SY 4264 | Liza Lim - Tree of Codes (2015) by Ricordi

Tree of Codes ‘Cut-outs in time’, an opera

Liza Lim

Liza Lim Tree of Codes (2013-15) ‘Cut-outs in time’, an opera An opera about bloodlines and memory, time, erasure and illumination based on Jonathan Safran Foer’s Tree of Codes and Bruno Schulz’ Street of Crocodiles for soprano, high baritone, singer/clarinettist, fifteen other musicians (also vocalising), electronics + theatre performers Opera commissioned by Oper Köln, Ensemble musikFabrik and HELLERAU – Europäisches Zentrum der Künste, Dresden and in co-operation with the Akademie der Künste der Welt Cologne. Research and development for the electronics part was generously supported by ZKM – Centre for Media and Art, FHNW Musik Akademie Basel. Both this work and creative development to facilitate the completion of the opera were supported through a Senior Creative Fellowship from the Australia Council for the Arts. Premiere, 9 April 2016, Staatenhaus, Cologne (Also, 12,14,18,10 April) Also, 25 October 2016, TONLAGEN Festival, Hellerau, Dresden Composer & librettist: Liza Lim Libretto based upon Tree of Codes written by Jonathan Safran Foer © first published 2010 by Visual Editions; Bruno Schulz’ Street of Crocodiles, English translation by Celina Wieniewska; Johann Wolfgang von Goethe’s Erlkönig and the writings of Michel Foucault. Director Conductor

Massimo Furlan Clement Power

Cast

Singing parts Adela, soprano Son/Doctor, high baritone with strong falsetto Mutant Bird The Crowd Acting parts Father Octopus/ Touya, the ‘idiot-girl’ Adela double Son double

Ensemble musikFabrik Flute/Piccolo/Bass Flute Flute/Piccolo/Subcontrabass Flute Oboe/Cor anglais Clarinet/Bass clarinet Bassoon Horn (double bell) Trumpet (double bell) Trombone (double bell) Euphonium (double bell) Percussion Piano/Toy Piano/Shruti Box/Kalimba Violin Violin Viola/Strohviol Violoncello Double Bass

Yael Rion Diane Decker Anne Delahaye Stéphane Vecchione

Helen Bledsoe Liz Hirst Peter Veale Carl Rosman (also plays the singing part of the Mutant Bird) Lorelei Dowling Christine Chapman Marco Blaauw Bruce Collings Melvyn Poore Dirk Rothbrust Benjamin Kobler Juditha Haeberlin Hannah Weirich Axel Porath Dirk Wietheger Florentin Ginot

All musicians vocalise and some also use wacky whistles and play percussion Sound design

Paul Jeukendrup

Dramaturg Light designer, assistant director Masks and Make up Costumes Video director

Claire de Ribaupierre Antoine Friderici Julie Monot Séverine Besson Bastien Genoux

Theatre Performers

Numero 23 Prod. (see cast list as above)

Duration: 70-75 minutes approx.

Emily Hindrichs Christian Miedl Carl Rosman actors and musicians

iii

Contents

Background

Details of Instrumentation

Performance Notes

Recordings, Electronics, Audio-Visual

vii

Libretto

Act I

An enormous last day of life

Act II The Comet

Act III The Ventriloquist

119

Act IV The Tree of Codes

156

Background (L. Lim) Tree of Codes takes place during an extra day grafted on to the continuity of life. Within this margin of secret time, a ‘backstage’ area, the boundaries between the natural world, animals, birds, humans and machines are dissolving. Dead matter is combined with the living and becomes animated. It learns to dream, to speak, to sing… A bird mimics language and humans sing like birds. Father…does he know he’s dead?...conjurs birds made out of rubbish into mutant forms of being, recuperating strange life across a boundary of death. There is a kaleidescope of relationships joined by ventriloquism – one thing speaks for another – this world is made up of contingent parts where form is an excuse for slippage. Scene 3: ‘Ventriloquism’, begins with a comet, its sounds recorded by the Rosetta space mission, whilst far, far below, perhaps affected by some strange gravitational pull, a brass band blurts into life. The bubbling, percussive song of the comet is mirrored in a chorus of frogs and insects, Father’s generatio aequivoca which he had dreamed up’ - not real frogs and insects but ‘a kind of pseudofauna and pseudoflora, the result of a fantastic fermentation of matter.’ Musicians play the most primitive of violins in the form of blocks of wood that are bowed with sticks to sound out this pseudo animal kingdom yet, out of this, emerge rhythmic patterns that recite Goethe’s Erlkönig. Displacement and dissociation of time, space and identity create effects of menace and wonder. What is authentic? What is fake? The opera Tree of Codes asks: ‘how do the inheritances of our genes, our stories and the unconscious beliefs passed down through generations, shape who we are, our desires, our curses? Do the living and dead exist in a relationship of ventriloquism?’ As Bruno Schulz says: ‘What is a Spring dusk? A multitude of unfinished stories. Here are the great breeding grounds of history. The tree roots want to speak…memories awake…’

Synopsis (draft notes by Claire de Ribaupierre) The Tree of Codes project is based on the book by American author Jonathan Safran Foer, which was itself built upon Bruno Schultz’s collection of short stories, Street of Crocodiles. The Polish writer’s short stories provide the material for the images that we will create: it is the material from which we will draw the characters and their personality, and the scenes. As for Safran Foer’s book, its form is of particular interest, as it focuses on the void, the emptiness, and disappearance. The book’s narrative is built upon another book, ‘behind its back’ so to speak, as Safran Foer cuts up, selects and deletes sentences, while also uncovering hidden and subconscious meanings. Such is the material we decided to work with, with our own artistic license to make choices, remove, add or interpret the words. We refer to Schulz’s short stories, but also tell a story with our own images and music. Our project tells the story of a child in awe of his father – whom he sees as an almighty hero – as he sees his rise, the success he achieves, and his subsequent fall. In the end, he finds himself in his father’s shoes, like an heir to the story. Parallel to the story of the son and his father, further issues are dealt with, such as the fading boundaries between the mineral, vegetable and animal (and human) kingdoms, the confusion of past, present and future times, the permeability of reality and fiction. Ultimately, this is a story about ghosts and disappearance, desire and seduction, rising and falling, childhood and aging, and about fantasy and confusion. The story begins with the intimation of a time and place that are both original and apocalyptic: fertile soils and magma, in which human characters and animals speak an identical language and blend together. Time stands still, enabling the narrative to move forwards in several directions, opening many possible paths. The identity and opposition principles don’t apply anymore: objects are what they are and something more, a woman is both a desirable figure and a repulsive animal, the son blends in with the father, and the father with the bird. The last picture comes back to the first one and the loop comes full circle: the son takes his father’s place.

Details of Instrumentation The following instrumentation was developed in close collaboration with the musicians of Ensemble musikFabrik, in particular the use of the double-bell instruments. Flute 1, Piccolo, Bass Flute Flute 2, Piccolo, Subcontrabass Flute Oboe, Cor anglais Clarinet, Bass clarinet [in the first production, this performer also sings/acts the part of the ‘Mutant Bird’] Bassoon All the brass instruments are ‘double-bell’ instruments facilitating fast mute changes and in the case of the trumpet, the sounding of a toy instrument attached to one of the bell outlets: Horn [straight mute, wa wa/ bass trombone harmon mute] Trumpet [straight mute, wawa; toy trumpet bell attachment also needed] Trombone [straight, harmon mute] Euphonium [straight mute, cup mute]

Percussion: Deep sounding long guiro 3 Temple Blocks 3 Wood Blocks (including 1 made of plastic bowed with rasp stick) Ratchet Pair of Rattles: bundle of wooden pods; metal jingles or bells Pair of maracas Police whistle Pistol (toy cap gun – should be loud) Vuvuzela (Brazilian football horn) Rainstick (long) Cuíca Windwands (1 single, 1 double: http://www.larkinam.com/Roar.html) Small string drum Spring coil drum Vibraphone Extra metal tube to extend Vibraphone keyboard (F3/4sharp) Keyboards:

Out-of-tune upright piano Toy piano (amplified & also with ring modulation effect)

‘Drum kit’ comprising: High ride cymbal Hi-hat cymbals (foot controlled) 3 tom-toms (small, medium, large) Bass drum (with pedal) – also played with jingles

Shruti box (1 octave, in C)

Small Kalimba with resonator, tuned as follows: Violin 1 Violin 2 Viola, Strohviol Violoncello Double bass All musicians/actors also vocalise, play bird/whacky whistles and percussion including: 5 Temple Blocks (with beater) and 5 Wood Blocks (with rasp sticks) are played by the wind players A variety of toy wind instruments (eg: Toy Trumpet, Slide Whistle, Kazoo) and bird call whistles are also needed (see Act 4)

Performance Notes Subcontrabass Flute Fingerings for multiphonics and microtonal pitches were developed by flautist Liz Hirst (see part for details)

Bassoon A section of the bassoon part in Act 3 ‘a boat song’, is based on the solo work Axis Mundi (2013). This work was commissioned by Ensemble musikFabrik through the Ministry of Culture NRW. It was written for and dedicated to Alban Wesly with whom I collaborated to develop the techniques and notational approaches used in the score. In general, the sonic landscape of the piece should be very fluid and dynamic, emphasising differences in colour and texture so that attention is on changing energy states rather than discrete ‘notes’. The score uses several notational systems within a traditional stave: 1. Single ‘normal’ note-heads indicate sounding pitch 2. A tablature notation is used where diamond note-heads indicate a normal fingering which is altered by venting and sometimes adding another key (indicated by letter names written above the stave). Most of the fingerings of this kind are alternate ‘bisbigliando’ fingerings with a hole open below a notional reference pitch (not indicated in score). The piece works with these ‘scales’ of timbrally diverse microtonal pitches as well as with a variety of multiphonics. These differences in colour and texture should be emphasised particularly with the notes marked with an ‘M’ on the stem. By way of example, the ‘scale’ associated with the venting of the C hole (and associated with the pitch D) is as follows. The use of a Heckel crook or another model of crook which emphasises the higher overtones is necessary to bring out these colour variations (there will be slight variations in result from instrument to instrument).

Very rich multiphonics are produced through this approach and graphic notation is used to indicate an exploration of different regions of the sound. A note-head in square brackets indicates the pitch that should be sounded (usually the top note of the multiphonic); a transition from full multiphonic to single note is indicated with an arrow. Multiphonic effects are also produced using standard fingerings but employing weak air and lip pressure (as discussed by Pascal Gallois in ‘Techniques of Bassoon Playing’ (Bärenreiter, 2009). In the score these are notated either simply with an ‘M’ on the stem or above the stave if the instruction applies to a stream of notes; in some cases, the resulting pitches are shown in bracket.

Brass All the brass instruments are ‘double-bell’; they have two bells between which the player can switch thus facilitating rapid shifts between open and muted sounds. The following mutes/attachments are needed: Trumpet – straight mute, wa-wa, toy trumpet bell Horn – straight mute, wa-wa (eg: bass trombone harmon mute) Trombone – straight mute, harmon Euphonium – straight mute, cup mute The double-bell euphonium solo section in Act 2 is partly derived from the work The Green Lion Eats the Sun (2014) which was commissioned by musikFabrik with the assistance of Stiftung NRW. The work was written for and dedicated to Melvyn Poore.

Keyboards The Toy Piano will need to be amplified and in Act 1, requires ring modulation effect electronics

Strings h.sul pont – vary bow position relative to bridge, bow pressure and speed to bring out many different harmonics; vibrato can be used to enhance the vibrancy of the sound. Quasi multiphonic sounds (notes notated with ‘M’ on the stem) are produced using ‘harmonic’ left hand pressure at non-harmonic nodes. This will result in complex and other airy/noisy results of indistinct or unfocussed pitch. The player should try and get ‘inside’ these sounds, calibrating bow speed and pressure to emphasise their fluctuating, colourful and ambiguous qualities.

vii

Recordings, Electronics, Audio-Visual Field recording sources 1. Birds & environmental sounds The electronic sounds found throughout the work are mainly derived from field recordings of Australian birds and other environmental sounds that were generously made available to me by the composer David Lumsdaine. He kindly shared the following information about documentation sources, dates and locations of the recordings with a short description of the soundscape:

WSLCD

Recorded

Locality

Description

1984.10.5-27

19/3/1985, 10:15 Sennheiser 816s

Just north of Bouddi NP, east of Little Beach, NSW

Typical calls of large group of Bell Miners (Manorina melanophrys) singing inside forest canopy.

1986.08-13

31/8/1986, 06:45 Sennheiser 816s

Vicky’s place, near Bega, NSW

4 Bell Miners twittering around me, quite as curious as aggressive. Open eucalypts.

1987.09.2-17

22/9/1987, 05:55 Sennheiser 816s

Sharpe’s Creek, Large group of Bell Miners in eucalypts on Barrington Tops NP, NSW hillside. Moisture drips on leaves. Whipbirds, Magpies & Lewin’s honeyeater etc.

1995.09.1-1

7/9/1995, 16:09 Telinga

Old Bucketty Rd, Yengo NP, NSW

Smallish colony of Bell Miners singing high up in tall eucalypts by creek.

Additional sounds of wind and trail bikes were obtained from open source materials (Logic library). The ‘choral’ sounds were derived from segments of the magpie recordings.

2. The comet Act 3 opens with the sound of a ‘comet song’, the sounds of Comet 67P/Churyumov-Gerasimenko as recorded by the European Space Agency’s Rosetta Plasma Consortium. See https://soundcloud.com/esaops/a-singing-comet and wp.me/p46DHN-Li. The comet’s ‘song’ is a transposition of oscillations in the magnetic field in the comet’s environment occurring at 40-50 millihertz. This is at a vibrational range far below human hearing which typically picks up sound between 20 Hz and 20 kHz. These very low frequencies have been increased to make the sounds audible to the human ear and the sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de). Copyright Notice Original Data Credit: ESA/Rosetta/RPC/RPC-MAG Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 creativecommons.org/licenses/by-nc-sa/4.0/

3. Heart beat Act 4 begins with a subliminal ‘heart beat’ created with a very low frequency transposition to 43 Hz of the Bell Miner bird sound.

viii Electronics An electronic soundtrack is used at several points in the work, elements of which are also triggered live via iPad by the Mutant Bird character. The iPad instrument takes the form of an image snapshot of a page from the Jonathan Safran Foer book, individual words and phrases acting as controls for pre-recorded sounds. Apple iPad controls plan for soundscape

Audio-visual element The elements of the recorded soundscape are also the basis for an audio-visual component used at the start of the work. The tracks ‘bell-bird 1’ and ‘magpies’ are slowed down and performed by a number of players (trumpet, trombone, euphonium, horn + Mutant Bird character). These video recordings are then sped up to match the original tracks so that it appears that each performer is singing the bird songs at pitch.

Amplification and Megaphones Singers are amplified A number of megaphones are also used Singers can also use hand-held microphones for the section: Act 2, bars 105-126 (also see performance notes)

Libretto Libretto devised by Liza Lim based upon: Tree of Codes by Jonathan Safran Foer © first published 2010 Visual Editions Bruno Schulz’ Street of Crocodiles (English translation by Celina Wieniewska) Johann Wolfgang von Goethe’s Erlkönig and the writings of Michel Foucault

An enormous last day of life 15’ the boundaries between animals, humans, machines and the natural world are dissolving

II.

The Comet i. Carnival crowd of painted masks fill the streets

22’

ii. Father Father transforms into an octopus and is seduced by Adela Father creates fantastical mutant birds/ the crowd destroys them the escape artist

III

The Ventriloquist Sanatorium under the sign of the hourglass the ballad (part 1) a boat song the ballad (part 2)

20’

IV.

The Tree of Codes the secret backstage area

12’

Tree of Codes ‘cut-outs’ in time, an opera [numbers that appear within the text refer to the page numbers of the Safran Foer; other Shulz texts are referenced by story title]

I. An enormous last day of life - the boundaries between animals, humans, machines and the natural world are dissolving -

Scene of fertile decay out of which emerges the strange/naked/crazy Father

Mythic (mutant) bird: ‘protolanguage’ of bird whistles and rasps becoming language

[Drawing by Massimo Furlan]

Bird + Adela: Overlooked beyond the margin of time an endless day [11]

xii rising and falling expanded into tongues of greenery [12] Adela I hear the tree roots speak under the turf old tales and ancient sagas a father a son I hear underground whispers dark nameless things Son (ventriloquism scene – with puppet) [Sanatorium, p.240-242] Son: Is my father alive? Puppet: No, he’s dead Son: Does he guess? Puppet: No, he doesn’t guess Son: No, he doesn’t guess This is a secret operation We have put back the clock It’s simple Here, he’s alive No-one guesses Here we reactivate time past

A map My father kept a beautiful map of our city The city rose towards the centre of the map [87] A tree of codes [88] Honeycombed with streets unexplored [Street of Crocodiles, p. 69] Adela The roots are the great breeding grounds of history A map Only a few streets were marked [Crocodiles, p.69] An enormous geometry of emptiness [90] double meanings [Street, p.71] dreams multiply on the borders of an endless day [August, p.17] The Son approaches Adela What is this district? [Crocodiles, p.70] The wrong staircase, unfamiliar balconies Unexpected doors, strange empty courtyards [22/23] Bird + Adela Overlooked by the light of day An enormous last day of life [11] a ceaseless turning of pages a bird’s-eye mirage of a city [111] The day is still leaving… The night is yet to come Adela (to the Father) Come, take my hand dip your face into that dusk. under the lid of a coffin. push across the dull humus – You are in the Deep you can see…

xiii

II. The Comet i. Carnival - crowd of painted masks fill the streets Son Each night appeared that fatal comet [132] We were losing our bearings Moving a finger across maps of the sky From star to star [The Comet, p.107] Crowds filled the street, relentless [131]

We wish, We wish, We want, we want, we want [51] Adela, a seductive young woman I taste girls like roses beginning to shed their petals, the rustle of their underskirtsâ&#x20AC;Ś the sweetness I went in silence through the crowd of painted masks swelling with pathos with the tremor of moments of revelation [76] I see tears like lilac blooms [Spring, Ch 16, p.166] Pale young men conquered in forgotten gardens I found myself lost Everything was full Time passed unevenly Without transition and full of secret silent moments [80-82]

xiv

I smell old wine-barrels Nameless delight A backstage tangle of velvet curtains a distant climax

ii. Father - Father transforms into an octopus and is seduced by Adela Son: Here my father began to set before our eyes the picture of that generatio aequivoca which he had dreamed up…a kind of pseudofauna and pseudoflora, the result of a fantastic fermentation of matter. They were creations resembling, in appearance only, living creatures such as crustaceans, vertebrates, cephalopods. [Schulz, p.44] [She closed my mouth with hers and screamed together with me, Age of Genius, p.141]

Touya, the ‘idiot-girl’ is on the rubbish heap [August, pp.17-18]

Son:

We wish, We wish We want, we want, we want

- Father creates fantastical mutant birds/ the crowd destroys them Father conjures birds out of rubbish There were among them two-headed birds and birds with many wings, there were cripples too, limping through the air in one-winged, awkward flight. The sky now resembled those in old murals, full of monsters and fantastic beasts, which circled around, passing and eluding each other in elliptical manoeuvres… But these blind birds made of paper could not recognize my father. In vain did he call out to them with the old formulas, in the forgotten language of the birds – they did not hear nor see him. All of a sudden, stones began to whistle through the air. The merrymakers, the stupid, thoughtless people had begun To throw them into the fantastic bird-filled sky. [The Night of the Great Season, pp.94-96]

Crowd: We wish, We wish We want, we want, we want

The crowd laughs at the misery which does not know what it is and why it is. The crowd laughs. Do you understand the sadness of comic genius! [56]

- The escape artist Son:

Adela:

My father became smaller and smaller, Knot by knot he loosened himself [34] Knot by knot he loosened himself He would say: ”how beautiful is forgetting! Knot by knot, a distant climax What a relief it would be for the world to lose some of its contents!” [48] He would say: “all attempts are transient and easy to dissolve. Our creations are temporary” [51] “We are not,” he said, “long-term beings. not heroes of romances in many volumes. for one gesture, for one word alone, we shall make the effort. We shall have this as our aim: a gesture. “Can you understand,” asked my father, “the deep meaning of that weakness? the proof of our life. We love each gesture.” [51-52] My father was the only one who knew a secret escape [132-133] Somewhere at the back gate of the world His eyes closed. His gaze moved. He saw no comet. My father alone was awake, wandering silently through the rooms. [133-134]

III. The Ventriloquist [Sanatorium under the sign of the hourglass, pp. 241-242]

- Sanatorium under the sign of the hourglass (male singer with ventriloquist’s puppet) Son: Is my father alive?

Doctor (speaks Polish) Żyje, naturalnie Oczywiście w granicach uwarunkowanych sytuacją.

Yes, he’s alive? Within the limits of the situation? Wie pan równie dobrze jak ja, że z punktu widzenia pańskiego domu, z perspektywy pańskiej ojczyzny – ojciec umarł. you mean, at home he’s dead but here in this country he’s alive To się nie da całkiem odrobić. Ta śmierć rzuca pewien cień na jego tutejszą egzystencję. His existence has the shadow of death But does Father himself know it, does he guess? nie domyśla się? Niech pan będzie spokojny Nasi pacjenci nie domyślają się, nie mogą się domyślić. None of the patients know, no-one guesses Cały trick polega na tym że cofnęliśmy czas. Rzecz sprowadza się do prostego relatywizmu. Reaktywujemy tu przeszły czas. The whole secret of the operation is that they have put back the clock. It is a matter of simple relativity. Here we reactivate time past.

Father: lifelessness is only a disguise We have lived for too long

xvi

- the ballad (part 1) -

Adela: Let me tell you a story: There were among them two-headed birds and birds with many wings, there were cripples too, limping through the air in one-winged, awkward flight. The sky now resembled those in old murals, full of monsters and fantastic beasts, which circled around, passing and eluding each other in elliptical manoeuvres… But these blind birds made of paper could not recognize the father. In vain did he call out to them with the old formulas, in the forgotten language of the birds – they did not hear nor see him. All of a sudden, stones began to whistle through the air. The merrymakers, the stupid, thoughtless people had begun To throw them into the fantastic bird-filled sky.

Son/Adela:

I hear the windows shake…

- a boat song Son: Death has left its heaven It sings the man It sings at his lyrical core A boat song A boat song In the forgotten language of the birds It sings of madness No longer the monster within Madness becomes an animal A mask of the animal Time revolves… The mystics say The soul is a skiff Abandoned on the infinite Sea of desire Among the mirages of knowledge Amid the unreason of the world A craft with a useless map At the mercy of the Sea’s great madness [Foucault: Madness & Civilisation]

xvii

“I absorbed Goethe’s ballad [Der Erlkönig], with all its metaphysics, at age eight. Through the half-understood German I caught, or divined, the meaning, and cried, shaken to the bottom of my soul, when my mother read to me.” Bruno Schulz, 1935 essay

- the ballad (part 2) -

Adela: Shall I tell you a story? [Spring, Ch. 17, p. 167-171] What is this map? I touch the tree roots I will tell you the story A man walks under the milky stars Wer reitet so spät durch Nacht und Wind? folding a child in his cloak Es ist der Vater mit seinem Kind; he walks across the sky he walks on and on Er hat den Knaben wohl in dem Arm time repeats time can never change anything ‘it’s only the wind…’ he soothes the little boy Er faßt ihn sicher, er hält ihn warm. endlessly without hope helplessly helpless against the whispers and sweet persuasions of the night.

[Goethe, Erlkönig]

IV. The Tree of Codes - the secret backstage area -

Son: human dreams; rubbish heaps abundant, ephemeral sudden and splendid only to wilt and perish. [59] Adela/ the company of actors & musicians: I was homeless But slowly, the world began to set traps: the taste of food, the patch of sunlight on the floor, the movement of limbs, I accepted the experiment of life I submitted to the frenzy the scraping danger I endured the urge to joy [65/66]

Overlooked beyond time Time rising and falling expanded into tongues into dreams

Something stirred in me The feeling of no permanence in life transformed into an attempt at wonder. [67] Adela (to the Son) Come, take my hand dip your face into that dusk. under the lid of a coffin. [Spring, Ch.17]

xviii

Open eyelids of time a spring dusk of visions and resurrections a thousand kaleidoscopic possibilities with a small quick heartbeat [64]

I saw on the far side of living [83] desperately knocking against the blind little world I loosened a plank [68] I shall never forget that luminous journey The air shimmered, trembling. The air pulsated with a secret spring. [84-85] touch the tree roots taste the sweetness â&#x20AC;&#x153;Why did you not tell me?â&#x20AC;? [85] the last secret of the tree of codes: nothing reaches a definite conclusion. [95] Reality is only as thin as paper [92, Crocodiles, p.73] behind the screen sawdust in an empty theatre. [93] there we feel possibilities shaken by the nearness of realization [95] I wanted a night that would not end [86]

tell me the last secret

_____________________________________________________________________________________________________

References: Jonathan Safran Foer, Tree of Codes. Visual Editions, London, 2010. Michel Foucault, Madness and Civilisation: A History of Insanity in the Age of Reason. transl. of abridged version by Richard Howard. Vintage, New York, 1988. Johann Wolfgang von Goethe. Selected Poems. ed. Christopher Middleton, Suhrkamp/Insel, Boston, 1983. Bruno Schultz. The Street of Crocodiles. transl. Celina Wieniewska. Penguin, London, 1977. Bruno Schultz et al. Letters and Drawings of Bruno Schulz. Fromm, New York, 1990. All images in the libretto are drawings of the opera costume and set design by Massimo Furlan.

Tree of Codes ‘cut-outs in time’, an opera

Liza Lim! (libretto by Liza Lim)

! ACT I: An Enormous Last Day of Life!

the boundaries between animals, humans, machines and the natural world are dissolving... 0”

1’

2’30”

1’25”

Video Introduction (duration 1’) Preparation! A ’choir’ of 3 musicians: trumpet, trombone, euphonium, are filmed singing and very intermittently also playing the notes of slowed-down bellbird songs!

imitate bell birds ad lib.

Picc.

1! ! 2

Similarly, the horn player and ‘Mutant Bird’ character are filmed singing the slowed down version of Australian magpie calls

video dissolves to stage action Result! The films are sped up so that the recorded audio sounds at original pitch, the humans now performing as birds, eg:

1’35”

Percussion:! (played by several people)!

windwands, small string drum, spring coil drum, respond to soundscape ad lib.

2’30” Prepared soundscape

2’15”

Mutant Bird hesitantly picks out notes on toy piano

Mutant Bird triggers bell bird sounds from iPad.

Mutant Bird:! singer with nose whistle

imitate/respond to magpie sounds

Choir I*

Choir II*

* Choirs comprise all available musicians and actors

Sy.4264/01

Tree of Codes – Act I Score in C

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6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

&4 Kbd.

{

q = 66 Vln. I

° 4 &4

Vln. II

4 B4 Vla.

4 ?4 Vc.

4 ?4 Db.

Sy. 4624/01

Tree of Codes – Act I Score in C

o œ^ R

Picc. 1

°‹6 ∑ &4

‰

o œ^ R ≈

‰™

∑

‹ 6 &4 ‰

Picc. 2

µ œ^ J

µ œ^ ≈ R

‰

o œ^ J ‰

‰

Ó™

3 3

µ >œ J

6 &4 ∑

Ob.

nœ J

˜˙ ™

‰

#˙ ™

‰

6 ∑ B. Cl.

∑

&4 b >œ J

?6 ∑

b˙

‰

Bsn.

4 mp

Hn.

° 6 b˙ &4

≈ œ œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ bœ bœ

j œ

‰

œ bœ >

∑

b >œ Tpt.

˜œ ™ #œ

Jœ bœ ≈ R

‰

˜œ ™ J

≈

œ-

6 J ˙™ &4

Ó™

5 3 3

mf ff 3

b œj

3 5 Ÿ~~~~~~~~~~~~ œ #œ nœ #œ ˜œ œ f Ÿ~~~~~~~~~~

?6 Tbn.

4 mf

bœ r œ ≈

bœ ∑ mp

? 6 bœ

#>œ J

œ #œ

Euph.

‰

Œ ˙™

#œ

Perc.

6 ° ¢& 4

Soundtrack

Adela

6 4

° 6 &4

∑

∑ (whip bird)

‹ 6 M. Bird ¢& 4

˙o ™

œo J

∑

‰ mf

6 ∑

∑

&4 Kbd.

{ Vln. I

° 6 ∑ &4

6 &4 ∑

Vln. II

-O œ

> ~w

-O œ

>O ™™ ˙

O˙

>O ™™ ˙

Œ h. sul pont.

Ó™

∑

‰

Vla.

4 ?6 ∑

∑

Vc.

4 ?6 Db.

Sy. 4624/01

j BBœO BB˙O > mp

Tree of Codes – Act I Score in C

q = 88 œ µœ µœ œ

œ 11

Picc. 1

°‹ ‰ &

#œ˜œ œ ˜œ ˜œ

˜œ ™ ˜>œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ ˜œ

Œ™ 3

4 4

mf ff f

sim. irreg.

Picc. 2

#œ

µœ #œ > œ ˜œ

> œ nœ

Ÿœ ™

Ÿ n˙ ™

µœ

œ™

≈ 7

‰

>œ J

‹ #œ & æ

4 4

‰

˜>œ ˜ œ ˜ œ ˜ œ ˜>œ ˜ œ ˜ œ # œ #>œ # œ # œ # œ #>œ # œ # œ # œ #>œ # œ # œ # œ #>œ # œ # œ # œ Ob.

™ & #˙

n˙ ™

4 4 f

∑ B. Cl.

4 4

∑

& b˙

Bsn.

4 4

Œ™ 3

Hn.

n>œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

bœ ™

bœ bœ bœ ? Œ ¢ f

° Ó™ &

Œ ˙

œ™

œ œ œ™

œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

4 4

>œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ™

4 4

∑ Tpt.

& mf

Ó™

∑

‰

bœ J

b˙

4 4

Tbn. mf

4 4

? Œ

≈ Œ j bœ™

Euph.

bw >

Perc.

° ¢&

4 4

Ó™

bœ

)

Soundtrack

4 4

q = 88 Adela

° &

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑ whip bird effect warbling sfz 3

˙ >

o ‹ œ™ gliss.

M. Bird

J ¢&

≈ Œ

fff mf

& Kbd.

{

q = 88 sfz

Vln. I

° Oœ ™™ & J

≈ Œ

Ó™

∑

4 4

≈ Œ

Ó™

∑

4 4

fff sfz

O ™™ & œJ

Vln. II

fff sfz 3

B BBœO ™™

Vla.

æj bœæ

æ bœOæ >

æ Oœæ™™ >

‰

j bœ

b˙

4 4

b˙

4 4

BB O˙ ? Ó

Ó™

‰ Ó

> BB Oœ bb Oœ J

> bbOœ ™™

Vc.

bœ J

b˙

h. sul pont.

> b˙ ™

? ∑ Db.

bœ

bœ ææ

mf ff

Sy. 4624/01

bœ ™ ææ

bœ

4 4

Tree of Codes – Act I Score in C bisbig. sfz

Picc. 1

° ‹ 4 ˜>œ ˜œ ˜œ ˜œ ˜>œ &4

µœ µ>œ ™

#>œ

µœ

> µœ. J

µœ

> µ-œ æ

µ-œ

µœ µœ nœ

Æ œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ ˜œ ™ nœ J ≈

4 4

f 3 3

œ˜œ bœ œ

‹ 4 œ™ &4 J

Picc. 2

œ ≈ Œ

œÆ J

n œÆ ‰ J

4 4

# œ # œ # œ # œ # œ # œ # œ # œ #>œ #>œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ # œ

#œ #œ #œ

#œ

4 &4

Ob.

4 4

˙ mp

4 ∑ B. Cl.

∑

4 4

∑

&4 > œ œ ?4

œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ ˙™

œbœ

4 4

Bsn.

4 ff

Hn.

° 4 &4 œ ™

Œ œ™

œ œ

∑

4 4

∑

4 4

˙™ pp

>œ ™ œ™

4 &4

œbœ f

?4 bœ

Tpt.

∑

b˙

bœ

b˙ ™

bœ

b˙ ™

4 4

Œ Tbn.

4 ë

pp mp

?4 ∑

∑

4 4

∑

4 4

Euph.

Perc.

4 ° ¢&4

Soundtrack

Adela

° 4 &4

4 4

∑

4 4

∑

whip-bird gliss. sfz 1™ ‹ 4 J M. Bird ¢&4 ( ff )

. . >. . . . .

∑

4 4

æær ææ > ™

∑ ™ ™

4 ∑

∑

4 4

∑

4 4

&4 Kbd.

{ Vln. I

° 4 Ó &4

j œ>O

‰

œO

4 &4 Ó

Vln. II

j œ>O

‰

œO

œO œO œO œO œO œO œO œO œO œO œO œO

œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO

4 4

œO

œO œO œO œO œO œO œO œO œO œO œO œO

œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO

4 4

#Oœ##Oœ##Oœ ##Oœ##Oœ##Oœ##Oœ ##Oœ##Oœ##Oœ ##Oœ ##Oœ ##Oœ##Oœ##Oœ##Oœ##Oœ##Oœ##Oœ##Oœ##Oœ##Oœ##Oœ##Oœ##Oœ##Oœ ##Oœ ##Oœ

4 4

œO

œO pp

h. sul pont.

B4 bœ4

Vla.

3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b˙ ™ nœ bœ nœ œ #œ

æ bœæ

?4 bb>O˙ ™™

˙O

Vc.

˙O

j œO

‰

4 4

∑

4 4

f mf

ord.

?4 bœ Db.

˙™

j œ™

≈

Sy. 4624/01

Tree of Codes – Act I Score in C

œÆ J ‰ ‰ Œ

Picc. 1

°‹4 Ó &4

œÆ J ‰ ‰

œÆ J Œ

‰

‰ Œ

6 4

‰ Œ

6 4

œÆ ‹ 4 &4 ≈ J

Picc. 2

œÆ J ≈ ‰

œÆ J ≈ Œ

œÆ J ‰ ‰

‰

4 Ob.

‰

œÆ J

œÆ J ≈ Œ

&4 œ

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

j œ

œ™

r ™ bœ ‰

bœ

4 ∑ B. Cl.

Bsn.

> ? 4 >œ œ nœj bœ ¢

> œ æJ

œ™

‰

Hn.

° 4 &4

Tpt.

?4 Tbn.

4 ?4

6 4

∑ Euph.

4 bw

b˙

mp sfz

Ratchet To 2 Wwands.

° 4 Œ Rt. ¢& 4

j œ™

j œ

Œ™

≈ Ó

6 4

∑ ff

Adela

j œ™

œ œ™

° 4 &4

∑

6 4

∑ gargle nose whistle

™

sung

b>˙ ™

> Y ææ

?4 Ó M. Bird ¢

æ 3

o f

™

throat fry

ver

™

æJ ‰

gliss.

‹ &

ææj

6 4

4 ∑

∑

6 4

∑

6 4

œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO

6 4

&4 Kbd.

{ Vln. I

° 4 & 4 œO

œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO

œO œO œO œO œO œO œO œO œO

Vln. II

4 & 4 œO

œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO

Oœ

œO

œO œO œO œO œO œO œO œO œO œO ™™

B 4 ##Oœ

œO

œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO œO

Oœ Oœ ™™

Oœ

Oœ Oœ Oœ

6 4

Oœ

> bbOœ

bO˙ bœO -

Vla.

bœO -

bœO

6 4

mf mp

?4 Ó

Œ™

> bb Oœ J

bb Oœ ™™

bb Oœ

bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ bb Oœ

6 4

Vc.

4 mf

h. sul pont.

Db.

?4 Ó ¢

Œ™

> bœ J

b˙

b˙ ™ mp

Sy. 4624/01

bœ æ

6 4

Tree of Codes – Act I Score in C

q = 72 19

Picc. 1

˜˙ ™

°‹6 &4

4 4

∑

5 4

Œ mf

‹ 6 &4

Picc. 2

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

j œ œ

∑

5 4

6 Ob.

B. Cl.

6 >œ Bsn.

-œ

?6 Œ ¢

œ œbœ #œ #œ #œ nœ

œ#œ œ™

4 #œ ™ 4

bœ #œ ™

f 7

Hn.

° 6 &4

4 4

∑

5 4

j œ. ≈ #œ œ ≈ ææ > bœ™

#œgl.œ ≈ #œ œ œ #œ > > > f 3

6 &4

Tpt.

4 4

∑

4 4

∑ Tbn.

gl. > #>œ œ #>œ œ œ # œ ≈

∑

5 4

j œ. ≈ #œ œ ≈ ææ > bœ™ > œ. # œ œ ≈ J ≈bœ ™ ææ 3

#œ œ ≈ #œ œ œ #œ > > > gl.

œ bœ

5 4

4 4

Euph.

4 bw™

>œ J Œ

‰

5 4

Œ 3

œ™

2 Windwands

2 Wwands.

Windwand 1

6 ° ¢& 4 ∑

4 4

5 4

q = 72 Adela

° 6 &4

4 4

∑

5 4

∑

5 4

high whistle sfz

. >˙ ™

sfz

‹ 6 J M. Bird ¢& 4

™ gliss

™ .

. ≈Œ

4 4

‰

1™ J ≈ Œ

6 ∑

4 4

∑

5 4

∑

4 4

∑

5 4

bbœO bbœO

4 bb˙O ™™ 4

&4 Kbd.

{

q = 72 h. sul pont. IV 3

Vln. I

° 6 & 4 œO œO œO œO œO œO ™™

œO ™™

bb˙O

bbœO

ææ O F

bœ O ™

™

5 4

h. sul pont. IV 3

6 &4

Vln. II

r ‰™ œO

4 bO bO bO bO bO bO bO bO bO bO ™ 4 b œb œb œb œb œb œb œb œb œ b œ™

Ó™

5 4

j bbœO f

nO b œ bO F O

h. sul pont. 3

B 6 bœO ™™ 4

Vla.

bO ? 6 b œR ≈ ‰ Vc.

bœO bœO bœO bœO bœO bœO bœO bœO bœO bœO bœO ™™ bœO ™™ > > f

>O ˙ &

4 mp

bœO bœO

4 b˙O ™™ 4 ff

4 4

bœO

j ææ F O

ææ O

5 4 5 4

h. sul pont. ord.

? 6 bw Db.

b˙

sul pont.

4 bœ ™ 4

bœ æJ

ord. > bœ bœ bœ œbœ œ œbœ bœ ™ ææ 3

ff 7

Sy. 4624/01

bœ ææJ

˙ ææ

5 4

Tree of Codes – Act I Score in C

sfz

Picc. 1

˜œ °‹5 &4

rall.

nœ ™ J ≈ Ó™

6 4

∑

8 4

∑

6 4

∑

8 4

∑

6 4

fff

‹ 5 &4

Picc. 2

˜˙

5 &4

Ob.

˜˙ ™

8 4

∑ mf

5 B. Cl.

∑

6 4

∑

6 4

∑

?5 Bsn.

