Spring 2023
ANTHOLOGY EDITIONS
Frontlist
Skydance Faith Hubley, Illustrated byElizabeth Swados
We are the creatures of the sky
We jump
We whirl
O dancing
We are dancing
Belly floating
Sky swimming
Crackle crackle zing hello
The sky creatures reach out and invite a child to join them in a swirling, joyous, celestial celebration. A tribute to life on other planets is brought to life in Faith Hubley’s fullcolor illustrations and Elizabeth Swados’s evocative sounds and rhythm. Anthology is honored to publish Skydance, adapted from Faith Hubley’s now-classic animated film and reprinted for the first time since its release in 1981.
SKYDANCE
FAITH HUBLEY, ILLUSTRATED BY ELIZABETH SWADOS ISBN: 9781944860486 ON SALE: MARCH 2023 $19.99 / £16.99 / 18.99€
HARDCOVER 9” X 7” | 32 PAGES
ABOUT THE AUTHOR: Faith Hubley (1924–2001) was a painter and filmmaker, renowned for her experimental animation and independent sensibility in children’s entertainment. After leaving a Hollywood career behind in the mid-1950s, she and her husband, John Hubley, devoted themselves to a groundbreaking practice of freely expressionistic filmmaking. In addition to more than fifty iconic films, Hubley created five books for children, several in collaboration with Elizabeth Swados.
Blacklips: Her Life and Her Many, Many Deaths ANOHNI and Marti Wilkerson
From June 1992 to March 1995, in the midst of the AIDS crisis in NYC, an extraordinary theatrical collective emerged from the queer underground. Blacklips Performance Cult, initiated by ANOHNI and joined by a cabal of fellow artists, drag queens, punks, nightlife veterans and students, performed a new play every Monday night at 1:00 a.m. at the Pyramid Club on 101 Avenue A. Blacklips never courted mainstream attention. However, the group left a sustaining impression within New York’s late night subculture by melding hysterical drag, surreal horror, and disconcerting tenderness.
In Blacklips: Her Life and Her Many, Many Deaths, ANOHNI and coeditor Marti Wilkerson lay bare the collective’s archives in photographs, scripts, and the assembled ephemera from more than one hundred and twenty original “plays.” Featuring images from newly digitized film and video recordings, texts from participants and audience members, and an introduction by Lia Gangitano, this expansive collection introduces to the twenty-first century the short-lived and ruthlessly creative phenomenon that was Blacklips.
BLACKLIPS: HER LIFE AND HER MANY, MANY DEATHS
ANOHNI AND MARTI WILKERSON ISBN: 9781944860530
ON SALE: MARCH 2023 $75.00 / £70.00 / 70.00€
HARDCOVER | *PENDING SPECS
Empire Roller Disco Patrick D. Pagnano
Brooklyn’s Empire Rollerdrome opened its doors in 1941 and soon became the borough’s premier destination for recreational and competitive roller skating. But it wasn’t until the late 1970s that the celebrated rink reached iconic status by replacing its organist with a live DJ, installing a state of the art sound and light system, and renaming itself after the nationwide dance craze it had helped to originate: the Empire Roller Disco was born. In 1980, the acclaimed street photographer Patrick D. Pagnano went on assignment to document the Empire and its legendary cast of partygoers. The resulting photographs, gathered in Empire Roller Disco for the first time, capture the vibrant spirits, extraordinary styles, and sheer joys of Brooklyn roller disco at its dizzying peak.
EMPIRE ROLLER DISCO PATRICK D. PAGNANO
BY MISS ROSEN ISBN: 9781944860448
SALE: APRIL 2023 $32.00 USD / £28.00 / 32.00€
10.75”
ABOUT THE AUTHOR: Called “one of the most versatile and adaptive street photographers in the genre’s history,” Patrick D. Pagnano moved to New York City from Chicago in 1974 and immersed himself in an art practice that would grow to include street work, portraiture, and documentary photography. His work is in the permanent collections of the Museum of Modern Art, the Brooklyn Museum, the Art Institute of Chicago, and numerous other institutions. He passed away in 2018.
