CARBON ISSUE 7

inside: FROM SEWING MACHINE TO STAGE ... PREPARING FOR GFW LIVING THE DREAM AT 19 BACK TO THE FUTURE... TRENDS FOR SS/20 CHRISTIAN DIOR INKED WITH EMPOWERMENT FASHION X ANIME ABOVE THE SKIN... EVOLOUTION OF SHAVING FROM RUNWAY TO REALITY TO SHAVE OR TO ERASE BREXIT... WHY SHOULD I CARE? TAKING BACK OUR BODIES

editor’s e t no Welcome to the seventh issue of Carbon on Campus! Here at Carbon, we have focused on our freedom and imagination that we hold and I am excited to have fresh eyes for the content produced for this time round. We have reimagined the work we produce and I am happy to announce that we have four new sections in the magazine including Beauty, Grooming, Think Pieces and Inspire! We thought this was a great way to combine the previous edits we have created so be sure to give them a read! I think this is a great new aspect for the magazine to heighten the buzz and invite new readers. This issue has something for everyone from how to be prepared for the trends next year to the most current political debates for this time.

Head to page 36 to read about the blood, sweat and tears of the 3rd year fashion graduates preparing for Solent Graduate Fashion Show 2019 as Carbon takes you behind the scenes or go to page 102 to see the most Instagram worthy islands to jet off to this year. Prepare for a variety of articles that will get you thinking.

Join our adventures through our Instagram profile, @carbononcampus, where the excitement never stops. Let us know what you think about our new content and if there is anything else you would like us to add! Enjoy the read!

Vintage Menswear SS20 Styled On Trend Solent Fashion Graduate Show 2019

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Planet Disaster Micro Influencers Maisie Williams Does this mean yes?

Glass Eye Glow Job From Runway to Reality Make your match

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The invisible compon Scent and Along th Out of th

Instagrammable Islands Inked with empowerment Fashion x Anime Christian Dior: Designer of Dreams

Making Motivation Capturing Freedom Working Girls Reflective Artistry

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nent of your aesthetic d Science he lines he bush

118 Find Your Zen You are not alone Brexit: Why should I care?

Taking back our bodies

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tributors EDITOR IN CHIEF – Rachel Lamb EDITOR – Ciara Wilson SUB-EDITOR – Kiki Szaniszloova & Brianna Norman ART DIRECTOR – John Whalvin CREATIVE DIRECTOR - Chelsie Hares FASHION EDITOR – Tash Hughes & Chloe Gill FASHION TEAM - Chelsie Hares & Ciara Wilson FEATURES EDITOR- Emma Ford & Lottie Griffiths BEAUTY EDITOR – Brianna Norman BEAUTY TEAM – Mia Wells & Amelia Moys GROOMING EDITOR – Harry Turner GROOMING TEAM - Kiki Szaniszloova & Sophie Eden CULTURE EDITOR – Carla Garcia & Kai Lin Tan THINK PIECES EDITOR – Emily Hall THINK PIECES TEAM – Siobhan Kiely & Jess Maidwell INSPIRE EDITOR – Izzy Short INSPIRE TEAM – Jordan Burrows

Fashion

Is design a death w “need for psychological support for fashion professionals” 10 carbon | fashion

wish?

How the demands of fast fashion take their toll on the mental health of those orchestrating the fashion process, with insight from Fashion Psychologist, Carolyn Mair.

M any are aware of the negative impact that the fashion industry can have on consumers. For years the unattainable image of perfection portrayed in media and advertisements has been criticised for causing low self-esteem and dissatisfaction in the impressionable minds of young people. In addition, the 1990s saw ‘the age of the supermodel’ and “heroin chic”, portraying thinner and thinner models in campaigns and walking the runway, correlating to a never-before-seen spike in disordered eating. Young women, girls and models themselves sought to emulate this perceived ‘ideal body image’ with crash-dieting and unhealthy actions, detrimental to their wellbeing.

Words, Illustration and Design by Chelsie Hares

However, there appears to be a movement towards protecting consumers from such harmful imagery, with more fashion businesses opting for ‘un-retouched’ ad campaigns and challenging stereotypes of typical fashion models, with greater diversity in body type, age, ethnicity, religion and much more (See – River Island ‘labels are for clothes’ campaign) in addition, as of 2017 the British Fashion Council introduced measures to ensure the models on the runway were no less than a size 6 (US size 2), as well as other work-hour based restrictions and parental supervision for models under the age of 18.

Despite these positive movements to improve the well-being of consumers and models of the fashion industry, there is often a lack of awareness and support for the struggles faced by those designing and producing the latest collections. The past decade has seen the tragic suicide of three high profile fashion designers: Alexander McQueen, L’wren Scott and Kate Spade. This has raised public awareness on the toll that the pace of fast fashion can have on designers. In Carolyn Mair’s book: ‘The Psychology of Fashion’ she discusses other designers that have battled mental health issues: “Yves Saint

Laurent drug use has been well-documented, as has Galliano’s mental health breakdown, yet at the same time as Galliano was suffering, Dior launched a perfume called ‘Addict’. This does nothing other than glamourize mental health problems”. Mair also adds, “Marc Jacobs claims he needed rehab after continued drinking and partying with other fashion professionals,” and citing the reason behind Alber Elbaz departure from Lanvin after 14 years as the “fashion industry’s relentless pace” which “crushed creativity”.

In contrast, ‘The Psychology of Fashion’ also gives the perspective of those who thrive in the fast pace of the industry, such as Rick Owens who describes “being busy as being happy”, furthermore the late Karl Lagerfeld argued “those whose unable to run, should not enter the bullring” in relation to the stresses difficulties faced by some designers within the fashion industry. These comments seen ignorant and unsympathetic when you consider the extreme suffering from high-profile fashion professionals. The struggles of designers suggest real issues and a lack of awareness and support within the industry. Mair calls for “the need for psychological support for fashion professionals”, in order to better care for those who the fast pace of fashion is taking its toll on, without this, we may face the loss of more incredibly influential and creative individuals.

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t seems the peak of fast fashion is passing, as the unethical practises behind it are slowly being exposed. There is a movement towards appreciation for the art of designer and the message they are promoting, this will provide a new landscape for upcoming desires to push their creativity and design, without having to pander to trends that barely linger for a fortnight, creative freedom to set their minds free.

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Vintage wear is new trend to watch within menswear fashion. Carbon shoots the latest searched for styles to be found in your local vinatge stores.

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Photography and Design by Chloe Gill, Models Harry Griffiths and Nicos Bauld. Shoot location, Beatnik Emporium, Southampton.

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menswear vintage menswear vintage

menswear vintage

menswear vintage

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back to the e r u t fu This is your quick fix for SS20, so you can be ahead of the trends ready for the new season.

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Swap out the office chair to a sun lounger while you relax at the bar in a Mediterranean country. Turn that sophisticated shirt into a beach dress by slouching the shoulders and adding an emphasis on the hips using ties, knots and twists. Greaten the summer feel even more by using block colours and ombré dips.

When going for a meal overlooking the city, stay smart out of the office with a knitted polo by amplifying the classic silhouette with pattern repeats. Keep the look fresh and stylish by pairing with high waisted pleated trousers and loafers to elevate the staple piece.

Words, Illustration and Design by Ciara Wilson

It’s a hot Friday in June and the office clock has just ticked over to 3:30. You are counting down until the clock strikes four and you are free to break out and enjoy the glistening sun beaming on your face. It is time to get your summer wardrobe ready ladies and gentleman and this is how you can be prepared to hit the runway this time next year.

Lingerie as outerwear stunned us all last year but it hasn’t stopped us as next year delicates are back. Overlay using sheer organza’s and chiffons or simply bare all.

Use this as a way to add simple delicate tones or bold, bright patterns to express yourself.

Extend the blazer to the weekend to swap out a fast-paced life in the office for a relaxed vibe in the park. Throw a turtle neck or jumper underneath to soften the edge of the blazer but still look smart; perfect for an afternoon date as you stroll around the lake.

As the summer night gets cooler and turns to dusk, bring back the high school memories with a sporty V-neck.

Layer with shirts to give a modern and sophisticated twist by adding bold stripes to the neckline and hem to take it back to the school days with this menswear classic.

Take it back to the thirties with elegant fits and flares by emphasising contours.

Hips are the accessory of the season so be sure to put the spotlight on these while you swing to the beats on the dancefloor.

Emphasise the androgyny in you by reliving the power suit and enhancing the vintage feel through adding big shoulders and drapes to the sleeves.

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Photos and Design by Chloe Gill

D N E TR

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Carbon’s top picks of what’s hot on the high-street

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DiAL

Photos and Design by Tash Hughes, Models: David Cook and Hannah Trokan-Paul

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PiNK 28 carbon | fashion

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RE:SO 30 carbon | fashion

everyday upcoming creatives are having their ‘big break’ into the industry. carbon explores the re:so concept of allowing young designers to begin their start up business journey while at uni...

Design and Words by Chloe Gill, Images by Re:so, Sandra Tavares.

Located in the Marlands Shopping Centre in Southampton, RE:SO started as a pop-up store, for students and alumni to showcase their work. This then developed into a concept store in 2012 and plans to be the ‘go to’ concept store in the city. Support is given to many students wanting to promote and advertise their designs, giving them a taste into the business and marketing side of the industry.

sell it most likely will. Visit concept stores that you would like to work to sell it and see what other suppliers are doing. See where your work would fit into the market.

Carbon spoke to Sandra Tavares, store manager of RE:SO to get her insight into the importance of this student ran store.

After speaking to Sandra, it is clear that RE:SO is becoming a very successful platform for many young creatives. FacesorFaces is one of the many brands currently on offer in store, offering a range of designs across canvas boards and printed clothing. Carbon spoke to the brand regarding their success and the ideas behind the designs.

C: RE:SO is clearly very important to yourself, but why do you personally believe that it is important to promote student designed products?

S: I think it is really important to promote student work because these creators and artists are supplying to future concept stores, and there is a real demand for unique, handmade products and students are meeting those demands.

C: With the high demand and interest in young creative designers, you must receive a large list of students wanting to promote their products.

How do you decide what gets given the opportunity to be sold in store?

S: All new suppliers will go through myself or RE:SO’s academic lead and we decide on what products are most suitable for the store and whether they will sell. We also sit with new suppliers and advise them with any help they may need, down to costs, pricing and production.

C: With a vast collection on offer, what would you say your favourite collection is in store at the moment?

S: Ooo! At the moment my favourite is ‘Printroom Brigade’ which is a collection for Level 6 Illustration students who are raising money for their end of year show.

C: Lastly, with many successful brands already developing and expanding within your store, what would your top tips be for a student wanting to be successful in starting up their own creative business?

S: My first tip would be to do it anyway, even if you think your work won’t

C: So your simplistic drawings have become very successful within the design industry. How and when did Facesorfaces begin?

F: I originally started drawing the face back in secondary school, however only including it in my art work making the clothing line just last year as soon as I joined University. I didn’t actually intend on creating a brand, I originally started with art work and street art which began to catch people’s attention, that’s when I decided to start selling my stuff.

C: As an artist, you must gain inspiration from various areas. What inspired you to start creating your designs?

F: I started drawing the faces as characters. I drew them to have no gender or race. I wanted show how like us humans, are all the same.

We should all support each other, no matter how we look or what are beliefs are. Loads of things inspire me every day but overall, I think just seeing how much people enjoyed my work inspired me to take it further, it was pretty surprising to be honest!

C: From inspirations to aspirations, where can you see your brand in the future?

F: My aspirations for the brand are just to keep growing and creating more art work. I start to begin to make more clothing for the line but would also love to host an exhibition that is open to the public displaying my designs. I see myself hopefully progressing as both an artist and a brand, producing items that everyone continues to enjoy.

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DOUBLE

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Photos and Design by Izzy Short

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What’s all the rage this season? Let’s dive in and see what has been showing up double on the runways...

Much like Moto Moto some things are so nice you got to say it (well, in this case see it) T WICE! From mesh seasonal tops for Spring to beautifully, contrasting earrings - this time of year is getting all of us taking a second look as we explore just what could be new and improved in your wardrobe this season.

Elisabetta Franchi took our imaginations on a trail around a dazzling, spring medow for her S/S19 collection. Using mesh for the best, and Franchi we see right through you girl, her colourful collection is blooming like the simplistic colour patterns soon to be in your checkout basket.

Christian Dior and Marni for this season both have dabbled in pairing

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some odd pairs on their catwalks and we are not sorry because when ever or if ever you do lose one of your favorite earings, you can always still wear the other one with a lil contrasting pair to spice up your day look. This is a trend sure to stick.

Lastly, the OTT eyeshadow... we’re here for. No wonder this is a trend right now, so many eye shadow ranges are coming out with last year, just having the drop of the very much needed James Charles X Morphe Collab was iconic we needed this trend for an excuse to dip into that pallet, which we spent are very asked for money on, so we can tell the world: “see I told you i’d wear it”, (not related to real events).

Anyway, time to forget about the past and move on to the new exciting present. The present, which we can not get enough of, so we quite literally take two at a time. It’s called being efficient, when you know you look good, save everyone the trouble of that double take you know you’re about to get.

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from sewing machine to stage Be a fly on the wall as Carbon takes you through a whirlwind of emotions as we follow the journey of three fashion graduates preparing for their end of year show.

The preparations are well under way for the School of Art, Design and Fashion’s third fashion showcase in the impressive Spark building but long before the models strut their stuff and the cameras flash the pressure is on as to who will make the cut and get to showcase on the catwalk. The designers have to create the concepts for the end of year collections and the pressure is high. Join Carbon as we go from concept to catwalk in a two-part series tracking the highs and lows of the industr y’s next generation of designer.

The tension is rising as twenty is soon to be ten. Kathr yn Saunders course leader of Fashion says, “It’s a tough world out there and while they are here in education ever ything is fair, and they are treated ver y nicely but actually when they go out its going to be incredibly tough, so they need to be ready. At this stage, even good friends fall out and this happens because people are wanting it so much.” The classroom atmosphere has taken a turn, as 6 outfits need to be designed, made and styled for June. Follow the blood, sweat and sewing machine disasters as we tune into the lives of three hopefuls Lydia Rose, Henr y Mitchell and Evaristo Pereira, as they put together the foundations of their creative vision.

immune to antibiotics. This was the main concept that influenced me.” Next to Lydia is Henr y Mitchell, a 21-year-old, from Somerset. His collection is taking on a personal approach with a deeper meaning. He says, “My concept came from anxiety, because I’m quite an anxious person so I was reflecting on myself and how sometimes you put on different personalities to make yourself feel better and protect yourself. It is all about different layers and big clothing so that it makes you fell bigger and protected within yourself.” On the end, patiently waiting, is Evaristo Pereira, a 20-year-old Portuguese student who is designing a transformative, conceptual and sophisticated collection.

He said, “My concept has been taken from the idea of garments transforming so I thought about the idea of instead of them being literal I am going to change it in order to compare nature and humans connecting with each other. I came across a video on Facebook where a butterfly was coming off the cocoon and how the human helped the butterfly. So, the whole idea of connecting humans with nature means that the human needs to suffer in order to transform.” Kathr yn Saunders says, “It’s still early days for us but ever yone is working flat out now, and no one has a life.”

Meet Lydia Rose, a 20-year-old from Oxford, ready to launch herself into the industr y. Her collection ‘Formidable Future’, is inspired by technology and science and how this can be brought into fashion. “I went to the ‘Future Starts Here’ exhibition at the V&A which was my main inspiration and the Science Museum ‘Super Bugs’ exhibition which suggests how we are becoming

When in conversation with Carbon, Lydia Rose stated that her initial designs have developed massively. After starting with knit, her plans have rocket boosted to weaving and laser cutting which are the highlights of the collection. Originally, her designs were limited in terms of yarns but now she has progressed to using unusual materials that have brought her designs a long way.

“It is incredibly hard work and students work day and night, all weekend, early in the morning and late at night. They bring their slippers in and bring food in for the day.”

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Name: Henry Mitchell Age: 21 Concept: ‘Transformative Empowerment’ Fabric: Cotton blends, Wool, Fur, Chiffon, Silk, Organza Fabric Source: goldhawk road, london & online Overall cost: 1,800 pounds

Name: Evaristo Pereira Age: 20 Concept: ‘The State of Being Concealed’ Fabric: Silks Fabric Source: Online & Goldhawk Road, London Overall cost: 1,500-2000 pounds

Words and Design by Ciara Wilson

Name: Lydia Rose Age: 20 Concept: ‘Formidable Future’ Fabric: Scuba Neoprene, Netting, Printed fabrics, Paracord, Macrame cord Fabric Source: Online & Goldhawk Road, London Overall cost: 1,800 pounds

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@lydiarosedesign

@evaristopereira_official

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@henryoliverdesigns

She continues, “I had the concept in my mind, and I put all my favourite photographs on a page which helped me design the shape of a garment and then I developed this into a design.”

When in discussion with Henr y Mitchell he gave us an insight into how he star ted his research and the stage he is at now, “When I star ted, I used collage as my initial vision was going to be mixed and matched so that it would be patched together, so there would be areas of dif ferent fabrics. I took lots of images and looked at glamorous objects, interiors and museums which I cut out and star ted collaging. Most of my garment ideas came from collages of a mish mash of objects and then I refined them through playing around on Photoshop. Now it has evolved to dif ferent layers such as an underskir t under a dress or bolero over a top.” Af ter wards, Pereira went onto explain how his process of designing is dif ferent, “I usually tend to create things in my head and tr y to put them on paper so that they make sense from the beginning.