˜œ

8 4

∑

8 4

w™ pp

ord. Bb 2+3

~~~~~~~~~~

harm. gl. blunt/rough sound

Hn.

° 5 &4

r ‰™ bœ

œ™ Œ

Œ j bœ F

6 F >Ÿœ gl. 4

con sord.

‰

j œ œ #œ

ææ nœ #œ #œ #˙ ™

> w

8 4

pp 3

p ff

con sord. sound 5 blunt/rough ≈ Œ j

Tpt.

w™ Œ

6 4

8 4

∑ pp

bœ™ ff

con sord.

w™ blunt/rough sound

? 5 bœ 4 R

Tbn.

‰™

6 4

8 4

∑ pp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ harm. œ ™ b œ gl.

ord. blunt/rough sound

Euph.

? 5 bœ ™ ¢ 4 J

6 4 #œ

bœ ™ ≈ Œ #>œ ™

con sord.

8 4

‰ Ó™ w™ p

5 ° ¢& 4 ˙Ó

˙˙ ™ ™

ppp

6 4

˙˙ ™ ™

ë 2 Wwands.

˙™™ Ó

w™

ppp

8 4

Windwand 2 ff

rall. mf

Adela

° 5 &4

6 4

∑

œ J

Œ™

∑

œ bœ J

gliss.

8 4

>™ æJ ≈ Œ

nose whistle

‹ 5 M. Bird ¢& 4

6 4 Ó™

∑

ææ ‰

Œ 3

ver - loo

8 4

Ó™

3 3

5 ∑

6 4

∑

6 4

∑

8 4

Kbd.

{

rall. Vln. I

° 5 &4

j O

6 4

∑

8 4

j O

6 4

∑

8 4

6 4

∑

8 4

Oœ ™™ J ≈ Ó

6 4

∑

8 4

6 4 œ F O™

F fff

5 Vln. II

&4 F fff

B5 Vla.

™ #O >

fff

5 O &4 œ

Vc.

‰ ë

fff

(h. sul pont.) ord. 3

> O

≈ Œ

Db.

œ™ æJ

J F

‰ Œ O F O

3 3

Sy. 4624/01

˙™

#w >

#œ

8 4

Tree of Codes – Act I Score in C

q = 60 25

Picc. 1

° ‹8 &4

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

o ‹ 8 &4 ∑

Picc. 2

µ œ^ J ‰

‰

˜˙

8 &4

Ob.

∑

ppp

8 B. Cl.

?8 Bsn.

Hn.

° 8 œ &4

∑

ppp

8 Tpt.

?8 Tbn.

4 œ™ r 3 bœ ≈ Œ

?8 Euph.

4 bœ

bœ

bœ bœ J

2 Wwands.

jœ œJ

8 ° ¢& 4

6 4

q = 60 mf f

fast fast Ÿ~~~~~~~~~~~~~~~~~~~ nœ) -œ nœ ™ ( µœ J slow

slow 3

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

3 3

Adela

° 8 bœ &4

œj Bœ

bœ

œ µ-œnœj b˙ ( µœ

Bœ )

≈

> ≈ bœ bœ ™ R

j nœ Œ

n-˙

’

6 4 b>œ nœ

œ #œ œ

bœ bœ œJ

≈ Œ

6 4

3 7 3

looked

yond

nose whistle

-œo œ J R ≈ Œ

‹ 8 M. Bird ¢& 4 Œ 3

Sung mf

> Ó

6 4

∑

b>œ

? bœ

6 4

∑

yond

Shruti Box (gentle pace opening and closing bellows

6 bbww ™™ 4

?8 Ú Kbd.

{

6 4 mf

q = 60 Vln. I

° 8 &4

Vln. II

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

B8 Vla.

4 8 Vc.

?8 Db.

Sy. 4624/01

Tree of Codes – Act I Score in C

Picc. 1

° ‹6 &4

∑

7 4

‹ 6 &4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

Picc. 2

6 Ob.

B. Cl.

?6 Bsn.

Hn.

° 6 &4

Tpt.

?6 Tbn.

4 ?6 Euph.

2 Wwands.

6 ° ¢& 4

(ﬂoating) sung mf

sprechstimme delicate warble f

. .

bœ

Adela

j ¿ œ #œ

≈ j #œ

the mar - gin

bœ

bœ J

° 6 Œ &4

j bœ nœ ™ # œ # œ. œ. œ. œ™ . ' o of

mœ

M M œ bœ bœ J

M œ bœ œ R

µ˙ #˙ Œ

7 4

7 3

time

nose whistle rasping

ord. throat growl/fry

> ? 6 nœ bœ nœ

#œ

#œ J J æ æ

M. Bird

nœ J

œ J

> ‹ ‰ &J

˙ . . . . . ..

> ææJ

™

˙ ‰

7 4

‰

7 3 3 3 3 3

mar

gin

êf

Sh. Box

the

of mf

>™ ? 6 bbw ™ w {

bbw w

bb˙˙

7 4

Vln. I

° 6 &4

Vln. II

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

B6 Vla.

4 6 Vc.

?6 Db.

Sy. 4624/01

Tree of Codes – Act I Score in C

(poco meno mosso) >œo ™ J

Picc. 1

°‹7 &4

5 4

∑

‰

≈ Œ

6 4

∑

‹ 7 &4

Picc. 2

5 4

∑

>œo J

˙™

j œ

œo

6 4

∑

b˙

7 &4

Ob.

∑

bœ

>œ ™ J

5 4

bœj ≈

j #œ œ

6 4

œ nœ J

3 3

mf mp

7 ∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

7 ™ ° ¢& 4 ˙

5 4

B. Cl.

?7 Bsn.

Hn.

° 7 &4

Tpt.

?7 Tbn.

4 ?7 Euph.

To Vibraphone

ë mf

∑ &

2 Wwands.

6 4

(poco meno mosso) (ﬂute-like) mf j œo Adela

° 7 &4

>œ ™

5 4

∑

bœ #œ

∑

j #œ œ

-œ

‰ Œ

œ nœ J

6 4

3 3 3 7

end

less

Sung

>™ ‹ 7 M. Bird ¢& 4

™ œ ‰

5 4

∑

6 4

∑

∑ Be mf

> > ﬂutter bbb˙b˙˙˙ 7

irreg. ﬂutter

? 7 bb˙˙ ™™

Sh. Box

{

5 bbbœb>œœœ 4

Œ bbbœbœœœ bbb˙b˙˙˙ 7

> air only

>™ 7

b˙

bbœœ

6 4

3 3

(poco meno mosso) (lateral bow stroke, breathy)

Vln. I

° 7 &4

5 4

∑

œ 7

∑

œ™ 7

‰

6 4

(lateral bow stroke, breathy)

5 4

∑ Vln. II

∑

œ 7

œ™ 7

5 4

∑

Vla.

> ##O˙ ™™ ææ

##Oœ ™™

h. sul pont.

‰

‰ mp

ord. 3

∑ &4

5 4

bœ œ

bœ ™ œ™

bœ œ ë

7 Vc.

‰

∑

6 4

∑

6 4

ppp

h. sul pont. pizz.

?7 ∑ ¢

b˙

5 4

> bO ™ bœ bœ ™ œ™

3 3 3

Db.

ppp, mf

Sy. 4624/01

Tree of Codes – Act I Score in C

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o ˙™ œ œ ‹ œ ° 6 R J ≈ &4

breathy

Picc. 1

to Flute

œ R Œ

4 4

œ-

bœ- nœ

>3 bœnœj bœ

æj ‰ bœæ

æ bœæ

∑

mf mf

‹ 6 œ™ &4

Picc. 2

j nœ. bœ>

>œ J

œ. œ bœ

œ bœ ææ

œj

4 4

∑

bœ nœ bœ bœ

bœ œ

6 &4

Ob.

bœ nœ Œ

4 4

œ ˙

∑

6 B. Cl.

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

?6 Bsn.

Hn.

° 6 &4

Tpt.

?6 Tbn.

4 ?6 Euph.

Vibraphone bowed

Vib.

6 ° ¢& 4

4 4

∑

l.v.

>œ J

˙™ Œ

Ó &

f 7

> bœ nœ ™

Adela

° 6 ˙ &4

œ bœ w

4 4

bœ œ bœ bœ bœ bœ œ

#œ ™

#œ œ ‰

œ œ œ #œ ™µœj œ œ b-œ ™ ’ > ‰ œ bœ bœ ™ b-œ b-œ J

sing

and

3 3

day

nose whistle

˙ b˙

nœ

œ œ

bœ œ

#œ

nœ

4 4

M. Bird

œ œ J

#>œ œ ‹æ æ &

∑ .

3 3

f yond

the

mar

gin

end

less

air ﬂutter

? 6 bbw w

bb˙˙

4 bbœœ ™™

Sh. Box

{

bbœœ ™™ 7

bbœœ 7

° 6 &4

Vln. II

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

B6 Vla.

4 ?6 Vc.

4 ?6 Db.

‰ p

Vln. I

bbœœ ™™ 7

Sy. 4624/01

Tree of Codes – Act I Score in C

Flute

q = 60 35

°‹ Ó Fl. 1 &

#œ J ‰ ‰ &

3 #˙ 4

œ œ œ œ œ œ œ

‹ & Ó

Picc. 2

œ œ

5 4

‰

4 4

3 3

3 4

5 4

œ œ œ œ œ œ œ

œ J

œ œ

4 4

˙ ∑ Ob.

3 4

5 4 #œ #œ #œ #œ #œ #œ #œ

#œ mp

B. Cl.

∑

3 4

∑

3 4

∑

? Bsn.

Œ p

5 4 B

4 4

#œ #œ

4 4

∑

5bw 4

bœ

4 4

open

Hn.

° &

∑

3 4

5 4

∑

4 4

Œ™

bœ™ mf

Tpt.

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

5 4

∑

4 4

? Tbn.

? Euph.

¢ Vibraphone + ¼-tone (F ˜) metal tube

Vib.

œ œ > ° #>œ ˜>œ ™ ˜œ #œ œ nœ ˜œ #œ œ bœ #œ ¢& 7

3 4

œ > #œ œ œ ˜œJ #œ #œ bœ ææ æ æ

œ #œ

5 4 bææ˙ ™

4 4

b˙˙

q = 60 mp

> ° w &

3 >˙ ™ 4

fall

fal

Adela

M. Bird (nose ﬂute)

‹ ¢&

˙™ #˙

5 4 -

4 4

ling

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

5 4 #˙O

? Sh. Box

{

q = 60 Vln. I

° &

Vln. II

æ #œO #œO #œO #œO #œO #œO #œO #œO

æ #œO

B Vla.

4 4

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

5 4

∑

4 4

? Vc.

? Db.

Sy. 4624/01

Tree of Codes – Act I Score in C

#˙ ™

o 6 n>œ

#œ Fl. 1

° 4 &4

ﬂz. #>œ ˜ œ # œ œ œ b >œ b œ #œ nœ œ ˜œ #œ nœ bœ œ æ æ æ æ æ æ #œ nœ ™ 7

#œ

‰ #œ œ

4 3

4 4

7 7

#œ

6 >œ (µœ 4

Ÿ~~~~~~~~~~~~~~~~~

‹ ˙™ 4 &4

Picc. 2

‰

# œ ™ >œ

nœ #œ

œ™

#œ #œ #œ #œ ™ #œ

# œ n>œ #œ bœ œ œ œ #œ #œ

4 4

7 7

œ 7

4 &4

Ob.

#œ Ó

‰

6 b>œ ™ 4

˜œ J

˜œ nœ œ™ #œ

#œ ™

>œ #œ bœ œ nœ œ #œ #œ

4 4

7 7

6 4

∑ B. Cl.

bœ

bœ R ≈ ‰ #œ

#œ ‰

Bsn.

4 4

∑

j œ œ b>

6 >œ 4

œ bœ

>œ

> >œ bœ œ b œ œ n œ

>œ

#>œ nœ nœ œ

4 4

5 3

Hn.

œ #œ #œ ™

° 4 &4

6 #œ ™ 4

#œ

‰

4 4

œ ë

6 4

∑ Tpt.

&4 open

#œ

j œ œ b>

>œ

?4 Ó

‰

Tbn.

4 4

∑

œbœ > œ

> >œ b œ œ b œ œ n œ

>œ

#>œ n œ n œ œ

6 4

4 4

5 3

open

6 4∑

∑ Euph.

4 4

bœ J

‰

mf 3 3

> ˜œ n bœœ

Vib.

° 4 #œ ™ ˜œ œ #œ œ # œ ¢& 4 7

##œœ

##œœ œ

##œœ œ œ™

j bbœœ

6 4 b>œœœ

bœ

nœ nbbœœœ

bbœœ #œœ

> ˜œ œœ

> ˜œ b œœ bœ nœ

4 4

ever brightening tone fff

Adela

° 4 #˙ &4

#œ

#œ Œ J

6 4

4 4

∑

sfz

nose whistle

M. Bird (nose ﬂute)

>˙ ™

‹ 4 ¢& 4 Œ

6J 4 f

4 4

Ó™

fff

?4 Sh. Box

œœj œ J

> bbœœ

6 4∑

∑ {

‰

4 4

Vln. I

° 4 &4

6 >Oœ 4

∑

Oœ J

bbOœ

> nnO˙

bb˙O

4 4

ff 3

6 >Oœ 4

4 ∑ Vln. II

>O ˙

Oœ J

bb œO

4 4

nœO

trem.

æ B 4 #˙Oæ 4

Vla.

ææ #œO

#Oœ ##œO

6 4 œO

‰

Oœ

#O˙

4 4

Oœ ff

f 3

> ?4 ∑ Vc.

6œ 4

œj b œ

œbœ

œ > bbO˙

4 4

arco

?4 ∑ Db.

> bœ #œ #œ œ

6 4 Ó™

> bb Oœ

4 4

bœ 7

Sy. 4624/01

Tree of Codes – Act I Score in C

meno mosso q = 50 40 3

° 4 œ Fl. 1 & 4

˙™

œ J

œ ‰

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ µœ nœ ™ œ. µ-œ

‹ 4 & 4 #œ

Picc. 2

˙™

nœ J

œ œ J

nœ J

‰

µœ µ˙ J

‰ bœJ ‰

3 pp

œ J

4 & 4 #œ

Ob.

˙™

œ To Cor Anglais

‰

∑

4 ∑ B. Cl.

∑

&4 7

Hn.

° 4 &4

Tpt.

4 &4

#>œ

#˙

Ó ˙

∑

B4 Bsn.

œ bœ bœ œ œ œ bœ ™ ˙ >

∑

open

Œ j œ bœ

m 3 bœ. ≈ bœ. ≈ nœ- œ- bœ œ œ >

œ bœ œ # œ

œ bœ œ œ nœ bœ œ nœ bœ œ nœ bœ nœ

˙ ˙

mf p pp

˙™ ?4 Œ

∑

Tbn.

4 mp

? 4 b˙

bœ œ bœ œ œ

œ J

Euph.

œ #œ œ

œ J

∑

3 3 3

œ œ J

Vib.

° 4 ¢& 4 œ b œ b œ œ œ #>œ

œ œ

bœ nœ œ œ æ ææ

œ bœ J

To Windwand

Ó /

n>œ ™

bœ

3 3

meno mosso q = 50 mp mf

Adela

˙™

° 4 &4

∑

b˙ ™

bœ

‰ 3

fal

ling

Sung mp

M. Bird (nose ﬂute)

b˙™

‹ 4 ¢& 4

∑

Œ fal

ling

Toy Piano 3 octave œ

ﬂutter

œj

œœ

?4 ‰ 4 Œ

˙˙ 7

>œ

œœ ™™ 7

‰

Sh. Box ff

(with ring modulation)

? 4 b˙b˙˙

{

b˙b˙˙ 7

bœbœœ ™™™ 7

‰

∑

meno mosso q = 50 Vln. I

° 4 O™ & 4 œ™ J

≈

∑

4 ™ & 4 Oœ™ J

Vln. II

≈ mf

O™ B 4 #œJ ™ 4

Vla.

≈ mf

h. sul pont.

? 4 bb>Oœ Vc.

b˙ ™ æ

bœ J

‰

∑

h. sul pont.

? 4 bb>Oœ Db.

b˙ ™ ææ mf

bœ J

œ J

Œ &

‰ pp

Sy. 4624/01

Tree of Codes – Act I Score in C

° Fl. 1 &

∑

‹ µœ &

Picc. 2

∑

5 4

∑

5 4Ó

∑

4 4

œ ˙ J

4 4

‰ mp

C. A.

B. Cl.

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

? Bsn.

Hn.

° &

3 3 3

Tpt.

œ Bœ Bœ œ bœ œ

& ˙ bœ

5 4œ

‰ œ™

#˙ ™ œbœ

4 4

>œ mp

bœ

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

? Tbn.

? Euph.

Wwand.

° ¢/

mf 7

poco 3

Adela

° Ó™ & œ œ œ >

˙ b>¿ ex

pan

œ -

#˙

#œ ≈ ‰ R

∑

M. Bird

4 4

ded

5 4

? ∑

5 4 B>œ œ bœ µœ

4 4

∑

œ bœ œ œ bœœ J

œ œ J

bœœ

j œ™ bœ bœ œ œ œ bœ ™nœ ™

œœ œ œ

5œ 4

œœ #œœœ #œœœ œ œ œ

œ™

œ J

4 4

3 3 3

3 7

Toy Piano 3 3

{ Vln. I

° &

‰

≈ &

j bœ bœ bœ bœ

bœ œ

Ó nœ œ

#œ bœ #œ bœ

∑

5 4Ó

∏∏∏∏∏

? Œ

bœ

5 4 Ó™

∑

bœ n œœ

œ œ œ™

œ bœ œ # œ œ

4 4

bbO˙ mf

∑ Vln. II

5 4 Ó™

∑

4 4

˙O mf

∑

Vla.

˙O

5 4 œ-O

O˙

5 b-Oœ 4

##O˙

4 4

˙O

bO˙

? ∑

Vc. p

O˙

? ∑

Db.

¢ p

Sy. 4624/01

##Oœ Oœ ##Oœ ##Oœ

4 4

5 O™ 4 ˙™

Oœ ‰ ™ R mf

4 4

Tree of Codes – Act I Score in C

più mosso 46

Fl. 1

° 4 &4 ‹ 4 ˙ &4

Picc. 2

7 4

∑

4 4

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

∑

œ J ‰

‰

4 C. A.

B. Cl.

?4 Bsn.

Hn.

° 4 &4

9 3

4 Tpt.

j œ

&4 ˙

‰

7 4

≈ œr œ™ œ bœ œ

œ œ J

bœ bœ œ œ ™

œ ≈ ‰ R

4 4

‰

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

4 ?4 Euph.

Wwand.

° ¢/

4 4

∑ Tbn.

più mosso 3 7 3

Adela

3 ° 4 f & 4 œ bœ bœ œ œ >

7 4 b œr ≈ œ

Œ bœ bœ bœ bœ > nœ bœ nœbœ nœ bœ nœ bœ nœ bœb œ œ

Ÿ~~~~~~~ œ™ ˜œ œ

œ Bœ #œ bœ

œ bœ œ œ #œ #œ >

4 4

in f

tongues

green

gree

Ÿ~~~~~~~~~~~~~ œ™ # œ n œ # œ œ # œ

n>œ ™

b >œ

7 4

M. Bird

> j b>œ bœ nœ œ b œ b œ n ˙

4 4

7 3

tongues

gree

3 3

4 &4 œ >

j œ

7 4 >œ bœb œ b œ

∑ œ

ææ ˙

4 4

Toy Piano

bœ

4 &4 Ó

bœ J

{

‰

7 4

∑

4 4

più mosso Œ

7 4

∑

Vln. I

° 4 bO ‰ ™ & 4 b œR

4 4

4 r & 4 œO ‰ ™

7 4

∑

Vln. II

4 4

7 4

∑

4 4

7 4

∑

4 4

7 4

∑

4 4

B 4 bbœO ™™

Vla.

‰

4 mf

? 4 O˙ Vc.

Oœ J

‰

?4 ∑ Db.

Sy. 4624/01

Tree of Codes – Act I Score in C

B 48

Tpt.

° 4 ¢& 4

U + nw

7 µ>˙ ™

∑

U ∑

4 mp f

speak into megaphone f

Adela

> n˙ ™

° 4 nœ &4

7 4 œR

‰™

’

U ∑

Œ™

∑ ‹™

-ne

speak!

#œ ™

Bird triggers magpie sounds on iPad and imitates them

#œ ™

#œ ?4 R

’

≈

‰

M. Bird

4 -

7 4 Ó™

U ∑

7 4 Ó™

U ∑

Ó™

ner

4 ∑ &4

Toy Piano freely accompanies Bird with 'recitativo' ﬂourishes

Toy Piano

{

U ∑

7 4 Ó™

∑

q = 66 (mf)

Adela

(without mega.) sung (coarse tone)

spoken freely into megaphone

spoken mega

mega

sung (ord.) 7

° &

4 4‹

9 4œ

j œ œ™ œ #œ œ œ nœ #œ >

¿™

sung

œ™

≈ r ‹ ‹ ‹

œ µœ ™ µœ Bœ ™ nœ

≈ œ

≈ >‹ >‹

> I

hear

the

tree

roots

speak

der

the

4 4

? ∑ M. Bird

turf

old

tales

fa - ther

9 4

∑

cient

sa - gas

a son

∑

Più mosso megaphone mp

spoken 3

inhale

Adela

° &

U ∑

spoken

inhale

7 4‹

4 4

≈ ‹ ‹ ‹ ‹

{‹

‹ ‹ ‹

I hear the roots speak

the roots speak

they

‹ ‹ ‹ ‹ ‹ ‹

{‹ >

speak

they

speak

‹ ‹ ‹ ‹ {‹

‹

hear the tree roots (ay)

U ? Bird triggers cascade of magpie/whipbird/bellbird M. Bird

7 4

4 4

∑

and motorbike sounds and tries to imitate these

3 3

U ∑ &

7 4œ

bœ bœ bœ bœ

œ œ bœ ‰

‰

nœ bœ

nœ

4 4

bœ bœ œ œ nœ bœ ™

mf 3

Toy Piano

7 4∑

U ∑

7 4

∑

4 4

U ∑

7 4

∑

4 4

U ∑

7 4

∑

4 4

U ∑

7 4

∑

4 4

{

bœj bœ

U ∑

4 4

Più mosso Vln. I

° &

Vln. II

Vla.

Vc.

pizz.

œ ? Db.

U ∑

bœj œ

œj bœ

bœ bœ

7 4∑

4 4 3

Sy. 4624/01

Tree of Codes – Act I Score in C

° 4 Fl. 1 & 4

∑

8 4

6 4

‹ 4 &4

∑

8 4

6 4

∑

8 4

6 4

∑

8 4

6 4

∑

8 4

6 4

∑

8 4

6 4

∑

8 4

6 4

∑

8 4

6 4

∑

8 4

6 4

8 4

∑

6 4

Picc. 2

4 C. A.

B. Cl.

4 ?4 Bsn.

Hn.

° 4 &4

Tpt.

4 ?4 Tbn.

4 ?4 Euph.

Wwand.

° ¢/

4 4 megaphone

sung megaphone 3

Adela

° 4 &4

8 4˙

Œ ‹

‹

hear

‹

‹ tree

‹

j ‹

≈ Œ j ‹ ‹™

6 4

‹

roots tree

roots

old

tales

8 4

∑

4 4 &4 œ

≈ ‹ ‹

M. Bird

˙™

3 Ÿ~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~~~~~~~~ 3 bœ bœ bœ œ nœ œ bœj bœœ #œ bœ nœ #œ #œ nœ #œ

fa - ther

6 4

8 4 nœ

6 4

∑

bœ Toy Piano Shruti Box

? 4 bœ

{

œ #œ nœ ææ

nœœ J

bœ bœ ‰

8 bœ 4J

bœ b˙

b˙

bœ J

bœ 7

6 4

3 3 3

h. sul pont.

Vln. I

° 4Œ &4

3 Ÿ~~~~~~~~~~~~~~~~~~~~ j bœ bœ #œ bœ nœ #œ #œ œ #œ

(breathy) lateral trem.

ord.

8 4

> œ #œ œ #œ

#œ ≈ ‰ R

‰ n˙

O˙ ™™

œ 7

6 4

3 3

h. sul pont. 3

4 &4 Œ

Vln. II

3 Ÿ~~~~~~~~~~~~~~~~~~~~ j #œ œ #œ # œ n œ # œ bœ bœ bœ

(breathy) lateral trem.

ord.

8 4 œ #œ

œ #>œ

#œ ≈ ‰ R

‰

˙™

œ 7

6 4

3 3 3

(breathy) lateral trem.

h. sul pont.

B4 Œ 4

Vla.

Ÿ~~~~~~~~~~~~~~~~~~~~ nœ #œ #œ œ #œ bœ bœ #œ bœ J

œ #>œ

8 œ #œ 4

#œ R ≈ ‰

ord. ˙

n˙ ™

œ 7

‰

6 4

3 3

(breathy) lateral trem.

arco

> bb O˙

pizz.

bb O˙ ™™

8 4Œ

∑ Vc.

bb Oœ 7

6 4

œ mf

(breathy) lateral trem.

pizz. arco

>O œ

(pizz.)

œ bœ œ nœ

8 4Œ

œ œ

Db.

4 3

> bb O˙

bb O˙ ™™

bb Oœ 7

mp mf

Sy. 4624/01

6 4

Tree of Codes – Act I Score in C

allarg.

tempo libero

° 6 Fl. 1 & 4

∑

6 4

‹ 6 &4

∑

6 4

Picc. 2

enter ad lib.

Cor Anglais

-œ J

œ™

∑ C. A.

> µœ œ Bœ

j œ Bœ J

6 4

B˙ ™

7 3

6 B. Cl.

∑

6 4

∑

6 4

∑

6 4

?6 Bsn.

Hn.

° 6 &4

enter ad lib. 7

6 &4

Tpt.

-œ

∑

j œ µœ ™

‰

6 4

µœ ˜œ œ bœ b˙ ™ > f pp

?6 ∑

6 4

∑

6 4

Tbn.

4 ?6 Euph.

Wwand.

° ¢/

6 4

∑

allarg. tempo libero alternate ﬂuttering cascade of words/inhaled sounds (megaphone)

sung incantatory mf

Adela

° 6 œ &4 an

mega spoken

œ -

>j œ

œ™

µœ

m 7 > Bœ µœ Bœ nœ nœj >

bœ ™ >

j ‹

‹

- gas

son

trigger cascade of sounds and imitate these sounds

cient

I hear underground whispers, the tree roots speak, I hear the roots underground, whispering, in their roots, they speak, they speak, they speak

U 3

6 4

?6 ∑ M. Bird

6 4

add notes, more dissonant

? 6 b˙

b˙ ™

bbœœ 7

Sh. Box

{

air ﬂutter

6 4

bb˙˙ 7 mp

allarg. Vln. I

° 6 œ™ &4 7

tempo libero ‰

6 4

Ó™

6 4

Ó™

6 4

strings join bird in imitating sounds.

6 &4

Vln. II

œ™ 7

‰ pp

B Vla.

6 4

œ™ 7 ‰ pp

bO ™ ? 6 b 7œ ™

‰

Ó™

6 4

Ó™

6 4

Vc.

4 pp

bO ™ ? 6 b 7œ ™

‰

Db.

4 pp

Sy. 4624/01

Tree of Codes – Act I Score in C

q = 50 B 60

° 6 Fl. 1 & 4

U ∑

4 4

‹ 6 &4

U ∑

4 4

U ∑

4 4

U ∑

4 4

U ∑

4 4

Picc. 2

C. A.

B. Cl.

6 ?6 Bsn.

° 6 &4

U ∑

Hn.

4 4

U ∑

Tpt.

4 4

U ∑

4 4

U ∑

4 4

U ∑

4 4

?6 Tbn.

4 ?6 Euph.

Wwand.

° ¢/

6 4

Soundtrack

6 4

(15 - 20")

slow bell birds chirping around F4 (like submarine sonar or emergency room monitor)

4 4

q = 50 spoken (without expression)

Adela

B U Œ

° 6 &4 ‹

j ‹>

‹

Dark

j ‹

>‹ ™

name - less

U ∑

4 4

U ∑

4 4

‹

things.

U ∑

?6 M. Bird

4 Son speaks (performs both parts)

'Ventriloquism act' SON: Is my father alive?

U U ∑

PUPPET: No he's dead SON: Does he guess?

Son

4 4

PUPPET: No he doesn't guess

™ ?67

U ∑

4 4

U ∑

4 4

U ∑

4 4

U ∑

4 4

U ∑

4 4

U ∑

4 4

‰

U Œ

Sh. Box

{

4 mf

q = 50 mute strings with hand

B Vln. I

ﬂutter (no pitch) ° 6 breathy ™ ‰ &47 mf

mute strings with hand breathy ﬂutter (no pitch) ™ 6 ‰ &47

Vln. II

mute strings with hand breathy ﬂutter (no pitch) ™

B Vla.

6 47 mf

‰ pp

mute strings with hand breathy ﬂutter (no pitch) ?6 ™ ‰ 47

Vc.

mute strings with hand breathy ﬂutter (no pitch)

Db.

?6 ™ 47 mf

‰ pp

Sy. 4624/01

Tree of Codes – Act I Score in C

(slow bell birds)

Soundtrack

4 4

6 4 p

> bœj œ

Son

°? 4 œ ¢ 4

œ™

>œ bœ œ

œ J

> ≈ bœ

œ nœ nœ µœ bœ nœ bœJ ™

œ #>œ ™

bœ

6 b>œ ™ 4J

nœ œ R

Ÿ~~~~~~~~~~ œœ

-œ b-œ n>œ bœ œ

bœ nœ ™

3 3 7

3 3

he does - n't

guess

This

cret

= 65

Soundtrack

Son

8 4

/ œ. J

™ °? œ ¢

œ. J

‰

œj

œ. J ‰

œ œ.

œ. J

‰

7 4 µœ

µœ

8J 4

‰

µœ R

Œ™

nœ ≈ J

œ™ J ≈ ‰

≈ Œ

7 4

tion

have

put

back

the

clock

it's

sim

ple

= 67

Soundtrack

7 4

6 4 mp

ëf >œ

f mp

>œ Son

œ™

µœ

> µ œj

°? 7 ¢ 4

µœ

nœ ‰™

n>œ

œ™

4 4

-œo ™ J

’

6 4

‰™

‰

-œo J

≈

4 4

Ó™

‰

3 3

Here

he's

live

one -

gue

sses

q = 56 69

° 4 Fl. 1 & 4

5 4

∑

6 4

∑

5 4

∑

Bass Clarinet (match honking timbre of soundtrack)

B. Cl.

4œ ¢& 4 J ‰

‰

>œ ™ J

‰

≈ œJ ‰

œ. >œ ‰

5 4Ó

‰

≈ œJ

‰

6 µœ 4J

‰

‰ nœJ ‰

‰

>œ J ‰

‰

5 4

Soundtrack

4 4

5 4

6 4 mp

˙o ™

>œ œ œ

f n -œ µ >œ-

q = 56 Son

°? 4 ¢ 4

bœ

5 4

∑

5 4 mp

>˙ ™

nœ œ J ≈

6 4

‰

5 4

3 3

Here

ac - ti

vate

time

= 72

° 5 Fl. 1 & 4

∑

>œ R ‰™

5w B. Cl. ¢& 4

‰

œ J

∑

˙™

œÆ œÆ œÆ -œ ææ

fff

j j œ µœ >œ nœj >œ œ >

3 7

Hn.

° 5 &4

∑

Ó ˙™

w mf

5 ∑ Tpt.

‰

j œ œ

≈ œ >

r ™ œ ‰

>œ. . œ ?5 ∑

‰

>˙ ™

µ >œ R ‰™

µ˙

‰

j 3 œ> ‰ n>œ ‰ J

‰

j œ

‰

j 3 œ ‰ œ J ‰

‰

Tbn.

4 3 3

> ? 5 #w

#œ

˙™

#œ #w J

Euph.

4 ë

To Rattle

Wwand.

° ¢/

5 4 ˙™

mp mp

Soundtrack

5 4 ff

Son

>œ

°? 5 ¢ 4

b œj

Œ time

past

Sy. 4624/01

‰

Tree of Codes – Act I Score in C

add harmonics ord. 75

sfz 9

sfz

° œ œ. œ. œ. œ. œ. œ. œ. œ œ ™ ææ ææ B. Cl. ¢& R ‰ 3 3

>-œ œ. µœÆ µœ µœ J ‰™ R J

‰ Œ

µœ œ µœ œ b-œ œ ® œ. œ. œ. œ. œ. I

Hn.

çbœ bœ

6 4

° &

˜˙ œ

‰

b œ. b œ. b œ. b œ. b œ. b œ. b œ. b œ. b œ. b œ. b œ. b œ. b œ. b œ. b œ> >

≈ f

∑ ä (Hn., Tpt., Tbn., Euph.)

Continue intermittent punctuation of slow bell birds 3

j œ

& ‰

Tpt.

j3 œ ≈Œ

≈ Œ™

œ ≈J ‰

? Ó

Œ performed as

Tbn. 3

˙™ ? Œ

Euph.

¢ pp

soundtrack ﬁnishes

Soundtrack

6 4

∑

warble

B œj

œ™ 78

° 6 B. Cl. ¢& 4

™ BBB bOOOOOO ™™™™ O ™™ bO ™ b˙™

œ J

Ÿ~~~~~~~~~~~~~~~~~ œ µœ

b -œ

7 nœ

µ-œ

µ-œ ™

BbnOOO bO bœ

œj

≈

Bb OOO ™™™ bO ™ bœ™

‰

6 4

øø

J øøø

øø

Hn. Tpt. Tbn. Euph.

° ¢

6 (rate of punctuations slows down) 4

7 4

6 4

Bsn.

°? 6 ¢ 4

7 4∑

∑

‰

‰ >œ b œ

4 4

oj mf

‰

U ∑

4 4

‰

U ∑

4 4

‰

U ∑

4 4

œ >-

œ ê

Hn.

° 6 Ó &4

˙™ pp

7 j 4œ

‰

7 j 4œ

‰

pppp

Tpt.

œ >mf

œ ê

6 &4 Ó

˙™ pp

pppp

(no mute)

Trombone

n>œ 7J ‰

4 3

mp sfz

(no mute)

?6 ∑

µœ J

‰

Euph.

7 4∑

‰

‰ >œ b œ

4 4

mf mf

°? 6 ∑ Vc.

7 bU~ ™ 4 w™

bœO

4 4

ppp

?6 ∑ Db.

7U 4 w™ ppp

Sy. 4624/01

Tree of Codes – Act I Score in C

q = 56 82

Fl. 1

° 4 &4

∑

6 4

∑

4 4

∑

‹ 4 &4

∑

6 4

∑

4 4

∑

6 4

Picc. 2

4 C. A.

Ó™ >˙

œ >

>œ

œ™

4 4

# -œ J

>œ B. Cl.

6 4

∑

˙ >

µœ J

#œ ˜œ ™

>œ

4 &4

#œ ™

4 4

œ™

#œ

#˙

n>œ œ

#œ

3 3 7

b˙™

mf 7

?4 Bsn.

4 b>œ ™

j bœ bœ

bœ œ bœ b œ ™ bœ

j bœ ™

6 4 b˙

4 4 œj

≈ >˙ ™

open

Hn.

° 4 &4

6 4

∑

4 4

∑

Œ #˙ ™ f

6 4

∑ Tpt.

? 4 Œ™ Tbn.

4 4

∑

6 4 bw ™

j bœ b˙

4 4

∑

œ™

>œ œ

Ó 3

ppp

>˙ ™ ?4 Euph.

4 b>œ ™

6 4

j bœ b˙

4 4

≈ j œ™

Rattle (e.g. bundle of wooden pods)

Wwand.

° ¢/

4 4

6 4

∑

˙7

j œ7

Ó™

4 4

‰

w7 mf

q = 56 Adela

° 4 &4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

?4 M. Bird

4 ?4 Son

?4 Sh. Box

{

q = 56

IV 3 7

Vln. I

° 4 &4

bœO µBœO µO

IV 3 7

4 &4

Vln. II

6 4

∑

4 4

∑

bœO µBœO µO

B4 4

Vla.

6 4

∑

4 4

∑

b Oœ BµOœ µO Ó 3

f 7

sul pont. h. sul pont.

ord. 7 7

? 4 b Oææ 4 >˙

Vc.

‰

bœO ™™

6 4

r nœ

Œ™

≈ Œ œ #œ œ œ #œ

æ b˙Oæ™™

4 4

≈ b˙O

sul pont. h. sul pont.

slow

æ œæ

4˙

r Œ™ œ

fast

?4 Db.

6 4

Œ™

r œ œ #œ œ œ #œ ≈ Œ

bO˙ æ

™

4 4

#Oœ ™™ ææ

O™ J ≈

>˙ mf

III 7

Sy. 4624/01

j bœ™

Tree of Codes – Act I Score in C

sfz

n œÆ

µœ > # œ µ œ ˜ œ # œ. # œ. n œ. œ. b œ. J Œ

µœ ææ

° Fl. 1 & Ó

J ‰

‰

∑

5 3

‹ & Ó

Picc. 2

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ µ œ µœ µœ ™

n>œ. œ. b œ. n œ. b œ # œ J

µœ ææ

#œ

µ œ. µ œ.

µœ µœ µœ

‰ 5

µœ µœ

Œ™

≈

µœ µœ #œ bœ nœ

ff 7

bisbig.

µœ ™

œ J

‰ C. A.

& mf

˙™ œ

B. Cl.

Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™ #˙

#˙ ™

#˙

& mf

? ‰

∑

Bsn.

¢ œ™ mp

#>˙ ™

Hn.

° & #œ ™

‰ j œ #œ F

#œ ™ J

≈

#œ #œ œ bœ bœ œ#œ œ bœ bœ

bœ™

ff mp

∑ Tpt.

∑

? ˙™

œ ˙

b˙

Tbn. pp

? w

œ J

œ ‰

‰

Euph.

¢ 3

Metal Jingles Rattle æ (irregular texture)

Jingles Rattle

° ¢/

Adela

ææ (regular) w w æ

ææ w w 7

æ w w 7 ff

° &

∑

? M. Bird

? Son

? Sh. Box

{

sfz

bœ œ œ#œ#œ µœ œ Vln. I

3 ° & j O O

n Oœ

œ j ≈ Ó ™ nœ bœ #œ

bœ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ œ œ #œ #œ œ #œ ≈ R ‰

ææ µB˙O

3 3

ææ µµ˙O

Vln. II

& j O O

j ≈ Ó ™

∑

III 3 B Oj O

j™ ≈ Ó

∑

bbO˙ æ

Vla.

h. sul pont.

? j æ œ œæ

Vc.

æj b œæ b œ ™

‰ h. sul pont.

∑

Ó > > b Oœ b Oœ b Oœ b Oœ

ord.

#>œ >œ >Oœ O œ

bœ

3 3 3

? Db.

¢ ˙

ææ ˙O

ææ œO

Oœ

j > > >

‰

ÆOJ

ff f

Sy. 4624/01

bœO ™™

æj bœOæ

b˙

Tree of Codes – Act I Score in C

° Fl. 1 &

∑

‹ ™ & #˙

Picc. 2

µ>œ

µœ ™

& #˙

B. Cl.

& œJ ™

≈

≈ r #œ #œ ™

‰

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

? ∑

nœ ™

∑ Tpt.

∑

° ‰ &

6 4

Bsn.

Hn.

∑

œ #œ

C. A.

6 4

? bœR

‰™

∑

6 4

∑

? œR ¢

‰™

∑

6 4

∑

Euph.

Jingles Rattle

ææ™ ° ¢ / æœœ ™ æ

∑

6 4

∑

6 4

∑

6 4

∑

Tbn.

To Ratchet

‰ Ó ppp

Adela

° &

? M. Bird ord. very breathy

ë mf > # œ # -œ # -œ # -œ # œ J

#>˙ Son

? Ó ¢

pp mf

#˙

6 #œ 4

‰ Œ™

œ J

j bœ œ

#œ nœ œ >

6 4

? ∑

j bœ #œ

∑

Sh. Box

{

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vln. I

° BO BO BO ™ BO & µ œ µ œ µ œ ™ µ œ #O > >

‰

µµOO

™

6 æ 4 µµ˙Oæ

~ µµw >

6 æ 4 µµ˙Oæ

~ µµw >

O™ pp

7 7 3

& µµœO œO ™™ > >

Vln. II

r ‰™ O

™

œO ™™

µµ˙O pp

breathy tasto h. sul pont. 7

bO Bb œ

bbO˙

bbOœ

6 4 #œ

∑

Vla.

#œ #œ J

r Œ™ œ # œ ™ # œœ ™™ bœœ œ n œ # œ œ≈ #œ ™

p 7 7

ë pp

? bO ˙

Vc.

bœO

b˙O

ë ? bœR

‰™

bœO

r bœO ‰ ™

6 4

∑

6 4

∑

Db.

Sy. 4624/01

Tree of Codes – Act I Score in C

sfz sfz

q = 60 91

Fl. 1

° Ó &

Jœ ≈ J

≈ Œ

Jœ 4J ‰ ‰ Œ

5 4

∑

6 4

∑

4 4

6 4

∑

4 4

ff sfz

bœ™

˙™ bœ ‹ & Ó™

Picc. 2

bœ™ œ™

4 4 mf

5 4 ff

‰

sfz

4 4

∑ C. A.

œ J ‰ ‰ Œ

5 4

j œ w

6 #œ ™ 4

#w Œ

4 4

sfz

4 4

∑ B. Cl.

5 4

∑

6 4

∑

4 4

‰ ‰ Œ

5 4

∑

6 4

∑

4 4

‰ ‰ Œ

5 4

∑

6 4

∑

4 4

5 4

∑

6 4

∑

4 4

5 4

∑

6 4

∑

4 4

5 4

∑

6 4

∑

4 4

5 4

∑

6 4

∑

4 4

œ ‰ ‰ Œ J 3

ff sfz 3

4 j 4 bœ

? ∑ Bsn.

sfz

Hn.

° &

4 #œJ 4

∑

open sfz

4 bœJ 4

∑ Tpt.

‰ ‰ Œ 3

sfz

4 4

? ∑ Tbn.

œ J ‰ ‰ Œ 3

ff sfz 3

4 j 4 bœ

? ∑ Euph.

‰ ‰ Œ

Rt.

° ¢/

4 4

∑

q = 60 Adela

° &

∑

4 4

∑

5 4

∑

6 4

∑

4 4

∑

4 4

∑

5 4

∑

6 4

∑

4 4

? M. Bird

inhaled breathy mf

ëf #>œ ‰ ™ R

? #˙ ™ Son

œ™ falsetto

#œ #œ #˙ Œ

4 4

5 4

∑

6 #œ ™ 4

#œ ™ Œ

o ‰ &#œ œo

4 4

map

4 4

? ∑ Sh. Box

{

5 4

∑

map

∑

6 4

∑

6 4

∑

4 4

#˙ ™

4 4

q = 60 sfz

Vln. I

° & µµw~ ™™

4 µµœOj 4 ë

‰

5 4

Ó™

sfz

4 µµœOj 4 ë

& µµw~ ™™

Vln. II

‰

5 4

6 4

∑

4 4

Ó™ #˙ ™ mp

ord. sfz

æ3 B œæ #œj #˙

Vla.

4 #œOj 4

#˙ ™

‰

Œ #œ

5 4 #˙ ™

µµ˙O

6 4 µµ>œO

µµœO µµ˙O

4 4

µµ˙O ™™

ë mp

? ∑ Vc.

4 4

∑

5 4

6 4

∑

Ó™

µµ˙˙ ™™

4 4

ord.

h. sul pont.

? ∑ Db.

4 4

∑

5 4 >˙ ™ mf

Sy. 4624/01

˙ (mp)

6 4

4 4

Tree of Codes – Act I Score in C

° 4 Fl. 1 & 4

∑

5 4

∑

4 4

∑

5 4

‹ 4 &4

∑

5 4

∑

4 4

∑

5 4

∑

5 4

∑

4 4

∑

5 4

∑

5 4

∑

4 4

∑

5 4

Picc. 2

4 C. A.

B. Cl.

>œ

#œ Bœ œ œ

I ?4 Bsn.

™ I œJ

5 4

∑

I ˙

4I 4

° 4 &4

Tpt.

5 4

∑

4 4

∑

5 4

∑

5 4

∑

4 4

∑

5 4

∑

5 4

∑

4 4

∑

5 4

∑

5 4

∑

4 4

∑

5 4

4 ?4 Euph.

° ¢/

4 4

∑

5 4

∑

4 4

∑

5 4

° 4 &4

∑

5 4

∑

4 4

∑

5 4

∑

5 4

∑

4 4

∑

5 4

?4 M. Bird

#>œ B œ œ œ ?

o Son

5 4

Tbn.

Adela

‰

∑

Rt.

‰ 3

Hn.

œ J

4 ¢& 4 œ

j 3 œ œ I I

I ˙

j 3 œ #œ I

5 4 #œ

µœ ™ µœ ™ µœ J J

œ µœ µœ µœ

‰

4 4

µœ #œ #œ #œ #œ J

#œ Œ

5 4

7 7

map

fa - ther

5 4

∑ Sh. Box

{

kept

Vln. I

map

our

ci - ty

4 4

∑

(tune with 'Son')

° 4 Ó &4

beau - ti - ful

∑

5 4

(vln 1 only trem.)

I ˙

5 µO ™ 4µ ˙™

µµæO˙ æ

5 4 µµ˙O ™™

µµ˙O

5 µO ™ 4µ ˙™

µµO˙

O˙ ™™

O˙

4 µµww 4

5 4

4 µµw~ 4

5 4

4 ##~w 4

5 4

3 3

4 Vln. II

& 4 µµœO

j ‰ Iœ

I˙

‰

Vla.

B 4 #O 4# ˙

j ## œO

? 4 µµOœ Vc.

µµœO

j µµœO

‰

5 4

4 #~w 4

5 4 pp

ord.

Db.

?4 ¢ 4 œ

œ #˙

5 4 #˙

#˙ ™

Sy. 4624/01

4 4

œ ~ w

5 4

Tree of Codes – Act I Score in C

° 5 Fl. 1 & 4

6 4

∑

µ˙

Ó™

4 4

µ˙ ™

Ó™

4 4

µœ

‹ 5 &4

Picc. 2

6 4

∑

˜˙ ™

6 4

∑ C. A.

5 B. Cl.

∑

6 4

∑

6 4

∑

µœ

∑

Œ mp

Hn.

° 5 &4

Tpt.

∑

4 4

∑

6 4

∑

4 4

∑

4 4

∑

4 4

6 4

>˙ ™

w >™

ppp

?5 ∑

6 4

5 4

∑

6 4

Euph.

6 4

Tbn. f

4 4

Ó™

∑

4 >˙

4 4

∑

µ˙ ?5 Bsn.

4 4

Ó™

∑

Ratchet

° Rt. ¢ /

> > ¿ ¿™ ∑

4 4

∑ f

spoken (hoarse/harsh) f

Adela

° 5 &4

6 4

∑

Œ™

∑

j ‹

4 4

the

6 4

∑ M. Bird

∑

4 4

∑ mp

µ˙™ f

œ #œ˜œ œ #œ

? 5 Œ™ ¢

>œ ™

6 4

œ œ

Son

œ ˜œ

˜œ µœ µœ ™ J ˜œ µœ ™ œ # œ J

#œ

Ó™

≈

4 4

7 3 3

the

ci - ty

Vln. I

wards

the

6 4

∑ Sh. Box

{

rose

cen - tre

the

map

∑

4 4

∑

> œ #œ

° 5 b Oææ™ & 4 ˙™

#˙

6 µ -œ 4

#œ Œ

Ó™

4 4

Ó™

4 4

#œ ˜˙ ™ ˜œ 3

mf mp

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ Ÿœ œ œ ˙™

5 Vln. II

bb ˙O

™ >˙

Œ 7

pp mf

B 5 ˙™ 4>

7 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ #œ nœ #œ n˙ œ µœ œ

6 4 ˙

> ? 5 #Oœ Œ 4J

œ™ Œ

Œ ˙

## Oœ ™™ ‰

Ó™

4 4

Vc.

Œ™

Vla.

6 4 bb œOææ™™

6 4

#˙ ™

œ™

#œ J ‰

Ó™

4 4

æ O™æ

4 4

3 7

?5 Db.

4 >˙ ™ f

6 4

œ >-

˙™

æ #œ #œ #œæ #O mp

Sy. 4624/01

™

µO

Tree of Codes – Act I Score in C

Più mosso q = 72

q = 60

101

Fl. 1

° 4 &4

∑

5 4

∑

4 4

∑

6 4

‹ 4 &4

∑

5 4

∑

4 4

∑

6 4

∑

5 4

∑

4 4

∑

6 4

∑

5 4

∑

4 4

∑

6 4

∑

5 4 Ó™

Picc. 2

4 C. A.

B. Cl.

>˙ Bsn.

Hn.

° 4 &4

Tpt.

4w 4

∑

5 4

∑

4 4

∑

6 4

∑

5 4

∑

4 4

∑

6 4

∑

5 4Ó

?4 Tbn.

4w 4

˙™ f

5 4Ó

∑ Euph.

6 4

4w 4

˙™ f

6 4

+ Ratchet Deep Guiro

° D. Gro. ¢ /

4 4

5 j 4œ

œ œ

≈

r œ œ

> œœ >

> œœ ™ ™ >

4 4

∑

6 4

∑

6 4

Più mosso q = 72 Adela

q = 60

° 4 &4

r ≈

j ‹

‹ ‹ roots

‹

‹ ‹

5 4 ‹™

‰

4 4

‹ the

roots

are

the great

breed-ing

grounds

(brassy tone) ff

>œ ™ ?4 ∑ Son

5 4Ó

‰

4œ 4

œ ‰

∑

4 4

∑

5 4

∑

4 4

∑

6 4

∑

5 4

∑

4 4

∑

6 4

∑

5 4

∑

4 4

∑

6 4

∑

5 4

∑

4 4

∑

6 4

4 4

∑

6 4

Più mosso q = 72 Vln. I

° 4 &4

Vln. II

B4 Vla.

4 ?4 Vc.

Db.

?4 ¢ 4 ~ææ F

codes

6 4

5 4

6 4

∑

∑ Sh. Box

{

tree

q = 60

5 œ™Oææ™ 4

‰

Sy. 4624/01

Tree of Codes – Act I Score in C

104

° 6 Fl. 1 & 4

∑

4 4

‹ 6 &4

∑

4 4

6 &4

∑

Picc. 2

µ>œ

µ˙ ™

µœ

4 4 ë

C. A.

Œ mf

6 ∑ B. Cl.

4 4

∑

&4 (with sop.)

µ >œ J

B6 ∑

>j œ

nœ

µœB œ

4 4

Bsn.

4 3 3

o µ˙+ µœ >

µ >œ Tpt.

∑

µ˙™

µ>œ

4 4

Œ ë

6 &4

# ˙+

#>˙ ™ ?6 œ Œ

4 4

µ˙

Hn.

+ 3+ j µœ µœ > mf

+ I w

° 6 Ó &4

Ó™

4 4

Tbn.

4 ?6 œ

Ó™

4 4

w™ >

Euph.

4 pp

D. Gro.

° ¢/

6 4 Ó™

Œ œ

ææœ

4 4

f 3

plaintive/keening mf throat fry

Adela

° 6 ∑ &4

ord.

æ µœæ

> µœ J

n-œ

-œ

j œœ

µ>œ Bœ Bœ nœ

4 4

>œ

œ µœ ™ œ #œ

I œ

œ™

µ˙

œ #œ œ ˜œ

µœ J

Ó™

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

#œ #œ

‰

Son

4 7

ney

combed

with

streets

plored

?6 Sh. Box

{

Vln. I

° 6 &4

Vln. II

B6 Vla.

4 ?6 Vc.

4 ?6 Db.

Sy. 4624/01

Tree of Codes – Act I Score in C

106

° 4 Fl. 1 & 4

∑

6 4

‹ 4 &4

∑

6 4

∑

6 4

∑

6 4

Picc. 2

To Oboe

4 µœ &4

C. A.

4 ∑ B. Cl.

&4 n -œ

œ bœ™ b˙

bœ

bœ R Œ™

∑

6 4

Bsn.

4 3 7

Hn.

° 4 µœ &4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

4 µœ Œ Tpt.

&4 pp

#œ ?4 Œ Tbn.

4 pp

Euph.

+ ?4 w 4>

Ó ˙

bowed

Ratchet

° D. Gro. ¢ /

4 4

>j œ™

œ ‰

Vibraphone

≈ Œ Ó

6 4

‰

& 3

f mf

3 3

Adela

° 4 œ &4

œ bœ ™ b˙

nœ > sto

‰

6 4

∑

bœ

f b>œ µœ nœ œ #œ ™ nœ

?4 ∑

#œ #œ #œ #œ #œ

#œ

#˙

6 4

‰

Son

4 3 7

map

on - ly

few streets were

marked

?4 ∑

∑

6 4

∑

6 4

∑

6 4

Sh. Box

{

Vln. I

° 4 &4

Vln. II

Vla.

B4 4

4 h. sul pont. 3 3 3 3

∑

‰

j œ

œ #œ #œ #œ

nœ bœ œ bœ œ #œ nœ

6 4

h. sul pont. (non trem.) 3

?4 bœ ™

j b>œ

bœ ™

j b>œ

∑ Vc.

b>˙ ™

b>œ

b˙

bœ-

6 4

bœ-

6 4

h. sul pont. 3

?4 ∑ Db.

æ b>˙æ™

b>œ

Sy. 4624/01

b˙

bœ-

Tree of Codes – Act I Score in C

109

° 6 Fl. 1 & 4

∑

5 4

∑

4 4

‹ 6 &4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

Picc. 2

6 Ob.

B. Cl.

Bsn.

?6 Œ ¢

˙™

5 j 4 >œ

b˙™

bœ

> sord. 5 con 4 ˙™

∑

œ™

‰

Hn.

° 6 &4

4 4

bœ

4 4

con sord. 3

Tpt.

5 4‰

∑

bœ

b˙ ™

6 &4

con sord.

4 4

Œ pp

>œ œ™ b œ b ˙ ™

5 4Œ

∑ Tbn.

4 4 7

con sord.

5 4Ó

∑ Euph.

4 4

b >˙ ™ mp

œ Vib.

>˙

° 6 ¢& 4

Œ /

5 4

∑

4 4

5 4

∑

4 4

Adela

° 6 &4

∑

ff f

Son

?6 Œ ¢

‰

> œ #œ

bœ bœ n>œ nœ ™ R

>œ bœ bœ #œ nœ

5 4 Œ™

#œ nœ œ bœ

#>œ J

#>œ

#>œ ™

#œ J

4 4

3 7 7 3

nor

mous

° 6 &4

Vln. II

∑

5 4

∑

4 4

∑

5 4

∑

4 4

Œ œ

4 4

B6 œ 4

me - try

∑

Vla.

5 4

Vln. I

∑ Sh. Box

{

bœ- bœ bœ bœ nœ nœ bœ >œ bœ œ f

5 4 >˙ ™

5 >˙ ™ 4

4 4

h. sul pont. ord. 3 3

?6 Vc.

4 b>œ

b>˙

bœ

j bœ-

bœ

j bœ

bœ ™

4 4

h. sul pont. ord. 3 3

?6 Db.

4 b>œ mf

b>˙

bœ p

j bœ-

bœ

j bœ

5 4

bœ ™

Sy. 4624/01

∑

4 4

Tree of Codes – Act I Score in C

111

° 4 Fl. 1 & 4

∑

‹ 4 &4

∑

Picc. 2

4 Ob.

B. Cl.

?4 Bsn.

4bw

bw >

mp mf

Hn.

° 4 &4

Tpt.

∑

4 bw

bœ

?4 ‰

∑

Tbn.

4 3

?4 Œ

‰

Euph.

4 bœ

bœ™

b˙

Deep Guiro

D. Gro.

° ¢/

4 4

∑

∑ Ó

Adela

° 4 &4

∑

sprech. sung

> ? 4 #œ

#>œ

#˙

#œ

#¿ ¿

‰

œ J

‰

bœ œ J

Son

4 3

emp

ness

dou

ble

mea - nings

?4 ∑

∑

Sh. Box

{

4 Ÿ~~~~~~~~~~~~~~ b œ nœ bœ

bœ

bœ ˙

Vln. I

° 4 & 4 #˙

#œ

#œ ™

#˙

j #œ

æ # œæ

nœ œo

œ 3 3

mf mf

Ÿ˙~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ œ

œ #œ J

4 ‰ Vln. II

&4 ˙

œO

O >œ

œO >-

œ™

j æ œ gl. b œæ™

molto sul pont. 3

B 4 #w 4

Vla.

? 4 n˙

æ #œæ

b>-Oœ J

bOœ

Vc.

b>Oœ

b>Oœ ™™

‰

b>Oœ ™™ ‰

‰

4 3

molto sul pont.

? 4 bw

bœ ææ

Db.

‰

mp 3

Sy. 4624/01

Tree of Codes – Act I Score in C

114

° Fl. 1 &

∑

5 4

∑

6 4

∑

5 4

∑

Picc. 2

‹ &

6 4

∑

5 4

∑

Ob.

6 4

∑

5 4

∑

B. Cl.

6 4

#˙ ™

5 #œ 4

œj µœ

#>œ œ #œ

œ #œ

? œ bœ nœ œ #˙

Bsn.

bœ ™ nœ nœ

6 4

#œ œ #œ

b œ-

o Hn.

° &

∑

5 4

∑

+ œ™ >

œ ˙

o r œ ‰™

j ‰ b >œ

‰

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

° ¢/

∑

5 4

∑

6 4

° &

∑

5 4

∑

6 4

Tpt.

? Tbn.

? Euph.

D. Gro.

Adela

œ µœ

Son

? œ ¢ J ‰

b˙

bœ bœ bœ

b˙

nœ #œ bœ ™ nœ œ

5 4

‰ 3

6 4

bœœœ 7

6 4

#œ #œ

7 3

dreams

mul - ti

ply

the

bor

ders

(no trem.)

b˙˙

bœœ

bœ>-œ b˙˙ J

bœœ

? Œ Sh. Box {

bœœ bœœ

5 bœœ 4

bœœ ™™ 7

bœœœ ™™

Vln. I

(II) sfz

œ ° J ‰ &

#O˙

#˙ ™

#O˙

‰

5 #OœJ ™™ 4

6 4

≈ ∑

œ ˜œ ˜œ 3

Vln. II

& œ

n˙

j œ

bœ

æ æ b œ-æ b œæ

ææ

5 #œ 4

œ #œ œ #œ

6 4

#œ nœ #œ ™ nœ ˙ # œ7

>O ™™ ˙

h. sul pont.

>˙ B

∑

Vla.

5 4

6 4

>˙ ? ∑

∑

Vc.

5 4

6 4

Ó™ mf

? ∑

∑

Db.

Sy. 4624/01

5 4

∑

6 4

Tree of Codes – Act I Score in C

117

° 6 Fl. 1 & 4

∑

4 4

∑

6 4

∑

‹ 6 &4

∑

4 4

∑

6 4

∑

Picc. 2

#>-˙

6 &4

Ob.

I ˙

I œ n>œ

˙™

4 4

˙ >

4 4

6 #œ 4

œ #œ #œ

Ó™

sfz

6 ∑ B. Cl.

r #œ #œ ‰ ™

∑

6 4

∑

6 4

∑

œ ‰ ‰ Œ J

4 4

œ Œ

#>˙

‰ Ó

Hn.

° 6 &4

#œ ™

? 6 n˙ Bsn.

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

j‰ ‰ b >œ mf

6 Tpt.

?6 Tbn.

4 ?6 Euph.

struck

Vibraphone

>j ˙

˙ ‰

° D. Gro. ¢ /

6 4

4 4

∑

œ™

œ w J

6 4

∑ & bowed mf

Adela

Son

° 6 &4

4 4

∑

œ ≈ n>œ b˙ I J R

?6 ˙ ¢ 4 I en

bœ ‰ J

4 #>˙ ™ 4

dless

∑

#œ ‰ J

∑

6 4

∑

6 4

∑

6 4

∑

day

breathy

?6 Sh. Box

{

Vln. I

bœœœ ™™ 7

‰

œ ˙ ‰ bœ7œJ b˙7˙

4 bœ7œœ 4

° 6 &4

4 4

∑

>O O O O O O sim. œ œ œ œ œ œ Oœ æ

∑

Oœ æ

6 4

>O œ æ

Oœ æ

sim.

6 &4

Vln. II

j ‰ œ

n˙

4 4

Ó™

∑

æ 6 4 bb>œObbœObbœObbœObbœObbœObbœO

∑

æ æ æ æ bbœO bbœO bbœO bbœO

B6 4

Vla.

Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ Oœ æ J 6 3

Oœ æ

4 4

>O œ æ

Oœ æ

‰ Œ

6 4

>O œ æ

Oœ æ

œ œ œ J

˙ b˙

Vc.

4 bœ 4

∑

6 4

∑

?6 ∑ Db.

4 4

> #~w ∑ mf

Sy. 4624/01

6 #O˙ 4

#~w

Tree of Codes – Act I Score in C 6

x=x q = 90 121

° Fl. 1 &

∑

4 4

∑

‹ &

∑

4 4

∑

>œ ™ Ó

& Œ

Ob.

j #œ # ˙ ™

œ #œ ™

œ œ

4 4

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #˙ œ #˙ #œ ™ R ‰

bœ œ b œ œ #œ #œ nœ ™

œ ≈ œ™ R

‰ ë

Picc. 2

∑

ff sfz

˜˙ ™ B. Cl.

˜˙ ™

˜˙

4 4

∑

sfz

? ˜˙ ™

˜˙ ™

4 4

Bsn.

˜˙

˜w

˜œ ‰ ™ R

open sfz

Hn.

° j &I œ

‰

4 4

Ó™

j ‰ b >œ

‰

∑

j b œ. >

open sfz 3

& œj

Tpt.

‰

4 4

Ó™

j ‰ b >œ

‰ bœ bœ >

open sfz

#œ ? J ‰

4 4

Ó™

Tbn.

b>œ ‰ J

‰

>œ. J

∑

‰

>. œ J

∑

open sfz

? ˜œ ™ ‰

4 4

Ó™

Euph.

b>œ J ‰

struck and bowed sfz

Vib.

œj ° J ¢&

2 bows

bœ ‰

4 4

Ó™

∑

x=x q = 90

Adela

° &

∑

4 4

∑

4 4

∑

Spoken (freely)

? Son

The wrong staircase What is this district?

bb˙>˙˙ 7

bb˙˙˙ ™™ mf

4 bb˙˙˙ ™™ 4 7

ord. b˙>˙

bœœ ™™ J

≈ Œ

Oœ æ

æ æ ˜µœO ˜µœO

æ ˜µœO

Oœ Oœ >Oœ Oœ Oœ æ

Oœ æ

breathy

? Œ Sh. Box {

x=x q = 90

Vln. I

sim. a 4 Oœ ° >Oœ Oœ Oœ Oœ Oœ & æ æ

Oœ æ

4 4

Oœ æ

sim. a 4

4 ˜µœOæ 4

æ ˜µœO

æ æ æ ˜µœO ˜µœO ˜µœO ˜µœO ˜µœO ˜µœO ˜µœO f

Oœ æ

4 bbæOœ 4

æ ˜µœO

bbOœ æ

bbOœ bbOœ bbOœ bbOœ bbOœ bbOœ bbOœ æ æ æ

bbOœ æ ê

Vla.

æ bbœO

æ æ æ æ & bbœO bbœO bbœO bbœO bbœO bbœO bbœO bbœO > ff a4 >O O O O sim. Oœ Oœ Oœ œ œ œ œ Oœ æ æ æ æ B

Vln. II

bbOœ bbOœ æ æ mp

h. sul pont. sfz

b>˙ ™

? ˜œ ™ ‰

Vc.

4 4

bœ ™

> œ ˙ J

> œ

w ê

ff f

h. sul pont. sfz

? ˜˙ ™

> b˙ ™

Db.

4 4

bœ ™

> œ ˙ J

> œ

w ê

f mp

Sy. 4624/01

bbOœ æ

Tree of Codes – Act I Score in C

125

>œ œ œ œ œ œ œ œ œ œ œ œ

° Fl. 1 &

∑

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Œ f

‹ ™ & œ

Picc. 2

bœ b˙ J

bœ™ J

b˙

≈ Œ mf

∑

f sfz

b >œ ™ J & Ó

Ob.

b >œ ≈ ‰ J

bœ b >œ ™ R ‰™ J ≈ Ó

b -œ J

bœ™ Œ™

‰

b œ. R ‰™

sfz

bœ

b˙ ™

bœ

b˙ ™

j bœ b˙

Œ™

∑ B. Cl.

sfz

Œ™

∑

bœ b˙ J

Bsn.

Hn.

° &

Tpt.

∑

bœ

∑

+ bœ b˙ J mf

o ?

Œ™

Tbn.

b˙ ™

ê ? ∑

∑

Euph.

¢ l.v.

Vib.

° b˙ ¢&

b˙ œ ™ ‰

> b˙œ œ ™ J

b˙œ œ ™ J

bœœj bœœ ™™ J

bœœj J

Adela

° &

∑

‰

˙™

∑

(spoken) unfamiliar balconies

? Son

? ∑ Sh. Box

{

sim. a 4

Vln. I

° bbOœ bbOœ bbOœ bbOœ bbOœ & æ

bbOœ æ

bb>Oœ æ

bbOœ æ

> ##Oœ æ

##Oœ æ

æ œ>O

æ œO

b>Oœ æ

bOœ æ

sim. a 4

Vln. II

#O #O #O #O #O & # œ# œ# œ# œ# æœ

##Oœ æ

> ##Oœ æ ff

Vla.

sim. a 4 æ æ B œO œO œO œO œO œO

æ œO

æ œO ff

sim. a 4

Vc.

? bOœ bOœ bOœ bOœ bOœ æ

bOœ æ

bOœ æ ff

sfz sfz

Db.

? œ™ ¢

j b>œ b˙ mf

‰ ˙™

Sy. 4624/01

#>O

™ F O

Tree of Codes – Act I Score in C

sfz

˜œ ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J Fl. 1 & 129

sfz

sfz œ ‹ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ J &

Picc. 2

5œ 4

‰

sfz bœ bœ bœ bœ bœ bœ bœ bœ bœ. µœ

≈ f

4 4

‰ mp

œ œ œ œ œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ mp

5 bœ bœ bœ bœ bœ bœ 4

œ œ œ œ œ œ œ œ œ œ œ œ œ

4 4

sfz

#œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J &

Ob.

œ œ ‰

‰

5œ 4

œ œ œ œ œ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ

4 4

to voice part (Bird)

B. Cl.

Bsn.

Hn.

& bœr ‰ ™

∑

5 4

∑

4 4

? bœ ‰ ™ R

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4Ó

° &

∑

+ ˙ ∑ Tpt.

4 4

œ p

∑

5 4

∑

4 4

∑

5 4

∑

4 4

? b˙ ™ Œ Tbn. ppp

? ∑ Euph.

(bowed)

Vib.

° Ó ¢&

˙™

5 4 ˙™

4 4

Œ œ

mp mf

°? M. Bird

∑

>˙

5 4Ó

O mf

b œ. J

b œ. ™

≈ ‰

¢ -

pec

ted

? ∑

∑

{

bbOœ æ

5˙ 4

œ J

‰

4 4

doors

Sh. Box

° bbOœ & æ

œ ˙

Son

Vln. I

b -œ ™ ? J un

4 4

bœ ‰ ™ R

5 4

∑

4 4

5 4

∑

4 4

5 4

∑

4 4

#O & # æœ

Vln. II

##Oœ æ

#œ ‰ ™ R pp

æ B œO

Vla.

æ œO

r œO œO œO œO œO œO œO œO œO œO œO œO œO ‰ ™

5 4 bœO

bœO bœO ™™

bœO bœO bœO

j bœO

bOœ bOœ ™™

bOœ

bO˙

bœO ™™

4 4

pp mp

? bOœ æ

Vc.

bOœ æ

bOœ bOœ bOœ bOœ bOœ bOœ bOœ bOœ bOœ bOœ bOœ bOœ bOœ bOœ bOœ bOœ

5 bOœ 4

? ∑

4 4

∑

Db.

Sy. 4624/01

5 4

∑

4 4

Tree of Codes – Act I Score in C

rall. 132 > ™ ° 4 #œ #œ #œ #œ #œ #œ #œ #œ #œ # œ Fl. 1 & 4

#œ

#>œ #œ #œ #œ #œ #œ #œ #œ #œ

#œ

#œ ‰ ™ R

6 4

#œ ‰ ™ R

6 4

‹ > œ™ 4 œ œ œ œ œ œ œ œ œ &4

Picc. 2

#œ

#>œ #œ #œ #œ #œ #œ #œ #œ #œ

#œ

To Cor Anglais

bœ bœ bœ bœ bœ bœ bœ bœ. b-œ ™

4 bœ &4

Ob.

>œ œ œ œ œ œ œ œ œ

œ ≈ ‰ R

6 4

4 ∑ B. Cl.

∑

6 4

∑

&4 #>œ # œ # œ # œ # œ # œ # œ # œ # œ

#œ R ‰™

?4 ∑

6 4

‰

#œ ™

Bsn.

4 mf

Hn.

° 4 &4

∑

6 4

∑

+ > #œ ™ . œ bœ œ nœ. œ. œ œ. #œ

Tpt.

#œ

#œ R ‰™

4 &4 ≈

˙™

œ ‰™ R

6 4

?4 ∑

∑

6 4

∑

6 4

Tbn.

4 ?4 Euph.

Vib.

° 4 ¢& 4 ˙ ™

˙™

6 4

˙™

rall. Adela

° 4 &4

∑

6 4

∑

ë mp f

>œ ˙ ™

œ bœ nœ

? 4 ˙™

>œ bœ bœ œ

œ > #œ #œ

6 4

#œ ™

M. Bird

4 -

ver

looked

hoarse voice mf

?4 ∑

∑

#œ ™

Son

¿ J

4 strange

?4 ∑

∑

6 4

emp -

∑

6 4

Sh. Box

{

sprechstimme

rall. Vln. I

° 4 &4

Vln. II

∑

6 4

∑

6 4

B 4 b˙O

Vla.

b˙O

bœO # O ™ # œ™

## ˙O ™™

## ˙O

6 4

mf mp

? 4 bO˙

bO˙

bOœ #O ™ # œ™

≈ ##œOj™™

##O˙

Vc.

Ó ##˙O

6 4

mf mp

?4 ∑

∑

Db.

Sy. 4624/01

∑

6 4

Tree of Codes – Act I Score in C

q = 72 135

° 6 Fl. 1 & 4

4 4

∑

4 4

∑

4 4

∑

4 4

∑

∑ sfz

µ œÆ ‹ œ. J 6 &4 R

Picc. 2

≈

Ó™

6 C. A.

B. Cl.

˙™ Bsn.

? 6 #>œ #œ ¢ 4

œ ≈

œ- ™

œ-

4 4

Ó™

Hn.

° 6 &4

Tpt.

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

° 6 ¢& 4 ˙ ™

4 4

?6 Tbn.

4 ?6 Euph.

l.v.

Vib.

q = 72 Adela

° 6 Œ &4

˙™

w œ

œ Œ

œ™

bœ ™

the

light

œ™

#œ ™

4 n˙ ™ 4

day

œ e

œ -

nor

œ -

mous

-œ last

mf f

?6 Œ M. Bird

4 by

the

light

œ J

˙™

4 #˙ ™ 4

day

œ e

œ -

nor

œ -

mous

-œ last

sung

œ™ Son

?6 ¿ ¢

court

yards

4 4

∑

4 4

œ #œ

œ ‰

∑

(ah)

∑ Sh. Box

{

4 #œ 4

∑

q = 72 Vln. I

° 6 &4

Œ œO mp

O™ >˙ ™

O -œ mf

6 ∑ Vln. II

B 6 ##O˙

> ~w

4 4 4 4

Vla.

∑

~ w > mp > #~w

> ~w ?6 ∑ Vc.

4 4

∑ mp

> # ~w ?6 ∑ Db.

4 4

∑ mp

Sy. 4624/01

Tree of Codes – Act I Score in C medium speed bisbigliando

fast

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ œ ˙ 138

° Fl. 1 & Ó

Ó mf

6 4

∑

5 4

6 4

∑

5 4

sfz

breathy

µœ J

‹ & Œ

‰

Picc. 2

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ µŸ˙ ˜œ æj œ™æ

C. A.

B. Cl.

≈

∑

6 4

∑

5 4

∑

6 4

∑

5 4

≈ Ó

∑

6 4

∑

5 4

? œ œ œ œ œ œ Bsn.

¢ f

stopped

Hn.

˙™

œ J f

Tpt.

+ j œ

+ œ™

sfz

° ‰ &

+ bœ

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

? Euph.

° ¢&

5 4

Ó™

Tbn.

Vib.

6 4 b˙ ™

5 4

ë mp

Adela

° >œ ™ & day

>œ ˙ ™

œ™

>œ #œ nœ #œ nœ #œ nœ #œ nœ #œ -

6 nœ 4

#œ ™

U #w

#œ

5 4

ife

ë mf mp

> ? œ™

>œ ˙™

M. Bird day

œ œ™

>œ œ œ œ œ œ œ œ œ œ

œ™ -

U w

œ œ

6 4

5 4

6 (spoken) 4

5 4

ife

? ∑

∑

Son

A ceaseless turning of pages

6 4

? ∑

∑

Sh. Box

{

Vln. I

° & ˙O >

O O O O O O O O >œ œ œ œ œ œ œ œ

˙O ™™

##œO

5 4

∑

U # # ˙O ™™

6 æ 4 ##˙Oæ™™

pp mf

Vln. II

& O >˙

O O O O O O O O >œ œ œ œ œ œ œ œ

˙O ™™

œO

6 4

B ##˙O >

##>œO ##œO ##œO ##œO ##œO ##œO ##œO ##œO ##˙O ™™

œO

6 4

œO ##œO ™™ ## ˙O

5 4

> #Oœ #Oœ #Oœ #Oœ #Oœ #Oœ #Oœ #Oœ

#O˙ ™™

#Oœ

# O˙ ™™

Oœ

Vc. f

#>Oœ # Oœ # Oœ # Oœ # Oœ # Oœ # Oœ # Oœ

6 #O˙ 4

5 4

O˙ ™™

ppp

U #~w ppp

#U O˙ ™™

6 4

Db.

¢ f

ppp

U ˙O ™™

#>O ? ˙

5 4

> ? #O˙

ppp

U ˙O ™™

˙O ™™

Vla.

5 4

Sy. 4624/01

5 4 mp

ppp

Tree of Codes – Act I Score in C

Tempo libero 141

° 5 Fl. 1 & 4

U ∑

∑

9 4

‹ 5 &4

U ∑

∑

9 4

Picc. 2

Cor Anglais repeat, irregular gaps like slow bell birds

U ∑

5 C. A.

™îí ™ í ™™ œ #œ ™ ™ nœ

#œ ™™îí ™™ nœ

9 4

™î œ™

5 B. Cl.

U ∑

∑

9 4

U ∑

∑

9 4

?5 Bsn.

° 5 &4

U ∑

∑

Hn.

9 4

U ∑

∑

Tpt.

9 4

U ∑

∑

9 4

U ∑

∑

9 4

?5 Tbn.

4 ?5 Euph.

4 ê

ê ff

2 Windwands

2 Wwands.

° ¢/

5 4

Ó™

Œ ˙ u

Œ œ

U œ™

U Œ Ó Œ

êf U œ™

U ˙w u

U Œ

U ˙

9 4 pp

l.h. ff

(to the Father) [spoken into megaphone]

whisper

Tempo libero

ppp

p p

bU ˙

b˙™ Adela

Come, take my hand

° 5 &4

∑ dip your face into that dusk under the lid of a cofﬁn (ah)

9 4

(ah)

push across the dull humus — ppp

p p

U ˙

? 5 ˙™

∑

9 4

∑

9 4

∑

9 4

∑

9 4

M. Bird

4 (ah)

(ah)

U ∑

?5 Son

4 the day is still leaving ... the night is yet to come

A bird's eye mirage of a city

U ∑

?5 Sh. Box

{

Tempo libero Vln. I

U ∑

° 5 &4

≈

U Ó

∑

9 4

≈

U Ó

∑

9 4

∑

9 4

∑

9 4

5 Vln. II

&4 O O >œ œ mp

œO

> B 5 bbOœ bbOœ bbOœ bbOœ bbOœ bbOœ bbOœ bbOœ bbOœ bbOœ 4

Vla.

U #˙˙

? 5 #˙˙ ™™ Vc.

4 mp

ppp

U ∑

Db.

Sy. 4624/01

Tree of Codes – Act I Score in C

q = 72 144

C. A.

° 9 ¢& 4

Ó™

6 4

∑

5 4

Ó™

6 4

∑

5 4

2 Wwands.

° ¢/

9 ˙™ 4 ppppp

megaphone whistle

megaphone sung, very pure bell-bird-like

q = 72 Adela

° 9 ¢& 4 œ œ-

≈ œ œ-

You

are

o µ>œ ≈ ≈ ‰ J œ œ œ >. > you are

o #>œ r ‰ J #œ. n>œ #œ œ œ ord.

‰™

(ah)

>o ‰ ™ µœR µœR ≈ ‰

6 4 ‰™

r nœ #œ. œ µœ

you

≈ œ œ -

are

≈ œ œ -

5 4

the

megaphone whistle mf

146

Adela

5 & 4 nœ œ œ œ ‰ œ œ œ ≈ œ œ œ ≈ œ œ œ œ. œ . you

are

in the

6 4

>œo # r œ œ bœ bœ bœ ≈ J Œ ™

o µ>œ Œ J

8 4 >œ

Deep

œ- ≈ œ œ- ≈ œ œ- ≈ ≈ œ œ nœ Œ > > >. >

you

œ œ ≈ œ œ- ≈ Œ > > can

can

= megaphone high piercing whistle

149

Adela

7 & 4 œ œ. œ œ. ≈ œ œ œ ≈ œ œ œ ≈ œj ≈ . > . > >you you can you can you

ff sfz

1™

seductive/sultry voice

‰ œ œ. œ œ. you

Sy. 4624/01

14 œ 4 >

bœ œ

can

see

˙™

> j µœ nw see

‰ œ™

∑

7 4

Tree of Codes – Act II Score in C

ACT II: The Comet i. Carnival crowd of painted masks ﬁll the streets

Tempo libero Flute 1

Flute 1

° &

U ∑

∑

U ∑

∑

U ∑

∑

U ∑

∑

U ∑

∑

U ∑

∑

U ∑

∑

U ∑

∑

U ∑

∑

U ∑

∑

Flute

Flute 2

Oboe

Clarinet in Bb

? Bassoon

(open)

Horn in F (double bell)

° & (open)

Trumpet in C (double bell)

& (open)

? Trombone (double bell)

(open)

? Euphonium (double bell)

Percussion

° ¢/

Tempo libero Son

U ∑

°? ¢

∑

Upright Piano (out of tune)

U ∑

∑

U ∑

∑

& Upright Piano (out of tune)

{

Tempo libero Violin I

° &

Violin II

U ∑

∑

U ∑

∑ 3

Strohviol

B Strohviol

U w

˙œ œ bœ ™ œ œ

mp 3

3 9 r≈ Œ m œœ ™ œ œ bœ bœ bœ bœ nœ R ‰ J > 3

3 7

æ œæ

ææ nœœ ™™

j œ œ ™ j #œ œœ >œ œ # œ # œ #œ #œ #œ

j œ # œ n œ # œ n œ #œ ™

œ œ

j’ #œ>

mf 9

U ∑

∑

U ∑

∑

Violoncello

? Double Bass

= mf

Son

°? ¢

5 4 Each

7 3

Stroh.

°B ¢

œ™ # œ- ™

œ # œ # œ-

≈

m œ œ œ bœ œ

#œ œ #œ

>j j #œ œ

> ≈ nœj œj

œ bœ œ

nœ œ bœ n œ # œ #œ nœ œ

œ bœ bœ J 7

3 3

f mf

Sy. 4624/01

5 4

Tree of Codes – Act II Score in C

q = 66 a tempo [brutal/apocalyptic strikes – comet as ﬁery bird and portent]

Fl. 1

° 5 &4

sfz

œ J ‰ ‰ Œ

4 4

sfz

Jœ J Œ

‰ ‰

>œ Jsfz œ freeze U ‰ ‰ J J ‰ ‰ Œ Œ

7 4Œ

4 4

fff sfz

Fl. 2

œ Jsfz 5 & J ‰ ‰ Œ

Jsfz œ 4J ‰ ‰ Œ

œ J Œ

‰ ‰

4 3

7 4Œ

Ob.

J >œ œ U ‰ ‰ J J ‰ ‰ Œ

sfz

œ J ‰ ‰ Œ

4 4

&4 3

sfz >œ œ U ‰ ‰ J J ‰ ‰ Œ

sfz

œ J Œ

‰ ‰

7 4Œ

sfz

sfz >œ œ U ‰ ‰ J J ‰ ‰ Œ

sfz

Cl.

4 b œJ ‰ ‰ Œ

nœ J Œ

‰ ‰

4 3

sfz

Bsn.

7 4Œ

sfz

? 5 j ‰3 ‰ Œ ¢ 4 œ

4 4

fff

sfz 3

fff

sfz

bœ 5 & J ‰ ‰ Œ

fff

sfz 3

j ‰ ‰ Œ œ

j œ

‰ ‰

7 4Œ

‰ ‰

3 U j œj ‰ ‰ Œ b >œ

ff fff

sfz sfz

Hn.

° 5 #sfz & 4 œJ ‰ ‰ Œ

> sfz U ‰ ‰ #œ œ ‰ ‰ Œ J J

4 #œJ 4

‰ ‰ Œ

j œ

‰ ‰

7 4Œ

3 3

sfz

Tpt.

fff

sfz

bœ 5 & J ‰ ‰ Œ

4 b œJ ‰ ‰ Œ

sfz

œ J

‰ ‰

4 3

> sfz U œ ‰ ‰ bœJ J ‰ ‰ Œ

7 4Œ

fff

sfz

Tbn.

sfz ? 5 œJ ‰ ‰ Œ 4

#œ J

sfz

4 4

œ ‰ ‰ Œ J

‰ ‰

>œ Jsfz U ‰ ‰ J œJ ‰ ‰ Œ

7 4Œ

fff ff

sfz

Euph.

sfz

? 5 j ‰3 ‰ Œ ¢ 4 bœ

sfz 3

4 j 4 bœ

sfz 3

‰ ‰ Œ

‰ ‰

j bœ

7 4Œ

‰ ‰

3 U j œj ‰ ‰ Œ b >œ

f ff

fff

damp sfz

sfz

sfz sfz 3 3

H.R.Cym. H-Hat

° ¢/

5 4

3 œj …‰ ‰ Œ

4 4

Œ Ó

œj …‰ ‰ Œ

œj

‰… ‰

∑

… j 3 U ‰ ‰ œ œ¿ ‰ ‰ Œ J J

7 4Œ

open

closed

œ æ˙ æ

¿ ¿ ¿ ¿ ¿ ¿

half

4 4

f 3 3

fff close

q = 66 a tempo terriﬁed/stuttering, explosively breathy f

Son

°? 5 œ ¢ 4

fast irreg. inhale/exhale ™

>. R

sim.

™

4 4

J 7

‰

7 4

≈ Œ

voiced >. >. exhale >™ J ‰ J

rapid alternating inhale/exhale

inhale

>¿

>. >. >

a ha a

nigh

5 {& 4

‰

U Œ

>¿ 7

>¿ J

‰

4 4

t ta

4 4

∑ Pno.

freeze

7 4Ó

∑

U Œ

4 4

q = 66 sfz

Vln. I

œ J sfz ° 5 J ‰ ‰ Œ &

sfz

Jœ 4J ‰ ‰ Œ

œ J Œ

‰ ‰

4 3

7 4Œ

>œ sfz œ freeze a tempo U ‰ ‰ J J ‰ ‰ Œ Œ Ó 3

ff sfz

5 Vln. II

œ J ‰ ‰ Œ

4 4

œ J ‰ ‰ Œ

‰ ‰

7 4Œ

fff

œ J sfz J

sfz

4 4

J >œ J sfz œ U ‰ ‰ J J ‰ ‰ Œ 3

4 4

fff

ff sfz

>j œœ bœ bœœ ≈ ‰ ‰ R

Stroh.

B5 4

œ™

j œ

j œ #œ

4 #œ 4

œœ™™

#>œ ™

7 4Œ

œ™ ≈ œ™ J

œœ U J ‰ ‰ Œ #œ ™ 3

mf f

Vc.

sfz

> sfz œ U ‰ ‰ œJ J ‰ ‰ Œ

O˙™™

#œ œ 3

sfz

? 5 œJ ‰ ‰ Œ 4

fff

œ œ œ 4 #œ #œ œ œ &

4 4

sfz

œ ‰ ‰ Œ J

Jœ J

‰ ‰

7 4Œ

4 4

3 3

f f

sfz

Db.

sfz

? 5 bœ ¢ 4 J ‰ ‰ Œ

4 bœJ 4

fff

sfz

‰ ‰ Œ

bœ J

‰ ‰

7 4Œ

> sfz U ‰ ‰ bœJ œJ ‰ ‰ Œ 3

Sy. 4624/01

fff

4 4

Tree of Codes – Act II Score in C

>œ ‰ J ‰ Œ

Fl. 1

° 4 &4

∑

6 4Œ

∑

Ó™

4 4

Ó™

4 4

Ó™

4 4

Ó™

4 4

Ó™

4 4

4 &4

Fl. 2

∑

>œ ‰ J ‰ Œ

6 4Œ

∑

4 &4

Ob.

∑

>œ ‰ J ‰ Œ

6 4Œ

∑

4 ∑

∑

> ‰ œJ ‰ Œ

6 4Œ

∑

Cl.

ff 3

?4 ∑

∑

6 4Œ

∑

Bsn.

‰ j‰ Œ >œ ff

Hn.

° 4 &4

∑

≈ #œ. -œ

6 4 bœ-

œ- œ™

bœ ™

nœ bœ bœ. œ. #œ. #œ œ #œ nœ œ

-œ #œj œ™

œ™

œ bœ. œ. #œ. #œ nœ #œ #œ œ # œ

4 4 4 4

4 &4

Tpt.

∑

. . . ≈ œ bœ œ

6 œ. #œ. 4

bœ. ‰ J

?4 ∑

∑

Tbn.

œ. J

6 #œJ. 4

. ‰ œJ

‰

>œ J ‰ Ó™

4 4

?4 ∑

∑

j ‰ b œ.

Euph.

œ. J

6 #œJ. 4

. ‰ œJ

foot close open

(beaters) closed

> ‰ #œJ ‰ Ó™

4 4

foot foot open closed open

open

beaters closed

open

j 3

Ride cym. Hi-hat

°/

4 4

j ¿

æ ¿æ™

>œ ¿

> œ

¿J

¿ æ

¿ ¿ ¿ ¿ ¿ 3

¿ œœ

6 4 œJ

œ™

œ œ

4 4

Tom-toms

Tom-t.

¢/

4 4

∑

6 4Ó

œ œ œ œ œœœœ

4 4

breathy voiced high breathy inhale exhale

hoarse exhale

spoken f

># ™ Son

°? 4 ¢ 4

>¿ J

‹ >‹ ‹ ‰ ‰ J J Œ