Miss Rosen is a writer and editor based in Brooklyn. Since launching her journalistic career as an art and nightclub critic for the Village Voice in 1997, she has gone on to publish work in magazines such as L’Uomo Vogue, Bust, Juxtapoz, and Paper as well as on websites including AnOther, Aperture, Dazed, Huck, and Vogue. She served as editor and creative director for powerHouse Magazine, and was Marketing Director for powerHouse Books from 2000–2009. Rosen has contributed to numerous books and publications on photography and the arts, and has lectured at Columbia University, the International Center of Photography, and the School of Visual Arts.
LSD Worldpeace Joe Roberts
The paintings, drawings, and mixed-media works of Joe Roberts are transportive in the cosmic sense. Through their intuitive blend of styles and subjects, they serve as portals into a welcomingly hallucinatory world: a place where gleeful mashups of childhood signifiers (comic book detritus, cartoon mascots) exist cozily alongside countercultural reference points (ouija boards, sci-fi paperbacks, UFOs) and earnest flashes of the personal (diaristic sketches, confessional trip reports). Reissued for the first time since 2015, LSD Worldpeace documents the extraordinary creativity and scrappy methods of Roberts’s early career, replete with collages, action figures, and dioramas, in addition to the paintings for which he’s become so celebrated. With introductory texts by Myla DalBesio and Matthew Ronay, LSD Worldpeace is the product of a wildly imaginative artist moving freely between modes, guided by a boundless vision.
LSD WORLDPEACE
JOE ROBERTS ISBN: 9781944860547 ON SALE: MAY 2023 $40.00 / £38.00 / 40.00€ HARDCOVER 9.5” X 12” | 160 PAGES
ABOUT THE AUTHOR: Joe Roberts is an artist and illustrator. Born in Madison, Wisconsin, he later studied at the San Francisco Art Institute. Known for his work with found objects, Roberts creates mixed media pieces, collages, and paintings that create an ever-changing surreal world. His much sought-after work has been shown in notable galleries including Slow Culture in Los Angeles and Marlborough Gallery in New York. He’s published three books to date, and currently lives and works in San Francisco.
Recently Published
Obstreperous Ted Greenwood
Almost every child has at some time made a kite. But few have ever made a kite with so much a mind of its own as Obstreperous. Though it was made in the normal way, with sticks and string and paper and rags, it did not fly in anything like a normal way. At first it didn’t fly at all because there was no wind. And then when the winds came, it dipped and bounced and created all sorts of problems for its maker. In the end, too, it had its way and left some people happy and some a little sad.
An international treasure from the Australian countryside, 1969’s Obstreperous is one of author and illustrator Ted Greenwood’s best-loved children’s books. Anthology is pleased to bring it back into print for the first time in generations.
OBSTREPEROUS TED GREENWOOD ISBN: 9781944860479 $19.99 USD / £16.99 / 18.99€
HARDCOVER 7.5” X 11” | 48 PAGES AGES 4-8
ABOUT THE AUTHOR: Edward Alister (Ted) Greenwood (1930–1999) was born in Kew, Victoria, Australia. After years spent as a teacher, he began work as an author and illustrator of children’s books, eventually contributing to more than twenty classics of the genre, of which Obstreperous was the first.
After All Is Said and Done: Taping the Grateful Dead, 1965-1995 Mark A. Rodriguez
If any one musical act of the rock and roll era can be said to have transcended the simple categorization of “band,” the Grateful Dead is it: by the time they stopped performing in 1995, the Dead had become an international institution with a vast backing organization, a massive and devoted fanbase, and archival recordings both official and bootlegged. The cultural significance of these bootlegs—live concert cassettes which solidified the Dead’s legendary status even as they occupied a legal gray area for decades—is utterly unique in the annals of music, and the story of their creation, trading, and endless proliferation is a people’s history unto itself. Featuring dozens of interviews with tape enthusiasts and members of the Grateful Dead organization as well as the show stopping visuals from hundreds of archival cassette covers, After All Is Said and Done is artist Mark A. Rodriguez’s exploration of that history, a saga of homegrown psychedelia, anarchic graphic styles, and black market fandom as written in magnetic tape.
