FUNDAMENTALS STUDIO II
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Dedication
This portfolio is dedicated to my family, who always happens to be by my side regardless of the circumstance.
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Table of Contents
Design Intent
Grid Analysis
Sections
Site Serial Sketches Initial Site Recordings
Conceptual Programming Concept Statement
Axonometric Views
Sketching Analysis
Centering Questions
Final Model Shots
Speculative Vignettes
Conceptual Landscape Development
Self Evaluation
Site Analysis: Addendum
Centering Questions
Client & Architect Letter’s
Sustainability Address
Architect Profile
Construction Detail
Concept Development: Sketching
Floor Plans
Concept Development: Modeling
Elevations
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Renderings
Winter 2014
Professor Christine Wacta
Design Intent My concept for this project is one that is mainly focused in matching both the historic and industial context of buildings that surround our chosen site. I am interested in maintaining the language of the existing Factor’s Walk and Historic language of the building on the East side of our site. I want a continuity of these natural materials. It is also my goal to reflect the topography of the site directly in my building by mirroring the angle that the building hovers over the site, giving it an intimacy with the site and creating a strong plan to section relation. Another goal was to reflect the industrial manner that is north of the site, so that all of the vernacular of the area are included in my new proposed structure.
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Serial Sketches
Overall View of Site
Cameron Parker
B.F.A. Architecture Candidate 2016
Close-Up to Focal Point
Fundamentals II
Focal Point of Site
Winter 2014
Professor Christine Wacta
Initial Site Recordings East/West Topography
Human Height Origin
0
1
2
3
4
5
Constant Horizontal Distance
6
7
8
9
8
9
10
11
North/ South Topography
Human Height Origin
0
1
2
3
4
5
6
7
12
13
Constant Horizontal Distance
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Sketching Analysis
Cameron Parker
Link to Place
Mystery
Truncation
Arrival
Place (Exit)
Anticipation
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Sketching Analysis
Cameron Parker
Suprise
Infinity
Natural Texture
Detail
B.F.A. Architecture Candidate 2016
Fundamentals II
Pause
Transition
Winter 2014
Professor Christine Wacta
Speculative Vignettes Drainage
Noise
Views to Site
Existing Condition
Proposed Condition
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Speculative Vignettes Trees
Utilities
Sun-Path
Existing Condition
Proposed Condition
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Speculative Vignettes Trees
Utilities
Sun-Path
Existing Condition
Proposed Condition
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Site Analysis Neighborhood Context
Key Heavy Traffic
Vehicular Traffic
Medium Traffic Light Traffic
Neighborhood Zoning
Key Industrial Institutional Cameron Parker
Heavy Traffic
Commercial Retail
B.F.A. Architecture Candidate 2016
Key
Pedestrian Traffic
Medium Traffic Light Traffic
Fundamentals II
Winter 2014
Professor Christine Wacta
Site Analysis Climate
Average Temperatures Savannah, GA
Average Annual Rainfall
Inches
Temperature (Fareheit)
Average Annual High & Low Temperatures
Month
Cameron Parker
B.F.A. Architecture Candidate 2016
Month
Fundamentals II
Winter 2014
Professor Christine Wacta
Site Analysis Climate Wind Rose Chart Savannah, Ga
Sun- Path Diagrams Savannah, Ga 330
N 10 20 30 40 50 60 70 80
300
W
30
60
Average Temperatures 240
E
210
120 S
Key
.51-1.20 1.2-3.3
3.3-5.4
5.4-8.5
Key
8.5-11.1 > 11.1
Wind Speed (m/s) Cameron Parker
B.F.A. Architecture Candidate 2016
150 Winter Solstice Summer Solstice
Fundamentals II
Winter 2014
Professor Christine Wacta
Site Analysis Summer Solstice
10 AM
12 PM
Sun Path Diagrams
6 PM
Winter Solstice
10 AM Cameron Parker
B.F.A. Architecture Candidate 2016
12 PM Fundamentals II
6 PM Winter 2014
Professor Christine Wacta
Site Analysis Sensory
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Site Analysis Noise & Visibility
W River St.
Fac
tors
W River St.
Fac
tors
Wal
k
Williamson St.
B.F.A. Architecture Candidate 2016
k
Williamson St.