~~~~~~~~ #™

‰

ppeared

6 4

∑

4 4

the

co-met

4 ∑

∑

6 4

∑

4 4

∑

6 4

∑

4 4

˙O ™™

4 4

˙O ™™

4 4

&4 Pno.

{ Vln. I

° 4 & 4 O™ œ™ mp

j œO ˙O

œO

˙O ™™

œO

˙O

6 4 ˙O ™™

fff

˙O

6 4 ˙O ™™

fff

O˙

6~ 4w

fff

O˙

6 ~w 4

4 & 4 O™ œ™

Vln. II

j œO ˙O

œO

Stroh.

œO

˙O

>œ R ≈‰ ‰ Œ

˙ œb œ n œ # œ œ 4 &4

˙O ™™

Oœ

O˙

4 4

f mf

O ?4 ˙

O˙

Oœ

O˙™™

Oœ

O˙

Vc.

O˙

4 4

?4 Œ Db.

O &˙

>O œ

O˙ ™™

Oœ

O˙

4 mf

Sy. 4624/01

fff

6O 4˙ fff

Oœ Oœ O˙ ™™ ææ

4 4

Tree of Codes – Act II Score in C

Fl. 1

° 4 &4

>œ ‰ J ‰

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

4 &4

Fl. 2

>œ ‰ J ‰ 3

4 &4

Ob.

