C.F.
ARCHITECTURE PORTFOLIO
ARCHITECTURE
PORTFOLIO
BY CAN FU 2016
8 2016
20 2015
32 2014
40 2015
52 2016
60 2013
68 2014
72 2015
78 2013
88 2015
90 2010
ARCHITECTURE
PROJECTS 8-49
1
OBJECTS CONTAINERS WORLDS 2016 World Trade Cener Tower In Downtown Los Angeles, CA
Penn Design 704 Tom Wiscombe Studio//Can Fu+Hua Yang This semester we mainly focus on explore architecture as world through radical interiority. Our point of departure will be Machado and el-Khoury’s concept of “hollow monoliths“, where the solidity of a monolith seems to be undermined by its emptiness. Architecture, of course, can never be actually empty, so it will be the task of the studio to use combinations of poche, nested objects, and extrusions from new grounds. Rather than presuming an architectural ontology where buildings exterior expression (posture, shaper, contextural linkages, social function) is primary, we attempt to create architecture which inverts that implied hierarchy. Some of the repercussions of this inversion are that architecture might tend to deflect semiotic readings through exterior muteness, and create its own internal density, language, sacale, and even physics on its interior. Interiors could begin to contain objects and formations that might ordinarily be encoutered on the earthen surface we refer to as ‘land‘, but in strange juxtapositions, awkward orientations, and improbable scales. With the design strategy of applying three entites: Figure, Liner and Shell, to create a interior world totally losing the gravity and normal orientations. Architecture, in this way, becomes a container for a new, nested world, served from land, from World.
8 1 OBJECTS CONTAINERS WORLDS
9
10 1 OBJECTS CONTAINERS WORLDS
Dragon Cut (Left) & Building Section Cut_Major Conference and Trading Space (Right)
11
12 1 OBJECTS CONTAINERS WORLDS
Site Plan & Conference Space Plan
13
14 1 OBJECTS CONTAINERS WORLDS
Circulation & Space Figure Diagram
15
16 1 OBJECTS CONTAINERS WORLDS
Physical Model Photos
17
18 1 OBJECTS CONTAINERS WORLDS
Auditorium_Detail of Physical Model Interior
19
2
BLURING ADJACENT 2015 Auction House and Galleries in Chelsea New York City
Penn Design 602 Hina Jamelle Studio//Angela Huang + Can Fu The concept of the auction houses has changed since the invention of the internet, and use of digital technology. Hence the traditional auction houses are replaced with “cyber auction rooms” that all the bidding and showing are through the web, and the large auditorium type of auction rooms are replaced with smaller auction rooms combined with gallery and rretreat spaces that are specifically for the high-end clients. In this case, auction is not about trading, it becomes a performance and a show. The organic façade pieces continue to the interior and serves as the purpose of circulation, structure, and artificial lighting. Reinventing the traditional organization of an auction house, just like the continuous facade, there are obvious start and end of a program or space. The auction room shifts the program to gallery space through undulated ramps and the smaller gallery spaces fading into an open space and becomes a café with open seatings.
20 2 BLURING ADJACENT
21
34
GALLERY SPACE
16
17
2
AUCTION ROOM
1
GALLERY SPACE
16
GALLERY SPACE
17
BALCONY
OFFICE
2'-7"
18
2
17
SEMINAR ROOMS
13
16
EXHIBITION HALL
12
14
2
OFFICE
2
EXHIBITION HALL
18
20
UNDERGROUND PARKING ENTRY
2
RESTORATION SPACE
22 2 BLURING ADJACENT
13
15
MAINTENANCE
LOBBY
ROOF DRAIN
12” THK CUSTOM MADE GLASS FIBER REINFORCED POLYMER PANEL COATED W/ FIRE RETARDANT RESIN WATERPROOFING MEMBRANE SERVICE ZONE
ROOF DETAIL STEEL LINTEL CAST INTO GFRP RIGID INSULATION BATT INSULATION VENT
ANCHOR BOLT SLIP JOINT SERVICE/ INSTALLATION ACCESS
TYP. FACADE DETAIL LOW IRON DOUBLE GLAZED GLASS
MIN 36” HEIGHT
2% MIN
WATERPROOFING MEMBRANE DRAIN CONCRETE SLAB
BALCONY DETAIL
HANDRAIL INTERIOR FINISH RECESSED LIGHT GYP. CEILING
CONCRETE REBAR
MEZZANINE DETAIL
TWO WAY WAFFLE SLAB 3’X3’ EXPOSED COFFER
3’ 24” THK
TYP, FLOOR DETAIL
Blurring Adjacent // Auction House and Gallry // Can Fu+ Angela Huang // 2015 Spring 23
24 2 BLURING ADJACENT
25
Auditorium Level Floor Plan
Ground Floor Plan
26 2 BLURING ADJACENT
25'-11 1/2"
"
18'-7 1/4
11
18'-
15'-11"
" 1/4
"
'-7
28
'-1 0
1/2
"
20
'-1
1
3/4
"
16
28'-5
1/4"
OPEN TO BELOW
22
40'-0
"
24”THK CONCRETE W/ 3’X3’ WAFFLE SLAB
'-1
01
30
'-0
1/2
"
/4"
26'-5
1/4"
24'-1
0 3/4"
Structure Floor Plan
27
28 2 BLURING ADJACENT
29
30 2 BLURING ADJACENT
Paper Model Photos
31
3
SHIFTING HYBRIDS 2014 Transformation for A New Hotel & Residential Building in Tribeca, NYC