Noise Diagram
Cameron Parker
Wal
Visibility Diagram
Fundamentals II
Winter 2014
Professor Christine Wacta
Site Analysis Utilities
Utility Map- Vicinity Key Power
Water
Power Utility
Fire Hydrant
Traffic Light
Man Pole
Utility Map: Close-Up Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Project Letter’s Architect Letter
Client Letter
Cparke31@gmail.com (904) 651-8873 http://be.net/CamPark22 http://campark22.tumblr.com
C a m e r o nPlanning M i l l sCommission Pa r k e r Metropolitan January 21, 2014 Wright Architects Savannah, Georgia 31401 Dear Wright Architects, The city is currently looking into an urban renewal project at the end of Factors Walk across from the abandoned Georgia power plant. The site is between West River Street and Williamson Street, perpendicular to Montgomery Street. The intended program for this building is an international exhibition space to display art work of visiting artists, as well as to house them. The site that is proposed for this project is a very challenging one. The topography is such that there is a drastic incline going up the North south axis. The variance from the top to the bottom of the site is plus or minus 20 feet. The city has proposed this project in conjunction with the Savannah College of Art and Design as an effort to foster the culture of the arts in the city and bring in multicultural perspectives of art into the city for exposure to both tourists and locals. Please get back to us with a cost estimate and some initial drawing as soon as you can, so that we may move forward with the start of this project.
C a m e r o n M i l l s Pa r k e r January 24, 2014 Mrs. Judith Monroe 411 Seiler Avenue Savannah, Georgia 31401 Dear Judith Monroe, We here at Wright Architects have received your project submission for the site located at Williamson and West River Streets and are pleased to move forward with a proposal to further explore the extent and scope of the project. We have completed a more thorough investigation of the site and done an analysis on how the project may interact with its proposed location. We have begun some preliminary drawings and are working towards a schematic design to submit to you for further review. Please expect to hear back from us within two weeks with some of the initial drawings for the project. We will also be preparing a rough cost estimate for your review. Any further inquiries or information you have that may lend itself to our further understanding of the project would be greatly appreciated. We are looking forward to hearing back from you. Sincerely,
Thank you so much. We look forward to hearing back from you on your ideas for the project.
Cameron Parker Principle Architect
Sincerely,
Judith Monroe Senior Vice President Savannah Metropolitan Planning Commission
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Architect Profile Daniel Origin
Libeskind Notable
Libeskind was born in post-war Poland and immigrated to America, becoming a citizen in 1964. He studied music in Israel and became a virtuoso performer in New York, before leaving music to study Architecture. He gained a professional degree in 1970 at the Cooper Union in New York. He followed this with a postgraduate degree in History and the Theory of Architecture at the Essex University in England in 1972. He established his first professional practice in Berlin in 1989. He later moved this practice to New York in 2003, where it exists today.
Projects
Section
Plan
Philosophy
Name: Jewish Museum
Location: Berlin Germany
Completed: 1999
Daniel Libeskind’s commitment to expanding the scope of architecture reflects his profound interest and involvement in philosophy, art, literature and music. Fundamental to Libeskind’s philosophy is the notion that building are crafted with the perceptible human energy, and that they address the greater cultural context in which they are built.
Distinctions
Cameron Parker
Name: Royal Ontario Museum
2012 AIA National Service Medal
Name: Run Run Shaw Creative Media Centre
2011 Medal of Honor
Location: Hong Kong, China
2008 Presidents Award
Completed: 2010
B.F.A. Architecture Candidate 2016
Fundamentals II
Location: Toronto, Canada
Winter 2014
Completed: 2007
Professor Christine Wacta
Concept Development Sketching
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Concept Development Sketching
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Concept Development Sketching
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Concept Development Sketching
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Concept Development Modeling Proposed Plan 1
Cameron Parker
Proposed Plan 2
B.F.A. Architecture Candidate 2016
Proposed Plan 3
Fundamentals II
Winter 2014
Professor Christine Wacta
Concept Development Modeling- Isometrics
Proposed Model 1
Proposed Model 2
Cameron Parker
B.F.A. Architecture Candidate 2016
Proposed Model 3
Fundamentals II
Winter 2014
Professor Christine Wacta
Grid Analysis
Grid 1
Axis
Axis
Grid 2
View Through Site
Extracted Lines
Grid Composite
Grid 3
Cameron Parker
Pedestrian Circulation
B.F.A. Architecture Candidate 2016
Pedestrian Circulation
Fundamentals II
Winter 2014
Professor Christine Wacta
Programming Initial Proposal
Gallery Lobby
Cameron Parker
This proposal included two gallery wings of the international
schemes for the programming, there is a main vestibule
art gallery where one was elevated over the site and the
coming off of the Williamson Street sidethat leads to a
other was to delve into the ground to a passage that
gallery which is connected by a bridge, though this initial
lead to the bathroom space as well as
the residential
program had it placed under the existingFactors Walk
sector of the program. As included in other proposed
while other schemes have it hovering over this historic site.