>œ ‰ J ‰ 3

~~~~~~~~~~~~~~~~~~~ . œ. b Ÿœ ™ n œ bœ J J

#>œ ™

œ.

b˙ ™

bœ Œ

Cl.

?4 ‰

∑

Bsn.

Hn.

>œ ™

>˙

° 4 #œ ™ &4

œ œ. œ. œ. œ. œ™ mf

#œ #˙ J

#œ

œ™

œ J

4 &4

Tpt.

œ™

6 4

œ. J

?4 Œ

œ. œ. œ. ‰ J ‰ œ. ‰ J ‰ J J 3

‰

Tbn.

6 4

#œ #w J

œ. ‰ Œ J

#œ. ‰ ‰ Œ J

∑

6 4

∑

6 4

∑

6 4

∑

6 4

3 3

mp 3

?4 Œ

‰

Euph.

bœ. ≈ bœ. ≈ bœ. ≈ bœ. œ. #œ. R R R

∑

(beaters) open

closed open

j closed

sim. 3

Ride cym. ° /

4 4

> ¿ œœ

l.v.

≈ ¿ œ

sim.

≈ ¿ œ

j œ¿¿¿¿¿¿

¿¿¿¿¿

6 4

¿ ¿ ¿ ¿

> œ œ œ œœ œ œ œ œ ˙

6 4

Hi-hat f

Tom-t.

¢/

4 4

‰

œ >œ œ œ œ œ œ œ

œœ œœ

ææ˙

∑

6 4

∑

6 4

Adela

° 4 &4

∑

6 4

∑

6 4

‹ 4 &4

∑

6 4

∑

6 4

œ œ œ œ œ™ J

Mu. Bird

œ ?4 ∑

∑

‰

Son

6 4

that

œ ™ R ‰ Œ

fate - ful

co - met

∑

6 4

∑

6 4

∑

6 4

∑

6 4

&4 Pno.

{ Vln. I

° 4 &4 ~ w

6 4

∑

6 4

∑

6 4

œO

4 Vln. II

&4 ~ w

œO

mp 3

Stroh.

B 4 Oœ ≈ Oœ™™ 4R

O˙

Oœ J ## œO

## ˙O ™™

## œO

6 4 ## w~

j ##>œO ## ˙O ™™

6 4

## ˙O

ff mp

Oœ Oœ™™ R ≈

O˙

Oœ J ##Oœ

Vc.

##O˙ ™™

##Oœ ##Oœ J

6 #~ 4# w

6 4

##O˙

ff 3

Db.

4O ¢& 4 ˙

Oœ J

Oœ ™™ ææ

>O œ

>O O œ ˙

Oœ

O˙ ™™

6 4

Œ mp

Sy. 4624/01

6 4

Tree of Codes – Act II Score in C

>˙ ™ ∑

˙™

∑

Œ mf

° 6 Fl. 1 & 4

>˙ ™

˙™

6 ∑

∑

6> & 4 #w ™

Cl.

>˙ ™

˙™

w Œ

Œ™

˜>œ ˜w J p

>˙ ™

˜>œ ˜w J

˙™

w Œ

Œ™

>™ w 6 &4

Ob.

Fl. 2

Œ™

4 #w> ™

Hn.

Œ j #>œ # w

Bsn.

> ° 6 #w &4 ™

Œ™

j >œ w

bw >

bœ

Œ bœ mp

w >™

bw pp

w™

mf mp

>˙ ™ 6 &4

Tpt.

˙™

œ™

>œ J

mp, mf

>™ ? 6 #w

Œ™

>™ w

w™

>™ w

µ>œ µ˙ ™ J

#-œ

> w

Tbn.

4 f

Ó™

œ Œ

Euph.

4 #w> ™

#˙

nœ

> irreg. open + close (beaters) l.v.

Ride cym. Hi-hat

°/

6œ 4O

O™

ææO

™ ææO

~æ æ

‰

Ó™

∑

> ff

foot

Tom-t.

¢/

6 4

∑

> > ≈ œ ™ œ œ œ æ˙ ™ æ

æ ˙™æ

˙™ æ

œ æJ

æ œ™æ

æ ˙æ

mp 3

Adela

° 6 &4

∑

>˙

>™ w

#œ#œ Each

night

mf f

? 6 Ó™

#˙ ™ >

Son

>j ff #œ #˙ ™

#˙ gl.

#œ

‰ Œ

∑

> co

met

6 ∑

∑

&4 Pno.

{

Vln. I

° 6 &4

Vln. II

6 B6 Stroh.

4 ?6 Vc.

4 6 Db.

¢& 4

Sy. 4624/01

Tree of Codes – Act II Score in C

Più mosso (q = 66) 18

Fl. 1

° &

Fl. 2

Ob.

Cl.

∑

4 4

∑

6 4

∑

4 4

∑

4 4

∑

6 4

∑

4 4

∑

4 4

∑

6 4

∑

4 4

∑

4 4

∑

6 4

∑

4 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

4 4

∑

6 4

∑

4 4

∑

4 4

∑

6 4

∑

4 4

∑

4 4

∑

6 4

∑

4 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

? Bsn.

Hn.

° & œ

Ó™

(pp)

Tpt.

? Tbn.

? Euph.

H. R. Cym.

° ¢/

Più mosso (q = 66) Adela

° &

∑

(siren-like) mp

Son

? ¢ Œ

#œ ™ > each

gl.

4 4

˙™

œ J

#œ ™ night

4 #˙˙ ™™ 4 ˙™

#œœœ >

>-œ J

œ™

6 4

each

Upright Piano (out of tune)

6 4

œ -œ ™ were

>œ ™ J

œ™ ≈ ≈ J

∑

4 4

≈

sing

>œ œ # œ œ

our

4 4

#˙˙˙ >

4 4

∑

6 4

∑

4 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

? ∑

{

night

& ∑ Pno.

> > >œ œ œ œ œ œ

Più mosso (q = 66) Vln. I

° &

Vln. II

4 4

4 4 # œ- ™

Stroh.

#w >™ mp

#>œ œ # ˙

4 #œ- ™ 4

? #w ™ >

Vc.

6 4 #œ

#˙

#œ œ œ #œ

6 4 #œ

#œ œ #˙ >

r #œ ‰ ™

4 4

#˙

#œ œ œ #œ

#œ ‰ ™ R

mf 3

Db.

? #w ™ > mp

4 #œ- ™ 4 pp

6 4 #œ

#œ œ #˙ >

Sy. 4624/01

#˙

œ nœ #œ

r #œ ‰ ™ mf

Tree of Codes – Act II Score in C

° 4 Fl. 1 & 4

∑

4 Fl. 2

Ob.

Cl.

4 4 ?4 Bsn.

Hn.

° 4 &4

Tpt.

4 ?4 Tbn.

4 ?4 Euph.

high cym. (med-soft beaters) l.v.

° H. R. Cym. ¢ /

æ ˙æ™

4 4

To Hi-Hat

∑

∑ pp

Adela

° 4 &4

∑

œ™

were

∑

Jœ Jœ J

ving

mf mp

#œ #œ ™

œ™

#œ

#œ ™

?4 ‰

œ œ J

∑

Son

œj œ

œ #œ

3 3

bea

rings

were

ving

4 & 4 #œœœ ™™ œ œ œ œ

‰ ∑

Pno. mp

{

j œ # œ œ bœ bœ œ #œ nœ #œ œ bœ œ ® 3

∑ œ œ™

Vln. I

° 4 &4

Vln. II

∑

4 m œ

B4 Ó 4

Stroh.

#œ

#œ œœ #œœ #>œ

œ œ œ

#mœ œ >œ

’

#œnœj #œ

J œœ œ J

mp mp

œ™ #œ ™

?4 ∑

∑

Vc.

4 ?4 Db.

Sy. 4624/01

bœ nœ

Tree of Codes – Act II Score in C

° Fl. 1 &

Fl. 2

Ob.

Cl.

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

? Bsn.

Hn.

° &

Tpt.

? Tbn.

? Euph.

Hi-Hat

° ¢/

Adela

° œ™ &

œ ‰

6 4

j j >j nœ bœnœ bœ

j œ œ

#˙ œ #œ #œ 3

ﬁn

#œ

#˙

ger

œ Son

? ¢ ‰

j #œ #œ #œ œ œ #œ œJ #œ > 3 7 a

œ-

cross

maps

œ- ™

‰

#œœœ ™™™ >

ger

cross

m 7 œ œ #œœ #>œ bœ nœ bœ œ # œ œ b œ

6 4 b˙

#>œ l.v. J ‰ ‰ 3

{

∑

6 4

∑

° &

∑

6 4

∑

Vln. I

∑

6 4

∑

Vln. II

#œœ #w >

the

>˙

#œœ œ nœ bœ bœ ™

6 4 n˙˙

bw w

#˙ 7

∑

6 4

∑

6 4

∑

? Vc.

? Db.

Sy. 4624/01

maps

sky

Pno.

Stroh.

the

6 4 7

ﬁn

∑

Ó™

sky

Tree of Codes – Act II Score in C

° Fl. 1 &

Fl. 2

Ob.

Cl.

∑

9 4

∑

7 4

∑

9 4

∑

7 4

∑

9 4

∑

7 4

∑

9 4

∑

7 4

∑

9 4

∑

7 4

∑

9 4

∑

7 4

∑

9 4

∑

7 4

∑

9 4

∑

7 4

∑

9 4

∑

7 4

∑

9 foot 4 ¿J

? Bsn.

Hn.

° &

Tpt.

? Tbn.

? Euph.

To Bass Drum

° Hi-Hat ¢ /

l.v.

>œ

Ó™

7 4

Ó™

mf f 3

Adela

° #œ ™ &

‰

9 4

∑

> ‰ œ #œ #œ #œ #œ nœ œ

∑

7 4

mo - ving

(siren-like) mf

> ? b˙

> bœ bœ > bœ bœ > bœ > bœ > bœ >œ bœ œ œ œ œ #œ œ œ ≈ œ

Son

>œ œ œ >œ œ œ œ nœ œ œ œ œ œ

œ ˙ J

9 4 3

bœ bœJ

#˙ œ

7 4

3 3

## œ>œ l.v. & ‰ J ‰ Œ

were

Ó™

sing

our

night

mo - ving

9 4

7 4

∑

mf f

Pno. 3

nœj #œ.

{

∑

9 #œœ 4œ

° &

∑

9 4

∑

Vln. I

7 4

∑ &

9 4

∑

Vln. II

7 4

Stroh.

> B bœœ ≈ ‰ ‰ Œ R

j œœ .

‰

Ó™

7 4

Ó™

3 3

#˙

9 4 #b>œœ

∑

nœ œ œ œ

æ ‰ œj ˙æ

œ bœ bœ bœ

7 4

9 4

∑

7 4

∑

9 4

∑

7 4

? ¢

∑

? Vc.

Db.

Sy. 4624/01

Tree of Codes – Act II Score in C

œ J sfz 5J‰‰Œ

Fl. 1

° 7 &4

4 4

∑

4 4

œ J sfz J ‰ ‰ Œ

‰ ‰ Œ

>j 3… œ ‰ ‰ Œ

4 4

∑ &4

Fl. 2

œ J sfz 5J‰‰Œ

∑

4 4

œ J sfz J

f sfz

7 &4

Ob.

4 4

∑

sfz

5 œJ ‰ 4

∑

‰ Œ

4 4

œ J

f sfz

7 &4

Cl.

4 4

∑

5 4

∑

sfz

œ J ‰ ‰ Œ

4 4

œ J

sfz

4 4

∑ Bsn.

sfz

5œ 4J‰

∑

‰ Œ

4 4

œ J

sfz

Hn.

° 7 &4

4 4

∑

sfz

5 4 œJ ‰

∑

‰ Œ

4 4

œ J

f sfz

4 4

∑ &4

Tpt.

sfz

5œ 4J‰

∑

‰ Œ

4 4

œ J

sfz

4 4

∑ Tbn.

sfz

5 œJ ‰ 4

∑

‰ Œ

4 4

œ J

sfz

sfz 3

4 4

∑ Euph.

5 4 œj ‰

∑

‰ Œ

4 4

j œ

strike with jingles sfz

Bass Drum

B. D.

° ¢/

7 4

4 4

∑

5 4

∑

>j 3 … œ ‰ ‰ Œ

4 4

∑

4 4

∑

4 4

∑

Adela

° 7 b˙ &4

bœ œ œ™ œ œ œ™ ˙

- cross

from star

4 œR 4

‰™

5 4

star

shouted urgently f

œ œ œ™ œ œ œ™ ˙

4 4

Son

- cross

7 &4

from star

star

∑

>‹

œ R ‰™

œ >œ

œœ œœ œœ œœ

>‹

‹ >‹ ‹ ‹ Œ

Crowds

Mœ œ

4 œ#œ 4

‹ ‹

ﬁlled the

≈

street

>œ #œ J ‰ Œ

#n˙˙

5 4Œ

re-lent-less

sfz

5 #œ 4 œJ ‰

‰ Œ

sfz #b œœœ J ‰ ‰

3 3

4 #n#œœœj œ 4

œ œ #œœ #œ

‰ œ

3 3 3

Pno. sfz

? 7 Ó™

{

slow > œ œ ˙ J ææ b œ œ#œ 3

fast 3 7 3

#œ J

4 #œ #œ ™ œbœbœ œ æ 4 œ #œ nœn œ b œ b ˙æ

‰ Œ

4 4

j œ

œ bœ

5 4 œj ‰

œ bœ

ææ bœ bœ

sfz sfz

Vln. I

° 7 &4

∑

4 4

5 4

∑

œ J ‰ ‰ Œ

4 4

œ Jœ J

‰ ‰ Œ

ff sfz

7 ∑ &4

Vln. II

4 4

5 4

∑

sfz

œ J ‰ ‰ Œ

4 4

œ J

œ™

7 #˙ ™

4 4

Stroh.

œ J

œ œ™ J

5 4

œ J ‰ ‰ Œ

4 4

∑

ff sfz

?7 ∑ Vc.

4 4

∑

sfz

5œ 4J‰

‰ Œ

œ J

‰ ‰ Œ

sfz

sfz 3

∑ Db.

4 4

∑

5 4 œj œ ê

Sy. 4624/01

æ ˙™æ

æ œæ

4 4

j œ

Tree of Codes – Act II Score in C

’ accel.

q = 50

q = 66

>œ ° Fl. 1 &

∑

œ #œ. nœ. #œ. nœ. bœ.

To Bass Flute

5 &4 ‹

∑

>œ ∑

œ #œ. nœ. #œ. nœ. bœ.

Fl. 2

To Sub-contrabass Fl.

5 &4 ‹

∑

5 4

∑

>œ ∑

œ œ. b œ. œ. œ. b œ.

Ob.

To Bass Clarinet

#œ nœ. bœ. œ. #œ. œ.

#>œ ∑

Cl.

5 &4 ‹

∑

>œ ™

œ J

? ∑

œ œ œ. œ >œ œ œ. œ œ. œ # œ R ≈

5œ 4

Bsn.

Hn.

° &

∑

mf 3

œ J 3

#œ #œ. #œ #œ. #œ #œ. Ó > > >

5 4

∑

5 4

∑

#œ #œ. #œ #œ. #œ #œ. Ó > > >

Tpt.

>œ ™

’

? ‰ #œ

Tbn.

j j j #œ #œ #œ #œ ™ œ ≈

œ nœ #œ œ nœ #œ > . . . . >

œ R ≈

#˙

œ.

5œ 4

œ. ‰

‰

mp 3 ff

œ.

œ. œ. # œ. # œ. J ‰ ‰ ‰ ‰ J ‰

3 3

> > > #œ #œ. #œ #œ. #œ #œ. œ ™ >

? ∑ Euph.

nœ ≈ R

5 œ. 4

œ. ‰

œ. œ. œ. ‰ J ‰ ‰ ‰

mp 3 3

œ. J ‰

œ. J ‰ ‰

jingles lightly tapping on drum 3

(rub on skin/shake)

>j … ° Œ B. D. ¢ / œ ‰ ‰

5 4 œ.

Ó ∑

‰ œ.

3 3 ‰ œ.j ‰ œ. ‰ œ. ˙7

q = 50 Adela

q = 66

’ accel.

° &

∑

5 4

∑

> œ >œ

5œ 4

? ∑

∑

Son

œ >œ œ >œ œ >œ œ

>œ # œ n œ #œ nœ bœ œ œ

bœ. œ >

bœ. œ #œ >

wish

#>œ

5 4 #ææœ

wish

#œ

#>˙

want

#œ #œ>œ ™™ #œ #œ

#œ

3 3 3

f ff

sfz

Pno.

>œ. #œ

? ˙™ ™ n ˙˙ ™

#œ

{

>œ. #œ

#œ

œ # œ #>œ # œ œ # œ # œ #œ #œ

5 4

∑

3 3 3

q = 50

q = 66

’ accel.

> œ œ R

pizz. 3

Vln. I

° &

∑

r #œ œ

‰ >œ

5 #>œ 4

œ J

#œ

#>œ #>œ #>œ #>œ #œ #œ

#œ

3 3

mf ff

> #œ #œ J

pizz. 3

∑

bœ œ J

Vln. II

j bœ œ

œ bœ

5 #>œ 4

#œ

#œ #>œ #œ #œ #œ #œ #œ #œ

#œ

3 3 3

ff mf

pizz. 3 3

#œ

œ œ

∑

nœ

#œ &

Stroh.

#œ

5 4œ

œ œ

pizz.

3 3

æ œ œæ >

? Ó Vc.

gl.

#œ

« #œ

#œ«

« #œ

5 œ« 4

#œ

œ«

>œ

œ«

>œ Œ

mf f

æ #œæ

? Db.

’œ

œj

# œj

#œ

œ œ Œ

Ó &

¢ >œ

Sy. 4624/01

5 4

∑

Tree of Codes – Act II Score in C

° B. Fl. & ‹

∑

6 4

∑

7 4

∑

6 4

∑

7 4

& ‹

Sub-cb. Fl.

& Ó™

Ob.

œ. b œ. j . #œ œ J ‰

‰

n>œ ™ bœ œ #œ nœ #œ

6 4 bœR

œ œ bœ œ™ b˙ ™

‰™

7 4

3 7

∑

& ‹

B. Cl.

#˙ ™

#œ R ≈Œ

? ˙

Bsn.

6 4

∑

7 4

6 4

∑

7 4

Hn.

° &

Tpt.

& # œ. # œ. ? J ‰ J

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

# œ. # œ. # œ. # œ. J J J ‰ ‰ ‰ ‰ J ‰

Tbn. 3

3 3

? ∑ Euph.

(jingles on Bass Drum)

>æ ° w B. D. ¢ /

M j œœ ≈œ 3

Adela

° &

∑

r œ

6 4 ‰™

∑

œ™

‰ Œ

7 4

breathy mf p

#˙ ™

#œ

-œ ™

nw œ J

˙™

6 4

Son

want we

want

we 3 Æ . . j j j #œ #œ #œ nœ œ œ j œ

3 3

Œ j 3

bœ bœ nbœœ bœœœ œ bœ bœœ ‰ bœœ œ #œ œ #œ nœ #œ #œ

6 4w

6w 4

#˙

#œ

Ó™

7 4

Pno.

? œ

{

œœ œ œ

œ œ

œœ Œ

‰

#œ

œ™

œ œ

7 4

mf 3 3

Vln. I

° #œ &

œ #œ #>œ

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

3 3

Vln. II

& #œ #œ #œ #œ #œ #œ #œ #œ #œ 3

Stroh.

? Vc.

Db.

¢&

Sy. 4624/01

Tree of Codes – Act II Score in C

tempo rubato sensual/dissolute breathy mf

(ord.) 39 3

Adela

° 7 ‰ 3 œ&4

œ™

5 r œ #œ œ œ # œ n œ # œ

œ™ #œ

≈

œ #œ

#œ #œ

œ œ

6 4 #œ

≈ #œJ ™ #œ #œ ™ #œ #œ #œJ

#˙

5 4

3 7

taste

girls

4 3

7 &4

‰ ##œœœ ##œœœ ™™

#œ #œ ‰ nœœ œœ

‰

ses

be - gi

6 4

∑ Son

“” Æ œ ≈ J

ning

5 4

∑

>œ ™

loco

#œ>œ œ #œ #œ ™

6 4 #œœœ

‰ œœ

5 4

œ bœ ™

3 7 3

Pno.

? 7 #˙

{

œ. bœ. œ. bœ. -œ œ bœ œ bœ œ œ

™ ˙ ˙

3 3

bœ bœ

6 j 4 bœ bœ

5 4

Ó™ bœ bœ nœ œ #œ œ bœ bœ

° 5 #>œ ™ ¢& 4

#œ #œ #œ ™

mf 3 3

Adela

#œ nœ #œ #œ nœ #œ nœ ™

nœ œ

#œ #-œ

#œ J

#œ ‰

>j #œ

#œ

‰ #œ ™

#>œ

#œ #œ

3 3 7 3

shed

their

5˙ & 4 ææ

tals

the

∑

Pno.

{

∑

arco

Vln. I

° 5 ˙™ &4

#>˙

#˙ ™

5 arco

Vln. II

˙™

& 4 #˙ ™

#˙

arco

Stroh.

5 & 4 ‰™

#>œ # ˙ R

œ™ ˙

#˙

œ #œ œ #œ

#œ

mf 3

#˙ ™

arco

? 5 Ó™

#˙

Vc.

4 pp

arco

∑ Db.

¢& 4

˙ p

Sy. 4624/01

˙™ > mp

j #œ

Tree of Codes – Act II Score in C

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

B. Cl.

& ‹

∑

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

? Bsn.

wa-wa

o o + Hn.

° + & ˙™

7 4œ

j œ

‰

∑

4 4

‰

∑

4 4

pp mp

wa-wa

Tpt.

+ & b˙ ™

+ n˙

7 4œ mp

∑

7 4

∑

4 4

∑

7 4

∑

4 4

∑

7 4

∑

4 4

? Tbn.

? Euph.

R. Cym. Hi-hat

j œ

° ¢/

delicately mp 3 3 3

Adela

° ¢& nœ-

n˙ œ µœ ˜œ #œ µœ nœ œ- ™ #œ- œ #œ µœ nœ œ #œ >

7 4

Ÿ~~~~~~~~~~~~~~~~~~~~~ œ ™ #œ nœ -œ

‰ #œ ™

œ #˙

#œ

#œ #œ #>œ ™

4 4

stle

their

un - der skirts

the

sweet - ness

∑

7 4

∑

4 4

∑

7 4

∑

4 4

& Pno.

{ Vln. I

° #>-œ &

n-œ ™ ≈

7 4

∑

4 4

7 4

∑

4 4

≈ Œ

7 4

∑

4 4

Vln. II

& nœ

Stroh.

& œ

bœ-

œ- ™

œ? J ‰

‰

7 4

∑

4 4

3 ? œr ≈ ‰ ¢

‰

7 4

∑

4 4

Vc. 3

Db.

Sy. 4624/01

Tree of Codes – Act II Score in C

q = 66 45

B. Fl.

° 4 &4 ‹

∑

4 Sub-cb. Fl.

&4 ‹

Ob.

B. Cl.

&4 ‹

?4 Bsn.

(rubato) insolently

+ 3

Hn.

° 4 Œ &4

j #œ

#œ #œ

#œ

#œ ™

gl.

#œ gl.

3 r #œ ≈ ‰

#˙ .

‰

∑

pp mf

o + Tpt.

4 & 4 #˙ ™ >

∑

?4 Tbn.

4 ?4 Euph.

R. Cym. Hi-hat

° ¢/

4 4

∑

‰

mid.

+ o + œ œ œ œ œ

>œ J

‰

+ 3 æ ˙æ \

Ride Cym. edge + Hi-Hat

æ œæ

pp 3

q = 66 mp f 3

Adela

° 4 & 4 #œ ™™

≈

j œ™ >

#>˙

#œ #>œ ™

#œ

œ # œ œ #œ œ œ

see

tears

inhale (spoken)

exhale 3

?4 ∑

∑

‰

Son

4 ‹

‹

went

‹

‹™

si - lence

4 ∑ Pno.

∑

{& 4

q = 66 Vln. I

° 4 &4

Vln. II

∑

B4 Stroh.

4 ?4 Vc.

4 pizz.

?4 Œ

Db.

4 mf

Sy. 4624/01

œœœ œ

Tree of Codes – Act II Score in C

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

B. Cl.

& ‹

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

? Bsn.

o (like bell bird)

Hn.

° Ó &

>+ ‰ ‰ œ J

sfz

j œÓ

‰

j œ‰

œ J

3 3

+ 3 3

œ bœ bœ

& ‰

Tpt.

œ œ œ ˙

œ œ bœ œ bœ ≈

3 ≈ bœ nœ #œ nœ nœ bœ œ bœ nœ œ

‰ œ >

5 4

mf 7 3

∑

5 4

∑

5 4

? Tbn.

? Euph.

edge mid.

> œ

o R. Cym. Hi-hat

°/ œ ææ

>œ+

o œ

+o j œœ

œ œÓ

5 4

Ó 3

mf mp

J œ >œ

œ T-toms

¢/ Ó

˙ æ

œ ææ˙

œ Œ

˙ æ

5 4

3 3 3

pp pp mp

Adela

° #œ #œ ™ #œ #œ ™ &

#œ #œ ™

#œ

>œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > œ #œ nœ œ bœ j œ #œ œ œ nœ

#œ ‰ ‰ J

f 3

œ œ™ œ œ™ >œ ™ b>œ b˙ > >

5 4

3 3 3

lac

blooms

Pale mp

youths

young

men

con - quered

mf f

sprech. sung

Son

>¿

? ¢ Ó

>œ

œ œ #œ #œ nœ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ bœ ™ nœ bœ J

>˙ b>-œ œ ™ b-œ

5 4

#œ

3 3 3

through the

crowd

pain

ted

masks

∑

5 4

{

∑

5 4

° &

∑

Vln. I

5 4

∑

Vln. II

5 4

& Pno.

œ™ œ™ B

œœ ™™

∑ ë

>˙

‰

Stroh. mp

j bœ bœ œ ™ bœ> mf

#œ f

∑

5 4

∑

5 4

? ∑

∑

Vc.

Db.

? ¢ œJ

>O œ

#œ nœ #œ nœ œ bœ ™

#œ > œ

œ œ œ™ 3

>O ™ œ™

œ 3

Sy. 4624/01

5 4

Tree of Codes – Act II Score in C

° 5 B. Fl. & 4 ‹

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

5 Sub-cb. Fl.

&4 ‹

Ob.

B. Cl.

&4 ‹

5 5 ?5 Bsn.

Hn.

+ ° 5 & 4 b˙ ™

j bœ

5 & 4 œj

Tpt.

‰

‰ Œ

4 4

∑ Tbn.

‰

+ œ

œj

wa wa

>œ J

œ œj J Ó

œ™ æ

‰

4 4

∑ Euph.

R. Cym. Hi-hat

°/

5 4

T-toms

¢/

5 4 æœ

œ œ œ œ

œ œ æœ™ æ

4 4

∑

œ+

4 4

∑

mid. >œ+ œ œ œ œo œ œ R

edge

\ œ

ë mf

œ œ

‰™

Œ Ó

¿R

œ œ œ

3 3

3 3 7 3 7

pp mf

Adela

3 ° 5 & 4 bœ œ # œ

>œ

‰

œ™

4 4

œ #œ œ #œ ™ #œ

for

got

∑

ten

gar

dens mf

sprech

œ J ‰ ‰

Son

4 4

sung

sprech

#¿ #¿ #¿ #œ ™ œ ™

#¿

sung #¿ #>¿ >¿ #œ #>œ >œ #>œ

with

the

œ #œ

3 7 3

Swel-ling with pa - thos

tre-mor of

mo-ments of

re - ve - la -

∑

4 4

∑

4 4

∑

4 4

∑

&4 Pno.

{

Vln. I

° 5 &4

Vln. II

4 4

Stroh.

B5 œ 4

4 4 # œ œ # œ œ #œ ™

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ bœ nœ ˙ bœ ˙ ™ bœ

‰

Œ n ˙O

#œ

?5 ∑ Vc.

4 4

∑

4 4

∑

Œ b˙ > mp

bœ

arco

?5 ∑ Db.

Œ b˙ > mp

Sy. 4624/01

bœ

Tree of Codes – Act II Score in C

q = 88 54

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

B. Cl.

& ‹

∑

? Bsn.

open bell

Hn.

° &

∑

‰

‰ œ.

>œ

‰ œ >

œ.

‰ œ >

œ.

‰ œ >

œ.

œ œ. >

‰

‰ œ œ. >

œ œ. >

open bell 3

3 3

& Ó

Tpt.

‰

j œ.

‰

j ‰ œ.

‰

j œ.

‰

j ‰ ‰ j ‰ ‰ j ‰ œ. œ. œ.

‰

œ J

j ‰ œ.

j ‰ j ‰ œ. œ.

j œ.

open . bell

? Ó

j ‰ j ‰ œ. œ.

œ. J

‰

œ. J

‰

œ. J

‰

œ. J

œ. ‰ J ‰

œ. œ. J ‰ J

‰

œ. J ‰

œ. œ. J ‰ J ‰

œ. J ‰

Tbn. 3

? Ó

‰

>œ. J ‰

‰

>œ

œ. J

>œ

œ.

>œ . œ

œ.

‰

>œ . œ ‰

‰

Euph.

¢ 3

sim. 3 3 3

\ > R. Cym. ° / ¿ œ œ œ œ œ œ œ œ œ œ œ œ Hi-hat ë mf ∑ T-toms ¢ /

\ œ œ œ œ.

œ >

œ œ

>œ

œ. œ. œ. >œ

œ. œ. œ.

œ >

œ. œ. œ. œ.

œ >œ œ. >œ

œ œ.

q = 88 Adela

° &

∑

œ™ J

≈ Œ Son

¢ tion

& Pno.

{

q = 88 pizz.

Vln. I

° Ó & >œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

pizz.

& Ó

Vln. II

œ >œ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ bœ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ B œ œ&

Stroh.

Ÿ~~~~~~~~~~~~~~~~~~~ >œ >œ > > 3 n œ œ b>œ > b œ bœ œ œ > #>œ #œ 3

#˙

r #œ ‰ ™

pizz. œ.

? bw

Vc.

J ∑

‰

>œ. œ. J ‰ ‰ J ‰

>œ. œ. œ. J ‰ J ‰ J

3 3

p f

pizz.

? bw

Db.

∑

>œ. J ‰

œ. J ‰

>œ. œ. J ‰ J ‰

œ. J ‰

¢ 3

3 3

p f

Sy. 4624/01

Tree of Codes – Act II Score in C

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

B. Cl.

& ‹

∑

? Bsn.

Hn.

° & ‰

‰ >œ

œ.

‰ >œ

œ.

‰ >œ

œ.

‰ œ >œ .

‰

œ >œ .

œ œ. >

‰ œ >œ .

œ >œ .

ff 3

& œ œ .

Tpt.

. ? œJ

œ. œ œ. œ

‰

œ. J ‰

œ. œ œ. œ œ. J

œ. ‰ J

œ. œ œ. œ œ > ‰

œ. J ‰

>œ œ œ œ œ œ >œ œ œ œ œ œ

œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ œ

œ. J ‰

œ. œ. J ‰ J ‰

œ. J ‰

œ.

>œ

>œ œ.

œ.

>œ

‰

œ.

>œ

‰

Tbn. 3

>œ

œ.

>œ

œ.

>œ . œ

œ.

>œ . œ

>œ

œ.

œ œ

œ.

? ‰

‰

Euph.

¢ 3

R. Cym. Hi-hat

° / >œ œ

> œ œ œ

> œ

œ T-toms

œ œ

¢/

œ œ

> œ

œ œ > œ œ œ

3 3

3 3 3

Adela

° &

∑

? Son

& Pno.

{ Vln. I

° & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > > > > > fff

Vln. II

& œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > > > > > fff

∑ Stroh.

∑

? ‰

>œ. J

œ. ‰ J

‰

œ. J ‰

>œ. J

œ. ‰ J ‰

œ. J ‰

>œ. œ. J ‰ J ‰

œ. J ‰

>œ. œ. J ‰ J ‰

œ. J ‰

>œ. J ‰

œ. œ. J ‰ J

‰

>œ. J ‰

œ. J

œ. ‰ J

Vc. 3

3 3

fff

Db.

>. ? œJ ¢

‰

œ. J ‰

œ. J

>œ. ‰ J

‰

œ. J ‰

3 3

>œ. J ‰

œ. J ‰

>œ. œ. J ‰ J ‰

3 3

œ. J ‰

>œ. J

3 3

œ. J ‰

3 3

>œ. J

œ. ‰ J ‰

œ. J ‰

3 3

fff

Sy. 4624/01

œ. ‰ J ‰

Tree of Codes – Act II Score in C

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

B. Cl.

& ‹

∑

? Bsn.

breath only 3

‰ œ.

œ >

‰ œ.

œ >

‰

œ œ. >

œ.

œ >

‰ œ.

œ >

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ O O O O O O O O O O >O O >O O O O O O O O O O mp

Hn.

° ‰ &

breath only 3

‰ & œ

Tpt.

œ > œ

œ.

‰ œ

œ œ œœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœ œœœO ë

> ? œ

> œ

œ.

‰

> œ

œ.

‰

> œ

œ.

‰

> œ

œ.

‰

> œ

œ.

‰

œ.

‰

œ.

‰

œ.

‰

only >breath O. O. ‰

O. ‰

Tbn. 3

breath only

. ? œ

œ.

œ œsim. ¿

œ+ œ

Euph.

¢ ë

foot closed

R. Cym. Hi-hat

T-toms

°/

> œœœ

œœœœ

œœ ¢/ œ

œœœ

>œ

>œ œ

œœ

œœ œ œ œ

¿ ¿ ¿ œ¿

œ œ\

œœœ

œ œ

œœœ

3 3 3 3 3

ë Adela

° &

∑

? Son

& Pno.

{

breathy/lateral bow strokes (minimum pitch) arco sfz

Vln. I

3 ° & œj > >œ

j œ œ >

Ó œ OOOOOOO

OOOOOOO

breathy/lateral bow strokes (minimum pitch) arco sfz 3

Ó Vln. II

& œ

j œ >œ

jœ >œ

j >œ

j œ >œ

OOOOOOO

∑ Stroh.

∑

& sfz

>œ ? J

>œ J

‰

>œ J

œ Ó

∑

Vc. 3

Db.

>. ? œJ ¢

‰

>œ. J

‰

>œ. J

‰

>œ. J

>œ. ‰ J ‰

>œ. J

3 3

sfz

‰

>œ J

‰

>œ J

3 3

Sy. 4624/01

Tree of Codes – Act II Score in C

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

B. Cl.

& ‹

∑

? Bsn.

Hn.

° &

j O

j O >O

j ‰ O

j O >O

& Oj

Tpt.

‰

∑

‰

∑

j O >O

j ‰ O

mf pp

>. ? O

O. O. O.

O. O. O. O. O. O. ∑

∑

Tbn. 3

? O

O™

O J

‰

∑

Euph.

¢ mf

mp mp

j R. Cym. ° / ‰ œ ‰ ¿ œ Hi-hat

œœ œ ¿ œ œœ œ ¿ œ œœ œ ¿ œ

pp 3

œ œ

œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

œ œ

T-toms

> ¢/ œ

∑

Adela

° &

precise, clipped speech mf 3

3 3 3

? ∑

‰

‰ Œ

‰

Son

¢ >

I found my-self lost

> -

v'ry thing was

full

time passed un - ev - en - ly

∑

& Pno.

{ Vln. I

° &

O O O O O O O O O

O O O O O O

j ‰ O

‰

∑

‰

∑

Vln. II

O O O O O O O O O

O O O O O O

j ‰ O pp

∑

Stroh.

arco breath tone (no pitch)

>O ™ ? ∑

O J

>O ™

O J

>O ™

-O

O J

>O ™

O J

>O ™

-O

Vc. mp

arco breath tone (no pitch)

>O ™ ? ∑ Db.

¢ mp

Sy. 4624/01

Tree of Codes – Act II Score in C

higher inhaled sound

Bass Flute throat fry very low growl

B. Fl.

° & ‹

j O

∑ æ ‹™æ mf

higher inhaled sound

Sub-contrabass Flute throat fry very low growl

j O

∑ & ‹

Sub-cb. Fl.

æ ‹™æ mf

∑

breathy/inhaled chatter whisper across mouthpiece

sim.

j O

æ ‹™æ

r O O O O O O O ‰™

sim.

breathy/inhale chatter whisper across mouthpiece

j O

æ ‹™æ mf

r O O O O O O O ‰™

∑

Ob.

Bass Clarinet (remove mouthpiece)

higher inhaled sound

throat fry very low growl

∑ & ‹

B. Cl.

breathy/inhaled chatter

sim.

j O æ ‹™æ

j O

æ ‹™æ

r ‰™ O O O O O O O

? ∑

∑

Bsn.

Hn.

° &

Tpt.

? Tbn.

? Euph.

with brushes

R. Cym. Hi-hat

o > > > œ œ œ œ œ œ

\ œ œ™ æ

°/ œ œ ¿

\ + o œ œ œ ¿ ¿ ¿ ¿ ¿ ¿ ¿ œ ¿

‰

\ œ ¿ ¿

> œ œ

mf p

wipe œ œ P œ> œ œj œ œ

œ ∑ T-toms

¢/

Adela

° &

∑

mf 3

? ∑

‰

Son

¢ >

™

>™

and

full of se

with-out tran si-tion

∑

{

∑

° &

∑

Vln. I

∑

Vln. II

∑

Stroh.

& Pno.

? O™

O O O O O O O O O O O™

O O O™ J

≈ Œ

∑

≈ Œ

∑

Vc. "f"

? O™

O O O O O O O O O O O™

O O O™ J

Db.

¢ "f"

Sy. 4624/01

œ œ œ œ

> -

cret:

Tree of Codes – Act II Score in C

growling (vocalising into instrument) 69

growl

B. Fl.

inhale growl 3

° & ‹

r ‰™ 3 3 3 3 3 3 3 >3

∑ æ ‹™æ

j 3

æ ‹™æ

j 3>

Œ™ 3 3 3 f

growl

sh - s

sh ff

growling (vocalising into instrument)

inhale growl 3

r ‰™ 3 3 3 3 3 3 3 >3

∑ & ‹

Sub-cb. Fl.

æ ‹™æ

j 3

æ ‹™æ

j 3> s

("bird call")

& Ó

Ob.

œÆ J

‰

œÆ J

with soprano

‰

sh - s

‰

3 3 3 f

sh ff

œÆ J

‰

Œ™ œÆ J

‰

growling (vocalising into instrument) growl

inhale growl 3

r ‰™ 3 3 3 3 3 3 3 >3

∑ & ‹

B. Cl.

& ‹

j 3

æ ‹™æ

j 3>

æ ‹™æ

s mf

sh - s

Œ™ 3 3 3 f

sh ff

? ∑

∑

Bsn.

Hn.

° &

Tpt.

& breath noise only

>3.

3. 3. 3. 3. 3.

? ∑

∑

Tbn. 3

? ∑

∑

Euph.

strike

R. Cym. ° /

\ > œ

∑

strike

œ.

>. œ

œ.

>. œ

Hi-hat 'wiping' strokes wipe sim. wipe

T-toms

¢/

PP œœ>L œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ >œœ œœ œœ œœ >œœ œœ œœ œœ œœ œœ L

> œœ œœ œœ œœ

> œ

Pœ

> œ

Pœ Pœ Pœ Pœ 3

3 3 3

(bird call) f

Adela

° &

∑

‰

œÆ J

‰

œÆ J

‰

(spoken) f 3

Œ™

∑

Son

¢ > si - ent

the crowd laughs mo

ments

∑

& Pno.

{

lateral strokes breath noise only

Vln. I

° &

∑

‰ ‰ j -O

j ‰ ‰ Œ O> O O O O O O

lateral strokes breath noise only 3

∑

‰ ‰

Vln. II

j -O

j ‰ ‰ Œ O> O O O O O O

∑

Stroh.

lateral strokes breath noise only 3

? ∑

‰ ‰ j -O

Vc.

j ‰ ‰ Œ O> O O O O O O

lateral strokes breath noise only 3

? ∑

‰ ‰ j -O

Db.

Sy. 4624/01

j ‰ ‰ Œ O> O O O O O O

Tree of Codes – Act II Score in C

breathy key movement bisbigliando

3 3

° ææ B. Fl. & 3 3 3 3 3 3 3 ‹

‰

∑

3 333 333333 ff

key movement bisbigliando

breathy 3 3

3 æ & 3 3 3 3 3 3 3 ‹

Sub-cb. Fl.

‰

3 333 333333 mf ff

œÆ œ

œ. œ. œ. >œ œ b œ ˙

œ™

˙ & Œ

Ob.

‰

key movement bisbigliando

breathy 3 3

ææ & 3 3 3 3 3 3 3 ‹

B. Cl.

‰

∑

3 333 333333 ff

˙ ? ∑

∑

Bsn.

¢ mf

Hn.

° &

Tpt.

∑

? Tbn.

? Euph.

>3 œ

foot

R. Cym. ° /

\ ¿ œ

¿ œ ¿

œ ¿

j ¿

centre

> ¿

œœ

edge l.v.

œ–

Hi-hat 3

j œœ T-toms B.D.

¢/ P œ

P œ œjœ

j œœ

Pœ

3 3

P œ œjœ

j œœ

with drum sticks ‰ ≈œœœ≈œœœœ

Pœ

> œ

œœ

3 3 3

3 3

Pedal B.D. fp

Adela

° Œ &

Æ ≈ œR ˙

‰ ‰ 3

ëf œ J

ff, mp

>j œ

‰

Æ ‰ ‰ ≈ œR ˙ 3

ëf > > œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. 3

? ∑

∑

{

∑

° &

∑

Vln. I

∑

Vln. II

∑

Stroh.

∑

Son

& Pno.

? Vc.

? Db.

Sy. 4624/01

Tree of Codes – Act II Score in C

q = 66 irreg.

Ÿ ˙

75 3

° B. Fl. & ‹

6 4Œ

∑

æ œæ

œ. .

> 3 œ#œj nœ

>j >j 3 b œ b œ˙ œ #œ

nœ

gl.

4œ 4

bœ b œ. b œ. R ≈

overtones

Sub-cb. Fl.

-œ I J

Ÿ~~~~~~~ > & œ œ ˙ ‹ f

œ œ bœ >I > >

6 4I œ

‰

J˙

µœ J œ

B˙

4 4 Bœ ™

µ˙ '

mf mp

œ Œ

Ob.

6 4

4 œ™ 4

∑

œ J

œ œ œ œ œ

∑ & ‹

B. Cl.

? œ

6 4

4 4

∑

6 w™ 4

˙™

Bsn.

’ 4 bœ ™

° &

Tpt.

bœ J

bœ bœ bœ bœ bœ bœ bœ bœ

4 mp

Hn.

∑

6 4

∑

4 4

∑

6 4

∑

4 #w> 4

∑

> ? ∑ Tbn.

6 4

4w 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

? Euph.

Gro.

° ¢/

(seductive, with undertone of menace)

q = 66 ë Adela

° >œ & I

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ œ bœ œ œ œ bœ bœ nœ bœ

6 4 œ bœ œ

œ™

wine

old

smell

œ œ

rrels

˙™

4 œ™j 4

≈ Œ

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

? Son

& Pno.

{

q = 66 Vln. I

° &

Vln. II

Stroh.

? Vc.

? Db.

Sy. 4624/01

Tree of Codes – Act II Score in C slow/irreg.

Ÿ ˙

breath

b œÆ. b œ

° b -œ B. Fl. & ‹

fast

˙ ‰

œ ¿ æ

¿™ æ

bœ bœ J

O™

‰ 3

B˙

M F ˙

M F >˙

f mp

vocalised growl

. . .

& µœj™ ‹

Sub-cb. Fl.

≈

˙™ I >

BœBœBœ

p mf

>œ œ œ

œj

Ob.

p mf

> œ bœ J

& Ó ‹

B. Cl.

b˙

bœ

bw p 3

bœj

? b˙ ™

b˙

Bsn.

¢ p

Hn.

° &

∑

& #˙

Tpt.

∑

> œ J

bœ

b˙ ™

pp 3

tongue stop perc.

#œ ™

œ 3 3

j œ.

? Tbn.

‰ bœj bœj ‰ ‰ j ‰ ‰ œ. . .

æ 3 j ‰ #¿Æ œæ #¿ J

#¿.

n¿.

‰

‰ Œ

#œ ææJ ê mf

pp mf

? ∑

∑

Euph.

Gro.

° ¢/

mf 3

> (groan)

Adela

° & bœ

j œ ¿

œ Name

¿™ J

bœ bœ -

less

≈ Ó

> j bœ nœ bœ bœ

? ∑

∑

{

∑

° &

∑

Vln. I

∑

Vln. II

∑

Stroh.

& Pno.

? Ó

b˙

Vc.

w > p

? Ó ˙

w >

Db.

> j bœ nœ bœ

¿ . . . ¿™

Son

∑

gasp

Sy. 4624/01

Tree of Codes – Act II Score in C bisbig.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ œ œ œ bœ™

B. Fl.

° Ó & ‹

œÆ R Œ

j œ- ™

& ‰ œM™ > F mf ‹

Sub-cb. Fl.

‰™

≈

∑

œÆ R

‰™

Ob.

& bœJ ‹

B. Cl.

‰

∑

#œÆ R

‰™

œÆ R

? n˙

≈ Œ ˙

j œ™

Bsn.

‰™

Hn.

° &

∑

& b˙

Tpt.

∑

b˙

∑

> b˙

> œ bœ bœ. nœ bœ œ bœ nœ œ bœ 7

? #ææœ

Tbn.

‰

∑

œ. #œ. mp

êë ? Euph.

Gro.

° ¢/

poco accel.

a tempo ff

low grunt/pant (sung)

Adela

° bœ bœ. bœ. bœ. bœ &

bœ R

j ‹>

diaphragm grunt/pant sing sim.

bœ. bœ R

bœ J

j ‹>

bœ. j bœ. j bœ. r bœ R ‹ R ‹ R ‹ > > >

b˙

de -

light

ight

? ∑

∑

{

∑

° &

∑

Vln. I

∑

Vln. II

∑

Stroh.

Son

& Pno.

bb˙O

Vc.

bbœO

bb˙O ™™

r bbœO ≈ ‰ >

bb˙O

˙ f

? ˙

Db.

bœ

æ bœæ

r bœ ≈ ‰ > ff

Sy. 4624/01

Tree of Codes – Act II Score in C

B. Fl.

° ‰™ & ‹

‰™

Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ

n œÆ b œÆ R R

b œ≈ ‰

( ff )

∑

œÆ b œÆ R R ≈ ‰

∑

& ‹

Sub-cb. Fl.

œ. b œÆ R R ‰™

& ‰™

Ob.

‰

n œ. b œ. œ. #œ. nœ. bœ. ® ‰

-œ

œ. b œ. œ. #œ. nœ. bœ. œ. ® Œ

ff f

#œ. nœÆ ‰ ™ R R

& ‰™ ‹

B. Cl.

‰

œ. b œ. œ. #œ. nœ. bœ. ‰

n œ. b œ. œ. #œ. nœ. bœ. œ. Œ

ff f

œ. œÆ R R ‰™

? ‰™

œ. n œ. b œ. œ. # œ. n œ. Ó

‰

œ. n œ. b œ. œ. # œ. n œ. . œ

‰

Bsn.

¢ ff

l. .g rm b>œ ™ ha

°? Œ Hn.

gl. . rm bœ b>œ ™ ha J

3 7

≈ ≈ œ ™ bœ ™ bœ bœ œ™ > > >

bœ

nœ. bœ

≈ #œ

#œ &

b-œ

b˙

3 3

œ #œ & J

Tpt.

œ. #œ. œ. œ #œ œ œ R

#œ œ #œ œ œ œ bœ nœ œ œ™ #œ œ >

j #œ nœ

#œ

#œ R

‰

œ J ‰ ‰ Œ

3 3

œ ? Œ Tbn.

œ. ‰ ™ R

r bœ.

‰™

œ R

œ w

‰™

? Ó

w Œ

‰

‰ j b >œ b w

Gro.

Adela

Euph.

° ¢/

∑

° &

∑

b>œ Son

? ¢ Ó

‰

bœ bœ ‰ J J ‰

‰

‰ œ >

want

∑

& Pno.

{

h. sul pont.

œ œbœ œ™ ° &

∑

‰

j bœ-

œ #œ œ œ #œ #œ œ #œ œ #œ

Vln. I

h. sul pont.

œ œbœ œ™ ∑

‰

Vln. II

j bœ-

œ #œ œ œ #œ #œ œ #œ œ #œ

∑

h. sul pont.

œ #œ ∑

∑

‰

Stroh.

pizz.

Œ bœ

Vc.

‰

nœ >

œ >

œ #œ œ #œ #œ œ #œ œ #œ

œ œ #œ

‰

(f)

nœ œ # œ œ œJ

arco

b>œ bœ ? Œ

j bœ-

f 3

arco >

pizz.

œ œ#œ

? Œ

Œ bœ

Db.

nœ >

œ > 3

mf f

Sy. 4624/01

≈B

Tree of Codes – Act II Score in C

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

? Bsn.

Hn.

° & b˙ ™

bœ

‰ 3

∑ Tpt.

Tbn.

>œ. œ. œ. ? J ‰ œ. ‰ J ‰ >œ. ‰ J ‰ œ. ‰ J J J 3

3 3

Euph.

>. . . . . . ? ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ‰ œJ ¢ 3

>œ. ‰ J ‰ Œ

Gro.

° ¢/

∑

(throaty)

ord. p mf

f 3

Adela

° Ó &

œ #œ #œ

’ b˙

#˙

#œ ‰

bœ œ

#œ

œ™ ’ œ #œ nœ µœ

6 4

3 7

back - stage

tan

gle

vehement noisy 'stage whisper' mf

‹ &

Mu. Bird

∑

‰ ‰ ≈ r ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ ¿ we

ang

6 4

‰

wish we wish we wish we wish we wish we wish we

∑

6 4

? ∑

∑

Son

¢ Upright Piano (out of tune)

˙ ∑

∑

>j œ

& mf

Pno.

#˙

6 4

{

∑

° &

∑

Vln. I

6 4

∑

Vln. II

6 4

arco pizz.

-œ

B Stroh.

>œ

œ.

bœ œ

#œ ™ &œj

#˙

b˙ ˙

6 4

mp mf

∑

6 4

∑

6 4

? ∑ Vc.

(pizz.)

Db.

? >O ¢ œ

Sy. 4624/01

Tree of Codes – Act II Score in C

° 6 B. Fl. & 4 ‹

7 4

∑

overtones (free articulation)

7 b˙ 4

6 ∑ &4 ‹

Sub-cb. Fl.

∑

I œ Bœ Bœ

I˙

˙ µœ '

µœ '

6 Ob.

Cl.

&4 ‹

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

7 4

∑

6 ?6 Bsn.

unpitched percussive air 3

≈ r O >O

‰ O >O

O >O

O >O O >O O >O ™

Hn.

° 6 ‰ ‰ &4

unpitched percussive air 3

≈ r O >O

‰ O >O

O >O

O >O O >O O >O ™

6 &4 ‰ ‰

Tpt.

unpitched percussive air

O >O ≈R

?6 ‰ ‰

O >O

O >O O >O O >O ™ ‰

Tbn.

4 3

unpitched percussive air

Euph.

O >O ≈R

?6 ‰ ‰ ¢

O >O

O >O O >O O >O ™ ‰

Guiro

Gro.

6 4

≈ œr œ

‰ ‰

œ œ

œœ

œ œ

> 3 œ œ œ œ œ O™

‰

° ¢/

f mf

Adela

° 6 µœ µœ . . œ &4

. . . . . . #œ ™ . . . . n-œ nœ#œ ˙ ™ œ œ œ

œ ‰ Œ

f 7

7 4

‰™ œ #œ œ œ™ nœ. . . . œ œ. . . #œ

3 j œ> >œ bœ nœ >

3 3 3

- gle

‹ 6 &4

Mu. Bird

∑

7 4

∑

7 4

∑

?6 Son

6 &4

vel - vet cur - tains

Œ j b œ #n œ œ

œœ

# œÆ #œ ‰™ R

>œ

7 4

œ™

œ œ œ œ œ œ œ™ œ

œ Œ

œœ

> Pno.

? 6 # œJ

{

#œ ™ 3

7 4

‰

bœ

b˙

œ bœ œœ #œœ #œ ™ #˙

#œ œ™

˙™

Vln. I

° 6 &4

Vln. II

∑

7 4

∑

7 4

∑

6 3

B6 œ

#œ J

Stroh.

bœ-

7 4 b˙

œ bœ b˙™

j ‰ ‰ bœ

Ó™

mf p

?6 ∑

7 4

∑

7 4

∑

Vc.

4 ?6 Db.

Sy. 4624/01

Tree of Codes – Act II Score in C

ii. Father Father transforms into an octopus and is seduced by Adela

q = 50 92

U ∑

° B. Fl. & ‹

10 4

growl/vocalise in ﬂute breathy/air sound

#>œ & ‰ ‹

Sub-cb. Fl.

# œj

#>œ

I œR j æ ‹™æ

œ™

æj ‹æ >O ™

O. -O

U O O

’

10I ˙ 4

- I œ I œ œ™ ‰

~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ -œ ™ ≈ Bœ œ œ BŸ˙ œ L˙ #œ I I J 3

’ O

5 4

O 7

O f

-D# irreg.

(accentuate breathy/noise/percussive characteristics of instrument) œ™

I œJ

5 4

∑

O Ob.

Cl.

& ‹ ?

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

10 4

∑

5 4

10 4

∑

5 4

Bsn.

Hn.

° &

Tpt.

? Tbn.

? Euph.

¢ Cuíca depress drum head (pitch rises) 3

Cuíca

° ¢/ œ

j œ

œ™

‰ U Ó™

q = 50 low growl/roar (bestial)

Adela

U ‰ Ó™

° & œ

#>œ

‹

‹™

(ah)

Mu. Bird

‹ &

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

U ∑

10 4

∑

5 4

Son

œ œ œ œ œ œ œ œ œ œ œU Ó™

& 3

Pno.

{

q = 50 Vln. I

° &

Vln. II

Stroh.

Vc.

? Db.

Sy. 4624/01

Tree of Codes – Act II Score in C

tongue perc.

\ \

breathy

o \

>Ÿœ~~~~~~~~~~~~~~~~~ ™ œ

bisbigliando sfz 3

94 3

B. Fl.

° 5 ‰j3 & 4 œç œ ‹

œ #œ nœ œ ™ œ >. . . . . -

\ ‰ ¿™ Œ ææ

. . œ œ ˙™ ‰ ‹J ‰ ‰

10 ¿ 4æ æ

Œ œbœ œ ‹J

‰

‹J ‰

[here] [t sa] 3

U Œ ‰ bœ œ #œ bœ œ ™ œ ‰ ‰™ ‹ ≈ ‹J ™ ‹J u R >

4 4

throat fry

throat

(vocalise) [my]

[fa - ther]

[s]

[se - t] mp f

irreg.

Sub-cb. Fl.

#œ œ

5 ¢& 4 Œ ‹

µœ

~~~~~~~~~~~ B Ÿœ ™ b œ bµœœœ ™™™ µ œ™ œ™ Ff ff ïï s, s, _,

10 ∑ 4

Ó mf

Ó™

4 4

freely recite text:

Son

°? 5 ¢ 4

Here my father began to set before our eyes the picture of that generatio aequivoca which he had dreamed up...a kind of pseudofauna and pseudoﬂora, the result of a fantastic fermentation of matter. They were creations resembling, in appearance only, living creatures such as crustaceans, vertebrates, cephalopods.

10 Œ 4

∑

4 4

Tempo libero (approx. 20") a sultry, subterranean and sexual atmosphere weaving phrases of call and response between ﬂutes (repeat text ad lib.), duration at least 20".

B. Fl.

° 4 r ™ &4 ¿ ‰ . ‹ mp

key movement air (change colour)

* Create breathy texture, sounding overtones, multiphonics and microtonal pitch variations around given pitch; speak text across mouthpiece and into instrument with changing positions of embouchure.

U O™ pp

[ #w]

ê mf

tongue perc.

[my father]

[set before our eyes]

[a fantastic fermentation of matter]

4 ∑ Sub-cb. Fl.

¢& 4 ‹

F w ][my father] ïï ss, ,, _

[

[he dreamed]

[pseudo fauna]

[pseudo ﬂora]

Euphonium starts approx. 10" before the end of ﬂute passage

q = 50 approx. (10") 3

Euph.

°? 4 ¢ 4

Doublebell Euphonium (with straight mute in one of the bells)

? œj -

‰ ‰ œj Œ .

‰

j 3 œ. ‰ ‰ Œ

Tempo libero (approx. 20") Son

°? 4 ¢ 4

unpitched air noise freely, with text [generativo] 98

B. Fl.

° & ‹ unpitched air noise

breathy

Sub-cb. Fl.

¢& ‹

sung

Euph.

°? ¢

O˙

Oœ ™™

‰ œ J

œ J

œ™

b>œ æJ

bœ æ

j bœ

‰

œ. J

‰™

‰

œ. J

‰™

œ. J

‰

œ. J

‰ 3

played p f

Sy. 4624/01

U œ

œ. J

‰

U Œ

Tree of Codes – Act II Score in C

° B. Fl. & ‹ mf

Sub-cb. Fl.

Euph.

¢& ‹

œ. J

°? ¢

‰

>œ J

‰

-œ ™ J

‰

œ. J

‰

-œ ™ J

‰™

+ œ. œ. œ. œ.

œ. .

>œ J

. Bœ.

≈

‰ 7

œ. J

‰™

-œ ™ J

‰

pp mf

100

>œ ? J

œ.

+ œ.

œ.

B œ.

. Bœ.

‰

. B œ.

>œ J

≈

>œ #-œ ™ J

‰

Euph. 7

j bœ

‰

bœ nœ #œ ™

‰™

7 7

( mf )

p mf

Più mosso >œ.

101

>œ.

µ >œ.

#>œ.

µ >œ.

#>œ.

? ‰

µ >-œ ™

n œ. R

#>œ.

≈

Ÿ~~~~~~~~~~~ > œ µœ œ R ææ

µ -œ ™

≈

Euph.

’ ‰™

J fff f

= expansively (allargando)

µœ

102

b œ-

µ -œ ™

b œ n œ # œ nœ µ -œ ™

µœ µœ

#œ bœ

bœ

# œ. #>-œ # œ œ

#>-œ

bœ # œ bœ

#-œ

nœ ™ #œ #œ

Euph.

bœ ™ 3

b>œ

-œ ™ ææJ

7 7

f 7

= "foghorn" 103

U w

° B. Fl. & ‹

’ U

µw

’

U #w

’

U #w

’ U w

’

mf " ff " mf

U w Sub-cb. Fl.

’ U w

’ BU w

’ U Bw

" ff "

’

¢& ‹ mf

Euph.

U Œ

°? ¢

+ >˙

œ .

. œ. . Bœ Bœ

Bœ ™ Bœ . J

. œ . nœ U Œ

˜ œ. .

≈

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > . Bœ. B œ ™ œ B ˙ U R Œ

= switch between bells

+ speak 3™

+ 3™

play ord.

+ Ÿœ~~~~~~~~ Ÿ~~~~~~~~ ˜œ #œ ˜œ

105

œ.

. œ.

+ nœ ˜œ bœ

™

? 11 ≈

≈

‰

U Œ

œ™ ≈

Euph.

4 5:4

ff excitedly

f bewildered

inﬂected vocalisation (an imaginary Eastern European language)

Sy. 4624/01

U Ó

4 4

Tree of Codes – Act II Score in C

q = 66 accel. low pant/grunt (diaphragm) mp

106

Adela

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ° 4 ‰ 3‰ j 3 &4 ¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we wish we

breathy inhale mp

¿ ¿O ¿ ¿O ¿ ¿O ¿ ¿O ¿ ¿O ¿ ¿O ¿ ¿O ¿ ¿O ¿ ¿O ¿ ¿O ¿ ¿O ¿ ¿O ?4 ∑

∑

Son

we wish

= inhale

q = 72 111 mf

Adela

° & ¿

> ¿

wish

> ¿

we wish

> ¿

we wish

> ¿

we wish

> ¿

wish

> ¿

we wish

> ¿

we wish

> ¿

we wish

wish

we wish

O ? ¿

O ¿

Son

¢ 3

3 3

we wish

= 114

Adela

° & ¿

wish

? ¿

we wish

wish

we wish

wish

we wish

Son

¢ 3

we wish

= 117

° B. Fl. & ‹

Sub-cb. Fl.

¢& ‹ (q = 50) like a strange bird-call

Euph.

°? ¢

Adela

° & ¿

we wish

O ? ¿

wish

we wish

O ¿

wish

¿ >

we wish

O ¿

> we wish

O ¿

> we wish

O ¿

> we wish

O ¿

wish

O ¿

Son

¢ 3

we wish

= 120

° B. Fl. & ‹

Sub-cb. Fl.

¢& ‹

Euph.

°? ¢

Adela

° & ¿

we wish

O ? ¿

wish

we wish

O ¿

wish

¿ >

we wish

O ¿

> we wish

O ¿

> we wish

O ¿

> we wish

O ¿

wish

O ¿

Son

¢ 3

3 3

we wish

3 3

we wish

3 3

we wish

Sy. 4624/01

3 3

we wish

3 3

we wish

Tree of Codes – Act II Score in C

q = 88

accel. 123

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

? Bsn.

Hn.

° &

> w

∑

˙™

∑

Tpt.

? Tbn.

? Euph.

¢ press skin for harmonicrelease

Cuíca

° ¢/

O ∑

∑

∑ mf

accel. q = 88 ff

pant/ grunt

inhale

Adela

3 3 3 3 ° O O & ¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ > > >

wish

we want

we wish

we want

> O

O >¿

wish

> 3 > > > 3 O O ¿ > ¿ ¿ ¿ >

inhale

want

wish

want

pant/ grunt

inhale

> we

want

pant/ grunt

want

pant/ grunt

inhale

Son

> > O ¿ ¿ > ¿ ¿ >O >¿ >¿ ¿ ¿ O ¿ ¿ > ¿ ¿ > ¿ ¿ > ? ¿ ¿ > > > > > ¢ 3

3 3

we wish

3 3

we wish

¿ ¿ > ¿ ¿ > ¿ ¿ > ¿ ¿ > ¿ ¿ > ¿ ¿ > ¿ ¿ > ¿ ¿ > > > > > > > > >

we wish

we want

we wish

we want

we wish

we want

we wish

we want

we wish

we want

we wish

∑

& Pno.

{

q = 88

accel. Vln. I

° &

Vln. II

B Stroh.

? Vc.

? Db.

Sy. 4624/01

we want

Tree of Codes – Act II Score in C

Father creates fantastical mutant birds

q = 66 127

B. Fl.

° & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

? Bsn.

cuivre

Hn.

° œ &

5 4˙

˙™

œ J

ë ff

5 4

∑ &

Tpt.

7 4w

‰

4 4

7 4∑

∑

‰

>™ ˙

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

° ¢/ O

5 4O

7 4

∑

4 4

? Tbn.

? Euph.

Cuíca

>j œ

O™

hoarse, ragged (inhale)

Adela

q = 66

° >O ™ &

5 4

∑

7 4

∑

4 4

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

∑

5 4

∑

7 4

∑

4 4

Œ grunt

? ¿

>¿

Son

¢ 3

want

& Pno.

{

q = 66 Vln. I

° &

Vln. II

B Stroh.

? Vc.

? Db.

Sy. 4624/01

Tree of Codes – Act II Score in C

130

° 4 B. Fl. & 4 ‹

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

4 Sub-cb. Fl.

&4 ‹

Ob.

Cl.

&4 ‹

4 4 ?4 Bsn.

Hn.

° 4 bœ ™ &4

bœ J

b˙

5 bœ 4

™ ≈ µœ bœ bœR œ ™

6 4

∑

6 4

∑

6 4

∑

6 4

∑

ff 7

4 & 4 bœ ™

Tpt.

j µ>œ

µ˙

5 4 µœ

≈ bœ ™

µœ

r 7 œ nœ ™

œ bœ ™ bœ nœ

?4 Ó

b˙

Tbn.

5 4 bœ

™ ≈ bœ 7

ff 7

∑ ¢

5 4

° ¢/

4 4

∑

5Œ 4

Euph.

Cuíca

∑

‰

j O

6 4

˙ ff

> ˙

bird sounds (with wacky whistle in mouth)

O™ Adela

° 4 &4

∑

5 4

6 4

∑

?4 ∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4Ó

Son

4 &4 Pno.

{

˙™ Vln. I

° 4 &4

6 4

œ J

˙™

4 ∑ &4

Vln. II

b˙™

bœ bœ 6J

5 4Ó

b˙ ˙™

4 3

∑

Stroh.

5 4Ó

‰ &

bœ ™ œ™

6 b˙ ™ 4 ˙™

?4 ∑ Vc.

5 4Ó

b˙ ™

?4 ∑ ¢

5 4Ó

6 b˙ ™ 4

b˙ ™ mf

‰

bœ ™ mp

Sy. 4624/01

b˙ ™ ˙™ mf

Db.

6 4 b˙ ™

b˙ ™ mf

Tree of Codes – Act II Score in C

133

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4Œ

? Bsn.

7 3

Hn.

° &

œ > #œ #œ

œ #œ œ #œ mf

#œ ™ œ #œ #œ #œ # œ > f 7

4 4

∑ &

Tpt.

5 4Œ

∑

‰

-œ J

#œ œ J

#œ ™ #œ œ #œ #œ #œ >

4 4

? ∑ Tbn.

5> 4 bœJ ™

∑

Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ >œ #œ #œ

#œ ™ œ > . #œ

#œ #œ

3 7

4 4

? ∑ Euph.

‰

b>œ

b-œ ™

5 4 bw

bœ

To Hi-Hat and Bass Drum

Cuíca

Adela

° ¢ / ˙™

Ó™

° &

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

5 4

∑

bird sounds (with wacky whistle in mouth)

j (œ

˙™)

˙ ~~~~~~~~~~~~~~~~~~~

? Ó

4 4

‰

Son

¢ mp

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

5 4

∑

5 4

∑

& Pno.

{ >œ ™ Vln. I

œ J

° & mp

4 4 pp

µ >˙

œ I

Vln. II

4I 4

Stroh.

bœ & œ> mp

Vc.

bœ >œ #>œ ™

? ™ ¢ bw

4 4 #˙

#˙

5 4 #œ

pp gl.

˜˙

? bœR ≈ mp

Db.

4 4

5 4

∑

4 b˙ 4

5 4

∑

Sy. 4624/01

Tree of Codes – Act II Score in C

136

° B. Fl. & ‹

∑

4 4

∑

4 4

∑

& ‹

Sub-cb. Fl.

>œ ™

4 4

∑ &

Ob.

œ J

#œ nœ

#>œ nœ œ œ bœ œ œ nœ nœ œ #œ nœ œ œ #œ nœ œ

œ™

ff 3

3 3 3

œ.

>œ œ #œ œ œ # œ œ µ œ # œ œ ™ . . . œ #œ œ #œ

Clarinet in Bb

4 4

∑ & ‹

Cl.

œ.

nœ. #œ. œ.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ œ œ nœ µœ #œ œ œ œ # œ œ œ # œ œ ‰ 3

3 3

f ff

? Ó™ Bsn.

¢ ˙

4 4

œ™

-œ J

> > œ #œ œ œ # œ œ n œ # œ œ # œ œ # œ œ œ

œ œ #œ B

‰

3 3

mp ff

Hn.

n>˙

° & #˙ ™

4 4

œ™

-œ J

œ œ #œ nœ Œ

Tpt.

#˙ ™

>œ R

4 4 4 4

? Tbn.

#˙ ™

#˙

œ™

-œ J

˙ Euph.

4 4

‰™

∑

œ œ #œ nœ Œ

? Ó™ ¢

∑

˙™ j ™ & #œ #œ

∑

œ. # œ n œ œ œ œ œ Ÿ~~~~~~~~~~~~~~~ œœ

> œ #œ œ œ # œ œ µ œ # œ # œ ™ œ #œ. œ. #œ. œ

œ nœ#œ œ œ œ

œ œ#œ ≈

≈ 3

3 3 3

Hi-Hat

°/

Bass Drum

¢/

∑

4 4

∑

4 4

∑

To Rattles

Œ ¿ œ œ

¿ œ œ

œ œ

B.D.

Œ 3 3 3

bird whistles

Adela

˙™

° Œ &

4 4

∑

4 4

∑

˙™ bird whistles

? Œ Son

¢ f

3 3

#œœœ

4 4

∑ &

∑

‰

nœ ‰ # œœ

∑

œ œ

‰ œ œ

‰

j nœ

œ #œ œ œ

#œ

‰

Pno.

4 4

{

∑

œ œ

# œœ 3 3

œ™

˙ Vln. I

° Ó™ &

4 4

œ J

>œ

# œ Ÿœ~~~~~~~~~~~ nœ œ œ #œ J J ≈

œ™ #>œ > #œj œ > 3

nœ #œ œ œ œ

œ ≈

3 3

œ™

˙ Vln. II

4 4

& Ó™

œ J

œ œ œ#œ œ

Ÿ~~~~~~~~~~~ œ nœ œ œ #œ J J ≈

˙ Stroh.

4 4

& Ó™

œ œ#œ œ œ #œ œ #œ œ œ #œ 3

#œ ™

≈

nœ #œ œ œ œ

œ 3

œ # œ n œ œ œ n œ n œ œŸ~~~~~~~~~~~ nœ œ œ #œ J J ≈

nœ #œ œ œ œ

œ ≈ 3

3 3

#˙

#œ œ œ œ#œ œ

4 4

? Ó™ Vc.

Ÿœ~~~~~~~ œ # Ÿœ~~~~~~~~~~~~~~~~~~~~~ n Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ nœ

Œ 3

f mf

Db.