My idea was getting images that refer to my key points and cut them together to make dif ferent types of pattern cutting.” As the preparation begins, Kathr yn Saunders elaborates on the mood in the classroom, “It’s a bit tense and there is a lot more tears as they are making six outfits in three months. Not just that they are making them, but they have to make a por tfolio, the back-up work, the technical flats which has to be done on illustrator and put on a spec sheet with all the measurements of the garments.

They also have to put another design range in their por tfolio to

compliment the one they’ve made.” I addressed how the soon to be graduates are preparing for the show, Lydia commented, “I am tr ying to do outfit by outfit so I can focus on my main look. Therefore, I can style it throughout because I am unsure on some garments, but I am going to bring it altogether and slowly change some of my designs.” Henr y agreed and said, “I am star ting by concentrating on my first outfit and then from that I evolve it into my second outfit so I can take the patterns and rearrange it into dif ferent things. This confirms the vision for me really.”

Evaristo continued, “My process of getting ready is ver y dif ferent. I am getting all of my toiles ready so that I can make sure that all the silhouettes and the way that the pattern cutting works together.” This is the most stressful time for the students as they are having to bring their concepts and ideas to the life.

“You never really know until you see them and some of them pop up as a surprise and are looking really strong.”

The clock is ticking, and time is slipping away fast. “ The show here is a celebration of what we have achieved, what the students have done this year, who we are as a course and is a bigger picture of all their ideas and to realise this.”, says Kathr yn Saunders. Visionar y agencies are delighted to announce that tickets will be released in March and anyone can celebrate the hard work of the fashion graduates. Be sure to grab a ticket to see the concepts strut the catwalk on Friday 7th June 2019 and keep up with the latest news on Instagram on @sgfs19 & @visionar yagencies. Stay tuned for issue 8, where we see the ups, the downs and the ugly but answer the elephant in the room, will Lydia’s, Harr y’s and Evaristo’s collections be on the catwalk?

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FEatures

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Living the dream at 19!

Carbon talks to Steph Kaluza, the teen living her best life as a digital executive in London…

Growing up in a small town in Oxfordshire, Steph Kaluza is an ordinary teen with a pretty impressive job. Studying at the same school as Steph (in fact we were in the same friendship group) I know she was always the girl everyone wanted to be like. Toned body, perfect hair and an original sense of style.

She always had a strong urge to be successful and wanted to make it in the fashion industry. She has now proved this by her success at the age of 19.

After working hard for 5 months during her internships it was time to think big and strive for the real deal. “After finishing my internship I decided I wanted a role in a slightly bigger company with more specific responsibilities.

I applied for a lot of roles through LinkedIn and fashion recruitment agencies and after lots of interviews with different brands I ended up being offered a wonderful job at Sass & Belle as a Digital Executive!” This was a big step in Steph’s career and ultimately drove her to success at the age of 19.

So how did she become so successful?

So what exactly does a digital executive do?

Text, Design: Emma Ford. Images: Steph Kaluza

In 2018 she graduated from the Fashion Retail Academy in London with a foundation degree in Digital Marketing. She studied a range of topics from: website design and user experience, email marketing, content marketing, social media, search engine marketing and business planning. “I really loved learning all the topics and being able to put them into context with a range of fashion/beauty brands.” After studying for a year she was already making connections to people in the industry. “I tried to go to lots of events and talks that involved people in the fashion world. With it being so competitive it’s really important to network and keep in touch with people you meet along the way; you may cross paths in the future.

Add everyone you meet on LinkedIn!” Looking at her life now you would simply think she got it easy. I’m afraid not. Working hard is the key to success and networking is so important. Attending every event possible will help you build connections and create contacts with people in the industry.

“My main responsibilities are to manage all the social media channels and provide all the written content for the brand. So, day to day I could be writing copy for online and offline marketing communications, creating monthly social plans, writing copy for the trade or retail website, reporting on the performance of the social channels and maintaining the brands tone of voice.” After bagging the deal she is enjoying life to the fullest.

However, there is still plenty of time to climb the career ladder. “The digital world is so broad and I am always open to any new paths, but I really love social media marketing and would love to develop my skills further and possibly become a social media manager for a fun fashion/lifestyle brand.”

Having a strong drive for success and a passion for a certain area of the industry is where it all begins. The next step is to work hard, connect with others in the industry and apply for many internships. The rest is down to you.

Internships and work experience were another key path to Steph’s success.

“My first internship at Liberty was luckily arranged by the Fashion Retail Academy as we had to go on a one month placement as part of the course.

Once I’d graduated I applied for more internships, mainly looking on sites such as Fashion Workie. However, I ended up getting approached by a brand who were looking for an intern and I had been recommended to them by someone I worked with at Liberty.” People always say internships are the way into the industry and it’s totally true. Make a good impression and you will be surprised where you could end up. Her internship at Liberty was focused on the technical side of digital marketing. “I learnt a lot about the industry by going to meetings with my manger and learning how to create reports and research to improve marketing activities.” However, her second internship at Sunuva was slightly different. “It was much more hands on as they are a small brand. Day to day I was managing their social media, creating blog content, planning email campaigns, liaising with brand partners, planning the seasonal magazine and managing relationships with influencers.”

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planet

Disaster Plastic never goes away, so why are we still using it? Single use plastic has the biggest impact on the environment. It’s time to make a change...

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Plastic… it’s everywhere. In your kitchen, in your bathroom, in your bedroom, in the shops, in restaurants and worst of all, in the oceans! Everyone knows that plastic is bad for the environment but how many of you actually do anything about it?

Nowadays we are consumed by Instagram and having the new ‘IT’ item is the most important thing to our generation. However, most the items we buy have plastic packaging. Makeup, skincare, hair products, food, drinks - they are all the same. We simply take a photo, upload it to Instagram and wait for the likes to role in. Meanwhile, we are disregarding the item and never touching it again. Sound about right? Sure, we are all guilty of wanting to ‘live’ that Instagram life but how is it really affecting the environment?

Plastic has been around since the start of the 1900s and its usage has only increased from there. We are now producing nearly 300 million tons of plastic each year! With 50% of that being single use plastic! Only 9% of plastic is recycled and the rest takes over 400 years to partly degrade. With around 8 million tons of that going into the ocean each year adding to the 150 million tons that is currently already in the ocean. That is equivalent to bin men dumping a truck load of plastic into the ocean every minute of the day!

With this amount of plastic in our oceans it is affecting around 700 species of marine life. Ocean Conservancy say plastic has been found in more than 60% of sea birds and 100% of sea turtles. This is due to them ingesting the plastic which is life-threatening to these little creatures. Thousands of whales, birds, seals and turtles are killed each year due to them mistaking plastic bags for jellyfish. Once ingested, it gets stuck in the gut and causes a slow and painful death. In August 2000 a 8m Bryde’s whale died after ingesting 6 metres squared of plastic. That is a staggering amount! Do you really want these poor animals to die due to your selfishness? That is becoming the reality!

It’s not only the marine life that is being harmed by plastic, it’s us humans too. Plastic contains toxic chemicals that can seep into our blood stream and can be linked to cancer, birth defects, impaired immunity and much more. These chemicals are coming directly from the plastic we use everyday as well as from our landfills. Every time you drink from a single use plastic bottle you are putting your health at risk! Plastic toxins are also seeping into the ground underneath landfill and running into our water supplies meaning we are directly ingesting it without even realising!

Text, Design: Emma Ford. Images: Unsplash

Surely a simply Instagram photo including the world famous Starbucks cup isn’t worth the damage you are causing?

It’s time to change your ways and start thinking about the future of our planet.

With a gap in the market for plastic free products, small Instagram businesses are using this as a new opportunity. Brands such as SandCloud, &Keep and Plastic Freedom have launched their own plastic free shops.

SandCloud is a brand that not only stocks plastic free and sustainable alternatives but are also dedicated to helping marine life. 10% of their profits are given to organisations that are dedicated to saving animals.

Not only do their products benefit sea life but they also benefit your Instagram feed. With amazing Instagrammable designs you wouldn’t want to miss the opportunity to save the planet while building those likes. Not only are there so many small Instagram brands and independent boutiques that are now dedicated to making a difference but large well-known companies are also making a change. With Starbucks announcing the ban of all plastic straws by 2020, lush stocking products without packaging and supermarkets encouraging people to buy reusable bags, the world is slowly getting on board. Although we are a long way off living in a plastic

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free world, there are many ways we can all help in our every day life. Not only will you be saving the planet but you can also upgrade your Insta too!

Start making a change today and we could see a difference very soon…

Simple swaps we can all make: Plastic bag - Reusuable cotton bag Plastic water bottle - Reusuable aluminiun bottle Plastic straws - Metal straws Disposable coffee cup - Reusuable coffee cup Disposable cutlery - Wooden cutlery (keep in bag) Packaged fruit and veg - Loose fruit and veg Coffee pods - Coffee press machine Plastic food containers - Glass food containers Plastic food bags - Reusuable silicone food bags Plastic toothbrush - Wooden toothbrush Plastic hairbrush - Wooden hairbrush Plastci earbuds - Wooden earbuds Disposable cotton pads - Reusuable cotton pads Wipes - Reusable cotton clothes Tampons - Menstural cup Pads/liners - Reusuable pads/liners Shower gel - Soap bar Shampoo/conditioner - Shampoo/conditioner bars Toothpaste/mouthwash - Toothpaste/mouthwash in glass containers Skincare/body care - Skincare/bodycare in glass containers Shaving gel/razors - Shaving soap bar and metal razor Deodrant - Deodrant stick in cardboard packaging Makeup - Makeup in glass bottles/wooden packaging Plastic kitchen utensils - Wooden utensils Clingfilm - Beeswax food wraps Washingup sponge - Natural loofah plant sponge Denal floss/toothpicks - Floss in glass container/wooden toothpicks

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g n i g n ha

C Percep tio

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Ever wondered what life is like with cancer? Growing up can be hard enough without the added pressure of trying to recover from the deadly disease!

Text, Design: Emma Ford. Images: Dexter Levi Gurney-Paddick

Dexter Levi Gurney-Paddick was 18 years old when his life changed forever. “I was diagnosed with testicular cancer on Thursday 18th October 2012. Then on Tuesday 23rd I had my right guy removed!

The recovery from the first operation was pretty easy going but it wasn’t until I had a scan on my abdomen that it revealed the cancer had spread to my abdominal lymph nodes.” When Dexter was first diagnosed with cancer a lot of people assumed he was going to die; 8 years on and he is living his best life. “I think this generation has been taught that cancer and death come hand in hand but that’s not true at all. Don’t get me wrong, I worry everyday that it will come back but cancer is becoming more and more curable.”

“On the 15th January 2013 I started chemotherapy and had 3 cycles lasting 3 months. Now that was a bitch! I thought I was just gonna lose my hair and that would be it but it was a lot worse. I woke up most mornings feeling like I had been hit by a train and had the worst hangover of my life, all at the same time. There were a few moments that I couldn’t do it anymore and I just wanted to let it take me. I was fed up and even though I had the best support I felt so alone.” Hearing that from someone so young is heart breaking but that was the hardcore reality of Dexter’s late teenage years.

“During the treatment I use to listen to as much music as possible and keep myself surrounded by positive people. I couldn’t physically do much as all the drugs made me weak and slow. I was also put on steroids that made me very agitated - the combination was horrible.

Once chemo had finally finished I had a scan that showed the chemo had worked and shrunk the cancer in my lymph nodes to a small pea size. I was then given a choice: leave what was left and have regular checkups or have it removed. I left it as I was young and thought I was invincible.” Don’t we all? “However, about a year passed and my hair was back to a normal length and to everyone else I probably looked fine and happy but I continued to have concerns about the cancer returning. So I called the hospital to get booked in to remove the last small part. I was put on a waiting list and awaited the call!

2 days passed and I was asked to go in. This operation was a scary

one for me! 6 hours under the knife, waking up with all these wires attached to me...it was a very uneasy feeling. I lost nearly all my abdominal strength making even the easiest of tasks very difficult.”

With dreams of being a dancer this was hard to take in but there was a path of light ahead. “As the days went by I got stronger and stronger. Then in January 2018 I was finally discharged!”

Since beating cancer Dexter says his life has changed for the better.

“I’m [no longer] fussed about having loads of money or material things. Feeling genuinely happy and positive while making good memories is what I want. Living with cancer can teach you many things, especially what is important in life. “It’s really taught me that life is short! Have fun, go on that trip, go on that night out! I have always been positive but now I have beaten cancer I think I have a good attitude towards life but it has also taught me not to take any shit - stand up for yourself and know your worth. I don’t often say it but I’m proud of myself. It sounds silly but positives came from having cancer. It made my friends and family more aware of the signs and it’s made me enjoy life to the fullest now.” As well as a new outlook on life, Dexter has now reconsidered his life goals. “Before cancer I wanted to be in the performing industry, however during my treatment I had a lot of time to think and I decided I wanted to be more creative!” Now into fitness, photography and videography his dreams have changed along with his outlook on life. Now a mature 25 year old, Dexter is spreading awareness of cancer at any chance he gets. “Even a Facebook post or something on Instagram can make someone think to check themselves. I have also done the spartan race to raise money for cancer charity’s. Now I am physically able to, why not? I got a lot of help when I was sick so I like to think that the money I raised would help someone else in a horrible situation.” To sum up his story Dexter told us his life motto and number one tip: “Always be grateful and check yourself - there are so many more people that have had worse cancer experiences than me and I’m lucky that my cancer was not as aggressive as others!” Never take a day for granted as you don’t know how many more you may have!

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in flu micro enc ers 50 carbon | features

marketing to a NICHE T

Text and Design: Chelsie Hares

he phrase ‘micro influencers’ has been at the tip of many businesses’ tongues in the past year. As consumers have become increasingly dissatisfied and distrusting of A-list celebrities spewing out insincere paid posts, marketers have had to find a solution to effectively target their audience through social media with more transparency.

6 1 %

of consumers say micro influencers produce more relatable content.”

The title of ‘micro-influencers’ varies between source, but most definitions fall in the realm of “more than 10,000 followers” but “less than 100,000”. A report by ‘Influencer Marketing’ published in late 2018, gave an inside look into how brands are interacting with influencers, which suggested a growing trend in brands seeking smaller ‘micro-influencers’ whilst the desire for ‘top-tier’ influencers (those with 1m+ followers) is gradually decreasing. Though less visible on a wider scale, micro-influencers offer a power move to brands in the form of a loyal tight-knit audience, more likely to engage in the influencers content, and better receive a brands message through influencer marketing.

Though they may lack in the same numbers as an A-lister or top tier influencer, the idea of a ‘micro influencer’ is becoming increasingly valuable in influencer marketing. Their ‘edge’ is their relatability and intimacy with their audience. Micro influencers are seen as more ‘reliable’ and more likely to engage in conversations with their audience, when it comes to paid posts or collaborations, this can add a personal touch for consumers that marketers from all industries try to tap into.

The ‘big game’ of influencer marketing has seemingly slowed in the past year, sparking fear in brands and marketers alike. With many voicing concerns on the ROI (Return of Investment) which is difficult for brands to measure when it comes to influencer marketing – without inside analytics from influencers. Brands may struggle to make correlations between their funding of influencers and the profits that return from paid posts and collaborations. Tied to this, the ‘Influencer Marketing’ report suggested that the threat of “fake followers” ranks as a number one concern for brands within influencer marketing. A February Instagram purge saw high profile accounts such as @arianagrande losing near 1m followers, it’s no wonder brands are becoming more fearful of investing in large follower counts when at any moment the numbers can be taken away.

Withinn the context of fashion, micro influencers allow brands to tap into a niche, projecting their brand message through a fitting influencers content. This was effectively done by Converse’s ‘young and laced’ campaign, who although well established, wanted to grow their audience in the young, urban, male subculture. The head of the campaign from marketing agency ‘Amplify’, Bexy Cameron noted how there has to be a certain level of care when dealing with smaller subcultures to ensure “a level of authenticity”, emphasising a brand’s focus should be “what can be give to this subculture, rather than what can we take from it?”. Converse’s campaign supported a group of boys, with less of a desire to force their products in their followers faces and more to gain a deeper understanding of a subculture they were trying to tap into. The group of boys gained a

platform for their creative endeavours and Converse acquired an invaluable understanding of a niche subculture, as well as an organically grown relationship between themselves, the ‘influencer’ boys and their audiences.

The idea of ‘micro influencers’ relates to a wider influencer marketing trend of consumers desiring more ‘organic’ collaborations between brands and influencers, seeing collaborations between influencers who are already passionate about a brand rather than a generic “This is (product) – I love it and use it every day. Use my coupon code!!!”.

Whilst I have passionately complimented brands using micro influencers to give more authenticity to their campaigns, it must be noted it is a low cost but high risk strategy. If the return of investment is hard to calculate for high profile and A-lister influencers, it is near impossible for micro influencers. Though Converse was successful in tapping into their desired niche, if attempted by other brands without sincerity, it may be received as exploitation or cultural appropriation by brands, damaging their brand trust rather than spreading its roots.