AFTER ALL IS SAID AND DONE: TAPING THE GRATEFUL DEAD, 1965-1995 MARK A. RODRIGUEZ ISBN: 9781944860509 $50.00 / £40.00 / 45.00€ HARDCOVER 10” X 10.75” | 320 PAGES
ABOUT THE AUTHOR: Mark A. Rodriguez is an artist who divides his time between Los Angeles and New Mexico. He has drawn from and expanded on his experiences as a collector to develop a sculptural practice that explores themes of cultural ownership, folk art, and technological obsolescence. Since getting his start collecting Grateful Dead cassettes in the mid-90s, more than 27,000 tapes have passed through his hands.
Try to Tell a Fish About Water Norma Tanega
In addition to her accomplishments as a gifted musician and songwriter, Norma Tanega was a noted gallerist, teacher, and a central figure in the vibrant and homegrown creative scene of Claremont, California. She was also a visual artist of astonishing originality. In Try to Tell a Fish About Water, the bold colors and gestural immediacy of Tanega’s paintings are presented for the first time alongside unseen photos, illustrations, journal entries, and other ephemera. Featuring reflections and remembrances from Norma’s friends and collaborators collaged alongside the visual roadmap, Try to Tell a Fish About Water is a thoughtful exploration of Tanega’s art career and a testament to a life spent immersed in creativity.
ABOUT THE AUTHOR: Norma Tanega was a musician, singer, songwriter, and painter who reached worldwide recognition after the release of her 1966 hit single, “Walkin’ My Cat Named Dog.” In addition to her solo career, she was a songwriter for Dusty Springfield, and performed with a number of groups well into the 2000s. A painter throughout her life, Tanega first began exhibiting her work at the age of sixteen, and received her MFA from Claremont Graduate University in 1962, with her later work often supported by the Claremont Museum of Art. She passed away in December 2019 at the age of eighty.
Backlist
Brian Blomerth’s Mycelium Wassonii Brian Blomerth
Brian Blomerth first fused his singularly irreverent underground comix style with heavilyresearched history in 2019’s Brian Blomerth’s Bicycle Day, a Technicolor retelling of the discovery of LSD. Now, the illustrator and graphic novelist continues his wild and woolly excursions into the history of mind expansion with Mycelium Wassonii, an account of the lives and trips of R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms in the United States. The Wassons’ journeys took them from Russian folk wisdom to midcentury Manhattan, from the indigenous traditions of the Mazatec people of Mexico to the mysteries of ancient Rome. A globetrotting vision of science and mysticism with appearances by J.P. Morgan, Robert Graves, Life, and the CIA, Mycelium Wassonii is a visual biography and a tragic love story as only Blomerth’s Isograph pen can render it.
Brian Blomerth’s Bicycle Day Brian Blomerth
Illustrator, musician and self-described “comic stripper” Brian Blomerth has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Combining an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style, Brian Blomerth’s Bicycle Day is a testament to mind expansion and a stunningly original visual history.
BRIAN BLOMERTH’S BICYCLE DAY
BLOMERTH
BY DENNIS
Some Collages Jim Jarmusch
Although Jim Jarmusch is best known for his storied career in independent cinema, over the years he has produced hundreds of pieces of collage art, the majority of which has been rarely seen by the public. Drawing inspiration from the largest medium of cultural documentation—newspapers—Jarmusch delicately crafts each work by layering newsprints on cardstock. Doppelgänger Andy Warhols are posed in a vast tunnel not unlike the depths of the Large Hadron Collider, Patty Hearst’s mugshots drift across Edwardian portraits, and a man’s identity is disguised with a coyote’s head: maybe he was a celebrity, politician, perp, or all three. In Some Collages, these smallscale (notecard-size) pieces are a reminder of how even the most mundane stock photography can be hijacked to create work that is scary-funny.
