A PUBLICATION FOR ALUMNI, DONORS AND FRIENDS
DEAR FRIENDS OF CCS,
W
inter semester is well
record-breaking fundraising and attendance.
CO-CREATION
underway, and I have good
Proceeds from this annual event support
news to share, as the
scholarships for CCS students and directly
College continues to
benefit thousands of Detroit students each
affirm its commitment to
year through our Community Arts Partnerships
People can’t always tell you in words about their unmet needs. If they could, they would probably no longer be unmet. COTS, an organization that serves families in need of temporary shelter, worked with CCS Integrated Design master’s degree students to create a set of effective, “touchpoint action” tools for communications. These tools utilized visualization techniques to help COTS unify and empower people from diverse cultural, economic and social backgrounds to act.
developing innovative programs and recruiting
(CAP) program.
world-class talent. Enrollment in Fall semester
The 35th DIWA will take place on Saturday,
was up, with 1,461 students enrolled and 580
October 15, with 2016 chairs Matthew Simoncini,
living on campus — more than ever before.
President, CEO and Director of Lear Corporation,
In Fall 2015, we launched the new BFA in
and CCS alumna Mona Simoncini ’89, Graphic
Fashion Accessories Design, and we expect the
Communication. Our business partnerships are
program to be a great success. This four-year
doing exceptionally well. On the collaboration
course of study is one of only a few such pro-
front, 180 companies engaged with the College
grams specializing in the creation, design and
last year, by either recruiting interns or hiring
manufacture of accessories in the United States.
alumni, hosting lectures or running corporate-
To head the program, we were excited to
sponsored research projects. These projects
welcome renowned footwear and accessories
enable companies to experience CCS talent
designer Aki Choklat. Aki brings a wealth of
first-hand, and our students form valuable
experience and leadership in fashion design
career relationships.
education to CCS. The College also welcomed
These partnerships also help CCS nurture
internationally recognized concept artist and
talent for the next generation, as does the
alumnus Tim Flattery (’87, Industrial Design),
College’s partnership with you: we could not
who joined the College as the new Chair of
offer programs of such high quality without
Entertainment Arts, our largest department.
your support. Thank you, and I look forward
Tim is one of Hollywood’s foremost concept
to sharing more good news at the end of the
artists, and we are thrilled to welcome him back
school year.
to CCS. He and Aki will help lead us to even higher levels of creative excellence.
Sincerely,
Thanks to the leadership of Co-Chairs Daniel Ammann, President of General Motors, and Pernilla Ammann, a partner at Mother New
York, the Art of Wine: 34th Detroit International
Richard L. Rogers, President
Wine Auction (DIWA) had another year of
College for Creative Studies
GRAPHIC DESIGN USA MAGAZINE NAMES COLLEGE FOR CREATIVE STUDIES A 2015 TOP DESIGN SCHOOL. Two thousand sixteen Winter
CCS NEWS + NOTES
NEWS + NOTES CCS
DETROIT INTERNATIONAL WINE AUCTION DAZZLES 2015 KRESGE ARTIST FELLOWS
34TH ANNUAL EVENT RAISES RECORD-BREAKING $3 MILLION
R
Kresge Arts in Detroit (KAID), administered by CCS, has aising nearly $3 million, The Art of Wine:
to 550 guests, who enjoyed a delicious, five-course meal
SAVE THE DATE
awarded literary and visual
34th Annual Detroit International
by Forte Belanger. Grammy-winning artists Macklemore
The 35th Detroit
fellowships to 16 individual artists
Wine Auction (DIWA) — CCS’s largest
and Ryan Lewis performed a rousing set to kick off the
International Wine
and two collectives working in
fundraiser — was one of the most
Cadillac-sponsored after-party.
Auction will be held
metropolitan Detroit. Now in its
inspiring and successful to date.
DIWA also garnered $1.1 million in sponsorships — led
October 15, 2016, led
seventh year, the Kresge Artist
Chaired by Daniel Ammann, President of General Motors,
again this year by presenting sponsor Gallagher-Kaiser
by Chairs Matthew
Fellowships annually recognize
and Pernilla Ammann, a partner at Mother New York,
Corporation. Dinner with the Ammanns — one of the
Simoncini, President,
emerging and established
the gala event took place at the Coleman A. Young
biggest lots of the evening — sold twice for $100,000.
CEO and Director,
metropolitan Detroit artists
International Airport, which had been dramatically
Proceeds from DIWA benefit undergraduate scholarships
Lear Corporation
whose diverse creative practices
transformed into an elegant Mad Men-era airline terminal.
for talented CCS students and free arts programs for more
and CCS alumna Mona
reflect vision and excellence.
Featured Vintner Jackson Family Wines, represented
than 4,000 Detroit kids through the College’s Community
Simoncini ‘89, Graphic
Three of the literary fellow-
by Caroline Shaw, generously poured their top vintages
Arts Partnerships (CAP) program.
Communication.
ships awarded went to members of the CCS community: George Tysh, who teaches film studies and poetics in the College’s Liberal Arts Department, and Lillien Waller, a writer in CCS’s Office of Institutional Advancement. A visual arts fellowship was awarded to alumna Annica GRAPHIC POSSIBILITIES
Cuppetelli ‘02, Crafts. The
Study abroad students drew inspiration from various Detroit sites, including Tyree Guyton’s Heidelberg Project, above.
fellowships each consist of an unrestricted $25,000 grant and a year of intensive professional development.
