ACADEMIC PORTFOLIO (2021)

2022 Portfolio & CV

carmen l. ramos chamorro 1

14/09/1998 Málaga, Spain (+34) 677186032 ramosch00@gmail.com issuu.com/carmenrch

CV 01

Carmen L. Ramos Chamorro

education 2021-2022

MArch in Architecture Mark 8,7. With Honors in Building & Faclities E.T.S of Architecture, Polytechnic University of Madrid.

2016-2021

Degree in Architecture. Mark 7,611 E.T.S of Architecture, Polytechnic University of Madrid.

2018

Universidade de Sao Paulo, Brazil

professional and volunteering experience 2020-2021

Casa Anunziatta Single Family Home w/ Fran Toré

El Cañuelo

Málaga

2020

Tejedor y Otero Arquitectos Architecture Intern

2020

Studio José Manuel Jiménez Medical clinic Rehabilitation project

Motril

2019

Martin-Arquitectos Architecture Intern

Fuengirola

summer

january-march 2018

2015-

A Coruña Granada Málaga

Paloma Cañizares Office (PCO) Architecture Intern

Madrid

OpenHouse Madrid Volunteer at the Paper Pavillion de Shigeru Ba

Madrid

Volunteer in Food Collection with National Food Bank in Madrid, in Attention to Hospitalized Children with Red Cross Association, in Fundacion Harena and at Madre Coraje.

awards & publications 2021 2021 2020 2019 2018 2018

languages 2017 2018 2019

software skills advanced

medium

With Honors Enrollment in the subject of Intensificación en Composición and Facilities Project. Outstanding (9) in Structural Project, Construction Project and Architectural Design 8.

Publication in Suprepticio nº 2 Independent Magazine: Escritos sobre el curado del hormigón With Honors Enrollment in the subject of Facilities Project and Publication in (https://www.ingebook. com/ib/NPcd/IB_BooksVis?cod_primaria=1000187&codigo_libro=10553) UNDO! Desurbanizar (Underurbaning) Publication of the project ‘Aracadia’ Proposal for Honors Enrollment in the subject of Architectural Design 3 Ud Coll-Barreu Proposal for the Bienal de Venecia 2018 de Arquitectura Grábalos 35

Spanish English Portuguese French

Native C1 Cambridge Advanced Certificate C1 CELPE-BRAS Nível Avançado B2 DELF

Rhinoceros AutoCAD 2020 Adobe Photoshop CC 2020 Adobe Indesign CC 2020 Adobe Illustrator CC 2020 Vray SAP2000 CYPECAD Rhino’s Grasshopper PlugIn (Certificado OFFMIAU)

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INDEX 02

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architecture 6-19

The minor stage 6-9

Residence for the ‘1st’ Age 10-11

De-Constructing Gran Logia 12-13 Heterotopic Garden 14-15

urbanism

#NoStopHomeoffice 16-17

20-21

built 22-27

Medical Clinic 22-23

Conjuntos Empáticos 24-25 Grábalos35 26-27

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THE MINOR STAGE https://entregacarmenrch.hotglue.me

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ESCENA I La Villa de

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Fuenterrabía3. Estructura principal de vigas y viguetas de madera. Luz máxima 4,15 m. 4. Panel plástic 1. Estructura superior con cerchas de madera 2. Tela plástica con motivos.

Paneles textiles móviles con luminarias interiores (Petra Blaise). 6. Luminaria led enganchada alrededor del pilar Ø variable según plano. 7. Pilar de tubo estructura Ø variable según plano. 8. Pavimento de madera contrachapada 9. Estructura inferior. Cerchas barras acero Ø 16mm 10. Estructura vertical. barras acero Ø 12mm 1 8 Palacio .5 Eguiluz 1 estructura colgada para macetas. 25 Previsión 89

Plaza de Armas 2

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The project starts from the enclave of the Island of the Pheasants, with the purpose of the course of developing a fiction there. However, the island starts to be conceived as an intangible place, whose non-architecture is directly related to the architectures of power that populate the area.

To do this, two modules are developed - understanding the territory and fiction as a scenario of possibilities - that respond to all possible scales of the spaces identified as power. The curtain module -open, decorative- is the visible face of architecture; the forum module -structural, closed- is proposed as the heart of it.

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These modules at the different scales -S, M, L- act in voids, preexistence and interstices and together they propose that new vision of the place from history, fiction and subverting power.

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For this reason, the project deals with the subversion of these spaces of power through contingent, light and flexible structures that offer a new reading of the territory in value.

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ESCENA II El embarcadero

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1. Estructura superior con vigas metálicas IPE 300. Luz maxima 6,45 m. 2. Placas de policarbonato e.55 mm 3,00 x 2,05 m. 3. Estructura de entrada. Arco de acero gal Cerramiento de malla metálica. 5. Pavimento de madera contrachapada. 6. Estructura inferior. Cerchas barras acero Ø 16mm. 7. Muro de fábrica de ladrillo perfora Pilar de acero galvanizado 15 x 15 cm. 9. Carpinterías de acero galvanizado e. 15 cm

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ESCENA III La Isla

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Isla de los fasianes 12

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Fall 2020 Architectural Design 8 Juan Carlos Sancho Studio Mark 9 12 11 10 9 8 7 .90 14

co con motivos. 5. al de acero galvanizado 11. Bosque vertical.

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1. Estructura superior con vigas metálicas IPE 300. Luz maxima 6,45 m. 2. Placas de policarbonato e.55 mm 3,00 x 2,05 m. 3. Estructura de entrada. Arco de acero galvanizado 15x15 cm. 4.