Eye to Eye: Portraits of Lesbians JEB
In 1979, JEB self-published her first book, Eye to Eye: Portraits of Lesbians. Revolutionary at that time, JEB made photographs of lesbians from different ages and backgrounds in their everyday lives—working, playing, raising families, and striving to remake their worlds. The photographs were accompanied by writings from acclaimed authors including Audre Lorde, Adrienne Rich, Joan Nestle, and others. Various women pictured in the book also shared their personal stories. Eye to Eye signaled a radical new way of seeing—moving lesbian lives from the margins to the center, and reversing a history of invisibility. More than just a book, it was an affirmation of the existence of lesbians that helped to propel a political movement. Reprinted for the first time in forty years, Eye to Eye is a faithful reproduction of a work that still resonates today. This edition features additional essays from artist and writer Tee Corinne, former World Cup soccer player Lori Lindsey, and photographer Lola Flash.
Transcendent Waves Lavender Suarez
How can thoughtfully and intentionally listening to our world inspire our creative practices? What insights can we gain when we delve into the immersive world of sound, which permeates our every moment? In Transcendent Waves, sound healing practitioner, meditation teacher, and artist Lavender Suarez outlines how listening can unlock moments of creative spark, self-awareness, and mindfulness in a work that is equal parts how-to guide and contemplative artist’s workbook. Suarez’s illustrated meditations combine the open-ended freedom of Yoko Ono’s Grapefruit with the profound psychological insights of Oliver Sacks to offer a modern take on the impact of listening in a world that gets louder every day. Featuring an introduction by Bibbe Hansen—artist, Warhol star, and daughter of Fluxus cofounder Al Hansen— Transcendent Waves compiles scientific evidence, anecdotes, and thoughtful prompts for readers to manifest a sense of wonderment and appreciation for the intricacies of listening and the new perspectives it can bring to our daily creative worlds.
TRANSCENDENT WAVES:
LISTENING SHAPES OUR
LIVES
SUAREZ
PAPERBACK
William Softkey and the Purple Spider
Buried deep under sand sits a library the size of a small city, owned by the eerily powerful Mr. Wish and protected by roving bands of toughs and lethal sentient vehicles. When a small but heavy interdimensional spider demands access to the vault, poor William Softkey, with assistance from the gravity-experimenter Gigglewindow sisters, is hired to deal with the problem. Rendered in the artist’s trademark stark linework— against a backdrop of paranoid techno-fantasy, strange emblematic beings, and woozy halftone patterns—William Softkey and the Purple Spider is acclaimed cartoonist CF’s second dreamy narrative published under the Anthology Editions banner.
Under the Banner of Concern Tim Presley
Under the Banner of Concern is a compilation of drawings and poetry from acclaimed artist and musician Tim Presley. Featuring art from Under the Banner of Concern, Presley’s 2019 exhibition in Chicago and Los Angeles, the black ink drawings merge abstracted and expressionistic brush and line work, the latter of which breaks down figures into simple forms. Characterized by Presley’s “every figure” symbology in their emptied out flat bodies and hollowed eye sockets, these figures are represented as both sexualized and mask-like. In addition to his exhibited drawings, the book will also feature previously unreleased artwork, as well as new poetry from Presley. Under the Banner of Concern is a psychedelic visual experience that is a place for introspection rather than pure image-making.