Nothing is certain in the ongoing marketing race, however it’s likely that more and more brands will incorporate micro influencers into their influencer marketing strategies. What’s most probable is that they will be utilised in a ‘tiered’ approach, with a A-lister fronting as the ‘face of’ the campaign, trickling down into more unique and organic content created and shared by smaller influencers. Either way, could your Instagram content be the key that your favourite brand needs to unlock a niche.

The ‘micro influencer’ game opens the field up for everyone to be a creator of paid content, will this create a larger issue for consumers trust when anyone could be paid to be promoting, and their feeds may be filled with subtle ‘ads’ from all angles.

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Maisie Williams 52 carbon | features

M any of you may know her as A rya S tark of G ame of T hrones , or possibly L ydia L amont from T he F alling , either way it is likely you have seen the face of M aisie W illiams grace your screen . H ere at S outhampton S olent U niversit y we were lucky enough to have M aisie come and pay us a visit to tell us a little bit about her journey to hollywood .

Maisie started the beginning of her life like many of the rest of us. The youngest of 4 children, and having her parents divorce when she was only 4 years old, she describes herself as “the icing on the cake of a terrible marriage”. Growing up in a 3 bedroom council house with 4 of her 6 siblings, and with very normal parents and a very normal life, Maisie tried to “walk the centre line” of being not too good and also not too bad in school to avoid ever drawing attention to herself. But, as Maisie quotes, “everything was very ordinary about me, except how I felt on the inside, I had big dreams”.

Aged 11, Maisie decided to do a drama/talent camp and had a go at every

Maisie didn’t have the best childhood, but some most of her fond memories from it had to do with dance, she enrolled in her first dance class aged 8.

By ten, Maisie knew exactly what she wanted to do in life and didn’t want to be in school anymore, this is when she began auditioning for stage school boarding schools to try to be like her idol, Billy Elliot. At ten years old Maisie was willing to be away from her family, friends and home comforts just to pursue her passion, she “didn’t want it, [she] needed it.”

This led Maisie to her first audition for Nanny McPhee 2, which she

“I stuck out like a sore thumb at the audtitions with my grubby knees and crooked teeth”

met Louise Johnson in an improvisation workshop, and the moment that changed her life forever. Louise saw the spark in Maisie and referred her to he acting agency. She struggled with the decision of whether to go through with being signed, as she was already committed to thirty hours a week of dance, but decided that this was an opportunity that she shouldn’t miss.

unfortunately didn’t get. And then, to an audition for a new show, that happened to be Game of Thrones.

It took place at a methodist church on Tottenham Court road, and was nerve racking for a young actress who had already been set back. But Maisie harnessed all her insecurities and self-doubt and let the energy flow through the words she spoke, and it payed off. She secured the role of Ayra Stark.

letter finally came, she had got in!

“In the last decade I have gone from four foot to five foot and from a small audition to Game of Thrones being the hit record breaker it is today”

Though this seemed like the best news she could have ever wished for,

Little did she know in that moment that this show would turn into one of

the fees were extortionately high and her family just couldn’t afford it.

the biggest T V shows in history and would secure over 130 Emmy award

This sadly was the case the following year too, she did then recieve 40%

nominations and she would win an EWwy award for best supporting actress

government funding but that still would not be enough to allow her to go.

in a drama and Maisie doesn’t plan on stopping any time soon. Maisies has

But, although at the time this was heartbreaking for a young ten year old

take to making an app, called Daisie, in collaboration with filmmaker friend

girl, it actually ended up being a blessing in disguise.

Dom Santry, for creatives to collaborate together and build connections,

Maisie, despite not being the usual type to audition for these prestigious schools, was too “young and naive” to notice or care about her slightly outof-place surroundings. The next two weeks were agony for her, but when the

Text, Design and Illustration: Lottie Griffiths

talent possible: modelling, singing, acting and dancing. This is where she

though only in its early days, Maisie has already found success in another field.

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The trials and tribulations of women giving men a run for their money at the gym

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Stepping into a

man’s territory W ith the UK fitness industry now worth @Bethanyleah_fit an estimated £4.9 billion and more than 10 million of us having a gym membership ,

ave you ever felt intimidated by a gym feeling like a male dominated environment ?

clearly being fit and healthy is something we all want to be and are willing to pay for .

From following our favourite fitness Instagram influencers, like @gracefituk, @tammyhembrow or @busybeecarys, to wanting the latest Gymshark wear or being obsessed with any big-bummed and toned celebrities like the Kardashians; the worlds of fitness and fashion have really become intertwined in the 21st century and have got us females going mad for it.

But this influx of women hitting what alpha-males may have previously seen as ‘their territory’ can sometimes lead to awkwardness or clashing when a place to go and exercise can be seen as a place where men rule.

From personal experience, the gym, being a place full of young, good-looking, fit people, all in skimpy clothes and full of endorphins can sometimes mean it’s not only a place where people go to burn off a few calories to get rid of that extra Christmas weight. Whilst this may seem only human that if there’s attractive people around that you may fancy, to just have a little look or maybe nudge your mate, when your a young girl on your own and it’s a group of five plus guys, this can lose its harmless intent and instead leave

Text, Design: Lottie Griffiths. Images: Unsplash

girls feeling like maybe this isn’t the place for them.

To get a better insight into this matter the gender divide at the gym that can leave women sometimes feeling intimidated or uncomfortable, I interviewed Bethany Tasker, a fitness fanatic/influencer and self proclaimed “gym bunny”, to get her perspective on the matter.

“Absolutely, especially when I first started training.”

H ave you ever changed your behaviour in the gym or workout bec ause a male has made you feel uncomfortable in the gym ?

“ I’ve had multiple occasions when I experienced unwanted attention and gestures from men so I just act uninterested and keep to myself.”

D o you ever feel guys will ‘ show - off ’ more in the gym when females are around ? “ Absolutely, it will be an empty gym and they’ll stand right next to you lifting their weights giving no real personal space. You can 100% tell they’re just showing off. “ D o you ever feel like people will be more incline to take gym tips from males rather than females ?

“I feel like as a female, I look towards other females for tips and advice so I assume men look to other men for the same.”

H ow did you gain confidence in experimenting with new workout s / trying new machines in the gym ( e . g did you start with home workout s )?

“ I work out incredibly early so my gym contains very few people for say the first half hour, so if I have anything I want to try I’ll do that first but as time goes on, I feel more comfortable with the regulars so I don’t mind attempting new things without worrying about looking silly. “ D o you think males are sometimes intimidated by strong / muscul ar women ?

“I feel like some maybe but they keep it to themselves as I’ve mostly only received admiration and encouragement.”

W ould you ever be more incline to go to a female only gym ?

“Definitely!”

H ave you ever had a specific bad experience of a guy making you uncomfortable at the gym ?

“Multiple. I’ve had notes left on my car twice, been gifted food and pressured into training sessions, some men force conversations on me when they can tell I’m uninterested and uncomfortable and follow me round the gym.”

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D o you find guys are friendlier when they too are knowledgeable on fitness ?

got over I because I realized that most likely people weren’t looking

“Definitely. When they can relate to your fitness interests I feel like they

at me they were focused on themselves and if they were looking I

respect you a lot more.”

don’t care. I had to learn to stop caring what people thought and just own it.”

Another person with a great perspective on the matter is Lauren Blackburn. An image of health, Lauren has a passion for veganism,

Do you think males are sometimes intimidated by strong/muscular

yoga and all things fitness, and so has had her fair share of experi-

women?

ences when it comes to the gym.

“Yes, particularly if he is weaker than the woman. I think in our

@fitnessfoodielauren

society there is this expectation that men are supposed to be stronger so when they are confronted with a stronger woman, they feel like less of a man.”

Have you ever felt intimidated by a gym feeling like a male dominated environment?

Would you ever be more incline to go to a female only gym?

“YES! I workout at my university’s gym and when I started lifting 3

“At first, yes because I was sick of dealing with frat boys. But now, I

years ago I was frequently the only girl in the small weights section.

don’t care enough to go out of my way to find a female only gym.”

I would take weights into a corner and do my workout in a contained area away from the testosterone. I constantly felt like they were

Have you ever had a specific bad experience of a guy making you

staring at me and judging me even though I was probably just being

uncomfortable at the gym?

narcissistic and paranoid.”

“YES there’s this one guy who comes into the gym (he’s OLD, like 50s or 60s) and he blatantly stares at my ass. It makes me so uncomfort-

Have you ever changed your behaviour in the gym or workout because

able and ANGRY AF but I just stare at him until he stops then carry

a male has made you feel uncomfortable in the gym?

on with my workout. It’s very unfortunate that it happens, but it’s

“I’ve never changed my workout because of discomfort but I have

the reality of being a woman in the weights section. Of course I wish

definitely changed my behavior. This one guy always stares at my ass

it were different, but in the end I’m there to workout for myself and

so I stare right back into his soul until he stops. Also, a couple times

dealing with pigs is just part of it.”

some guys have condescendingly asked me if I need help re-racking weights and I will be rude back.”

Do you find guys are friendlier when they too are knowledgeable on fitness?

Do you ever feel guys will ‘show-off’ more in the gym when females

“Yes if they’re flirting, no if they’re not. I’ve had guys go out of their

are around?

way to be nice to me cause they were flirting and I’ve had guys be

“Yes and no. It’s hard to tell if they’re trying to show off or if they’re

super misogynistic and condescending because they think they know

just super into themselves.”

more than me (which they totally might but it doesn’t mean you have to be a dick about it).”

Do you ever feel like people will be more inclined to take gym tips from males rather than females?

Lauren added, “Honestly it’s just SO annoying when guys treat me

“YES especially if it’s a man looking for tips. If a woman is looking

differently at the gym because I’m a woman. Like when guys asked

for tips, they would probably feel more comfortable asking a woman,

me if I needed help re-racking weights, sure they were probably just

but might “trust” a guy more.”

trying to be nice BUT they probably wouldn’t ask another guy if he needed help, they just asked me cause I’m a weak little girl to them.

How did you gain confidence in experimenting with new workouts/

ALSO I was leg pressing once, doing 10 reps at 390, 15 at 260, then

trying new machines in the gym (e.g did you start with home work-

10 single leg presses at 300 in a tri-set. The guy using the squat rack

outs)?

next to me felt the need to interrupt me to say “damn, you’re really

“I started lifting because I was on the water polo team at my uni-

strong. What is that like 300 pounds? With the superset?!” LIKE FIRST

versity so my first experiences lifting were with my team, including

OFF don’t interrupt me, clearly wearing headphones not looking to

older players who had gym experience. This helped me to familiarize

have a conversation in the middle of my set. SECOND you probably

myself with the equipment and movements so when I quit and started

would never say that shit to a guy leg pressing, why is it okay to

lifting on my own it wasn’t that intimidating. A couple times I would

interrupt me to say it? I don’t need your validation.”

try new movements and fail and feel so embarrassed but eventually I

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“some men force conversations on me when they can tell I’m uninterested and uncomfortable and follow me round the gym”

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THIS DOESN’T MEAN YES THIS D MEAN YES THIS DOESN’T ME YES THIS DOESN’T MEAN YES DOESN’T MEAN YES THIS DOE MEAN YES THIS DOESN’T ME YES THIS DOESN’T MEAN YES DOESN’T MEAN YES THIS DOE MEAN YES THIS DOESN’T ME YES THIS DOESN’T MEAN YES DOESN’T MEAN YES THIS DOE MEAN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS D 58 carbon | features

OESN’T MEAN YES THIS DOESN’T EAN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS ESN’T MEAN YES THIS DOESN’T EAN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS ESN’T MEAN YES THIS DOESN’T EAN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS ESN’T MEAN YES THIS DOESN’T N YES THIS DOESN’T MEAN YES OESN’T MEAN YES THIS DOESN’T

DOES THIS MEAN

YES?

With sexual assault crimes at an all time high, Carbon talks to victims willing to share their story, along with spokesperson for Rape Crisis England in order to unpick the mentality surrounding this issue.

features | carbon 59

THIS DOESN’T MEAN YES THIS DO MEAN YES THIS DOESN’T ME YES THIS DOESN’T MEAN YES DOESN’T MEAN YES THIS DOE MEAN YES THIS DOESN’T ME YES THIS DOESN’T MEAN YES DOESN’T MEAN YES THIS DOE MEAN YES THIS DOESN’T ME YES THIS DOESN’T MEAN YES DOESN’T MEAN YES THIS DOE MEAN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS DO affected by what their victim is wearing or not wearing that they can't exercise basic self-restraint, respect, decency A mesh top and denim skirt doesn’t mean yes. or empathy. This is a dangerous and insulting myth. Do we A black pencil skirt and t-shirt doesn’t mean yes. really believe adult men can't take responsibility for their own actions? We need to place responsibility for sexual violence All of these outfits were worn by real women who were real firmly where it belongs - with the perpetrator(s) alone.’’ victims of sexual assault. No matter what you are wearing: no And even as a writer, I couldn’t have said it better myself. matter how short the skirt, no matter how red the lipstick - it’s not an invitation to be violated by another human being, and is Since when has it become okay to touch someone most definitely not an problem that so many individuals should inappropriately. Someone who is a complete stranger, without have to suffer from. One in five women in England and Wales consent, and then carry on after repeatedly being told no. have experienced some type of sexual assault since the age Since when does it become ok for the victim to press charges of 16, according to official analysis of violent crime figures. and endure the struggle of DNA tests, statements, CCT V and identifying your own predator to then find out that they fled the It’s a mad world we live in. A world where women are shamed country and got away with it. For nothing to be done further. for reporting sexual assault. A world where men feel like they All the suffering for nothing. Now it could easily happen again can’t open up about being sexually violated themselves. A world to someone else. And that’s just one story. One truly unfair where the clothes someone wears, is an invitation into their body. story. But this is the case for so many victims, with an average A world where people are afraid to walk alone. A world where of just a third of perpetrators getting convicted for their crimes. the ‘justification’ stands in the phrase ‘they were asking for it’.

There is so much focus on what women choose to wear, especially In actual fact, what someone is wearing has nothing to do surrounding this issue. The way a women chooses to dress does with them getting assaulted or raped. In most cases it’s to not and should not define the sort of person she is, or the actions do with ‘power and control’, which Katie Russell from Rape taken towards her. I’m not saying that men don’t face similar Crisis England and Wales describes. She explains to Carbon problems and objectification - it is just a lot more prevalent in that in 90% of cases, the perpetrator is ‘overwhelming’ women. I’m sure the phrase ‘double standards’ rings a bell. and ‘known to the victim prior to the attack’. ‘It happens A situation: It’s a long hot summers day (suprisingly for the in people's homes and places of work, and countless UK, it’s not raining). The sun is beating down and people are other places where we usually feel safe. It has nothing relaxing in the park. Men are walking around with shorts, flip to do with what the victim / survivor was wearing.’ flops and no t-shirt - showing off their tan and there are some ‘Annie’ was asleep at a friends house with some of her mates women walking around in shorts and a bikini top- having just (a group of boys where her friendship with all of them with finished sunbathing. Whilst walking down the street these purely platonic) and was asleep in bed wearing joggers females are greeted with at least 3 wolf whistles, 2 men and a hoodie, and was awoken by one of her male friends walking past staring at their breasts, crude comments from inside of her. She was frozen. Feeling completely vulnerable, the previously mentioned topless men and disapproving looks shocked, scared and alone. After investigation she was from parents, causing these said females to wrap themselves left with no friends after them not believing her, and no up in their cardigans and cower away. The men however, justice. ‘I thought that’s where our relationship was going.’’ continue drinking their beers and playing football in the sun (if we are sticking to stereotypes). So. Double Standards.

Rape and sexual assault is a taboo subject - everyone seems First of all the women are wearing bikini tops, whilst not the to have their own opinion. It’s wrong on so many levels and most conservative piece of clothing, it is already more than should never be excused or supported - even slightly. It’s wrong. the males are wearing. Secondly, it’s hot. And in England, I’m sure you’ve heard of the many excuses people conjure this is something we are not used to. Even if it was the up to somehow justify rape and assault. It can’t be justified. middle of December, yes it would be stupid but if I wanted Katie states ‘’There are a lot of powerful and enduring to wear a bikini top then of course I should be able to! myths and stereotypes still out there about rape and sexual Why should men face no consequences when they choose to violence and abuse, including related to who experiences wear what they want - but if women even dare to show a little it and who perpetrates it. One such myth is that sexual bit of skin then it’s a crime. Or at least it might turn into one. offenders, predominantly men, 'lose control' and can't help themselves because they're someone so overwhelmingly A black crop top and skirt doesn’t mean yes.

A hoodie and joggers doesn’t mean yes.

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Text, images and design: Tash Hughes

OESN’T MEAN YES THIS DOESN’T EAN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS ESN’T MEAN YES THIS DOESN’T EAN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS ESN’T MEAN YES THIS DOESN’T EAN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS ESN’T MEAN YES THIS DOESN’T N YES THIS DOESN’T MEAN YES OESN’T MEAN YES THIS DOESN’T features | carbon 61

HIS DOESN’T MEAN YES THIS DO MEAN YES THIS DOESN’T MEA YES THIS DOESN’T MEAN YES T DOESN’T MEAN YES THIS DOES MEAN YES THIS DOESN’T MEA YES THIS DOESN’T MEAN YES T DOESN’T MEAN YES THIS DOES MEAN YES THIS DOESN’T MEA YES THIS DOESN’T MEAN YES T DOESN’T MEAN YES THIS DOES MEAN YES THIS DOESN’T MEAN HIS DOESN’T MEAN YES THIS DO ‘We rarely hear men criticised for what they wear in the same kinds of terms as women and if and when men are abused or assaulted, reference is rarely made to what they were wearing at the time, which is of course perfectly correct as how they were dressed is completely irrelevant to what's happened to them. Katie emphasises that ‘The same standards should be applied to women and girls. The fact that they're not yet is another sign that we still have some way to go before we reach equality between sexes and genders.’

