 Ann D. Clemenza Aviva Litman Cleper, Aviva Litman Cleper Architect Susan B. Clifford Mr. Stanley Cohen ‘49, ‘52

Francis and Catherine Collins Ms. Kathleen P. Collop ‘03 Esther Jensen Colwell ‘33 Sol and Shirley Cooper Ms. Linda G. Corbett ‘87 Evelyn D. Corrigan ‘50 Mara L. Corter ‘75, ‘85, and Mark E. Wlodarczak Michael Cronan Joseph A. Czuberki Robert E. Daskam ‘49 Mr. Raymond Davi Mr. Paul B. Deal Georgia J. Demetre ‘71 and Terry Wallace Betty W. Denebeim ‘80 Ms. Nancy A. Derr ‘57 Mr. and Mrs. Richard B. Dilday II ‘74, Richard B. Dilday Inc. Ms. Marilyn E. Donahue ‘99 Mr. Don J. Donoughe ‘90 Mr. Robert A. Dorsey ‘65 Mark M. Dutka ‘92 Gerald and Jane Dwyer Ms. Vivian Dwyer ‘94 Gladys M. Eaton Mr. Charlie Ebberts ‘51 Mr. and Mrs. Roy T. Egawa Amy T. Eliot Julia L. Erickson ‘94 Dr. Adeyinka Fashokun ‘86 and Mrs. Bolanle Fashokun Donald Fay ‘50 and Linda Fay Bella Feldman ‘72 Ms. Carol H. Field Daniel H. Fitch ‘60 Hans D. Flink ‘61 Lawrence and Henrietta Flynn Andrea and William Foley Ms. Joan E. Folkmann ‘82 and Mr. Paul H. Wise Ms. Judith Foosaner Arthur Franceschi ‘53 Betty G. Franks ‘89 David J. Freeman ‘79, Freeman Design Diane and Bruce Friend Helen Frierson Mr. William S. Fuller ‘75 Mr. Robert D. Garfinkel ‘64 Mr. Holly Gayadeen ‘74 Mr. Robert B. Gayton ‘76 Margaret Mary Geis ‘81 Ms. Lily Gerson Mr. Rob T. Gibson ‘90 Norval L. Gill ‘37 and Patricia Gill Sally L. Goble ‘81 Daniel and Hilary Goldstine Mr. David S. Gordon and Ms. Michelle L. Gordon Mr. Daniel A. Gottsegen ‘83 Lawrence and Helen G. Grossman ‘98 Ms. Peggy Grove ‘87 Andrea M. Gunderson ‘97 Mrs. Joan H. Hall ‘65 Mr. William A. Hamilton ‘68, ‘75 Mrs. Eugenie Q. Handa ‘79 and Mr. Mark R. Handa

Ms. Lucy Congdon Hanson ‘95 Andrea Hattersley Carole A. Hawkes ‘80 David Heintz Mr. Rod Henmi Margaret A. Henry ‘49 James Herman ‘58 and Nancy Herman Mr. Thomas Higley Barbara L. Hilbourn ‘75 Ms. Maryellen Himell Evelyn M. Hinde ‘75 Laurie M. Hoey ‘87 Mrs. Ann M. Hogle ‘77, ‘78 Ms. Phyllis A. Holmes ‘00 Jack and Esther Hopkins ‘50 David E. Horper ‘69 Ms. Dulcie Horwitz ‘97 Donna M. Hyland ‘50 Susanne and William Indich Ms. Lynne Ingalls ‘60 Mr. David Ireland ‘53, ‘91 Aimee Iura ‘97 Mr. Martin Izquierdo ‘65, Izquierdo Studios, Ltd. Ms. Cyndy Jacobsmeyer Numo Jaeger ‘77 Robert Jensen ‘51 and Dorothy Jensen Ragina M. Johnson ‘00 and Frank S. Merrit ‘99 Bruce C. Johnston Wallace Jonason Elizabeth P. Jones ‘63 Marsha Jurgenson ‘72 and Neal Jurgenson Ms. Marian A. Kaminitz ‘79 Brian and Catherine Kane, Kane Design Studio Ms. Carolyn K. Kastner and Mr. Richard H. Counihan Michael and Katy Kaufman Mr. Ronald H. Kaufman and Supervisor Barbara Kaufman Elizabeth Kavaler ‘65 Ms. Madeleine S. Keesing ‘72 Genevieve Keller ‘80 and Gordon Keller James A. Kelly ‘51 Mr. Kevin W. Kelly ‘76 Robbins C. Kelly ‘78, Fabrication Mr. David D. Kennedy ‘74 Mr. and Mrs. John W. Kenney Patrick Kenney ‘83 and Diana Kenney Gordon King ‘56 and Corky King Ms. Betty Klausner Paul J. Klem ‘83 Ms. Alice B. Knudsen Mark and Rita Knudsen ‘77 Karen E. Koblitz ‘73 and Alan P. Friedenberg Susan E. Korbel ‘91 Matthew Kusinitz ‘74 and Marilyn Geller ‘74 Carol Ladewig ‘91 and Abbot A. Bronstein Andrew J. Laird ‘40 James K. Lambert ‘65 Mr. Kelly Greenwell and Ms. Lou Ellen Lambert ‘72 Diana Lamson Ms. Kathleen Larisch ‘70, ‘72 and Dr. Dennis S. Weiss

Ms. Linda M. Lasin-Eisnitz Samuel Lathem ‘60* Lisa Lauer ‘81 and Michael Lauer Joann L. Lavey ‘48 and Kenneth H. Lavey ‘48 Ms. Roccena B. Lawatch ‘78 Wolfgang* and Hanni Lederer Edwin Lee ‘54 and Jean Lee Gregory Lee ‘67 Lanny Lee ‘86 Marguerite Mary Leoni Susan M. Lilly ‘88, ‘91 Gale Lindstrom ‘63 and Marilyn Lindstrom Mr. Phil Linhares ‘66 and Mrs. Sharon Linhares Bradley E. Loftin ‘89 Donald A. Logan ‘50 Michael J. Lopez ‘63 and Jeannette G. Lopez Mr. Lex R. Lucius ‘85 Ms. Teresa Y. Luk ‘74 Ms. Lori Chan Luna ‘73 and Mr. Robert Luna Roderick B. Mac Connell ‘61 Patricia K. Macias ‘95 Mr. and Mrs. Bruce Mackenzie Jane F. Malmgren ‘39 Mr. Kevin Maples ‘94 Stanley P. Martin ‘40 and E. Phyllis Martin ‘51, Martin Family Trust Ms. Virginia Martin Ms. Diane C. Martini Mr. Timothy C. Maurer ‘72 John Max, Max Machinery, Inc. Ms. Mary B. Max and Mr. John K. Max Sally A. Maxwell ‘69 Mary Jean McAllister Garnet C. McClure ‘76 James Mc Connell ‘59 and Lonnie Mc Connell Charles D. McDevitt ‘66 Ms. Donna Mc Glaughlin Ms. Katherine McKay ‘87 Sheri S. McKenzie and Mark S. Bernstein Ms. Judith McKeon Jean W. McLaughlin ‘88 and John H. Spleth Mary W. Mead, The H. T. Mead Foundation Mr. Joe L. Medina ‘94 and Mr. Gary DeVost Margery Meyer ‘52 and Dr. L. Bruce Meyer Pat Miler and Jerry Brodkey Maralyn Miller ‘52 Jack Mills ‘64 John L. Milner ‘72 Lucia Minervini ‘78 Mr. Philip F. Monohan and Mrs. Marie Monohan James R. Moore James A. Morgan ‘87 Karen T. Morikawa ‘77 and Derek T. Morikawa Philip B. Morsberger Richard Murray ‘48 and Marjorie Murray ‘49 Harriet and Edward Nathan Calvin L. Ng ‘89 Martina Ng ‘88 Cynthia Noble ‘85 Daphne Noyes Ms. Pamela J. Oates ‘71 Mr. Arthur Okamura

Ms. Judith Oroshnik ‘83 Raymond M. and Pearl Osecheck Andy Outis ‘00, Shift 7 Jeffrey T. Padilla ‘83 Sushil C. Pal ‘78 Dmitry Panich ‘91 Wendy J. Paull-David ‘72 Nicholas F. Pavloff ‘62 Charmaine M. Pearson ‘91 David E. Peterson ‘71 Dr. and Mrs. Tom Piatt Lisa d.c. Pierce ‘90 Sharon A. Pittman ‘78 Mary Plaunt ‘74, Plaunt Design Richard and Bettyann Plishker ‘78 Ms. Maria F. Porges Mr. and Mrs. Jack Potter Patricia Prejza ‘64 Rosalie ‘61 and John Price Mr. and Mrs. Robert Purdie Ms. Sarah Ray ‘96 Janis P. Realegeno Mr. Edward Redding ‘78 and Mrs. Terrie Redding Ms. Laurie Reid ‘96 and Mr. Charlie Casey Harry Reom ‘50 and Carol Reom Debra G. Rettman ‘73 Ms. Helene Y. Rice ‘97 David Richards ‘66 Mrs. Victoria Richardson ‘82 Ruth M. Rippon ‘49, ‘51 Barbara and Frederick Riser Ms. Dina V. Risi and Ms. Valerie Sterbenk Mr. and Mrs. Donley Ritchey Mr. Donald P. Roberts ‘53 and Mr. Frank Brechka Mrs. Edward W. Rosston Karen A. Roze ‘89, Sacred Rose Tattoo John Rusting ‘48 and Isabelle Rusting Leslie Ann Rutledge-Ullman ‘75 and Henry E. Ullman Mr. and Mrs. Allan W. Ryan Ms. Alison Samuel Earl W. Saunders ‘53 Jeffrey Scanlan ‘99 Stephanie A. Scea ‘84 Barbara and Jerry Schauffler Charles Schmuck ‘51 and Mary Jane Schmuck Ms. Sharyn Schneider Mr. and Mrs. Toby C. Schwartzburg Ann K. Schwiebinger-Mayer ‘81 and D. J. Mayer Ms. Kay Sekimachi ‘55 Nancy and Steve Selvin Judith Serin Andy M. Shafer ‘76 Ms. Emily P. Shepard ‘90, ‘93 Mrs. Ethel W. Shipp ‘50, ‘51 Thomas D. Shiu ‘51 and Posey Shiu Barre Shlaes and Mario Taravelli, International Marble Imports Betty W. Smelser ‘76 Dennis Smith ‘72, Dennis Smith Advertising Robert P. Smith ‘62 Sally J. and Dean D. Snyder ‘64*