Penn Design 601 Hwina Jamelle Studio//Angela Huang + Can Fu With the use of particular parameter and technique concepts like degree of curvature, crease and shifting, the apartment-hotel hybrid is developed to a series of building systems for both facade and interior, such as window frames, ceilings, stairs, furnishing and partition walls, etc. The hybrid with interesting geometric form and layered facade quality are formed due to the buildings system which reveal the techniques and geometry form derived from parameters set up previously. Similarly, the projects’ units aggregation following the interlocking logic as well, which allows puzzle-like space formed for the interior space, concave and convex layered surface quality happened for the facade. In addition, the puzzle formation create various units type and size, which allow the space be applied for multiple function and programs, such as hotel space, studio and suites and shared central public space, like a system of dining space.
32 3 SHIFTING HYBRIDS
33
--- 5TH FLOOR PLAN
RESTAURANTS
--- GROUND FLOOR PLAN
34 3 SHIFTING HYBRIDS
APARTMENT
APARTMENT
APARTMENT
--- 8TH FLOOR PLAN
HOTEL
APARTMENT
A.
UNITS A + B PARA/
Degree of Curvature Shifting of Program&Structure Crease
SYSTEM/
Windows&Sill Partition Walls Furnishing
B.
35
36 3 SHIFTING HYBRIDS
37
38 3 SHIFTING HYBRIDS
39
4
CELLULAR NESTING 2015 Cultural Complex Center For Golden Orange International Film Festival In Antalya, Turkey
Penn Design 701 Sulan Kolatan Studio//Can Fu + Grace Kim Home to the Golden Orange Film Festival, the annual International event, Antalya is located on active geological formation featuring rich underground ecosystem. Start with the Grasshopper script technique of Minimal Surface Cell Formation to produce the base cell space for the program. In addition, inspired from cave ecosystem, the project explores the duality that exist in the cave formation. Three major categories to focus for the design of the theater are form, mass, and materials. The connectivity of long tunnels and series of chambers observed inside of the cave are translated into the interior of the theater. The outside, inside, and in-between spaces of two different minimal surfaces that are nested together, creating moments of inversions that interweave various programs together. The soft and hard materials not only contribute in functional role such as acoustic control and structural support but also challenges the idea of integration of sustainability into the design. The formation of the theater are populated in various scales throughout the site as landscape, providing inhabitable spaces for both flora and fauna while functioning as public park with strong emphasis on the bike-ride system.
40 4 CELLULAR NESTING
41
TION
THEATER GROUND FLOOR PLAN _Lower Theater VIP Seating Area _Perfromance Stage _Orchestra _500 Seats _Cafe Area
Site Plan with Landscape Design
Nesting Cell Formation and Program Diagram
TUNNEL (CIRCULATION)
TUNNEL (CIRCULATION)
CHAMBER
CHAMBER
POND
ANIMAL HABITATION
CHAMBER (THEATRE)
TUNNEL (CIRCULATION)
ORIGINAL CELL PLAN PROGRAM DIAGRAM
SKYLIGHT
THEATER SECOND FLOOR PLAN
THEATER SECOND FLOOR PLAN
_Upper Theater Seating Area _Perfromance Stage _Orchestra _2000 Seats
_Upper Theater Seating Area _Perfromance Stage _Orchestra _2000 Seats
MODIFIED CELL SECTION PROGRAM DIAGRAM
42 4 CELLULAR NESTING
OUTDOOR THEATRE SEATING
SCREEN
CHAMBER (THEATRE)
STAGE ORCHESTRA
UNDERGROUND BIKE PATH
TUNNEL (CIRCULATION)
43
3D Print Physcial Model Photos with Landscape Design
44 4 CELLULAR NESTING
45
5
CIRCULATION PATTERN 2014 Urban Forces Formation of Automotive Research & Exhibition Center in Philadelphia, PA
Penn Design 502 Eduardo Rega Studio//Can Fu The urban composition developed based on a series of research and mappings of visible and invisible urban forces, which are traffic, residents and wind. Through analyzing the actions performed by these urban forces on the site, including traffic flow, surveillance of residents and wind pollution movement, a functioning combination form and space is finally established. It is really interesting to investigate the transformation of these 3 forces to the actual building form, functional space and circulation. The automotive center was divided into 3 major functional zones based on the space variation created by the circulation path. The basement with large open space of building is divided as the parking and museum zone. Then the upper level is used for research labs and auditorium. And the tower part is for offices and classrooms. As the circulation leading the visitors and cars going through the building, related space with program function is created by these pathways. Different path circulations leading to different functional space.