Circulation
Gallery
Earth
B.F.A. Architecture Candidate 2016
Lobby
Fundamentals II
Winter 2014
Circulation
Residential
Earth
Professor Christine Wacta
Programming Revised Proposal This
Gallery
initial
programming
included
a
sub-terranean
programming
of
be
single elevator shaft for universal circulation and one
two
spaces
the
staircase to act as a secondary mode of transportation.
gallery
building. that
were
There elevated
were
above
Circulation
B.F.A. Architecture Candidate 2016
to
Fundamentals II
international
the angle of the site, The program
of
the
the
mirroring
level which was intended to be used for the residential
Lobby
Cameron Parker
ground
art
gallery
Gallery
Circulation
Lobby
Restrooms
Winter 2014
also
included
a
Residential
Professor Christine Wacta
Landscape Development Process
Initial Landscape Plan
Cameron Parker
Second Landscape Plan
B.F.A. Architecture Candidate 2016
Fundamentals II
Third Landscape Plan
Winter 2014
Professor Christine Wacta
Final Landscape Scheme4
Conceptual Program Plan
Cameron Parker
B.F.A. Architecture Candidate 2016
Final Landscape Rendering
Fundamentals II
Winter 2014
Professor Christine Wacta
Concept Statement
Cameron Parker
The concept that I have chosen to govern
plane in the courtyard in the form of
my design is one that is based on the
a strong plan to section relation. There is
modified grid system that organized
also a loose concept that deals with the
the city of Savannah Georgia. The
expression of the building being abstracted
squares that are embedded within the
from the human anatomy. The wings of
grid exist as areas of escape from the
the gallery that hover and delve into the
urban sprawl of the city. They are areas
site are like arms exploring the site and
of rest and areas with an abundance of
interacting with it just as humans interact
greenery. I wanted to embed the same
with nature. There is also a concept that I
phenomena in the central portion of my
had of transparency and representing
site and create a green space that would
the history of the region by orienting
exist as a courtyard and a relaxation area
the building perpendicularly as well as
for tourist coming from the east side of
adjacent to the Factor’s Walk axis. My
River Street. My art gallery is a largely
whole structure is oriented along the
outdoor complex, where visitors are
grid derived directly from the axis of
able to view art in an overhead gallery,
this historic pathway. In essence, I am
a subterranean sculptures. My building
amending the unkempt aesthetic of this
connects to the site by mirroring the plan,
site to better speak the language the rest of
giving it gallery, as well as on the ground
Historic Downtown Savannah is speaking.
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Centering Questions What influence has the previous analysis played in your design scheme and what logical design process have you followed throughout this project? My process has been mainly based on the research
the site context. I have designed logically during
that we conducted during the site analysis phase
the process by using the existing site plan with
of this project. The analysis made me aware of all
the recorded information and sketching directly
of the existing features of the site and gave me
over it, that way I am aware of the consequences
a true appreciation in attempting to preserve
my design have on the existing condition. I have
the current conditions that are existing there. I
cross-referenced most; if not all of my design
am now conducting design that is conscious of
decisions to ensure they are actually able to occur.
Factors Walk Grid
Cameron Parker
Composite Grid
B.F.A. Architecture Candidate 2016
What is the central idea or concept that drives your project and consequentially helps you make important design decisions? The central concept that governs my project
Also, in order to connect the building to the
deals with the historic features of the site and
site I have firstly: conformed the building to
also with the current blight of the site which I am
mirror the site I have firstly: conformed the
proposing to improve in this project. Savannah is
building to mirror the site in its rising angle,
praised and recognized for its unique, modified
creating a strong plan to section relation and
grid system. The squares embedded within this
secondly: I have created a transparency in the
grid are places of life and culture and gathering.
building structure where the current Factor’s
It is my wish to mimic this phenomenon within
Walk axis exists in order to maintain this
the parameters of my site. The central portion
significant pathway to understanding the history
of my site contains an embedded green space
of the West River Street vicinity. My building
which has been cut out through excavation of
conforms to a grid that has been created parallel
the current sloped topography residing there.
and perpendicularly to the Factors walk axis.