Ms. Teresa Sol-Callan Ms. Young D. Song ‘73 Winsor Soule and Marcia Tanner John M. Spencer ‘66 Ms. Nancy Sox Sprague ‘65, Nancy Sprague & Company Mr. John A. Sproul Terry N. St. John ‘66 Deborah J. Stafford ‘79 and Wayne T. Lemley Mr. Douglas Stewart Dean Stone ‘40 and Elizabeth Stone Joan E. Stone ‘74 Ms. Constance d. Stoops ‘90 and Mr. Robert M. Stoops Anne Stranczek and Sandra London Holly and Jerome Suich Mr. Russell F. Svaren ‘52 and Mrs. Jacqueline C. Svaren Lisa G. Tasner ‘83 Thomas Tegge ‘85 and Linda Tegge Barbara Terzopoulos ‘73 Rebecca J. Thatcher ‘96 Ms. Nancy I. Thomas ‘80 Ms. Gabrielle Thormann ‘88 Jack N. Thornton Mr. and Mrs. Robert W. Tollen Constance A. Treadwell Ms. Susan Tully Miss Kimberley Turman ‘84 Everett Turner ‘51 and Petál Turner Ms. Kathryn Van Dyke ‘90 and Mr. R. D. Grant Sara C. Van Orsdel ‘73 Jim L. Vandegrift ‘73 Michael Vanderbyl ‘68, Vanderbyl Design Michael D. Varisto ‘73 Mr. Roberto Villa and Mrs. Silvia Villa Ms. Valerie Wade Mr. and Mrs. Robert L. Wait ‘52 Joseph and Jane Howard Walsh ‘38 Ms. Birte Walter ‘83 Frederick Wasser ‘60 and Linda Wasser Mr. and Ms. Glenn E. Weaver ‘52 Ms. Ann B. Weber ‘87 Ms. Betsy Weis ‘81 Dianne Weiss Ms. Susan S. Weller ‘70 Mr. Derek Wernher ‘66 Mr. Bill Whipple and Mrs. Nancy Whipple Richard E. White Sharon Wilcox ‘65 Randall and Ingrid Wiley Mrs. Ferne E. Wilson ‘42 Ms. Patricia S. Winer ‘74 Mr. John F. Wong ‘64 Dr. Ruth Worthington Ms. Isabelle D. Wyatt ‘84 and Mr. Bradley B. Wyatt Ms. Linda Yaven ‘72 Mr. Roger L. Yearout Philip Y. Yoke ‘71

Organizational Donors

Gifts in Kind

Gifts in Memory

$10,000+

Aaron Marcus and Associates,

Ashley Guppy Berce, by Philip and

The Clorox Company Foundation Corporation for National Community Service The Creative Work Fund George Frederick Jewett Foundation Getty Grant Program Grants for the Arts/San Francisco Hotel Tax Fund The James Irvine Foundation The LEF Foundation The Nathan Cummings Foundation National Endowment for the Arts Richard and Jean Coyne Family Foundation Richard and Rhoda Goldman Fund Samsung Design America Tupperware Worldwide U.S. Department of Education, Alameda County Office of Education

Aaron Marcus and Leslie Becker All Bay Mill & Lumber Company angela adams Ms. Janine Antoni Steven Boone, Twin-Flames Publishing Dr. Jack Borgos ‘72 Agnes Bourne Mr. Will Classen Mr. and Mrs. Les Crane Ms. Jane Culp Mr. Gary De Lecce Design Within Reach Ms. Pam Earing Mr. Dean Freeman ‘59 Friends of the Urban Forest Mr. and Mrs. Andreas Fuld The Garden Route Company Mr. Martin Gellen Mr. Elwood B. Gerrits Ms. Pam Glen Ms. Judith Goldsmith Ms. Ann Hamilton Ms. Vicki Harrison Ms. Mona Hatoum Mr. Gary Hill Mr. Jim Hodges Ms. Roni Horn Mr. William Hunter Mr. David Ireland ‘53, ‘91 Ms. Caroline Jones Ilya and Emilia Kabakov Dr. and Mrs. Roy M. Kahn Mr. Mike Kelley Yutaka Kobayashi and Kana Tanaka Byron D. Kuth and Elizabeth Ranieri, Kuth Ranieri Architects Ms. Anya Landeck Lannan Foundation Mr. Marc Le Sueur Ms. Marcia McDougal Mr. and Mrs. Milan C. McDowell Ms. Lindagerette Michel-Cassidy ‘03 Ms. Amber Noland Mr. Huang Yong Ping Shepard Pollack and Paulette Long Potrero Gardens Robert Mondavi Family of Wines Mr. Michael Rylander Raymond Saunders ‘62 Gertrude Schaufel* and Elizabeth Schaufel Morgan Schmidt-Feng ‘93 Ms. Nancy Servis Sharon Risedorph Photography Mr. Greg Silva ‘01 Mr. James Turrell Ms. Penny Wallace Ms. Katherine Westphal William Randolph Hearst Foundation Williams-Sonoma, Inc. Mr. Lawrence Wolf Ms. Juliette Wood

Sally Chapman Ms. Nicole Brownlee, by James E. and Leigh K. Brownlee, Trinity Evangelical Free Church Mr. Elby Coy, by Hugo Steccati ‘38 Mr. William Denault, by Philip and Sally Chapman Ms. Lillian Fox, by Hugo Steccati ‘38 Mr. Alan Herrick ‘95, by Mr. Tracy G. Herrick and Dr. Maie Herrick Mr. C. Carl Jennings ‘34, by The Kass Family, John Max, Max Machinery, Inc., Ms. Mary B. Max and Mr. John Max, Mr. and Mrs. R. Cortland Meinhardt, Mrs. Margaret J. Ralph and Mr. Clifton E. Ralph, Hugo Steccati ‘38, Dean Stone ‘40 and Elizabeth Stone, and Mr. Roger L. Yearout Mr. Dennis Leon ‘93, by Ms. Linda G. Corbett ‘87 Mrs. Nita Lumpkin, by Hugo Steccati ‘38 Ms. Carol Purdie, by Mr. and Mrs. Norman J. Stein, Sr. ‘70 Mr. Marc Rappaport, by Hugo Steccati ‘38 Mr. Lawrence Rehag, by Hugo Steccati ‘38, and Dean Stone ‘40 and Elizabeth Stone Ms. Rose Rothchild ‘60, by Mr. and Mrs. Norman J. Stein, Sr. ‘70 Ms. Grace Salt, by Philip and Sally Chapman Mark Smith, by Philip and Sally Chapman Mrs. Alva Steccati, by Hugo Steccati ‘38 Mr. Bob Stockdale, by Hugo Steccati ‘38

$5,000–$9,999 Art for Arts Sake La Colección JUMEX The Construction Specifications Institute Design Within Reach The San Francisco Foundation

$1,000–$4,999 Anshen + Allen Collectors of Wood Art EDAW, Inc. Fong & Chan Architects, Inc. GlaxoSmithKline Gordon H. Chong & Partners The Mary Wohlford Foundation National Education Loan Network, Inc.  $500–$999 ARCH Drafting Supplies Brayton + Hughes Design Studio Cass Calder Smith Architecture, Inc. Jensen & Macy Architects Mary C. Blessing Scholarship Fund of the Artship Foundation National Institute of Art & Disabilities Pacific Rim Sculptors Group Steelcase Incorporated  $250–$499 Art League of the East Bay David Baker + Partners, Architects ELS Architecture and Urban Design Guitar Center, Inc. Michael Willis Architects Microsoft

$50–$249 Beverly Prior Architects CCA Office of the President Charles Grant Lewis Architects Powell & Partners, Architects

Gifts in memory of Wolfgang Lederer, Steve Renick, and Gertrude Schaufel were published in the previous issue of Glance.