This is something that I believe as a young woman, we need to work for.

Even in the 21st century we are still stuck in traditionalist, sexist views, especially with regards to women and what they wear and the issues that come with this.

No matter what a someone chooses to wear on a particular day makes them accountable to be raped. The other night I chose to wear a lace bodysuit because it looked great with my new jeans. I didn’t put it on to get attention, and definitely not as an invitation to be sexually assaulted.

It’s true that some people are so delusional that they believe they can treat someone in a certain way simply because of what they decided to wear, and don’t see any wrong doing. This is unbelievably the ‘norm’. Being a girl, growing up I’ve always had to ‘be careful’ and ‘not walk by myself’, ‘Don’t talk to strangers’, ‘ignore the people who shout and beep’ and most infuriatingly ‘keep your skirt BELOW the knee’. My brother on the other-hand - nothing. ‘Have fun!’ And he’s out of the door. This isn’t just about me and my childhood. This is a constant in so many young girls lives. Katie states that women and girls have been brought up to expect this ‘Because women and girls have historically and still experience more sexual violence than men and boys, and because sexual harassment is so commonplace for us from such an early age, our parents and others understandably want to protect us and encourage us to be cautious and wary. This in turn builds fear and means that most of us carefully consider and even alter our behaviours in order to avoid sexual violence and harassment, particularly from men and boys. But we shouldn't have to have our freedoms curbed in this way.

We should be able to live our lives as freely and as free from fear as anyone else.

This is one of the reasons reducing sexual violence and sexism is so important.’

These outfits photographed don’t mean yes. Only a clear ‘yes’ means yes.

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OESN’T MEAN YES THIS DOESN’T AN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS SN’T MEAN YES THIS DOESN’T AN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS SN’T MEAN YES THIS DOESN’T AN YES THIS DOESN’T MEAN THIS DOESN’T MEAN YES THIS SN’T MEAN YES THIS DOESN’T YES THIS DOESN’T MEAN YES OESN’T MEAN YES THIS DOESN’T features | carbon 63

beauty

Words: Brianna Norman Photos: Brianna Norman

Excited for the Spring Summer 2019 trends? Yes? Well get ready to see glossy eyeshadow and dewy skin hitting the streets. Both colourful and natural eyeshadow will help to make any gloss pop.

GLOW JOB

Summer’s just around the corner, that means late nights, blazing sun and too many mojitos. Get the ultimate ‘I woke up radiant’ products that Glossier has lined up for your busy schedule meaning you miss none of the fun in the sun.

Let’s get back to basics. SPF. Freckles may look cute but they scream sun damage, with so many products nowadays it’s just as easy to faux freckles and leave the damage behind.

Glossier’s invisible sun shield is a great non greasy facial sunscreen, perfect for a makeup base or purely on its own for a dewy glow from within look.

Leave your crack behind. Cracked heeled and chapped lips and a given in the hot sun. Glossier’s balm dot com is a perfect all round moisturising balm for any areas that are less happy and more chappy. Balm dot come comes in a range of smells (and flavours) so whatever your mood you can crack a smile.

If there is one thing we can’t leave the house without nowadays, it’s our eyebrows. Boy brow is a pigmented formula to do a three in one; stick, slick and slay. Leaving your eyebrows looking polished in one swoop.

Words: Mia Wells Photos: Mia Wells and Unsplash

A downside to summer is your makeup melting off your face faster than you can say ‘a 99 with a flake please’. Glossier’s skin tint has got you covered. This lightweight long wearing tint will give the ‘I woke up like this’ look and covers any flaws or sunburn from the day before.

From Runway To

Y T I L A E R

As we look at the upcoming collections from ‘Haute Couture’ Paris Fashion Week, we will pick out the new runway trends that will be appearing on the streets in Spring Summer 2019.

Words: Brianna Norman Photos: Courtesy of Romain Hulin-Boulais

Since the ‘Spring Summer Haute Couture Paris Fashion Week 2019’ collections have been released it is great to see the mixture of looks, variety of makeup and trends. There was a great mix of collections from elegant, floral ball gowns to bright tailored suits. However, we are not looking at the clothing or accessories, we are checking out the catwalk style makeup and trends that we might be seeing in SS19.

The La Metamorphose show was a bright, fresh collections with floral details and lacey materials. If we look in closer we see that pink is definitely a colour that is going to appear Summer 2019 in bright and rosy tints. The cheeks are bright pink to match the lips, we could be seeing this as a trend for next year, but hopefully our cheeks won’t be as bright as this on a day to day basis. The two parts matching is a great trend we haven’t seen in a while and it’s fun to bring it back.

Onto the Adeline Ziliox Show. The collection is very edgy and structured, the use of black in the clothing was reflected onto the face with black winged eyeliner. The clothing correlates with the winged liner because of the movement and curves of the garments. This would be a fun trend to see in Spring Summer 2019 because eyeliner can be done in a variety of styles; thick, thin, long and short, and brings out the creative side of people.

The Alin Le Kal Show had a mixture of garments, there were elegant ball gowns full of ruffles and tulle but also, metallic, beaded mini dresses. The designer combined the variety of garments with a simple bronze smokey eye. It’s a versatile makeup look that can be dressed up

or dressed down to go with anything. Also, it is super simple so someone with the smallest amount of makeup skills will be able to do it.

Moving onto the Baroqco Jewelry Show, wow, what a collection. The jewelry pieces look as if they were designed for both an edgy and bohemian feel creating a mixture in the range. To compliment all the pieces they paired them with a dusty red lip, this goes will all the looks extremely well and gives you the illusion of a bold lip but in a subtle way. This would be a very classy trend to bring into SS19 and gives a difference to a normal bold red lip.

The Armine Ohanyan Show is next, the collection gave off a sort of water/ocean vibe from the colours and movement of the garments. It was a very beautiful collection with a range of dresses and pant suits.

For the makeup they created an extreme blue smokey eye, this worked great for bringing the blue from the clothes onto the face. Seeing this trend in SS19 would be fun as it is nice to see bright colours on the eyes more often. Maybe for a day to day look it might not be as dramatic but the colours will be great to make you stand out.

Finally, we have the Katrine K Show, this was a very structured, business women style collection with a mix of suits and blazers. Many of the garments were white in colour, they reflected that on the face with a sharp white liner on the eyelids. Also, they paired that with a pop of green in the inner corner. This would be a very fun trend for Spring Summer 2019 because people can experiment with different bright colours in the inner corner to compliment their makeup looks.

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Words: Mia Wells Photos: Mia Wells

FRESH FACED

Taking inspiration from Valentino haute couture show SS19, fresh faces and flower details are always in for spring.

Words, design and images: Ciara Wilson

make your match

Read this guide if you want to know what’s best for you; in the beauty department.

The world of make up is fascinating but almost overwhelming.

You’re standing in front of the counter in Boots and don’t know where to start. Lipsticks start at nude but end in black and eyeshadows that run from shimmers to mattes.

This is your guide to help when you need that new look.

blueorange &

For olive skin, the best colour to suit you is a medium nude with golden undertones in it as this brings out your sun beam complexion. However, your tone of skin can adapt to many colours, so you do you!

Brighten baby blue eyes by making them pop with bronze and oranges to make a vibrant duo for a shopping day. Stay away from reds and pinks to avoid looking like you have pink eye!

This won’t be a good look once you are strutting down the high street.

brown & purple For fair skin, bright colours are the main event as they lift off your face and brighten your whole look.

Although avoid pale nudes with a yellow undertone as these will wash you out.

grey & green

Chocolate browns are the perfect colour to pair with your glistening eyes. Red undertones pull the look together using purples and plums to make the golden flex in your eye glisten.

Add a cobalt blue to make the eye stand out even more. This is the perfect look for a dinner date with that someone special.

Green eyes are paired beautifully with a grey and silver smoky eye that will catch the attention of the paparazzi as you walk down the red carpet. Pair this with a cool taupe or purple to give it the extra shine.

For darker skin tones, deep reds with berry hues look fabulous on you! They complement the undertones of your skin and bring out the inner glow. To rock a nude, use deeper tones so that they don’t create a striking contrast between your lips and skin tone.

Words, Images and Design: Amelia Moys

Springles y t S

Words and design: Lottie Griffiths Photos: Unsplash

HAIR TO EMBRACE OR TO ERASE?

From the trending hashtag, Januhairy, to the viral razor campaign for the brand Billie, it seems that more and more girls are ditching the razor and strutting their stuff - natural style.

Being a woman with body hair has never been deemed to be sexy in

famous scenes in Sex and The City to models we see on Instagram, hair is

modern day pop culture. You’d be in shock if Beyonce in Single Ladies

never to be seen. But we are entering a new age of The Modern Woman.

had been rocking a stubbly leg, or if the Victoria Secret models strutted down the next runway with a full bushy bikini line on show, but when was

We are in the age of a growing society of strong women who are fighting

it decided that us women would begin to find our own natural body hair

back at being repressed by society controls. Part of this includes putting

disgusting?

a middle finger up at being told how to act, look or behave, and throwing away stereotypical social norms that may have previously made us feel

Looking back through history, it seems Cave women were to begin to go

that we, as women, have to be a certain way to be feminine or ‘normal’.

bare. However, they seemed to do it for quite a different reason to the modern day woman with shaving foam and razor in her shower, it appeared

One of the biggest changes that has come out of this modern woman

it was so that their opponents in battle wouldn’t have anything to grab

revolution, is the growth in women ditching the razor. But is this for

on to, that could potentially give them an advantage. The Ancient Rome,

everyone?

they then took being hairless to being a sign of cleanliness and therefore class, this is evident from famous paintings of the time like Botticelli’s

We all have different reasonings for why we shave/may have shaved in

“The Birth of Venus”. The Elizabethan era seems to be where facial hair

the past. Our leg hair may annoy us/we don’t like the look of it, some of

removal really comes in, that meant bye to your tash, and your monobrow

us may have just done it because our partner doesn’t will always complain

too. Fast forward to the 1900s, this is where the first razors specifically

about the feel of scratchy/stubbly legs against theirs or maybe it was a

for women come in. In 1915, Gillette launched Milady Décolleté, which

hot summers day and we didn’t want to feel embarrassed when we lifted

sparked pressure for hairless armpits across the Western world, with

up our arm in class.

Harper’s Bazaar in 1915 even saying completely bare underarms were a necessity. Something that may surprise you is one of the attributes towards

We need to stop being so repulsed by hair. It grows on our bodies. We

the desirable image of shaved legs was the lack of nylon during the war.

shouldn’t be so shocked by the advertising of the brand, Billie (images

This lack of nylon meant women could no longer have the stockings they’d

shown). At the end of the day they’re selling a product that’s soul purpose

previously worn and instead were having to go bare legged and wanted to

it to remove hair. So, surely there should be hair and hair removal shown,

continue to have the aesthetic of this previously smooth stockings and so

that only makes sense. But, the reason people are shocked by it, is that

instead ahd to imitate it with a shaved leg. Then we get to the most known

razor brands for women never normally show their product in use of any

desirable image of today, a completely smooth, hairless woman. This ideal

kind of hair removal, it’s always a perfectly smooth, glossy leg with

has been driven into us through pop culture and famous scenes; from

someone woman in a towel smiling,

To give a better insight into the mind of the modern women who are ditching

blew up. I got crazy comments, many from people with fetishes, which was

the razor and embracing the hair, I interviewed Maeve Wall, who shares her

interesting, but also from men who were horrified at the sight of them. I

lifestyle of mindful living on her Instagram and is a great promoter and

got some horrible, mean comments and even threats of sexual violence that

advocate for the #mybodymychoice.

truly scared me. Though saddened, those reactions reinforced to me how provocative a small patch of hair could be when faced with a society that

W hen did you stop shaving , and why did you decide to do so ?

has such strict and unrealistic expectations of female beauty. After that, it

I have never enjoyed shaving, it has always just felt tedious and I never cared

felt important to keep being true to myself by not shaving, and hopefully

whether I had hair there or not. As I’ve gotten older and learned more about

inspire other people of all genders to feel good about themselves and their

systems of oppression I realized that society’s dominant beauty standards

bodies regardless of what society thinks of them.

are racist, sexist, ableist, and fat-phobic, destined to make women and gender non-conforming individuals feel like they’re never enough. Though

W hat is the best thing about stopping shaving ?

my armpit hair is just one small subversion of beauty norms, I think of it as

Maybe saving time. Also, the self-confidence I’ve gained by truly owning

a little “f-you” to all the ways that those standards strip women-identified

who I am and how I look.

people of money, time, self-confidence, and social status. Plus, it’s just way more convenient. About two years ago, after letting them grow off and on due to ambivalence, I just stopped.

D oes having body hair feel empowering to you ?

Not shaving my armpits to me is the embodiment of “my body, my choice.” At first, I felt so scared and embarrassed about my decision to stop shaving, but someplace inside, I knew that I had the right to make whatever decision I wanted about my body. Gradually, I have come to feel so empowered by that choice. It’s a daily reminder to

“If shaving makes you feel good, then do it.

If it doesn’t, then please don’t”

me that only I am in charge of me- no one else- and it is very much possible

W hat has been the worst thing about stopping shaving ?

Creepy comments from men online asking to lick my armpits and scary comments from men online telling me how disgusting I am.

H ave you found your body hair has affected your dating / love life ?

Not at all. I wouldn’t want to date anyone who didn’t respect me and my choices just as I am. It honestly hasn’t come up but if it had, that would be an indicator to me that the person I’m with has some sexist standards of beauty that need to be

re-examined.

to push back against society’s expectations of me.

W hat message would you give to young girls growing up who may feel the pressure ?

H ave you noticed a rise in other girls growing out their body hair ? if so , why do you

I think that young girls, like all beings, should be able to express

think it is on the rise ?

themselves however they please. If shaving makes you feel good, then do

I have noticed other women not shaving, especially online! I think more and

it. If it doesn’t, then please don’t. Our bodies are our business and no one

more women, and people in general, are waking up to all of the systems

else’s, so whenever possible, don’t let how you treat yourself to be dictated

of oppression present in society. As we learn to re-evaluate our ideas of

by society’s rigid standards.

“beauty,” “success” and what’s fair, I think many people are making changes in how they interact with the world. Though still controversial, many women now have enough social capital to make more choices about how they look without it hurting their career or relationship prospects.

W hat have the reactions been to your body hair ?

I ended up posting a picture on line, kind of as a joke, and it sort of

find maeve

@ vegandthecity

grooming

Scent-sational

The invisble component of your aesthetic

Text, Dedsign and Images: Harry Turner & Khengtao Tang

“Your fragrance should be something to be discovered, not something that announces your presence” Strength and duration: Deciding which aftershave is right for you can be a nightmare. Especially if you don’t read this article in its entirety. Three times. The first thing to consider is which type of aftershave you want. Aftershaves are usually categorised based on their percentage of perfume oil, which is a good indication of their strength. There are 5 common types; Eau Fraiche, Eau de Cologne, Eau de Toilette, Eau de Parfam and Perfume.

The percentage of perfume oil in Eau Fraiche tends to be between 1%-3% and it’s scent is noticeable for between 45 minutes and 1 hour 45 minutes.

Eau de Cologne, which is often abbreviated to EDC, usually has either 4% or 5% perfume oil and will last for approximately 2 hours. Eau de Toilette, or EDT, is stronger with between 6%-15% and will leave you smelling handsome for 3 or 4 hours.

A step up from strength from EDT is Eau de Parfum. Eau de Parfum, which diligent readers by this point will have worked out is shorted to EDP, typically contains between 15%-20%. These aftershaves usually last for between 5 and 8 hours.

Finally there is Perfume. Sometimes referred to as Parfam, these fragrances can contain up to 30% perfume oil! This means that a single application can last up to 24 hours. Given perfume’s high concentration of perfume oil they are the priciest option available to you.

Bases: All fragrances have a base note and knowing which one suits you best as an individual will go a long way in making a decision on which fragrance you should purchase a lot easier. Unfortunately, the only way to find which base suits you best is to go into a store and test them out. The two common types of bases are balsamic and wooded.

Balsamic notes can include things such as heliotrope flowers, vanilla and tonka beans amongst others. Where as wooded notes are more often than not pathcouli, cedar or moss.

Where to wear: Knowing where to apply your fragrance is equally as important as using the correct scent. Don’t spray and pray. The first thing to note that it is best to apply fragrance in areas where your body temperature is higher. You should also avoid applying to clothes, as the perfume oil will most likely stain your garment. Some good hotspots are; the jaw, the neck, the shoulders and armpits.

Another key to applying fragrance correctly is starting with only one spray.

It’s a cliche, but less really is more. Your fragrance should be something to be discovered, not something that announces your presence.

Niche vs designer: Their are two types of fragrances, designer and niche.

