Work Samples

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Caroline Lukins.

Columbia University 2013. Architecture Work Samples.


WORK EXPERIENCE

Caroline A Lukins

Summer 2012

Email: Cal2177@columbia.edu Mobile: (925) 858-0684 Address: 1217 Rose Lane, Lafayette, CA

2013

EDUCATION 2009-2013

Summer2011

Columbia University New York, NY BA, 3.78 GPA, Architecture focus in Sustainable Development

_Deans List 2010, 2011, 2012

_Architecture Studios: Abstractions, Perceptions, Design I, II, and III

_Elective Courses: Landscape Architecture, 12 Poetic and Dialogical Strategies

of Architecture, GIS Spatial Analysis, GIS for Sustainable Development, Physics,

Calculus, Architecture Theory of Parts, Rhythms and Wholes, Greek Architecture,

Medieval Architecture, Andean Architecture

Berkeley University, Berkeley, California 3.85 GPA

_2D Representation: AutoCAD, Adobe Suite

_3D Advanced Representation: Rhino, Grasshopper

Columbia University NCAA Division I Varsity Swim Team

_Elected Captain 2012-2013

_Effectively managed communications between 30 team members

_Liaison between team and coaching staff

_Effectively resolved intra-team conflicts

2009-2012

_Produced models and drawings using AutoCAD, Adobe Suite, Rhino,

and rendering software

_Hand-made physical models

_Assisted with Material Sampling and Specs

_Assist with LEED code requirements (diagrams and drawings) Barnard+Columbia Architecture Department; New York, NY _Office Assistant

2009-2012

_Balanced 30+ hour practice, training, competition, and travel schedule,

in addition to academics Engineers Without Borders _Assisted with Design and Promotion

_Design Promotional Flier and Newsletters for Departmental Events

_Organizational and event set up/clean up tasks Periodicals and Microfiche Reading Room; New York, NY _Library Assistant

_Assist with and maintain microfiche/film

_Organize library assets and Shelf Reading Lafayette Moraga Youth Association; Lafayette, CA _Assistant Swim Coach _Lead team and coach Children ages 3-18 in swimming

SKILLS AutoCAD | Rhino + Grasshopper | VRay | Adobe Photoshop, Illustrator, InDesign Microsoft Office | Hand Drafting and Modeling | Laser Cutter | Web Design

SCHOLARSHIPS & AWARDS 20010-2013 2011, 2012 2012

_Excellent time management skills

2011

ACTIVITIES 2009-2013

Mark Cavagnero Associates Architects; San Francisco, CA _Architectural Intern

Deans List Class of 1909 Scholarship Tina Steck Award _Awarded to the swimmer who best embodies dedication, strong training habits, ability to make team success a priority, and a consistently positive attitude in the face of personal adversity

LANGUAGES English

Native Language

Spanish

Proficient in speaking, reading, and writing


RAINCLOUD//

Studio: Design III Fall 2012; Rio de Janeiro, Brazil Critic: Karen Fairbanks Partner: Shivina Harjani

Raincloud is a temporary pavilion installation that aims to educate the occupants about water as a natural, sustainable resource in Rio de Janeiro, Brazil. The intervention brings to the community an interactive public space that hopes to inspire a new consciousness around Rio’s historically tenuous relationship with water. The space both engages users in leisurely activity and uses water to unveil a series of ironies in Carioca’s water access. Water levels at the site directly respond to the population of users, bringing about a sensitivity to control over one’s own access to and influence over the community’s water.

Canopy-Occupant Relationship: A pump and pulley mechanism connects the pavilions topography to the canopy. When pressure is applied to the pavilion’s topography, the pulleys are activated and begin to pull the canopy shut, therefore expelling less water. The more people that occupy the pavilion, the less water is released.

less occupants

More occupants Folding Diagram:

Perforated surface Solid surface 6

On the folding surface, specific panels are perforated, allowing the canopy to expel water when open and to hold water when closed.


Folding Mechanism Diagram

topography 1

1

program e 2

2

3

wa er

3

1

i r ula ion 2

c nopy 3

1

2

Less Occupants 8

3

More Occupants Unrolled Elevation


Water catalog

city ladeira dos tabajaras

lagoa

RAINCLOUD 2//

Studio: Design III Fall 2012; Rio de Janeiro, Brazil Critic: Karen Fairbanks Partner: Shivina Harjani

beach copacabana

public water access people

favela vigidal

Not only does Rio de Janeiro suffer from issues revolving around potable water, but also from frequent flashfloods and heavy rainfall. Raincloud2 adopts an abandoned site West of Praca Tiradentes to develop as a Flood Research Center/ Emergency Evacuation Shelter. The building uses the same folding technology developed in Raincloud1 to create a reactive facade and roof area that open and close in response to the rainfall forecast, allowing for a public reading of future weather. While most of the time, the building acts as a research and educational center, in the event of a flood emergency the facade/roof expand fully (shown right) and floor plates extend to take over the entire building. This increase in space allows the Research Building’s programs to transform and accommodate the immediate neighborhood’s evacuees.