46 5 CIRCULATION PATTERN
47
48 5 CIRCULATION PATTERN
49
FABRICATION 36-42 DIGITAL
6
PARAFICTIONAL OBJECT 2015 Golden Lamp Inovation Process In Penn Design Upper Gallery
Penn Design Arch 703 Kutan Ayata Studio//Can Fu + Lu Han In Contemporary art, one of the most relevant practices for architecture can be found under the loose heading of Parafiction. Architecture has much in common with parafictional art practices, which is multi-medium and the most “real“ of any art, it is constantly engaged in questions of context, and it is a specific object or scenario that inserts itself into the constantly changing conditions of reality. This representation and innovation process of the object (extracted from the classical still life paintings) is attempt to explore the aesthetics of realism for the objects in a different context. In this project, through redesign the golden bottle taken from Dutch painting Banquet Still Life by Adriaen Can Utrech, 1644 , bring the new relations between objects themselves in certain scenario, aesthetic relations of color, texture, materiality, luminosity, and reflectivity. The “new” golden bottle will seek to blend in, but not to hide. In the meantime, the transformation of the bottle’s form bring new function the “new“ object produced, it become a golden lamp to blend in the original scenario again. The estrangement of context is a crucial aspect of realism, where a shift allows one to see the familiar in new terms as doubt overtakes assumed certainties; doubt which can manifest materially, formally, programmatically, and ultimately architecturally.
52 6 PARAFICTIONAL OBJECT
53
Original Golden Bottle in Dutch Painting
Golden Lamp Design Evolutionary Process
54 6 PARAFICTIONAL OBJECT
55
TOP/Original Painting Banquet Still Life Adriaen Can Utrech, 1644 oil on canvas current location: Rijksmuseum Amsterdam
56 6 PARAFICTIONAL OBJECT
BOTTOM/ Fictional Painting Banquet Still Life 2016 The test of the environmental effect with substituing the innovated golden lamp in the painting
57
58 6 PARAFICTIONAL OBJECT
59
7
LINE TO SURFACE 2013 Cocooning Simulation Research Arylic Powder Material 3D Printing Test
Penn Design 501 Simon Kim Studio//Can Fu This project start with studying the process of cocooning, to get a better understand of its structure formation, which starts from simple large structure and then developed to a more dense netwroks. Density creates beauty, but always start from simple structure or outline. Second step is to set up a Grasshopper Script based on the geometric relationship between points and lines derived from cocooning process. The code developed a line structure with the randomly growing lines but still connecting among the triangular points. To continue the study of line connection and rotation, but focusing more on the irregular way of line connecting and random trigonometry. Through studying the structure of cocoon, the modules with more irregular form and random structure were derived from the same structure theory. It is called the Structure Hyperplasia. Third step is to develop the line structure space produced from computer coding to the curvature surface space with the application of Maya technique. This step bring the project to a advanced level which derived from cocooning but successfully complete the transformation of the line to the occupied space and explore the possibility of spacial function of lines.