Designer fragrances are fragrances you would find in a stores. These fragrances are manufactured by brands such as Burberry, Hugo Boss and Paul Smith. These scents are made for a large market and as a result they tend to be safer than niche fragrances.

Niche fragrances, as you’ve probably deduced, are produced for an individual instead of a large market. Each niche fragrance is created by an artist fro someone who is looking for a completely unique or very bold scent, hence why they do not have the universal appeal of a designer fragrance. If you’re reading this piece then the chances are that you’re new to fragrances and should probably steer clear of niche fragrances.

“Knowing where to apply your fragrance is equally as important as using the correct scent.

Don’t spray and pray”

t and Science: Scent and Science:

le ofThe a ‘perfumier’ role of a ‘perfumier’

Have you ever wandered how yo made? Oh you have? Liar.

The right fragrance can be the to your outfit. You might not b when slapping your preferred but why is it that you like that p Fragrances are created by perfu to trigger a certain memory individual.

Our response to scents is simi This is because what we know through a lower brain processin other 4 senses.

“The olfactory nerve is only two from the amygdala, a brain stru expressing and experiencing em Susan L Nasr.

Text and design: Harry TurnerImage: Shamim Nakhaei

WANDERED WHY YOu FAVOUR a particular hAVE YOU EVER WoNDERED WHY YOu FAVOUR a particular n insight into how perfumiers, also known AFTERSHAVE? - An insight into how perfumiers, also known te the signiture SCENTS you love. as ‘noses’, create the signature SCENTS you love.

Words: Harry Turner

Because of this direct connection, smell evoke an immediate, reflex like emotional response.

Because of this direct connection, smell evoke an immediate, reflex like emotional response.

The first thing the nose has to do when looking to give the world a new fragrance is decide which natural The first thing the nose has to do when looking materials are to be used. Each of these materials to give the world a new fragrance is decide which contributes to what will become the notes of the natural materials are to be used. Each of these scent. They include things such as fruits, herbs and materials contributes to what will become the woods to name a few. Flowers are pretty much ever notes of the scent. They include things such as present as floral essences are critical to production. fruits, herbs and woods to name a few. Flowers our aftershave is are pretty much ever present as floral essences Have you ever wandered how your aftershave is are critical to production. made? youbeen have?

Liar.a nose will decide whether Once thisOhhas done, finishing touch or not to incorporate synthetic elements. This is batter an eyelid The right fragrance can be the finishing touch done to mimic the natural materials which prove to Once this has been done, a nose will decide aftershave on, to your outfit. You might not batter an eyelid be hard or perhaps unethical to acquire. whether or not to incorporate synthetic particular scent? when slapping your preferred aftershave on, elements. This is done to mimic the natural umers, or ‘noses’ but why is it that you like that particular scent?

It’s the oils of all these components which the materials which prove to be hard or perhaps in every single Fragrances are created by perfumers, or ‘noses’ perfumer is after. unethical to acquire. to trigger a certain memory in every single individual.

For context’s sake, it takes about 700 roses to get It’s the oils of all these components which the ilar to a reflex. enough oil for a 15 ml bottle of fragrance. perfumer is after. w as smell goes Our response to scents is similar to a reflex. g relay than our This is because what we know as smell goes To manufacture the ingredients to make a desired For context’s sake, it takes about 700 roses to through a lower processing ourand scent, noses beginbrain mixing.

It can relay take than months get enough oil for a 15 ml bottle of fragrance. other 4 senses. even years in some cases to get the right formula. It o synapses away is at this point that perfume oil is added. How much To manufacture the ingredients to make a ucture critical to “The olfactory nerve is only two synapses away perfume oil the nose decides to add determines desired scent, noses begin mixing. It can motion.” from theitamygdala, a brain structure to whether will be; Eau Fraiche, Eau critical de Cologne, take months and even years in some cases to expressing and experiencing emotion.”

Eau de Toilette, Eau de Parfam and Perfume. Now get the right formula. It is at this point that all the ingredients have been combined the ageing perfume oil is added. How much perfume oil Susan Lcan Nasr. process begin. By allowing the mixture to age the nose decides to add determines whether it the elements can bind together. will be; Eau Fraiche, Eau de Cologne, Eau de Toilette, Eau de Parfam and Perfume. Now all After ageing, the fragrance is ready to hit the stores. the ingredients have been combined the ageing process can begin. By allowing the mixture to age the elements can bind together.

Image: Shamim Nakhaei

After ageing, the fragrance is ready to hit the stores.

AL ON G

THE THE LINES

e you wondering what type of haircut you want xt? You can never go wrong with these four classic rstyles. You will look your best while remaining lish and fashionable.

Are you wondering what type of haircut you want next? You can never go wrong with these four classic hairstyles. You will look your best while remaining stylish and fashionable.“BEACH BOY”

There is probably no point in getting your hair cut like this when you actually need to look put together most of the time. This style gives you very messy, beach boy kind of look. If you want to get this haircut and you have naturally wavy hair, you won. On the other side, with the help of your barber you could achieve a good look even with too straight or too curly hair. As far as styling goes, it is best when you leave it naturally as it is, or you can try to use some salt spray. Your hair is usually shaped around your face when cutting it so it is flattering for all face shapes.

Face shape: all Styling: beach spray

“TEXTURE, TEXTURE, TEXTURE”

“TEXTURE, TEXTURE, TEXTURE”

Text amd design: Kiki Szaniszloova, Images: Unsplash

If your hair is a little bit longer, you want a change but don’t want to cut it too much this style is going to be perfect. But bear in mind that your hair needs to be on the thicker side. When styling this type of haircut, you should only use a small amount of the styling product because you are trying to look kind of messy and carefree, not too polished. The best product for this is clay or texture enhancer. This haircut goes best with diamond face shape.

Face shape: diamond Styling: clay, texture enhancer

“THE FRENCH CROP”

ally matter what face shape you have with this haircut since it goes well with ace shapes. Because you will be combing your short fringe to the front, it is choice for receding patches. You don’t necessarily need to style it because falls into place. However if you can’t help yourself and have to use some ucts anyway, it is recommended to go for a little bit of hairspray. It is also d to have it cut every 3-4 weeks.

all e

If your hair is a little bit longer, you want a change but don’t want to cut it too much this style is going to be perfect. But bear in mind that your hair If you want to look needs to be on the thicker side. When styling this type of haircut, you should is a good only use a small amount of the styling product because you quiff are trying to choice those who have reced look kind of messy and carefree, not too polished. The best product for this or face contemporary is clay or texture enhancer. This haircut goes best with diamond shape. cut. contrast between the the sides where it wi Face shape: diamond your sides and back w Styling: clay, texture enhancer a product to wet hair, desired shape. Finish

“THE FRENCH CROP”

It doesn’t really matter what face shape you have with this haircut since it goes withall Face well shape: almost all face shapes. Because you will be combing your short fringe to the front,gel, it ishairspra Styling: also a good choice for receding patches. You don’t necessarily need to style it because it naturally falls into place. However if you can’t help yourself and have to use some styling products anyway, it is recommended to go for a little bit of hairspray. It is also recommended to have it cut every 3-4 weeks.

Face shape: all Styling: none

LINES “BEACH BOY”

There is probably no point in getting your hair cut like this when you actually need to look put together most of the time. This style gives you very messy, beach boy kind of look. If you want to get this haircut and you have naturally wavy hair, you won. On the other side, with the help of your barber you could achieve a good look even with too straight or too curly hair. As far as styling goes, it is best when you leave it naturally as it is, or you can try to use some salt spray. Your hair is usually shaped around your face when cutting it so it is flattering for all face shapes.

Face shape: all Styling: beach spray

“THE QUIFF”

IMAGES: UNSPL ASH

y, blow dry

Face shape: all Styling: gel, hairspray, blow dry

PY: KIKI SZANISZLOOVA

“THE QUIFF”

polished but still keep slightly messier look, the e. Because it exposes forehead it is not suitable for ding patches. This haircut has two types – a classic If you choose the contemporary one you will get a top of your head where the hair will be long and ll be almost invisible whereas with the classic cut will be slightly longer. For styling it is best to apply , comb it and then blow dry it while combing it into it off with hairspray.

If you want to look polished but still keep slightly messier look, the quiff is a good choice. Because it exposes forehead it is not suitable for those who have receding patches. This haircut has two types – a classic or contemporary cut. If you choose the contemporary one you will get a contrast between the top of your head where the hair will be long and the sides where it will be almost invisible whereas with the classic cut your sides and back will be slightly longer. For styling it is best to apply a product to wet hair, comb it and then blow dry it while combing it into desired shape. Finish it off with hairspray.

B

out of Searching for a good beard style can be hard. Carbon chose four beard styles that are trendy in 2019!

,

R

UNIFORM BEARD STYLE

THE WARRIOR STYLE

THE BOSS STYLE

COPY: KIKI SZANISZLOOVA

ILLUSTRATIONS: L AURA L ANGFORD

IMAGES: UNSPL ASH

Copy: kiki szaniszloova

Images: unsplash

GARIBALDI STYLE

illustrations: laura langford

H S BU

the

Culture

Instagrammable summer islands in the East

Golden sun, soft sands, clear blue seas, along with the exotic views of East Asia’s top instagrammable summer islands. Take a deep breath and dive down with me into the most amazing spots for your perfect summer getaway.

Image by kai lin tan

Langkawi, Malaysia.

Image by @traveliling

Palm trees, seas breeze and parasailing.

Langkawi, Malaysia, is famous for their white sands, clear waters and sea sports. It is the tourist’s favourite destination spot for water activities like parasailing and jet skiing. The clear water and amazing view you get parasailing from above the sky and the jet ski ride away from the island, looking at the beach from afar, especially when sun sets, is amazing. Immerse yourself with their incredible water activities and capture those stunning moments along with their beautiful skies, it will be a treat for your Instagram account.

Image by @behindthefalselashes

Text and Design: Kai Lin. Image: Unsplash

Koh Lipe, thailand.

In just ninety minutes, you can catch a ferry ride from Langkawi, Malaysia to another tropical beach in Thailand - Koh Lipe, island with the best underwater life. Once you step foot on the island, you will find yourself surrounded by colourful boats setting off, carrying people wearing scuba diving equipments, preparing themselves for an underwater adventure.

The island itself is also famous for their tropical trees and carries a relax vibe especially if you lie in one the colourful hammocks or swings by the sea. Take a breather, either on the island or on a boat to sea.

Wherever you turn, this island is a wonderful place to capture the best tropical sea breeze shot for your Instagram feed.

Image by Milos Prelevic

Image by Milos Prelevic

Krabi, thailand.

Image by Evan Krause

Image by Andrzej Suwara

An island of lush green jungles, limestone cliffs and mangroves, Krabi is the perfect combination of both the forest and the sea. Explore the island by hiking through their forest, adventuring through their wonderful sea caves, or take a boat out to the sea and drown yourself in the incredible array of multicoloured coral reefs. Get inspired and coordinate your Instagram outfits by the shades of greens and blues of the island and the vivid colours from the reefs. #ootd #islandlife and you are set.

Komodo island, indonesia.

Image by @magdalukaszewicz

Image by @@compastrip

If you mention Komodo island, you have give a shoutout to the Pink beach. Talking about Instagram aesthetics, the Pink beach is the most instagrammable beach you can find in East Asia. Famous for their lovely soft pink sands, the Pink beach has definitely brought Komodo island to the top of the list for the most instagrammable summer island in the East. The wonderful blend of chemicals from the sea and the bright red skeletons of dead organ pipe corals are formed as natural dyes for the sands. Take as many pictures as you can because you are not allowed to bring the pink sand back home.

This island will for sure be one of the highlights of your Instagram feed.

HOMAGE TO

Text, Design: Carla Garcia, Images: V&A

For 20 years Mary Quant was one of the most influential British designers, and now, she has become a huge reference for anyone who loves the 60s and is interested in the fashion industry.

Opening its doors on the 6th of April this year, the exhibition will run until the 16th of February 2020. This will be a revival of the 60s while exhibiting many things she has created along with personal objects that will help the visitors see how she got inspiration to create her designs. As Jill Kennington, model and fan of Quant, said; “She opened the door to fashion for youth. There was nothing, really, before Mary”, many people relate her to the miniskirt and many other things that we still wear nowadays.

Last November the V&A got 18 models, 10 of whom had worked with the designer in the past, to wear some of the Quant originals. After the reunion on the steps of the museum, the group took a bus, a recreation of the Quant bus used to promote the beauty collection in the 60s, and headed down to King’s Road where the creator opened her first boutique.

It is fascinating how many of her designs could still be fashionable right now and how she has influenced fashion as we know it without even realising what she was doing. This is exactly why the museum decided to bring young models into the shoot, because the curator of the exhibition wanted to show how young women can still wear her clothes and look fabulous. Exploring the years between 1955 and 1975 the exhibition will look at her journey from being a small fashion designer to conquering the high street through her colourful and vibrant collections.

The Victoria and Albert museum in London has collected over 200 objects, 35 of which were donated by people who had kept the garments through all these years. Very exclusive examples of her work were found thanks to the #WeWantQuant campaign that led to people bringing in their Mary Quant pieces with unique stories behind them. To celebrate the creativity of the designer, the exhibition will count with more than one curator, everyone who brought in one of the 35 pieces is a contributor as the museum wanted to show the real story behind her clothes, to make her clothes achievable and special rather than just expensive and aspirational.

Inked with empowerment #tattoogirlsJP” founder Stasia describes the tattoo scene in Japan as she shares stories about the amazing women she photographed in this project.

ImageS by STASIA

“I decided to focus on women -- most Japanese people when asked, will say that “regular women” would never get tattooed. It is not true…” - Stasia Japan is well-known for as a place of clean streets, organised infrastructure along with a conservative culture - very much like the Marie Kondo trend that blew off from the internet recently, Japan carries a reputation of being the well-behaved student in class.

Delving deep through an interview with the founder of project #tattoogirlsJP, Stasia gave insights on what is truly happening with the tattoo scene in Japan - the misconceptions and controversies of the industry that she gathered from the personal stories of her models throughout her project.

What is your name and where are you from?

My name is Stasia, I’m from Poland.

How did the project #tattoogirlsJP start?

There’s a lot of misconceptions going on about tattoos in Japan, tattooed Japanese people, and living in Japan as a tattooed person. Not many people know this industry from the inside — and as someone who used to manage a tattoo shop in the heart of Tokyo, I do. I decided to use my work, my experience, people I know, people I meet, to show others that things are often quite a bit different from what the media tends to show.

What inspired you to start this project?

You won’t see tattoos on TV and you won’t read about them or see tattooed models in magazines. In my project I decided to focus on women. Most Japanese people when asked, will say that the “regular women” would never get tattooed. It is not true. There are many tattooed Japanese women and foreign women living in Japan - of all ages, backgrounds and professions.

What does “regular” mean anyway? There are many opinions and questions I have heard, “Will they find a partner?”, ”What will they do when they get older?” or “I bet they don’t work”. My series of portraits and STASIA @ACCHI_KOCCHI interviews shows that they exist and they are just like any other person, tattooed or not. I hear stories of the women I photographed and want others to hear about them too.

How girls

did that

you you

come to meet the shot for this project?

Some of the girls I asked to be part of my project I know personally, some of them I was following on social media and reached out to them.

Any your

specific attention

stories during

that the

caught project?

I photographed Kasumi, who established the first female roller derby team in Japan, Chikako, the first transgender female vocalist and guitarist in Japan, Reina, who is a heavily tattooed accountant, a clothing brand owner with full sleeves, a real estate investor who got her tattoos as a grandmother already. All stories are unique and special, it is very hard to choose one.

KAORI @KAORI_BARBIE WORDS BY KAI LIN TAN

ImageS by STASIA

What are your thoughts about tattooed girls in Japan in the

the perception of past versus now?

Talking about tattoos, you have to keep in mind that they didn’t start as something popular among people of high status, in Japan as well. Japanese tattooing flourished during Edo period and there were a couple of things that contributed to it - working class, prostitutes, criminals and rebels. There isn’t a way to make it sound better, it was what it was. Tattooed girls didn’t have the best reputation, they were told they are ruining their chances of getting married, getting a good job, being a good mother even! Like I mentioned, it is not something talked about, you won’t see tattoos on TV. If they’re talked about, it is more of a “I got a tattoo, now I regretted it” kind of thing.

CHIKA @SASORI_BOOGIE_WOOGIE There are a lot of misconceptions too. When I worked at a tattoo shop, we had more female Japanese customers than male. They asked my opinion on the best placement that is easy to hide, asked whether it’s true a tattooed person can’t get a MRI scan - it’s one of the most common misinformations out there, no wonder many Japanese people hesitate before getting a tattoo. Nowadays, I would say that the idea of “fashion tattoos” is better understood than before.

Trends from the West are coming to Japan as well, including tattoo trends, resulting in younger people being more open-minded, often wanting a tattoo themselves. Older generation is probably the main reason most tattooed Japanese people, especially girls, still choose to cover their body art. However, I believe it is changing - thanks to girls like my models, where they proudly show off their tattoos.

One of the girls told me that, while she is aware people might not think highly of her and might judge her for her tattoos, by being kind and polite only shows them that they are wrong. Being a tattooed woman myself, I have personally never received a bad comment - quite the opposite. It’s mostly compliments, being genuinely interested in what I have on my skin.