? ™ ¢ Ó

4˙ 4>

œ œ œ#œ œ

>O œ

~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~ # Ÿœ œ nœ #œ œ nœ

œ 3

mp, f

Sy. 4624/01

Tree of Codes – Act II Score in C

rall.

q = 50

139

B. Fl.

° & ‹

Sub-cb. Fl.

& ‹

Ob.

∑

6 4

∑

8 4

4 4

∑

6 4

∑

8 4

4 4

∑

6 4

∑

8 4

4 4

Ÿ~~~~j >j Ÿ~~~~~~~~>j œ ˙ œ œ

bisbigliando Ÿ~~~~~œ Ÿ~~~~~~~~~~~~~~~~~~~~ >Ÿ˙~~~~~~~~~~~~~~~~~~~~~~ œ œ ˙œ

6 4

& ‹

Cl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ œ œ

>j œ

Ÿ~~~ jagged œ Ÿ~~~~~~ mb œ œ™ œ œ J

8 4

œb œ œ œ gl. bœ ææ

bœ œ œ

gl.

4 4

bœ ≈ ‰ ‰ ∑ R

3 3

ff 3

bisbig.

#>˙

#˙

6 4

B Bsn.

# Ÿ˙~~~~~~~~~~~~~~ #>œ J ‰

‰

Ó™

8 4

∑

8 4

4 4

Hn.

° &

6 4

∑

Ó™

#˙ ™ ˙

6 4

∑ &

Tpt.

8 bœ bœ 4

∑

b œ b œ b œ b œ b œ ™ b>œ bœ b>œ

’4

b>œ bœ J

‰ bœ nœ œ#œ n˙ ™

’4

3 7

Ÿ~~~~~~~~~~~~~~~~~~~~~ bŸœ~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ nœ b˙ nœ ? b˙ nœ Tbn.

6 4

˙ æ

Ÿ~~~~~~~~ #œ. #œ œ #œ ≈ ‰ ‰ Œ ææ R

8 4

4 4

3 3 3

ë ?

œ R ≈‰ ‰ Œ

6 4

∑

8 4

4 4

6 4

∑

8 4

∑

4 4

Euph.

¢ 3

Rattles

° ¢/

q = 50

rall. Adela

° &

∑

6 4

∑

8 4

4 4

∑

6 4

∑

8 4

4 4

6 4

∑

8 b>œœ 4

? Son

>˙ ™ Œ &

bœœ

bœœ bœœbœœbœœ#œœ#œœ Œ

∑

4 4

∑

4 4

3 3

Pno.

>™ ? b#˙˙˙ ™™ Œ

{

6 4

8 b>œJ 4

∑

b>œ

‰ 3

>˙ ™ Vln. I

° &

6 4 >˙ ™

Vln. II

6 4

& >˙ ™

Stroh.

Vc.

6 4

>œ R ‰™ Œ

>œ R ‰™ Œ >œ R ‰™ Œ

pont. Ÿ~~~~~~~~~~~~~~~~~~~~ sul ~~~~~~ Ÿ > œ œ œ # œ # Ÿ˙~~~~~~~~~~~~~~~~~~~~~ 6 æ>˙ ™ ? #˙ 4 æ 3

bœ

œ #œ J #œ

‰ 3

q = 50

rall. Ó™

8 4

4 4

Ó™

8 4

4 4

Ó™

8 4

4 4

8 4

4 4

8 4

4 4

#œ ‰ Œ æ 3

ë 3

#œ ‰ Œ æ 3

Db.

sul pont. Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ > >˙ ™ bœ nœ b˙ nœ 6 ? b˙ nœ æ ¢ 4 æ

Sy. 4624/01

Tree of Codes – Act II Score in C

q = 66

accel. 142

° 4 &4 ‹

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

4 &4 ‹

Sub-cb. Fl.

3 4

∑ &4

Ob.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ µ œ nœ µ ˙ J

4 Œ™ 4

∑

B. Fl.

3 4

∑

4 Œ™ 4

∑

4 &4 ‹

Cl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˜œ ˜ œ ˜˙ J ff

3 4

∑ Bsn.

4 Œ™ 4

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ #˙ J M ê

œ. #œ. #œ. œ. #œ. nœ. ‰

Hn.

° 4Œ &4

3 4 µœ

‰ œ #œ

nœ #œ œ œ

µœ

œ œ µœ œ œ #œ œ µœ

nœ µœ #œ œ nœ µœ

4 >œ 4

3 3

ff 3

3 3 3

4 &4 Œ

Tpt.

3 4 µœ

‰ œ #œ

nœ #œ œ œ

µœ

œ µœ œ œ #œ œ µœ œ

nœ µœ #œ œ nœ µœ

4 #œ. nœ. #œ. nœ. #œ. #œ. 4

œ. #œ. nœ. ‰

3 3

# œ. ?4 Œ

‰ œ

n œ. œ J

≈ ‰

Tbn.

‰ bœ

harmonic gl.

‰

3 4

œ. J

‰

#œ. J

‰

j Œ œ.

4 œ™ 4

˜œ ™ ‰ j

#œ

3 3 3

ff mf

f slide gliss.

sfz 3

?4 j œ bœ

Euph.

4 ˙™

Rattles

° ¢/

4 4

3 4 b œr

≈ ‰

‰

4 4

∑

4 4

∑

3 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

accel. q = 66 Adela

° 4 &4

?4 Son

4 &4

Pno.

{

∑

3 4

∑

Vln. I

Vln. II

Stroh.

Œ œ >œ

q = 66

accel. ° 4 &4

4Ó 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4Ó 4

4 4 ?4 Vc.

æ œæ f

?4 ∑ Db.

3 4

∑

4Ó 4

æ œæ f

Sy. 4624/01

Tree of Codes – Act II Score in C

145

° B. Fl. & ‹

∑

6 4

∑

4 4

∑

6 4

∑

4 4

& ‹

Sub-cb. Fl.

µœ & R ‰™

Ob.

‰™

r #œ >

6 j 4 #œ

œ # œ œ -œ > œ œ œ # œ œ # œ œ œ œ

>œ ™

Ÿ˙~~~~~~~~~~~~~~~~~~~~~ œ

4 4

mp f 9

˜œ & R ‰™ ‹ mp

Cl.

‰™

r #œ >

6 j 4 #œ

œ # œ œ -œ > œ #œ œ nœ œ # œ œ œ œ

>œ ™

Ÿ˙~~~~~~~~~~~~~~~~~~~~ œ

4 4

f 9

? # œJ

‰

6 4˙

Bsn.

¢ mp

4 4

#˙ ˙

f ff

Hn.

° &

6 4Ó

∑

4 4

˙ mp

6 4

∑ Tpt.

Tbn.

& r ‰™

4 4

∑

6 4≈

>œ. R

≈

>œ. R

> bœ R

‰™

r #>œ

‰™

4 4

∑

6 4

∑

4 4

? Euph.

Rattles

° ¢/

∑

6 4

∑

4 4

° &

∑

6 4

∑

Adela

4 4

∑

6 4

∑

4 4

? Son

‰ # 6œ

#>œ & Ó

#œ œ œ

4 6 4

Pno. 3

{

bœ nœ œ bœ nœ œ

ææ œ™

>j œ #œœ >

> # #œœœ bbœœœ ™™™

# œ>œœ

> ## ˙˙˙

n#>œœ ‰

˙˙

Œ mf

œ™

œ œ bœ bœ œ #>œ ™ ‰

4 4 4 4

Ÿ~~~~œ Ÿ~~~~~~~~~~~~~~~~~~~~ œ œ ˙ œ œ # œ œ œ #œ œ 3 œ # œ œ 6 #œ œ œ 4 #œ œ #œ nœ #œ >œ œ #œ nœ #œ œ ˜œ œ 9

Vln. I

° ‰ &

œ #œ œ œ #œ bœ nœ œ bœ nœ œ bœ nœ

4 4

ff mf

Ÿ~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ œ ˙ œ œ œ œ # œ œ œ #œ œ 3 œ œ œ #œ 6 #œ #œ œ # œ œ œ #œ nœ #œ œ ˜œ 4 œ #œ nœ >œ 9

3 3

& ‰

Vln. II

œ #œ œ œ #œ bœ nœ œ bœ nœ œ bœ nœ

4 4

ff mf

Ÿ~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ œ #œ œ œ œ ˙ œ œ œ œ # œ 6 #œ œ #œ nœ # œ # œ >œ œ #œ nœ #œ œ ˜œ œ &œ œ œ œ # œ

B ‰ Stroh.

œ #œ œ œ #œ bœ nœ œ bœ nœ œ bœ nœ

4 9

4 4

Ÿ~~~~~~~~~~~~~~~~~~~~ #˙ œ ? ˙™

˙™

Vc.

6 4 œ™

œ J

4 4

#˙ ff

? Db.

6 j 4œ

œ™

˙ ff

Sy. 4624/01

4 4

Tree of Codes – Act II Score in C

147

° 4 B. Fl. & 4 ‹

∑

6 4

∑

4 4

∑

6 4

∑

4 4

4 &4 ‹

Sub-cb. Fl.

'squawking' trem.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #>œ #œ

>œ œ œ # œ ˜ œ ˜ œ ™

#œ

4 ‰

6 4

∑

4 4

6 4

∑

4 4

Ob.

'squawking' trem.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #>œ #œ

>œ œ œ # œ ˜ œ ˜ œ ™

#œ

4 ‰ &4 ‹

Cl.

ord. emphasize harmonics 3

?4 Bsn.

° 4 &4

(mp)

œ >œ >œ >œ

6 4

w™

4 4

6 4

w™

4 4

Hn.

4 &4

Tpt.

6 4

4 4

w™ pp

6 4

Tbn.

˙ -

4 4

w™ pp

6 4

Euph.

Rattles

Adela

˙ -

4 4

w™ pp

4 4

∑

6 4

∑

4 4

° 4 &4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

6 4

∑

4 4

° ¢/

?4 Son

## ˙˙˙

˙˙

# ˙˙ ˙ ###˙˙˙

&4 ff

w ww

#n˙˙ # ˙ ## ˙˙

### w w w mf ff

Pno.

{

6 4

∑

#œ œ # œ #œ œ # œ #œ œ # œ V

4 4

Ÿ~~~~~~~~~ œ # œ # œ Œ œ #œ

4 4

Vln. I

° 4 &4

> #œ œ #œ j œ Œ

r œ œ™ ˙ #œœ #œ™ œ™ #˙ R J

r œ œ™ ˙ œ #œ #œ™ œ™ #˙ R J

6 #˙ ™ 4 # ˙™

>œ j

#œ

4 &4

Vln. II

6 4

˙™

#>œ œ #œ mf ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ Ó™ #˙ ™ œ

4 4

mf ff

4 &4

Stroh.

r œœ œ™ œ™ ˙™ Ÿ~~~~~~ #˙™ B#œ #œ #œ #œ™

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #˙ ™ œ

˙™ ˙™

6 #˙ ™ 4

˙™

4 4

sul pont.

#>œ ™ ? 4 ææ 4

Vc.

œ æJ Ó

6 4

∑

4 4

?4 Db.

˙-

Sy. 4624/01

6 4

ææ w™

4 4

Tree of Codes – Act II Score in C

meno mosso

q = 66

accel.

150

B. Fl.

° 4 &4 ‹

∑

4 Sub-cb. Fl.

&4 ‹

Ob.

4 #>œ # œ

>j bœ

4 ∑ &4 ‹

Cl.

? 4 r ≈ ‰3 ¢ 4 œ

‰

êf

Bsn.

gliss.

#œ #œ #œnœ#œ #œ œ#œ #œ œ ‰ ‰ ‰ J

bœ™ bœ R ‰™ ëf

∑

‰ Ó

∑

bell 2 (wa-wa)

Hn.

° 4 &4 w > mp

œ™

ppp

Trumpet plays speechlike, taunting, sarcastic gestures

> ™

Trumpet has Toy Trumpet bell attachment in bell 2 (bell 1 is open with standard bell)

4 ∑

∑

Tpt.

?4 ∑

∑

Tbn.

4 ?4 Euph.

Rattles

° ¢/

4 4

meno mosso Adela

° 4 &4

accel.

q = 66

∑

?4 Son

“” sfz œ

loco

4 ∑

‰ #œ > mp

#œœ

‰

#œ f

Pno.

? 4 #œ œ

{

# œ #œ œ # œ #œ œ # œ

#œ œ# œ #œ œ # œ #œ œ # œ V

V V

#œ œ# œ #œ œ# œ #œ œ# œ V

#œ œ œ œ œ# œ œ œ# œ V

pp 9

meno mosso

accel.

q = 66

“”~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ Ÿ Ÿ Ÿ >˙ ˙ œ œ ˙ œ w œ ˙ Vln. I

° 4 &4 3

ê fff

p pppp

4 Vln. II

&4 3

ê fff Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ # 4 B ˙ Ó ff

p pppp

∑ ∑ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >˙ w nœ ˙

Stroh.

4 mf

?4 ∑ &

Vc.

4 ppp

pizz.

Db.

3 ?4 r ¢ 4 œ ≈ ‰

‰

æ b˙æ

Ó b>˙

pp mf

Sy. 4624/01

Tree of Codes – Act II Score in C

153

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

∑

∑ œ

∑

m n>œ ™

bœ

µœ

nœ

& ‹

Cl.

bœ

? ∑

∑

Bsn.

Hn.

° Œ &

+ bœ

‰

bœ

bœ ≈ ‰ ‰ Œ R

bell 2

> > æJ ææ ‰ ‰

bell 1 7

& J

Tpt.

‰

#œ #œ . . . J

‰ Œ

∑

œ œ #œ œ 3

3 3

f 3

bœ b˙ ? ∑

∑

Tbn. 3

bœ

? ∑

Euph.

¢ mp

Rattles

° ¢/

∑

∑ . . .

bird whistle

Adela

° &

∑

> J ‰ ‰

˙ ææ

> J

> J ‰ ‰ Œ

‰

3 7

‰

? ∑

∑

Son

¢ œÆ œ ‰ R ≈ Ó

œÆ

& Œ

mf ff

œ 3

œ #œ J

‰

#œ

. ##œœœ nœ #-œ

##>˙˙˙

‰

3 3

Pno.

# œ #œ œ # œ #œ œ # œ ? #œ œ

{

‰

œÆ œ ®R ≈ Œ

Ÿ~~~~~~~~~~~~~~~~~~~~ #œ œ # œ œ # œ œ œ # œ œ # œ #œ nœ œ bœ œ æ 3

9 3

Vln. I

:“; Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w œ ˙ ° &

Vln. II

:“; Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w #œ ˙ &

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >Ÿ˙ w

pppp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >˙ w

pppp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #˙ œ ˙™

-œ

œ bœ nœ

B Ó

œ #œ nœ œ bœ œæ

Stroh. mp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >˙ w œ ˙

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w œ

ppp

Vc.

? ∑

∑

Db.

Sy. 4624/01

∑

Tree of Codes – Act II Score in C

156

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

? Bsn.

Hn.

° &

2 7

ææ & ‰ bœ nœ œ œ

Tpt.

æ œæ

µ ˙+

b >œ R ≈

bœ

∑

b˙™

∑

Tbn. 3

(alternate bells) sing speaking

ë ff

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b >˙

bœ R ‰™

‰

b >œ ‰ J

n>œ J Œ

µ >œ ™ ≈ ≈ J

‰™

µœ æ

µ >œ æR ‰ ™

œj # œ ™

#O ™

˜œ

Euph.

¢ 3 7

Rattles

° ¢/

∑

Bird whistle

Adela

> J

° &

∑

‰

> J ‰

‰

hoarsely (whispered into megaphone)

? ‰

≈ R

‰

∑

Son

¢ 3

we wish we wish we wish mf

we wish f

∑ & Pno.

æ #˙æ

? ˙ æ

{

æ #wæ

æ #wæ mf

Vln. I

Vln. II

:“; <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ ° & :“; <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ &

>Ÿ˙~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ ë ff ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ >Ÿ˙

™ ‰

∑

‰

∑

™

ë ff

O˙ ™™ B ææ ˙ mp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙

Stroh.

Oœ

∑ mf

>˙Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ ™ ‰

O˙ ™™

Oœ

Vc.

ë ff mf

? ∑

∑

Db.

Sy. 4624/01

∑

Tree of Codes – Act II Score in C

159

° B. Fl. & ‹

& ‹

Ob.

∑

œ J

Œ™

∑

œ™ J ≈

& ‹

Cl.

>œ J

∑

Sub-cb. Fl.

∑

? ∑

∑

Bsn.

o bell 1 (open)

Hn.

° &

∑

‰

+ j ˜œ

j ˜œ ˜œ

˜œ

#œ >

#œ

#œ J

#œ

∑

‰

œ J

#-œ #>œ #œ ™ J

#>œ #œ ™

œ J

œ™ J

≈

∑

Tpt.

o + bœ J

? ∑

bœ

bœ bœ J

œ #œ ç ç

‰

Tbn. 3

speaking

O™

>O ™

? ‰

‰

∑

j œ

æ œæ

Euph.

¢ 3

Pair of Rattles

Rattles

° ¢/ Œ

‰

Æj œ

Œ Ó

° &

æj œæ™

≈ ∑

Adela

‰

∑

? Son

3 3

∑

œœj #œœj nœj # ≈ #œ œ #œ #œ ™

œj

##œœ ™™

Pno.

? #wææ

æ #wæ

{

##œœ J

#œ

mp ff

Vln. I

° &

Vln. II

∑

∑ sfz

O˙ ™™

Oœ J

Oœ æ

O˙ æ

O˙

Oœ J

‰

j‰

Stroh. 3

ff sfz

O™ & ˙™

Vc.

Oœ J

Oœ ææ

O˙ ææ

O˙

Oœ J

> ## O˙

## Oœ

>## Oœ

? ∑

∑

Db.

¢ mf

Sy. 4624/01

Tree of Codes – Act II Score in C

Chorus of bird cries with wacky whistles 162

Wacky Whistle

° B. Fl. & ‹

™ ∑

6 4

∑

4 4

Œ™

‰ mf

Wacky Whistle

™ ∑

6 4

∑

& ‹

Sub-cb. Fl.

4 4

Œ™

‰ mf

Wacky Whistle

™ ∑

6 4

∑

Ob.

4 4

Œ™

‰ mf

™ Wacky Whistle

∑

6 4

∑

& ‹

Cl.

Œ™

≈ R J

4 4

‰

Wacky Whistle

6 4

? ∑

∑

Bsn.

Œ™

‰

4 4

Hn.

° #œ nœ œ bœ ™ & bœ b˙ >

‰ œ

6 4

œ™

4 4

∑

ff mf

2 3 3

∑

6 4

∑

Tpt.

4 4

≈ . . f 3

6 4

? ∑

∑

Tbn.

bœÆ J

‰

nœÆ J

‰

‰ #œ. nœ >

ææ >œ

4 4

'speaking' wildly, more frantic

O™

6 4

? ∑

‰

Euph.

¢ f

4 4

Ó™

Rattles

° ¢/

∑

6 4

∑

4 4

° &

∑

6 4

∑

Adela

4 4

∑

6 4

∑

4 4

∑

6 4

? Son

#>œœ ™™ #œ ™

bœœœ J

#nœœœ

4 4

Pno. 7 ? œ œ bœ œ ™ #œ n˙ææ™

6 4 b ˙ææ

æ b wæ

{

bœ bœ

> j œœ

> j œ bœ

4 4

æ œ b œ b œ b ˙æ

mp f

Vln. I

° &

Vln. II

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

Stroh.

? Vc.

## Oœ ? Db.

## Oœ R ‰™

molto sul pont. 3

b˙ ææ mp

b>œ >œ #>œ >œ >œ #>œ nœææ ë ff

6 4

æ ˙æ mf

Sy. 4624/01

bœ bœ bœ œ #œ nœ œj > > > > > > > ff

‰

4 4

Tree of Codes – Act II Score in C

bird calls, staggered across space, actors join in ad lib. 165

° 4 B. Fl. & 4 ‹

∑

∑ f

bird calls, staggered across space, actors join in ad lib.

4 &4 ‹

Sub-cb. Fl.

∑

Œ f

∑

bird calls, staggered across space, actors join in ad lib.

4 &4

Ob.

∑

Œ f

bird calls, staggered across space, actors join in ad lib.

4 &4 ‹

Cl.

∑

bird calls, staggered across space, actors join in ad lib.

?4 ∑ Bsn.

o (no ﬂz.)

Hn.

° 4 Œ &4

+ bœ

bœ ™

j bœ bœ

‰

∑

ff 2

4 ∑

∑

Tpt.

o ? 4 r ‰™ 4œ

Tbn.

b œ+ æ

bœ™

bœ bœ J ‰

∑

?4 ∑ Euph.

Police Whistle and 2 Maracas mp sfz

P. Whistle 2 Maracas

° ¢/

4 4

Æ j œœ ™ œ œ ≈œ Œœ œ œ œ Œœ œ œ œ ≈œ œœj œ ≈œ œ œ œ œ œ œ œ œ œ∑ œ œ œ œ œ > f ff

≈ œ Óœ œ œ œ œ œ œ œ œ >

æj æ œœæ™ œ œ œœæ œ œ œ

mf mp

whispered/sighing megaphone

Adela

° 4 &4

∑

‰

≈ r we wish we wish we

f with

megaphone

?4 ∑

∑

Son

the crowd laughs,

4 ∑

∑

&4 Pno.

{

4 b >˙ ™

Strings with wacky whistles respond with bird calls

Vln. I

° 4 &4

∑

∑ mp

ë ff

4 ∑

∑

Vln. II

∑

Stroh.

4 ?4 ∑

∑

Vc.

4 ff

?4 ∑

∑

Db.

4 ff

Sy. 4624/01

Tree of Codes – Act II Score in C

intermittent bird whistles from group 168

° B. Fl. & ‹ mf

& ‹

Sub-cb. Fl.

Ob.

& ‹

Cl.

? Bsn.

¢ mp

o + Hn.

° &

∑

+ œ œ œ bœnœ œ > mf

≈ œ .

1 7

æj œæ™

∑

≈ bœr œ#œ œ#œ œ œ#œ œ œ#œ nœ bœ œ >

‰ ‰

Tpt.

æ œæ

≈ Œ

o 2

+ bœ

b œ.

bœ

? ∑

∑

≈

Tbn. mf

? ∑

∑

Euph.

f 3

P. Whistle 2 Maracas

3 ™ ≈ Œ ° œ œ œ œ ¢ / œ œ œ œ œ œ œœ œ œ œœ œ œ œ œ œ œ œ œ

Adela

œ œ œ œ ∑œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ∑ œ œ œ œ œ œ œ œ

° &

œ œ œ œ >

‰

want we want we want

mp 3

‰ ≈ r

‰

we wish we wish we want we want we want

mf 3

≈ r

‰

‰ ‰

we wish we wish we want we want we want

we wishwe wish we

? ∑

∑

Son

& Pno.

{ ° > ‰™ & R

∑

Vln. I

> & R ‰™

∑

Vln. II

> B R ‰™

∑

Stroh.

? Vc.

? Db.

Sy. 4624/01

Tree of Codes – Act II Score in C

171

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

∑ mp

? ∑

∑

Bsn.

Hn.

° & œ.

#œ.

r œ. ‰ ™

> 2

j j #> œ j ≈ >œ ≈ J ‰ J µœ 3 >

. . >

7 7

& Œ

Tpt.

j bœ µœ œ #œ bœ

r bœ. Œ

œ bœ µœ œ #>œ œ-

œ b œ µœ œ mp

#>œ

‰

Œ 7

b œ.

b œ. R ‰™

∑

Tbn.

? Euph.

P. Whistle 2 Maracas

° ¢ / œ œ œ œ œ œ œ œ ∑œ œ œ œ œ œ œ œ >

Adela

mp 3

° &

‰

œ œ œ œ

œ œ œ œ∑ œ œ œ œ œ œ œ œ

mf 3

‰ ‰ ≈ r

œ œ œ œ œ œ œ œ ∑œ œ œ œ œ œ œ œ

ff 3

mf 3

‰ ‰ ≈ r

‰

≈Œ >

want we want we want

we wish we wish

we want we want

we want

we wish we wish we want we want we want we want we want we want

? ∑

∑

Son

& Pno.

{

whispered, keep whistle inside mouth (occasional bird whistle emerges)

Vln. I

° Ó &

‰ ‰ ≈ r

‰

‰ ‰ ≈ r

‰

> we wish we wish mp

we want we want mf

we want mp

we wish we wish we want we want we want mf f mf

whispered, keep whistle inside mouth (occasional bird whistle emerges) 3

& Ó

Vln. II

‰ ‰ ≈ r

‰

‰ ‰ ≈ r

j >

we wish we wish mp

we want we want mf

we want mp

we wish we wish we want we want we want mf f mf

whispered, keep whistle inside mouth (occasional bird whistle emerges) 3

B Ó

‰ ‰ ≈ r

‰

‰ ‰ ≈ r

Stroh.

> we wish we wish mp

we want we want mf

we want mp

we wish we wish we want we want we want mf f mf

whispered, keep whistle inside mouth (occasional bird whistle emerges) 3

? Ó

‰ ‰ ≈ r

‰

‰ ‰ ≈ r

Vc.

> whispered, keep whistle inside mouth (occasional bird whistle emerges)

we wish we wish mp

? Ó

we want we want mf

we want mp

we wish we wish we want we want we want mf f mf

‰ ‰ ≈ r

‰

‰ ‰ ≈ r

Db.

¢ > we wish we wish mp

we want we want mf

we want mp

Sy. 4624/01

we wish we wish we want we want we want mf f mf

Tree of Codes – Act II Score in C

bird whistle (as before) 174

B. Fl.

° & ‹

∑ ff

bird whistle (as before)

∑ & ‹

Sub-cb. Fl.

bird whistle (as before)

∑ &

Ob.

bird whistle (as before)

& ‹

Cl.

bird whistle (as before)

? Bsn.

¢ mf

Hn.

° ‰™ &

r œ. œ.

bœ.

j œ.

‰

∑

. R & ‰™

Tpt.

J Œ

‰

Œ mf

∑

? ‰™

œ. œ. R

œ.

œ. J ‰

∑

Tbn. f

? ∑ Euph.

f ff 3 3 3 3 3 æ r j r ≈ œÆr ≈’ æ™ ‰ œ œ ‰ ° Ó œ œ œ œ œ œ œ œ œ œ œ Ó œ œ œ œ œ œ œ œ œ œ ¢/ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > > > > ff f 3

P. Whistle 2 Maracas

Adela

° &

∑

(megaphone) the crowd laughs

? Son

¢ f

& Pno.

{

bird whistles (responding to make cascade of sound)

remove wacky whistles

’

Vln. I

° &

∑ ff

remove wacky whistles

’

∑ &

Vln. II

remove wacky whistles

’

∑

Stroh. ff

’

remove wacky whistles

? ∑ Vc. ff

remove wacky whistles

’

? ∑ Db.

¢ ff

Sy. 4624/01

Tree of Codes – Act II Score in C

q = 60 accel.

q = 72

177

B. Fl.

° & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

œ. . . . . . bœ. bœ. bœ. . . . µœ. µœ. µœ. µœ.

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. > mp

? Bsn.

Hn.

° & ‰™

r œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. > mp

ppp

& ‰™

Tpt.

? ‰™

r œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. > mp

œ. œ. œ. œ. œ. œ. œ. œ. œ. . . . . . µ>œ. œ. µœ. . . . œ. . . . bœ. bœ. bœ. bœ. bœ. > > ppp mp > . . . . . . . . . . >. . . œ. œ. œ. œ. œ. >œ. œ. œ. œ. œ. œ. œ. œ. œ. . . . . . b œ. b œ. b œ. . . . . . . . œ œ œ œ R

bœ. bœ. bœ. œ. œ. œ.

Tbn. mp

ppp

? b˙

b˙

∑

Euph.

¢ pp

To Pistol

P. Whistle 2 Maracas

° ¢ / æœ æ> ff

œR ‰ ™

Ó∑

∑

q = 60 accel.

q = 72 mf

Adela

° &

œ™ ∑

bœ ™

? bœ ™ Son

¢ the

bœ ™

bœ J

crowd

bœ ™

‰

laughs

the

œ™

bœ mi

b˙ -

bœ ™ the

which

does

bœ

bœ -

not

bœ which

does

∑

not

& Pno.

{ q = 60 accel.

q = 72

vocal 'white noise'

Vln. I

>. wish mp

vocal 'white noise'

Vln. II

wish - ch

. -

. . -

wish - ch

ch ch

ch ch ch

. -

. . -

wish - ch

ch ch

ch ch ch

wish - ch

° Ó & ch

wish

& Ó wish mp

vocal 'white noise'

wish

B Ó Stroh. wish mp

vocal 'white noise'

wish

? Ó Vc. wish mp

vocal 'white noise'

Db.

wish

? ¢ Ó wish mp

wish

Sy. 4624/01

wish

Tree of Codes – Act II Score in C

the crowd destroys the birds 180

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

? Bsn.

Hn.

° & bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ . . . . . . . . . .

bœ bœ. bœ. bœ.

œ-

bœ œ œ

bœ œ œ. œ. œ. œ. œ. œ. œ. œ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. > pp

& œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ

Tpt.

œ œ œ œ

œ œ œ

œ œ œ œ bœ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. >

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ

œ œ œ œ

œ.

œ. œ. œ.

œ.

œ. œ. œ.

-œ

>œ. œ. œ. œ. œ. œ. œ. œ. >œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

>œ œ™

? Tbn. mf

? ∑

∑

Euph.

Pistol Shots

Pistol

° ¢/

> œ

>j œ

‰

r œ ‰™

> œ

∑ f

mp f f

spoken

Adela

° œ™ &

œ bœ bœ

know

bœ

what

>˙

r bœ ≈ ‰

œ™

≈ b>œ

and

bœ

≈

b˙ ‹ ‹ ‹

why

j ‹™

the crowd laughs

(f) mp

? bœ ™

œ œ

what

œ ‰™ R

Son

bœ

bœ œ bœ

œ bœ

> bœ nœ œ œ 3

know

and

why

∑

& Pno.

{ Vln. I

° & ch ch

ch ch ch

ch ch mf

ch ch ch

ch ch ch mp

ch ch

ch ch ch

ch ch

ch ch ch

ch ch mf

ch ch ch

ch ch ch mp

ch ch

ch ch ch

Vln. II

B Stroh. wish

wish

wish mf

wish

wish mp

wish

? Vc. wish

wish

wish mf

wish

wish mp

wish

? Db.

¢ wish

wish

Sy. 4624/01

wish mf

wish

wish mp

wish

Tree of Codes – Act II Score in C

183

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4 Ó™

? Bsn.

Hn.

Tpt.

Tbn.

Ÿ~~~~~~~~~~~~~~~~~ ° & bœ . . . . >œ. . . . >œ. . . . b>œ œ ëf Ÿ~~~~~~~~~~~~~~~~~ & œ. . . œ. . œ. . . œ. œ. œ. >œ bœ ëf >œ. . . . . . Ÿ. ~~~~~~~~~~~~~~~~~ . . . b . . bœ œ œ. ? ëf

∑

6 4

∑

7 4

∑

6 4

∑

7 4

6 4

∑

7 4

? ∑ ¢

Pistol

7 4

Euph.

> œ

°/

>™ ˙

> ‰ œj

∑ ff

Rain Stick

6 4

Œ Rain Stick

¢/

∑

7 4

shout! (as articulate as possible) mf mp

f 3

Adela

° Œ &

3 > ≈ bœ œ #œ œ #œ bœ œ #œ nœ œ bœ nœ bœ nœ bœ ≈ Œ

Œ >¿ >¿ >¿ >¿ >¿

fff

mf 3

6 4 bœ œ #œ

œ gl. œ #œ œ

>œ bœ œ #œ nœ œ Ó™

7 4

3 3

do you un - der-stand

you

(as articulate as possible) shout! mp

mf f

b>˙

? œ

b >œ œ # œ n œ œ bœ nœ bœ nœ bœ œ # œ œ # œ œ bœ ‰

gl.

> œ

œ œ

Son

¢ 3

fff

gl.

6 œ #œ 4 bœ

#œ

œ #œ œ nœ bœ œ #œ nœ Ó™ œ > 3

7 4

3 3 3

laughs

you

der - stand

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

∑

6 4

∑

7 4

& Pno.

{ Vln. I

° > > &

> > >

wish ch

ch want ch

> >

> > >

ch wish ch

> > >

ch want ch ff

ë > > >

> > >

Vln. II

wish ch

ch want ch

ch wish ch

ch want ch ff

B Stroh. ch

wish

ë ff >

> >

? Vc. wish

ch ch want

ch ch wish

ch ch want ff

ch ch

> >

? Db.

¢ wish

ch ch want

ch ch wish

ch ch want ff

ch ch

Sy. 4624/01

100

Tree of Codes – Act II Score in C

186

° 7 B. Fl. & 4 Ó ‹

U Œ

4 4

∑

7 &4 Ó ‹

U Œ

4 4

∑

Sub-cb. Fl.

7 &4 Ó

U Œ

4 4

∑

Ob.

7 &4 Ó ‹

U Œ

4 4

∑

Cl.

?7 Ó

U Œ

4 4

∑

U Œ

4 4

∑

#U œ

#>œ ™ ≈ J

bœ

4 bœ nœ 4

Bsn.

Hn.

° 7 Ó &4

Tpt.

7 &4 œ

mp ff

> > nœ #œ œ #œ #œ nœ bœ nœ œ #œ œ ’#œ œ œ #œ nœ æ 3 3 3

bœ ææJ

mf 3

?7 Ó

U Œ

4 4

∑

U Œ

4 4

∑

Tbn.

4 ?7 Ó Euph.

Pistol

°/

7 4

Rain Stick

¢/

7 4

4 >œj 4

∑

‰

Œ Ó

4 4 shout! fff

’ mf ord. Adela

3 mf > œ #œ #œ œ #œ œ #¿ ™ ° 7 ord. œ nœ bœ. ‰ œ œ J # œ &4 # œ œ # œ b œ J œ 7

U Œ

4Œ 4

3 > œ. #œ. œ. #œ nœ nœ #œ nœ #œ bœ nœ œ #œ œ #œ œ #œ œ 3 > 3

un do

you

der

der -

stand

shout! fff

ord. mf

Son

?7 ‰ ¢

j œ œ

>œ œ #œ #œ œ œ # œ ¿™ J

b-œ

U Œ

4 4

∑

7 7

you

der

stand

7 &4 Ó

U Œ

4 4

∑

?7 Ó

U Œ

4 4

∑

Pno.

{

° 7 Ó &4

U Œ

4 4

∑

Vln. I

7 &4 Ó

U Œ

4 4

∑

Vln. II

B7 Ó

U Œ

4 4

∑

U Œ

4 4

∑

U Œ

4 4

∑

Stroh.

4 ?7 Ó Vc.

4 ?7 Ó Db.

Sy. 4624/01

der

101

Tree of Codes – ACT II Score in C

repeat ad lib. (Tempo libero) q = 66 188

° B. Fl. & ‹

whispered/percussive air noise interjections follow 'birdshit' sounds pp cresc.

Sub-cb. Fl.

¢& ‹

whispered/percussive air noise interjections follow 'birdshit' sounds pp cresc.

the sound of dropping objects like bird shit (eg: small sandbags of large drops of water)

Stage Noise or Recording

pp cresc.

Hn.

° &

∑

æ œ™æ

& ˙

Tpt.

œ. œ. œ. œ. œ. œ. Œ

œ œ

? ∑

∑

Tbn. repeat ad lib. (Tempo libero) speaking (futile gestures of entreaty)

? ∑

∑

‰

∑

Euph.

O™

° Rain Stick ¢ /

q = 66 Adela

Ÿ~~~~~~~~~~~~ ° œ ™ b œ œ b œ œ b œ ≈ nœ ™ ¢&

mf mp

œ™

œ ≈ R

∑

j œ bœj

œ™

∑ bœ ™

bœ

7 7

-a

you

un - der

stand

193 rate of 'birdshit' dropping gradually increases

° B. Fl. & ‹ rate of 'birdshit' dropping gradually increases

Sub-cb. Fl.

¢& ‹ rate of 'birdshit' dropping gradually increases

Stage Noise or Recording

° Rain Stick ¢ /

mf 3

>œ

Adela

-œ J

° ¢ & bœ ™

œ R

r œ™ bœ

‰™

bœ

œ™ J

≈

-œ R

œ bœ

œ ‰ bœ

bœ

#œ nœ

bœ 7 3

the

sad

ness

196

intense rain of birdshit

° B. Fl. & ‹

10 4 pp

intense rain of birdshit

U Sub-cb. Fl.

10 4

¢& ‹ pp

intense rain of birdshit

10 4

Stage Noise or Recording pp

long

10 4

° ¢/ ff

Adela

° bœ ¢& >

bœ -

œ -

#œ -

r bœ

nœ

b˙ ™

bœ

mic

b˙ ™ -

Sy. 4624/01

nius

‰™

U Ó

10 4

102

Tree of Codes – Act II Score in C

the escape artist q = 50, rubato o with wa-wa

slow

fast med. fast + 3 3 Ÿ~~~~~~~~~~~~~~ œ #œ #˙ #œ œ ™ #œ #œj™ ≈ ‰ #œ ™ nœ#œj nœ#œj nœ ™ nœ j ™ ≈ J nœ bœ > > êf mp mp 3 fast

199 7

Ÿ~~~~~~~~~~~~~ mœ 10 # œ # œ # œ ™ # ˙œ #œ ≈ & 4 J J

Tpt.

3 3 3

#œ ™ œ-

nœ #œ ˙ œ bœ bœ µœ œ #œ œ #œ µœ nœ

Œ™

med. fast > ~~~~~~~~~~~~~~~ Ÿ-œ~~~~~~~~~~ #œ nŸ˙ #œ #œj nœ™

201

‰

-œ J

˙™ & b˙

Tpt.

-œ

œ.

-œ ™

µœ

bœ

nœ.

≈

œ.

5 4

3 7 3

o 202

Tpt.

7 > ° 5 bœ µœ ™ nM œ b œ b œ b œ b œ . ¢& 4

3 7

bœ ™ œ

j bœ ™

bœ

6 4 #˙

#œ

r ‰™ #œ

7 4

Ó™

Adela

° 5 &4

6 4

∑

7 4

∑

# œ ™ #>œ œ # œ œ œ

#˙ ?5

6 4

∑ Son

œ™ œ. ‰

-œ ™ J

7 4

≈

7 3 3

204

Tpt.

° 7 ¢& 4

Adela

° 7 &4

∑

4 4

∑

4Ó 4

5 4

∑

>œ ™

bœ J

knot

5 4

pp mp

>œ

-œ

j bœ ‰ ™

-œ

µ -œ

œ™

nœ

#œ #œ J

n˙

4Ó 4

‰

Son

5 4

Vln. I

ther

be - came

° 7 ¢& 4

small - er

and

small

knot

4 sul˙ tasto 4 >˙

∑

5 4

˙˙ p

o 206 3

Tpt.

° 5 ¢& 4

6 4Ó

∑

bœ b˙ œ bœ nœ

œ #œ ™

Adela

° 5 œ &4

œ J

6 4

∑

6 4

∑

knot

loos - ened

him - self

œ J

Son

4 3

knot

loos - ened

him - self

(separate bows) 3

ord. 3

Vln. I

° 5 ¢& 4 ˙˙

r bœ bœ

œœ mp

œœ

˙˙

6 4œ pp

Sy. 4624/01

œ bœ nœ

≈

œ # œ- ™ mf

j œœ mp

103

Tree of Codes – Act II Score in C

208

Tpt.

° b˙ ¢&

bœ æ

bœ R

‰™

4 4

∑

4 4

∑

Adela

° &

∑

#>œ œ™ #>œ œ™

>œ

>œ # œ n>œ œ #œ œ

’ œ-

(sprech.)

4¿ 4

Son

¢ 3

#-œ #-œ #˙ ‰

7 3

Vln. I

would

say

how

° ¢& ˙ ˙

beau

ful

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ nœ) bœ œ™( #œ

bœ œ

œœ

for - get - ting

>O œ J

4œ 4

™ œ #œ #œ œ #œ

-œ #œ nœ #œ œj nœ bœ œ - œj bœ bœ œ #œ

≈ R

œ J

3 3 7

210 3 3

Tpt.

° ‰ ¢&

‰ #œj #œ #œ œ #œ nœ œ œ bœ-

‰

œ™

6 4Ó

bœ>

bœ-

œ J

bœ

mf mp

Adela

° &

6 4Œ

∑

Œ #œ œ

œ >

lose mp

#œ #>œ œ #œ nœ œ œ bœ

? #>œ

some

b>œ nœ œ >œ œ œ #œ #œ ™ #œ

‰

Son

6 4 #œ

#œ #œ

#œ

#œ œ

#œ

3 3

3 3 3 3 3

what

lief!

It would be

for

the

world

lose

some

Vln. I

° ¢& #œ

#œ #œ œ #œ nœ nœ œ bœ-

‰ œ œ #œ #œ ™ #œ

6 4 #œ

#œ #œ # œ

nœ mp

#œ J

bœ ‰ #œ œ #œ œ #œ œ

#œ

mp mf

212

Tpt.

-œ

° œ ¢&

-œ

˙™ Œ

8 4

4 4

pp mf

Adela

° bœ bœ bœ bœ ™ &

bœ b˙

8 #>œ ™

nœ J

b˙

bœ

œ œ

œ œ™

œ ˙

4 3

4 4

its

con -

tents

knot

dis - tant

cli

max

pp mf

œ™

bœ b˙™

? Œ Son

8 4

4 4

its

con -

tents

III

Vln. I

° #œ ¢&

#˙˙ ™™

##˙˙

mf pp

8 #>-œ 4ë

##œœ ##œœ #œ ™ œ™

œ #œ nœ #œ œ

+ j bœ œ bœ

>o r ≈ nœ bœ

mf p

Sy. 4624/01

œo J

4 4

104

Tree of Codes – Act II Score in C

Più mosso 214

B. Fl.

° 4 &4 ‹

∑

4 Sub-cb. Fl.

&4 ‹

Ob.

Cl.

&4 ‹

4 4 ?4 Bsn.

Hn.

° 4 &4

Tpt.

4 ?4 Tbn.

4 ?4 Euph.

Tom-t. +B.D.

° ¢/

Tom-toms + Bass Drum

(matching singer as closely as possible)

with ﬁngers

>œ

4 4

∑

œ ææJ

‰

œ >œ

œ œ

œ œœ

œ >œ

œ ææ

3 3 3

Più mosso mf

Adela

° 4 œ™ &4 J

≈

∑

spoken (lilting) f

>‹ J

sprech.

?4 ∑

‰

b-œ b-œ

b¿

‹

>‹

‹

>‹

‹

Son

would say:

"all

a - ttempts

are

tran - sient

4 ∑

∑

&4 Pno.

Vln. I

° 4 &4

˙o

Più mosso ˙o œ

˙o

‰™

j bœO

‰

b˙O

r bœO

{

ppp

‰™

˙o

III

4 &4 Ó

Vln. II

˙o

œ R

‰™

‰

j ##œO

##˙O

r ##œO

ë II

˙o

ææ

B4 Ó

œ R

‰™

‰

Stroh.

4 f

œo

?4 Œ

œo J

Vc.

˙o

œ R

‰™

b Oœ J

‰

b O˙ ë

bbOœ R ppp

b Oœ R ppp

˙o

?4 Ó

˙o

Ó &

Db.

œ R

‰™

bb Oœ ‰ ? J

bb O˙ ë

bbO˙ ë

bbOœ J

ppp

Sy. 4624/01

bb Oœ R ppp

105

Tree of Codes – Act II Score in C

q = 66 217

B. Fl.

° & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

? Bsn.

Hn.

° &

o ∑

>˙+

>œ#œ œ

˙™

Tpt.

5 4

#œ#œ p

∑

5 4

∑

5 4

? Tbn.

? Euph.

with ruthes or heavy brushes

R. Cym. Hi-Hat

T-tom. +B.D.

°/

¢/

j œ œj

œ >œ ≈ ‰

>œ Œ

≈

œ œ œ œ œ œ

œ™ æ

R 3 5

j œœ .

>œ

œ Œ

œ œ œ œ œ œ œ Œ

>œ

> œ

j œ

>œ

j œ

œ œ

5 4

> œ œ œ œ

œ œ œ

5 4

mp 3

3 5

mf 5

q = 66 Adela

Son

° &

∑

™ ™ ? ‹ ≈ ‹ ‹ ‹ ‹ ‹ ‹ ¢

∑

>‹ ™

‹ ‹ ‹ ‹ Œ

>‹ ‹ ‹ ‹ J

‰

5 4

∑

‹™ J

≈ Œ

5 4

and

ea - sy

to dis-solve

our cre - a - tions

are

tem - por - a - ry"

∑

5 4

∑

5 4

& Pno.

{

q = 66 Œ

B Ó

> bbOœ mf

˜µ˙O pp

bb O˙

bbO˙

˜µœO ™™

‰

™ bbOœ ™

Vc.

bbOœ bb˙O

? Ó

5 4

bb O˙

5 4

> bb O˙ ™™

Db.

¢ ë

5 4

pp mp

> bb Oœ

5 4

Œ mf

Œ ##>œO mp

bbO˙

> bb Oœ ? Ó

˙O ™™

O >œ mf

Stroh.

O˙™™

O˙

& Ó

Vln. II

O˙

° & Ó

Vln. I

>O œ

Sy. 4624/01

5 4

106

Tree of Codes – Act II Score in C

220

° 5 B. Fl. & 4 ‹

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

5 Sub-cb. Fl.

&4 ‹

Ob.

Cl.

&4 ‹

5 5 ?5 Bsn.

Hn.

° 5 &4

Tpt.

œ™ ‰

6 4

˙™

?5 ∑

6 4

∑

4 4

∑

6 4

∑

4 4

Tbn.

4 ?5 Euph.

R. Cym. Hi-Hat

°/

5 4

T-tom. +B.D.

¢/

5 4

>œ

≈ œ œj œ œ œ œ œ œ J

4 4

Ó™

> œ

6 4 œœœœ˙ ææ

6 4

>œ œ

œ œ

> œ œ œ œ œ

4 4 œ œ ˙™ææ

œœ

4 4

9 3 3

Adela

° 5 &4

3 3

3 3 9

6 4

∑

4 4

∑ scat or articulated exclamation, gasping

>. . . . . . . . . >

‹ ‹ ‰ ‰ J

? 5 Ó™ Son

>‹

>‹ ™

6 4

4 4

he said,

>‹

"We

are

not

long

term

∑

6 4

∑

4 4

∑

6 4

∑

4 4

&4 Pno.

{ Vln. I

° 5 & 4 ##˙O ™™

O˙

6 4

Oœ

Oœ™™

j Oœ >

O˙

j œ

4 4

Oœ J

‰ ‰

4 4

f mf

5 Vln. II

##O˙

& 4 ##˙O ™™

6 #O 4# œ

##Oœ ##Oœ ##Oœ ™™

j œO

#>œO

Oœ

3 3

B 5 ##O˙ ™™

˙O

Stroh.

6 4

œO

nnO˙

œO ™™

4 4

œ ‰ f

## O˙ ?5 Œ

n O˙

Vc.

4 mf

O˙ Db.

6 4

Oœ™™ ‰

Oœ™™

O˙

?5 Œ ¢

œ œ œ bM >œ

6 4

m œ œ bœ œ > mp 3

j 3 œ œ bœ œ #œ

#œ

Sy. 4624/01

mp 3

4 4

#œ pp

œ œ œ œ #œ J

‰

j #œ

#œ J

#œ ≈ ‰ ‰ R

3 3 3

4 4

107

Tree of Codes – Act II Score in C

222

° 4 B. Fl. & 4 ‹

∑

4 Sub-cb. Fl.

&4 ‹

Ob.

Cl.

&4 ‹

4 4 ?4 Bsn.

Hn.

° 4 &4 Ÿ3~~~~~~~~~~~~~~

>œ œ #œ nœ œbœ bœ

7 3

4 &4

Tpt.

-œ J

7 3

#œ

nœ#œ œ#œ r≈ ‰ > œ™ œ

‰

œ J

≈#œj #œ

j #œ nœ.

œ.

#œ.

Ÿ~~~~~~~~~~ #œ #œ

#œ œ #œ œ #œ

mf mp

?4 ∑

∑

Tbn.

4 ?4 Euph.

3 >j > ≈ œ ™ ≈ œj™ ¿ œ ¿ œ ÆJ æ ÆJ æ æ

foot

R. Cym. Hi-Hat

°/

4 4

æ ˙æ

>j ¿œ

¿ ÆJ

> ≈ œj™ ≈ œ œ ¿ œ æ ÆJ æ æ

3 3

¿ ÆJ

œ œ æ

¿ ÆJ

≈

æ œæ

¿ ÆJ

> œœ æ

> œ¿ œ œ ÆJ æ

j ¿ ÆJ

≈

æ œæ

¿ ÆJ

œ¿ œ œ ÆJ æ

œ æ

¿ ÆJ

œ æ

pp 3

T-tom.

¢/

4 4

œ œ

∑

ë mf

Adela

Son

° 4 &4

∑

> > ? 4 ¿J ¿ ¢

∑

¿™

¿ ¿

∑

¿ ¿ ¿ ¿ ¿™

¿ ¿

¿ ™ R ‰

‰

3 3

be - ings.

not

he - roes

ro-man - ces

ma - ny vo

lumes.

4 ∑

∑

&4 Pno.