60 7 LINE TO SURFACE
Material Study of Cocooning Process (top photos) Grasshopper Script Simulation of Cocooning (bottom diagram)
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62 7 LINE TO SRUFACE
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:maet ngised miK nomiS :rotanidrooC smelliW elleinaD :rotcurtsni ,3102 llaF seidutS lausiV 125 hcrA ngiseDnneP
7M 8M
4M 5M 6M
1 elu d o M 2M 3M
9M
Points Logic Diagram --- Point to Line63
Imagining Space Section Drawing
r: Danielle Willems Coordinator: Simon Kim
64 7 LINE TO SURFACE
design team: Can Fu
Base Trignometry Module Aggregation Diagram
65
66 7 LINE TO SURFACE
67
7 .1
BRANCHING ELEGANCE 2014 Modular Aggregation Design for Color 3D Pringting Test
68 7 BRANCHING ELEGANCE
69
Module Branching Development Process and Aggregation Diagram
70 7 BRANCHING ELEGANCE
71
8
MINIMAL SURFACE 2015 Sun Shading Entrance Wall for 2015 International Architecture Biennale in Antalya, Turkey
Penn Design 701 Sulan Kolatan Studio//Can Fu +Grace Kim + Hannibal Newsom (TA) This Parametric Wall was designed as a Sun Shading Device for 2015 Antalya International Architecture Biennale in Turkey. As the topic of this Biennale is the Parametric Modernism, this Sun Shading Wall was assembled at the Entrance of Exhibition to bring people to a world full of digital fabrication applied in the architectural field. Take people to reconsider the role of digital technique in the architectural design. In order to fulfill the sun shading function, we explored the grasshopper script of Minimal Surface to control the opening size of each aggregation cell. In this way, the light going through the wall will be controlled with different intensity at various angle. In addition, the wall was designed as the dual layer of two cell combination to create more interesting shadow pattern when the light going through. In terms of the actual wall fabrication part, as it is fabricated in the state and transferred to Turkey, we chose FDM plastic material to 3d print the single cell and reassembled all the cell modules in Turkey, In this way, the shading wall was light and easily assembled.
72 8 MINIMAL SURFACE
73
CELL VARIATION (TopM, BtmM)
CELL VARIATION (TopLR, BackLR)
2 SURFACE CELL
74 8 MINIMAL SURFACE
Dual-Layer Cell Wall Assembling Process 75
FDM 3D Printing Modules Photos
76 8 MINIMAL SURFACE
77
9
CAMOUFLAGE 2013/08 High-design Bird Blind Heron Pond Avian Observatory in Riverlands Confluence, 301 Riverlands, West Alton, Mo
WashingtonU Sam Fox School of Design/ Digital Fabrication Ken Tracy&Andrew Colopy Studio //Group Work of 20 Students (Design&Construction)
Winner of 2014 Architizer A+Awards (In the Student Design/Build Project category, which is voted on by a jury of professionals.)
This High-design Bird Blind --- Avian Observatory was a collaborating work designed and constructed together by students from Andrew Colopy’s “Studio Confluence” and Ken Tracy’s Digital Fabrication class. The purpose of this digital fabrication project was to design, fabricate, and build an avian observatory at Riverlands in collaboration with the Audubon Center at Riverlands and the Rivers Project Office of the U.S. Army Corps of Engineers. The observatory is a giant brown cocoon with the form inspired from Ghery’s Deconstructive taxonomies. Through lots of research on the birds’ living habits and optesthesia distinguish ability, the panel pattern design is based on the think of Inverse Camouflage, in order to blend the building with surrounding environment and avoid interrupting birds’ behavior. Accord to CRYPSIS theory, we chose the Disruptive/Dazzling Patterning for the panel pattern&color design, which can blend the observers’ opening on installation from the background with Hi-contrast Pattern. Photo Credits to WUSTL Photos