ART EZ AT CCS
“From the traditional to the experimental, the work of the
STUDY ABROAD STUDENTS RESEARCH DETROIT
2015 Kresge Artist Fellows exemplifies the creativity that continues to enliven our city
T
and capture the attention of the art world,” said Kresge Arts in
he Graphic Design department hosted the first Summer Sessions, a study abroad group
Detroit Director Michelle Perron.
from ArtEZ Institute of the Arts in Arnhem, the Netherlands, from July 31 through
“The fellows represent the depth
August 17. Seventeen international students researched the city of Detroit and new
and multiplicity of Detroit’s
roles for designers and other creatives in the processes of urban economic and cultural
artistic communities.”
regeneration. Designers examined Detroit as a template for the possibilities of design
This year’s nine literary arts and
in the wake of deindustrialization. Using a broad array of methods, the designers researched sites
11 visual arts fellows include a
throughout the city, including Design 99, The Heidelberg Project, Russell Industrial Center, Hamtramck
graphic novelist, a metal sculptor, a
Disneyland, auto factories, Belle Isle, Brightmoor, Southwest Detroit and Indian Village. In addition
freestyle poet, a performance duo
THE ART OF WINE
to Dutch designers, the faculty included American guest tutors, and Graphic Design alumni Kikko
and a new media arts collective.
Clockwise from left: Pernilla and Daniel Ammann; Caroline Shaw of Jackson Family Wines and Richard L. Rogers, President of CCS; Kay and Gary Cowger, Vivian Pickard and Don Manvel; Macklemore and Ryan Lewis perform for the crowd; April Wagner, Lisa Nederlander, Mara and Yousif Ghafari, Mary and Tony Barra.
Paradela (2010) and Nina Bianchi (2004).
Visit www.kresgeartsindetroit.org
2 Winter 2016
Highlights included the symposium, “A Summer Storm,” lectures and open debate exploring different
to view profiles of this year’s
approaches to new graphic design practices.
Artist Fellows.
www.collegeforcreativestudies.edu 3
CCS NEWS + NOTES
NEWS + NOTES CCS
PROFESSOR AWARDED $30,000 FROM KNIGHT FOUNDATION
NEWARK MAYOR TOURS CPAD PROJECTS
CCS COMMUNITY RECOGNIZED IN ANNUAL KNIGHT ARTS CHALLENGE DETROIT
COMMUNITY PROGRAMS HELP NEIGHBORHOODS THRIVE
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I
he John S. and James L. Knight Foundation has awarded $30,000 to Dr. Michael Stone-Richards, in conjunction with the Alexandrine St. Seminars and the College for Creative Studies, in its Knight Arts Challenge Detroit program.
The grant will go toward production of future volumes of the contemporary art
and culture journal, Detroit Research, founded and edited by Stone-Richards. The journal
two tours, highlighting the organization’s work in Detroit’s North End neighborhood. In one of the tours titled “Community Arts and Neighborhood Development: A Higher Education Approach,” Newark Mayor Ras J. Baraka, members of his cabinet and a
contingent representing New Jersey-based foundations toured CPAD
is concerned with developing a critical language for talking about “the most challenging post-studio
DC3 HIRES NEW EXECUTIVE DIRECTOR
n October, community+public arts: DETROIT (CPAD) hosted
and studio practices emerging in Detroit within a national and international framework.” A professor
projects. This Newark/Detroit Learning Exchange was organized by
of literature, philosophy and art history at CCS, Dr. Stone-Richards is one of 57 award recipients who
Sharnita Johnson of the Geraldine R. Dodge Foundation.
will receive more than $2.5 million for their arts ideas.
CPAD also was featured in a CCS-led tour of Detroit art projects during the Association of Independent Colleges of Art and Design (AICAD) Social
Olga Stella is the new
OTHER CCS KNIGHT ARTS CHALLENGE WINNERS INCLUDED:
Practices Conference at the College.
Executive Director of the Detroit Creative Corridor Center (DC3), a joint venture of CCS and Business Leaders for Michigan. Stella previously served as Chief Operating Officer of the Detroit Economic Growth Corporation (DEGC), a non-profit that supports existing businesses and brings new companies and investments to the city. In more than nine years at the DEGC, Stella developed award-winning programs, led reorganization efforts, championed policy initiatives, and raised $29 million in federal, state and philanthropic resources. Her direct efforts generated more than $300 million in private sector investment in Detroit. She created and oversaw DEGC’s $2.5 million Creative Corridor Incentive Fund, which helped generate more than $50 million in investment in the corridor; and she served on DC3’s advisory board. She holds B.A. and Master of Public Policy degrees from the University of Michigan.
• Hamtramck Free School, co-founded by Jonathan Rajewski, 2015 Kresge Artist Fellow
Both tours highlighted community partners and CPAD projects,
in the Visual Arts and gallery coordinator of the Valade Family Gallery at CCS
including “The Illuminated Mural” and “Earth and Sky Repose,” a creative
• Corktown Studios, featuring alumni Lisa Poszywak (’09, Fine Arts) and Paula Zammit (’12, Fine Arts)
landscape in the Oakland Avenue Community Garden and Greenhouse.