{ Vln. I

3 ° 4 & 4 œ#œ œ

#œ

n˙

#˙ >

nœ nœ œ > > mf

mf gl.

~~~~~~~~~~ #Ÿœ œ

™ œ œ#œ œ >œ

mp f 3 7

Vln. II

æ œœæ

4 &4 œœœ

œ >œ >œ

~~~~~~~~~~ #Ÿœ œ

™ œ œ#œ œ >œ

Stroh.

œ B 4 œ#œ œ #œ nœ #œR nœ 4

˙™

>œ#œnœ#œ œ™

Ÿ~~~~~~~~~~~ œ œ#œ œ#œ œ™ >œ ™ œnœ#œnœ œ

Œ 3

7 7

5 3

œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ

œ ?4 Œ

œ J

>œ ‰ ‰ Œ

œ œ. bœ. œ.bœ. œ. #œ nœ ‰

‰ Œ

Vc.

4 ë

pp 3

mp 3

?4 Œ ¢

œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ

Db.

œ J

‰ ‰ Œ

>œ

. . . . œ #œ. œ œbœ œ #œ nœ ‰ 3 3

pp 3

Sy. 4624/01

108

Tree of Codes – Act II Score in C

225

° B. Fl. & ‹

∑

& ‹

Sub-cb. Fl.

> #>œ #œ œ bœ bœ nœ #œ˜œ nœ #-œ œ ∑

> œ ˜œ J

#>œ œ

bœ

Ob.

m #>œ ™ œ œ œ 3

∑

& ‹

Cl.

#>œ

˜œ

œ- >œ

m b >œ n œ J

>œm™ b œ b œM J

œ #œ nœ œ bœ œ bœ bœ

7 7

bœ

b œ b œ. œ

>œ ™

? ∑ Bsn.

b>œ bœ >œ œ œ #œ ™

b>˙ ™

nœ œ bœ bœ >œ

f 7

m œ œ™ œ œ

Hn.

° &

∑

Œ #>œ

Tpt.

b˙ ™ Œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ > #œ # #œ #œ ™ #œ #œ #œ #œ & œ

bœ œ #œ #œR ‰ ™ ff

#˙ ™

#œ #œ

∑

3 3

œ.

œ. ? #œ

>œ J

#œ ‰

‰

∑

Tbn. 3 3

? ∑

∑

Euph.

˙™

R. Cym. Hi-Hat

°/

∑

T-tom. +B.D.

>j / ¢ œ

> œ

>> œœ

Œ œ

> Œ

∑

œœ

f l.v.

l.v.

Adela

° &

∑

? Son

& Pno.

{ Vln. I

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ˙~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ n˙ ™ ° #˙ œ ˙ &

-œ

˜>œ ™ ˜ œ# œ œ b œ m™ b œ M œ bœ J 7

>œ #>œ n>œ > œ bœ œ bœ œ œ ™ >

‰™

ff 7

Vln. II

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ˙~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ #˙Ÿ œ b˙ ˙ & ˙

b˙ ˙

b˙ ™ ˙™

bœ œ

Ÿ˙~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b˙ œ b ˙Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ ˙ B

b˙ ˙

b˙™ ˙™

b˙

n˙ ™

>œ bœ œ bœ œ™

Stroh.

? Ó

œ œ bœ b>œ ™ bœ œ #œ nœ

‰

Vc.

b˙ 3 7

f ff

Db.

? ¢ Ó

‰

>œ. R ≈

b>œ. R ‰

œ. R

b˙

n˙ ™

>œ bœ œ bœ œ™

f ff

Sy. 4624/01

109

Tree of Codes – Act II Score in C

228

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

∑

b˙

bœ ‰

mf 3

nœ J & b˙ ‹

nœ

-œ

˙™

>˙

bœ ™

bœ

Cl.

? Œ

∑

Bsn.

Hn.

˙™

° b˙ ™ &

bœ

b˙

ppp

∑

Tpt.

? Tbn.

? Euph.

˙™

bœ

b˙

f mp

ppp

l.v.

T-tom. ° +B.D. ¢ /

> œ

Œ œ

œ– mp

mf 3

Adela

° &

∑

? Son

& Pno.

{ Vln. I

° b˙ ™ &

bœ

& ˙™ >

Vln. II

b˙

ppp

> B ˙™

Stroh.

œ J

>œ

˙™

? Vc.

>˙ ™

w mp

? Db.

>˙ ™

˙™ mp

Sy. 4624/01

œ-

110

Tree of Codes – Act II Score in C

accel. 231

B. Fl.

° & ‹

Sub-cb. Fl.

& ‹

Ob.

∑

>˙ ™

∑

& ‹

Cl.

? ∑

∑

Bsn.

Hn.

° &

Tpt.

? Tbn.

? Euph.

> > > œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

T-tom. ° +B.D. ¢ /

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

∑ ppp

accel. Adela

° &

∑

? ∑ Son

¢ alone, for

one

gesture,

for

one

shall

make

the

word

∑

& Pno.

{

accel. Vln. I

° &

∑

‰

∑

& œ™

Vln. II

B bw

Stroh.

j œO

Vc.

w~ mf

‰

∑

? ∑

∑

Db.

w > pp

Sy. 4624/01

effort.

111

Tree of Codes – Act II Score in C

Tempo libero (q = 100) U 234

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

? Bsn.

U Hn.

° &

Tpt.

? Tbn.

? Euph.

gentle bird whistle fast trilling (whistle) (fast)

Bird whistle Hi-Hat

°/

œ ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

> œ

≈

≈ ¿

‰

≈

(mp cresc.)

4 Continue improvising, with hi-hat, tom-toms and bird whistle, keeping the underlying semiquaver rhythm whilst gradually becoming wilder and louder. Dialogue/'comment' on Son's spoken text.

œ T-tom. +B.D.

> œ

œ œ

¢/

6 4

ææœ f

(q = 100) Adela

° &

Tempo libero ∑

∑

6 4

(develp text with repetitions) We shall have this as our aim a gesture

U ?

"can you understand", asked my father,

∑ Son

6 4

"the deep meaning of that weakness? the proof of our life. We love each gesture."

∑

6 4

∑

6 4

& Pno.

{

(q = 100) Vln. I

° &

Vln. II

Tempo libero ∑

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

Stroh.

? Vc.

? Db.

Sy. 4624/01

112

Tree of Codes – Act II Score in C

q = 40 236

B. Fl.

° 6 &4 ‹

∑

6 Sub-cb. Fl.

&4 ‹

Ob.

Cl.

&4 ‹

6 6 ?6 Bsn.

bell 2 wa-wa

sfz (hand stopped in bell 1) 3

° 6 & 4 w™

j œ

Hn.

Ó™

≈ Œ œ™

p mf

6 ∑

∑

Tpt.

?6 Tbn.

4 ?6 Euph.

T-tom. ° +B.D. ¢ /

6 4

(wa-wa effect with hand + changing mouth shape) f

q = 40

mp, mf

o Mu. Bird

°‹6 &4

+ œ-

sfz

∑ ˙ oh

r 7 œ Œ™

œ-

oah

?6 ∑

∑

Son

6 &4 Pno.

{

4 q = 40 con sord. sul pont.

molto sul pont. ord.

con sord. sul pont.

œ œ œ œ

sul pont. 7 7 7

æ µœ œ bœæ

‰

Ó œ ™ > bœ nœ

>˙ pp

ord.

con sord. sul pont.

sul pont.

œ ™ > bœ nœ

>˙ f

m >œ

bœ nœ µœ #œ-

œ œ œ œ ë

con sord. sul pont.

molto sul pont. 7

?6 Db.

œ œ œ œ

sul pont.

ord.

Ó >˙ f

œ > bœ nœ ™

ord.

m 3 ææ µœ >œ œ b œ

j µœ bœ

œ- #œ

ord. 7

Œ™ œ b œ n œ ™ µœj b œ b œr >

>˙ f

bœ nœ µœ #œ-

sul pont.

‰

r Œ™ bœ

b œ n œ µœ #œ-

œ- #œ

sul pont. ord.

æ m bœæ µœ >œ œ

ord.

>˙ ‰

>œ bœ nœ ™

µœj bœ

bœ Œ ™ R

bœ nœ µœ #-œ 7

7 7

f pp

Sy. 4624/01

œ- #œ

‰

ë molto sul pont. 7

4 >˙

r ™ bœ Œ

æ µœ œ bœæ

œ œ œ œ

Vc.

j µœ bœ

molto sul pont.

4 >˙

ord. 7

con sord. sul pont.

œ- #œ

‰

ord.

Stroh.

bœ nœ µœ #œ-

æ µœ œ bœæ

B6 ˙ 4>

r ™ bœ Œ

œ œ œ œ

m >œ

Vln. II

j µœ bœ

molto sul pont. 7

6 &4 ˙ >

ord.

Vln. I

m >œ

° 6 &4 ˙ >

-œ #œ

113

Tree of Codes – Act II Score in C

238

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

? Bsn.

o Hn.

+ ° & œ>

sfz 3

œ >-

r 3 œ ≈ ‰

‰

U Ó

ë ff

∑ &

Tpt.

o >-+ œ

sfz

>œ-

œ R ≈ ‰

‰

Tbn. 3

ë ff snoring sound

O ææ

? ∑

O™ ææ

wheezing/snufﬂing

‹ ‹ ‹ ‹ O™ R

J ‰

Euph.

¢ 3

snoring/snufﬂing sounds

Mu. Bird

°‹ &

O ææ

∑

O™ ææ

O J

O™ ‰

mf mp 3

? ∑

∑

Son

4 &4 ˙ My

œ fa -

b œ µœ µœ ther

∑

4 4

∑

4 4

∑

U Ó

∑

4 4

∑

U Ó

∑

4 4

∑

U Ó

∑

4 4

∑

U Ó

∑

4 4

∑

4 4

∑

& Pno.

{

molto sul pont. sfz

Vln. I

° & n˙ ™ > f

r 3 œ ≈ ‰

‰

ë fff molto sul pont. sfz

& n˙ ™ >

Vln. II

r ≈ 3‰ œ

‰

ë fff molto sul pont. sfz 3

B n˙ ™ >

Stroh.

r œ ≈ ‰

‰

ë fff molto sul pont. sfz 3

? Vc.

n>˙ ™ f

r ≈ ‰ œ

‰

ë fff molto sul pont. sfz 3

? Db.

>˙ ™ f

r ≈ ‰ œ

‰

U Ó &

ë fff

Sy. 4624/01

j µœ

‰

114

Tree of Codes – Act II Score in C

più mosso Più mosso 241

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

? Bsn.

Hn.

° &

Tpt.

? Tbn.

muttering: "talking in one's sleep" switch bells

+ O Euph.

6 OJ 4

? ¢ Ó

™ wheezing

≈

O æ

4 4

più mosso Più mosso wa-wa with hands over mouth mp

pp mf

o (muted)

Mu. Bird

°‹ + & ˙

‰ œ™

6 >œ 4

œ bœ

m > œ bœ

œ µœ

-œ ™

>j µœ nœ

œ. nœ.

œ. #œ.

œ™ gl. #œ. #œ

#œ

> œ

#œ

#œ R

≈

‰

4 4

3 3

Was the

¢& n>˙

on - ly

one

who

? Son

m b>œ

6œ 4

µœ

-œ ™

≈

#œ. J

‰

#œ. J

‰

4 4

was

the

on - ly

one

who

∑

6 4

∑

4 4

∑

6 4

∑

4 4

& Pno.

{

Più mosso Vln. I

° &

Vln. II

più mosso

∑

6 4

∑

4 4

∑

6 4

∑

4 4 3

ord.

B Ó Stroh.

˙ pp

6 4 >œ

œ bœ

m œ b>œ

3 3

µœ

œ- ™

> j µœ nœ

œ œ. nœ. µœ. #œ.

œ™ gl. #œ. #œ

#œ

œ >

#œ

r #œ ≈

‰

4 4

‰

4 4

‰

4 4

mp mf

œ ord.

? Ó

Vc.

6 >œ 4

œ bœ

m > œ bœ

µœ

-œ ™

>j µœ nœ

œ. nœ. µœ. #œ.

œ™ gl. #œ. #œ

#œ

> œ

#œ

#œ R

≈

mp 3

∑ Db.

¢&

6 4 >œ

œ bœ

m b œ >œ

3 3

µœ

œ- ™

> j µœ nœ

œ œ. nœ. µœ. #œ.

œ ™ gl. #œ. #œ

#œ

mp 3

#œ

r #œ ≈

>œ mf

Sy. 4624/01

115

Tree of Codes – Act II Score in C

q = 50 243

B. Fl.

° 4 &4 ‹

∑

4 Sub-cb. Fl.

&4 ‹

Ob.

Cl.

&4 ‹

?4 Bsn.

Hn.

° 4 &4

Tpt.

?4 Tbn.

4 wheezing

O æ

O J ‰

Euph.

q = 50 f

°? 4

#>œ œ #œ œ

#˙

œ -œ ™ R ≈ J

bœj œ

≈ ‰

∑

Mu. Bird

œ-

knew

cret

scape

ë p

squeezed breathy sound Ÿ~~~~~~

j >

?4 Son

. nœj b-œ b œ nœ œ J ‰ J ‰ J ‰ ‰™ R

> bœj œ

nœj bœ

-œ - >œ # œ œ #œ ≈

bœ œ™

>. . . . - >. . . . . . . . . . . . . . œ œ œ œ J

3 3

knew

cret

scape

peh

4 ∑

∑

&4 Pno.

{

q = 50 Vln. I

° 4 &4

Vln. II

Stroh.

B4 4

4 (jeté) 3

Œ b˙-

bœ nœ #œ œ >

> r j bœ œ

‰™

j bœ-

>. . . . œ œ

œ™

‰

(jeté)

b-˙

b>œ nœ #œ œ

> bœj œ

R ‰™

Vc.

b-œ J

>. . . . œ œ

‰

4 3

œ™

(jeté) 3 3

4 ¢& 4

b˙-

bœ nœ #œ œ >

œ ‰™ R

j bœ-

>. . . . œ œ

‰

Œ Db.

>j bœ

Sy. 4624/01

116

Tree of Codes – Act II Score in C

246

° B. Fl. & ‹

Sub-cb. Fl.

& ‹

Ob.

Cl.

& ‹

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

? Bsn.

Hn.

° &

Tpt.

? Tbn.

? Euph.

°? Mu. Bird pp

j vulnerable, breathy

<Ÿ>~~~~~~~~

œ.

# œ. . œ

œ # -œ

-œ ™

>. . . . µ œ œ

µœ

# -œ

-œ

> #˙

. . .

? J

J ‰

‰

≈ ≈

‰

5 4

Œ™

Son

¢ 3

3 3 3 3

some

- where

the

back

gate

the

world

5 4

∑

{

∑

5 4

° &

∑

Vln. I

5 4

∑

Vln. II

5 4

∑

5 4

∑

5 4

∑

& Pno.

Stroh.

? Vc.

? Db.

¢&

Sy. 4624/01

5 4

117

Tree of Codes – Act II Score in C

whispering/muttering with key noise

"foghorn" 249

B. Fl.

Sub-cb. Fl.

° 5 &4

° U & w ‹

& ‹

U & ¢ w ‹

U & ‹ bw

¢& 4 ‹

Euph.

°? ¢

U w

. . . .

ad lib. snoring/awakening/ muttering sounds

q = 50 or slower hesitantly mp

inhale

œ Son

°? 5 ¢ 4

œ œ J R ‰™

œ œ J

>O œ œ ™ ˙ ’ J

5 4

Œ 5

His

Shruti Box 249 5 #˙˙˙ ? Sh. Box {

#œœœ ™™™

#OOO ™™™ 7

tutti strings: fuzzy, wheezing sound II

Vln. I

lateral bow (air sound)

° 5 M & 4 #˙O

#œOM™™

#œO7™™

lateral bow (air sound)

III

5 Vln. II

& 4 #˙OM

#œOM™™

#œO7™™

B5 4

Stroh.

’

molto sul pont., diagonal bow

lateral bow (air sound)

#˙Oc

#œOL ™™

#œO7™™

™ bO ™

bO7™

™ œO ™

‰

˙O pp

Repeat bars with irregularly spaced silences in between. Shruti player leads the group in varying the speed of the bar's inhaling/exhaling gesture

h. sul pont.

æIII œ™æ

7 3

j O

?5 O

Vc.

4 pp

molto sul pont.

?5 Db.

Sy. 4624/01

eyes

closed

118

Tree of Codes – Act II Score in C

250

U Euph.

°? ¢

Son

°? ¢

falsetto (cough) ord. pp

U ∑

œ™

‰ &

œ-

œ- ™

j œ-

saw

#˙ ™

r ¿ >

his

’

5 4 gaze

moved

≈

‰

µœ

œ -

met

U via sord.

Str.

° ¢&

q = 60 253

254

U w

° B. Fl. & ‹

5 4 œJ

m7 œ

˙™ whispering/muttering/spitting 7

’ œ

r O. O .

≈ µœ nœ œ

whispering/muttering/spitting

U Sub-cb. Fl.

5 4 Œ™

¢& b w ‹

‰™ j œ

r œ

f p

o Hn.

+ U w > mp

° ¢&

intermittent breaths + whispers (sensual)

5 4 q = 60 mp

ê Son

U ∑

° ¢&

œ ?J

5 4Ó

‰

>œ R

œ œ

#œ ™ J

#œ #œ J

‰ 3

3 5

ther

lone

was

a - wake

U inhale/exhale

° B. Fl. & ‹

inhale/exhale

¢& ‹ mf

Sub-cb. Fl.

inhale/exhale

° ¢& mf

Hn.

ppp

œ œ

Son

œ œ

°? ¢

œ #œ J

wan

der - ing

lent

#œ

through

#œ J

‰ 3

the

rooms.

Sy. 4624/01

‰

U ∑

≈ Ó

Tree of Codes – Act III Score in C

119

ACT III: The Ventriloquist Sanatorium under the sign of the hourglass play with contrabassoon reed inserted into mouthpiece rich multiphonic chords and cascades of harmonics

5" Horn in F

° &

25"

30"

∑ w mf ff

∑

& ë fff

ë fff

Trumpet in C

w ? ∑ Trombone pp

? ∑ Euphonium

¢ w pp

Recording of Comet 67P/Churyumov-Gerasimenko

Soundtrack

remove contrabassoon reed and insert normal mouthpiece 4 53"

Hn.

U ∑

° & bw w pp

w w

U ∑

C Tpt.

U ∑

bw Tbn.

Euph.

¢ w

U /

Soundtrack

Tempo libero (recitative accompaniment) q ≃ 56 3

(with normal mouthpiece) 6

Hn.

° &

’

w > mf

bw > pp

bœ bœ nœ œ œ œ œ bœ nœ bœ nœ œ œ b˙

U ∑

mf 3 3 3

> #w

’

C Tpt.

w > p

œ œ bœ œ b˙ œ œ bœ nœ œ #œ #œ œ œ

U ∑

> #w > bw ?

’

œ nœ œ œ œ bœ œ

œ bœ nœ œ ˙

U ∑

Tbn. 3 3

˙ ∑

U ∑

Euph.

¢ w > mf

mf pp

U /

Soundtrack

Dialogue between Son and the Doctor, a ventriloquist's puppet The male singer either performs both parts or the part of the doctor is spoken by an actor

Son: Is my father alive?

Son / Doctor

Doctor: speaks Polish, in a high-pitched "toy's" voice

Doctor: Oczywiście w granicach uwarunkowanych sytuacją.

° ¢ Żyje, naturalnie

Son: Yes, he’s alive? Within the limits of the situation?

Tree of Codes – Act III Score in C

120

q = 72 9

Hn.

° & b˙

∑

bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ.

Ÿ~~~~~ Ÿj~~~~~~~~~~~~~~~~~ æ ≈ bœ ™ œ bœ bœæ™ œ

& b˙

C Tpt.

bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ- bœ œ œ #œ

œ œ. œ. œ. œ. œ. œ. œ.

? ˙

œ J

œ™

bœ nœ œ

œ œ #œ œ œ bœ bœ

. . . œ. . . . . b œ. œ #œ #œ #œ #œ ™ Œ

Tbn. 3

œ œ. œ. œ. œ. œ. œ. œ.

? ˙

œ™

bœ

œ.

Euph.

œ.

r œ ‰™

ë mf

Soundtrack

q = 72 Doctor: Wie pan równie dobrze jak ja,

Son / Doctor

że z punktu widzenia

pańskiego domu,

° ¢

mj 3 ‰ bœ nœ nœ #œ œ #œ œ >-

Hn.

U ∑

° &

œ œ

œ œ œ µœ #œ

#œ

> œ œ. bœ. bœ. œ. bœ. n˙

-œ

mf mp

3 3 3

m ‰ bœ nœ nœ #œ œj #œ œ >3

U ∑

C Tpt.

œ œ œ µœ #œ

#œ

> œ œ. bœ. bœ. œ. bœ. n˙

-œ

mf mp

m >-œ J

œ U ∑

œ œ œ µœ #œ

#œ

‰ bœ nœ nœ #œ

Tbn.

œ œ. bœ. bœ. œ. bœ. n>˙

-œ

#œ 3

3 3

mf mp

m >-œ J

œ U ∑

œ œ œ µœ #œ

#œ

‰ bœ nœ nœ #œ

Euph.

œ œ. bœ. bœ. œ. bœ. n>˙

-œ

#œ 3 3

mp 3

Soundtrack

∑

Doctor: z perspektywy pańskiej ojczyzny – ojciec umarł.

Son / Doctor

Doctor: To się nie da całkiem odrobić.

° ¢

∑ Son: you mean, at home he’s dead but here in this country he’s alive

Più mosso (tango allegretto) 15

° U & ˙ ê

U ˙ p

Hn.

U w

5 4 œ™

œ.

j œ.

‰

U Œ

p mf

U ˙ p

U ? ˙

C Tpt.

U & ˙

U™ ˙ p

œ œ

Tbn. p

j #œ >

œ™

U #œ

U w

U ˙

5 4˙ œ.

5 œ™ 4

œ.

œ. J

‰

U Œ

‰

U Œ

‰

U Œ

p mf

Euph.

U ? ˙ ¢

U ˙

U w

5 4 œ™

œ.

j œ.

p mf

Doctor: Ta śmierć rzuca pewien cień

Son / Doctor

° ¢

na jego tutejszą egzystencję.

Son: His existence has the shadow of death

5 4‰

>¿ J But

≈ ¿

does Fa - ther know

¿ it,

¿ ¿ ¿ J does he guess?

Tree of Codes – Act III Score in C

121

accel. q = 56 3

m >œ #œ nœm #œ nœm #œ nœm #œ nœm #œ µ œ œ n œ # œ œ œ œ #œ nœ #œ 7

Hn.

3 3 U ° 4 œ bœ r æ3 r œ b œ & 4 . . . . œ. bœ. œ. œæ gl. œ bœ œ #œ nœ #œ nœ ‰ œ nœ µœ #œ

7 4 œ #œ

U œ #œ œ œ œ #œ œ ‰ œ

4 4

3 3

3 3 . . œ. b œ. . . . œ bœ œ œ gl. œ bœ œ #œ nœ #œ nœ U ‰ œ œ µœ #œ R ææ R 3

œ bœ 4 &4

C Tpt.

m >œ #œ nœm #œ nœm #œ nœm #œ nœm #œ µ œ œ n œ # œ œ œ œ #œ nœ #œ 7

7 4 œ #œ

U œ #œ œ œ œ #œ œ ‰ œ

4 4

3 3 3

. . . . ? 4 œ bœ œ bœ œ. bœ. œ. œ gl. œ bœ œ #œ nœ #œ nœ U ‰ œ nœ µœ #œ R ææ R 4f 3

Tbn.

7 4

U œ

œ œ #œ œ #œ œ œ œ # œ ‰

m > m m m m œ œ #œ œ #œ œ nœ #œ œ µ œ nœ #œ nœ #œ nœ #œ nœ #œ nœ #œ

4 4

3 3

Euph.

U . . . . ? 4 œ bœ œ bœ œ. bœ. œ. œ gl. œ bœ œ #œ nœ #œ nœ œ ¢ 4 R æ R 3 f

7 œ #œ 4

œ #œ œ œ œ # œ œ ‰ U Œ

j œ

œ™ J

j œ

œ™

œ-

4 4

3 3

nie domyśla się? Niech pan będzie spokojny

Son / Doctor

° ¢

4 4

7 4

4 4

q = 80 #œ.

nœ.

#œ.

nœ.

#œ.

nœ.

#œ.

nœ

#œ.

nœ.

#œ.

nœ.

#œ.

nœ.

#œ.

nœ

n œ.

# œ.

n œ.

# œ.

n œ. # œ.

n œ.

#œ

6 4

˙™

nœ. 4 &4

C Tpt.

˙™ ê

Hn.

20 ° 4 nœ. &4

#˙ ™

#œ

?4 Tbn.

4 ê

Euph.

3 ?4 ¢ 4 œ bœ bœ œ b>œ bœ œ b>œ œ œ >œ #œ nœ œ > mf

˙ mp

(sung) mf

3 3

Son

Son / Doctor

° ¢

4≈ 4

Œ ¿ ¿ ¿ ¿ ¿ ¿ Na - si

pa - cjen - ci nie

¿ ¿ ¿ ¿

myś - la - ją

sę

¿ >

¿ >¿ >¿ >¿ >¿ >¿ >¿

nie

mo - gą

się

≈ œ™ J

#œ nœ #œ #œ nœ ™

6 4

do - myś - lić. None

the

tients

(dynamics swell before each exchange between Dr. and Son) 23

’ Hn.

° 6 &4

U w

∑

4 4

U #w

6 ∑ &4

C Tpt.

4 4

U w ?6

4 4

∑ Tbn.

4 mp

U w ? 6 w™

4 4

Euph.

4 pp

’p Son/ Dr.

°? 6 #œ ¢ 4

> > ≈ #œ nœ œ #œ ™ #œ nœ ˙

Dr:

Cały trick polega na tym Dr:

że cofnęliśmy czas.

Dr:

Rzecz sprowadza się do prostego relatywizmu.

Son: The whole secret of the operation Son: is that they have put back the clock. Son: It is a matter of simple relativity. know

no one

gue -

sses

4 4

Tree of Codes – Act III Score in C

122

(q = 56) 25

Hn.

> 3 ° 4 & 4 œ œ nœ #œ œ œ #œ œ #œ nœ œ œ œ œ

œ œ œ

œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

mf 3

> 4 3 & 4 #œ #œ #œ œ #œ œ #œ œ œ

C Tpt.

œ œ

œ œ œ œ œ œ œ œ

œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

mf 3

> œ œ œ#œ nœ œ œ œ

. œ œ œ. œ œ.

œ.

œ. œ. œ.

œ.

œ. œ.

œ. œ. œ.

. œ. œ œ.

œ. œ. œ.

œ.

?4 Tbn.

4 3

?4 œ

˙ #œ

bœ œ bœ J

œ #˙

Euph.

4 3 3

mf mf

Son (sung)

Dr.

Son/ Dr.

°? 4 ¢ 4

∑

¿ >¿ ¿ ¿ >¿ ¿ ¿ >¿ ¿ ¿ >¿ ≈ R

Œ 3

>œ

bœ œ bœ J

#>˙

œ #œ

3 3 3

Re-ak - ty wu - je - my-tu pr-zes-ly czas

Here

re - ac - ti - vate

time

q = 80

accel. 28

6 #>œ 4

° w &

gl.

gliss.

nœ

œ #œ nœ

nœ œ

ê ff

4 4

˙ œ mf

Hn.

j #œ œ

j #œ

6 >œ 4

œ #œ nœ

#œ nœ

> œ #œ nœ

gliss.

#œ

ê ff

mf 3

4 4

#˙ ê

& ˙

C Tpt.

˙ ˙

j #œ

6 nœ ™

œ J

#œ J

Tbn.

#œ

#œ.

œ.

4 4

3 3

ê ff

6 4 œ™

? w

Euph.

¢ f

Son/ Dr.

‰

°? #>˙ ¢

#œ J

‰

4 4

Ó™

6 4

4 4

∑

past

con vib.

’ # -œ

˙ ˙

œ™

Tbn.

°? 4 ¢ 4

œ-

# -œ

’ U ∑

‰

12 8

mp dolce

’

’ U

Son/ Dr.

°? 4 ¢ 4

12 8

Ó Son (speaking for father): Lifelessness is only a disguise We have lived too long

Tree of Codes – Act III Score in C

the ballad (part 1) Tempo rubato (q. = 50)

123

Più mosso

3 Temple Blocks

12 8

∑

whimsical/eerie and slightly breathy folk-singer's voice (non vib.) (mp)

Adela

° 12 ¢& 8

∑

‰

œ™

let

#œ

tell

you

œ™

sto

‰

Œ™

œ J

‰

Œ™

œ™

Œ™

Kalimba (with resonator)

12 & 8 #œ ™ Ó™

j µœ Œ™

µ#œœ ™™

œ™ Œ

w w

œ J

œ™

‰

#œ

Kal.

? 12 ∑

{

Ó™

∑

‰

µœ ™

œ œ

q. = 69 mp

Adela

° ¢&

∑

& œ

‰ #œ

‰

œ >

‰

œ >

œ™

#œ ™

there

were

a - mong them two

‰ #œœ

‰ #œ

‰

œ #œ #œ ™

‰

˙™ birds

hea

ded

‰

> œ

‰

> œ

‰ µœ

>œ ™ œ™

‰

œœ

‰ #œ >

œ œ

‰

œ >

‰

œ >

‰ #œ >

‰

Kal.

œ ‰

{

‰

‰ œ

& µœ ™

œ µœ ™

µœ ™

µœ œ

‰ µœ

µœ

>œ™

œ™

= > mp

Adela

° Ó™ ¢&

‰ #œ and

& œ >

‰ #œ

‰

#œ ™

birds

with

‰ #œ

‰

˙™

wings

‰

Œ™

‰

#œœ ™™

‰ #œ

#œ

‰ #œ

were

#œ

œ™

œ œ™

œ there

Œ™

j j œ œœ

‰ #œ

Kal.

> & œœ™™

j œ

‰

{

j œ œ

µœ œ

œœ

‰ œ

µœ

‰ µœ

‰

‰ µœ

‰

‰ µœ

µ>œœ

‰

‰ µœ

‰

‰ œ

= 3 Temple Blocks 42

>œ ™ œ™

∑ 3 Temple Blocks

>œ

j œ

œ œ J

æ œæ™

œ J

>j œ #œ ™

œ™ æ

Adela

j ° œ & ¢ > #œ ™ cri

& œ

‰ #œ

‰

nœ >

#œ

j j #œ #œ

pples

too

lim - ping through

‰

‰ #œ

#>˙ ™

#œ

œ™

‰

sung ord.

the

‰ #œœ >

≈ œ

air

‰ #œ

‰ œ

‰ #œœ

‰ #œ

one - winged

‰

#œ ™

kward

‰ #œ

#œ ™

‰

ﬂight

‰

‰ œ

Kal.

‰

{

& µœ ™

‰

œ µœ ™

µœ ™

œœ™™

‰ µœ

µœ

>œ

‰ µœ

µœ

‰ µœ

œ™

= >

>œ œ œ œ /

3 Temple Blocks

> œ œj œ J

>j œ œ

>j œ

œ œ œ œ

>œ œ

œ œ J

> > œ œ

œ J

j œ

j œ œ

mp mf

mf mf

ë Adela

° ¢& #œ ™

nœ Œ™

#œ œ #œ µœ œ œ > > the sky now

& œ ‰ #œ ‰

‰

re - sem - bled

œ ‰ #œ ‰

#œ

j bœ œ >

‰

those

œ™

œ ‰

old

‰

‰ œ

‰

rals

œ ‰ #œ

nœ #œ >

œ œ #œ µœ œ œ œ œ ™ # œ œ œ >

full

mon -

#œœ ™™

sters

and

fan

tas

‰ #œ

#œ

œ™ -

tic

#œ ‰ #œ

œ™

Kal.

& œœ™™

{

µœ ‰

œ œj œ

j œ µœ

œœ ‰

œ ‰ µœ ‰

‰ µœ ‰ œ

Sy. 4624/01

‰ œ

µœ ‰

‰

µœ œ

µœ ‰

œ ‰

Tree of Codes – Act III Score in C

124

(q. q. = q) q = 69 48

°‹ Picc. &

Fl.

Ob.

Cl.

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

>œ œ œ œ œ œ œ œ 3 3 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 3

? Bsn.

Hn.

° &

C Tpt.

? Tbn.

? Euph.

œ œ œ œ œ œ œ œ œ œ / œ œ œ œ œ œ œ œ

3 Temple Blocks

œ œ œ œ™ J ææ

œ™ ææ

mf 3

(q. q. = q) q = 69 3 3

Adela

° ˙™ ¢&

4 bœ 4

b˙ ™

j j œ- #œ -

‰

∑

beasts

3 3

& ‰ #œ ‰ #œ ‰ #œ ‰

‰ #œ

4 4 4 4

‰ #œ

#œ

Kal.

& œ ‰ œ ‰ œ ‰ œ

{

‰ œ

‰

‰ #œ

‰

#œ

‰ #œ

Ó µœ

µœ

œ 3

‰

‰ œ

œ ‰ œ

‰

Ó µœ

(q. q. = q) q = 69 pizz. III

Vln. I

° Œ™ &

œ™

III

II III

I >+j II III 3 œ j

II II III

œ™

4 4

œ™

j œ

j 3 œ #œ

j œ

j 3 œ #œ

œ #œ

j 3 œ #œ

pizz. III

3 3

& Œ™

Vln. II

Œ™

j 3 œ #œ

Œ™

‰

4 4

œ µœ

µœ

µœ µœ

µœ

#œ

#œ #œ

#œ

III #œ œ

pizz. II

#œ ™ B Œ™

#œ ™

#œ

4 4

Œ™

Vla.

#œ

#œ #œ #œ J J

‰ 3

#œ

#œ J 3

pizz.

> ?

∑ Vc.

4 #œ 4

#œ

#œ #œ #œ #œ #œ #œ #œ mf

œo

pizz.

? ∑ Db.

4 b˙ ™ 4

bœ ˙

œ #œ #œ J

mp 3

Sy. 4624/01

Tree of Codes – Act III Score in C

125

°‹ Picc. &

∑

∑ Fl.

Ob.

Cl.

∑

? ∑

∑

Bsn.

Hn.

° &

C Tpt.

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

? Tbn.

? Euph.

> / ˙™

3 Temple Blocks

6 4

> œ

6 4

æ wæ

æ wæ ™

ë mf

f 3

Adela

° ¢&

j 3 #œ œ

∑

#-œ #œ. #œ. #œ. #œ. #œ. . . . . . . µœ. Œ J

which cir

#œ

j œ œ cled

6 4 #œ

#œ -

round

∑

6 4

∑

6 4

∑

Kal.

{

Vln. I

° j 3 & #œ œ

j 3 #œ œ

œ œœ œ œ œœœ œ œœœ œ œœœ

6 #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ #œœ 4

3 3

j µœ œ

3 3

& µœ

Vln. II

µœ

6 j 4 µœ

œ œ œ œœœ œ œœœ œ œœœ œ œ œœ œ œœœ œ œœœ œ œœœ œ œ

œœ œ

j µœ œ

œœœ œ œœœ œ œœœ œ œœœ œ œœœ œ œ

6 4

B Vla. 3

#œ B #œ

#œ #œ #œ #œ #œ #œ

#œ

#œ #œ

Vc.

#œ

6 #œ 4

#œ

> µœ œ #œ ™ &#œ

Db.

œ #œ œ #œ

j µœ #œ # œ #œ œ J

6 4

¢ 3

Sy. 4624/01

∑

#œ

Tree of Codes – Act III Score in C

126

Temple Block 54

° Fl. 1 / (T. Bl.)

> ™ r ‰ ‹

Ó™

>r ™ ‰ ‹

∑

Ó™

4 4

Ó™

4 4

Ó™

4 4

Ó™

4 4

Ó™

4 4

Temple Block

Fl. 2 (T. Bl.)

> ™ r ‰ ‹

Ó™

>r ™ ‰ ‹

∑

Temple Block

Ob. (T. Bl.)

> ™ r ‰ ‹

Ó™

>r ™ ‰ ‹

∑

Temple Block

Cl. (T. Bl.)

> ™ r ‰ ‹

Ó™

>r ‰™ ‹

∑

Temple Block

Bsn (T. Bl.)

¢/

> r ‰™ ‹

Ó™

> r ‰™ ‹

∑

Hn.

° &

C Tpt.

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

? Tbn.

? Euph.

mf mp

>r œ ‰™ ˙ ææ ™

∑ 3 Temple Blocks

‰

>r œ ‰™ ˙ ææ

r œ ≈ Œ

Œ œ æ

w™ æ

(cooing) mf p

tongue roll mf

Adela

° µœ µœ ¢& ‰ æ æ

> f

µ>œ ‰ ™ #œ . . . . ™ . . ≈ Œ R J

mp #>œ

#>œ #>œ

#>œ #>œ #>œ #>œ

#˙

f #œ #>œ R ≈

œ œ œ œ

j 3 #œ µœ

4 4

3 3

(trr)

pa - ssing and

e - lu - ding each

o - ther

llip

∑

4 4

∑

4 4

& Kal.

{

#˙ ™ ææ

Vla.

˙™ B #˙æ ™ mf

#˙ ™ B ææ

µ˙˙ ™™ ææ f

#˙˙ ™™ æ f

#w ™ ææ

#w ææ

µw w ™™ ææ

µw w ææ

#ww ™™ æ

µ˙˙ ™™ & ææ

Vln. II

° &

Vln. I

#˙ ™ ææ

#˙ ææ f

µ˙˙ ææ

#w™ ææ

#w ææ

4 4 f

#ww æ

4 4

#˙˙ æ

4 4 f

#˙ ææ

4 4

Vc. f

∑ Db.

∑

¢&

Sy. 4624/01

∑

4 4

Tree of Codes – Act III Score in C

127

° Fl. 1 (T. Bl.)

4 4

‰™

r r ‰™ ‹ ‹

r ‰™ ‹

≈

r ‰ ‹

‰™ r ‹

Fl. 2 (T. Bl.)

4 4

‰™

r r ‰™ ‹ ‹

≈

‰™ r ‹

Ob. (T. Bl.)

4 4

‰™

r r ‰™ ‹ ‹

≈

‰™ r ‹

Cl. (T. Bl.)

4 4

‰™

r r ‰™ ‹ ‹

≈

‰™ r ‹

Bsn (T. Bl.)

¢/

4 4

‰™

r r ‰™ ‹ ‹

≈

‰™ r ‹

Hn.

° 4 &4

C Tpt.

∑

4 ˙ ?4 Ó

Tbn.

4 mf

?4 ∑

∑

Euph.

4 >

3 Temple Blocks

4 4

æ œæ™

w w

ëf

>œ #œ ™ #œ #œ µœ œ #œ nœ bœ n˙ 3

Adela

cal

œ #œ

j ‰ j œ œ œ >ma -

> >

° 4 j 3 ¢ & 4 µœ œ

>˙ ™ œ œ œ œ œ æ æ œ œ œ

> œ œ œ ˙ æ

bœ bœ #œ #œ

æ œæ

3 3

noe

vres

(rr)

4 ∑

∑

&4 Kal.

{

Vln. I

° 4 æ˙™ &4 æ

#œ æ

Vln. II

˙™ 4 æ &4 æ

œ ææ

Vla.

B 4 #ææ˙

#˙ ææ

æJ

nœ ™ ææ

œ ææ

™

˙ æ

Ó ë ff

∑

Ó ë ff

∑

Ó ë ff

∑

#˙ ™ B4

#œ æ

Vc.

4 mf

#>œ Œ mp

4 ∑ Db.

∑

¢& 4

Sy. 4624/01

∑

‰ Œ

Tree of Codes – Act III Score in C

128

° Œ

∑

5 4

r ‰™ ‹

4 4

∑

5 4

r ‰™ ‹

4 4

∑

5 4

r ‰™ ‹

4 4

∑

5 4

r ‰™ ‹

4 4

∑

5 4

r ‰™ ‹

4 4

‰ #œ

#˙

5 4 5 4

‹ ‹ ‹ ‹

Fl. 2 (T. Bl.)

/ ‹ ‹ ‹ ‹

Ob. (T. Bl.)

/ ‹ ‹ ‹ ‹

Cl. (T. Bl.)

/ ‹ ‹ ‹ ‹

Bsn (T. Bl.)

¢/ ‹ ‹ ‹ ‹

Hn.

C Tpt.

° &

∑ #>˙ p > ‰ #œ #˙ J

& Œ

j 3 #œ #œ ê mf pp

#˙ #˙

#˙ ™ ê mf

˙™

#œ

>˙

œ R ‰™

#œ

#˙

Tbn.

4 4

#œ J

5 4

‰

4 4

Fl. 1 (T. Bl.)

‰

4 4

ë mf

pp pp

Euph.

? ™ ¢ ‰

> œ ˙ R

˙ Œ

œ J

5 4

∑

‰ ë mf

pp p

To High Temple Block

w / ææ f

œ Œ

3 Temple Blocks

5 4

4 4

∑

(cooing) 3

Adela

ææj œ ™ ™ ™-

° Ó ¢&

3 ææj - ™ ™™ Œ

5 4

œ Ó

œ™

œ œ 3

But

these

∑

j #œ

blind

birds

j #œ

5 4

j œ µœ

made

per

j #œ

5 4

4 4

œ œ

j #œ #œœ

#œœ

4 4

#œœ

Kal. 3

3 3

j œ µœ

{

& ˙

j œ µœ

4 4

j œ f

Vln. I

° &

Vln. II

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

Vla.

B Vc.

Db.

¢&

Sy. 4624/01

Tree of Codes – Act III Score in C

129

perc. + vocalise perc. vocal only

° Fl. 1 / (T. Bl.)

4 4

∑

whisper) 6 (loud Ó 4

∑

> ™ r ‰ ‹

5 4 ‹

all

perc. + vocalise (loud whisper)

Fl. 2 (T. Bl.)

4 4

∑

6 4

∑

> ™ r ‰ ‹

Ob. (T. Bl.)

4 4

∑

6 4

∑

> ™ r ‰ ‹

perc. vocal only

Cl. (T. Bl.)

4 4

∑

6 4

∑

> ™ r ‰ ‹

perc.

5 4 ‹

‹ ‹ of a su-dden

perc. vocal only

perc.

5 4 ‹

all

perc. + vocalise (loud whisper)

‹ ‹ of a su-dden

all

perc. + vocalise (loud whisper)

perc.

‹ ‹ of a su-dden

perc. vocal only

perc.

5 4 ‹

all

‹ ‹ of a su-dden

perc. + vocalise

Bsn (T. Bl.)

¢/

4 4

∑

whisper) 6 (loud Ó 4

∑

> ™ r ‰ ‹

perc. vocal only

5 4 ‹

all

Hn.

° 4 & 4 #˙ ™

w #œ #œ nœ #œ œ #œ

6 4

perc.

‹ ‹ of a su-dden

œ ‰™ R

5 4

r #œ ‰ ™

5 4

#œ R ‰™

5 4

œ ™ R ‰

5 4

pp 3

4w &4

C Tpt.

6 4 #w

#w >

#w ?4 ∑

6 4

∑

Tbn.

w ?4 ∑

6 4

∑

Euph.

vocal perc. + vocalise (loud whisper)

H. T-Blk.

4 4

∑

Temple Block 6 High Ó 4

∑

>r ‹ ‰™

perc. only

all

ë œ Adela

° 4 œ ¢& 4

œ œ J

œ J

> œ œ J

‹ ‹

5 4

of a su-dden

6 #˙ 4

perc.

‹

5 4

3 3

could

not

cog

the

nise

fa - ther

4 &4 œ

j j #œ œ œ

œ >

6 4

∑

5 4

j Ó™ œ µœ

5 4

>˙

Kal. 3 3

3 3

j j œ µœ œ µœ

j œ nœ

{

j œ µœ

j œ

µœ

3 3

j j œ µœ œ µœ

j œ µœ

3 3

4 & 4 µœ

j j j j j j œ œ œ µœ œ µœ œ µœ œ µœ œ

6 4 nœ

Vln. I

° 4 &4

Vln. II

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

B4 Vla.

4 B4 Vc.

4 4 Db.

¢& 4

Sy. 4624/01

Tree of Codes – Act III Score in C

130

spoken

° Fl. 1 (T. Bl.)

5> 4

‹ stones mf

‹ be - gan

‹ to

whis

tle

‹ through the

‹

air

4> 4‹ the

> ‹

mer - ry

‹

> ‹

stu - pid

‹

> ‹

thought - less

‹

> ‹

peo - ple

spoken

Fl. 2 (T. Bl.)

5> 4

‹ stones mf

‹ be - gan

‹ to

whis

tle

‹ through the

‹

air

4> 4‹ the

> ‹

mer - ry

‹

> ‹

stu - pid

‹

> ‹

thought - less

‹

> ‹

peo - ple

spoken

Ob. (T. Bl.)

5> 4

‹ stones mf

‹ be - gan

‹ to

whis

tle

‹ through the

‹

air

4> 4‹ the

> ‹

mer - ry

‹

> ‹

stu - pid

‹

> ‹

thought - less

‹

> ‹

peo - ple

spoken

Cl. (T. Bl.)

5> 4

‹ stones mf

‹ be - gan

‹ to

whis

tle

‹ through the

‹

air

4> 4‹ the

> ‹

mer - ry

‹

> ‹

stu - pid

‹

> ‹

thought - less

‹

> ‹

peo - ple

spoken

Bsn (T. Bl.)

¢/

5> 4

‹ stones mf

Hn.

° 5 &4

C Tpt.

‹ be - gan

‹ to

whis

tle

> ‹

through the

4> 4‹

‹

air

the

> ‹

mer - ry

> ‹

stu - pid

> ‹

4 4

∑

4 4

∑

4 4

∑

4 4

∑

?5 Tbn.

4 ?5 Euph.

> ‹

thought - less

∑

> ‹

peo - ple

spoken

> /

H. T-Blk.

5 4

‹

stones mf

‹ be - gan

‹ to

whis

tle

> ‹

through the

‹

4‹ 4

air

the

> ‹

mer - ry

> ‹

stu - pid

> ‹

thought - less

> ‹

peo - ple

high-pitched tongue roll

ë mf

Adela

1> J

! ° 5æ ¢& 4

f 3 3 3

3 3

‰

j œ

4œ 4

j #œ

did

j #œ

call

out

#œ

œ #œ

j #œ

them

with

vain

∑

4 4

∑

4 4

∑

Kal.

{

arco III

Vln. I

œ bœ

œ #œ nœ œ #œ nœ

4œ 4

œ bœ ° 5 Ó &4

œ ˙

œ J

3 3

5 Vln. II

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

B5 Vla.

4 B5 Vc.

4 5 Db.

¢& 4

Sy. 4624/01

Tree of Codes – Act III Score in C

131

accel. hissing 68

° Fl. 1 (T. Bl.)

/ ‹

‹ had be

gun to

‹ throw

them

‹ in - to

the

fan - tas - tic bird

‹ ﬁlled

‹ ‹

‹

‹ ‹

‹

‹ ‹

‹

‹ ‹

‹

‹ ‹

sky

hissing

> Fl. 2 (T. Bl.)

/ ‹

‹ had be

gun to

‹ throw

them

‹ in - to

the

fan - tas - tic bird

‹ ﬁlled

‹ ‹

‹

‹ ‹

‹

‹ ‹

‹

‹ ‹

‹

‹ ‹

sky

hissing

> Ob. (T. Bl.)

/ ‹

‹ had be

gun to

‹ throw

them

‹ in - to

the

fan - tas - tic bird

‹ ﬁlled

‹ ‹ ‹ ‹ ‹

‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹

sky

hissing

> Cl. (T. Bl.)

/ ‹

‹ had be

gun to

‹ throw

them

‹ in - to

the

fan - tas - tic bird

‹ ﬁlled

‹ ‹ ‹ ‹ ‹

‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹

sky

hissing

> Bsn (T. Bl.)

¢/ ‹

° &

C Tpt.

‹ had be

Hn.

gun to

‹ throw

them

‹ in - to

the

fan - tas - tic bird

‹ ﬁlled

‹ ‹ ‹ ‹ ‹

‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹

sky

∑

? Tbn.

? Euph.

hissing

> / ‹

H. T-Blk.

had be

gun to

> ‹

throw

them

‹ in - to

the

fan - tas - tic bird

‹ ﬁlled

‹ ‹

‹

‹ ‹

‹

‹ ‹

‹

sky

accel. mf 3

Adela

° œ ¢&

j #œ

all

the

3 œ #œ œj #œ

œ #œ œ #œ old

for - mu

las

3 3

j œ nœ œ bœ bœ

the

for - go

j bœ bœ bœ œ -

tten

lan

>œ

#>œ

>œ

guage

the

#˙ > birds

∑

& Kal.

{

accel. III 3

Vln. I

° œ &

j œ ˙

#œ nœ #œ

œ #˙ ™ J

3 3

3 3 3

Vln. II

& #œœ-

#œœ-

nbœœ-

#œœ nbœœ- ™™

œ- œ #œ nœ

˙™ #w

arco 3

∑

j ‰ ‰ œ œ

j œ œ

j œ

œ œ

Vla. mf

pizz.

œ B

bœ

bœ œ

œ œ

∑ Vc. 3

bœ

bœ œ

∑ Db.

¢& 3

Sy. 4624/01

‹ ‹

‹

‹ ‹

Tree of Codes – Act III Score in C

132

sub. molto rall.

q = 69

accel. 71

slow trem.

med.

fast

° Fl. 1 (T. Bl.)