Cerramiento de malla metálica. 5. Pavimento de madera contrachapada. 6. Estructura inferior. Cerchas barras acero Ø 16mm. 7. Muro de fábrica de ladrillo perforado con juntas de 1 cm. 8.

Pilar de acero galvanizado 15 x 15 cm. 9. Carpinterías de acero galvanizado e. 15 cm

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Minor architectures, mobilized from the underworld of power structures, will emerge within other architectures -alives or obsoletes-.

They will sometimes become unattainable and elusive before prying eyes. They will celebrate their fragility and contingency without complexes. They will emerge from resistance and the collective desire to transform the reality that surrounds them.

E_2: pier

About Jill Stoner, Toward a minor architecture (2012) E_2: pier

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E_1: theatre

E_1: theatre

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A residence for the First Age Architectural Design 7

E_3: island

A RESIDENCE FOR THE FIRST AGE Rehabilitation of the Music Palace in Gran Via

Fall 2019 Architectural Design 7 Carmen Espegel Studio Juan Tur Professor

This project is a reflexion on how we have displaced old people to the suburbs, selling them ‘green peacefull space’ that can also be adquired in the main street of Madrid, where this building is located. Proposing a very collective building, a room with the minimun necessary for this people in order to prioritize the public above the private is also proposed.

The building has everything old people would need: green space in a greenhouse covered by a new light polycarboant cover; orchard, gym, ateliers,nursing and a big place in the ground floor that acts a sa transversal circulation to Gran Vía.

interior view

model

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residential & underground floors

A residence for the First Age Architectural Design 7

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DECONSTRUCTING THE GRAN LOGIA The Gran Logia becames a paradigm where to change the hetero-normative-patriarchal system, by which women have been forgotten from the beggining in architecture and life in general.

This project is a response to my previous investigation about the female space, mostly non-existent or reduced to the very minimal expression of privacy. Women have always proposed colectivity and opening against the space we were given and so I do in my aim to radically change this odd, old and not anymore representative place.

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Spring 2019 Architectural Design 6 Álvaro Soto Studio: Professors Victoria Acebo and Paula Montoya

Deconstructing the Gran Logia Architectural Design 6

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HETEROTOPIC GARDEN The Garden of El Encín, placed in Alcalá de Henares, is an unknown place for most of the population that surrenders its specific geometry.

Besides the fact of the placement and the geometry that characterizes the garden, it is impossible to know anything about this place.After a process of investigation and a series of interviews, we came to realize we couldn´t define with only one concept what this project meant.

For each person we asked what the garden was we obtained a different answer, and ended up

realizing there is no such a thing as an heterotopic garden. Thanks to this, and to Focault´s definition of heterotopia we came to realize the garden was the juxtaposition of realities that are not conceived together, at the same time, at the same place.

The proposal is a series of ‘folies’ (Based on Bernard Tschumi’s Villete Park) which represent the concepts extracted from pupil’s percepcion of the garden. The project is a palipsestum of the memory of the garden.

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Spring 2018 Architectural Design 4 Coll-Barreu Studio; Concha Lapayese and Paco Arqués.

Awarded With Honors

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Architectural Design 4

Heterotopic Garden Architectural Design 4

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#NonStopHomeOffice

BNGRT Florian Bengert

#NoStopHomeoffice tries to help to give the dramatic situation a tiny spark of hope – architecture is a powerful tool that can connect people and their (although currently very limited) spaces with one another in such times, even without physically building anything

#NoStopHomeoffice Flo Bengert

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OPHTALMOLOGIC CLINIC

Location: Motril, Granada (Spain) Client: Dr Ramos

The clinic, located in Motril (a village in the south of Granda, Spain) has not been reformedfor 25 years (since itwas stablished). The rehabilitation, which consists on transforming an apartment into a real working and clinical space.

ºThe new space is conceived as an ‘opener’, wider, brighter one, demolishing partitions and adding new materials (wood, concrete, tiles and glass) to the paraments. The yard behind the house (which has never been used) has also been reformed and converted into an area of rest and relaxation, with lots of vegetations, for doctor’s breaks.

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Built Eye Clinic in Granda, Spain

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BALOA / Pop Up Activities

August 2018 Paulista Avenue, Sao Paulo, Brasil With Conjuntos Empáticos + Inflou Inflou

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The plastic membrane of the structure will serve as a support to host collective interventions through drawings, compositions and writings to encourage freedom of expression and imagination. In this way, inflatable structures behave like organisms capable of arousing the curiosity of the passerby for their lightness, materiality and surprise effect, as well as sensory experiences, propitiated by the environment and public space.

https://www.conjuntosempaticos.com

Built Baloa/Pop Up Activities

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GRÁBALOS 35

Debates and actions with color in Jean-Luc Godard’s Film ‘Le Mépris’ (Contempt, 1963) Grabalos35 pretended to develope a space between architecture and film, carrying out actions as the one in this pages, in which we tried to focus on the relationship between colour, perception and emotions. The group was encharged of developing actions in the space proposed on the Spanish Pavillion in La Biennale di Venecia in 2018 with Atxu Amann.

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Fall 2017 ACTION FROM THE COLLECTIVE GRÁBALOS35 (Cinema and photography group fron the ETSAM) With DAI I (Design, analysis and ideas) students from 1st year and professor Atxu Amman

The action included three parts: a first theoretical class on color, the visualization of the film by Jean Luc Godard Le Mépris and the union of both in a performance in which our bodies were the canvas on where the students of DAI I with Atxu Amann as a teacher had to paint based on the theories of color exposed by us in the classroom and those reflected in the film.

Built Grábalos 35

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contact

(+34) 677186032 ramosch00@gmail.com instagram.com/carmenramosch https://issuu.com/carmenrch https://twitter.com/carmenrchh