4 Winter 2016
• Popps Packing, founded by alumni Faina Lerman (’04, Fine Arts) and Graem Whyte (’96, Fine Arts) • CAVE Gallery, which includes collaborators Kylie Lockwood (’05, Fine Arts) and Adam Shirley (’93, Crafts) • Burnside Farm, founded by adjunct faculty member Kate Daughdrill • Christina deRoos, Co-Director of Spread Art and Deputy Director of Kresge Arts in Detroit • Scott Hocking (’00, Fine Arts) for his project to bring art into communities using former commercial signage to illuminate famous artworks • Sidewalk Festival of the Performing Arts, curated and founded by Ryan Myers-Johnson, Program Manager at Kresge Arts in Detroit
I’VE MADE NEW FRIENDSHIPS, EVOLVED MY SKILLS AS AN ARTIST, AND ALSO HAD FUN. – AJANI MURPHY, DETROIT NEIGHBORHOOD ARTS CORPORATION (DNAC) ARTIST
Other partners include the North End Christian CDC and the Oakland Avenue Artists Collection.
NEIGHBORHOOD DEVELOPMENT
Above: “The Illuminated Mural” by Katie Craig and Brandon Dougerty. The colorful mural flows down the side of a nine-story building on East Grand Boulevard in the North End.
• Detroit Historical Museum, working with several CCS photography students to “Re-Document” Detroit In October, the Knight Foundation announced that it will fund the Knight Arts Challenge in Detroit for another three years until 2018. The Foundation’s investment in Detroit arts totals $110 million since 2008.
WINNING INITIATIVE: SUMMER WORKSHOP FOR INTERNATIONAL DESIGNERS TWO-WEEK PROFESSIONAL DESIGN CAMP TEACHES ADVANCED CONCEPTS AND METHODS
T
he first CCS Professional Design Camp was offered
taught by Professor, Provost,
in June 2015, an initiative developed to introduce
and Vice President for Academic
advanced design processes and methodologies
Affairs Sooshin Choi. Guest
to professional designers and design executives
lecturers and evaluators included
from outside the United States. The workshop is
Ford Motor Company Futurist Sheryl
part of the College’s continuing expansion of international programs.
Connelly; Sundberg-Ferar Vice
Eight professionals from a range of design companies in Hangzhou,
President Jeevak Badve; Whirlpool
China, participated in two one-week workshops presented at the
Corporation Lead Industrial
CHALLENGING ART
A. Alfred Taubman Center for Design Education.
Designer Michael Kahwaji; and
The first issue of Detroit Research (left). Dr. Michael Stone-Richards, above, will use the grant toward future volumes of the journal.
The first, the Role of Future Scenario Planning in Design, was
Suzette Malek, Global Research
EDGY DESIGN
taught by Professor and Dean of Graduate Studies Joanne Healy.
Manager, Global Societal Trends +
The second, Breakthrough Innovative Design Methods, was
Innovation Insights, General Motors.
Subtle and innovative watch can be tied anywhere.
www.collegeforcreativestudies.edu 5
CCS NEWS + NOTES
NEWS + NOTES CCS
GROWING THE CCS COMMUNITY NEW ADMINISTRATIVE STAFF JOIN THE COLLEGE
CCS ALUMNI COUNCIL The College for Creative Studies Alumni Council comprises alumni across all majors, industries and graduation years. The Council is responsible for several initiatives designed to engage alumni and current students and to support the College’s fundraising efforts. Members assist with planning alumni events and receptions and play a vital role in the development of new alumni programs.
ALUMNA CREATE SOCIAL-IMPACT DESIGN THAT GOES BEYOND GOOD LOOKS
The 43rd annual Noel Night heralded the holiday season on
December 5. Events included a reception for alumni and their families, with activities for the kids, and the alumni/student art sale. All proceeds support scholarships for CCS students. The annual phonathon yielded $6,300. If you would like to make
“Once you invest time and you are part of the making, it’s hard not to have
THE GREATER GOOD
a gift, visit giving.collegeforcreativestudies.edu/phonathon.
a connection,” said Nina Bianchi ’04, Graphic Design, partner at The Work
The Work Deptartment projects make complex ideas accessible to non-designers. The studio partners with organizations and individuals – including, in one case, parents – to create impactful designs.
Department. “We see a lot of success when we’re able to work alongside folks instead of working in a vacuum.”
THE COLLEGE WITH GIFTS OF $1,000 OR MORE:
Clockwise: Dona Lantz, Associate Provost for Curriculum; Michelle Cade, Assistant Provost for Student and Global Affairs; and Gina Finney, Director of Human Resources
2015 PEACOCK SOCIETY
W
he College welcomed three new administrative staff in Fall 2015: Dona Lantz, Associate Provost for Curriculum; Michelle Cade, Assistant Provost for Student and Global Affairs; and Gina Finney, Director of Human Resources. They each bring extensive experience to their new roles. Dona Lantz spent the last 15 years as the Academic Dean at Moore College of Art where she oversaw 10 undergraduate programs, five graduate programs, and developed a number of new BFA and MA/ MFA curricular initiatives. Lantz is experienced in accreditation and assessment process development, which will serve her well during the College’s ongoing curriculum review process. Michelle Cade has worked in higher education for more than 13 years. She joins CCS after a five-year tenure at Marygrove College as Assistant Director of the Success Center, International Programs Specialist and Director of International Programs, which will support her mandate to expand CCS’s global outreach initiatives. Gina Finney has more than 20 years of experience in higher education, K-12 schools, and the automotive and aerospace engineering sectors. She previously served as Human Resources Manager for Aernnova Engineering US, Inc., a specialist in the design and manufacture of aero structures and components. Prior to this, she was Assistant Director of Human Resources at Delta Community College and a consultant for Lansing Community College.