Fundamentals II
Winter 2014
Professor Christine Wacta
Centering Questions How have you needs, behavior,
gathered and applied information about human and aspirations to inform the design process?
I have actively observed the human traffic
order to connect the structure to this focal
and circulation of the current site to inform
point of the region. I have also compensated
decisions on where to place the current
my design to human needs and tendencies
circulation. I have actively observed peoples
by creating various seating/assembly spaces
fascination with and compulsion to explore
that are embedded centrally or in proximity
the factors walk region and have adjusted my
to my building. There are also many different
design to completely respond to this axis in
circulation possibilities within the project.
What
Cameron Parker
B.F.A. Architecture Candidate 2016
ecological
impact
does
your
project
have
on
this
site?
My proposed design does call for a large amount
exposed and will allow for rainfall absorption.
of excavating, but it is not something that
My project adds a large amount of foliage to
will negatively affect the region. If anything,
the site and revitalizes the currently lacking
my project contains a small footprint on the
landscape of the region. The building is not
site. There is a large amount of ground that is
obtrusive and caters to the condition of the site.
Fundamentals II
Winter 2014
Professor Christine Wacta
Centering Questions What role does scale, distance and movement play in the perception of the site and the design in this urban environment? How do man, landscape and building relate?
How does your project address the organizational and spatial issues? Spatial issues are addressed in the site
The building is organized along my central
My proposed design does call for a large amount
topography of the site and therefore be more
appropriately through a very evident hierarchy
chosen axis which is adjacent and perpendicular
of excavating, but it is not something that will
connected to the design. Scale is proportioned
in the organization of the landscape. The
to the Factor’s Walk axis. Some of the spatial
negatively affect the region. If anything, my project
to make man feel comfortable in the space.
building surrounds the central courtyard and
issues regarding the square footage are also
contains a small footprint on the site. There is a
The bridges which exist as arms that extends
is defined through the planar quality of the
solved through excavating into the site to
large amount of ground that is exposed and will
into and out from the site is not monumental.
building and the variance in material of the
allow for more room for human occupancy.
allow for rainfall absorption. My project adds a
The man should feel slightly compressed as
ground covering. The central space is heavily
This also gives a spatial hierarchy through
large amount of foliage to the site and revitalizes
they move through the space, but not so much
accessible by many different circulation routes.
both a depressed and overhead base plane.
the currently lacking landscape of the region.
so that they should become uncomfortable.
The building is not obtrusive and caters to the
The building relates to the landscape by mirroring
condition of the site. Movement is very strongly
and following the angles of the existing site and
considered in the movement through the site
man connects to the building in the sense that
and through the proposed building on the site.
the building exists as an armature that rests on
Movement is oriented mostly along an axis that
and over the site. Also the greenery and foliage
is perpendicular to the sites Factor’s Walk. Also
that exists on the site is used to relate to man
the topography is maintained in its basic essence
as it will be proportioned to a human scale to
to the existing site slope. Patrons and visitors to
better connect man to the green space of the site.
the exhibition space will get a true feel for the
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Centering Questions How does the design utilize vegetation (existing or proposed) as space making and character giving elements? The design utilizes vegetation to frame the
keep man in the courtyard space grounded
courtyard and to compress the occupants of
with natural green elements. It exists on the
the site at moments in order to move them
central axis of circulation for the project in the
into the more hierarchical regions of the site,
courtyard space. The use of stone also keeps the
such as the courtyard, or onto the Factor’s Walk
proposed site true to the contextual materials
processional space. Grass is also used to always
that surround and exist in the current day site.
What role has the gestural sketch played in the design and representation of the project?