78 9 CAMOUFLAGE
Youtube Video Link of Contruction Process: https://www.youtube.com/watch?v=sHD6hgTQPEk
79
Panel Disruptive Pattern Openings & Color Design
COLOR
LEGEND
Section Cut /Structure Revit Details 3"
1 1/2"
LEGEND
3"
3"
3"
3"
2x3 Aluminum Angle Richilite Exterior Panel 2x2 Blockiung to support Purlin by Gutter 5/8" High Corrugated Panel
2x4 Aluminum Angle
2
0.1"Folded Aluminum Frame
3" High Aluminum Gutter CNC Edged Purlin
A3.01
2x8 Cedar Beam
Branching Taxonomies / Various Form Testing
1
A3.01
Horizontal Plastic Closure Strip 2x8 Cedar Column
LEGEND
2 A4.04
Reference Part A6.02 CLIENT
Reference Part A6.02
CLIENT AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY
WESTALTON, MO 63386 CROSS SECTION AT CANTILEVER CONTACT: PATRICIA HAGEN, EXECUTIVE DIRECTOR 1/2"=1'-0"
CROSS SECTION 1/2"=1'-0"
AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY WESTALTON, MO 63386
1 3/4"
US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386
3"
3"
CONTACT: PATRICIA HAGEN, EXECUTIVE DIRECTOR
DESIGN TEAM
0 3/4"
1/16" Perfoerated Aluminum Panel
1 1/2"
1 3/4" 0 3/4"
2 5/8"
1 1/2" 1 3/4"
3
CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR
0 1/4"
1 3/4"
0 1/4"
0 3/4"
0 3/4"
4
3"
3"
STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG
2x4 Long Blocking for Beam Connection
3"
STUDIO CONFLUENCE INSTRUCTORS ANDREW COLOPY, KEN TRACY
2x6Joist
Joist Hanger
2
1
A3.01
A3.01
US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386
0.1"Horizontal Folded Aluminum Frame
CLIENT SCALE
6"=1'-0"
CROSS SECTION AT CANTILEVER 1/2"=1'-0"
4
DRAWN BY
HAO WU 1/16" Perfoerated Aluminum Panel
3
CROSS SECTION 1/2"=1'-0"
AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY WESTALTON, MO 63386
PROJECT
AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO
CONTACT: PATRICIA HAGEN, EXECUTIVE DIRECTOR
TYP. SECTION AT PANEL ATTACHMENT AT ROOF (WEST SIDE) 6"=1'-0"
1
A4.06
TYP. SECTION AT PANEL ATTACHMENT AT ROOF (EAST SIDE) 6"=1'-0"
CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR
US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386
Typ. Roof Panel_Section
2
CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR
DESIGN TEAM
LEGEND
DESIGN TEAM
STUDIO CONFLUENCE
#4 BAR, 12" O.C, (TRANSVERSE) #5 BAR, 10" O.C, (LONGITUDINAL)
STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG
1 1/2"
6"
2"
#5 BAR, 10" O.C, (LONGITUDINAL)
3"
RETURN #5 BAR, TYP
1 1/2"
INSTRUCTORS ANDREW COLOPY, KEN TRACY
9"
2"
STUDIO CONFLUENCE
INSTRUCTORS ANDREW COLOPY, KEN TRACY
6"
2"
#4 BAR, 12" O.C, (TRANSVERSE)
3"
1 1/2
6 1/8"
CORROSION RESISTANT: COATED REBAR CHAIRS: WHERE UNDERSIDE OF CANTILEVER SLAB IS EXPOSED TO VIEW.
3"
DRAWN BY
"
1 A4.05
YAO XIA, YU XIN PROJECT
9"
3"
STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG
SCALE
1/2"=1'-0"
#4 BAR, 12" O.C, BOTH DIRECTIONS 3" COVERAGE BELOW
#4 BAR. 12" O.C, #4 BAR, 12" O.C, (BOTH DIRECTION) MAINTAIN 3" CONCRETE COVERAGE LAPPED 12" AT CANTILEVER
3"
CLIENT
3"
AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO
Concrete Foundation Plan Ancor Layout
"
AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY WESTALTON, MO 63386
2
#4 BAR. 12" O.C, #4 BAR, 12" O.C, (BOTH DIRECTION) MAINTAIN 3" CONCRETE COVERAGE LAPPED 12" AT CANTILEVER
8'-0 3/16" VARIES
6 1/8
CORROSION RESISTANT: COATED REBAR CHAIRS: WHERE UNDERSIDE OF CANTILEVER SLAB IS EXPOSED TO VIEW.
3"
21'-5 5/16" VARIES
Appox. 48 inches of Strcutural Fill Above Scarified Exst Grade -6 inch lifts compacted o at least 95 percent modified Proctor and 2,000 PSF bearing capacity assumed
9"
2"
2"
1 1/
RETURN #5 BAR, TYP
#4 BAR, 12" O.C, BOTH DIRECTIONS 3" COVERAGE BELOW
SLAB DETAIL SECTION CONTACT: PATRICIA HAGEN, 1/2"=1'-0"
EXECUTIVE DIRECTOR
1
LONGITUDINAL SECTION 1/2"=1'-0"
SCALE
1/2"=1'-0"
A2.01
DRAWN BY 1
US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386