13th Floor Elevators: A Visual History Paul Drummond
Born out of a union of club bands on the burgeoning Austin bohemian scene and a pronounced taste for hallucinogens, the 13th Floor Elevators were formed in late 1965 when lyricist Tommy Hall asked a local singer named Roky Erickson to join up with his new rock outfit. Four years, three official albums, and countless acid trips later, it was over: the Elevators’ pioneering first run ended in a dizzying jumble of professional mismanagement, internal arguments, drug busts, and forced psychiatric imprisonments. In their short existence, however, the group succeeded in blowing the lid off the budding musical underground, logging early salvos in the countercultural struggle against state authorities, and turning their deeply hallucinatory take on jug-band garage rock into a new American institution called psychedelic music. Writer Paul Drummond has gathered an unprecedented catalog of primary materials—including scores of previously-unseen band photographs, rare and iconic artwork of the era, items from family scrapbooks and personal diaries, new and archival interviews, dozens of contemporaneous press accounts, and no shortage of Austin Police Department records—to tell the complete and unvarnished story of a band which, until now, has been tragically under-documented. Before the hippies, before the punks, there were the 13th Floor Elevators: an unlikely crew of outcast weirdo geniuses who changed culture.
13TH FLOOR ELEVATORS: A VISUAL HISTORY
PAUL DRUMMOND
EDITED BY JOHAN KUGELBERG AND MARK IOSIFESCU, FOREWORD BY JON SAVAGE
ISBN: 9781944860110 $45.00 / £35.00 / 40.00€
TRADE PAPERBACK WITH JACKET 8.5” X 11” | 300 PAGES
Death Magick Abundance Akasha Rabut
More than any party, parade, team, or disaster, New Orleans is the people. The ones who persevere, survive, strengthen, and transform the city in all its unceasing vibrancy. For nearly a decade, photographer Akasha Rabut has documented this thriving culture. In Death Magick Abundance, her first book, she reveals the city’s spirit through the pink smoke of the Caramel Curves, the first all-female black motorcycle club; alongside the Southern Riderz, urban cowboys on horseback in the streets; and many others who represent the next generation of New Orleans. Seeking to interpret and preserve a sacred cultural heritage while redefining itself against a constantly shifting landscape, Death Magick Abundance is a conduit for the love and unending beauty of New Orleans and its people to flow to the rest of the world.
DEATH MAGICK ABUNDANCE AKASHA RABUT CONTRIBUTIONS BY SAM FEATHER AND ANNE GISLESON ISBN: 9781944860271 $40.00 / £35.00 / 38.00€ HARDCOVER 10.5” X 10 | 216 PAGES
Coincidences Jonathan Higbee
Photographer Jonathan Higbee spent years painstakingly documenting fleeting juxtapositions on the streets of New York. These intersections of passers-by, street signs, billboards, and more take on new meaning and life through the lens of Higbee’s camera: as a dancer on a stage of trash, graffiti unfurling from a backpack, to even a giant casually walking the streets of the city. Each photograph captures the wit, joy, and surrealism of everyday life in a sometimes chaotic world. Featuring new photographs, as well as seminal photos from his initial series, Coincidences is Higbee’s self-professed love letter to New York and its moments of serendipity.
COINCIDENCES:
YORK BY CHANCE
HIGBEE
California Trip Dennis Stock
1968, photographer Dennis Stock took a five-week road trip along the California highways, documenting the height of the counterculture hippie scene. These black and white photos were compiled to create California Trip, originally published in 1970, and became an emblem of the free love movement that continued to inspire throughout the decades. In print for the first time since its 1970 publication, California Trip is a faithful reproduction of Stock’s timeless work.
We Ate the Acid Joe Roberts
Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Through paintings, drawings and mixedmedia works, Roberts navigates a world of cosmic imagery, pop cultural detritus, and shifting geometric forms, bringing to life both the creeping unease and the uncanny humor of the psychedelic experience. Collecting over 100 new and recent works along with an introduction by Hamilton Morris (Hamilton’s Pharmacopeia), We Ate the Acid is the latest product of Roberts’ visionary journeys and a testament to his expansive, singular imagination.