Legacy Society Cal Anderson ‘46 Simon and Kimberly Blattner Ms. Audrey B. Brown-Stone ‘76 Shirley Y. Christensen ‘53 Gladys M. Eaton Mrs. Phoebe Fisher-Wolters Koko Fujita ‘70 and Thomas E. Flowers Kenneth A. Goss Yuke Ling Y. Hong ‘76, ‘89 Dr. Thomas L. Nelson and Dr. Wylda H. Nelson Gerald M. Ober ‘56 Diane Oles ‘84 Mildred N. Patterson Shepard Pollack and Paulette Long Norma Schlesinger Estate of Emily T. Schwilke ‘36* Estate of Lundy Siegriest ‘49* Albertina L. Zanzi Living Trust ‘41*, Linda and Steve Lotspeich Anonymous (4) *Deceased

1. Paul and Elizabeth Wilson at the opening reception for Warped Space at the CCA Wattis Institute. Photo: Stuart Brinin 2. Left to right: Rena Bransten, Byron Meyer, and Diane Frankel at the Likeness opening reception. Photo:Kristen Loken

3. Themistocles Michos (left) with Bayete Ross-Smith, Heritage Scholarship Recipient, MFA Photography â&#x20AC;&#x2DC;04 at the Scholarship Dinner. Photo: Douglas Sandberg 4. Left to right: Kimberly Blattner, Simon Blattner, Nancy Forster, and Sharon Simpson at the dedication

of the Blattner Print Studio on the Oakland campus. Photo: Stuart Brinin 5. Dorothy and George Saxe at the Warped Space reception. Photo: Stuart Brinin 6. Michael Roth (left) and Raymond Saunders at the Likeness opening reception. Photo: Kristen Loken

CCA Students Star in HGTV’S Designer Finals TV producers descended on the San Francisco campus last December to cast CCA interior design and architecture students for Designer Finals, a new series by HGTV (Home and Garden Television). In the series, lucky homeowners get a free room makeover by a student from one of the nation’s top design schools, and students gain valuable real-world experience. CCA students selected for the series were Jeff Barrett, fourth-year architecture student, who designed a kitchen in San Mateo; fifth-year architecture student Chad DeWitt, who designed a home office in Lafayette; Hae Young Lee, fourth-year student in interior design, who designed a guest house in Concord; and Sondra Stoner, thirdyear student in interior design, who designed a children’s playroom in Concord. “There was a huge sense of urgency every day. I worked hard, but it was so rewarding,” says Hae Young. Unlike other home makeover shows, there were no

Photo: Sharon Risedorph Photography

scary surprises as students met with homeowners beforehand to consider the household’s needs and present their plans. Students then had two days, a $2,000 materials budget, and a small crew of handypersons to work their design magic. “TV is deceptive in that, in reality, things don’t cost $2,000 and don’t happen in two days,” says Chad. “Quality design takes money and time.” The projects brought out students’ resourcefulness. For instance, Chad was able to procure the generous donation of a chair from San Francisco–based company Design Within Reach. With a price tag more than his entire makeover budget, the chair was a big hit with his clients. Designer Finals premieres in summer 2004. HGTV will likely begin airing segments featuring CCA students in early fall. —Kim Lessard, Communications

In the News

This page, top to bottom: Hae Young Lee, Jeff Barrett, Sondra Stoner, Chad DeWitt Opposite page, clockwise from top left: Jeff’s completed kitchen design, Sondra’s remodeled playroom, Hae Young’s finished guest house, Chad’s home office. All photos by Stuart Brinin, except as noted.

Recent Faculty Appointment Photo: Joseph del Pesco

Manray Hsu, curator in residence, at bon appetit!, the project he developed during fall semester in collaboration with students in the MA Program in Curatorial Practice. The project was part of a larger curatorial exercise researching local and global food culture. The exhibition and events—including potlucks—took place in December 2003 at the San Francisco campus. Hsu’s residency was made possible by a generous grant from the Christensen Fund.

Thom Faulders, assistant professor, Architecture Program. Faulders has taught in the School of Architecture at the Royal Institute of Technology in Stockholm and at UC Berkeley. His work has been published nationally and internationally.

In the News

Interior Design Program Reaccredited Fashion Design Program Accepted by CFDA The Fashion Design Program has been accepted by the Council of Fashion Designers of America (CFDA) to participate in their scholarship, design initiative programs, and Best of School award. Our program is one of only fifteen leading fashion programs in the country privileged to be part of one of the fashion industry’s most important organizations. The CFDA is a nonprofit association whose membership consists of more than 250 of America’s foremost fashion designers. CFDA membership is by invitation, and new candidates, including participating educational institutions, are voted in by the board of directors annually. —Jennifer Minniti, Associate Dean

In fall 2003, the Interior Design Program was reaccredited for a six-year term by the Foundation for Interior Design Education Research (FIDER), an international nonprofit organization that accredits postsecondary interior design programs in the United States and Canada. The program received its initial accreditation in 1978 and holds the FIDER standards as the benchmark for its academic rigor. For 2004, DesignIntelligence has ranked the program at number six among the top FIDER-accredited interior design programs in the country. —Anthony Spurlock, Interior Design

Curatorial Practice Welcomes Visiting Artists The MA Program in Curatorial Practice welcomed five curators and artists during spring semester, with the help of generous support the program has received from the Christensen Fund. Raúl Cárdenas of the Tijuana-based artist group Torolab, and Osvaldo Sánchez, the artistic director of InSITE 2005, joined us in February. In April the Mexico-based independent curator Magali Arriola and artist Santiago Sierra met with graduate students. Also in April, Michèle Faguet, director of Espacio La Rebeca in Bogotá, Colombia, and Adriano Pedrosa, an artist, writer, editor, and independent curator based in Brazil, each visited CCA for a week. —Kate Fowle, Curatorial Practice

In the News

Awards & Accolades

Left to right: Tecoah Bruce, Viola Frey, Jan Boyce, John Bankston. Photo: Douglas Sandberg

John Bankston Is First Viola Frey Distinguished Visiting Professor CCA welcomes award-winning artist John Bankston as the first Viola Frey Distinguished Visiting Professor. The Viola Frey Chair in Fine Arts is the first endowment for a visiting artist in the history of the college and was created specifically to bring noted artists from around the world to teach at CCA and share their work with the Bay Area community. Bankston is the recipient of the Joan Mitchell Foundation Grant Program Award, the Fleishhacker Foundation Eureka Fellowship, the Louis Comfort Tiffany Foundation Grant, and the 2001 Art Council Grant. He also received the 2002 SECA Art Award from the San Francisco Museum of Modern Art. His work can be seen in the Studio Museum in Harlem in New York City and the Wadsworth Atheneum Museum of Art in Hartford, CT. Bankston received his MFA in painting from the School of the Art Institute of Chicago. His work in drawing and painting addresses issues of gender, race, and power. The college thanked the many generous donors of the Viola Frey Chair in Fine Arts and welcomed Bankston at a reception in December 2003. —Advancement Office

In September 2003, AIA San Francisco honored Marc Goldstein, FAIA, with a Special Achievement Award. A distinguished adjunct professor in the CCA Architecture Program, Goldstein was one of three early leaders of Skidmore, Owings & Merrill LLP. Along with fellow design partner Edward Charles “Chuck” Bassett, FAIA, and associate partner Charles Pfister, Goldstein helped define San Francisco’s architectural legacy through landmark buildings, classic interiors, and humanistic urban design. Hulleah Tsinhnahjinnie (‘81) was awarded a 2003 Eiteljorg Fellowship for Native American Fine Art. Tsinhnahjinnie, a photographer and multimedia artist, is Diné/Seminole/ Muscogee. She recently earned an MFA from UC Irvine. Each of the five Eiteljorg fellows, who are selected by an independent jury, receives a $20,000 honorarium to facilitate their continued growth as creative artists.

Several CCA-related titles were cited in the 2003 American Institute of Graphic Arts (AIGA) Fifty Books/ Fifty Covers competition. Named as outstanding books were Reality Check: Painting in the Exploded Field, Selections from the Vicki and Kent Logan Collection (CCA Wattis Institute), designed by Sara Cambridge (‘96), and Envisioning Science: The Design and Craft of the Science Image (MIT Press), designed by Stuart McKee, interim chair of the MFA Program in Design. Cited for cover design were Smallpox: The Fight to Eradicate a Global Scourge (UC Press), designed by Eric Heiman (Volume Design), assistant professor of graphic design; Safe Food: Bacteria, Biotechnology, and Bioterrorism (UC Press), designed by Adam Brodsley and Eric Heiman (Volume Design), both graphic design faculty; and Sexual Selections (UC Press), designed by Lee Friedman (Lee Friedman Studio), adjunct professor of graphic design.

Alumni Volunteers for 2003 CCA wishes to acknowledge and thank our volunteers who dedicated their time, talents, and energy to the CCA community in 2003. Volunteers serve on the CCA Board of Trustees, represent the college at admissions events across the country, serve on the Alumni Council, and assist with campus programs, fundraising, and many other activities. Volunteers are a vital part of CCA’s success, and new volunteers are always welcome. We hope that we have mentioned every volunteer, but if we have inadvertently left your name off this list we apologize. To be added to the list please contact the Alumni Office at alumni@cca.edu.