REINA @DANCER_CRAZY_GIRL

WORDS & design BY KAI LIN TAN ImageS by STASIA

What is the tattoo trend now? What kind of tattoo designs are popular now in Japan especially the young people?

Young Japanese people rarely get traditional designs done, reason being that the designs still has a negative image from the past. They will often get English lettering done, their favourite quotes, small and cute designs that are more of a decoration or accessory to them. Very often they get something in memory of a late family member or beloved pet - small, delicate and easy to hide.

Do you see girls having tattoo in Japan becoming a trend in the future?

It already is a trend. There are many tattooed girls - they are not visible though and you won’t find pictures of tattooed models...yet. They might tell you about their tattoos when they feel that it’s safe to touch this subject - when they know they won’t be judged. I had a hairdresser telling me about her back piece, a lovely elderly lady commenting on my half sleeve and telling me she knows how painful tattoos are, a girl who finally decided to get a tattoo in memory of her late father after she spoke to me about her concerns. You’ll see glimpses of delicate lettering tattoos peeking out of a short sleeve top or a butterfly wing covered with long hair. You just need to keep your eyes and your mind open!

JULIA @COSCOCAT

What is your name and where are you from?

I am Aki from Japan.

How did you meet Stasia?

She found me through Instagram and asked to take photos of me.

When and where did you have your first tattoo? How did you parents feel about it?

I’ve got my first tattoo when I was 19 yrs old. My parents are not so strict so they didn’t care that much, but my mom did tell me not to get another one anymore.

What are your views about girls having tattoos in Japan?

Oh well... I don’t really have any views on that, but I hope all girls and guys will be able to get tattoos easily someday. It’s so hard to live with tattooed body in our country. It’s just a bad environment for tattooed people like us to be in.

As a Japanese girl in Japan, have you face any problem with your tattoos shown to the public?

Oh yeah, there are so many problems living with tattoos on our body.

You can’t find jobs, can’t go to hot springs and some beaches, everybody stares at you...those kind of things. Not only girls but guys too.

Do you think that Japan will be more open to girls having tattoo in the future?

I hope so... but it’s pretty complicated problem. Most of the people have bad impressions of tattoos, mostly because of our tradition. Everybody are not the same. Our country still have old-fashioned way of thinking. I think Japan should be more open about freedom of expression and each person’s character.

Do you think that Japan will be more open to girls having tattoo in the future?

AKI FROM FROM AKI JAPAN JAPAN I hope so... but it’s pretty complicated problem.

Most of the people have bad images for tattoos, because of our tradition.

I think Japan should be more open about freedom of expression and each person’s character. Everybody hasn’t be the same. Our country still have old-fashioned way of thinking.

AKI @LAURAS_AKI

Paris THE CITY OF LOVE AND CULTURE THROUGH THE EYES OF A FASHIONISTA Only a day after returning from Paris I find myself reading “Letters But don’t get me wrong, enjoy a walk along the Seine, go inside to Yves” by Pierre Bergé and eating the few chocolate macarons the Notre Dame cathedral, admire the Mona Lisa and the Venus of I have left from my visit to Ladurée while thinking about the Milo in the Louvre or even just sit in a small cafe to have a crepe. astonishing views I got to witness from Sacre Coeur. From the cute No matter what you visit or do in Paris you will definitely leave little corner cafes in Montmartre to the breathtaking art pieces in the city with your mind blown away. However, as a fashionista, the Louvre, there is not a single place in Paris that does not make I do have to admit that there was one place that got to me way you want to get your camera out and take a hundred pictures.

more than any other place I have seen during my trip, and that is

30 seconds in the city and I was already amazed by the beauty of

the Yves Saint Laurent museum. I left the building completely in

the city, even the train station had something, I don’t know what love with the designer and his way of creating art; the passion he it was, but it made me fall in love with the place instantly. Okay, had for the different Asian cultures, the way the Opium perfume maybe it was the fact that my favourite scene from Gossip Girl was changed the fashion house and everything in between were filmed there, but it was still exciting.

incredibly portrayed in that three floor Parisian house. Not only

Paris has always been a city I want to live in at some point of my the creations made you feel like he was there but they also used life, but getting to wander around the old streets, taking the metro, his studio - where he worked - and left it untouched to keep his and doing things that Parisians do on a daily basis just reassured presence alive. it. The Eiffel Tower, oh how beautiful it is. It seems unreal, the

After visiting the city of my dreams, as cheesy as it may sound, I

fact that one monument can make such a huge difference in the can say that I, 100% relate to this quote: “The fact that Paris exists landscape of a place. Of course everyone has seen pictures or and someone still chooses any other place to live is a mystery to videos of the Eiffel Tower, some have even seen it in person, but me.” (Vogue Spain). do people actually take the time to admire it the way it deserves?

TEXT, DESIGN: CARLA GARCIA, IMAGE: UNSPLASH

Are people living there really aware of the charm that this one monument gives to the city? If you ever go to Paris, please go see it at night, explore the city, don’t only go to the touristy places, meet locals, do things you wouldn’t normally do - that is the right way to visit and get to know where you are.

Leonardo Da Vinci:

A Life in Drawing

THE EXHIBITION FEATURING rare artworks of the genius that excelled in all forms - an innovator, engineer, painter and scientist.

Many would have heard of the name Leonardo Da Vinci, an artist famous for his works such as the Mona Lisa, The Last Supper and the Vitruvian Man. This year, twelve drawings including the anatomy, botany, engineering, and cartography practices of Leonardo Da Vinci, has made their way to the Southampton City Art Gallery. In this exhibition, viewers and enthusiasts will be able to see for themselves the works of the great man that excels in combining both high levels of creativity and intricacy.

While the exhibitions shows drawings from multiple aspects, the human anatomy has definitely stood out the most.

WORDS, designs and ImageS by KAI LIN TAN

It was said that Leonardo had taken interest in the human body from a very young age, ever since he started as an apprentice at a workshop that is famous for experimenting with different forms of art.

In his fifties, Leonardo decided to endeavour into the human mechanism. Performing countless of dissections and experimentation, he has managed to come up with a detailed piece of drawing of the heart, at which no one at that time period could achieve that level of intricacy.

The twelve drawings from Leonardo Da Vinci: A Life in Drawing’s exhibition will undeniably capture your curiosity in mankind’s ability to achieve the impossible. Pushing boundaries and making words into actions are what Leonardo lives by.

His scientific investigations has led him to become one of the leading man to discover findings that are much said to be impossible to do during his period of time. Leonardo’s never ending curiosity about life has made him the greatest example of what mankind could achieve.

This free exhibition runs long from the 1st of February 2019 to the 6th of May 2019, there is no reason to miss this great opportunity. Head on to the exhibition now and return with a mind of curiosity and a drive to make the impossible possible.

Did you know Leonardo Da Vinci is in fact not his real full name. It literally means Leonardo from Vinci-a place in Italy.

In all his practices, Leonardo writes his notes backwards.

He holds a great interest in weapon design.

His only rivalry is Michelangelo.

He has performed more than thirty human dissections to learn about the human anatomy.

Fashion Anime

X

Anime - a style of animation from Japan.

ILLUS T RAT ION

How much do you know about anime?

Given that anime originated from Japan, it is no surprise that anime has extended its popularity across the world. From the famous and most successful animation, Pokemon, to everyone’s cult favourite series, Naruto, the Japanese animation culture has no doubt been through most our childhood memories.

I ATA L

by N A JA KUBC ZAK @SL E E PY HEAD _BEE

WORDS and design BY KAI LIN TAN

High Street brands like Supreme, Nike and Bathing Ape have been jumping on this new trend of collaborating with Anime characters. Will this hype stay on or will this just be another fast fashion trend that comes and goes?

Recently, anime, being much more than just an animation series to watch, has also been a refreshing input for the collaboration trend in the fashion industry.

IL LU ST RAT IO N JA K U B C ZA K

Streetwear culture has always been famous for their creative collaborations From brand to brand collaborations - Supreme X Louis Vuitton, Off White X Nike and Palace X Ralph Lauren, to artists collaborations - Vans X Murokami, Cleon Peterson X HUF and Keith Haring X Swatch, it comes with no surprise that the high street’s DNA is a perfect match to the creative aspects of the anime culture.

by N ATA LI A

Brands like Supreme, Nike and Bathing Ape have all jumped on the bandwagon of anime culture by stepping into our childhood nostalgia, crossing over some of the most iconic anime characters into their collections - Supreme X Akira, Nike X Dragon Ball Z and Bathing Ape X Naruto.

While it is no doubt that the anime culture has its influence in fashion, however the question lies in whether this trend could survive in the fast track industry and if it has the capabilities to increase the creative collaborations between brands and artists.

ILLUSTRATION by NATALIA JAKUBCZAK

We spoke to Dejan, a streetwear enthusiast about his thoughts on the anime crossovers in fashion.

Hi Dejan! Where are you from and what do you do?

I was born in Serbia, raised in Vancouver, and I am a graphic designer.

Have you heard of any brand collaborations with Anime?

I’ve seen a little bit of the Bape x Naruto collabo.

What do you think about high streets brands like Supreme, Bathing Ape crossing over with Anime characters?

I think it is awesome. Anime characters have sick style in my opinion. From their bandanas, long flowy coats, accessories, logos - I love it!

With anime culture being so fashion forward, I think it makes sense to see collaborations with popular streetwear brands like Supreme and Bape.

Do you think Anime collaborations are for everyone? Would you be interested in a collaboration like that?

Definitely not for everyone, it’s a very niche market targeted towards Anime and Hypebeast lovers... and to those who can afford it!

I never really got into Anime, so owning a piece myself would probably make me feel like a poser.

As a streetwear influencer and also a graphic designer, how far do you think the Anime crossover trend would go in the future?

Hardly a streetwear influencer, but thank you! I can definitely see more collaborations down the line with other anime shows and brands, but it’s hard to tell if it is just a trend or if it will be successful longterm from a business standpoint.

@dejansdayoff

Name one Fashion and Anime crossover you would love to see!

OMG, I would die to see an InuYasha x BAPE/Kaws/ Uniqlo collection. That was the only anime show I got into when I was younger, and Lord Sesshomaru has been a style icon to me ever since!

Text, Images and Design: Carla Garcia

CHRISTIAN DIOR: DESIGNER OF DREAMS After months of waiting the moment I was waiting for had arrived, I took my

Christian Dior only had 10 years to captivate the fashion industry and change

train to London and prepared myself for what I was about to see. The queue

it, and he had revolutionised fashion by the time Yves Saint Laurent was

at the entrance was long, I could see all the impatient faces around me as

named his successor in 1957. This exhibition is not only a walk down memory

my excitement started to grow, and it was finally time, I showed my ticket

lane but also a tribute to the house and everything the creative directors

and I was led into the first room. Who does not know who Christian Dior is?

have achieved through all these years. For me, the room inspired by a gar-

It seems almost impossible to believe that someone in this world does not

den, with the beautiful flowers hanging from the ceiling, was the one that

know about his existence. His life, the beginning of his careers, everything

made me realise how different but similar at the same time were Christian

was explain throughout the exhibition. I was welcomed by an outfit from,

Dior and his successors. I have to say though, that there is one former cre-

probably his most iconic collection, “New Look” followed by the recreation of

ative director that is incredibly easier to recognise by his designs than the

one of the Dior Parisian boutique’s facade.

others; John Galliano, as soon as I walked into the rooms I could tell which

From Princess Margaret’s dress to the Dior Haute Couture that Lupita Wyong’o

dresses had been designed by Galliano. I find incredible how he still kept

wore at the Cannes Film Festival last year; each room has its own personality,

Dior’s original essence while being so creatively different from everyone.

each one different but equally beautiful, the Travel room was filled with

As I walked towards the end of the exhibition I felt the urge to go back to

exotic designs that I had never seen before. Even with the amount of people

the beginning, I did not want it to end, I wanted to stay there for hours and

walking around me, I felt like it was just me and the designs in that museum.

hours admiring every small detail, but as soon as saw the final room I knew

Directed by Oriole Cullen and Nathaliè Crinière, Christian Dior: Designer of

it was not the beginning where I wanted to go, it was that ballroom. The

Dreams is based on the exhibition that opened its doors in Paris in 2017.

lights projecting a starry night on the walls, the beautiful gowns and red

However, it is not the same, it has more than 60 percent of new objects and

carpet dresses left everyone there in awe. Many people would not believe

counts with an exclusive section to honour the designer’s love for the British

that there is beauty hidden in clothes and dresses, but that is because they

culture. From Christian Dior itself to Maria Grazia Chiuri, this exhibition

have not seen this exhibition, they have not seen the creations of one of the

counts with pieces from every single designer that has been in charge of this

most important fashion designers of history.

fashion house; Yves Saint Laurent, John Galliano, Raf Simons, they are all there, following Dior’s footsteps.

think pieces

your

Find zen

We’re all guilty of rushing through life without stopping to notice what’s really happening, mindfulness is an easy way to gently let go of stress and is quickly becoming the way to manage the modern world.

Words: Siobhan Kiely Design: Siobhan Kiely Images: Unsplash

Everyone is always looking for ways to improve their mental wellbeing, paying more attention to the present moment; to your thoughts and feelings, and the world around you can improve your mental wellbeing. Following these steps will mean you’ll be one step closer to finding that balance everyone wants.

Mindfulness is being aware of or bringing attention to this moment in time, deliberately and without judging the experience. You might be wondering why exactly this way of living should matter, by truly living in the moment, moment from moment, it is possible to rediscover some sense of peace and enjoyment. This type of skill can actually prevent becoming ill or breaking down if its incorporated in daily life, mindfulness is cheap but also effective and a ‘doable’ intervention to a stress filled life. So, when you feel yourself drifting away, mindfulness is always there to snap you back to where you are, what you’re doing and feeling. Being mindful can reduce many things such as stress, it also enhances performance, allows us to gain insight through our own observation of our mind, and increases our attention to other’s well-being.

Mindfulness is used in many situations, it is seen in parenting training, treatment of mental health, in schools and as part of well-being therapies. It can even show positive outcomes when used in treating the immune system especially for HIV, ME and MS. It’s clear to see that when mindfulness is implemented in our daily lives that there are both physical and psychological benefits such as; Increased experience of calm and relaxation, higher levels of energy and enthusiasm for living, increased self-confidence and self-acceptance, less danger of experiencing stress, depression, anxiety, chronic pain and addiction lastly, more self-compassion and compassion for others and our planet.

Learning this skill may not actually ‘heal’ all illnesses, but what it does is change our perspective on discomfort and instead opens new possibilities for moving from just ‘being’ and ‘struggling’ back to ‘adventurous living’.

Instead of focusing on pain you learn to live around the pain. Mindfulness practice may prevent us from getting sick and unhappy but it can return

our awareness to a more curiosity state of living that we once had when we were young. Once again, we may experience the qualities of a natural life; the importance of surrounding ourselves with friends and others who care for us. The little moments suddenly become the true wonders of being alive.

This knowledge of mindfulness shows us that those glimpses of joy matter, as they connect us to life rather than split us from it. This all may be s ounding great but it’s important to remember that life is a dualistic experience, so you’ll become more sensitive to the painful aspects of life too. If we all stopped doing so much, even for a few minutes a day, this would enhance our experience of life and help both our bodies and mind to stay healthy and well.

Now you know what mindfulness is and the benefits of practising it you might be wondering just how exactly you can incorporate it into your own life. It’s easier than you think to get your ten minutes of mindfulness daily, the first being ‘the walking meditation’. This is best to do when you have any periods of undisturbed walking during the day- usually ten or fifteen minutes- this is a perfect opportunity to do a little walking mindfulness meditation. The best place to do this is somewhere with fewer distractions as when cultivating all form of mindfulness, it’s about focussing the attention. The key is to develop a sort of relaxed attention, at first, people often concentrate on the sensation of their feet touching the ground. It is then easy to focus on your breath or move the attention around your body, part by part.

When your mind wanders away, bring it back gently without self-judgment.

It is most likely that you’ll be eating food today, this is an excuse to practice a little mindfulness while you eat. Take a moment to really pay attention to the taste when you take the first bite of any meal. Look closely at the food, feel the textures in your mouth, smell and notice how your body reacts to it. Use it every now and then whilst you’re eating to focus your attention.

Hopefully, these will give you some ideas on how to practice and incorporate mindfulness into your everyday life. Remember that almost any activity can incorporate some mindfulness exercises. These steps may feel small, but the effect they can have will surprise you.

Its time to see change.

You are not It’s been a month since the NHS Long Term plan was announced, with the promise to give more money and resources for childhood and youth mental healthcare. The long waiting lists are outweighing the promises and some youth are at crisis point. The progression of mental healthcare is a necessity but is it too little too late?

Words: Siobhan Kiely Design: Siobhan Kiely Images: Unsplash

For too long we’ve seen mental health services overstretched and underfunded in the NHS, people with mental health problems weren’t getting the help they needed to stay well. With the new Long Term plan announced it’s said that they intend to expand mental health services for children and young people.

Mental health problems often develop early, one in every nine children has a mental disorder. By the age of 14 half of all mental health problems are established, three quarters are established by 24 years of age. The plan is for these struggling children and youth to have prompt access to appropriate support which will enable these people to live a happy and healthy life.