emergency warning

building expansion sliding floor plates pop up roof program remapping

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evacuees in

provisions

warning

sleep space storage food+distribution medical triage lounge space recreation

withdrawn

evacuees out

10% evacuees remain

site

building contraction

partial building contraction

Praca T

iradent

es

e privat

Research

Emergency


storage

classroom classroom classroom

+ + 1000 + 1200 + 500 + 4500 +

700700 700 + +medical + medical triage medical triage triage 700700 700 + sleep + +sleep individual research individual individual research research units sleep units units 650650650 + medical + + medical conference space conference conference spacespace supplies medical supplies supplies 420420420 + +arrival + arrival public space publicpublic space space &arrival Check-in & Check-in & Check-in 4170 4170 4170 + +water + water exhibition space exhibition exhibition spacespace collection water collection collection 4170 4170 4170

distribution

1200

collaborative research collaborative collaborative research research

Transformed Program

total sq. ft. totaltotal square total square footage square footage footage

10810 10810 10810 10810

storage

4700 4700

staffstaff quarters staff quarters quarters

seating

recreation

+ + 1000 + 1200 + 500 + 4500 +

distribution

1200 seating

recreation

communication exchange communication exchange

additional sleep units additional sleep units

lounge

Expanded Program

lounge

500 500 total square footage total square footage total sq. ft. 13600 13600 13600

expanded programme expanded programme

third floor Floor Plate Expansion

22640 square feet 36240 square feet

research vvv

third floor

The floor plates expand to fill space above the sidewalk and to the interior voids, maximizing floor space 160% sq. footage within the building. This increase in area allows for the accommodation of the influx of residences in the building and for the additional programs that are necessary for an evaculation center.

medical triage+ storagemedical triage+ storage

lounge

distribution distribution

lounge

roof

fourth floor

roof

fourth floor

sleep units

recreation

sleep units

sleep units

recreation

sleep units

sixth floor

second floor kitchen

admin+ sixth floor communication

cafe

second floor

30�

kitchen

storage

storage

admin+ communication

cafe

30�

storage

storage

fifth floor

first floor arrival+check-in

residence+ kitchen+ bathroom seating

first floor

recreation

fifth floor

arrival+check-in

residence+ kitchen+ bathroom seating

12

recreation


Interior Scale: Oversized Circulation Oversized circulation is central to the design of Raincloud2; the floor plates’ shapes react to an extrawide staircase that runs through the core of the building. The oversized stairs allow for both accessibility and for adaptable programmatic space (i.e. seating and landing usage) during times of emergency.

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LOSING TOUCH//

Studio: Perceptions Spring, 2010 Critic: Madeline Shwartzman

Our five senses rule our lives, perceptions and experiences. We are so constantly bombarded with feelings, tastes, sights,and smells that we are forced to selectively ignore the stream of sensations that surround us. Losing Touch is driven by the question of how we can tune back into these senses-- How can we sense ourselves sensing?

E ye Open

Losing Touch answers this question by insisting that, through applying the dominating properties of one sense to another, we will understand our senses in a different way and, therefore, become more aware of them. This contraption connects the sense of sight and the sense of feeling by transferring the eye’s blink to the skin, producing a momentary numbness.

BLINk

rs F e ele

“Feelers”

Sensation

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Connections The model physically connects the action of “blinking” to the sense of feeling on one’s face. When the eye shuts, the feelers are activated and come into contact with one’s cheek. The over stimulation simulates the feeling of a tingling numbness.


Below: Plan Diagram of Blur Programmatic Detail showing the clarity and blurring of the structure at different perspectives around the site.

1 SPECK

BLUR//

Studio: Design II Spring 2011 Critic: Kadambari Baxi

Whole

2 WHOLE

The Blur Project is a programmatic detail which strives to transform a determined, static program into one that is both integrated and dynamic-- A space that materially engages the body in space

4

and time.

Whole

Fragmented

3 FRAGMENT

The Blur project began with the analysis of film techniques and the how film is able to use the camera focus to amplify specific images in order to convey and fabricate the appropriate message. The Blur Project translates this idea into three dimensions. As one navigates through the surrounding area, the proximity and angle at which they view the structure provokes different perceptions of the structural integrity of Blur as it dances between fragments, webs, specks, and

Whole

Fragmented

Whole

a whole. 18

WHOLENESS BLUR VISIBILITY

4 WEB


By Day: Facades reflect culturally significant monuments throughout China Town

Front Elevation: Program Planning

Mahayana Buddhist Temple Columbus Park Mahayana Buddhist Temple

Visibilty (From Outside) Hidden

Visible

Columbus Park

Manhattan Bridge

UNIONDOCS//

Studio: Design II Spring 2011 Critic: Kadambari Baxi

By Night: The facades transform into screening surfaces

The UnDo Building is a center for UnionDocs documentary film and education located in the Lower East Side, Manhattan. The building strives to create a space that both reflects the city and is reflected by the city. THEATRES

sc re en 1 n2 scree

screen4

The arrangement of the 3 building cores encloses a safe community forum space that promotes education about documentary and film.

EDUCATION

n3

e scre

GALLERY

20


Day Reflections During the day, the building’s reflective facades embody the surrounding city area as the surfaces are precisely angled to frame sites that celebrate the culture, the religion, and the entertainment that Manhattan’s China Town is famous for.

22

Night Screenings At night, the building’s surfaces are transformed into screens for Union Docs to display experimental, educational and cultural documentary films. The sunken courtyard becomes an outdoor film viewing area, providing a safe, well-lit and populated space for locals to enjoy at night.


Unrolled Elevation of 3 building cores

C

B

Theatre

Education

A

Ground Level

Gallery

B

Level 1

A

C

Level 2

Level 3 Ed

uca

tion

llery Ga

24

atre T he


Thank you for your consideration!


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