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VOCA ULARY VOCABULARY LIST
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AB Y
Lay-in: defines the gesture in its simplest form Gesture: movement of the body or limbs that expresses or exphasizes an idea or attitude Gesture drawing: act of making a sketch with relatively loose arm movements Contour: the outline and other visible edges of a mass, figure, or object Central landmark: landmarks on the center of the form to help with the accuracy of your drawing Rotation: circular movement of an object around a center Line variation: lines that vary from thin to wide, from light to dark, etc Value: refers to the lightness or darkness of a color Foreshortening: a way of representing a subject or an object so that it conveys the illusion of depth, so that it seems to thrust forward or to go back into space. Negative space: sempty space in an artwork Core shadow: where the form transitions from light values to the dark value Reflected light: a light ray that bounces off a reflective surface at the
Cast shadow - The dark area that occurs on a surface as a result of something between the light source and the surface. Highlight - Small areas on a painting or drawing on which reflected light is the brightest. Composition - The act or art of composing, or forming a whole or integral, by placing together and uniting different things, parts, or ingredients. Two-dimensional axis - The horizontal axis of a two-dimensional Cartesian coordinate system. Three dimensional axis - one of three primary axes used to define and control motion in a three-dimensional space, and is usually defined by an imaginary line that runs through the center of a craft or vehicle from the front to the rear.
Mid point- a point at near the middle of both ends. Gradation- any process or change taking place through series of stages. Crisp edge- having small curls, waves, ripples. Narrative- a story, the art, technique, process Thumbnail Sketches - small drawing, small size version of drawings. Storyboard - graphic organizers in the form of illustrations or images displayed in sequence. Mood - emotion of state that is described in the drawing. Point of View - Artist’s thinking process, reflecting passion contemporary thoughts. Sequence - the story, graphic storytelling and convey information like comic.
3 panel storyboard Line variation refer lines that vary from thin to wide, from light to dark, etc
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WEEK 1
storyboard of the week
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Theme: A Day in the Life of... Title: A Day in the Life of an Assassin Media: Ink pen and Copic markers on post-its
line
-----------------------Line variation refer lines that vary from thin to wide, from light to dark, etc
This drawing on the right captures the essence of thick lines in a stroke that also creates an illusion of thin lines
lay-in methods
-----------------------Creating lay-ins before starting to draw the entire gesture is essential, especially in capturing a specific gesture. Lay-ins are created using chamois smeared with charcoal dust and applied on the paper using finger
Front Side
WEEK 2
storyboard of the week
------------------------Theme: How to make the world’s best...
Title: How to make the world’s best fried rice Media: Ink pen and Copic mar kers on post-its
Highlight
Core shadow
Shadow
Reflected Light
Core shadow
sphere diagram
APPLYING DARK/LIGHT IN TORSO
CHARCOAL SMUDGE TECHNIQUE
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To create a slight 3D effect, charcoal can be applied beforehand on the whole page to create a gray background. The smudge can be manipulated to create certain shadow or highlight in addition to that.
WEEK 1 WEEK 3
storyboard of the week
------------------------Theme: Comic strip Title: The Ballad of the Jawbreaker Media: Ink pen and Copic markers on post-its
head study
----------------------Original drawing 2b pencil on a4 paper
3
TOP OF THE SKULL
HAIRLINE (OBSERVE)
BROW (OBSERVE) MIDPOINT EYE
NOSE
MOUTH (BOTTOM) CHIN
4-WAY ROTATION
FACIAL EXPRESSIONS
body study
------------------------To create a slight 3D effect, charcoal can be applied beforehand on the whole page to create a gray background. The smudge can be manipulated to create certain shadow or highlight in addition to that.
8 1/3
8
Rib cage
Sternum
8 1/3
7
Bottom of pec
6 Waist and elbow
5
body structure
Wrist
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3 Knee
2 1
FEMALE BODY
------------------------To create a slight 3D effect, charcoal can be applied beforehand on the whole page to create a gray background. The smudge can be manipulated to create certain shadow or highlight in addition to that.
WEEK 4
storyboard of the week
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Theme: Starbucks commercial Title: Awaken your every nerves Media: Ink pen, brush pen, and Copic markers on post-its
clothed figure - - - - - - - - - - -
Class work Charcoal on Sketch paper
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body under cloth
-----------------------In drawing costumed figure, the costume or the clothing worn by the figure must exactly reflect the body gestures. We must feel the body under the fabric.
3 value studies
-----------------------This particular assignment allows us to explore body gesture in 3 values. We only use 3 colors to capture the overall gesture: gray for skin, black for the black vest and hair, and white for the empty space or the white attributes
WEEK 5
storyboard of the week
------------------------Theme: vampire Trailer Title: The Secret Room
Media: Ink pen, brush pen, and Copic markers on post-its
INK USAGE
------------------------This week, we got to explore a different media, which is ink. We used gray and black inks in particular to apply shadows and incorporate lighting to the drawing.
ways to create mood
------------------------To create a slight 3D effect, charcoal can be applied beforehand on the whole page to create a gray background. The smudge can be manipulated to create certain shadow or highlight in addition to that.
WEEK 6
napkin drawing ------------------------This in class project is fun but brief. Yet we got a chance to try a completely different and not to mention fragile medium (napkin from the cafeteria), to capture the gesture
PAPER CUT
-----------------------We got to experiment with paper cut for this week, using the same concept as the 3 value studies assignment. We only had to use black construction paper for the medium. The paper is to be cut according to the model’s
GESTURAL LAY-INS
mikki’s perspective class
STUDY OF SHOE PERSPECTIVEE
Applying shoe perspective in an environment, incorporating room in perspective as well as human figures
ellipsis studies
Application of ellipsis in cylinders, glasswares, CD Cases, and chemistry bottles
3-tiered cake
------------------------Still in the same week of ellipsis studies, we are challenged to apply ellipsis studies into making 3-tiered cake. This cake is also to be made into the object of a 3 panel narrative storyboard.
2-point perspective
1-point perspective
orthographic projections