‹

Yæ™

Yæ

slow fast trem.

fast

‹

æ Yæ™

æ Yæ

æ Yæ f

med. trem.

> æ Yæ

/ ‹

Yæ™

fast

U Ob. (T. Bl.)

> >

U Fl. 2 (T. Bl.)

med. trem.

fast

Yæ

med.

fast

U Cl. (T. Bl.)

‹

Yæ™

Yæ

fast trem.

slow

U Bsn (T. Bl.)

Hn.

° &

C Tpt.

> æ Yæ

¢/ ‹

Yæ™

Yæ

∑

? Tbn.

? Euph.

fast trem.

U / œ

3 T-Blks

æ œæ™

w æ

sub. molto rall.

q = 69

accel.

Adela

° r ’≈ œ #-œ nœ #œ nœ ™ ¢& #œ

œ. œ #œ nœ

œ J

#œ

n-œ

œ J

Œ œ #>œ see

him

∑

3 3

they

did

not

hear

nor

∑

& Kal.

{

sub. molto rall.

q = 69

accel.

Vln. I

j ° & œ

Vln. II

j & #œ

’ œ

œ™ ‰

∑

‰

∑

’

œ™

single ﬁnger chromatic

r B œ Vla.

œ ≈ &J

œ #œ nœ œ bœ

b œ œ #œ nœ

œ. #œ. nœ. œ. bœ. œ.

‰ #œ. nœ-

#œ # >œ

æ œ™æ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ #œ n˙ J Ó

f 3

œ» ? Œ

∑

Vc. f

œ» ? Db.

¢ f

Sy. 4624/01

Tree of Codes – Act III Score in C

133

> >

> ææ Y

° Fl. 1 (T. Bl.)

/ ææ Y

‹ To Piccolo ∑ &

6 >æ 4 Yæ ™

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

Fl. 2 (T. Bl.)

/ ææ Y

6 4 Yææ ™

æ Yæ

Ob. (T. Bl.)

/ ææ Y >

6 4 Yææ ™

æ Yæ

ff mf

Cl. (T. Bl.)

/ ææ Y

6 4 Yææ ™

æ Y>æ

fast

> > Bsn (T. Bl.)

¢ / ææ

ææ

6 4 Yææ ™

> mf

Hn.

° &

C Tpt.

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

? Tbn.

? Euph.

>œ ™ / æ

3 T-Blks

>™ ‰ œ

>œ

‰

>œ

> œ

œ œ

>œ

œ œœœœ

œ œ

>˙ æ

6 4

w™ æ

> w™ ææ

sub. p

4 4

æ ˙æ

w ææ

>j 3 œ æ

>j œ

æ ˙æ

æ ˙

mf mf

ppp

Adela

° &

∑

6 4

∑

4 4

-œ -œ -œ -œ -œ

-œ ∑

hear the win-dows shake

pp b -œ b -œ b -œ b -œ b -œ b -œ

6 4

? ∑

∑

Son

∑

4 4

∑ 3

hear the win-dows shake

∑

6 4

∑

4 4

∑

6 4

∑

4 4

∑

& Kal.

{

sfz

Vln. I

° &

O˙ ™™

6 æOœ ™™ 4

‰ Œ

Ó™

∑

4 4

∑

6 æOœ ™™ 4

‰ Œ

Ó™

∑

4 4

∑

bO˙ æ

6 bæOœ ™™ 4

‰ Œ

Ó™

∑

4 4

∑

#O˙ æ

6 #æOœ ™™ 4

‰ Œ

Ó™

∑

4 4

∑

‰ Œ

Ó™

∑

4 4

∑

Oœ Oœ æ

∑ ff sfz

~w æ

∑ &

Vln. II

ff sfz

bbO˙ B

∑

Vla. ff sfz

#O˙

? ∑ Vc.

ff sfz

arco

O™ ? ∑ Db.

O O ææ

6 O™ 4æ

Sy. 4624/01

Tree of Codes – Act III Score in C

134

a boat song q = 54 Bsn.

œ b œ&b œj b œ µ œ œ > # œ n œ #2 œ 3 œ # œ µ œ µ -œ œ

>˙

°? ¢

∑

U Ó

6 4

µœ ™ #œ J 3

To Vibraphone

3 T-Blks

>œ œ >œ >œ > > œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

/ wææ

U Ó

6 & 4

∑

*See notes for information about bassooon notation

>j 83 # œ œ µ -œ ™

& µœ µœ nœ J

-B [œ ]

-D

-C

[ œ ] #˙

-C 3

-D

’

≈#œ œ

Bsn.

b‚ b‚™ M

b‚

bœ J

b‚ bœ ‚ ‚ b‚ ‚ b‚ ‚ n‚ bœ 7

b‚

4œ 4

j ˙ bœ

-D

œ b‚

-D

b‚

più mosso (q = 60) -D

-D

-D -D

Bsn.

°? œ ¢

œ b‚

b‚ ‚ #‚ #‚ ‚ ‚ >

b‚

7 4

œ b‚ b‚

b >œ ™ Son

°? ¢

œ J ∑ Death

has

œ œ

left

its

œ™

œ J

hea

œ™ #œ #œ

#œ ‰ ™ R

7 4

ven

bisbigliando

rall. -B

Bsn.

Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~ 90 œ b œ b œ b ˙™ 3 œ bœ nœ ™ µœ °? 7 -D J ≈ J ¢ 4 ‚ #‚ ‚ #‚ ‚ ‚ 3 pp

> œ

-C -B 3

5 4Œ

>-œ >-œ œ

3 4

b‚ ‚ n‚ b ‚ n ‚ b ‚ n ‚ ‚ ‚ #‚ ‚

j bœ

p mf

Son

°? 7 >œ ¢ 4 It

b >œ ™ œ™

bœ J sings

œ J the

Ÿœ™~~~~~~~~~~~~~~~~~~ µœ

n˙

5 4 man

Sy. 4624/01

‰

3 4

Tree of Codes – Act III Score in C

135

q = 50 bisbig.

>˙

Bsn.

°? 3 ¢ 4

7 4

Ÿ~~~~~~~~~~~~~ #œ ™ #œ œ.

˜œ J

‰ 3

6 œÆ 4

∑

-D

#œ > œ œ

Ó™

b‚

mp 3 3

f 3

Son

mf bœ b>œ bœ bœ bœ bœ bœ ‰ J

°? 3 ‰ ¢ 4

sings at

7 b˙ 4

bœ

his

bœ J

ly - ri - cal

6œ 4R

≈ ‰

core

boat

‰

Ó™

song

Più mosso (q = 66) (ord.)

> œ œ bœ

# œ -D œ -D œ > œ > œ > œ > œ œ bœ ≈ œ œ œ b‚ b‚ b‚ b‚ b‚ b‚ bœ b‚ b‚

-G

Bsn.

-G

4 4

> œ œ

nœ

> œ

œ b‚

bœ

> #œ œ

-B œ > œ >

#œ

-D

°? œ ¢

œ bœ œ

b‚ bœ

bœ

b‚ bœ

bœ

ff 3

f mf

>œ Son

°? Ó™ ¢

bœ J

œ™ Œ

bœ

4 4

œ >

‰

bœ J

boat

multiphonics ord. +C# 97 +C#

Bsn.

+G# +F# +C# -F -G -E > > > > -F -E °? > œ #>œ nœ œ œ œ œ ¢ œ œ #œ œ #œ œ œ nœ #œ nœ #œ œ œ nœ #œ nœ #œ œ nœ #œ nœ #œ œ # œ n œ # œ œ nœ #œ n ‚ ‚ ‚ # ‚ n ‚ # ‚ n ‚ ‚ # ‚ ‚ n ‚ # ‚ ‚ n‚ #‚ #‚ b ‚ n ‚ M M M M M M 9 3 3

3 3

Son

°? œ ¢

> bœ

œ bœ

> bœ

> #œ

œ # œ œ bœ œ bœ œ bœ œ bœ œ bœ Ó 3 3

3 3

song

Bsn.

+C# -D -D sim. -D -D sim. -D -D sim. -D -D sim. sfz +C# sfz +C# sfz +C# °? œ œ œ >œ œ > œ sfz œ œ œ œ >œ œ > œ œ œ œ œ >œ œ > œ œ œ œ œ >œ œ > œ œ ¢ œ œ œ œ b ‚ b ‚ b ‚ b ‚ b ‚ b ‚ b ‚ œ#œ œ b ‚ b ‚ b ‚ b ‚ b ‚ b ‚ b ‚ œ#œ œ b ‚ b ‚ b ‚ b ‚ b ‚ b ‚ b ‚ œ#œ œ b ‚ b ‚ b ‚ b ‚ b ‚ b ‚ b ‚ œ#œ œ M f

Son

>™ °? œJ ¢ in

œ J

œ R ‰™

≈‰ the

œ™ J

œ J ≈

for

‰

œ R ‰™ -

œ™ J

œ J ≈ ‰

tten

lan

œ™ J

œ R ‰™ -

œ J ≈‰

guage

>œ™ J

œ R ‰™

≈Ó

the

9:8

-C -G

+C# -D

Ÿ~~~~ > -G -D > -G °? M œ œ œ #‚ n‚ ‚ b ‚ n ‚ b ‚ ‚ b ‚ n œ # œ œ b œ‚ n ‚ ¢ nœ #œ œ #œ œ #‚ n‚ b‚ b‚ b‚ b‚ ® > > ‰ ® 103

Bsn.

Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ j

5 Mj 4‚

4 4

≈ M

‚™ ‚

O ‚

‚™

9:8 9:8

>˙ Son

°? ¢

œ R

‰™

5 4

∑

4 4

∑

Birds

°? ∑

Vc.

œO >

5 4 œOj

œO ™™

III diagonal bowing (wheezing sound)

∑ M

œ L

L c

˙O

4 4

œO ff

molto sul pont.

? Db.

œO

5 4 >œ bœ nœ

œ œ >

Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ #œ nO ™ #O

L c c

3 3

Sy. 4624/01

4 4

Tree of Codes – Act III Score in C

136

-C -G

Bsn.

+G#

-F Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

106

°? 4 Œ ¢ 4

‰ O™ O

5 4

‚™

f ff mf

bœ J

°? 4 ∑

∑

bœ

5 4

‰

Son

4 It

sings

choir of musicians and actors sing mf

4 &4

˙™ ∑

∑

Time

˙™

œ re

5 4

volves

œ re

Ó ˙

∑ Time

5 4

˙™

volves

œ Time

4 &4 ‹

volves

?4 ∑ ˙™

4 Time

volves

h. sul pont.

Vc.

m > ® nœ #œ ##Oœ ™™ #œ œ bœ nœ œ #œ J

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

°? 4 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ 4w O ™ nœ >œ # œ f

œ #œ œ #œ œ >

˙™

5 4

h. sul pont.

Db.

m ® #œ œ bœ nœ nœ #œ nœ #-œ J

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ ˙™ #O O™ #O nœ #œ nœ #œ œ #œ œ >

Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ ? 4 nœ #œ nO ™ #O œ™ #œ nœ ¢ 4 > > f

5 4

O ™™ >œ

mf ff

+C#

-C

+C#

-D 3

j 3 œ M M nœ #œ œ #œ

110 3

Bsn.

°? 5 Ó™ ¢ 4

œ J b‚

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ b‚ œ œ #œ œ #œ œ bO O

4 4

œM nœ #œ

b ‚f

°? 5 b œ

mœ # œ œ

j œ œ™

Son

> > ≈ œ bœ œ #œ

œ J

#œ

#œ#œ nœ ™ ≈ œj #œ

#œ

#˙

4 #œJ 4

‰

3 3 3

mad - ness

lon - ger

the

mon - ster

wi - thin mf

5 &4

∑

4 ˙™ 4

bœ

Time

5 &4

∑

4œ 4>

∑

5 ∑

∑

&4 ‹

∑

#œ ™

nœ #œ

#œ œ

Time

4 ˙™ 4

Time

4 ˙™ 4

Time

Ÿ~~~~~~~~~~~~~~~~~~~~~ °? 5 ##O˙ ™™

4 4 ˙O ™™

Vc.

O >˙

III (wheezing)

bO bO

?5 Ó

bO Œ M

Db.

˙O ™™

4 bMO 4J

‰

M mp 3

Sy. 4624/01

‰

Tree of Codes – Act III Score in C

137

+C# -D

+C#

-D

-G

113 +C#

3 3

Bsn.

°? œ œ œ œ ¢ œ bœ œ #œ nœ œ ‚ # ‚ ‚ ‚ #‚ #‚ b‚ b‚ b‚ b‚

œ b‚

b‚

œ M œ #œ œ œ b ‚ >

b‚

œ b‚

œ M œ #œ œ œ >

b‚

°? Œ

#œ

nœ

#œ ™

#œ

>j bœ œ

> bœ nœ ™

œ bœ œ bœ œ

bœ J

bœ

mask

œ bœ œ

the

a - ni

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ œ œ

Son 3 3 3 3

mad

ness

comes

mal,

mal

bœ ™

& bw

‰

∑

‰

∑

‰

∑

‰

∑

volves

& w

œ™

volves

& w ‹ volves

œ™

? ¢ w

œ™

volves mp

Vc.

diagonal bowing III II

°? Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ w O œ

bO L

O Ó

bO L

c c

3 3

> bO O bO O bO

ord. 3

? Db.

> bœ

œ bœ nœ œ #œ œ #œ

> bO

œœ M œœ

> bO O bO O bO

œœ M œœ M œœ M œœ

œœ M

œœ M œœ M œœ M œœ M œœ

œœ M œœ M

M f 3

(+G#) -C -G

(-E)

+C# 116 -D

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j œ #œ œ œ ~ O ‚ ™O ‚ O O > M

b‚

Bsn.

°? ¢

Son

< >~~~~~~~~~~~~ œ œ™ °? Ÿœ ≈ #œ œ #œ #œ œ #œ R 3

œ™

œ ‰

bœ œ™ J

‰

Time mp

>œ™ œ #œ nœ J J

∑ &

re volves

p, mp

bœ

n˙ ™

bœ

∑

˙™ &

Time

volves

p, mp

b˙ ™ œ œ Time

volves

p, mp

ossia

˙™

∑ & ‹

Time

? ¢ Ó

‰ œ -

˙™

nœ

volves

p, mp

Œ œ >

˙™

Time

œ re

˙™

volves

same position h. sul pont. diagonal bowing III II

Vc.

bO L

°? O c

bO L

III trill Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ j bœ œ œ µ œ œ œ #œ œ œ gl. œ œ˙ O œ™ O bO O 3 > 3

‰ >F >O

ff mf

h. sul pont.

œœ M œœ

> bO O bO O bO

œœ M œœ

Db.

œœ

œœ M œœ M œœ M

œœ

> Ÿ~~~~~~~ > bO O bO O bO nœ bœ œ #œ œ b œ n œ #œ O œœ M

3 3

Sy. 4624/01

bO ?

Tree of Codes – Act III Score in C

138

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ ( ) °? ¢ ˙ O ‚ 119

Bsn.

-D

‚

∑

œ™ Ó j b‚

‚ b‚

pp p

bœ J

°? Ó

bœ

bœ™ J

bœ

bœ J

‰

≈

‰

nœ

bœ n˙

‰

Son 3

The

stics

say

the

soul

skiff

pp ppp

œ J

& bœ ™

volves

w -

œ™ ‰

‰

volves

ppp pp

& w

volves

pp ppp

œ J

& œ™ ‹ volves

w -

volves

> ˙ ˙

œ™ œ™

? ˙

˙ ˙

¢ volves

˙ ˙ -

volves

sul tasto

bb O˙ ™™

bœ

bb O˙ ™™

bœ

b œ-

nœ

°?

œ J

Vc. pp

sul tasto

Db.

? ˙™ ¢

˙™

œ-

˙™

œ-

> œ J

122 -D

Bsn.

°? j ¢ b‚™

µ œ # -œ J

m ˜ œ µ >-œ # œ > n ˙ œ J R

# -œ

≈ ‰ 3

#œ

5 4

emphasize high harmonics sim. ord. -C -C m m m7

M mf

œ ™ #œ

≈ œ

#‚

#‚- ™ œ #‚- œ b œ. > M M

+C# trill key -B

bœ b‚™ J

b‚

nœ

4 4

3 7

(mf)

Son

°? ¢

#œ

#œ #œ

#œ

∑ 3

5 #˙ 4

ban-doned

the

ﬁ

#œ

#œ #-œ J

nite

sea

#˙

4 4

de - sire

h. sul pont. irreg. 7

Db.

°? ææ ¢ b˙ ™

™ ™ > mf

ææ ˙ F

Sy. 4624/01

5 4

∑

4 4

Tree of Codes – Act III Score in C

139

Piccolo

q = 50

°‹4 Picc. & 4

œÆ R

∑

˙™

mp 3

‰™

125

‰

Flute

> w

4 &4

Fl. 2

∑

∑ 3

> w

4 &4

Ob.

∑

‰ 3

> w

4 &4

Cl.

∑

‰ 3

#>œ J

? 4 œ™ Bsn.

#˙

#œ ‰

∑

Hn.

> ˜œ ™

° 4 &4

j œ

∑ w

B>œ B œ J

˜˙ ™

4 &4

C Tpt.

˜œ ™

‰ mp

>˙ ˙

b˙

∑ 3

#œ ™

?4 ∑

‰

Tbn.

4 mf

?4 Ó

Euph.

œ >

˙™ bw

mf mp

Vibraphone

˙˙ ™™

4 &4

Vib.

∑

(extra metal rod) > l.v.

##˙˙ ™™

#œ ææ

Œ n˙

˜˙ ™– ææ˙

bæ˙ æ

æ b˙æ™

q = 50 Adela

° 4 &4

∑

? 4 #œ ™ ‰

Son

4 4 &4

Kal.

{

q = 50 Vln. I

Vln. II

Vla.

° 4 &4

∑

4 &4

∑

B4 4

∑ &

w #w ææ

œ J

w #w ææ

œ J

w #w æ

œ J

‰

∑

‰

∑

‰

∑

‰

∑

œ J

∑ Vc.

4 f

>œ

Db.

?4 Œ ¢

‰

j #O > mf

#O ™ > > >

bw > p mf

Sy. 4624/01

Tree of Codes – Act III Score in C

# œÆ R

129

°‹ Picc. &

∑

∑ f

#˙ ™

#œ R

‰™ ë

140

5 4

‰™

5 4

‰™

5 4

w ∑

‰™

œ R

∑

& ë

Fl.

∑

˙™

œ R

& mf

Ob.

∑

5 4

∑

5 4

Cl.

? Bsn.

Hn.

° & ˙™

‰ #œ

#œ

#˙

5 4

pp mf

b˙™

‰ #œ

C Tpt.

#œ

#˙

5 4

pp mf

b˙™ >˙

? Œ

5 4

Tbn.

œ pp

p mf

5 4

? Œ

‰

Euph.

¢ œ >

b˙™

#˙ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ 5 /4 j n œ œ # œ n œ #œ # œ ™ nœ

∑

æ œæ

Vib.

j œ

#œ ™

p mf

Adela

° &

∑

slow

fast Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # œ #˙ #œ œ J

#œ œ œ ?

#œ ∑

∑

5 4

∑

‰

Son

5 4

3 3 3

A - mong

the

ges

∑

5 4

{

∑

5 4

° &

∑

Vln. I

5 4

∑

Vln. II

5 4

∑

Vla.

5 4

& Kal.

5 4

? ∑ Vc.

˙™

œ >

˙™

œ >

w p

5 4

? Db.

b˙ ™ mf

w p

Sy. 4624/01

Tree of Codes – Act III Score in C

141

più mosso œÆ F 4 R ‰™

133

°‹5 Picc. & 4

∑

‰

œ J

œ F œ œ

>œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ. µ -œ F œ. F # œ µ œ µ œ #œ ™ µŸ˙ #œ R R

4 3

3 7

ë mf

5 &4

Fl.

œ J

4Œ 4

∑

‰

# œ b œ ™ F œ >œ œ # œ œ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ µœ ™ µ˙ µ œ

-œ

‰ 3

3 7

4Œ 4

∑

5 &4 ‰

> j #œ

ææ œ- œ>

œ™

4 4 œ™

r œ ‰™

˙™ mf

Cl.

5 &4

Ob.

r ‰™ œ

œ n œ. n œ. n œ. n œ n ˙ > > >

?5 ∑

4 4

∑

4 4

∑

Bsn.

Hn.

° 5 &4

∑ C Tpt.

4 4

?5 ∑

4Ó 4

-œ

˙ #˙ ™ Tbn.

?5 ∑

4 4

∑

4 4

∑

Euph.

Wood Block

W.B.

5 4

più mosso Adela

° 5 &4

4 4

∑

œ œ œ >œ

œ™

4 œ™J 4

?5 œ Son

˙ >˙

µ >œ ™ œ µœ -œ > #œ #œ J 7

œ™

≈ Œ

‰ 3

3 3

know - ledge

mid

∑

4 4

∑

4 4

∑

&4 Kal.

{

più mosso Vln. I

° 5 &4

Vln. II

Vla.

∑

4 4

∑

4 4

∑

4 4

∑

5 5 ?5

4 ˙™ 4

Vc.

œ-

#˙ ™ œœ -

#œ #œ J

mf f 7 7 7 7

Db.

?5 ¢ 4 b>O

æ Oæ™

r bœ œ #œ œ #œ œ™ œ

4 ˙™ 4

œ #œ nœ œ bœ ™

æ ˙æ™

œ-

F 7

Sy. 4624/01

Tree of Codes – Act III Score in C

142

136 <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° ‹ µœ µœ ≈ Picc. & R pp

‰

∑

‰

∑

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ µœ µœ ≈ & R

Fl.

‰

˙ œ

n˙ ™

#œ J

& Œ

Ob.

∑

˙™ ˙ œ #œ J

& Œ

Cl.

mp 3

#œ R

#œ ™

? Œ

#œ

œ™ ‰

Bsn.

¢ 7

pp mp

Hn.

° &

∑

Œ ˙

∑

C Tpt.

˙ pp

j #œ nœ

? #˙ ™

∑

Tbn. pp 3

? Ó Euph.

˙ b˙™

bœ

W.B.

∑

° &

∑

Adela

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > #œ œ #œ

? #œ

#œ

> œ

œ™

#œ

>˙

son

‰ Son

¢ 3 7 3

the

rea

the

world

∑

& Kal.

{

Vln. I

° &

∑

>œo

Œ mp

III

>œo ∑

∑

Vln. II

o III >

∑

œ B

Vla.

h. sul pont.

? #œ J

Vc.

#œ #œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ œ ‰

#œ #œ

˙˙

œœ ™™

˙˙

‰

? ˙™

Db.

b˙ ™

¢ mp

Sy. 4624/01

Tree of Codes – Act III Score in C

139

°‹ Œ Picc. &

#œ œ #œ

143

#œ >˙ œ

>œ

œ Œ

œ ˙ 3

mf f

>˙ ™ ∑

∑

Fl.

>˙ ∑

∑

Ob.

>˙ ∑

∑

Cl.

? ∑

∑

Bsn.

Hn.

° &

C Tpt.

? Tbn.

? Euph.

W.B.

∑

° &

∑

Adela

∑

œ ? R ≈

‰

Son

¢ 3

& Kal.

{

Ÿ~~~~~~~~~~~~~~~ >œO O

Vln. I

° œJ &

>O O ææ

O -O J

> O

O O

O ææ

Oœ ææ

#O˙ ™™ æ

>O ˙ ææ

O˙ ææ

3 3 3

ff f mf

> bb O˙ æ

O Ÿ~~~~~~~~~~~~~~~~ >œO O

Vln. II

& œJ

-O J

> O

O æ

slow trem.

bb Oœ æ

bb Oœ

O˙ ™™ ææ

O˙ ææ

3 3

mf f 3

O Vla.

Ÿ~~~~~~~~~~~~~~~~ œO O

B œJ

O J

> O

O bbO˙

O æ

## O˙

bb ~w

## O˙

3 3

f mf

> # O˙ O˙ ææ

? Ó Vc.

bbO˙ ™™

bOœ æ

bO˙ æ

bbO˙

ff 3

( ff )

h. sul pont. 3

Db.

? ææ ¢ b˙

r bœ ≈

‰

∑

Sy. 4624/01

∑

Tree of Codes – Act III Score in C

144

142

very breathy

°‹ Œ Picc. &

tongue ram 3

ord.

3 3

r ≈ ‰ #œ.

œ-

‰ #œ. œ.

nœ-

#œ. œ. œ. #œ >

j #œç

æ #˙æ

‰ #œ

‰

Œ ˙

Ó b˙

˙™

∑ &

Fl.

œ ‰ Œ

b˙ ™

Ob.

mp p

œ ‰ Œ

˙™

Cl.

> œ #œ nœ œ µœ ™ J

Ó™

∑ Bsn.

Hn.

° &

C Tpt.

∑

? Tbn.

? Euph.

W.B.

∑

° &

∑

Adela

Son

? Œ ¢

œ #œ nœ #œ

#œ nœ #œ œ œ #œ nœ

> #œ nœ #œ #œ nœ

#œ

> bœ œ bœ œ œ # œ œ # œ œ ‰ œ #œ

nœ #>œ nœ

j nœ

œ bœ ™ >œ bœ œ b˙ ™ 3

3 3

craft

with

3 a

use

less

map

∑

& Kal.

{

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ b œ nœ bœ Vln. I

O ° œ &

œ J

bnOœ n#sfz Oœ ™™ J

O O #IIO ™

‰ 3

≈

∑

3 3

sul tasto

œ-

b˙™

b œ-

Vln. II

œ #œ R 3

3 #œ. ≈ R r œ œ

gl.

j bœ b w

mp mp

## Oœ B

‰ Œ

∑

Vla. 3

h. sul pont.

? bbOœ ‰ Œ

ord.

Vc.

b˙ ™ mp

ord.

? Db.

b˙ mp

h. sul pont.

æ bœæ™

j bœ

ord.

h. sul pont.

ord.

bœ

b˙ ™

Sy. 4624/01

Tree of Codes – Act III Score in C

145

°‹ Picc. & ˙

# œ # œ. # œ. # œ. # œ. # œ. # -œ

#˙

#œ

145

#˙

n œ. œ. œ. œ

#œ

#œ œ

µ œÆ J

‰ 3

pp mp

. œ œ. œ. # œ -œ

˜œ

˜˙ ‰

& b˙

Fl.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˜ œ n Ÿœ ™ ˜œ µ œ ææJ ‰ J

n>œ µœ µœ ™ #œ

pp 3

#œ ˜œ œ µœ nœ

#˙ ™

˜-œ

˜˙

#œ

& b˙

Ob.

µ-œ

#˙ ™

#œ #œ

œ œ™

& ˙

Cl.

˙™

pp 7

? µ˙ Œ Bsn.

˙™

w pp

Hn.

° &

C Tpt.

∑

? Tbn.

? Euph.

W.B.

∑

° &

∑

Adela

œ ˙

#œ

#œ ? Œ

œ µœ µœ bœ J

œ J ‰

‰

b >˙ ™

‰

Son

¢ 3

the

mer

the

sea's

∑

{

∑

° &

∑

Vln. I

∑

Vln. II

& Kal.

œ B Œ

#œ

#œ ˙ Vla.

œ J

‰

œ µœ µœ b œ J

b>˙ ™ Œ

3 3

f 3

#>˙ ™

# -œ

h. sul pont.

Vc.

? ææ b˙

Œ ™ >˙

˙ mp

h. sul pont.

Db.

? æ ¢ b˙æ mp

Œ w >

™ >˙

˙ pp

Sy. 4624/01

Tree of Codes – Act III Score in C

146

q = 50

allarg. 148

°‹ Picc. &

∑

& #œR

Fl.

≈

‰

∑

5 4

∑

5 4

µœ

#œ

µœ ™

µœ

#œ

Ob.

#œ R

‰™

∑

5 4

r œ

‰™

∑

5 4

& n˙

Cl.

œ mf

5 4

? Œ

∑

Bsn.

¢ ˙™

f f

Hn.

° &

C Tpt.

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

∑

5 4

? Tbn.

? Euph.

W.B.

q = 50

allarg. Adela

° &

∑

Son

? ¢ ‰

‰

œ J

˙™

œ™ J

‰

≈

5 4

great

mad

ness

∑

5 4

∑

5 4

& Kal.

{

q = 50

allarg. Vln. I

° &

∑

5 4

∑ ˙

∑

#˙

5 4

Vln. II

œ™

j œ

B bœ Vla.

œ J

˙™

œ™

#œ J

#˙

#œ ™

œ J

j œ

#˙

5 4

Vc.

? ˙

Db.

œ™

¢ f

Sy. 4624/01

5 4

Tree of Codes – Act III Score in C

147

use weak lip/ air pressure

(trill with weak lip/ air pressure Eb key) ord.-B chaotic

151

-B

(ord.) (ord.) #œ #>-œ 3 3 >j -B œ >j -C > ? œ #œ. nœ #œ #œ. #œ ‚ b‚ ‚ #‚ #‚- #œ > b‚ b‚ ‚ #‚ n‚ #‚ n‚#‚ ‚ ‚ n‚ b‚ b‚ b‚ nœ > ‚ # ‚ - J 3 3 3 > > 7:4 3 3

#˙ ™

bisbigliando Ÿw~~~~~~~~~~~~~~~~~~~ #w #œ w w

-C

Bsn.

°? 5 ¢ 4

# OO œ œ

&#œ

˙ #˙ ˙˙

’ ˙ & #˙ ˙˙

7 4

9 4

Vln. I

° 5 diagonal bow & 4 # OM™ œ œ

‰

7 4

∑

9 4

‰

7 4

∑

9 4

‰

7 4

∑

9 4

7 4

∑

9 4

#O ™

œ™

#O ™ œ mf

diagonal bow

Vln. II

5M & 4 ##OO ™™

#œ #œ

#OM™ #O ™

#œ ™

#OM™ #O ™

#œ

diagonal bow

B 5 œ™

œ™

#OM #O

Vla.

#OM™

#O ™

?5 ˙ Œ

∑

Vc.

'cello retunes string IV to b œ

Db.

?5 ¢ 4 w

j œ

‰ ‰

7 4

∑

fast bisbigliando slow speed

fast ~~~~~~~~~~~~~~~~~ Ÿo ~~~~~~~~~~~~ Ÿo ~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o o Ÿ o 9 bw bœ Ó & 4 œ µœ #œ µœ bœ ™ nœ J mf

sim.

154

Bsn.

4 4 œ #œ

> œ ‰

ord. -ED 3

#‚ R

œ #‚ ™

‰

‚ n‚

‰

œ ®

‚ b‚ ‚ #‚ n‚

j ‚ b‚ bœ

3 7

4Double Bass 4

h. sul pont. (explore many different harmonics)

? b˙ hypnotic, rhythmic bowing rhythm grad. cresc.

ppp

-D 3

156

-A

ord.

-B 3

? Œ

œ œ

Bsn.

œ bœ

b‚ >

bœ ≈

‚

b‚

b‚ b‚

n‚

‚

#‚

n‚

Db.

Sy. 4624/01

‚ n‚

‚

#‚ ™

#œ œ nœ

#œ

bœ

5 4½

Tree of Codes – Act III Score in C

148

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j #‚M n‚ #‚ #‚ n‚ ‚ b ‚ n ‚ ‚

-C 3

157

? 5½ 4 #‚-M

Bsn.

#‚- ™

ord. - C -C

5 sim. 4 #‚ ™

j ≈ M

#‚ #‚

œ ™ #œ

> j bœ

#‚ ‚ b ‚ n‚ n ‚ ‚ ‚ ‚ # ‚ - 7

> f 3

7 4

b‚- n‚ b‚ ‚ b‚ ‚ b‚ ‚ ™ ‚

Db.

159

?7 Bsn.

-C Ÿœ™~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ µœ -C b‚ ™ ‚ ‚

b‚ ‚ ‚ b‚ ‚ ‚ b ‚

> j # ‚ ‚ b‚ ™

-C Ÿ~~~~ -C Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -G b ‚ n ‚ b ‚ b O ™ b‚ b‚ ‰ ‚ #‚ b‚ #‚ n‚

M 3 3 3 3

ppp

Ÿ~~~~~~ 7

j 7 ™ nO > > - - - b-O

? bO

Db.

7 7

j O>

b-O ™

O O

F OF O

161

Bsn.

°? ¢

∑

4 4

∑

diagonal bow 3 3

Db.

°? ¢ O >

O I >

O™

L bOM

c œ

L bOM

c œ

L bOM

œc

bOML

L bOM™

c œ

‰

4 4

∑

F mf

the ballad (part 2) q. = 66 163

° 4 Cl. & 4

U ∑

12 8

∑

U ∑

12 8

∑

Bsn.

(breathy) mp

Adela

U ∑

° 4 ¢& 4

12 ‰ 8

œ Shall

œ™

œ I

#œ

tell

you

œ™

sto

‰

Œ™

long

q. = 66

sfz

°? 4

12 8 b˙™

Vc.

4bw

j bœ > mp

> ?4 Db.

fff

U ∑

12 8

j bO

h. sul pont. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j b œ b œ ™ bO b œ b>O mf

∑

Sy. 4624/01

b>O

Tree of Codes – Act III Score in C

149

(bell-like) 166

° Cl. ¢&

Œ™

∑

#œ. J

Œ™

#œ. J

Œ™

#œ. J

‰

#œ. J

Adela

° ¢&

Vc.

°? ¢

∑

bœ

j j b œ bO

bœ

j jO

O™

j bO bO

O™

™

j bœ

bœ™

j>O

>#O

II#O ‰

+ bœ

>#O O ‰

bœ +

f mf

bœ +

169

° Cl. ¢& Œ ™

#˙ ™

#œ. J

#œ

Adela

° j œ ¢& #œ

#˙ ™

j #œ œ

œ #œ

>. œ #œJ

‰

what

> œ J

‰

œ J

what

‰ #œ

> œ J

‰

this map

œ J

‰

œ #œ

œ J

‰

#œ. J

#œ

œ #œ

touch

‰ #œ

the

‰

Œ™

#˙ ™

œ J

‰

#>œ

tree

œ #œ

‰ #œ

tell

‰

#œ

roots

‰ #œ

#œ. J

#œ

œ™

œ #œ >

what

& Œ

Œ™

‰

œ J

‰

œ >

will

‰ #œ

‰

œ J

‰ #œ

‰

œ J

‰

Kal.

∑

{

∑

‰

µœ ™

œ™ >œ

>œ

IV ord.

Vc.

°? #>-O ¢

b>O

+ #O

O. #O

b>O

O™

Œ j bO b œ

bO ™

bO J

bO æ

bO J

#œ b œ b-O

™

ææ mf

mp f

œ.

172

#œ. #œ. J #œ.

œ.

œ #œ nœ #œ #œ #œ

œ. n œ. f

° Cl. ¢& Œ

#œ. Œ J

œ . # œ. n m # œ > . # œ œ œ. n œ. . >

#œ

‰

Adela

° #-œ ¢& tell

f ‰ #œ

#-œ ‰

Œ™

‰

œ #œ

tell

& œ ‰ #œ ‰

∑

œ ‰ #œ ‰ >

œ ‰ >

> œ

‰

œ œ #œ œ œ ™ #œ #œ will

‰

‰ #œ

will

œ ‰ #œ ‰ >

will

tell

œ ‰ >

> œ ‰

‰ #œ

tell

you

œ ‰ #œ ‰

œ ‰ #œ ‰ >

œ ‰ >

‰

> œ ‰

Kal.

‰

{

& µœ ™ œ

‰ œ µœ ™

‰ µœ ™

j pizz. j

Vc.

°? bO ™ ¢

jbœ ™

bœ™ bœ™

œ™ bO

bœ bœ ™ #œ

‰

‰ œ µœ ™

Sy. 4624/01

œ arco II > III

j bœ >

#O #O ™ J

‰ µœ ™

Œ™

#O ‰

‰ œ µœ ™

> > ‰ #O ‰ #O O O O ‰ bœ ‰ ‰ bœ ‰ ‰ J J IV + +

> ‰ #O ‰ O œ ‰ ‰ œ J J + +

Tree of Codes – Act III Score in C

150

q.= q q = 60 175

° Cl. ¢&

Adela

∑

° #-œ ¢&

‰

the

#>œ #>œ J

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

#˙ ™

sto - ry

to Piano

& œ

‰

#œ

‰

œ >

#œ >

> œ

‰

‰ #œ

µœ œ œ

Œ™

œ œ #œ œ œ æ œ œ™æ

Kal. ff

‰

{

‰

& µœ ™

∑

µœ ™ œ

q.= q q = 60 sul pont. IV

> O ‰ #O ‰ bœ ‰ J +

sfz

II III

+ ‰ œ b ˙ ™™ J æ +

O ‰

& #O

> #>O

#>O #>O

#Om™ O III O bO >

≈ #O O #O

#>O

Ÿ~~~~~~~ œ™ œ

6 wŸ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ™œ ë

Vc.

> °? #O ¢ ‰

ppp

q = 56

allarg. 178

Cl.

° ¢&

∑

4 4

∑

percussive whisper

Adela

° ¢&

m > œ œ J

gl.

œ ∑

œ 3

allarg.

man

3 3

µœ

œ œ œ gl. nœ œ J

œ ‰™ r J ‹ ‹ ‹ ‹ ‹

Œ ‹

‹ ‹

4 4

‹

walks

Wer rei - tet so spät durch Nacht und Wind?

q = 56

° Ÿw~~~~~~~~~~~~~~~~~~~~~~ œ œ œ™ &

>j œœ œ

sul tasto III

˙™

œ œ

> œ bœ

˙™

bœ nœ œ ˙

˙™

b˙

b˙™

4 4 4 4

Vc. ppp

pp, mp

? ∑

∑

¢ bœ

181

° 4 Cl. ¢& 4

5 4

∑

4 4

∑

4 4

∑

Hard resonant (plastic) Wood Block bowed with rasp stick 3

W.B.

4 4

5 4

˙™

j œ

‰

Adela

° 4 ¢& 4

5 4

∑

j j #œ nœ œ #œ

child

4 4

œ #œ J

#œ #œ #œ #˙

3 3

fol

ding

der

his

cloak

ord.

° 4 ˙ &4

#œ

œ #œ

#œ J

5 4 #œ

nœ œ œ bœ bœ œ Œ

+ -j

>#œ

4 4

∑

3 3 7

?4 ¢

4 b˙

bœ J

bœ

Vc.

5 4 bœ

bœ

nœ

4 4 b ˙O ™™ >

Sy. 4624/01

bœ

Tree of Codes – Act III Score in C

151

with rasp 3

184

˙™

œ /

W.B.

œ-

∑ mp

Adela

° #œ ¢& J

‰

r ≈ ‹ ‹ ‹ ‹

‹ ‹ ‹ ‹

œ-

œ™

œ. œ

>j œœ

>j œ˙

‹ ‹ He

ist

der Va - ter

Ÿ~~~~~~~~~~~~~ j #œ #œ #œ

œ J

#œ ™

#œ>

‰

œ. œ

walks

mit sei - nem Kind

III 3

Vc.

œ bœ ‰ bœ œ #œ nœ

°? ¢

j >O

bœ™

O b˙

‰ O

O >

O bœ

3 3 > > > r > ‰ ‰ ≈ œ œ œ œ œ œ œ œ œ

3 3 > œ œ œ œ œ œ ≈ œ œ œ œ

187

W.B.

∑ mp

m Adela

œ#œ ‰ J J

° ¢& #œ #œ

œ #-œ #-œ

œ #œ #œ #œ #œ #œ œ #œ œ #œ J J

#-œ

#-œ #œ #œ

j œ‰

>œ

’ 3

‰

œ œ bœ- nœ œ bœ>

3 3

der

the

sky

walks

œ™ œ™ Piano

Œ™

∑

& mf

Pno.

∑

{

∑

pizz.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ j œ O ˙™

Vc.

°? ¢ œ O O >

O™

j bœ J bœ

Œ œ

bœ ææ

190

W.B.

5 4

∑

ë 7

Adela

° ¢& bœ nœ bœ- b>œ nœ nœ œ ≈ œ bœ nœ bœ nœ œ

-œ

4 4

∑

œ J

-œ œj #œ

5 4

> j µœ œ

(spoken)

bœM œ œ

4 4

‰ ‹

‹

>‹

‹

wohl

dem

3 3

and

(na - na)

hat den Kna - ben

bœ

> #O ‰

arco

°? ¢

5 #O ™ 4 ˙™

#O Œ

Œ ff

Vc.

O ‰

‰ bœ J +

> O ‰

‰ bœ J +

O ‰

4 4

> œ

192

W.B.

4≈ 4

œ >œ

œ œ

œ >œ

œ œ

œ >œ

Adela

° 4 ¢& 4 ‹ > Arm

°? 4 #O˙ ™™ ¢ 4

#>œ ™ he

#œ

walks

> #O ‰

O ‰

‰ bœ J +

> #O ‰

walks

> ‰ # O O ‰ bœ ‰ J +

O ‰ ‰ bœ J +

Sy. 4624/01

nœ ™

#œ #œ J

˙™

Vc.

Ó Ó

œ™ nœ

and

œ J

Ó on

∑

Tree of Codes – Act III Score in C

152

>j / œ

>j œ

195

W.B.

œ™

‰ ∑

∑

Adela

>œ

° ¢&

∑

œ œ

nœ ™

#œ J

≈

bœ

bœ J

œ™

b˙

Time

>˙ ˙

œ™ œ™

œ œ J

œ œ

peats

œ œ

˙ ˙

œ™ œ™

œ œ J

& 3 3

p pp

Pno. 3

{

j œ œ

˙ ˙

œ™ œ™

œ œ

j œ œ

˙ ˙

œ™ œ™

198

j œ

‰ /

W.B.

j œ

Adela

œ™

˙™

∑

j ° ¢& nœ ™

œ™

œ ≈

#œ #œ

nœ J

œ J

bœ

3 3 3

Time

can

ne -

ver

change

>œ œ

œ œ

˙ ˙ œœ J

j œ œ™ œœ b œ ™ œ ™

j #œ nœ

œ œ

œ#œ œ

#œ

# œœ œ

#œ œ œ

œ œ

& ‰ 3

Pno. mp

mf 3

{

œ œ

˙ ˙

‰ œ œ

œ™ œ œ™

œ‰

œ™ ‰

‰ œ œ

Œ œ™

= 3

201

Œ ‰ /

W.B.

‰ œ

∑ mp

6 4

whisper/spoken

Adela

° bœ ¢&

bœ bœ bœ ™

‰

r ‹> >‹

>‹

‹

>‹

it's

on - ly

‹

‰ j ‹>

6 4

j ‹

‹™

‹

soothes

the

‹

a - ny - thing

it's

on - ly

the wind

lit - tle

boy

œ œ

œ b œœ J

#œ J

œ ## œœ n œ

œ ## œœ

# œœ

n>œ # œœ J

bœ

& 3

6 4

3 3

Pno. 3

? ‰ œ œ

‰

{

œ™

j œ

œ™

bœ

(mp)

q = 66

accel. 3 3

203

W.B.

6 4

>j œ

> œ™

> œ œ

œ œ

> œ

4 4

f (percussive whisper)

Adela

° 6 ¢& 4 ‹r

‰ r ‹ Er

Œ >‹

‹

faßt

ihn

>‹

‹

si - cher,

‹

>‹

‹

>‹

hält

ihn

warm.

∑

4 4

#>œ ™

6 ‰

Ó™

∑

4 4

‰

Ó™

∑

4 4

&4 Pno.

{

4 nœ ™ > mf

Sy. 4624/01

Tree of Codes – Act III Score in C

Picc. (W.B.)

Block °205 4Wood Œ / 4

153

bowed with rasp sticks

œ œ

œ œ œ

œ >œ œ œ œ œ œ œ œ Ó

œ 3

Fl. (W.B.)

4WoodŒ Block 4

bowed with rasp sticks

œ œ

œ œ œ

œ >œ œ œ œ œ œ œ œ Ó

œ 3

Ob. (W.B.)

4WoodŒ Block 4

bowed with rasp sticks

œ œ

œ œ œ

œ >œ œ œ œ œ œ œ œ Ó

œ 3

4WoodŒ Block 4

bowed with rasp sticks

œ œ

œ œ œ

œ >œ œ œ œ œ œ œ œ Ó

œ 3

¢/

4WoodŒ Block 4

bowed with rasp sticks

œ œ

œ œ œ

œ >œ œ œ œ œ œ œ œ Ó

œ 3

W.B.

> œ

œ œ

œ œ œ

3 3 > œ œ œ œ œ œ œ œ œ Ó

# œœœœ n# œœœ ™™™ # œœœ ## œœ ™™ # 4

trem. rit. 3

b œœ œœ #œœ ™™ œ œ #œ ™ ##œœ

3 œ œ œ #œ nœ bœ æ æ œ œ # œ œ #œ #œÓ #œ #œ #œæ™ n˙æ˙ bœ J 3 œ #œ bœ bœ nœ nœ n œ bœ bœ bœ œ œ bœ bœ mf #œ ‰ 3 3 ( Œ ™)

Pno. 3

œ œ ææ

? 4 nœ

{

4 4

Bsn. (W.B.)

Cl. (W.B.)

œ #œ œ

4 œ œ

æ ˙æœ œ œ œ œ œ œ œ œ œ 3

∑

208

Picc. (W.B.)

°/

Œ ‰ ∑

œ™

œ J

∑

‰

Œ Fl. (W.B.)

∑

‰

œ™

œ J

∑

‰

Œ Ob. (W.B.)

∑

‰

œ™

œ J

∑

‰

Œ Cl. (W.B.)

∑

‰

œ™

œ J

∑

‰

Œ Bsn. (W.B.)

¢/

∑

‰

œ™

œ J

∑

‰

/ Œ

W.B.

j œ

‰

j œ

œ™

Adela

° #>œ ¢&

#œ #œ #œ #œ J 3

j œ

œ™

pp mp

#œ œ Œ

j œ

œ™ pp

œ™

‰

Ó mf

œ #œ #˙

‰

∑

3 3

End

less - ly

with

out

hope

& œœ œœ œ œœ œœ œœ œ œœ œœ œœ œ œœ œœ œœ œ œœ œœ#œœ œ œ#œ œœ œœ œ œ#œ œœ œœ œ œ#œ œœ œœ œ œ#œ #œœ#œ#œ œ#œ#œ #œœ#œ#œ œ#œ#œ nœœbœœ œ œbœ œœbœœ œ œbœ Pno. pp

{ Sy. 4624/01

Tree of Codes – Act III Score in C

154

211

Picc. (W.B.)

° / >œ œ œ >œ

>œ œ ≈ œ R

‰ œ J

5 4

‰ œ J

œ ‰™ R

4 4

œ ‰™ R

4 4

œ ‰™ R

4 4

mp 3

/ >œ œ œ >œ

Fl. (W.B.)

>œ œ ≈ œ R

‰ œ J

5 4

‰ œ J

‰ œ J mp

/ >œ œ œ >œ

Ob. (W.B.)

>œ œ ≈ œ R

‰ œ J

5 4

‰ œ J

‰ œ J mp

/ Œ

Cl. (W.B.)

‰

œ >œ

œ >œ J

‰

5 4

œ ‰™ R

r œ ‰™

4 4

Bsn. (W.B.)

¢/ Œ

‰

œ >œ

œ >œ J

5 4

‰ œ

/ Œ

W.B.

‰

>j œ œ

> œ œ

‰ œ

5 4

ê Adela

f > # œ n œ ™ #œ œ ™

° ¢&

#œ œ

5 4

∑

4 4 3

help

& œœ bœ œ œ œbœ

œœ bœ œ œ œbœ

less

> # œœœœ n# œœœ ™™™ # œœœ ## œœ ™™ # 5

œœ bœ œ œ œbœ œœ bœ œ œ œbœ

j #œ #˙

#œ#œœ ™™™

b œœ b œœ œ œ

æ #œæ™

4 4

4 3

Pno.

#œ

5 4

{

bœ # ˙˙ b œ œ œ œ #œ œ #œ

4 4

œ sfz 7 3

f mf

213

°/

4Œ 4

œ R

‰™

Picc. (W.B.)

œ R

‰™ œ

4Œ 4

Fl. (W.B.)

‰™ œ

4Œ 4

Ob. (W.B.)

œ R

Cl. (W.B.)

4œ 4

Œ œ

Bsn. (W.B.)

¢/

4œ 4

Œ œ

œ p

W.B.

4œ 4

Œ œ

œ p

mf 3

Adela

° 4œ ¢& 4

œ œ #œ

>j œ bœ

j œ bœ ™

j #œ

#œ #œ #œ

#œ

j #œ

#œ

and

sweet

#œ

j #œ

#œ

j #œ

the

#œ

help

less

a - gainst

the

whis

pers

per - sua - sions

night

n>œ 4 &4

œ œ ##œœ nœ œ

bbœœ

#nœœ >

#œ

Pno.

? 4 bœ bœ nœ

{

#œ

nœ ™

#œ J

4 3 3

Sy. 4624/01

#œ

nœ ™

#œ ™

#œ

Tree of Codes – Act III Score in C

155

215

Picc. (W.B.)

°/ œ

>œ >œ

œ™

>œ

>œ >œ ™

‰ Ó

œ J

∑

mp p

Fl. (W.B.)

/ œ

>œ >œ

œ™

>œ

>œ >œ ™

‰ Ó

œ J

∑

mp p

Ob. (W.B.)

