BEST WORLDWIDE PHOTOGRAPHY CAMERAPIXOPRESS.COM PUBLISHING SINCE 2009 ISSUEDOUBLE(X2) COVER PHOTO © DAVID CHIODO NO. 210 NO. 211 ANDREA BRUGNARA ALESSANDRO PASSERINI ANDREY POCHERNIN ANTONIO CISARI DAVID CHIODO DAVID LESLIE ANTHONY ERIC CHATELAIN GELE SERGE GRAHAME SODEN IOANNIS TSOTRAS KRZYSZTOF ASZTEMBORSKI MACIEJ DREWNIAK MALGORZATA GUTOWSKA MOSTAFA NODEH VLADISLAV TVARUZEK PIA LINDNER BIJOWSKI ANDREY POCHERNIN DANIEL BENGTSSON ABHIJITH RATHEESAN ALI SABIH KADHIM DAWIT TIMERGA MARCELO GUTIERREZ PIOTR KRAWCZYK PRIYAJIT MANNA RATHEESH KUMAR R RENATA APANAVICIENE SANDRA HRUSZOWIEC TOMMASO DI DONATO UNMESH VIJAY GAIKWAD VILI GOSNAK VINICIO ARCHITECTURETASSANIFASHIONPORTRAIT&LANDSCAPE PHOTOGRAPHERSPUBLISHED
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Dear photographers, We give you DOUBLE issue of the photographic magazine (344 pages!). In each of them we try to present new, inspiring photographers. For this issue, we invited a photographer from Australia, David Chiodo, who presents excellent architecture photography. And with it, a brief interview with the author. The magazine will also host the names of inspiring authors from previous editions, which are already known to you. We present architecture, from which we move to fashion, por traits and landscape. So a large dose of new inspi rations and ideas is waiting for you. A photographer can be an engaging hobby that can quickly turn into professional photography. JOIN US AND PUBLISH! G.
Hello our fellow photographers, readers, friends and feature Togethermembers.with this SPECIAL issue of the magazine, we released the first template of a photographic magazine and a photography book. It is avail able for download in the TOOLS section. Thanks to it, every Camerapixo Press member can easily publish their own photo magazine on our website. Camerapixo publications are known for their high-quality graphics and content. Each designed magazine and book template will have such a high standard. As you know we always create with passion.
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Content Inside the magazine ChiodoDavid Australia 08 AnthonyLeslieDavid USA 24 LangerakHenk NetherlandsThe 56 BrugnaraAndrea Italy 84 JOIN OUR FACEBOOKDEDICATED GROUP BEING MATTERS!PUBLISHED 4 PHOTOJOURNALISM AND DOCUMENTARY PHOTOGRAPHY JOIN OUR TEAM AND BECOME A CAMERAPIXO CERTIFIED PHOTOJOURNALIST PHOTOGRAPHYWORLDWIDE
NickNoa USA 128 DrewniakMaciej POLANDCRACOW, 94 SergeGele France 176 SodenGrahame Sweden 154 ChatelainEric 186 TvaruzekVladislav 228 GutierrezMarcelo 272 SHOTSHOT288 NodehMostafa 242 AntonioCIsari 2525WORLDWIDE INSPIRING PHOTOGRAPHY CAMERAPIXOPRESS.COMPHOTOGRAPHYWORLDWIDE
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PL | CRACOW, POLAND JACEK ŁABĘDZKI
The Camerapixo Press ID Card proved to be the perfect solution for me. For 9 years now I am the holder of the card and for 9 years I was on the first line of fire. Camera pixo Press ID Card is not just a pretty piece of plastic as some believe. This is also a sense of belonging to the group of out standing photographers from around the world. Camerapixo Press ID Card gives me confi dence in crisis situations, such as demonstrations and riots, where I often have to deal with the police and a hostile crowd of people. Knowing that I’m not an anonymous pho tographer but member of the Camerapixo gives me motiva tion to work better and with continuous improvement. It is also a commitment to follow the photojournalist Code of Ethics.
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I did a short stint in film photography in school in the 80s where I developed photos in a dark room. Then I have owned various point and shoot cameras over the years. Not until I purchased a DSLR in 2019 for a trip to Europe that I got into manual shooting. I then upgraded the next year to a Sony mirrorless system, which I still use toady. I have become extremely passionate about photography over the last few years, starting with travel then moving through landscape, architectur al, fine art, street and even pet photography genres. A lot. I believe, that for me, the creative process starts on my computer. I think of my camera as a data col lecting tool, then create art using Photoshop and Lightroom. I try to capture an exposure as bright as possible, while always retaining the brightest highlight information and not blowing it out.. (expose to the right.) I start in Lightroom for global exposure, colour, con trast and geometry ad justments, then move across to Photoshop for more controlled, selective adjustments and effects.
start photography?with How production?youemphasismuchdoputonpost-Have you had formal training in photography? AU | Australia DAVID CHIODO8PHOTOJOURNALISM AND DOCUMENTARY PHOTOGRAPHY JOIN OUR TEAM AND BECOME A CAMERAPIXO CERTIFIED PHOTOJOURNALIST PHOTOGRAPHYWORLDWIDE
How did
I have been self taught using YouTube and some online tutori als. These focused mainly on Photoshop and masking. You can learn most things on YouTube, especially subjects that use a computer! My Sony A7R4 is my camera body. I have many lenses, includ ing tilt shift and fish eye !! My favourite is my 10mm for those ultra wide architectural shots. I have a range of lenses, both zooms and primes, starting at 10mm and going out to 400mm.
What's favoriteyourgear?you
Stick with what you like and look up everything related on TouTube. You can really learn almost anything related to photography on there. Another great idea is to find a few mentors or even just one. A photographer who’s work inspires you and see if they do any tutorials. I can highly recomend Nick Page, Sean Bagshaw, Greg Benz and, Joel Tjin telaar, all of whom I have learned a lot from both YouTube and purchased tutorials.
Inspiration can be hard sometimes. A break from shooting is a good solution. Or I just head out, not knowing where I’ll go and just find things to shoot. It’s amazing how just walk ing around in my city of Melbourne, I can find inspiration that was not possible to plan. I love using Photoshop. I find the most import ant skill to learn is mak ing accurate selections. I do this by using either the pen tool, luminosity masks, or the quick select and subject se lect tools. I also shoot long exposures in the day time, using very dark neutral density filters and remote shutter triggers. Most of my perspective style ultra wide architectural shots are taken hand held but I do use a tri pod occasionally for those long exposure skies.
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To be honest editing is a fantastic way to get focused and clear the mind of other distrac tions. I have also used music production for this in the past. I go on a journey when processing images that defiantly is a great way to de-stress.
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