Alumni Tyler Aiello (‘94), Jennavave Barbero (‘02), Douglas Blanc (‘98), Helen Breger (‘70), Tecoah Bruce (‘79), Joseph Bryant (‘99), Pamela Cobb (‘98), Pam Dernham (‘98), Christopher Edwards (‘03), Jason Engelund (‘00), Donna Fenstermaker (‘88), Alexandra Grant (‘00), Jane Grimm (‘92), Carole Jeung (‘97), George Jewett (‘96), John Kohn (‘01), Arthur Krakower (‘01), Carol Ladewig (‘91), Katherine McKay (‘87), Samantha McWilliams (‘02), Ann Morhauser (‘79), Nathan Oliveira (‘52), Michaela Peters (‘97), Michael Prendergast (‘96), Herb Ranharter (‘77), Barbara Rogers (‘69), Douglas Sandberg (‘78), Eve Steccati-Tanovitz (‘69), Arlene Streich (‘66), Cathy Sullivan (‘95), Ron Tanovitz (‘69), Sharon Wilcox (‘65), Thomas Wojak (‘92), Misty Youmans (‘96)

Friends of Alumni Michael Dawson, Len Saltzmann, George Troy

Faculty Notes Michael S. Roth, President: published, book review of Stupidity and Tears by Herbert Kohl, San Francisco Chronicle, Jan. 2004; lecture, “What’s in a Name? New Ways of Looking at ‘Craft’” with David McFadden of the Musuem of Arts and Design, Oakland Museum of California, May 15, 2004; attended annual meeting of College Art Association, Seattle, WA, Feb. 2004; attended Berkshire Conference, Williamstown, MA, Jan. 2004. Bob Aufuldish: work published in book, Effects and Affects: 1,000,000 or Less Great, and I Mean Very Sophisticated and Enlightened, Things to Do with Photoshop.

Jack da Silva: group show, Beyond the Mines: The Art of Gold, Crocker Art Museum, Sacramento, CA, Jan.– Apr. 2003.

Natasha Boas: chief curator, Sonoma County Museum; lecture on curation, Mills College, Feb. 2004.

Marilyn da Silva: group show, Beyond the Mines: The Art of Gold, Crocker Art Museum, Sacramento, CA, Jan.– Apr. 2003.

Tammy Rae Carland: group shows: Inside of Inside, The Lab, San Francisco, Jan.–Feb. 2004; The Gray Area: Uncertain Images—Bay Area Photography 1970s to Now, CCA Wattis Institute, San Francisco, Dec. 2003–Feb. 2004; panelist, “On Photography,” CCA Graduate Studies/ Wattis Institute Public Lecture Series, CCA San Francisco campus, Jan. 2004. Scott Constable: recent Wowhaus projects include Market Street Live: SF 03, funded by San Francisco Arts Commission’s Art on Market Street program, fall 2003; F/A: Bay Area Furniture Art, Blue Room Gallery, San Francisco, Sept.–Oct. 2003; LostSpace @ Phoenix Garden, London, Aug.–Sept. 2003; public art commission, Spirit of the Calaveras, City of Stockton, CA, June–Nov. 2003; Edible Schoolyard Dining Commons (interior and furniture design), Berkeley, CA, Oct. 2002–present; speaker (with Ene Osteraas-Constable), AIGA Power of Design Conference, Vancouver, Canada, Oct. 2003.

Betsy Davids: Journalbooks series featured in Ampersand (Pacific Center for the Book Arts quarterly) and Unique Handmade Books (Sterling, 2002).

Joseph Rosa (Rizzoli), 2003; Material World, by the editors of Frame Magazine, The Netherlands; and Product Design, introducing new product design from around the world, Barcelona, Spain; design for CCA Wattis Institute featured in “When Did Craft Become a Dirty Word?” Metropolis, Oct. 2003. Judith Foosaner: solo show, Charcoal Drawings, Reeves Contemporary, New York, NY, Dec. 2003. Donald Fortescue: lecture, Wood/ Furniture Lecture Series, CCA San Francisco campus, Jan. 2004. Viola Frey (emerita): solo show, New Work, Rena Bransten Gallery, San Francisco, Oct.–Nov. 2003. Charles Gill (emeritus): solo show, Extra-Ordinary: The Work of Charles Gill, Boise Art Museum, Boise, ID, Nov.

Donna de la Perriere: published: poems, Denver Quarterly, winter 2003; New American Writing, autumn 2003; Boog City, autumn 2003; Colorado Review, summer 2003; readings: Zinc Bar Poetry Series, New York, NY, winter 2003; Boog Press, Oakland, autumn 2003; Boston Poetry Marathon Conference, Boston, MA, summer 2003. Rodolphe el-Khoury: published (with Mark Pasnik), CNP Headquarters (Princeton Architectural Press), 2004; co-editor (with Edward Robbins), Shaping the City: Studies in History, Theory, and Urban Design (Routledge), 2002. Thom Faulders: promoted, assistant professor of architecture, California College of the Arts, 2003; work recently published in Next Generation Architecture: Folds, Blobs, and Boxes, by

Mary Little and Peter Wheeler, Elder, 2003 Photo: Sean Gelbaugh

24 Rodolphe el-Khoury, “Night,” from Toronto’s Gardner Expressway Repackaged

2003–Feb. 2004; featured, Idaho PressTribune, Nov. 2003; profiled, Latitudes, Idaho Commission on the Arts, fallwinter 2003–4. Jim Goldberg: group show, The Gray Area: Uncertain Images—Bay Area Photography 1970s to Now, CCA Wattis Institute, San Francisco, Dec. 2003– Feb. 2004. Arthur Gonzalez: solo shows: Daum Museum, Sedalia, MO, Feb.–May 2004; Santa Fe Clay, Santa Fe, NM, Jan.– Feb. 2004; What tool must I use … the recent work of Arthur Gonzalez, St. Louis Community College, St. Louis, MO, Oct.–Nov. 2003; Saging, John Natsoulas Gallery, Davis, CA, Mar.–Apr. 2003; lecture, St. Louis Community College, St. Louis, MO, Nov. 2003. Matthew Higgs: solo show, Priceless, The Suburban, Chicago, IL, Apr. 2004; curator, Christopher Knowles solo show, Gavin Brown’s enterprise, New York, NY, May 2004; published: essay in Uta Barth (Phaidon), 2004; essay in Brian Jungen catalog (Secession, Vienna, Austria), 2004; essay in forthcoming Christian Marclay monograph (Phaidon); contributor, Artforum. Joseph Lease: published: poem, “‘Broken World’ (For James Assatly),” The Best American Poetry 2002 (Scribner); poem, “Words Like Rain,” The AGNI 30th Anniversary Anthology; chapbook, My Sister Life, Jensen/Daniels, 2002; and poems in New American Writing, autumn 2003, Boog City, autumn 2003

(Oakland poets anthology), Colorado Review, autumn 2002, Shofar, autumn 2002 (Jewish poetry anthology), Virginia Quarterly Review, summer 2002; essay, African American Review, autumn 2003; poetry reading/interviewed, Morning Edition, All Things Considered, National Public Radio, spring 2003; curator and poet in residence, “Poetry of Place” feature on National Public Radio’s nationally syndicated Here and Now, autumn 2003; poem performed in Small Press Traffic Poets’ Theater Festival, winter 2004. Mary Little and Peter Wheeler: group show, Function Follows Form: Artist-Made Furniture, Craft Alliance, St. Louis, MO, Jan.–Mar. 2004. Jeanne Lorenz: group show, 2002 Kala Fellowship Exhibition, Kala Art Institute, Berkeley, CA, Aug.–Sept. 2003.

Deborah Lozier: group show, Beyond the Mines: The Art of Gold, Crocker Art Museum, Sacramento, CA, Jan.– Apr. 2003. Elizabeth Mead: solo show, Sculpture and Drawings, American Conservatory Theater, San Francisco, June–July 2003. Abner Nolan: group show, The Gray Area: Uncertain Images—Bay Area Photography 1970s to Now, CCA Wattis Institute, San Francisco, Dec. 2003– Feb. 2004. Keith Plymale: panel moderator, “Pre-Fab: Making It Possible,” presented by AIA SF and Dwell, June 2003. Sue Redding: presented, paper, Industrial Design Society of America conference, August 2003. Joseph Rosa: published, Next Generation Architecture: Folds, Blobs, and Boxes (Rizzoli), 2003.

The group show For Example, on view in December 2003 at Michael Martin Galleries, San Francisco, featured work by the following architects, artists, designers, and writers teaching first-year Core studios. Jane Martin, chair of first year, served as guest curator. Scott Arford, Hugh Behm-Steinberg, Sydney Cohen, Andrew Dunbar, Mark Eanes, Carol Elkovich, Richard Elliott, Jordan Geiger, Georgia Goldberg, David Heintz, Melisse Herman, Dee Hibbert-Jones, Claire Kahn, Lynn Marie Kirby, Susan Kralovec, Christina La Sala, Elizabeth Leger, Marcia Lieberman, Jeanne Lorenz, Nathan Lynch, Jane Martin, Kelsey Nicholson, Mie Preckler, Ted Purves, K. C. Rosenberg, Bryan Keith Thomas, Lien Truong, Victoria Wagner, Deirdre White, Kelli Yon.

