Carpaccio Magazine Issue #26

# 26

[I llu s t r at i o n | p h o t o g r a p h y | ar t s]

Carpaccio mag

Brandon Locher

ISSUE #24 ISSUE #25 ISSUE #26 Carpaccio Guide to emerging illustrators, photographers & artists VOL. 5 atembooks.com/products-page/carpaccio-magazine/carpaccio-guide-vol-5

90 collaborators fromaroundtheworld 112 pages 90gr matte paper

: s r ito

edMaria Cerezo nuevaprimavera.com Emma Llensa florssalvatges.net

Photo: Emma Llensa

Front cover: Illustration: Kate Kosek

Back cover: Illustration: Kate Kosek

Collaborators:

(thanks to): Alba Cros, Bhumika Bhatia, Brandon Locher, Canan Çengel, Cecilia Closa, Charles Harker, Daniele Barillari, Diego Mir, Emiliano Laszlo, Enrico Pitzianti, Faustine Ferhmin, Gabriella Barouch, Helena Pérez Garcia, Jaime Monfort, Janira Muñoz, Jason Ruddy - Monster Riot, Jena Ardel, Jenni Sparks, Josefin Vilén, Joseph Powers Bowman, Kate Kosek, Lin Mei, Louis Fry, Marianne Vincent, Matthias Heiderich, Morgan Yingling, Natalia Cañas, Roxana Azar, Stefania Figucci, Stephanie Kubo & Thomas Mazzarella.

ISSN: 2013-4517

All artwork shown on Carpaccio Magazine is copyrighted and protected material and may not be reproduced, adapted or altered w/o the consent of the original artist(s).

Kate Kosek

To me, art making is an insight into one’s mind.

When your thought process compels you enough to create a piece of art, a powerful force is being generated. On a daily basis I am surrounded by imagery that inspires the development of my compositions. I create work that rings true to the imagery that is conceived in my mind.

Color theory is a strong visual theme that is apparent in my work. My chromatic selection is influenced by the theory of color compression. The layering and juxtaposition of complementary colors generates an illusion that brings me sincere

enjoyment. Depth and movement become a possibility on a still, two-dimensional surface. Color vibration brings a strange comfort and ease to my eyes, whereas most people become instantaneously irritated.

Along with color relationships, my work is highly influenced by pattern and geometry.

I have always been the type of person that bears importance on numbers and equal distribution.

Developing and executing patterns is a repeti-

tive process that propels me into a state of meditation. I am at ease when I am repeating line after line.

My passion for geometric shapes is apparent in the patterns and the division of my compositions.

Each decision is made as if I am solving a puzzle. The end result of each piece is a testimony to my attempt of merging differing formal elements into one cohesive picture.

Kate Kosek katekosek.com katekosek.blogspot.com

Joseph Powers Bowman Los Angeles, CA flickr.com/jpowersbowman Joseph Bowman (17521779) was an officer in the American Revolutionary War who served in the Illinois campaign. Maj. Bowman participated in the 1778 capture of Fort de Chartres, and remained there for some time as the commander of the newly renamed Fort Bowman.

While attending a victory celebration, Maj. Bowman was injured by an accidental gunpowder explosion and later succumbed to his injuries, becoming the only American officer to die in the Illinois campaign.

He now lives and works in Los Angeles.

Josefin Vilen 25, Stockholm flickr.com/josefinvilen

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Thomas Mazzarella

28 Brussels, Belgium. mazzarellathomas.com

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Louis Fry

20, London, England flickr.com/louisfry

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26, Israel gabriellabarouch.carbonmade.com

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Gabriella Barouch

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Jaime Monfort

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42, Valencia jaimemonfort.com flickr.com/jaime_monfort Carpacciomagazine 43

Natalia Ca単as 26 Buenos Aires, Argentina nataliacanias.blogspot.com flickr.com/patitoroxo behance.net/nate_c

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Alba Cros Alba Cros Pellisé 20 anys Visc a Barcelona i vaig nèixer a Palafrugell flickr.com/grillet

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Daniele Barillari

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32, Milan, Italy danielebarillari.net Carpacciomagazine 51

Enrico Pitzianti

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23, Sassari, Italy cargocollective.com/enricopitzianti Carpacciomagazine 53

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Brandon Locher 25, Johnstown, Pennsylvania myideaoffun.org/brandonlocher

Variations in Symmetry, Pen on Paper, 32” x 32”, 2010 (detail)

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Stefania Figuccia

26, Palermo, Italy behance.net/erounavolta

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Charles Harker

Mexico City D.F., Mexico charlesharker.com 60 Carpacciomagazine

View from Satan’s Guest House / Vista desde La Casa de Huéspedes de Satan Carpacciomagazine 61

Narcos 62 Carpacciomagazine

Ir de Compras en Mexico Carpacciomagazine 63

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Phone call from Satan after Tequila Shots / Una Llamada Telefonica de Satan despues de Tragos de Tequila

Psychic X-Ray of a Mexican Wedding Cake / Rayo-X Psiquico de un Pastel Mexicano de Boda

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Jesus Junior en Tepotzlan Carpacciomagazine 67