Jane Dickson in Times Square Jane Dickson
Artist Jane Dickson is a deep-rooted and central voice in New York City’s complex creative history. In the late 1970s and early ’80s, she was part of the movement joining the legacies of downtown art, punk rock, and hip hop through her involvement with the Colab art collective, the Fashion Moda gallery, and legendary exhibitions including the Real Estate Show and Times Square Show. Featuring a foreword by Chris Kraus, Jane Dickson in Times Square is a time machine back to a New York City that was truly wild: lawless, manic, sometimes squalid, sometimes magnificent.
PRIMER Matthew Craven
Utilizing found images from textbooks along with his own geometric patterns, Matthew Craven’s collages and illustrations seek to create a new handmade universe, juxta posing imagery from different cultures and time periods to celebrate commonalities. Photographs of archaeological remains and the natural world are overlaid on colorful textiles drawn on the back of vintage movie posters, to create a hypnotic and mesmer izing vernacular of symbols and designs. Featuring an introduction by LACMA curator Leslie Jones, PRIMER is the first publication of Craven’s art and a reconfiguration of traditional historical narratives inspired by obsessive formations.
PRIMER MATTHEW CRAVEN
BY LESLIE
Unusual Sounds David Hollander
Unusual Sounds is a deep dive into a musical universe that has, until now, been acces sible only to producers and record collectors: a celebration of the strange universe of library music and an examination of its unique place at the nexus of art and commerce. Featuring original art by Robert Beatty and an introduction by George A. Romero— whose use of library music in Night of the Living Dead changed film history—Unusual Sounds is mandatory reading for anyone interested in this enigmatic field and its hid den but pervasive cultural influence.
Do Angels Need Haircuts? Lou Reed
Do Angels Need Haircuts? is an extraordinary snapshot of a turning point in Lou Reed’s career. This book, the first to be produced by the Lou Reed Archive, gathers poems, photographs from the era—by Mick Rock, Moe Tucker, and others— as well as images from rare poetry zines. Featuring a new foreword by Anne Waldman, archival notes by Don Fleming, and an afterword by Laurie Anderson, Do Angels Need Haircuts? provides a window to a little-known chapter in the life of one of the most singular and uncompromising voices in American popular culture.
NEED HAIRCUTS?
REED FOREWORD BY ANNE WALDMAN
BY LAURIE
Altered States Julio Santo Domingo
Julio Mario Santo Domingo (1957-2009) was a collector and visionary who filled his homes and warehouses with the world’s greatest private collection related to the subjects of drugs, sex, magic, and rock and roll. A library of more than 50,000 items, it contained everything from rare manuscripts and photos to posters, bottles, letters, opium pipes, and pinball machines. Exploring the innumerable influences of mind-enhancing drugs on art, science, and politics over the centuries, Santo Domingo’s collection contained work by diverse figures including Andy Warhol, Timothy Leary, Sigmund Freud, the Marquis de Sade, Charles Baudelaire, Allen Ginsberg, the Rolling Stones, Aleister Crowley, and many more. This extraordinary collection is vividly documented in Altered States: The Library of Julio Santo Domingo.
A Dance with Fred Astaire Jonas Mekas
A Dance with Fred Astaire is an extraordinary collection of anecdotes and rare ephemera featuring a dizzying cast of cultural icons both underground and mainstream, both obscure and celebrated. Memories and diary entries, conversations and insights into Mekas’s work sit alongside collages of beautifully reproduced postcards, newspaper cuttings, film negatives, lists, posters and photographs, envelopes and letters, book covers, telegrams, cartoons, and doodles. Mekas has kept and archived the artifacts of his life as a cultural touchstone down to the minutiae, all of which is brought together here in the form of a unique and fascinating scrapbook of a life lived with the highest artistic commitment. Guided by the author’s distinctive prose and suffused with warmth, A Dance with Fred Astaire is rhapsodic, poetic, and funny as all get out. A revealing visual autobiography of a genuine culture hero.