Ralph Rugoff: published: essay in Speaking with Hands: Photographs from the Buhl Collection (Guggenheim Museum), 2004; essay in Art and Photography (Phaidon Press), 2003; essay in Supernova: Art of the 1990s from the Logan Collection (SFMOMA), 2003; contributor, Frieze magazine; lectures: National Sculpture Factory, Cork, Ireland, Oct. 2003; Istanbul Biennial, Sept. 2003. Raymond Saunders: solo show, New Work, Stephen Wirtz Gallery, San Francisco, Oct.–Nov. 2003; group show, Raymond Saunders/Jean-Michel Basquiat, Galerie Sho, Tokyo, Japan, 2003. Mitchell Schwarzer: published, Zoomscape: Architecture in Motion and Media (Princeton Architectural Press), May 2004; contributor, Shaping the City: Studies in History, Theory, and Urban Design (Routledge), 2002. Judith Serin: published: prose poems in Paterson Literary Review, issue 32; prose poems in First Intensity magazine, issue 18. Leslie Speer: presented, paper, Industrial Design Society of America conference, Aug. 2003; the paper is forthcoming in Technology and Children, journal of International Technology Education Association. Larry Sultan: group show, The Gray Area: Uncertain Images—Bay Area Photography 1970s to Now, CCA Wattis Institute, San Francisco, Dec. 2003– Feb. 2004. Pamina Traylor: group show, Eclectic Goblet, Craft Alliance, St. Louis, MO, Feb.–Apr. 2003. Thomas Wojak: group show, Drawing, Fetterly Gallery, Vallejo, CA, Nov. 2003–Jan. 2004; lecture and presentation, “Screen Printing for Artists and Designers in the Digital Age,” McCune Collection of Book Arts, Vallejo Public Library, Apr. 2004; participant, Modern Art Council Auction, SFMOMA, May 2004. John Zurier: solo show, Gallery Paule Anglim, San Francisco, Oct.–Nov. 2003.

CCA Bookshelf: Writing Program Recent books by writers who teach in the CCA Writing Programs Fiction Juvenal Acosta: Terciopelo Violento, Moritz Mexico, 2003; The Tattoo Hunter, Gato Negro Books, 2002

Rebecca Solnit: River of Shadows: Eadweard Muybridge and the Technological Wild West, Viking Press, 2003; As Eve Said to the Serpent: On Landscape, Gender, and Art, University of Georgia Press, 2001; Hollow City: The Siege of San Francisco and the Crisis of American Urbanism, Verso Books, 2001 Poetry

Tom Barbash: The Last Good Chance, Picador USA, 2003

Opal Palmer Adisa: Caribbean Passion, Peepal Tree Press, 2004

Ryan Harty: Bring Me Your Saddest Arizona, University of Iowa Press, 2003

Kathleen Fraser: Discrete Categories Forced into Coupling, Apogee Press, 2004; hi ddevioleth i dde violet, Nomados, 2004

Michelle Richmond: Dream of the Blue Room, MacAdam/Cage Publishing, 2003; The Girl in the Fall-Away Dress, University of Massachusetts Press, 2001 (winner, Associated Writing Programs Award for Short Fiction)

Gloria Frym: Homeless at Home, Creative Arts Book Co., 2001 Joseph Lease: Human Rights, Jensen/ Daniels, 2004 (reissue; first published by Zoland Books); My Sister Life, Jensen/Daniels, 2002

Zack Rogow: Translation, Colette, Green Wheat, Sarabande Books, 2004

Michael McClure: Plum Stones: Cartoons of No Heaven, O Books, 2002

Nonfiction

Denise Newman: Human Forest, Apogee Press, 2000

Tom Barbash: On Top of the World: Cantor Fitzgerald, Howard Lutnick, & 9/11, HarperCollins, 2003 Kathleen Fraser: Translating the Unspeakable: Poetry and the Innovative Necessity, University of Alabama Press, 2001

Zack Rogow: Greatest Hits: 1979– 2001, Pudding House, 2002 We’ll feature books by CCA authors teaching in other programs in the fall 2004 Glance.

Alumni Notes 26

1938

1959

1967

Hugo Steccati: group show, Elder Arts 2003, Jewett Gallery, San Francisco Public Library, Aug.–Oct. 2003.

Richard Brennan: group show, Sevier County Invitational Exhibition, Arrowmont School of Arts and Crafts, Gatlinburg, TN, Jan.–Feb. 2004. John A. Helgeson: group show, Elder Arts 2003, Jewett Gallery, San Francisco Public Library, Aug.–Oct. 2003. John Nicolini: group show, Elder Arts 2003, Jewett Gallery, San Francisco Public Library, Aug.–Oct. 2003.

Richard Beggs: solo show, The Circle of Memory, Oakland Art Gallery, Oakland, Oct.–Dec. 2003.

1939 Ira Latour: solo show, A Retrospective of Photography, Humanities Center Gallery, CSU Chico, Chico, CA, Nov. 2003; award, Artist of the Year, San Francisco Elder Arts, 2003.

1953 Dorothy Cutright Davis: event, Jessup, NV, June 2004; retrospective, 60 Years of Art, Orinda Library Gallery and Cultural Center, Orinda, CA, Jan.– Feb. 2004; lecture, Alamo/Danville Art Association, CA, Mar. 2003; honored as founder, Lamorinda Arts Alliance, Lafayette, Orinda, and Moraga, CA, 2003; featured, Contra Costa Sun, Jan. 2004; new business creating products from recycled redwood. David Ireland: solo show, The Way Things Are, Oakland Museum of California, Nov. 2003–Mar. 2004; featured, “‘The Way Things Are’ at Oakland Museum of California,” San Francisco Chronicle, Nov. 2003.

1963 Violet Chew-MacLean: group show, Elder Arts 2003, Jewett Gallery, San Francisco Public Library, Aug.–Oct. 2003. Gale Lindstrom: group show, Lieutenant Governor’s 4th Annual Invitational Art Exhibition, Capitol Rotunda, Salt Lake City, UT, Sept. 2003. Judith Linhares: lecture, Anniversary Lecture Series, Sonoma State University Art Gallery, Sonoma, CA, Sept. 2003.

1966 James W. McLemore: solo show, Art Gallery 100, Longview, TX, Dec. 2003–Jan. 2004.

1956

1969 Tomie dePaola: solo show, TOMIE & HIS STUFF: Paintings, Drawings and Illustrations by Tomie dePaola and Art That He Has Collected, Marian Graves Mugar Art Gallery, Colby-Sawyer College, New London, NH, Oct.–Dec. 2003. Roger Kast: group show, Art on the Plains 2003, Plains Art Museum, Fargo, ND, Sept. 2003–Jan. 2004.

1970 Pamela Hahn: solo show, Correspondence Series, Partners Gallery, Little River, CA, Sept.–Oct. 2003; group shows: Found Imagery: The Art of Collage, Fresno Art Museum, Fresno, CA, March–June 2003; Waxing Poetic, Catskill Mountain Foundation, Hunter, NY, May–June 2003. Susan Lehman: group shows: Cowtown, Center for Contemporary Art, Sacramento, CA, Jan. 2004; Colors of Woodland: Woodland High School alumni exhibition, Woodland, CA, May–June 2004.

1971

Stanley Grosse: group show, Elder Arts 2003, Jewett Gallery, San Francisco Public Library, Aug.–Oct. 2003. Sam Richardson: group show, Face2Face, Creative Growth Art Center, Oakland, Sept.–Oct. 2003.

Allison Lasley: solo shows: Summer Series, ART Station Contemporary Arts Center, Stone Mountain, GA, June–Aug. 2003; 2003–2004 Artist Exhibition Series, Harry & Laura Nohr Gallery, Ullsvik Center, Platteville, WI, Sept. 2003; group show, Northern Michigan University Museum, Marquette, MI, 2003.

1958 Gloria Brown Brobeck: group show, Elder Arts 2003, Jewett Gallery, San Francisco Public Library, Aug.– Oct. 2003. Roger Kast (MFA 1969), Texas #1, 2003

1972 Onajide Shabaka: appointed, visiting professor of photography, Florida Atlantic University, FL; owner and managing editor, miamiartexchange.com; graduated, MFA, Vermont College, 2000.

1973 Fern Barker: group show, Face2Face, Creative Growth Art Center, Oakland,

Jane Lackey (BFA 1974), Stanza 4, 2003

Sept.– Oct. 2003. Timothea Campbell: group show, Works on Paper SF/NY/LA, San Luis Obispo Art Center, San Luis Obispo, CA, Oct.–Nov. 2003. Karen Koblitz: group show, The Artful Teapot, Long Beach Museum of Art, Long Beach, CA, June–Sept. 2003; residency, Grazia Factory, Deruta, Italy, May– June 2003; appointed, acting head of Ceramics Department, University of Southern California School of Fine Arts, Los Angeles, CA, 2003–4; lecture, “Working in the Realm of Public Art,” Hui No’Eau Visual Arts Center, Maui, HI, July 2003. James Torlakson: solo show, James Torlakson Realism, City Arts Gallery, CCSF, San Francisco, Oct.– Nov. 2003.