Cameron Parker
B.F.A. Architecture Candidate 2016
The gestural sketch has allowed me to freely
on my perception of the site and have been
express my design ideas and concepts and get
therefore able to work with my notes to create
down all of my premonitions of the site. I have
an effective and appropriate design. Gestural
drawn up many potential plans and have been
sketching has made it possible to get my ideas
therefore able to explore the range of possibilities
down quickly and have no guilt in moving on
in each. I have taken a series of visual notes of
to another idea. They are quick and intended
the important regions of the site and through
for exploration and I quite enjoy seeing the
sketching have recorded vital information
process develop into a well-reasoned design.
Fundamentals II
Winter 2014
Professor Christine Wacta
Centering Questions How in
are your
handicapped codes and site design thinking and
restrictions building/site
manifested making?
I have addressed the handicapped codes by
ramp from the lobby to the gallery at the 12:1
providing an elevator shaft to allow for vertical
Foot provision . I have dealt with site restrictions
circulation by those that are impaired to the
by placing the building well away from the lot
gallery space. As far as the horizontal circulation
set-backs. I have also left plenty of room in the
is concerend I have met code restriction
front and back of the site for sidewalks and public
requirements by providing a slope on the
walkways. I have tweaked my design to be universal.
How are you dealing with the interface between vehicular (patron and emergency) and pedestrian circulation in your project? How are you addressing parking? Parking is not being addressed as existing on the
to pull into this are and have direct access to main
current site that I am working with. There is an
circulation points of the building form this point.
emergency vehicular path that exists along the
Patron and vehicular circulation are separated
Factor’s Walk region. Emergency services are able
and do not exist in combination with one another.
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Centering Questions What aesthetic/theoretical issues have helped you determine your design? The current, existing aesthetic conditions of the
through an extensive Landscape plan. I wanted
site are pretty bleak. The site is eroding down
to make the building and site surrounding it
the North South axis and the current foliage
appealing in order to attract visitors. I have dealt
and trash that lies on the site is a testament to
with erosion by both the planting and grass
the disrepair and neglect that the area has fallen
to root down the topsoil and by eliminating
into. My design has taken this condition and
the slope so that rainfall cannot wash away
dissolved it away to include a restored new look
this soil resting on the open region of the site.
What makes a good Art Gallery?
Cameron Parker
B.F.A. Architecture Candidate 2016
A good art gallery includes an organization
sculptures within and outside of the courtyard
of the work by type and also contains a wide
to give a wide array of art in the museum. I
array of different styles and artist. I also
think also that Art galleries must economize
think a gallery should host art that is varied
the design so that it doesn’t dwarf or distract
in its mediums and forms. For instance in
form the art. My design doesn’t do this as
this project, I have every intention of placing
it is minimal and uses natural materials.
Fundamentals II
Winter 2014
Professor Christine Wacta
Centering Questions What has been the greatest site design challenge of this project?
The greatest challenge of this site has been designing a building that would span a long distance over an extensively varied topography.
What
What
technical
ideas
have
helped
you
determine
your
features of my design, such as the two towers
site and the existing topography of the site have
on the north side of the site which exist in order
forced me to consider how you navigate the site
to both support the hall that traverses the site
in extreme detail. I have calculated most of the
but also as means of circulation throughout
stairways and determined their length based on
the building. Other technical features that have
the required change in grade of the site. Required
affected my design have been the site setbacks
modes of navigation have also governed certain
and the requirement of ADA adherence.
B.F.A. Architecture Candidate 2016
values
have
helped
you
determine
your
design?
Ethical values that have affected my design
history that exists on and around the site.
have included my respect of the current
I
history that exists at the site. I have in
in my design, making it an even stronger
no way obstructed any element of the
focal point on the site than it already is.
have
actually
reinforced
Factor’s
walk
design?
Considering the implications of the slope of the
Cameron Parker
ethical
Fundamentals II
Winter 2014
Professor Christine Wacta
Centering Questions What historical architectural precedents have helped you determine your design? I have included the elements of Transparency
the fan of Frank Lloyd Wright and have instilled
in my design in order to better connect my
some of his building values into my own design.
building to the site and consequently man to
His ideas on raw material and transparency
Nature. Modernism is also a precedent that
exist within my design. Also his adherence
exists within this project through the sharp
and respect to the sites that he works on have
angled and use of modern materials such as
been targeted issues, as I have directly reflected
concrete. I am quite the fan of Frank Lloyd
and included the topography in my design.