6 Winter 2016
hat Bianchi describes is a design practice in which the
Department is dedicated to
accessible to different audiences —
target audience has a voice in the process. It goes by many
human-centered and participa-
something that has become
names — co-creation, user-centered — but they all amount
tory design processes. Running
a hallmark of their work.
to what pioneering designer Patricia Moore described as
an all-woman workplace, the
On a project with Detroit
designing with people and not for them.
duo has for nearly seven years
Head Start Learning Network,
“It’s not about the aesthetics all the time; we’re okay with that,” explained
tried to expand the boundaries
Cole explained that The Work
Ms. Susan M. Sage
partner Libby Cole ’04, Graphic Design. “To us, it’s about using this background
of what design can be — who
Department partnered with
Ms. Darcel M. Deneau
Mr. Joe Schaden
that we have for the greater good. We have a matrix when we take on a client.
should have access and how it can
parents throughout the process.
Mr. Tim Flattery
Mr. Stephen N. Schock
Are we going to be proud of this work? Will we be able to sleep at night?
help strengthen communities.
They helped create and write
Mr. Ralph V. Gilles
Mr. Mark W. Sengbusch
Cole and Bianchi planted the seeds for this socially conscious design ethic as
And they are succeeding. The
language and make designs.
Ms. Lenore Y. Gimpert
Mr. Robert Sestok
students at CCS. Founded in 2009, their Detroit-based studio The Work
Work Department has taken on
“If we’re going to reach people in
Mr. Clifford L. Harris
Mrs. Mona M. Simoncini
projects with a range of local,
a useful way, we have to put our-
Mr. Douglas S. Harris
Mr. Kaiser Suidan
national and international clients
selves where they are,” Cole said.
Mr. Kevin Heinl
Ms. Lois Teicher
from Detroit Future City to the
For Commotion, a program
Mrs. Michelle M. Hinebrook
Mr. Glenn R. Triest
Open Technology Institute at
supported by funds from the
Mrs. Katherine M. Huber
Mrs. Molly P. Valade
the New America Foundation.
National Telecommunications
Mr. John W. Ingle III
Ms. April M. Wagner
Bianchi noted, “In partnership
and Information Administration
Ms. Karen Koziatek
Mr. Joshua Wojick
with grassroots communities
and the U.S. Department of State,
[facilitated by Allied Media
Cole and Bianchi developed an
Projects Detroit] we secured a
open source software platform
nearly $2 million broadband
that was eventually deployed
technology opportunities
abroad in Asia and Eastern
program grant. That sort of
Europe. The two became well
partnership — that leverages the
known for the technological
power of social-impact design
aspects of design, but as Bianchi
between a large foundation
points out, “We struggle with the
and a grassroots organization —
definition of design. It is often
is sort of unheard of.” The
interaction design, process design,
two helped design and plan an
systems design, policy design —
open-source software platform,
all coming together to bridge
making complex information
conversations and communities.”
Mr. Sam Ajluni
Mr. Chris M. Nordin
Mr. Ralph E. Allured*
Ms. Michelle L. Plucinsky
Mr. Thomas E. Allured
Mrs. Suwichada Press
Ms. Michelle Andonian
Mrs. Miriam E. Prussack
Ms. Nicole Barbour
Ms. Kara A. Roche
Mrs. Marcia Bonahoom
Ms. Lauren Romanowski
Mrs. Jennifer S. Chope
Mr. Steve Leslie Mr. Andrew M. Madvin Mr. Robert M. Madvin Mrs. Ann Mikolowski*
*Deceased. This list includes gifts of art sales proceeds.
CRYSTAL (SCULPTURE)
Jenna Vanfleteren ‘15, Crafts, 24” x 18” x 18”. Fiber, black, silver and multi-colored fabric.
PHOTOGRAPHY BY JAY ROSENBLATT, COURTESY: LIFE ON MARS GALLERY
T
THANK YOU TO CCS ALUMNI WHO SUPPORT NEW FACES
www.collegeforcreativestudies.edu 7
FEATURE
THE BIG REVEAL: DESIGN CHIEFS, AUTO SHOW LOOK TOWARD THE FUTURE TRUSTEES CALLUM, GILLES AND WELBURN ON WHAT CCS DOES WELL
The Transportation Design Program at CCS is widely acclaimed as the finest in the world. Indeed, much is expected of our graduates who swell the ranks of every major car design studio in the United States.
8 Winter 2016
A
day work for FCA, Ford Motor Company and General Motors design studios. Gilles’ team rolled out the 2017 Chrysler Pacifica minivan, which turned
LEADING DESIGN
heads at this year’s NAIAS and promises to reinvent a category Chrysler
Heads of design at the Big Three car manufacturers, Moray Callum, Ralph Gilles and Edward T. Welburn, Jr., oversee the auto designs of tomorrow. Opposite page: The turbocharged 2017 Ford Fusion V6 Sport.
helped create. The eight-passenger vehicle comes in both gasoline and hybrid versions, putting Town and Country to rest and ushering in the industry’s first electrified minivan. “More than one-third of the people in the FCA US design office earned degrees at CCS, including me,” explained Ralph Gilles. “As Industrial Design has evolved, CCS has kept pace by adding critical courses in the rapidly expanding
Above, clockwise from left: Two views of the head-turning 2017 Chrysler Pacifica minivan, a reinvention of this category. Below: GM’s award-winning Buick Avista concept coupe boasts next-generation technology.
digital arts field. Students can find relevant classes on Infotainment, Human Machine Interface and Interior Design — all of which align perfectly to leading consumer trends and the evolution of Transportation Design. CCS is located in
General Motor’s Buick Avista concept coupe touts not only sculptural
the heart of Detroit; as a result, the FCA design team remains active on campus
beauty but also sophisticated technology, featuring next-generation
and thoroughly enjoys interacting with the talented and diverse student body.”