YAO XIA, YU XIN PROJECT
9"
A4.05
CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR
3"
21'-5 5/16" VARIES
DESIGN TEAM
8'-0 3/16" VARIES
STUDIO CONFLUENCE INSTRUCTORS ANDREW COLOPY, KEN TRACY STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG
SCALE
1"=1'-0"
1
ELEVATION 7 1"=1'-0"
DRAWN BY
NIKE CAO PROJECT
Appox. 48 inches of Strcutural Fill Above Scarified Exst Grade -6 inch lifts compacted o at least 95 percent modified Proctor and 2,000 PSF bearing capacity assumed
AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO
Concrete Foundation Plan Ancor Layout
AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO
Elevation
2
80 9 CAMOUFLAGE
SLAB DETAIL SECTION 1/2"=1'-0"
A5.03
1
LONGITUDINAL SECTION 1/2"=1'-0"
A2.01
1
5
RICHLITE -1/4” thickness -Weather/UV Resistant -Recycled/Recyclable -Colors:
4
R50 1/4”
Chocolate Glacier 1/4”
Hybrid Sheet A R50
1/32” 1/16”
Chocolate Glacier
1/16”
1/4”
1/16” 1/32” R50
Hybrid Sheet B
CLIENT
Chocolate Glacier
1/32” 1/16”
R50
1/16”
1/4”
1/16”
AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY WEST ALTON, MO 63386
1/32” Chocolate Glacier
2
ALUMINUM -Alloy 5052 -.100” thickness -Highly water and weather resistant -Light Weight
CONTACT: PATRICIA HAGEN, EXECUTIVE DIRECTOR
US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386 CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR DESIGN TEAM
3
PERFORATED ALUMINUM -.06” thickness Ͳϭͬϰ͟ ŚŽůĞƐ͕ ǁŝƚŚ ϯͬϴ͟ Žƌ ϭͬϮ͟ ƐƚĂŐŐĞƌĞĚ ƉĂƩĞƌŶ ͲKďƐĐƵƌĞƐ ĂůƵŵŝŶƵŵ ĨƌĂŵŝŶŐ͕ ŚŝŶƚƐ Ăƚ ƉĂƩĞƌŶ ŽĨ ƌŝĐŚůŝƚĞ -Covers walls and ceiling Ͳ&ŝůƚĞƌƐ ĂŶĚ ƐŽŌĞŶƐ ŝŶƚĞƌŝŽƌ ůŝŐŚƚ
3
STUDIO CONFLUENCE INSTRUCTORS ANDREW COLOPY & KEN TRACY STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG
1/16” = 1’-0”
4
2
SHEET METAL SCREWS -1/8” diameter -Security headtype preferable -Color matched from Richlite
5
ALUMINUM RIVETS
FINAL: JINA KIM, YU XIN INITIAL: NIKE CAO, HAO WU, WASSEF DABBOUSSI,YILONG WANG
AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO
1 -3/16” diameter, 1/4” grip range Ͳ&Žƌ ƐĞĐƵƌŝƚLJ ĂŶĚ ĞĂƐĞ ŽĨ ĐŽŶƐƚƌƵĐƟŽŶ
PANEL MOCK UP
A4.07 Panel Structure & Fabrication/Construction Process
81
“Consealment by some means that alters or obscures the appearance: Drab plumage provides the bird with camouflage against predators.” “Disruptive/Dazzling Pattern: Hi-contrast pattern bends from the background in order to obfuscates an object’s size, form, speed and range” Panoroma of Avian Observatory Interior View&Gradual-change of Openings (bottom)
82 9 CAMOUFLAGE
83
Photo Credits to WUSTL Photos
84 9 CAMOUFLAGE
85
DRAWING&PAINTING 80-84 ARTWORK
1
DIGITAL DRAWING 2015 Real Environment Simulation Maya Animation Scene Clips
Penn Design FNAR366 Advanced Modeling Studio//Can Fu
88 1 DIGITAL DRAWING
89
2
PAINTINGS&DRAWINGS 2009-2011 Oil Painting/ Gouache&Pastel/Water Color/ Pen Drawing/ Charcoal Figure Sketches UWashington Painting Major Projects
90 2 PAINTINGS&DRAWINGS
91
PS
REVIT DOCS E
D
C
B
1
A
Revit Construction Drawings for Philadelphia Town Office Building Penn Design Construction
2
3
4
5
ROOF 105' - 0"
ROOF 105' - 0"
Level 10 95' - 0"
Level 10 95' - 0"
Level 9 85' - 0"
Level 2 10' - 0"
Level 9 85' - 0"
Level 8 75' - 0"
Level 1 2 10' 0' - 0"
Level 8 75' - 0"
Level 7 65' - 0"
Level Level 12 0'10' - 0" - 0"
Level 7 65' - 0"
Level 6 55' - 0"
Level 1 0' - 0"
Level 6 55' - 0"
Level 5 45' - 0"
Level 5 45' - 0"
Level 4 35' - 0"
Level 4 35' - 0"
1 A401-1
Level 3 25' - 0"
Level 3 25' - 0"
Level 2-2 19' - 5 3/16" Level 2 15' - 0" Level 1-2 8' - 9" Level 1 0' - 0"
ARCH532 CONTRUCTION TECHNOLOGY II / 14SP
F
Level 2 15' - 0" Level 2 10' - 0"
Level 1-2 8' - 9"
Level 1 0' - 0"
Level 1 0' - 0"
B1 -12' - 0"
B1 -12' - 0"
B2 -24' - 0"
B2 -24' - 0"
B3 -36' - 0"
B3 -36' - 0"
ARCH 532
Philadelphia Offic Building Sections-2
2
Section EW-S 3/32" = 1'-0"
1
Section NS-E 3/32" = 1'-0"
532.