One particular area of focus is the child and adolescent mental health, an additional 345,000 children and young people aged 0-25 will be able to access support through NHS funded mental health services and school or college-based Mental Health Support Teams. Their overall goal is to ensure 100% of children and young people have specialist care when they need it. So, the next five years seems to offer a lot of change a lot for mental health services but what about how people can get the help they need now?

More and more people are being added to the growing waiting times for services that are under strain, and some people are even being turned away because they’re not ‘unwell enough’. Young people tend to have the reputation of being ‘mixed up’ and a lot of adults can be patronising and not be as helpful just because we are young. Young people become more complicated and diverse yet policies have generally failed to keep up with those changes. There are nineteen child adolescent mental health support services in place that were created in 2007, but almost half of those didn’t offer age-appropriate care; specifically, for ages 16-25. A small minority offered appropriate services for 16 to 19, and two services offered care and

interventions for the 16-18 age group, but only if they were in full-time education, otherwise the cut off age was 16. None of the services offers care past the age of 19. One positive aspect of mental healthcare is the support that is growing for it in schools. The government has realised that schools play an important role in protecting and promoting mental health, and there has been a stronger focus on emotional health through the Healthy Schools Programme. This helps to support parents in understanding and promoting emotional health and resilience. Children are more likely to use a school-based service rather than an external counsellor and this is perceived to be less stigmatising. Teachers know that there are many good initiatives available in schools, but they also think that these are often under-funded, inconsistently applied and reactive in approach. The government has recently made a major announcement, up to 370 school in England are due to take part in one of the biggest mental health trials in the world. It’s all about finding out what works to support young people’s mental health, and how important it is to look after their mental wellbeing and will run until 2021. Children and young people will learn a number of methods to help regulate their emotions, these include; mindfulness, relaxation techniques and breathing techniques and also pupil sessions with mental health experts too. There is especially a high number of youths arriving at university having already experienced issues such as depression and anxiety, universities have seen and responded to this issue. Some universities offer ‘transition days’ before term starts to help new students ease into their surroundings. At Worcester university, advisors will contact new undergraduates to meet before the terms starts and at Oxford, students are able to move into halls before the busy period to settle in. Universities are putting money into their mental health services, £50million a year.

The government’s new plans may make a difference to support provided for young people, but it the young people’s voices that need to inform the design and commission these new changes. The focus needs to be on designing services which young people feel like they can use.

e n o l a

To date

or NOT to date

WORDS: JESS MAIDWELL IMAGE: UNSPL ASH IDESIGN: JESS MAIDWELL

Dating in the modern age is a shambles – but if foreign guys twice your age popping up on Instagram, fuckboys trying their luck on tinder, or strangers staying the night after a drunken shag aren’t the answer, what’s a girl to do?

he phrase ‘swipe right’ has become the uszh (the spelling the abbreviation for ‘usual’ will forever be a mystery) for your average millennial. Alongside the idea of one-nightstands, disposable relationships and the answer to the question, ‘why did you sleep with her?’ being, ‘numbers, innit’. A lot has changed.

Back in the day (and as a member of generation z, I mean pre-2000s – no offence, 20-somethings), the internet was new and nowhere near as advanced as it is today.

Dating websites were nowhere to be seen, let alone the most periodically uninstalled app on your phone. People dated someone they met at school, a work colleague, a friend of a friend – not someone who lived around 54km away who just thinks you’re ‘fit’. Obviously, someone thinking you’re attractive is certainly not a negative factor, but often we lose sight of why these apps even exist in the first place.

After all, how fulfilling can it be, flitting from partner to partner not gaining anything except a ‘good time’ (which in plain speak is a shag), and sometimes not even that?

Assuming the majority are being spoken for here, it’s been a hot minute since I was fully satisfied by having a cheeky swipe on Tinder, Bumble, Hinge or whatever dating app is your cup of tea. Fantastic for temporarily filling a void of ‘loneliness’ (and I use quote marks because our generation is queen of unnecessary, dramatic situations), dating apps have evolved into a form of validation; if we match with enough people, we feel considerably better about ourselves. Don’t get me wrong, most of us have been dragged headfirst into this mindset all too many times, and although we know that in the long term it won’t make a jot of difference to our lives – if anything exacerbating that unnerving feeling of rejection – we still find ourselves staring vacantly at the phone screen, filtering out the beautiful from the damned with a mere ‘swipe’. But think about it: in essence, the odds of discovering chemistry between you and another are the same, not mattering whether you meet them online or in person, so what’s the big kerfuffle over dating apps being unreliable? In answer to my own question, they have slowly but surely seemed to become a platform of sexual satisfaction than one on which to find a soul mate.

Another point to consider is that we no longer turn to Tinder or try our chances on a guy you got with at the club to find a boyfriend.

Instead, we have become accustomed to being satisfied with a meaningless hook-up with someone we are more than likely never going to see again – and that’s okay. Isn’t it?

Then there’s the ever-relevant question that somehow hasn’t yet been debunked: how else are we supposed to find love? In a world where most young people would prefer to

“

Dating apps are popular, and I don’t think they’re going anywhere soon

“

T

communicate over text than a face to face encounter, one of the easier, less stressful ways of meeting a potential partner is online, whether we choose to admit it or not. Although some argue that online dating can be pointless or even dangerous, and success stories are a myth in terms of dating apps, they do actually (even if very rarely) exist. Remaining positive and waiting for your own ‘happily ever after’ is all well and good, however relying on these rare miracles would be seen as pure stupidity; I can hear my mum now, “you’re putting all your eggs in one basket, don’t get suckered in”. In other words, we’re fucked.

To back this up: some rather surprising statistics, which also make me question whether Gen Z is overcoming this cycle of loneliness. In a survey of 215 people aged 1625, 70% answered that they didn’t currently use any sort of online dating app. This is an absolute landslide of young people voting against the apps, and far from the stereotype that’s assumed for this generation. Stats also showed that a tremendous 80% of the

participants who answered ‘yes’ were not satisfied or fulfilled with the majority of their experiences on these apps, whether they be a one-time fling or something more. Considering one of Bumble’s slogans is ‘Find your honey’, it seems not many users HAVE, and have instead been left feeling disappointed that this one, wasn’t ‘the one’. Despite the negative consumer feedback, however, these apps don’t seem to die off into non-existence – rather, more seem to crop up left, right and centre giving us new and intriguing options to eventually get bored of. For now, anyway.

Lawyer-turned-love-coach Laura Lee Wood has a positive opinion on dating apps, as long as you utilise the platform to paint a true portrait of yourself, ‘I have my clients create a profile that is professional and that I am confident will attract the type of person they desire to date’, she explained, ‘Dating apps are popular, and I don’t think they’re going anywhere soon’. As for new trends on the dating scene, Laura has noticed an increase in young people wanting to meet partners organically, rather than online, which coheres with the stats I mentioned earlier. ‘You don’t want to get out and mingle by yourself, but you don’t want to use dating apps’, Laura pointed out, ’Finding someone to go places with is hard when people have kids and spouses.’ I guess that’s where the phrase ‘young people want success but aren’t willing to work for it’ comes from. Laura teaches courtship - also known as ‘a thing’ or ‘exclusive’ to Gen Z - to couples rather than casual dating, which means she is an expert in more advanced, meaningful relationships as opposed to spontaneous flings. Who would turn to a dating expert for advice on this stuff anyway? A top tip that she has for singles is that you should REALLY know if you are ready to date and find the love of your life and if you are willing to put in the work to do so. ‘A lot of clients will come to me and they are still in love with someone else’, she clarified, ‘We do the healing work on that relationship before we ever send them out on another date’.

Tackling the ever-changing dating pool is becoming harder and harder as new rules are being set and we attempt to navigate through, and although opinions of the various dating methods are diverse, we all have one thing in common: the search for that special connection.

BREXIT: WORDS: JESS MAIDWELL IMAGES: UNSPL ASH DESIGN: JESS MAIDWELL

WHY SHOULD I CARE?

debunking the topical (and straight up baffling) matter that is known as ‘Brexit’, is an aspiration far from realistic.

However, with the almost certain probability of regret, we’re gonna take a stab at it anyway.

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NO MATTER WHAT THE RESULT OF THE REFERENDUM, WE NEEDED TO ACT UNITED WHEN GOING INTO NEGOTIATIONS WITH EU MEMBERS, YET IT’S TURNED OUT OUR PARTY IS MORE FACTIONED THAN EVER.

Costing roughly £250 million per week to stay a part of, this little elitist club (aka the EU) provides many things for its members.

For example, tariffs, which mean we could charge other countries to sell items in the UK, free trading between all countries who were a part of the EU and the common agricultural policy, meaning UK farmers would receive a minimum amount for their produce, protecting them against foreign farmers selling the same things for a cheaper price.

Possibly the leading beneficial factor of the EU is that it gave us the freedom to work and live anywhere in Europe, in addition to being able to travel across the continent hassle-free.

Some would say we gained this unfathomable amount of money back through these deals, however with some of the policies benefiting the poorer countries of the EU more than the UK, a small sector of the public (or so we thought) believed we didn’t. Citizens from the less developed countries would find it more appealing to move to our country than UK citizens would find it moving to theirs, for example. Cue the worst British tragedy since JLS split up/the 1930s appeasement.

grows exponentially and then plateaus when reaching the age of 65 – however the whole time there is a correlation between age and the percentage of votes to leave the EU. To throw a spanner in the works, only a measly 64% of 18-24-year olds even voted in this referendum. As an enthusiastic (although not voluntary) member of this age range, this fact does slightly piss me off I’m not gonna lie, giving the parliament journo’s the right to shove opinions in our faces such as, ‘The young might resent the old for dominating politics. The old might retort that the young need to show up in greater numbers if they want their views to be heard’.

A reason argued by many young people as to why they didn’t vote is because they are uneducated and ‘wouldn’t be able to make an informed decision’, which seems a fair enough point. However, there is a simple resolution to this ‘issue’ and it is - simply – to learn. As the majority of parliamentary roles are filled by males of Generation X or even baby boomers (62%, to be precise), 90% of this age range utilised their right to vote, putting the preceding generation to shame.

So, a little bit about how this dreadful vote was even offered to the public. David Cameron promised the UK the vote to leave or remain in the EU as part of his campaign to become Prime Minister (PM). 3 years into being in power, he still hadn’t offered the referendum and so forth felt pressured, resulting in him panicking and giving the nation this vote to calm everyone down. Before he could dream up another uninformed, ridiculous decision, the vote was 48-52 in favour of leaving.

Political science student Sky Carberry Rogers is pro-remain, however wasn’t old enough to vote at the time of the referendum in 2016.

This is hard to believe considering the effects of Brexit are one her main study points at university. ‘I think the outcome so far is embarrassing and potentially detrimental to any further progress or successful negotiations’, she passionately stated, ‘No matter what the result of the referendum, we needed to act united when going into negotiations with EU members, yet it’s turned out our party is more factioned than ever’.

A tricky point to decide upon, Sky believes that 16 and 17-year-olds should have been allowed to vote in the referendum, however she understands that this would probably mean giving this age bracket the right to vote across all general elections too, ‘which I don’t think should happen, so it’s a

Coming as much of a surprise to politicians as it did to the public, the outcome of the vote was extremely close cut with the nation being just 2% away from the halfway line.

A survey from Lord Ashcroft showed the rather predictable statistics portraying how age affected the percentage of leave/ remain voters. A mere 27% of 18-24-year olds voted to leave the EU, compared to a considerably larger 60% of 65+ year olds voting to leave. The number of votes to leave

“

Everyone who’s anyone claims to know what they’re talking about when it comes to anything political, and frankly, it’s rather annoying. Setting aside the politics students (whom I hope have at the very least a basic understanding of Brexit), Generation Z don’t really have a clue wtf is going on most of the time, and as nothing seems to be changing, why should we even give a toss?

difficult one’, she pointed out. ‘I think that the age of voters isn’t the important factor, but that the electorate is fully educated and informed with accurate information’.

Whilst a potential benefit being that the UK will flourish as it gains new international partners and therefore becoming more economically productive, Sky counteracts this by calling attention to the fact that the British government haven’t made the most glowing of impressions throughout the whole deal.

‘This could easily be the biggest problem if we head out on a wrong impression, which in turn, would limit our opportunities to liaise with future unions/countries’.

Brexit has a mountain of effects, the majority of which will affect us, Generation Z. Our current ability to study abroad, whether it be for a placement year or for the entirety of our degree, is one of the brilliant things about being a member of the EU. Providing a diverse education about the culture of other countries and the opportunity to be taught by a variety of lecturers, this prospect exists because of the deal of free movement around Europe. Leaving the EU will also cause the price of travel to soar. With air fares increasing, the price of travel insurance growing, and mobile phone rates rising, we are going to have no choice but to splash the cash. As working abroad will become nothing short of a chore, graduates will also find themselves scrapping for jobs as the only options will be in the UK, leaving many with nothing or a job they don’t really want.

The potentially detrimental aftermath of Brexit is now just something to be expected, and there’s nothing we can do except sit and wonder at how this country has got itself into the mess that it has. If there is anything we can take from this, let it be that pissing off out of the rather stressful position of PM after making a wrong decision due to panic, can cause an intense uproar of unhappy millennials…

WORDS: emily hall images: emily hall design: emily hall

THE MOST EFFECTIVE POLITICAL TOOL?

Whether you personally use Twitter or not, it would be difficult to not have heard of it, especially due to the impact it has had on the progression of political movements in the past three years. Conversations about issues are no longer ‘swept under the carpet’; users have made a real change in all areas of injustices.

T

witter started out as a network to essentially send messages to a group of people, these would be ‘Tweets’ seen by your followers. It had always been the platform where people could share a daily message in 140 characters or under. Fans could connect with celebrities and it was a great way to speak to new people even if they were half way across the world. However, Twitter has always had a rather hostile side to it that can’t really be found if you don’t know where to look. Although it was a great way for users to share their opinions and thoughts, not all of them are going to be nice, and Twitter became a place where people could be easily targeted and the app quickly became overshadowed by new platforms such as Instagram and Snapchat.

Realising this, Twitter completely redesigned itself, becoming less confusing and creating new content where users could read the news and current events as soon as they were released and it quickly became ‘the’ platform to use.

By not giving up on the app, Twitter has become a place where issues that we face as a society right now are being openly spoken about and actually educating and informing users, who may have otherwise been oblivious towards situations. Many Twitter Campaigns give light and awareness to incidents around the world that don’t get global coverage on mainstream news channels and therefore we are none the wiser with what is actually happening in the world.

Two of the most recent and arguably the most impactful have been the #BlackLivesMatter movement and #MeToo protest.

The #BLM hashtag was created in response to the unjust violence and deaths of black people, particularly police brutality they faced in America. Since it began, the hashtag has been used around 30 million times and triggered an open conversation about the racial climate not just in America but globally. #Time’sUp and #MeToo roared through social media and has seen one of the longest discussions taken place in such a hush industry. The hashtag created a support network for victims and meant both male and females in the film industry who were too scared to come forward with their stories before, now felt comfortable and safe. Two simple words sparked a global conversation about the treatment of cast and crew by those in charge and in the public eye.

The #MeToo movement created a knock on effect for many more hashtags to begin, such as #HowIWillChange, created by men in solidarity with women to discuss how they could help in terms of recognising sexist culture.

But like everything, any kind of movement on Twitter faces backlash. Many accuse people of hash tagging and tweeting in support of a particular cause but then simply putting down their phone and forgetting about it, not actually helping outside of social media, leading many to argue if ‘clicktivism’ is a legitimate way of helping.

Without bringing my opinion into this too much, for me Twitter has personally opened by eyes to issues I didn’t even realise were issues. I openly admit I am Twitter’s definition of a privileged young person, the only thing that would make me even more so would be if I was a man, but therefore for me, the app has become my way of hearing opinions and stories from people with all different kinds of backgrounds, all over the world.

Maybe what begs the real question here is, why has Twitter become the world’s political playground and why is an app making more of a difference and educating us on topics rather than those we put our trust and money into?

Perhaps because you don’t need a degree to understand everyone’s equal, you don’t need to be a journalist to have an opinion, you don’t really need anything other than life experience, to value your own thoughts and simply a registered Twitter account.

Twitter gives people the opportunity to really make a difference, it means people can share their stories in a space where its easy to build a community of people who are equally as passionate about a subject and who truly want to make a change; just maybe that’s why movements of social media have already made such a difference.

TAKING BACK Our Bodies

From the beginning of time, women’s bodies have been looked at, as an object of a man’s affection, there’s no doubting that. But in 2019, after years of feminist movements and women fighting back against the sexualised culture, why is it still happening?

“Value yourself for what the media doesn’t – your intelligence, your street smarts, your ability to play a kick-ass game of pool, whatever. So long as it’s not just valuing yourself for your ability to look hot in a bikini and be available to men, it’s an improvement.” Jessica Valenti, Full Frontal Feminism

regardless of if they’re advertising the same item of clothing. The real problem though is when the sexualisation is influenced in our day-to-day life, when females are told what they can and can’t wear because they don’t want to be perceived in a certain way, or what is acceptable and what isn’t.

This is one of my favourite quotes. Why? Because it reminds me that I am worth a lot more than what I am told I am worth, by the media.

Recently there has been huge conversation surrounding breastfeeding in public. There’s a problem with that you ask? Well apparently so.

Some feel it is inappropriate for a mother to complete one of the most natural acts between her and her child in public. But why is it so appropriate for a man to walk down the street with his shirt off and not a female? Strictly because society has sexualised a woman’s body and we have been taught to cover up our whole lives.