QuietTuning, advanced air-quality control and noise cancellation technology.
The refreshed 2017 Ford Fusion, a perennial bestseller from Callum’s
The vehicle received the EyesOn Design Award for Design Excellence —
team, includes the V6 Sport performance sedan, the refined Fusion Plati-
Concept Car, the second year in a row for Buick. The Avista also was
uto design students at CCS have
No other Transportation Design program in the
num with antiqued cocoa and Venetian leather interior, and the Fusion
awarded The Detroit News’ Reader’s Choice for Best Future Concept.
the distinct opportunity to study
world comes close to this particular brain trust, whose
Hybrid and Fusion Energi, a plug-in hybrid. Every model is also packed
“At GM, we are committed to strengthening the city we call home,” said
in Detroit, the city that started it all.
design leadership is on display each year at the North
with next-level technology.
Ed Welburn. “There is so much creative energy in Detroit, and the unpar-
As a result, they have access to a deep
American International Auto Show (NAIAS) in Detroit.
“Any new program requires a careful balance of young and more experi-
alleled academic opportunities provided by CCS are a key ingredient to
well of industry knowledge from elite
Ralph Gilles, Ed Welburn and Moray Callum lead
enced designers to succeed,” said Moray Callum. “There is often a misconcep-
growing the city’s identity as a center for innovative design — while also
faculty to the Board of Trustees — three of whom are the
design teams that offered some of this year’s most
tion that young designers start off by doing wheels and door handles, but that
helping attract even more creative talent from around the world. We look
heads of design at each of the Big Three car manufacturers:
memorable reveals at the 2016 NAIAS.
really isn’t the case: it is important to involve young designers from the start.
forward to GM Design’s continued partnership with the school.”
MORAY CALLUM is Vice President, Design, Ford
C Magazine took a look at some of the winning in-
“The Transportation Design program at CCS plays a critical role in ensur-
As the heads of design for the Big Three or as members of the Board
Motor Company; CCS alumnus RALPH GILLES, ’92,
novation on offer at the Detroit Auto Show and asked
ing that new designers are ready for any project, providing them not just
of Trustees, Callum, Gilles and Welburn share a profound commitment
is Head of Design — Fiat Chrysler Automobiles (FCA),
these three design leaders what they had to say about
with the necessary skills to push new designs forward, but also with a level
to excellence. That’s an immense benefit to CCS Transportation Design
Global; and EDWARD T. WELBURN, JR., General
the College whose mission they champion and its role
of maturity that allows them to fulfill a design brief in the most appropriate
students who will one day work in the studios that produce some of
Motors is Vice President for Global Design.
in training young designers — many of whom will one
way and with solutions that are challenging and feasible.”
NAIAS’s most exciting designs
www.collegeforcreativestudies.edu 9
FEATURE
MURALS IN THE MARKET CCS ALUMNI LEAVE THEIR MARK ON DETROIT’S HISTORIC EASTERN MARKET
FEATURE
Key changes signal a city on the rise — new business, for example, or increasing home values. A beautifying landscape is an important part of revival, too, and Detroit is becoming renowned for its vibrant and imaginative public murals.
T
TO MARKET, TO MARKET
he most recent addition
Mural images opposite page, clockwise: Sydney G. James, Eugene Carland (Michael Burdick and James Noellert), Brian Lacey. This page, above (left to right): Kobie Solomon, Michelle Tanguay, Shaina Kasztelan. Below: Jesse Kassel.
to this local art scene is the inaugural MURALS IN THE
murals can be seen all over the city. “Detroit is
block parties, live music, a pop-up shop and
[of the world], they have real, positive benefits.”
MARKET FESTIVAL,
now becoming a place where artists and others
a featured artist exhibit at Inner State Gallery.
The Murals in the Market team is, in the spirit
co-produced by the Eastern Market
want to come to flourish.”
The festival tapped into Eastern Market’s existing
of many public placemaking projects, hosting an
Corporation and Inner State Gallery/
“I think this will be the inaugural event for
status as a central gathering place for Detroiters,
“Adopt a Mural Program.” Businesses and individual
1xRUN, a gallery and fine art print
Detroit,” she added, “like Art Basel is to Miami
encouraging art- and community-based tourism
art supporters have the opportunity to sponsor
publisher, both co-founded by CCS
or Art Basel is to Basel, Switzerland. And I think
that not only shows out-of-towners a different
a mural from their favorite artist.
alumnus DAN ARMAND ’05, Illustration.
it can not only beautify the area but take a
side of the city, but also beautifies the area
Each sponsored mural will feature a commem-
“It’s the first international mural
culture that has kind of been here already
for residents. Armand hopes the festival
orative plaque. For more information, visit
festival in Detroit,” said Armand of the
and make it even bigger.”
will continue.
www.muralsinthemarket.com.
event, held from September 17-25.