/ œ

>œ >œ

œ™

>œ

>œ >œ ™

‰ Ó

œ J

∑

mp p

‰™

Œ Cl. (W.B.)

/ Ó

>œ >œ R

>œ

>œ ™

œ J

‰™

Œ Bsn. (W.B.)

>œ

>œ ™

œ J

/ Ó

W.B.

>r > œ œ

‰™

>œ >œ R

¢/ Ó

> œ

> œ™

j œ

Adela

° ¢& #˙

r #œ ‰ ™

∑

& #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ #œ Pno.

? #œ

nœ ™

{

#œ ™

#˙ ™

n˙ ™

#˙ ™

(non rall.) U

219

Picc. (W.B.)

°/ œ

non dim.

Fl. (W.B.)

/ œ

œ non dim.

Ob. (W.B.)

/ œ

œ non dim.

Cl. (W.B.)

/ œ

œ non dim.

Bsn. (W.B.)

¢/ œ

œ non dim.

/ œ

W.B.

œ non dim.

(non rall.) U Adela

° ¢&

∑

Œ & #œ

#œ

Pno.

{

∑

Sy. 4624/01

Tree of Codes – Act IV 156

ACT IV: The Tree of Codes the secret backstage area

A subliminal 'heartbeat': 43 Hz 'F' as compression and release machine/hospital noise; a foetal hearing that is perceived through the whole body, 'felt' rather than 'heard'

Soundtrack

4 4

q = 50 (freely) 2

U ∑

9 4

∑

Hn.

° 4 &4

U ∑

9 4

∑

Tpt.

U ∑

9 4

∑

U ∑

9 4

∑

?4 Tbn.

Perc.

4 4

Soundtrack

4 4

9 4 U ∑

9 4

∑

° 4 &4

U ∑

9 4

∑

U ∑

9 4

∑

4 Kbd.

{& 4

Vln. I

Vln. II

jeté

Strohviol

mj œ-

U B4 w 4

Stroh.

9 4 -œ

œ J

œ™

œ™ œ bœ nœ bœ ™

#œ nœ

# œ- # œ- # œ- ™ #>œ ™

mp 3 7

U ∑

9 4

∑

U ∑

9 4

∑

Vc.

4 ?4 Db.

= wa-wa (hand) slow fast

o wa-wa

Hn.

° ¢& ˙™

˙™

Soundtrack

+ ˙™

bisbigliando +

slow hand Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ + j œ™ œ œ

7 4 ˙™ pp

‰

6 4

7 4 slow

6 4 >

sul tasto

Stroh.

°B ˙™ ¢

˙™

-œ

œ ææ

j nœ ‰

#œ ææ

III

fast II

arco ord.

˙™

œ™

7 4 ˙™

6 4

œ œ # œœ

bœ

o + + 6 3

Hn.

° 6 ¢& 4

5 4 bœ

∑

‰ œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? ˙™ œ

4 4

> mf

Soundtrack

6 4 7

Stroh.

5 4 sfz

°B 6 ¢ 4 #˙

# œ-

r ≈ # œ # œ # œ ##œO

j≈

m > œ œ œ bœ œ #œj œ

#œ nœ #œ 3

Sy. 4624/01

4 4 7 7

5 4 bœ-

œ œ œ #œ

≈ bœ œ ##œO ™™ pp > >

##>œO

4 4

Tree of Codes – Act IV 157

° Voices A (Picc., Fl., Ob.)

4 4

∑

Voices B (Cl., Bsn.)

4 4

∑

¢/

°? 4 ‰

>+ œ™

+ b ˙ &

‰

œ™ J

Hn.

≈ Œ

b˙

o ˙o

˙+

+ ˙

˙™

wa-wa

+ œ

4 ∑

Tpt.

harmon

o ?4 ∑

Tbn.

4 cup mute

?4 ∑

Euph.

Perc.

4 4

Soundtrack

4 4

∑

4 &4 Kbd.

{

4 ﬂutter (like a dove/pigeon cooing—hand over mouth to articulate staccati) pp

>œ

œ œ

?4 ∑

‰

Son

> ¿ . æ

. ¿ ¿™ . æ

rru

. ¿J

4 3

man

dreams

>˙o ™ Vln. I

° 4 &4

∑

>œo

∑ p

4 &4

Vln. II

∑

>˙o ™ ˙™

∑

>œo

keep same ﬁnger distance sfz

j æ B 4 # O # Oæ 4# œ # œ >

Stroh.

Oœ

ææ ˙

∑

h. sul pont.

?4 ∑

ppp

Vc.

4 ?4 ∑

∑

Db.

˙™ p

Sy. 4624/01

œ-O

Tree of Codes – Act IV 158

° Voices A (Picc., Fl., Ob.)

Voices B (Cl., Bsn.)

¢/

∑

o Hn.

° bœ &æ æ pp

∑

+ b˙

b-œ

b˙ 3

o œ & R

Tpt.

+ ˙ ‰™

jœ bœ

∑

˙ 3

o >+ w

? œ™

‰

bœ

~~~~~~~~~~~~~ b Ÿœ µ œ

œ™

Tbn. mp

mf mp

>œ Euph.

? ¢ œr

‰™

œ bœ b˙

‰

bœ ™ J

≈

Perc.

Soundtrack

∑

& Kbd.

{ mf

> sim.

? . . . ææ

Son

. . . . ™. . . . . ‰ ææ ææ

>œ

. . . . . . ææ

œ bœ b˙

‰

bœ ™ J

≈

(rru)

Vln. I

° #œ &

#œ ‰ ™ R

man

dreams

∑

ppp

nœ &

Vln. II

œ ‰™ R ppp

∑

Stroh.

jeté

? O˙

‰

∑

‰

∑

Vc. mp

jeté

? Db.

˙O mp

Sy. 4624/01

Tree of Codes – Act IV 159

like 'Son': dove/pigeon cooing, rolling sound breathy, ﬂutter, hand over mouth to articulate staccati pp

q = 60 14 3

° Voices A (Picc., Fl., Ob.)

æ ‹™æ

/ ææ ‹

‰

∑

(rru) mf pp

> 3 3

æj Voices B (Cl., Bsn.)

ææj

¢ / ‹æ

ææ

(rru)

o o Hn.

>+ bœ

+ ° bœ &

bœ ≈ R

?œ

> œ

>+ œ

>™ œ

> œ œ ‰™ J R

∑

œ ‰

∑

Tpt.

? Tbn.

? Euph.

Perc.

Soundtrack

& Kbd.

{

bœ

? ∑

∑

œ J

Son

bbish heaps

q = 60 Vln. I

° &

Vln. II

∑

Stroh.

? Vc.

? Db.

Sy. 4624/01

Tree of Codes – Act IV 160

sim. mf

> 17

° Voices A (Picc., Fl., Ob.)

Voices B (Cl., Bsn.)

/ Ó

‰ æ æ >‹™

∑

¢/

o + b˙

°? ∑

∑

+ bœ

bœ ™

‰

Hn.

o + ∑

+ b˙

∑

Tpt.

‰

bœ ™

bœ

o + ˙

? ∑

+ œ

œ™

∑

‰

Tbn. 3

? ∑

∑

Euph.

Perc.

Soundtrack

& Kbd.

{ f

> œ œ™

sprech. >...

? ¿

>œ J

sung ....

¿™

#-œ

#œ J

Son

>m œ œ œ #œ œ #œ œ #œ œ ’ bœ bœJ bœ bœ 3

œ bœ ™ ‰ Œ

Œ™

œ #œ nœ #œ

3 3

Vln. I

° &

bun

dant

e - phe - me

∑

ral

∑

dden

Œ bbmp œO

∑

Vln. II

bbœO mp

> B

∑

Stroh.

bb˙O ™™

bbOœ

bOœ

œO ™™

‰

> bO˙ ™™

b Oœ

bb Oœ ™™

bb Oœ

bœ b˙

∑ Vc. mp

> ? ∑

O˙™™

Oœ

Oœ™™ R ‰™

Db.

¢ mp

Sy. 4624/01

Tree of Codes – Act IV 161

° Voices A (Picc., Fl., Ob.)

Voices B (Cl., Bsn.)

¢/

∑

o Œ µœ

µœ

+ #˙

µœ

-œ

Ÿ~~~~~~~~~~~~~~~~~~~~~ œ µœ

° Œ &

Hn.

+ n˙ mp

∑

o & Œ

Tpt.

o + ˙ ? Œ Tbn. mp

? b˙ ™

Euph.

¢ mp

Perc.

Soundtrack

∑

& Kbd.

{

spoken, with hand articulation mf

mf pigeon/dove

nœ #œ nœ œ œ

> ‹™ æ

œ™ J ≈

> ‹ ææ

œ #œ nœ #œ

‰

Son

ææ

J 3

Vln. I

° & bO bœ

splen - did

(rru)

‰ nn ˙O ™™

nœ

∑

O >

b œJ

F œ mf

and

& bO bœ

nn ˙O ™™

nœ ™

F œ-

#>œO

‰

∑

. ë

Vln. II

jeté

B Œ Stroh.

˙O

µµœO

µµœO ™™

∑

h. sul pont.

? w ∑

∑

Vc. pp

h. sul pont.

Db.

? ¢ bw pp

Sy. 4624/01

wilt

Tree of Codes – Act IV 162

mf pp

> #œ nœ #œ nœ #œ nœ #œ nœ #œ nœ #œ œ #œ œ #œ œ #œ œ #œ œ #œ œ

#œ ™

nœ œ œ #œ nœ œ #œ nœ #œ nœ #œ ™

œ œ J

7 4

Ó Son 3

and

rish

unpitched breathy tongue roll (with hand mute articulation)

Voices (Wind Players)

˙™

26 mp

Voices (Wind Players)

° ¢/

7 4 Ó™

+ O™ æ

9’ 4

O™ æ

∑™

4 4

yawning/sighing/ breathy rolls/ﬂutters

œ™ (kazoo)

murmuring/muttering

humming with kazoo p

n>œ ˙ J

-œ ?7

œ-

bœ- ™ ‰

9’ 4

Son

Œ™

4 4

hmm

inhale

o exhale/ﬂutter

˙ mp

+ Voices (Wind Players)

° ¢/

4 4

sighing/breathy inhale then exhale with ﬂutter

‰

‚

)

(ah

(double 'Son') cup mute air noise

Euph.

°? 4 Œ ™ ¢ 4

‚ ‚ ‚. >. >. >

bœ

œJ

bœ

5 4

∑

‚™

>j œ #œ

#œ

œ #œ œ

œ œ. œ-

œ-

5 4

œ #œ #œ

‰

3 3 3

Œ™

∑ Adela

œ J

bœ

5 4

#˙

breathy ex./inhale

ver

looked

sung

>j œ #œ

mp 3

bœ

? 4 Œ™

-œ J

bœ

Son

#œ

œ #œ œ

œ œ. -œ

-œ

5 4

œ #œ #œ

‰

4 3

. >. >. >

3 3

was

home - less

But

Sy. 4624/01

slow

the world

be -

Tree of Codes – Act IV 163

play same notes as choir (any octave) on toy wind instruments/sing ad lib. very breathy

Hn.

° 5 &4

b#˙˙˙

∑

4 4

∑

4 4

∑

4 4

∑

play same notes as choir (any octave) on toy wind instruments/sing ad lib. very breathy

b#˙˙˙

∑ &4

Tpt.

play same notes as choir (any octave) on toy wind instruments/sing ad lib. very breathy

b# ˙˙˙

?5 ∑ Tbn.

4 pp

snoring, sputtering speech

5 # -œ # -œ

œ-

4 ‚™ 4

~™

œ J ‰

‰

Euph.

‰

play same notes as choir (any octave) on toy wind instruments/sing ad lib. very breathy

Toy Piano

5 &4

b#˙˙˙

∑

4 4

∑

4 4

∑

Kbd. pp

{

∑

mf mp

5 &4

Adela

‰

‰ #œJ #œ

#˙

-œ

#>˙ ™

#>˙

time

4 #œ 4

œ J ‰

‰

∑

4 3

m > #œ œ #œ œ #œ œ 3

yond

Son gan

œ™

- ? 5 #œ #œ

sing

4 4

∑

set

traps

winds and strings sing

° 5 &4

mp b>˙ ™

‰™

4 4

∑

r œ ‰™

4 4

∑

‰™

4 4

∑

r bœ ‰ ™

4 4

∑

bœ R

∑

WINDS AND STRINGS

Time

5 &4

∑

˙™ > Time

5 &4 ‹

∑

mp > b˙ ™

bœ R

Time

?5 ∑ B.

b˙ ™ > Time

Sy. 4624/01

#œ œ #œ œ #œ œ

Tree of Codes – Act IV 164

Hn.

sim. as before articulated as inhaling/exhaling gestures

° & b#˙˙˙

5 4

4 4

5 4

4 4

5 4

4 4

sim. as before articulated as inhaling/exhaling gestures

& b#˙˙˙

Tpt.

sim. as before articulated as inhaling/exhaling gestures

#˙ ? b ˙˙ Tbn.

speaking snoring

? Œ Euph.

‚™

5 4

& b#˙˙˙ Kbd. (Toy Piano)

4 4

∑

5 4

4 4

5 4

4 4

sim. as before articulated as inhaling/exhaling gestures

{

pppp

˙™

b˙

5 4

Adela

and

b˙ Œ

4 4

‹ J

‹

4 4

food

lling

breathy speech

5 4

? ∑

∑

Son

‰

+ æ

‹

œ J

(the)

(rr)

taste

(wa-wa effect with hand)

o S.

° &

+ bw

bœ ™

Time

bœœ J ri

bœœ ™™

bœœ J

sing

and

5 bbœœ 4 fa

bbœœ -

bbww

4 4

lling

(wa-wa effect with hand)

WINDS AND STRINGS

o mp

+ &

w >

5 4

Time

w e

4 4

œ -

(wa-wa effect with hand)

o mp

+ > bw

5 4

& ‹

Time

bw e

4 4

bœ -

(wa-wa effect with hand)

o mp

5 4

? B.

bw >

Time

bw e

Sy. 4624/01

4 4

bœ -

Tree of Codes – Act IV 165

Hn.

° 4 &4

Tpt.

∑

?4 Tbn.

4 ?4 ∑ Euph.

4 Kbd. (Toy Piano)

{& 4

Adela

4 ∑ exhale inhale

inhale

™

?4 ‰

‰

≈

‰

≈

Son

4 3

the

WINDS AND STRINGS

path

° 4 bbœœ ™™ &4

sun - light

‰

the

ﬂoor

the

move - ment

∑

limbs

(oh)

∑

4 ∑ &4

w - xpan

4 & 4 bw ‹ - xpan

w -

- ded

bw -

? 4 bw 4 - xpan

∑

ded

∑ bw -

ded

The Son has a large collection of different toy wind instruments/whistles (a toy trumpet, a kazoo, a megaphone, bird whistles, slide whistle/police whistle) Speak text whilst rapidly alternating with the instruments/gradually becoming more frantic: 40

spoken simply (without instruments)

U ? Son

I accepted the experiment of life I submitted to the frenzy the scraping danger

I endured the urge to joy

Sy. 4624/01

5 4

Tree of Codes – Act IV 166

All musicians sing (breathy) ppp

° 5 & 4 #œ Ex

#œ pan

#œ -

#œ

ded

#œ

4 4 #œ

#˙

œ #œ ™

œ #œ

j œ

dreams

p 3

5 &4 œ Ex

œ #œ

j nœ

tongues

ppp

≈

œ pan

œ -

ded

tongues

ppp

4 4

≈ œ #œ nœ #œ nœ #œ nœ ™

j œ

dreams

j œ

œ J

p 3

5 & 4 bœ ‹

bœ

4 bœ 4

b˙

nœ bœ nœ bœ nœ bœ ™

≈

pan

ded

tongues

ppp

?5 œ

4 4

dreams

˙ ‰

≈

pan

ded

tongues

dreams

Shruti Box (either played by keyboardist or by 'Son') 44

? Ó Sh. Box {

Œ mp

poco mp

œ #œ nœ #œ #œ #œ J

? ∑

nœ

>œ # œ n œ # œ # œ n œ

#œ #˙ ™

Son 3

Some

thing

ë mf

(contoured air noise) p

° & œ ≈ ‚ ‚ ‚ ‚. ‚ ™ . . .

stirred

breathy roll

+ j

+ ææj

ha____________________________________

~™

‰

‚

‰

‚

‚ a

(inhale)

ha (exhale)

(inhale)

(exhale)

ë mf

(contoured air noise) 3

& œ ≈ ‚ ‚ ‚ ‚. ‚ ™ . . .

breathy roll

+ j

+ ææj

~™ >

‚

‰

‚

‚ a

(inhale)

ha____________________________________ pp

ha (exhale) mp (inhale)

ë mf

(exhale)

3 & œr ≈ ≈ ‰ ‹

‚™ ha (inhale) mp

‚™ B.

? œ ¢ R ≈ ≈ ‰

+ J

‚

‰

>™

‚

~™

‚ J

rr (exhale)

ha (exhale) pp

o +‚ J

>‚ ™ Ó

‰

+ æj ‚>æ rr

~™

ë mf o + ‚ >‚ J æJ

ha (inhale)

breathy roll

(exhale)

Sy. 4624/01

breathy roll

Tree of Codes – Act IV 167

? w

Sh. Box

{

? #œ

# -œ

#˙

#œ Œ

nœ J

#œ

# -œ

#œ ™

#œ J

# œ n -œ

œ #œ

Son 3

the

fee -

ling

purring pp

° &

∑

ææ ™

∑

ææ ™

∑

purring pp

∑

ææ ™

high inhaled breath

o mp

∑

+ ‰™

‚

& ‹

R high inhaled breath

o + mp

‚

~ ? ∑

∑

‰™

? w

Sh. Box

{

? #œ

#œ

# -œ

#œ ™

#œ

#˙

#œ

# -œ

#˙

# -œ

#œ ™

œ J

Son 3

per - ma - nence

life

trans - formed

purring

° Œ &

& Œ

& Ó ‹

ææ

ææ ™

‰

∑

ææ ™

‰

∑

purring

exhale mf

ææ

‚

‰™

∑

‰™

∑

exhale

‚

? Ó R

Sy. 4624/01

Tree of Codes – Act IV 168

? w

Sh. Box

{

bœ. ∑

‰

œ J

Adela

œ.

Come

take

œ 3 7

(ah)

œ J

Son in

>œ J

≈ 3

>j œ

œ R

hand

∑

a - ttempt

won

der mp

w S.

° &

∑

∑ Come mp

> w ∑

∑

Come

> bw ∑

∑

& ‹

Come

> w

? ∑

∑

¢ Come

U 56

? œ Sh. Box { R

‰™

7 4

∑

4 4

∑

o œ #œ nœ œ > œ œ b œ #œ nœ J & bœ ™ bœ 3

Adela

’ œ™

œ J

7 œ bœ bœ bœ 4

b-œ b-œ b-œ bœ bœ œ œ bœ bœ bœ bœ

4w 4

3 3 3 7

take

Dip

your

face

∑

Son

mf #>œ nœ J

œ ’ Œ

° ˙ &

un - der the

7 4

? ∑

in - to that dusk

∑

>˙ ™

lid

fﬁn

4 4

∑

poco

7 4

œ -œ -œ w

4 4

take

Di mf

o Œ

˙™

> b˙ ™

poco

7 4 b˙

bœ b-œ b-œ bw

4 bw 4

Di mf

b>˙ ™

b˙ ™ Œ

7 b˙ 4

& ‹

poco

bœ b-œ b-œ bw

4 bw 4

Di mp

poco

o >˙ ™ ? ˙™ Œ

œ -œ -œ w

7 4

4 4 3

Sy. 4624/01

Tree of Codes – Act IV 169

q = 66 60

Perc.

6 4

Play football clackers/ratchets, a vuvuzela horn

‹ Mutant bird triggers sounds on the iPad: 6 & motorbikes revving, magpies warbling, doors 4 slamming and squeaking in the wind,

Mu. Bird

the sound of running feet, children playing, a baby crying, the sound of orgasm

all players sing pp

mf 3

° &

6 4 #>œ

∑

#˙ >pen

#œ

#œ ™

#œ

#>œ

#œ

pp mf 3

6 4 >œ

∑ &

O pp

˙ >

#œ

nœ

#œ

nœ

nœ ™

#œ

pen

o mf

> b˙

6 b>œ 4

∑ & ‹

bœ

nœ

bœ

nœ

bœ

bœ ™

nœ

#œ

n>œ

#œ

nœ

> bœ

nœ

bœ

pen

pp mf

6 >œ 4

? ∑ B.

>˙

pen

Perc.

4 4

∑

4 4

∑

(iPad sounds)

Ó™

Soundtrack

f 3

Adela

4Ó 4

∑

‰ #œ O

4 4

∑

bœ

- pen

bœnen

bœ

nen

bœ-

nen - ne - nen

4 bœ 4-

bœ-

nen - ne - nen

bœ-

nen - ne - nen

f 3

& b˙ ™ >

bœ

- pen

bœnen

bœ

nen

bœ-

nen - ne - nen

4 4 bœ-

bœ-

bœ

b-œ

- pen

nen

b-œ

bœ-

nen - ne - nen

4 b-œ 4

nen

b-œ

bœ-

nen - ne - nen

b-œ

nen - ne - nen

b-œ

bœ

bœ-

bœ

bœ-

¢ 3

pen

nen

nen - ne - nen

4 bœ4

bœ-

nen - ne - nen

Sy. 4624/01

nen pp

b˙

nen pp

b˙

nen - ne - nen

nen pp

bœ-

b˙

? b>˙ ™

b-œ

b˙

> & b˙ ™ ‹

bœ-

eye

∑

° & b˙ ™ >

pen

∑

‹ &

Mu. Bird

#>œ ™

bœ-

nen - ne - nen

nen

lids

Tree of Codes – Act IV 170

q = 88

˙™

6 4 Ó™

Œ &

Adela

time

˙™

5 4œ

spring

dusk

mp leggierissimo 3

3 3

° &

‰ œj bœ - -

6 4‰

∑

j œ- bœ-

j bœ- œ-

j bœ- bœ-

‰

‰ œj -

5 4 bœ-

3 ‰ ‰ œj -

j œ- bœ-

j bœ- œ-

j bœ- bœ-

eye.

eye

mp leggierissimo 3

6 4‰

∑ &

‰ œj - bœ-

3 3 3 j œ œ œ- bœ bœ- œ- bœ bœ bœ œ- œ -

5 4 bœ-

j œ-

eye.

6 4

∑ & ‹

54 bœ

∑

b-œ

b˙

bœ

eye

b>œ b˙ J

? bœ ™ B.

6 4 bw> ™

‰

‰ œ

5 4

∑

pen

68 3

œ ˙ & œ™

Adela

-œ

˙ Ó

Œ œ >

j œ bœ

3 3

3 ° & bœ bœj œ- -

sions

and

j œ- bœ-

j bœ- bœ-

3 3 ‰ ‰ œj bœ j - - bœ- œ-

rrec - tions

3 3

j bœ- bœ-

j œ-

‰ ‰

eye

3 3 3 j œ- bœ bœ- œ- œ œ- bœ bœ bœ œ- œ -

& bœ -

- & bœ bœ ‹ 3

b-œ

b˙

j œ- bœ -

3 3 3 j œ- bœ bœ- œ- œ œ- bœ bœ bœ œ- œ -

b-œ b-œ

j bœ- bœ-

‰

‰ œj -

b-œ

b˙

eye

j œ-

bœ-

3 3 3 j œ- bœ bœ- œ- œ œ- bœ bœ bœ œ- œ -

b-œ b-œ

bœ

eye

j œ- bœ-

bœ- bœ-j œ-

eye

bœ

thou-sand

3 3

j œ- bœ-

b-œ

b˙

j œ-

bœ

eye

? ¢ b˙

-œ bœ. . . . bœ œ nœ b˙

w b˙ ™

b˙ ™

lids

time

(ah)

ime

bell-like ff

71 3

° & bœ -

lei

sco -

œ.

po - ssi

j bœ- bœ-

œ.

œ Œ

pic

j œ- bœ-

j bœ- œ-

& bœ -

3 3 ‰ ‰ œj bœ j - - bœ- œ-

3 3 3 j œ- bœ bœ- œ- œ œ- bœ bœ bœ œ- œ -

ties

with a

j œ- bœ-

j bœ- bœ-

3 3 ‰ ‰ œj bœ j - - bœ- œ-

eye

œ. œJ

œ & œ bœ œ bœ œ bœ œ œ œ bœ œ bœ > > > > >

Adela

j œ- bœ-

j bœ- bœ-

3 ‰ ‰ œj -

eye

j œ- bœ -

3 3 3 j œ- bœ bœ- œ- œ œ- bœ bœ bœ œ- œ -

eye

j œ- bœ -

3 3 3 j œ- bœ bœ- œ- œ œ- bœ bœ bœ œ- œ -

(eye)

& bœ ‹

b-œ

b˙

bœ

b-œ b-œ

b-œ

b˙

bœ

b-œ b-œ

eye

b-œ

b˙

bœ

eye

? b˙ ™

b˙

b˙ ™

b˙

¢ eye

Sy. 4624/01

b˙ ™

b˙

j œ-

Tree of Codes – Act IV 171

fast

slow 74

œ. œÆ & J

Adela

. œÆ ‰ ‰ œJ

œ. J

. œÆ ‰ ‰ ‰ œJ

œÆ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ ™ #œ 4 nœ Œ

4 3

with a

small quick

heart

beat f

mp 3

3 3

j œ- bœ-

j bœ- œ-

3 ‰ ‰ œj bœ j œ - - bœ- -

j bœ- bœ-

‰ ‰ œj -

j bœ- bœ-

4œ 4

eye

& bœ -

œ. œ. œ. œ. œ. œ. œ. œ œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

eye (yeh) f

3 3 3 j œ œ œ- bœ bœ- -œ bœ- bœ bœ- œ- œ -

j œ- bœ -

j œ- bœ-

3 3 3 j œ œ œ- bœ bœ- -œ bœ- bœ bœ- œ- œ -

4œ 4

eye

j œ-

3 3

° & bœ -

œ. œ. œ. œ. œ. œ. œ. œ œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

eye (yeh)

(eye)

b-œ

b˙

b-œ b-œ

bœ

b-œ

b˙

& bœ ‹

4 bœ 4

bœ

mp bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ.

3 3

eye

eye (yeh)

eye

b˙ ™

b˙

? b˙ ™ ¢

bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ.

4 bœ 4

b˙

eye

eye (yeh)

∑

3 4

∑

Adela

bœ bœ bœ bœ nœ J

? ‰

œ™

œ J

3 4

Son 3

- lids

pp 3

° & œ œ œ > time

& œ œ œ > lids

time

& ‹ -lids

time

œ mm

œ œ. œ. œ. œ. œ. œ. œ. œ- ™ œ. œ. œ. œ. œ. œ. œ. œ ma

bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ. b-œ ™ bœ. bœ. bœ. bœ. bœ. bœ. bœ. 3

bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ

bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ. b-œ ™ bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ

time

ma ma ma

bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ. b-œ ™ bœ. bœ. bœ. bœ. bœ. bœ. bœ.

3 4

¢ of

3 4

œ œ. œ. œ. œ. œ. œ. œ. œ- ™ œ. œ. œ. œ. œ. œ. œ.

B. -lids

3 4

bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ. b-œ ™ bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ

pp 3

ma ma ma

œ œ. œ. œ. œ. œ. œ. œ. œ™ - œ. œ. œ. œ. œ. œ. œ.

bœ bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ

mf ? b>œ bœ bœ

ma ma ma

œ œ. œ. œ. œ. œ. œ. œ. œ™ - œ. œ. œ. œ. œ. œ. œ. œ

œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

b>œ bœ bœ T.

ma ma ma

œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

saw

3 4

3 ∑ &4

Adela

5 4

∑

6 4

∑

> >

-œ

˙ œ J

4 3

° 3 &4

&4 ‹

the

side

nœ bœ J

ving

b>˙

bœ

6 4

spe

rate

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

∑

5 4

∑

6 4

j œ bœ nœ b-œ

∑

far

5 4

Son on

œ™

Sy. 4624/01

Tree of Codes – Act IV 172

5 4

∑ &4

Adela

?6 œ

œ #œ ‰ ‰ J

#œ

#œ #œ

Son

4 3

- ly

knock-ing

5 #œ 4

the

blind

# œ œ œJ œ

#œ

a - gainst

4 4

∑

lit - tle

world

∑

4 œ™J 4

≈ Œ

loos - ened

plank

° 6 &4

5 4

∑

4 4 >˙

∑

œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

time

ma ma ma

mp 3

5 4

∑ &4

4 4 >˙

∑

œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

time

ma ma ma

6 &4 ‹

5 4

∑

> ˙

4Ó 4

∑

time

mp b>˙

5 4

∑ B.

4Ó 4

∑

time

meno mosso (q = 72)

rit. 86

∑

Adela

mp mf

œ bœ ™

bœ J

bœ

shall

? ∑ Son

œ œ R ≈

˙ 3

ver

for

get

œ J 3

that

min

° & ˙™

j œ œ

mum

time

œ œ. œ. œ. œ œ

œ œ œ œ

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

pp 3

& ˙™

j œ œ

mum

time

œ œ. œ. œ. œ œ

œ œ œ œ

œ. œ. œ. œ. œ. œ. œ. œ. œ. ˙

& œ œ œ ˙ ‹ 3

ma ma

œ œ œ

˙™

œ. œ. œ. œ. œ. œ. œ. œ. œ. ˙

Œ 3 3

ma ma

? bœ bœ bœ b˙

bœ bœ bœ b˙ ™

bœ

b˙

bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ.

¢ 3

ma ma

time

Sy. 4624/01

Tree of Codes – Act IV 173

#œ

#œ J

& ‰

Adela

#œ

#>œ

#˙

n˙ ™ ∑

min

nous

jour

ney

magpie warbling with nose whistle

‹ &

Mu. Bird

(change from tenor chorus part)

∑

› &

∑

Œ™

œ # -œ

# -œ

#œ

n>œ

˙™

? ∑ Son 3

nous

jour

ney

bring out harmonics poco

° & ˙

˙™

œ-

mum

bring out harmonics poco 3

& w

œ-

-œ

mum

bring out harmonics Bass Clarinettist change from chorus to Mutant Bird

poco

˙™

& w ‹ mum

-œ

bring out harmonics poco

? bw

b˙ ™

bœ

b˙

bœ

b-œ

¢ 3

mum

∑

6 4

∑

Adela

4 4

∑

. ™ ææ

› &

Mu. Bird

trigger motorbike sounds

™ R ≈ R Œ

‰

J 3

ææ

ææj

™ ææ

6 4 ˙™ææ

Ó™

4 4

ff f

ê ff

(low chortling)

ë ? ∑

∑

Son

più

6 4

4 4

∑

sim. (harmonics)

° & ˙

œ œ-

œ-

œ- œ- œ-

˙™

più

œ œ- œ-

6 4 œ™

6 bœ ™ 4

‰

Ó™

4 4

Ó™

4 4

Ó™

4 4

Ó™

4 4

sim. (harmonics) 3

& ˙

œ œ-

œ-

œ -œ

-œ

œ- œ- œ-

˙™

più

-œ -œ -œ

˙™

œ œ- œmf

‰

sim. (harmonics)

& ˙ ‹

sim. (harmonics)

œ -œ -œ

‰

più

bœ bœ bœ

b˙ ™

bœ bœ bœ

? b˙

bœ bœ

bœ

¢ 3

Sy. 4624/01

‰

Tree of Codes – Act IV 174

a tempo (q = 66)

(tempo libero) low pedal tones

#>œ œ #M >œ

96 3

Ÿ~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~

Ÿ~~~~~~~~~ ææ œ µ œ œ œ #œ œ œ > 3

Tpt.

° 4 &4

‰

‰ j

‹

#œ

‰

≈ æ œæ

r µœ œ œ nœ œ

6 #œ 4

nœ

>œ nœ #œ nm 3

#œ

nm˙

n˙

#œ

low pedal tone 3

?4 ‰ Tbn.

æ ‹æ

‰

æ ‹æ

æ ‹æ™

6 4

‰

ææ ™ >‹

∑

ff (like motorbike revving) ff

p mf

4 &4

Adela

∑

>˙ ™

6 4 Ó™

∑

Eye

› 4 &4

Mu. Bird

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

6 4

∑

?4 Son

° 4 &4

&4 ‹

?4 B.

più mosso q = 72 99

4 4

∑

œ™ 6 Piccolo 4

∑

-œ

Piccolo 3

4 4

∑

6 4 œ™

∑

Tpt.

mp 3

° Ó™ ¢&

œ -œ ™

4œ 4

œ™

˙ œ

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ-

Picc. 2

‹ ¢&

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. -œ

Picc. 1

°‹ &

œ-

6 r 4œ

‰™

Ó™

6œ 4R

‰™

‰

˙™ &

Adela

>œ R ‰™

4 >œ 4

œ™

œ. J

-œ 3

lids

? ∑ Son

4 4

time

∑

6 4

pen

∑

mp 3

° &

∑

4 4

∑

6 4Œ

‰ bœ I

∑ &

4 4

∑

‰

bœ

‰

shall

bœ ne

b˙ -

ver

6 4 w™ I

∑ & ‹

4 4

∑

6 4 Ó™

>˙ Œ I

? ∑ B.

4 4

∑

6 4 Ó™

Œ b>˙ I

Sy. 4624/01

‰ ‰ ‰ œ 3

o -

Tree of Codes – Act IV 175

3 6:4

102

Picc. 1

°‹ ˙ &

µœBœ ≈ œbœ œµœ >-

4 Bœ 4

Picc. 2

bœ >

bœ bœ. bœ. bœ. bœ.

bœ.

4Ó 4

∑

° &

4 bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. 4 mf

Tpt.

‰ 3

‹ ¢& ˙™

˜>œ æ

˜˙ ™ Œ

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. mp

4 4

? ∑ Euph.

∑

j bœ

‰

b˙ ™

Adela

œ. & J Œ ŒŒ

˙™

4 4

Ó™

∑

pen

breathy, child-like pp

ppp mp 3

° j & bœ bœ ™ bœbœbœbœbœbœbœbœbœbœbœbœbœbœbœbœbœbœbœbœbœ bœ bœ bœ > > for - get

ppp

bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ -

mp 3

4 œœœœœœœœœœœœœœ‰ 4 >. . . . . . . . . . . . . .

‰

∑

‰

∑

(teh)

3 3 3 3 & œj œ™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > >

for - get

4Œ 4

(teh)

ppp

œ œ™ œ >œ œ œ œ œ >œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & J 3 3 3 ‹ for - get (teh)3

4 >œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. ‰ 4 3

pp ppp mp

3 3 3 3 ? j ¢ bœ bœ ™ bœb>œbœbœbœbœb>œbœbœbœbœbœbœbœbœbœbœbœbœbœbœ bœ bœ bœ

for - get

4 4

∑

j bœ

‰

(teh)

b˙ ™

for

105

Picc. 1

°‹ Ó &

> œµœ˜œ œ œ # œ ˜ œ µ œ µ>œ

> ˜œÆ B œ ˜œ. ˜œ. ‰ #œ ææ 7

#œ œbœ œ

∑

Picc. 2

‹ 3 3 3 3 b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ b œ. bœ. bœ. b˙ ™ & . . . . . . . . . . . . . . . . . . . . . ¢

b˙ ™

bœ

Tpt.

>j œ

3 3 3 3 ° & ¢ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. ˙™

b˙

b>˙ ææ

mf f

∑ Adela

∑

trr

3 3 ° b œ b œ b œ & . œ- . œ- . œ- bœ. œ- bœ. œ-

bœ. œ -

bœ. œ bœ. œ -

bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ bœ. œ - - - mf 3

∑ A.

œœœœœœœœœœœœœœœœœœœœœœœœ

teh

bœ ∑ T.

bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ bœ

& ‹

teh

? B.

¢ bw

b˙ ™

bœ

-get

get

Sy. 4624/01

j 3 bœ ‰

‰

Tree of Codes – Act IV 176

108

Picc. 1

°‹ &

Picc. 2

‹ 3 3 b œ b œ b œ b œ b œ b œ b œ b œ b œ b ¢& . . . . . . . . œ. bœ. bœ. Ó

∑

Tpt.

∑

bœ œ bœ œ bœ œ bœ œ bœ œ bœ œ bœ œ bœ œ > mp

∑

Ó ˙

° & bw

j bœ ‰

‰

Ó #˙

pp mp

? ∑

∑

Euph.

(tap hand holding the maraca)

Maraca

>. . . 3 . . . . . . 3 . . . œœœœœœœœœœœœ

Maracas

Ó /

Mrca.

∑

∑ mp

bœÆ & R

Adela

‰™

∑

mp > b ‰ æœ

œ æ

trre

sung sprechstimme mp mf

? ‰ Son

b‹ J

b‹

shall

b‹ b‹ b‹ b‹ J

b‹ b‹ J

b‹ b‹ b‹ b‹

ne - ver for - get

b‹

b‹ ‰ R

b>‹ >‹

the

the air

lu - mi - nous jour -

ney

bœ

b˙

‰

that

bœ

b>‹ >‹ R air

shi

mmered

ppp

3 3 ° & bœ. œ- bœ. œ- bœ. œ- bœ. œ-

bœ. œ bœ. œ bœ. œ bœ. œ bœ œ bœ - - >

œ bœ œ bœ œ bœ œ bœ œ bœ œ bœ œ bœ

œ bœ

œÓ

œ bœ

3 & œ. r ≈ ‰

bœ. & R ≈ ‰ 3 ‹

‰

∑

‰

∑

? ∑ B.

111

Picc. 1

3 3 3 3 °‹ b œ b œ b œ b œ b œ b œ b œ & œ œ œ œ œ œ œ bœ œ >

bœ ≈b>œ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. bœ. 4 bœ. b-œ bœ

> bœ œ bœ

6 4 b>œ œ bœ œ bœ œ bœ œ bœ œ

b>˙ ™

6 4

4 3

mf 3

Picc. 2

Tpt.

‹ ¢& w

6 4

° & #w

‰ Œ ˙

œ bœ bœ >

bœ-

4 b˙ 4

6 4#w™

4 4 #˙

∑

Mrca.

4 4

∑

6 4

∑

>. . .3 . . . . . .3 . . . . . . 3. . . . . .3 . . . >. . .3 . . . . . . 3. . . . . .3 . . . . . . 3. . . . . . 3. . . . . . 3 . . . >. . 3. . . . >. . . 3. . . >. . 3. . . . >. . . 3. . . 6 4 6 / œ œ œœ œ œ œ œœ œœ œ œ œœ œ œ œ œ œœ œœ œ 4 œ œœ œ œœ œ œ œœ œ œœ œ œ œ œ œœ œ œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ 4 œ œ œ œ œœ œ œœ œœ œ œ œ œœ œ œœ œœ œ œœ 4 m œ. œ. œ. µ -œ ˜ œ œ ‰

Adela

6 4

? ¢

6 4

Euph.

6 4

bœ & æ

nœ#œ#œ. Œ

6 4

b-œ bœ bœ J J

œ bœ nœ bœ nœ bœ nœ bœ bœ Œ 3

bœ

4 bœ 4

bœ bœ

b>œ b>œ bœ

with

secret

bœ

6 4

3 3

pul

ul - sa - ted

f mf

b >œ b >œ J

b >œ ?

bœ™ J

bœ J ≈ ‰

Son

bœ

6 4

trem

b - ling

the

b -œ b œ b œ J J

nœbœ nœbœ nœbœ nœbœ bœ

air

pul

Sy. 4624/01

bœ

4 bœ 4

bœ bœ

bœ

6 4 3

ul - sa - ted

b >œ b >œ b œ

with

secret

Tree of Codes – Act IV 177

q = 66 M r œ bœ ‰ ™

114

Picc. 1

°‹6 & 4 bœ

bœ

˜>˙ ™

œ #œ nœ #œ nœ œ

≈ nœr nœ œ œ ™ .

bœ

˜>˙ ™

Picc. 2

M r œ bœ ‰ ™

‹ 6 ¢ & 4 bœ

bœ

˜>˙ œ #œ nœ

≈ nœr nœ œ œ ™ .

bœ

>. >. >. > ˜ œ ≈ œ nœ ˜œ ˜œJ

3 3

#œ œ œ-

˜>˙ ™

ff 3 3

‰™ r œ

bœ bœ n œ

≈ œR #œ œ #œ œ œ-

≈ nœr œ

œ bœ nœ

n>˙ ™

#>˙ ™

Tpt.

° 6 & 4 bœ

#>˙ ™ ?6

Ó™

∑ Tbn.

4 ?6

Ó™

∑ Euph.

>˙™ ff

sfz 3

æ œæ

6 4

Mrca.

Adela

6 bœ &4

‰

Ó™ ∑

bœ bœ

M œ >

ff 3

˜>˙ ™

œ #œ nœ #œ nœ œ

≈ œr nœ œ œ ™ .

bœ

Ó™

3 3

spring

bœ

bœ bœ

M >œ

œ #œ nœ #œ nœ œ

nœ œ™ œ ≈ œR.

bœ

?6 Son

œ bœ

#>˙ ™

Ó™

3 3

spring

>j œ

116

Picc. 1

™ ° ‹ ˜œ &

>j œ

˜œ ™ #œ

˜œ J

‰

Ó™

4 4

µ˙

mf mf

Picc. 2

‹ ˜˙ ™ ¢&

˜˙ ™

˜œ ™

˜œ J

nœ

œ J

> µ˙

æ œ™æ

4 4

#˙

Tpt.

° & w

bœ ˙

bœ

bœ nœ

bœ

j œ

4 4

#œ

mf 3

? #w

#˙

4 4

Tbn. mf

4 4

? Euph.

mf mp

ff f

˜>œ Adela

& Ó™

œ Bœ

Bœ

-œ

Œ 3

touch

j bœ >

bœ

the

sweet

4 4

the

tree

Sy. 4624/01

roots

taste

Tree of Codes – Act IV 178

118

Picc. 1

° ‹ 4 #˙ &4

#œ #œ. #œ. #œ. #œ. #œ. Œ

∑

6 4

∑

6 4

∑

Picc. 2

‹ 4 & ¢ 4 µ˙

> µœ µœ µœ nœ œ Bœ Bœ. B-œ R

≈

3 3

Tpt.

° 4 & 4 #˙ ™

6 4 #œ ™

j #œ #˙

µ œ-

n˙ ™

‰

ppp

o + œ J

6 œ™ 4

?4 Tbn.

Ó™

bœ J 3

ppp

?4 Ó

6 4 œ™

Euph.

‰

Ó™

ppp

4 & 4 ˙™

Adela

6 4

∑

ness

sung murmuring/sprech. mp

6‹ 4

?4 ∑

∑

Son

‹ J

‹

did

œ. œ. -œ

-‹

‹

œ. œ. œ. œ

bœ J

‰

why

‹

‹™

you not

tell

the

last

121

∑

Picc. 1

°‹ &

4 4

∑

Picc. 2

‹ ¢&

4 4

° &

∑

Tpt.

4 4

+ b œ ?

b˙+

bœ

b˙

4 4

Tbn. 3

4 4

? ∑

∑

Euph.

mf 3

∑ Adela

j œ

tell

œ me

œ >

tell

4 4

Œ sprech. sotto voce ( mf )

? bœJ

bœ

bœ bœ bœ ™

b˙

b‹ Ó™

b‹

4 4

≈

Son se

cret

the

tree

codes

no - thing

rea - ches

de - ﬁ -

(harmonics) pp

° &

∑

˙™ >

˙™

o⟶a⟶o

4 4

(harmonics) pp

∑ A.

¢&

˙™ >

˙™

o⟶a⟶o

Sy. 4624/01

4 4

Tree of Codes – Act IV 179

o + °? 4 b˙ ¢ 4 123

Tbn.

b˙

b-œ

b˙ ™

bœ

(like bell-bird) f

>œo bœ bœ. bœ. bœ. bœ. bœ. J

4 Adela

& 4 b˙

‰

>œo J

‰

∑

the

sung

? 4 bœ ™ bœ bœ bœ bœJ ™

b‹ b‹ b‹ b‹ b‹ b‹ b‹ b‹ b‹ ≈

sprech.

b‹ bœ ™

b‹ b‹ b‹ b‹ ™

bœ

≈

b‹ b‹ ™

b‹ b‹ b‹ b‹ b‹

≈

Son

4 nite

con - clu - sion

re - al - i - ty

on - ly

as thin

per

be - hind the screen saw dust

an emp - ty

harmonics pp

(pp) 3

° 4 &4 ˙

œ œ œ œ œ œ œ œ œ

⟶

œ ⟶

aea

o ⟶ -a ⟶ o

harmonics pp

(pp) 3

4 A.

¢& 4 ˙

œ œ œ œ œ œ œ œ œ

⟶

œ ⟶

o ⟶ -a ⟶ o

aea

o + 126 3

Tbn.

Adela

°? bw ¢

bw b˙

& Ó

>œo J

‰

b˙

bœ

bœ œ

M #œ

nœ

#œ

nœ ™

Œ there

feel

the

ssi

ties

sung mf

bœ ™

? bœJ

b˙

bœ

nœ œ

m œ

œ œ

œ™ Œ

Son thea

tre

there

feel

the

ssi

ties

ord. mp

pp 3

° & ˙

œ bœ

˙™

-œ

feel

the

˙™

œ-

feel

the

there

ord. mp

& w

o there

pp mp

& Ó ‹

b˙

b-œ

b˙ ™

o⟶

pp mp

? ¢ Ó

b˙

o⟶

Sy. 4624/01

Tree of Codes – Act IV 180

o + 129

Tbn.

°? r ≈ 3 bœ ¢ bœ

æ bœæ™

bœ ™

b˙ ™

o ff

oÆ œ & R

Adela

‰™

>œ ™

Bœ ≈ J

‰

breathy

œ Mœ

bœ bœ

nœ bœ ™

bœ

‹

sha

ken

the near - ness

>œ™

œ ? R

‰™

œ Mœ

bœ bœ

breathy

nœ bœ ™

bœ

‹

∑

Son sha

° ˙™ & po

œ -

& ˙™

ssi

œ -

ssi

œ R

ken

‰™

∑

r œ ‰™

∑

the near - ness

bi - li - ties

(harmonics)

‰™

& b˙ ‹

bœ bœ bœ bœ bœ R o - a

bœ ™

bœ bœ bœ ™

o - a - e

o - a

bœ ™

bœ bœ bœ ™

o - a

bœ ™

bœ bœ bœ ™

o-a-e

o - a

bœ ™

bœ bœ bœ ™

o - a

o-a-e

(harmonics)

? bœj

j bœ

bœ ™

j bœ

bœ ™

j bœ

bœ ™

j bœ

bœ ™

j bœ

bœ ™

¢ o

⟶

o ⟶ a

⟶

o ⟶ a

o ⟶

132 sung

Adela

œÆ J

sotto voce

j & œ™

≈ Œ

œ œ

j œ™

≈ Œ

Œ™

≈ bœ bœ bœ bœ

≈ Ó 3

tell me

tell

the last

se - cret

mp > bœ œ

sung sprech.

? œ™

‹

‹ ‹

‹

‹ J

Son of

° &

& bœ ™ ‹

real - i - za -

bœ bœ bœ ™ o - a

? j ¢ bœ bœ ™ o ⟶ a

‰

∑ I

∑

bœ bœ bœ ™

o - a

bœ ™

bœ bœ bœ ™

o-a-e

o - a

j bœ bœ ™

o ⟶ a

bœ ™ -

bœ bœ bœ ™

j bœ o ⟶

Sy. 4624/01

bœ

‰

tion

bœ ™ -

mf > nœ œ œ œ bœ ™

> bœ œJ

o - a

bœ ™ a

bœ ™

bœ bœ bœ ™

o-a-e

o - a

j bœ o ⟶

bœ ™ a

wan

bœ ™ -

o ⟶

ted

bœ bœ bœ ™

j bœ

o - a

bœ ™ a

o-a-e

Tree of Codes – Act IV 181

œÆ R

135

& ‰

Adela

≈

∑

œ ? bœ

bœ

nœ

œ J

≈

œ R

œ bœ

b˙

bœ J

‰

∑

Son a

° &

& bœ ™ ‹

bœ bœ bœ ™ o - a

? j ¢ bœ

night

end

∑

bœ bœ bœ ™

o ⟶ a

would not

∑

o - a

j bœ

bœ ™

that

∑

bœ ™ -

night

bœ ™

o-a-e

o - a

j bœ

bœ ™

o ⟶

bœ bœ bœ ™

bœ ™ -

o - a

j bœ

bœ ™

o ⟶

bœ bœ bœ ™

bœ ™

bœ bœ bœ ™

o-a-e

o - a

j bœ

bœ ™

o ⟶ a

bœ ™ -

bœ bœ bœ ™

o - a

j bœ

bœ ™

o ⟶ a

o-a-e

bœ ™

o ⟶ a

138

∑

Adela

? Son

° &

& bœ ™ ‹

al niente

bœ bœ bœ ™ o - a

bœ ™ -

bœ bœ bœ ™

o - a

bœ ™

bœ bœ bœ ™

o-a-e

o - a

bœ ™ -

bœ bœ bœ ™

o - a

bœ ™

bœ bœ bœ ™

o-a-e

o - a

bœ ™ -

bœ bœ bœ ™

o - a

o-a-e

al niente

? bœj

bœ ™

j bœ

bœ ™

j bœ

bœ ™

j bœ

bœ ™

j bœ

bœ ™

¢ o ⟶

o ⟶

Sy. 4624/01

o ⟶