1974 Jane Lackey: solo show, Interior Particular, Meadow Brook Art Gallery, Rochester, MI, Nov.–Dec. 2003; group show, DNA, Art & Science: The Double Helix, Museum of Contemporary Art, University of South Florida, Tampa, FL, Jan. 2004; lectures: Maine College of Art, Portland, ME, March 2004; University of the Arts, Philadelphia,

PA, March 2004; CCA Oakland campus, Feb. 2004; featured: Interior Particular, exhibition catalog, Meadow Brook Art Gallery, 2003; Portfolio Collection, Helga Pakasaar (Telos Art Publishing), 2002; ARTnews, April 2003. McKenzie Oerting (Katherine Moore): group show, O NO! (Oerting & Noguere), Steamboat House Gallery, Pensacola, FL, Sept. 2003.

1975 Eva Bovenzi: group shows: Bedford Gallery, Walnut Creek, CA, June 2004; The Drawing Room, Kala Art Institute, Berkeley, CA, Feb. 2004; Biennale dell’Arte Contemporanea, Florence, Italy, Dec. 2003. Marc Katano: solo show, New Paintings, Stremmel Gallery, Reno, NV, July–Aug. 2003. Sonia King: solo show, Lay of the Land: Mosaics by Sonia King, Irving Arts Center, Irving, TX, Aug.–Sept. 2003; award, mosaic commission for Children’s Medical Center of Dallas; appointed, president of Society of American Mosaic Artists; published, Mosaic Techniques and Traditions.

1976 Mark Bowles: group shows: Yosemite National Park Traveling Exhibition, 2004–5; Evening with the Arts Invitational, Sutter Club, Sacramento, CA, 2004; Grand Canyon Invitational Show, J. Mark Sublette Medicine Man Gallery, Tucson, AZ, Feb.–May 2004; Yosemite National Park Museum Juried Show, Yosemite, CA, Feb. 2004; John Natsoulas Gallery, Davis, CA, Jan. 2004; Arte Gallery, Palm Desert, CA, Dec. 2003–Jan. 2004; Miniatures and Masterpieces, Art Foundry, Sacramento, CA, Dec. 2003; Steve Chase Humanitarian Award, Desert AIDS Project, Feb. 2004; featured, painting, Architectural Digest, Feb. 2004. Linda Naiman: co-author, Orchestrating Collaboration at Work: Using Music, Improv, Storytelling and Other Arts to Improve Teamwork, Jossey-Bass/Pfeiffer, 2003. Joan Perlman: group show, H2O, Santa Fe Art Institute, Santa Fe, NM, Nov. 2003–Jan. 2004. Will Weston: teaching at Art Center College of Design, Otis College of Art and Design, and CSU Northridge.

1977 Squeak Carnwath: solo show, Paper Trail, John Berggruen Gallery, San Francisco, Oct.–Nov. 2003. Herb Ranharter: solo show, recent work, Austria, Oct.–Nov. 2003. William C. Wright: grand prize, still-life competition, International Artist Magazine, Oct.–Nov. 2003.

1978 Jamie Brunson: solo shows: Flourish, Cline Fine Art, Scottsdale, AZ, March 2004, and Santa Fe, NM, Nov. 2003–Jan. 2004; group show, Face2Face, Creative Growth Art Center, Oakland, Sept.–Oct. 2003. Julia Ross: participant, North Marin Open Studios, Novato, CA, May 2004.

1979 Ruth Boerefijn: group shows: 25th Anniversary Exhibition, SFMOMA Artists Gallery, San Francisco, Nov.–Dec. 2003; Un/Familiar Territory, San Jose Museum of Art, San Jose, CA, April–July 2003.

1980 Gregory Piatt: group show, Mount Diablo Gallery, Mount Diablo, CA, Jan. 2004.

1982 Carole Seborovski: solo show, Works on Paper and Mixed Media, Galerie Karsten Greve, Cologne, Germany, Jan.–Mar. 2004; group show, Tasty Buds, The Work Space @ Dolgenos Newman & Cronin LLP, New York, NY, May–July 2003. Emily West: group show, Inventive Mixed Medias, Pasadena Society of Artists, Fine Artists Factory Gallery, Pasadena, CA, Sept.–Oct. 2003.

1983 Leslie Hoops-Wallace: featured, Macon Sketchbook, City Sketchbook Series, Indigo Customs Publishing.

1984 Michael Beck: solo show, Michael Beck: Paintings, The Tatistcheff Gallery, New York, NY, Oct.–Nov. 2003.

1985 Chris West: group show, Dinosaurs, Los Medanos Community College Gallery, Pittsburg, CA, Oct.–Nov. 2003.

1987 Charles Browning: group shows: POPROCKS, Caren Golden Fine Arts, New York, NY, Dec. 2003; Master Blaster, Rosenberg Gallery, New York, NY, Nov.–Dec. 2003; ARTSTARS: NYU MFA Truck Show, New York, NY, Nov. 2003; NYU Open Studios Weekend, New York, NY, Nov. 2003. Jessica Fuller: group show, Dinosaurs, Los Medanos Community College Gallery, Pittsburg, CA, Oct.–Nov. 2003. Laurie Hoey:

Central Missouri State University, Warrensburg, MO, 2004; 25th Annual Paper in Particular National Exhibition, Columbia College, Columbia, MO, 2004; 40th Anniversary Juried Exhibition, Sumi-e Society of America, North Bethesda, MD, 2003; Color I International Juried Art Exhibition, Period Gallery International, Omaha, NE, 2003; presented: College Art Association Conference, Seattle, WA, 2004; Midwest Chinese American Science &

Allison Lasley (BA 1971), Autunno, 2002

group show, Elder Arts 2003, Jewett Gallery, San Francisco Public Library, Aug.–Oct. 2003. Kathleen Russu: solo show, Works by Kathleen Russu, 29 Palms Art Gallery, Twentynine Palms, CA, Aug.–Sept. 2003; group show, American Quilters Society Exhibit, Nashville, TN, Aug. 2003. Patricia Sannit: group show, Exhibition of Ceramics, Udinotti Gallery, Scottsdale, AZ, Oct. 2003. Ann Weber: sculpture (public art commission), Enough, Not Enough, Health Services Building, Sacramento, CA, 2003; featured, “State Capitol Sculpture Complete,” Artweek, Dec. 2003–Jan. 2004. Lampo Leong: solo shows: Elizabeth Rozier Gallery, Missouri State Museum, Jefferson City, MO, 2004; Living Green Gallery, San Francisco, CA, 2004; Suburban Fine Arts Center, Highland Park, IL, 2003; group shows: Greater Midwest International Exhibit XIX,

Technology Association Conference, Chesterfield, MO, 2003. Patricia Olynyk: solo show, Transfigurations/ Transmutations, Galleria Grafica, Tokyo, and Art Life, Mitsuhashi, Kyoto, Japan; group shows: 2003 C.A.F. Exhibition, Saitama Modern Art Museum, Japan; Sculptural Prints, Print Center, Philadelphia, PA; The Boston Printmakers 2002 North American Print Biennial, 808 Gallery, Boston University, MA; Transitions: International Trends in Contemporary Printmaking, International Gallery of Contemporary Art, Anchorage, AK; Locale, University Art Gallery, Central Michigan University, MI; World Art Print, National Palace of Culture, Sofia, Bulgaria; award, public art commission, Labyrinth Project, Matthaei Botanical Gardens, Ann Arbor, MI, 2004; presented, IMPACT: International Printmaking Conference 2003, Cape Town, South Africa, 2003.

1990 Jeremy Cline: group show, Craft Showcase 4, Museum of Craft and Folk Art, San Francisco, Nov.–Dec. 2003. Cynthia Harper: group shows: Twenty-first Century Contemporary Art Now, Kwang Ju Art Center, South Korea, Sept.–Dec. 2003; International Sculpture Center at Grounds for Sculpture, Hamilton, NJ, July–Sept. 2003; lectures: Public Art Primer, Lycoming College, Williamsport, PA, Oct. 2003; Bald Mountain Art League, City Hall, Williamsport, PA, Oct. 2003. Taraneh Hemami: permanent installation, Hall of Reflections, Persian Center, Berkeley, CA, 2003. Amy Kaufman: solo show, Traywick Gallery, Berkeley, CA, Mar. 2003; group shows: Fine Lines, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, Nov. 2003–Jan. 2004; 25th Anniversary Exhibition, San Francisco Museum of Modern Art Artists Gallery, Nov.–Dec. 2003; Visible Rhythm, San Jose Museum of Art, San Jose, CA, 2003. Kelsey Nicholson: group shows: Close Calls, Headlands Center for the Arts, Sausalito, CA, Jan.–Feb. 2004; Dinosaurs, Los Medanos Community College Gallery, Pittsburg, CA, Oct.–Nov. 2003. Michele Pred: group show, San Francisco International Art Exposition, Brian Gross Gallery of Fine Art, Fort Mason, Jan. 2004. Wendle Shoniger: featured, “Curb Appeal,” Home and Garden Television, Nov. 2002. Kathryn Van Dyke: group show, Makeshift World, Stephen Wirtz Gallery, San Francisco, July–Aug. 2003. Lexa Walsh: group shows: The Immortalization Project, REX-b92 Cultural Center, Belgrade, Serbia and Montenegro, Sept.–Oct. 2003; Nature of Performance, Performance in Nature, 5th Annual Multimedial Art Festival, Odzaci, Serbia and Montenegro, Aug.– Sept. 2003; OpenhARTS: Glass Case Exhibits by Bay Area Artists, San Francisco Public Library, Mar.–Apr. 2003; performance, Cite de la Musique’s Musique et Jouets festival, Paris, France, Feb. 2004; featured: Stari Grad, Belgrade, Serbia and Montenegro, Oct. 2003; Danas, Belgrade, Serbia and Montenegro,

Sept. 2003; Dnevnik, Novi Sad, Serbia and Montenegro, Sept. 2003; Politika, Belgrade, Serbia and Montenegro, Sept. 2003.