In addition to enabling visitors to watch dozens
“We’ve always had the history of doing public
“We brought out over 25 artists from
of artists painting in and around the market,
art in the city. But hopefully this will get a bigger
WATCH A VIDEO of Murals in the Market
all over the world and paired them with
Murals in the Market energized the district with
conversation going,” explained Armand. “We’ve
online at www.collegeforcreativestudies.edu/
20 artists from Detroit to paint murals
artist talks, workshops, bicycle and walking tours,
seen from doing these festivals in other parts
campus-life/ccs-tv.
all over Eastern Market.” Of the 20 Detroit artists participating in the festival, eight are alumni of the College for Creative Studies: Michael Burdick, Sydney G. James, Jesse Kassel, Shaina Kasztelan, Brian Lacey, James Noellert (painting under the moniker Eugene Carland with Michael Burdick), Kobie Solomon and Michelle Tanguay. “It says a lot that almost half of the artists from Detroit have graduated from CCS,” Armand said. “It speaks a lot to the caliber of the school.” Sydney G. James ’01, Illustration, also noted that while the festival marks a first for the city, the event taps into — and helps expand — an existing public art culture in which hundreds of authorized
www.collegeforcreativestudies.edu 11
FEATURE
ELITE NEW FACULTY CCS PROGRAM OFFERINGS STRENGTHENED BY NEW DEPARTMENT CHAIRS
The College for Creative Studies welcomed two internationally recognized designers in Fall 2015. Tim Flattery heads Entertainment Arts — CCS’s largest department — and Aki Choklat leads the new BFA program in Fashion Accessories Design.
A
KI CHOKLAT, renowned designer
of footwear and accessories, brings a wealth of experience in both industry and education to lead the new BFA in Fashion Accessories Design. He has held
numerous positions with top-tier, international fashion
MODERN CLASSICS
leading film directors, such as Steven Spielberg,
with companies such as Disney, Sony Pictures,
labels and, most recently, was the Creative Director for
Above: “Falcon” shoes from the Privé collection by Aki Choklat.
Tim Burton, Robert Zemeckis and Brad Bird, on
Cartoon Network, Nickelodeon and Dreamworks.
a number of high-profile film projects – including
CCS’s alumni network and the College’s
1980s blockbuster Back to the Future II, recent box
connections to the entertainment industry
office hits The Hunger Games, Captain America:
give current students exposure to industry
Winter Soldier, and Tomorrowland; and highly
leaders and extensive opportunities for
anticipated films such as Star Trek 3, slated for
internships and job placements with a wide
release in 2016. In addition, he designed and
array of media companies.
supervised full-size construction of the Batmobile
“CCS is one of the best design schools in the
for Batman Forever and the Fantasticar for
country and gave me the skill set and confidence
Fantastic Four: Rise of the Silver Surfer. Flattery
to build the career I’ve always envisioned,” said
has also dedicated his career to nurturing the next
Flattery. “It’s a wonderful opportunity for me to
THE FUTURE TODAY
generation of entertainment designers. Before
return to my roots and instill the next generation
Clockwise from left: “Bad Goliath” by Tim Flattery, left; Aki Choklat; “Robert,” shoes from the Privé collection; and rocket interior from Tomorrowland. Above: Near Field Communication – enabled bag by Choklat.
joining CCS, he chaired the Entertainment Design
of entertainment industry artists and designers
Department at Art Center College of Design.
with the same amazing guidance I received many
Entertainment Arts, consisting of Animation,
years ago, but give them unparalleled access to
Game Design and Video, is CCS’s largest program.
industry experts that have thoughtful insight
Its alumni are pursuing highly successful careers
into this ever-evolving field.”
in socio-cultural influencers and the consumer. In addition, he directs his own London-based label of shoes, handbags
leather goods and accessories
notice, and with their rich history and
and accessories, including the first bag collection to allow
hardware. Among only a few such
excellence in product design and crafts
wireless communication between the bag and smartphones
programs in the country, it links strong
disciplines, as well as strong industry
via a Near Field Communication microscopic tag. He helped
creative development to knowledge
partnerships, it’s a wonderful place
establish and lead the Footwear and Accessories master’s
of manufacturing, trend forecasting,
to give young fashion accessories
degree program at Polimoda, Italy’s leading fashion school,
market research and merchandising for
designers the platform they need for
with Ferruccio Ferragamo at the helm, and has taught at
a comprehensive view of the industry.
future success. Detroit is bursting with
the London College of Fashion and De Montfort University.
“Fashion accessories represents
promise, and I’m excited to re-establish
Choklat is also a celebrated author of many design books,
billions in revenue annually and is a seg-
myself and lend my experience to
one of which, Footwear Design, is considered the leading
ment that continues to grow, yet there
a city with such a prosperous future.”
authority on shoe design.
are few institutions in the United States
A 1987 graduate of CCS with
The CCS BFA in Fashion Accessories Design, which
preparing the next generations of
more than 40 film credits to his
launched in September, educates students in the design
accessories designers,” said Choklat.