Imaginary Concerts: Vol. 1 and Vol. 2
Peter Coffin
Artist Peter Coffin began his work with the iconic designs of LA’s Colby Poster Printing Company in 2008. Over the years, he solicited friends to contribute their dream concerts—invented lineups for impossible gigs—and combined them with the print shop’s famously eye-popping poster backgrounds, resulting in Imaginary Concerts: a stirring two-volume celebration of music’s vast conceptual universe. Featuring 160 concert lineups from a roster of artists, authors and daydreamers including Yoko Ono, Larry Clark, Quasimoto, Genesis P-Orridge and dozens of others, Imaginary Concerts: Volumes One and Two transport the reader into an uncannily evocative, nostalgia-tinged and personally revealing realm of musical what-ifs.
PARTON
Feel the Music Paul Major
Paul Major has lived resolutely on the vanguard of musical culture for nearly a halfcentury; as a pioneering record collector turned eminent rock and roller, his influence is vast, far-reaching and woefully unsung – until now. Feel the Music traces Paul’s singular trajectory from his early days in the Midwest, through his years in the New York punk scene, and headlong into his trailblazing career as a connoisseur of the weirdest records of all time. Illustrated throughout with unseen photographs from Paul’s personal scrapbook and eye-popping rare record covers and animated by Paul’s witty, inimitable storytelling style, Feel the Music is a deluxe tour through the farthest-out reaches of rock and roll history.
FEEL THE MUSIC: THE PSYCHEDELIC WORLDS OF PAUL MAJOR PAUL MAJOR WITH JOHAN KUGELBERG AND MARK IOSIFESCU
9781944860073
£50.00
Spirit of 76 John Ingham
When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the very heart of the scene. Struck by the music, fashion, and sheer iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the first interview with the band, partied with its members, and even bailed Sid Vicious out of jail; he also witnessed and documented the group’s evolution at legendary gigs shared with other pioneering punk bands in their earliest days, including the Damned, the Clash, Subway Sect, and more. The result is Spirit of 76: London Punk Eyewitness, a revelatory collection of photography and fly-on-the-wall reportage showcasing the punk movement from its most raucous, bewildering beginnings.
Party in the Back Tino Razo
In Party in the Back , celebrated skateboarder Tino Razo has documented—and shredded—abandoned backyard swimming pools throughout Southern California. The resulting body of work, showcased here for the first time in Tino’s book, elevates itself beyond a bunch of thrill-seekers navigating the suburban landscape, juxtaposing rene gade sessions by world class skateboarders with dramatic architectural photographs of a lost American dream. Party in the Back is a lyrical photo-eulogy for this disappearing pool culture, bathed in the golden Southern Californian light.
PARTY IN THE BACK TINO RAZO INTRODUCTION BY JULIEN STRANGER ISBN: 9781944860035 $40.00 / £35.00 / 38.00€
HARDCOVER 8.25” X 11” | 192 PAGES
RETAIL DELUXE EDITION ISBN: 9781944860042 $80.00 / £65.00 / 75.00€ INCLUDES HARDCOVER BOOK, SLIPCASE, FOLD-OUT POSTER, AND SIGNED PHOTO PRINT.
Flying Saucers Are Real! Jack Womack
Flying Saucers Are Real! is a catalogue of the Jack Womack UFO library and a history of one of the 20th century’s most pervasive subcultures. The collection presents an unknown wealth of images taken from mid-century flying saucer books and extensive text by the author-collector outlining the history of the UFO phenomenon and opining on the selections. The book also features an introduction by science fiction author William Gibson.
Crude Intentions Grace Srinivasiah & Alex Tults
Crude Intentions is a collection of true stories of women’s experiences with sexual harassment and assault, illustrated by over thirty talented female artists from around the world. First-person experiences are interwoven with secondary accounts that are filtered and interpreted through the eyes of another woman to emphasize the collective female experience.