1991 Lisa Kokin: group show, Face2Face, Creative Growth Art Center, Oakland, Sept.–Oct. 2003.

Ceramic Sculpture, Arts Benicia Gallery, Benicia, CA, Mar.–Apr. 2003. Lloyd Walsh: solo show, Lloyd Walsh: Artist of the Year 2003, San Antonio Art League Museum, San Antonio, TX, Sept.–Oct. 2003.

1993

Deborah A. Bates: solo show, From This Ground: Architecture of a Family, 1992 Carney Gallery, Fine Arts Center, Regis China Blue (Maureen Wong): College, Weston, MA, Sept.–Oct. 2003; featured: Art in America, Dec. 2003; group show, Face2Face, Creative Growth New York Times, July 2003. Susan Art Center, Oakland, Sept.–Oct. 2003. Goldsmith: group shows: 525 Market Mingwei Lee: solo shows: Through Street, Jan.–Feb. 2004; Prints by Gallery Masters Eyes, Los Angeles County Artists, CFA Gallery, San Anselmo, Museum of Art, Los Angeles, CA, CA, Jan. 2004; The Painterly Print, CFA 2004; The Tourist, MoMA, Queens, NY, Gallery, San Anselmo, CA, Nov.–Dec. Sept.–Nov. 2003; The Sleeping Project, 2003; special effects artist: Day After Venice Biennale, Taiwan Pavilion, Tomorrow, 2004; Peter Pan, 2003; Pirates Venice, Italy, June–Nov. 2003; Harvard of the Caribbean, 2003. Steve Jones: Seers Project, Harvard University OFA, group show, Word: my definition is this…, San Francisco African American Cambridge, MA, 2003; group shows: Whitney Seers Project, Whitney Biennial, Historical & Cultural Society, Fort Mason, San Francisco, Nov.–Dec. 2003. Whitney Museum of American Kin Kwok (Wilson Guo): group shows: Art, New York, NY, 2004; Pantheon, Cincinnati Center for Contemporary Ana 32 Exhibition, Holter Museum of Art, Cincinnati, OH, May–Dec. 2003; Art, Helena, MT, Aug.–Oct. 2003; The Gift, Bronx Museum of Art, Bronx, 2003 Equinox: A Survey of Contemporary NY, 2003; The Gift, Mary and Leigh Art, Paris Gibson Square Museum of Block Museum of Art, IL, 2003; Mind Art, Great Falls, MT, Aug.–Oct. 2003; Space, Ho-Am Art Museum, Seoul, Vision in Clay 2003, Reynolds Gallery, Korea, 2003; The Magic Makers, Des University of the Pacific, Stockton, Moines Art Center, Des Moines, CA, June–July 2003; Feats of Clay XVI, IA, 2003; Away from Home, Wexner Lincoln Arts, Lincoln, CA, Apr.–May Center for the Arts, Columbus, OH, 2003; Terra Forma: A Juried Exhibition of 2003; awards: Marshal Cogan Artist in Residence, Harvard University, Cambridge, MA, 2003; artist in residence, Wexner Center, Columbus, OH, 2003. Stephen Sheffield: group show, Introductions 2004: Annual New Talent Exhibition, Judi Rotenberg Gallery, Boston, MA, Jan. 2004. Peter Haakon Thompson: solo show, New Color Work, Scott Nichols Gallery, San Francisco, Nov. 2003–Jan. 2004.

1994

Timothea Campbell (BFA 1973), Yew, Irish, 2002

Lynn-Rachel Altman: award, residency, Artist Studio/Artist Demo, Fine Arts Museums of San Francisco, Jan. 2003. Philip Buller: solo show, Andrea Schwartz Gallery, San Francisco, Oct.–Nov. 2003. Harrell Fletcher: solo shows: Happiness Follows

Us Like a Shadow, New Langton Arts, San Francisco, Jan.–Feb. 2004; Maintaining the Jazz, Jack Hanley Gallery, San Francisco, Jan. 2003; artist talk, New Langton Arts, San Francisco, Jan. 2004. Karin Lusnak: group show, Members’ Solo Exhibition, Berkeley Art Center, Berkeley, CA, Apr.–June 2004; featured, Woman’s Work: Making Quilts—Creating Art, documentary aired on KQED, Mar. 2004.

1995 Rose Marie Ginsburg: group show, Elder Arts 2003, Jewett Gallery, San Francisco Public Library, Aug.–Oct. 2003. Alice Park-Spurr: work included in permanent collection, Canada Council for the Arts, 2003.

1996 Judith Anderson: group show, Elements, Baxter Chang Patri Fine Art, San Francisco, Mar.–May 2004. James Goode: group show, Mischief, The Lola Gallery, San Francisco, Oct.–Nov. 2003. Todd Hido: solo show, Photographs, Baldwin Gallery, Aspen, CO, Mar.– Apr. 2003; group show, The Gray Area: Uncertain Images—Bay Area Photography 1970s to Now, CCA Wattis Institute, Dec. 2003–Feb. 2004. Phil Linhares: group show, Face2Face, Creative Growth Art Center, Oakland, Sept.–Oct. 2003. Chris Tewksbury: appointed, senior designer of store design, GapKids, Feb. 2004. Misty Youmans: group shows: Silver Threads and Golden Needles, Fetterly Gallery, Vallejo, CA, Jan.–Feb. 2004; Red, Contemporary Arts Forum, Santa Barbara, CA, Jan.–Feb. 2004; By Land or By Sea, Exploding Head Gallery, Sacramento, CA, Jan. 2004.

1997 Tim Evans: group shows: Black President: The Art and Legacy of Fela Anikulapo Kuti, New Museum of Contemporary Art, New York, NY, 2003, traveling to Yerba Buena Center for the Arts, San Francisco, Apr.–July 2004, and Barbican Art Galleries, London, England, Sept.–Oct. 2004; Nueva, Laforet Museum, Tokyo, Japan, 2003; Amigos: An Art Showcase on the Lower East Side, Associated Projects, New York, NY, 2003; Design Trust for

Public Space: Silent Art Auction, Cohan Leslie and Brown, New York City, NY, 2003; Kageki Metonymics: Subversions and Transformations from the Japanese Fringe, Linc Real Art, San Francisco, and Stefan Stux Gallery, New York, NY, 2003; featured: Frieze Magazine, 2003; New York Times, 2003; Japan Inc. Magazine, 2003; Paper Magazine, 2003; Time Out New York, 2003; VICE Magazine; appointed, contributing editor, Art Asia Pacific Magazine, 2003. Tia Factor: group show, Periphery, Worth Ryder Gallery, UC Berkeley, CA, Mar. 2003. Nadja Haldimann (Jennifer Hartman): Gold IDSA Award for Microsoft Office software design, 2003. Gillian Durko Puryear: group show, Exquisite Pilgrim, Robert Lehman Gallery, Brooklyn, NY, May–Aug. 2003; featured, International Glass Art (Schiffer Publishing), 2003. Gwyan Rhabyt: awards: LEF Foundation grant; Gunk Foundation grant; CSU Faculty Support grant for forthcoming project, Creek Sound. Karen Carlo Salinger: group show, Mischief, The Lola Gallery, San Francisco, Oct.–Nov. 2003. Shalene Valenzuela: solo show, A Measure of Time: New Ceramic Work, Cricket Engine Studio and Gallery, Oakland, Dec. 2003. Sayumi Yokouchi: group shows: Amigos: An Art Showcase on the Lower East Side, Associated Projects, New York, NY, 2003; Design Trust for Public Space: Silent Art Auction, Cohan Leslie and Brown, New York, NY, 2003; Kageki Metonymics: Subversions and Transformations from the Japanese Fringe, Linc Real Art, San Francisco, 2003; The Ornament Show, Velvet da Vinci, San Francisco, 2003; Asian Roots, Western Soil, JAHS, San Francisco, 2003; New Paltz Jewelers & Metalsmiths Andora Gallery, AZ; Anti War Metals, Velvet da Vinci, San Francisco, 2003; Rx Art Ball Dolce & Gabbana, New York, NY, 2003; featured: Art Asia Pacific, 2003; Los Angeles Times, 2003; appointed: teaching staff, Craft Students League, New York, NY, 2003; 92nd St. Y, New York, NY, 2003.

Lava Thomas (BFA 1999), Lavalle, 2003

1998

1999

Pam Dernham: group shows: Pacific Rim Sculptors Group Show, San Francisco, June–July 2003; ARTFORAIDS Auction, Butterfield’s, San Francisco, July 2003; work included in Rene di Rosa Collection, Napa, CA, 2002. Katie Frank: solo show, Color, Soluna, San Francisco, Dec. 2003. Renee Gertler: group show, Dinosaurs, Los Medanos Community College Gallery, Pittsburg, CA, Oct.–Nov. 2003. Alan Parrish: group show, Fresh Currents, SFMOMA Artists Gallery, San Francisco, Sept. 2003. Aaron Peterson: solo show, Flurries, Excentrique Gallery, Sacramento, CA, Nov. 2003.