name, concept artist and educator
and manufacture of products such as footwear, handbags,
“CCS is one of few schools taking
TIM FLATTERY has worked with
12 Winter 2016
PHOTOGRAPHY FOR AKI CHOKLAT COURTESY OF REGGERO MENGONI
London-based agency trendstop.com, which specializes
www.collegeforcreativestudies.edu 13
FEATURE
FEATURE
master’s level are united by a passion to
INTERACTION DESIGN
conceptualize and improve our shared future. As JOANNE HEALY, Dean of Graduate Programs and creator of the MFA IxD program at CCS explains, “Many backgrounds provide preparation for Interaction Design, which is why IxD students come from an array of fields — design, certainly, but art and technology, too. In all cases students have a strong portfolio with disciplined work and successful aesthetic execution. The reality is that
UNIQUE OPPORTUNITIES OF THE CCS MFA
every student in the CCS MFA program is as unique as the program itself.” There’s another notion that all graduate programs in IxD offer training that is the same,
Everyone knows we have thousands of interactions every day — with physical objects and products, digital devices and other people. But not everyone knows about interaction design, a new field that is focused on, that’s right, designing those interactions. There are huge opportunities and huge challenges from today’s technology and today’s complicated world, and CCS is participating in this critical field with its MFA Interaction Design program.
more or less. But the MFA Interaction Design experience at CCS is unique because of its
INNOVATING INTERACTION
curriculum and its location. PAUL PANGARO,
Interaction Design students at CCS become experts at modeling interaction and conversation – between technology and its users.
Ph.D., the recently appointed Chair of the program says, “Our uniqueness starts with our curriculum, grounded in three key design literacies. First, students develop a deep capability with systems — a timeless framework for understanding the complexities of evolving technologies and
I
platforms. Systems literacy also brings design insights about business markets and social
The quality of modern design is grounded in
nteraction design (or IxD) is an evolving
electronics we use, like refrigerators and phones,
challenges. Of course, conversations are also
a deep understanding of human needs, which
discipline for creating products and
tablets and televisions, as well as the cars
systems of human interactions, and conversation is
comes to MFA IxD students from semester-length,
services to fulfill human needs. Before
we drive, the websites we surf, and how we
required for learning, collaborating and innovating —
hands-on courses in user research. Interaction
interaction design, tech products came
experience everything from department stores
therefore conversation is a key literacy. And design
designers must also have hands-on skills with
mostly from an engineering mindset.
to hotels to airlines. They enable rich experienc-
today inevitably involves teamwork, so IxD
coding and physical prototyping for Internet
Today, design sensibility leads development and
es not only for the world we live in now but also
students acquire collaborative literacy through
of Things, the revolutionary new technology
incorporates compassion, creativity and craft.
for the world we want to live in. Interaction
group projects and reflective practice over the
platform that is overtaking global markets today.
Despite the field’s relative newness, interaction
designers take the future seriously.
course of their two-year MFA experience.”
Students become skilled at the rich interplay of
designers already have a huge impact on our
There’s a notion that a strict design background
Deep traditions of quality and craft have been
usability research, ideation, iterative prototyping
everyday lives and how we spend our time.
is necessary in order to excel at interaction
vibrant at CCS throughout its century-long history
and testing, all necessary to today’s most
Their work is embedded in the appliances and
design. Yet Interaction Design students at the
and are carried forward in the IxD curriculum.
successful designs that delight and engage.
14 Winter 2016
CCS IxD also offers its unique location.
In the end, CCS interaction designers will
Detroit’s vibrant communities of design and
work in scores of industries as product managers
industry give students first-hand experience
and content strategists; as visual and motion
with how value creation has amplified from
designers, information designers and design
manufacture of products to flows of information
researchers; or as community managers,
across today’s networked global economy. Local
front-end developers and systems architects.
industries, their suppliers and their design firms
But, no matter their title or role, they will
all offer rich opportunities for internships
know the power and limits of technology and
and employment. Detroit also affords direct
will have the imagination to think beyond those
exploration of social, economic and environmen-
limits. They will be disciplined and effective
tal challenges, reflecting concerns at a national
collaborators who design solutions that are
and global level, which are constantly on the
not only marketable but share a sense of
minds of students today.
global responsibility.
www.collegeforcreativestudies.edu 15
CORPORATE PARTNERSHIPS CCS
CCS FACULTY
CORPORATE PARTNERSHIPS
HYUNDAI AMERICA TECHNICAL CENTER
Companies across the globe realize that design plays an increasingly crucial role in the competitiveness of their products and in moving the creative economy forward. As a result, CCS’s Corporate Partnerships are expanding.
MFA Transportation Design students explored and identified new symbiotic opportunities between the aviation and land vehicle transportation industries.
SOMERSET COLLECTION
ULTRASUEDE
SOMERSET COLLECTION
Interior Design students developed
Illustration and Crafts students
unique vehicle interior design
created one-of-a-kind shopping
WINTER 2015
solutions that considered demo-
bags that were auctioned off at
INNOVATING
JABIL
graphics and lifestyle trends, brand
an April wine auction.
SOLUTIONS
Product Design students were
language and heritage, and a target
The Metafora system tracks equipment, reduces delays in patient care and improves patient transport and tracking.
challenged to explore the “Internet
customer base.
of Things” resulting in a strategic
Junior Automotive Design stu-
roadmap for the company’s role in the
SHINOLA
dents made random selections
future of smart city, smart agronom-
Product Design, Graphic Design,
of a passenger load and a route
ics, smart retail and smart healthcare.
and Crafts students developed
somewhere around the world and
branding and design opportunities
designed a vehicle for 2025 to
for Shinola’s various accessories
meet those unique needs.
TANK AUTOMOTIVE RESEARCH
JABIL
product lines.
