Dystopian Dreams

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DRIFT

DYSTOPIAN DREAMS Christopher Chen, 1003927 STUDIO LEADER: Blair Smith SEMESTER 2, 2018

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PARTIS SKETCH - NOTION OF FREE MOVEMENT 6 7

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Nisho is an activist, and a teacher in her spare time. She sees the children as hope for the future in a chaotic world, and hopes to guide them towards a more peaceful existence The design places emphasis on freedom of motion through distinct pathways. The overhang represents the embracing arms of a guardian, mentor or parental figure, guiding and nurturing the youth through development until they are ready for the next phase in their lives. The various levels hints at the diverse aspects of life, and the physical exploration of these levels implies that in order to experience these aspects, one must leave their comfort zone. NARRATIVE AND IDEAS

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Lassez Faire: French for ‘let do’ Pedagogy ideal where the more significant other allows the mentee to develop through their own decision making and exploration of self. Christopher Chen, 1003927 STUDIO LEADER: Blair Smith SEMESTER 2, 2018


Perspective I

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Perspective III

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The design emphasises scale and form, and the main site of exchange aims to foster social, and physical exchange.

Christopher Chen, 1003927 STUDIO LEADER: Blair Smith SEMESTER 2, 2018


Perspective V

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Perspective VII

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Embodiment of fluidity and natural progression, unhindered by restrictions and limitations.

Christopher Chen, 1003927 STUDIO LEADER: Blair Smith SEMESTER 2, 2018


MATERIAL STUDY - Seat

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PERSPECTIVE Overhang serves as “embracing arms” which nurture, guide and protect while allowing spatial and idealogical freedom.

Christopher Chen, 1003927 STUDIO LEADER: Blair Smith SEMESTER 2, 2018


PERSPECTIVAL SECTION

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Christopher Chen, 1003927 Blair Smith: SEMESTER 2, 2018


Lassez Faire: French for ‘let do’ Pedagogy ideal where the more significant other allows the mentee to develop through their own decision making and exploration of self. Embodiment of fluidity and natural progression, unhindered by restrictions and limitations. Overhang serves as “embracing arms” which nurture, guide and protect while allowing spatial and idealogical freedom. The design emphasises scale and form, and the main site of exchange aims to foster social, and physical exchange. No set progression for the path. While distinct, how one goes about experiencing various levels is undefined.

SECTION - SCALE 1:500

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PERSPECTIVAL SECTION

Christopher Chen, 1003927 STUDIO LEADER: Blair Smith SEMESTER 2, 2018


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