Amanda Hughen: group shows: Close Calls, Headlands Center for the Arts, Sausalito, CA, Jan.–Feb. 2004; Periphery, Worth Ryder Gallery, UC Berkeley, CA, Mar. 2003. Chris Oliveria: group show, Face2Face, Creative Growth Art Center, Oakland, Sept.–Oct. 2003. Rommel Taylor: group show, Word: my definition is this…, San Francisco African American Historical & Cultural Society, Fort Mason, San Francisco, Nov.–Dec. 2003. Lava Thomas: group shows: Organic, Nathan Larramency Gallery, Ojai, CA, Nov.–Dec. 2003; Open House, Djerassi Resident Artists Program, Woodside, CA, June 2003; awards: residency,

Djerassi Resident Artists Program, Woodside, CA, June 2003; fellowship, Peninsula Community Foundation, June 2003; reviewed: Ventura County Reporter, Dec. 2003; Los Angeles Times, Dec. 2003.

2000 Alexandra A. Grant: group shows: Painting By Letters, Cirrus Gallery, Los Angeles, CA, Nov. 2003; Mind’s Eye, SolwayJones, Los Angeles, CA, Aug.–Sept. 2003. J. B. Lowe: group show, The Great Dime Show: New Paintings and Better Than Ever Before, The Nexus Gallery, Berkeley, CA, Nov. 2003. Naomi Muirhead: group show, SACI Women in the Arts: Faculty Women, SACI Gallery, Florence, Italy, Oct.–Nov. 2003; teaching at Art Studio Fuji, Florence, Italy. Dave Pauls: group show, The Great Dime Show: New Paintings and Better Than Ever Before, The Nexus Gallery, Berkeley, CA, Nov. 2003. Marina Vendrell: solo show, Coochi Boo Hoo, Lizabeth Oliveria Gallery, Oct.–Nov. 2003.

2001 Libby Black: group show, Makeshift World, Stephen Wirtz Gallery, San Francisco, July–Aug. 2003. Lily CoxRichard: group show, PopularTM Five Artists + Performance, Works/San Jose, San Jose, CA, Aug.–Sept. 2003. Patrick Dintino: solo shows: Spectrum, The Big Pagoda, San Francisco, Oct. 2003; group show, arranged by Andrea Schwartz Gallery at Gensler, San Francisco, May 2003. Sharon Eisley: group show, The Great Dime Show: New Paintings and Better Than Ever Before, The Nexus Gallery, Berkeley, CA, Nov. 2003. Joshua Gorchov: group show, The Great Dime Show: New Paintings and Better Than Ever Before, The Nexus Gallery, Berkeley, CA, Nov. 2003. Patrick A. Houlihan: group show, Elder Arts 2003, Jewett Gallery, San Francisco Public Library, Aug.–Oct. 2003. Arthur Krakower: solo shows: Cafe Borrone, Menlo Park, CA, Feb. 2004; Punctum, City Picture Gallery, San Francisco, Feb.–Apr. 2003; included, Paula Kirkeby Collection at de Saisset Museum, Santa Clara University,

Santa Clara, CA; featured, “Young at Art,” The Almanac, Menlo Park/ Atherton/Portola Valley/Woodside, CA, Aug. 2003. Rosanne Reynolds: group shows: Viewpoint: Ceramics 2004, Hyde Art Gallery, Grossmont College, El Cajon, CA, Jan.–Feb. 2004; Global Artlook International Exhibition 2003, Matrix Arts Gallery, Sacramento, CA, Sept.–Nov. 2003; Visions in Clay, Richard and Marjorie Reynolds Gallery, University of the Pacific, Stockton, CA, June–July 2003; award, Elizabeth Heil Ceramic Scholarship Award, San Jose State University, San Jose, CA, 2003; featured, American Art Collector, Feb. 2004. Nellie King Solomon: group show, Organic, G. R. N’Namdi Gallery, Chicago, IL, Aug. 2003. Eugene Young: group show, Word: my definition is this…, San Francisco African American Historical & Cultural Society, Fort Mason, San Francisco, Nov.–Dec. 2003.

2002 Lisel Ashlock: group show, The Great Dime Show: New Paintings and Better Than Ever Before, The Nexus Gallery, Berkeley, CA, Nov. 2003. Kris Chau: group show, The Great Dime Show: New Paintings and Better Than Ever Before, The Nexus Gallery, Berkeley, CA, Nov. 2003. Mike Farruggia: solo show, Planet San Francisco, Braunstein/Quay Gallery, San Francisco, July–Aug. 2003. Caitlin Kuhwald: group show, The Great Dime Show: New Paintings and Better Than Ever Before, The Nexus Gallery, Berkeley,

CA, Nov. 2003. Chicory Miles: solo show, Transgenic Miracles, New Orleans Center for Creative Arts, New Orleans, LA, Feb.–March 2004; group shows: Southern Current, Center for Living Arts, Mobile, AL, Nov. 2003–Jan. 2004; Saltine Biennial, Mobile Museum of Art, Mobile, AL, Oct.–Dec. 2003; appointed, instructor, School of Art, Louisiana State University. Susan Sobeloff: group show, PopularTM Five Artists + Performance, Works/San Jose, San Jose, CA, Aug.–Sept. 2003. Lauren Rainey Straus: curated, The SIM Gallery Project, Yerba Buena Center for the Arts, San Francisco, Jan. 2004.

2003 Mike Kimball: group shows: Ink and Clay 30, Cal Poly University Art Gallery, Pomona, CA, Jan.–Feb. 2004; Culture Fluid, Clemson University Art Gallery, Clemson, SC, Jan.–Feb. 2004; Hakone Japanese Gardens, Saratoga, CA, Aug.– Sept. 2003. Shane Aslan Selzer: group show, Makeshift World, Stephen Wirtz Gallery, San Francisco, July–Aug. 2003. Hank Thomas: group show, PopularTM Five Artists + Performance, Works/San Jose, San Jose, CA, Aug.–Sept. 2003. Marie Van Elder: group show, The legacy of I. Storer, San Jose Institute of Contemporary Art, Nov. 2003– Jan. 2004; featured, New American Paintings, MFA 2003.

The curated exhibition Advance to Go, on view Feb.–Mar. 2004 at the Oliver Art Center on the CCA Oakland campus, featured work by the following recent alumni: Ellen Babcock, Tommy Becker, Anthony Discenza, Tia Factor, Josh Greene, Hannah Henry, Jason Jagel, Hector Dio Mendoza, Jarrett Mitchell, Tessa O’Donnell, Jennifer L. Rosenberg, Maria Vendrell, Jon-Paul Villegas, Mary Elizabeth Yarbrough.

CCA Alumni Council presents Alumni Exhibition Oliver Art Center 5212 Broadway, Oakland May 14 – June 19, 2004 Information: www.cca.edu

In Memoriam 32

Andy Addkison Andy Addkison died in June 2003 in Florida. He taught interior design for many years and was chair of Environmental/Interior Design, as the program was formerly known. Known for his strong ideas about design education and the changing profession of interior design, Addkison served as chair of several national and regional educational committees for the American Institute of Interior Designers. Always concerned about students, their individual growth, and the development of their philosophies of design, he was a vital presence in the lives of many at CCA.

Molly E. Barr, 1951 August 28, 2003, Walnut Creek, CA Ralph S. Du Casse, MFA 1950 December 12, 2003, San Francisco, CA William Fung November 6, 2003, San Jose, CA

Francis Gomez-Milan, BFA 1980 October 29, 2003, San Francisco, CA Therese Heyman January 16, 2004, Berkeley, CA Thomas Holland January 3, 2004, Ajijic, Mexico Joe Allen Hong, 1952 February 28, 2004, Merced, CA Wayne O. Richards, BFA 1958 January 29, 2004, Sonoma, CA Sam Tchakalian Artist and teacher Sam Tchakalian died on January 22, 2004, in San Francisco. He was seventyfive. A former faculty member at California College of the Arts, he also taught at the San Francisco Art Institute for thirty-five years. His work is included in the permanent collections of museums including SFMOMA and the Oakland Museum.

Drop Us a Line Deadline for the next Glance is July 15, 2004. Send us news of your current and upcoming exhibitions, awards, publications, or honors. You may enclose a slide or photograph of your artwork, labeled on the back with your name and year of graduation, along with the medium, dimensions, and date of the piece. You may also email your news to alumninotes@cca.edu or facultynotes@cca.edu.

Name: Phone Number: Email Address: Alum

Year:

Degree:

Faculty Program: Exhibition Title: Gallery/Museum/Other Venue and Location:

Dates of Exhibition:

Solo Show Group Show

Current Projects:

Recent Awards, Grants, Promotions, Appointments, Etc.:

Lectures (include date, title, occasion, location):

Please complete and return this form by July 15, 2004, to:

Communications Department California College of the Arts 1111 Eighth Street San Francisco, CA 94107-2247

Publications, Performances, Events (include date, title, location):

Attention: Alumni Notes/Faculty Notes

Alumni and faculty will be featured on a space-available basis. Slides and photographs will be returned if you send a stamped, self-addressed envelope.

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