What
conceptual
have
helped
squares
is
variance of the human form. There is a large
accomplished by using a courtyard in the central
aspect of movement in my design and I have
region of my design. This was a significant I also
therefore created a rough abstraction of arms
really paid close attention to the Factor’s Walk
existing as the various wings of the gallery space
axis and made the building perpendicular to this
of the building. Also the concept of Art and
to address the surrounding heritage and history
Nature was a strong one for me. I think that
of the region. Another concept of mine was
proximity of art to Nature better connects the
Simulation
of
the
ideas
Savannah
you
determine
your
design?
man to the art as man becomes connected to his
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Sustainability Address Sustainability Issues Claim
Savannah, GA Average Temps.
Summer Solstice Temperature (Fareheit)
The site being located in Savannah Georgia has an inherently humid nature with hot summers and moderate winters. There is also a good amount of rainfall here. The largest issue I am faced with is the issue of Keeping the heat, as well as the humidity out during the summer, while maintaining the heat during the winter.
Proposed Section
12 PM
Sustainable Proposal It is my intention to propose the addition of a green
Proposed Plan
Winter Solstice
Average Annual Rainfall
roof to my stucture, as well as a foliage wall on the North facade of the structure to act as an envelope buffer to modulate Temperature during the winter and summer months and to act as a rainfall collection
Inches
system . The roof will draw the humidity and moisture away from the ground level, providing a more pleasant experience and will act as a heat sink during the winter to maintain heat within the main structure.
12 PM Evidence
Statement Claim
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Proposal Drawings
Winter 2014
Professor Christine Wacta
Sustainability Diagrams These diagrams take a look at the phenomena concerned with the proposed ventilation patterns as well as the sun path on the site at various times of the year. My main concerns are to compensate for the direct sunlight received on the west wall through a complex louvre system that will open and close during different times of the day to compensate for the direct light. I also have included a green roof on the structure to act as a heat sink in addition to the fountain located just underneath.
Transversal Section
Longitudinal Section
Isometric Diagram
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Construction Details
Foundation Slab Detail
Cameron Parker
B.F.A. Architecture Candidate 2016
Floor To Wall Detail
Fundamentals II
Roof To Wall Section
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Professor Christine Wacta
Floor Plans Plan Programming Courtyard Level
0
Cameron Parker
5
Residential Level
Gallery Level
20
B.F.A. Architecture Candidate 2016
0
5
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20
Winter 2014
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20
Professor Christine Wacta
Elevations North & South Views
0
5
Cameron Parker
South View
20
B.F.A. Architecture Candidate 2016
North View
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20
Professor Christine Wacta
Elevations East View
0
5
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20
B.F.A. Architecture Candidate 2016
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Elevations West View
0
Cameron Parker
B.F.A. Architecture Candidate 2016
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5
20
Professor Christine Wacta
Longitudinal Section Longitudinal Section-East
0
5
Cameron Parker
20
B.F.A. Architecture Candidate 2016
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Longitudinal Section Longitudinal Section-West
0
Cameron Parker
B.F.A. Architecture Candidate 2016
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5
20
Professor Christine Wacta
Transversal Section North View
0
Cameron Parker
5
20
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Transversal Section South View
0
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
5
Winter 2014
20
Professor Christine Wacta
Site Section West View
0
Cameron Parker
5
20
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Site Section East View
0
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
5
20
Professor Christine Wacta
Axonometric Views
SW Isometric
Exploded Axonometric
Cameron Parker
B.F.A. Architecture Candidate 2016
NW Isometric
Fundamentals II
SE Isometric
NE Isometric
Winter 2014
Professor Christine Wacta
Sun Studies Winter Solstice
10 AM
12 PM
3 PM
Summer Solstice
10 AM
Cameron Parker
B.F.A. Architecture Candidate 2016
12 PM
Fundamentals II
3 PM
Winter 2014
Professor Christine Wacta
Renderings
Williamson Street Entry
Cameron Parker
B.F.A. Architecture Candidate 2016
Residence Interior
Fundamentals II
Winter 2014
Professor Christine Wacta
Renderings
Courtyard Entrance
Cameron Parker
B.F.A. Architecture Candidate 2016
View to Bridge
Fundamentals II
Winter 2014
Professor Christine Wacta
Final Rendering
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta
Final Model Shot
Cameron Parker
B.F.A. Architecture Candidate 2016
Fundamentals II
Winter 2014
Professor Christine Wacta