Matthias Heiderich Born 1982 in Bad Hersfeld / Germany Studied Computational Linguistics at University Trier and Trinity College Dublin University Degree in 2008 Moved to Berlin in 2008 Started taking pictures in 2008 First photography series “Color Berlin� in 2009 First exhibition in 2010 in Berlin

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Now: Working as a freelance photographer in Berlin

Gallery Representation: Spot Galerie Berlin Working also with: Victor Lope Barcelona, Fifi-Projects, platform.-Cologne

Other activities: running a Netlabel for electronic music “WeirdAndWired�

DJing / Music production

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Diego Mir

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31, Valencia, Spain diegomir.es Carpacciomagazine 81

Emiliano Laszlo 32, Florence, italy drang-und-sturm.blogspot.com

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tales from the old river

these are the places where i grew up as a baby and then as a kid. places where my parents brought me to meet my family, to eat something different and incredibly tastefull. this land is flat and, perhaps, dull. no mountains, no valleys. just plains and trees, a big thirsty river and a lot of farms. this land is my land. and nothing has changed since 20 years ago. it was a journey through the time that never step forward. everything was like still. i've recognize the same flavours, the same colors, the same smell of tons of smuck. and i missed it. i spent three days in the silence of my land. and every lost single moment went back to my mind so clearly that i had to keep my tears. that was my childhood. and i remember it.

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Morgan Yingling 23, Nashville, TN

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Cecilia Closa

21, Buenos Aires, Argentina ihardlyknowher.com/led_chechulin 90 Carpacciomagazine

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Canan Çengel

21, Istanbul, Turkey cargocollective.com/canancengel flickr.com/canancengel Carpacciomagazine 93

Lin Mei 26, Sydney, Australia linmeistudio.com

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Bhumika Bhatia 96 Carpacciomagazine

20, India

twitter.com/bhumika_b flickr.com/bhumikabhatia Carpacciomagazine 97

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Helena Perez Garcia 23 Residencia: Valencia Nacimiento: Sevilla helenaperezgarcia.com helenaperezgarcia.blogspot.com

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Stephanie Kubo 23 Oakland, California stephaniekubo.com

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Monster Riot

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Jason Ruddy “Monster Riot” London, UK monsterriot.com

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Roxana Azar

21, Philadelphia, PA cargocollective.com/roxanaphoto flickr.com/photos/tealtusks 108 Carpacciomagazine

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Jenni Sparks

22, England jennisparks.com 114 Carpacciomagazine

Marianne Vincent

25, Montreal mariannevincent.com Carpacciomagazine 115

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domestika.org/portfolios/janira_munoz

Janira Muñoz 24, Molins de Rei

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Jena Ardell 26, Los Angeles, CA jenaardell.com

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“

Faustine Ferhmin 1980, Paris faustine-ferhmin.com

Pachacuti Formas que se hacen, que se deshacen, que se extinguen. Piedras que surgen de la tierra - esculturas espontáneas, trabajadas por el tiempo. Y arquitecturas que se dejan cubrir por la tierra, hasta confundirse con el paisaje - ruinas.

No esas ruinas elegantes que ofrecen un espejo a la melancolía del viajero, sino vestigios abruptos que ya están fuera de la historia y remiten hacia un tiempo más arcaico que las civilizaciones de las cuales son huellas.

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El término quechua Pachacuti habla de un tiempo más vasto que el de la historia humana: significa “revolución, trastorno” (cuti) del “espacio-tiempo” (pacha).

Esta noción central en el pensamiento cosmogónico inca designa los ciclos regulares de destrucción y recreación del mundo.

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Tomé estas fotografías durante dos viajes en Perú, en 2008 y 2009. Fui al norte del país a fotografiar paisajes minerales en la costa y en la cordillera. A través de las piedras, es lo antiguo, lo antiquísimo como tal, que 126 Carpacciomagazine

quise fotografiar - pero también es el espacio: esta inmensidad áspera que se encuentra sobre todo en los Andes, y que no abruma sino alivia, porque nos “regala” la tierra y el cielo.

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Forms that are made, unmade - forms that come to be, or disappear. Stone formations that emerge from the earth, as spontaneous sculptures worked by time. And architectural structures covered by earth and stone, blending with the landscape: ruins. Far from being elegant ruins, acting as a mirror to the traveler’s melancholy, they are abrupt remains placed outside history that rtecall a more archaic 130 Carpacciomagazine

time than the civilizations of which they are traces. The Quechuan term “Pachacuti” refers to a notion of time that goes beyond human history - it means “revolution, upheaval” (cuti) of the construct of “spacetime” (pacha). This central notion in Incan cosmogony refers to the regular cycles of destruction and recreation of the world.

in Peru, in 2008 and 2009. I went to the north of the country to photograph mineral landscapes on the coast and in the mountains. By portraying stone formations, I wanted to photograph the archaic, the very ancient as such - but also the space: this harsh immensity characteristic of the Andes, and that does not overwhelm, but rather relieves, givI took these picing us back both the tures during two trips earth and sky.

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weareh

hungry.

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