Project Number Date
Ca Che
Drawn By Checked By
A202
Scale
A
F
B
3/32" =
A Rectangular Duct
Level 2 9 85' - 0" 10'
W-Wide Flange W18X76
ROOF 105' - 0" Level 4 35' - 0"
10' - 0"
Level 6 55' - 0"
Basic Wall Generic - 8" Masonry
Level 1 8 2 75' 10' 0' - 0"
ARCH532 CONTRUCTION TECHNOLOGY II / 14SP
10' - 0"
10' - 0"
Level 5 45' - 0"
Level 2 9 85' - 0" 10'
10' - 0"
Level 4 35' - 0"
10' - 0"
Basic Roof Insulation on Metal Deck-EPDM
Level 1 8 2 75' 10' 0' - 0"
Curtain Wall Storefront
2 A501
5' - 6 13/16"
10' - 0"
Level 3 25' - 0"
Level 2-2 19' - 5 3/16"
Rhomboid east west solar shade
ARCH532 CONTRUCTION TECHNOLOGY II / 14SP
10' - 0"
W-Wide Flange W18X76
Level 10 95' - 0"
Basic Roof Insulation on Meta Deck -EPDM
Level 3 25' - 0"
Rhomboid Curatin Panle
Level 1 7 2 65' 10' 0' - 0"
Level 2-2 19' - 5 3/16"
Structural Beam System
Rectangular Mullion 2.5" X 5" rectangular
Level 2 15' - 0"
4' - 5 3/16"
Level 1 7 2 65' 10' 0' - 0"
Rectangular Mullion 2.5" X5" rectangular
10' - 0"
Level 2 15' - 0"
Level 1 6 55' 0' - 0"
6' - 3"
Floor 4" LW Concrete on 2" Metal Deck 2
ARCH 532
Level 1 6 55' 0' - 0"
Level 1-2 8' - 9"
ARCH 5
Philadelphia Buildin
Level 1-2 8' - 9"
Philadelphia Office Building
Partial Wall S
Detailed Sections
Project Number Date Drawn By
Project Number
Drawn By
3
Checked By
Scale
532.2014 0425 Can Fu Checker
Checked By
Callout of Section EW-N with atrium 1/2" = 1'-0"
A402
1/4" = 1'-0"
2
Scale
YIN
6" Grass Geotext Tile Drainage Membrane Layer 1" Sand 3/4" Bitumen high Density Board 3/4" EPDM Membrane Roofing 2" Thermal Barriers Moisture Barriers 3/4" Plywood Sheating 9-1/4" Dimension Lumber 1/2" Gypsum Wall Board
YIN
1' - 4 1/2"
Level 3 Rear 21' - 0" 4" Exterior Brick Masonry 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board
5' - 6" 1' - 9"
SIYUAN
SIYUAN
0' - 9"
1' - 4 1/2"
4" Exterior Brick Masonry 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board
Bond Beam
Level 3 23' - 6"
8"x8"x16" Concrete Bond Beam
Steel Angle
1-1/4" Clapboard Siding 3/4" Wood furring 3/4" Wood Sheating Plywood 5-1/2" Wood Stud Layer 3/4" Gypsum Wall board
L6"x6"x1/2" Steel Angle
PennDesign University of Pennsylvania
PennDesign
1" Anchor Bolt
University of Pennsylvania
Arch531 Construction Technology
Arch531 Construction Technology
2"x10" Nominal Cut Lumber Section
Rowlock Sill 15" Slope
2 1/2" Rigid Insulation
96" x 72" Fixed Window 3
2 A201
Level 1 2' - 0"
0' - 11"
Flasing Drip Edge Under Sill
ADD201
A501
Callout of Detailed Section EW-S with window 1/2" = 1'-0"
6' - 0"
Date
Detailed Callout Section EW-S with window 1/4" = 1'-0"
5/2/2014 3:49:32 PM
2
Metal Wall Ties Vertically Spaced @16" O.C.