This zine features work from illustrators including Tara Booth, Frances Cannon, Amber Vittoria, Kristen Liu-Wong, Sibba Hartunian, Aurélia Durand, and many more.
Sacred Bones
Sacred Bones Books is the printed matter imprint of Sacred Bones Records, a Brooklynbased record label. Sacred Bones Records has garnered international recognition for working with artists like John Carpenter, David Lynch, and Zola Jesus, but they retain their cult underground following as well, through smaller curated releases from some of the best punk and experimental artists.
Sacred Bones Books was created in 2014, serviced as a new platform for some of the label’s long-time collaborators. Moving from an as-needed release schedule to a fuller and more traditional two season release schedule, the imprint is ramping up its focus on producing titles that, like the record label, represent a range of counter cultural interests.
SACRED BONES BOOKS IS DISTRIBUTED BY ANTHOLOGY EDITIONS IN THE UNITED STATES AND AVAILABLE THROUGH INGRAM PUBLISHER SERVICES. FOR INTERNATIONAL INQUIRIES, PLEASE CONTACT CARRIE@SACREDBONESRECORDS.COM.
FAMILY: The Source Family Scrapbook
Isis Aquarian, Charlie Kitchings, Jodi Wille
FAMILY: The Source Family Scrapbook provides an intimate view into the world of California’s legendary utopian community, The Source Family. This immersive docu ment is a facsimile of original scrapbooks assembled by Source Family member and historian Isis Aquarian between 1972-1977. Vivid life-size reproductions are presented here as they were originally laid onto the page, edited only for flow. These richly tex tured documents illuminate the group’s public adventures and private world through hundreds of never-before-seen photographs, newspaper clippings, letters, manifestos, and flyers, mapping an intimate, epic history of the group’s incandescent rise and even tual unraveling. Includes extensive captions by the authors and an essay by Jodi Wille.
FAMILY: THE SOURCE FAMILY SCRAPBOOK ISIS AQUARIAN, CHARLIE KITCHINGS, JODI WILLE ISBN: 9780999609989 ON SALE: NOVEMBER 2022 $50.00 HARDCOVER 12” X 12” | 220 PAGES
SKYDANCE
FAITH HUBLEY, ILLUSTRATED BY ELIZABETH SWADOS
ISBN: 9781944860486
ON SALE: MARCH 2023 $19.99 / £16.99 / 18.99€
HARDCOVER
9” X 7” | 32 PAGES
BLACKLIPS: HER LIFE AND HER MANY, MANY DEATHS ANOHNI AND MARTI WILKERSON ISBN: 9781944860530
ON SALE: MARCH 2023 $75.00 / £70.00 / 70.00€
HARDCOVER | *PENDING SPECS
EMPIRE ROLLER DISCO
PATRICK D. PAGNANO
TEXT BY MISS ROSEN ISBN: 9781944860448
ON SALE: APRIL 2023 $32.00 / £28.00 / 32.00€
HARDCOVER
8” X 10.75” | 112 PAGES
LSD WORLDPEACE
JOE ROBERTS
ISBN: 9781944860547
ON SALE: MAY 2023 $40.00 / £38.00 / 40.00€
HARDCOVER
9.5” X 12” | 160 PAGES
OBSTREPEROUS
TED GREENWOOD
ISBN: 9781944860479
ON SALE: NOVEMBER 2022 $19.99 / £16.99 / 18.99€
HARDCOVER 7.5” X 11” | 48 PAGES AGES 4-8
AFTER ALL IS SAID AND DONE: TAPING THE GRATEFUL DEAD, 1965-1995
MARK A. RODRIGUEZ
ISBN: 9781944860509
ON SALE: SEPTEMBER 2022 $50.00 / £40.00 / 45.00€
HARDCOVER
10” X 10.75” | 320 PAGES
TRY TO TELL A FISH ABOUT WATER
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