From the beginning of time, women’s bodies have been looked at, as an object of a man’s affection, there’s no doubting that. But in 2019, after years of feminist movements and women fighting back against the sexualised culture, why is it still happening?

WORDS: emily hall images: emily hall design: emily hall

To be quite frank, I really hate what I’m about to write because all I’ve ever wanted is to work in the media industry and the feminist inside me screams at me for wanting to work for a sector that really isn’t helping in the progression of female equality, but perhaps I can be a small change in a large problem. But yes, the media industry is one of the biggest culprits when it comes to the sexualisation of the female body.

It cannot be denied, the hypersexulization seen in print magazines and advertising, shows just how real the double standard is.

Men’s print is particularly guilty of this, for example if there are two of the same magazine, one with an image of a man and the other a women, which is more likely to be the person on the front cover fully clothed? I’ll let you answer for yourself.

It all boils down to the male gaze theory, a hetero man is most likely going to engage with a piece of media if they see a sexualised female involved. It’s a clever tactic companies use to sell their products and this is their justification for it.

The scary thing is how we have become so oblivious to these types of images because of our constant bombardment with them; it has become normal because they’re everywhere. Simply take a scroll through a unisex clothing website and I can almost guarantee you, the types images and poses the female models are expected to do compared to the male models, are completely different,

A few weeks ago I was lucky enough to have the chance to attend a lecture given by Ashley James, best known for Made in Chelsea but currently working as a DJ and Presenter as well as an activist for body positivity. I was keen to know, particularly from someone involved in so many industries, whether she felt men faced the same objectification, mainly in media, women face.

“I definitely think that men have a lot of pressure to look and feel a certain way but I think it’s different…Men aren’t subjected to the same shaming culture in the media but its not to say that they don’t feel pressure to look like a guy say from Love Island and go to the gym, its just very different and less complex”.

Men are equally objectified but just not to the extent women are.

The main issue is we live in a world where women are seen as sexual objects but are also told we cannot sexually express ourselves.

The Amber Rose SlutWalk, happens every year in Los Angeles and aims to raise awareness about sexual injustices, as well as uplifting and celebrating women. Women line the streets dressed in lingerie, costumes or just everyday clothing,’ strutting their stuff’ and showing the world, we won’t be be quiet and sit pretty, we’re going to speak up for what we believe in.

So here we are, taking back our bodies.

inspire

Words and Design: Izzy Short Images: Unsplash

g n i k a m

Motiva

ation Get inspired with carbon! if you’re facing uphill battles, remember, great things never come from staying in your comfort zone; the harder you work for something the greater you’ll feel when you achieve it.

ART Business of

Learn how Jen Aranyi created her beaming art business through social media...

J

en Aranyi. Entrepreneur, self-taught Artist and big dreamer. Aranyi has practiced drawing for as long as she can remember, she reminisced on how her mother still has some of her paintings hanging from when she was little.

Words and design: Izzy Short Images: Jen Aranyi

However, there was a turning point when Jen decided that her creative hobby was something more and she wanted to tap into her passion and then flowered her talent.

Encouragingly, she had two “incredible” art teachers, who had shown her that she could in fact make her love for art a career.

She’s tried to explore many different styles of art.College allowed her to explore lots of different mediums, helping Aranyi understand what she liked and what she didn’t.

She’s always loved acrylic and over the past few years has “fallen back in love” with watercolours - proven through her wildly popular videos created online, where she satisfies her millions of viewers with her time lapsed paintings.

“My favorite thing is that anyone can create art, and it can be such a loving and supportive community.”

however, she has never stopped experimenting and is always adding new techniques and methods into her work - most recently has been adding foil into her pieces, creating textures. Not only this but she has also just started a series of missed media work that combines a hand carved stamp with watercolours. Jen is always seeking new beautiful ways she can push her art further.

Graduating from Virginia Commonwealth University (in Richmond, VA, USA), she studied art and illustration, not long after she went into a career as a graphic designer, which she still does full time. “It will be 10 years this year since graduating high school, so about 10 years is how long I’ve been practicing in a professional context —through college, into my career, and then starting my ‘Online Business’ two years ago.”

Before her business she had only sold her artwork to family and friends until she decided to share her talent on a bigger platform - Instagram. Her 'Online Business’ is where she started sharing her paintings and other artwork for a while, until her beautiful paintings were spotted by a local store.

They approached her requesting for Jen to create and sell her work in their shop. This sparked an idea and she, then, realised that she could turn this into a real business.

From that point onwards she started selling in the store and opened her own current Etsy shop to sell online, too.

Reaching people from all around the world with her art work on the popular site Etsy and a following on instagram above 114K. This Entrepreneur has worked hard when she knew she had something special to share and it payed off, quite literally.

Carbon asked Jen Aranyi shared her thoughts one just how expressive art can be, stating; “Art is absolutely an invaluable form of expression. It’s a way for people to let go of stress and tension, work through past or current experiences, and project their innermost feelings and desires without having to communicate them in words... it can really express so much. Art can be as deep and meaningful or as light and fun as you want it to be. For me, Art is a way to relax and unwind at the end of a day. My art doesn’t always have deep, underlying meaning, but it encapsulates the joy and happiness I feel when I’m painting.”

Jen Aranyi gets real with art and reveals why she loves it so much and where she draws inspiration for her creative work. She notes her favourite thing about art is that anyone can create it; “it can be such a loving and supportive community” she adds “Sure, some people may have more of an “eye” for art, but it doesn’t mean that you can’t learn the techniques and teach yourself, take classes, or just explore and have fun with it.” Her outlook on this art community is so refreshing - she reminds us all that art is so powerful and it has changed her life for the better. “Art can bring strangers together and connect them, make people feel pride in something they create, and bring immense joy to peoples’ lives”.

She draws her inspiration from life and everything around her, the nature and just being outside, hence why she creates such fascinating, scenic paintings. She regularly goes out on hikes, exploring new areas, gaining more and more of an open mind to help aid her artwork by the end. Not only this, but she also explained saying “I do also have a love of

“Sure, some people may have more of an “eye” for art, but it doesn’t mean that you can’t learn the techniques and teach yourself”

“By sharing my work online, it’s opened me up to people that I otherwise may not have reached”

architecture and the city I live in, so that is also reflected in some of my work.”

Carbon asked how she felt her Art had pushed her down many different avenues: she responded explaining that “the world of Instagram and social media marketing is an avenue that I never thought I’d end up on, but it’s been so much fun learning more about it. Through Instagram, I’ve been able to connect with other artists, art lovers, and art teachers all over the world. Teachers have taught lessons based on my art, and I’ve gotten messages from people who tried painting for the first time because they felt inspired by my work.” She was surprise to learn, “By sharing my work online, it’s opened me up to people that I otherwise may not have reached. It’s also connected me to some really awesome brands and art supply companies that I didn’t know about.” It opens your eyes, really, if you put yourself out there and feel like you have something to show then DO IT because you don’t know where it could lead you! Like Jen Aranyi, She now gets to work with brands and create sponsored content, which to her “always seemed like something that only celebrities did” but she realised social media is becoming a large marketing tool these days and you can use that to your advantage.

Lastly, she added “That said, it’s been an interesting avenue to explore – making sure I find a balance of working with products that I believe in and brands that share my values, and also ensuring that I don’t smother my followers with too many promoted content posts”

Jen Aranyi. Entrepreneur, selftaught Artist and big dreamer.

Made her own dreams come true and you can too.

Capturing O

m o d e e Fr

liver Sjöström envisions freedom around him and captures real people submerged with serenity, peace of mind and stillness.

This Swedish photographer He presents his beautiful imagery, working with natural daylight, showing as much composure with in the models as he does with his framing. Before he even knew how to work a lens, 3-4 years ago, Oliver was on a surf trip and that is all he did for 7 months, “I surfed so much that my ribs would get bruised” he noted and that is when he would rest. While he rested he needed something to fill his time - there came his photography.

He explained: “I had this ‘Go Pro’, that my sister had given to me to take photos of my trip; I also had a pair of fins that I had bought to Thailand. As I had nothing else better to do, I would swim out and take photos of the surfers. Not to post on Instagram, or share any where (I barely used social media back then). No, I just did it for the joy of it. And that is how I got started with photography… taking photos was just fun.” He later discovered that photography could be the means for him to travel the world and earn money while doing it. That’s when he decided to pursue it “whole heartedly”.

“Opportunity is abundant”

Words and Design: Izzy Short Images: Unsplash

His images capture beautiful compositions, as well of beautiful people. Perceiving the natural light on to the natural beauty of the world. In Olivers own words he expressed: “I take photos of things that I think are beautiful and portray a feeling that evokes an emotional within me. For the most time, I like to portray a sense of freedom.” With his remarkable surroundings now living in Bali, he is completely submerged with enchanting scenery and for 2 years has now been creating breathtaking work and sharing it online.

His newly formed passion through a lot of practice and handwork has paid off Oliver Sjöström now runs his own freelance business and e-commerce store, where he sells editing presets and posters. Importantly, to Oliver, he has reached a level where models and brand are happy to work with him. Stating “Opportunity is abundant” - it really is after you find something you love, stick to it and work with it, he found a chance for him to grab this creative career and he hasn’t looked back since. “Reality is that I spend 90% of my time running my business, as a photographer and 10% actually shooting. It’s a tough industry. But so worth it.”

His attitude reflects into his work - his carefree outlook on life, combined with the precision of a goal and ambition.

Working

Girls

so you want to be a journalist? carbon interviews two influential career women that are here to give their advice on the beauty and journalism industry.

I

n the 21st Century, more and more jobs are needed each day. This may cause confusion and struggle within millennials due to the fact that there are several different career paths to take within the field of work that they are invested in. Finding your desired career can be difficult when there are now so many paths to take - that’s why Carbon has interviewed two inspirational young women in order to give you an insight into their careers.

Rosie Watton is based in Studley and Solihull and is the owner of ‘Nails by Rosie’. She is a Bio Sculpture Gel technician and a Bio Sculpture ambassador who has taken her passion for nails and spun it into creati ng her own business in order to make money from what she enjoys.

“I loved having my own nails done. I experimented on myself and friends quite often and I loved trying new things. I also had quite a passion for art so getting creative on nails was a lot of fun! When I realised I could do it as a job and earn money from doing what I love, I decided to take a gamble and set up a small nail bar at home.” Although it sounds easy, Rosie says that the idea was quite daunting as it was a big risk, however, she had a lot of support around her. Starting a business like this doesn’t happen straight from the get-go. It takes determination and hard work, along with your passion to create something successful. Rosie went on to say that “It took me a while to build a client base but through word of mouth and social media, within 18 months, I was pretty much fully booked with clients”. For the individuals reading this that wish to set up any business, one key piece of advice from multiple people who have started a business is that it does not come easy. You have to show that your brand is reputable and trustworthy and with this will come consumers of the product or service being offered. It may take longer for some and shorter for others but if hard work is applied, then whatever you want to do can become a success. “It’s important not to expect it all to happen too soon when you first start out - a business takes time to grow and patience is vital.”

Words and Design: Jordan Burrows Images: Lucy Parts & Rosie Watton

“Work hard, set realistic goals and go for it!”

For Rosie, she says “I was also able to seek advice from family members who were self-employed and I did a lot of research myself to ensure I was doing everything correctly”. This goes to show that it may also be helpful to have people that have pursued similar goals or achievements to you in the past so they can offer a helping hand. Doing research is also important to ensure that you are going by the books and ensuring you won’t get into trouble later down the line.

Rosie concluded the interview with some advice for young women with similar goals to open their own company. “The best advice I can give to other young women wanting to start a business is to work hard, set realistic goals and go for it! Expect it to grow gradually and understand you may have a couple of set-backs but never give up. If you are prepared to work hard, it will all be worth it in the end”.

Instagram: @nailsbyrosie

We also got in touch with former beauty editor for Cosmopolitan and current beauty editor for Stylist Magazine - Lucy Partington! Lucy studied a journalism degree at De Montfort University from 2008-2011. While parttaking in her studies she also worked her way up, beginning at McDonald’s, where she worked for 8 years. However, her career as a journalist started in 2011 when she received a job as a beauty intern at Psychologies Magazine.

From here she built on her career and in 2012 she started her job creating content for Cosmopolitan Magazine as Beauty Assistant - but she didn’t stop there. In 2016 she was given the job of Beauty Writer and continued writing top quality content fr Cosmopolitan’s pages each month for another 2 years when she decided to depart Hearst Publications in order to work as a Beauty Editor at Stylist Magazine. To understand more about her career as a beauty editor, we started off by asking where Lucy’s interest in beauty began. “I don’t know where the interest really comes from but its something I’ve been into since I was a teenager. I used to spend all my pocket money in my local House of Fraser buying Clinique foundation and Benefit lipgloss. Then my obsession only got worse when I started university. My student loan was sent on Chanel primer, MAC blusher, and Dior Highlighter, and now over the last few years my iterate has shifted from makeup to skincare.” Lucy also revealed that becoming a beauty editor was never something she really set out to do. “I always loved writing and ended up doing a journalism degree because it was the next best thing to an English one (I didn’t want to be told what to read and didn’t want the fun to be sucked out of reading).

“Hard work and persistence are key.

Determination goes a long way, as does a cando attitude” Then whilst I was at uni I realised I could combine writing with beauty. I interned at magazines, eventually got hired as a beauty assistant and worked my way up from there”. Much like most jobs, Lucy has worked from the bottom of the ladder in order to get where she is today. “I started out as a beauty assistant at Cosmopolitan, did that for three years before leaving to be a beauty writer at a content agency, working on Superdrug’s bi-monthly magazine. I was there for ten months before jumping back to Cosmo as Beauty Writer where I stayed for eighteen months before getting my current job as Beauty Editor on Stylist”. Finally, we wanted to know what advice Lucy had for young women so that any readers could get an insight into what it takes to get where she is and how you too could become a successful writer.

“Hard work and persistence are key. Determination goes a long way, as does a can-do attitude. It’s a hard industry to crack but if I always think that if I can do it, anybody can. Hobs are few and far between so a proven ability to be able to write is a must, and building relationships with Mrs and journalists through interning is helpful too. I’m not going to say its easy because it isn’t, but it’s entirely worth it. I’m so lucky to do the job that I do - it’s not always as fun as I make it look on social media but the good definitely outweighs the bad!

It’s clear that the key piece of advice, in order to get into any job, is to follow your heart and work hard. If you are unsure what you want to do then focus on your passions as it will eventually come to you - but you have to work hard and stick to the idea you have in your head if that is the path you wish to pursue!

Instagram: @lucyparts

Reflective

Artistary

Kim stone, a mainly landscape photographer, with her compositions she creates astonishing images and paints with the light creating beaming artworks with her camera. With a great following on Social media, she shares her vision with imagery to inspire and share her expressive outlooks.

Looking at her work, she depicts the colour in her photography vibrantly, delivering the reflection of the world in the way she sees it. This practitioner is great example of how to look at the world a different way, in how you can be creative and you can try resemble some of her work and learn Stones techniques to push yourself even further with your photography.

Through an interview with Kim, I wanted to gain more insight on her passion to photography to see If I could delve in a little deeper into the heart and inspiration of her work, for you to gain a greater understanding of the photographer Kim Stone.

Words and design: Izzy Short Images: Kim Stone

Why have you chosen to follow your passion of photography?

‘Photography gives me so much fulfilment and enjoyment. It allows me to get out and about in nature, visiting events and socialising with like minded people. I enjoy the challenge of capturing moments, trying new skills and experimenting with equipment.

When I first became interested in photography, my mental health was not great - photography became my happy place. Through posting my shots on Instagram (and people appreciating my work), it help me grow (mentally and also my photography skills).

How do you express yourself through your artistic creations?

Photographer Kim Stone

“Photography became my happy place” ‘When out with my camera I like to try and capture the scene with my own interpretation. I often shoot from a low perspective and when I edit my photos I like to bring out the colours and details in shots.’

Where do you draw inspiration from?

‘Instagram is definitely my biggest source of inspiration. There are so many photographers who inspire me. I love to see people being creative and getting new perspective on locations.’

What’s your biggest achievement within Photography for you?

‘In 2018 one of my photos was used as a huge mural on the wall of the A&E department at my local hospital.

Its humbling and an honour to know that my picture

is helping to brighten people’s wait at the hospital.’

What advice would you give to aspiring Photographers?

‘Practice, snap away and don’t be afraid to make mistakes. With digital cameras you can take as many photos as you want and you can always delete what doesn’t work.’

She added at the end of the interview, expressing: ‘I don’t actually do photography as a career, it’s just a hobby (with the very occasional paid work). I try to keep it as a hobby as much as possible because I want to keep the passion and spark alive. I think it’s easy to dull the spark if you end up following a passion as your work. I never want photography to become a chore.’

We love Kim Stones outlook on her photography. She gained a safe haven to explore her photography and find a love for something that could be all hers, it proves how real creativity can be an outlet for your emotions. Through her reflections, you can see her passion and how much she has learned through her journey as a practitioner.

Follow our social media to keep up to date with everything Carbon, from behind the scenes on photoshoots to forecasting the latest fashion trends.

Find us at: @Carbononcampus @carbononcampus /carbononcampus www.carbonmagazine.co.uk

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SUmmer ‘19

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