5-1/2" Insulation
PennDesign
Project Number Date Drawn By Checked By 2
Callout of Green Roof at Skylight 1 1/2" = 1'-0"
1
Callout of Cantilevered Roof And Floor Framing 1 1/2" = 1'-0"
4" Exterior Brick Masonry Construction 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board Project Number
Issue Date Siyuan Yin Checker
ADD502
1 1/2" = 1'-0"
Wood Blocking 4" Exterior Brick Masonry 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board
6" Grass Geotext Tile Drainage Membrane Layer 1" Sand 3/4" Bitumen high Density Board 3/4" EPDM Membrane Roofing 2" Thermal Barriers Moisture Barriers 3/4" Plywood Sheating 9-1/4" Dimension Lumber 1/2" Gypsum Wall Board
Insulation Filling 2"x10" Roof Framing
Typical Wall Call Out Details
Metal Coping 2"x14" Wood Nailer
Level 3 23' - 6"
PennDesign Construction
Project Number Date Drawn By
Callout of Second Floor Framing and Wall 3 1 1/2" = 1'-0"
Scale
92 PS REVIT DOCS
Level 2 Rear 11' - 0"
9" Insulation 4" Exterior Brick Masonry 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board
Callout ofl Ground and Foundation Wall 1 1/2" = 1'-0"
Level 2 13' - 6"
11/25/2013 11:22:21 AM
0' - 11"
Level 2 13' - 6"
Pine Street Additional House
2
2' - 10"
Callout of Window Head and Sill Detail 1 1/2" = 1'-0"
2' - 0"
1' - 9"
Level 3 23' - 6"
1
1' - 9"
0' - 10"
GROUND 0' - 0"
0' - 11"
8' - 0"
10' - 0"
2x8 Wood Blocking
Typical Wall Call Out Details
6' - 0"
8'x6' Chrome Frame Skyline 1" Insulated Glass
2' - 5"
0' - 10"
6" Grass Geotext Tile Drainage Membrane Layer 1" Sand 3/4" Bitumen high Density Board 3/4" EPDM Membrane Roofing 2" Thermal Barriers Moisture Barriers 3/4" Plywood Sheating 9-1/4" Dimension Lumber 1/2" Gypsum Wall Board
Pine Street Additional House
Flashing w. Weep Hole @ 2' O.C. TYP
Checked By Callout of Parapet Detail 4 1 1/2" = 1'-0" Scale
Project Number Issue Date Siyuan Yin Checker
ADD501
1 1/2" = 1'-0"
1
2
ARCH532 CONTRUCTION TECHNOLOGY II / 14SP
1
final inte 12" = 1'-0"
ARCH532 CONTRUCTION TECHNOLOGY II / 14SP
2
3D View 11_ex 12" = 1'-0"
Exterior View 1
Exterior View 2
ARCH 532 Philadelphia Office Building
Date Drawn By Checked By
ARCH 532
2
3D View 12_ex 2 12" = 1'-0"
Scale
A003
532.2014 0425 Can Fu Checker
12" = 1'-0"
5/2/2014 3:44:12 PM
Exterior Renderings Project Number
Philadelphia Office Building
Date Drawn By Checked By
Scale
A001
532.2014 0425 Can Fu Checker
5/2/2014 3:40:23 PM
Exterior Views Project Number
P
Projec Date
Drawn
Check
1
3D View 19_1 exfinal 12" = 1'-0"
2
ARCH532 CONTRUCTION TECHNOLOGY II / 14SP
Scale
1
Exterior View 1
PRODUCED BY AN AUTODESK STUDENT PRODUCT
Exterior View 2
ARCH 532 Philadelphia Office Building
Drawn By Checked By
A001
Scale Copy (2) of southern facade
ARCH532 CONTRUCTION TECHNOLOGY II / 14SP
4
532.2014 0425 Can Fu Checker
ARCH532 CONTRUCTION TECHNOLOGY II / 14SP
Date
5/2/2014 3:40:23 PM
Exterior Views Project Number
ARCH 532
Philadelphia Offi Building
ARCH 532 Philadelphia Office Building
Interior Renderin
High Performance Facade Date Drawn By Checked By
3
southern facade Scale
A007
532.2014 0425 Can Fu Checker
12" = 1'-0"
1
53
Project Number Date
5/2/2014 3:44:33 PM
Project Number
Drawn By Checked By
3D View 17_inte pes 12" = 1'-0"
2
3D View 16_1 inte pe 12" = 1'-0" Scale
A004
PRODUCED BY AN AUTODESK STUDENT PRODUCT
ARCH 431/531: Construction Technology 1
PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRODUCED BY AN AUTODESK STUDENT PRODUCT
Philadelphia Rowhome Addition
CANFUDESIGN
110713
Date
Can Fu
Drawn by
12" = 1'-0"
Scale
Interior View
12/15/2013 6:34:42 PM
ADD002
PRODUCED BY AN AUTODESK STUDENT PRODUCT
93
C
12"
PRODUCED BY AN AUTODESK STUDENT PRODUCT
THE END
2016.07
CAN FU University of Pennsylvania School of Design M. Arch 2016 +1 3145021308 canfu@alumni.design. upenn.edu canfu@live.com