DEVELOPMENT AND ENGINEERING CENTER (TARDEC)
PUBLIC LIGHTING
Junior Vehicle Design students
AUTHORITY OF DETROIT
CALTY DESIGN RESEARCH
SHELTER (COTS)/FORD
designed a lightweight tactical
Photography students documented
Students in the Senior Automotive
MOTOR COMPANY FUND
mobility vehicle.
the restoration effort in Detroit
Exterior studio designed a vehicle
COTS launched its new Passport
through photographs and video
that would appeal to members
to Self-Sufficiency program — wrap-
slide shows.
of Generation Z in 2025.
around services designed to address
JMC STEEL GROUP
HENRY FORD INNOVATION INSTITUTE AWARDS FELLOWSHIP TO STEPHEN SCHOCK
FIAT CHRYSLER AUTOMOBILES
COALITION ON TEMPORARY
Fine Arts students designed site-
the underlying issues facing women
specific outdoor sculptures using
and families in one of its transitional
hollow structural steel.
housing centers. In partnership with COTS, MFA Integrated Design
HENRY FORD HEALTH SYSTEM
students conducted research;
CCS Product Design Professor Stephen Schock and his team of Henry Ford Hospital employees won the inaugural Henry Ford Innovation Institute’s
Interior Design students focused
explored, evaluated and generated
Davidson Fellowship for Entrepreneurs in Digital Health competition. Professor Schock was one of 21 fellows selected to compete in the nine-month
on patient-centered design solu-
program to develop digital healthcare products for commercialization.
tions and functionality within HFHS.
W
“
co-creation tools to help COTS ensure that its interactions with its clients are
CALTY DESIGN RESEARCH
having the intended effect; and made WARDSAUTO
recommendations about client con-
e were all very dedicated to our projects
given the tools and support to develop new digitally enabled solutions
Students in the Senior Automotive
tact points. The project was funded
because we wanted to create something
that address the healthcare challenges of tomorrow.
Interior studio designed an SUV
by the Ford Motor Company Fund
that had value, and actually addressed
Professor Schock and his team conducted research on the patient experi-
or crossover vehicle interior aimed
through the Ford Community Corp,
a real need in healthcare,” Schock said.
ence and patient transfer. They created a business plan and developed a system
at active professionals in 2030.
which will continue to support local
As the global healthcare landscape continues
called Metafora, a digital product that uses proximity beacon technology to
The vehicle was autonomous and
non-profit organizations through
to change, there is a need for new approaches to healthcare that are
track equipment, reduce delays in patient care, and improve patient way-find-
allowed the driver full control for
projects focused on “Socially
more effective, informed and efficient. The competition brings together
ing, transport and tracking. Metafora was selected by a panel of entrepreneur-
adventurous recreational pursuits.
Responsible Service Design.
innovators, educators and corporate partners from around the world
ial experts as “Best Concept for Commercialization.” Plans are being made for
to create new technologies and companies focused on the intersection
further development, beta-testing and a clinical pilot in fall 2015 at the Henry
DELPHI
BE INSPIRED
of healthcare and information technology.
Ford Hospital in West Bloomfield. “The greatest challenge was bringing all of
Students in the Junior Automotive
Participate in a corporate-
Fellows received instruction and mentorship from experienced clinical
the pieces of the solution together to make it real — the technology, software,
Interior Design studio designed
sponsored research project with
entrepreneurs, graduate-level instructors, investors and intellectual
hardware and brand. We had to go from nothing to a branded company with
a 2030 vehicle with the theme of
CCS students. Visit our website
property practitioners. Working in multidisciplinary teams, fellows were
a believable and useful product in eight months,” said Schock.
“Safe, Green and Connected.”
or call 313.664.7460.
16 Winter 2016
HENRY FORD HEALTH SYSTEM
201 East Kirby Detroit, MI 48202 www.collegeforcreativestudies.edu
Presorted Non-Profit U.S. Postage PAID Permit No. 250 Grand Rapids, MI
BOARD OF TRUSTEES Keith E. Crain, Chair Lynn F. Alandt, Vice Chair Alphonse S. Lucarelli, Secretary James H. Vandenberghe, Treasurer Robert H. Bluestein Thomas C. Buhl Darrell Burks Moray S. Callum Frank Campanale Thomas Celani Lois Pincus Cohn Van E. Conway Gary L. Cowger KC Crain Matthew P. Cullen Gretchen Davidson Linda Dresner David T. Fischer Alfred J. Fisher III Nathan M. Forbes Ralph Gilles Nancy Grosfeld Sheila F. Hamp David M. Hempstead Danialle Karmanos James M. Nicholson William U. Parfet Roger S. Penske Sandra E. Pierce Stephen R. Polk Waltraud E. Prechter James E. Press John Rakolta, Jr. Michael T. Ritchie Richard L. Rogers, President Sydney L. Ross Lloyd A. Semple Anthony L. Soave Eleanor F. Sullivan Molly P. Valade Edward T. Welburn, Jr.
The College for Creative Studies is a nonprofit, private college authorized by the Michigan Education Department to grant bachelor’s and master’s degrees. CCS is an accredited institutional member of the National Association of Schools of Art and Design and is accredited by the Higher Learning Commission. Documents regarding accreditation are available in the Executive Office upon formal request. The College for Creative Studies subscribes to the principle of equal opportunity in its employment, admissions and educational practices and strives to provide an educational environment and workplace free from unlawful harassment or discrimination. Discrimination, including harassment, because of age, race, color, national origin, religion, sex, sexual orientation, marital status, disability or any other characteristic protected by law is strictly prohibited.
4 Fall 2011